Anna Salvatori Architetto - Portfolio 2015 by Anna Salvatori

C O M PA N H I A AU R I F I C I A O TESOURO ESCONDIDO pag 4 - 13

FREIXO:VIEVER A RIBEIRA pag 14 - 19

U M A N O VA A R R E C A D A Ç Ã O pag 20 - 21

B A S T I O N E B E LV E D E R E

FORTEZZA MEDICEA DI AREZZO pag 22 - 29

TRACES pag 30 - 33

06 CASTELLUM ALEX ANDRIA pag 34 - 37

07 THE BIG RESTET ON NEIGHBOURHOOD DESIGN pag 38 -41

L AV O R I P E R S O N A L I pag 42 -53

Università degli Studi di Firenze | Scuola di Architettura iCad International Course on Architectural Design Companhia Auriﬁcia: o tesouro escondido Professor Maurizio De Vita | Teresa Faria Cunha Ferreira | Teresa Manuel Almeida Calix Students Anna Salvatori | Maria Di Noia

HINE |MAQUINA DE FURAR

70x160 cm ing metal.

ARCHITECTURAL FEATURES

MACHINES & MATERIALS

4 - PRESS | “PRENSA” Dimension: 70x90x150 cm Function: Piercing metal sheet.

ARCHITECTURAL FEATURES

MACHINES & MATERIALS

4 - PRESS 4 - PRESS | “PRENSA” | “PRENSA” 2 - NAIL MACHINE | “PREGARIA” 1- POLISHER 1- POLISHER 3 - |PIERCE “PULIDORA” | MACHINE “PULIDORA” |MAQUINA 2 - NAIL DE2FURAR MACHINE - NAIL MACHINE 4-| PRESS “PREGARIA” | “PREGARIA” “PRENSA”3 - PIERCE 3 - PIERCE MACHINE MACHINE |MAQUINA |MAQUINA DE FURARDE FURAR Dimension: 130x65x90 Dimension: cm 130x65x90 Dimension:cm 60x70x160 cm Dimension: 70x90x150 Dimension: 60x70x160 Dimension:cm 60x70x160 cm Dimension: 70x90x150 Dimension:cm 70x90x150 cm Dimension: 130x140x110 cm Dimension: 130x140x110 Dimension: cm 130x140x110 cm cm 1POLISHER |products “PULIDORA” 2 - NAIL MACHINE |nails. “PREGARIA” 3 - PIERCE MACHINE |MAQUINA DE FURAR 4Piercing -sheet. PRESS | “PRENSA” Function: the ﬁnal Clean products the ﬁnal with Function: chips. Piercing with chips. metal. Function: metal sheet. Function: Piercing Function: metal. Piercing metal. Function: Piercing Function: metal metal sheet. Function: Production of small nails. Function: Clean Function: Production Function: ofProduction small Piercing nails. of small

PULIDORA”

x90 cm ducts with chips.

Dimension: 130x65x90 cm Function: Clean the ﬁnal products with chips.

1- POLISHER | “PULIDORA” 1 | Polisher

2 - NAIL MACHINE |

2 | Nail Machine

1- POLISHER | “PULIDORA”

Dimension: 130x65x90 cm Function: Clean the ﬁnal products with chips.

11 | Pierce Machine 19 | Little furnace

Dimension: 140x240x140 cm Function: Cut the metal in small sheets.

ent size.

RENSA”

6 - PIERCE MACHINE | MAQUINA DE FURAR

240 cm o shape it

| “PREGARIA”

75 -- CUTTER CORTADEIRA 5 - PRESS PRESS | “PRENSA” ||“PRENSA”

Dimension: 260x180x240 Dimension: Dimension:260x180x240 cm 80x120x120 cm cm Function: Press Function: metal to Press shape it toofshape it size. Function: Cut metal inmetal pieces different

76 - PIERCE 6 - PIERCE MACHINE 8 - SCISSORS MACHINE | |TESOURA |

Dimension: 80x60x200 cm Function: Piercing metal sheet.

6 - PIERCE MACHINE |

5 - PRESS | “PRENSA”

Function: Piercing metal sheet. 6 - PIERCE MACHINE |

MAQUINA DE FURAR

10 - LATHE | “TORNIO”

11 - PIERCE MACHINE| “MAQUINA DE FURAR” Dimension: 110x100x130 cm 1 | Polisher Function: Piercing metal.

candle holder, and lamp.60x70x160 cm Dimension:

8 - SCISSORS |

Dimension: 140x240x140 cm Function: Cut the metal in small sheets.

8 - SCISSORS |TESOURA Dimension: 140x240x140 cm Function: Cut the metal in small sheets.

candle holder, candle and lamp. holder, and lamp.

Dimension: 70x90x150 cm

13 | Barbed wire machine

6 | Pierce Machine

2 | Nail Machine

MACHINES & MATERIALS 18 | Furnaces

12 | Grinder 11 | Pierce Machine

9 - OLD LATHE | “TORNIO”

Dimension: 110x100x130 cm Function: Piercing metal.

17 | Boiler

Dimension: 845x140x200 cm Function: Give the shape to the metal to compone tea 19 set,| Little furnace candle holder, and lamp.

Dimension: 140x240x140 cm Function: Cut the metal in small sheets.

9 - OLD LATHE | “TORNIO”

9 - OLD LATHE | “TORNIO”

Dimension: 845x140x200 cm Function: Give the shape to the metal to compone tea set, candle holder, and lamp.

10 - LATHE | “TORNIO”

Dimension: 845x140x200 cm Function: Turn metal in different proﬁles.

20 | Lead Machine

Dimension: 845x140x200 cm Function: Give the shape to the metal to compone tea set, candle holder, and lamp.

10 - LATHE | “TORNIO”

Dimension: 845x140x200 cm Function: Turn metal in different proﬁles.

10 - LATHE | “TORNIO”

Dimension: 845x140x200 cm Function: Turn metal in different proﬁles.

3 | Pierce Machine 5 | Press 6 | Pierce Machine 7 | Cutter Dimension: composed of 24 machines each one 15 | Parabola 8 | Scissors measuring 90x100x150 cm total lenght: 2400 cm 16 | Press 9 | Old lathe Function: Screw production. “AFIADORA” “AFIADORA” “AFIADORA” “PRENSA” 18 | Furnaces“PARABOLA” 12 | Grinder CORTADEIRA TESOURA “PRENSA”“MAQUINA “MAQUINA DO PARAFUSO“ “MAQUINA “MAQUINA DO PARAFUSO“ DODimension: PARAFUSO“ on: 210x100x120 Dimension: Dimension: Dimension: 90x90x120 cm 300x250x150 cm “PREGARIA” MAQUINA DE210x100x120 FURAR 210x100x120 11 | Pierce FARPADO” Machine “MAQUINA DOFunction: ARAME FARPADO” “MAQUINA DO ARAME DO ARAME FARPADO” 17 | Boiler the metal in different Grind the Dimension: metal Function: Grind inthedifferent metal in different Function: Unroll the wire fence. Function: Cut the rivets and make their head Dimension: 80x120x120 cm 140x240x140 cm EandFURAR Dimension: 60x70x160 cm Dimension: 70x90x150 cm Dimension: 130x140x110 cm 19 | Little furnace Dimension: 190x100x130 Dimension: 190x100x130 Dimension: 190x100x130 Dimension: composed of 24 machines each one Dimension: Dimension: composed ofcomposed 24 machines of 24each machines one each one brushing. proﬁles and brushing. proﬁles andmetal brushing. Function: Cut metal in pieces of different size. Function: Cut the in small sheets. Function: Piercing metal. Function: Piercing metal sheet. Function: Production of small nails. Function: barbed wire production. Function: barbed Function: wire production. barbed wire production. measuring 90x100x150 cm measuring 90x100x150 measuringcm 90x100x150 cm 0x200 cm 20 | Lead Machine IO” “TORNIO”

14 - SCREW MACHINE |

ER | ACHINE | AIL MACHINE |

1 | Polisher 16 - PRESS | “PRENSA”

15 - PARABOLA | “PARABOLA”

“MAQUINA DO PARAFUSO“

Dimension: 90x90x120 cm Function: Unroll the wire fence.

13 - BARBED12 WIRE || - GRINDER 12MACHINE - GRINDER | 7 - CUTTER3|- PIERCE MACHINE | 8 - SCISSORS4|- PRESS |

Dimension: cm 2 | 300x250x150 Nail Machine Function: Cut the rivets and make their head

MACHINES & MATERIALS

10 - LATHE | Dimension: 845x140x200 cm 12 - GRINDER | “AFIADORA” Function: Turn metal in different proﬁles.

metal sheet. pone tea set,

11 - PIERCE MACHINE| 13 - BARBED“MAQUINA WIRE MACHINE DE FURAR” |

total lenght: 2400 cm Function: Screw production.

Dimension: 210x100x120 Function: Grind the metal in different “AFIADORA” proﬁles and brushing. Dimension: 210x100x120 Function: Grind the metal in different proﬁles and brushing.

Dimension: 190x100x130

7 - CUTTER |CORTADEIRA

8 - 10 SCISSORS - LATHE||TESOURA “TORNIO”

- BARBED WIRE MACHINE | S” ction: Piercing metal sheet. 19 - LITTLE FURNACE | “FORNO”

“MAQUINA DO ARAME FARPADO” Dimension: 100x80x160

Function: Heat and soften iron bars. Dimension: 190x100x130 Function: barbed wire production.

14 - SCREW20 MACHINE | 15 - PARABOLA | “PARABOLA” - LEAD MACHINE | “MAQUINA DO CHUMBO” “MAQUINA DO PARAFUSO“

Dimension: 90x90x120 cm Dimension: 700x3300x300 cm Function: Unroll the wire fence. Function: production of lead sheet Dimension: composed of 24 machines each one Made in “London Brothers Johnstone”, Glasgow. measuring 90x100x150 cm total lenght: 2400 cm Function: Screw production.

Dimension: 110x100x130 cm 16 - PRESS | “PRENSA”20 | Lead Machine Function: Piercing metal.

Dimension: 300x250x150 cm Function: Cut the rivets and make their head

Dimension: 100x80x160 Function: Function: Melt gold Responsable Function: silver andResponsable for other themetals. start up forand the start the functioning up and the of functioning of Function: Melt Function: gold silver Melt and gold other silver metals. and other metals. Function: Heat and soften iron bars. the Lead Machine. the Lead Machine. Made in “Fundição Made in de“Fundição Massarelos”; de Massarelos”; still working.still working.

ILES

WOOD

PLASTERAZULEJOS AZULEJOS

ERIOR -

ER | “CALDEIRA A VAPOR”

nsable for the start up and the functioning of the Lead Machine. undição de Massarelos”; still working.

Dimension:Dimension: 700x3300x300 100x80x160 Dimension: cm 100x80x160 iCad International Function: Function: production Heat Function: of and lead soften sheet Heatiron andbars. soften iron bars. Architectural Design Made in “London Brothers Johnstone”, Glasgow.

CAST IRON

17 - BOILER | “CALDEIRA A VAPOR” Function: Responsable| for“CALDEIRA the start up and the functioning of 17 - BOILER A VAPOR” Machine. Function: Responsablethe forLead the start up and the functioning of TILES Made in “Fundição de Massarelos”; the Lead Machine. still working.

PLASTER PLASTER

18 - FURNACE | “FORNOS” Melt gold silver and other metals. 18 -Function: FURNACE | “FORNOS” Function: Melt gold silver and other metals. WOOD TILES TILES

- EXTERIOR - EXTERIOR - - INTERIOR - INTERIOR - in “Fundição- de Massarelos”; still working. Made

-|BARBED LATHE “TORNIO”WIRE HER |13“PULIDORA” mension: 845x140x200 cm

Dimension: composed of 24 machines each one measuring 90x100x150 cm total lenght: 2400 cm Function: Screw production.

11 - PIERCE MACHINE|

Dimension: 845x140x200 Dimension: 140x240x140 cm cm Function: Turn metal different proﬁles. Function: Cut the metal ininsmall sheets.

Dimension: 80x120x120 cm Function: Cut metal in pieces of different size.

14 - SCREW MACHINE |

Dimension: 190x100x130 Function: barbed wire production. 3 | Pierce Machine

2 | Nail Machine

AQUINA DE FURAR

total lenght: 2400 cm Dimension: composed of 24 machines each one Function: Screw production. measuring 90x100x150 cm total lenght: 2400 cm “MAQUINA DO PARAFUSO“ Function: Screw production.

“MAQUINA DO ARAME FARPADO” 1 | Polisher

| “TORNIO” ERCE MACHINE |

“MAQUINA DO PARAFUSO“

90x100x150 cm “MAQUINAmeasuring DO PARAFUSO“

Function:WIRE barbed wire production. 13 - BARBED MACHINE |

Dimension: 210x100x120 Function: Grind the metal in different proﬁles and brushing.

Dimen Function

14 - SCREW MACHINE |

14 Dimension: - SCREW MACHINE | composed of 24 machines each one

Function: barbed wire production. “MAQUINA DO ARAME FARPADO”

12 - GRINDER | “AFIADORA”

15 - PARAB 15 -

total lenght: 2400 total lenght: cm 2400 cm Function: Screw Function: production. Screw production.

Dimension: 110x100x130 cm “MAQUINA DO ARAME metal. Function: PiercingFARPADO”

13 - BARBED WIRE MACHINE | Dimension: 190x100x130

12 - GRINDER |

0x200 cm metal to compone tea set, d lamp. 80x60x200 cm imension:

ARCHITECTURAL FEATURES 14 | Screw Machine 9 - OLD9 LATHE - OLD LATHE | “TORNIO” | “TORNIO” 10 - MACHINE| LATHE | “TORNIO” 10 - LATHE |7 | Cutter “TORNIO” 11 - PIERCE 10 - LATHE | “TORNIO” Dimension: 845x140x200 Dimension: 845x140x200 cm cm Dimension: 845x140x200 cm Dimension: 845x140x200 Dimension: 845x140x200 cm cm 15 | Parabola 8 | Scissors 4 - PRESS | “PRENSA” “MAQUINA FURAR” Function: Give Function: the shape Givetothe theshape metaltotothe compone metal Function: to teacompone set, Turn tea metal set, in different profiles. Function:DE Turn Function: metal in Turn different metalprofiles. in different profiles. 16 | Press 9 | Old lathe

Piercing metal sheet. 8 - SCISSORSFunction: |TESOURA

Dimension: 80x120x120 cm Function: Cut metal in pieces of different size.

8 - SCISSORS 8 - SCISSORS | |

Dimension: 80x60x200 cm Function: Piercing metal sheet.

Dimension: 845x140x200 cm Function: Turn metal in different proﬁles.

on: 130x140x110 cm

Dimension: 70x90x150 cm Function: Piercing metal sheet.

Dimension: 80x120x120 cm Università degli Function: Cut metal in pieces of different size.

Dimension: 80x60x200 cm

4 - PRESS | “PRENSA”

7 - CUTTER |CORTADEIRA

MAQUINA DE FURAR

Dimension: 260x180x240 cm Function: Press metal to shape it

Function: Piercing metal. Eoduction | of small nails. 7 - CUTTER |CORTADEIRA

Scuola di Architettura Dimension: 60x70x160 cm Piercing metal. iCad Function: International Course on 1 | Polisher Architectural Design Companhia Auriﬁcia: o tesouro 2 | Nail Machine escondido Professor Maurizio De Vita | Teresa Faria Cunha Ferreira | Teresa Manuel Almeida Calix Students Anna Salvatori | Maria CUTTER 7 - CUTTER |CORTADEIRA |CORTADEIRA Di Noia

MACHINES & MATERIALS

Dimension: 260x180x240 cm Function: Press metal to shape it

9 - OLD LATHE | “TORNIO” Dimension: 845x140x200 cm CHINE | “PREGARIA” 3the - PIERCE MACHINE |set, MAQUINA DE FURAR Function: Give shape to the metal to compone tea

Dimension: 70x90x150 cm Function: Piercing metal sheet.

3 - PIERCE MACHINE MAQUINA DE FURAR Università degli Studi di|Firenze |

ARCHITECTURAL FEATURES

5 - PRESS | “PRENSA”

4 - PRESS | “PRENSA”

Dimension: 60x70x160 cm Function: Piercing metal.

Dimension: 140x240x140 cm Dimension: 80x120x120 Dimension:cm 80x120x120 cm MAQUINA MAQUINA DE FURAR DE FURAR Function: Cut the metal in small sheets. Function: CutFunction: metal in Cut pieces metal of different in piecessize. of different size. Dimension: 80x60x200 cm 80x60x200 cm 7 - CUTTER |CORTADEIRA 6Function: -Dimension: PIERCE MACHINE | Function: Piercing metal Piercing sheet. metal sheet. Dimension: 80x120x120 cm MAQUINA DE FURAR Function: Cut metal in pieces of different size.

Function: Press metal to shape it Dimension: 70x90x150 cm Function: Piercing metal sheet.

Dimension: 60x70x160 cm Function: Piercing metal.

110 cm mall nails.

17 | Boiler

20 | Lead Machine

5 - PRESS | “PRENSA” 260x180x240 cm 3 - PIERCE MACHINE |MAQUINA DE FURAR Dimension: 4 - PRESS | “PRENSA” Dimension: 80x60x200 cm Function: Piercing metal sheet.

14 14 14

2 - NAIL MACHINE |

8 - SCISSORS |TESOURA

Dimension: 70x90x150 cm Function: Piercing metal sheet.

3 - PIERCE MACHINE |MAQUINA DE FURAR

Dimension: 130x65x90 cm Function: Clean the ﬁnal products with chips.

EIRA

Dimension: 60x70x160 cm Function: Piercing metal.

Dimension: 130x140x110 cm Function: Production of small nails.

19 -

Course on

Companhia Auriﬁcia: o tesouro escondido Professor Maurizio De Vita | 19 - LITTLE FURNACE | “FORNO” Teresa Faria Cunha Ferreira | Teresa Manuel Almeida Calix Dimension: 100x80x160 LITTLE FURNACE | “FORNO” Function:100x80x160 Heat and soften iron bars. Students Anna Salvatori | Maria Dimension: CAST IRON WOOD WOOD Noia Function: Heat and soften ironDi bars.

19 -ARCHITECTURAL LITTLE FURNACE | “FORNO” 17 - BOILER | “CALDEIRA A VAPOR” 18 - FURNACE | “FORNOS” FEATURES Dimension: 100x80x160 Function: Responsable for the start up and the functioning of Function: Melt gold silver and other metals. MACHINE MACHINE - PRESS | “PRENSA” 10|- LATHE | “TORNIO” 11 -16 PIERCE MACHINE| 15 - PARABOLA Function: Heat and soften iron bars. the Lead Machine. 2 - NAIL | MACHINE | “PREGARIA”14 - SCREW 3 - PIERCE MACHINE |MAQUINA DE FURAR 4 - PRESS||“PARABOLA” “PRENSA” Dimension: 845x140x200 cm

“MAQUINA DO ARAME FARPADO” Dimension: 130x140x110 cm

nsion: cm to compone tea set, shape130x65x90 to the metal nandle the ﬁnal products with chips. holder, and lamp. Dimension: 190x100x130 Function: barbed wire production.

Made in “Fundição de Massarelos”; still working. “MAQUINA DODimension: PARAFUSO“ 60x70x160 Function:cm Turn metal in different proﬁles.

Function: Piercing metal. AZULEJOS Dimension: composed of 24 machines each one AZULEJOS measuring 90x100x150 cm - EXTERIOR - INTERIOR -

Function: Production of small nails.

- EXTERIOR -

total lenght: 2400 cm - INTERIOR Function: Screw production.

AZULEJOS

Dimension: 90x90x120 cm cm Dimension: 70x90x150 4 Function: Unroll Piercing the wire metal fence.sheet. Function: PLASTER

PLASTER

MACHINES & MATERIALS

“MAQUINA DE FURAR”

Dimension: 300x250x150 cm Function: Cut the110x100x130 rivets and make Dimension: cm their head Function: Piercing metal.

PLASTER

TILES TILES

W WOOD

TILES

WOOD

The pillars of the Companhia Aurificia are made of cast he clay Marsilian tiles are used in Portugal starting from the XIX century. The plane The wood is a material very used in the whole complex, not iron, a very diffused material in the XIX century hape and the possibility to joint them allow the construction of roofs without mortar, and just for the trusses but it is also employed in the floor constructions. e possibility to tilt more the roofs. structure -and to make- stairs and finitures. Chestnut and - EXTERIOR INTERIOR After a direct inspection we came to the conclusion that he dimensions usually are 25x45, and they were produced in differents north portuguese oak beams are the principal kind of wood in the floor the pillars inside are not empty, but completely filled in cast dustries (Antonio Almeida Da Costa, Douro Teixeira and Co... ) structure, thus follow the typicall way to buid in the XIX iron. here are also some special pieces such as the ones that allows ventilation with their century in Portugal. mic usually withtopper. a modest thickness, The exterior side The of the terms Companhia “Azulejo” The terms Aurificia’s refers “Azulejo” to awalls ceramic refers (made totile, a ceramic usually tile, squared, usually with squared, a modest with thickness, aare modest thickness, exterior The side exterior of XIX the Companhia side of the Companhia Aurificia’s (made walls (made Thestarting pillars ofcentury. thethe Companhia are made of cast The clay Marsilian tiles used in PortugalThe starting from the century. TheAurificia’s plane walls The wood is a material The clay very Marsilian used The clay in tiles the Marsilian whole are used complex, tiles in Portugal arenot used starting in Portugal from the XIXfrom XIX Thecentury. planeAurificia The plane The wood is aThe material wood is very a ma us owertile, shape holessquared, and the roof s in which the coating part, called enamel, becames with boulder granite wherestone one side and where is mortar|cement), glazed one side by aisprocess glazed is treated by in awhich process thein coating which part, theand coating called enamel, part, called becames enamel, becames with boulderwith granite stone granite and mortar, mortar|cement), stoneand and mortar|cement), is treated is treated very diffused material in the century shape the possibility to joint them allow the construction of boulder roofs without just for the trusses shapebut anditthe is shape possibility alsoand employed the topossibility jointinthem the to allow floor jointthe them construction allow iron, the construction ofaroofs without of roofs mortar, without and mortar, and XIX just for the just trusses for the but it truss is ld be monochrome or polychrome, smooth or in relif. with a yellow plaster brilliant and waterploof. brilliant and This waterploof. side could This beside monochrome could be monochrome or or to polychrome, smooth or in smooth relif. plaster a yellow protected plaster protected protected under the restriction laws under the restriction under thelaws restriction constructions. thepolychrome, possibility tilt more the roofs. or in relif. with a yellowwith structure laws and to the make possibility stairs the to and possibility tiltfinitures. more the to Chestnut tilt roofs. more the androofs. structure and structure to makeand stairs to Dimension: 100x80x160 Dimension: 700x3300x300 cm Function: Melt gold silver and other metals. its features begun a starting points for the national The Azulejo The spread Azulejo in Portugal, spread and in Portugal, its features and begun its features aThe starting begun points a starting for the points national for the national of the Porto’s Municipality. of the Porto’sof Municipality. the Porto’s Municipality. they were produced in differents north portuguese they were produced they were After in differents produced a direct inspection in north differents portuguese wenorth came portuguese to the conclusion thatare dimensions usually are 25x45, and oak beams areThe thedimensions principal Thekind usually dimensions of are wood 25x45, usually in the and are floor 25x45, and oak beams oak the beams principal are t 3 | Pierce Machine 4 | Press Function: Heat and soften iron bars. Function: production of lead sheet ry. The tile is considered today as one of the most expression artistic expression five century. during five Thecentury. tile is considered Theindustries tile is today considered as onetoday of theasmost one of theDouro mostTeixeira This restriction artistic clearly said that theduring whole industry cannot This restriction This clearly said that clearly the said whole that industry the whole cannot industry cannot (Antonio Almeida Da Costa, and Co... )restriction industries Almeida (Antonio Da Costa, Almeida Da Costa, Teixeira Douro and the Teixeira Co... pillars ) and inside Co... are ) not empty, but completelystructure, filled in cast structure, thus industries follow the (Antonio typicall way to1 buid in theDouro XIX thus structure, follow the thustyp fo | Polisher Made in “London Brothers Johnstone”, Glasgow. 10 | their Lathecentury in Portugal. 5the | Press lture, which show as an extensive illustrated book of original of productions Portuguese ofculture, Portuguese culture, show as which an extensive show as an illustrated extensive book illustrated of bookas of the be modify in hisoriginal exteriorproductions aspects, included also the plasterwhich be modify inbe his modify exterior in aspects, his exterior included aspects, the plaster also the plaster There are also some special pieces such ones that allows ventilation with theiralsoincluded There are also There some arespecial also some pieces special such pieces as the such ones as that iron. allows ones ventilation that allowswith ventilation their with century in Portugal. century in Portug

18 - FURNACE | “FORNOS”

19 - LITTLE FURNACE | “FORNO”

20 - LEAD MACHINE | “MAQUINA DO CHUMBO”

14 4 14 14 14

UniversitàUniversità degli Studi degli di Firenze Studi di| Firenze | Scuola di Scuola Architettura di Architettura Università degli Studi di Firenze | iCad International iCad International Course on Course on Scuola di Architettura Architectural Architectural Design iCad DesignInternational Course on Companhia Companhia Aurificia: Aurificia: o tesouroo tesouro Architectural Design escondidoescondido Companhia Aurificia: o tesouro ProfessorProfessor Maurizio Maurizio De Vita De escondido| Vita | Teresa Faria TeresaCunha Faria Ferreira Cunha Ferreira | | Professor Maurizio Università degli Studi di Firenze | De Vita | Teresa Manuel Teresa Almeida Manuel Calix Almeida Calix Teresa Faria Cunha Ferreira | Scuola di Architettura Students Students Anna Salvatori Anna Salvatori | Maria | Maria Teresa Manuel Calix CourseAlmeida on Di Noia DiiCad Noia International Architectural Design Anna Salvatori | Maria Students Università Studi dio Firenze Companhiadegli tesouro| DiAurificia: Noia Scuola di Architettura escondido iCad International Professor Maurizio Course De Vitaon| Architectural Teresa Faria Design Cunha Ferreira | Companhia Aurificia: tesouro Teresa Manuel AlmeidaoCalix escondidoAnna Salvatori | Maria Students Professor Maurizio De Vita | Di Noia Teresa Faria Cunha Ferreira | Teresa Manuel Almeida Calix Students Anna Salvatori | Maria Di Noia

CHITECTURAL ARCHITECTURAL FEATURES FEATURES FEATURES HINES ES &ARCHITECTURAL MATERIALS & MATERIALS

ACHINES & MATERIALS C O M P A N H I A

O TESOURO ESCONDIDO

ARCHITECTURAL FEATURES

HINES & MATERIALS ARCHITECTURAL FEATURES HINES & MATERIALS

erce Machine 3 | Pierce Machine 4 | Press 4 | Press 10 | Lathe 10 | Lathe ess 5 | Press wire | Barbed machine wire machine erce Machine 6 | Pierce Machine 13 | Barbed 13 3 | Pierce Machine 4 | Press her 7 | Cutter utter 14 | Screw Machine 14 | Screw Machine 10 | Lathe 5 | Press 15 | Parabola 15 | Parabola cissors8 | Scissors 13 | Barbed wire machine 6 | Pierce Machine Machine 16 | Press 16 | Press d lathe9 | Old lathe 7 | Cutter 18 | Furnaces 18 | Furnaces 14 | Screw Machine Grinder12 | Grinder 15 | Parabola 8 | Scissors ierce Machine 113| |Pierce PierceMachine Machine 17 | Boiler 174| |Boiler Press 16 | Press 9 | Old lathe 10 | Lathe Pressfurnace ittle furnace 195| |Little 18 | Furnaces 12 | Grinder | Barbed wire machine 6 | Pierce Machine 20 | Lead Machine 2013| Lead Machine 11 | Pierce Machine 7 | Cutter 17 | Boiler 14 | Screw Machine 3 | Pierce Machine 4 | Press 19 | Little furnace 15 | Parabola 8 | Scissors 10 | Lathe 5 | Press 20 | Lead Machine 16 | Press 9 | Old lathe 13 | Barbed wire machine 6 | Pierce Machine 18 | Furnaces 12 | Grinder 7 | Cutter 14 | Screw Machine 11 | Pierce Machine 17 Boiler 15 | Parabola 8 | Scissors 19 Little furnace 16 | Press 9 | |Old lathe 20 Lead Machine 18 || Furnaces 12 | Grinder 11 | Pierce Machine 19 | Little furnace

|TESI MAGISTRALE| ICad International course of Architectural Design - 2015 -

tesi

come

oggetto

studio

11 - PIERCE 11 - PIERCE MACHINE| MACHINE| “MAQUINA “MAQUINA DE FURAR” DE FURAR” Dimension: 110x100x130 Dimension: cm 110x100x130 cm Function: Piercing metal. Function: Piercing metal.

11 - PIERCE MACHINE|

complesso

industriale

del

“MAQUINA DE FURAR”

In seguito all’Erasmus svolto presso la Faculdade de Arquitectura Universidade do Porto è stato possibile trovare il tema di tesi in questa città, grazie al supporto del relatore, Prof. Maurizio De Vita. La Companhia è composta da 12 corpi fabbrica, caratterizzati da una grande varietà di sistemi costruttivi e materiali. Il complesso ha una lunghezza totale di 240m, per una larghezza massima di 70m, ed un’area totale di 9.300mq: sono presenti 10 diversi tipi di capriate che

Dimension: 110x100x130 cm

Function: Piercing metal. 11 - PIERCE MACHINE|

“MAQUINA DE FURAR” Dimension: 110x100x130 cm Function: Piercing metal.

11 - PIERCE MACHINE| “MAQUINA DE FURAR”

e dell’isolato; successivamente, tramite accurate ricerche di documenti storici in archivi pubblici e privati, abbiamo ricostruito la storia della Companhia, descritte le produzioni, il funzionamento, i macchinari ed i materiali. Abbiamo

Dimension: 110x100x130 cm Function: Piercing metal.

ABOLA”

16 - PRESS 16 - PRESS | “PRENSA” | “PRENSA” Dimension: 300x250x150 cm Dimension: 300x250x150 cm Function: CutFunction: the rivetsCut and make their the rivets andhead make their head

16 - PRESS | “PRENSA”

A | “PARABOLA”

0x90x120 cm the wire fence.

RABOLA”

Dimension: 300x250x150 cm

oltre ad un’analisi del degrado materico di interni esterni e coperture, studiato le tipologie di capriate e la loro relazione con gli spazi sottostanti. Questo lavoro è stato la base per lo sviluppo del progetto, che si articola su più livelli: urbanistico, architettonico e di dettaglio. L’ elaborazione della proposta urbanistica è stata fatta in accordo con il PDM (piano regolatore del Comune di Porto) per arrivare alla proposta di nuove funzioni, blocchi gestionali ed al recupero architettonico dell’intero complesso.

Function: Cut the rivets and make their head 16 - PRESS | “PRENSA” Dimension: 300x250x150 cm Function: Cut the rivets and make their head

RABOLA”

16 - PRESS | “PRENSA” Dimension: 300x250x150 cm Function: Cut the rivets and make their head

MAQUINA NE | “MAQUINA DO CHUMBO” DO CHUMBO”

0x3300x300 mension: 700x3300x300 cm cm ction ction:ofproduction lead sheetof lead sheet ers ondon Johnstone”, Brothers Glasgow. Johnstone”, Glasgow.

MACHINE | “MAQUINA DO CHUMBO” Dimension: 700x3300x300 cm INE | “MAQUINA DO CHUMBO” CAST IRON CAST IRON

Function: production of lead sheet Dimension: 700x3300x300 cm Made in “London Brothers nction: production of lead sheet Johnstone”, Glasgow. London Brothers Johnstone”, Glasgow.

INE | “MAQUINA DO CHUMBO”

Dimension: 700x3300x300 cm nction: production of lead sheet London Brothers Johnstone”, Glasgow.

ex, not e ﬂoor ut and e ﬂoor he XIX

17 | Boiler 20 | Lead Machine

A U R I F I C I A

CAST IRON CAST IRON CAST IRON The pillars of The thepillars Companhia of the Companhia Aurificia areAurificia made ofare cast made of cast iron, a very iron, diffused a verymaterial diffusedin material the XIXincentury the XIX century constructions. constructions. After a direct After inspection a directwe inspection came to we the came conclusion to the that conclusion that the pillars inside the pillars are notinside empty, are but not completely empty, butfilled completely in cast filled in cast iron. iron.

WALLS 19 - LITTLE FURNACE | “FORNO” WALLS

18 - FURNACE | “FORNOS”

FLOOR 20 - LEAD MACHINE | “MAQUINA DO CHUMBO” FLOOR Dimension: 700x3300x300 cm - EXTERIOR Function: production of lead sheet - EXTERIOR Made in “London Brothers Johnstone”, Glasgow.

Dimension: 100x80x160 - EXTERIOR - EXTERIOR - Function: Heat and soften iron bars.

Function: Melt gold silver and other metals.

WALLS

r side of the Companhia Auriﬁcia’s walls (made r granite stone and mortar|cement), is treated w plaster protected under the restriction laws s Municipality. ion clearly said that the whole industry cannot nnehis exterior aspects,Unregoular included also the plaster pattern pattern can’t be| 25x10 modiﬁed. 15x8cm cm dimension: 12x6 | cm

- EXTERIOR -

The clay Marsilian tiles are used in Portugal starting from the XIX century. The plane The wood is a material very used in the whole complex, not shape and the possibility to joint them allow the construction of roofs without mortar, and just for the trusses but it is also employed in the floor the possibility to tilt more the roofs. structure and to make stairs and finitures. Chestnut and The dimensions usually are 25x45, and they were produced in differents north portuguese oak beams are the principal kind of wood in the floor industries (Antonio Almeida Da Costa, Douro Teixeira and Co... ) structure, thus follow the typicall way to buid in the XIX There are also some special piecespattern such as the ones thatUnregular allows ventilation century in Portugal. Unregoular pattern Unregoular pattern with theirUnregoular pattern Railway on concrete floor Parquet flower shape andstone the roof topper. side stone dimension: 20x10holesside dimension: 20x7 | 22x10 dimension: 130x85 | 230x75 | 45x50 dimension: 50x70 | 200x90 cm distance between the railway dimension: 20x100 cm

PLASTER

Granite

TILES

WOOD

9 - OLD LATHE | “TORNIO”

central stone dimension: 30x90cm central stone dimension: 30x85 cm Material: Granite Material: Granite

Material: Granite

- IN

FLOOR

Material: Granite

- EXTERIOR -

- IN

The pillars of the Companhia Auriﬁcia are made of cast iron, a very diffused material in the XIX century constructions. After a direct inspection we came to the conclusion that the pillars inside are not empty, but completely ﬁlled in cast iron.

CAST IRON

10 - LATHE | “TORNIO”

| 80 cm | Material: Polished concrete

11 - PIERCE MACHINE|

Material: Wood

Dimension: 845x140x200 cm Dimension: 845x140x200 cm Function: Give the shape to the metal to compone tea set, Function: Turn metal in different proﬁles. Unregoular patternComposed wall Unregoular pattern Unregular Unregoular pattern Unregoular pattern Unregoular pattern Unregular pat U Unregular pattern Unregular pattern Regular Composed pattern Regular wall pattern Unregular pattern Harringbone Unregular pattern pattern Unregular pattern Unregular Unregoular pattern pattern Unregular pattern Unregular pattern Composed wall Harringbone Harringbone patternpattern pattern Unregoular Unregoular pattern Unregoular pattern patternUnregoular Railwaypattern on concrete ﬂoor Parquet Dimension: 110x100x130 cm candle holder, and lamp. side stone 20x10 side stone dimension: 20x7 | 22x10 dimension: 130x85 | 230x75 side stone dimension: side stone 20x10 dimension: side20x10 stone dimension: side stone 20x7 dimension: | 22x10cm 20x7 dimension: | 22x10 130x85 dimensi | 230 Material: Granite stones of Material: Material: Granite Granite Material: stones stones, Granite andbricks, stones Material: and Stones stone Material: ofdimension: different Stones15x8cm of different Material: | 25x10 cm StonesMaterial: of different dimension: Stones of 12x6 different |Material: cm Granite Material: stones Granite of dimension: stones Material: of Granite Material: stones, Granite bricks, stones, bricks, stone dimension: stone 15x8cm dimension: | 25x10 15x8cm cm | 45x50 | 25x10 dimension: cm dimension: 12x6 dimension: 50x70 | cm | 200x90 12x6 cm | cm distance between the railway dimension: 20x100 Function: Piercing metal.

nregular pattern

rial: Stones of different mensions and mortar

Material: Stones of different dimensions and mortar

NG -

central stone dimension: 30x90cm central stoneand dimension: different dimensions and mortar mortar covered mortarmortar and withbitumen white covered with white dimensions and dimensions mortar Material: and Granite mortar dimensions and dimensions mortar Material: and Granite mortar different dimensions different and dimensions mortar and mortar mortar and bitumen mortar bitumen30x85 cm Material: Granite Material: Granite plaster plaster

FLOOR

- EXTERIOR -

“MAQUINA DE FURAR”

Material: Granite Material: Granite Material: Granite

central stone dimension: central| stone central 30x90cm stone dimension: central stone 30x85 dimension: cm 30x85 cmMaterial: Gran Material: Material: Granite Material: Granite Granite 80 30x90cm cmdimension: | Material: Wood Material: Granite Material: Granite Material: Granite Material: Granite Material: Polished concrete

- INTERIOR -

- COVERING - COVERING - depending on - the space-function. COVERING - COVERING - COVERING In the Companhia Aurifica there is a huge variety of pavement composition, In the exterior we found granite stones pavement in different patterns. The bigger stone block are The walls ofonly the Companhia Aurificia are generally made with granite stones of 50 cm thickness, put The walls of The the Companhia walls of the Aurificia Companhia are Aurificia generallyare made generally with granite made with stones granite of 50 stones cm thickness, of 50 cm put thickness, put used to trace the tracks. together with Theythere haveis differet patterns depending spaces, on the construction period,coninciding and the most together withtogether mortar. They mortar. have differet They have patterns differet depending patternson depending the construction on the construction period, and the period, mostand the most Inmortar. the interior granite in the production polished concrete with the steel tracks, and parquet in thewith representative space. Unregoular pattern Unregoular pattern Regular pattern Unregular pattern Unregular pattern Unregular Composed wall Harringbone pattern Unregoular pattern regular can be on thehouse exterior wall while on is thecarpet. interior the texture is more unregular. regular can be regular foundcan on the be found exterior on wall the exterior while onwall the while interior onthe the texture interiorpattern isthe more texture unregular. is more unregular. In found the director and office there dimen side stone dimension: 20x10 side stone dimension: 20x7 | 22x10 Material: Granite stones and Material: Stones of different Material: Stones of different Material: Granite stones of Material: Granite stones, bricks, stone dimension: 15x8cm | 25x10 cm dimension: 12x6 | cm 100x80x160 Dimension: 700x3300x300 cm Function: Melt gold silver andwith other metals. In the serralharia we found a wall with a different composition, bigger stones and thickness and In theDimension: serralharia In the we serralharia found a wall we found with aadifferent wall withcomposition, a different composition, with bigger stones with bigger and thickness stones and and thickness and central stone dimension: 30x90cm central stone dimension: 30x85 cm covered with white dimensions and mortar dimensions andwe mortar different and mortar mortar and first bitumen Material: Granite Granite pattern Unregoular pattern Regular pattern Unregular pattern Unregular pattern Unregular pattern wall Harringbone Unregoular pattern Function: Heat and soften iron after bars. Function: production of lead sheet the first phase mixed materials: after an historical research we found out that this was the limit wall of mortar mixed materials: mixed after materials: an historical an research historical research found outwe that found thisdimensions was that the limit this was wall the ofpavement the limit first wall phase ofComposed the phase Inpattern the Companhia In Material: thegranite Aurifica Companhia there Aurifica is a huge there variety a huge of Unregoular pavement variety of composition, pavement depending on depending the space on functi the In the Companhia Aurifica there isout a huge variety of composition, depending on the space function. In the exterior we found stones pavement inisdifferent patterns. The bigger composition, stone block are Material: Granite Material: Granite plaster side stone dimension: 20x10 side stone dimension: 20x7 | 22x Material: Granite stones and Material: Stonesconstruction. of different Material: Stones of different Material: Granite stones of Material: Granite bricks, Brothers Johnstone”, stone dimension: 15x8cm | 25x10tocm dimension: 12x6tracks. | cm Madestones, in “London Glasgow. construction. only used traceused the tracks. to trace the the tracks. The exterior side of the Companhia Aurificia’s walls (made The wood is a material very used in the whole complex, not The clay Marsilian tiles are used in Portugal starting construction. from the XIX century. The planeonly used to trace The pillars of the Companhia Aurificia are only made of cast stone dimension: 30x90cm central stone 30x85 mortar covered with white andthe mortar dimensions and mortar different dimensions andwith mortar mortar and bitumen Material: Granite Material: Granite space and in space the director’s andpattern in the house director’s inside house the are inside covered are covered wallpaper with and wallpaper and In the representative and in the director’s wallsand arethe covered with wallpaper and Indimensions the of representative representative In in the interior In there the century interior is granite there in the is granite production in thecentral spaces, production polished spaces, concrete polished coninciding concrete coninciding with dimension: the steelwith tracks, thec In the interior there isthe granite inwalls the production polished concrete coninciding with the steelHarringbone tracks, and parquet the representative space. with boulder granite stone andspace mortar|cement), is treatedhouse the inside shape possibility to joint them allow the construction roofsIn without mortar, and just for the trusses but itpattern is walls alsospaces, employed inComposed the floor wall iron, a very diffused material in the XIX Unregoular pattern Unregoular pattern Regular pattern Unregular pattern Unregular Unregular pattern Unregoular pattern Material: Granite Material: Granite plaster wood. wood. wood. In the In house the director and office andisoffice carpet. carpet. In the director house and office there is carpet. with a yellow plaster protected under the restriction laws the possibility to tilt more the roofs. structure and to make stairs andoffinitures. Chestnut and constructions. dimen sidethere stone is dimension: 20x10 side stone dimension: 20x7 | 22x10 Material: Granite stones and Material: Stones of different Material: Stones of different Material: Granite stones Material: Granite stones, bricks, stone dimension: 15x8cm | 25x10 cmdirector dimension: 12x6 |house cm there of the Porto’s Municipality. The dimensions usually are 25x45, andwith they were produced in differents north portuguese oak beamsdifferent are the principaland kind of wood in the and floor After a direct inspection we -came to the conclusion central stone dimension: 30x90cm central stone dimension: 30x85 cm mortar covered dimensions and mortar dimensions and mortar dimensions mortar mortar bitumen Material: Granite Material:that Granite - COVERING - white - COVERING Material: Granite Material: Granite This restriction clearly said that the whole industry cannot industries (Antonio Almeida Da Costa, structure, thus follow thewith typicall waystones to buid in the XIX plasterDouro Teixeira and Co... ) The walls of the Companhia Aurificia are generally made granite of 50 cm thickness, put the pillars inside are not empty, but completely filled in cast be modify in his exterior aspects, included also the plaster There are also some special pieces such as the ones that allows ventilation with mortar. their They have century in Portugal. together with differet patterns depending on the construction period, and the most iron. - COVERING - COVERING colour that can’t be modified. flower shape holes and the roof topper. regular canof bethe found on the exterior wallare while on the interior the texture more unregular. The walls Companhia Aurificia generally made with graniteisstones of 50 cm thickness, put In the serralharia we found a wall with a different composition, with bigger stones and thickness and together with mortar. They have differet patterns depending on the construction period, and the most - COVERING - COVERING mixed materials: after an historical research we found out that this was the limit wall of the first phase In the Companhia Aurifica there is a huge variety of pavement composition, depending on th regular can be found on theAurificia exteriorare wall while onmade the interior the texture The walls of the Companhia generally with granite stonesis ofmore 50 cmunregular. thickness, put construction. only used to trace the tracks. In the serralharia weThey found a wall withpatterns a different composition, with bigger stones and and together with mortar. have depending on the construction andthickness the most In the representative space and indifferet the director’s house the inside walls are coveredperiod, with wallpaper and In the interior there is granite in the production spaces, polished concrete coninciding with th mixed can materials: after research wethe found out that this was limit wall of the first phase regular be found on an thehistorical exterior wall while on interior the texture is the more unregular. In the Companhia Aurifica is a huge variety of pavement composition, depe wood. In the director house and office therethere is carpet. In the serralharia we found a wall with a different composition, with bigger stones and thickness and construction. only used to trace the tracks. Dimension: 210x100x120 Dimension: 90x90x120 Dimension: 300x250x150 mixed after an historical we found outthe thatinside this was theare limit wall ofwith the first phase and In thecm Companhia Aurifica there is a huge variety of pavement composition, depending on th space and inresearch the director’s house walls covered wallpaper In the materials: representative In the interior there is granite in the production spaces, polishedcm concrete coninci tion: Grind the metal in different Function: Unroll the only wire used fence. Function: Cut the rivets and make their head construction. trace the tracks. wood. In to the director house and office there is carpet. Dimension: 190x100x130 Dimension: composed of 24 each one profiles and brushing. In the representative space and in the director’s house the inside walls aremachines covered with wallpaper and In the interior there is granite in the production spaces, polished concrete coninciding with th Function: barbed wire production. measuring 90x100x150 cm wood. In the director house and office there is carpet. - EXTERIOR - INTERIOR total lenght: 2400 cm Function: Screw production. Unregoular pattern Unregoular pattern Unregular pattern Composed wall Harringbone pattern Unregoular pattern Unregoular pattern Railway on concrete floor Parquet

PLASTER

Material: Granite stones, bricks, mortar and bitumen

MACHINE |

stone dimension: 15x8cm | 25x10 cm Material: Granite

15 - PARABOLA | “PARABOLA”

“MAQUINA DO PARAFUSO“

side stone dimension: 20x10 side stone dimension: 20x7 | 22x10 central stone dimension: 30x90cm central stone dimension: 30x85 cm Material: Granite Material: Granite

dimension: 12x6 | cm Material: Granite

CAST IRON

14 - SCREW MACHINE |

“MAQUINA DO ARAME FARPADO”

FLOOR

dimension: 130x85 | 230x75 | 45x50 Material: Granite

dimension: 50x70 | 200x90 cm Material: Granite

distance between the railway | 80 cm | Material: Polished concrete

16 - PRESS | “PRENSA”

dimension: 20x100 cm Material: Wood

- COVERING -

The clay Marsilian tiles are used in Portugal starting from the XIX century. The plane The wood is a material very used in the whole complex, not The pillars of the Companhia Aurificia are made of cast shape and the possibility to joint them allow the construction of roofs without mortar, and just for the trusses but it is also employed in the floor iron, a very diffused material in the XIX century the possibility to tilt more the roofs. structure and to make stairs and finitures. Chestnut and constructions. The dimensions usually are 25x45, and they were produced in differents north portuguese oak beams are the principal kind of wood in the floor After a direct inspection we came to the conclusion that In the Companhia Aurifica there is a huge variety of pavement composition, depending on the space function. In the exterior we found granite stones pavement in different patterns. The bigger stone block are industries (Antonio Almeida Da Costa, Douro Teixeira and Co... ) structure, thus follow the typicall way to buid in the XIX the pillars inside are not empty, but completely filled in cast only used to trace the tracks. There are also some special pieces such as the ones that allows ventilation with their century in Portugal. iron. In the interior there is granite in the production spaces, polished concrete coninciding with the steel tracks, and parquet in the representative space. flower shape holes and the roof topper. In the director house and office there is carpet.

PORTO URBAN AREA

gular pattern

: Granite stones of mensions and mortar

FLOOR

Composed wall

Harringbone pattern

Unregoular pattern

Material: Granite stones, bricks, mortar and bitumen

stone dimension: 15x8cm | 25x10 cm Material: Granite

dimension: 12x6 | cm Material: Granite

made with granite stones of 50 cm thickness, put 7 - BOILER | “CALDEIRA A VAPOR” ending on the construction period, and the most

- EXTERIOR -

- COVERING -

Unregoular pattern

Unregular pattern

side stone dimension: 20x10 side stone dimension: 20x7 | 22x10 central stone dimension: 30x90cm central stone dimension: 30x85 cm Material: Granite Material: Granite

18 - FURNACE | “FORNOS”

dimension: 130x85 | 230x75 | 45x50 Material: Granite

Unregoular pattern

50x70 | 200x90 cm - INTERIOR -dimension: Material: Granite

Railway on concrete ﬂoor

Parquet

distance between the railway | 80 cm | Material: Polished concrete

dimension: 20x100 cm Material: Wood

19 - LITTLE FURNACE | “FORNO”

20 - LEAD MACHINE | “MAQUINA DO CHUMBO”

Dimension: 700x3300x300 cm Function: production of lead sheet Made in “London Brothers Johnstone”, Glasgow. In the Companhia Auriﬁca there is a huge variety of pavement composition, depending on the space function. In the exterior we found granite stones pavement in different patterns. The bigger stone block are only used to trace the tracks. In the interior there is granite in the production spaces, polished concrete coninciding with the steel tracks, and parquet in the representative space. In the director house and ofﬁce there is carpet.

ction: Responsable for the start up and the functioning of interior the texture is more unregular. the Lead Machine. mposition, with bigger stones and thickness and Made in “Fundição de Massarelos”; still working. d out that this was the limit wall of the ﬁrst phase

Function: Melt gold silver and other metals.

e the inside walls are covered with wallpaper and

PLASTER

Dimension: 100x80x160 Function: Heat and soften iron bars.

TILES

WOOD

CAST IRON

- INTERIOR -

Unregular pattern

Composed wall

Harringbone pattern

Unregoular pattern

Material: Granite stones of different dimensions and mortar

Material: Granite stones, bricks, mortar and bitumen

stone dimension: 15x8cm | 25x10 cm Material: Granite

dimension: 12x6 | cm Material: Granite

are generally made with granite stones of 50 cm thickness, put ret patterns depending on the construction period, and the most all while on the interior the texture is more unregular. h a different composition, with bigger stones and thickness and rs to awe ceramic tile,that usually squared, with a modest thickness, search found out this was the limit wall of the first phase d by a process in which the coating part, called enamel, becames This side could monochrome smooth or inand relif. director’s housebe the inside walls or arepolychrome, covered with wallpaper ortugal, and its features begun a starting points for the national ng five century. The tile is considered today as one of the most ortuguese culture, which show as an extensive illustrated book of ss, not only historically but also as the mindset and the syle of e two different kind of azulejo in the C.A: the first ones have a monochrome and in relif; the second ones are squared, polychrome

nd e

WOOD

13 - BARBED WIRE

nite stones of 50 cm thickness, put The exterior side of the Companhia Aurificia’s walls (made ess, e construction period, and the most with boulder granite stone and mortar|cement), is treated mes exture is more unregular. with a yellow plaster protected under the restriction laws elif. th bigger stones and thickness and of the Porto’s Municipality. nal was the limit wall of the first phase ost This restriction clearly said that the whole industry cannot k of be modify in his exterior aspects, included also the plaster alls are covered with wallpaper and e of colour that can’t be modified. ea me

20 - LEAD MACHINE | “MAQUINA DO CHUMBO”

TILES

GRINDER | “AFIADORA”

of mortar

19 - LITTLE FURNACE | “FORNO”

18 - FURNACE | “FORNOS”

Unregoular pattern

side stone dimension: 20x10 side stone dimension: 20x7 | 22x10 central stone dimension: 30x90cm central stone dimension: 30x85 cm Material: Granite Material: Granite

Unregular pattern dimension: 130x85 | 230x75 | 45x50 Material: Granite

Unregoular pattern

Railway on concrete ﬂoor

Parquet

dimension: 50x70 | 200x90 cm Material: Granite

distance between the railway | 80 cm | Material: Polished concrete

dimension: 20x100 cm Material: Wood

- COVERING -

The exterior side of the CompanhiaInAurificia’s walls (made The clay Marsilian tiles are used in Portugal starting from thefunction. XIX century. planewe found granite The stones wood ispavement a materialin very used in the whole complex, not block are the Companhia Aurifica there is a huge variety of pavement composition, depending on the space In theThe exterior different patterns. The bigger stone with boulder granite stone and mortar|cement), is treated shape and the possibility to joint them allow the construction of roofs without mortar, and just for the trusses but it is also employed in the floor only used to trace the tracks. with a yellow plaster protected under theinterior restriction the possibility to tilt more the roofs. coninciding with the steel tracks, and parquet in the representative structure space. and to make stairs and finitures. Chestnut and In the therelaws is granite in the production spaces, polished concrete of the Porto’s Municipality. dimensions usually are 25x45, and they were produced in differents north portuguese oak beams are the principal kind of wood in the floor In the director house and office there The is carpet. This restriction clearly said that the whole industry cannot structure, thus follow the typicall way to buid in the XIX industries (Antonio Almeida Da Costa, Douro Teixeira and Co... ) be modify in his exterior aspects, included also the plaster century in Portugal. There are also some special pieces such as the ones that allows ventilation with their colour that can’t be modified. flower shape holes and the roof topper.

FLOOR

- EXTERIOR -

- INTERIOR -

Unregular pattern

Composed wall

Harringbone pattern

Unregoular pattern

Material: Stones of different dimensions and mortar

Material: Granite stones of different dimensions and mortar

Material: Granite stones, bricks, mortar and bitumen

stone dimension: 15x8cm | 25x10 cm Material: Granite

dimension: 12x6 | cm Material: Granite

The walls of the Companhia Auriﬁcia are generally made with granite stones of 50 cm thickness, put together with mortar. They have differet patterns depending on the construction period, and the most regular can be found on the exterior wall while on the interior the texture is more unregular. In the serralharia we found a wall with a different composition, with bigger stones and thickness and mixed materials: after an historical research we found out that this was the limit wall of the ﬁrst phase construction. In the representative space and in the director’s house the inside walls are covered with wallpaper and wood.

Unregoular pattern

side stone dimension: 20x10 side stone dimension: 20x7 | 22x10 central stone dimension: 30x90cm central stone dimension: 30x85 cm Material: Granite Material: Granite

Unregular pattern dimension: 130x85 | 230x75 | 45x50 Material: Granite

Unregoular pattern

Railway on concrete ﬂoor

Parquet

dimension: 50x70 | 200x90 cm Material: Granite

distance between the railway | 80 cm | Material: Polished concrete

dimension: 20x100 cm Material: Wood

- COVERING -

In the Companhia Auriﬁca there is a huge variety of pavement composition, depending on the space function. In the exterior we found granite stones pavement in different patterns. The bigger stone block are only used to trace the tracks. In the interior there is granite in the production spaces, polished concrete coninciding with the steel tracks, and parquet in the representative space. In the director house and ofﬁce there is carpet.

NTERIOR - INTERIOR -

NTERIOR -

Unregular ttern patternUnregoular pattern Unregoular pattern Railway on concrete Railway ﬂoor on concrete ﬂoor Parquet

Parquet

0x75 ion: 130x85 | 45x50| 230x75 | 45x50 50x70 dimension: dimension: | 200x90 50x70 cm | 200x90 distance cm between distance the railway between the railway dimension: 20x100 dimension: cm 20x100 cm nite Material: Granite Material: Granite Material: Granite | 80 cm | | 80 cm | Material: Wood Material: Wood Material: Polished Material: concrete Polished concrete

Unregular pattern

Unregoular pattern

Railway on concrete ﬂoor

Parquet

nsion: 130x85 | 230x75 | 45x50 dimension: 50x70 | 200x90 cm distance between the railway dimension: 20x100 cm Material: Granite Granite | 80 cmRailway | Material: Wood Unregular pattern Unregoular pattern on concrete ﬂoor ion. space In the function. exterior In we thefound exterior granite weMaterial: found stones granite pavement stones inpavement different patterns. in different Thepatterns. bigger stone The bigger block are stone block areParquet Material: concretebetween the railway x10 dimension: 130x85 | 230x75 | 45x50 dimension: 50x70 | 200x90 cmPolisheddistance dimension: 20x100 cm cm Material: Granite Material: Granite | 80 cm | Material: Wood and steel parquet tracks,pattern in and the parquet representative in theUnregoular representative space. pattern space. Unregular Railway on concrete ﬂoor Parquet Material: Polished concrete nsion: 130x85 | 230x75 | 45x50 dimension: 50x70 | 200x90 cm distance between the railway dimension: 20x100 cm Material: Granite Material: Granite | 80 cm | Material: Wood Material: Polished concrete

he space function. In the exterior we found granite stones pavement in different patterns. The bigger stone block are

he steel tracks, and parquet in the representative space. ending on the space function. In the exterior we found granite stones pavement in different patterns. The bigger stone block are

he space function. In tracks, the exterior we found stones pavement in different patterns. The bigger stone block are iding with the steel and parquet ingranite the representative space.

he steel tracks, and parquet in the representative space.

THE NEIGHBOURHOOD

CC’ GARDEN

COVERED PLAZA

GREEN PATH

CAFÈ | RESTAURANT

WALKWAY

COVERED GARDEN

SERVICES

AA’ URBAN WALKWAY

“ESPLANADA”

CAFÈ

GREEN PATH

COURTYARD GARDEN

Companhia Auriﬁcia Demolished wall Demolished inﬁll wall

COMPANHIA AURIFICIA TIM

BLOCK 6 BLOCK 5

BLOCK 4 BLOCK 3

BLOCK 2 BLOCK 2

GROUND FLOOR

FIRST FLOOR

1 | PROJECT + PRE-EXISTENT

DEMOLITION PLAN

Designed spaces

Companhia Auriﬁcia Demolished wall Demolished inﬁll wall

HISTORICAL PLAN 1888

2 | DEMOLITIONS

PLANS IN-DEPTH

BLOCK 1 7:00 9:00

9:00 11:00

11:00 13:00

13:00 15:00

15:00 17:00

17:00 19:00

19:00 21:00

functions guarantee a continuos use of the spaces in dif preserving the proper autonomy and facilitating their col

1 | PROJECT + PRE-EXIST

1 3 2

1,61

1,40

Granite | 4200sqm

GROUND FLOOR 2,45

2 | PAVEMENT 1 2

4 5

0,50

0,35

0,25

3,47

3,97

2,32

0,22

3 2

0,15

0,98

1,00

0,15 0,26

6,41 13

8 7

4 5

9 10 11

12 14

0,23

7 9

1,05

1 2

14 13

Existing 1300sq New pa

ces

2 | PAVEMENT

2 | DEMOLITIONS

functions guarantee a continuos use of the spaces in different ways, preserving the proper autonomy and facilitating their collaboration.

period. The users are divided into: the inhabitants of the C.A., the C.A. workers, the daily users (students and neighbours), the week-end visitors, and the event users intended as the people who enjoy the C.A. for the main events, one time per month, like concerts or art expositions.

B L O C K

| 1 | B L O C K

| 2 | B L O C K

| 3 |

Goldsmith School | Private

GROUND FLOOR | Co-working area | Competition announcement FIRST FLOOR | Co-working area | Competition announcement Companhia Auriﬁcia Museum Ticket Ofﬁce

B L O C K

Public Library

| 4 |

Café Administration

B L O C K

| 5 |

Covered plaza Restaurant GROUND FLOOR | Apartments for students

B L O C K

| 6 |

Hostel FIRST FLOOR | Housing Hostel

Existing polished concrete restored 1200 sqm New polished concrete restored 1590 sqm

TECHNICAL ROOM | Each “funcional block” has its own eletric and heating autonomous system, allowing the possibility to change function and management without any inﬂuence on the others blocks.

Existing wood pavement restored 1300sqm New pavement - wood | 225sqm

Toilette

FIRST FLOOR

GROUND FLOOR

FIRST FLOOR

3 | FUNCTION AND MANAGEMENT

3° Nivel Museo da Imprensa

2° Nivel

3 | FUNCTION AND M

3° Nivel Museo da Imprensa

2° Nivel

Praça publica > pertencia do Museo da Imprensa Clarabóia de percorrer >illuminação Novo Polo universitario >uso do espaço

Rampa > ligação entre funções e programma

1° Nivel

anta

Praça publica > pertencia do Museo da Imprensa Clarabóia de percorrer >illuminação Novo Polo universitario >uso do espaço

Rampa > ligação entre funções e programma

O FREIXO : VIVER A RIBEIRA 1° Nivel

| PROJECTO 5 | FAUP Faculdade de Arquitectura Univesidade do Porto > Calçada portuguesa - 2014Pavimento -

La posizione dell’ area di progetto favorisce un collegamento diretto con il centro città di Porto. L’ obiettivo del progetto è quello di potenziare questi collegamenti Novo Polo da Faculdade de Belas Artes e ridare l’identità a questo territorio che appare frammentato e poco coeso . I punti di partenza attraverso cui si articola il progetto sono il congiunto di spazi verdi,, il potenziamento della marginal fabbriche abbandonate, antico fulcro della zona in oggetto. L’ obiettivo principale è Rampa > ligação entre passeio fluvial e entrada principal quello di intervenire in maniera puntuale creando una logica che leghi gli spazi tra loro, facendo svolgere il ruolo di protagonista a tutte le potenzialità già presenti.

Pavimento > Calçada portuguesa

Praça publica > Continudade com o passeio Fluvial

Verde

Materiais:

Granito

Cimento

Calçada Portuguesa

Bancos Illuminação no solo Illuminação vertical

Pavimento > madeira

Espaço Publico verde

Espaço verde

grama e parque

cala > 1:500

corte2

AREA 1 Programma Entrada Biblioteca 1 Cafè e sala exposições

Pavimento em pedra >granito

Espaço ludico coberto 3 Sala de conferencia 4 Estacionamento 5 1

Pavimento em madeira > passeio fluvial corte1

Bancos Illuminação

Rampa > ligação entre passeio fluvial e entrada principal

Bancos Illuminação no solo Verde

lanta

Materiais:

Granito

Cimento

Calçada Portuguesa

Illuminação vertical

Pavimento > madeira

Espaço Publico verde

Espaço verde

grama e parque

scala > 1:500

corte2

AREA 1 Programma Entrada Biblioteca 1 2

Cafè e sala exposições

Pavimento em pedra >granito

Espaço ludico coberto 3 Sala de conferencia 4 Estacionamento 5 1

Pavimento em madeira > passeio fluvial corte1

Bancos Illuminação

Verde

corte4

Pedra

Madeira

Bancos Illuminação

Verde

corte3

corte4

corte3

gramma

rada 4

vos espaços comuns

ina e cafè

seo da Imprensa

ovo Polo - Faculdade de Belas Artes

ema ao ar livre

acionamento

mazém barcos

Pedra

Madeira

Bancos Illuminação 17

Verde

Marina e cafĂ¨

Museo da Imprensa

Nuovo Polo - Faculdade de Belas Artes

Cinema ao ar livre

Estacionamento

ArmazĂŠm barcos

3° Nivel Museo da Imprensa

2° Nivel

Praça publica > pertencia do Museo da Imprensa Clarabóia de percorrer >illuminação Novo Polo universitario >uso do espaço

Rampa > ligação entre funções e programma

1° Nivel

Pavimento > Calçada port

Praça publica > Continudade com o passeio Fluvial Novo Polo da Faculdade de Belas Artes

Rampa > ligação entre passeio fluvial e entrada principal

Verde

Planta

Escala > 1:500

Materiais:

Granito

Cimento

Calçada Portuguesa

Pavimento > madeira

cor

Planta Escala 1:50

Escala 1:50

Planivolumetrico e envolvente

Alçado

Escala 1:200

Escala 1:50

Alçado

Corte

Escala 1:50

Corte

Escala 1:50

Alçado

Corte

Escala 1:50

Planta

Escala 1:2

Planta

Escala 1:20

Escala 1:50 Corte

2.40

Alçado Escala 1:50

Escala 1:50

Corte

Escala 1:50

Alçado

Escala 1:50

Planta

Alçado

Corte

Escala 1:2

U M A

N O VA

Pavimento em madeira > passeio fluvial

A R R E C A D A Ç Ã O

| CONSTRUÇÃO 3 | FAUP Faculdade de Arquitectura Univesidade do Porto - 2014 -

Bancos Illuminação

Il corso di Constução 3 ha richiesto la progettazione di una nuova sede per le associazioni studentesche in un lotto adiacente alla Facoltà di Architettura, che presenta un grande

Verde

21 1

B A S T I O N E

B E L V E D E R E

FORTEZZA MEDICEA DI AREZZO

|RESTORATION LAB| ICad International course of Architectural Design - 2013 -

L’ oggetto del Laboratorio di Restauro è stata la Fortezza Medicea di Arezzo, di Giuliano da San Gallo il Giovande, ed in particolare la progettazzione di una nuova entrata alla Fortezza attraveso il Basione Belvedere, fortemente disassato a causa di un cedimento del terreno. Alla base del progetto c’è la volontà di ripartire dalle viste del bastione stesso e proporre, anzichè un percorso in quota unito e continuo, spazi che si guardano ma non si toccano, sempre collegati visivamente tra loro. Altro la progettazione di rampe e scale che colleghino in maniera uniforme tutti gli spazi. Ultimo crtiterio di partenza è quello di tentare sempre un distacco dalle mura della Fortezza, sia nella pavimentazione che nei solai e nel risolvere i problemi strutturali. Distacco voluto per dare forza e risalto alla potenza della costruzione medicea ed alla sua storia, ma anche per dar risalto al nuovo progetto nella sua identità.

CONCEPT

VIEW

HANG DOWN

HANG DOWN 23

GAP

MAIN PATH DISABLE PEOPLE PATH

niversity of Florence > School of Architecture >> DiDA Department of Architecture >>> Master Course in iCad, Architectural Design >>>> Restoration Lab >>>>> Academic Year 2012-2013 >>>>>> Arch. Maurizio De Vita - Arch. Giacomo Tempesta - Arch. Grazia Tucci >>>>>>> Andrea Landini - Anna Salvatori - Marta Vannucchi

section

IPE 300 beam

+ steel cable

metal plate

sheet metal step

2 1

C beam

+ +

metal substructure

IPE 300 beam

University of Florence > School of Architecture >> DiDA Department of Architecture >>> Master Course in iCad, Architectural Design >>>> Restoration Lab >>>>> Academic Year 2012-2013 >>>>>> Arch. Maurizio De Vita - Arch. Giacomo Tempesta - Arch. Graz

zia Tucci >>>>>>> Andrea Landini - Anna Salvatori - Marta Vannucchi

|RESTOR ATION L AB| ICad International course of Architectural Design - 2013 -

Il progetto traces è lo studio di una nuova pavimentazione per il chiostro di S.Croce a Firenze. Partendo dal fatto che anticamente il chiostro antistante la Cappella dei Pazzi presantava un’arcata di accesso che ne impediva la visuale diretta, la nuova pavimentazione proposta ne riprende lo schema planimetrico, inserendo però, nel percorso principale un tipo di pavimento a secco, composto da frammenti di materiale cui è costituito l’intero complesso di santa croce, ed in particolare dai mattoni, per lasciare appunto, una traccia concreta e visibile di ciò che c’era e ribadidere la forza che tuttora ha.

Tile_Stu

2 3

4 7

gutter 200x150 1 2 3 5

4 6

wieframe

Tile_Stu

material

1000x300mm

500x300mm

resina 2 sloping screed 40 mm 3 renforced concrete 100 mm 4 lean concrete 35 mm 5 sheath

foundation 600x300mm wieframe

6 small grain gravel 70 mm banquette 220x100 gutter 200x150

stirrups rebars

7 gravel 160 mm

12mm 12mm

1 2 3 5

4 6 7

1000x300mm

500x300mm

resina 2 sloping screed 40 mm 3 renforced concrete 100 mm 4 lean concrete 35 mm 5 sheath

foundation 600x300mm

6 small grain gravel 70 mm banquette 220x100 gutter 200x150

stirrups rebars

7 gravel 160 mm 1 2 3 5

4 6 7

rebars

12mm

12mm 12mm

C A S T E L L U M

A L E X A N D R I A

FORTEZZA DA BASSO

|TIROCINIO FORMATIVO| Comune di Firenze

Il tirocino formativo svolto presso il Comune di Firenze ha come ogetto la di Architetti ho collaborato alla ricerca progettuale che si è articolata in più fasi. Innanzitutto c’è stata un’approfondita ricerca storica in parallelo all’analisi dell’esistente, impatto a livello cittadino, per arrivare ad una proposta progettuale a livello urbano ed architettonico. Oltre al restauro dei padiglioni presenti, alla previsione di nuovi ingressi, parcheggi e servizi per i fruitori il fulcro del progetto è il Nuovo Padiglione Lago, interrato, al di sotto del lago dei cigni, e collegato sotteraneamente con il Padiglione Spadolini, ed il recupero del camminamento in quota, verde, sui bastioni.

TRE COSE SONO NECESSARIE PER LA BELLEZZA: LA PRIMA É L’INTEGRITÀ O COMPLETEZZA, QUINDI LA GIUSTA PROPORZIONE E CONSONANZE ED INFINE LA CHIAREZZA O EVIDENZA” 35

THE BIG RESET ON NEIGHBOURHOOD DESIGN

|WORKSHOP| Amsterdam School of Arts, Academy of Architecture - 2014 -

Il workshop si è focalizzato sul tema critico del futuro dell’urbanistica nel contesto Europeo. Lo scopo e l’ambizione sono stati quelli di scoprire come i futuri architetti possono accogliere e rispondere alle esigenze ed alle speranze di una grande varietà di persone, nel radicale cambiamento delle condizioni e del paesaggio urbano delle città Europee. Il “case study”, oggetto di studio è Haven Staad, l’area del vecchio porto, che oggi rappresenta una zona in trasformazione. Il Comune di Amsterdam prevede infatti, di convertire l’intera zona industriale in un quartiere residenziale per 10.000 persone. ampio raggio su quali sono ora i requistiti ed i criteri a cui una nuova progettazione insieme a tutti i gruppi, è una time line, di cui il presupposto è che l’architettura e l’urbanistica possono aiutare a creare un buon vicinato ed un quartiere vivibile, ma non si posso sostituire ai legami sociali e personal i. Partendo da alcune zone dell’aera di progetto che ci sono sembrate interessanti abbiamo lavorato sulla loro trasformazione nel tempo, rivolgendovi programmi e proposte diverse per ogni luogo, cercando di mantenerne la propria caratterizzazione e vocazione.

THE COMPLEXITY OF NEIGBOURHOOD IS UNCONTROLLABLE BY ARCHITECTS AND PLANNERS. the big reset on neighbourhood design | haven stad amsterdam | summerschool 2014 | group 3 | presentation 23.08.2014

M A N I F E S T O APPROACH

PLANNING

BUILDING PROCESS

we have time, let‘s take our time!

catalysts are powerful!

add onto existing structures where possible

plan strategically, not sculpturally

don‘t start building houses before you‘ve built identity

small scale building units possible housing typologies:

implement as many amenities along routes as possible

perceive humans as social individuals with a free will > offers, no obligations

use housing as main program, but increase mix of uses to max

foster social values and strengthen them againt economical building constraints

high density? / contrast of density? design according to needs instead of inventing them > anti-utopianism as our utopia

get to know the area first and learn to love it increase of mobility in our contemporary life > challenge the mobility of contemporary neighbourhood

we all love water, let‘s make it accessible!

the big reset on neighbourhood design | haven stad amsterdam | summerschool 2014 | group 3 | presentation 23.08.2014

OBSERVE

ORIENT

DECIDE

ACT

IT‘S NOT ABOUT WHAT THE ARCHITECT ENVISIONS FOR THE SITE. IT‘S A MATTER OF TIME AND PROCESS. the big reset on neighbourhood design | haven stad amsterdam | summerschool 2014 | group 3 | presentation 23.08.2014

Implicit Guidance and Control

Unfolding Circumstances

Genetic Heritage

Analysis and Snthesis

Observations

Outside Information Unfolding Interaction with Environment

New Informa-

Implicit Guidance and Control

Cultural tradition

Decisions (Hypothesis)

Action (Test)

Previous Experi Implicit Guidance and Control Feedback Feedback

FIVE METERS LONG TIMELINE | EXTRACT 41

L A V O R I

P E R S O N A L I

- DISEGNI - RENDERING - GRAFICA - FOTO -

CONTATTI / telefono: annasalvatori.0@gmail.com / email: +39 3272031316 /linkedin: anna salvatori