CONTENTS
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URBAN CYNOSURE Anish .A Live as if you were to die tomorrow. Learn as if you were to live forever. - Mahatma Gandhi Greetings! My name is Anish. Curious and creative; patient and perseverant are the adjectives that describe me the best. The following projects are my selected works during my Academic tenure at Measi Academy of Architecture from 2015 - 2020, Chennai, and a one-year internship in Jaisim Fountainhead, Bengaluru during 2019. The academic works have been arranged in chronological order from the latest to oldest. As Leonardo Da Vinci once famously said “Art is never finished, just abandoned”, these displayed works are utter architectural explorations born out of the critical analysis, problem-solving, and a careful translation of our everyday life and feelings; which I believe that I have perfected to the best of my abilities.
BHARAT MUSEUM
SAMSKRITI CENTRE
2 3 4 5
KALA SANGAMAM
PROFESSIONAL WORKS
2020 | Cultural Centre | Samskriti Centre
One cannot make architecture without studying the condition of life in the city -Aldo Rossi
Samskriti Centre A cultural centre celebrating the Dravidian heritage and artforms of the kingoms of Vijayanagara, Hoysala, and Wodeyars which belong to the Indian state of Karnataka, India.
Contrast in harmony
Exposed Clay block
2020 / Academic Thesis Design Studio – 8 Individual Work Mentors :Ar. Arivucehlvi Ar. Thingom Location :Mysuru, India Climate :Tropical Savana climate Site Area :- 29542 sqm Builtup Area :- 7762 sqm
Passive cooling
Stone and FRP monolith
The proposed cultural centre will be designed to showcase the rich and vibrant history, culture, and arts of Karnataka which includes the achievements of the •Wodeyar kingdom ( 1399 – 1955 AD ) •The Vijayanagar empire ( 1336 – 1646 AD ) •Hoysala Empire ( 950 – 1343 AD ) The Cultural centre which showcases the culture of Karnataka must be located within the state where it can relate to the built heritage of the kingdoms. Furthermore, such a cultural centre would require a large number of visitors catering to a large catchment population.
Skylights detailng
Representing the inherent charisma of the oldest of traditions and events, Mysore Culture stands as a distinct identity of the place. It is also flocking with a large number of tourists throughout the year. Hence a Cultural Centre in Mysore would be the most appropriate. This center will display the arts practiced in the above mentioned periods and also organize workshops, shows, and events to promote and create awareness about the same. The center will not just bombard the users with umpteen number of facts and information but will translate the traditional architectural characteristics of the three above mentioned kingdoms into a modern context.
ng ler parki 2 whee king Car Par
Parking
Dormitory Block
Crafts Bazaar Auditorium
Open Exhibits
Entrance Block
Public Entry
Cafe
Sculpture Gallery
Service Entry
SITE PLAN :-
Temporary Gallery
STANDARDISED CLAY BLOCK CONSTRUCTION
EVOLUTION OF DETAILS & TRANSLATION OF SPACES FROM HISTORIC DRAVIDIAN ARCHITECTURE. CENTRAL MONOLITH & ILLUMINATED FRP creating a strong axis to the design inspired from the lofty Kodimarams of Dravidian Temple architecture .
Porotherm Clay block (16”x8”x8”)
COLONNADED WALKWAYS as seen in the market and plazas of ancient Hampi re-incarnated in a modern context pertaining to the function of the cultural centre.
LINEAR OPENINGS, the main design characteristic is seen in the Hoysala temples translated in the gallery with the form of alternating meshwork and fixed glass, designed carefully to avoid and hindrance while viewing exhibits.
Clay block with conrete filling CIRCUAMBULATION practice by visitors in the temples for centuries even today symbolised into a gallery with a ramp, which also eliminates the need for stairs as it links two levels.
FRAMING OF VIEWS - Seen in the ancient palace architecture where the royal women view social events through grills. This is incorporated here to create a sense of anticipation for the view of the exhibit
WATER BODY With ISLAND EXHIBITS - Interpreted from the temple tanks of Hampi’s Krishna temple with a central island Mandapa.
Reinforcements with concrete filling for vertical blockwork
tion Restora and ation Conserv
Lobby
Jali Wall
Admin
Open Exhibits
Toilet
Entry from parking
Fenestrated Wall
Souvenir Shop
Jali Wall
Stone displays
Stone displays
hibit Open Ex area
Public Entry
Stone and FRP
Fenestrated Wall
ry Tempora Gallery Evaporative cooling eqip
Introduction Gallery
Elec
Cafe
Store
Open Exhibits
Jali Wall
Store Island Displays
Store
Sculpture Gallery
GROUND FLOOR PLAN :-
The ground floor of the centre consists of an Introduction gallery, Sculpture Gallery, Souvenir shop, Temporary galleries and admin areas, restoration and conservation spaces. The admin areas are zoned to give separate access for staff, are also linked with the public circulation through another entry. The admin block is zoned such that it can function independently and also along with the centre.
PERMANENT GALLERY
FIBRE REINFORCED PLASTIC
OPEN AIR THEATRE
SCULPTURE GALLERY
STONE INSCRIPTIONS
STONE MONOLITH
VIEW FROM FIRST FLOOR
LONGITUDINAL SECTION
Green room
Library
Auditorium Green room
Textile Gallery
Painting gallery skylight
Painting Gallery
CENTRAL MONOLITH DETAIL :-
Sculpture Gallery
Painting gallery wall detail
FIRST FLOOR PLAN :-
The first floor consists of a textile gallery, painting gallery, Sculpture gallery, library and auditorium entry. The open-air theatre also allows the users to move down to the lower level with ease and view the open exhibits in the central plaza. The linking corridors between galleries are carefully framed which offers a mind-blowing view of the water body below consisting of the island exhibits. The transition between level one and level two is seamless through a gentle ramp which itself is designed to be a sculpture gallery.
PAINTING GALLERY SECTION
Materials & Components
Skylight VIEW
SECTIONAL PERSPECTIVE
PART SECTION
LINKING CORRIDOR & WATER BODY :-
STAIRWAY
:-
MAIN ENTRANCE :-
SCULPTURE GALLERY :-
“Form and Function are one and the same” – FL. Wright
2020 | Bus Terminus & Office | Urban Cynosure
URBAN CYNOSURE A mixed use highrise project with a bus terminus and an office complex in a metropolitan capital city of a state.
Roof Garden
Contrast in form
2020 / Academic Project Design Studio – 7 Individual Work Mentors :Ar. Mohamed Anis Ar. Roopalatha Location :Chennai, India Climate :Tropical Wet & dry Site Area :- 404690 sqm. (40230 sqm detailed ) Builtup Area :- 82542 sqm (Kindly note that only the 10 acres of the highlighted plan which includes the full built volume of the terminal building and office were asked to be detailed out as per the design problem)
One- way curved roof
Highrise structure
The design presented a few major challenges like accommodating the high volume of parking required for the terminus, eliminating interference in the circulation of different users of the building. ( The office staffs and the public of bus terminus). The westfacing façades also presented a challenge for efficient shading). A contrast in the character of this multi-use project ( Bus Terminus & Office ) gives an opportunity to portray the same in the planning and design elements of this project. An open plaza in the front accommodates the people who want to wait in a calm natural background. The pedestrian entry allows a view and an eventful walk through the plaza into the terminus, while a drop off point provides ease of access for people using private transportation.
Passive cooling
The bus terminus connects to all the Municipal buses, Omnibuses, Inter-City buses through multiple access points provided at all strategic linking areas. The terminus is naturally ventilated with louvers on the walls and roof which ensures free air circulation and eliminates the need for any mechanical ventilation in the public area. The terminus has a 12m high ceiling to ensure enough openness and ventilation, to prevent echoing. A dynamic one-way curved roof is designed for the terminus which makes it aesthetically pleasing and also accommodates the strategically designed louvers to allow natural cooling of the place through stack effect.
BUS TERMINUS & OFFICE
STP
LIFT LOBBY
Ramp to basement Office Cars only
MOFFUSIL BUSES - 210 OMI BUSES - 140 MTC BUSES - Pick and Go TAXI & AUTO - Pick and go
SITE PLAN 100 Acres :- -
CAR PARK ( Office )
SITE PLAN 9.3 Acres :-
EXPLODED VIEW
:-
To Moffusil
Plantation
To Moffusil To MTC
Grass
Seating Space
Wash
Pantry
Cafe
Seating with landscaping
Store
Wash
Fast food To MTC
Pantry
Lightwieght Plant
Med room
Seating with landscaping
Grass
Store
DPC & waterproof coating Mesh Lathe & plaster
Shops
Shops
Rcc Projection for seating space
Shops
RCC short wall
Ticket Counters
Water pipe with sprinkler head RCC slab
SEATING DETAIL :-
Seating with landscaping
CCTV & security Store room
Cloak room
MAIN ENTRY TO TERMINAL (drop off)
Wash
Fire Exit
Fixed Glass
Fast food Pantry
Office Core
Ticket Vending machine
Store
Louvres IBMS
Cloak room
TERMINUS - GROUND FLOOR PLAN The parking is accommodated in three basement levels designed consciously to ensure no interference between the flow of the office and terminus vehicles. The vertical circulation cores to the office are isolated and open out only to the office located at top of the bus terminus. A common office core runs through the above eight floors linking and opening out to different offices above.
The Louvres placed next to fixed glass in the walls of the terminus along with the louvres on the roof ensures good thermal comfort inside the terminus.
OPENING DETAIL VIEW :-
Store room AHU
AHU
Atrium Server room
AHU
Store
Main Office core
Server room AHU
Atrium
Store
JR
Main Office core
Reception Elec
Office Space JR
Canteen (Double height space)
Kitchen
Store Distribution Zone
AHU Billing Counter
Wash Area
OFFICE TYPICAL FLOOR PLAN :-
Hand Wash
The west façade of the office incorporates landscaping and also recessions to allow mutual shading and portray the concept of movement and staticity. The façade not just makes the terminus aesthetically pleasing, but also functionally efficient. The facade offers a picturesque view of the plaza down below from the office. The café is located on the landscaped terrace on the first level of the office.
OFFICE Level 1 PLAN :-
BUS TERMINUS
BASEMENT PARKING
SECTION :-
OFFICE
TERMINAL PUBLIC AREA VIEW :-
SITE ISOMETRIC VIEW :-
VIEW FROM OFFICE LOBBY :-
VIEW FROM DRIVEWAY :-
ENTRANCE VIEW :-
LANDSCAPED ENTRANCE PLAZA VIEW :-
“Simplicity is the ultimate sophistication.” – Leonardo da Vinci
2020 | Campus Design | Kala Sangamam
KALA SANGAMAM Campus Design - A fine art college for sculpting, painting and artworks.
Contrast & Symmetry
Exposed Brickwork
2017 / Academic Project Design Studio – 5 Individual Work Mentors :Ar. Hariharan Ar. Suhasini Location :Chennai, India Climate :Tropical Wet & dry Site Area :- 26700 sqm Builtup Area :- 7550 sqm (academic block ) (Kindly note that only the academic block was asked to be detailed out as per the design problem)
Central Staircase
The site is located on a national highway that connects to the temple town of Mahabalipuram. Mahabalipuram is the land of rich culture, heritage, and finest workmanship of the Pallavas which can be seen in the sculptures and architecture of numerous archaeological sites around the town. Hence this makes it the perfect location for a fine arts college. The main objective was to create an interesting, interactive learning environment for the students. Plenty of open spaces were incorporated into the design to cater to the outdoor sketching and various display and installation needs. The intent was to open out the corners and let in an ample amount of light and continue to frame the landscaping view from every classroom. This was achieved through the corner windows used in the design.
Roof Garden
The ground floor comprises classrooms and workshops for the undergraduate (BFA Bachelor of fine arts ) courses. The outdoor gallery is located next to the courtyard and stairs in the central area. Workshops are strategically located in the corners in order to maximize the light in the area. This staircase accentuates the central node of the design and expresses and emphasizes the symmetry of the design. The first floor consists of the postgraduate (MFA – Master of Fine Arts) classrooms, workshops, staffrooms, HOD rooms, and a roof garden. The roof garden acts as an informal gallery or an interaction space for the students. The second floor consists of the exam halls, exam cell, and storage spaces.
SITE PLAN :-
FORM EVOLUTION :-
1) Modular, planned arrangement of classrooms
2) Dynamism in planning acheived through offset
3) Play of light and shade acheived through massing
4) Accentuating the corners and through openings
5) Landscaping accentuates the aestetics and provides a soothing view from inside
6) An geometric central staircase complements the form
FRONT ELEVATION :-
Class Rooms
Class Rooms
Workshop
Workshop
Courtyard
Toilet ( M ) Entry
Outdoor Gallery
Outdoor Gallery
Entry
CORRIDOR PARAPET DETAIL
Courtyard Toilet ( F )
Class Rooms
Indoor Gallery
Staff Room
GROUND FLOOR PLAN :-
CORNER WINDOW DETAIL :-
Roof Garden Exam Cell
Class Rooms HOD Rooms
Workshop Exam hall
Courtyard
Courtyard
Outdoor Gallery
Toilet ( M )
Class Rooms
FIRST FLOOR PLAN
FRONT ELEVATION
Skylight
Outdoor Gallery
Courtyard
Courtyard
Skylight Skylight
Outdoor Gallery
Courtyard
Courtyard
Courtyard
Courtyard
Outdoor Gallery
Toilet ( F )
Exam hall
Workshop
Exam Hall
Exam Hall
Skylight Skylight
SECOND FLOOR PLAN
Skylight
MAIN ENTRANCE :-
CENTRAL STAIRCASE :-
CORNER WINDOW :-
AERIAL VIEW :-
“Architecture is not based on concrete and steel, and the elements of the soil. It’s based on wonder.” - Daniel Libeskind
2020 | Museum | Bharat Museum
BHARAT MUSEUM National war museum commemerating the sacrifices ,valour and the achievements of India.
Contrast & Symmetry
Elevated landscape
2017 / Academic Project Design Studio – 4 Individual Work Mentors :Ar. Muzakkir Bijli Ar. Suhasini Location :Chennai, India Climate :Tropical Wet & dry Site Area :- 10100 sqm Builtup Area :- 7630 sqm
Pyramidical skylight
Roof Garden
The site is located in a busy locality of the metropolitan city Chennai, India. The site is located on the corner of the junction of two roads which gives an opportunity to maximize the view of the museum. The scale of the museum is made magnificent to makes one look at it with awe and wonder. The view one gets while climbing the stairs to the entrance is carefully framed to lead to a sense of anticipation of what lies ahead. The terrace garden adds to the overall aesthetics, in addition to providing an excellent view from the café. The ground floor holds the parking for 50 cars and 100 bikes on stilts. The admin office, restoration, and art marshal areas are secluded on the ground floor. Access has been provided for the admin area for visitors and a secluded service entry for logistics and transport purposes.
Ticketing counter, cloakroom, retail shops, lecture halls for orientation, temporary gallery, one permanent gallery, and hall of honor is located on the first floor. The temporary gallery is linked with the ground floor service lift which is placed next to the service entry for ease of loading and unloading. Hall of honor has been given the most importance by illuminating and highlighting it by placing it centrally with an ample amount of natural light. The next floor consists of the other two permanent galleries, a café, and a library. A walking corridor passes through the hall of honor and leading to the café and the terrace garden. Both the levels have an emergency exit in case of fire.
Vehicular Exit & Service Entry
Director
Service Entry
Conference Curators
Art Marshal
Restoration & Storage
CCTV & IBMS
Office Lunch room
Pedestrian Entry
Stilt Parking for cars - 50 nos
Vehicular Entry Bus Parking
FLOOR PLAN - lvl - 0
The concept of the museum was to make the museum itself as an exhibit of wonder like the exhibits that would be present inside. Inspired by architecture marvels like the Guggenheim Museum Bilbao, Solomon R Guggenheim Museum the form of the museum was consciously evolved to its form to make it aesthetically pleasing and emotionally appealing. The pristine white plaster of the museum is contradicted to get a sense of conflict.
Store ( 50 sqm )
Store ( 50 sqm )
Temporary Gallery ( 620 sqm )
Evloution of Indian Army
Early Indian Era
( 300 sqm )
( 300 sqm )
Service lift
Wash area
Storage
Kitchen
Retail shop
Toilet
Roof Garden
Lecture -1 Security Hall of honour
Hall of honour
Entrance Porch
War Setup
Library
Cafe
Lecture - 2 Toilets
Store ( 50 sqm )
Store ( 50 sqm )
Roof Garden
Archeology
Evolution of Equipment ( 310 sqm )
( 310 sqm )
Ticket
Ticket Locker
Recent Contemporary
Decisive Battles
( 310 sqm )
Store ( 50 sqm )
Store ( 50 sqm )
FLOOR PLAN - lvl 1
FLOOR PLAN - lvl 2
SECTION
( 310 sqm )
Entrace view
Restaurant view
One point perspective (arial view)
Two point perspective (arial view)
The pyramidical skylight is the most striking aesthetic feature of the museum. This skylight illuminates the most important part (The hall of honour) of the museum and salutes the sacrifices of the martyrs of the country. The series of steps rising to the entrance of the museum symbolises the great heights and achievements of the Indian army. The landscaping and the flowers along the steps signify that peace can only be achieved by the might and bravery.
2020 | Internship | VIttal Murthy’s Bar Furniture
JAISIM FOUNATAINHEAD Architectural and Interior design explorations under the guidance of Principal Ar. Krishnarao Jaisim & Senior Ar. Shruti M Vedavyas.
2017 / Professional Work / Internship
Bar Furniture Design Client :- Mr. Vittal Murthy Mentors :Ar. Krishnarao Jaisim Ar. Shruti M Vedavyas Location :Bengaluru, India (Kindly note that all units are in imperial system)
ARCHITECTURAL STYLE
Bar Counter Materials and Details
Manual Sketches excecuted to reality
Realistic Visualisations
Stages of craftmanship towards completion
2020 | Internship | Channapatna Club Room Interiors
2017 / Professional Work / Internship / Sqr Factor - Affordable Housing Competition Mentors :Ar. Shruti M Vedavyas Location :Bengaluru, India Climate :Tropical Savanna climate (Kindly note that all units are in imperial system)
( Competition entry presentation drawings were done as a team )
2020 | Internship | Channapatna Club Room Interiors
2017 / Professional Work / Internship
1 2'-6"
3
4
2'-3"
5
37' 4'-9"
8'-3"
WASH BASIN
3'-6"
Residence of Mr. Shashikumar
2 2'-9"
6
7
4'-9"
6'-3"
8 2'-3"
3'-3"
UTILITY
8
W4
2'
I D3
H TOILET
10'-9"
Mentors :Ar. Krishnarao Jaisim Ar. Shruti M Vedavyas
BEDROOM W4
Location :Bengaluru, India
PUJA AREA
3'-6"
G
Climate :Tropical Savanna climate
Washing machine
WASHING MACHINE
F
10'-6"
(Kindly note that all units are in imperial system)
3'-6" HIGH BLOCK WALL
UTILITY
Drier
Wash basin
27 26 25 24
14
DINING
23
15
22 21 20 19
16
W3 UP
60'
17
E
D2
D3
space for clothes
D3
Shoe rack
8'
ENTRANCE FOYER DN.
C
TERRACE
D4 V
18
1'-9"
D
ENTRANCE PATIO
POWDER ROOM
Marble (2'x2') 12'
4" dia round pipe at terrace level
Grey Kota (2'x2') -
3
LIVING
4
5
2
6 7
1
8
2" dia round vertical pipe for support
5'
B
A
15 14
13
10
12
11
0'-3" 1'-2"
4" dia round pipe at 3'-6" height from terrace level
3'
9
2'-3"
LEGENDS
Riser - 7.5"
6" X 8" X 16" CLAY BLOCKS 6" X 8" X 16" CONC. BLOCKS FENESTRATED WALL
Project: Dr.Sashi Kumar Residence and Clinic Mandya
TITLE:
FIRST FLOOR FLOORING PATTERN
Date:. 03.09.2018
GRAPHICAL SCALE:
N
2'
0' 1'
DRAWN BY :Anish
5'
CHECKED BY :Ar.Shruti
NOTES: 1.All dimensions in feet and inches 2. Dwg subject to site conditions, especially tree positions on siteSlight modifications may be made
JAISIM FOUNTAINHEAD
ARCHITECTS ENGINEERS PLANNERS INTERIOR DESIGNERS ECOLOGISTS 175/1 PAVILLION ROAD JAYANAGAR EAST I- BLOCK BANGALORE. 560011
Project: Dr.Sashi Kumar Residence and Clinic Mandya
TITLE:
SPIRAL STAIRCASE DETAIL for TERRACE SERVICE
Date:. 01.10.2018
GRAPHICAL SCALE: 2' 0'
DRAWN BY: Anish
N 4'
1'
CHECKED BY: Anish
NOTES: 1.All dimensions in feet and inches 2. Dwg subject to site conditions, especially tree positions on siteSlight modifications may be made
JAISIM FOUNTAINHEAD
ARCHITECTS ENGINEERS PLANNERS INTERIOR DESIGNERS ECOLOGISTS 175/1 PAVILLION ROAD JAYANAGAR EAST I- BLOCK BANGALORE. 560011
0'-6"
0'-8" 0'-5"
0'-4" 0'-8"
0'-6"
0'-6" 0'-6"
Bottom of ceiling
0'-6" 0'-6"
0'-6"
0'-6"
0'-6"
0'-6"
0'-6"
0'-6"
0'-6"
0'-6"
1'
1'
DETAIL D
DETAIL C
DETAIL D
0'-6"
0'-7"
0'-6"
0'-5"
0'-5"
skirting FFL
Shutter when open
0'-6"
0'-6"
inside
outside
Shutter when closed
0'-6" 8'-6"
DETAIL C
0'-7"
DETAIL B
0'-6"
Shutter when open
0'-6"
DETAIL A
0'-6"
Shutter when closed
0'-6"
Bottom of ceiling
1'
DETAIL B
0'-6"
EXTERNAL ELEVATION
0'-4" 0'-8"
DETAIL A
1'
8'-6"
0'-8" 0'-5"
skirting
INTERNAL ELEVATION
DETAIL E
inside
outside
FFL DETAIL E
1'-9"
4' 3'-9"
SECTION - AA' inside
outside
3'-9" 4'
1.5" x 1.5" window frame
0'
GRAPHICAL SCALE: 2' 1'
Date:.28-08-2018
DRAWN BY :Anish
1.5" x 1.5" window frame
grill
OPTION - 2
OPTION - 1
PLAN
TITLE: RESIDENCE WINDOW GRILL DETAIL
inside
PLAN
grill
Project: Dr.Sashi Kumar Residence and Clinic Mandya
SECTION - BB'
outside
N 5'
CHECKED BY :Ar.Shruti
NOTES: 1.All dimensions in feet and inches 2. Dwg subject to site conditions, especially tree positions on siteSlight modifications may be made 3. Dwg considers Teak wood for detail
JAISIM FOUNTAINHEAD
ARCHITECTS ENGINEERS PLANNERS INTERIOR DESIGNERS ECOLOGISTS 175/1 PAVILLION ROAD JAYANAGAR EAST I- BLOCK BANGALORE. 560011
2020 | Internship | Channapatna Club Room Interiors
2017 / Professional Work / Internship
C36
6"
Channapatna Club Room Interiors
4'-6"
4'-6" BATHROOM 4
9"
Mentors :Ar. Krishnarao Jaisim Ar. Shruti M Vedavyas
9'-6"
2'-6" 6" 4'-7"
10'
4'-3"
Location :Bengaluru, India
2'
9'-6"
4'-6" BALCONY 5' X 14'6"
6"
ROOM 4
9'-6"
WARDROBE
2'-6"
Climate :Tropical Savanna climate (Kindly note that all units are in imperial system)
3'-3"
3'-6"
C29
6"
14'-7"
PLAN Project Name
Project: CHANNAPATANA INSTITUTE OF SPORTS AND CULTURE Project Name
TITLE:
PLAN- level 5 ROOM - Detailed Plan
Drawn by:Anish
GRAPHICAL SCALE: 2'
0
N
NOTES: 1.All dimensions in feet and inches 2. Dwg subject to site conditions, especially tree positions on siteSlight modifications may be made
JAISIM FOUNTAINHEAD
ARCHITECTS ENGINEERS PLANNERS INTERIOR DESIGNERS ECOLOGISTS 175/1 PAVILLION ROAD JAYANAGAR EAST I- BLOCK BANGALORE. 560011
The mian wall is designed with standardised clay block. Clay Checked by:block filler slabs to reduce the heat absorption inside the room from the terrace. The filler slabs can be coloured or left truthfully according to the personal preference of the client.
ARCHITECTURAL STYLE
1'
Date:.25-02-2019
Ar.Shruti
CLAY BLOCK WALL - View
ALL THE DIMENSIONS ARE IN FEET & INCHES
OPTION - 1 ( Filler Slab finished with White )
OPTION - 2 ( Filler Slab finished naturally
2020 | Internship | Channapatna Club Room Interiors
2017 / Professional Work / Internship
Conceptual Model for Mr.Umankanth residence Mentors :Ar. Krishnarao Jaisim Ar. Shruti M Vedavyas Location :Bengaluru, India Climate :Tropical Savanna climate
Learning Continues.....
THANK YOU Anish Anbuchelvan anish.anbuchelvan@gmail.com