Interior Design Portfolio

Page 1

A N G E L I C A

V E L A S C O



“We shape the buildings, thereafter they shape us.” Winston Churchill


01

02

SHAV FERRE HQ

flow

03

04 PLEAT

FLUX 05

06

TECH STUDIES

ADDENDUM


INDEX 06-13 14-19 20-27 28-33 34-41 42-45

Shav Ferre HQ Flow Pleat Flux Technical Studies Addendum


SHAV FERRE HQ 01


S

H

A

V

F

E

R

R

E

Shav Ferre, a high end fashion icon, has its headquar ters in the downtown district of San Francisco, CA. The purpose of its current renovation is to showcase their leading innovative and contemporar y design practices. The vision behind the interior design challenges traditional office environments by addressing three key concerns within any office: productivity, organization, and collaboration.


SHOW ROOM

VIP ROOM

INVENTORY STORAGE

1

UP

RETAIL MANAGEMENT OFFICE

A

A

B

B

INVENTORY STORAGE

BREAKROOM

3

COMMON STAFF AREA

INVENTORY STORAGE

CONFERENCE/ BREAK OUT

WAITING AREA

4

MANAGEMENT

STAFF

CLINICAL PROTOTYPING STUDIO/LIBRARY

2

6

CREATIVE DIRECTORS SUITE

STAFF

7

PROTOTYPING STUDIO COMMON STAFF AREA

DISPLAY CONFERENCE/ BREAKOUT

5 RECEPTION WAITING AREA

UP

PROTOTYPE STORAGE / LIBRARY

CONFERENCE/ BREAKOUT

STAFF

DN

MANAGEMENT MANAGEMENT

8


MODULE 3

A

MODULE 1

9

A


10


B

A

B

A

B

A

B

MODULE 7 A

11


12


A

A

A

A

A

MODULE 2

13

A


FLOW 02


I wanted to utilize the natural light coming from the ceiling into the space of the retail space called the GPO in Melbourne, Australia. The installation makes inhabitants feel engulfed by a massive structure while not only seeming weightless but also being able to refract the light onto different areas within the space.


CONCEPT

3D MODEL What initially began as a concept to bring people together under one large structure turned into the fabrication of an organic shape that would occupy an entire interior space. I imagine the shape to be formed through molding glass.

16


D

E

V

E

L

O

3D PRINT PHOTOSHOP RENDER

17

P

M

E

N

T


18


19


PLEAT 03


Pleat is a wall installation within the Diane Von Furstenberg Headquarters in New York city. It separates a VIP retail space from the general shopping area. The walls have a pleated surface to reflect the client’s role in the fashion industry.


D

E

V

E

L

O

P

M

E

N

T

01

02

03 Because the Diane Von Furstenburg company is a fashion brand, I wanted to test out different techniques used in fashion as my main design focus. Pleating created the most interesting surface in its simplicity. After using tape to hold the structure with tape, I conducted further material studies to derive a pleated surface with aluminum who’s shape is independent of reinforcements.

22


MATERIAL MOVEMENT STUDY

BACK VIEW

23


PHYSCAL MODEL EXISTING SPACE IN NEW YORK

3D RENDERED PERSPECTIVES

C

C

A

A

UNFOLDED PLAN

D

B

START

B

F

FINISH

D

F

G

G

E

E

START

24


A

START

F

F

A A B

G

C

A

C

B

A

D

G

G

E

D E

D

C

D

E

C

A

E

E

A

C

C

E

E

G

B

B

D

D

F

F

G

D

D

D

START

25

D

A

G

C

E

D

G

D

B

C

T

FINISH


26


27


VVV

FLUX Noun a continuous moving on or passing by

04


Previously an abandoned warehouse in central downtown of San Jose, this space has been renovated to accommodate a horticulturalist, a pop-up restaurant, and a residential space. The central theme behind the design was movement. Being geographically located in the busy central business district of the downtown, movement is a huge factor of the culture. The design carries out the theme through the walls and on the structural surface of the walls. The areas where the walls concave in suggest private spaces.


D

E

V

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O

P

M

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N

T

STUDY MODELS CURVE I was attracted to the idea of a curved wall because of the organic character it gives to a surface

ETCHING I liked how etching a transparent surface like acrylic plays with transparency.

02

01

03 30

STACKING By stacking sticks of bass wood, I was able to create an intricate curving structure.


F

I

N

A

L

D

E

S

I

G

N

HYBRID OF STUDY MODELS HYBRID The hybrid model exhibits is the main design for the whole project. With a laser cutter, I etched a pattern etched on 1/8� thick acrylic, laser cut along curves, and then stacked each piece on top of one another. This process was repeated for every wall inside the physical model. It was also tested against light to study how the translucent material would reflect as it passes along the curves.

04 31


Section A

Section B B

A

A

Level 1

A

A

Level 2

B

32


To bring light outside in Sound waves travel along walls to enhance acoustics

33


TECH STUDIES 05


This space used to be an office in the suburb of Fitzroy in Melbourne, Australia. Transfomed into an exclusive bar that caters to ten to fifteen people. A Public Bar combines the class of a wine bar with the ambiance of a pub. It uses a continuous design throughout the interior that recedes to give the impression of a separate space. Due to the bar only serving a small amount of people, the geometric design of the ceiling was continued into the seats to come down as one form.


EXISTING SPACE PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PLAN A

A PUBLIC BAR

36

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1


CEILING FORM STUDY

BACK OF SEAT RECEDES DOWNARD

TESSELLATED PATTERN CONTINUES FROM BAR TO FLOOR AND TO SEAT FOR JOINED OBJECT

DASHED LINES INDICATE WHERE TESSELLATED CEILING CONCAVES DOWN FOR ROOM SEPARATIONS

1

PLAN A

BAR SCALE UP

37


A

ELEVATION A

INTERNAL BAR

A

ELEVATION A

INTERNAL BAR FLATTENED

A804

A804

B

A804

B

A804

ELEVATION B

ELEVATION B

EXTERNAL BAR INSIDE VIEW

EXTERNAL BAR INSIDE FLATTENED


39


PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

D

A804

ELEVATION C

D

EXTERNAL BAR OUTER VIEW

A804

ELEVATION D

02

A804

A

A802

SECTION A

B

INTERNAL BAR

A802

40

SECTION B

INTERNAL BAR


E

INTERNAL BAR

C

A802

SECTION C

A804

FOOD DISPLAY FRIDGE AND BAR INTERSECT

ELEVATION E

D

A802

SECTION D

EXTERNAL BAR INSIDE VIEW

INTERNAL BAR

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

AL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

41


ADDENDUM

06




ANGELICA VELASCO avelasco.design@gmail.com | 415-336-8597 E D U C AT I O N

2009-Present

San Jose State University | San Jose, CA Major: Interior Design | Minor: Architectural Studies | Awards: Deans List

2013-13

RMIT University | Melbourne, Australia Exchange Program

2005-09

Sacred Heart Cathedral Preparatory | San Francisco, CA Courses: AP Calculus, AP Chemistry, Honors Spanish | Awards: Honor Roll

EXPERIENCE

2014-Present

Ashbury General Contracting and Engineering | San Francisco, CA Interior Design Intern | Assisting in residential projects from design to construction

2014-Present

San Jose State Research Foundation | San Jose, CA Research Assistant | Designing and fabricating a fully recyclable 3d-printed wall

2012-14

AIESEC | San Jose, CA Exchange Participant Manager | Coordinating international internships for students

2012-12

RE/MAX Gold | Elk Grove, CA Marketing Coordinator | Developing marketing techniques for integrating social media

FREELANCE

2013-13

AFK Group | San Jose, CA Space Planning & Rendering | Creating visualizations for promotional purposes

TECHNICAL SKILLS

Microsoft Office AutoCAD Revit 3ds Max Rhino Laser Cutting

Adobe Photoshop Adobe Illustrator Adobe Bridge Adobe InDesign Vectorworks Google Sketchup


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