AnnaKor s un
I SOSTASI E f orpi anoqui nt et
Muni ch, Apr i l 2011
2
Annotation Strings
Piano
Play without vibrato.
Pay attantion to balance between strings and piano. Depending on acoustic it may be necessary to close a lid, in case it will sound too loud.
Muted tones: mute string with fingers/palm during playing There are no dyamical traditional indication in the piece. Dynamics will be caused by two parameters: bow pressure and bow moving speed:
Preparation for piano: string g must be prepared with “Blue Tack� or kneaded eraser. Little piece of it must be placed on strings. Tone should not be changed, but muted (in a result the sound is similiar to viola).
Bow pressure: Additional staves indicate pressure on a bow: 5-point scale, where point 3 is normal pressure: 1 < 3 < 5. Speed of bow moving: - very slowly - slowly - slow-medium - fast-medium - fast - very fast - gradually accelerate speed of bow moving - gradually decelerate speed of bow moving s.t. - sul tasto s.p. - sul ponticello ord. - ordinario - gradually move to
Scordatura for cello: string - detune on about fourth lower
Clefs:
- one octave higher
- two octaves higher
3
I SOSTASI E AnnaKor s un
q = 72
3
3
6
4
Violin I
unstabile
s.p.
s. t.
ord.
s.p.
s.t.
3
s. p.
fast moving from s.p. to s.t. and vice versa s. p.
3
4
s. t.
s. p.
3
Cello
fast moving from s.p. to s.t. and vice versa
5
3
3
Violin II unstabile
4
3
9
5
3
gliss.
Piano
f
p
f
mp
f
p
p
f
f p
pp
mf
p
3
3
3
3
4
A 12
2
4
2
6
425242
25
25
2
4
5
Violin I
2
4
Cello
2
5 2
4
18
6
2
1
2
s. t.
42524
ord.
2
52
52
5
2 42 5
2 4
ord.
1
3
4
2
4
2
1
2
24
21
Violin II
15
ppp
3
pp
Piano
p
ppp
mp
ppp
3 3 3 3 3 3 3 ppp ppp mp
5
24
27
5 1
30
3
5
Violin I
continuous gliss.
3
3
3
Violin II
5 1
5
the second violin must be late on
5 A
continuous gliss.
3
3
4
3
Cello
simile
ppp
Piano
mp
ppp
p
3
3
3
3
3
3
3
3
3
3
3
3
ppp mp p ppp mp simile mp
left pedal
6
B
33
4
5
36
4
3
Violin I
4
5
4
3
Violin II
mute the string pizz.sul tasto
Viola
ppp
5
4
Cello
string g
Piano
mf 3
3
3
3
3
3
3
3
f
3
3
3
3
7
C 39
poco accel.
42
4
Violin I string d
4
Violin II string d
don't mute the string anymore
3
Viola
3
3
3
5
5
5
5
5
5
Cello
5
5
5
4
5
C
Piano
3
3
3
3
mf
8
45
48
3
2
1
Violin I half pressed string
3
2
1
Violin II half pressed string
5
Viola
3
3
9
7
ff
5
3
2
1
Cello
Piano
half pressed string
(prepared note)
mp
p
ppp
ff
(ppp)
left pedal
5
9
D It is necessury to control balance between instruments during duo fragment. Viola and piano must have the same dynamics.
q = 96
3
9
3
3
sempre stacc.
54
3
3
3
3
3
5
3
3
66 3 3 3 9
69
3
5
5
5
5
5
3
3
72
3
3
3
3
3 3 3 3
3
3
3
9
3
5
3
5
3
3
5
3
3
63
Piano 75 3 3 3 3 3 3 3 3 3 3 3 Viola 3
3
3
3
3
3 3 3 3 3 3
3
Piano
Piano
57
Viola
Viola
60 3 3 3
9 3 3 3 3 9
Viola
Piano
Violin II
Cello
51
Violin I
5
5
3
5
3
3
3
5
5
5
5
5
5
78
3
5
5
5
5
5
5
5
5
5
10
Viola
Piano
6
6
6
6
81 6
6
6
6
6
6
6
6
6
6
6
6
Viola
Piano
84
6
6
6
6
6
6
6
6
6
6
6
6
E poco rit.
q = 72
1
(half pressed string) (string d)
Violin I
1
90
Piano
6
6
6
6
6
6
6
6
1
1
(half pressed string) (string d)
mp
mf
6
f
f
1
6
Violin II
Viola
6
87
6
(stacc.)6
6
6
6
5
5
5
5
mp
mf
legato
ppp
left pedal
p
11
93
2
Violin I regular pressed string
1
Violin II
Viola
regular pressed string
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
Cello
Piano
G G
5
regular pressed string
(half pressed string)
5
5
5
3
3
3
3
3
12
F 96
99
3
Violin I
3
3
3
p
3
p
3
3
mp
3
2
mute the string
pp
Piano
3
3
3
3
3
3
3
3
3
ppp
3
string
f
mf
pp
4
3
3
3
string e
Violin II
Cello
3
2
Viola
ppp
3
3
3
3
3
3
left ped.
f
13
5
2
5
102
3
52
52
52
5 2
Violin I
2
5
2
5
5
3
5 2
5 2
5 2
5
2
Violin II
3
Viola
3
3
3
Cello
3
Piano
3
3
3
3
3
3
3
mp
3
3
3
3
14
G
5 2
5 2
5
2
105
52
5 2
5 2
5 2
52
108
1
3
5
5
Violin I
5 2
5 2
5 2
5 2
5 2
5 2
5 2
5 2
2
2
1
3
5
5
2
2
Violin II
5 4
5 4
5
4
Cello
Piano
3
3
6
6
5
3
3
5
5
15
3
5
3
5
111
5
5
3
5
3
5
5
114
3
Violin I
3
5 3
5
5
5
5
5
3
5
3
53
5
5
5
5
3
5
3
5
Violin II
5
5
3
53
5
5
5
5
3
5
3
5
5
5
3
5
3
Cello
5
5
Piano
5
6
6
5
5
5
5
5 5
5
3
3
3
5
3
3
16
H
117
5 2
1
5
120
4
Violin I mute the string
don't mute the string
5
1
2
52
s.p
5
5
4
Violin II
mute the string
don't mute the string
5
3
Piano
5
3
5
gradually moving
don't mute the string
mute the string
4
Cello
s.p.
5
s.p.
5
5
3
3
3
3
5
5
17
I
q = 56
rit. 123
5
Violin I
ord.
5
Violin II
ord.
5
Cello
ord.
Piano
rhythm can be approximate
3
3
6
5
ff
5
18
J
126
1
Violin I
don't change the bow!
1
don't change the bow!
Violin II
Viola
don't mute the string s.t.
mute the string
3
ppp
1
Cello
don't change the bow!
3
Piano
3
3
3
3
5
ppp
3
left pedal
J
5
5
5
19
K q = 96
accel. 129
mute the string
Violin I
Viola
Cello
mute the string
s.t. pizz.
Piano
3
135
Violin I
Violin II
5
Viola
Cello
5
5
5
5
5
5
3
5
3
5
sf
5
6 3
don't mute the string s.t.
5
3
3
5
sf
(1\4-1\2)
3
3
3
(1\4-1\2)
5
5
6
5
6
sf
5
sf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
gliss. sf
sf
6
gliss sff
5
gliss.
sf
(1\4-1\2)
gliss.
glis sff
s.
.
(1\4-1\2)
5
gliss sff
3
3
3
3
5
5
gliss.
(1\4-1\2)
6 3
3
sf
ss. gli
sf 3
.
6
Piano sf 3
5
5
sf 3
3
gliss. sf sf 5
138
5
(ppp)
3
3
3
3 3
3
5
sempre stacc. 5
don't mute the string s.t.
(ppp) 5 5 3 3 5 7
to mute the string c (pizz.)
5
3
(mute the string) pizz.
5
pp (arco)
(mute the string) pizz.
Violin II
132
3
sff 3
3
20
141
Violin I
Violin II
Piano
5
sff
Viola
Cello
144 5
5
6
3
3
3
3
sff
5
5
sff
sff
5
sff
5
3
3
sff sff
3
sff
5
sff
sff
sff
sff
sff
5
sff
3
3
3
3
5
sff
3
sff
sff
3
sff
6
3
sff
sff
6
3
sff
6
3
sff
5
sff
3
sff
5
6
3
sff
5
sff
sff
sff
5
5
3
3
sff
sff
L 147
Violin I
Violin II
5
sff
5
153
5
5
ff
ff
5
5
5
5
5
5
6
6
6
5
Viola
5
gliss. within 1\4 tone
5
Cello
150
5
(ff)
5
5
5
5
5
5
5
5
(ff)
ff
gliss. within 1\4 tone
5
6
6
6
6
(ff)
6
ff
legato for right hand
Piano
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
pp
keep stacc. in left hand
3
3
3
ff
21
q = 72 Violin I
3
3
arco
156
3
3
arco
Violin II
pizz.
pizz.
pp
p
3
arco
3
arco
pp
3
4
s.p.
4
3
ff
3
4
3
4
s.p.
3
4
3
ff
3
4
s.p.
s.p.
3
3
4
3
4
ord.
3
3
3
pp ff ff
3
3
pp
pp
3
5
3
ord.
3
4
(string d) ord.
5
3
5
3
4
3
5
3
3
3
5
3
3
4
3
5
3
ff
ff
mf
legato mf
3
5
ord.
4
Piano 3
3
mf
pp
ff
159
arco
Cello
pp
Viola
ff
(pp)
4
arco
(pp)
3
3
pp
f
mp
f
mp
f
mp
simile
3
simile
22
M 162
5
3
5
3
s.p.
s.t.
Violin I
3
3
5
s.p.
3
s.p.
s.t.
5
ord.
165
5
5
5
3
5
3
5
3
s.p.
5
3
5
Violin II
3
5
3
Viola
3
s.p.
ord.
3
5
s.p.
ord.
s.p.
3
ord.
3
s.p.
5
s.t.
3
5
3
5
s.p.
3
ord.
5
3
5
5
5
3
s.p.
3
5
3
5
5
detune string c
3
5
Cello
s.p.
ord.
3
s.p.
ord.
s.p.
Piano
ff
mp
ff
p
ff
23
N 168
q = 96
accel.
171
Violin I
detune string g
lowest possible note detune string during playing ad. lib. until arco pizz.
detune string g
ff
detune string c
expressive
lowest possible note detune string during playing ad. lib. until arco pizz. 5
5
5
detune string g
ff
Piano
pizz. detuned strings
cluster by strings in low register (beat strings by palm)
simile
3
5
mp
f
5
5
mf
3
mf
mp
f
3
f
mf
3 3 3 3 3 3 3 3 3 3 3 3
mf
ff
5
5
5
p
pp
cluster by strings in low register (beat strings by palm)
f
mf
(fast finger gliss.)
expressive
and g
expressive
3
mf
3
3
5
3 3 3 3 3 3 3
fff p
f
mp sf
mf 3
f
mf
f
5
3
5
lowest possible note detune string during playing ad. lib. until arco pizz. (detuned string c)
3
3
mf
mp
ff
Cello
f f
Viola
174
ff
Violin II
24
repeat 3 times
177 1.
2.
180
1
highest possible notes mute the string arco
Violin I
5
p
mute the string
5
ff
pp
1
highest possible notes mute the string arco
Violin II mute the string
5
5
5
ff
5
5
5
5
ff
p
3
mf
mute the strings
3
1
pp
(fast finger gliss.)
Cello 3 3 3 3
highest possible notes mute the string arco
mute the string
pp
p
5
Viola
Piano
183
3
3
3
3
3
3
3
3
p
3
3
3
3
pp
mute the string
5
5
5
5
5
5 5 5 5
25 1.
186
189
192
2.
Violin I
pizz. pp
pizz.
Violin II
Viola
3 3 3 3 3 3 3 3
pp
5 Piano
3
3
5
5
3
5
3
5
1.
2.