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COVER PHOTO: GHANA © DENIS DAILLEUX / AGENCE VU’
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Discover Your Own Tropical Hide-away in Angkor Navutu Dreams, a stunning, Mediterranean-inspired boutique resort is a haven to those seeking a journey back to balance, rejuvenation and a healthy lifestyle. 28 Rooms and Suites 3 Swimming Pools 1 and 1/2 Hectares of Manicured Gardens Tropical Spa 1 Wellness Center with a Yoga Studio, a Healing Atelier & a Gym 3 Cuisines (Wellness, Khmer and International) in ( one eco-chic designed restaurant and bar reservations@navutudreams.com www.navutudreams.com
Yoppy Piete r
Md. Farhad Rahman BANGL ADESH
INDONESIA
Saujana Sumpu
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One Last Playground
KING’S ROAD ANGKOR, CORNER OF HIGH SCHOOL RD. & ACHAR SVA ST. OPEN MONDAYS - SATURDAYS 10AM - 10PM
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A N G KO R P H OTO WO R KS H O P S : PA R T I C I PA N TS
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Road to Angkor, Siem Reap, Kingdom of Cambodia ) 63 760 333 Fax: (855) 63 760 335 Email: amansara@amanresorts.com aman.com
ANGKOR
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F EST I VA L P R O G R A M M E : E X H I B I T I O N S
F EST I VA L P R O G R A M M E : E X H I B I T I O N S
Named after the Sanskrit-derived word for ‘peace’ and apsara, the heavenly nymphs of ancient Hindu texts, Amansara is a tranquil home for travellers seeking to explore a culture steeped in history and legend.
Road to Angkor, Siem Reap, Kingdom of Cambodia Tel: (855) 63 760 333 Fax: (855) 63 760 335 Email: amansara@amanresorts.com aman.com
KDKG e.V.
P R OJ E C T I O N S
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© POULOMI BASU
© EMAN HELAL
P R OJ E C T I O N S : O P E N T H E M E D
Yan CONG [ WORKSHOP ALUMNI ]
Dorian FRANÇOIS
The Price of Happiness CHINA www.yan-cong.com
Gate Number Two
France www.dorianfrancois.com
Narciso CONTRERAS
Jost FRANKO
Yemen, the Forgotten War MEXICO www.narcisocontreras.photoshelter.com
/ PULITZER CENTER ON CRISIS REPORTING Cotton Black, Cotton Blue SLOVENIA www.jostfranko.com
Christina CZYBIK
Cephas Bansah - The King GERMANY www.christinaczybik.photoshelter.com
Eduardo GARCÍA
Home CUBA www.eduardogarciaphotos.com
Denis DAILLEUX / Agence VU’ Ghana FRANCE www.denisdailleux.com
Matilde GATTONI / TANDEM REPORTAGES
Viviane DALLES
Ocean Rage ITALY/FRANCE www.matildegattoni.photoshelter.com
France www.vivianedalles.com
Cedric GERBEHAYE / AGENCE VU’
Teenage Motherhood
The Mountain that Eats Men BELGIUM
Adam DEAN / Panos Pictures for TIME Magazine Panda Pampering
ENGLAND www.adamdean.net
Manoocher DEGHATI
Julie GLASSBERG
Bike Kill FRANCE www.julieglassberg.com
Silke GONDOLF
Being Human
IRAN www.manoocher.net
BERLIN - Yes We Can! GERMANY www.silkegondolf.de
Gabriella DEMCZUK
Marco GUALAZZINI / CONTRASTO
Misha DOMOZHILOV
KIM Hak [ WORKSHOP ALUMNI ]
Baltimore Sings the Blues USA/CROATIA www.gabriellademczuk.com Cage
Somalia: The Resilient Nation ITALY www.marcogualazzini.com
RUSSIA www.domozhilov.com
My Beloved CAMBODIA www.kimhak.com
Jonathan FONTAINE / SIPA PRESS
Phil HATCHER-MOORE
El Niño, The Burden of Women FRANCE www.jonathanfontaine.fr
Burundi: Betrayal ENGLAND www.philmoore.info
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Named after the Sanskrit-derived word for ‘peace’ and apsara, the heavenly nymphs of ancient Hindu texts, Amansara is a tranquil home for travellers seeking to explore a culture steeped in history and legend.
Road to Angkor, Siem Reap, Kingdom of Cambodia Tel: (855) 63 760 333 Fax: (855) 63 760 335 Email: amansara@amanresorts.com aman.com
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ANGKOR
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www.centraldupon.com
Road to Angkor, Siem Reap, Kingdom of Cambodia 855) 63 760 333 Fax: (855) 63 760 335 Email: amansara@amanresorts.com aman.com
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defence >> defence
> collection > collection
distribution >> distribution ofof
author’s author’s
rights rights
Société des Auteurs Société des Auteurs des arts visuels des arts visuels et de l’Image Fixe et de l’Image Fixe
205, rue du Faubourg Saint-Martin 205, rue du Faubourg Saint-Martin
SAIF is a French copyright collecting society whose mission is to 75010 PariS SAIF is a French copyright collecting society whose mission is to 75010 PariS tél. +33(0)1 44 61 07 82 defend,collect, collect, and distribute royalties to visual arts’ authors. tél. +33(0)1 44 61 07 82 defend, and distribute royalties to visual arts’ authors. In2016, 2016,SAIF SAIF represents more 6,800 authors in France, In represents more thanthan 6,800 authors in France, including4,000 4,000 photographers. Members collectively become including photographers. Members collectively become
SaiF@SaiF.Fr SaiF@SaiF.Fr www.SaiF.Fr www.SaiF.Fr
thesociety’s society’s shareholders buying a €15.24 the shareholders (by (by buying a €15.24 shareshare upon upon joining)and and democratically todecision-making the decision-making at joining) democratically taketake partpart to the at
theannual annual general meeting its board and commissions. the general meeting andand join join its board and commissions. Rightsholders holders welcome to join as well. Rights areare welcome to join SAIFSAIF as well.
Why join ? ? Whyshould shouldyou you join
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graphisme : atelier Au gauche - 2016 gra ph is me : at elifond er Auà fon d à gau c he - 20 1 6
Joining enables JoiningSAIF SAIF enables authors benefit from authorstoto benefit from “collective” rights “collective” rights “Collective” rights can “Collective” rights can only be managed and only be managed and collected by a copyright collected by a copyright collecting society, such as collecting society, such as SAIF. Proliferation of new SAIF. Proliferation of new distribution techniques distribution techniques and platforms has made and platforms hasofmade controlling the use controlling the use of artworks impossible. artworks impossible. Consequently, French Consequently, French legislator regularly grants legislator regularly grants new rights (or royalties) new rights (or royalties) managed collectively by managed collectively those collecting societies.by those collecting societies.
manage : manage : • Public• lending right SAIF can also Public lending rightSAIF can also • Resale right, a royalty for books • Resale right, a royalty for books due to creators Since 2003, French has law has due of to original creators of original Since 2003,law French plastic and plastic grantedgranted a collective right a collective rightgraphic andgraphic “Collective” rights “Collective” rights worksif their works based on books artworks based onlending books lending artworks if their are the following : are the following : be resoldto bybe resold by in public SAIF happened inlibraries. public libraries. SAIF happened to art dealers art (royalty rates(royalty rates collectscollects and distributes this dealers and distributes this • Private copying • Private copying ranging from 0.5 % to 4 % remuneration for artworks ranging from 0.5 % to 4 % remuneration for artworks remuneration remuneration of the sale) ; reproduced in books. of the sale) ; reproduced in books. Created in 1985, this Created in 1985, this • Reproduction rights remuneration covers • Reproduction rights (books, posters, press, • Cable re-broadcasting remuneration covers potential copying of a work (books, posters, press, • Cable re-broadcasting merchandising…); rights potential copying of a work for private use. A levy is merchandising…); rights • Representation rights This remuneration covers for private use. A levy is collected on the sale of Representation rights This remuneration re-broadcasting of televisioncovers(audiovisual• productions, collected on the sale of devices enabling copy (audiovisual productions, re-broadcasting of television exhibitions…). programs over cable devices enabling copy reproduction and storage. exhibitions…). programs over cable networks. Only copyright reproduction and storage. At first collected on audionetworks. SAIF is devoted to defend collecting societiesOnly are copyright At first collected on audiovisual devices only, the SAIF devoted to defend societies are and improve theisprotection allowedcollecting to collect and visual devices only, the remuneration has been improve the protection allowed to collect and of authors’ and intellectual distribute this payment to remuneration been extended to digital has media of authors’ to rights. SAIF intellectual authors.distribute this paymentproperty extended to digital media since 2001. authors. represents property its authors’rights. SAIF 25 %since of the2001. remuneration represents itsand authors’ interests before national • Educational uses 25 % of to thecultural remuneration is dedicated jurisdictions butnational and A remuneration is collected interests before • Educational uses international activities, e.g. festival funding. is dedicated to cultural also administrations (Ministry on a fixed amount negotiated international jurisdictions but A remuneration is collected activities, e.g. festival funding. of Culture, also CSPLA, European with theon French Ministry administrations (Ministry a fixed amount negotiated • Reprography right acts to of Education andFrench then MinistryUnion, etc.). ofSAIF Culture, CSPLA, European with the This•remuneration covers Reprography right defendetc.). authors’ redistributed by copyright SAIF acts to of Education and then collectivelyUnion, photocopying of works covers This remuneration rights. collecting societies to by copyright collectively defend authors’ redistributed reproduced in booksofand in photocopying works authors.collecting societies to rights. newspapers. reproduced in books and in authors. newspapers.
PHOTOGRAPHERS! Focus on your priority: your collective rights Created in 1953, ADAGP is the French royalty collecting and distribution society in the field of graphic and visual arts. Supported by a global network of almost 50 sister companies, it currently represents more than 130,000 artists in all disciplines of visual arts: painting, sculpting, photography, architecture, design, comic strips, manga, illustrating, street art, digital creation, video art... ADAGP manages all the property rights held by artists (resale right, reproduction right, right of public communication, collective rights), for all modes of use : books, media, advertising, merchandise, auctions, gallery sales, television, video on demand, websites, user sharing platforms… More than 62,000 photographers from all around the world, are represented by ADAGP, which collects and distributes their royalties and rights to strengthen authors’ rights in France, Europe, and worldwide. Subscribing to an authors’ rights association is the only way to receive the collective rights due to you (private digital copying, reprography, cable broadcast, public lending, etc.). You may also receive royalties if your original photographic prints are resold (droit de suite). Membership costs €15.24 with no annual contribution. ADAGP’s management fees are 10% for collective rights. Join us and get your fair dues. Participate in our image bank to promote your works: http://bi.adagp.fr
Artists invent the world, ADAGP protects their rights 11, rue Berryer, 75008 Paris +33 (0)1 43 59 09 79 adagp@adagp.fr www.adagp.fr 63
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