ANDREW NATHAN FORNEY a collection of works | portfolio
Andrew Forney
Third Year Architecture Intern Designer I
EDUCATION University of Kansas Candidate for Master of Architecture expected graduation - Spring 2015 GPA [3.82] Pennsylvania State University B. Arts in Integrative Arts concentration: architecture / 3D Major GPA [3.20]
SKILLS Revit Vasari Ecotect FloVENT 3D Studio Max AutoCAD Maya 8.0 Google Sketchup Suite Chief Architect FormZ RadioZity Adobe Creative Suite Quarks Xpress Macromedia Flash Final Cut Pro Soundtrack Pro BlueBeam Revu Microsoft Office Suite Hand Sketching Hand Modeling Construction
P: 814.932.2916 E: aforney008@gmail.com W: issuu.com/andrewn.forney
AWARDS 2014 AIAS Kansas Design Citation Award 2013 Howard Nearing/NSPJ Housing Award 2013 Water Charrette
received recognition out of 33 entries [including architects + students] studio sponsored competition researching multi-family housing “Most Sustainable Solution”72 hour school-wide competition
2006 1st Prize - Event Card
graphic design competition of 100+ students
2006 Antrim Township Adaptive Re-Use
Honorable Mention and presented to township and event guests
EXPERIENCE Studio 804 08.2014 - Present • managing the BIM Model for the 2015 project [single family residence] pursuing Net Zero, Passive House, LEED Platinum
• •
designing and building the staircase
•
assembled multiple project proposals for many projects that varied in size and scope [including historical research, precedent studies, estimates, market analyses, etc.]
•
completed remaining finish work on the Forum [the addition to Marvin Hall]
exploring multiple materials, collaborating with specialists to choose appropriate material[s], and sourcing local vendors to obtain material through donations
Treanor Architects 08.2013 - 08.2014 • Part-time position in the Student Life Studio concurrent with studies
•
worked on multiple projects in all aspects of the design phase [including SD,, DD, CD] to produce final renderings, schematic design documents, and construction drawings
•
one of three members selected to facilitate site analysis charrette
Freelance Designer 06.2013 - 07.2013
References Available Upon Request
Collaborated with a studio professor on a new residence located in Sri Lanka [including: final renderings and dimensioned drawings]
07.2008 designed an animated Power-Point presentation for a pharmaceutical company 03.2008 created promotional renderings for a homebuilding company
Envinity Inc. 09.2008 - 05.2012 • worked with clients on customized, sustainable, and energy efficient residences from initial design phase to construction documents; construction •
provided drawings for code compliance for renewable energy systems and assisted in the installation of these systems [photovoltaic, solar hot water, and wind turbines]
•
supported the building performance contracting portion of the company providing residential energy audits and performed the work suggested in audit [ventilation, air sealing, and insulation]
•
designed a multitude of promotional material for various trade shows, presentations, and case studies
Jaru & Associates Inc. 12.2007 - 09.2008 • headed large format color portion of firm, including image editing and graphic design while providing customer service from ordering to invoicing
BACHELORS Penn State University PROFESSIONAL
PERSONAL MASTERS University of Kansas
Paper Forest
Reflections
Blade
Fetch
L.I.F.E. Laboratory
Healing through Architecture
Additional Space
Reaching Out to Lawrence
Incubate This
Maguffin
Eco-Structure
Map and Extrude
Wickrama House
Contemporary Bank Barn Beach
Entertainment Stand
Rammed Earth Residence
Elevated Eating
Modest Timber Frame
Forgotten Bridge | Decay
Janney Postcard
Complex Geometry
Lang Kroll - Framing Model
Lemont Folly
Community Center
Mutter Museum Expansion
The Bookcase
Exploring Piranesi
Glean and Re-Use
Exercises in Style
BACHELORS ACHELOR Penn State University PROFESSIONAL
PERSONAL MASTERS University of Kansas
Paper Forest
Reflections
Blade
Fetch
L.I.F.E. Laboratory
Healing through Architecture
Additional Space
Reaching Out to Lawrence
Incubate This
Maguffin
Eco-Structure
Map and Extrude
Wickrama House
Contemporary Bank Barn Beach
Entertainment Stand
Rammed Earth Residence
Elevated Eating
Modest Timber Frame
Forgotten Bridge | Decay
Janney Postcard
Complex Geometry
Lang Kroll - Framing Model
Lemont Folly
Community Center
Mutter Museum Expansion
The Bookcase
Exploring Piranesi
Glean and Re-Use
Exercises in Style
L.I.F.E. LABORATORY This building will act as the main locations for both the center for sustainability as well as environmental design. The design will incorporate a level of representation and explanation through syntactical means, informing the users of its functionality and purpose. The L.I.F.E. (living institution of
As the project is intended to serve as an example of future higher education institutional buildings in terms of its programming and design, it shall also serve as an example of elegant passive design and its role moving forward. Through the rational outlined within the University of Kansas Campus Sustainability Plan (ukcsp), the building
functioning ecologies) Laboratory will act as an anchor for innovation way and the development of all future projects at KU.
should respond by placing focus upon the factors outlined within the Executive Summary (ukcsppg. 11).
Andrew CITATION N. Forney | Portfolio A.I.A. KANSAS AWARD 9
NORTH ENTRY
SOUTHERN VIEW FROM PATH
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CIRCULATION
INNOVATION ON WAY
JAYHAWK TRAIL
SUNPATH DIAGRAM
“As we live and as we are Simplicity - “S” is difficult to comprehend these days. We are no longer truly simple. We no longer live in simple terms or places. Life is a more complex struggle now. It is now valiant to be simple: a courageous thing to even want to be simple. It is a spiritual thing to comprehend what simplicity means.” - Fwank Lloyd Wright
SOUTHERN SOUTHE OUTHERN HERN HE N EXPOSURE EXP EXPOSU EX POSURE U EXCELLENT FOR EXCELLENT PLANTT LIFE
N 50’
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200’
400’
DIAGRAM
OFFICES OFFICES
OFFICES
OFFICES
AUDITORIUM
THIRD FLOOR LABORATORY
MECHANICAL
CLASSROOMS
SECOND FLOOR
LIVING MACHINE MECHANICAL
MECHANICAL
FIRST FLOOR
CIRCULATION
PHOTOVOLTAIC ARRAY
EXTERIOR PATIO
GREEN ROOF
GLUELAM COLUMNS GLUELAM BEAMS
STRUCTURE
SEPARATE MECHANICAL SYSTEM
MECHANICAL
BEARING POURED CONCRETE WALLS
STAGE 5 STAGE 1
ACOUSTIC CLOUD
STAGE 2
ACOUSTIC CLOUD
STAGE 3 STAGE 4
SOUND DEFLECTORS
AUDITORIUM
0
25
50
100
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WEST ELEVATION 05
10
20
SOUTH ELEVATION 30
50
05
ROOF PLAN
10
20
30
50
GROUND LEVEL
1 CLASSROOM 2 BREAKOUT SPACE 3 CONFERENCE ROOM 4 ECO MACHINE LAGOON 5 MULTI-PURPOSE ROOM
A
B
D
A
F
E
B
C
D
F
E
6 LECTURE HALL 7 OFFICE HOTELING SPACE 8 OFFICES
40’ - 0”
40’ - 0”
40’ - 0””
40’ 0 - 0”
40’ - 0”
40’ - 0”
40’ - 0”
40’ - 0”
40’ 0 - 0”
9 LABS 10 MECHANICAL/STORAGE 11 ECO MACHINE TANKS
1 1
1
1
42’ 2 - 0” 0
42’ - 0”
3
2
2
2
2
3
3
4
4
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EAST ELEVATION 05
10
20
PERSPECTIVE SECTION 30
05
50
10
20
30
50
BASEMENT LEVEL
LOWER LEVEL
1 CLASSROOM
1 CLASSROOM
2 BREAKOUT SPACE
2 BREAKOUT SPACE
3 CONFERENCE ROOM
3 CONFERENCE ROOM
4 ECO MACHINE LAGOON
4 ECO MACHINE LAGOON
5 MULTI-PURPOSE ROOM
5 MULTI-PURPOSE ROOM
A
B
40’ 0 - 0”
D
40’ - 0”
40’ - 0”
F
E
40’ - 0”
40’ - 0”
6 LECTURE HALL
B
A
C
D
6 LECTURE HALL
F
E
7 OFFICE HOTELING SPACE
7 OFFICE HOTELING SPACE
8 OFFICES
8 OFFICES 40’ - 0”
9 LABS
40’ - 0”
40’ - 0”
40’ - 0”
9 LABS
40’ - 0”
10 MECHANICAL/STORAGE
10 MECHANICAL/STORAGE
1
11 ECO MACHINE TANKS
11 ECO MACHINE TANKS
1
1
1
e e
42’ - 0”
42’ - 0”
b
2
2
10
2
2 3
3
g
4
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3
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1
GYPSUM WALLBOARD
17
2
RIGID INSULATION
3
BATT INSULATION
4
1” PROTECTION BOARD
5
ALUMINUM PANEL SYSTEM
24 11
4' - 0"
39
22
ROOF
6
DOUBLE INSULATED GLAZED GLASS
7
GLUE LAMINATED BEAMS 8 3/4”x 24”
8
L-ANGLE-BOLTED CONNECTION L9x9x3/8
9
L-ANGLE-BOLTED CONNECTION L4x4x5/16-HEX
10
84’ - 6”
38
18
BLOCKING
13
LVL-LAMINATED VENEER LUMBER 1 3/4 x 14
14
CAR WOOD COMPOSIT FLOOR 2X 6
15
NOMINAL CUT LUMBER 2 x 4
2
16
STEEL BASE PLATE 1”
17
17
GRAVEL FILL
14
18
TIMBER-COLUMN 8 3/4 x 16”
19
CONCRETE FOUNDATION
16' - 0"
A
35
UPPER FLOOR
1' - 9 1/4"
68’ - 6”
20
CONCRETE SLAB
21
STONE QUION 8“ x 8”
22
DRAINAGE PIPES 8” PVC
23
COLUMN CAP END CC98
24
FLASHING 12“, 8” , 6” (AS DRAWN)
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LOUVER DOUBLE SKIN
26
SPIDER CONNECTION
27
STEEL COLUMN CONNECTOR (SEE DETAIL COLUMN CONNECTOR)
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TRENCH DRAIN-9 5/16”
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STRUCTURAL CABLE
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CURTAIN WALL
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INSULATED SPANDREL PANEL
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RECTANGULAR DUCT 12“ x 12”
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SUPPLY DIFFUSER 24x24 FACE 12 x 12 CONNECTION
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DOWNLIGHT-RECESSED CAN 6“ INCANDESCENT-120V
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GLASS RAILING CUSTOM 5’
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CANT STRIP WOOD SECTION
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GREEN ROOF ASSEMBLY- NOMINAL THICKNESS 15”(SEE DETAIL GREENROOF) INTENSIVE
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CUSTOM STEEL BRACKET (FOR BEAM TO COLUMN CONNECTION)
39
LIGHT FRAME STEEL STUD WALL
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CUSTOM BRACKET (COLUMN TO CONCRETE FLOOR)
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CONSTRUCTED WETLANDS
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PHOTOVOLTAIC PANEL
43
POURED CONCRETE TOPPING
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ROUND STEEL COLUMN
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BOARD FORMED CONCRETE WALL
46
CONCRETE RETAINING WALL
47
WATERPROOF MEMBRANE
48
CONCRETE FOOTING
49
HANGER BRACKET
50
CONCRETE BEAM
51
HOLLOW STEEL TUBE
52
DRIP EDGE
53
FIRE STOP INSULATION
54
EXPANSION JOINT
c. SEPARATION FABRIC 1/8” d. INTENSIVE SOIL MIX 9”
2' - 6 3/4"
6 3' - 6 3/4"
2
14
30
7
6' - 7 3/8"
36
1' - 5 7/8"
53’ - 6”
DETAIL A
a. PROTECTION MAT 1/4” b. GRANULAR DRAINAGE 6”
31
17
UPPER FLOOR 68' - 6"
2” STONE VENEER
12
17
7
GROUND FLOOR
STOREFRONT 5“ MULLION
11
A
DETAIL A - AXONOMETRIC
UPPER ROOF 93' - 6"
ROOF 84' - 6" 52 31
UPPER FLOOR 68' - 6"
18
14' - 0"
30
17
GROUND FLOOR 53' - 6"
17 46 22 47 48 19
BELOW GRADE 38' - 6"
41
2 BELOW GRADE
7
38’ - 6”
0
1
2
4
af
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B
1
C
24
36 24 11
5' - 6 1/8"
45
38 42 2 44 5' - 2 23/32"
43 14 7
7
2
17
47
38
42
7
14
43
DETAIL B 45 6
30
ROOF
19' - 2 7/16"
84’ - 6”
31
D
E
F
DETAIL B - AXONOMETRIC
47 17
19 UPPER FLOOR 68’ - 6”
19' - 9 15/32"
17
48
22
ROOF PLAN
LONGITUDINAL SECTION
0
5
10
20
30
50
GROUND FLOOR 53’ - 6”
LONGITUDINAL SECTION
0
1
2
4
af
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Healing Through Architecture CO
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Transcribing a datum line that drew parallel to the tornado path onto the site created a scar that brought life to our site, and became the core of our design. The mixed income multifamily housing project reflected the concepts and materials that were
areas and private residents.
explored in the hybrid model.
came to the community and while not focusing on the destruction per say, but on enhancing the fondness and the bonds that were created between the individuals in the community.
The datum line became a circulation space that sparks interaction and movement between the community
The idea of representing the past tornadoes’ path through a rustic metal sheet as a main sense of traffic flow, corridor, helps bring back the realization of the destruction that
H
Andrew N. Forney | Portfolio HOWARD NEARING / NSPJ AWARD23
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HYBRID MODEL The hybrid model was an “experiment” in design. It is to be seen as an object d’art and stand on its own. This model was to articulate and embody the site forces and express the overall design strategy. Material selection and aesthetic quality expressed the underlying concepts
ross between
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SCULPTURE and ARCHITECTURE TURE. Andrew N. Forney | Portfolio
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SECTION MODEL A sectional “cut-away” structural model of the building. Using the hybrid model for guidance, the section model helped articulate the overall design of the building. It’s focus was to explore the sectional and spatial qualities of the design as well as focus on the structural system hierarchy.
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19
18
17
16
15
14
2
Roof Height 92' - 0"
Level 8 80' - 6"
Level 7 69' - 0"
Level 6 57' - 6"
Level 5 46' - 0"
Level 4 34' - 6"
Level 3 23' - 0"
Level 2 11' - 6"
Ground Level 0' - 0"
N
1’
Below Grade -12' - 0"
WEST ELEVATION
BASEMENT FLOOR
BUILDING OCCUPANTS
30
SECOND FLOOR
BAFFLED ENTRY
+ MOORE COMMUNITY
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GROUND FLOOR
1
2
3
4
5
6
7
8
9
10
11
12
13
Roof Height 92' - 0"
Level 8 80' - 6"
Level 7 69' - 0"
Level 6 57' - 6"
Level 5 46' - 0"
Level 4 34' - 6"
Level 3 23' - 0"
Level 2 11' - 6"
Ground Level 0' - 0" 1’
WEST
Below Grade -12' - 0" SOUTH ELEVATION 1/4” = 1’ - 0”
SOUTH ELEVATION
THIRD FLOOR
FOURTH & EIGHTH FLOOR
FIFTH & SIXTH FLOOR
EIGHTH FLOOR
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STEEL TRUSS STRUCTURE
DS
R PO
ULA
D MO
PARKING GARAGE APARTMENTS
CORTEN STEEL SCREEN
CORTEN STEEL FACADE STEEL BRIDGE
- ACCESS TO AMENITIES IN PROPOSED PARK
6W GL
STUDIO - ADA
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1 BEDROOM - ADA
2 BEDROOM - ADA
2 BEDROOM + DEN - ADA
2 STORY - 2 BEDROOM
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Additional Space Located behind Marvin Hall on the University of Kansas campus; the auditorium is nestled in the negative space provided by Marvin Hall, the Art & Design building, and “The Bridge� computer lab connecting the two. A compact form allowed for a minimal disturbance of the existing site and the pedestrian circulation. The auditorium in form contrasts from its surrounding buildings. Passively
heating and cooling the space as well as providing natural light was a large component to this design. The glazing on the sawtooth wall facing West provides a diffused light to enter the space, while the southern facing walls collect the outdoor air and pass it through the floor system and into the auditorium. A glass acoustic cloud provides all attending with an invisible but crisp audio experience.
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JAY HA WK
MA RV IN IN STU D
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SITE PLAN
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BO ULE VA RD
B
UP
UP
UP
UP
DN
UP
UP
DN
UP
DN
C
C
UP
A
B
SECOND FLOOR PLAN
N 0 1
SCALE: 1/8” = 1’ - 0”
FIRST FLOOR PLAN
5
10 FT.
SECOND FLOOR PLAN
LONGITUDINAL SECTION [A] SCALE: 1/8” = 1’ - 0” 0 1
5
10 FT
EAST-WEST SECTION Andrew N. Forney | Portfolio
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AUDITORIUM - LOOKING EAST
INTERSTITIAL SPACE LOOKING WEST
Acoustic Diagrams FT.
38
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2
1
GREEN ROOF
3 4
GLUELAM TRUSS SYSTEM
CURTAIN WALL
GLUELAM COLUMNS
5
STADIUM SEATING
6
7 GLAZING
PRE-CAST CONCRETE PANELS
OPEN STEEL BEAM SYSTEM WHITE CONCRETE PANELS
8 9 OXIDIZED COPPER CLADDING
1
12
EXPLODED AXONOMETRIC
11
10
12
2
MINIMUM 3' - 0"
3
3 1/2” x 15 1/2” GLUELAM BEAM 5 1/2” x 15 1/2” GLUELAM COLUMN CUSTOM STEEL BRACKET @ COLUM - FLOOR, COLUMN - BEAM 3/4” PRE-OXIDIZED COPPER INSULATED WALL PANEL ALUMINUM CLIP SYSTEM HORIZONTAL METAL Z FURING STRIPS 3/4” ZIP WALL SHEATHING R -21 5 1/2” LIGHT GAUGE STEEL STUD WALL 5/8” INTERIOR GYPSUM WALLBOARD
5
AUDITORUM SEATING
6
6: SLOPED CAST-IN-PLACE CONCRETE SLAB 3/4” STEEL DECKING PERFORATED 16” STEEL W-FLANGE 3 1/2“ LIGHT GAUGE STEEL STUD FURRING WALL 3/4” CEDAR T&G CEILING
7
LOUVERED VENTS
8 9
16” DIA. CAST-IN-PLACE CONCRETE COLUMN
11 12
AXONOMETRIC
PARAPET FLASHING SLOPED BLOCKING
4
10
Passive Cooling / Shading
EPDM ROOFING 4” SLOPED RIGID INSULATION 6” RIGID INSULATION 1/2” STEEL DECK SUSPENDED WOOD CEILING
1/4’ TEMPERED GLAZING DRAIN 18: BOARD-FORM CAST-IN-PLACE WALL 6” POURED IN PLACE CONCRETE FLOOR
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Reaching out to Lawrence A mixed use development adjacent to the existing Lawrence Arts Center accommodates both living and working space for resident artists. Dividing the building with a public open space, the building reaches out to the community inviting residents in to participate in the activities the arts center provides. The building
demarcates public space with expanses of glass to view the artists while keeping the private residences secluded behind the public wing of the building.
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PROCESS WORK 42
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12 15
16
16
DN
12
DN
14
15
14 16
12
UP
UP
UP
UP
UP
UP
UP
UP
1’
THIRD FLOOR
15 16 15
13 11
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19
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UP DN
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UP 14
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6 3 8
UP
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1 UP 5
UP
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2
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2 UP
UP
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1. STORAGE 2. MECHANICAL SPACE 3. DARK ROOM 4. WOOD SHOP 5. METAL SHOP 6. EXHIBIT SPACE 7. MISCELANEOUS SHOP 8. LOBBY SPACE 9. SANITATION ENGINEER SPACE 10. GARBAGE LOCATION 11. PRIVATE GALLERY 12 OUTDOOR SPACE 13. CONCESSION SPACE 14. ARTIST STUDIO SPACE 15. PERSONAL GALLERY 16. MAIN GALLERY 17 EXISTING MECHANICAL SPACE 18. EXISTING PERFORMANCE SPACE 19. EXISTING GALLERY
2
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T E I V ACES P ERS I D E N R
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LONGITUDINAL SECTION
1’
NORTH ELEVATION
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WEST ELEVATION
NEW ADDITION
THI TH TTHIR HIR H HIIRD IRD FFL IR LO OO OR O R THIRD FLOOR
UP UP
CORNER GALLERY
SECO SEC ECO E CO C O ON ND N D FFLOOR LOOR OOR OO O OR OR SECOND
FIRST FLOOR
CONDO - KITCHEN
GROUND FLOOR
1’
EXISTING ARTS CENTER
CROSS SECTION
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Incubate This Located on an empty lot next to the Eldridge on Massachusetts Street between 7th and 8th Street, a new business incubator . The program called for space to house local businesses that are just getting off of the ground. Natural light for all of the business functions that would go on in this space became important, thus tucking the building to the
North and carving three light wells four floors down the five story building accomplished this. Communal spaces are formed from residual space from the individual offices at the East and West Ends of the building. A prominent red wall demarcates the circulation of the building, and the Eastern facade incorporates the elevational language found in neighboring buildings.
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THIRD FLOOR PLAN
FOURTH FLOOR PLAN
CIRCULATION
LOBBY SPACE
MULTIPURPOSE ROOM
CONFERENCE ROOM
CROSS SECTION
EAST ELEVATION
AERIAL PERSPECTIVE
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SEA LEVEL
T
EE
XF
-X
- 33 FEET
Maguffin
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H X 20.5
- 99 FEET
HEIGHT
The materials were gathered from our performance specification. The cabinet measures 72” tall x 35” x 35”. Steel and Plexiglas were the main mediums for the cabinet. I welded a frame of angle iron, and pop-riveted sheet steel onto this frame, The top opens to reveal a Plexiglas column that is inserted from the top of the cabinet much like descending into the depths of the ocean.
- 66 FEET
HEIGHT
Jacques Cousteau, provided inspiration to create a performance specification that influenced both a building and ultimately a cabinet.
W
W
STUDENT
PERFORMANCE SPECIFICATION
W
BUILDING
- 99 FEET
- 66 FEET
- 33 FEET
H
SEA LEVEL
W
CABINET Andrew N. Forney | Portfolio
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RECLAIMED WATER TOWER STEEL PLASTIC BOTTLE CANOPY RECLAIMED CAR HOODS SITE SIT IITE E PL PLA P PLAN LLA AN
Eco-Structure The farmers market activates the parking lot on Vermont Street between 10th and 11th Street in downtown Lawrence Kansas. Summer is harvesting season, and the sun is very intense. Sun control was the main driving force behind this design. A canopy of discarded plastic bottles shades the thoroughfaires while a dismantled water tower and discarded car hoods provide shade for the market vendors and the visitors to the Farmers Market. PLASTIC BOTTLE SHADING STUDY
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FINAL MODEL
MAP AND LAYER 3-Dimensional Space The interpretation of a given Picasso painting, which is a two-dimensional painting into a three-dimensional space was the purpose of this studio.
ASSEMBLY DIAGRAM
HEIGHT DIAGRAM
ORIGINAL PICASSO SWATCH
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BACHELORS ACHELOR Penn State University PROFESSIONAL
PERSONAL University of Kansas
Paper Forest
Reflections
Blade
Fetch
L.I.F.E. Laboratory
Healing through Architecture
Additional Space
Reaching Out to Lawrence
Incubate This
Maguffin
Eco-Structure
Map and Extrude
Wickrama House
Contemporary Bank Barn Beach
Entertainment Stand
Rammed Earth Residence
Elevated Eating
Modest Timber Frame
Forgotten Bridge | Decay
Janney Postcard
Complex Geometry
Lang Kroll - Framing Model
Lemont Folly
Community Center
Mutter Museum Expansion
The Bookcase
Exploring Piranesi
Glean and Re-Use
Exercises in Style
WICKRAMA HOUSE MAHARAGAMA, SRI LANKA The project consisted of designing two residential units, one of them for rental purposes, within an irregular shaped lot, primarily facing west for views of the street from main living lounges and bedrooms. The design was conceived as ‘three spatial slices’ arranged in a staggered pattern following the plot shape, with prominent load bearing
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brick walls demarcating the spatial divisions. Living spaces are recessed deeply into these ‘slices’ for shelter from the intense tropical sun, with additional shade provided from projected balconies and metal canopies. Atrium-like open voids inside both units induce natural stack ventilation for a cooler interior.
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CONSTRUCTION PHOTOGRAPHS FINAL PHOTOGRAPHS
CONTEMPORARY BANK BARN Spring Mills, Pennsylvania “Old and Modern at the same time� was the clients request; a simple gabled roof atop rectilinear form fits within the language of the local bank barns in the area. The North facing slope accommodated a two car garage within the form of the building. The southern facade ungulates to accommodate interior programs and also creates
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outdoor living space. The exterior cladding of the building echoes visually the weathered cladding of neighboring buildings. Corrugated steel was added to juxtapose the dark cement cladding.
lower floor of the house.
Utilizing the limited amount of passive solar the site was able to give, the living spaces are flooded with light, and the stairwell directs light into the
Notable sustainable features are SIP [structural insulated panels] for the roof, a geothermal system a perdesigned photovoltaic system.
Programatically, the western end of the building is the public realm, while the eastern end of the house is apportioned with walls and is much more private.
PUBLIC PRIVATE
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PERSPECTIVE: SOUTHERN FACADE
RAMMED EARTH RESIDENCE Boalsburg, Pennsylvania An earth-bermed house relying on passive solar design and thermal mass were the driving concept for the residence. The house would harmoniously blend in to its surroundings through earth-berming, a SIREWALL [Structurally Insulated Rammed Earth] and a green roof.
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1 1. SKETCH 2. FLOOR PLAN PERSPECTIVE
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The single curved southern SIREWALL as the focal point on the southern facade, while including an interior SIREWALL for thermal mass that
would absorb heat given off of the masonry heater. The house steps to the North to mimic the slope and create a sense of privacy away from the public space within the residence. The large exterior porch on the west end of the house was designed to keep the house sheltered from the intense rays of the setting sun as well as provide an outdoor entertainment space for the homeowner.
PERSPECTIVE: TIMBER-FRAME
PERSPECTIVE: NORTH PORCH
MODEST TIMBER FRAME Spring Mills, Pennsylvania The clients for this house were in the process of starting a small farm, and the home was to become the beginning of their homestead. Minimalists at heart – the design was a compact tall-posted cape – an early style of home with four-foot knee walls at the second floor on each loadbearing wall. The lower floor was the mainstay of the home including the kitchen, dining, and living rooms, master bedroom, and only bathroom. The upper floor was a large bedroom
for their numerous children to share. Their dedication to environmental stewardship was extremely evident as well– reclaimed cabinetry and salvaged materials would be used for the kitchen and greenhouse. The house boasted a photovoltaic array and a composting toilet. The basement of their home was to be the beginning of their small farm (sorting, storing, and processing the vegetables).
FIRST FLOOR PLAN
SECOND FLOOR PLAN
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BACHELORS ACHELOR Penn State University PROFESSIONAL
PERSONAL University of Kansas
Paper Forest
Reflections
Blade
Fetch
L.I.F.E. Laboratory
Healing through Architecture
Additional Space
Reaching Out to Lawrence
Incubate This
Maguffin
Eco-Structure
Map and Extrude
Wickrama House
Contemporary Bank Barn Beach
Entertainment Stand
Rammed Earth Residence
Elevated Eating
Modest Timber Frame
Forgotten Bridge | Decay
Janney Postcard
Complex Geometry
Lang Kroll - Framing Model
Lemont Folly
Community Center
Mutter Museum Expansion
The Bookcase
Exploring Piranesi
Glean and Re-Use
Exercises in Style
ENTERTAINMENT STAND Reclaimed Carcass + Scraps The original piece was a misfit at the local Goodwill store covered in blue vinyl while the triangular base was covered in a vibrantly blue carpet. I stripped the entire piece down to the carcass and raised the lower drawers (conversely shortening the upper drawers). I finished the existing particle board drawer faces with a sealer. The table-top is assembled from scraps of walnut, cherry, pine, and oak.
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ELEVATED EATING Discarded Material A fellow employee found two slabs of a para-lam beam in a dumpster, and I wanted to give my dog a unique feeding space. I dovetailed the corners where the legs and the face met. I inlayed walnut rectangles to add contrast to the top. To insert the bowls, I traced the pattern of each bowl then drilled starting holes and then used a jigsaw to remove the circles. I
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BACHELORS ACHELOR Penn State University PROFESSIONAL
PERSONAL University of Kansas
Paper Forest
Reflections
Blade
Fetch
L.I.F.E. Laboratory
Healing through Architecture
Additional Space
Reaching Out to Lawrence
Incubate This
Maguffin
Eco-Structure
Map and Extrude
Wickrama House
Contemporary Bank Barn Beach
Entertainment Stand
Rammed Earth Residence
Elevated Eating
Modest Timber Frame
Forgotten Bridge | Decay
Janney Postcard
Complex Geometry
Lang Kroll - Framing Model
Lemont Folly
Community Center
Mutter Museum Expansion
The Bookcase
Exploring Piranesi
Glean and Re-Use
Exercises in Style
EVENT CARD Graphic Design The Cummins Team of Janney Montgomery Scott LLC [a financial planning company] challenged the creativity of Penn State students from the Art and Architecture Department to design a. postcard for a hosted event. The design would be featured on postcards to promote the event co-sponsored by the Cummins team held at the Union 237 Gallery in Old City , Philadelphia.
The design of the business card reflected the urban-ness seen and felt in downtown Philadelphia.
GRAPHIC DESIGN AWARD
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FOUND OBJECT 3D Modeling The objective of this class was to familiarize ourselves with Maya [a 3D modeling program that is primarily used in the video game industry]. The software excels at complex geometries and curvilinear shapes. I utilizes the software to model a pair of ski-goggles, that have no perpendicular nor regular geometry. The model was analyzed for broken faces where lines and surfaces did not connect and joined to attain a “water-tight�
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object; meaning a 3-D printer would recognize the geometry as a solid object. The final portion of this class was to create animations that evoke three adjectives. I selected [lonely, anxious, peaceful] using our modeled objects enhanced with sound, light, and other visuals. The emotion inducing animations were assembled using a host of digital software including: Maya, Final Cut Pro, Soundtrack Pro, and After Effects..
FRAMING MODEL “Plastic House” The Lank-Kroll House and Atelier is commonly known as the “plastic house”. Timber construction techniques were used, and the goal of this assignment was to familiarize us with a set of plans and sections to build a scale model of an existing house. The model was created as if we were building a wall in the field - including header, jack and king studs, top plates etc. This was a group project and i assisted with creating the MDF base as well as cutting and assembling the walls and roof.
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LEMONT FOLLY Lemont, Pennsylvania
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Eight two-person groups completed a 16’ wide x 4’ tall painting that spurred the fabrication of an abstract model of the painting. The model spurred a concrete version created from a mold.
A Folly: “a whimsical and/or extravagant structure built for a conversational piece, to lend interest to the view, to commemorate a person or event, etc.”
The village of Lemont had an old granary that the town was in the process of restoring with a nice open space adjacent to the old building. Strawberry festivals and other events were held on the lawn, and the community requested a structure.
We inserted three “H” shaped concrete elements into the ground to which we anchored our wood members. To define space and add a second material dimensional lumber was added. Ultimately it was exactly what we had intended - a folly.
WEST ELEVATION
SOUTH ELEVATION
EAST ELEVATION
AS BUILT HISTORIC DOCUMENTATION
COMMUNITY CENTER Greenspring Valley, Pennsylvania A new 550 house subdivision slated to encompass the area surrounding this historic barn. An adaptive re-use project planned to reinvigorate site into a community center with the barn being the focal point. After many locals professed their love for this barn, I decided that I could not in all good conscience change the barn. Instead, I created a community center connecting both sides of the new development focusing views,
FLOOR PLAN
remembrance, and learning. The proposed community center would touch the ground as lightly as possible with concrete piers while limiting the visual exposure, not detracting from the barn.
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1. library 2. juice bar 3. mens restroom 4. womens restroom 5. general storage 6. storage 7. fitness room 8. sauna 9. multipurpose room 10. office
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ADAPTIVE RE-USE HONORABLE MENTION
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2 THIRD FLOOR
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M EU a
1 - offices 2 - storage 3 - ticketing 4 - auditorium 5 - classrooms 6 - mechanical 7 - main museum 8 - conference room 9 - temporary display
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FACADE EXPLORATION
GROUND FLOOR
ADDITION
MUTTER MUSEUM
The Mutter Museum is tucked inside The College of Physicians of Philadelphia. This museum houses a collection of medical anomalies that give students a view into the history of medicine.
for classes, presentations, or public meetings. Light sensitive artifacts are housed in the concrete structure in the upper floors. Access is only gained through a concrete shard activated by visuals of what is enclosed.
My concept was to extract the Mutter Museum from the College of Physicians of Philadelphia to gain visibility. The surrounding buildings determined the footprint and the shape of the building while elevating the structure to contrast the surrounding buildings.
The visitors experience both the building and artifacts simultaneously through gradual ramps through the spaces. The new expansion would give the students of the College of Physicians of Philadelphia and the public a proper place for medical anomalies.
The glazed ground floor houses only an auditorium that could be used
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CROSS SECTION 1
UPPER FLOOR PLAN
CROSS SECTION 2
LOWER FLOOR PLAN
THE “BOOKCASE” Infill Site
ADA - ACCESS
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AXONOMETRIC
The bookcase refers to the two buildings flanking the four-person apartment building for creative writers. The apartment buildings are positioned twelve feet away from the street between the flanking buildings providing an outdoor public space in both front and rear of the building. The apartment buildings are slightly offset from one another to provide access from the main circulation core located between one two-story apartment and the flanking building.
My personal apartment was designed similarly, with the lower level the public space while the upper level is the occupant’s private area. The interior walls are constructed with open slats to allow for unlimited arrangements of furniture, shelving, etc. This versatility is key to the design. I wanted the occupant to have endless customization of the space for all his or her time at the apartment.
CAN
NO
pen and ink / ink wash
oil colors
pencil
newspaper clippings
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IST
PLATE XIV - THE GOTHIC ARCH
EXPLORING PIRANESI Found Object rehabilitation Giovanni Battista Piranesi was an Italian artist and architect most famous for his etchings of Rome in his Carceri d’invenzione (Imaginary Prisons) His etchings were filled with monumental and often fictitious architecture. He manipulated space with light and shadow
FLOOR PLAN
I selected plate XIV entitled “The Gothic Arch” and explored the etching to understand how this subterranean space was created. With the use of sketches, models and different mediums, I understood the depth and scale of the etchings. ELEVATION 77
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ELEVATION
ADJUSTABLE TOP CLIP ADJUSTABLE TOP CLIP
FRAME CONNECTION
FRAME CONNECTION
NEW DOUBLE SIDED EASELS
GLEAN AND RE-USE Found Object rehabilitation
EXISTING CONDITIONS
NEW ASSEMBLY
Our group was given over two dozen of these objects fashioned the same way - two wooden rods connected with a square piece of wood and held together with screws. We collectively decided to pair these objects and create double-sided easels for the architecture students when giving presentations.
our team picture frame cut-offs. Our design included holes drilled at three specific heights, which were to accommodate multiple image sizes that the architecture students were presenting. This way the students’ designs and art pieces were framed, bringing more attention and formality to the presentation.
The new easels were completely made with discarded and or recycled materials. A local art store supplied
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EXERCISES IN STYLE State College, Pennsylvania My first real experience in architectural design, We were tasked to create a bus shelter. I visited the site located on Curtain Road adjacent to Beaver Stadium. I documented everything about the bus shelter - pedestrian traffic in and around it, measurements, etc. My main influence was the stadium’s architecture and structural elements. I then implemented those architectural details and overall aesthetic to my
bus shelter. Structural bracing was incorporated on each side for those waiting for the bus to enter, while a corrugated steel roof mimicked the underside of the stadium seating. The seating in the shelter was designed to be steel benches similar to those used in Beaver Stadium. I also included a glass facade facing the street to complement the outside of the stadium.
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BACHELORS ACHELOR Penn State University PROFESSIONAL
PERSONAL University of Kansas
Paper Forest
Reflections
Blade
Fetch
L.I.F.E. Laboratory
Healing through Architecture
Additional Space
Reaching Out to Lawrence
Incubate This
Maguffin
Eco-Structure
Map and Extrude
Wickrama House
Contemporary Bank Barn Beach
Entertainment Stand
Rammed Earth Residence
Elevated Eating
Modest Timber Frame
Forgotten Bridge | Decay
Janney Postcard
Complex Geometry
Lang Kroll - Framing Model
Lemont Folly
Community Center
Mutter Museum Expansion
The Bookcase
Exploring Piranesi
Glean and Re-Use
Exercises in Style
“Beach” 18 x 24 - pencil
“Forgotten Bridge” - 18 x 24 - pencil 82
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“Decay” 18 x 24 - pencil
“Paper Forest” - 24 x 18 - Mixed media published Spring 2003 - Helicon, Volume 10 Andrew N. Forney | Portfolio
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“Reflections” - 18 x 24 - photography / digital media published Spring 2003 - Helicon, Volume 10 84
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“Fetch” - 24 x 36 - acrylic paint
“Blade” - 11 x 17 - pencil on paper published Spring 2004 - Helicon, Volume 12 Andrew N. Forney | Portfolio
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THANK YOU
Andrew N. Forney 2027 Barker Avenue Lawrence, KS 66046
p: 814.932.2916 e: aforney008@gmail.com w: issuu.com/andrewn.forney
a collection of works | portfolio