Three Texts by Elizabeth Barrett Browning

Page 1

Three Texts by Elizabeth Barrett Browning Mezzo-Soprano Piano

i. Grief ii. Consolation iii. Comfort

Andrew Rodriguez


2 Grief I tell you, hopeless grief is passionless; That only men incredulous of despair, Half-taught in anguish, through the midnight air Beat upward to God’s throne in loud access Of shrieking and reproach. Full desertness, In souls as countries, lieth silent-bare Under the blanching, vertical eye-glare Of the absolute heavens. Deep-hearted man, express Grief for thy dead in silence like to death— Most like a monumental statue set In everlasting watch and moveless woe Till itself crumble to the dust beneath. Touch it; the marble eyelids are not wet: If it could weep, it could arise and go. Consolation All are not taken; there are left behind Living Belovèds, tender looks to bring And make the daylight still a happy thing, And tender voices, to make soft the wind: But if it were not so, if I could find No love in all this world for comforting, Nor any path but hollowly did ring Where 'dust to dust' the love from life disjoin'd; And if, before those sepulchres unmoving I stood alone (as some forsaken lamb Goes bleating up the moors in weary dearth) Crying 'Where are ye, O my loved and loving?' I know a voice would sound, 'Daughter, I am. Can I suffice for Heaven and not for earth?' Comfort Speak low to me, my Saviour, low and sweet From out the hallelujahs, sweet and low, Lest I should fear and fall, and miss thee so Who art not missed by any that entreat. Speak to me as Mary at thy feet— And if no precious gums my hands bestow, Let my tears drop like amber, while I go In reach of thy divinest voice complete In humanest affection—thus in sooth, To lose the sense of losing! As a child Whose song-bird seeks the woods forevermore, Is sung to instead by mother’s mouth; Till, sinking on her breast, love-reconciled, He sleeps the faster that he wept before.


Three Texts by Elizabeth Barrett Browning

3

For Mezzo-Soprano

i. Grief Andrew Rodriguez (b. 1989)

Elizabeth Barrett Browning (1806-1861)

With Fierce Intensity (q=120-130)

Voice

  

  

mf

I

 

Piano

 

 

mf

tell

         



you,

   



 

hope

 

-

 

less grief

is



mf subito

                            

Pedal minimally; clear and articulate

3

 

pas - sion - less;

   that

on - ly



men

    

in - cred - u - lous

of

des -

  



 

                           

 



5

 

            

pair,

 

half taught in

   an - guish,

through the

mid - night

                               

   

 





Copyright © 2014 by Paper Thin Publishers. All Rights Reserved.

 

 

 

 


4 7

 

    

air

beat

up - ward to God's throne

                      f           

 

9

     

cess

  

of



 



    3      

 

   

in

loud ac-

  



3

3            

  



 

shriek - ing

and

re -

 



 



p subito

                                

11



proach.

                    

mf



                            p subito


5 13

mp

 

Full

   

  

des - ert - ness

in



souls

as



  

count - ries,





li - eth



p

                             

15

 

  

si - lent - bare,



un - der



the



blan - ching,

  



3

   

ver - tic - al eye





                            

17

glare

         3

3

of the ab - so - lute hea -

vens.

                              pp subito                      mp subito


6 19

 

 

Deep - heart - ed

man,

ex - press

                                         

 

21

 

Grief



for

thy

dead

in

 

   

si lence

                       

 

24

  



 

like to

 

   



  



death,

                          f                             

 


26

  

mf

  

Most like

    

a

 

mf

  

mon - u - men - tal

28

       ev - er - last - ing watch

  

  

  

     

stat - ue

 

  

  

and

   

   move - less woe

  

    

                                  

31

         -

ble

to

the dust be- neath.

 

 

 

  

 

  

      

In

 

Till it - self

 

  

  

7

    crum

     

-

  

f poco rubato     Touch it;

                   ff               


8

          

35

the mar - ble eye - lids are not wet:

  

      

   rit.

  

weep,

 p

it could a - rise and go.

 

      

          

it could a - rise and go,

   mf

           

it could

 

39

If



   

      p

  

dim.

  

  

 


9

ii. Consolation  

Voice

Joyfully (q=120)

 

f

  3

               are not

All

   

Piano

 

f 3

      

4

         f    

ta - ken;

 

   

3

     

  

                    

ten - der looks to

              mp

       

   

        

           

3

mf

3



3

3



bring



 

  

      

3

 

       

3

   

3

3

3

3

7

        

3

there are left be - hind Liv - ing Be - lov eds,



    



   



        And make the day light still a

              3

     

mp

     

3

3

 

 3


10 10

molto rit.

 

  



hap

-

py



    

 

        

thing,

And ten - der voic - es,

               

14

Much slower p molto rubato



  

Pensive (q=83)

     

 



pp

p

    



 



 





to make soft the wind:

   

  

18

  

p

                        

p

3

     But if



  

it were not



p

  

  



 

 so,



           if

I could find no

                          

   

    simile



  

 




11 21

 

 

           

love in all this world for com -for - ting,



 

 

      

 





Nor an - y path but

              



    



    

29

   

    



rit.



 



             Where 'dust to dust' the

  

   





  



                             

love from life dis - join'd;





  

                            ring

hol - low - ly did

  

    

  

25

3               


12 32 Frantically (q=95)

 

                 



f

 

As if, be - fore those sep - ul - chres un - mov - ing I stood a - lone,

 

  f

    f

 

      

   

    

         

35

                

    

    

    dearth,

   

Cry - ing

                

 

bleat - ing up

the

       

   

37

 

3

as some for - sak - en lamb goes

         

    

     

moors in wear - y

    



 



    3               f

"Where are ye,

           ff            

 

O my lov - ed

        

and lov - ing?"

      

  



 


p Much slower

41

       

    pp

  44

 

 

 

 

  

  



  



Can I suf - fice for

"Daugh - ter,



      

  

mp



I know a voice would sound,

13

p

 

I

am.



  

  

Hea - ven



  

         

rit.



  

    

  

  

and not for earth?"

pp

 

 


14

iii. Comfort Gently like a lullaby (q.=60)

Voice

 

mp



Speak

Piano

               mp sempre legato       

               p             

6

 



low

to

me,

   

   my

  

  



Sav - ior,

low

and







sweet,

  

                                    

12

 

  

mf

poco marc.

From

out

    

the

           

legato

hal - le - lu

-

-

jahs,

                                  

sweet

     

    


15 16

  



and

low,

p





Lest

I

should

                    

   

 

 

p

fall,





and

miss

thee

so

25







art

not

missed

by

    

 

  

cresc.

    

  

   

  

 

who

 

            





and

   

 

                 

fear

  

            

 

21

 

  

mf

a - ny



that



en -

            mf

      

  


16 29

  

 

mp boldly

 

treat.

Speak

                           

  

 

  

   



   

    

  

 

mp

     

34

      

to

me

as

Ma

 -

ry

at

thy

 

                               

39

 feet,

   

   

 

 



 

And

if

no

pre

  

 

 

             

     

 -

cious

 

      


  

my hands

be - stow,

 

gums



17

  

mf

43

Let my

         



tears



mf

                   

47

poco accel.

mp

 

go

  

  

in

          

50

 

 

drop

like

      

 

      

   

am -



ber



 

  

 

reach

of

while I

 

  

thy

di -

                

mp

  

                                       vin



       

  

    

   

-

est

voice

  

com

   

-


18 53

mf

  

 

plete



in

  

hu - man - est

af

-

fec - tion,

                                  mf

  

56

  

(e=e)

    

sooth

      

mf

    

                  



to

lose

the









sense

of









 

poco rit.

60

-

    

  

                  

           

los

f

  

Thus in

    f

-

  

mp

ing!



p



As a

                   mf mp        


19 65

  child

whose

   



     

song

 

-

bird

seeks

            

  ev

-

    

the

woods

for

-

er

-

73

 

to

 



more,

Is

     

 

in -



-

    

        

sung





 

      

  



                      

p

70

        

  

stead

by

   mo - ther's

 

mouth;

            

     

   

  

mp

   



   


Meno mosso

20 76

  

  

      81

rit.

  sleeps

 mp      

Till, sink - ing

  

on

her breast,

 

     

 love

  

     

 

re - con- ciled,

He

                              p

  

     

the

fast - er

that

 

  

 

p

      he

wept be - fore.

                        



     

 

     

  

  

pp

 

  ppp


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