ANIBI ZAMBRANO
PORTFOLIO
ANIBI ZAMBRANO
architecture PORTFOLIO
ANIBI ZAMBRANO
PORTFOLIO
CV
work experience
education
2010 Undergraduate Student B.A. at University of Technology Sydney 2007-present Undergraduate Student B.A. in Architectural Design at ITESM Campus Monterrey 2004-2007 High School Student at the American School Foundation of Monterrey, A.C.
academic awards contact
ANA MARÍA ZAMBRANO GARZA T. 06/09/1988 mty, MEXICO anibi.zambrano@gmail.com +52(81)10735232
2008 Excellence in Academic Performance, School of Architecture ITESM 2007 AP Scholar Award www.collegeboard.com
languages Spanish
English
French
LANDA ARQUITECTOS january 2011-present Internship Arq. Agustín Landa Vértiz www.landaarquitectos.com january 2010 Internship 220 hrs Landa Arquitectos, Agustín Landa Vértiz www.landaarquitectos.com TAL TALLER june-july 2009 Internship 120 hrs TAL Taller, Agustín Landa Ruiloba www.taltaller.com
skills
Autodesk AutoCAD Autodesk REVIT 3Ds StudioMAX Design Adobe Photoshop Adobe Illustrator Adobe InDesign Google Sketchup Microsoft Office
workshops
april 2011 Workshop lead by Architect Solano Benítez (Paraguay) during Citizen Architect Forum, ITESM. november 2010 -Representative of ITESM at Workshop for Architecture Students Facilitated by IUA, COP16. -Representative of the Workshop for Architecture Students in delivering a speech before Presidents and Vice-Presidents of the IUA (International Union of Architects). august-december 2010 Participation in Cátedra VITRO, Design.
contests
2010 First place in Cátedra Luis Barragán Contest for an expositions museum, ITESM. 2009 Participation in Contest Condominios Constitución XIII International Architecture Congress, ITESM.
ARCHITECTURE
Architecture is the masterly, correct, and magnificent play of masses brought together in light. -Le Corbusier
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Architecture is that great living creative spirit which from generation to generation, from age to age, proceeds, persists, creates, according to the nature of man, and his circumstances as they change. That is really architecture. –Frank Lloyd Wright
Light is the origin of all being. Light gives, with each moment, new form to being and new interrelationships to things, and Architecture condenses light to its most concise being. The creation of space in architecture is simply the condensation and purification of the power of light. –Tadao Ando
Architecture is the will of an epoch translated into space. –Mies van der Rohe
La arquitectura es arte cuando consciente o inconscientemente se crea una atmósfera de emoción estética y cuando el ambiente suscita una sensación de bienestar. –Luis Barragán
PORTFOLIO 1
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contests
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housing/mixed uses
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culture
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models/case studies
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LEVEL ONE PATHS
LEVEL ONE PATHS
LEVEL TWO PATHS
LEVEL TWO PATHS
LEVEL THREE PATHS
LEVEL THREE PATHS
LEVEL FOUR PATHS
LEVEL FOUR PATHS
SEMI RURAL
SEMI RURAL
LOW DENSITY
LOW DENSITY
MEDIUM DENSITY HIGH DENSITY
MEDIUM DENSITY HIGH DENSITY
ENTERTAINMENT
ENTERTAINMENT
SERVICES
SERVICES
PUBLIC GREEN SPACE
PUBLIC GREEN SPACE
COMMUNITY GARDEN LINING STREETS LOCAL COMMUNITY GARDENS
COMMUNITY GARDEN LINING STREETS LOCAL COMMUNITY GARDENS
TRAIN LINE
TRAIN LINE
LEPPINGTON STATION
LEPPINGTON STATION
TRAIN STABLE
TRAIN STABLE
n
master planning
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n
urban interventions/analysis
scale 1:20 000
CENTRO COMUNITARIO SARABIA SUBJECT: ARCHITECTURAL PROJECTS III TUTOR: AGUSTÍN LANDA VÉRTIZ CECILIA ELIZONDO MANUEL MARTÍNEZ CARLOS CABRERA MATERIALS: BALSA WOOD SOFTWARE: AUTODESK AUTOCAD AUTODESK REVIT ADOBE ILLUSTRATOR ADOBE PHOTOSHOP
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CENTRO COMUNITARIO SARABIA, Colonia Sarabia, Mty
The idea of intervening in the Sarabia Neighborhood as the venue for study and the design project was generated from a critical analysis of Monterrey’s downtown city center and rising insecurity. It is an area that requires urban renewal and a restoration of its architectural features that breaks with the lack of order and respect for the place.
The concept of the project is respecting the structure of the existing factories to continue with the same language in the context of the place.
The project rescues existing external walls of industrial warehouses, and to continue with the indusThe Master Plan focuses on a trial character of the project, the entire Community Center, located in what program is housed in buildings with a remains of some abandoned continuous modulated structure with factories of General Electric, steel frames each 10.98 meters apart, articulated to a public space by a giving order and unity to the project. pedestrian axis. To tackle the issue, an intervention in the existing factory Frames and pergolas create a play of light and shadow that is fun and is required to create arts and crafts workshops and sports activities which exciting since it changes throughout the together promote citizen participation day, giving a unique character to each space of the Community Center. in that area.
urban intervention
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CENTRO COMUNITARIO SARABIA, Colonia Sarabia, Mty
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SOUTH ELEVATION
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4 FLOOR PLAN
EXISTING FACTORY SOUTH FACADE
1 WORKSHOPS 2 LIBRARY 3 OUTDOOR AUDITORIUM 4 CAFETERIA 5 ADMIN OFFICE 6 SOCCER FIELD 7 OLYMPIC SWIMMING POOL 8 SPORTS HALL 9 LOCKERS 10 NURSERY 11 CLINIC
CENTRO COMUNITARIO SARABIA, Colonia Sarabia, Mty
ENTRANCE
WORKSHOPS
WEST ENTRANCE TO COMMUNITY CENTER
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LIBRARY
WORKSHOPS
BRIDGE/CAFETERIA AREA AND PATIO
AUDITORIUM
urban intervention
LIBRARY
SOCCER FIELD
BASKETBALL
WORKSHOPS
NURSERY
SOCCER FIELD
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ENTRANCE
CLINIC AREA
PET ARCHITECTURE SUBJECT: STRATEGIES FOR INTERIOR DESIGN TUTOR: LAWRENCE WALLEN CATHERINE COMINO SOFTWARE: AUTODESK AUTOCAD AUTODESK REVIT ADOBE ILLUSTRATOR ADOBE PHOTOSHOP
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PET ARCHITECTURE, Sydney “When we walk on the streets of Tokyo we find amazingly small buildings between streets, along widened roads and in the spaces between tracks and streets. Most of these buildings are cheaply built, and therefore not spectacular in design, and they do not use the forefront of technology. However, they attract us. It may be because their presence produces a relaxed atmosphere, and makes us feel relieved. They illustrate unique ideas with elements of fun without yielding to unfavourable conditions such as small area, size and width. Their laudable presence reminds me of something I thought when one day I realized that they are like pets... By giving this title, we aimed to establish one new category in urban structure by giving them a certain name and not by negatively considering them as openings and fragments.” - Yoshiharu Tsukamoto
BEFORE
This project is located in Sydney’s CBD in Australia between Liverpool Street and Goulbourn Street on a small historical sloped site. On its left it has a metal staircase to climb from one street to another. The idea of this Pet Architecture is to be a small space that can function as a restaurant for private dining for two. It consists of two small volumes, one as kitchen and another as a public space. The volumes are on pilotis that barely touch the ground, respecting the site’s historical value. In addition, the openings in the walls allow for natural lighting and ventilation, while at night it works as a sculptural lantern that illuminates.
AFTER
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PET ARCHITECTURE, Sydney TUMBALONG PARK
HYDE PARK
WENTWORTH PARK
ROOF EXISTING METAL STRUCTURE
BELMORE PARK 200 metres
LIVERPO
OL STRE
ET
EAGER STRE
TWO RECYCLED WOOD VOLUMES
ET
TUMBALONG PARK
GOUL
BURN
STREET
50 metres
HISTORICAL SITE EXISTING METAL STAIRCASE
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urban intervention
AFTER
BEFORE
FLOOR PLAN
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POCKET PARK SUBJECT: ARCHITECTURAL PROJECTS V TUTOR: CARLOS ESTRADA SOFTWARE: AUTODESK AUTOCAD ADOBE ILLUSTRATOR ADOBE PHOTOSHOP
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POCKET PARK, Downtown Mty Public and recreational spaces are not only public in the sense of being “observed�, but public in the sense of being open to
be enjoyed by the whole community. It serves as the connective tissue of the city, where a series of encounters between people are produced, and through them with the city. Urban space is that which is not limited by copyright, which is accessible to anyone, and in which you can experience the collective behavior. Along with the green areas, is the structuring of social interaction gaps and complements the building mass. Monterrey needs more public spaces that generate a sense of community and belonging.
This project is located in the heart of Monterrey’s city center, on an area of land which is currently occupied by small, informal businesses, low-income housing, and warehouses. If this area was to be redesigned to become more densified and its land used in a more profitable way, the new master plan would include long, green corridors that are better connected to the city, but also smaller parks which further connect the new building complexes proposed as part of the new redesign of the area. This is one of the pocket parks that would result from extra spaces left in the urban fabric.
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POCKET PARK, Downtown Mty
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CENTRO COMUNITARIO SARABIA SUBJECT: ARCHITECTURAL HISTORY AND THEORY: URBANISM AND THE CITY TUTOR: TARSHA FINNEY MICHELLE TABET SOFTWARE: ADOBE ILLUSTRATOR
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SYDNEY ANALYSIS: Collage City, Sydney According to Colin Rowe and Fred Koetter’s theory developed throughout Collage City, the modernist Utopian model for cities falls behind when it comes to “[emphasizing] the role of public and private space” (Nesbitt 1996, p266) as the traditional city did. They argue about how modern architecture has pulled away from the traditional city ignoring the fact that at street level, cities do not work as they used to. WHY IS SYDNEY A SUCCESSFUL CITY AESTHETICALLY? Socially, Sydney is a clash of cultures, a quality that goes on and
manifests itself in the built fabric of the city as well as the zones in which the city is divided into (see Zoning and Special Areas diagrams). Continuing with the idea that Sydney is a city which reflects pluralistic expressions, the number of heritage buildings all throughout the CBD illustrate the fact that it is made up of diverse “ideas” superimposed by successive generations (see Heritage Buildings and Sites diagram).
PROBLEMATIC Due to the fact that Rowe and Koetter are “willing to engage ethical issues”, Sydney’s current ongoing population boom that is “due to balloon 40 per cent in 30 years” is most definitely a problem that the city is currently facing. A collage city is one
that holds multicultural perspectives while its urbanism permits change: this is exactly what Sydney should aim for in order to be a successful city. Specifically, the way in which the city is continuously incorporating ‘elements’ to improve the city -in this case achieving sustainability,- is a way of showing how the city is made up of continuous layers that add up on each other as each generation impacts the city in some particular way. This can also be linked to the importance of ‘The mechanisms that constitute stable fabrics’ that Rowe and Koetter talk about in Collage City, since these specific elements in Sydney have all acquired a certain degree of importance throughout time which in the end, summed up, are what make up Sydney the collage city that it is (see graphic).
REFERENCES Colin, R. and Koetter, F. (1079). Collage City. MIT Press. Moore, M.. (2010). Population boom means double trouble for the west. Available: http://www.smh.com.au/nsw/populationboom-means-double-trouble-for-the-west-20100317-qfq0.html. Last accessed 26 March 2010. Nesbitt, K. (1996). Theorizing a New Agenda for Architecture: An Anthology. Chapter 6.1 p. 266-293. Planning Policy Unit. (2010). Planning Instruments. Available: http://www.cityofsydney.nsw.gov.au/Development/PlanningControlsConditions/PlanningInstruments.asp#link20. Last accessed 18 March 2010. Planning Policy Unit. (2004). Sydney Planning for “The Living City”. Available: http://unpan1.un.org/intradoc/groups/public/ documents/APCITY/UNPAN007491.pdf. Last accessed 18 March 2010. Popper, K. (1962). Conjectures and Refutations. New York.
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SYDNEY ANALYSIS: Collage City, Sydney
1 MILLERS POINT CONSERVATION AREA 2 YORK ST 3 COLLEGE ST / HYDE PARK 4 HAYMARKET 5 WENTWORTH AVE EAST 6 CIRCULAR QUAY 7 BRIDGE ST / MACQUARIE PL / BULETIN PL 8 MACQUARIE ST 9 MARTIN PL 10 PITT ST MALL 11 WYNYARD PK / LANG PK 12 SYDNEY SQUARE / TOWN HALL 13 RAILWAY SQ 14 CHIFLEY SQ 15 FARRER PL
SPECIAL AREAS
MEMORABLE STREET GEORGE ST STABILIZERS TOWN HALL, ST ANDREWS CATHEDRAL, QUEEN V BUILDING POTENTIALLY INTERMINABLE SET PIECES CENTRAL STATION SPLENDID PUBLIC TERRACES DARLING HARBOUR & PYRMONT BRIDGE AMBIGUOUS & COMPOSITE BUILDINGS SYDNEY ENTERTAINMENT CENTRE THE GARDEN HYDE PARK & CHINESE GARDENS NOSTALGIA-PRODUCING ELEMENTS HARBOUR BRIDGE & OPERA HOUSE IMPOSITION VS ACCOMODATION
MECHANISMS THAT CONSTITUTE STABLE FABRICS
CITY EDGE CITY CENTRE PARKS AND COMMUNITY PLACES MARITIME AND TRANSPORT RESIDENTIAL
ZONING 20
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PAST vs. FUTURE DIALECTIC
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21 urban analysis
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CLB GRÚA PORTAL COMPETITION ADVISOR: ARQ. AGUSTIN LANDA VERTIZ SOFTWARE: AUTODESK AUTOCAD ADOBE PHOTOSHOP TEAM: ANA MARÍA ZAMBRANO PAULA LANKENAU KAREN CORNEJO GERARDO ROSENZWEIG
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CLB GRÚA PORTAL, Parque Fundidora, Mty
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1ST PLACE
After studying the context in which the contest project museum was to be developed in, it was found that most of the public, cultural and
the case of the Blowers Pavillion, Power Plant Pavillion, the Center for the Arts I, II and III and the Horno 3 museum among others. Taking this constant into account and respectfully considering the bases and principles of the contest, our team decided to suggest a proposal different to the set parameters. The proposal presented here intends to continue with the language seen throughout the park and in this case, by enabling the portal crane as a museum, attaching a suspended volume with tensors held from the original structure of the crane.
This proposal is no longer an intruder in the green areas of the Fundidora Park, it reuses an existing structure, it is cheap, quickly built, and it contains sustainable materials, making it visually attractive.
C
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BARRAGÁN
EXISTING PORTAL CRANE
educational spaces of Parque Fundidora arise after the refurbishment and rehabilitation of various industrial and historical installations, as is
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CLB GRÚA PORTAL, Parque Fundidora, Mty
SECOND LEVEL FLOOR PLAN
LONGITUDINAL SECTION
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contests
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7
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CLB GRÚA PORTAL, Parque Fundidora, Mty PARQUE ACERO
ARENA MONTERREY PARQUE FUNDIDORA
ARENA MONTERREY
PASEO STA LUCIA AUDITORIO BANAMEX
IN CA TA R
ST A
AUDITORIO BANAMEX
RIO
PLAZA MAESTRANZA
A
PARQUE PLAZA SESAMO
CENTRO DE EXPOSICIONES LAGO ACERCION
GRUA PORTAL MUSEO PARQUE FUNDIDORA
IE
S NE
PASEO DE LA MUJER
PLAZA HORNO I
HORNO III
O CI NA
GRUA PORTAL MUSEO
CIONACCESO
TITU
S CON
OR
PR
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. IG
DR
PASEO STA LUCIA
A
RIO
STA
ARIN CAT
TRANSVERSAL SECTION 5
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PARQUE ACERO
ARENA MONTERREY PARQUE FUNDIDORA
ARENA MONTERREY
PLAZA MAESTRANZA
PARQUE FUNDIDORA
MUSEO GRUA PORTAL
CA TA R
IN
A
PARQUE PLAZA SESAMO
ST A
CENTRO DE EXPOSICIONES LAGO ACERCION
PARQUE FUNDIDORA
AUDITORIO BANAMEX
RIO
PASEO STA LUCIA AUDITORIO BANAMEX GRUA PORTAL MUSEO
IE
S NE
PASEO DE LA MUJER
PLAZA HORNO I
HORNO III
O
GRUA PORTAL MUSEO
CIONACCESO
TITU
S CON PASEO STA LUCIA
SITE LOCATION: FUNDIDORA PARK 26
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DOUBLE FACADE NATURAL VENTILATION ALLOWED THROUGH PERFORATIONS IN THE ALUMINUM PLATE
SOLAR PANELS 20% INCLINATION TOWARDS THE SOUTH
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ANODIZED ALUMINUM PLATE
SUSTAINABILITY
12 MM DUOVENT GLASS 12 MM DUOVENT GLASS
STEEL TENSION CABLE
ANODIZED ALUMINUM PLATE WHITE WITH 1.5” PUNCTURES
STEEL TENSION CABLE BEAM IPR 12
FRONT BRACKET STEEL CHANNEL
FACADE SYSTEM AND DETAIL
FRONT BRACKET
BOLTS STEEL PLATE
STEEL PLATE BOLTS
BEAM IPR 12
CONDOMINIOS CONSTITUCIÓN COMPETITION MATERIALS: BALSA WOOD WHITE FOAMBOARD SOFTWARE: GOOGLE SKETCHUP AUTODESK AUTOCAD ADOBE PHOTOSHOP TEAM: ANA MARÍA ZAMBRANO PAULA LANKENAU ALEJANDRO GARZA ENRIQUE DE LA CONCHA
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CONDOMINIOS CONSTITUCIÓN, Ave. Constitución, Mty Condominios Constitución is a building complex located in Monterrey’s historical city center built in the sixties. The project was held by a contest organized by the school, CEMEX and the state’s government in order to redensify the area it is located in. Today, the buildings have not been taken good care of and the area is now insecure for the people living there. The proposal for the contest is based on the original buildings and master plan. Their original design involves 4 story buildings that are very close to each other, so the new proposal begins by removing some of those buildings. Due to the increasing
urban sprawl in the city of Monterrey, the solution comes from redensifying the city’s center, and this is why a decision to increase some of the building’s vertically seemed like the best idea.
AFTER BEFORE PROBLEM:
INCREASING URBAN SPRAWL
The new proposed volumes will provide 1.5 times what the original buildings allowed for.
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29
NEW PROPOSAL
ORIGINAL MASTER PLAN
CONDOMINIOS CONSTITUCIÓN, Ave. Constitución, Mty
EXISTING BUILDINGS 30
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PROPOSAL
contests
31
COP 16: ISLA BLANCA STUDENT WORKSHOP ADVISOR: DAVID CABRERA RUIZ SOFTWARE: AUTODESK AUTOCAD ADOBE ILLUSTRATOR ADOBE PHOTOSHOP
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7
COP16: ISLA BLANCA, CancĂşn, MX Due to the present day concern of the negative impact cities are having on climate change, the development of new strategies and the reorganization of the way cities work is the only way of solving our current situation. The city claims for a redesign of
the current system strategies which should integrate both
URBANISM AND THE CITY Quality of life.
Established densities. TRANSPORTATION SYSTEMS Mobility should be physically and economically accessible for all.
efficiency and sustainability. Rethinking and re-considering urban planning, transportation systems, and the way public and private spaces work is the path towards stronger cities.
Non-motorised transportation
PRIVATE SPACE
is encouraged. Mobility should focus on collective, energy-efficient transport systems.
Layered architecture is encour-
In this case, Isla Blanca, an island off the coast of Cancun, Mexico, served as the scheme for the conceptual idea of what a sustainable city like the one mentioned above would look like.
Public spaces should be found within the urban fabric and respond to its context. The appropriate use of these spaces becomes an effective way of producing positive changes in society.
PUBLIC SPACE
aged, in which the built fabric is comprised of several levels. The first level contains ephemeral architecture that can be rebuilt in case of a natural disaster or a contingency. The second level is connected at different points throughout the city creating a network. If water levels rise, floods occur, the city still functions at this second layer.
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COP16: ISLA BLANCA, Cancún, MX SELF-SUFFICIENT SUSTAINABLE CITY
MIXED USES
IMPROVED LIFE QUALITY
5063*4.
1-":
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$0..&3$&
4&37*$&4
53"/41035"5*0/ 8"-,*/( #*$:*/( 53".
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ECONOMIC SUSTAINABILITY
*.1307&% -*'& 26"-*5:
34
PLAY
OFFICES
HOUSING
COMMERCE
SERVICES
TRANSPORTATION WALKING BICYING TRAM
ISLA BLANCA
CANCUN
TOURISM
4&-' 130%6$5*0/
&/&3(: (&/&3"5*0/ &/&3(:
8"45& ."/"(&.&/5 &/&3(:
master planning
35
$0
SELF SUFFICIENCY
$0
.0#*-*5: */ $0/5*/(&/$&
*/5&3"$5*0/ (3&&/
" $*5: 8*5) (3&&/ "/% 01&/ 16#-*$ 41"$&4 5)"5 130.05& $0..6/*5: "/% */5&3"$5*0/ 6/" $*6%"% $0/ &41"$*04 16#-*$04 "#*&3504 : 7&3%&4 26& 130.6&7"/ -" $0/7*7&/$*" : -" 7*%" "- &95&3*03
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3"*/8"5&3 3&$:$-&% 8"5&3 .6/*$*1"- 8"5&3 -*()5 4&8"(& 8"5&3 4&8"(& 4:45&.
6/%&3 /"563"- %*4"45& 5)& $*5: 45*-- '6/$5*0/4
LAYERED ARCHITECTURE
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LEPPINGTON ZERO CARBON COMMUNITY SUBJECT: DESIGN STUDIO III (ARCHITECTURAL PROJECTS IV) TUTOR: ADRIAN LAHOUD MARCO POMPILI FERNANDO PINO SOFTWARE: AUTODESK AUTOCAD RHINOCEROUS ADOBE ILLUSTRATOR ADOBE PHOTOSHOP
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LEPPINGTON ZERO CARBON COMMUNITY, Leppington, AU With its increasing population, Sydney’s appetite for energy and food resources is too on the rise, consequently causing unforetold tension within the Sydney Basin. This strain leads to the question of
re-thinking existing models for urban development. Carbon footprint, transport bearing capacity, pedestrian climates, energy, and food production are the key elements behind the design of this urban development. Leppington is a suburb of Sydney, in the state of NSW, Australia, mainly a community of small farms and rural properties. It will play an immense role in containing the Sydney region’s urban footprint by structuring and
developing a carbon neutral city.
The primary objective of the proposal is to eliminate the use
of carbon reliant transport and minimise the need for a mechanised transport system. This has driven the desire to design a community based around the used of walkways, whereby all required amenities are within a desirable “walking” distance for residents. It is also part of the design objective to link Leppington with broader Sydney and thus not to create a “gated” community. This will require a link with major transport ties to Sydney’s CBD, whist not compromising the carbon neutrality of the community.
urban intervention
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LEPPINGTON ZERO CARBON COMMUNITY, Leppington, AU
38
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FINAL MASTER PLAN
master planning
LEVEL ONE PATHS
PARK
TOWN HOUSES PARK T
P TOWN HOUSES TOWN HOUSES
H P HOUSES
TOWN HOUSES
HOUSES
PARK PARK PARK PARK
T
P
TOWN HOUSES
T
PARK PARK
ENTERTAINMENT ENTERTAINMENT
TOWN HOUSES
H P T
E
T HOUSES HOUSES
H P
PARK PARK
HOUSES
PARK
PARK
PARK
ENTERTAINMENT ENTERTAINMENT
SERVICES
ENTERTAINMENT ENTERTAINMENT ENTERTAINMENT
APARTMENTS
TOWN HOUSES
HOUSES ENTERTAINMENT
TOWN HOUSES P P T
PARK PARK ENTERTAINMENT TOWN HOUSES HOUSES PARK
HOUSES PARK PARK ENTERTAINMENT
SERVICES SERVICES
TOWN HOUSES
A ES SA
TH
ENTERTAINMENT
PARK PARK
SERVICES
ENTERTAINMENT ENTERTAINMENT ENTERTAINMENT
ENTERTAINMENT
PARK ENTERTAINMENT PARK PARK ENTERTAINMENT
TOWN HOUSES
ENTERTAINMENT
ENTERTAINMENT
PARK
PARK SERVICES
PARK
ENTERTAINMENT
PARK APARTMENTS
ENTERTAINMENT SERVICES
T
ENTERTAINMENT
HOUSES
HOUSES
ENTERTAINMENT ENTERTAINMENT TOWN HOUSES
TOWN HOUSES
PARK PARK
25% ENTERTAINMENT
24% HIGH DENSITY HOUSING 20% GREEN SPACE 16%
HOUSES
SEMI RURAL
LEPPINGTON STATION
HOUSES
S
H
ENTERTAINMENT ENTERTAINMENT
ENTERTAINMENT
E
HOUSES
ENTERTAINMENT
PARK PARK
SEMI RURAL
S
HOUSES HOUSES
HOUSES
MEDIUM DENSITY HOUSING
6%
SEMI RURAL HOUSING
5.5%
SERVICES
HOUSES HOUSES PARK S HOUSES P HOUSES P E H P TOWN HOUSES TOWN HOUSES S HOUSES E HOUSES TOWN HOUSES T HOUSES
HOUSES
SEMI RURAL
SEMI RURAL
TOWN HOUSES
ENTERTAINMENT
ENTERTAINMENT ENTERTAINMENT
P H H P H H P HOUSES P P
SEMI RURAL
HOUSES
ENTERTAINMENT
E
TOWN HOUSES A TOWN HOUSES P
PARK PARK
E
HOUSES
SEMI RURAL
SEMI RURAL
ENTERTAINMENT
HOUSES
TOWN HOUSES
HOUSES
T
OFFICES OFFICES OFFICES OFFICES
E
TOWN HOUSES
HOUSES HOUSES
T S
OFFICES OFFICES
ENTERTAINMENT ENTERTAINMENT ENTERTAINMENT
A
ENTERTAINMENT
PARK T PARK PARK TOWN HOUSES
HOUSES
OFFICES OFFICES
HOUSES
TOWN HOUSES
APARTMENTS
TOWN HOUSES
PARK T
ARK P HP PARK H H P T PARK
PARK
P T P
HOUSES HOUSES
ENTERTAINMENT ENTERTAINMENT
ENTERTAINMENT
HOUSES HOUSES
HOUSES T HOUSES P H
PARK TOWN HOUSES
ENTERTAINMENT ENTERTAINMENT ENTERTAINMENT
HOUSES ENTERTAINMENT
HOUSES HOUSES
TOWN HOUSES PARK TOWN HOUSES H TOWN HOUSES APARTMENTS SERVICES ENTERTAINMENT T ENTERTAINMENT T A SERVICES T APARTMENTS TOWN HOUSES P T P T PARK SERVICES SERVICES TOWN HOUSES H HOUSES ENTERTAINMENT ENTERTAINMENT ENTERTAINMENT SERVICES S HOUSES PARK H TOWN HOUSES APARTMENTS TOWN HOUSES ENTERTAINMENT A P T ENTERTAINMENT ENTERTAINMENT APARTMENTS PARK P TOWN HOUSES P PARK
PARK
TRAIN LINE
ENTERTAINMENT ENTERTAINMENT ENTERTAINMENT
H P H
S
COMMUNITY GARDEN LINING STREETS LOCAL COMMUNITY GARDENS
PARK TOWN HOUSES
HOUSES HOUSES
P HOUSES HOUSES T
P
PUBLIC GREEN SPACE
HOUSES HOUSES
HOUSES
ENTERTAINMENT SEMI RURAL
SERVICES
HOUSES
SEMI RURAL
PARK
ENTERTAINMENT
HOUSES
SEMI RURAL
PARK PARK
PARK
PARK
PARK
PARK PARK
MEDIUM DENSITY HIGH DENSITY
SEMI RURAL
LOW DENSITY
SEMI RURAL
SEMI RURAL
SEMI RURAL SEMI RURAL SEMI RURAL SEMI RURAL
PARK
SEMI RURAL
PARK
HOUSES
OFFICES
OFFICES
OFFICES OFFICES OFFICES
HOUSES
LEVEL FOUR PATHS
OFFICES
LEVEL THREE PATHS
OFFICES
OFFICES OFFICES OFFICES
LEVEL TWO PATHS
3%
LOW DENSITY HOUSING
0.5%
EMERGENCY SERVICES
PROGRAM DIVISION
TRAIN STABLE
2
3
4
n
1
-
LEVEL 1 STREETSCAPE scale 1:20 000 High Density Housing
LEVEL 2 STREETSCAPE Medium Density Housing
LEVEL 3 STREETSCAPE
LEVEL 4 STREETSCAPE
Medium/Low Density Housing Low Density Housing
39
LEPPINGTON ZERO CARBON COMMUNITY, Leppington, AU Proposed relocation of Bringelly Road around site for masterplan as is it is a car free zone. Proposed detour will be an additional 2 minute drive .
KEMPS CREEK to form a natural barrier on the edge. This will help “blur” the edge condition and fit in with the surrounding landscape.
-
Existing road grid in proximity to 1.5km radius used to deter mine outline of masterplan.
the existing roads were used as a guide to create the boundary for the proposed mas -
KEY existing roads used to determine outline 1.5km radius proposed rail proposed leppington train station proposed train stable proposed new bringelly road masterplan outline
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terplan. These roads along with
creek
Kemps
were used in correspondance with the 1.5km radius to create a boundary for an area that is completely walkable. Housing densities at the “edge” could then be used to determine densities within mas terplan and thus integrate the proposed site with the surrounding area.
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MULTIFAMILIAR GARCÍA SUBJECT: ARCHITECTURAL PROJECTS II TUTOR: AGUSTÍN LANDA VÉRTIZ CLAUDIA CARREÑO ALEJANDRO OLIVIER MATERIALS: BALSA WOOD SOFTWARE: AUTODESK AUTOCAD ADOBE PHOTOSHOP
42
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MULTIFAMILIAR GARCĂ?A, GarcĂa, NL
The background for the project is the work of Le Corbusier, whose influence can be seen in
the volumetric disposition of the project, the five points of architecture (use of pilotis,open plan, free facade, horizontal windows and roof gardens), in the ramp designed as an alternate access the building, and in the modulation of the entire project. The concept of this apartment building revolves around a central
courtyard that connects two different volumes. The rear of the site is adjacent to one of the plazas that were generated in the Master Plan, so a landscaped public open space was designed on that side to invite people to access the building.The front of the building is adjacent to the street, allowing for direct access to the commercial area. The apartments are terraced to avoid breaking with the existing heights of their context.
PRECEDENTS
This project located in Garcia is part of a Master Plan which aims to re-densify the area with multifamily buildings which heights go up to three levels. Garcia is a village with early last century houses and are part of the colors and elegance that this region is known for. This is why the context of the town was the starting point for the design of the Master Plan, by respecting heights, main avenues and important historical monuments such as the main square and the church. It sought to create an interesting route for pedestrians that began from the main square and secondary plazas were generated as part of this path.
9
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MULTIFAMILIAR GARCÍA, García, NL
PLAZA
PALACIO MUNICIPAL
PLAZA
STREET FACADE
PLAZA PRINCIPAL
PLAZA
DESIGN PROCESS 44
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TOP VIEW
SITE
housing
45
MULTIFAMILIAR GARCÍA, García, NL
LEVEL 01
LEVEL 02
LEVEL 03
ROOFS LEVEL
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2
7
12
housing
47
TRANSVERSAL SECTION
LONGITUDINAL SECTION 2
7
12
CASA PEDREGAL DE LA HUASTECA SUBJECT: ARCHITECTURAL PROJECTS I TUTOR: DIEGO A. RODRÍGUEZ BERNARDO GIL MATERIALS: WHITE FOAMBOARD SOFTWARE: AUTODESK AUTOCAD ADOBE PHOTOSHOP
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CASA PEDREGAL DE LA HUASTECA, Sta. Catarina, NL
This project is located in Santa Catarina, in a subdivision called Pedregal de la Huasteca. The subdivision´s terrain is uneven and contains two main roads. The project consisted of a set of 5 residential houses each designed by a different person. A basic concept was defined as the starting point for the design of each house. All the designs had to contain a series of terraces to take advantage of the view that the division has towards the Huasteca and not to obstruct the view of neighboring houses. It was also important to consider the steep terrain, and respect it as much as possible.
housing
49
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2
7
12
RESIDENTAL COMPLEX
50
GROUND FLOOR
ENTRANCE LEVEL
CASA PEDREGAL DE LA HUASTECA, Sta. Catarina, NL
ROOF LEVEL
TRANSVERSAL SECTION
2 7 12
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CASA LA NORIA SUBJECT: CONSTRUCTION WORKSHOP I TUTOR: TERESA DE LA GARZA MATERIALS: BALSA WOOD SOFTWARE: AUTODESK AUTOCAD ADOBE PHOTOSHOP
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CASA LA NORIA, Santiago, NL
This project is a 500m2 singlefamily house located in La Noria, a housing development in Monterrey, N.L. The site is filled with trees and vegetation, and the best views are towards the north of the site. The heart of the house is an outside garden which one discovers while walking towards the main entrance. The first level of the house contains the public areas, concentrating services in the left wing, while the second level contains the private areas, with terraces and balconies to enjoy the outdoors and the mountain views.
housing
53
CASA LA NORIA, Santiago, NL
LEVEL 01
LEVEL 02 54
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5
10
20
NORTH FACADE
SOUTH FACADE
housing 55
CONJUNTO SAN JERÓNIMO SUBJECT: ARCHITECTURAL PROJECTS V TUTOR: CARLOS ESTRADA MATERIALS: BALSA WOOD SOFTWARE: AUTODESK AUTOCAD ADOBE ILLUSTRATOR ADOBE PHOTOSHOP
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12
CONJUNTO SAN JERĂ“NIMO MIXED USE BUILDINGS COMPLEX, Mty The project consists of a housing and mixed use complex in response to the growing problem of urban sprawl in Monterrey, seeking to re-densify the city center. It is located in downtown Monterrey between Avenida Insurgentes and Avenida General Pablo A. GonzĂĄlez.
ments with different sizes to meet different needs, a five-level parking lot, amenities such as a gymnasium, a ballroom, pool, roof gardens and a space for kids. In addition, there are several public and landscaped terraces that allow the buildings to breathe, be naturally ventilated and serve as an enjoyable experience for its users. The south tower that faces the pedestrian green corridor, part of The concept of the building consists of two volumes with the Master Plan to which the project belongs, invites pedestrians to enter different heights arranged the public space through a roofed around a central patio that articulates and connects the build- corridor to discover the patio and ings at the first level. The roof ter- garden inside the complex. race of the south building contains A sustainable complex achieved a pool, which also serves as an articulating element between the because of its disposition on the site, landscaping, orientation, two volumes. ventilation, lighting, green roofs and The complex includes commercial materials, which seeks to improve the quality of life of those who spaces, offices, housing apartreside, work or play there.
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CONJUNTO SAN JERÓNIMO MIXED USE BUILDINGS COMPLEX, Mty
12.4 M
ONE BUILDING
TWO BUILDINGS SAME HEIGHT
TWO BUILDINGS DIFFERENT HEIGHT
SITE LOCATION
PLAN WIDTH THAT ALLOWS NATURAL DAYLIGHTING
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ORIENTATION VENTILATION DAYLIGHTING
PLAN VIEWS AND PRIVACY
PLAN MORE VIEWS AND PRIVACY
PROGRAM
housing
59
TYPICAL FLOOR PLAN DISTRIBUTION AND ZONING
ROOFTOP LEVEL SOLAR PANELS LEVEL 8: AMENITIES KIDS PLAYROOM SWIMMING POOL GREEN ROOF LEVEL 4-14: HOUSING DIFFERENT SIZED APARTMENTS STUDIOS 2-BEDROOM 3-BEDROOM GREEN TERRACES LEVEL 2-3: OFFICES OFFICE SPACES GREEN TERRACES
PUBLIC PRIVATE SERVICES SEMIPUBLIC
LEVEL 1: AMENITIES GYM EVENTS TERRACE AS PUBLIC SPACE LEVEL 0: COMMERCE 665 M2 LOBBY GREEN AREAS LEVEL -1: PARKING 31 PARKING SPACES SERVICES AND MACHINE ROOMS LEVEL -5 TO -2: PARKING 37 PARKING SPACES SERVICES AND MACHINE ROOMS
5
10
20
CONJUNTO SAN JERÓNIMO MIXED USE BUILDINGS COMPLEX, Mty
5
COMMERCIAL LEVEL
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TYPICAL FLOOR PLAN OFFICES
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10
20
housing
5
TYPICAL FLOOR PLAN HOUSING
AMENITIES
10
61
20
CONJUNTO SAN JERÓNIMO MIXED USE BUILDINGS COMPLEX, Mty
NORTH BUILDING NORTH ELEVATION
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NORTH BUILDING SOUTH ELEVATION
5
10
20
housing
63
SOUTH BUILDING NORTH ELEVATION
WEST TRANSVERSAL SECTION
SOUTH BUILDING SOUTH ELEVATION
5
10
20
THE GALLERY SUBJECT: ARCHITECTURAL PROJECTS III TUTOR: DIEGO A. RODRÍGUEZ BERNARDO GIL MATERIALS: POLYSTERENE SOFTWARE: AUTODESK AUTOCAD ADOBE PHOTOSHOP
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THE GALLERY EXHIBITION GALLERY ITESM, Mty
This project is located inside the Tec de Monterrey Campus, with the objective of becoming an exhibition gallery for the Industrial Design School, the Arts School, and the Architecture School. Since the site is near one of the main entrances of the campus, the area calls for The shape of the building is dictated a space in which students can gather and meet. This is what the by the shape of the site, and it is project aims for, a public space made up of free floor galleries that rise as the pedestrian advances in for students to enjoy and order to free the first level for use as become a part of. With this in mind, this new space consists a public space and other amenities. All the project allows natural of a patio, a cafĂŠ, storage for lighting through a horizontal the gallery, a space for reading, window band that is across the top and 740m2 of floor space for of the whole gallery. exhibition.
culture
65
THE GALLERY EXHIBITION GALLERY ITESM, Mty
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GROUND LEVEL
GALLERY LEVEL
SECTION
THE DESIGN PROCESS
5
10
20
culture
67
INTERNSHIP MODELS LANDA ARQUITECTOS TELEVISA TAL TALLER EL LECHUGAL LA ARBOLEDA MATERIALS: BALSA WOOD CARDBOARD CASE STUDY MODELS MATERIALS: STYRENE PLASTIC BALSA WOOD BASS WOOD CARDBOARD MDF
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MODELS/CASE STUDIES EL LECHUGAL
LAS ARBOLEDAS
TELEVISA
models
69
MODELS/CASE STUDIES BARCELONA PAVILION MIES VAN DER ROHE
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PAVILLON SUISSE LE CORBUSIER
SAINSBURY CENTRE NORMAN FOSTER
NAGAKIN CAPSULE TOWER KISHO KUROKAWA
DULLES INTERNATIONAL AIRPORT EERO SAARINEN
models
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