DE January - February 2022 Edition // DE India by Anirudh Datta

DE india

//JANUARY - FEBRUARY 2022//VOLUME 03 - ISSUE 01__

architecture & design magazine

featuring

STUDIOPEPE, MILAN

DE SPOTLIGHT //international spotlight interview

ATELIER ASHIESH SHAH DE SPOTLIGHT (ON COVER)

BEYOND DESIGNS MADS CREATIONS @demagazineindia

SQUELETTE DESIGN STUDIO MERAKI

and many more young architects & designers of India.

PANTONE COLOUR OF THE YEAR 2022 #LetsTalkDesign

//PAGE 11

architecture & design magazine

DE INDIA DESIGN ESSENTIA MAGAZINE

JAN - FEB 2022 #LetsTalkDesign

Design Essentia Magazine is an Architecture & Interior Design magazine from INDIA.

We are an international design journal featuring the work of top architects and designers, as well as the best in design trends to follow.

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DE india

//JANUARY - FEBRUARY 2022//VOLUME 03 - ISSUE 01__

DE SPOTLIGHT INTERVIEW

ASHIESH SHAH, ATELIER ASHIESH SHAH, MUMBAI, INDIA

@demagazineindia

photograph courtesy : Atelier Ashiesh Shah #LetsTalkDesign

DE india

//JANUARY - FEBRUARY 2022//VOLUME 03 - ISSUE 01__

DE SPOTLIGHT INTERVIEW

ARIANNA LELLI MAMI & CHIARA DI PINTO, STUDIOPEPE - MILAN, ITALY

photograph by Andrea Ferrari #LetsTalkDesign

@demagazineindia

CONTENTS

JOSHI HOUSE MUMBAI, INDIA

ON COVER

//DE spotlight INTERVIEW with ASHIESH SHAH PRINCIPAL ARCHITECT PRINCI at

ATELIER ASHIESH SHAH, MUMBAI, INDIA (on right)

//DE spotlight INTERVIEW with ARIANNA LELLI MAMI & CHIARA DI PINTO PRINCIPAL DESIGNERS PRINCI at

STUDIOPEPE, MILAN, ITALY (on right)

DE DIRECTIONS

//FOR BEST OF TIPS/TRENDS IN DESIGN

PANTONE COLOR OF THE YEAR

2022

VARIOUS YOUNG ARCHITECTS & DESIGNERS OF INDIA TALK ABOUT THE LATEST DESIGN TRENDS FOR THIS YEAR.

11 13

//ARCHITECTURE & INTERIOR PRODUCT SHOWCASE

FOUND BY AANSHIKI #art

DE SPACES

//TOP TRENDING ARCHITECTURE & INTERIOR SPACES

BEACH HOUSE IN GOA

RESIDENCE IN GURGAON

CONTENTS

DE PRODUCTS

STAMPING GROUND COURTS

GOA

GURGAON

AHMEDABAD

By BEYOND DESIGNS

By MADS CREATIONS

By SQUELETTE DESIGN

WORKWINGS CO-WORKING

AMI LIFESCIENCES

DHIYA

NOIDA

VADODARA

BHARUCH

By STUDIO MERAKI

By DESIGN STUDIO ASSOCIATES

By KARYA DESIGN STUDIO

//YOUNG ARCHITECTS & DESIGNERS OF INDIA SHARE THEIR STORY

architecture & design magazine

CONTENTS

DE DISCOVER

//Editor’s letter ABOUT THE ISSUE With this edition DE INDIA introduces its first issue for the year 2022. We are excited to announce that DE INDIA enters its third year; we celebrate design, with the our latest edition for Jan-Feb 2022 - Anniversary Edition. For this issue our DE cover story showcases a timeless refuge nestled in the bohemian suburb of Mumbai by the celebrity architect Ashiesh Shah had a wonderful interaction with Ashiesh, where the designer talks about his design journey and shares his latest project - Joshi House for our DE Spotlight segment. For our DE Spotlight international segment, we had an exciting conversation with the Italian design duo Arianna & Chiara - founders of Studiopepe, Milan. Special thanks to our designer friends in Milan for join us this edition. This edition we specially curated a segment talking to various young architects & designers of India who share their expertise to define the top trends for 2022. Various homegrown young architects & designers of the country share their latest works, while talking about creating that perfect environment through design.

//photograph by DE Studio

So, Let’s Let highlight and celebrate the beautiful essence of design around us. Let’s Talk Design with DE. Stay Safe & Happy Reading!!

ANIRUDH DATTA (Editor in chief) DESIGN ESSENTIA MAGAZINE (DE INDIA)

architecture & design magazine

introducing

PANTONE colour of the year

2022 PANTONE 17-3938 Very Peri A New Pantone Color Whose Courageous Presence Encourages Personal Inventiveness And Creativity. Displaying a carefree confidence and a daring curiosity that animates our creative spirit, inquisitive and intriguing PANTONE 17-3938 Very Peri helps us to embrace this altered landscape of possibilities, opening us up to a new vision as we rewrite our lives. Rekindling gratitude for some of the qualities that blue represents complemented by a new perspective that resonates today, PANTONE 17-3938 Very Peri places the future ahead in a new light. We are living in transformative times. PANTONE 17-3938 Very Peri is a symbol of the global zeitgeist of the moment and the transition we are going through. As we emerge from an intense period of isolation, our notions and standards are changing, and our physical and digital lives have merged in new ways. Digital design helps us to stretch the limits of reality, opening the door to a dynamic virtual world where we can explore and create new color possibilities. With trends in gaming, the expanding popularity of the metaverse and rising artistic community in the digital space PANTONE 17-3938 Very Peri illustrates the fusion of modern life and how color trends in the digital world are being manifested in the physical world and vice versa. January - February 2022 Edition//Design Essentia//DE INDIA |

“The Pantone Color of the Year reflects what is taking place in our global culture, expressing what people are looking for that color can hope to answer.” added Laurie Pressman, Vice President of the Pantone Color Institute. “Creating a new color for the first time in the history of our Pantone Color of the Year educational color program reflects the global innovation and transformation taking place. As society continues to recognize color as a critical form of communication, and a way to express and affect ideas and emotions and engage and connect, the complexity of this new red violet infused blue hue highlights the expansive possibilities that lay before us”.

pre-loaded color palettes featuring Very Peri. These Color of the Year-themed palettes, along with every other Pantone Colour, are available to share, save, and use in your design files within Adobe Photoshop®, Illustrator®, and InDesign®. With a free Pantone Connect account, designers can access many other time-saving features to find inspirational colors, save color palettes, and design with achievable Pantone Color. //explore more about the colour at www.pantone.com/color-of-the-year-2022-paletteexploration

Encompassing the qualities of the blues, yet at the same time possessing a violet-red undertone, PANTONE 17-3938 Very Peri displays a spritely, joyous attitude and dynamic presence that encourages courageous creativity and imaginative expression. CRE CREATE WITH VERY PERI

PANTONE

17-3938

Pantone Connect, a digital color platform for designers available on web, via mobile apps, and as an extension for Adobe® Creative Cloud®, includes four different

| January - February 2022 Edition//Design Essentia//DE INDIA

via pantone color initute. www.pantone.com

architecture & design magazine

DE INDIA talks to various young architects & designers of India to know what

creative bits our designer friends have to share with us to define the top trends for 2022.

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? The design ideology of planning spaces is of utmost importance. Every project must show thoughtfulness and the specific requirements of its user. The goal of space planning should be to create efficiency. Another important aspect is the quality of the space. This is affected by the materials, fabrics and finishes one uses. Color themes and finishes th that are neutral and easy on the eyes with sophisticated schemes will define spaces and make it more accepting to the eye. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY?

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? Typically we would be going towards the idea of having come out of Covid and its constraints. We would be looking at how there could be more ﬂuidity in designs. The concept of spaces doubling up for other functions or spaces that are multifunctional is what we would be working towards going forward. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? Mo More than sticking to particular style that has a comeback, I think time has come for us to bring craftsmen and artwork of local indigenous communities to the forefront. There are many ways in which the traditional crafts of India can be infused into the contemporary design language. We must give them a bigger role in the design narrative than just a token of inclusion. I will be more nar conscious of about this and work on such collaborations in the ofﬁce. 14

| January - February 2022 Edition//Design Essentia//DE INDIA

There are many facets to experiment with, when it comes to reviving old age design. Any thoughtfully designed interior space can take inspiration from art galleries, museums and other mid- century styles. Focus towards greater reﬁnement, delicacy, symmetry of form and excellence of proportions is something that makes the interior spaces charming. Great heights in interior spaces that have taken Gr inspiration from neoclassical architecture change the scale of the spaces. Furniture inspiration like sofas with curved backs and a skirted base can be used in common areas. Wainscoting design in passages and rooms scale down the heights of a space to a more human level with minimal design and intricate detailing which take inspiration from classic panelings.

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? An impressive blend of styles, materials and patterns that make a strong impact has been our forte. This allows us to get creative and experiment endlessly. We are happy that this year is going to be defined by an eclectic fusion of various décor styles. Vintage products will be incorporated with modern elements to create vibrant contemporary spaces. From furniture pieces to deco decorative elements to sculptures and artworks, there are many ways we can incorporate vintage elements into modern interiors. This gives us enough chances to go maximalist, which is our style. For a quick interior update, tabletops or dining table tops can become the stage for eye-catching fusion décor. Also, magnificent chandeliers that are a blend of materials and styles int introduce an element of intrigue and awe. So possibilities for experiment are limitless, which is exciting. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? 1. Would want to experiment with Scandinavian aesthetic more authentically, and not the derivative ‘Indian’ way of going about it with a lot of storage. And I really hope that we get to design more open and functional spaces. 2. Japandi Living, tatami mats. With more people staying and working from home, they’ve come to realize the importance of having. 3. No more Walnut veneer and the yellow oak veneer! I wish this picks up. It is over-used and I think frankly, just done. 4. Would love to do technology driven spaces. Like heated bathroom floors (how to make it sustainable?), going for materials with low maintenance and a longer life, and ensuring we don’t do animal skin on any of our furniture pieces. 5. I really hope we do away with high back button-upholstered beds.

Vintage furniture items are back in vogue. They exude a certain nostalgic air, which is what people are looking for right now. In fact, as statement making pieces, vintage pieces can be included in any existing scheme. They never go out of fashion. Vintage art works are becoming more and more a part of modern interiors. Today the way an artwork is framed or presented to enhance its artistic value is also important. An ornate or antique touch accentuates the beauty of the painting. Tabletop décor is incomplete without sculptures. They add a unique character to spaces with their unique shapes, textures and colours. Sculptures of all kinds and make are an essential part of decorating process and to introduce a bold maximalist appeal. Carved sculptures and antiques can be given a contemporary twist to make them sit pretty in any contemporary environment.

GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? 1. Brick and terracotta walls. 2. Soft curvy cozy furniture. 3. Use of brown hues in spaces across commercial and residential – more warmth. 4. Nature inspired shapes for tables, and other pieces of furniture and décor – like mushroom wall scones, amoebic center tables. 5. We’re personally trying to do away with plastic emulsion paint this year – mo towards lime plaster. moving more January - February 2022 Edition//Design Essentia//DE INDIA |

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? I feel there is a certain mindfulness with which people are approaching design. Given the COVID scenario, there is a change in the way we use spaces, be it homes/ofﬁces. Over the past year, I've seen a keen interest in people engaging with design and designers at various scales to create spaces that are not only functional/clinical, but also a reﬂection of their personalities, their aesthetic. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY?

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? We have set a mandate for contextual design, something that is timeless. Therefore, our designs are founded in simplicity and clarity, and create structures that are closely connected to the earth, the foundation of our philosophy is following features of Biophilic ideology and amalgamating with the Vernacular. Designing must contribute to society's progress and ultimately to our individual and collective wellbeing. To reduce carbon footprint and create a safer and healthier world for us is the ethos. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? People are becoming more conscious about sustainability and saving the environment. The future of design is learning from the roots and implementing it in today's technology. Our Studio follows the philosophy of truth and honesty. The approach of the design philosophy is sensitivity to the profession chosen and the passion towards it. We would like to focus on design elements like Barrier free spaces, courtyards within the designed spaces, use of local materials - natural stone, use of natural light, natural textures with materials. Undertaking an inclusive holistic approach helps ensure we are supporting the incredible people who spend time in the spaces we’re honoured to create with them every day. 16

| January - February 2022 Edition//Design Essentia//DE INDIA

Our studio ethos lies at bridging the gap between traditional and contemporary by working in a more collaborative way with our execution team/craftsmen. Through tour upcoming projects, we are hoping to continue the exploration of multiple opportunities to work with such craftsmen and practitioners- eventually cr balancing out the role of the architect and craftsman, designers and executioners.

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? For me the most exciting part of the architectural and design journey post the covid scenario has been the dependency on the “Make in India” initiative. Every new scenario makes way for a different opportunity for innovation through reﬂection and I feel that the whole idea of homogenous localized material play was the design scheme that played the biggest role for us. From a simple Indian brick to a granite design to different temperature colors to different gr patterns in different regions of the country created so many avenues to deal in for us as a design ﬁrm, that we feel that the internal dependency forced us to think in the most innovative way we could have ever thought as well as make the whole process , cost and time effective as well as one step closer to lessening the carbon footprint activity. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY?

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? For 2022, we will most likely address how the pandemic has affected our lives. Basically a focus on personalization of spaces and how they can have a positive impact on us as we spend longer time at home. This can manifest through colour, material and connection with nature. As work from home has become a norm, people seek connection to the outdoors and dedicated spaces for work and relaxation.

Studio Renesa has always believed in rejuvenating the old with the new. The unique amalgamation of the old with the new through the two different generations creates a different dimension to the projects , their materiality, their definition and its experience. With the design world shifting to redefine the lines , the only two ways are to either go ahead and innovate or go back in time and reinvent the themes. The beauty lies in the everlasting impression of the themes classic old design themes and gestures which have stood the test of time and still work with the upcoming trends and waves of new design. For us this season has been about reinventing with materials via terrazzo and terracotta bricks, which has given our work a more different dimension and surprised us with its impact on the end users. The simplicity of the old charm creates such a sophisticated and elegant impact as a designer and an end user that the need to move two steps back in order to move ten steps ahead has become a definite try out in the given scenario.

GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? From 2000-2010 everyone used to copy the west, it was a trend of that time. As the lifestyles of people have evolved over the years, there is a demand for personalized spaces that combine classic and vintage styles with a touch of modern. So basically we are keen to work on fusion styles where older design styles are adopted with a modern aesthetic. We also believe in upcycling and restoration-- refurbishing old furniture and décor elements with a touch of modern upholstery, colour scheme or design. January - February 2022 Edition//Design Essentia//DE INDIA |

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? 2022 is all about the experimental approach. Furniture is becoming more reﬁned and is about marrying form with function. Curvalicious furniture is here to stay. Curves are both feminine and forgiving, which makes a room feel instantly cosier.

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? 1. Sustainability - recycle, reuse and reduce is thankfully the biggest trend of 2022. People are not very conscious of what they are buying- its history, impact on the environment and health benefits. 2. Natural Materials - like cane, bamboo, other natural fibres, paper mache, terracotta, stone, marble are in trend. 3. Innovative Materials - Interesting materials developed from any form of waste or recycling of waste is acknowledged, celebrated and is much in demand. It's an era acknowledged of innovations and collaborations. 4. Conscious ShoppingBrands around the world are highlighting conscious shopping by educating the consumers on sustainable practices adopted by them and showcasing a transparent supply chain. This helps the consumer to think, evaluate and then make the right choice. 5. Patterns & Colours - Nature related patterns like flowers, animals, plants are all in trend. Green colour, the colour of nature is also in trend. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? Craft/Handmade and Vintage brings a rich sense of history and spirit into space. They have the power to influence the storytelling and add a sense of character, warmth and sentimental value besides adding to the home decor. Indian craft specifically is in high demand across the world. By supporting craft we not only support sustainability but also patronize an age-old technique and help in employment at the grass-roots level. By promoting vintage we are reducing our gr footprint as we are repurposing the old into something new. 70's style -is also back with rounded and curved shapes and bright colours in order to make the interiors comforting and welcoming, radiating positivity. Avoid clutter, and focus on what is important to us. Full whites, monochromes along with stripes and geometric graphics and patterns are also in trend. 18 | January - February 2022 Edition//Design Essentia//DE INDIA

GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? Wh What's making a comeback is sustainable fair trade practices and statement pieces that are handmade. Lots of texture, nature-inspired hues and palette. Zen zones are here to stay. More importantly, bold and maximalist statements will make a huge come back.

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? Mindfully thought, handcrafted designs with artisanal details will be the key ingredients to adding subtle surface decoration in your home furnishing. Revisiting traditional embroidery, mark making techniques to build a comforting space with a nostalgic quality would also be central to interior decoration ecosystem. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? We feel Palampore, a type of dyed cloth, that is largely characterised by the tree of life motif in the centre and stylised by the tapestry of ﬂowers, birds and animals, will see revival in the days to come. The visual design language of Palampore is timeless and universal in nature and that is why we will see more of it in varied compositions. WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? That's always a tough question to answer because it is like asking a kid in a candy store, which candy do you want. So I am going to name a few of my shortlisted candies. Sensory exploration is one of the top on the list. Surrealism is another one of the top few. As cliche as it sounds but we are going big on recycling. Think reclaimed meets reimagined. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? Inspi Inspired by the Brutalism and Suprematism movements, the main characteristics are eternal geometry. The concepts can be demonstrated in the play of varied shapes along with a play of material. The key word is "Reimagined".

January - February 2022 Edition//Design Essentia//DE INDIA |

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? Regionalism in design is the concept I'm excited to experiment with. Post pandemic era has revived the local skill and clearly emphasized on the importance the localized solutions. Hence taking inspiration from the region and juxtaposing it with global technology would be a deﬁning factor this year. GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY?

WHAT DESIGN IDEOLOGIES DO YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? As people are spending more and more time at home, the need to embrace warm, cozy and inviting spaces is the new norm. I'm excited to experiment with shades of brown, terracotta and caramels and embrace color in a way that's unafraid and empowering without being overwhelming. I'm also looking forward to embracing more vintage, antique and local crafts and arts to bring in the lived in unique vibe that we want to our spaces more than ever before.

GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? Mixing traditional pieces with a largely clean modern space is something we love doing. The case for traditional and classic forms like a wingback chair, turned legs, crown moulding and vintage details are just what I would want to use to add character and charm to the spaces we design. 20

| January - February 2022 Edition//Design Essentia//DE INDIA

Design style that can make a comeback is Flaunting the structure as its aesthetics. Modern minimalist design tends to conceal the framework that holds it together. Detailing and organizing the structure and services as the language of the interiors, exteriors or even product design creates a new appreciation for the craftsmen. The framework itself becomes a work of art for the beholders eyes.

Introducing DE Products - our specially curated product platform to showcase architecture and interior design products by DE INDIA

@demagazineproducts

PRODUCTS

Introducing DE Products - our product platform specially for architectural and interior design products by DE India

A new entrant in the Indian art space who works under her own,independent label -

‘FOUND byAanshiki’

Artist and designer AANSHIKI MITTAL Inspi by the 70yr old artform of Kutum Katam, Inspired her work simply tries to create a contemporary rendition of it. Marked with a complete absence of straight lines, the work tends to preserve the natural contours of the ‘FOUND’ wooden pieces while augmenting it with the subtlest of artistic touches in an attempt to add a degree of refinement and attach an element of finality to nature’ natu s hidden messages.The result is a one-of-a-kind, genre-defining piece, with each piece A new entrant in the Indian art space who havingworks its own message for its recipient to decipher and www.foundbyaanshiki.com under her own, independent label embrace.“With subtle undertows of sustainability, my artistic expression is not confined to a single canvas & often traverses the lines between art and decor,sculpture Gurgaon-NCR, India based artist andanddesigner furniture.” saysAanshiki. AANSHIKI MITTAL shares her latest product-art

‘FOUND by Aanshiki’ collection for 2022 with DE INDIA. @foundbyaanshiki (instagram)

//background image; Druk Yul from the collection ‘Relection’. //above; Aanshiki Mittal - principal designer at FOUND by Aanshiki.

| January - February 2022 Edition//Design Essentia//DE INDIA

TELL US ABOUT YOUR LATEST PRODUCT COLLECTION. WHAT WAS THE CONCEPT BEHIND IT’S INCEPTION? AANSHIKI : While appearing to be of diverging streams of thought, “This Way to Truth”, “Druk Yul” and “Master Plan” have a subtle undertow to them, binding them together into a bigger picture and an overarching narrative on human transformation.

TELL US ABOUT YOUR CONCEPT FOR EACH OF THESE SPECIAL ART PRODUCTS. AANSHIKI : From the collection ‘Reflection’, ‘Druk Yul’ represents the world which is both dominated and at the same time protected by man. With the serpentine figure placed at a supreme position, it’s questionable whether the land is protected by it or is rather at the mercy me of the same. An engagement around a “familiar” path for the mind, ‘This Way to Truth’ is one of the highlight pieces from the collection – ‘UnFamiliar Roads’. While truth is often in a straight line, right in front, the mind has a tendency to take detours, traverse a topsy-turvy path and tr elongate the journey as much as possible. Almost like it’s taking a shot at stumbling upon an alternate truth. Lastly, we have – The Master Plan. From the collection ‘Corollary’. It is an exploration of the obvious proposition that follow from one that has already been proved. In conjunction, the three pieces create an anthology on the cycle of transformation.

//above from top; image 1. Druk Yul - from the collection ‘Reflection’. image 2. This way to truth - from the collection ‘Unfamiliar Roads’. by Aanshiki Mittal; principal designer at FOUND by Aanshiki.

Lets Talk Design /

DEProducts//

January - February 2022 Edition//Design Essentia//DE INDIA |

//above from left; image 1. The Master Plan - from the collection ‘Corollary.’ image 2. This way to truth - from the collection ‘Unfamiliar Roads’. by Aanshiki Mittal; principal designer at FOUND by Aanshiki.

WHAT DESIGN IDEOLOGIES YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE 2022? AANSHIKI : With more & more time being spent indoors, I feel we’re all longing for that connect with nature. Nature inspired surfaces and objects would hence see a resurgence with their raw, natural imperfections being embraced with open arms. For instance, at the moment I’m in love instanc with driftwood. The enigmatic back story of each piece, it’s unique shape, the way it got formed, all adds a bewitching natural charm, which is quite hard to resist.

//DEProducts / Lets Talk Design

| January - February 2022 Edition//Design Essentia//DE INDIA

PRODUCTS

ONLINE SOURCE FOR ARCHITECTURE & INTERIOR PRODUCTS. //SHOWCASE YOUR PRODUCTS WITH DE INDIA.

#LetsTalkDesign

Spotlight Interview ASHIESH SHAH,

is the founder & principal architect at Atelier Ashiesh Shah based in Mumbai, India. From office of spaces & penthouses to concept stores & restaurants, architect and interior designer Ashiesh Shah’s portfolio is extensive and diverse. His aesthetic sensibility has found its way to the renown celebrity homes of Hrithik Roshan, Ranbir Kapoor, Katrina Kaif, Arjun Rampal, Rampal Meher Jessia, Abhishek Kapoor, Jacqueline Fernandez, Aditya Roy Kapoor, Cecilia Morelli-Parikh and Hemant Oberoi to name a few. DE Editor in chief Anirudh Datta had a detailed interaction with the designer for the DE Spotlight interview series where Ashiesh talks about his design journey at Atelier Ashiesh Shah and shares his latest work - Joshi House; a beautiful timeless refuge in Mumbai.

IN CONVERSATION WITH

ASHIESH SHAH (PRINCIPAL ARCHITECT AT ATELIER ASHIESH SHAH) (MUMBAI, INDIA)

architecture & design magazine

#DEspotlight // interview By ANIRUDH DATTA

DESIGN ESSENTIA MAGAZINE//DE INDIA

Ashiesh Shah the principal architect at Mumbai AD : WHAT INSPIRED YOU TO based Atelier Ashiesh Shah is one of the top celebrity designers of India especially famous in the B-Town for his design expertise. His approach to design has made him a favourite among A-listers. His practice is rooted in the Japanese philosophy of Wabi-Sabi, which has influenced his vision of space and his choice of materials, resonating with his characteristic of being a materials tastemaker in the architectural world. The aesthetic is described as beauty that is imperfect, impermanent, and incomplete.

PURSUE A CAREER ARCHITECTURE & DESIGN?

Shah is a renowned curator for design exhibits of art, crafts and design that bring together the best of Indian talent under one roof. For Shah, transitioning from interior to product design was a natural progression, propelled by years of designing custom furniture pieces for his esteemed clientele. Gravitating towards geometry, materiality and his simple Wabi-Sabi aesthetic, Atelier is a composition of inventiveness, aestheti tapped by artists, coming together to narrate tales of evolving aesthetics.

AD : WHO WERE YOUR EARLY DESIGN HEROES AND ROLE MODELS?

ASHIESH : Hailing from a family of doctors, I gravitated towards dentistry initially.With time, I found my calling in design and architecture.Having been exposed to art from a very young and tender age,I was always inspired by it.With time, I geared towards architecture and design and there has been no looking back ever since.

ASHIESH : Over the years, we’ve witnessed some amazing work by designers, both Indian and international. Fabien Cappello, Formafantasma, Gesa Hansen and Lee Broom to name a few. Also, Le Corbusier has been a constant inspiration. I have designed a collection of rugs referred to as Chand L.C inspired by the form and geometry from the facades of Corbusier’s iconic buildings in Chandigarh.

AD : IN FEW WORDS, HOW WOULD YOU DEFINE YOUR DESIGN PROCESS – PHILOSOPHY? ASHIESH : My work is rooted in the Japanese philosophy of ‘Wabi-Sabi,’ finding beauty in imperfection.While designing spaces, establishing the design language I wish to create is extremely crucial keeping the client briefs in mind. Geomet has always been an important point of Geometry departure for my designs and also finds it’s standing through the Atelier that makes a conscious effort to incorporate crafts and all local processes to create objects of design.

(ON LEFT) Joshi House in Mumbai, India by Atelier Ashiesh Shah Photograph courtesy : Atelier Ashiesh Shah January - February 2022 Edition//Design Essentia//DE INDIA |

AD : YOUR LATEST PROJECT – JOSHI HOUSE; A TIMELESS REFUGE NESTLED IN RENOWNED STREETS OF PALI HILL, MUMBAI. TELL US SOMETHING MORE ABOUT YOUR DESIGN CONCEPT FOR THIS SPACE.

AD : YOU’RE MOST PROUD - FAVORITE PROJECT TILL NOW? ANYTHING SPECIFIC YOU LIKE TO SHARE ABOUT THIS PROJECT THAT MAKES IT SPECIAL FORYOU? ASHIESH : I consider every project special as it offers a different kind of learning. I find the process of design and the fluidity that it offers across various spectrums quite interesting. The context and client briefs in particular have an integral role from its very inception. I truly enjoy experimenting and find it rewarding to marry both - the client’s and my vision together merging various genres that have resulted in a particular design language and style very much in sync with the brief.

//below; JOSHI HOUSE in Mumbai, India by Atelier Ashiesh Shah Photograph courtesy : Atelier Ashiesh Shah

| Janaury - February 2022 Edition//Design Essentia//DE INDIA

ASHIESH : Journeying amidst the old courtyards of Rajasthan, the theme based ‘private rooms’ that spread across the two storeyed stand-alone bungalow come together to celebrate craftsmanship through hand-carved columns, impeccably detailed railings and hand-cut mirrored ceilings, honouring the philosophies of wabi-sabi through a juxtaposition of perfect imperfection. From a monochromatic dining area to a gypsy courtyard, silver room to a black and white bar lounge, the interior setting plays with the minimal aesthetic and restraint pairing it with a riot of colour, an entirely new avatar, a celebration into the post-covid world!

AD : HOW WOULD YOU DESCRIBE THIS SPACE IN ONE PHRASE? AND WHY? ASHIESH : ‘Le Cirque DeMinimal’ ‘Joshi House’ pays homage to the client’s background reminiscent of his native place - Rajasthan encapsulating the essence of artifacts, design objects and elements from Rajasthan pushing the envelope with minimalism.

AD : ONE OF YOUR FAVORITE ELEMENTS FROM THIS SPACE THAT YOU CHERISH THE MOST AND WHY? ASHIESH : Besides the gurgling water fountain by the courtyard, the bar with its walls characterized by the monochromed charcoal murals of pachyderms are very exciting, lending the space a certain drama. The subjects, very much like process drawings, were inspired by the mughal art forms and miniature paintings featured in the havelis and palaces of Rajasthan.

AD : JOSHI HOUSE EVINCES A MODERN CONTEMPORIZATION OF RAJASTHANI CRAFTSMANSHIP WITH EVERY CORNER SPEAKING AN ELABORATE STORY. TELL US SOMETHING MORE ABOUT THIS WITH REFERENCE TO VARIOUS SPACES. SP ASHIESH : Drawing from the warmth and charm of a Rajasthani Haveli, Joshi House provides a platform for local artisanship, indigenous practices and traditional elements to be perceived in a contemporary light. The walls washed in white and paired with the skillfully crafted marble balustrades and arches reminiscent of Rajasthan help view vi this genre. Although traditional, the elements borrowed from Rajasthani architecture are steered towards a minimal lens with a modern flair. Whether the monochromatic bar characterized by its splendid ‘Tikdi’ work or the finely painted murals and wall paintings across the interior, ’Joshi House’ is a synchrony of artisanship from across the country. ar Custom-carved marble railings and columns are spread across the double heighted restaurant with intricate inlay work on its tables, a representation of impeccable handcrafted detail. January - February 2022 Edition//Design Essentia//DE INDIA |

AD : WHAT DESIGN IDEOLOGIES YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR 2022? ASHIESH :

At the Atelier, an appreciation for all processes handmade celebrating indigenousness honoring artisanship and its individuality has been paramount. Viewing design and Design Vi objects through a local lens celebrating furniture pieces and processes that are hand crafted to perfection is bound to gain momentum. An emphasis on employing handmade processes and fine craftsmanship will help lend spaces a distinct character exuding an identity that is quintessentially rooted in India.

| January - February 2022 Edition//Design Essentia//DE INDIA

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Spotlight Interview ARIANNA LELLI MAMI & CHIARA DI PINTO,

the founders & principal designers at Studiopepe based in Milan, Italy.

Founded in 2006, 2006 Studiopepe’s focus is on research through the use of a multidisciplinary approach: this includes interior design, product design, and creative consultancy.Their vision is based upon experimenting, continuous research on colors and materials and the contamination with the contemporary contempo language of art. DE Editor in chief Anirudh Datta had a detailed interaction with the designers for the DE Spotlight interview series where the italian design duo Arianna & Chiara talk about their design journey at Studiopepe and showcase their latest works with DE India.

IN CONVERSATION WITH

ARIANNA LELLI MAMI & CHIARA DI PINTO (PRINCIPAL DESIGNERS AT STUDIOPEPE) (MILAN, ITALY)

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#DEspotlight // interview By ANIRUDH DATTA

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Arianna and Chiara, the principal designers AD : WHAT INSPIRED YOU TO at Milan based Studiopepe, where the language they use for their projects is stratified, it combines poetic vision with a strong iconographic identity.

Studiopepe deals with international commissioned projects as retail, hotels and private commissions with a team of 15 professionals among architects, interior designers and product designers.

PURSUE A CAREER ARCHITECTURE & DESIGN?

ARIAN ARIANNA & CHIARA : We both are creative at heart and we would follow artistic studies. Architecture and design would represent a good compromise between creation and praxis.To have te possibility to improve the life of peole with the means of design is very challenging.

Studiopepe’s vision is based upon experimenting, continuous research on colors and materials and the contamination with the contemporary language of art. AD : WHO WERE YOUR EARLY Installations, study of formal archetypes, experiments DESIGN HEROES AND ROLE Installations with materials and the dialogue between opposites are MODELS? some of the themes developed by the Studio.

ARIANNA & CHIARA : Many are the icons who have inspired us (and still do!), such as Bruno Munari, Ettore Sottsass, Giorgio Morandi and the Arte Povera movement. We really like the Italian aesthetic of the late 50’s and on, the ‘educated and sophisticated raising middle class’ style who was very well represented by masters such as Caccia Dominioni and Gio Ponti,combined to a more brutalistic approach but still extremely elegant and visionary as the one of Carlo Scarpa,or radical and strong as Gae Aulenti’s one. We think that the key in our style is a layered vision .

AD : TELL US SOMETHING ABOUT YOUR JOURNEY IN THE INCEPTION OF STUDIOPEPE. ARIAN ARIANNA & CHIARA : We have known each other since university.After our graduation we both went on vacation to Mexico – not together – and in a secluded beach on the Pacific coast, where there wasn’t really anything but the hammocks, we met by chance! We spent the rest of the trip together, and after many ideas and vision shared, once back in Milan we decided to collaborate. collaborat After few works together we decided to open Studiopepe. (ON LEFT) BOTANICA COLLETTIVA at Salone del Mobile in Milan, Italy by STUDIOPEPE. Photographer : SILVIA RIVOLTELLA January - February 2022 Edition//Design Essentia//DE INDIA |

AD : IN FEW WORDS, HOW WOULD YOU DEFINEYOUR DESIGN PROCESS – PHILOSOPHY? ARIANNA & CHIARA : Our projects are characterized by a study of the space, volumes and light.Then we layer with an unusual use of color and materials and the inclusion of geometric shapes as elements of rupture. Ours are eclectic projects: we combine the themes of common memory with an unexpected detail.We always try to seduce and to create a narrative. Our strength is the use of color, sometimes daring, and the unusual but harmonious mix of materials chosen. Our projects have a red thread, but they are unique.Another strong point of our creations is the multidisciplinary approach, the ability to match different fields such as design, fashion, graphic and art interact within the same project.

AD : YOU’RE MOST PROUD - FAVORITE PROJECT TILL NOW? ANYTHING SPECIFIC YOU LIKE TO SHARE ABOUT THIS PROJECT THAT MAKES IT SPECIAL FORYOU? ARIAN ARIANNA & CHIARA : The best project is yet to come! We are doing very interesting project in retail ( both fro bestablished brand as weel as independent one, to be unveild soon) we are very found of our manifesto projects, a way to make reality out of our research, ideas and visions.They are a sum up of the work made during the current year, involving our clients, but also performative art, installation and on.

| Janaury - February 2022 Edition//Design Essentia//DE INDIA

AD : TELL US MORE ABOUT YOUR DESIGN INTENT WITH STUDIO PEPE’S LATEST PROJECT FOR ‘MOHD’ PRESENTED AT MILAN DESIGN WEEK 2021. ARIAN ARIANNA & CHIARA : “Botanica Collettiva” is a narrative ecosystem where design and nature coexist, organically and harmoniously. The project we designed for Mohd, Officina Milano is an immersive reality contaminated by tactile visions and multimedia experiences: a journey in which the singular plurality of Mohd’s selection, as an international reference point in the design industry, is expressed through an astonishing dialogue between landscape and architecture, intimate and shared sensations, ar exploration and experience. The space filled with natural light is interpreted in terms of a process of continuous renewal. The path and the experience evoke the multiplicity of new scenarios and meanings. //below; BOTANICA COLLETTIVA at Salone del Mobile in Milan, Italy by STUDIOPEPE. Photographer : SILVIA RIVOLTELLA

AD : SYNAESTHESIA, A BEAUTIFUL EXHIBITION BY STUDIO PEPE AT THE 2021 PARIS DESIGN WEEK.TELL US MORE ABOUT THIS EXHIBITION AND WHAT WAS YOUR CONCEPT BEHIND THIS EXHIBIT. ARIANNA & CHIARA : Synaesthesia is ARIAN the combination of two different sensory spheres, which form a relationship. This association is a source of creativity, mixing, movement and vision.In our creative process this notion of synesthesia is fundamental. The new exhibition we designed for ‘Galerie Amelie Du Chalard’ in Paris is a combination of raw materials and finished products, art and craft, utility and imagination. Unique pieces will be shown for the first time: ANIMALETTI, a family of hand-painted zoomorphic ANIMALE ceramics, which gestures are also found on ceramic plates. (ON RIGHT) OSSIMORI, a selection of unique pieces in several materials that together create small sculptural installations. FRAMMENTI, a large abstract work painted on handmade Indian paper. //above; BOTANICA COLLETTIVA at Salone del Mobile in Milan, Italy by STUDIOPEPE.

Photographer : SILVIA RIVOLTELLA

//on right; SYNAESTHESIA; Animaletti at 2021 Paris Design Week by STUDIOPEPE. Photograph courtesy : Studiopepe January - February 2022 Edition//Design Essentia//DE INDIA |

AD : IF YOU HAD TO CHOOSE ANY ONE SPECIFIC PRODUCT FROM THIS EXHIBITION, WHICH ONE WILL IT BE AND WHY? ARIANNA & CHIARA :

The baxter collection for its iconographic strength and the sculptural feel: Jupiter table (ON PAGE 37) in travertine and lazy bones chairs both designed by us. Also an icon of design as Pierre Paulin armchair (ON LEFT) and the re-editions of Stilnovo lamps. (ABOVE) Made in the past but still extremely contemporary.

AD : STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? ARIANNA & CHIARA :

This ‘era of uncontact’ could mean a big change in terms of accessibility, especially for public spaces.We have all to deal with it, the designers first and also the clients.The challenge is to try to keep it as much human as we can. We should not forget that all this will be transitional and we will be back to a new normality in some times. That doesn’t mean we will be not carrying any consequences. From a more personal prospective we think the «uncontact» approach could involve heavily our way to use object or to share them. Home and everything is connected with private spaces will been seen under a different light, it will be considered more a shelter, and we all put more attention on our homes and in general to our private.

| January - February 2022 Edition//Design Essentia//DE INDIA

AD : WHAT DESIGN IDEOLOGIES YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? ARIANNA & CHIARA :

The ‘impermanence’ a very interesting concept rooted in buddhist philosophy and very coherent with what we are experimenting today. We also have to learn to be fluid and not rigid on our beliefs, ideas, schemes. Only accepting the difference we can make the difference. //images from top; SYNAESTHESIA; at 2021 Paris Design Week by STUDIOPEPE. //image 1: Animaletti //image 2: Ossimori Photograph courtesy : Studiopepe

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@designessentiastudio

Architecture + Interior Photography

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//Let’s take an alluring journey through design with some of the exquisite and beautiful spaces designed by today’s design trendsetters.

Stamping Ground Courts in Ahmedabad, India by Squelette Design | Photograph by PHX India //Page 48

Beach house in goa Location: GOA, INDIA Architect/Interior Designer: BEYOND DESIGNS Principal Designer: SACHIN GUPTA & NEHA GUPTA Photographer: ATUL PRATAP CHAUHAN

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| January - February 2022 Edition//Design Essentia//DE INDIA

This beach house in GOA, India is spread across 8,000 sq ft area, where the designers chose to let the expansive feeling of the sea take over, without veering excessively from our signature style. The serene COCO BEACH, which the bungalow faces, was the inspiration for the residence’s pared down tone that ideally matches its geographical context. It led to clean and tranquil spaces, reminiscent of the Mediterranean style with whites and blues, dotted with subtle classic details, textural interests and artworks. “This four storeyed villa was initially planned like a typical city home, which we changed a little bit but redesigned entirely to give it a more Goan Portuguese flavour. It took us nine months to finish the project; it proved to be one of the hardest because of the constant rain and heavy moisture in the air. Of course, it was all worth it as the owners loved the ethereal interiors.” says Sachin and Neha.

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Interestingly, the bungalow stands on stilts, so the designers used half of the stilt area to carve out a dining room, bar lounge and courtyard. Surrounded by greenery and furnished with classic contemporary furniture, the bar lounge is a relaxed space with a leather bar cabinet from Trunks Company. Most of the other furniture, accessories and lights seen across the home is custom made by us at Beyond Designs, while the carpets are sourced from The Carpet Cellar. The overall decor is an amalgamation of 42

exquisitely crafted furniture, unique prints on fabrics and European refinement. Even though white is the base, the property boasts abundant textural flair and an authentic, intimate vibe, owing to the use of quality natural materials such as marble, wood and local stones. The home is laid out such that it takes advantage of the blue expanse of the sea. On the lowest level, the designers planned two seafacing, white and blue bedrooms with balconies. Even the ensuite facilities open out to a

| January - February 2022 Edition//Design Essentia//DE INDIA

balcony of their own, which have been fitted with a charming outdoor bathtub and shrouded in privacy with the help of a canopy of tree branches and a green patch around them. A voluminous, double-heighted formal living room is conceptualised on the floor above. Boldness and elegance converge here as a large, carved wood panel forms a gorgeous feature wall. Meanwhile, furnishings in a light shade and a mosaic stone coffee table in blue and white add a nautical freshness. On the other

end of this space is an all-timber mezzanine that serves as a play area for the kids, who make the most of the spiral staircase too. Nearby is the homeowners’ suite, painted in a sober blue shade and furnished with a four-poster bed. A bedroom with a cosy lounge area and a bathroom with an attached balcony reveals itself one level up. Meanwhile, the upper most floor accommodates a wooden deck to soak in sea views and an infinity pool that seems to merge with the blue waters. “Connecting all the four storeys is a zesty mustard orange staircase. Another aspect that’s seen throughout is the plethora of family photographs and artworks that adorn the many sections of the home, some customised by us, others picked by the owners during their travels abroad.” says Sachin & Neha.

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RESIDENCE in GURGAON Location: GURGAON, HARYANA, INDIA Architect/Interior Designer: MADS CREATIONS Principal Designer: MEENU AGARWAL Photographer: ATUL PRATAP CHAUHAN

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| January - February 2022 Edition//Design Essentia//DE INDIA

This residence in GURGAON, India is spread across 2,800 sq ft area a four bedroom apartment, where the idea was to create a lively and luxurious home that was not overbearing in terms or colours for a young couple. Luxe neutral spaces come alive with rich accent materials, colours and opulent finishes in this three-bedroom apartment with an expansive open-plan living-dining area and an exquisitely designed bar and lounge. The muted palette of the backdrop brings a unique textural quality to the space, while also highlighting the charming details on the walls and ceilings and the custom designed furniture with its elegant silhouettes. “The clients wanted a serene environment filled with artworks and accent pieces that spoke of their personality. The neutral colour palette that we followed was in line with what our clients had in mind to bring about calmness and harmony in the space. It was a four-bedroom apartment. We converted one bedroom into the TV lounge by breaking down walls to open up the area and make it look more spacious.” says Meenu.

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As you enter the home, you step into the foyer area. Moving into the central area of the home, you are greeted by an expansive, linear space which we have divided into three specific areas. The raised area on one end is the dining room, while the rest of the area is treated as two clusters of living area. Next to the living room is the kitchen custom designed by us to create a sleek and clean look, which comes from the neutral colour palette we have chosen. Opposite the kitchen is the most loved space of the home, the bar 46

which appears like an accent piece in itself. Adjoining the bar is the family lounge, the most comfortable and inviting space of the home. It is separated from the bar by a metal partition with intricate detailing. The master bedroom is located next to the lounge with a connection to the balcony. The other two bed rooms are located in the front side of the home, with each of them having their own theme around a neutral colour palette. The bigger room

| January - February 2022 Edition//Design Essentia//DE INDIA

also has a connected wardrobe area and dresser next to the washroom. The smallest of all rooms is also the cosiest, with a neutral colour palette that highlights beige shade. Open planning has very much been in trend for a long time now, and this home clearly is a great example of it. The home is a true blend of modern luxury and a few traditional elements, like the mouldings and panels on the wall. The home follows a neutral colour palette with

pops of colours, textures and materials. The open plan allows for use of numerous colours and creating a theme that is lively and easy on the eye. Every space has its own theme while still being connected to each other. Every space including bedrooms, lounge, living area and dining area even is connected with each other in a way. The theme followed gives individual personality to each space along with the décor employed there. The furniture in the specific area is what allows us to pick different décor themes. di “We have tried to bring in plants in every corner available to us inside this home. The idea is to add freshness and natural energy to the interiors, as well as improve the visual impact, and quality of the air within the home.” says Meenu.

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STAMPING GROUND COURTS Location: AHMEDABAD, GUJARAT, INDIA Architect/Interior Designer: SQUELETTE DESIGN Principal Architects: SAUMIL PATEL & PRASHANT TRIVEDI Photographer: PHX INDIA

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| January - February 2022 Edition//Design Essentia//DE INDIA

Away from cityscape, this residence Stamping Ground Courts is nestled in a site surrounded by verdant topography. A conscious step to cut off from the urban clutter and experience absolute solitude takes back to nature. This site is in the urban sprawl of the city of AHMEDABAD has a 6000 sq m. plot area. “The client Mr. Govind Choksi is an opulent jeweller of the town. He is having his family business shop in walled city and having fondness for the walled city architecture of ahmedabad. In uncertain times, while 'Well-being is new normal' a pause in hustling life and connecting with nature through body, mind, and spirit in harmony with the surrounding is much more essential. The idea was to develop one of his land in outskirt of the city. Discussing the same we came up with a concept to develop a stamping ground where we can sustain key virtues of ‘Pole City Architecture’ and contemplate architecture in contemporary style.” says Saumil and Prashant.

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Restricting the height of the structure to one floor to blend it with humble surroundings. The house was designed on the hip of the land forms to avoid cut-fills and develop an imperceptible landscape. Adaptive reuse was the prime idea to design and develop sustainable contemporary premises. Contemplating materials and space orientations allows the climate-responsive architecture. As considering the requirements they wanted a 3 bedrooms for the family gathering in weekends, a 50

meditation room and a kitchen + dinning area. The traditional methodology of "Pol houses of Ahmedabad" to create a connecting space in the middle of the building which acts as a breathing space to the built mass and creates a comfortable environment inside the building even in the extreme 45° C temperature of summer times. The spaces amalgamate by a connecting courtyard and minimal contemporary aesthetics. The emerging ephemeral landscape through inside-outside connections makes it more green and

| January - February 2022 Edition//Design Essentia//DE INDIA

sustainable. The landscape is divided into land forms connected by different types of courts makes it more surprising. "The Bougainvillea Court" towards the swimming pool which connects the built-form to serene landscape and context. Tranquil and experiential spaces allied to make it paradise. Talking about the materials the architects focused on vernacular architecture to reduce concrete proportions in entire premises.

Coming to the interior part the client demolished some old structure at his one of the land. A complete adaptive reuse concept in which some of elements been sustained and revamped, at other end some of furniture have been commissioned from old pole house’s flotsam and jetsam elements. The antique polish and use of veneer to give it more warmth and contemporary touch. The patterns replicating heritage values in every detail with minimal configuration. The adaptive reuse been achieved by contemplating all the details and applied on the perfect place. And so we in our practice takes all the challenges and generate a care full thought process to make it exemplary.

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WORKWINGS CO-WORKING Location: NOIDA, INDIA Architect/Interior Designer: STUDIO MERAKI Principal Architect: SHWETA KAW Photographer: SURYAN/DANG

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| January - February 2022 Edition//Design Essentia//DE INDIA

The Workwings Co-Working, a 2000 sq.ft. office space in NOIDA with a design scheme that was woven through colours. Maroon, Green and Yellow are used a primary colours for the design intervention. “The client’s intent for this over buzzing co working space was to add value to the already existing linear workplace in terms of more zest and vibe as well as the introduction of new spaces fostering comfort and recreation to attract more clientele. There was an utmost need to cater to not only just immediate functional requirements of workability, privacy, aesthetics, and human comfort at the day-to-day office level for all the co inhabitants but to go an extra mile to create an atmosphere of leisure and playfulness and spaces to foster a spirit of team bonding amongst people and companies from myriad walks of life. There was something that needed to be a USP for this brand to stand out amongst its competitors in the market and to make an impressionable foray into this hustling sea of co working brands in Noida and furthermore in Delhi NCR in the future.” says Shweta.

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CONCEPT SHWE SHWETA: The design was tailored to transform the previously vacant areas on the Top floor. The functions added to this dedicated floor were a 25-seater Lecture Hall, Terrace café, Snooze area, Library/Reading Area, TV and Games Lounge and Gym. There were no structural changes/interventions done whatsoever. The guiding motive of creating a relaxation zone by introducing an array of different experiential segments to feel the exhilaration and novelty and thereby 54

killing the monotony/stillness attributed to a workstation played its part in finding a motley of design solutions boiling down to a single word approach i.e., “Colour Intervention”. It was crucial to seek remodelling in terms of colour and its appropriate usage to be able to create a harmonious and balanced palette that would add the necessary vigor and dynamism to the new spaces.

DESIGN PROCESS SHWETA: The main design intervention was through colour. The

| January - February 2022 Edition//Design Essentia//DE INDIA

scheme was woven around maroon, green and yellow. Maroon being synonymous with the logo of the brand whereas green and yellow adding cheerfulness, energy and illumination in the aura along with visual calm. The finishes and furniture designs are softer, curvilinear, flowy and easy on the psyche with subtle wooden textures interwoven with a selection of energizing colours. There is an attempt to create exclusivity in these distinct spaces so that the experience in each is unique and pertains to that activity/mood.

The dealbreaker is to the project the entire floor as a vantage point in the building that attracts new clients like a magnet and engage the already existing crowd to a heightened experience of joy and fulfillment. The spaces most certainly become a cross point for new conversations, social engagements, business dealings as well as soul searching in tranquil corners. On one hand there are louder play areas with games and entertainment facilities but they are nestled along with quiet rest areas and a small library. The overall scheme blends it all with a captivating interest in all these spots pushing people out of their workstations’ shell and breaking the stereotype.

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AMI LIFESCIENCES Location: VADODARA, GUJARAT, INDIA Architect/Interior Designer: DESIGN STUDIO ASSOCIATES Principal Architect: RUCHIR SHETH Design Team: Ruchir Sheth, Krupal Sheth, Aishwarya Dixit & Drashti Thakkar Photographer: TEJAS SHAH

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| January - February 2022 Edition//Design Essentia//DE INDIA

The Ami LIfesciences, a 11,000 sq.ft. office space in VADODARA is equipped with modern amenities to comfort the staff and enhance performance. The architects have meticulously mapped this office based on a fresh pearly ambience that exudes a luxurious charm. “It is corporate office project designed by us keeping in mind the impact of nature on working environment. We have used lots of greens, Light Color Palettes and use of natural light to give it a soothing work environment. Our favourite element in this projects are art sculptures, greens & showcasing client work profile and their achievements using wall arts.” says Ruchir.

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ABOUT THE PROJECT The entrance is highlighted with an epic stylish element and world clocks that glint apart sophisticatedly. The stylish grey sofas and chairs are given equal importance that finely blends into the space. The passageway has wooden blocks decored with artworks and frames of inspirational quotes paired with human sculptures at an interval. The soothing button lights elevate the corporate charm beautifully. The designers have planned the 58

bullpen mindfully! The open workspace offers the employees privacy in inculcating ingenuity, mental focus, and learning and also serves a purpose of wholesome collaboration for open discussion. The expansive space of the director's office is coherently divided into three parts that exude the space for individual conversations and wide open discussions. The efficient and ergonomic conference tables and chairs are given equal emphasis as the director's table and the contemporary sofas and loungers on the corner.

| January - February 2022 Edition//Design Essentia//DE INDIA

The use of terrace gardens, open & outdoor spaces, and home offices have become more popular in recent years. To stimulate employees' minds, there's a room that offers them to execute activities like reading, solving puzzles and crosswords, have group discussions to broaden their perspectives. The space is equipped with neutral tones that exude serenity. At Ami Lifesciences, to keep employees' creative juices flowing, there is a dedicated enticing game space. With a neutral colour palette

of evergreen and universal tones, all other distinct features & intricacies are presented in a simplified way. To bestow peace of mind, there are various in-house games like chess, carom, and table tennis connected to the open terrace that help to boost employee engagement. This luxurious office space is designed with a perfect ambience that offers small secluded spaces for meetings, private conversations, and discussions while boosting employees adrenaline, brainstorming, and work performance. This office space undoubtedly conveys a keen sense of design for employees, clients, vendors and other visitors as they step in.

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DHIYA Location: BHARUCH , GUJARAT, INDIA Architect/Interior Designer: KARYA DESIGN STUDIO Principal Designer: DHRUV MEHTA Photographer: THE ART SEE LENS

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| January - February 2022 Edition//Design Essentia//DE INDIA

DHIYA, a 1000 sq.ft. residence in

BHARUCH, Gujarat

that creates luxury with simplicity. Certain specs of vibrancy are incorporated to add glimmer to the area using orange & grey’s. “This home looks like a drop of sunshine wrapped in soothing pastels. their brief was to make their home look cosy, stylish and contemporary look with minimal wooden décor and lots of colours. The approach was to create a design that was timeless, functional and versatile with the use of pastel shades that would give a warm look and feel to the home. A very conscious decision was taken on the material palette for the housekeeping a few elements constant to form a coherence experience of the house. Every person in the house was different and hence all spaces had to narrate different stories in the same coherent whole. The design involved intricate detailing and exploration, which were exclusively selected to make this residence evolve into a crafted space as per the client’s satisfaction.” says Dhruv.

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January - February 2022 Edition//Design Essentia//DE INDIA |

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CONCEPT DHRU In this apartment we tried DHRUV: to blend shades to give it high end & luxurious look. Use of clean lines and geometric shapes in furniture has been used to add aesthetic appeal. The Basic key to any design is capturing the spirit of the client”, as the quote says this residence reflects the free and joyful spirit of the client in terms of the vibrant colors used in the residence which is balanced by the neutral surroundings and elements of modern interiors. On entering towards the house. 62

The Living room accents the beautiful artwork that is spread across the room, to the walls and in the gorgeous Italian marble on Tv unit. The pattern reflects the contemporary design language of the room. The alluring tones in the expanse, coupled with the tastefully curated pieces of furniture create a space that is welcoming, yet provides an exclusive tone of glamour.

BEST ELEMENTS DHRUV: Our favorite design elements are one of a very interesting wall hanging of circles Painitng made from different materials, making it the most eye conic element in the room

| January - February 2022 Edition//Design Essentia//DE INDIA

with the superior Brass Flower on TV unit offers an intensified and appealing base to the overall setup. And second one is our young client wanted to create a space where he would feel a sense of his own and that went along the lines of “bright”, “bold” and “colorful”. With Peach being his favorite color, we played around it with Peach and white to offset it and made a cozy and fun den for him.

The Master Bedroom easy to maintain and decent elative abode is something that goes with the owner’s conduct and way of living. The apartment accommodates a spacious master bedroom with a segregated dressing area. The signature style here is the close grooving on the MDF sheets for the vertical surfaces and furnishings. It is acquainted with minimal furnishing, earthy tones, and self-texturing throughout. The window blinds at the backside compliment the bedding in dark and white. Grey wall in texture as a backdrop to white ceiling are aptly designed to give a soothing aesthetic and serene environment. To reflect the essence of flora a colour splashed pillows are used and to reflect the fauna beautiful wall painting of birds in nature are arranged in a way you feel you are in the open infinity sky.

check full story at www.designessentiamagazine.com January - February 2022 Edition//Design Essentia//DE INDIA |

1 October 2021 – 31 March 2022 www.expo2020dubai.com

The India Pavilion at DUBAI EXPO 2020

1 October 2021 – 31 March 2022

www.expo2020dubai.com

@demagazinemiddleeast

Architecture & Interior Design Magazine (DE MIDDLE EAST) The best of trends in design & art from the Middle East & Gulf.

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//Let’s take an alluring journey through design while in conversation with young architects & designers of India.

The Pine Residence in Gurgaon, India by Oberoi Architects Photograph by Deepak Aggarwal //Page 80

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

the cinnamon home (F+S DESIGNS) LOCATION : HYDERABAD, INDIA PRINCIPAL DESIGNERS : FAISAL VOHRA & SHAMILA MEERAN PHOTOGRAPHER : ISHITA SITWALA

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

FAISAL VOHRA & SHAMILA MEERAN principal architects at F+S DESIGNS, Bangalore, Karnataka, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? FAISAL & SHAMILA : At F+S Designs, we follow a contemporary-chic style of design. Our focus has always been on using upscale materials & products, and thereby using its inherent beauty as part of our design language.

(on right - continued on page 70)

The Cinnamon Home, Hyderabad, India by F+S DESIGNS Photographer : ISHITA SITWALA January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? FAISAL & SHAMILA : “THE CINNAMON HOME" is located in Hyderabad, India. This house was designed in monotone hues of brown & greys as the client had an affinity towards such a palette.Beautiful punctuations of colour from the custom art & a change in materiality from matt to glossy surfaces break the constancy of the theme and refresh the visual setting. (below) The Cinnamon Home in Hyderabad, India by F+S DESIGNS Photographer : ISHITA SITWALA

| January - February 2022 Edition//Design Essentia//DE INDIA

WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? FAISAL & SHAMILA : Our two favourite spots are the living room with the gorgeously designed Jean-Marie Massaud sofa & arm-chair & the beautiful swing that connects the house and overlooks the gardened balcony.

The Cinnamon Home in Hyderabad, India by F+S DESIGNS | Photographer : ISHITA SITWALA

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? FAISAL & SHAMILA : It is true that the pandemic has made us rethink of our priorities & expected experience from our homes. Clients are aspiring to have far more comfort & functionality from their living spaces, and have also made conscious choices to move onto residences with more outdoor & green spaces. As a design approach, we have always championed green spaces in all our projects across typologies - especially residences.We also usually provide private work spaces in the homes we design.These have been fundamentally the two requests that we get from Clients these days. Having areas where one can seclude oneself is important as everyone needs time to recuperate ar from the anxiety & stress of being indoors for extended periods of time. Good landscaping and even having just a well gardened balcony can bring a lot of positivity during these times.Apart from that, having well designed work spaces with connectivity & privacy helps in keeping ones work going. January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

92 bellevue (KALA DESIGN STUDIO) LOCATION : MUMBAI, INDIA PRINCIPAL DESIGNERS : HUSSAIN RANGWALA & ROHIT GOJIA PHOTOGRAPHER : PRASHANT BHAT

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

HUSSAIN RANGWALA & ROHIT GOJIA principal architects at KALA DESIGN STUDIO, Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? HUSSAIN & ROHIT : Every great design starts with an even better story. Kala design studio is synonymous with being Imaginative, Intelligent and Individualistic. We interpret each client’s story to create a dream home that reflects their unique personalities.We also combine creativity with technical details, transforming our client's narratives to bespoke, functional and innovative spaces is what KDS is all about. Be it residential or commercial, comme each project conveys and reflects the atmosphere and design taste of our respective clients and each project shows at least one focal point and unique design which makes the project extraordinary and unique from one another. (on right - continued on page 74)

92 Bellevue in Mumbai, India by KALA DESIGN STUDIO Photographer : PRASHANT BHAT January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? HUSSAIN & ROHIT : “92 BELLEVUE" an apartment located in Mumbai, India. WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED Talking about this project,firstly I’ll like to thank WITH THIS PROJECT? our client Mr.Bipin Shah and his family for trusting Kala Design Studio.This huge shot was not possible without their support and HUSSAIN & ROHIT : Our favorite understanding.The process was so smooth that design element here is “The Shikharji the project finished without any load.The Path” (BELOW) and “The parent's portrait project was 3bhk + 3bhk which we had "The clients were so keen on showing converted into 4bhk. We had designed the Shah their strong beliefs on Mahavir Ji. The path co house with all the requirements discussed with was specially designed and the labors were the clients.Every single room or space has one called specially from Rajasthan to engrave unique concept keeping on client's aspect into the details on marble and highlight it with consideration.Parents and Master bedroom Gold leafing to enhance the whole look. had its personal den area where both designed The portrait was Mr. Bipin’s personal are completely different and unique in their own requirement, as we had multiple options way.The daughter's bedroom had a pink chic but we stuck to the one artist who can color mood board.Ending to a bright son’s justify the emotions and sentiments of bedroom which turned out to be the most clients which was our main concern.After p completion, the shine of beautiful one. the whole project joy, happiness and thankfulness for these (below) two elements in the client's eyes made it 92 Bellevue in Mumbai, India by KALA DESIGN STUDIO Photographer : PRASHANT BHAT our favorite design element.

| January - February 2022 Edition//Design Essentia//DE INDIA

92 Bellevue in Mumbai, India by KALA DESIGN STUDIO | Photographer : PRASHANT BHAT

Check out full project on www.designessentiamagazine.com

us connect with our homes more than ever.We rediscovered what it means to be in a space and how it affects our well-being, physically and emotionally.As designers, we are more aware of how spending time at home has transformed how we approach interior design.The sense of calm and tranquility that good design can bring is no longer just an afterthought, but an integral part of who we are. It is this awareness that transforms our homes into a luxurious retreat; one that gives us the opportunity to be our true selves without having h to step foot outside.

January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

residence in nagpur (MONITA PATEL AND ASSOCIATES) LOCATION : NAGPUR, INDIA PRINCIPAL DESIGNER : MONITA PATEL PHOTOGRAPHER : PRASHANT BHAT

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

MONITA PATEL

principal designer at MONITA PATEL AND ASSOCIATES, Nagpur, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? MONITA : Our design philosophy is based on provision of ‘Quality Designed and ‘Built Luxury” environments. We believe that luxury involves A meticulous attention to detail, an alluring composition of space & lights, contemporary materials, an optimum utilization of space through spatial designing principle and professionalism par excellence. Each project p is taken up with a fresh perspective, with the clients vision as focal point of all our design solution.

(on right - continued on page 78)

Residence in Nagpur, India by MONITA PATEL AND ASSOCIATES Photographer : PRASHANT BHAT January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? MONITA : “RESIDENCE IN NAGPUR" a residential interiors project for Mr. Praveen Agrawal in Nagpur, India. The client wanted their house to reflect their lifestyle. The brief for this 2670 sqft,was a three bedroom home with a space to double up for social gathering and to have an extravagant temple. We approached the space as a blank canvas to fill with colors and materials.The temple is the most highlighted part of the house with a waterbody and glass steps that is also a walkway leading to the temple.

WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? MONITA : The most favorite, challenging and the special feature in this whole project was the home theatre area. (ON PAGE 79) We had to make sure of combining the given area into a home theatre as well as a guest room, keeping the theme same, the overall coordination by maintaining the coo separate identity. So when its enclosed it becomes a complete home theatre dedicated and a separate room for the guest not being disturbed at the same time. So a lot of technical factors were taken into consideration like acoustics etc.

The continuation conti in the space was achieved using pattern,material and colors.It was a pleasure working with such lovely clients who believed in our team,who gave us a free hand while designing the house.The space consisted of 3 bedrooms,living room,dining room,kitchen,spa room,small office space and an entertainment room which doubles up to host social gatherings.Each room has been given equal importance gatherings and a different design perspective keeping the user of The main purpose was to make sure the room in mind. that when the theatre room is operational it doesn’t create a (below) disturbance in guest room area, so the Residence in Nagpur, India by MONITA PATEL AND ASSOCIATES Photographer : PRASHANT BHAT partition is completely acoustic based.

| January - February 2022 Edition//Design Essentia//DE INDIA

Residence in Nagpur, India by MONITA PATEL AND ASSOCIATES | Photographer : PRASHANT BHAT

Check out full project on www.designessentiamagazine.com

these days.The global break-out of Corona infection has made everyone value their home, their people, safety, Sanitation and ultimately this ephemeral life.This transformation or simply the change in priorities is seen even while designing interiors of new homes or renovating the old ones.Adding luxury makes your home stays more beautiful, liveable and enjoyable. Now that people travel less as they have adopted to be virtually everywhere, they want to enjoy their space at their place. So there’ the s a change in design process as well with the trends in design. Priorities are changing and so are our lives. Ensure you live your part fully. January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

the pine residence (OBEROI ARCHITECTS) LOCATION : GURGAON, INDIA PRINCIPAL DESIGNER : JASMEET SINGH OBEROI PHOTOGRAPHER : DEEPAK AGGARWAL

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

JASMEET SINGH OBEROI principal architect at OBEROI ARCHITECTS, Gurgaon, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? JASMEET : Our firm holds commitment

in giving individual thoughtfulness regarding every customer right from the primary connection till the handover of the completed venture.This makes it convenient for every customer to share their perspectives and thoughts at each progression alongside consistent expert expe direction.A design, as we believe, is never perfect. It is about creating elegant solutions to address the user needs. For something to be well designed, the key requirement is that its function must be obvious. It all strips down to the essential, core purpose and you get the most fundamental, fundamental simplified version of the product. Sometimes design evolves to meet the required changes and sometimes design is the driver of the change. Regardless, a designer’s work is never done. So to sum it up in a simple manner; “We strive to make our services not luxury available to some, but to all who want to live in beautiful spaces and determine how to use and interact with its functionality.” (on right - continued on page 82)

The Pine Residence in Gurgaon, India by OBEROI ARCHITECTS Photographer : DEEPAK AGGARWAL January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS WHAT WAS YOUR FAVORITE PROJECT? WHAT WAS THE CONCEPT DESIGN ELEMENT ASSOCIATED BEHIND ITS DESIGN INCEPTION? WITH THIS PROJECT? JASMEET : “THE PINE RESIDENCE" This elegant apartment is situated in one of the prime localities of Gurgaon with an area of 3000 sqft,designed to provide comfort along with luxury and uniqueness to the client.It consists of a large living room and a separate dining area,three bedrooms with ensuite bathrooms and a servant area accessed from the kitchen.Two distinct styles,the classical and contemporary were converged successfully in this contempora project to get an outstanding outcome.The use of clean and crisp lines,extensive use of textures and an overall subtle sophistication has been kept throughout this design concept. We wanted to highlight the natural light prevailing from different directions in the apartment and utilize a combination of classical and contemporary furnishings and accessories to pay homage to the client’s lifestyle. The living room was thus complemented by large windows adjoining a simplistic and rustic themed wide balcony and a mirror wall on the opposite side to make bigge brighter and more transparent by the space look bigger, reflecting all the natural light entering the room. (below) The Pine Residence in Gurgaon, India by OBEROI ARCHITECTS Photographer : DEEPAK AGGARWAL

| January - February 2022 Edition//Design Essentia//DE INDIA

JASMEET : The use of Thermopine Fluted wood panels was the highlight of the project.They have been extensively used at the entrance foyer, the living room and the front bedroom.With its beautiful colour and texture, it not only makes any interior instantly more cosy but depending on the characteristic of wood type in use (in our case pine wood), it also allows you to play with the feel of the space and the mood it generates.At the entrance foyer, these panels instantly elevate the area by imparting a sense of softness and luxury to the empty space which would otherwise look dull and feel cold. Another highlight was the incorporation of textured paint to the bedroom walls. It added the dimensionality, vitality and style to the wall surface and took the interiors to the next level. Also the focus feature in the master bedroom was the corner sitting which was an important client brief. It enhanced the appearance of a simple corner into a comfortable and cosy area com with bookshelves on one side and a perfectly quilted cushioned wall on the other.

The Pine Residence in Gurgaon, India by OBEROI ARCHITECTS | Photographer : DEEPAK AGGARWAL

Check out full project on www.designessentiamagazine.com

STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? JASMEET : During this pandemic crisis, residential design has changed to match the needs of the moment.As an architect/designer, we keep in mind certain experiences that have ramifications, such as spending more time at home with family, working and studying remotely, and being more conscious of the interaction between indoors and outdoors; before commencing any residential design.We need spaces where individuals can be with their families, but also places where they may be alone to reflect, learn, and recharge in order to cater to all of these experiences. In order to preserve good indoor air quality and mental well-being, more thought should be given to artificial and natural ventilation and lighting solutions. In a compact apartment like this, it was necessary to bring the outside in. Just to be able to stand on a balcony and breathe fresh air is being appreciated now. Following this concept, we changed ordinary balconies into green places by installing artificial grass and several planters.These balconies offered the impression of a larger space while providing a relaxing green appearance to the eyes. January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

dlf capital greens (RECREO) LOCATION : NEW DELHI, INDIA PRINCIPAL DESIGNER : ANUSHREE BHARGAVA & BHRINGARAJ HAZARIKA PHOTOGRAPHER : TARANG GOYAL

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

ANUSHREE BHARGAVA AND BHRINGARAJ HAZARIKA principal architects at RECREO Gurgaon, Haryana, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? ANUSHREE & BHRINGARAJ : To explore new design solutions evolving from our research to produce and deliver culturally relevant, contextually responsive and resource efficient design solutions. We intend to provide our clients with more holistic design solutions as well as to enrich our own experience.

(on right - continued on page 86)

DLF Capital Greens in New Delhi, India by RECREO Photographer :TARANG GOYAL January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? ANUSHREE & BHRINGARAJ : “DLF CAPITAL GREENS" Located in the posh society of DLF Capital C Greens in Delhi, this high-end apartment was designed keeping in mind Client's taste for a Neo classical home.The design approach and theme revolves around defining a balance between the classical trims and door design and the contemporary furniture and furnishings. This spacious four bedroom apartment,which spans across 2,400 Sqft on the 25th floor of the beautiful township of DLF CAPITAL GREENS,Moti Nagar;New Delhi,provides a bird’s eye view of the huge landscape garden from its balcony.The apartment is designed from a raw stage and the entire civil layout is planned according to the family’s requirement.The areas of the house are expansive and beautifully open into huge spaces. spaces

WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT?

ANUSHREE & BHRINGARAJ : The dual marble seen throughout the Master Bedroom accent wall was one of our favorite design Each and every artifact is handpicked and the house is designed elements in the entire house. to be really user friendly with easy automations.The color scheme is simple with a beautiful blend of teakwood used in It is a dynamic duo with the paneling. The Italian marble floor compliments the mood transformative capabilities. Here of the entire house.The highlight of the house is the outdoor the grooved black marble acting as deck which adds up vibe to it,and of course a bar with a view. the base for the accent wall bumped up the luxe factor with (below) DLF Capital Greens in New Delhi, India by RECREO book matched white marble in the Photographer :TARANG GOYAL front.

| January - February 2022 Edition//Design Essentia//DE INDIA

DLF Capital Greens in New Delhi,, India by RECREO | Photographer : TARANG GOYAL

Check out full project on www.designessentiamagazine.com

STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? ANUSHREE & BHRINGARAJ BHRIN : In the months that have passed since the COVID-19 pandemic began to wreak havoc on our way of life, it has become clear that things may not go back to the way they were.And that's not a bad thing. Residential design has always evolved in times of crisis, meeting the needs of the moment. Now that it is much more common to work from home, there needs to be a dedicated area of the house for doing the work, as well as a complementary area for relaxing.This space doesn't have to be large, but it should be separate enough that you can feel away from work while still being at home. hom

January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

desai’s house (ROBUST STUDIO) LOCATION : VADODARA, INDIA PRINCIPAL DESIGNER : MRUGINI PANDYA PHOTOGRAPHER : TEJAS SHAH

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

MRUGINI PANDYA principal architect at ROBUST STUDIO Vadodara, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? MRUGINI : With profound passion we create an environment that can impact & enhance lives & make a difference to those who engage with it, the robust studio tries to escape from mundane ideas of living spaces & finding a unique way w of designing to serve a soothing blend of function & aesthetic. Founded in 2018, Robust has established a reputation for producing a design with an innovative approach.

(on right - continued on page 90)

Desai’s House inVadodara, India by ROBUST STUDIO Photographer :TEJAS SHAH January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? MRUGINI : “DESAI’S HOUSE" a three-bedroom apartment atVadodara, Gujarat that uses lighting to change the ambience at will and furniture to stand in for art.. WHAT WAS YOUR FAVORITE The brief was to design 1050 sq.ft space with a DESIGN ELEMENT ASSOCIATED plethora of functions,yet it should look simple & WITH THIS PROJECT? elegant for a young couple who loves to host parties. We started with a concept of designing each piece of MRUGINI : It’s hard for us to select furniture in a most innovative way that it won't appear one as every inch is designed with monotonous.Sculpting furniture as an art,we chose upmost concern but we love how curves & arches to make a statement,selecting a daughter's room has turned out. natural serene palette to overshadow heavy functions. Lighting plays a big role to change ambience from For a compact room with lots of serene to dynamic. functions, our layout creates cosy ambience with wooden ceiling & unique We have made a conscious decision to move away lighting.We ditched cliche of pink for a from the tried-and-tested calm of right angles & young teenage girl and chose metal negotiates these without reducing concept to a mere CNC shutter, black glass wardrobe & gimmick. veneer as a prime palette. (below) Desai’s House inVadodara, India by ROBUST STUDIO Photographer :TEJAS SHAH

| January - February 2022 Edition//Design Essentia//DE INDIA

We just can't get over dressing unit which stands as unique as we aimed right from the beginning.

Desai’s House inVadodara, India by ROBUST STUDIO | Photographer : TEJAS SHAH

Check out full project on www.designessentiamagazine.com

STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? MRUGINI : We live in a compact urban environment where every house cannot have luxury of big courtyards, sky lights & connection to a nature so it's a necessary to create such environment inside. Each function should have separate space & ambience still works for multiple needs. 10 hours of working space should transfer into a live gathering area with a simple effort. We should design to please a user for a long period & not a gimmick for a visitor.

January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

metamorphose (STUDIO SB) LOCATION : MUMBAI, INDIA PRINCIPAL DESIGNER : SAUMITRA BHATKHALKAR PHOTOGRAPHER : PULKIT SEHGAL

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

SAUMITRA BHATKHALKAR principal architect at STUDIO SB Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? SAUMITRA : Studio SB is a young design firm founded by Creative Enthusiasts. We, at Studio SB, believe in Experimentation and Exploration. We are driven by Passion and anything 'DESIGN' excites us. Our core ethos lies in understanding the user needs, needs being sensitive towards the environment, having an inclusive dialogue with the context, breaking the monotony, and being unique. Quality-driven,Time-bound, Quality-dri Honest, and Artistic are the adjectives we resonate with. We are striving to create designs that inspire. (on right - continued on page 94)

Metamorphose in Mumbai, India by STUDIO SB Photographer : PULKIT SEHGAL January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? SAUMITRA : “METAMORPHOSE" a1250 sq.ft apartment in Mumbai, India. This apartmenthas been drastically transformed from two very old sombre flats,a 3BHK of 680 sq.ft & a 2BHK of 570 sq.ft to a brand new high end luxury apartment which has only 2 Bedrooms,a study cum library,powder room & a kitchen,where rooms are WHAT WAS YOUR FAVORITE designed keeping spaciousness a priority and which DESIGN ELEMENT ASSOCIATED speaks openness in its planning. WITH THIS PROJECT? Muted walls, walls sage green kitchen,self made resin dining table,unique shade of green sofa,loud textures and a SAUMITRA : One of the highlights dash of rose gold detailing,all in a cohesive fashion,is of this house is the resin art dining table what this house is all about.Marble flooring in most of (PAGE 93) complemented with stylish the spaces reigns supreme with its continuity and chairs, upholstered to the hues of green, richness. one that matches the sofa and an Every element handpicked and crafted with details in elegant window seating, perfectly mind,gives this space luxurious and sophisticated vibe. designed to enjoy the breakfast with a view. vi (below) Metamorphose, a residence in Mumbai, India by STUDIO SB Photographer : PULKIT SEHGAL

| January - February 2022 Edition//Design Essentia//DE INDIA

Well, our favourite part you ask? Definitely making the resin art table top ourselves.

Metamorphose, a residence in Mumbai, India by STUDIO SB | Photographer : PULKIT SEHGAL

Check out full project on www.designessentiamagazine.com

STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? SAUMITRA : Well, we started the project in the start of year 2021. Mumbai had just come out of the lockdown. Everything was coming “back to normalcy.” But as soon as we started the projects, we realised that the definition of NORMAL had completely changed.The basic requirements in a house were different. For this project, we had to change our thought-process because the client wanted his personal as well as professional space in one single house.We had to find a connect between the personal & the professional.

January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

vatsalya (STUDIO SYNERGY) LOCATION : ANKLESHWAR, GUJARAT, INDIA PRINCIPAL DESIGNER : UMESH CHOUDHARY PHOTOGRAPHER : SCAPE PIXELS

architecture & design magazine

| January - February 2022 Edition//Design Essentia//DE INDIA

UMESH CHOUDHARY principal architect at STUDIO SYNERGY Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? UMESH : Our studios design philosophy is an amalgamation of design, high end concepts and experiments is what synergy will always represent. Our ideology ideolo is to represent classic design with out of the box school thought embedded in it

(on right - continued on page 98)

Vatsalya, a residence in Ankleshwar, Gujarat India by STUDIO SYNERGY Photographer : SCAPE PIXELS January - February 2022 Edition//Design Essentia//DE INDIA |

TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED UMESH : “VATSALYA" a1350 sq.ft modern home in Ankleshwar, Gujarat, India. WITH THIS PROJECT? UMESH : My favourite and a common theme to all the spaces in the house is the play of colors and light.We created some accent walls to stand out and complement with the subdued colors of the room.The idea of playing with colors and light was to create each space with a common cr The synergy syner of warm and cold tones,old and effect of providing a warm, cozy and new concepts and most importantly the blend of most importantly a comfortable natural materials is what this home truly defines feeling.

The concept utilised in this project p was to confluence natural elements to the given space. We followed the ideology of less is more to infuse natural light to the spaces and play with colors that depicts the energy of the space. The approach was to transform the spaces into simple but giving it a touch of elegance.

(below) Vatsalya, a residence in Ankleshwar, Gujarat India by STUDIO SYNERGY Photographer : SCAPE PIXELS

| January - February 2022 Edition//Design Essentia//DE INDIA

My favourite corner for this theme is the living room as the colors and light together classifies sheer elegance.

Vatsalya, a residence in Ankleshwar, Gujarat, India by STUDIO SYNERGY | Photographer : SCAPE PIXELS

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elements in our life because of staying home, our idea was to incorporate as many natural elements as possible within the space.

Our ideology of natural light entering the spaces, the natural materials utilised all through the house is a constant effort to feel the touch of natural beauty around the house and also to give a sense of relief during this rather testing times.

January - February 2022 Edition//Design Essentia//DE INDIA |

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

the white house (SURBHI RG ARCHITECTS) LOCATION : MUMBAI, INDIA PRINCIPAL DESIGNER : SURBHI GITE PHOTOGRAPHER : ADITYA WARLIKAR

architecture & design magazine

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SURBHI GITE

principal architect at SURBHI RG ARCHITECTS, Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? SURBHI : Arrangement of materials merely fulfills a space’s functional purpose. It’s the experimentation of tectonic possibilities that elicits an emotional response. I believe any space should fulfill its functional requirements but we also need to see beyond three dimensions. Creating experiential space elicits emotional connection to the space, spac wanting you to come back to the space again and again, it creates more engagement with its occupants. I think experimentation with materials helps me explore 4th and 5th dimensions of the space. Seeing materials in a different light, experimenting with them, manipulating them to create desired experiences breaks b the monotony of the space and I like that. In our atelier, we investigate materials, surfaces, textures and techniques of construction in great detail to manipulate them in variety of unusual ways for practical experimentation and testing.We endeavor to create a space for you that spurs your thoughts & emotions. emotions (on right - continued on page 102)

The White House in Mumbai, India by SURBHI RG ARCHITECTS Photographer : ADITYA WARLIKAR January - February 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION?

WHAT WAS YOUR FAVORITE SURBHI : “THE WHITE HOUSE" a1000 DESIGN ELEMENT ASSOCIATED sq.ft residence in Mumbai, India. WITH THIS PROJECT? The clients had a simple yet intriguing brief- they wanted to make a home which feels clean,light,breezy and SURBHI : We loved doing the accent contemporary.They also mentioned that this house will wall of the living room and our be an extension of a particular family member’s custom-made dining table is a fun personality whom they consider the backbone of the element here.The accent wall is the clan and at the same time it should accommodate largest wall of the house and so we everyone else’s episodes into it.As a nod to their clean wanted to frame the wall itself to make nature,we decided to make ample use of the color it a statement element.We natu white.Hence was birthed theWhite House. experimented with a rich blue color and We were thrilled with this idea.Here were clients who custom-made molding.We made were giving us a clean canvas,waiting to be painted as multiple mockups for that.And finally best we imagined.White is ethereal,pristine and modern. framed it in balanced proportions and White allows other elements to stand out without finished it with PU paint with color taking away its own power to make space look elevated, named ‘pigeon crest’ of Asian paints. Our bright and seamless.Carrying forward this idea this dining table is a curation of geometry palett It’s house offers a flawless experience of white which ties and a beautiful material palette. combining geometrical forms the entire enti space together and makes spaces flow into one another.This palette is then manipulated by adding constructed in metal finished with gold some statement elements to tell a story and create polish, solid wood, curved wood and more engagement with space. finished with white, peach and red with curved edges. Custom made chairs complement this dining table with (below) geometri The White House in Mumbai, India by SURBHI RG ARCHITECTS geometric, textured fabric of blue and Photographer : ADITYA WARLIKAR red framed in gold polished metal.

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The White House in Mumbai, India by SURBHI RG ARHITECTS | Photographer : ADITYA WARLIKAR

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? SURBHI : Pandemic has substantially remolded our relationship to home and caused a profound modification in how we live, work and recreate. During the lockdown period, spending more time inside the house with family, working at home, being more attentive to the use of spaces, made us more conscious of our relationship between indoors and outdoors.All of these experiences have implications on my design my process evolved during this project. It can be best summed up as a deepened focus on design that reinforces our connection to nature outside at the same time design that becomes an extension of resident’s personalities to elicit an emotional connection to the space. Bringing in more natural ventilation, offering access to sunlight and breezy spaces, maximising use of indoor plants to optimize indoor air quality, exploring ways to design WFH desks, using colours that suggest comfort and well-being are some of the key factors that define my design process to make an impact on the living of the resident. January - February 2022 Edition//Design Essentia//DE INDIA |

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

inspira builders office (VIVOSPACE ARCHITECTS) LOCATION : BANGALORE, INDIA PRINCIPAL DESIGNER : MILANA M V PHOTOGRAPHER : SHAMANTH PATIL

architecture & design magazine

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| January - February 2022 Edition//Design Essentia//DE INDIA

MILANA MV

principal architect at VIVOSPACE ARCHITECTS Bangalore, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? MI MILANA : Architecture is a language in a way.The architect can communicate with one’s emotion through the built space.The firm’s design philosophy is to leap beyond the concept of form follows function and to create synergy between the two so as to realize a bonding between the user and the built space, spac thus, "Bringing life to spaces". The capability of a space to influence a person’s feelings, emotion, passion and efficiency has been a key interest and focus in the firm’s general design thought.This new dimension enablesVivospace to design spaces that not only perform functionally but also on an emotional level that adds character to the built space. spac This language, and the amazing possibilities is what fuels our passion to chase excellence in what we do. (on right - continued on page 106)

Inspira Builders Office in Bangalore, India byVIVOSPACE ARCHITECTS Photographer : SHAMANTH PATIL January - February 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? WHAT WAS YOUR FAVORITE SURBHI : “INSPIRA BUILDERS DESIGN ELEMENT ASSOCIATED OFFICE" a 4290 sq.ft OFFICE space in WITH THIS PROJECT? Bangalore, India. MILANA : The reception ceiling MI The aim was to design a space that reflects the core witnesses an innovative ceiling treatment values of the company.The design focuses on the use in the form of multiple inverted boxes with of colors and materials in a contextual and triangular facets in varied permutations of meaningful way,exclusive furniture pieces were sizes and proportions which is inspired by curated to add character. the concept of varied building heights.The The idea of transparency transpa is achieved through the use articulated architectural concrete faceted of glass to accommodate a visual connectivity panel wall acts as a backdrop backd to the between the reception and GM cabins - a company reception table and compliments the value that people capable of taking action are always ceiling installation as well as a metal screen accessible to the customers. behind the visitors seating. The design aims to achieve achi a certain character to every space so as to relate to its user in a meaningful way.With high ceilings for expansiveness,a glass wall designed to allow inflow of natural light and amplify the innate volume of the office and design elements that add a dimension of texture and color- the space is meant to inspire creativity and enhance efficiency. (below) Inspira Builders Office in Bangalore, India byVIVOSPACE ARCHITECTS Photographer : SHAMANTH PATIL

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The large expansive green wall at the North of the office forms a backdrop to workstation, discussion zone and conference room.This green element creates a sense of openness and invites daylight.The result is a space that features an element that is meant to relax and calm the user by maintaining a connect to greenery in a CBD context with tight setbacks and tall buildings.

Inspira Builders Office in Bangalore, India byVIVOSPACE ARHITECTS | Photographer : SHAMANTH PATIL

Check out full project on www.designessentiamagazine.com

STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? MILANA : The core design principles of my practice is how spaces connect to people in a MI functional, aesthetic and mainly emotional level.When it comes to homes and residences in general, the architecture must resonate with the user, and hence the design process is user and context centric.This approach to design, both in form and function, bears focus on the needs and requirements of the user in a holistic way. Functional planning must consider spaces for work, fitness and leisure.The architecture must address the context so as to regulate parameters such as light, air, noise, adjacent buildings, etc, so as to maintain an ambience most optimal to its user. Emphasis is given to transition buildings between indoor, semi outdoor and outdoor spaces in residences, this offers a quick escape from the monotony of daily life.The importance of this holistic approach to design is realized more during this pandemic where people tend to spend more time at home. January - February 2022 Edition//Design Essentia//DE INDIA |

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

la dwell (AAKASHI MEHTA DESIGNS) LOCATION : AHMEDABAD, INDIA PRINCIPAL DESIGNER : AAKASHI MEHTA PHOTOGRAPHER : ROCKBRAND INC

architecture & design magazine

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| January - February 2022 Edition//Design Essentia//DE INDIA

AAKASHI MEHTA

principal designer at AAKASHI MEHTA DESIGNS Ahmedabad, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? AAKASHI : In my interior design world, there is no such thing as a ‘cookie cutter’ approach. I start each project with fresh eyes, fresh ideas, and thoughtful consideration of the client. I’m responsible for designing people’s homes and offices, so I need those spaces to represent them as much as possible. possibl Of course, my overall objectives remain constant: every space needs to be warm, inviting, luxurious and comfortable, and reflect the heart and soul of the client. Don’t skimp on quality – otherwise, it will show. And you’ll find yourself being forced to redecorate in no time at all. My motto is: “Do everything once, properly p and you will find you will spend less in the long run.” (on right - continued on page 110)

La Dwell, a residence in Ahmedabad, India by AAKASHI MEHTA DESIGNS Photographer : ROCKBRAND INC January - February 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? AAKASHI : “LA DWELL" is a 700 sq.ft apartment inAhmedabad, India. (MINIMAL) A combination of texture,warm woods,and old stone mixed with furniture,graphic textiles,and ceramics creates spaces that are easy, comfortable,and warm. WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED The soothing texture textu of the wood and white WITH THIS PROJECT? interior decor,produces strikingly beautiful and simple interior design ideas which when brought into reality are truly heavenly.Here our design AAKASHI : I won’t be able to choose incorporates with clean lines,reductive ,uncluttered , one.We would say Partition, wall décor, monochromatic and simplicity.Basically our concept dining and centre tables, curtains these all is to keep design minimal ,simple yet elegant.All are customised elements by our team. these create c a soothing and inviting space that has a timeless aesthetic. I would say the partition near TV unit and wall décor in kid’s room has our heart and the reason behind choosing this is its (below) making process.We love to add creative La Dwell, a residence in Ahmedabad, India by AAKASHI MEHTA DESIGNS Photographer : ROCKBRAND INC arts in our projects.

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La Dwell, a residence in Ahmedabd, India by AAKASHI MEHTA DESIGNS | Photographer : ROCKBRAND INC

Check out full project on www.designessentiamagazine.com

to achieve a specific look, which decorating style you should emulate, new design trends that you should check out.That’s only one piece of the puzzle. Believe it or not, the choices that you make when deciding how your home will look have a documented effect on your emotions and perceptions.A good interior designer will resolve the functionality of a space and address scale, curate a desirable aesthetic, inject soul and tell a story for the inhabitants as well as effecting productivity. It can inspire confidence, empathy, pride, creativity, security and energy.

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