Historia de la fotografía dadaismo constructivismo surrealismo abstraccionismo

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Dadaismo, Construc0vismo, Surrealismo Abstraccionismo



Dadaísmo (1915-­‐1923)

Dada rechaza la razón y la lógica, aprecia tonterías, la irracionalidad y la intuición. El movimiento era una protesta contra los intereses nacionalistas y colonialistas burgueses.


•  •  •  •

Reacción a la guerra Interés en tomar fotograLas que no muestren el mundo que me rodea Sujeto escondido Énfasis en la forma: textura, línea, color


Max Ernst Avi贸n que asesina, 1920 Colage 6.3 x 14cm


Hannah Höch Cortar con el cuchillo de la cocina de Dada a través de la Última Weimar Beer-Belly época cultural en Alemania, 1919 Colage 144 x 90cm


Hannah Hรถch Heads of State, 1918-20


Hannah Hรถch Dada Panorama, 1919


Hannah Hรถch Da-dandy, 1919


Hannah Hรถch And when you think, 1921


Hannah Hรถch High Finance, 1923


Hannah Hรถch Half Caste, 1924


Hannah Hรถch Love in the Bush, 1925


Hannah Hรถch Sadness, 1925


Hannah Hรถch Abduction, 1925


Hannah Hรถch The Sweet One, 1926


Hannah Hรถch Bouquet of Eyes, 1930


Hannah Hรถch Beautiful Girl, 1930


Hannah Hรถch 1932


Hannah Hรถch The Bride, 1933


Hannah Hรถch Sea Serpent, 1937






Raoul Hausmann Dada Siegt


Raoul Hausmann The Art Critic, 1919-20


Raoul Hausmann Tatlin at Home, 1920


Raoul Hausmann Elasticum, 1920


Raoul Hausmann ABCD 1923-24


Raoul Hausmann 1931









Chris0an Schad, Schadograph, 1918


Chris0an Schad, Schadograph, 1918


Paul Citroen, Metropolis, 1920


John Heartfield 1927




John Heartfield 1931


John Heartfield Adolph the Superman


John Heartfield And yet it moves


John Heartfield Don t worry, I m a Vegetarian


John Heartfield Executioners Justice


John Heartfield X-Mas


John Heartfield The Happy Elephants, 1938





John Heartfield Jesus on a Swastika Cross




John Heartfield Metamorphose


John Heartfield Murderers


John Heartfield Self Portrait with Police


John Heartfield The Cross Wasn t Heavy


John Heartfield The Hand has 5 Fingers


Construc0vismo (1919-­‐1934)

El rechazo de arte autónomo en favor del arte como prác0ca social. Es la combinación de faktura: las propriedades materiales de un objeto y tektonika: su presencia spacial.


El Lissitzky Batir los bancos con la cuña roja, 1919 Litografía


El Lissitzky Habitaci贸n Proun, 1923


El Lissitzky Central Park de la cultura y el ocio en el invierno, 1931


Primera exposici贸n de arte constructivista, 1921


Aleksander Rodchenko Libros, 1924 Cartel para el estado departamento de prensa de Leningrado (utilizando la imagen de Lilya Brik)


Aleksander Rodchenko El acorazado Potemkin, 1926 Carteles de la pelĂ­cula de Eisenstein


Aleksander Rodchenko


Aleksander Rodchenko


Aleksander Rodchenko Walking Figure, 1928


Aleksander Rodchenko On the Pavement, 1930


Aleksander Rodchenko, Stairway, 1930


Aleksander Rodchenko, Stairway, 1930


Aleksander Rodchenko Pioneer with a trumpet, 1930


Aleksander Rodchenko Morning exercises, Student Campus in Lefortovo, 1932


Aleksander Rodchenko Young Gliders, 1933


Aleksander Rodchenko Chauffer, 1933


Aleksander Rodchenko Girl with a Leica, 1934


Aleksander Rodchenko Diver, 1934


Gustav Klutsis Marx, Engels, Lenin and Stalin, 1936


Gustav Klutsis Postcard for the All Union Spartakiada Spor0ng Event, 1928


Gustav Klutsis Postcard for the All Union Spartakiada Spor0ng Event, 1928


Gustav Klutsis Postcard for the All Union Spartakiada Spor0ng Event, 1928


Gustav Klutsis Postcard for the All Union Spartakiada Spor0ng Event, 1928


Gustav Klutsis Shurka Buzakov V pohode, c. 1925


Gustav Klutsis Five-­‐Year Plan into a Four-­‐Year Plan, 1930


Gustav Klutsis The Figh Plan, USSR, 1930


Gustav Klutsis 1929


Viktor Koretskij, 1931


L谩szl贸 Moholy-Nagy Photogram, 1926


László Moholy-­‐Nagy, Jealousy , 1928


Lazlo Moholy-­‐Nagy




László Moholy-­‐Nagy, Photogram, 1938


El Lissitzky, The Constructor – Self Portrait, 1924


Surrealismo (1920s-­‐60s)

El obje0vo de surrealismo era para resolver las previas condiciones contradictorias de sueños y realidad.


Man Ray Le Violin D Ingres, 1924


Man Ray Noire et Blanche, 1926


Man Ray Barbette, 1926


Man Ray Woman with Long Hair, 1929


Man Ray Prayer, 1930


Man Ray Le Larmes (Lagrimas de Vidrio), 1932


Man Ray El Beso, 1935







Man Ray Busto de Mujer, 1930



Man Ray El Beso, 1922


Man Ray Fingers, 1930


Man Ray Lee Miller, 1930


Man Ray 1931




Man Ray Desnudo, 1930-33


Man Ray Rayograph, 1922


Man Ray Rayograph, 1922


Man Ray Rayograph, 1923


Man Ray Rayograph, 1924


Man Ray, Rayograph, 1926


Man Ray Rayograph, 1928


Man Ray Rayograph, 1934


Man Ray Rayograph


Salvador DalĂ­ Midsummer Night s Mare, 1950


Salvador DalĂ­ 1950


Salvador Dalí Cráneo, 1951


Salvador Dalí What Dalí Thinks About


Philippe Halsman Salvador DalĂ­,Dali Atomicus, 1948


Abstraccionismo Â


Paul Strand, 1916


Paul Strand, Porch Shadows, 1916


Twin Lakes, 1916


Wire Wheel, 1917


Geometric Backyards New York, 1917


The Court, New York 1924


Alfred Steiglitz Equivalents, 1927


Alfred Steiglitz Equivalents, 1927


Alfred Steiglitz Equivalents, 1927


Alfred Steiglitz Equivalents, 1927


Alfred Steiglitz Equivalents, 1927




Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Vortografia, 1917


Alvin Langdon Coburn, Ezra Pound, 1917



Peter Keetman


Otto Steinert 1949


1952



1946

Harry Callahan


Harry Callahan Chicago, 1953


1947

1951



Aaron Siskind, Jerome, Arizona 21, 1949


Aaron Siskind, Chicago, 1949






Minor White




Minor White, Sun & Rock, 1948


Minor White, The Three Thirds, 1957


Frederick Sommer, Max Ernst (double exposure), 1946


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