ANNA DEBORA GULYAS Date of birth 09/01/1994 Address 8 Bucsi köz, Dömsöd, 2344 Hungary Email gulyas.anna.debora@gmail.com Mobile +36 30 467 2591 Languages English- complex intermediate level German- basic knowledge Russian- basic knowledge 2012- Industrial Design Engineer Obuda University, Budapest 2004-2012 Baksay Sándor Reformed High School, Kunszentmiklós 2015 Wohnen & Interieur Messe, Vienna
2015 Wedding Exhibition, Budapest 2014 National Scientific Students’ Association Conference, second place OTDK-special award 2013-2014 Trainee at a Handcraft Designer http://ferenczvanda.hu/ 2013 Crossovers Exhibition, Design Terminal, Budapest 2013 Internship at National Craft Gallery, Voluteer at Killkeny Arts Festival, Killkeny, Ireland Adobe Indesign, Adobe Illustrator, Adobe Photoshop, Corel Draw, AutoCAD, Microsoft Office
ANYAGKÍSÉRLETEK | MATERIAL TESTING
2014/2015
. w o r k w i t h r e s i n One of my favourite plastic is resin. I really like to experimenting with this material. I always think about, how I can find a new way, a new to use resign. In these projects I used several material combination two component resin.
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. f i r s t
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gold foil / iron / copper new characterics of these materials emerged with resin .
s e c o n d
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copper filament / gelcoat main goal of this project was to find a different surface for a simple beauty product .
third
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textile / resin / gelcoat mergering resin with textile . textile was irrigated with wine
MINTATERVEZÉS | PATTERN DESIGN
.orthopedical corset surface design.
. tales of a dragon .
The product is an ortopaedic aid, for scoliolis patients. The corset is tailor-made individuals. Every corset has it own pressure points and free points on the torso, this is why decorating the surface of the corset is so difficult. have this kind of disease. Usually 10-18 years old teenage girls have this syndrome. My ame was design an attracitve pattern for these girls, which they can be proud of, and stop feeling embarrassed- in front of their classmates because of their “handicap� can rater be proud of their fashionable aid. The inspiration dragon tales, from tales. It is a symbol of protection from enemies: the scale is the corset and the enemy is the scoliolis. This is ambivalent, because it cures the spine, however gives external protection for to the body.
The pattern is thermocrom pigment, which fades in different tones on different degrees, due to which, the pattern becomes dynamic, always changing. The main purpose of the design was to create a protective shell from the corset, which provides both external and internal protection. This technique gives the possibility to teenagers to love their corset and always wear it. polyethylenesheet/ screenpaint/ thermocrom pigment/ resin TDK second place/ OTDK special award
3 The transfer printing machine work like a huge iron. Transfer sheet, with a lerge amount of CMYK pigment on the surface needs to be put into the macihne. Then we insert an other material where we want to print the pattern. I tested printing on 3 different surfaces, to explore whic material is better, why, and how I can use these in my design. I made the patterns with the 3 main colours and black. The paper has livelier colours. The cotton does not have equable tone surface. The polyethylene is distorted somewhat, but the print is good. I tried to give a mechanical push to for it, but the surface was resistant. paper/ cotton/ polyethylen
TERMÉKTERVEZÉS | PRODUCT DESIGN
BATLAM P My goal was to create an everyday product, which can be used in the house, and it based on a simple witty idea. My inspiration was the BAT. I designed a lamp, which operates with solar energy, thanks to the fluorescent technique. It may be used both indoors and outdoors. If you use several sized models in a group, it looks like a hanging bat swarm.
SOCIALCODE
with Alexandra Baraksó
Our aim was to design a creative application for the “CodeWorld and People” 2D and QR-code competition. How can we bring people closer to one another? When we integrate the people in the code, or a code in the people. We created a large 3D QR-code, in a public space, where people can sit together, connect and talk to each other. The 3D code is readable, if we look at it in 2D view, so the furniture is functional as an advertising platform too. We generated a QR code the Design Terminal’s webpage. www.designterminal.hu Our Social Code application got through the second round/
300X300 concrete/ 30X30 plexiglass plate/ 2014
Deep sea & THECANDLEHOLDER Project, first semester of the third year.
“Dinner in the Tropicarium.� I inspired by the glowing deep sea creatures, hence the centrepiece of the tablecloth resembles a glowing squid swarm. I mixed techniques and materials. The tablecloth was exhibited the 2015 Wedding exhibition in Budapest.
CANDLEHOLDER
. t e x t i le
The main concept was the silhouette of a swimming ray.
. f o l i e with fluorescent paint
My goal was to create a large grotesque shape from concrete.
.concrete
ARCULATTERVEZÉS | BRANDING
The company’s main profile is export and import of exclusive fabric and interior products. My aim was to design a new energetic and modern brand. The first step was the logo and a .....and it is only the beginning.....
GRAFIKÁK | GRAPHICH
2012 pencil
2011 pencil
2014 coffe
2014 mixed media
ANNA DEBORA GULYAS +36 30 467 25 91 gulyas.anna.debora@gmail.com HUNGARY