A N N E T T E PRATT INSTITUTE UNDERGRADUATE 17
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NY | 914.565.4573 | AVELIZ@PRATT.EDU WWW.ANNETTEVELIZ.COM
C O M P E T I T I O N S PRATT INSTITUTE
INTERNATIONAL MUSEUM of WRITING
DEAN’S LIST SPRING 20107, 2014, FALL 2013
URBAN SOSâ„¢ 2017: hOUR City by AECOM
UG | ARCHITECTURE | MAY, 2017
PRESIDENT’S LIST FALL 2016, SPRING 2016, FALL 2015, SPRING 2015 DESIGN 402-
DISTINGUISHED PROJECT REVIEW
CENTRAL PARK OF SONGDO, INCHEON | TEAM OF 10 ADVISORS: PHILLIPE BAUMANN + MICHAEL WEN SU
LISBON, PORTUGAL | | TEAM OF 5
BIODESIGN CHALLENGE
PROTOTYPE | PRESENTER Museum of Modern Art | TEAM OF 11 ADVISORS: RICHARD SARRACH + KATHERINE INGRAM
DESIGN 503-
HONORS AWARD JURY - TOP RUNNER UP 2ND
HONORS [3.6] THESIS HONORABLE MENTION
CITY TECH [NYCCT]
UG | B.TECH | TRANSFERED MAY, 2013 HIGHEST HONORS [3.8]
SKILLS RHINO -GRASSHOPPER REVIT -DYNAMO AUTOCAD MAYA V-RAY MAXWELL OFFICE ILLUSTRATOR PHOTOSHOP INDESIGN
A R C H I T E C T U R E AGNETA ARCHITECTS NEW YORK, NY | 917.821.9022 | JANUARY - MAY, 2017 Brooklyn Historical Society | Cultural Project - Brooklyn, NY Organization of exhibition spaces assist Red-line correction and sketch revision 6LWH YLVLWV DQG GLPHQVLRQ YHULÆ“FDWLRQ Mill work design assist and shop drawings Coordination of lighting and shading systems
SARRAZIN ARCHITECTURE PORT CHESTER NY | 914.584.8437 | MAY - AUGUST, 2014+MAY - AUGUST, 2015 5-7 Story | 30-60 units | Residential projects - Stamford, CT + White Plains, NY Single family | Residential design - Scarsdale, NY Residential site survey and documentation, SD, CD, and project sheet set-up Red-line correction and revision Hospitality | Restaurant Design | Commercial project - Stamford, CT Survey interior space, assist w/ organization of equipment, sitting and bar design 3D modeling, interior scene visualization, exterior renderings Fabrication of center ceiling panels - Peruvian Scene molded
A C T I V I T I E S
3D PRINTING CNC MILLING LASER CUTTING TIG WELDING OXY WELDING
TEACHING ASSISTANT
ENGLISH | FULL PROFICIENCY SPANISH | NATIVE
FAMILY ART PROJECT LEADER
RESUME
I N T E R N
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Beth Oâ&#x20AC;&#x2122;Neill
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Anthony Buccellato
Richard Sarrach
Dragana Zoric
3Ç¢(06 $5Ç¡+,9( Ran Oron
Carlyle Fraser
Dukz Koschitz
PRATT INSTITUTE | AUGUST, 2016 - MAY, 2017 DESIGN 1, TECHNICS, REPRESENTATIONS 2
WAVE HILL | MAY - AUGUST, 2015 + MAY - AUGUST, 2016 VOLUNTEER https://www.linkedin.com/in/annette-veliz-394461103 http://meritpages.com/Annetteveliz http://archinect.com/aveliz https://www.instagram.com/annetteveliz/
WORK SAMPLE Full version
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h t t p s : // i s s u u . c o m / a n n e t t e v e l i z / d o c s / a n n e t t e _ v e l i z _ 0 6 - 2 0 1 7 _ p o r t f o l i o
A
N
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V
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L
I
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NY | 914.565.4573 | AVELIZ@PRATT.EDU WWW.ANNETTEVELIZ.COM
C O M P E T I T I O N S PRATT INSTITUTE
INTERNATIONAL MUSEUM of WRITING
DEANâ&#x20AC;&#x2122;S LIST SPRING 20107, 2014, FALL 2013
URBAN SOSâ&#x201E;¢ 2017: hOUR City by AECOM
UG | ARCHITECTURE | MAY, 2017
PRESIDENTâ&#x20AC;&#x2122;S LIST FALL 2016, SPRING 2016, FALL 2015, SPRING 2015 DESIGN 402-
DISTINGUISHED PROJECT REVIEW
CENTRAL PARK OF SONGDO, INCHEON | TEAM OF 10 ADVISORS: PHILLIPE BAUMANN + MICHAEL WEN SU
LISBON, PORTUGAL | | TEAM OF 5
BIODESIGN CHALLENGE
PROTOTYPE | PRESENTER Museum of Modern Art | TEAM OF 11 ADVISORS: RICHARD SARRACH + KATHERINE INGRAM
DESIGN 503-
HONORS AWARD JURY - TOP RUNNER UP 2ND
HONORS [3.6] THESIS HONORABLE MENTION
CITY TECH [NYCCT]
UG | B.TECH | TRANSFERED MAY, 2013 HIGHEST HONORS [3.8]
SKILLS RHINO -GRASSHOPPER REVIT -DYNAMO AUTOCAD MAYA V-RAY MAXWELL OFFICE ILLUSTRATOR PHOTOSHOP INDESIGN
A R C H I T E C T U R E AGNETA ARCHITECTS NEW YORK, NY | 917.821.9022 | JANUARY - MAY, 2017 Brooklyn Historical Society | Cultural Project - Brooklyn, NY Organization of exhibition spaces assist Red-line correction and sketch revision 6LWH YLVLWV DQG GLPHQVLRQ YHULÆ&#x201C;FDWLRQ Mill work design assist and shop drawings Coordination of lighting and shading systems
SARRAZIN ARCHITECTURE PORT CHESTER NY | 914.584.8437 | MAY - AUGUST, 2014+MAY - AUGUST, 2015 5-7 Story | 30-60 units | Residential projects - Stamford, CT + White Plains, NY Single family | Residential design - Scarsdale, NY Residential site survey and documentation, SD, CD, and project sheet set-up Red-line correction and revision Hospitality | Restaurant Design | Commercial project - Stamford, CT Survey interior space, assist w/ organization of equipment, sitting and bar design 3D modeling, interior scene visualization, exterior renderings Fabrication of center ceiling panels - Peruvian Scene molded
A C T I V I T I E S
3D PRINTING CNC MILLING LASER CUTTING TIG WELDING OXY WELDING
TEACHING ASSISTANT
ENGLISH | FULL PROFICIENCY SPANISH | NATIVE
FAMILY ART PROJECT LEADER
RESUME
I N T E R N
01 02
7+( $57(5,$/ 3/$1(
03 04
:$7(5 -Ç¢851(<
05
%$6(ǥ Ǣ1 3$5$0( 7(56
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07 08
5(6,Ç¥8( 63$Ç¡( 1<Ç¡
09
38%/,Ç¡ 1 $785(
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/,1( 3/$1( 9Ç¢/80(
Michael Su & Philippe Baumann
/28' &,7< Robert Siegel
Beth Oâ&#x20AC;&#x2122;Neill
ǥ(3Ǣ6,76 Ǣ) ǡ5($7,9,7< Eva Perez de Vega
Anthony Buccellato
Richard Sarrach
Dragana Zoric
3Ç¢(06 $5Ç¡+,9( Ran Oron
Carlyle Fraser
Dukz Koschitz
PRATT INSTITUTE | AUGUST, 2016 - MAY, 2017 DESIGN 1, TECHNICS, REPRESENTATIONS 2
WAVE HILL | MAY - AUGUST, 2015 + MAY - AUGUST, 2016 VOLUNTEER https://www.linkedin.com/in/annette-veliz-394461103 http://meritpages.com/Annetteveliz http://archinect.com/aveliz https://www.instagram.com/annetteveliz/
WORK SAMPLE Full version
click->
h t t p s : // i s s u u . c o m / a n n e t t e v e l i z / d o c s / a n n e t t e _ v e l i z _ 0 6 - 2 0 1 7 _ p o r t f o l i o
7 + ( $ 5 7 ( 5 , $ / 3 / $ 1 ( DESIGN STATEMENT Are there many Lisbons? Are they based on the individuals experiences and routines? Can they all merge and celebrate each other? May leisure, daily map, and street encounters live in a single combined space attracting both the permanent dweller and the temporary visitor. Our thesis is based on a criticism to the disconnected isolated park nodes and the street as a limited scape which controls encounters. $5&+ 7KHVLV 'HVLJQ Instructor: Michael Su & Philippe Baumann Collaboration with: Elard Timana
01 EXTERIOR - WATERFRONT NODE
LISBON, PORTUGAL
7 + ( $ 5 7 ( 5 , $ / 3 / $ 1 ( DESIGN STATEMENT Are there many Lisbons? Are they based on the individuals experiences and routines? Can they all merge and celebrate each other? May leisure, daily map, and street encounters live in a single combined space attracting both the permanent dweller and the temporary visitor. Our thesis is based on a criticism to the disconnected isolated park nodes and the street as a limited scape which controls encounters. $5&+ 7KHVLV 'HVLJQ Instructor: Michael Su & Philippe Baumann Collaboration with: Elard Timana
01 EXTERIOR - WATERFRONT NODE
LISBON, PORTUGAL
6.(7&+ 02'(/ 5,*+7 The streets in most cities has become static. Datums where spaces and activities depart from, but not the host. This sketch model is questioning the idea of what if the street datum will expand? Through the process of delamination, creating new public spaces above and bellow the existing city. While doing so it will also begin to uncover the hidden spaces within the city, opening up culture and providing a different overview of Lisbon, Portugal.
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LISBON, PORTUGAL
6.(7&+ 02'(/ 5,*+7 The streets in most cities has become static. Datums where spaces and activities depart from, but not the host. This sketch model is questioning the idea of what if the street datum will expand? Through the process of delamination, creating new public spaces above and bellow the existing city. While doing so it will also begin to uncover the hidden spaces within the city, opening up culture and providing a different overview of Lisbon, Portugal.
'$< 72 1,*+7 (;3/2'(' 12'(
LISBON, PORTUGAL
PERFORATION AT PARK NODE
LO N G S E C T I O N - I N N E R FA B R I C T O WATERFRONT
UNCOVERING - TIDING SPACES
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PERFORATION AT PARK NODE
LO N G S E C T I O N - I N N E R FA B R I C T O WATERFRONT
UNCOVERING - TIDING SPACES
$%29( *5$3+,& 9,(: (;7(5,25 3$5. 12'( CENTER - INTERIOR SPACES
/ 2 8 ' & , 7 < DESIGN STATEMENT
The studio requirement for this semester was to design a dormitory with 110
bedrooms, to follow and respond to all zoning and code regulations, while creating a diverse environment for Prattâ&#x20AC;&#x2122;s creative students. The approach my partner and I took was to use the site a type of legend, use to organize type of units, and facade VWUDWHJLHV 7KH VLWH LV D FRUQHU FRQGLWLRQ LQ %URRNO\Q 1< DW WKH LQWHUVHFWLRQ RI 0\UWOH $YHQXH D PRVWO\ FRPPHUFLDO KLJK SHGHVWULDQ FDU WUDIĆ&#x201C;F VWUHHW DQG *UDQG $YHQXH DQ DOO UHVLGHQWLDO TXLWH VWUHHW ZLWK RQH ZD\ WUDIĆ&#x201C;F RQO\ 7KLV G\QDPLFV ZHUH ZKDW determined the design . 6+++ /(7 7+( &,7< 63($. LOUDER PLEASE!
$5&+ &RPSUHKHQVLYH 'HVLJQ Instructor: Robert Siegel Collaboration with: Sharvari Mhatre
40'-0" MIN. 65'-0" MAX. 80'-0" 15'-0" NARROW ST. 10'-0" WIDE ST
CORNET LOT COVERAGE:
100'-0"X100'-0" 80% (8,000 SQ FT)
SIDELOT COVERAGE:
100'-0"X50'-0" 65% (3,250 SQ FT)
50'-0"
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The studio requirement for this semester was to design a dormitory with 110
bedrooms, to follow and respond to all zoning and code regulations, while creating a diverse environment for Prattâ&#x20AC;&#x2122;s creative students. The approach my partner and I took was to use the site a type of legend, use to organize type of units, and facade VWUDWHJLHV 7KH VLWH LV D FRUQHU FRQGLWLRQ LQ %URRNO\Q 1< DW WKH LQWHUVHFWLRQ RI 0\UWOH $YHQXH D PRVWO\ FRPPHUFLDO KLJK SHGHVWULDQ FDU WUDIĆ&#x201C;F VWUHHW DQG *UDQG $YHQXH DQ DOO UHVLGHQWLDO TXLWH VWUHHW ZLWK RQH ZD\ WUDIĆ&#x201C;F RQO\ 7KLV G\QDPLFV ZHUH ZKDW determined the design . 6+++ /(7 7+( &,7< 63($. LOUDER PLEASE!
$5&+ &RPSUHKHQVLYH 'HVLJQ Instructor: Robert Siegel Collaboration with: Sharvari Mhatre
40'-0" MIN. 65'-0" MAX. 80'-0" 15'-0" NARROW ST. 10'-0" WIDE ST
CORNET LOT COVERAGE:
100'-0"X100'-0" 80% (8,000 SQ FT)
SIDELOT COVERAGE:
100'-0"X50'-0" 65% (3,250 SQ FT)
50'-0"
100'-0"
REAR YARD 30'-0"
90'-0"
55'-0"
SIDE LOT
CORNER LOT
NARROW ST. SETBACK 15'-0"
GRAND AVENUE
R7A
BASE HEIGHT: MAX HEIGHT: BUILDING SETBACKS: REAR YARD:
NARROW STREET
ZONE:
WIDE ST. SETBACK 10'-0"
100'-0"
02 EXTERIOR - GRAND AVE VIEW
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: $ 7 ( 5 - 2 8 5 1 ( < DESIGN STATEMENT What potential does water have? To serve one as a type of inspirational tool for the user. Water is channel through the roof and at ONE point merges with the user for an experience of smell, sight and sound. The circulation of the public is scenic, along the exterior; with one side viewing the shore and the other viewing the professional rowing team, a journey of water and information. MERGE ME W/ WATER! TAKE ME FROM INTEREST TO MOTIVATION.
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