Nigel Hall - Here and Now, There and Then by Annely Juda Fine Art

Nigel Hall Here and Now, There and Then 3 November - 23 December 2016

Annely Juda Fine Art 23 Dering Street (off New Bond Street) London W1S 1AW ajfa@annelyjudafineart.co.uk www.annelyjudafineart.co.uk Tel 020 7629 7578 Fax 020 7491 2139 Monday - Friday 10 - 6 Saturday 11 - 5 cover: Here and Now, There and Then (floor mounted) 2016

This summer Nigel Hall was on a bus heading towards Nice airport when he became transfixed by the view through the windscreen: not the glittering Mediterranean or its attendant frieze of tall palms, but a row of manhole covers running down the centre of the road. These elliptical forms appeared to inflate – “like balloons” – as they got closer, becoming larger and rounder, before they were swallowed up beneath the front of the bus. For Hall this “logarithmic” progression of advancing and receding ellipses was at once entrancing, and simply another manifestation of a preoccupation with circles and ellipses that has become increasingly dominant in his work – an interest in which the apparently mundane touches on aspects of the universal. We are continually moving in the great orbit of the earth travelling around the sun, which is, as Hall points out, elliptical, rather than circular. This immense “stretch”, as Hall thinks of it, is echoed in the tightening curve of a rod with fish on the line, and in the gravitational pull of the hanging chain, which when inverted becomes in his mind the soaring catenary arc of Eero Saarinen’s Gateway Arch in St Louis, the tallest man-made monument in the Western Hemisphere, clad in stainless steel, which Hall travelled up in a little motorised car in 1967, as a student in America on a Harkness Fellowship. This formal delight informs the work in this exhibition in forms and structures that are determined equally by intuition and applied mathematics: from the large drawings with their painted ellipses and dense charcoaled circles to the central installation, from which the exhibition takes its name, in which the “morphing” of a series of elliptical and circular shapes cut through 160 sheets of plywood, is recorded in four monumental rectangular blocks, each composed of forty of these sheets. The four blocks face each other, each a metre and a half high, looking rather like enormous audio speakers. The empty spaces inside are made concrete in the cut-away sections, stacked in the centre of the group like a kind of dizzingly asymmetrical totem pole. This work takes Hall’s longstanding fascination with the polarities of internal and external form to a new level. While a computer charted the most direct route by which, for example, a pair of circles are transformed into an ellipse, the resulting multi-volumed tunnels are bewilderingly complex. Hall delights in the fact that these “simple Euclidean forms” have engendered structures that are “crazy, organic, totally unexpected.” Born in Bristol in 1943 and trained at the Royal West of England Academy and the Royal College of Art, Hall embodies a particular intergenerational moment in British sculpture. His early suspended and ceiling-bound sculptures position him as a linking figure between the slightly older post-constructivist New Generation group of sculptors who came in the wake of Anthony Caro, and the more conceptual approach of the so-called New British Sculpture of the 1980s. Yet Hall has always avoided becoming part of any school or tendency. He works in relative isolation in a converted church hall in south London, making all his work himself without assistants, as far as is practically possible. Hall’s career can be seen as a working through of the ramifications of a formative experience. At the age of 7 or 8, watching his maternal grandfather, a Bristol stone mason, cutting into a piece of Bath stone, he observed that the process created three elements: a line, an edge and a shadow. This

Here and Now, There and Then (floor mounted) work in progress

“magical” realisation set him off on a lifetime’s exploration of spatial and material ambiguity. Hall doesn’t now carve lines or edges, but fabricates them in exquisitely crafted joins of curved and polished plywood, or casts them in steel, in structures in which matters of alignment, of relative concavity and convexity, of what is behind or in front of what, of which shape is impinging on which, become of pressing importance. Spending time in this self-contained sculptural world, where objects have the honed precision of industrial components, and where there appears to be a conscious rejection of the organic in both forms and materials, it is disconcerting to discover that Hall’s principle influence is landscape. Hall has filled hundreds of sketchbooks with landscape drawings over the years, returning obsessively to particular places: the Mojave Desert near Los Angeles, where he spent two critical years (1967-9), where the brilliance of the light reduces everything to the essential; the immense valley of the Engadin in Switzerland, where the perpendicular campanile of the village of Soglio is the only “still” element in a landscape that appears to be in continual tumult of movement. Hall’s interest in landscape – which may, for him, be urban as much as rural – isn’t a matter of recreating what places look like, but of evoking phenomenological sensations of existing in physical space, in which sculptural form is stripped back to the barest essentials; with the memory of the place felt beneath the skin rather than in the mind’s eye. In the Soglio series, for example, the single vertical of the campanile is reduced to a steel bar, set across the mouth of a truncated cone, restricting its propensity to roll. This concern with the human relation to form and scale, to the distances that surround and define us, to our gravitational sense of the vertical and the horizontal, links Hall, without conscious intention, to the Renaissance humanist idea of the human body as an ideal unit of measurement; a notion reborn in le Corbusier’s concept of the Modulor, ideas which Hall’s asymmetrical 21st century sensibility instinctively subverts and reaches towards. This exhibition’s title refers back to a work implicitly embodying these notions, The Here and the Now, made for the interior of Salisbury cathedral in 2000: a telescoping series of aluminium tubes, fifty feet in length, suspended from the cathedral roof at the crossing of the nave and transept, directly beneath the majestic gothic spire. Where the spire reaches towards heaven, Hall’s counterpointing 21st century sculpture directs the mind to the gravitational pull of the centre of the earth, making the viewer “absolutely aware” of their position in time and space. The title of the current exhibition, however, adds another dimension, that of memory. The work here is suffused for Hall with the presence of his late wife, the Iranian artist Manijeh Yadegar, who died in 2016. Two works in particular celebrate their forty-year relationship and express his sense of loss, pieces created in a moment when the studio was for him a place of life-saving solace: Spirit and One Plus One Equals One (for M.Y.). The latter piece embodies their relationship in what he calls a “simple equation”: an upright, elliptical yin-and-yang – a universally understood symbol of perfect balance – its concave form rendered in Hall’s favourite material, polished birch plywood. “But really,” he says, on reflection, “it’s just a sculpture. Nobody needs to know any of that.” Mark Hudson, September 2016

Here and Now, There and Then (floor mounted) 2016 birch plywood, 5 parts centre column 212 cm high blocks 146.5 cm high

Here and Now, There and Then (wall mounted) 2014 birch plywood, 8 parts 41.6 x 204 x 13.3 cm overall

Drawing 1711 2016 acrylic and charcoal on paper 152 x 192 cm

Mirrored 2011 phosphor bronze 300 x 325 x 65 cm

Drawing 1702 2016 acrylic and charcoal on paper 153 x 244 cm

Southern Shade V 2014 painted steel 180.5 x 170 x 49.3 cm

Drawing 1675 2014 acrylic and charcoal on paper 70 x 70 cm

Drawing 1677 2014 acrylic and charcoal on paper 70 x 70 cm

One Plus One Equals One (for M.Y.) 2016 polished wood 201 x 85 x 32 cm

Spirit 2016 polished wood 60.5 x 87.5 x 10 cm

The Valley Revisited 2014 polished wood 69.7 x 119.7 x 30.3 cm

Drawing 1709 2016 acrylic and charcoal on paper 244 x 153 cm

Drawing 1684 2015 acrylic and charcoal on paper 70 x 100 cm

Drawing 1692 2015 acrylic and charcoal on paper 70 x 100 cm

Drawing 1689 2015 acrylic and charcoal on paper 70 x 100 cm

Drawing 1714 2016 acrylic and charcoal on paper 100 x 70 cm

Here and Now, There and Then (animation) 2016 4 minute duration on loop animation: Ben Bisek, sound: Takeshi Suzuki

Nigel Hall in his studio 2016

BIOGRAPHY

SOLO EXHIBITIONS

1943 Born Bristol

1964 Studio 17, Bristol

1960-64 West of England College of Art, Bristol

1967 Galerie Givaudan, Paris

1964-67 Royal College of Art, London

1968 Nicholas Wilder Gallery, Los Angeles

1967-69 Harkness Fellowship, USA

1970 Galerie Neuendorf, Hamburg Galerie Neuendorf, Cologne Serpentine Gallery, London

1971-74 Tutor, Royal College of Art, London

1971 Studio Show, London

1974-81 Principal Lecturer, Head of MA Sculpture, Chelsea School of Art, London

1972 Nicholas Wilder Gallery, Los Angeles Felicity Samuel Gallery, London

1977-79 External Examiner, Royal College of Art, London

1974 Felicity Samuel Gallery, London Primo Piano Gallery, Rome Robert Elkon Gallery, New York

1979-83 Faculty Member of British School at Rome 1992-94 External Examiner, Royal College of Art, London 1995 Pollock-Krasner Award 2001 Residency at Chretzeturm, Stein Am Rhein, Switzerland 2002 Jack Goldhill Sculpture Prize, Royal Academy 2003 Elected to Royal Academy Lives and works in London

1975 Gallery Galax, Goteborg Galerie Jacomo-Santiveri, Paris 1976 Felicity Samuel Gallery, London Arnolfini Gallery, Bristol 1977 Robert Elkon Gallery, New York Tranegaarden Art Library, Copenhagen 1978 University of Melbourne Art Gallery Annely Juda Fine Art, London Institute of Modern Art, Brisbane Round House Gallery, London Chandler Coventry Gallery, Sydney Aberdeen Art Gallery, Scotland Geelong Art Gallery, Australia Shepparton Art Gallery, Australia Newcastle Art Gallery, Australia 1979 Primo Piano Gallery, Rome Robert Elkon Gallery, New York Benalla Art Gallery, Australia

Undercroft Gallery, University of Western Australia, Perth Southampton University Art Gallery Galerie Reckermann, Cologne Peterloo Gallery, Manchester (with Alan Green) 1980 Ceolfrith Gallery, Sunderland Arts Centre, Sunderland St Paul’s Gallery, Leeds City Museum and Art Gallery, Stokeon-Trent Warwick Gallery, London Nishimura Gallery, Tokyo Southill Park Arts Centre, Bracknell 1981 Galerie Maeght, Paris Juda Rowan Gallery, London 1982 Staatliche Kunsthalle, Baden-Baden Galerie Maeght, Zurich Galerij S65, Aalst, Belgium Gallery Kasahara, Osaka 1983 Robert Elkon Gallery, New York Galerie Maeght-Lelong, Paris (with Alan Green) Gallery Yuill/Crowley, Sydney 1984 Galerie Reckermann, Cologne Nishimura Gallery, Tokyo Galerie Klaus Lüpke, Frankfurt 1985 Juda Rowan Gallery, London Galerij S65, Aalst, Belgium Nicole Gonet, Arte Moderne, Lausanne 1986 Galerie Renée Ziegler, Zurich 1987 Veranneman Foundation, Kruishoutem Garry Anderson Gallery, Sydney Annely Juda Fine Art, London

Hete Hunermann Gallery, Düsseldorf

2002 Art Space Gallery, London

College, Cambridge Charing Cross Hospital, London

1988 Nishimura Gallery, Tokyo Galerie Renée Ziegler, Zurich

2003 Annely Juda Fine Art, London

2014 Galerie Andres Thalmann, Zurich (with Manijeh Yadegar) Hammersmith Hospital, London

1989 Galerie Blanche, Stockholm Studio 5 Gallery, Chippenham, Wiltshire Galerie Hans Mayer, Düsseldorf 1990 Garry Anderson Gallery, Sydney Deutscher Gallery, Melbourne 1991 Annely Juda Fine Art, London Galerie Terbruggen, Heidelberg 1994 Galerie Nova, Pontresina, Switzerland 1995 Galerie Renée Ziegler, Zurich Veranneman Foundation, Kruishoutem 1996 Annely Juda Fine Art, London Shell Technology and Research Centre, Amsterdam 1997 Veranneman Foundation, Kruishoutem Economist Plaza, London Park Ryu Sook Gallery, Seoul 1998 New York Studio School Gallery, New York 1999 Galerie Hans Mayer, Düsseldorf 2000 Konstruktiv Tendens, Stockholm Annely Juda Fine Art, London Galerie C. Hjärne, Helsingborg Park Ryu Sook Gallery, Seoul 2001 Sculpture at Schoenthal Monastery, Langenbruck

2004 Galerie C. Hjärne, Helsingborg Galerie Scheffel, Bad Homburg Kunsthalle Mannheim 2005 Annely Juda Fine Art, London Park Ryu Sook Gallery, Seoul Sala Pelaires, Palma de Mallorca 2006 Galerie Lutz und Thalmann,Zurich 2007 Galerie Scheffel, Bad Homburg Centre Cultural Contemporani Pelaires, Palma de Mallorca Die Englische Kirche, Bad Homburg 2008 Yorkshire Sculpture Park Park Ryu Sook Gallery, Seoul NSA Gallery, Hiroshima (with Manijeh Yadegar) 2009 Sala Pelaires, Palma de Mallorca Sindoricoh Company Gallery, Seoul Galeri C. Hjärne, Helsingborg 2010 City Arts Center, Oklahoma City Galerie Andres Thalmann, Zurich Galerie Scheffel, Bad Homburg 2011 Annely Juda Fine Art, London Quest Gallery, Bath Artists Laboratory, Royal Academy, London 2012 Burton Art Gallery, Bideford, Devon Galerie Andres Thalmann, Zurich Milton Gallery, St Paul’s School, London 2013 Jock Colville Hall, Churchill

2015 Galerie Alvaro Alcazar, Madrid Galerie Scheffel, Bad Homburg Chelsea Triangle Space, London Rootstein Hopkins Parade Ground, London 2016 1 Canada Square and Jubilee Park, Canary Wharf, London Annely Juda Fine Art, London

GROUP EXHIBITIONS 1967 Salon de Mai, Musée National de l’Art Moderne, Paris Maison de la Culture, Amiens 1967-69 New British Painting and Sculpture, UCLA Galleries, Los Angeles and subsequent tour of USA and Canada 1969-70 Young and Fantastic, ICA Gallery, London and subsequent tour of USA and Canada 1970-71 British Sculptors’ Drawings, Bonino Gallery, Buenos Aires and subsequent tour of South America 1972 Eight Individuals, Arts Council touring exhibition British Sculpture ‘72, Royal Academy, London Untitled 3, Penthouse, Museum of Modern Art, New York Salon des Réalités Nouvelles, Paris City Sculpture Project, Stuyvesant Foundation

ICA Gallery, London and subsequent tour of UK Art Systems, Museum of Modern Art, Buenos Aires Steel Sculpture, Mappin Art Gallery, Sheffield Serpentine Directions, Leeds City Art Gallery and subsequent tour of UK Sculptor’s Drawings, Margo Leavin Gallery, Los Angeles and J L Hudson Gallery, Detroit Drawing, Museum of Modern Art, Oxford 1973 Young English Artists, Goteborg Art Museum Perth Drawing International, Perth Earth Images, Gallery of Modern Art, Edinburgh and subsequent tour Square Collection, Arts Council touring exhibition 1974 Richard Demarco Gallery, Edinburgh Bradford Print Biennale (Alecto Commission Prize) 1975 British Art Mid ‘70s, Jahrhunderthalle, Hoechst International Exhibition of Graphic Art, Ljublijana 9th Paris Biennale, Museum of Modern Art, Paris The Condition of Sculpture, Hayward Gallery, London Six Artists’ Drawings, Gardner Arts Centre, Brighton and subsequent tour Works on Paper, Robert Elkon Gallery, New York 1976 Arte Inglese Oggi (1960-76), Palazzo Reale, Milan Sydney Sculpture Biennale 1977 Plan and Space, Academy of Fine Art, Ghent Hayward Annual, Hayward Gallery, London

Documenta VI, Kassel Royal Scottish Academy Summer Exhibition (by invitation) CAS Works on Paper, Royal Academy, London 1978 National Gallery of Art, Cardiff McCrory Collection, Tel Aviv Museum Works on Paper, Robert Elkon Gallery, New York 1979 Contemporary Works on Paper, Gainsborough’s House, Sudbury The British Art Show, Mappin Art Gallery, Sheffield Drawings: Delap, Tucker, Hall, Robert Elkon Gallery, New York Drawings, New York Studio School, New York Today: British Art of 60’s and 70’s, Lunds Konsthall, Sweden 1979-81 Constructivism and the Geometric Tradition, McCrory Corporation Collection, touring exhibition: Albright-Knox Art Gallery, Buffalo, Dallas Museum of Fine Arts, San Francisco Museum of Modern Art, La Jolla Museum of Contemporary Art, Seattle Art Museum, Museum of Art, Carnegie Institute, Pittsburgh, William Rockhill Nelson Gallery and Atkins Museum of Fine Arts, Kansas City, The Detroit Institute of Arts, Milwaukee Art Center 1980 Reliefs: Formprobleme zwischen Malerei und Skulptur im 20. Jahrhundert, Westfälisches Landesmuseum, Münster and Kunsthaus, Zurich Skulptur im 20. Jahrhundert, Wenkenpark, Riehen/Basel The Leicestershire Collection, Whitechapel Art Gallery, London Bernard Meadows at the Royal College of Art, Fitzwilliam Museum, Cambridge

1981 Nature du Dessin, Centre Georges Pompidou, Paris Third Tolly Cobbold Drawing Biennale, Fitzwilliam Museum, Cambridge Five Sculptors (Biederman, Gummer, Hall, Kendrick, Oz), The Clocktower,New York Dessins, Galerie Maeght, Paris 1981-82 British Sculpture in the Twentieth Century Part II: Symbol and Imagination 1951-80, Whitechapel Art Gallery, London 1982 Aspects of British Art Today: Tokyo Metropolitan Museum, Tochigi Prefectural Museum of Fine Arts, National Museum of Modern Art, Osaka, Fukuoka Art Museum, Hokkaido Museum of Modern Art, Sapporo Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh 1983 Drawing in Air, Sunderland Arts Centre; Glynn Vivian Gallery and Museum, Swansea; City Art Gallery and Henry Moore Study Centre, Leeds The Sculpture Show ‘83: Selected New Work by Fifty Sculptors, Hayward Gallery, London Sculptures, Nishimura Gallery, Tokyo 1984 Five Sculptors, Juda Rowan Gallery, London Artists Design for Dance, Arnolfini Gallery, Bristol British Contemporary Drawings, The Museum of Modern Art, Shiga, Otsu City 1984-85 Sculptors’ Drawings, British Council touring show, Hyogo Prefectural Museum and subsequent tour of Japan, Korea and the Far East

1985 Twenty Five Years: Annely Juda Fine Art/Juda Rowan Gallery; Three Decades of Contemporary Art, Juda Rowan Gallery, London Harkness Arts, Air Gallery, London 1986 A Focus on British Art, International Cultural Centre, Antwerp 1987 Contemporary British Medals, British Museum, London Sculpture and Sculptors’ Drawings (Nigel Hall, Michael Kenny, David Nash), Annely Juda Fine Art, London British Artists Exhibition, Nishimura Gallery, Tokyo 1988 British Sculptors of the XX Century, Art Curial, Paris Stiftung Verenneman Vlaams, Cultural Centre, Belgium Olympiad of Art, Seoul 1988-89 Britannica, Trente ans de Sculpture, Musée des Beaux Arts André Malraux, Le Havre touring to Museum Van Hedendaagse Kunst, Antwerp and Centre d’Art Contemporain Midi-Pyrenées, Labège-Innopole, Toulouse 1989 From Picasso to Abstraction, Annely Juda Fine Art, London 1990 BP Oil Sculpture Exhibition, The Royal Festival Hall, London 1991 XV Biennale of Small Sculpture, Palazza della Ragione, Padova Ten British Artists, Nishimura Gallery, Tokyo 1992 Council for National Academic Awards Collection, John Jones Gallery, London

1993 Skulpturen, Galerie Heinz Teufel, Bad Munstereifel, Mahlberg Drawings in Black and White, Museum of Modern Art, New York Sculpture beside the Thames, Chelsea Harbour, London Art in the City, London Sculptors’ Drawings, Barbican Centre, London Partners, Annely Juda Fine Art, London 1994 Prints of Darkness, Fogg Art Museum, Harvard University, Cambridge, Mass British Drawings: A selection from the collection, Museum of Modern Art, New York 1995 A Passion for the New, New Art in Tel Aviv Collections, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 1996 Art-Science-Art, Shell Technology and Research Centre, Amsterdam A Sculptors Choice, Royal Academy, London 1997 A Changed World, British Council Touring Exhibition, Hindu Gymkhana, Karachi and The Old Fort, Lahore Collection I Sculpture, Nishimura Gallery, Tokyo 1998 British Sculpture, Schloss Ambras, Innsbruck Drawings by British Sculptors from Sculpture at Goodwood 1994-98, Pallant House Gallery, Chichester A Changed World, British Council Touring Exhibition, Johannesburg Art Gallery, South African National Gallery, Cape Town and National Gallery of Zimbabwe, Bulawayo 1999 The Shape of the Century 1900-1999, Salisbury Cathedral and Canary Wharf, London

Zum Kreis, Museum Zu Allerheiligen, Schaffhausen, Switzerland Sculptures De La Collection du British Council 1965-1998, Musée Des Beaux-Arts, Valenciennes New Arts Centre Sculpture Garden, Roche Court, Wiltshire A Changed World, British Council Touring Exhibition, National Gallery of Zimbabwe, Harare and Museé des Beaux Arts, Valenciennes 20 Jahre Für Die Kunst, Galerie Dorothea van der Koelen, Mainz ‘45-99 - A personal view of British painting and sculpture by Bryan Robertson, Kettle’s Yard, Cambridge and Leicester City Museum 2000 Bronze: An Exhibition of Contemporary British Sculpture, Holland Park, London Sculpture at Schoenthal Monastery, Langenbruck Sculpture at Goodwood: Drawings and Models, Derby Museum and Art Gallery Beyond the Circle, Moran Museum, Seoul The Eye of the Storm, La Mandria Park, Turin Sculpture in the Open Air, Yorkshire Sculpture Park 2001 Out of Line: Drawings from the Arts Council Collection, York City Art Gallery and Tour Annely Juda Fine Art, London 2002 Sculpture at Salisbury Cathedral, Salisbury Thinking Big: 21st Century British Sculpture, Guggenheim Museum, Venice Dialogue Across Mountains, Swiss Embassy, London Poetics of Space, Galleri Il Prisma, Cuneo, Italy

2003 Sterling Stuff, The Sigurjon Olaffson Sculpture Museum, Reykjavik Overground: Contemporary Sculpture in Jubilee Park, Canary Wharf, London 20th Anniversary Exhibition, Park Ryu Sook Gallery, Seoul Donation Jeunet, Musée d’Art et d’Histoire, Neuchâtel Die Neue Kunsthalle II, Kunsthalle, Mannheim 2004 >Apriori< - 25 Jahre…, Galerie Dorothea van der Koelen, Mainz Visual Wit, Royal Academy, London Light, Nishimura Gallery, Tokyo 2005 Tom Bendham, Collector, Laing Art Gallery, Newcastle Upon Tyne, Bristol City Art Gallery, Gallery Oldham and Huddersfield Art Gallery 2006 Full House – Faces of a Collection, Kunsthalle, Mannheim Drawing Inspiration, Abbot Hall Art Gallery, Kendall Cumbria 2006 Beaufort, Inside, PMMK Museum of Modern Art, Ostend 2006 Beaufort, Outside, Blankenberge, Belgium 2007 Autumn Leaves, Galerie Lutz und Thalmann, Zurich (with Howard Hodgkin and Guido Baselgia) Relationships: Contemporary Sculpture, York Art Gallery Annely Juda – A Celebration, Annely Juda Fine Art, London 1907 – 2007: Hundert Jahre, Kunsthalle Mannheim 2008 Drawn to sculpture, Fermynwoods Contemporary Art Ltd, Kettering 8808 Outside In, Soma Museum of Art, Seoul

Abstraction, Otras Miradas, Pelaires Centre Cultural Contemporani, Palma de Mallorca 2009 40 Artists – 40 Drawings, The Drawing Gallery, Leintwardine, Shropshire 2010 Line and Colour in Drawing, Musees Royaux des Beaux Arts de Belgique International Sculpture in Racconigi, Racconigi Castle, Turin Crucible, Goucester Cathedral Snow Light, Galerie Andres Thalman, St Moritz 2011 Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Museum of Art, Rhode Island School of Design Flashback, Art Space Gallery, London Royal Academicians, Seongnam Arts Center, South Korea 2012 Kiev Sculpture Festival, Kiev Skulpturen Im Kloster Eberbach, Germany Encounter: The Royal Academy in Asia, Institute of Contemporary Arts of Lasalle College of the Arts, Singapore and Gallery of Katara Village Foundation, Doha, Qatar RA Now, Royal Academy of Art, London 2013 In The Mirror of Reality, La Galleria, Venice Big Formats, Galerie Andres Thalmann, Zurich Gifted: From Royal Academy to the Queen, Queen’s Gallery, Buckingham Palace, London 2014 Skulpturen im Kloster Eberbach, Germany Crucible 2, Gloucester Cathedral Sculpture in the City, City of London

2015 British Art +, Museum Biedermann, Donaueschingen Making It: Sculpture in Britain, 1977 – 86, Longside Gallery, Yorkshire Sculpture Park, Mead Gallery, Warick Art Centre, and City Art Centre, Edinburgh British Artists: Craig-Martin, Davenport, Hall, Hodgkin, Galerie Andres Thalmann, Zurich 2016 Jacobshallen Opening, Galerie Scheffel, Bad Homburg 10 Anos, Galeria Alvaro Alcazar, Madrid The Tim Sayer Bequest: A Private Collection Revealed, The Hepworth Wakefield City Sculpture Project 1972, Henry Moore Insitute, Leeds The Knaepen Collection - A Passion for Art, Annely Juda Fine Art, London PUBLIC COLLECTIONS Aberdeen Art Gallery, Scotland Arnolfini Trust, Bristol Art Gallery of New South Wales, Sydney Art Institute of Chicago, Chicago Arts Council of Great Britain Australian National Gallery, Canberra Bradford City Museum Bristol City Museum and Art Gallery British Art Medal Society, London British Council, London British Museum, London Chelsea and Westminster Hospital, London Contemporary Arts Society, London Council for National Academic Awards, London Churchill College, Cambridge Dallas Museum of Fine Art Department of the Environment, London Fred Jones Junior Museum of Art, University of Oklahoma Gallery of Modern Art, Edinburgh

Goteborg Art Museum, Sweden Government Art Collection, London Hammersmith Hospital, London Herbert Art Gallery, Coventry Huddersfield Art Gallery Iwaki City Museum of Modern Art The Jos Knaepen Fund, King Baudouin Foundation Coll., Belgium Kensington Leisure Centre, London Kettering Art Gallery Kettle’s Yard, University of Cambridge Kunsthalle, Mannheim Kunsthaus, Zurich Leeds City Art Gallery (McAlpine Loan) Leicestershire Education Authority Los Angeles County Museum Louisiana Museum, Denmark Melbourne University Art Gallery Middlesborough City Art Gallery Mildura Arts Centre, Australia Musée d’Art Contemporain, Marseille Musée d’Art et d’Histoire, Neuchâtel Musée d’Art Moderne, Brussels Musée National d’Art Moderne, Paris Museum Biedermann, Donaueschingen Museum im Kulturspeicher, Würzburg Museum of Art, Rhode Island School of Design Museum of Contemporary Art, Hiroshima Museum of Contemporary Art, Sydney Museum of Modern Art, New York Museum of Modern Art, Saitama Museum of Modern Art, Toyama National Museum of Art, Osaka National Museum of Contemporary Art, Seoul Nationalgalerie, Berlin Olympic Park, Seoul Power Collection, Sydney Royal Academy, London Royal Collection, Windsor Said Business School, University of Oxford Sapporo Sculpture Park, Sapporo Scottish Arts Council Schoenthal Monastery, Switzerland Sheffield Art Gallery

Soma Museum of Art, Seoul Southampton University Art Gallery Stavanger Art Museum, Norway Tate Gallery, London Tel Aviv Museum, Israel The Fitzwilliam Museum, Cambridge Tokyo Metropolitan Museum University of Essex, Colchester Veranneman Foundation, Kruishoutem Victoria and Albert Museum, London Victoria State Gallery, Melbourne Wakefield Art Gallery Warwick Arts Trust, London Weishaupt Forum, Ulm Wolverhampton Polytechnic York City Art Gallery

SELECTED CORPORATE COLLECTIONS Advokataktiebolaget Urban Jansson and Partners, Landskrona Airbus Industrie, Toulouse Akin, Gump, Strauss, Hauer and Feld LLP, New York Arthur Anderson & Co, London AXA AG, Cologne Bank of America, London Bank of America, Paris Bank for International Settlements, Basel Banque Lambert, Brussels Bosch GmbH, Gerlingen British Airways British Oxygen Ltd British Petroleum, London Bryan Cave LLP, New York Business Design Centre, London Chemical Bank, New York Clifford Chance, London Colonia Versicherung, Cologne Deutsche Bank, Athens Deutsche Bank, London Deutsche Industrie Bank AG, Düsseldorf Deutsche Leasing, Bad Homburg Energiedienst AG, Laufenberg, Switzerland

Epstein Becker and Green LLP, New York Falcon Private Bank, Abu Dhabi, Geneva, Hong Kong, Zurich Fidelity, London Gelco Corporation, Minneapolis Glaxo Research & Development, Stevenage, Hertfordshire Global Crossing, London Goldman Sachs, London Hangilsa, Seoul Helaba Landesbank, Hessen-Thuringen, London Heuking Kühn Lüerwojtek, Düsseldorf High Q Foundation, New York IBM, London Industrie Kredit Bank, Düsseldorf Kirkpatrick Oil, Hennessey, Oklahoma Landesbank Rheinland-Pfalz, Mainz Landeszentralbank in Rheinland-Pfalz, Mainz London and Continental Bank, London London Docklands Limehouse Link McCrory Corporation, New York Mercedes-Benz, Sindelfingen Mercedes-Benz, Stuttgart National Westminster Bank, New York NTT, Tokyo NTT, DoCoMo, Kanagawa Prefecture Owens-Corning Fiberglas, New York Pakyoungsa, Seoul Pembroke Real Estate, London Pillsbury Winthrop LLP, New York Providence Towers, Dallas Prudential Corporation, London Qantas Airlines Rautaruukki Oy, Oulu, Finland Rexfield, Seoul Security Pacific Bank, London Skandinaviska Enskilda Banken, Sweden Sparkasse, Lörrach Stanhope Properties plc., London Sun Alliance, London Trinkhaus und Burkhardt, Düsseldorf Unilever Collection, London, Rotterdam US Trust Company, New York Yuyu Inc., Seoul

SITE SPECIFIC PROJECTS 1982 Wall mounted sculpture for entrance to Australian National Gallery, Canberra,365 x 730 cm 1983 Wall mounted sculpture for lobby of IBM Headquarters in London, 213 x 244 cm 1984 Wall mounted sculpture for Airbus Industrie, Toulouse, 167 x 244 cm 1985 Wall mounted sculpture for Museum of Contemporary Art, Hiroshima, 268 x 246.5 x 46 cm 1987 Free standing bronze sculpture for lobby of London & Continental Bank, 183 x 107 x 107 cm 1988 Free standing sculpture in cast bronze for Olympic Park in Seoul, 472 x 457 x 365 cm 1989 2-part wall relief in painted and gilded wood for entrance of Providence Towers, Dallas, 411 x 1460 cm 1990 Designed a brick wall for centre of Kingston-upon-Thames, c. 90 m long 1992 Free standing bronze sculpture commissioned by British Petroleum to be sited on the Warwick University Campus, 457 x 305 x 274 cm Free standing sculpture in brass for stairwell of the new offices of Clifford Chance, London, 198 x 91 x 91 cm 1993 Free standing steel sculpture for entrance to Thameslink Road Tunnel, London Docklands, 914 x 838 x 305 cm

1994 Wall sculpture in wood for Glaxo Wellcom Medicines Research Centre, Stevenage, Hertfordshire, in two parts: 210 x 350 x 40 cm and 250 x 250 x 60 cm

ments, Basel, 129.5 x 280 x 37.5 cm

1996 Wall sculpture in polished wood for Nippon Telegraph and Telephone, Tokyo, 200 x 300 x 60 cm

2009 Free standing bronze sculpture for 49 Park Lane, London, 250 x 66 x 56 cm

1998 Free standing sculpture in painted steel outside entrance to Nippon Telegraph and Telephone, DoCoMo, Kanagawa Prefecture, 332.5 x 474 x 254.5 cm 2001 Free standing sculpture in corten steel set in landscape at Schoenthal Monastery, Langenbruck, 360 x 828 x 192 cm 2002 Free standing sculpture in painted steel for private collection in Germany, 500 x 136 x 126 cm 2003 Wall mounted sculpture in varnished wood for Rexfield Golf Club, Seoul, 371 x 329 x 146.5 cm Free standing sculpture in corten steel for Bank of America, Canary Wharf, London, 230 x 230 x 125 cm 2005 Wall mounted sculpture in polished wood for Said Business School, University of Oxford, 320 x 212 x 49 cm 2006 Free standing sculpture in corten steel for Sparkasse in Lรถrrach, Germany, 320 x 162.7 x 113 cm 2006 Wall mounted sculpture in polished wood for Bank for International Settle-

2008 Free standing sculpture in corten steel for Energiedienst AG, Laufenburg, Switzerland, 293 x 300 x 160 cm

2011 Free standing sculpture in painted steel for Kirkpatrick Oil, Hennessey, Oklahoma, 269 x 73.4 x 68 cm 2015 Free standing sculpture in painted steel for Kensington Leisure Centre, London, 500 x 354 x 71cm

ISBN 978-1-904621-76-7 photography: Colin Mills; Mirrored Courtesy Galerie Scheffel, Germany computer assistance: Ben Bisek essay © Mark Hudson works © Nigel Hall catalogue © Annely Juda Fine Art / Nigel Hall 2016

Printed by Albe de Coker, Belgium