OFFICE TRAINING PORTFOLIO
Study of Architect’s work 1. Ram Krishna Mission Temple, Porbander 2. Architect’s Office, Ahmedabad 3. Amrut Mody School of Management, Ahmedabad 4. Family Residence, Ahmedabad
Office training at: Snehal Shah Architect M.C. Shah House, 1/B Avantika Society, Naranpura, Ahmedabad
Submitted by: Ankit Pokar AR5413 Semester 10 School of Architecture, Vadodara Design Academy.
RAM KRISHNA
MISSION TEMPLE Porbandar, 2001
Upside down quinch creates the stepped form of the pyramid
A great earthquake struck Gujarat in 2001 and caused heavy destruction across a vast area, including remote villages. Education in these villages came to a standstill, with buildings ruined or damaged.
The temple is located in the main square, in the midst of the township. The plan is a square that becomes an octagon as it rises towards the pyramidal roof. An upside down quinch creates the stepped form of the pyramid.
The Ram Krishna Mission approached Snehal Shah Architects to rebuild schools. Around 160 basic school structures were built in record time, with the practice overseeing the work. The client was pleased and also commissioned the architects to build a temple in Bharwada. A modern architectural vocabulary was sought, rather than replicate the conventional temple design with gods and goddesses ranged around the walls.
An open prayer/audience hall allows breezes in from all directions. Wooden doors on the axis of the temple create an enclosure to the shrine.
with stipulations in the religious architectural treatises. The squinches are placed in the four corners, acting as four guardians to ward off evil spirits. The front pyramidal roof over the prayer hall is of glass to maximize natural light; and the sun is expressed implicitly as the supreme power.
The expected temple symbols are present. The flag post is located on top of the pyramidal roof. The front prayer hall is square, creating a joint between the main shrine and prayer hall and forming a circumambulation (Pradakhshina path). Two squares are generally put together in the place where the idol is located: the two squares accord
North east elevation of the temple with the flag post.
Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
A temple is a design challenge. It demands sensitivities beyond mundane questions of location, climate, materials, aesthetics and functionality. The temple is rectangular in plan, 20 x 10 m, its longer side oriented on an east-west axis. The plan divides into two squares, each 10 x 10 m, with segregated functions: the prayer hall and the main sanctum. The main sanctum is small, only 5 x 5 m, with a circumambulatory path. Such a space surrounds the main sanctum in most Hindu temples, used by devotees to circle the sacred space of the deity. Ram Krishna Mission does not believe in idol worship. Instead there are photographs of spiritual leaders placed in the sanctum. The sanctum has a shikhara (pyramid) roof supported on stone walls. This roof gives the temple its special character. The stones are set at 45 degrees to develop a pattern, forming squinches at every corner. The shikhara is simple and subtle: when examined, the complexity of its angled detailing seems to dominate the simplicity. As it rises, the main sanctum goes from being square in plan to an octagon, and the squinch form tilts upside down to develop the step-like pyramid. The temple does not register immediately as a building, as only the main sanctum is visible, its 6 m stone shikhara signaling a presence.
Initial process of the designing, inheriting the true value of Indian temples with the mordern architectural synthesis.
The temple is built from stone quarried in the nearby town. The stone both speaks of the place and is far more durable than other materials.
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413 N
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Snehal Shah Architect - Ahmedabad
South elevation
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Derivation of Corner detail which transform the square plan to the octagonal plane leading to the pyramidal top.
Professional Training - Study of Architect’s work - Ankit Pokar AR5413
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Light and shadow pattern with the concrete columns on the east side of the temple.
Snehal Shah Architect - Ahmedabad
POLYCARBONATE SHEET (25 x 25) MM MS FRAME
MS PLATE COVERING FLUSHED WITH BEAM END.
BAND PLATE (150 MM WIDE) NOMINAL SLOPE TOWARDS THE OUTER SIDE
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PLAN POLYCARBONATE SHEET POLYCARBONATE SHEET TO BE EXTENDED 6" FROM THE INNER BEAM END
MS PLATE SECTION (20 X 20 MM) 715
(20 X 20 ) MM ANGLE SECTION
POLYCARBONATE SHEET PROJECTING 6" FROM INNER BEAM END
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BEAM (300 X 300)
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413
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Snehal Shah Architect - Ahmedabad
WOODEN PANEL PIVOT HERE B 1220
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Door detail Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
Ram Krishna Mission asked to design a small temple in Bharwada. This little village is eight kilometers from Porbandar, birthplace of the father of the nation, Mahatma Gandhi. One enters the prayer hall via a small staircase on the western facade. A grid of circular columns supports a reinforced concrete slab above, with a central pyramid skylight. The space is semi-open, delineated by (600 mm) low walls. ‘‘ We expressed the sun as the supreme power. After completion of the temple, Swami asked where I had placed the gods and goddesses. My answer was that shadows created by sunlight and reflections on the stone created different gods and goddesses. The client smiled. ‘‘ Most of the buildings that surround the temple are simple residences. SSA also designed two schools there, and thus a whole community is raised. It is rather special to see an architectural vocabulary in a remote village. Different light and shadow pattern at the corner qunches at different positions. It creates the rhythamic play pattern of the sunlight during the day time reflecting the sun as the supreme power.
Polycarbonated transparent sheet in the central court of the first square plan, provides the direct sunlight on the main passage.
Skylight in the pyramidal roof of the main scantum. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Upside down quinch with adjoining exposed concrete beams. Snehal Shah Architect - Ahmedabad
ARCHITECTS OFFICE SNEHAL SHAH ARCHITECT
Ahmedabad, 2000
South facade with brise soleil acts as the main elevation of the building.
The site is very tight; 11 x 16 m. Rectangular in plan, the building has four storeys and a basement level, a rarity in the city. The building faces south onto a suburban road. The eastern (main entry) facade has a three-storey void rising from the ground floor, bringing daylight and air to each floor. For eight months a year, air-conditioning is unnecessary, as this central light well acts as a thermal chimney and induces good cross ventilation. The 12 m-wide building is divided into three parts, with the central core housing a lift and staircase. The three concrete parts are independent, connected by the steel and timber staircase.
The ground level is given over to an entry lobby; a reception area is to one side with an informal seating area opposite, opening onto a small garden facing the road. This undercroft area has a table where staff gathers for breaks. The basement houses the library. Around 30 people occupy the building. The first floor houses administration, with the modelmaker on the north side. On the south side is a lecture room. The office frequently hosts lectures, inviting professors and practicing architects to present work to students and young architects. The second floor has an open design studio on the south side and office on the north.
The third floor has another small library and conference room. The structure is finished in exposed concrete both outside and inside, and bands of red Agra stone on the east, south and north external elevations contrast with the grey concrete. Concrete fins, 1200 mm wide, on the north and south counteract the harsh sun. Windows have sills 300 mm above floor level and extend to the underside of ceiling beams. They are double-glazed with a 12 mm air gap, hermetically sealed. This cuts glare and traffic noise. Surrounding the frames are dark green marble slabs waterproofing the building. The same green marble is used for the flooring, evoking a cool, natural metaphor inside.
Suburban road connecting the site with lawn space in the south part. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
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Second Floor 1. Foyer 2. Studio 3. Administration 4. Toilet 5. Store 6. Lift
Third Floor 1. Foyer 2. Conference/meeting room 3. Library 4. Toilet 5. Store 6. Lift 73'-3"
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413
LEGEND 1. FOYER 2. SEMINAR/LECTURE SPACE 3. MODEL SPACE
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THIRD FLOOR PLAN Third Floor LEGEND 1. FOYER 2. CONFERENCE/MEETING ROOM Snehal 3. LIBRARY 4. TOILET
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Atrium with the overlooking foyer in central core of staircase and the lift independent from the north and south concrete block.
The building was constructed in phases, with each phase forming a complete unit. In 2013 completion of the cladding of red Agra stone on the east, west and south facades, and black granite on the entry floor and ceiling. The liquidity crunch helped in the making of details from necessity: marble sills and jambs were cut from the edges of marble slabs, replacing door and window frames and using waste stone. The stair was economically fabricated from rough materials but detailed to conceal the crudity of the junctions.
Independent central part with steel and wood fabricated foyer becoming bridge between the two.
‘‘ Design choices were constrained by the narrow site with a common west (side) wall. In 1998, when we built, developers typically were making buildings that did not comply with regulations; however, we decided deliberately to fully comply, despite the economic penalty involved. But we used it to advantage, making spaces that are genial and climatically comfortable.’’ The design of the south (street) and north facades makes obvious reference to the generous, angled brise-soleil of Le Corbusier’s Mill Owners’ Association building in Ahmedabad. Venetian blinds outside windows (rare in India) cut sun penetration from the south before it hits the glass panes. (These windows are now double-glazed with low-E glass.) ‘‘ Good light enters the building. The spaces are welcoming. From constraints and scarce resources we made architecture.’’ Entrance foyer with the informal seating in the south. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Entrance foyer with the display area and stairs to basement. Snehal Shah Architect - Ahmedabad
TERRACE LEVEL
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Third floor overlooking foyer in the three storey central void.
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413
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Independent staircase with display on the lift cabin wall.
Small square fixed glass aluminium window at the landing.
Snehal Shah Architect - Ahmedabad
AMRUT MODY SCHOOL OF MANAGEMENT Ahmedabad, 2006
Sun breakers on the south east elevation of the classroom blocks.
The corner site of the management institute campus has busy main roads on two frontages. Across the lesser crowded road is the Indian Institute of Management – Ahmedabad (IIM-A) designed in 1962, by the great modern master, Louis Kahn. The new college is built well back from the main roads. In front of the building, a wide lawn spreads across the site to the boundaries, an appropriate setting for a civic building. In the dense urban fabric of Ahmedabad, this garden and recreational space provides a welcome oasis. Entry to the institute is from an internal road. The building takes the form of a quadrant in plan. Two perpendicular arms pivot around a cylindrical tower housing a staircase.
The arc inscribed between the two perpendicular arms faces the main road. An internal courtyard is created between the three wings, serving and connecting them and providing a central focus for informal interaction and various activities. Dramatic shallow curved arches on the courtyard elevations and the cylindrical staircase block pay homage to the Kahn building opposite. The two perpendicular buildings house classrooms. The curved wing has the library and computer labs.
External elevations are distinguished by bold cut-out apertures, symmetricality, and alternating striped bands of stone and pale grey exposed concrete emphasizing the horizontality of the building and reinforcing its grounding. Vertical fins on the teaching block elevations reduce sunlight and glare. Signature circular windows, in conjunction with large square openings, present a defining image of the institute to the main road.
On the ground floor, a large space overlooking the grounds can be used for college and other events.
Exposed concrete north elevation with bands of pale yellow and grey colour of concrete. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
Concave - convex soffit of the semi circular staircase.
Alternatining the elevation opening with the trademarked circular window and the irregular size square openings. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Exposed concrete circular column with pin joint near the staircase.
Derivation of the form and placing it on site keeping in mind the adjacent iconic structures.
Planning the circulation pattern and the staircase block.
Snehal Shah Architect - Ahmedabad
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
Circular staircase with the patterned flooring natural green and white marble with the bridge above in exposed beam.
Sequential beam pattern guides the circulation in the passage.
Designing a large building opposite the IIM-A by Louis Kahn comes with its own challenges. It was important not to impinge on the force of this imposing architectural neighbor, yet also not be daunted by its presence. ‘‘ While I was studying architecture, in 1973 IIM-A was being completed, and several professors worked on it with Kahn. We students were set several projects to study Kahn’s architecture. One involved the double spiral staircase of the IIM-A library building – for me similar to a staircase designed by Andrea Palladio in the monastery of the Carita, Venice. We had to make a model of the library, showing brick courses with Flemish bond and other technical features. The image and lessons of that stair lingered; and years later when the opportunity came to design a building facing Kahn’s great campus, we paid homage with a reinterpreted idea of the stair in today’s language. The double stair has concave and convex curved soffits; difficult to construct on site.’’ The Kahn masterpiece: the curved arch on the south-west ground floor; the accentuated tangent of the cylinder; long corridors open at both ends. Classrooms – the main requirement of the college – are placed along the north and east sides, making an L-shaped plan, with the juncture housing a staircase. A limited budget constrained use of stone and required larger areas of exposed concrete. The banding of these materials adds to the aesthetic impact: grey concrete and grey polished Kota stone. The client required a phased construction program. The single-storey building eventually acquired a second storey involving minimal upheaval; and the building would seem complete in both single- and two-storey phases. Bridge disturbs the oculus opening creating the light on the both the side with the void below. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
West elevation with the circular and square opening.
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North Elevation with set backed windows to tackle the harsh sun.
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413
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Snehal Shah Architect - Ahmedabad
First wall
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Central court with the semi arched opening connecting with the lawn area.
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Patterned floor passage connecting the classrooms with the staircase.
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Tiered classroom.
Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Enclosed walls of monumental staircase in the south west.
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Snehal Shah Architect - Ahmedabad
FAMILY HOUSE Ahmedabad, 1987
Central skylight with the polycarbonated sheets provides light and ventillation the entire house.
One of the earliest projects undertaken by the practice was a house designed for a couple with two children. The two-storey brick house occupies roughly half the site. It has a paved court on three sides, with the fourth, rear, elevation facing south onto a sloping lawn. The main entry is on the north. The house is square in plan with rooms organised around a top lit central atrium that performs as a thermal
chimney, exhausting hot air through the skylight. Cavity walls on the east and west help insulate the house from severe summer heat. A verandah acts as a heat buffer and allows in breezes. All the living spaces are located on the south to take advantage of prevailing south-west breezes. Balconies on both levels of this elevation help shade the interiors. The facade is symmetrically organised, with a central element projecting above the roofline; this contains the staircase and gives access to the roof terrace.
The equally symmetrical though more formal north facade has a first-floor balcony to encourage natural ventilation through the central atrium / thermal chimney. Brick is an efficient material for Ahmedabad’s climate. The house is built in exposed brick with exposed reinforced concrete columns. Exterior walls are faced in alternating courses of stretchers and headers.
South elevation with opening to the living room and the bedroom with projected balconies above. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
Snehal Shah Architect - Ahmedabad
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413 SITE PLAN
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‘‘ One of the first projects after my return from Europe, this house was for old friends. At that time, advanced technologies had not arrived; there was no television, no mobile phones and no split airconditioning. ‘‘ ‘‘ Brick was the first material we learned to use, along with reinforced concrete slabs, beams and columns. Visiting the brick kiln, we learned what is required in exposed brickwork for it to remain durable. To create a play of shadow and form the base plinth of the house, alternate bricks were placed at 45 degrees (brick on edge). ‘‘ With cavity walls on the east and west and deep verandahs on the south, the house always remains cool throughout the summer. To cover a courtyard, yet enable hot air out without letting rain in, is a challenge. The courtyard could be covered and the space below air-conditioned, or a vernacular resolution of making a parasol over the void, here using a steel structural frame and polycarbonate sheeting.
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Professional Training - Study of Architect’s work - Ankit Pokar AR5413
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Snehal Shah Architect - Ahmedabad
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North elevation with the amin main to the residence with the overlooking balconies. Professional Training - Study of Architect’s work - Ankit Pokar AR5413
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Central opening with the lobby surrounding. Snehal Shah Architect - Ahmedabad
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