ADA08 // Denfair & Melbourne Design Week by AUTHENTIC DESIGN ALLIANCE

No.8 Feb/March 2022

HELP STOP DESIGN THEFT // JOIN THE ADA NOW

authenticdesignalliance.org

Lets Get Real

As an architect and as a musician my work is automatically protected by Australian Copyright law. So why are my furniture designs treated differently? TOMEK ARCHER Archer Office, Architect, Archer Objects, Furniture Designer

6 Facts About Design Theft. 1.

THE WORD ‘REPLICA’ MISLEADS CONSUMERS

DESIGNERS EARN THEIR INCOME FROM ROYALTIES

DESIGN THEFT DAMAGES THE ENTIRE DESIGN ECONOMY

Replicas are stolen designs not connected to the designer or brand authorised to make or sell the genuine product. These cheap copies are short-lifespan, manufactured and sold without permission from the creator.

Industrial and furniture designers work in small studios or as designer-makers. Design theft robs them of a rightful income from royalties - a small percentage of net sales.

Buying knock-offs hurts more than the designer. The entire design economy is affected – fake designer furnishings also hurt retailers, manufacturers and importers, that make and sell authentic designs.

‘Replica’ is not a trend like ‘vintage’ or ‘industrial’ replica is fake!

Design brands can’t afford expensive legal battles; our industry is plagued by David vs Goliath attempts to recoup rightful income.

MOST CONSUMERS DON’T KNOW WHAT’S REAL (OR FAKE)

‘DISPOSABLE DECORATING’ FEEDS LANDFILL; IT’S UNSUSTAINABLE!

INDUSTRY PROFESSIONALS ARE A HUGE PART OF THE PROBLEM

Compared to Europe, Australia lacks an embedded design culture. Education is critical to understanding the value and history of how original designs are created and made.

Two million Sydney households discard an estimated 50,000 tonnes of furniture on pavements every year.

Many industry professionals don’t know or (worse) don’t care about authentic products!

If we eat organic and know our food sources, similarly, we must care about how we furnish our spaces.

That’s around 800,000 threeseater sofas, 1.7 million dining tables, 3.5 million coffee tables or 7 million chairs! Like fast fashion, fast furniture is also killing the planet.

The counterfeit design industry threatens the future growth of Australia’s furnishing sector.

Australian businesses profit by knocking-off furnishings. Design theft by industry professionals devalues their projects. And shows total disregard for the people who invest, live in or use the spaces they build.

AUTHENTIC DESIGN ALLIANCE is a social enterprise leading the fight to stop furniture design theft in Australia. We exist to support and promote original creators, products and brands, and the people who make, sell and specify authentic furnishings to protect the best future for our industry. As a member-funded association, contact us to learn how to support our mission for replica furniture to become criminalised in Australia.

authenticdesignalliance.org

JOIN THE ADA @authentic_design_alliance or GET NEWS CAGED: ARCO Sketch by Ash Allen

No.8/Feb-March 2022 authenticdesignalliance.org

Lets Get Real

Welcome After a challenging two years for arts organisations, we’re thrilled to see the return of our live event program with a renewed partnership with Denfair and something extraordinary for Melbourne Design Week. We extend a heartfelt thank you to ADA members who continued to support our activity during this time; without this, our ongoing advocacy wouldn’t be possible. ADA AWARD PROGRAM

ADA ADVISORY BOARD

Late last year, we announced joint ADA Award recipients for vivid design comp at a live award ceremony. We’ll unveil ADA Design Fringe Award winners (formerly Fringe Furniture) at Denfair - discover new work by rising design stars pp 6-7.

Our advisory board, a valued group that will guide ADA programming and strategic planning, will be introduced during MDW.

MELBOURNE DESIGN WEEK Next month we are honoured to join ‘Futures Collective’ at Villa Alba Museum and showcase our collaboration with designer-maker Ash Allen. You can preview ADA Member MDW events pp.12-14.

ADVOCACY & POLICY CONSULTATION In mid-2021, we concluded a two-year consultation with the IP Australia Designs Review, a research phase that informs policy amendments. The most immediate outcome is a 12-month ‘grace period’ for Australian design registrations. We’re engaged in ongoing consultation with DFAT re free trade agreements and presently attending a roundtable series aimed at drilling down policy nuances, as well as finalising a response to a commissioned IP Australia research project. Supported by Banki Haddock Fiora lawyers and the ADA Stakeholders who generously give their time to join these forums, we’re very thankful for this input and support.

BECOME AN ADA MEMBER Affecting the real change our industry desperately wants is still a long game. Find membership details via the QR tag below.

DESIGN-MADE. PODCAST Finally, we’re excited to launch our podcast during MDW, a critical tool that will amplify ADA messaging and hopefully connect us with a broader audience.

GET NEWS & FOLLOW US JOIN THE ADA

authenticdesignalliance.org design-made.org @authentic_design_alliance @design_made_

Anne-Maree Sargeant Authentic Design Alliance, Director

PLATINUM MEMBERS

GOLD MEMBERS

Cover: CAGED: Arco & Bentwood No.14 by Ash Allen Photography: Daniel Fuge

AFFILIATE PARTNERS

LEGAL PARTNER

No.8/Feb-March 2022 authenticdesignalliance.org

Denfair

Cultivated by Cult Cultivated offers a new form of sustainability for original design by offering to buy back, refurbish or resell furnishings that are ready for a second or even third life, or require end-of-life consideration. Be it an armchair that needs reupholstering or entire office space or restaurant of worn-out seating; the program works with local manufacturers and craftspeople to restore, reinvigorate or recycle original design. The team assesses products to determine restoration options or buy products from customers offering credit towards future purchases. Surprisingly, refurbishment can be more economical than replacement!

Denfair: Panel Discussion Who turned the lights out? What is the actual cost of swapping out original lighting in project design? Given lighting is critical to any resolved interior, how have we reached a place where original products are ‘swapped out’ for cheap, unauthorised copies? With the negative impact stretching beyond the loss of income to the designer, should we consider how this affects clients, end-users and reflects poorly on the specifier? Hear from four dynamic practitioners who unpack what it takes to create and deliver original collections to a raft of award-winning projects and why it’s time to #getrealbuyrealsupplyreal

CULTIVATED STAND 520

CULT LOUNGE STAND 306 Relax at the Cult Lounge and experience the new Mega Tulip modular sofa collection by Adam Goodrum for Nau.

WATCH DOCUMENTARY: Sustainability Stories by Cultivated cultdesign.com.au/pages/cultivated

PANEL Christopher Boots Jason Bird, Luxxbox Patrick Lourie, Euroluce Volker Haug

AUTHENTIC DESIGN ALLIANCE TALK: Friday, February 11th, 4.00-5.00pm Design Talks Space

MODERATED by Anne-Maree Sargeant, Authentic Design Alliance, Design-Made. Podcast

Presented by Spence and Lyda with Fiona Lynch Studios, Broached Commissions, Authentic Design Alliance

Villa Alba Museum 44 Walmer St, Kew Daily from 11.00 am, Thursdays to 8.00 pm (Closed Monday) FREE TO ATTEND, BOOKINGS ESSENTIAL TICKETS - spenceandlyda.com.au/mdw

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week + Denfair

Authentic Design Alliance: Presents Caged By Ash Allen CAGED, an installation of one-off design objects reimagined by Ash Allen and curated by Authentic Design Alliance, previews at Denfair, with the entire collection showing during Melbourne Design Week. After experimenting with welded steel mesh during Melbourne’s rolling series of lockdowns, designer-maker Ash Allen explored how a grid-like material might translate to furniture. Borrowing from recognisable forms and interpreting them as functional, sculptural objects, Ash began with one of the most identifiable chairs in the world, Michael Thonet’s bentwood chair No.14, itself an innovation in material, form and function when it debuted in 1859.

DENFAIR CAGED at AUTHENTIC DESIGN ALLIANCE Stand 515

MELBOURNE DESIGN WEEK Visit CAGED at FUTURES COLLECTIVE Villa Alba Museum, 44 Walmer St, Kew Daily from 11.00 am, Thursdays to 8.00 pm (Closed Monday) FREE TO ATTEND TICKETS spenceandlyda.com.au/mdw

FUTURES COLLECTIVE, HOSTED TOURS Meet the Designers Saturday, March 19th 10.00-11.00am & 4.00-5.00pm Saturday, March 26th 10.00-11.00am TICKETS $10-15 PROGRAM & BOOKING spenceandlyda.com.au/mdw

“Within the oppression of lockdown, I was thinking about cages and the notion of being caged, and then began seeing meshwork everywhere - from safety fencing at tram stops to Gabion basket retaining walls.” These gridded cages began to reflect the emptiness and superficiality of many things. From social media vanity to “fake” news, and ultimately, the hollowness of the replica furniture industry.” Ash’s Bentwood chair reinterpretation sparked a collaboration with the Authentic Design Alliance. Ash worked directly from the original licensed objects, his meticulous process involving measuring to scale, cutting and folding before hammering and welding each piece. Object are available for purchase. ENQUIRIES: sales@ashallen.com The collection has been made possible by the support of Kate Stokes at Coco Flip, Tomek Archer and JRF, with ADA co-founders Euroluce, Living Edge and Cult.

Photography: Daniel Fuge

No.8/Feb-March 2022 authenticdesignalliance.org

ADA Awards

ADA Award of Merit Vivid Design Comp 2021 After the inevitable cancellations of design events over the past two years, it was a delight to end 2021 with a live judging experience and a physical exhibition that opened to a packed room at Showroom by Bowens in November. Vivid design comp is a springboard for early-career designers, an essential kickstart for many into long-term commercial careers, now in its 18th edition. To support and encourage excellence in design, we have partnered with vivid since 2017, presenting the Authentic Design Alliance ‘ADA Award of Merit.’ The 2021 joint recipients are Samuel Burns for ‘Arc Bench’ and Zachary Hanna ‘On Hold’ coat hook. Joining the DIA as a presenting partner, vivid21 was made possible by support from Laminex, Dulux, Showroom by Bowens, and Artichoke magazine, with the exhibition and program expertly curated and produced by Daniel Della Riva from Latitude.

ENTRY DETAILS FOR VIVID 2022:

Samuel Burns

ARC BENCH

“The Bench has a sense of dynamism through the shifting forms of the sculptured timber seat pads that can be adjusted as the user desires allowing the design to adapt and change to various social contexts” @sabu.studio

@vividdesigncomp

ZACHARY HANNA ON HOLD coat hook

“Using adhesive tape as a fixing device, the hook can be attached or removed without damage to the wall surface. A sweeping steel sheet creates a delicate shadow and casting light onto the timber insert that conceals the adhesive tab or screws.” @zacharyhanna

Stylecraft has been providing furniture of original design for over 65 years. Showroom Locations Adelaide, Brisbane, Canberra, Melbourne, Perth, Sydney and Singapore. stylecraft.com.au

Pictured: Softscape by LEN Designed & manufactured in Australia

No.8/Feb-March 2022 authenticdesignalliance.org

ADA Awards

ADA Design Futures Award 2021 Authentic Design Alliance has partnered with Design Fringe (formerly Fringe Furniture) since 2017, one of Australia’s longest-running design exhibitions, a highlight of the Melbourne Fringe Festival. This year themed home, the ‘Designers on Your Doorstep’ online event revealed insight into how lockdowns impacted the creative process. Many designers could not access their studios and resourcefully used their home environment to produce the exhibited works. Visit the recipients of our inaugural Authentic Design Alliance ‘ ADA Design Futures Award’, with work by five exciting earlycareer designers showcased with the support of Interiors Australia+Denfair.

JOIN DESIGN FRINGE 2022: melbournefringe.com.au

DENFAIR STAND 514

1. SIMPLE(Y) A CHAIR, Kirby Bourke

@twolines_studio

2. MELT CONSOLE, Kathleen Prentice

@kathleenprenticedesign

3. BAGGAGE, Jil Stevenson

@jilstevenson

4. STARDUST, Marta Figueiredo

@figgoscopecurates

5. FOLI, Lauren Haynes

@llh.studio

No.8/Feb-March 2022 authenticdesignalliance.org

ADA Members

“When architects or interior designers knowingly copy products, they do so with a total disregard for the original design and disrespect the product designer. They actively devalue the industry at large. A business that profits from our commitment to creating and importing original designs is stealing from the industry. Everyone knows who these businesses are - aren’t they embarrassed that we all know?”

Phil Brenton

“The best design is as relevant today as when first introduced and has an enduring appeal to be enjoyed by generations. As a founding member of the ADA, our commitment to authentic design enables innovative, world-class project outcomes. We celebrate the legacy of the brands and designers we represent and endeavour to educate by being an individual, incomparable, and sustainably focused supplier.” Aidan Mawhinney

Trace D E S I G N E D BY A DA M G O O D R U M

Tait’s Trace Armchairs in Willie Weston’s ‘Sugarbag Dreaming’ by artist Rosie Ngwarraye Smith of Indigenous-owned art centre, Artists of Ampilatwatja. madebytait.com.au

No.8/Feb-March 2022 authenticdesignalliance.org

ADA Members

“The ADA has achieved more in the past two years than since we founded the association in 2010. The industry must connect and support our mission to help the best future for us all collectively.” Richard Munao

“Annually two million Sydney households leave 50,000 tonnes of furniture on pavements. That’s around 800,000 three-seat sofas, 1.7 million dining tables, 3.5 million coffee tables or 7 million chairs! Like fast fashion, fast furniture is killing the planet. Is it time to end ‘disposable decorating?”

Anne-Maree Sargeant

“A local business began supplying dirt cheap copies of our best-selling design to commercial projects. They said ‘ride the wave’ when challenged, suggesting that we produce offshore to compete at a much lower price! They think their copies are free promotion for us. It’s not. It’s insulting, demoralising, and affects our reputation as designers of high-quality original Australian-made products.”

Anne-Claire Petre

“Why is the replica industry legally allowed to copy successful imported products? The global brands we represent don’t use our design registration system. How can Australia allow this as a commercial strategy? We pride ourselves on supplying authentic architectural hardware and work produced by some of the world’s best designers. Unfortunately, the IP system is not on the side of businesses like ours.”

Colin Wright

COPYING IS STEALING “When our products are knocked-off, it steals from our passionate craftspeople, steals royalties from our designers, and directly affects our ability to continue doing what we do. Not only that, the impact sends a ripple effect through the local economy of businesses and people we employ.” Gordon & Susan Tait

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week

Presented by the Victorian Government and the National Gallery of Victoria, the 11-day festival hosts a city-wide program of talks, exhibitions and workshops. In 2021 Melbourne Design Week explored the theme ‘Design The World You Want’, asking designers to consider how they could collaborate to create a better and healthier future. This year the program continues this call-to-action to celebrate the diverse ways design can contribute to a better future.

March 17-27th

designweek.melbourne

RESULT Chair, Friso Kramer & Wim Rietveld (1950), HAY

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week AUTHENTIC DESIGN ALLIANCE presents CAGED by Ash Allen Collaborating with designermaker Ash Allen, the ADA joins Futures Collective at the historic Villa Alba Museum with CAGED, a selling exhibition of one-off interpretations of iconic furniture and lighting pieces expressing that knockoff and replica furniture copies are empty and meaningless.

THE CHAIRITY PROJECT The fourth edition of Chairity, partnered with HAY, invites 20 creatives to reimagine the iconic Result Chair. The exhibited works of the original 1950’s design by Friso Kramer and Wim Rietveld will showcase at Cult Melbourne before travelling to Sydney for the culmination of the auction, with all proceeds donated to selected charities. cultdesign.com.au THE CHAIRITY PROJECT Auction Closes March 31st

Cult Melbourne March 17-21st

Cult Sydney

March 28th April 1st

design week.melbourne CAGED by ASH ALLEN presented by the ADA March 17-26th FUTURES COLLECTIVE at Villa Alba Museum 44 Walmer St, Kew Daily from 11.00 am Thursdays to 8.00 pm (Closed Monday) FREE TO ATTEND, BOOKINGS ESSENTIAL TICKETS spenceandlyda.com.au/mdw

FUTURES COLLECTIVE HOSTED TOURS MEET THE DESIGNERS Saturday, March 19th 10.00-11.00am & 4.00-5.00pm Saturday, March 26th 10.00-11.00am TICKETS $10-15 PROGRAM & BOOKING spenceandlyda.com.au/mdw

SAY IT LOUD

Naarm, Melbourne We are very proud to support the Australian debut of SAYIT LOUD. This global initiative cultivates and elevates the contributions of women and BIPOC designers to raise the visibility of their contributions to the built environment. An exhibition themed ‘To see our faces, hear our voices, feel our impact within the colourful tapestry of our heritage’ presents work across the built environment, showcasing Architecture, Interior Design, Furniture & Object Design and Urban Planning projects. designweek.melbourne SAY IT LOUD: March 17-27th No Vacancy Gallery 34-40 Jane Bell Lane Melbourne

RECULTIVATE presented by Tait

AFDA FINALIST EXHIBITION

Australia’s native grasslands and indigenous plants are vulnerable due to industrialised agriculture and urbanisation. ‘Recultivate’ spotlights the importance of preserving these Indigenous ecological sites by exploring how considered biophilic design within our urban spaces may assist in sustaining these vital ecosystems.

The Australian Furniture Design Award (AFDA) remains one of Australia’s richest design prizes. The bi-annual award presents the winner a $20,000 cash prize, an invitation to develop a commercial range or product with Stylecraft and a twoweek residence at Jam Factory Adelaide.

Partnering with Victorian Indigenous Nurseries CoOperative (VINC), Collingwood Yards, industrial designer Adam Goodrum, and other thought leaders in native ecology, Tait presents Recultivate accompanied by an enhanced digital experience. madebytait.com.au RECULTIVATE March 17-27th PROGRAM designweek.melbourne

The NGV and Stylecraft present 2022 finalist works by: Ashley Jameson Eriksmoen Chris Connell Danielle Brustman Elliot Bastianon Trent Jansen stylecraft.com.au AFDA Finalist exhibition March 17-27th Stylecraft, 145 Flinders Lane Melbourne

Collingwood Yards 35 Johnston St, Collingwood

MARCH 17-27th NO VACANCY GALLERY, 34-40 JANE BELL LANE MELBOURNE

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week Made in Ratio Collection by Brodie Neill

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week

Brodie Neill, Into the Deep Australian designer Brodie Neill built furniture as a teenager in his spare time, so it’s no surprise that it led to a furniture degree at the University of Tasmania. With sights set on a global career, he then completed a Masters in Furniture Design at Rhode Island School of Design in the US before moving to the UK in 2006. Soon, his work joined collections with European brands, including Kundalini, Riva 1920 and Swarovski, before Neill launched self-designed and self-produced furniture brand Made in Ratio in 2013 from his East London studio. Frustrated by the lack of opportunity to be fully immersed in the product development process when working externally with companies, Brodie was motivated to go it alone. The essence of Made in Ratio is born of the craftsmanship learned from his early training in Tasmania and honed with the connections to British and European manufacturing. Working alongside some of the finest craftspeople in Europe and championing time-honoured materials, the collection marries innovation with design excellence. Signature to Brodie’s design practice, forms explore fluidity, as he finds himself drawn to the notion of the continuous loop and the endless form of eternity.

In October, Neill collaborated with Design Tasmania and Hydrowood to present ‘ReCoil’ during London Craft Week alongside ‘Continuum’ a selection of his major upcycled works. Taking a material-first approach, Neill used Hydrowood scrap veneers to painstakingly create the

When I look at fragments of ocean plastic or offcuts of timber, I don’t see waste; I see potential” An early proponent of sustainable design, Neill looks to discarded or overlooked materials to develop one-off and limited-edition collectable works. His ‘Gyro’ table was featured at the Australian Pavilion during the London Design Biennale 2016 and joined NGV Triennial last year. The mesmerising work is a modern rendition of the traditional specimen table modernised using a self-developed composite material made from ocean plastic waste. Collaborating with an international network of scientists, researchers, environmental experts, beachcombers, engineers, artisans and manufacturers to collect and reconstitute small fragments of plastic washed up on the shores around the globe. Brodie produces the terrazzo-like composite he calls ‘Ocean Terrazzo’ that is inlaid in a pattern that depicts the Earth’s longitudinal and latitudinal lines.

monolithic table that was handcrafted in his London Studio, the outcome emulating the growth radials found in trees.

FULL CIRCLE BEGINNING WITH THE END

INTO THE DEEP in conversation with Brodie Neill

Hydrowood reclaims trees lost underwater when a forest in the Pieman river valley on Tasmania’s rugged west coast submerged for a hydroelectric scheme in the 1980s.

Panel discussion by leading architects exploring the role of architecture in the circular economy.

Thursday, March 17th 6.30-9.30pm TICKETS Eventbrite

Discover the MADE IN RATIO collection at Living Edge

Thursday, March 24th 6.30-9.30pm TICKETS Eventbrite

650 Church Street, Richmond livingedge.com.au

MELBOURNE DESIGN WEEK designweek.melbourne

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week + Futures Collective

Álvaro Catalán De Ocón Protesting Waste By Design Presented by Spence and Lyda for MDW22 Acclaimed Spanish designer Álvaro Catalán de Ocón burst onto the global design scene ten years ago at Rossana Orlandi with PET Lamps. The collection combines PET plastic bottles with selected traditional weaving techniques from different corners of the world to create unique handmade lampshades. FUTURES COLLECTIVE TALK AFTER DARK AT VILLA ALBA ÁLVARO CATALÁN DE OCÓN in Conversation with Ewan McEoin NGV Tuesday, March 22nd 6.30-7.30pm TICKETS $15-35 Eventbrite spenceandlyda.com.au/ mdw

NGV TALK NGV Members Lounge ÁLVARO CATALÁN DE OCÓN in Conversation with Anne-Maree Sargeant Thursday, March 24th 6.30-8.00pm TICKETS $40 Eventtbrite spenceandlyda.com.au/ mdw

In Australia, for the first time for MDW22, Spence and Lyda are delighted to introduce Álvaro to present Plastic Rivers, a collection of woven rugs with yarn made from recycled PET plastic waste. Each rug is hand-tufted and crafted without knots, using yarn produced from recycled plastic bottles to create detailed aerial views of the planet’s most polluted rivers. The Plastic River No.6 Ganges rug is particularly notable given the recycled materials have been sourced from the surroundings of the depicted river. Crafted in collaboration with GAN Rugs’ team of local artisans in India, the weave is a highly soft, resistant, and durable textile that one might question whether it is wool and not upcycled plastic waste. Unlike a wool rug, Plastic Rivers are suitable for either indoor or outdoor use, and their 100% recycled composition makes them fully recyclable at the end of their long land latitudinal lines.

Plastic Rivers available exclusively from Spence and Lyda spenceandlyda.com.au

No.8/Feb-March 2022 authenticdesignalliance.org

Melbourne Design Week + Futures Collective LACE by Marlo Lyda

Futures Collective at Villa Alba Museum 2.

Spence and Lyda present ‘Futures Collective’ - a multi-faceted sustainability narrative for our time, housed at the historic Villa Alba Museum in Kew. The exhibition honours what Spence and Lyda do best - elevating mindful objects and the spaces we inhabit with crafted pieces of exceptional beauty and meaning. A refined curation will give visitors insight into the stories behind the creators and makers in a unique environment that reflects on the past whilst considering our best collective future. The second ‘Innate’ collection by Jon Goulder will showcase alongside works by Broached Commissions, rugs by Alvaro Catalan De Ocon (Spain), and contemporary furniture by rising British design star Lucy Kurrein. Marlo Lyda rejoins the MDW program, with the recent Design Academy Eindhoven graduate presenting ‘ORA’ - an exquisite series of objects that are ‘grown’ molecule by molecule over days in a bath that harvests waste copper and grows the material into entirely new forms.

Broached Recall, Coffee Table by Broached Commissions

Bibendum Sofa by Lucy Kurrein for Molinari Design

Authentic Design Alliance completes this special event with CAGED, a selling exhibition of one-off functional sculptures by Ash Allen, set in the immaculate gardens at the villa entrance. Futures Collective marks an exciting prequel to Spence and Lyda’s new Melbourne Showroom, launching soon. spenceandlyda.com.au/mdw Presented by Spence and Lyda, with Fiona Lynch Studios, Broached Commissions and Authentic Design Alliance

FUTURES COLLECTIVE for MDW March 17-26th

FUTURES COLLECTIVE HOSTED TOURS MEET THE DESIGNERS

Villa Alba Museum, 44 Walmer St, Kew

Saturday March 19th

Daily 11.00-6.00pm, Thursdays until 8.00pm Sunday 11.00-4.00pm, Closed Monday FREE TO ATTEND BOOKINGS ESSENTIAL TICKETS Eventbrite, Futures Collective © AUTHENTIC DESIGN ALLIANCE ®

Also joining the collective is a collaborative project by Fiona Lynch Studios, with the Fiona Lynch capsule collection, an installation of furniture and objects in geometric configurations made from tactile, upcycled elements such as metal and brick from the Ace Hotel building site in Sydney.

10.00-11.00am TICKETS - Eventbrite: Futures Collective

Saturday March 26th, 10.00-11.00am TICKETS - Eventbrite, Futures Collective

FULL PROGRAM designweek.melbourne No.8/Feb-March 2022 authenticdesignalliance.org

Presented By

AUTHENTIC DESIGN ALLIANCE

AUTHENTIC DESIGN ALLIANCE ® is a social enterprise leading the fight to stop furniture design theft in Australia. We exist to support and promote original creators, products and brands, and the people who make, sell and specify authentic furnishings. As a member-funded association contact us to learn more about how you can help stop design theft.

HELP STOP DESIGN THEFT // JOIN THE ADA NOW

No.8/Feb-March 2022 authenticdesignalliance.org

Join the ADA or follow //

DESIGN-MADE Podcast

authenticdesignalliance.org @authentic_design_alliance

(Coming in March)

design-made.org @design_made_