Anthology Magazine issue 16

Page 94

REMBRANDT

words edel cassidy

Rembrandt’s finest prints go on display at the Crawford Art Gallery, Cork

A

new exhibition at Cork’s Crawford Art Gallery invites visitors to encounter the astonishing work of Rembrandt van Rijn. Rembrandt in

Print presents fifty of the Dutch Master’s finest works.

‘A variety of subject matters from portraiture to landscape, and from the biblical to the everyday, are explored in the exhibition’

Rembrandt van Rijn (1606–1669) is widely hailed as one of the greatest painters of the Dutch Golden

The works featured in the exhibition are on

Age and one of the most experimental printmakers

loan from the Ashmolean Museum, the Univer-

of the seventeenth century. This exhibition presents

sity of Oxford’s museum of art and archaeology,

Rembrandt as an unrivalled storyteller through a se-

which was founded in 1683. Rembrandt in Print

lection of outstanding prints ranging from 1630 until

presents fifty of the Dutch Master’s finest works

the late 1650s. Through these works, viewers will

from the museum’s world-class collection of over

be exposed to the artist’s inventive techniques and

200 etchings and drypoints.

extraordinary skills. The prints, which are almost 400

Ashmolean curator, An Van Camp says: ‘This

years old, are perfectly preserved and, though small in collection of fifty works is the best-of-the-best of scale, reveal the exquisite, rich detail of his work. While most other contemporary printmakers

the Ashmolean’s outstanding Rembrandt prints collection. He created extraordinary prints by using

made prints of historical, religious, or mythological

existing techniques in his own artistic and innovative

subjects, Rembrandt also delighted in presenting

way. His prints range from squiggly, drawing-like

everyday scenes. The exhibition includes a range

sketches to more pictorial, heavily hatched composi-

of these images such as intimate family studies, a

tions. While seeming quite diverse at first sight,

selection of life-drawn nudes, and carefully detailed

all Rembrandt’s printed works are characterised by

characters observed on the streets. A variety of

his talent for storytelling and his keen observational

subject matters from portraiture to landscape,

skills. His subjects are steeped in drama, adding

and from the biblical to the everyday, are explored

atmosphere to views of the Dutch countryside or

in the exhibition, revealing not only Rembrandt’s

imbuing biblical scenes with lively characters.’

extraordinary talent but also his playful exploration

The Crawford Art Gallery is the only Irish venue

of printmaking techniques. One such technique was

where Rembrandt’s prints will be on view. It is fitting

drypoint, which he found created the velvety black

that the Dutch Master is exhibited in the historic

textures and tonal qualities associated with painting.

gallery at Emmet Place, which was once the city’s

He also experimented with various papers and was

Custom House when Cork was a thriving merchant

particularly drawn to Japan paper as its yellowish

port and there was a successful shipping trade be-

color was ideal especially for his landscape prints.

tween Ireland and Holland. Rembrandt in Print is sponsored by KLM Royal Dutch Airlines and is on display at the Crawford Art Gallery from 17 September 2021 – 9 January 2022. Exhibition highlights include:

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ANTHOLOGY


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