Anthology of Ambiguity

Page 1

ANTHOLOGY

of

AMBIGUITY

selected works by a nga d wa ra ng

pages 2 & 3

pages 4 & 5

pages 6 & 7

pages 8 & 9

pages 10 & 11

pages 12 & 13

pages 14 & 15

Academic projectUnderGrad

Professional projectLocal

Academic projectPostGrad

Professional projectGlobal

Research

Respite

Curriculum Vitae

DISCLAIMER / DECLARATION OF HONESTY : I hereby declare that the Anthology contains my own, original work. The professional work displayed in the anthology on pages 4,5,8 & 9 is a part of my employment under mayaPRAXIS architects, Bangalore and as the case is in a collaborative project, I would not take 100% credit for this section. Although the form explorations are done by me, the intellectual property rights for the architectural and structural design are a property of mayaPRAXIS architects, Bangalore. I have duly acknowledged my role and intent for each section of the Anthology in the respective section. - Angad Warang.


2

Architecture contradicted it's Typology

Main Entrance

What if

01

Walled Enclosure

Mi

Pedestrian Access

xe d

-us

eZ on

Shoka Kaksha

Architectural Design Thesis ; Semester X (Year 2012) Individual Project ; Guide- Prof. Akshay Patil for Visvesvaraya National Institute of Technology, Nagpur, India.

Smaran Kaksha (Remembrance Hall)

Project Background • Death is the destination we all share. • Over centuries, the concept and uderstanding of death has evolved in all cultures, and humanity has become more practical in performing the last rites. • Cremation is one such funerary rite which is specific to Hinduism, Buddhism, Sikhism, Jainism, etc. and is thus one of the fundamental infrastructures in India. • The crematoria in India are getting underprivileged owing to a sense of fear and neglect. • Moreover, the densification of cities has left very few areas for structures that don’t contribute to its urban life and economy. • And so the crematoria in the Indian cities face a growing inadequacy of space and functional makeover. • Its about time architecture intervened.

My Role, Intent and Intervention • To design a Crematorium in an Urban context to accomodate funerary practices and propagate a sense of memory and not mourning. • To generate translation from Mythology to Architecture, appreciating the circle of life imbibing peace, silence and absence in the Sanctity of Space.

Parking

Administration Cell Legal Advisory Cell Insurance Claim Cell Organ Donation Dept.

Dahan Kaksha (Cremation Hall)

Ambulance/ Hearse Entry

Kriya Kaksha (Corpse Preparation Hall) Lumber Storage

Design Evolution INGREDIENTS OF ARCHITECTURAL DESIGN

PERTAINING TO MY DESIGN THESIS THEY ARE

MY INTERVENTION FROM A FORM - FUNCTION PERSPECTIVE

DESIGN TOOLS I USED TO ACHIEVE MY INTENT

Re

TYPOLOGY

CREMATORIUM

TRANSLATION MYTH -> ARCHITECTURE

ISSUE

FEAR & NEGLECT

APPRECIATION

URBAN CORE

SANCTITY OF SPACE

CONTEXT

AXIS

sid

Na en

tia

lZ on

lla

h

e

RHYTHM CIRCLE OF LIFE

PEACE,SILENCE,ABSENCE

HEIRARCHY

// OVERVIEW IMAGE

e


UnderGrad Academic 3 // Detail at top chord

SHS 200 MS beam for roof cover welded to inclined column

SHS 200 inclined MS columns welded to preliminary columns

// GRASSHOPPER DEFINITION S2 00

SHS 200 MS secondary column supported by RCC pedestal

SH

Inc

lin

ed

co

lum

n

SH

// Detail at junction

SH S 20 0

S 20

0m m

// GEOMETRY DERIVED FROM DEFINITION

20

mm 00

SHS 20 0

P re li m in a ry c o lu m n s

00

// CONSTRUCTION MODULE

y ar nd n co um Se col

SHS 20 0

0

18

SHS 200 MS preliminary column supported by RCC pedestal

// Detail at pedestal

8000 mm

• The definition was generated to explore the proportions for a predecided geometry. • The variables of the definitions are for - Height of the structure - Size of base - Offset from base • The achieved geometry complied to anthropometry and functional requirement. • This was a form exploration exercise considering I already had an overall idea of the geometry. • A blend of structural integrity and aesthetic balance was attempted and achieved.

RCC pedestal for column support

// JOINERY DETAILS

Conclusion • The image alongside, demonstrates how structure and geomtry can efficiently differentiate the complex aspects of funeral. • My idea of separating the cremation halls from viewing galleries was considered as a novel approach to designing a crematorium. • Owing to the fact that I added value to the crematorium by providing additional facilities such as organ donation dept, insurance claim cell, legal advisory cell etc., It surpassed the general civic building of crematorium and became,

CENTRE FOR APPRECIATION OF LIFE

// The thesis was considered the best undergraduate thesis for academic year 2011-2012 in VNIT, department of Architecture and Planning. // The thesis was shortlisted for India’s top 100 thesis for year 2011-2012 conducted by NIASA.

// VIEW OF DAHAN KAKSHA


4

Public Infrastructure Artistic

What if was

02

Professional Project ; Completed & Operational

Advertisement Billboard

(Jan 2016)

With mayaPRAXIS Architects,Bangalore, India for BBMP (Bangalore Municipal Corporation)

Solid Polycarbonate Sheet Roof

Project Background • The richness of all the textures and layers of urban life can be experienced only by walking through the city. • Thus, urban infrastructure should be capable of providing pedestrianised environments across the city. • Apart from providing walkability there should also be safe passage for the vehicular traffic without any hindrances or bottle-necks. • Both the Indian pedestrian and vehicular traffic lack discipline and thus shall be seperated wisely and efficiently. • BBMP came up with a public-private partnership to counter this problem by joining hands with advertising agencies to build pedestrian bridges with billboards. • Locations with large footfall, often coupled with bus stops were identified and commissioned to ad agencies, architects and structural engineers to design the amalgamation of public service and private funding.

Staircase

Columnless Tubular Truss

My Role, Intent and Intervention • To design a pedestrian bridge conforming to public safety, convenience and the commercial requirements of the ad agency. • To collaborate with structural engineer, fabricator,government authorities and finish the project in stipulated time with minimum hindrance to traffic. • To add beauty and wonder to the simple activity of crossing a road through a minimal, efficient design.

Median Railings

Escalator

Design Evolution CONTEXT

Commercial Zone Ro a

PUBLIC

PRIVATE Billboard Pedestrian pathway besides staircase escalator structure

d

Standards as per pedestrian / vehicle convenience

Mall

CHALLENGE-1

Requirement as per revenue generation

CHALLENGE-2

// OVERVIEW IMAGE Staircase+ Escalator

Columnless bridge for 30m span

Tubular truss with diamond lattice


Local Professional 5

// Detail at top chord

ISMB 200 Top chord

SHS 150 Web chord

// GRASSHOPPER DEFINITION

30

S1 50

mm S1 50

S 15

SH

0

S 15 0

mm

S1 50 SH

30 00

ISMB 250 Bottom chord

// GEOMETRY DERIVED FROM DEFINITION

// JOINERY DETAILS Actual Photograph

// Detail at bottom chord

SH

3000 mm

35

mm 00

3D Visualization

3D Visualization

Above : Junction detail exploration Development of form folded in paper

SHS 150 Web chord

SH

S1 50

00

SH

mm

SH

30

00

SHS 150

SHS 150 Web chord

// Detail at junction

• The definition was written to generate tubular truss structure. • The variables in the definition control anthropometric standards, civic infrastructure requirements etc.

Above : Truss module exploration Development of entire module folded in paper, detail development imitated with steel at site

Actual Photograph

Conclusion • The bridge is constructed and operational since Jan 2016 • It is built in 80 tonnes of mild steel sections ranging from SHS25x24x4 to ISMB 250 and SHS 220X220X8 • The fact that it did not require a median column underlines the lightness and structural strength of the truss • The minimal beauty of the truss encourages people to use it • Thus public infrastructure teamed with private investment in the expert hands of a designer transformed a pedestrian bridge into a public sculpture.

// VIEW FROM SKYWALK

// VIEW FROM ROAD


6

Architecture was Surreal

What if

03

Biodigital Architecture

Studio ;

MS Arch (Year 2017)

Individual Project ; Guide- Prof. Alberto Estevez, Prof. Aref Maksoud for Universitat Internacionale de Catalunya, Barcelona, Spain.

Project Background • Dreams are an extension of human consciousness, and architecture is an extension of human cognition. • How would space then be at the intersection of occupancy and surrealism? This project is an attempt into the realm of unknown. • Since its inception the project was beyond any bounds of predisposition about space and function and is a live example of the unrealised phrase

All parts individually fabricated using CNC milling machines

Form folows Fascinations

• While the prime objective of the space is to serve as an information kiosk to one of Antonio Gaudi’s hidden treasures, Torres Bellesguard, the form, the space and the enclosure invoke a whimsical interpretation of Gaudi’s work.

My Role, Intent and Intervention • To design a process using an advanced design tool that generates design based on an initial direction and decisions. • To supervise and assess the process so as it conforms to the functional requirements of the space. • To generate a fabrication process and test it with prototypes to scale and materials, using digital fabrication techniques.

Window-openings and Door-openings are specifically incorporated in the modules

Individual parts are transported to site and assembled in-situ

Design Evolution • The primary process used for generating the design was digital sculpting. A method which equips the designer with special 3D sculpting tools. • The platform used for this digital sculpting was Autodesk 3D Studio Max, with most of its polysurface editing tools and attractor/repeller techniques.

// OVERVIEW IMAGE

DIGITAL SCULPTING

Starting with hemispherical Octahedron

Reshaping for habitation

Creating openings

Creating extrusions on tesselations

Creating extrusions and bevels

Creating openings in extrusions

Smoothing


PostGrad Academic 7 Fabrication constraints • As the project was part of a live project proposal to serve as an information kiosk and ticket center for Torres Bellesguard or Casa Figueres in barcelona, the construction and execution had some constraints. • It was essential for the fabrication process to make the pavilion light-weight, so that it could be easily transported from the assembly area to the original deployment. • It was also necessary to fabricate and assemble the pavilion with smaller indigenous parts.

CNC milling using parallel finishing method with a narrower drill bit with round edges, for the final smoothened shape 04

05

06

final product rotated for assembly

07

03

Fabrication strategies • The strategy that I went for, was not only simple and practical but also was evolved from the design. • Taking the spherical shape and mushroom-like extrusion forward, the entire geometry was tesselated into its 02 primary triangulations. • These triangulations were considered as cutting edges for seperating all the parts of the pavilion. • The individual parts or single units would then be fabricated by using a CNC milling machine on polysterene sheets. • The horizontal roughing method would perform the intial profiling of the polysterene sheets. • The parallel finishing method would create the smooth surfaces necessary for the form and for the joineries. • The base of the geometry would be made either in a similar 01 way , or by using concrete so that it carries most of the weight and since it can be very easily created in situ. • All individual units would then be placed starting with the door frame and the lower tier. • The entire assembly process would be similar to the dome construction using stone. • After the compete assembly, a water-proof putty would secure the gaps and grooves at the joinery. • In the event of dismantling, the same process can be followed in reverse.

-Z ro m i o n f ut ss g b p re llin e de i m th re r Mo cove to

ax

is

03

o the eth ing g m s g u hin llin ug m i a l ro C t CN rizon ho

e en ter er lys eth o p og thk d t m glue m 25 ets e sh

// Fabrication stages for a single unit

d

Initial pieces are secured

02 Door frame is assembled

01 The base is prepared first

04 Tier 1 assemby

05 Tier 2 assemby

// Assembly stages of the entire pavilion

06

Conclusion (Projected) • The project was an unintentional projection of surreallism into architecture. • Since it was part of my Master program for Biodigital Architecture at UIC Barcelona, this project was completed in a matter of 6 weeks. • It imparted a considerable knowledge of ‘How Biodigital Architecture can be created’ • Apart from using the digital design tools, I was also strongly exposed to the digital fabrication tools. • The project helps break the dogmatic shell of conventional architecture, and provides a functional, structural, practical solution with a whimsical, fictional approach.

// 1:10 scale model

// REAL SCALE PROTOTYPE

Tier 3 assemby


8

Architecture was Permutable

What if

04

Professional Project ; Under Construction

(Aug 2017)

With mayaPRAXIS Architects,Bangalore, India for HQ Constructions, Bahrain Suites

Project Background Restaurants

• They say for an Architect, the Hotel and the Hospital are the same. Its common knowledge, that the hotel is primarily a service oriented building. • Designing a hotel is thus putting spaces, equipments and materials in the most extravagant combination possible. • Add to that the ever-changing key-count, the availability of new technology for the kitchens, the delicate equilibrium of the discotheque swimming pool and outdoor dining and the project can be a mess. • For these reasons the Hotel design has to be versatile, adaptable and flexible. But it would be much more for the advantage of the Architect if the process of designing a hotel was absolutely permutable. • The project is a successful application of Algorithm-aided design, which can prove as the proverbial stitch in time.

Keys

Restaurants

Swimmimng Pool

My Role, Intent and Intervention • To design a Hotel that conforms to International 4-star Hotel Standards. Since most requirements are related to amenities and the finishes used, the rating depends highly on the design. • To create a design framework as per the client’s ever-changing requirements, the stringent municipal norms, the practical structural implications. • Being the project Architect for the concept design stage, it was also my responsibility to manage the project, the project team, the client, the consultants and vendors on-board.

Conferences

// OVERVIEW IMAGE Banquet

Drop-off Entrance Lounge

Design Evolution • The design was completely top-down and need based. So the evolution is governed by human cognition and taleological requirements

Parking Levels

TRADITIONAL HOTEL DESIGN WORKFLOW WITH COMPUTATIONAL AID

EVOLUTION OF THE DESIGN OUTLINES THE PROGRAM

THE INTENT

THE GEOMTERY

THE DESIGN OUTLINES

#Client’s Program #Surveyor’s Drawing

Keys Plan at Top Variable Light

Restaurants

Definite Heavy

Parking Kitchen Banquets

#Municipal Regulations #Kitchen #Electrical #Plumbing #HVAC #Fire Fighting

Overall Height

Conference

Plan at Ground

#Structure #Architecture #Interiors

#Key Count #Banquet pax #Types of Restaurants #Specialty Zones #Swimming Pool size #Gym and Spa #Discotheque #Kitchens #Parking


Global Professional 9 // GRASSHOPPER DEFINITION

Area calculated dynamically to any changes in the design

PERMUTABLE MODELING The site with offsets as per regulations

Parking podium wrt parking requirements

Access for pedestrians and vehicles cutting into geometry

Vertical and Horizontal outlines of the design

Geometry generated from the design outlines

Floor plates created from the geometry

07

01

Contextual Setbacks

02

Parking Requirement

03

Access Points

04

Design Outline

05

Shape Moulding

06

Area Calculation

Floor Plates

// Project Workflow Conclusion • The entire process, although experimental in a traditional architectural project scenario was handled professionally with the traditional baggage of a commercial project and deadlines. • Not only the client, but the structural consultants, the HVAC consultants, the lighting consultants, the municipal consultants and several vendors were involved in this project. • Although the workfow and the dynamic nature of the design, might lead to confusion with a BIM workflow, the entire project had traditional Autocad drawings without the consultants using a different platform. • The entire process was a resounding success as it provided the complete freedom and dynamic, real-time flexibility and control over the entire project from all its players. • For the next step, it would be a challenge to generate an algorithm that not only generates a permutable design, but also provides design solutions from its own cognition and its own experiences. contemporary technical milestones of machine-learning could be studied in this context.

// VIEW FROM ROAD

// ON-SITE IMAGE OF ONGOING CONSTRUCTION


10

Architecture was Intelligent

Intelligence 2: Structure knows and uses Compressive Supports

What if

05

Metabolic Architecture

Studio ;

MS Arch (Year 2017)

Individual Project ; Guide- Prof. Dennis Dollens for Universitat Internacionale de Catalunya, Barcelona, Spain.

Algorithm Stages for Structure:

Intelligence 6: Architecture knows the method of construction and selects the size of members in a range controlled by the process

Project Background • 1995 - Alan Turing - What if Machines could think • 2010 - Dennis Dollens - What if Buildings could think • Building on this premise, the intention was to design a design process that would design a design. • An exploratory, investigative process that eventually generates a design solution as its own opinion. • Intelligence is an often disputed characteristic. What is it to be intelligent? • Is it similar to be conscious? Is it similar to be intuitive? Or in the more Turingistic way, is it similar to be self aware? • The project presented here, is an intervention of these philosophical ideas presented in the form of a design solution. • The research project is an attempt to move away from the computation of architecture towards the architecture of computation.

Intelligence 1: Architecture is formed of Exoskeletal frame formed by Analogies of Flight Pattern

Algorithm Stages for Connectors:

My Role, Intent and Intervention • To study homologies and their part in evolution. To study genotypes, phenotypes and extended phenotypes. • To program an algorithm that emulates a natural phenomenon, and learns from homologies and phentypes. • To test the design in a real context, test the feasibility of construction and structural stability.

Intelligence 3: Structure knows and uses Tensile Suports Intelligence 4: Architecture identifies human movement paths and allows for passage

Design Evolution • The homological study of forearms and connection systems was considered of prime importance. • Flight patterns of birds was also studied and forms the backbone of the entire design. • The process is programmed in the grasshopper language and tested on the rhinoceros environment.

HOMOLOGIES in FOREARM

Intelligence 7: The connection systems understands homologies of forearms and creates its own version of connectors based on its weight

1. Create the updraft and downdraft curves 2. Create a curve which defines the bat’s body 3. Translate the updraft and downdraft on the intended context 4. Control the translated geometry by a motor curve which represents the bat’s body 5. Create a surface on the translated geometry 6. Establish a relation between the surface and the motor curve using the flight pattern data 7. Create a force diagram that translates the relation from the previous step 8. Filter out the elements by defining a domain for their sizes 9. Create the structure from the elements of optimum sizes.

Intelligence 5: Architecture covers the passageways and the Structure counterbalances the cantilever with extra supports.

ANALOGIES of FLIGHT pattern

1. Identify parts of the structure that are closest to the context 2. Calculate their distances from the surface of the context 3. Filter out the elements by defining a domain for their distances 4. Create a two-part connection system that starts at the structure and ends at the surface of the context 5. Create a knuckle, that acts as a junction for the two-part system which serves as a homology to the forearm structure 6. Determine optimum angle between the two-parts 7. Create three fingers which translate the geometry into a structure

// OVERVIEW IMAGE

Image of homologies in flight patterns, part of Flight Videos deconstructed, by Eleanor Lutz. September 2014


Research 11 // GRASSHOPPER DEFINITION

Surface replication string

01

Motor curve

02

Replicated surface

Contextual trimming string

03

Trimmed surface

Structural analysis string

04

Structure Extracted

// GEOMETRY CREATED BY THE DEFINITION

Form generation string

05

Structure Strengthened

06

Structure Connected

Fabrication • The prototype was fabricated in a FFD type 3D Printer in 4 stages, owing to the available bed size. • The connecting shapes were printed seperately as the thickness required a different precision. • The real scale prototype was CNC milled polysterene. Milled to shape and covered with a fiber-glass exoskeleton for homogeneity.

Conclusion • The research was part of the Master Program at UIC, barcelona and is documented in the thesis, Towards the Architecture of Computation. • The research was carried out for a live architectural site in the UIC campus, as a smoking pavilion. • The research was successful in underlining the possibility of learning from nature and applying the study in creating // 1:20 scale model - assembly a process that generates a design solution based on the context, issue and typology. • The research was not only theorised and conceptualised by means of programming, but also prototyped and structurally tested at both a small scale and the real scale.

// 1:20 scale model - prototype

// View


12

// TRAVEL + SKETCHING

Doing and Making Medium of Expression

How is a

06

Miscellaneous works ; Since 2007

Medium Used : Sketching - Pencil, Ink, Alcohol Markers Sculptures - Plaster of Paris, Soldering Wire, Acrylic Paint Carricatures - Ink, Stylus, Procreate App, Alcohol Markers

Passion- Lifetime Obsessions • As a child, I had read most of the Sir JRR Tolkien’s works. My travelling to the country side was never the same. Thereafter every place I visited would feel like an epic scene from middle earth. • Tolkien’s fantasy increased my urge to travel and find wonder in the most drab places using my wild imagination. • This section is a collection of a few of my selected works which combine the varied aspects of my character. • Ranging from fantasy to football, I have in the past decade found a way to connect them with a common thread of design. // PONDICHERRY, INDIA

[

[

[

[

TOWER OF AMON SUL Tolkein’s Middle Earth Sculpted in 2008 Still under construction

WINTERFELL CASTLE Weirwood tree, godswood Martin’s westeroes Sculpted and completed in 2013

Eastern coast of India Streetscape sketch of the Promenade

[

[

[

KINGS LANDING Martins westeros Sculpted in 2014 Still under construction

// FANTASY + SCULPTING

]


Respite 13

// COORG, KARNATAKA, INDIA

[

Western Ghats of India Coffee Estates of Madikeri

[

[

HELM’S DEEP Tolkein’s middle earth Sculpted in 2010 Still under construction

// HAMPI, KARNATAKA, INDIA

]

[

Deccan Plateau of India Ruins of Vijayanagar Dynasty

]

Thats Me! [ Angad Warang ]

[ Arsene Wenger ] The caricature series is born out of my love for the American sitcom, The Simpsons. The people caricatured alongside are stylized on Simpson’s characters. [ Theo Walcott ]

[ Ar.B.V.Doshi ] [ Ar. Charles Correa ]

[ Mesut Ozil ]

HUMANS OF SPRINGFIELD SERIES GUNNERS OF SPRINGFIELD SERIES STARCHITECTS OF SPRINGFIELD SERIES

// FOOTBALL + CARICATURES


14

Curriculum Vitae 07

Contact // +34 602068876 Address // Via Augusta 65, Barcelona 08006, Spain Email // angadwa@gmail.com Web // www.evilstudio.in Social // https://in.linkedin.com/in/angad-warang-7658b1117 Skype // angad.warang

Angad Warang Nationality // Indian Hometown // Navi Mumbai, India DOB // May 17, 1988 Gender // Male

BACKGROUND INFORMATION

Licensed, Practising Architect (COA registration) for India since 2012. // MASTERS IN BIODIGITAL ARCHITECTURE from Universitat Internacional de Catalunya, Barcelona, Spain Worked with Genetic Architecture Research group for Torres Bellesguard Pavilion in Barcelona. 2017 Master Thesis - moving towards an Architecture of Computation Jan 2017 – Sept 2017

May 2016 – Sept 2016

// GRADUATED WITH B.ARCH // PROJECT ARCHITECT with mayaPRAXIS architecture , Bangalore, India Hospitality - 4-star Hotel, Juffair, Bahrain ; Resorts, Coorg, India Infrastructural - Pedestrian Bridges, Bangalore, India

August 2014 – April 2016

October 2012 – July 2014

from Visvesvaraya National Institute of Technology, NIT Nagpur with CGPA 7.12 2012 Dissertation - Behavioral Simulations for Architectural Design using NetLogo 2012 Architectural Thesis - Centre for Appreciation of Life, Crematorium, Mumbai, India June 2007 – June 2012

June 2011 – November 2011

// DESIGNER

// ASSISTANT PROJECT ARCHITECT

// INTERN ARCHITECT

with Broadway Malyan, Mumbai, India

with Sandeep Shikre Associates, Mumbai, India

with I M Kadri Architects, Mumbai, India

Masterplanning - JTC Bulim, Singapore Hospitality - Westin Hotel, Ahmedabad, India Mall - Forum Mall, Mysore, India

Infrastructural - Security master-planning for IIT Institutional– Medical Institute, Pune, India Bombay, Mumbai, India Industrial – Cough Syrup Factory, Chennai, India Residential - L&T Crescent Bay, Mumbai, India Healthcare – Birla Hospital in Thane, India Commercial - L&T commercial tower, Mumbai, India Healthcare – Surana Hospital, Navi Mumbai, India


Curriculum Vitae 15

// LANGUAGES

// SKILLS Autodesk Autocad ..................................... Nemetschek Vectorworks ...................... Dassault Systems Draftsight ................. Rhinoceros .................................................... 3DS Max ............................................ Trimble SketchUp ....................................... Lumion ............................................................ Vray .................................................................. Keyshot .......................................................... Adobe Photoshop ...................................... Adobe Illustrator ........................................ Adobe InDesign ........................................... Microsoft Office ......................................... Arduino ........................................................... Processing .................................................

Spoken Languages English – CEFR Level C1 [IELTS] Hindi – Native language Marathi – Mother Tongue Programming Languages Python - Independent User NetLogo – Independent User Grasshopper – Independent User

Drafting Softwares

3D Modeling Softwares

Rendering Softwares

Graphics

Others

// AWARDS & CERTIFICATES Best undergraduate design thesis in VNIT Nagpur, dept. of Architecture & Planning 2012 // HOBBIES Sculpting Sketching Caricature Designing PCBs Diorama Flautist, Harmonicist Amateur Pianist, Drummer

2nd Prize for Landscape Design Trophy – NASA 2011* Citation for Redesign Trophy – ZoNASA 2009** Shortlisted for IIT Bombay Techfest 2008 Shortlisted for IIT Roorkee NMBA - bamboo workshop Event co-ordinator for AXIS 2009*** Trophy co-ordinator for NASA 2010* Autodesk REVIT Architecture 2009 certificate course *NASA - National Association for Students of Architecture, India **ZoNASA - Zonal NASA ***AXIS - National level Technical Festival hosted by VNIT Nagpur, India


Sometimes equilibrium can only be attained if you keep

moving... AN GAD WARAN G Contact : (+34) 602068876 Address : Via Augusta 65, Barcelona, Spain Email : angadwa@gmail.com Web : www.evilstudio.in SkypeID : angad.warang

DISCLAIMER / DECLARATION OF HONESTY : I hereby declare that the Anthology contains my own, original work. The professional work displayed in the anthology on pages 4,5,8 & 9 is a part of my employment under mayaPRAXIS architects, Bangalore and as the case is in a collaborative project, I would not take 100% credit for this section. Although the form explorations are done by me, the intellectual property rights for the architectural and structural design are a property of mayaPRAXIS architects, Bangalore. I have duly acknowledged my role and intent for each section of the Anthology in the respective section. - Angad Warang.


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