Motifs of the Large and Small Cupolas of the First Goetheanum

Painted by various artists (see article on opposite page).

Small Cupola

BELOW

ABOVE

L. The Round Dance of the Seven, the ‘A’ (Center-East)

R. God’s Wrath and God’s Melancholy, the ‘I’ (Center-East)

MIDDLE

L. The Circle of the Twelve, the ‘O’ (Far-East)

R. The Ancient Indian (South-East)

BELOW

L. Lemuria (South)

R. Greece and Oedipus (South-West)

OPPOSITE PAGE >

TOP

L. Jehova and the Luciferic Temptation—Paradise (Center-West)

R. Eye and Ear Come into Being (Center-West)

MIDDLE

L. The Elohim Work Creatively into the Earth (Far-West)

R. The Ancient Egyptian (North-West)

BOTTOM

L. Atlantis (North)

R. The Ancient Persian (North-East)

Laura Summer

The First Three Panels of The Foundation Stone Meditation

I spent the summer of 2020 in intensive meditation with the Foundation Stone Meditation. I also read the report of the Christmas Conference. I experienced more and more how each panel of the meditation contains a stage of a process. This work led to the three paintings.

Regine Kurek

That Good May Become

These visuals are large cotton banners that were painted during the August Manitoba Festival by eight participants. This was prepared for by some of us who set the stage, initially for the Novalis fairytale Hyacinth and Rosebud , a collaboration between the Literary and the Visual Art Sections. Because these banners showed an amazing versatility and created different moods through the lighting, they ended up accompanying all three evening performances. Every time, they seemed to create a new soul space for what was to come. In a way, one could say they reflected an archetypal journey: our human journey through time and space. Series continues on next page.