2012 ANNUAL by Antique Doll Collector magazine

Antique DOLL Collector January 2012 Vol. 14, No. 12

January 2012 Vol. 14, No. 12 $595 / $695 Canada www.antiquedollcollector.com

THERIAULT’S PREMIERE 2012 THREE DAY MARQUIS AUCTION WEEKEND OF EVENTS

JANUARY 13 – 15, 2012 N EWPORT B EACH , C ALIFORNIA

AT THE

W ESTIN S OUTH C OAST P LAZA

Ask a doll collector why a particular doll was chosen to enter one’s house and a myriad of reasons will be given: the quality, the rarity, the beauty. But more than all other reasons is this simple statement that recurs over and over again: “The doll just spoke to me”. It is the special privilege of the antique lover to hold in one’s hands not only the physical object of one’s delight, but also its particular past place in other people’s lives. For the collector of antique dolls that sense of personal connection to the past is especially intense, a doll sometimes seeming to radiate the very spirit of the child who cherished it in other times. Simply put, to speak. Theriault’s three-day weekend of extraordinary doll auctions in Newport Beach, California on January 13, 14, and 15, 2012 pays homage to this concept with a 500 lot auction of antique dolls entitled “Other People’s Lives”. Their January auction gala has become a classic event in the world of antique doll collecting, a must-go, must-see event offering the world’s most exceptional dolls and childhood ephemera. This year’s splendid offerings include fine French dolls from original French chateaux as well as private American collections, automata, and rare German characters, dollhouse shops and rooms including milliner’s shops from the famous Landsberg Museum of Germany, to begin to name the treasures. The antique doll auction takes place on Friday evening and all day Saturday, January 13 and 14. A 160 page full color catalog of the antique dolls, “Other People’s Lives” is available for $59 including priority shipping.

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Theriault’s Sunday Auction Of Vintage American Dolls The Sunday, January 15 auction will feature a fine collection of vintage American dolls from the golden 1950s, highlighted by a collection of more than 50 Cissy fashion models, rare and mint early Elise dolls, and including such rarities as the early Rosamund Bridesmaid. Of note is a collection of 12 Alexander dolls in their original Ice Capade costumes as created in the Ice Capades studios. Also included in the auction are 1950s vintage lady and child dolls from other firms including Miss Revlon, Toni, Sweet Sue, Betsy McCall, Harriet Hubbard Ayers, and Mary Hoyer. A catalog of the 1950s dolls titled “A Child’s Dream Come True” is available for $49 Including priority shipping. In addition, a Discovery Day auction of still more antique and vintage dolls will be held on Sunday. For more information about attending the auction, special group rates or ways to bid absentee, or to order catalogs visit www.theriaults.com, call 800-638-0422, or email info@theriaults.com. P O B o x 1 51 • A n n a p o l i s , M a r y l a n d 2 14 0 4 U S A • T e l e p h o n e 4 1 0 - 2 2 4 - 3 6 5 5 F a x 4 1 0 - 2 2 4 - 2 51 5 • w w w . t h e r i a u l t s . c o m

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the dollmasters

12/14/11 11:30:19 AM

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 13" RARE Tete Jumeau With Keywind Sleep Eyes, magnificent bisque, br. gl. eyes, luscious lashes, fabulous orig. mohair wig w/wraparound braid & orig. pate, orig. silk dress (melted) w/an extra dress, orig. cape, orig. "signed" shoes, undies, ant. Fr. hat & orig. "signed" body & marked head. Tremendous presence w/very rare sl. eyes w/key in back of her head to open & close eyes. OUTSTANDING!!! Great cabinet size!! $6200. 1-2 3. - 4. 11" JDK #237 Hilda Toddler, bl. sl. eyes, mint bisque, 2 upper teeth, orig. mohair wig & plaster pate. Wears magnificent ant. ribbon lace dress, orig. undies, matching ant. bonnet & orig. shoes. On her orig. fully jointed Toddler body & is the smallest size Hilda Toddler made. Absolutely ADORABLE!!! 5. - 6. 26” S&H #1279 Character, mint bisque, HUGE br. sl. eyes, 2 upper teeth, fabulous curly mohair wig, orig. pate, wears magnificent ant. lace dress w/silk underlining, orig. 5-6 7 undies, orig. leather shoes & the most incredible Fr. ant. pink velvet & lace hat. On great orig. S & H body. Incredible deep modeling w/dimples below eyes & chin. Crisp modeling, first out of the mold!! The BEST EVER!!!! $6775. 7. 11" JDK #211 "Sammy" Character Baby, open/closed mouth, beautiful light blue sl. eyes, orig. mohair wig, Kestner pate, wearing a darling batiste ant. baby gown. On orig. Kestner bent limb baby body. Incredible modeling & perfect mint bisque. Absolutely adorable!!! And only…$750. 8. 13 1/2" K * R 117N Flirty, br. flirty & sl. eyes, immaculate pale bisque, orig. auburn mohair wig & pate. ALL FACTORY original cotton & lace frilly dress, orig. undies, hat, shoes & socks. On GREAT orig. K * R body. She is an 9-10 absolute DARLING!!! Only…$1575. 9. - 10. 24” Rare DEP Jumeau #749, huge bulging blue threaded p/w eyes, immaculate bisque, 6 upper teeth, gorgeous vintage long HH wig, wears Fr. style dress, matching hat, all of ant. silk, crocheted socks & ant. leather shoes. On orig. chunky body w/ Bebe Jumeau label. GREAT presence. AMAZING face. From the rare 700 series & Incised DEP with mold number for Jumeau & the Fr. market. EXTRAORDINARILY BEAUTIFUL. $3400. 11. - 12. 19" K * R 117A Mein Liebling Cl/Mo., perfect bisque, blue sl. eyes w/orig. hair lashes & painted upper & lower lashes, cl/mo. pouty, orig. mohair wig & pate, wearing a darling ant. cotton dress, ant. Fr. velvet & lace hat, ant. undies, orig. shoes & crocheted socks. On GREAT orig. K * R body, wonderful full pouty mouth & the most soulful expression. She will melt your heart!!! A great Mein Liebling at a great price of…$4550. 13. - 14. 12 1/2' Au Nain Bleu Steiner Fire A Boy, mint pale bisque, magnificent blue p/w eyes, orig. mohair wig & pate, his fabulous ALL ORIGINAL Au Nain Bleu boys costume, orig. shoes, socks & fabulous orig. matching hat. On orig. Steiner body, clean, shiny & in unplayed with condition w/white painted Au LAYAWAY AVAILABLE Nain Bleu fingernails. Rare beautiful Steiner boy Member UFDC & NADDA in a darling cabinet size. GORGEOUS face & (Nat'l Antique Doll Dealers Assn.) soulful expression. $7200. Photos by Vincent Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

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Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

Happy New Year!

1 and 4. 20” Super special TeteJumeau, factory Jumeau mariner’s outfit and shoes. The camera loves this girl! $5975. 2 and 5. 12” Rare size for this warmhearted Schmitt bebe, incised “000” with shield mark on head, also marked derriere (slight bisque flaw). $11,900. 3 and 6. 18 1/2” Jumeau E8J, factory Jumeau mariner’s outfit and hat, orig. chestnut mohair wig, stunning beauty! $7650.

Exhibiting: January 28 - Verdugo Hills Doll Club Show and Sale, Glendale CA, Civic Auditorium

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray Sales Representative: Andy Ourant Circulation Director: Denise Kelly Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2011 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2012 by the Puffin Co., LLC.

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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

JANUARY 2012

Carmel Doll Shop

1. 10-3/4” Bebe Jumeau marked 1 over EJ – unusual, due to her “early portrait” look. Details include perfect bisque, pretty blue paperweight eyes with spiral threading, pierced ears and a darling original skin wig. On an 8-ball-jointed body with the original finish and Jumeau stamp. $9500. 2. 22” SFBJ 230 bebe, with perfect bisque, blue paperweight eyes, molded brows, an open mouth with teeth, and a fantastic original blonde mohair wig. Her fully-jointed composition body retains the original paint finish and she is beautifully attired. A darling French child in “from the family” original condition. $2900. 3. 19” factory-original Bru Bebe Teteur with a gorgeous perfect bisque head and shoulderplate, deep brown paperweight eyes, her original curly mohair wig, and pierced ears. Her Chevrot body, in spectacular condition, is complete with an intact paper label and features the carved wood arms. (Offered for a very short period.) She wears her original three-piece bebe ensemble of white cotton faille. $18,500. 4. 31” of sheer beauty is this fabulous Portrait Jumeau Fashion with a perfect head and shoulder plate, expressive brown paperweight eyes, pierced ears and a flattering original mohair wig. On a leather body with normal wear and some scattered patching, this doll’s presentation is beyond impressive. $14,500.

5. 21” E.9.D for Emile Douillet (a founding partner in Jumeau et Cie) with perfect bisque, deep blue paperweight eyes, pierced ears, and a wonderful auburn mohair wig. On a fully-jointed composition body in excellent condition (possible scattered re-touching) she is dressed to the nines in taupe satin with rich accents in dusty pink. $6200. 6. 19” Bebe Phenix impressed *90 on her head, with exceptionally lovely bisque, an antique mohair wig, and extra-beautiful blue paperweight eyes. The jointed composition body bears a few areas of in-painting and refreshing to the hands. Classic lines abound in her lovely bebe dress of taupe and dusty pink striped iridescent silk. $3900. 7. 18” Wigged China with a black-painted spot on top of the perfect shoulderhead, she wears a marvelous mohair wig in an elegant style secured by a lace snood. On an old leather body in good condition, she wears a glorious ball gown – an exquisite creation in cream silk with black lace and yards of garnet silk ribbon. $3200. 8. 16-1/2” poured-wax shoulderhead with amazing modeling, early threaded blue glass eyes, and an incredible original mohair wig. She retains her original pearl bead jewelry, and an ormolu hair comb with matching pearl decoration! On a stuffed cotton body with wax-over limbs, she “wears” yellow, high-button, molded boots, and her original gown of natural gauze and lace. A one in a thousand doll! $4950.

9. 20” circa 1840, carved wood shoulderhead lady with marvelous facial features, she has exceptional carved hair details that include a coiled bun. The paint in front is entirely original, although paint on the reverse has seen some refreshing. On her original leather body, (patching and front of leather feet replaced) it is fitted with carved wooden arms. A true rarity which could be easily confused with a papier-mache. $4700. 10. 7-1/4” Kestner All Bisque with a perfect swivel head, blue glass sleepeyes, gorgeous painting, and a remarkable long blonde mohair wig. Her body is perfect (save for a repair to the right bent arm) and features detailed hands and wonderfully detailed boots. An all-bisque that guarantees sweet dreams. $3200. 11. 9-3/4” Kestner All Bisque with pale gray, paperweight-like sleep-eyes, lovely painting and an auburn human hair wig. The 5-piece body is in perfect condition (normal flakes at the stringing holes), and features a clenched fist upon the right hand, and darling bare feet. Costumed in pink silk, the matching bonnet is adorable. $6800. 12. 22” Simon & Halbig 719 with perfect bisque, blue paperweight eyes in even eye-cuts, pierced ears, and a fabulous mohair wig worn in long curls. On a chunky jointed wood and composition body with straight wrists, it bears the original paint finish showing normal wear and scattered repairs. Her couture clothing is “a la Français.” $3200.

Visit WWW.CARMELDOLLSHOP.COM for a Large Selection! • Members of UFDC & NADDA Michael Canadas and David Robinson, P.O. Box 7198 Carmel, California 93921 • Email: mnd@redshift.com • (831) 625-5360 Visa • MasterCard • American Express • We Welcome Layaway • Always Buying, Selling and Trading Fine Antique Dolls COME VISIT OUR SHOP ON LINCOLN STREET, BETWEEN FIFTH AND SIXTH, IN DOWNTOWN CARMEL

32 January 2012 • Volume 14, Number 12

MISS ROSE PERCY by Donna C. Kaonis Our own national treasure raised over $20,000 at the recent fund-raising dinner in Gaithersburg, MD.

THE BEAUTIFUL ONE HAS COME

A VISIT WITH HELEN WELSH GASTALDO

ETRENNES… HAPPY NEW YEAR!

by Donelle Denery Dolls in elaborate presentations were a popular New Year’s Day gift in France.

by Kathy Embry Carl Halbig likened the legendary beauty of Nefertiti to the classical proﬁle of the company’s 1160 mold.

by Donna C. Kaonis A great collection is artfully displayed.

About The Cover

Rudy, a superb, all original 150 model by Simon Halbig, enjoys the quiet solitude of the beach. He is one of numerous dolls and miniatures belonging to Helen Welsh Gastaldo. You’ll enjoy this look at her fascinating and diverse collection. Photo by Keith Kaonis

14 Auction Gallery 59 Emporium 59 Mystery

60 Calendar 63 Classified

UFDC ANTIQUE COMPETITIVE EXHIBIT 2011 ANAHEIM, CA Part III

Photographed at the United Federation of Doll Clubs National Convention by Keith Kaonis

PATTY CAKE: HELEN TROWBRIDGE’S LAST DOLL by Don Jensen

This talented dollmaker would eventually retire to her life as a society matron.

ANTIQUE DOLL COLLECTOR

THERIAULT’S JANUARY AUCTION GALA IN SOUTHERN CALIFORNIA, JANUARY 13-15, 2011

JANUARY 2012

LENCI’S FEMME FATALE by Myra Fay Graubard The legend of Salome was captured in Lenci’s sensuous depiction.

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC and NADDA

212.787.7279

P.O. Box 1410 • NY, NY 10023 36” Spectacular SH 939 Christmas Doll – a lifelike beauty and prime example of this early mold with its 18-1/2” circ. head! Flawless quality, pierced ears, French wig, Jumeau brows, great chunky jointed body, all vintage clothes – plus antique dress not shown. She has it all! $2495 18” Victorian Die Cut – early St. Nick with cotton robe – a big one! $95

Any Fine Quality Doll, #1-16, is priced at $595…or

28” 1899 SFBJ Jumeau – early transitional model with PW sleep eyes, orig. mohair lashes, lovely bisque, hidden flaw beneath with, great orig. body and paint, just $895

LESS!!

Starting as low as $250 Many are in Original Clothes!

Call

212.787.7279

Quality Antique Dolls by Mail

212.787.7279

P.O. P P. O. Box 1410 • NY, NY 10023

18” Curly Top Lady – lovely vintage clothes with corset, wonderful lady body with finely glazed elegant limbs. $650 19” Exposed Ear Lady – fine quality and heirloom original with early flat sole porcelain boots and history. $395

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14” Early 1870’s Poupée – early pressed Bru era fashion, pierced-in ears, super fine quality, faint hl, original old body. $1900 12-1/2” Unusual Flange Neck Fashion – Rhomer style, sparkling quality bisque, orig. pate/wig, early blue eyes, original body. $2200

19-1/2” Stunning SFBJ 247 Character – tender heart-shaped face with a flush of blush and a dewy sheen, rare and impish flirty eyes, long French curls and jointed toddler body. A dear! $1750

23” Luxurious Eden Babe – ca 1890 by Fleischmann and Blodell, Paris. Careful details of quality, oily sheen, blue PW’s and two tone mouth are combined to create a luscious parfait! $2000

12” Unusually Small Chase – fresh, bright colors, deeply stippled hair, sateen covered body, original romper, all well preserved! $450

25” Factory Original Kestner 162 Lady – rare size and mint from wig and pate to the heeled leather shoes w/shapely lady body beneath fancy factory chemise with matching undies – all so pristine! $2250

26”Grand Size 1159 Halbig lady – splendid mint example featuring shapely lady body in a rare size, gorgeous bisque, hip length antique wig – she awaits your own special costume! Just $1795

9 10” Rare Heubach Toddler – mold ‘459’ with “breather” nostrils, distended “tribal” lower lip, sleep eyes, rarest of the South Seas Series! $1495 8” Gbr. Kuhnlenz Character – mint and factory original with ethnic features, fired-in color, original wig and baby too! $895 13

11 14” All Original Heubach Character – fairy tale perfect fully jointed toddler mold 8413, a magical child, twinkling eyes, closed smiling mouth and tip of tongue, mint mohair wig and the epitome of adorable original clothes and shoes! $2495

Mint McLoughlin Paper Dolls – the 2 dolls and their 12 costumes with hats – all are still uncut in the book – brilliant color! $150

See #10

See #9

Return Privilege • Layaways Member UFDC and NADDA

212.787.7279

20” Paris Genre Fashion – so elegant from her mint factory hang curls to leather shoes, closed mouth and regal vintage attire with gold mesh threading and matching bag! Stately! $1495

23” Simon Halbig 1279 Character – breathtaking describes this unusually Halbig with her round eyes, “fly away” brows and deep dimples; mint original wig and elaborate antique clothes – a must! $1800 18” Rare 1840’s KPM – one of the prettiest complexions on a KPM with finest details too - very deep dark yet brown hair, exposed ears molded breasts, original body/ arms, silk clothes with important bonnet and flat sole antique boots. This is the one! $4500

An American Master – from the early 1800’s comes this 22” historic, privately held oil painted rag recalling early American gallery portraits. All the original paint – no cleaning or touch-ups, and the original clothes make this doll unique, important and thrilling. $4000

12” Pierced Ear Lady – original body and delicate porcelain limbs w/ flat sole shoes $425 16” 1850’s Pressed China – Greiner hair, brown eyes, orig. body and limbs as above, vintage clothes. $895

7 Doll House Piano – Waltershausen, Germany, excellent condition complete with candlesticks! $450. 4-1/4” Elegant All Bisque – glass eyes, slender limbs, original fine silk with hat and bootines. $350 4-1/4” Barefoot All Bisque – in smart factory ensemble, chubby limbs include articulated toes! $375

See #1.

13” Bru ‘Smiler’ Poupee– scintillating chiseled beauty flaw, with original cork pate and the factory fancy coiffure wig, rear chip, original Bru. The Ideal body $2750

Exquisute KPM – see #5 14” Bru Face Belton – rare jointed version of the Circle Dot Bru, luscious modeling, delicate dewy bisque, classic full pout, huge PW’s, early jointed body and attic original clothes! $2800

Gbr. Heubach Winter Rarities – the two iconic Heubach Edwardian “muff” figures – 13” example housing her kitten from the cold; the other 12” shielding her face. Both mint! Rare.

13 14

12” Scarce G. Borgfeldt Toddler – fine quality, clever closed mouth ‘250/248’ with intaglio eyes, molded tongue and double chin! $575

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E&G Antiques 12

y We Bu Dolls

GERT LEONARD

Estab.

P. O. Box 296 1966 San Dimas, CA 91773 Phone (909) 599-2723 â&#x20AC;˘ Fax (909) 599-4355 Please visit my website: http://www.eandgantiques.com gertleonard@yahoo.com

1. 30" S. & H. #1249 - This lovely "Santa" is completely original from head to toe. She is a beauty with a very slight hairline (can only be seen with a light) This doll is very reasonably priced at only $950 2. 22" E.J. - This is a spectacular doll with huge blue eyes & original early 8 ball body. She is marked on her head, body & shoes. This doll is dressed in lovely antique clothes & very unusual marked red Jumeau shoes. $8950 3. 17" Kathe Kruse #1 - This very rare doll is in excellent condition. She has her original shoes & chemise. The little coat was added but looks adorable on her. $4500 4. 15" Kathe Kruse look alike - This cute German boy is all original & in excellent condition. $850 5. 14" J.D.K. Baby - This sweet little baby is in very good condition. She is nicely dressed in antique clothes $450 6. 8 1/2" S. & H. #1078 - She is a cute little girl with original wig & nice clothes. $485 7. 18" J.D.K. #260 - This fantastic character doll is in excellent condition. She has her mint, original fully jointed toddler body & flirty eyes. This is a charmer nicely dressed in antique clothes. $1250 8. 6 tiny dolls - They range from 1 1/4" to 2 1/2", all in good condition. $50 each 9. 8" Steiff yes & no bear - He is in very good condition. $450 10. 7" Steiff with button - Excellent condition $285 11. 8" German Baby - This is a very sweet little character baby in excellent condition. $485 Cradle is also nice. $250 12. 15" K * R #717 - She is a very nice celluloid doll in great condition. $325 13. 10" Kestner #257 - Twin babies in great condition in this nice cabinet size. They are little cuties with original wigs & nicely dressed. $650 each 14. 4 1/2" Kestner # 189 Googlies - These adorable little triplets are in excellent condition. They are all bisque, fully jointed with swivel heads. $750 each 15. 5 1/2" Kestner #189 Googlies - These twin little Googlies are fully jointed with swivel heads. They have original wigs & are in excellent condition. $1150 each 16. 5" All bisque babies - Three cute little all bisque babies with original wigs & handmade clothes. $285 each 17. 8" J.D.K. #260 - She is a very cute little toddler with original wig & nice old clothes. $550 18. 10" J.D.K. #260 - This little toddler is just adorable. She has her original wig & very cute clothes. $850 19. 5 1/2" Kestner # 402 - This is a very sweet little all bisque doll. She is fully jointed with swivel head. $850 20. 4 1/2" All bisque Kestner #164 - This is a very rare little Kestner with bare feet. She is in excellent condition. $1250

Auction Gallery

n early American clockwork toy, the “Automatic Sewing Machine and Girl,” featuring a parian head doll with metal hands and legs seated in a painted cast iron chair and operating a treadle powered sewing machine, with the original box, 9” x 8”, realized $23,000 at Noel Barrett ‘s November 18 auction.

T T

he extremely rare and seldom seen 106 by Kammer and Reinhardt, 21 inches, circa 1909, believed to be the work of sculptor Arthur Lewin-Funcke, soared to $135,000 at Theriault’s November 19 auction held at the Waldorf Astoria in New York City.

he seldom found closed mouth version of this mold incised Sie B 5, and in red script, “Steiner BTE SGDG Paris Bourgoin Succ,” 24-1/2 inches, brought $21,850 at James D. Julia’s November 30th auction. She is on her original fully jointed Steiner body.

his lovely poupee by Huret & Lonchambon, circa 1875, with articulated wood body by Anqueulle, with the original leather band with label by Huret, 18 inches tall, and wearing the original dress and chemisette by Mademoiselle Bereux, shoes by Maison Brasseur-Videlier, sold for approximately $23,000 at François Theimer’s November 26 auction in Paris.

“

arianna,” an important George II English wooden in the original court costume, c. 1747, brought approximately $91,000 (with premium) at the recent Bonham auction in Knightsbridge. Underneath the silk sack back dress, a coordinating cream silk underskirt, another layer in white cotton, a pink linen pannier with a pair of elaborate free hanging pockets, and yet another underskirt, long white cotton socks and pink silk shoes with ribbons and ties, with the original wooden box and handwritten note, “a doll given to Grandmama Marianna Davis in Paris when she was three years old …” 14

ANTIQUE DOLL COLLECTOR

JANUARY 2012

More Auction Gallery on page 58

6029 N. Northwest Highway, Chicago, Il 60631 • (773) 594-1540 • (800-442-3655 orders only) • Fax (773) 594-1710

Open: Tues., Wed., Sat. 10 a.m. - 5 p.m. Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun and Mon. Near O’Hare, Park Ridge & Niles, 3/4 miles east of Harlem Ave.

FOR CALL HLY MONTALS! SPECI

Parking in the rear of the building. Close to all major expressways and public transportation. Chicagolands’s ﬁnest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. • Member U.F.D.C. and NADDA • Checks • Layaway • Worldwide Shipping

Call for monthly specials! Check us out on the web at WWW.GIGISDOLLS.COM

20” C/M Steiner A Series No 3, blue paperweight eyes, brown HH wig, wafﬂe pattern coat dress w/ silk aqua trim and fabulous antique aqua velvet hat $5995

12” Bruckner Topsy Turvey Pat’d July 8, 1901, tagged dress, painted mask faces, all original $295

20” Rare Alexander Coco “Melanie” 1966 aqua blue taffeta dress, orig. hairstyle, Cameo necklace, replaced shoes, dress has small tear on back and a few spots $795

27” Tete Jumeau #12 size on blue stamped Jumeau body, brown PW eyes, pierced ears, orig. HH wig & cork pate, antique undergarments, socks, EJ Depose shoes $5900 10” 1920’s Steiff Bear, golden mohair, beautiful, felt pads, 1 replaced eye $950

25” Kestner #171 original body, mohair wig & pate, brown sleep eyes, o/m with teeth, peaches & cream complexion, small invisible hairline by right eye, antique underwear, special price $410 7” Bisque painted eye Googlie, Goebel P12-0 with molded curl and blue ribbon, 5 pc. Original body with Steiff bird $725

Kewpies 2.5” Turned shoulder head #926 8/6 stamped made in Germany, top of right wing as is $200 4” Crawling Kewpie on tummy, Rose O’Neil, great coloring $295 4.5” Kewpie, eyes to the right $135 2” Seated Kewpie, salt shaker with rabbit in basket, eyes to the left $220 6.5” Kewpie, eyes to the left, Kewpie heart on chest, Rose O’Neil paper tag on back, great expression $195

1910 Hertel Schwab & Co. 20” LWC 152/11 Baby, blue sleep eyes, great molding $525 15” 1950’s Steiff mohair bear, squeaker in body, does not work $295 7” 1920’s Steiff bear, mohair Sold

10” S & H 739 Af. Am., brown stationary eyes, mohair wig, orig. jointed leg body $950

18.5” S&H 1039 w/early high forehead, brown sleep eyes, pierced ears, momma strings in body, great molding $625 6” All bisque Chubby in molded sleeper w/ buttons up back, adorable expression, chip on top knot $195

17” RD (Rabery & Delphieu) Size 0, brown PW eyes, early ST wrist, 8 pc ball body, antique clothing $3250

16” S&H 1078 Af. Am. All original in regional costume, orig. black mohair wig, brown st. eyes $1250

16.5” Patti Jo, after cartoon character by Jackie Ornes, Terri Lee Patent Pending, tagged dress $1050 6.5” & 4.5” Steiff Molly dogs, US Zone Germany tags, Steiff buttons in ear, jointed heads, original ribbons $265 pair

26” CM Tete Jumaeu #12, brown HH wig, brown paperweight eyes, stiff wrist Jumeau blue stamped body, pierced ears $4150 7” Googlie #240 A & M on fur covered 5 piece body, blue intaglio eyes, molded hair, sweet doll $350

20” Alexander Cissy in tagged 1956 golden yellow satin cocktail dress & swing coat, yellow lace slip & panties, black shoes (elastic as is) $895 Adorable 24” K Star R #126, ﬂirty brown eyes, HH wig, original baby body, some paint touch up, white cotton lace antique baby doll dress $625 Steiff mohair Possy with chest tag & button, glass eyes $67 Steiff velvet Bambi, chest tag & button, black glass eyes, really cute $75

Baps Dolls by Edith von Arps, Germany, 1940s–1950s - cloth hand painted well detailed faces, felt covered armature bodies, lead feet 5” Snow White & The Seven Dwarfs ( 3” dwarfs) $250 4” Hansel & Gretel, adorable set $95 4.25” Little Bo Peep w/3 2” sheep $150 4.25” German Parents w/2 3” children $150

HOPE TO SEE YOU AT THE FOLLOWING SHOW: Jan 22, 9 am - 3pm Naperville Doll & Teddy Bear Show Wyndham Hotel 3000 Warrenville Rd.

17” Gotz Sasha Series, red head, grey eyes, all orig. in brown cord. dress, pants, brown leather shoes & white socks $1050 7.5” Norwegian Ronnaug Pettersen cloth doll w/blond mohair wig $110

18” Raggedy Ann by Molly 193537, re-dressed in vintage dress, great face, back of hair a little sparse $795 19” Georgene Raggedy Ann w/ black outline nose, orig. dress, tagged body, some soiling $325 13” 1940’s Two-faced awake/ asleep Georgene Raggedy Andy (asleep face as is)signed by Kim Gruelle 1999 $260 5” Schuco German perfume bottle bear, mohair legs are worn, was $275 now $225

Sandy’s Dream Dolls From Arizona to Texas Sandy Kralovetz

Always Buying Dolls of Quality Visit Our Showroom:

ANTIQUES ON 8 10 am to 6 pm 5455 West Sam Houston Pkwy North, Houston, TX

602.228.1829 • 281.339.0269 skayk43@aol.com Mailing Address: 9825 Moers Rd, Houston, TX 77075 Member UFDC & NADDA

Happy New Year!

Fine Antique Dolls Since 1979

Wishing you a Happy New Year!

Magnificent Bru 9 Jne, 21 inches tall, perfect except for repaired fingers. A Beautiful Example. Early 1st series Portrait Jumeau 3, some bisque flaws.

Satisfaction Guaranteed • Member of UFDC and DDA

lindak222@comcast.net • 804-364-1328

ANTIQUE DOLL COLLECTOR

JANUARY 2012

All Original, Jumeau 14 Brown PW Eyes $8900

A Visit with

Helen Welsh Gastaldo by Donna C. Kaonis

t the tender age of six Helen Welsh Gastaldo already knew the meaning of mint and boxed. On shopping expeditions her mother would buy her a Barbie with extra clothing, shoes and accessories. Helen valued her Barbies so much she wouldn’t play with them nor could any of her friends! “I would put a new outfit on the Barbie and then carefully wrap it back up in the original plastic cellophane wrapping.” A couple of years ago she finally parted with her original childhood Barbies at top prices. As a little girl she also collected ceramic horses and international dolls. Then like most of us other interests took hold, her marriage, jobs and two daughters, Kris and Heather, occupying every spare moment. About fifteen years ago with her daughters grown, she rediscovered dolls with a passion. Since then there has been no stopping her. Above: Although extremely difficult to find in good condition, Helen has managed to acquire an impressive collection of early Steiff velveteen animals. 18

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A small unmarked French fashion with lovely gray eyes.

Far left: Lenci’s chubby faced series are among Helen’s favorites. The girl holding the rooster, circa 1930, is from the desirable 1500 series. Left, Series 110/64 Lenci, c. 1927 with unusual leather shoes; circa 1930, this toddler in red has her name “Lusi” appliquéd on her pocket; rare winking model 264 from 1926. Below: The Lenci in pink is from the 1500 Grugnetto series, in blue, the 300 series; the Lenci miniatures, also known as mascots, are circa 1933. The one in red has floppy legs.

Right: This rare back doll is Series 112, and was made during the first years the company was in business. Below: Although Lenci concentrated on child and boudoir dolls, they did make a few babies with curved legs beginning in the 1920’s.

Today Helen lives in a beautiful suburban home with her husband John, a prominent neurosurgeon, and their cats, Gus and Caesar. John is a proﬁcient pilot and while the rest of us suffer the indignities of commercial ﬂying, they rent a plane at a nearby airport for their vacation travel as well as doll shows and auctions. On a personal note, I am fortunate to have Helen as a neighbor and good friend. Each morning, weather permitting, Helen runs by my house at approximately 5:30 am. I take her word for this as I am always sound asleep. She is passionate about her running and very disciplined. Just two weeks from now, she and John will be running in a half marathon at Disney World in Orlando.

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Small French dolls are easy to display and perfect for pairing with accessories. Shown here is a first series Portrait Jumeau and a Bru Brevete. Far right: The Jumeau automaton was purchased during a trip to Nice with her husband John. It shares the shelf with an E. J. 8 and a brown-eyed portrait Jumeau.

Dressed in red, an F.G. bebe with a leather covered body (formerly in the Dorothy Dixon collection) and another chubby cheeked F.G. bebe.

The beautiful Scottish lass is an all original Bru Jne, purchased from a local family who were the original owners of the doll. To her right an all original Tete Jumeau.

ANTIQUE DOLL COLLECTOR

Steiff character dolls. The gentleman with the pipe was purchased from last yearâ&#x20AC;&#x2122;s Steiff auction conducted by Christies of London.

Looking serenely beautiful is this E. J. 8.

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This lovely Jumeau came from the sale of the Mary Merritt Doll Museum.

Door of Hope dolls taught young Chinese girls important skills and gave them a renewed respect for their heritage.

A special shelf is reserved for Asian dolls including this impressive standing Simon Halbig 1329, 243 Kestner, 353 Armand Marseille and on the far left, an all bisque Kestner.

A darling character by Swaine in the original outfit. This same doll was pictured in the book, “Rare Character Dolls” by Maree Tarnowska.

25 Perfect bisque and mesmerizing eyes distinguish this Petite and Dumontier with metal hands.

Once Helen decided to collect dolls she took a mail order class in repair and restoration followed by a hands on course that taught her how to recognize repairs, hairlines, repaint and how to string dolls. “I wanted to be informed when I started buying dolls,” she said. Helen’s intent was to resell dolls but she found it was difﬁcult to part with them and in no time at all, she had a sizeable collection. Greiners followed by chinas were her ﬁrst loves, then German and French bisque and cloth dolls, especially Lencis, Kathe Kruse Victorian purses led to paintings on ivory which and Kamkins. Lately her focus has turned towards German bisque led to brooches, pins and mourning jewelry. ANTIQUE DOLL COLLECTOR

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Hans, K * R’s 114 mold with the cover doll, an all original Simon Halbig 150 named Rudy.

Kammer and Rheinhart’s mold 101, “Marie” and 114, “Gretchen.”

ANTIQUE DOLL COLLECTOR

A darling Kammer and Reinhardt bridegroom.

A pensive looking Kammer and Reinhardt character 101 (left) and a 109 are best friends.

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painted eye characters. “When I first started collecting, I thought I had to have one of everything, every Kestner mold for example. Finally I started to focus on what I loved the most, the characters. It is the face that attracts me and draws me in. If I see a doll and I can’t stop thinking about it, I have to go back and buy it. I think every collector knows when they have to have that certain doll. John can tell if a doll is going home with us just by my body language.” Where to look first! Dolls are displayed in virtually every room. The dining room houses Lencis and a wonderful collection of small velveteen Steiff animals. More of these are paired with dolls in other cases throughout the house, along with Victorian “fairings,” doll furniture, all bisques and toys. Rather than just lining her dolls up in a row, she tries to make her displays interesting by adding these interesting go-withs. Guests always notice something “new” each time they visit. In the living room, French and German bisque dolls, Steiff and Door of Hope dolls and in the Great Room more Lencis and Bings share space. Upstairs an antique wardrobe was cleverly converted into a giant baby house, each room a total delight, populated by small bebes and all bisques, miniatures and accessories. Another guest room is home to Helen’s early dolls, the Greiners and chinas that first claimed her interest. The master bedroom holds many of her favorites, an impressive collection of Kamkins and Kathe Kruse dolls and several German painted eye characters, including the cover doll Rudy, an all original Simon and Halbig 150.

A massive wardrobe was outfitted with shelves and divided walls and turned into a baby house. Looks like the Heebee Sheebee is in charge of the two leather babies.

This tiny papier mache is busy preparing the evening meal.

A cozy fireplace warms up the living room for this A Steiner and seated, a Bahr and Proschild Belton.

A group assembles in the parlour. Seated in chair is Kestner 143 as is the doll in front of the curio cabinet Kestner. A little all bisque us seated on the sofa and the larger dolls is an all original Belton. Creating and furnishing this baby house was very satisfying for Helen.

The mignonettes are in charge of bathing the youngsters.

Standing, a Limbach glass eyed character and on the bench, a tiny Motchmann Baby and a dimunutive Kestner. ANTIQUE DOLL COLLECTOR

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All bisques and bathing beauties share a built in cupboard in the master bath.

Somebody loves Kamkins! This is just the tip of the iceberg!

Amazingly this brother and sister Kamkins pair were purchased separately.

These Kathe Kruse dolls are as mint as they can be.

Helen has other collections as well – souvenir tape measures, match safes, Bilston Battersea patch boxes, Victorian handbags, mourning and friendship jewelry. Poignant reminders of this highly romanticized era, the “Victoriana” is beautifully grouped and hung in large, deep set frames. Every purchase is carefully photographed with purchase price and details, carefully ensconced in plastic and stored in one of numerous binders. Did I mention the vast assortment of boys’ and baby

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When Helen first started collecting dolls, she gravitated to the Greiners and papier maches.

toys? These belong to her four grandsons – Sean, Julian, Ellis and Asher – the oldest ﬁve years old and all a handful. Three days a week Helen joyfully baby-sits for her daughters who have busy careers. Like other children raised with valuable antiques, they are totally respectful of the dolls. Helen cites her close friends Becky and Andy Ourant as having the biggest inﬂuence on her collecting. They invited her to assist with the cataloging and sale of the

Seated is an all bisque jointed knee Kestner. Her friend is a lovely Sonneberg doll.

Standing is an early Sonneberg child doll and seated on a candy container sofa a Bebe Francais Jumeau and a diminutive Kestner Bru.

Hertwig made these tiny bisque animals dressed in crocheted clothing.

Mary Merritt Doll Museum which closed its doors December 31st, 2005. “Working on that sale I learned more than I could reading twentyﬁve books on dolls. There were so many categories of dolls, toys and miniatures. It was a hands-on experience where I learned how to evaluate and grade the condition of items.” The Merritt sale, consisting of two dolls auctions and one toy auction, took place in 2006 and 2007 and involved a year and half of cataloguing and photography. The prices achieved were nothing short of phenomenal. Helen has a longing to play with her antique dolls but just as she didn’t play with her Barbies as a youngster, she resists the urge. Instead she buys American ball-jointed dolls and has fun changing their clothing and accessories weekly. She also enjoys making wigs and small jointed teddy bears. Her advice to new collectors is based on years of experience. “Buy what you love and live with it for a while. Study and learn and gradually go from there. In the beginning few people have the knowledge to be that discriminating. Your collecting will evolve over time.”

This big girl by Gaultier measures about 31 inches. Her antique chair originally came from a Victoria’s Secret window display.

Helen holds a rare Lenci Marietta, originally seen in the 1926 catalog. ANTIQUE DOLL COLLECTOR

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The Beautiful One Has Come by Kathy Embry Marked S&H over 1160-0, 10in tall cloth body with leather arms, human hair wig with braids that wrap around her head. Closed mouth, single stroke eyebrows, long black eye lashes, fixed blue-grey eyes. She has a sweet serene face. Carole Miley Collection.

The former villa of Carl Halbig.

t was in 1869 that Wilhelm Simon and Carl Halbig founded their porcelain factory in the peaceful village of Grafenhahn. I know it is a very peaceful place since I was lucky enough to have visited there several years ago. I saw the large tall villa, where Carl Halbig once lived on the wooded hillside that overlooked the meadow where the porcelain factory once stood. I will always remember this small village as having the friendliest people in Germany. The porcelain factory began making doll heads in 1869 which were said at the time to be made of “bisquit” porcelain. The Simon & Halbig factory was very successful until the beginning of World War I in 1914. This was when American importers stopped buying German dolls. If you look in The Artful Aspect by Jan Foulke, you will ﬁnd three pages of mold numbers

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Simon and Halbig, #1160, 12” tall, wearing a silk Gibson Girl style bridge dress. She has feathered eyebrows, accented lips, long eyelashes, pierced ears, original wig, and hinged leather body with porcelain arms. Costumed by Ann Cummings; Collection of Ann Cummings.

that were produced by this ﬁrst class porcelain factory. According to Cieslik’s German Doll Studies, 1875 was the year for their trademark registrations. For his toy factory, Wilhelm Simon chose “Child with Little Sheep” and for the porcelain factory Simon & Halbig chose “the Sitting Chinaman” as their trademark. They were known all over the world and exported to all of Europe, North and South America, Java and East India. They supplied many dolls for the French market. The ﬁrst shoulder heads were not always marked, some had size numbers; they had artistically modeled hair with ribbons, and painted or glass eyes. These models were typical of the Northern Thuringia region. One of my favorite dolls produced by this porcelain factory was made in 1894 and is mold 1160. Described

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as: Face of child, shoulder head, closed mouth (in the United States known as “Little Women”). One of my favorite doll stories about this model and maker came from reading Mary Krombholz’s book, The Story of German Doll Making 1530-2000. According to the Dorfmuseum brochure, where the doll head was on display, it states “Carl Halbig was known to be an enthusiast of classical art, and his partner Wilhelm Simon preferred the playful Rococo style.” Halbig thought the doll heads, which were mainly manufactured for export, were tacky. He longed for a classical proﬁle for a doll head. Soon a shoulder head that doll collectors refer to as the “Little Women” type emerged from the hands of a Simon & Halbig sculptor. Halbig said, “It looks like Nefertiti!” The brochure continues, “The name (Nefertiti) made the

This 8-inch marked 1160 shows molded strapped boots with heels, elaborate style wig with long dark eyelashes and one stroke eyebrows.

An 1160 as a nursemaid with bent arms to hold a baby. She has a very slim waist and large bosom.

This marked 1160 is 8.5 inches tall in original ethnic costume, sold as a souvenir doll. She has a cloth body with composition arms and legs with molded boots.

rounds in the factory and the workers, mainly young porcelain painters between the ages of 14 and 18, asked Halbig the question, what does Nefertiti mean?” Halbig returned to the factory the next day with an encyclopedia under his arm, so that he could explain to his workers. A few days later one of his workers added a “Nefertiti-styled” headdress to the shoulder head. Now the doll actually resembled the early 14th Century Egyptian Queen. The shoulder head sat on Carl Halbig’s desk for a short time, and then he gave it back to “the lady porcelain painter who kept it safe,” according to the museum brochure. Today, this historical 1160 shoulder head is on display at the Dorfmuseum, complete with Egyptian headdress. Descendants of the “lady” porcelain painter donated the head to the museum. Nefertiti was remembered by Carl Halbig because she was a legendary beauty, long before Cleopatra, the ﬁrst woman to hold absolute power in the ancient world. At ﬁfteen she married Pharaoh Akhenaten. They had six daughters. Nefertiti invented her own make-up using the Galena plant. She shares her name with a bead, called nefer and was often wearing it. Her name translates to “the beautiful one has come.” Evidence of her political importance is seen in the large number of carved scenes with her husband in all aspects of life. But she and Akhenaten were unpopular. They forced the people to worship only one god, the Sun God Aten also called Aton-over all others. After their deaths, the couple was all but removed from history. It was only after the discovery of Nefertiti’s limestone bust that her story began to be uncovered. It is said that even in the ancient world her beauty was famous. Increasing numbers of archaeologists are convinced she survived her husband and ruled alone for three years after his death in 1338 BC.

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The classic elaborate Rococo hair style originating in the 18th century. Sweet face with brown glass eyes, one stroke eyebrows and long eyelashes.

Unusual marked shoulder head: S&H over 1160-1, 2 3/4in tall by 2 1/2in wide. Fixed blue glass eyes, open mouth with carved bisque teeth, feathered eyebrows and long eyelashes. Rare and lovely.

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The very popular 1160 model was made over a long period of time, from production in 1894 into the late 1920s. She was produced in a number of sizes, from 14 inches to 6 inches, the smallest sizes being very popular as dollhouse dolls. Sizes vary due to the homemade bodies that were sewn for the shoulder heads that were sold separately. If purchased as a complete doll, her shoulder head came on a body of cloth or leather or a combination of these with a shaped waist and lower bisque or leather arms and legs (usually with molded boots). The shoulder head is marked on the back: S&H over 1160 and sometimes on the front or back with a size number. They were also costumed in a variety of different ways to depict various styles and origins, including exotic and ethnic costumes to be sold as souvenir dolls. The 1160 shoulder head is known to be found with ﬁxed glass eyes (brown or blue), usually a closed mouth (but also found with an open mouth and molded teeth), fashion wig of mohair or human hair (some with a rococo style that designated whimsical fashion), delicate painted eyebrows and long lashes with a serene sweet face. Apparently Mr. Simon’s inﬂuence showed through with the ornate style of the elaborate wigs that were made for this model. These dolls received their name “Little Women” because of their small size. They are a prize in any size. They weren’t just produced as females either. There were “Little Men” too. The “Little Couple” were sometimes used on top of wedding cakes and certainly used as dollhouse

dolls. This doll is easily collected today due to their popularity, many being available and the price range acceptable for all collectors looking for an antique doll. Due to her many varieties she is fun to ﬁnd and admire. Doll collectors should be happy that Nefertiti was remembered and favored by Carl Halbig and found his approval in the classic shoulder head we now know today as the “Little Women” series. References: Wikipedia, “Nefertiti.” UXL Encyclopedia of World Biography, 2003. German Doll Studies, by Jurgen and Marianne Cieslik, Simon & Halbig Dolls The Artful Aspects by Jan Foulke, Simon & Halbig Dollhouse Family: “Little Man” is 6.5 inches tall; “Little Woman” is 6.5 inches tall. They both wear Edwardian hair styles. He has large brown eyes, painted mustache on top of his upper lip and long dark eye lashes.

The Story of German Doll Making 15302000 by Mary Gorham Krombholz in collaboration with Cynthia Musser

Painted limestone bust depicting Nefertiti. It was found in the workshop of the famed sculptor Thutmose. Her graceful elongated neck balances the tall, flat top crown which adorns her sleek head. Carl Halbig saw a resemblance to Nefertiti in the classical proportions of mold 1160. Berlin Museum

All photos and dolls from the Embry Collection except where noted.

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Miss Rose Percy I

by Donna C. Kaonis

admit to being a little star struck when I ﬁrst saw Rose Percy and her spectacular wardrobe in person. After all, she is arguably the most important doll in American history, ﬁrst brought to our attention in this magazine by Ann Coleman who as a child enjoyed visits to the Red Cross Museum where Rose was residing at that time. Readers of Antique DOLL Collector are no doubt familiar with the story of Rose and how the young ladies of Mrs. Sarah Ogden Hoffman’s School for Girls contributed Rose Percy, a 23-inch poured wax doll along with an elaborate trousseau and accessories, to raise monies for wounded Civil War soldiers at the 1864 Metropolitan Sanitary Fair in New York City. The second modern day fund-raising occasion to celebrate Rose’s 150th birthday took place in conjunction with the Gaithersburg, MD doll show. The Maryland Doll Club hosted the event for 153 registrants at the Wyndham Hotel the evening of December 3rd. Attendees enjoyed cocktails while they selected among a wide choice of helper items and placed bids for the silent auction. When the doors opened for the gala dinner, we were greeted by a transformed banquet room aglow with red, white and blue, Rose commanding center stage wearing her skating costume (one of twenty-one dresses) and Gunther furs. Rose and her impressive original trousseau including coats, hats, purses, nightgowns, undergarments and an array of personal items including Tiffany jewelry made exclusively for Rose, was a sight to behold. As caretakers of Miss Rose Percy, Michael Canadas and David Robinson have the responsibility of transporting Rose and her belongings to fund-raising venues. Miss Percy’s

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choice of charitable institutions continues to be organizations who care and assist wounded veterans. Over $20,000 was raised at the December 3rd Rose Percy event. Following dinner, Michael Canadas presented a program where we learned more about the Sanitary Commission, its role in helping wounded soldiers as well as prisoners of war, and the 1864 Metropolitan Fair where Rose made her ﬁrst public appearance and raised the estimable sum of $1200. Exquisite rose centerpieces were auctioned to the highest bidder at each table, Andy Ourant conducted a live auction and helper prizes were distributed. We all left with a bag of goodies including a box of Tiffany & Co., doll sized stationery with paper and envelopes, a copy of Rose’s very own. The best was saved for last, a beautiful hard cover book entitled, “The Remarkable Rose Percy . . . Duty’s Most Faithful Child,” written by Michael Canadas and David Robinson. Rose’s astounding documented provenance is but part of the story. The history of the Civil War, the work of the Sanitary Commission, the grandeur of the 1864 Metropolitan Fair, and of course Rose in all her glory, modeling her numerous costumes and accessories are complemented by contemporary photographs, fashion engravings, paintings, even a photograph taken of Rose Percy in 1919. A book to treasure, it is only available to attendees of a Rose Percy event. Many purchased a set of Rose Percy paper dolls, her dresses meticulously and artfully rendered. For the doll community, Rose has quickly become a national treasure, a traveling ambassador, who in her quiet and unassuming way, reminds us of the sacriﬁces that continue to be made to ensure our freedom and safety. Miss Rose Percy dressed for the winter weather in her skating costume and furs from the New York furrier C.G. Gunther & Sons. As you can see Rose does not travel lightly. We are so fortunate that her magnificent trousseau has survived the passage of time.

Miss Rose Percy will be coming to the historic Pﬁster Hotel in Milwaukee, Wisconsin, Saturday, May 19, 2012. For more information: Email: pegoberbeck@gmail.com ANTIQUE DOLL COLLECTOR

JANUARY 2012

Barbara Spears • P.O. Box 126095, Ft. Worth, TX 76126 Phone (Home) 817-249-2069 (after 8:30am & before 10:00 pm CST only please) • E-mail: barbarasdolls@barbarasdolls.com 1

1. 10” “Blue Boy”, dressed by last owner, cute bisque head and hands, painted eyes, very nice cond. Straight limbed kid body $95 2. 25” K*R, Simon Halbig, brn flirty eyes, orig. hh long curls, white silk dress, ant. shoes, flapper body, 1 finger broken, big toes have some damage $650 3. Darling and very nicely made Oriental doll house family, leather hands and shoes, silk faces w/painted features, from 3” father to 1 ½” smallest child, circa 1920’s-30’s $125 4. Gorgeous 21” Alexander Cissy, tagged navy taffeta dress w/watch pinned to waist, tagged Alex faux fur shrug, Alex petticoat, tagged Alexander navy blue lace teddy, hair in orig. set, beautiful face color $450 5. Darling 25” life-size baby, Heubach-Kopplesdorf #267, clothes incl. lovely white organdy dress with pink ribbon in insertion at waist, lots of lace appear orig., bonnet old but not orig. Brn sleep eyes, dimples, 5-pc compo. baby body $350 6. Gorgeous Kestner 152 (harder to find mold #), 21”, brn sleep, hh wig, lovely organdy dress is newer, red bow in hair, red shoes, bj body has normal wear $395 7. 21” very early 1900’s heavy compo boy by Elektra NY, painted blue eyes, swivel wrists, dressed in cute blue knit suit and matching cap, little paint flaking on lips $125 8. What a cutie! The always popular SFBJ 236 “Laughing Jumeau” toddler as a boy, blue eyes, hh wig, ant suit, and his “so French” red beret, 19” tall $850 9. Pair of lovely Sasha dolls, Cora and Caleb, both have wrist tags/boxes with a few “dingies”, she also has outer box sleeve, $175 each 10. Beautiful 27” unusual bisque head girl, marked only 60 and a scratched “X”, French-type bj body, hh wig, blue sl eyes, lovely pale pink cotton batiste fancy dress $495

11. Lovely 17” marked Emma Clear “Coronation” lady, molded white w/ gold accents “crown” w/molded blue & gold pin, molded blue earrings, molded 3-strand beads, beautiful black dress $295 12. Sweet little 11 ½” Shoenhut baby face on “walking” toddler body. Antique white dress & slip, orig 1-pc undies and black stockings (holey), orig nailed on wig, body “walks” when you hold her hand and pull her along, face has orig. finish with an outer paint chip on cheek and a paint crack on forehead, usual to Shoenhut dolls $650 13. 2 gorgeous Simon-Halbig 1160 “Little Women” heads only, both have orig wigs, blonde has 2 long curls w/cluster of braids in back, blk eyes, and is 2 ½” inches at $100, and the other is an extra large 2 ¾” w/blue eyes, side curls w/cluster of braids in bun on back head, and she is $150 14. 21” AM Floradora mkd A 11 M Floradora, usual beautiful AM bisque, molded eyebrows, blue sl eyes, old white dress with a blue ribbon at waist and one under eyelet on skirt, mohair wig w/blue bows on each side face $225 15. Loveliest of the lovely 21” Emma Clear in china, spill curls w/molded blue and gold band across hair, mkd Clear ’41, orig old clothes, dress shows some age wear $350 16. Adorable little 14” BSW baby, blue sl eyes, mohair baby wig, old white batiste dress trimmed with lace and pink ribbon, hat old but is pink $125 17. Beautiful and serene, Parian lady with molded blouse top w/blue luster trim on tie, ptd blue eyes, antique cotton print dress has fading, parian type lower arms and legs, legs have boots w/blue tie on stockings $550

We accept VISA, MC and Discover, checks and money orders. Layaway is available. Layaway dolls are not returnable unless a crack or chip in bisque head not described is discovered. Dolls purchased with credit card are subject to a 5% fee if doll is returned, except if the doll has crack or chip in bisque or china not described. WE BUY OLD DOLLS • WILL TRAVEL TO PURCHASE COLLECTIONS.

PLEASE SEE OUR WEBSITE AT:

www.barbarasdolls.com For More Beautiful Dolls, Doll Clothes, Accessories, Books And Paper Dolls, Etc.

Etrennes…

Happy New Year! by Donelle Denery

The former original owner received this charming presentation box in 1903. The 10inch bisque doll has over fifteen original items of clothing plus many accessories still tied down.

or many of my doll collecting years I’ve been fascinated by dolls in elaborate presentations. In 1999, Theriault had an auction titled “Etrennes – French Nineteenth Century Holiday Dolls and Playthings”. The wonderful book published for this auction talks about how one person consigned to them a collection of 300 Etrennes catalogs from 1877 to just after World War I. The catalogs pictured the holiday offerings of leading French stores. Items depicted in the catalogs were found and offered in the auction along with the catalogs. Many of the items were elaborate presentations including dolls, doll related items or toys. These catalogs showed gifts called Etrennes. An Etrennes was a gift given for New Year’s Day. This tradition was only celebrated in France, where New Year’s was the big gift giving day. Started in the Roman-Gallo times with simple gifts of food of honey or sweets, the tradition was celebrated well into the 20th Century and evolved into luxury gifts for loved ones – especially children. The French department stores, such as Au Nain Bleu, competed for business by showing their items in elaborate catalogs. How lucky we are that these catalogs survived. While dolls made in France were sometimes used in these elaborate presentation boxes, often dolls of German origin were used, even during the World War I. What originally sparked my interest in presentation boxes was ﬁnding a German doll dealer at a doll show that had purchased the entire collection of a very elderly friend. In this group was a presentation box that the original owner received as a child during the holidays in 1903. As is typical with many of the presentation boxes, the box is made of paper covered wood with a colorful lithograph of children on the lid. This particular box, which measures ANTIQUE DOLL COLLECTOR

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Circa 1905, this box is home to a 7” Simon Halbig 890.

16-1/2” wide by 15” long by 4-1/2” high, has an unusual shape in that it has a curved bow at the front. Inside is a 10” bisque head doll on a composition body. Made by an unknown German firm, the doll’s head is marked “1902” with a size mark of 12/0. Her inset blue glass paperweight eyes confirm that German companies often made dolls for or to compete with the French market. The box includes over fifteen articles of clothing, a 2 -1/2” all bisque doll and retains the extensive number of items still tied in to the lid such as the handkerchief, brush, comb and lamb shown here. It is interesting to note that all the laces on the clothing match and that each dress has an identical pleated crinoline under skirt sewn in. What a lucky little girl to have received this holiday gift!

Etrennes with a single doll and extensive wardrobes were quite popular. Many German manufacturers supplied the French Etrennes market. Simon and Halbig was one such company. Shown above is an all bisque 7” Simon and Halbig 890 in a paper over wood box which measures 9-1/2” wide by 6” long by 6” high. Some of these boxes had elaborate hinging. On this particular box, the lower front side folds down and has multiple articles of clothing and accessories including a pink clutch purse. This box was made c. 1905 and contains six outﬁts, two hats, a bonnet, extra underwear and accessories such as a powder puff and sachet. Once again, all the laces, ribbons and string to tie the items down match. In recent years, a large In this Patissier there are over thirty-five original confections! The lithograph on the box lid matches the costume the 5-1/2 inch doll is wearing.

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JANUARY 2012

number of supposedly original presentation boxes have come on the market which have been put together. In examining several of these, many of the components (clothing, accessories, etc) appear to be vintage or antique but have been assembled together to try to appear to be an original presentation. One good indicator of originality is to look for the such things as ribbons, lace and fabrics to be matching and antique. Themes were popular for the presentation boxes. Shown here are two themed boxes, one is a French Pastry Shop (Patissier) and a bathing box. Made c. 1915, the Patissier is a 7” square by 3” high paper over wood box with a 5-1/2” all bisque doll. Over thirty-five original confectionaries are contained in the elaborately hinging box (top and two sides). A good indication of originality with this box is that the lithograph on the top of the box shows a girl with an outfit which matches that of the doll in the box! Although in the style of the popular Etrennes of the era, the bathing box was made for export to an English speaking country as a Christmas gift. The 8-1/2” octagon box is embroidered fabric over wood with a lithograph of a sweet child which reads “God Bless Your Christmas.” While the German dolls I’ve found in most of the French Etrennes appear to be for the French market and generally of high quality, the 4-1/2” all bisque doll in this box is a painted eye stone bisque with a stiff neck. Also made c. 1915, when compared to the doll in the Patissier this doll is of a lesser quality leading me to believe some exports were considered to be lower-end. Still, this is a charming box with the doll fitted in its crystal bath tub with everything needed for a proper toilette. The only replaced items in this box are the binoculars – they obviously don’t fit in the string holding them in and the necklace - neither of which serve a bathing purpose! Being a purist, I’ve left them in the box since they came in the box when I purchased it. Etrennes sometimes served a functional purpose such as the millinery box, art set and tea set. The extensive collection of millinery supplies is housed in a box with a label on the top

Made for an English speaking country, this box displays the doll in its crystal bathtub, surrounded by items for the toilette.

Offered in a 1901 Etrennes catalog, this box features an extensive collection of millinery supplies.

which reads “Mademoiselle Lili Modiste” and two metal clasps embossed “F & Cie Paris”. Purchased at the Theriault’s 1999 Etrennes auction and pictured in one of the antique catalogs sold, the description of the item in part reads: “This manage was presented in the 1901 Etrennes catalog of Aux Classes Laborieuse at a price of 8.90 francs.” The beautiful art set is on a 24” easel which reads “Prix de Rome.” Prix de Rome was a scholarship for art students awarded by the French government between 1663 and 1968. Winning artists went to Rome to study. As part of his ofﬁcial patronage of the arts, King Louis XIV established an art academy in Rome called the Académie de France. A maker’s label on the inside of the box reads “Maison A. Giroux, Paris, Bronzes, Fantaisies.” Maison A. Giroux, Paris made high-end objects ANTIQUE DOLL COLLECTOR

JANUARY 2012

An elaborate art set was sold at Maison A.Giroux, Paris.

A setting for six contains everything for dolly’s tea.

The Germans also sold boxed sets such as this Kestner doll with multiple heads.

of art including doll related items such as furniture for Huret. Was this art set made to inspire young artists? The third functional box is a tea set for six with a hinged front side which holds napkins and spoons. Although likely not made for the French Etrennes market, the German’s also had a small number of box sets. My favorites are the boxes which had multiple heads and one complete doll. The most popular of these multi-head box sets was made by Kestner. The Kestner boxes, made c. 1910 – 1915, came with a doll in one of three different sizes ranging from 11” – 18”. Each box had a lid stuffed with excelsior and an end label which read “Kestner Character-Doll, No.__ Made in Germany.” There was a unique number stamped in ink on each box. The box often had three heads from Kestner’s character series (this box has painted-eye heads incised 178, 184 and 185, sometimes glass-eye versions are found) and one dolly-face (in this box, a 174 but 171’s have also been found). The complete doll often came in a chemise, shoes and socks and the box set had instructions and a metal tool to aid in changing the heads. Although these wonderful, original boxed sets are fairly rare, surely they were treasured as so many are in unplayed with condition! We are indeed fortunate that Theriault’s was able to document and bring to market a diverse collection so that we can enjoy them today! Reference: Etrennes – French Nineteenth Century Holiday Dolls and Playthings, Gold Horse Publishing. ISBN is 0-912823-82-8

ANTIQUE DOLL COLLECTOR

JANUARY 2012

Binney, from about 1918, had neither arms nor legs. More a small huggable pillow than doll, Horsman marketed Binney for babies.

elen Fox Trowbridge was done. For a dozen years she had created faces for Horsman dolls. But now it was over. Patty Cake was her last doll. Trowbridge had been recruited by E.I. Horsman Jr. in 1909. Junior returned from the annual Leipzig toy fair enthused by the new German character dolls. He was anxious to find a sculptor who could capture a similar, but distinctively American look for the composition dolls produced in his father’s factory. By chance, one day, he spotted several three-dimensional plaques of children’s faces sculpted by a young woman artist. They caught just the look he was seeking. He hired Helen Trowbridge, a just-married, classically trained sculptress to design a new kind of American composition doll. The rest, as they say, is history. Trowbridge’s first smashingly successful doll sculpt was the Campbell Kid, her three-dimensional clay rendering of Grace Gebbie Drayton’s soup ad drawings. In some respects, Patty Cake, her last doll, was rather like her first – cute, cheerful, sweet-looking, but seemingly a little vulnerable. But the doll was all cloth, not composition, a difference that demonstrated Trowbridge’s transformation as a doll designer over her 12-year career with Horsman. During the first eight or nine years as the doll firm’s chief designer, she modeled countless faces that Horsman produced and sold as composition dolls.

Helen Trowbridge as a young woman.

PATTY CAKE: HELEN TROWBRIDGE’S LAST DOLL BY DON JENSEN Drawings and descriptions of cloth doll designs are from Helen’s sketchbook (Courtesy of her granddaughter, Helen Hoffman.

ANTIQUE DOLL COLLECTOR

JANUARY 2012

Arguably it was Helen’s work that ended the longtime reign of the dolly-face German doll and created something new and distinctively American. In 1916, the “New York Evening Sun” wrote: “If all doll babies don’t look alike to you, thanks are due to (this) woman sculptor.” But her doll modeling interest had begun to wear thin. In 1918, she told a New York newspaper reporter, “What I want to do is get back to my real work, (the classical sculpting) I left to do this; the work that is better and more worthwhile and what I started in the first place to do.” Sculpting, for Helen, was creating artistic likenesses of real people, not the seemingly eternal tweaking of similar and, to her, increasingly boring doll faces that Horsman kept demanding. It is notable that her last doll sculpture in 1921 was of a real child, the seven-year-old film star, Jackie Coogan. Though by all accounts, a remarkable likeness of Coogan as the young waif in Charlie Chaplin’s hit movie, she had been too realistic for Horsman executives. The Kid looked “too shrewd and too old” to be pleasing to other children, they said. The likeness was changed to produce the composition doll. That did not sit well with the artist, who never again sculpted a doll face. But things had started changing for Helen Trowbridge five years earlier. By then she’d modeled hundreds of doll faces for the Horsman company. In earlier years the work had been interesting for the young woman who wanted to be a stay-at-

home Mom. She had been able to do it from a small studio in her modest suburban Long Island home, as her own child -- and later, children -- played at her feet. By 1918, her husband’s career as a corporate attorney was advancing nicely. They moved to an upscale home in Upper Montclair, NJ. Increasingly she was required to leave her home and children to work in Horsman’s studio in New York City. Sculpting prototype dolls wasn’t as satisfying anymore. Besides, there was more competition, a new star was appearing on Horseman’s horizon, a young sculptor named Bernard Lipfert. Always a fan of women’s handicrafts, Trowbridge turned from clay to cloth. Even as a child, she had made her own rag dolls. Helen, by her own description, “always a designing fool,” began making fabric dolls with painted faces. Happily, this course change coincided with the Horsman company’s own plan to revive its longtime but languishing line of cloth Babyland Rag dolls. In the late “Teens,” Helen’s creative spark gave new life to the cloth doll line Horsman first introduced in 1893. She also created new cloth products for Horsman. Binney, for example, was an odd-looking, armless, legless pillow-like doll for infants to hug. Helen Trowbridge was intrigued by the challenges of making cloth dolls. Looking back on her transformation some years later, she told a magazine writer: “It is very funny, but I like to maintain that I am the only woman who at one time earned a living by not knowing how to sew. “I began to work on the rag doll design and hadn’t the faintest idea how to cut a sleeve. I had to design it so simply that it was no effort for the operators to turn out, consequently, it was most successful.” Perhaps a more complex design would not have slowed Horsman’s skilled production workers, but Helen had another project in mind, one that involved young, amateur seamstresses. Trowbridge had become involved with author Edith Wharton’s World War I charitable causes. The expatriate novelist, since 1914, had been involved in organizing, administering and raising relief funds to aid French and Belgian women and children made homeless by the war. In her New Jersey community, Helen recruited high school girls to cut and sew the cloth baby dolls she designed. Many hundreds of dolls were made and sold, the profits going to Wharton’s charities. Horsman came on board as well, donating a portion of its Babyland Rag sales to the same cause. In gratitude, after the war, Trowbridge designed a new cloth doll with yarn hair and a painted face with side-glancing eyes, rosy cheeks and a cupidbow mouth. On Oct. 18, 1921, she applied for a design patent for the doll that would be called Patty Cake. The U.S. Patent office granted her Pat. No. 60,970 on May 16, 1922. She promptly gave her patent rights to E.I. Horsman and Aetna Doll Co., Inc., the cumbersome name by which the firm was then known. Well into the ‘20s, Horsman would sell Patty Cake, and several variations, Baby Patty Cake and Pat-A-Cake, which allowed a little girl to insert her hand in the back of the doll to make her clap in delight. Helen Trowbridge, though, retired to the life of Society matron, corporate executive’s wife and stay-at-home mother to her six children, who then ranged from just-born Cornelia to 12-year-old Mason Jr., who once had been her model. She designed no more dolls, but retained her interest in home handicrafts. She began making doll house accessories, small tables and chairs, mini-potted plants and dolly-size food items. Briefly, in the mid-1930s, she sold them in a small Manhattan shop. In later years, she donated her crafts to charity bazaars near West Cornwall CT, where she and her husband, Mason then lived. There, on July 27, 1970, Helen Fox Trowbridge died at 87.

Patty Cake was the last doll designed by Helen Fox Trowbridge. Patent drawing of the doll that became Patty Cake. Patty Cake’s dress was tagged by Horsman.

ANTIQUE DOLL COLLECTOR

JANUARY 2012

Marion Maus

Specializing in Dolls and Miniatures Ellicott City, MD Phone 443-838-8565 mmausantiques@gmail.com Member NADDA, UFDC Back Row: Kestner X, mold 136 and Bebe Louvre Front: Two Kestnerâ&#x20AC;&#x2122;s, center, F.G. Please call for details.

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JANUARY 2012

Theriault’s January Auction Gala in Southern California, January 13-15, 2011 Created by Prevost during the Renaissance of the French doll movement in the early 20th century, this Huret successor doll owns an extraordinary original couturier costume.

A splendid bebe by Thuillier in original ice blue silk frock and bonnet, with signed A.T. shoes

The extremely rare K*R character 107 is a highlight of the January auction; of handsculpted composition the doll is a prototype of the K*R doll presumably created by Marian Kaulitz.

The Series B model of Jules Steiner is virtually impossible to find. The January 14 auction features this exquisite model in original costume.

Among the rarest of the Heubach sculpted-hair characters is this model, 7958, in 19” size; the larger size of the doll enhances the fine modeling.

sk a doll collector why a particular doll was chosen to enter one’s house and a myriad of reasons will be given: the quality, the rarity, the beauty. But more than all other reasons is this simple statement that recurs over and over again: “The doll just spoke to me”. It is the special privilege of the antique lover to hold in one’s hands not only the physical object of one’s delight, but also its particular past place in other people’s lives. For the collector of antique dolls that sense of personal connection to the past is especially intense, a doll sometimes seeming to radiate the very spirit of the child who cherished it in other times. Simply put, to speak. Theriault’s three-day weekend of extraordinary doll auctions in Newport Beach, California on January 13, 14, and 15, 2012 pays homage to this concept with a 500 lot auction of antique dolls entitled “Other People’s Lives”. Their January auction gala has become a classic event in the world of antique doll collecting, a must-go, must-see event offering the world’s most exceptional dolls and childhood ephemera. This year’s splendid offerings

Rare black complexioned bebe by Jumeau has flawless bisque and complexion, fine antique costume.

include fine French dolls from original French estates as well as private American collections, automata, and rare German characters, dollhouse shops and rooms including milliner’s shops from the famous Landsberg Museum of Germany, to begin to name the treasures. Two beautiful A.T. bebes by Thuillier are presented, a rare bebe “H” by Halopeau makes her presentation, a Bebe Mothereau with the rare J.M. markings is included and the offerings by the French firm of Bru range from a classic and stunningly beautiful Bru Jne to the very rare Bebe Modele and deposed two-faced bebe. Of particular note is a superb gathering of bebes from Jules Steiner, including a gorgeous mulatto complexioned bebe, two early models including Series A-4, each in fine couturier original costumes, and the very rare Series B model, size 2 in original costume. Classic beauties from Emile Jumeau abound, each impeccably attired in original or period costumes, and highlighted by the extremely rare Spanish bebe in original silk couturier costume, several exquisite portrait bebes, petite size 1-3 models including premiere and Paris Bebe with black ANTIQUE DOLL COLLECTOR

JANUARY 2012

Emile Jumeau catered to the international exotic tastes of Parisian travelers. Only two examples of this Spanish gentleman with original costume are known to exist.

An oil painting of a Parisian toy store of the 1885 era is included in the auction and is shown here along with a medley of playthings and dolls to be sold in the January auction.

and white complexions, and a very rare ebony-black complexioned bebe. The French poupees or lady dolls include a petite browncomplexioned lady signed G.P. with old trousseau, beautiful Rohmer poupee with signed body and ﬁne antique costume, gorgeous Jumeau lady in her original walking suit, and several other poupees with trunk and original trousseau. Of particular note is the unique art poupee by Prevost for Huret, created during The Renaissance of the French Doll Movement, with an extraordinary trousseau, as featured in Theimer’s “The Huret Book”. Lovers of German character dolls will delight also in the auction, including an extremely rare art character doll, the K*R 107 model attributed to the studios of Marian Kaulitz. There are rare bisque characters, too, including a rare 700 model pouty girl, the 7958 model of Gebruder Heubach in very rare 19” size with superb sculpting of hair, rare glass-eyed Heubach boy 8682, the mysterious 128 character girl, and others. Collectors of early Simon and Halbig models will ﬁnd two examples of the rare 908 model as well as the sought after petite child dolls with twill-over44

ANTIQUE DOLL COLLECTOR

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The rare mystery doll, 128, is presented in a most captivating petite size, with antique costume.

wood and hollow twill bodies. A litany of glass-eyed character models from K*R range from a trio of 12” petite-sized, 101,114, and 117, to a rare 30” 117 model; Googlies include a dandy 11” model 221 by Kestner, and other character children include K*R 115, SH 1279 in both grand and small sizes, the mystery 128 child in petite size, Dolly Dimple, and two superb Hilda babies by Kestner in outstanding costumes. Automata include an extremely rare and all original Magician, circa 1860, with 16 different “surprises”, delightful and all-original Roullet et Decamps automaton featuring a pretty young girl seated on her traveling trunk, her watch in hand, impatiently tapping her feet as she awaits the train, and the wonderful clown with disappearing head by Roullet et Decamps with original Magasin des Enfants store label. A ﬁne small collection of mechanical pull-toys are highlighted by an early gentleman model with sculpted-hair man by Simon and Halbig, and a wonderful bisque-head pull-toy Polichinelle, and there is a ﬁne Zinner and Sohne hand-wind toy of dancing children. The auction features

“Will the train be on time?” The automaton by Roullet & Decamps features a young girl impatiently tapping her feet as she looks – and then looks again – at the watch she holds. The mechanism and music are hidden within the trunk she is seated upon.

A stunningly beautiful mulattocomplexioned bebe by Jules Steiner is presented in her original costume, along with an additional original costume.

A fine mid-19th century milliner’s shop by Christian Hacker is amply furnished with hats, supplies, and accessories. The Hacker stamp appears on the underside.

fine cloth dolls ranging from folk art to salon ladies, and notably fine early examples by Kathe Kruse. There are rare all-bisque mignonettes, early porcelain dolls, all-original composition dolls, a fine collection of maitrise model doll furniture, and numerous other rarities. Collectors of miniature shops, kitchens and doll rooms will find special treasures, too, highlighted by a collection of 20 rooms from the Landsberg Dollhouse Museum of Germany. Of significance in this collection are the large number of pieces bearing the signature of the sought-after work of Christian Hacker, most notably two fine milliner’s shops, and Moritz Gottschalk. Also presented is a large collection of TynieToy dollhouse furnishings. For the makers of antique dolls the costumes were certainly of equal importance as the doll itself. Yet antique doll costumes have become more and more impossible to find. The auction features more than 50 lots of fine 19th century costumes, accessories and shoes. To complete the doll’s world are also rare doll-sized

Store card of antique miniature dolls and toys is centered by the bisque-head storekeeper.

A mid-19th century well-fitted grocery bears the stamp of Christian Hacker and is one of 25 groceries, shops, kitchens and rooms presented in the auction.

furnishings including several mid-19th century pieces bearing the luxury shop label. Collectors on the search for “something different” will find wonderful choices ranging from a fine wooden cabinet with needlework sample cards, to a collection of antique silver baby rattles. The antique doll auction takes place on Friday evening and all day Saturday. A 160 page full color catalog of the antique dolls, “Other People’s Lives” is available for $59 including priority shipping. Sunday will feature a fine collection of vintage American dolls from the golden 1950s, highlighted by a collection of more than 50 Cissy fashion models; a catalog of the 1950s dolls, “ A Child’s Dream Come True” is available for $49 including priority shipping. In addition, a Discovery Day auction of still more antique and vintage dolls will be held on Sunday. For more information about attending the auction or ways to bid absentee, or to order catalogs visit www.theriaults.com, call 800-638-0422, or email info@theriaults.com. ANTIQUE DOLL COLLECTOR

JANUARY 2012

Blackberry Studios Margaret Gray Kincaid Tel. 410.323.0373 Cell: 646-709-4340

Margaret.kincaid@gmail.com Member NADDA and UFDC

Bru Jne, a lovely transitional model with Bru Modele Face, 19 inches, $23,000, holding a 4 inch mignonette, $600. A nicely stocked armoire, $550; on top a French wicker basket, $150 and a French hat box with dolly hat, $500. Outstanding Bebe Modele, perfect, 18 inches, $35,000, Steiff dog, $95. Foreground, French tea set, $195 and two ďŹ ne French porcelain baskets, $300.

Doll Museum

Where East Meets West www.legacydollmuseum.com 3206 6th Avenue North, Billings, Montana 59101 â&#x20AC;˘ 406-252-0041 46

ANTIQUE DOLL COLLECTOR

JANUARY 2012

Kestner #172 Gibson Girl with Original Labeled Body - $1600; Simon & Halbig/Handwerck $550; French Bisque Bebe SFBJ - $1900; Sonneburg/Belton-type - $2100; Century Baby w Celluloid Hands & Replaced Body - $400

Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 www.rubylane.com/shops/ashleysdollsandantiquities.com • Billyehb@aol.com All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • UFDC Member

Phil May Antiques & Collectables

First Row, L to R 1. Wonderful Kathe Kruse boy, series I. Original ﬁnish, outstanding clothes, marked KK right foot / number left. Nicest I have ever seen! $5500 2. 11” Steiff teddy bear, circa 1905/1910, no button, great expression, $1450 3. Beautiful German hand carved hiking bear with backpack and inkwell, $345 4. 6” Steiff walking panda, circa 1950, $245 5. Dutch boy and girl, approx. 10”, all original and in mint condition, circa 193-40, $125 pair 6. 13” Denamur bebe marked E4D. Perfect bisque, original body ﬁnish, great cabinet size, $3450

Ocean Grove, NJ 732-604-3011 dollmanofog@aol.com

7. Beautiful Kamkins, circa 1925, original hat, coat, dress and undergarments. $3300 8. 7-1/2” set of Dionne Quintuplets by Madame Alexander with bed, excellent condition, one bib missing. $1150 Second Row, L to R 1. 11” K * R 102 “Marie”, ball jointed body with original ﬁnish, perfect condition. $1800 2. 18” Alabama Baby, blue eyes, very nice condition. $2750 3. 18” Swiss Linden wood doll, all original, side braids, circa 1900, clean, $875 4 8” black bisque head child doll with ball jointed body, original wig, sleep eyes, excellent condition, $475 5. 13” compo Shirley Temple by Ideal, tagged original

outfit, original wig, great condition, $545 6. 21” Nippon “Hilda” look a like, excellent bisque, nice condition, $895 7. Kestner Hilda with exquisite bisque, original wig, wonderful condition, approx. 22”. A great example, $2900 8. Phenomenal Bru Brevete Bebe! 1879-80. Perfect hands, good body, flawless bisque head, wonderful outfit, $18,500 9. Rare half doll art deco period, beautifully dressed, perfect, 9-1/2” overall, $345 10. HEbee SHEbee pair, all original, perfect condition, probably a wedding cake topper, $695 pair

“The Boston Show” s s oy how B er oy S m dT um Dr y an d ed T ll,

2012

January 22nd March 25th October 14th

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A Classic Variety of Antique and Collectible Dolls, Teddys and Toys A DRUMMER BOYS SHOW Show Info: (978) 535-4811

Website: www.bornsteinshows.com This ad will admit two at $6 each P.O. Box 2204, Peabody, MA 01960. See website for any show updates. 48

ANTIQUE DOLL COLLECTOR

JANUARY 2012

UFDC

Antique Competitive Exhibit 2011 • Anaheim, CA • Part III Photographed at the United Federation of Doll Clubs National Convention by Keith Kaonis Enjoy more Blue Ribbon winners from the 2011 antique exhibit. Parts I and II can be found in our October and November 2011 issues. CLOTH – European commercial, painted molded face with ﬁrmly stuffed supporting body. Left, Shelley Chapman, Lenci. Right, Martha Simmons, La Francia

CLOTH – American commercial, molded or needle sculpted face. Sherryl Shirran, doll by Dorothy Klinghorn Wilson

BISQUE HEAD DOLL Made in Japan – Margaret Hein

BISQUE HEAD DOLL NOT MADE IN GERMANY OR FRANCE – Top left, Tish Lehman Left, Jackie Willman Above, Nancy Jo Shreeder

METAL – Martha Etchart GOOGLY WITH OTHER THAN BISQUE HEAD – Composition, S.F.B.J. Sherryl Shirran ANTIQUE DOLL COLLECTOR

JANUARY 2012

ALL BISQUE – Jointed at shoulders and hips, swivel neck, glass eyes, wigged, up to 5”. Left to right: Barbara Close Margaret Kincaid Linda Vines

ALL BISQUE – Jointed at shoulders and hips, swivel neck, glass eyes, wigged, over 5” to 8”. Left to right: Julie Blewis, Orsini Judy Henry Lynne Shobloom

ALL BISQUE – Painted eyes, wigged, some jointing, up to 5”. Left to right: Evelyn Rutledge Nancy Jo Shreeder

ALL BISQUE – Painted eyes, wigged, some jointing, over 5” and up to 8”. Mary Olsen

ALL BISQUE – Rigid neck, jointed at shoulders, glass eyes, wigged, up to 5”. Left to right: Antoinette Winder Alicia Carver ALL BISQUE – Rigid neck, jointed at shoulders, glass eyes, wigged, over 5” to 8”. Barbara Close

ANTIQUE DOLL COLLECTOR

JANUARY 2012

ALL BISQUE – Molded hair, some jointing, up to 5”. Left, Julie Blewis, Right, Trudy LaFlamme

ALL BISQUE – Molded clothing, up to 5”, some jointing, excludes googlies. Marina Tagger

ALL BISQUE – Molded clothing, over 5”, some jointing, excludes googlies. Julie Blewis

ALL BISQUE – Googly, painted eyes, some jointing. Left to right: Marina Tagger Linda Vines

ALL BISQUE – Molded hair, some jointing, over 5” to 8”. Above, Barbara Close Right, Faye Miller

ALL BISQUE – Googly, glass eyes, some jointing. Left, Sherryl Shirran Right, Linda Vines

ALL BISQUE – No jointing. Margaret Hein

ANTIQUE DOLL COLLECTOR

ALL BISQUE – Baby, bent limbs, excludes Japanese origin. Barbara Manhart JANUARY 2012

ALL BISQUE – 8” and over, some jointing, excludes babies and googlies. Left, Darlene Lane Right, Judy Henry

ALL BISQUE – Dolls of color. Left, Linda Vines. Right, Antoinette Winder

SNOW BABY – Single or multiple ﬁgures. Linda Vines PINCUSHION HALF DOLL – Bust only, arms and hands away. Left to right: Barbara Cleveland Rose Merrill

BISQUE OR CHINA PINCUSHION HALF DOLL – Bust only, one arm molded to body or returning to body. Margaret Hein 52

ANTIQUE DOLL COLLECTOR

JANUARY 2012

BISQUE OR CHINA PINCUSHION HALF DOLL – Bust only, both arms molded or to body or returning to body. Margaret Hein

BISQUE OR CHINA PINCUSHION HALF DOLL – Bust only with special features. Margaret Hein

PINCUSHION HALF DOLL (not bisque or china) – Bust or complete assemblage. Left, Brian Mogren Below, Joyce Patterson

BISQUE OR CHINA PINCUSHION HALF DOLL – Complete original factory assemblage. Left to right: Margaret Hein Norma Ridgeway

BATHING BEAUTY – Nude, molded costume or factory original fabric costume. Left, Sue Temblader Right, Helen Ramsey

KEWPIE – Bisque. Some jointing. Julie Blewis

DOLL REPRESENTING AN ELDERLY PERSON – Left, Gloria Osborn, S & H 1303. Right, Marina Tagger.

AUTOMATON – Key wound. Michael Canadas

ANTIQUE DOLL COLLECTOR

JANUARY 2012

AUTOMATON – Hand operated or pull string. Left, Susan Rose Below, Linda Vines

PAPER DOLL – European commercial. David Robinson

COSTUMED BY EXHIBITOR – A dressed child for a holiday event pre 1920. Jackie Westfell

PAPER DOLL – Advertising, celebrity person or animal. Carole Correll

COSTUMED BY EXHIBITOR – Lady or gentleman dressed for a holiday event pre 1920. Patricia Hauser

COSTUMED BY EXHIBITOR – All bisque doll, under 9”, dressed for a holiday event pre 1920. Judy Henry

It’s Easy To Join UFDC

If you collect dolls, you owe it to yourself to belong to the UFDC! For membership information contact: UFDC, Inc., 10900 North Pomona Ave., Kansas City, MO 64153 Phone 816-891-7040 Fax 816-891-8360 Visit www.ufdc.org 54

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The Magazine for the discerning Doll Lover • Authentic Patterns • Superb Projects • Excellent Supplies • Outstanding Service

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alome S

Lenci’s Femme Fatale by Myra Fay Graubard

Photos by Gabi Dendinger

ANTIQUE DOLL COLLECTOR

JANUARY 2012

enci’s early all-felt doll, Salome, circa 1920’s, has quite the reputation. They took her femme fatale legend and ran with it, creating a sensuous, sassy, swivel-hipped doll that leaves nothing to the imagination. My sixteen-inch tall doll features articulated arms. When posed opposite her unusual swivel hips, she creates the illusion of her dancing the “Dance of the Seven Veils.” One focuses on her alluring left side-glancing eyes and heart-shaped face, with painted open mouth. A knotted rope-like headdress, attached to maroon and blue short felt strips, crowns her head. Further enhancing her ensemble is ornamental white beading, cascading down her blue bolero vest, as well as on long maroon and blue strips which comprise her ankle-length skirt. Round circles of the same material, in two shades of green, intertwined with several white beads, hang from the bottom of the skirt, augments the costume weight as well as adornment. If sandals graced her feet at one time, I am unaware of them. My Salome dances barefoot. The Hebrew name, Salome, is derived from the root word Shalom, which means, peace. Alas, accounts of her life were anything but peaceful. First mention of Salome was in Flavius Josephus, ‘Jewish Antiquities.’ She was the stepdaughter of Herod Antipas and the daughter of Herodias. He gave reference to her name and details of her family relations. The legend of ‘Salome’ is derived from two Biblical accounts, passages in Mark and the Gospel of Matthew. She is not mentioned by name in Mark’s reference, but called either ‘Herodias’s daughter’ or ‘the girl.’ Salome danced before Herod on the occasion of his birthday. In the original Gospel story, Salome was depicted briefly as an amoral adolescent, who shockingly demands John the Baptist’s head on a charger, fulfilling her mother’s vengeful request. An aside must be mentioned here: Salome of legend is not considered the same person as Salome the disciple, who witnessed the Crucifixion of Jesus as cited in Mark 15:40. The Biblical story resonated with renowned painters. Titian’s version contrasts the brutally severed head of John the Baptist with the innocence of her girlish face. Gustave Moreau depicts Salome as the poster girl for decadence and vice.

he nineteenth century afforded us two bizarre and scathing interpretations of her story, sprinkled with more than a pinch of literary license, through Oscar Wilde’s play (1896), and Richard Strauss’s one-act opera (1905). The Salome of Wilde’s play takes a perverse fancy for John the Baptist. When he spurns her affections, she causes him to be executed. In the shocking finale, Salome embraces John’s severed head and kisses it. Richard Strauss’s opera is famous for Salome’s “Dance of the Seven Veils.” Stauss expanded Wilde’s concept, depicting the dynamics of the Scripture’s most dysfunctional family. Here a psychopathic Salome demands the holy man’s decapitation as revenge against her shamelessly spurned immoral propositions. Her stepfather, Herod, continues to make incestuous innuendos. Herodias delights in the prize of the disembodied head. Salome sings in delirious triumph while sweeping it up in her arms, then sensuously kisses the Prophet’s dead lips! Wilde’s Salome inspired a 1923 silent film which stared Alla Nazimova. The 1950’s film ‘Sunset Boulevard’ showcases the principal character, Norma Desmond, writing a screenplay for a silent film treatment of the legend of Salome. She performs one of the scenes from her screenplay after going insane. A myriad of films, ballets, and songs, too numerous to mention, were inspired by the legend of Salome. Was she motivated by revenge, adolescent lust or a victim of parental incest and court intrigue? This is a matter of personal interpretation. One thing we can agree on: We are fortunate to have Italy’s Lenci doll, Salome, to stir our imaginations and bequeath us artistic pleasure.

ANTIQUE DOLL COLLECTOR

JANUARY 2012

Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

Beautifulbebes.com

Tete 15 - Remarkable! This amazing and statuesque beauty is dressed in pink and ecru antique ensemble of filmy point d'espirit lace with bonnet! She wears her signed Jumeau shoes and has a beautiful antique human hair wig that goes nearly to her waist. Gorgeous bisque, huge pools of spiral threaded eyes, full closed lips and just about as wondrous as one can find! $7400

Schmitt Bebe - Enchanting Bebe with a hypnotic gaze through brilliant blue spiral threaded eyes. She stands 16.5" and has pale flawless bisque. Bebe is well marked with the classic Schmitt shield on neck and body and wears a lovely antique sea foam colored dress with bratelle sleeves, antique ecru lace bonnet over her skin wig and lovely pale blue antique shoes. $13,800

E11J - Oh be still my heart! This is a face that could surely launch a thousand ships! This stunning E11J stands 23.5 inches, garbed in original antique eyelet frock and matching bonnet. Please call for additional details! $7950 F4G - Precious little Block Letter F4G. At twelve inches Bebe has a mighty presence. Slight tip of tongue, very full lips set in truly pale creamy bisque, huge blue spiral threaded eyes, antique skin wig and adorned in pale antique ensemble with leather shoes. $6700

French Candy Container - What a lavish little prize! Velvet and gilt embossed decor with ormulu style handle and cabichon ivory toned embellishments at each side over sturdy wood and papier mache. Open to reveal the Victorian greeting! Perfect for that tiny all bisque or as an accessory for Bebe-8x4x4.5" $725

Empress Eugenie - This is one of the most beautiful 15 inch Empress Eugenie dolls we have seen! This poupee has larger spiral threaded blue eyes, and superb bisque. She is dressed in completely original hand stitched clothing from head to toe. Original blonde wig is gracefully braided and still retains the nails into pate. Resides on excellent kid body. Head and shoulders marked 'C'. $4995

www.rubylane.com/shop/bebesatticfinds

Now comes a lovely presentation box replete with lots of goodies for the tiny all bisque bebe inside. Marked 178 and thought to be a Kestner made for the French market. She even has a tiny carriage and little all bisque doll. The box is marked Au Bon Marche Paris and the top has a lavish design. $4800

A GREAT DOLL DESTINATION BUS TOURS WELCOME

32” K&R 117 “Mein Leibling” character doll, excellent original condition with blonde mohair wig, Russian style cotton dress and a chunky child body. $4800

BECKY & ANDY OURANT’S

VILLAGE DOLL & TOY SHOP 8.5 “ All bisque wrestler, original blonde mohair wig, beautiful handmade outﬁt in antique silk and lace, unusual yellow boots. $3450 5.5” All bisque wrestlertype, stationary neck with jointed arms and legs, silk outﬁt, and unusual gold boots. $650

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N.Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

Antique DOLL Collector February 2012 Vol. 15, No. 1

February 2012 Vol. 15, No. 1 $595 / $695 Canada www.antiquedollcollector.com

Prices Realized by Theriault’s at Auction, November 2011

German Cloth Character By Kathe Kruse

$6,000

Art Character Doll, 106, by Kammer & Reinhardt

$135,000

Character in Skating Costume by Lenci, 300/1

Bébé, Size 10, by Leon Casimir Bru

German Bisque Googly, 221 by Kestner

German Cloth Caracter, By Kathe Kruse

Bébé, Size 4, by Schmitt et Fils

French Bisque Bébé, by Schmitt et Fils

Art Character, 109, by Kammer & Reinhardt

$26,000

$8,250

$8,750

$28,000

$4,000

$8,500

the dollmasters P O B o x 1 51 • A n n a p o l i s , M a r y l a n d 2 14 0 4 U S A • T e l e p h o n e 4 1 0 - 2 2 4 - 3 6 5 5 F a x 4 1 0 - 2 2 4 - 2 51 5 • w w w . t h e r i a u l t s . c o m

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There comes a time to say farewell. 2012 — The Year of European Museums at Theriault’s Two major European doll museums are closing their doors forever in the Spring of 2012 to be presented at auction in major weekend events. Saturday and Sunday, March 30 and April 1. The Important De Kleine Wereld Museum of Lier, Belgium to be auctioned in its entirety in San Francisco at the Westin Market Square. Two catalogs are in preparation for this important event and can be ordered for $99 for the two, or individually for $59.

SpielzeugMuseum Davos Toy Museum Davos

Sunday and Monday, July 22 and 23. The Prestigious Spielzeug Museum of Davos,

Switzerland. The legendary doll and toy museum is closing and its entire collection will be exhibited and auctioned at the Westin in New Orleans. Two catalogs are in preparation for the event and can be ordered for $99 the two, or individually for $59.

For more information about the auctions or to order catalogs visit www.theriaults.com, email info@theriaults.com, or telephone 410-224-3655 or 800-638-0422. You are invited to request free color brochures.

the dollmasters P O B o x 1 51 • A n n a p o l i s , M a r y l a n d 2 14 0 4 U S A T e l e p h o n e 4 1 0 - 2 2 4 - 3 6 5 5 • F a x 4 1 0 - 2 2 4 - 2 51 5 • w w w . t h e r i a u l t s . c o m

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1/17/12 10:15:37 AM

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 12 1/2" E. 3 J. Jumeau Bebe, almond shaped blue spiral threaded p/w eyes, orig. mohair wig, orig. head coil, orig. salmon colored silk (some fraying) dress, orig. undies, Fr. ant. hat & ant. Fr. shoes. On orig. "signed" Jumeau st. wrist body. Rare cabinet size. This Bebe is a STUNNING beauty!!! $9275. 3. 6 1/2" Kestner "All Bisque" Pouty, mint pale bisque overall, bl. glass eyes, feathered brows, "swivel neck" & orig. mohair wig. Wears FACTORY orig. dress, darling matching hat & orig. undies. Early peg strung, blue painted bootines w/black tassels. Very pouty face and ABSOLUTELY Adorable!! $4650. 3 1-2 4. 6" Rare "All Bisque" Kestner Toddler, bl. sl. eyes, 2 early square cut teeth, immaculate bisque overall & orig. mohair wig, factory orig. batiste & lace dress & orig. undies. On orig. chunky toddler body, dimples in cheeks & double chin. Absolutely DARLING!!! Onlyâ&#x20AC;Ś$1275. 5. 5 3/4" Kestner "All Bisque", mint pale bisque overall, br. glass eyes, darling gold & black multi strap bootines, orig. mohair wig w/ long braid & orig. plaster pate. Wears orig. ornate silk & lace dress & matching hat. A little jewel. Priced great at onlyâ&#x20AC;Ś$1075. 6. 5 1/2" S & H "All Bisque", blue glass eyes, mint pale bisque overall, "swivel neck" orig. mohair wig, orig. blue cotton & lace dress, matching orig. headband sewn into wig. She was mine & is very SPECIAL!! $3950. 5 6 7. - 8. 9 1/2" E.D. #1 by Jumeau, the most beautiful bulging blue p/w eyes magnificent pale bisque, darling orig. lambs wool wig & pate, wears great silk & lace Fr. ant. dress, ant. hat, orig. undies, ant. shoes & socks. On orig. "signed" Jumeau body. "Rare teeny size #1" & EXTRAORDINARILY Beautiful!!! $6875. 9. - 10. 10" Rare "Figure" C Steiner Bebe, magnificent bisque, blue p/w eyes, early mauve blush under beautifully feathered brows, orig. mohair wig & pate. Wears orig. dress, darling ant. wool coat, ant. ermine muff & fabulous ant. Fr. hat edged in 11 mink, "signed" PARIS shoes!! On 9-10 orig. fully "signed" Steiner body. Rare "Figure C" & OUTSTANDING!!! $10,500. 11. 16" S & H #908, amber p/w eyes, immaculate pale bisque, 3 square cut teeth, ant. mohair wig & orig. pate, vintage pink silk & lace dress, fabulous ant. Fr. hat, orig. undie set, orig. shoes & silk socks. On orig. very early 8 ball jointed st. wrist body. Made for the French trade. A STUNNER!!! $3350. 12. 7" Early "All Bisque" Kestner, gorgeous pale bisque, blue sl. eyes, feathered brows, "swivel neck" & the most magnificent orig. mohair wig w/ chignon on top, wears fabulous orig. magenta silk dress. On orig. early peg strung all bisque body (teeny fleck at 1 stringing hole), multi strap bootines. Darling chubby cheeks & double chin. I just love her and so will you. Great GORGEOUS large size!!! $3975. 13. - 14. 12" Very Rare Early Delacroix Bebe, beautiful peaches & cream bisque, HUGE blue p/w eyes, orig. Fr. long HH wig & pate, wears fabulous orig. ornate silk dress, ant. Fr. hat, old undies, crocheted socks & ant. shoes. On orig. early st. wrist body. Very special beautiful features, great cabinet size, extremely rare. Was an article in Antique Doll Collector about these. The largest eyes EVER LAYAWAY AVAILABLE on this size doll. Wonderful addition to even Member UFDC & NADDA the finest advanced collection. AMAZING (Nat'l Antique Doll Dealers Assn.) beautiful face!!! $8900. Photos by Vincent Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

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Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 18 YEARS

1 - 3. 22 1/2” Bru Jne 8 having the most desirable molding and expression. Brn. p.w. eyes, molded tongue and brow, excellent body with Chevrot type bisque arms and leather body in exc. cond., wonderful and antique from abundant mohair wig to marked Bru shoes. 4 - 5. French mechanical wind-up, sheepskin covered poodle, that bounces forward, up and back into a sitting up position as he bangs his authentic base drum with his furry paws. He has glass button eyes, a hide-covered face, wearing a festive metal headpiece adorned w/ noise-making bells. This feisty performer is 9 1/2” tall overall. $1650. 6. Dolly’s “Loto” game, French late 1800’s, w/ 18 cardboard game cards and dozens of numbered game pieces. Some wear. (5 3/8” x 3” x 1 1/4”) $175.

Exhibiting: March 10 - Santa Barbara Doll Club Show and Sale, Santa Barbara CA, Earl Warren Showgrounds

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com

MOVING?

Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

The Long House A Silber & Fleming Mansion From The Collection of Barbra Streisand Some of you may know that fellow antique doll and dollhouse collector, Barbra Streisand, recently finished the constuction of a new home. Well, when the dust settled and collections were installed, it soon became apparent, as it does with many of us, there were more things than room available. Reluctantly, Barbra asked us to find new homes for a few of her cherished dollhouses. We are honored to offer a spectacular Silber & Fleming Mansion here, in a very manageable size. Details of this extremely unusual eightroom house include expectionally fine paint decoration to the exterior – simulating both red and yellow brick, along with simulated stone on the ground floor. The elegant, greypainted roof represents slates, there are four handsome chimney stacks, a grain-painted front door with brass knocker, and the many glass windows with divided lights are large and allow full view into the rooms. The house opens with three hinged doors, revealing eight rooms, each fitted with a fireplace that features an elegant Evans and Cartwright stamped tin insert. Each room also features lovely wallpapers (some appear original), and needlework carpets on the floors, save for the kitchen, as it retains its original painted tile floor. The kitchen also boasts its original dresser, sink, water reservoir and warming oven. Each room is beautifully furnished, but highlights include a fantastic assortment of painted soft metal furniture and accessories, plus lovely Biedermeier pieces, along with ivory, and ormolu accessories. Please study each room carefully – there is certainly room available for your own personal additions, and a family of special dollhouse dolls will be required. Measures: 41-3/4” wide x 12” deep x 26-1/2” tall. $26,500 as shown

Carmel Doll Shop

Silber & Fleming Townhouse London, circa 1880

A classic English box-back Dollhouse from the London-based wholesaler Silber & Fleming, this handsome four-room house bears all of the characteristics that we have grown to love. For example, there is the perfect symmetry which one will typically find, plus the lovely brick paintwork – yellow brick with contrasting decorative red brick at the edges and over the windows, and cream stone blocks below. Also, note the double balcony, complete with the pierced railing in deep green and black paint, and the portico, which denotes the entry with its false-grained front door. Swing open the hinged front and there you will discover four perfectly proportioned rooms, all with fireplaces and chimneys dividing the back walls. We are offering this house fully-furnished, in move-in condition. It has been electrified, the windows have been cleaned, the lace curtains refreshed and the mantel pieces draped...but you’ll provide the lucky inhabitants! The fourroom Townhouse measures: 25-1/4” tall, 21-5/8” wide and 12-1/4” deep including the base. The Parlor measures: 10-1/2” tall, 10” wide and 8-1/4” deep. $15,900 as shown

February 2012 • Volume 15, Number 1

IN HER OWN WORDS THE WONDERFUL KRUSE BABY DOLLS… The Story of the Origin of the Famous German Dolls As Told by Their Originator, Frau Kaethe Kruse

ALICE JORGENSEN AND HER HANS CHRISTIAN ANDERSEN DOLLS

A JUMEAU JOURNEY by Janet Gula

The idealized child, dressed in exquisite clothing was the masterful province of Jumeau.

By Elizabeth K. Schmahl and Carmen C. Farrell This talented Danish artist captured the whimsy of our favorite fairy tales.

THE GAME OF LA POUPÉE MODÈLE by Sylvia Mac Neil

A fun board game which ﬁrst appeared in 1886 also taught lessons in manners and dress.

About The Cover

For many collectors of French bébés their ﬁrst introduction to that world was through the dolls of Jumeau. Just as they attracted little girls of the 19th century, they continue to entice collectors today. Janet Gula takes us on a journey featuring the extraordinary dolls of Jumeau. Collection and cover photo Janet Gula.

14 14 14 56 60 63

Auction Gallery News Mystery Emporium Calendar Classified

APACHE BOUDOIR DOLLS

A NEW LOOK FOR THE VILLAGE DOLL SHOP by Donna C. Kaonis

by Dominique Pennegues A Paris phenomenon, the Apache movement gained immortality through music, ﬁlms, dance, fashion and even boudoir dolls.

Working with renowned cabinetmaker David T. Smith, Becky and Andy Ourant have transformed the Village Doll Shop.

THE 1940’S… PROSPEROUS TIMES IN THE DOLL TRADE

by Ursula R. Mertz In spite of wartime shortages, the Effanbee Company was successful in taking advantage of changing economic conditions. 6

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

UFDC MODERN COMPETITIVE EXHIBIT 2011 ANAHEIM, CA Part I

Photographed at the United Federation of Doll Clubs National Convention by Keith Kaonis

GAITHERSBURG, MD DECEMBER 3 & 4 Plenty of buying and a great crowd make this a standout show.

“Kewpie Love.”

Rare O’Neill Bridesmaid with painted silver slippers. $495 Rare O’Neill Minister with missal, $495

A paper boat went out to sea to catch a Valentine. Instead it caught a paper wave that said “Won’t you be mine!”

A scared love is always there, spun from gold – like angels hair! 13” Neapolitan Creche, $895

Your little hands, your little feet, your little nose, my God how sweet! 14” All Original Halbig ‘1299’ character, $995

Victorian 3-D Valentine with interior, $295

In the moonlight soft and warm a garden lies lost in the shadow of your beauty. Sleepless humming birds attend thee and fireflies, drawn to the glimmer in your eyes, light your way this golden night. Rare 11” Original Jumeau Poupee, $2995

If I could only play for you the melody within my heart what lovely music it would be – so gentle and so fine. If I could only play for you my song so dear and tender sweet – those strains would make a strong man weak and cause a jester’s heart to weep! Austrian Enamel Music Room, $1600

O Beauty! How black becomes you! - but let me say what is so rare. Your hair! – so rich and dark ‘tis not a shroud to mask your sadness real – but rather a mantle there about your face to frame a gentle paleness dear. 20” All Original Bru Jne with Signed Boots, $28,000

Oh poor clown! Don’t cry for me. Where you go I’ll be with thee. My silly clown! Come dry your eyes And raise your face up toward the skies.

Fallen Flowers – a youthful spat. 12” Choice Double figured Heubach duet, $895

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC and NADDA

212.787.7279 • P. P O. Box 1410 • NY, NY 10023

Pretty pink boots, limbs long and slender, such long blonde hair and bisque so tender to all your charms I do surrender! 7” Rare Pink Bootine Mignonette, $4500

Nancy A. Smith Buying and selling quality antique dolls. Specializing in early cloth dolls. Member NADDA

Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

16” Schoenhut 403 boy. Schoenhut suit and shoes. Wig and socks replaced. $1700. 11 1/2” Schoenhut toddler. $450. Both have original finish with light wear.

& LOWE Connie

Jay

A fresh to the market grouping of dolls from private collections. Pictured are some of the dolls recently acquired.... Munich Art, Bru Jne 4, Simon & Halbig Oriental, Parians, etc. Call for prices and ask about other dolls in our inventory. A large number of these dolls from a New Jersey estate, mostly purchased in the late 1950`s - the early 1970`s. Many of these dolls came from the well known and highly respected Connecticut doll dealer Grace Dyar!!

Always Buying Quality Dolls & Toys or Entire Estates Buy with ConďŹ dence

Member of NADDA

Email: big.birds@comcast.net

Sell With ConďŹ dence

Member of UFDC

Call Toll Free 1-888-JAY LOWE or (717) 396-9879

P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114

17 Loch Lane, Rye Brook, NY 10573 (914) 939-4455 • Fax (914) 939-4569 Email: poupees57@aol.com 1

Generous Layaways Member NADDA Member U.F.D.C.

Evelyn Phillips

Please see our website or call for more details, and lots more pictures www.evelynphillipsdolls.com 12

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Accepted

1. A&B 19" Portrait Jumeau, breathtaking beauty, call. 2. 20" magniﬁcent Figure C Steiner, great example of this mold, took the gold medal in Paris expo in 1889. $7300 3. 9" Wrestler, fabulous old clothes, dearest little face. A little Gem. $4700 4. 9" Darling all original Simon Halbig A/B #886, made for the French trade. $3700 5. 24" Simon Halbig #1249 "Santa", brown eyed beauty in extravagant vintage ﬁnery. $1295 6. A&B 12" EJ#4 Superb bisque and coloring, spectacular clothes. $7200 7. Rare sleep eyed Jumeau, works on a turn key system. Wears her original chemise under her charming velvet and Ermine costume. $5200 8. 12" K* R 115, her antique eyelet pinafore and the little mob cap atop this pouty little face is just precious. $3000 Photography by Paula Claydon

9” tall German cat candy container - $250.

Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 The shop is now closed until Memorial Day or open by appointment. Please call our cell phone for questions or purchases 207-322-4851. email: lucysdollhouse49@roadrunner.com Phone 207-236-4122 Fax 207-236-4377

11” antique German paper mache dog on wheels - $495.

24” early wax over composition - $495.

Please visit our website LUCYSDOLLHOUSE.COM

11 piece German parlor set - sofa 8-1/2” long x 5-1/4” tall - $595.

7-1/2” early china head doll with flat feet - $195.

12-1/2” oak German clock - $295.

12” Shirley Temple compostition Texas Ranger - $695.

News

Auction Gallery

urrently on exhibit until May 2012 at the San Francisco Airport International Terminal is the exhibit “Automata: Mechanical Wonders of the Nineteenth Century. Forty-four masterpieces of automata are represented by the best makers of the era: Lambert, Phalibois, Tharin, Renou, Roullet & Decamps and Vichy. This exhibition was made possible through generous participation by the Morris Museum, Morristown, New Jersey, and the museum’s Murtogh D. Guinness Collection of Mechanical Musical Instruments and Automata, consisting of 750 objects plus over 4,000 pieces of media, representing one of the most signiﬁcant collections of its type in the country. For more information visit www.ﬂysfo.com and click on SFO Museum.

rare large size model measuring 26 inches, of the “Magic Theatre” automaton by Louis Renou with Jumeau size 7 head, circa 1890, recently brought $43,000 at Auction Team Breker in Germany. Auction Team Breker, P.O. Box 50 11 19, 50971 Koeln, Germany. www.breker.com

Artist Sitting at Easel c. 1890 Phalibois, France. Collection of SFO Museum, Photo courtesy SFO Museum

We all wish Roberta Zygarlowski a speedy recovery! During her hospital stay Roberta’s Doll House continues to stay open; visit www.robertasdollhouse.com

Do You Have a Mystery Doll? C

an anyone identify the maker of this doll or who it might represent? His owner asked us to photograph the doll at the December Gaithersburg show. Quite striking in appearance, it measures 17 inches; the clothes are glued on and it has felt eyes and eyebrows. If you can help, please respond to antiquedoll@gmail.com.

“

his adorable little boy is 20 inches tall with a hard type material head on a foam and latex material body. His arms are done in segments with a wooden ball joint and foam. His legs are a latex material with foam inside. The shoes are also made of latex. He also has metal rods in his arms and legs but doesn`t bend. I would like to know more about him.” Don, email: psalm234@earthlink.net Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above. 14

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

26” CM RD Rabery Delphieu, brown paperweight eyes, nice French body, HH wig, left lower eyeﬂake repaired, pimple left cheek, great face $2600 Now $2250.00 Doll House Blond Doll, body has some repair, right toe as is, cute doll $85.00

7” Kestner #155 on compo body with jointed legs, original mohair wig & plaster pate $725.00

24” Made in Germany #171 Kestner, brown sleep eyes, original pate, nice bj body $550.00 23” 1916 CM Bergman Walterhausen, brown sleep eyes $295.00

17” Effanbee “Mickey”, mohair wig, cloth body with compo head and hands $145.00 Now $125.00 20” 1935 Ideal Deanna Durbin, original dress, HH wig, slight crazing, some lifting by nose & mouth $350.00 Now $295.00 12 1/2” Ideal Mortimer Snerd all original, felt jacket as is, slight repair tip of nose, Flexie body w/ compo hands & wood feet $195.00 Now $150.00 14” Composition Mary Hoyer in original pattern knit outﬁt & hat, brown sleep eyes, great facial coloring, mohair wig $295.00 now $270.00 15” Effanbee Anne Shirley, original HH wig, tie shoes & socks, blue eyes, very slight crazing $95.00

15 ½” Simon & Halbig 1159 Lady, blue sleep eyes, lady body, HH wig, antique clothes made for her $1595.00

17” Heinrich Handwerck Simon & Halbig, pierced ears, blue sleep eyes, nice body, really sweet $395.00 3 1/2” Steiff Piep 1960’s in mohair with button & tag $69.95 3 1/2” Steiff Piep 1960’s in white mohair, pink eyes $65.00

5 ¾” All Bisque #D45/0 Germany, jointed arms & legs, orange boots, molded hair, painted eyes $85.00 4” Black hair turned head Parian all original, bisque arms & legs $45.00 4” Blond Parian, painted eyes, all original, bisque arms & legs $45.00 6” All original Doll House 13” PM Porzellanfabrik Doll, bun in back hairdo, Mengersgereuth Baby on 5 original body, 2 strap piece body, o/m w/ teeth slippers, bisque arms & legs $150.00 Now $125.00 $145.00 Now $120.00 15 1/2” Bahr & Proschild 5” German All Bisque #620#585 on 5 piece baby body, 3-4, painted blue eyes, swivel mohair wig, brown eyes, head, jointed arms & legs, 2 paint on hands as is $325.00 strap slippers $155.00 Now $290.00 7 ½” Black hair China, 16 1/2” AM #971 on baby body with ball jointed arms, original cloth body, bisque original mohair wig, 2 ﬁngers arms & legs $55.00 as is, sweet face $325.00 Now $275.00 16” A M Dream Baby #351 on 5 piece baby body, blue sleep eyes, molded hair, 2 lower teeth $300 Now $210.00

10” All Original Vogue Jeff in tuxedo $65.00 10” Vogue Jill wearing 1958 #3313 tagged dress, 1 earring, original wig set $75.50 8” All original Tosca Betsy McCall in teddy, blue sleep eyes $155.00 10” American Character Toni, blue eyes, light brown hair, redressed $65.00 10” Little Miss Revlon by Ideal in tagged dress, pearl drop earrings, blue eyes $100.00

8” 1956 All Original Alexander Little Genius on walker body, great facial coloring $175.00 8” 1957 #7030 Ginny straight leg walker, molded lashes, brown eyes, dark brown hair, original ‘Ginny” knit top, skirt, hat $13 5.00 8” 1950’s straight leg strung Ginny, brown eyes & dark brown hair, tagged dress $110.00 All original mohair Steiff Ginny Pup with ‘Ginny Pup’ plaid coat, leash & ribbon $165.00 8” Merry Moppits Cowgirl Ginny #38 1955 all original with hat, boots, vest, belt, cuffs & gun, straight leg walker $110.00 5” Wood jointed Orphan Annie & Sandy Sold

24” AM Floradora, blue sleep eyes, molded eyebrows, HH brown wig $265.00 Now $210.00 26” AM 390 N, blue sleep eyes, 1 ﬁnger as is $325.00 Now $295.00 8” SFBJ #6 12/10, French ball jointed body, original mohair wig, brown sleep eyes $350.00 26” CM Bergman 1916, blue sleep eyes, nice bj body $395.00 Now $370.00

17” S & H 759, brown paperweight eyes, blonde mohair wig, 2 deep dimples, antique dress & pin $1450.00 Now $1295.00

22 1/2” Cuno Otto & Dressel (look of K * R 117), body revarnished, HH wig, blue sleep eyes, professional repair on right foot & 3 ﬁngers left hand $985.00 Now $850.00 19 1/2” Kestner #161 rare mold, original wig & pate, brown sleep eyes, 1 replaced lower leg $750.00 24” S & H 109 DEP Handwerch, blue sleep eyes, mohair wig, pierced ears, hands repainted $425.00

5 ½” Pair AM Germany 10/0, painted bisque, all original 5 piece compo body, dark brown glass eyes, C/M, painted red shoes, great clothing $175.00 pair 6” All Bisque Japan ‘Skippy’, paint as is $45.00 Now $20.00 7” Compo paper tag on base ‘Norge Mighty Midget’, painted eyes, little chipping of paint on right hand $55.00 Now $47.00 3 ½” All Bisque Germany Nodders, painted eyes, great molding $85.00 pair 5 ½” All Bisque Walt Disney Japan ‘Bashful’, paint as is $45.00 Now $25.00

HOPE TO SEE YOU AT THE FOLLOWING SHOW: The Eastern National Doll Show – March 3 & 4 Gaithersburg, MD Fairgrounds

1860’s 21 ½” Flat Top China by AW. FR. Kister all original cloth body, leather hands, right cloth boot has been repaired $295.00 Now $220.00 24” China 6”head, 6” shoulder plate, great molding on face, rosy cheeks, new cloth body $295.00 Now $225.00 14” Blond Parian, painted blue eyes, cloth body, bisque hands, antique dress $295.00 Now $235.00 1880’s 22” Kestner China Flat Top, original antique cloth body, yellow boots, black toe & heel, green tassel, right leg reglued, china spoon hands, red line over blue eyes, antique clothing $325.00 Now $250.00

LAYAW AVAILA AY BLE

36” Handwerck Halbig #7, blue eyes, pierced ears, brown mohair wig, nice body, molded eyebrows, antique dress, undergarments and crotched cape w/ tassel $1495.00 10” A & M #991 on 5 piece compo body, mohair wig, blue sleep eyes $180.00 Now $150.00

Set of Dionne Quintuplets, bent leg babies, molded brown hair, brown eyes to the right, all original bonnets, slips & diapers, 1 bonnet & set of booties missing, very slight crazing, really sweet $950.00 Now $825.00

Ideal 16” Mary Hartline all original dress - signed by Mary Hartline, pants & boots, vinyl head on hard plastic walking body, V-91 $255.00 Now $195.00 14” Hard Plastic Mary Hoyer in original pattern knit outﬁt & cap, great facial coloring $135.00 18” 1957 Horsman Cindy all original in box, yellow bubble dress, light brown wig, jointed knees, brown eyes $115.00 14” Alexander Princess Margaret Rose 1949-53 all original in cream & lavender tagged dress (has a few spots), brown mohair wig, blue sleep eyes $225.00 Now $195.00 17” 1957 Shirley Temple w/ ﬂirty eyes, original pink & blue nylon dress, replaced vintage shoes $210.00 Now $185.00

6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles

Chicago’s ﬁnest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping

Sandy’s Dream Dolls From Arizona to Texas Sandy Kralovetz

Always Buying Dolls of Quality Visit Our Showroom:

ANTIQUES ON 8 10 am to 6 pm 5455 West Sam Houston Pkwy North, Houston, TX

602.228.1829 • 281.339.0269 skayk43@aol.com Mailing Address: 9825 Moers Rd, Houston, TX 77075 Member UFDC & NADDA

Happy Valentine’s Day!

Victorian Retreat Antique Dolls QUALITY DOLLS AND REASONABLE PRICES

Valentine Treasures! Two marked 16” Kestner XI sisters that will “steal” your heart! These two sisters are fantastic with blue spiral glass sleep eyes, closed mouth, beautiful bisque, early straight wristed bodies and all antique. They are simply perfection and to ﬁnd two together is so exciting! They can be sold together at $7995 for the pair or $4195 each. Please call or email for more details. 16

ANTIQUE DOLL COLLECTOR

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K*R 117A Vintage Dress – beautiful doll. Jumeau Size 2 - 11” - wonderful cabinet size. All original mechanical when you push the buggy the doll waves its hand. 19 ½ inches to top of handle.

A group shot of the family Jumeau shows the range of faces and sizes of the bebes produced by the firm.

A Jumeau Journey by Janet Gula

or many collectors of French bebes, their first introduction to that world was through the dolls of the firm of Jumeau. The first Jumeau purchased by beginning collectors is often the Tete Jumeau, a later doll created by the firm and fairly easy to find. There is something about the faces of the dolls created by Jumeau that attract the collector of today in the same way that they drew the attention of the young girls (and their mothers) who purchased them when they were brand new. Jumeau produced hundreds of thousands of dolls in their history so availability also makes them attractive to the novice fan and depending on the rarity of a specific model they are also available in a variety of price points as well.

ANTIQUE DOLL COLLECTOR

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An early Premiere Bebe bears a great resemblance to the brown eyed poupee. The eyecuts are large but slightly uneven giving a more naïve expression to the doll.

A portrait Jumeau poupee shows the quality of modeling and painting that marked the dolls of Jumeau throughout their long history.

The face of this late poupee was used on the early premiere bebes produced by Jumeau. The bisque head is mounted on a leather body. This example boasts an all original ensemble.

here has been a lot of research done on the Jumeau firm and there are several excellent and thorough publications available for the novice collector to learn about the history of the company and the dolls produced by them. The firm was founded by Pierre Francois Jumeau in 1844 and ended in name in 1899 when it joined a society of French doll manufacturers who were trying to survive the influx of German produced dolls. Jumeau produced dolls in what has been called “the golden age of doll making”, in the years between 1860 and the 1890’s. While not the first to produce dolls resembling young children, Jumeau was certainly the most successful at marketing this new type of doll when it appeared on the

Two Portrait Jumeaus show how different eye cuts and color can give the basic model a variety of looks. ANTIQUE DOLL COLLECTOR

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market in the 1870’s. In 1882 alone the ﬁrm sold over 100,000 of these dolls referred to as bebes. Much of the success of the Jumeau ﬁrm was the result of the marketing skills of the founder’s son, Emile-Louis Jumeau. He led an unprecedented advertising campaign in the late 1880’s and saturated the market with advertising in every available source, from newspapers to theatre programs and even fans. Many of the techniques he used are still applied in marketing

A beautiful Portrait Jumeau has a face that is as popular with collectors of today as it was for the young child of yesterday.

A rare size 5, 25-inch Portrait Jumeau shows the face that continues to captivate modern day collectors.

A first series Portrait Jumeau has large glass eyes with spiral threading and is marked with a number only. Production of these bebes began in 1877 and they were advertised as being incassable or unbreakable.

A second series Portrait Jumeau is still marked with a number only but the numbering system had changed by 1876 which enables us to differentiate between the 1st and 2nd series Jumeau.

Another example of a second series Portrait Jumeau.

ANTIQUE DOLL COLLECTOR

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A marked Schmitt doll bears an uncanny resemblance to the early portrait models of Jumeau. There is some indication that Jumeau supplied the heads to some of the early Schmitt dolls. The body on this doll is however unique to Schmitt.

A large Jumeau Triste holds a tiny 9 inch E.J. showing the size differences in the dolls the firm produced.

The Triste was so named because it was thought to have a sad expression. It was introduced in 1878.

Production of the doll marked E.J. began in 1881. This doll is a size 9 and has separately applied ears. It is one of the first dolls marked E.J. produced by Jumeau.

A later E.J. model measures only 9 inches in height and yet no detailing has been lost in either the facial features or the body construction.

to this day. He published booklets including a sixteen-page publication complete with colour pictures and an account of the production of the doll that was published in English for the British and American markets. Jumeau was awarded a gold medal in 1878 at the Exposition Universelle. He advertised this honor by prominently displaying it on the boxes, bodies, shoes and clothing labels on his dolls. Awards continued in following exhibitions. It was a time of conspicuous consumption and the dolls of Jumeau were eagerly purchased both in France and internationally as parents sought the most luxurious products to bestow upon their children. It is thought that the ďŹ rm was

The E.J. shows the chunky body style that was typical of this era.

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producing over a million dolls a year by the 1890’s. The firm, while recognized for the quality of its products, was also a commercial success worldwide. Jumeau’s French bebes represented the idealized child and were dressed in elaborate children’s clothes. Many other firms produced these perfect children including Bru, Steiner, Schmitt and Gaultier; however, few if any were able to match the numbers produced by Jumeau. Jumeau also produced the whole doll unlike many of the other firms who had heads or bodies produced at other factories. Characterized by their large, beautiful glass eyes and delicately painted features, these dolls were the

This bebe is marked on the back of her head with the words incised Depose Jumeau . This model was introduced in 1885 and was only produced for one year.

As a result of a lawsuit suing Danel & Cie for infringement of copyright, Jumeau produced a new model in 1892 named Paris Bebe (the name of the doll produced by Danel & Cie).

Note the doll’s name written on the sash of the doll’s original dress. 22

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The Tete Jumeau began being produced in 1886. The bisque heads were now poured rather than pressed bisque. The firm employed 350 workers but would almost triple this number by 1889. While produced in large numbers, this Tete has a lady body suggesting an adolescent girl rather than a young child so is rarer than the dolls of this mold found on standard bodies.

A typical advertisement indicates the price of the doll based on its size and states that the costume is a new design and made of a silk brocade. Jumeau dolls were desired not only for their beauty but also for their lavish couture costumes. Jumeau produced a number of Tete Jumeaus for specific stores with unique markings. This doll is marked with an Incised D but as of yet it has not been discovered who these dolls were made for. Tete Jumeaus are also found with open mouths with teeth. Jumeau produced character dolls, phonograph dolls, sleep eyed dolls and walking dolls after 1892 but introduced no new products after 1896.

ultimate Victorian fantasy. For the collectors of today, they are often still the doll most dreamt about and sought after. For some that ﬁrst Jumeau is often the start of a journey to learn, appreciate and acquire even more of these beautiful creations from the family Jumeau. References: The Jumeau Doll – Margaret Whitton, J Kent Campbell (Illustrator) (Dover Publications, 1980) HYPERLINK “http://en.wikipedia. org/wiki/Special:BookSources/9780486239545” ISBN 9780486239545 HYPERLINK “http://en.wikipedia.org/wiki/ Special:BookSources/0486239543” ISBN 0486239543 The Jumeau Book – Francois Theimer and Florence Theriault (Gold Horse Publishing, 1994) The Beautiful Jumeau – François Theimer (English edition edited by Florence Theriault) (Gold Horse Publishing, 1997) HYPERLINK “http://en.wikipedia.org/wiki/Special:BookSources/0912823712” ISBN 0912823712 HYPERLINK “http://en.wikipedia.org/wiki/Specia l:BookSources/9780912823713” ISBN 978-0912823713 The Encyclopedia of French Dolls – François & Danielle Theimer (English edition edited by Florence Theriault) Jumeau - HYPERLINK “http://www.bookﬁnder4u.com/search_ author/Constance_Eileen_King.html” Constance Eileen King ISBN-10: 0887401155 ISBN-13: 9780887401152 Publisher: Schiffer Publishing - 1997-03 The Collector’s Encyclopedia of Dolls - Coleman, Dorothy S., Elizabeth A. Coleman, and Evelyn J. Coleman. New York: Crown Publishing Co., 1968. Dated 1895, this charming engraving by Mlle. Charderon is entitled “Le Prefere”. In the basket held by the little girl is Jumeau bebe with a classic “Tete” face.

The Collector’s Encyclopedia of Dolls. Volume Two. Coleman, Dorothy S., Elizabeth A. Coleman and Evelyn J. Coleman. New York: Crown Publishing, Inc., 1986

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Happy Valentine’s Day! Blackberry Studios Margaret Gray Kincaid Tel. 410.323.0373 Cell: 646-709-4340 Margaret.kincaid@gmail.com Member NADDA and UFDC

Jumeau Depose size 8 - 18” Tall $6950Jumeau EJ size 7 - 17” Tall $6950Both are wearing original dresses BLACKBERRY STUDIO WILL BE AT THE FOLLOWING SHOWS: Verdugo Hills Annual Doll and Toy Show - January 28 2012 Forever Young Antique and Collectible Dolls, Toys and Bears February 25 2012

ANTIQUE DOLL COLLECTOR

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Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

Gorgeous Rabery & DelphieuAntiquity personified! This 16.5" Bébé emanates the essence of the past and lost artistry of Rabery & Delphieu. Palest early bisque with huge expressive coffee colored paperweight spiral threaded eyes darkly lined and swept with lashes. She has the signature plump outlined lips and more aquiline nose than other Bébés contemporary to her time. Long auburn mohair curls sweetly about her face. Nicely dressed in pale spring green silk and lovely bonnet, this is a doll that will enhance and deepen the character of your collection. $5200

Beautifulbebes.com

Nothing warms up winter like the glow of this amazingly beautiful 18" Bébé from the Émile Jumeau period. Truly, a doll that reflects the Golden Age of Dolls; characterized by lavishly garbed and appointed bébés and poupées. Our mademoiselle is dressed in a superb original white lace edged muslin day frock with a dropped waist and layered lace skirt and sleeves. Original blue silk French-cut shoes, and beautiful antique bar pin with paste stones twinkling beneath her lovely face. Perfect bisque head, marked E8J, gorgeous mohair wig. C'est Magnifique! $8400

Barefoot Mignonette PresentationThis mignonette may only be 5" tall, however her presence and impression is far greater! She has been protected through the decades by a gorgeous box covered in themes of courtiers and couples dancing. Three layers of lavish appointments include frocks and hats, sundries and chemises. She has huge sapphire blue glass eyes and the tiniest pair of red satin soled shoes with red bows to match her polished cotton frock. What a treasure! $7500

Adorable 6" All Bisque- J.D.Kestner was a master at creating not only dolls but imbuing them with the essence of childhood. This darling is completely engaging w/ her little blue eyes and almost smiling open mouth revealing tiny square cut teeth. I have dubbed her "Baby Sister" as she is a perfect rendering of her larger editions, however w/ her chubby cheeks & impish adorable face, she must be the baby of the bunch! This little one is free of flaws. She has beautiful little features & fits in perfectly with her doggies and sisters at play. Original blonde mohair wig, cork pate, sl. eyes, & black tassel boots. She promises not to take up but just a bit of your cabinet! $2450

The magic of a special early all-bisque and the emotion evoked are clear in this Artful Doll. The classic Kestner hallmarks are evident in the stroke of her lash; the capture of child-like expressiveness & tenderness of the artistic rendering. A delightful child w/ doe brown eyes, orig. mohair wig, lovely plump curved body with rosy glow to cheeks & lips & delicate deeper coral outline of sweet smile. Desirable square-cut teeth and lovely bisque. Silk-satin ivory & lavender coat-dress & French silk bonnet in matching fabrics. Desirable blue boots w/ tassel. $3850

www.rubylane.com/shop/bebesatticfinds

The Game of La Poupée Modèle By Sylvia Mac Neil

ny doll collector, any admirer of antique dolls, their endearing wardrobes and attendant miniature accessories, has at the least some knowledge of the monthly, French periodicals devoted to every aspect and pastime of a young girl’s life, which, naturally enough, included dolls. Printed in Paris in the mid-nineteenth century, these publications were children’s versions equivalent to the popular ladies’ books in America, for example, “Godey’s Ladies’ Book” and “Peterson’s Magazine,” and in France, Journal des Demoiselles, and Les Modes Parisiennes. Beginning in 1863, La Poupée and Gazette de la Poupée, were printed for a few, short years, while a third magazine, the most successful and most celebrated, La Poupée Modèle, was printed until 1923. Known best for its patterns, included in each issue was a fold-out, yellow

sheet of tissue paper containing such patterns. Printed on both sides, one side was devoted to dolls, while the reverse contained patterns and diagrams to construct any manner of household decorative arts and little niceties to be given to family members and friends for birthdays, various holidays, as well as Étrennes, gifts given for the New Year. Of special interest today is the “The Game of La Poupée Modèle.” The game markers were offered first, in the “Annexes” of the September, 1866 issue. “Colored Engraving … These pretty, little girls in blue, green, red and yellow, are the markers for the game that will be sent to you next month: le Grand Jeu de La Poupée Modèle, perfect for use by our nice little subscribers. These little figurines are glued back to back after they are cut out. The base is folded and glued just as the large figurines with costumes which

Chiffonnette, a size 4 doll attributed to Huret, is wearing a charming dress inspired by that worn by the figurine, Bleuette. It was created using only a simple sketch, before a detailed description of the game and markers was available. Made up in antique yellow taffeta, the dress features a low, squared neckline on a fitted bodice with a full skirt, laid in box pleats. Pointed lappets, set on a belt round the waist, as well as those on the shoulders, create a decidedly coquettish and whimsical effect. On the lappets are set tiny, yellow, silk buttons. All is trimmed with bands of narrow, black velvet ribbon. Her hat is of yellow straw, the low crown decorated with yellow primrose, reminding one of the wild primrose growing abundantly along the lanes and country roads in Normandy in early spring. Like the figurine, she also sports yellow boots and white gloves, and her antique, tin watering can is similar to the one that Bleuette carries. 26

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The “GRAND JEU DE LA POUPÉE MODÈLE” was given in the ““Annexes” Annexes” in the October, 1866, issue. Like the figurine markers, the game is securely attached in the volume. Most edges of the pages are dry and brittle, and very fragile, but the game, printed on heavy paper, is nearly intact. It is a large, fold-out page, and measures 20 1/2” X 14 1/2“.

we give you, from time to time. … Now, have a little patience, to wait until October, for the large game board on which are the pretty little girls who came to dispute the prize for the game: a sugared almond or a doughnut! Never money! That would dirty your hands!” There appeared in many issues, on the inside cover of the back, pink page, a feature titled, “A Little Correspondence for the Mothers.” In the September issue, the Correspondence presented a detailed description of the ensembles worn by the figurines; each one had been assigned a name. “Correspondence For The Mothers. Explanation of the costumes of the figurine markers for the Game of La Poupée Modèle. These costumes can serve as models for the mothers of our dear, little friends.” The game board appeared in the following issue, October, 1866. “Large Colored Engraving. JEU DE LA POUPÉE MODÈLE. You received the explanation previously. I hope, little friends, that this charming surprise closes our year properly, and helps you to become likewise well-behaved, as this nice doll, the heroine of our game. A few among you have no fear of doing that, because you are already, a little well behaved…but for certain others…I won’t tell you which ones! …what a difficulty! … Don’t let this reflection discourage you, dear, little friends. All children your age have faults, I know that, I highly agree; but also, all children work to correct that, because they know, it is at this moment,

A colored engraving of the figurine markers for the Game of La Poupée Modèle was included in the Annexes of the September, 1866, issue. This example is still attached in the bound volume. It measures 8 3/8” X 7”. ANTIQUE DOLL COLLECTOR

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A description and name for every figurine was given on the inside, back cover of the same issue. This is the first figurine on the un-cut, cardboard sheet of markers. “I am not giving any explanation for the costume of Charmante. Her toilette is that for a lady, and the dress has a train, is a little eccentric, and can never serve as a model for a little girl.”

“BLEUETTE – Toilette for the country. -- Dress of piqué or nankin mohair with little basque lappets edged with black soutache. Japanese hat of yellow straw with a garland of cherries. Yellow boots. High-necked chemisette of nainsook, with pintucks.”

or never to try to become better, knowing that if one doesn’t change a little now, one remains bad all his life, and it is very long, this life!” The rules of the game were also given in the September issue. “General Explanation. You must have several people to play this game. Each player takes a different marker, and places, as a stake, into the common till, at the beginning of play, four or six pastilles (small, ﬂat, round candies), bonbons or tokens. She keeps, in addition, a certain quantity of these pastilles or bonbons in front of her, to provide for the penalties which she may have to pay in the course of the game. These actions taken, you throw in turn two dice on the table, and according to the number of 28

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“BELLOTTE – Toilette for a promenade or for visiting. Dress of Mexican blue taffeta; second skirt of white cashmere. It is cut all around in points. At each point, a cord forming a bow and finished with tassels. Matching basque without sleeves. The sleeves are on the blue dress underneath. Bow and long blue cord between the shoulders. Toque in white felt or straw with a band of blue velvet ribbon surmounted by a garland of daisies.”

points that these dice show, you advance by several spaces on the game board, the marker that you have adopted. Each of the numbers or spaces thus has a special condition: some require you to pay a certain number of pastilles to the till; others, on the other hand, require that the till pay the player. These make you go backwards, those make you go forward rapidly. There are those that condemn you to start the whole game over again, etc, etc.” The rules continue with detailed instructions for various numbers which come up with the throw of dice. Should an unfortunate player be sent back to number one, the beginning of the game …”where you are obligated to give six pastilles for the purchase of the doll, before beginning the game over again,” … There is a lesson to learn: “… this is not too much to pay for your coquettishness, this is a shortcoming that makes little girls appear so ridiculous and can, later on, make them so unhappy!” And in conclusion, “The ﬁrst player who arrives at number 20 wins the game and gets everything that, at the moment, the till contains.” But, all is not so simple; there are certain conditions to be aware of. “But if the dice she threw bring up a number higher than she needs to arrive at number 20, she has to go back the number of spaces by which she exceeded 20.” Detailed explanations were given for each of the twenty spaces on the board. The game begins with number “No. 1. A good and sensible girl, from her savings, buys a mechanical and articulated doll to whom she gives a most complete education. She pays six pastilles for her, deposited in the till.” Each space presents a certain situation, some pleasant, such as teaching her doll how to walk and how to read, and “… she is happier to play the piano, because you give her two pastilles for conscientiously studying the piece of music that her mistress gave her to learn.” Many others require penalties to be paid, by either putting some pastilles

“CHIFFONNETTE – Toilette for a dinner invitation. – Skirt of fine, white linen, garnished with a bias of gaze de Chambèry the same as the tunique. Dress, much shorter, of gaze de Chambèry, striped at your pleasure with blue and white, green and white, rose and white, red and white, indeed even black or mauve if one is in half-mourning. The bottom of the skirt is crenellated and ornamented with a narrow fringe of a matching color. Corsage with basques garnished the same. Low-necked chemisette in white muslin. For the hair, velvet ribbon of red, pink, blue, green, or mauve, tied on the side.”

back into the till, or missing ones turn, and for those more grievous, the player “humbly asks pardon from dear God for her behavior. Dear God will probably pardon her; but while waiting, there is nothing for her to gain.” And other obstacles for the wary could occur. “In learning to read, … her diligence soon tires her, and …she raids the jelly cupboard and drops a bottle of Frontignan wine which breaks with a crash. She well deserves, for this act of greediness, to pay four pastilles. The greedy child is very happy to be let off which such a small ﬁne…in rejoicing, she skips rope with all her heart. But in this occupation you only gain … an appetite!” Number 17 presented a joyous occasion. “There, it is allowed that she takes three pastilles from the till and eat them.” And continuing with the game: “Alas! This news adventure does not make her any wiser. After quarreling with her little companion, she goes to pout in the corner, and while her friends dance a joyful round, stays there bored, for two turns.” In another situation, “… her little mother, very sad to see in her such natural meanness, takes back from her all the bonbons she has gained heretofor, and puts her in prison, with bread and water, for three turns. The poor little thing cries a lot and forms the resolution always to be good and well behaved in the future.” Number 18 presents a serious pitfall, where: “…she has become ridiculously coquettish, and is sent back to the number where dresses have not yet been able to inspire vanity in her. This number is the no. 1!!!” Upon reaching number 19: “The new trials through which she is obliged to pass help her to mature; she becomes so much sweeter, so much more submissive, so much more complacent, so much more studious than she ever had been before … The good God to whom she prays,… will take all that into consideration in paradise, and while waiting,”….

“LILY – Costume for travelling. – Underskirt of red cashmere. Gored tunique with large, rounded points bordered in black. Gray vest without sleeves over a short jacket with red sleeves. Canotier hat of linen with a bow of red moiré with long streamers.”

“FRIVOLINE – Toilette for a ball. – Short skirt in pink taffeta, ornamented with pleated velvet ribbon surmounted with rosettes of pink ribbon edged in black; large jet beads or small cameos in the center of each rosette. Bodice low-cut with basques. Long pink ribbon with a bow between the two shoulders. Pink pompon in the hair.”

At last, something pleasant after the punishments for all her misdeeds!!! ... “… her little mother gives her ﬁve pastilles in payment.” And, ﬁnally, one fortunate player arrives at number 20: “… she takes her to the Vieille Poupée, the Old Doll …who compliments her persistent efforts which have made her become a poupée modèle, a model doll … It is thus that she wins the game.” Games, dolls and reviews of their current fashions were merely a part of the contents of La Poupée Modèle, The Model Doll. Of most importance, perhaps, were monthly features such as Advice From An Old Doll, Historic Enigmas, Domestic Economy, Receipes For Little Play Dinners, Correspondence ANTIQUE DOLL COLLECTOR

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“The Game of La Poupée Modèle begins with space 1. “No. 1. A good and sensible girl, from her savings, buys a mechanical and articulated doll to whom she gives a most complete education. She pays six pastilles for her, deposited in the common till.”

“No. 7. The greedy child is very happy to be let off with such a small fine. … In rejoicing, she skips rope with all her heart. But in this occupation you only gain … an appetite!”

of Chiffonnette, Problems and Solutions, and Memories of Charmante. In the very first issue, in November, 1863, indeed, printed on page one, was this article: “Conseils d’une Vieille Poupée,” “Advice From An Old Doll. You do not know me, my dear friends, and I wonder if I can ask you how you are going to accommodate me, that I have such pretension to give you advice. It is that I am quite old, you see, that I know dolls and small girls very well, and consequently I have acquired experience which can be extremely useful for you, if you want to benefit from it …My goal is to teach you new pleasures, to become good children, well-polished, very kind, and model, little children … finally, I want my advice to help you to acquire all the qualities that you are missing to become perfect, little girls.” Another article in the first issue offered the latest new about dolls and their habiliments: “Causerie sur les Modes, Chiffonnette à Lily,” “A Chit-chat on Fashion, Chiffonnette to Lily, is a letter written by Chiffonnette to Lily, two of the dolls featured in the magazine. “Yes, my dear Lily, it is me, your friend, Chiffonnette, who in the future is going to keep you informed of what the elegant dolls of Paris are wearing … We will have a journal from now on, our own journal, that will deal with all that interests little girls and their dolls: fashions, play theaters, new toys, and fancy needlework that can be made for us and by us. I will keep you informed of all that.” And, in conclusion, after a detailed perusal of all that was important in the realm of dolls’ fashions at that particular moment, she stated: “This is the only information I could give you this month, but in December I promise you a review of the New Year’s gifts in the shops. Meanwhile, my Lily, do love me and rely forever on the zeal and the devotion of your Chiffonnette.” In October, 1864, the last issue of the first year of publication of La Poupée Modèle, this communiqué appeared: “Adieux, From The Old Doll To Her Little 30

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“No. 9. This should encourage her to work. … but it does nothing of the sort. Annoyed by not knowing her lesson at the first try, she gets mad and throws her book into the middle of the room and loses six pastilles.”

Friends …Next year, we are going to continue without interruption, what we undertook; the theater, which you already have a part of; the different needlework embellishments for Lily’s bedroom; the tales, the stories, the enigmas that you like; the figurines to cut out, that you received so graciously. We will increase the number of patterns, now that you appreciate all the pleasure that there is in working for your doll, sometimes we will send you music and often, some surprises … Briefly, you will have all that was promised you, and if I add anything to these promises, it is in order to give you still more!” La Poupée Modèle included in every issue a section referred to as, “Annexes.” These contained colored engravings as well as a variety of projects. In the premier issue, November, 1863, the first paper doll was given: ”… a pretty figure that you can cut out and glue together. You will dress it as a real doll, and every two months you will receive the newest fashions for little girls.” The December issue held the first fashion engraving of dolls, “The Toilette of Lily,” depicting Lily preparing for a soirée with the help of her little maid, and visited by “none other than our friend, Chiffonnette.” Subsequent issues included costumes for the “figurines on cardboard,” other equally charming fashion engravings showcasing Chiffonnette and Lily, and the first theater, complete with backgrounds and figurine actors. Not unlike “Godey’s,” many issues gave recipes for dishes such as roast veal, vanilla cream dessert, a sort of French beef stew, and a salad of young lettuce, and just in case a subscriber should be called upon for the correct procedure to “remove spots of wax on marble,” this and other household hints were freely given. Also featured were embellished stationery and envelopes, calendars, booklets for cross-stitch embroidery, and furniture and such, which were embossed and sometimes gilded and printed on cardboard, ready to be cut out and assembled.

“No. 18. After the dinner party, there is a grand ball for children and dolls … but alas! Alas! The little mother has given her daughter such a pretty toilette that she has become ridiculously coquettish, and is sent back to the number where dresses have not yet been able to inspire vanity in her. This number is no. 1!”

Such was the life of little girls and their dolls in 1860s France. Supplied with issues of La Poupée Modèle, they were joyously led through the intricacies of fashionable life, at the same time being guided in the social and moral requirements in order to become a model little girl.

“No. 20. In addition, she takes her to her friend, the Vieille Poupée, the Old Doll, who compliments her persistent efforts which have made her become a poupée modèle, a model doll, and offers her a little journal created especially for her. It is thus that she wins the game.”

The author wishes to thank Samy Odin, Musée de la Poupée, for his continuing support and use of his research material, Elaine Thomas for the translation of the rules of the game, and Widener Library, Harvard University.

Patricia A. Vaillancourt 201 Colorado Ave #3, Stuart, FL 34994 • CELL (561) 512-7193

Come visit me in Stuart, FL! I offer a full array of dolls and accessories. Find me at www.dollsantique.com and www.rubylane.com/shops/dollsantique or e-mail: dollsantique1@gmail.com 1. This is an especially wonderful Tete Jumeau, she has been someone’s treasure for life. She has her original, slightly worn shoes marked 12, dress, wig and the most gorgeous hat. She has beautiful blue eyes, marked on 12 head and body… an absolutely perfect doll. No hairlines cracks or damages, 28 inches tall $5800 2. This is a hard to find Lenci, especially in this size! She is 24 inches and has rare flirty eyes glass eyes, a delightful round face and red hair. She has two fingers sewn together and her clothes and underwear have no moth holes. $995 3. 18 inch Rare Glass eyed China, totally original and perfect. She wears a dress of the period and even her arms are pink leather to match her dress. Her china just glistens - there are 1 no breaks or chips, not even a rub to her hair. She has thirteen sausage curls around her head and exposed ears. $3500 4. Joel Ellis doll, an early hard to find doll made in Springfield, Vermont 1873-1874. I like the look of this one (the top of head may have been repainted). It has marvelous character to its face. This is the larger 15 inch size with metal hands and feet, a wonderful early doll. $850 5. A wonderful Door of Hope Doll, very clean like new condition with rare hairdo with bun in back, black band around head, wooden hands. The costume is trimmed in light blue and dark blue oriental buttons, has original shoes. $1500 6. 17 inch Raynal sailor in excellent condition. The zigzag stitching on the head is similar to Lencis. The facial coloring 6 is great, side glancing eyes, perfect mohair, he wears the cutest sailor suit and hat with the inscription “Normandie.” Rare and in marvelous condition! $950 7. This is one of the best Glass Eyed Papier Mache dolls I have ever purchased, as they are very rare and hard to find. She has all original clothes, no dings, and is really spectacular. The flowered dress is in beautiful shades of blue. Sit her in an old chair or however you would like to pose her… she is a lovely old primitive doll, 28 inches tall. $2500 8. A most appealing Oriental Baby with a bent limb body, wearing an Oriental costume in purple with Chinese workers on one side and Oriental letters on the other side. 12 inches with the cutest face, marked with a star, Germany. $1250

9. Cutest all Bisque Tynie Baby made in 1924 by the E.I. Horsman Inc. She is all bisque, wigged with swivel neck and glass eyes. Her bisque is perfect with no chips, she even has the cutest pink tinted belly button. A very rare and hard to ﬁnd doll. $2500 10. Rare 8 inch Kestner with mint body marked JDK. A sweet doll, original wig, blue eyes with original eyelashes. Marked 257 (an unusual mold) and Made in Germany 21 at neck. Well-detailed body and exceptional bisque with the sweetest nose and mouth. $550 ANTIQUE DOLL COLLECTOR

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In Her Own Words

The Wonderful Kruse Baby Dolls… The Story of the Origin of the Famous German Dolls As Told by Their Originator, Frau Kaethe Kruse (This article appeared in the 1912 issue of the Ladies’ Home Journal. It was kindly sent to us by one of our readers.)

t happened thus: My husband did not wish to buy any dolls for our children. He disliked extremely the stiff, cold, breakable dolls. On the other hand the character dolls left very little play for the imagination of the child, I found out too. I have always believed that a mischief doll must be able to be everything: a little Princess and a beggar’s child; a little mischief and a little angel. My eldest two girls stood with eyes full of expectation before me and wanted a doll. So I took a towel, wrapped a potato in it, pulled out the four corners and made them into two hanging members and then ﬁlled the body with sand. The face was made by primitive lines upon the potato head, drawn by burnt-off matches. This miserable performance immediately won the entire love of the two little mothers. They liked it because it was soft and lifelike, a sand body that nestled in the arms of the doll mothers. The little head fell to the side and always demanded to be thought of and protected. The effect of the hanging limbs is to them droll. Indeed with all their hearts did the children love these dolls; they were their playmates most of the day, and were taken lovingly with them to bed at night. From this towel doll to the present Kaethe Kruse doll there are ﬁve years

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of thought and work. The idea was to make a nose out of material, two ears of material, and yet have no seams. I made repeated attempts to paint the head with washable paint, and at last one day my efforts were crowned with success. The form held a faultless little nose and two little ears sat ﬁrmly on the little head, and the head itself, loosely and slantingly sewed on, peeped as sweetly out in the world as I could have wished it. I must confess that my husband, a sculptor, gave me some assistance. There was an exhibition of homemade toys in Berlin to which I was invited, and I sent my children’s dolls. From that day on the triumphal march began, and neither the dolls nor I know how it happened, for they were thought out only for my own children, were made only for them. They were a success because I had simply made a doll that was unbreakable and washable and yet was a pretty doll. Each doll carries my name and number on the sole of the left foot. Today requests for my dolls come to me from every country in the world. I now have assistants in my work. Every doll we make is a little different. The human hand cannot make exactly the same thing twice, and everything on and about the dolls is hand work. How the little head is set – this way or that – whether the hair or the eyes are painted light or dark,

the rounding of the face and body, how the tiny feet stand – everything makes a different impression and gives to the doll a different character and yet they have something in common. Each doll goes through my hands at lest twenty times. I think this is the secret of their success: not the technical solution – a man might have discovered that – but to create a baby, an innocent, sweet, foolish little thing! – this was only possible for a woman, a mother, who several times has held in her arms a loving, heavenly doll. ANTIQUE DOLL COLLECTOR

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“The Hardy (a.k.a. Steadfast) Tin Soldier” dolls by Alice Jorgensen

“The Shepherdess and the Chimney-Sweep”

Alice Jorgensen and Her Hans Christian Andersen Dolls

by Elizabeth K. Schmahl and Carmen C. Farrell

nce upon a time there lived a princess…. oh, the charm of fairy tales! Who among us has not read a wonderful story by Hans Christian Andersen? Remember the Ugly Duckling? The Little Mermaid? The Princess and the Pea? The Steadfast Tin Solider? The stories of this Danish author have a been a source of inspiration for dollmakers for over two hundred years. Perhaps one of the most successful makers of dolls based on Andersen’s writings was Alice Jorgensen during the 1940s. Our journey to Denmark will examine the artistry of Jorgensen’s delightful little dolls intermingled with a literary lesson of Andersen’s magical stories! We cannot begin our study without paying homage to the author, Hans Christian Andersen, who, himself, lived a bittersweet fairytale. As a consequence of his life, many of his stories are autobiographical in nature and reﬂect a certain sadness that he carried within himself. Andersen was born in 1805 in Odense, Denmark, a small town near Copenhagen. Born in a slum, this cobbler’s son yearned for a life beyond the poverty of his family. Had it not been for the kindness of a patron who paid for his schooling, these stories might never have been written. While some of his tales are optimistic and happy, others are 34

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sad and end tragically as he often identiﬁed with those less fortunate. The dollmaker, Alice Jorgensen, was able to remarkably capture both the sweetness and the poignancy of the characters in his stories through her little dolls. She began to make dolls in the small town of Odense during the 1940s as gifts for her friends and family. Although she was a mother of two boys, she loved dolls and was quite skilled in this craft. She began by making small pixies, elves, and gnomes at Christmas. During this time in Odense, the Hans Christian Andersen home had been one of Denmark’s most beloved tourist sites for over 100 years. Had one been a tourist there during the 1940s, one could not have missed the Klods Hans (often translated as, “The Little “Jack the Dullard” or “Numb Skull Jack”), Mermaid” a charming little souvenir shop across the street (and, remarkably, still a thriving tourist shop today!) In 1945, Alice Jorgensen was asked by the owner of Klods Hans to make dolls based on Hans Christian Andersen fairy tales to sell to tourists. Certainly, it must have been a delight to peek into the window of the Klods Hans and see Alice Jorgensen’s tiny treasures in the window! How difﬁcult it must have been to choose a doll among all the classic redand-white-striped boxes on the shelves! Inside these

“The Red Shoes”

“Little Ida’s Flowers”

“The Emperor’s New Clothes”

An original paper label found under the wooden bases of Alice Jorgensen dolls.

“Thumbelina”

boxes were Alice’s little dolls carefully wrapped in tissue. A miniature story booklet that corresponded to the fairy tale was tucked inside each box. What more precious an Odense souvenir could one possibly have purchased during the 1940s than Alice Jorgensen’s dolls? In August 1945, an article from the Danish newspaper, Fyns Socialdemokrat, described Alice Jorgensen’s dolls as having sold “like fresh baked bread” (or more modernly, “sold like hot-cakes!”) While Mrs. Jorgensen made all of her little dolls by hand, she soon had to employ several ladies to help make arms, legs, and assemble the dolls. The ﬁnal touches, such as the painting of the faces, however, were always completed by Mrs. Jorgensen herself as she was very particular about the expression and posture of the dolls. From the Klods Hans shop archives, it is believed that Alice Jorgensen made approximately 18 different Hans Christian Andersen dolls to sell in this quaint little tourist shop. Dolls were sold individually or in sets, depending on the story. They were typically 2-5 inches tall (with some sets being as much as 7 inches tall). They were made of wool, cotton, iron thread, as well as any materials that were readily available at this time. Alice herself told the Fyns Socialdemokrat that during World War II, she had to make the dolls’ faces from parachute material in lieu of the thin cotton that she preferred as cotton was too difﬁcult to obtain. Regardless of the materials, she made every doll with love and creativity, attracting much attention from the tourist community. In 1949, she received an honorary prize from the Danish Tourist Association for her work. According to a 1955 Fyns Socialdemokrat article, ANTIQUE DOLL COLLECTOR

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“Ole-Luk-Oie

Ole-Luke-Oie illustration from “Hans Andersen’s Fairy Tales,” circa 1910, Ginn & Co

by the mid-1950s, Alice Jorgensen’s dolls were even being sold in Honolulu, Hawaii and were exhibited at the Art Academy of Honolulu. Her dolls were sold all over the world – to many celebrities, including Hollywood actresses! One American actress asked Mrs. Jorgensen to custom-make her a miniature set 1.5 inches tall, which Mrs. Jorgensen obliged. During the 1940s, even members of the Danish Royal Family purchased Alice Jorgensen dolls! Both the late Queen Ingrid and one of her daughters Princess Benedict visited the Klods Hans shop on occasion. A 1947 telegram from Queen Ingrid’s private secretary reads, “Her majesty the Queen wishes me to thank you very much for the beautiful dolls with umbrellas, they please the princesses so much.” During World War II, she was also asked to custom-make a doll of a parachutist, which she also did. But when an engagement couple asked her to make a doll of a girl and an SS officer (SS or Schultzstaffel were Adolf Hitler’s bodyguards), Mrs. Jorgensen refused. The word of Mrs. Jorgensen’s dolls even travelled to England where in 1950, Clementine Churchill, wife of then British Prime Minister Winston Churchill, received some of Mrs. Jorgensen’s dolls. A 1950 thank-you letter from Mrs. Churchill’s secretary states: “Mrs. Churchill asks me to write to and thank you…. for your kindness in sending her the charming models of characters from Hans Andersen’s fairy tales. These, she knows, will give her grandchildren much pleasure.” Perhaps one of the most charming and recognizable of Jorgensen’s dolls is that which depicts Andersen’s story, “The Little Mermaid” who is one of the most beloved symbols of Denmark. Typical of the Jorgensen dolls, The Little Mermaid is made of wrapped yarn on a wire armature and sits upon a wooden base. Her paper label reads, “Copyright Alice Jorgensen Odense Made in Denmark.” She is a mere three inches tall and wears a ring of thread flowers in her flowing, long yarn hair. Her far-away look suggests she is dreaming about the human prince that she loves on the distant land. Another Alice Jorgensen doll depicts the character, “Karen” from the wellknown fairy tale, “The Red Shoes.” Standing 4.25 inches tall, Karen dances tirelessly while at the mercy of her unrelenting red shoes. The doll’s single leg fixed high in the air illustrates how the Andersen character is seemingly destined to go on dancing and dancing forever. In one of Andersen’s sadder stories, “Little Ida’s Flowers”, Ida frets over 36

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“The Naughty Boy”

“The Little Match Girl”

her colorful little flowers, hoping that they will not die. Jorgensen’s 3.5 inch tall rendition wears a cotton skirt and yarn braids in her hair. She tells her flowers that if they die, she will carefully bury them so that they will grow again even more beautifully the following year! One of the smaller Jorgensen dolls depicted is from the Andersen story, “Thumbelina.” She stands only 2 inches tall on a lily pad in her pink tulle dress and with bright yellow hair. Her butterfly friend flies 6 inches above and protects her from an ugly mother toad that wants Thumbelina to wed her son. Alice Jorgensen also made dolls of boy characters like this 4-inch tall Ole-Luk-Oie. Perhaps this Andersen character is best described by Jorgensen in her own words in this excerpt from the doll’s booklet: “When the children sleep, Ole Luk-Oie sits down upon their bed… Under each arm he carries an umbrella: the one with pictures on it he spreads over the good children, and then they dream all night the most glorious stories; but on his other umbrella nothing at all is painted: this he spreads over the naughty children, and these sleep in a dull way, and when they awake in the morning they have not dreamed anything.” Although Andersen intended Ole-Luk-Oie to be a benevolent character, it is certain he must have caused a number of naughty children to suffer through many dreamless nights! It should be noted that this particular doll, when marketed to English-speaking tourists, was often marketed as “ Willie Winkie” (as shown in the original Klods Hans catalogue) from the 1841 Scottish poem by William Miller instead of the Danish Ole-Luk-Oie. Perhaps this was due to the unfamiliarity of the Ole-Luk-Oie story to the American and British markets, as “Wee Willie Winkie” was a much more recognizable story to these tourists. Perhaps no child was ever naughtier than Cupid in Andersen’s story, “The Naughty Boy.” Although Jorgensen’s portrayal appears sweet and angelic, Cupid is the naughtiest of them all! In “The Naughty Boy”, he takes great advantage of the kindness of a stranger by shooting him through the heart after the stranger feeds and clothes him. Never was the compassionate side of Hans Christian Andersen more evident than in the story of “The Little Match Girl” (Jorgensen’s doll was also marketed as “The Little Match Seller”). Two variations were made, each with entirely different fabrics, but both depicting the Little Match Girl with tatters and tears. The Little Match girl sits on top of her crate, so seemingly hungry, cold, and forlorn. If only someone would buy her matches, she could enjoy a meal on New Year’s Eve! Next, we visit the tale of Klods Hans, a story of three brothers trying to win the affections of the princess. The first two brothers ride proudly on fancy horses, showing off their intelligence and wealth. The Princess discards them both. But when the third brother, Klods Hans, rides in on his pitiful goat and his worn-out clothes, he wins the affections of the Princess with his simple wit and genuine nature. The Alice Jorgensen Klods Hans doll was often marketed as “Simple Simon” (based on the 1764 English poem ), as shown in the Kolds Hans catalogue. This was likely due to the increased familiarity of the Simple Simon character to English-speaking tourists.

“Klods Hans”

“What the Old Man Does is Always Right”

“The Tinderbox”

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Out of the eighteen Alice Jorgensen dolls that are believed to have been made, sixteen have been identiﬁed. Other Alice Jorgensen dolls from Andersen’s stories include, “What the Old Man Does is Always Right” , “The Swineherd”, “The Flying Trunk”, “The Tinderbox”, and “Little Claus and Big Claus”. Some sources reference a seventeenth doll based on the Andersen story, “The Butterﬂy”, but this doll has not yet surfaced with collectors. The eighteenth doll is yet unknown. The of Klods Hans on his goat was the symbol used for the Klods Hans gift shop that opened in 1945. The shop today is still located in the same charming building with the original Klods Hans metal sign hanging in front of the door. Although Alice Jorgensen ceased making dolls around 1955, it is interesting to note that even by 1968 when new owners took over the Klods Hans shop, customers were still asking for Alice Jorgensen dolls. Perhaps because of this demand, in 1955, Ingeborg Stokkebye (who was a dollmaker in Odense at the same time as Alice Jorgensen) and her daughter, Anne-Beate Stokkebye, carried on Alice Jorgensen’s tradition of making small pixie and fairy tale dolls to sell in the Klods Hans shop. The Anne-Beate dolls were sold from 1955 until 2004 when Anne-Beate Stokkebye sold her company to Mette Markes Jepsen. It is the dolls of Jepsen’s company, Anne-Beate Designs, that are still being sold today to tourists that visit the Klods Hans tourist shop in Odense. And so, the fairy tale continues…. For once upon a modern time, a doll-collecting mother and daughter found a precious collection of Alice Jorgensen dolls at a doll show and welcomed them warmly into their collection and into their hearts…. and they lived happily ever after! We would like to thank Gerd Lisa Alblas of the Klods Hans shop for her generous help with numerous photographs, research, and translations, many of which can be seen at the shop’s website, www.klodshansodense.com .Without Ms. Alblas’ help, the research for article could not have been possible.

“The Swineherd” “The Flying Trunk”

“Little Claus and Big Claus”

Vintage postcard of Hans Christian Andersen home in Odense, Denmark. Note the early Klods Hans gift shop sign across the street The Klods Hans gift shop, present day

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A NEW LOOK FOR

THE VILLAGE DOLL SHOP By Donna C. Kaonis

Becky and Andy Ourant share the newly renovated shop with Teddy, a very photogenic Pomeranian. Gone are the glass showcases, replaced by open custom cabinetry with exquisite detailing and paint details.

damstown, PA is richly deserving of the title Antiques Capital, USA. Renningers, Black Angus, Shupp’s Grove, Morphy’s Auctions and Antiques Gallery plus a seemingly endless number of antique malls . . . in all about 5,000 antique dealers work out of this small town in the heart of Pennsylvania Dutch country. Adamstown was an easy choice for Becky and Andy Ourant when they decided ten years ago to open their Village Doll Shop at Stoudtburg Village, a charming recreation of a quaint German Village with shops on the ground ﬂoor and living quarters above. The Village Doll Shop, open every Sunday and by appointment, has long been a gathering spot for doll collectors. Last spring, with their shop’s tenth anniversary coming up, they decided to celebrate by making some exciting changes. A huge fan of David T. Smith, a skilled cabinetmaker famous for museum quality reproductions, they turned to him to implement their ideas. Andy and Becky had worked with David before when he designed their American painted country kitchen and several of their display cases. 40

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“We had a general design concept of what we wanted,” Andy said. “We wanted it to look old and to have a European flavor. Inspired by their favorite miniature toy rooms by Christian Hacker and Gottschalk, they conveyed their ideas to David. It was a new direction for Smith who is renowned for his American country furniture and his authentic paint finishes, replicating the look and feel of paint that has aged some 150 years. “We sent David the dimensions of the shop and he set up a web meeting where we could see his computer screen and watch him place cabinets and move doors. After several design meetings via the internet it began to take shape quickly,” said Andy. “Once we saw what David could do, there was no going back,” said Becky. It was our dream shop and we couldn’t imagine anything else.” As anyone knows who has ever built a house or done a room renovation, the decisions to be made can be daunting. Once they decided on the color of the checkerboard floor, a beautiful blue used for the Bavarian flag, the other color choices seemed to follow. Mock-ups with various “aged”

The Paris Bebes sign, on the door leading to Andyâ&#x20AC;&#x2122;s workshop, once hung in the shop of their close friend, the late Richard Wright. All things seemed to flow once they decided on the colors for the checkerboard floor. Drawers and cabinets contain many more treasures. Just ask!

David T. Smith built the table and chairs to complement the European feel of the cabinetry. For large groups the table can be easily folded down allowing for more seating space. The counter at left disguises a built in sink and refrigerator, another plus for entertaining doll groups. Raised panels on the cabinet drawers are accented with blue and gold, creating a beautiful harmony throughout the shop. ANTIQUE DOLL COLLECTOR

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Picturesque Pennsylvania Dutch country is the perfect setting for Stoudtburg Village, home to the Village Doll Shop. Several shops line this pedestrian street and it’s just a short block from the Black Angus antiques market. David T. Smith dubbed these glass insets, perfect for displaying all bisques, “peek-a-boo” drawers.

paint samples and trim paint were studied and analyzed before the final paint decisions were made. “Once we had decided on our colors, we drove to the David T. Smith workshops in Ohio to look at the largest unfinished display cabinet. This enabled us to understand how the different surfaces would be painted,” said Andy. “Details such as the fluting and small gold decorations at the corners of cabinets, the crown molding and beadboard all fell into place.” During the nearly week-long installation, a team worked virtually around the clock, occasionally catching a few hours of sleep at a nearby hotel. Before the cabinets were brought in, ceiling beams were added, giving the shop a cozy feel. The check-out counter was moved and now doubles as an entertainment area with a hidden sink and refrigerator. Behind the counter Theodore Rex, aka Teddy, surely the most beloved Pomeranian in the entire world, can safely enjoy being with mom and dad without being in anyone’s way. The custom cabinets were moved in sections for the installation. What appears to be one giant showcase is actually several pieces. “When the cabinets were put in place we were amazed at how much larger the shop appeared. It looks old but it has modern usability,” said Becky. Spacious drawers and cupboards have increased their storage space tenfold. The Village Doll and Toy Shop held their first public showing for the John Harris Doll Club in late November. The spacious center of the shop has been left open to 42

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accommodate seating. “People commented that they felt they were in a dollhouse. It’s like stepping back in time and visiting an upscale doll shop or millinery shop of 150 years ago, said Becky. Andy added, “Every Sunday when we walk into the shop, we marvel at what we and David T. Smith created. It was a great collaboration – he understood what we wanted and we knew what he was capable of.” Smith described it as the most detailed project he has ever done. “I made it but they created it. Becky and Andy have been quite an inspiration to me.” He credits them with his salesman sample Nuremberg kitchen that he displays at shows around the country. Drawing from their extensive personal collection, the couple has several prepared doll programs and are looking forward to entertaining small doll clubs and groups of doll enthusiasts at the shop. Fun, informative, entertaining and you just might take home a treasure! On a typical Sunday, you might just ﬁnd us there! Visit www.davidtsmith.com

CUSTOM IS OUR SPECIALTY One of a kind custom kitchens, museum quality furniture and redware pottery. “Made from Scratch” - each piece unique and all your own. Also check out our museum quality Windsor chairs. Please browse our website to appreciate the quality and wide range of our work. No doubt you will either locate the perfect piece, or collect the ideas and details that will inspire your own custom creation.

WWW.DAVIDTSMITH.COM

3600 Shawhan Road, Morrow Ohio 45152 Phone Number: 513-932-2472

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Apache Boudoir W Dolls

by Dominique Pennegues

hen one reads about the “Paris Apaches”, we, doll collectors, think of those attractive Apache boudoir dolls from the 20’s; others might think of music, modern dances and fashion wear from the same period. However, where did this famous movement come from? How did this term come about? The answer is surprising. It takes us back to French colonialism in the Americas, to the well-known French concept of the “wild man” (homme sauvage), and to expeditions France undertook in Mexico, during the second part of the 19th century “to protect the country from the Apaches.” For the French authorities, the American Apaches were “irrecoverable savages, with no moral sense, nor possible progress in their behaviour, their greatest pleasure being dancing.” The conclusions were that only the complete disappearance of the Apaches would allow the country to live in peace.

Very unusual and interesting early Apache smoker doll, probably made by Gerb’s during the 20’s. This rare doll shows an adult male face, as do most Apache boudoir dolls, instead of a teenage one. Doll makers were inspired by silent films and photos of adult looking Apaches, although the real Apaches (pre WWI) were quite young. Gerb’s did produce a smaller Apache smoker boy during the 30’s which had the look of a young teen boy. The one here has a cloth face and body with bisque like hands. 38 inches. Courtesy Patricia Brill, USA.

Illustration from Le Petit Journal, 1907. Note the typical Basque belt made of red cloth with long fringes. Here the neck scarf is white; it could also be made of a printed cloth, even though the costume was a red one. Most of the time, newspapers would represent Apaches looking like men, with a knife (surin) in the hand. Private collection. France. ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Another early French Apache smoker doll. Note the painted eyes, the left one is closed from a punch. All cloth doll. Courtesy Patricia Brill. USA.

Apache smoker doll with punched left eye. Courtesy Diane Mardis.

Many books were published on the subject in France, while, at the same time, Paris was meeting a new danger, coming from its own savage juvenile offenders. French writer Alfred Delvau first called the young delinquents “red skins” in his 1860 novel “Les dessous de Paris” (Paris under world). He described the wild youth coming from the northern and eastern parts of Paris, where misery and suffering was the every day life. Danger of death was said by police to be at every corner. Vintage newspapers tell us that those young delinquents were known for their courage, fiendishness and abilities with knives. It is also said that “they lived in secret dens, got up late and danced in local dives.” However, if those youngsters were bad boys, thieves or pimps, not all of them were killers, in fact, only very few, the killing mostly a result of two men fighting over a woman. One has to understand Paris Apaches were not just ordinary “delinquents.” Some of them were very young, one recorded by the Parisian police was only 7 years old, and the youngest leader or “chief” was a 13 year-old girl named “La Belle Ailette.” The police records indicate that the oldest “hooligans” were no more than 21 or 22. Vintage newspapers tell us more of the Paris Apaches: they were called by names such as “Gang The Very Young” whose chief was 14 years old, “Gang Babies from Popincourt,” whose youngest member was 12 and the oldest 18. We learn that they were not so “savage,” in fact they had rules they respected, such as to be faithful to their girlfriend or never give any name to the police, and for the first time, women played an important part in the gangs. Their distinctive clothing would later influence Paris fashion. Men wore their hair short in the back with long sideburns. They favored “espadrilles,” a type of sandal made of white canvas with plaited ropes soles, at that time usually only worn by the Basque (Euskera) people. When they were in a parade, they wore other pieces typically worn by the Basque, such as a special

Apache smoker girl by Etta, 30 inches, and 27 inches French Apache smoker attributed to Raynal. Painting of the left eye suggests a slight black eye, with blue around it. Note the elaborate clothing of both dolls, the boy wearing an original yellow scarf and cloth belt instead of the customary red. Courtesy Patricia Brill. USA.

Illustration of the Apache dance by Leo Rauth, 1911. France. 46

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cap (coming from the Basque beret), a red neck scarf (red for blood), a belt made from a long red piece of cloth ending with fringes, and elegant, shining boots. One might ask, why did these French citizens adopt Basque clothing? The answer remains elusive but perhaps it was because Basque always wanted to be recognized as being different; they wanted freedom and their own laws, as did the Paris hooligans. A vintage article also tells us that Paris Apaches smoked cigarettes, never a cigar or pipe. They had a language of signs between themselves and a particular way of walking noiselessly, with the balancing gait of a woman, and some of them had tattoos on their eyes to resemble “doe eyes.” The Apache girls had no real particular way of dressing, although some wore a scarf on their natural/tinted dark brown hair, with a kiss curl on the forehead, giving them the look of a gypsy. It’s actually difficult to know what they wanted to represent – was it a Basque reference or a nod to Carmen, known as being a rebel and a wonderful dancer? Bizet brought the Gypsy look fashion to France, after its representation in 1875 of Carmen, and its well know habanera (dance) “L’amour est un oiseau rebel” (inspired from another habanera created by the Basque composer Sebastian Iradier) was on everyone’s lips in Paris at the end of the 19th and the early 20th centuries. They went by no particular name, until around 1898, when they became “Apaches.” There are some different explanations given for the name “apaches”. Some say it came from the gangs who choose to call themselves “apaches”, some tell us it came from the media, others say it came from the Parisian police. One may say all those propositions are correct in a way, and may be considered together as the origin of this particular name. In fact, a deadly street fight between two men and a woman (supposedly hooligans from Belleville) had occurred in 1898, in Faubourg du Temple. A reporter who listened to what the police officer had to say that night, considered that the crime had “the ferocity of savage Apaches Indians” and he titled his article: “Crime Committed by the Apaches of Belleville”. The name became popular at once and was adopted soon by the hooligans themselves who felt flattered and tried to live up to this reputation. In December 1898, the café Place du Palais Royal was broken and robbed, and one could read on the mirror written with soap, “this has been done by the Apaches.” During the winter of 1898/99, outrages abounded like never before – hooligans had to act at the level of the name and reputation they had been given by the media. Names they had

Rare Apache smokers couple by Blossom. Note the lady wears a scarf on her hair, in the Basque and Gypsy style. Both dolls here have painted short hair styles, with “kiss curls”, and long silk eyelashes. Collection Robin Krieger USA. Vintage illustration of the Apache dance by an anonymous artist. Note the gypsy look of the woman, although she has short straight hair on the back. The man shows a beauty mark on his left cheek, which in fact is a tattoo. The beauty mark was to be recognized as belonging to an Apache gang, and could be tattooed under the eye or on one of the cheeks.

French Apache smoker doll, felt painted face. Note the unusual molding of the face, showing the bones. 27 inches. Courtesy Diane Mardis.

Once again, this young boy has gotten a punch in his left eye. The painting of the lips is also showing an ironic half smile. ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Interesting long Apache smoker doll, all cloth with painted face, showing long, elaborate painted eyelashes with blue eyes. This particular doll looks so effeminate that it could represent a woman dressed as an Apache. Courtesy Bonnie Groves. USA.

chosen before such as “Terreur de Pantin” or “Pantère de Montparnasse” became more exotic, such as “Peaux Rouges de Belleville” (redskin from Belleville) and even “Mohawks de Montrouge”. They soon recreated the events of the 1898 night by a new style of dancing. We also observe when reading about these gangs that certain characteristics were attributed to the Apaches: the need to have a specific territory, the need to belong to a clan or a tribe, and a specific look, with tattoos on their faces, a special way of clothing, as well as their love for dancing which was their greatest creation, being said they danced well and for any length of time. Even though they were from Belleville and Menilmontant, they easily discovered the interest of places like La Bastille where migrants from Brittany, Auvergne and Italy ran shops selling wood, coal and alcohol. They soon started having evening “bals musette” in these areas to which the young Apaches brought their own folklore with their specific dance from the underworld cabarets. This new Apache dance re-enacted the violent crime from 1898 attributed to the hooligans, and mimicked a violent fight between a man and a woman, ostensibly between a prostitute and her pimp. The dance showed desire, lust, violence and anger: the man beating the woman, slapping and punching her, holding her by her hair and throwing her on the floor, also picking her up and carrying her while she tried to defend herself or play unconscious, sometimes fighting back. There was no set choreography, and each couple of dancers could act the way they liked, but it required perfect timing on the part of both dancers to avoid serious injury. This style of dance became better known by the public in 1908, after Mistinguett and Max Dearly danced it at Le Moulin Rouge, under the names of “Valse du Pavée” (pavement Waltz) or “Valse chaloupée” or even “Valse Brune” after the song written by Georges Villard the same year. For this performance, Mistinguett was dressed like a Gypsy, wearing a long scarf in her hair and a long dress without sleeves. She was also holding a flower between her lips when performing on stage with Dearly. In 1911, Mistinguett performed the dance once more, with Maurice Chevalier (he was from Belleville) under the new name of “Valse Renversante” at Les Folies Bergères. We also know that Rudolph Valentino came as a teenager to Paris and lived with a couple of dancers who taught him the Apache dance from which the tango evolved. Soon more songs were written in the Paris Apache style, one of them being “Apache de Paris” created

Vintage photo from Femina 1923 showing a Parisian woman from the high class dressed as an Apache man for a special “costumed night” at Opera de Paris, organized by Princess Murat and decorated by Paul Poiret. The event was given for the benefit of a charity organization. Private collection. France. Very attractive Apache smoker girl by Etta ready to go dancing. Note the sophisticated painted features, and the kiss curl on the forehead. Courtesy Patricia Brill. USA. 48

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French smoker Apache. 27 inches. Courtesy Patricia Brill.

by G. Delmas; those songs, together with the Apache dance, offered the gangs a new place in the artistic Paris world. It is said that a few cabarets employed real Apache dancers for some of their special nights. Paris Apaches gangs disappeared after WWI. When the time came for them to undergo military service, the Army sent any young Apaches against whom one or more convictions for robbery, stabbing or a similar outrage had been recorded to the disciplinary battalion of riflemen in North Africa. After training, they were known as being excellent soldiers, showing, when under fire, such qualities in fighting that it had aroused the admiration of their Arab foes. They showed particular courage and strength on the battlefields and many were killed fighting for the country that had once refused to recognize them as its own people. What irony! The new “gangsters” from the 20’s were no more young teens but mature men, and became “le milieu” (the middle of the underworld). However, the Apache phenomena were kept alive in Paris, first as a legend, through music and films, then as a new way of dressing and dancing. Books, comedies and movies were also made after the movement offering it immortality and making it part of Paris history. The impact of this new fashion during the 20’s and 30’s was also seen with boudoir dolls: male dolls dressed in the Apache style, often smoking a cigarette, also some rare female Apache dolls, with the classical hair style wearing a cap, others with dark black hair, covered with the Basque/Gypsy scarf. This second type of Apache female dolls are often confused with Gypsy dolls by collectors. They all are expensive boudoir dolls, well appreciated by collectors. To date we only know of two French makers, Gerb’s and probably Raynal, even though there were others who created Apache dolls, but remain unidentified. We also see, from time to time, Apache boudoir dolls produced by Blossom and Etta. French or not, these rare dolls are valued by boudoir doll collectors and one may consider, due to the historical value of the Apache phenomena, that a valuable boudoir doll collection has to have, at least, one Apache doll, the best being a couple, male and female, from the same maker. What a challenge to pursue for boudoir dolls lovers!

Interesting and rare Gerb’s Apache couple. Collection Jayne Markenstein.

Another Blossom Apache smoker in a different costume. Courtesy Diane Mardis. Vintage photo of professional dancers performing the Apache dance. The man mimics the strangling of the woman. Private collection. France.

Read more at Suite 101: The French Apache Dance: A Wild Dance is Tamed in the Ballroom | Suite101.com

Special thanks to members of Boudoir Bed Doll Lounge who shared their photos with us: Patricia Brill http://www.boudoirdollsalon.com Bonnie Grove www.bonniescatsmeow.com Robin Krieger http://www.rubylane.com/shop/ribbonsantiques Diane Mardis http://home.fuse.net/boudoirdoll/ Jayne Markenstein ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Learning About American-Made Dolls

The 1940’s… Prosperous Times in the Doll Trade by Ursula R. Mertz

Photos by Christopher Partridge

n 1943, an editorial in the trade magazine Toys and Novelties went to great length to explain how increasing prosperity was affecting the doll trade in Denver, Colorado. It was reported that demand for dolls had started much earlier this year. Usually, business would pick up in October and November. This time it started right after July, and people were asking for the quality, higher priced dolls. Formerly, it was the dolls selling for two or three dollars that were easy to sell. Now, customers would not mind spending as much as ten dollars. The editorial mentioned that “war workers particularly are buying better dolls and buying them early.” The other reason given for this increase in demand and quality was the baby boom of the forties. “More new babies call for more dolls and toys. Proud parents and doting grandparents are simply taking no chances on

Page from the 1944 Montgomery Ward Christmas catalog, showing Effanbee’s Brother and Sister set.

12 and 16” Brother and Sister. Sister marked: Effanbee. Brother marked: FanB // Made In USA. Composition heads and hands, wooden neck button on which the head swivels. Cloth body and limbs with stitched shoulder and hip joints. Yarn wigs, painted eyes and closed mouths. All original, with two-sided paper hang tags. Clothes are made of quality cotton materials. They are well sewn and feature buttons and buttonholes. The eye treatment of this pair deserves special mention. The irises and eye openings were carefully outlined. Even the 12” doll features upper and lower eyelashes. Brother has finely painted multi stroke brows. 50

ANTIQUE DOLL COLLECTOR

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13-inch Mickey and Katie, marked: FanB // Made in USA. Composition heads and hands. Same body construction as above, except that Mickey has straight cloth legs and Katie features composition bent lower legs. Human hair wigs and plastic sleep eyes that also move from side to side. Mickey’s outfit includes a pink cap. All original with two-sided hangtags.

10-inch twins. Composition heads and celluloid hands, brown tin sleep eyes and painted dark brown hair. Body construction is the same as above. All original. The extra clothes consist of matching jackets and mittens. A walking harness is included. Note that the girl is wearing pink oilcloth booties and the boy blue ones, another extra, special touch.

their newest pride and joy being without a doll on Christmas morning,” exclaimed the article. It is likely that this pattern of demand held true for the rest of the country as well. What the editorial did not mention was that during those early nineteen forties when WW II was still going on in Europe, certain raw materials were hard to come by or not available at all. Human hair and mohair for doll wigs, for example, was imported and difﬁcult to obtain. It is interesting to see how Effanbee responded to both, the new prosperity and some material shortages. Effanbee had always been known for quality dolls. One of their innovations during this period was offering sets of dolls in presentation boxes or trunks with additional sets of clothes. Following, four of these attractive doll pairs will be presented and discussed. The Montgomery Ward Christmas catalog of 1944 presented a lovely Brother and Sister set with a full-page illustration. Sister is 12 inches tall and Brother’s height is 16 inches. The catalog copy pointed out that their clothes were sewn as well as children’s clothes and equipped with buttons and buttonholes, so that they can be taken off. The Brother Sister pair seen with this article also has their original paper tags, and lists their names as “Sugar Pie.” Apparently, these siblings were sold under both names. Their price was listed as $7.25. The pair features curly wigs made of a new material. Even though these new wigs were created because of a shortage, Effanbee presented them in a very positive way, and stated, “This year, Effanbee offers a new wig that increases the play value of the doll. It can be curled or braided and arranged in many different hairstyles. Made of wool, rayon and mohair, it is securely sewed to a cloth foundation.” When found in well preserved condition, these wigs are still soft and shiny and quite attractive. The 1944 Christmas catalog was also offering a large line of Effanbee’s Little Lady dolls, all featuring this new wig. They were advertised as follows: “Effanbee Dolls… with Life Like Hair that Combs, Curls, Braids or Pompadours.” Thirteen-inch Mickey and Katie were listed in the 1943 Montgomery Ward catalog with a trunk and extra clothes (trunk not illustrated). Mickey and Katie are twins, dressed in matching garments of light blue striped jerseys and pink skirt and overalls. They were produced with human hair wigs. Their sleep eyes can move from side to side as well, which gives them a particularly lively look. For pairs like this, body construction is usually identical, but not in this case. Mickey was made with all cloth legs, whereas Katie has bent composition lower legs. This may be another indication of material shortages. The 10-inch Babyette twins illustrated next were offered in an attractive presentation box. It deserves special attention. When previously doll boxes were simple gray cardboard containers with ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Full page advertisement from the trade journal Toys and Novelties, dated November 1946, showing three different sets of twins with their accessories including the Candy Kids.

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1. 20” TETE JUMEAU BEBE , Big brown eyes, closed mouth, great costume .................$3800 2. 18” FRENCH BEBE MASCOTTE All Antique (except wig) circa 1885 A Real Sweetheart .......................................................................................................................$3800 3. 23” H. ALEXANDRE PHENIX FRENCH BEBE Wonderful blue eyes, antique wig & dress....................................................................................................................$4000 4. WONDERFUL 8.5” ALL BISQUE “WRESTLER” “WRESTLER Antique Kestner Doll circa 1890 ......$3600 5. 20” J. N. STEINER FRENCH POLICHINELLE Character Doll circa 1880 ..................$2200

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14” Candy Kid twins. They are not marked. Made of all composition, they are fully jointed and feature the new plastic sleep eyes (blue), and painted, light brown, curly hair. Original outfits, replaced shoes and socks.

an identification label on one end, these presentation boxes were definitely designed to impress buyers and enhance the dolls. In this case, the container was covered on the outside with a light blue embossed, heavy weight paper. The inside was lined with pink paper. An additional tray, also covered in pink, holds the dolls and extra garments, all attractively arranged. In this case, a walking harness is included, an unusual item not seen before. These dolls were produced with metal eyes and celluloid hands, obviously another indication that the new plastic sleep eyes and composition hands were temporarily in short supply. Last but not least, presented here is a pair of Effanbee Candy Kid twins dressed in their attractive, matching red outfits. Fourteen inches tall, the dolls were made of all composition and equipped with then new plastic sleep eyes. A fullpage advertisement in the trade magazine Toys and Novelties of November 1946 showed an identical pair of twins in a presentation box with extra outfits. Two more sets of twins were offered in this ad. One of these is pictured in a playpen accompanied by two trays of extra clothes. Who would not like to find this very unusual set in original condition? The Effanbee Company was obviously successful in taking advantage of changing economic conditions. Their innovative ideas in the face of existing material shortages are impressive.

UFDC

Modern Competitive Exhibit 2011 • Anaheim, CA • Part I Photographed at the United Federation of Doll Clubs National Convention by Keith Kaonis Once a year generous members of UFDC bring their ﬁnest dolls to participate in the competitive exhibits. The result is akin to a fantastic doll museum, just one of the perks of attending the national convention. Here’s a look at some of the Blue Ribbon winners in the Modern Competitive Exhibit.

BISQUE – Nancy Ann Storybook Family Series. Judy Day

BISQUE – Japanese doll, some jointing. Boudre McAllister

BISQUE – Nancy Ann Storybook Flower Girl Series. Teri Danner Nancy Jo Splitstoser

BISQUE – Bye-Lo, under 14” with body of other material. Judith Johnson

BISQUE – German doll, 1920-1940, some jointing, 8” or under. Julie Blewis

BISQUE – All Bisque Bye-Lo. Julie Blewis

CELLULOID – Ethnic costume, 10” or under. Left-right: Arlene Martinez, Teri Lang, Loretta Nardone ANTIQUE DOLL COLLECTOR

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CELLULOID – Painted eyes and hair, 18” or under. Sondra Gast

CELLULOID – Sleep eyes and wig, 18” or under. Marilyn Childs

CELLULOID – Body of other material, 18” or under. Left, Name not visible Above, Jackie Willman

CLOTH – Kathe Kruse Doll I, 1930 or before. Ann Leis 54

ANTIQUE DOLL COLLECTOR

CLOTH – French. Raynal. Shelley Chapman FEBRUARY 2012

CELLULOID – Baby with bent legs, 16” or under. Left, Joyanne Felman, right, Garvin Manhart

CLOTH – Marked WPA, 14” or under. June Annann

CLOTH – Lenci Mascottes or Miniatures, 9” or under, before 1978. Judy Fisher

CLOTH – Unmarked WPA. Judy Radley

CLOTH – Lenci male, over 10”, before 1978. Michael Canadas

CLOTH – Lenci female, over 10”, before 1978. Jennifer Craft-Hurst CLOTH – Lenci ethnic doll, before 1978. Sherryl Shirran COMPOSITION – Horsman Peterkin toddler, 13” or under. Above, Ursula Mertz Right, Marilyn Parsons

COMPOSITION – Effanbee Patsyette, 9”. Left-right: Ursula Mertz, Suzanne Swanton, Carol Wentink

COMPOSITION – Effanbee American Children. Ursula Mertz. PRESIDENT’S CHOICE

COMPOSITION – Effanbee Patsy Ann, 19”. Carol Wentink

COMPOSITION – Effanbee Ann Shirley. Betty Ann Leigh

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COMPOSITION – Effanbee American Children. Susan Mathias COMPOSITION – Vogue Toddles, pairs. Flo Bernside

Watch for more composition blue ribbon winners in part II. ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

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K*R 115A -13 1/2”, closed mouth, blonde hair, blue sleep eyes, perfect bisque. Mint side hip jointed toddler body. He wears a Tyrolean outﬁt- pants may be replaced but make a nice out ﬁt. $2800. Call 215-794-8164 or email alloyd@ nni.com. Member UFDC and NADDA. Others may be seen at RubyLane.com/shops/anntiquedolls.

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ANTIQUE DOLL COLLECTOR

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Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices. Phone 732-536-4101 Email santiqbebe@aol. com

www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com

Perfect Mint 8-1/2 inch Tete Jumeau, a precious little treasure! Linda Kellermann. Satisfaction Guaranteed Member of UFDC and DDA. Email: lindak222@ comcast.net 804-363-1328

Gaithersburg, MD December 3 & 4

Portrait Jumeau fashion, $3850 and a 26 inch Tete, $3800. Becky and Andy Ourant, Adamstown, PA. Email: ourant@ptd.net

he December Gaithersburg, MD doll shows earns its well deserved reputation as the premiere east coast doll show. With nearly 130 dealers, the excitement and anticipation in the air is palpable. This year the crowd was the largest we have seen in recent years with people in a buying frame of mind, enjoying the onset of the holiday season, reďŹ&#x201A;ected by the booths decorated with feather trees and antique ornaments. Dealers from around the country, Europe and Canada offered an exceptional array of merchandise. There were many wonderful treasures; some of them are here to tempt you.

An unmarked A Series Steiner in her presentation box, Rick Saxman, Valley Forge, PA, email: ricksax@earthlink.net

A lovely Bru Teteur offered by Carmel Doll Shop, $18,500. Email: mnd@redshift.com

A marvelous William and Mary wooden, Ann Pruett Phillips, Los Angeles, CA, email: ann@annpruettphillips.com

Virginia Aris, Pennington, NJ. Email: virginiaaris@aol.com

Jay and Connie Loweâ&#x20AC;&#x2122;s booth, Lancaster, PA, email: big.birds@comcast.net

A precious Bru Brevete, $18,500. Phil May, Ocean Grove, NJ, email: dollmanofog@aol.com

English wooden, circa 1770, 26 inches tall. Mary Ann Spinelli, Burbank, CA, email: nelling dolls@gmail.com

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Scottâ&#x20AC;&#x2122;s Antiques, Whitefish Bay, WI, email: holliedaz@wi.rr.com One of the dolls to be offered at an upcoming Sweetbriar Auction, email: sweetbriar@live.com.

A glass eyed china and a ribbon winner! Sheila Needle, Oceanside, CA, email: dollwitch@cox.net

Sheri McMasters, New Concord, OH, offered a nice array of French and German bisque. Email: sherimcmasters@gmail.com

Looking striking in her red dress, this S & H 1358 was offered at $9,000. Nancy Smith, Natik, MA, email: nasdol@comcast.net 58

20 inch Tete, $4995 and A series A Steiner, offered by Gigi Dolls and Sherryâ&#x20AC;&#x2122;s Bears, Chicago, IL, email: gigisdolls@aol.com

Two Sisters Studios, Ontario, Canada uses traditional methods and materials to produce their holiday decorations. Email: twosisterstudio@gmail.com

ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Two lovely Sonneberg, Belton-type dolls, $2150 and $2400. Billye Harris, Whitsett, NC, email: billyehb@aol.com

27-inch Rohmer Fashion, $14,500 and a male Jumeau fashion, $2900. Linda Kellermann, Glen Allen, VA. Email: lindak222@comcast,net

A big girl at 32 inches, The Figure A Steiner, $11,000 holds an Ideal bear offered at $1500. The feather tree, complete with decorations, is $950. Margaret Gray Kincaid, Baltimore, MD, email: margaret. kincaid@gmail.com

A lovely china offered by Nancy McCray, Cedar Rapids, IA, email: nimc@acninc.net

An elegant array of French fashions plus a googly attributed to Oscar Hitt. Fritzi’s Dolls, Yorkville, IL, email: fritzisantiquedolls@comcast.net

The petite F.G. was priced at $6800 and the Schmitt was offered at $14,200. Valerie Fogel, North Bend, WA, email: valerie@ beautifulbebes.com

A fine selection of French and German dolls at Roberta’s Doll House, email: robertasdollhous@aol.com What perfect stocking stuffers these tiny dolls would make! Gert Leonard, San Dimas, CA, email: gertleonard@yahoo.com

Gathered around the Christmas tree are a Kestner X, mold 136 and a Bebe Louve. Marion Maus, Ellicott City, MD, email: mmausantiques@ gmail.com

We loved this rare papier mache Beccasine, $3900 from Marshall Martin, Folsom, CA, email: marshallmartin@earthlink.net

Boy Steiner from Au Nain Bleu, 10 inches series C Steiner and a second series Portrait Jumeau. Grandma’s Attic, email: joycedolls@aol.com

The next Gaithersburg show will be held March 3 & 4, 2012. ANTIQUE DOLL COLLECTOR

FEBRUARY 2012

Fritziâ&#x20AC;&#x2122;s Antique Dolls

Beautiful 117A, Lamb Pull Toy. Excellent original examples.

Buying and Selling Collections Call 630-553-7757

Email: fritzisantiquedolls@comcast.net

Member NADDA and UFDC

SEE YOU AT THE UPCOMING MARCH DOLL SHOWS!

March 3 & 4: Eastern National Doll Show, Gaithersburg, MD Fairgrounds, Saturday 10-5, Sunday 10-3 March 11: Dewitt, Michigan, Dewitt Banquet Center, 1120 Commerce Park Drive March 31: Madison, Wisconsin, Madison Turners, 3001 South Stoughton Road. Saturday, 9-3

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS Clockwise from left: 14” Tete Jumeau Bebe, $3200. 19” Italian felt uniformed man by VAT, $1400. 13” K&R 101 “Marie”, $2100. 6” Kewpie with jointed legs, $450. 6” S&H swivel neck all bisque, $1600.

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

Antique DOLL Collector March 2012 Vol. 15, No. 2

March 2012 Vol. 15, No. 2 $595 / $695 Canada www.antiquedollcollector.com

An Exceptional Weekend of Antique Doll Events

San Francisco, California, March 30, 31, and April 1 at the Westin Market Square The weekend events begin on Friday, March 30, with a 10 AM-4 PM seminar “The Well-Bred Doll” conducted by Florence Theriault featuring hands-on study of antique dolls and their costumes and environment. Attendance is free to subscribers of Antique Doll Collector. Seats will be limited so call early for registration.

Saturday, March 31, 2012 Preview 9 AM  Auction 11 AM

“The Well-Bred Doll” An Auction of Exceptional Antique Dolls and Automata An exceptional auction featuring private collections from France, Germany and America. Rare and exquisite dolls and automata are included in this remarkable auction including an extremely rare 38” bebe by Thuillier, and Vichy’s superlative Lady at the Harp Piano, as well as delectable treasures from Bru, Jumeau, Schmitt, Steiner and other French makers, and bisque character dolls from notable German firms.

Two catalogs are available for this important event and can be ordered for $99 for the two, or individually for $59.

Sunday, April 1, 2012 Preview 9 AM  Auction 11 AM

The Auction of De Kleine Wereld Doll and Dollhouse Museum of Leirs, Belgium An exceptional collection, considered one of the finest private small museums of childhood ephemera in the world, featuring beautiful dolls, rare dollhouses, stores, kitchens, and finest quality maitrise furnishings from the 19th century. For more information about the auctions or to order catalogs visit www.theriaults.com, email info@theriaults.com, or telephone 410-224-3655 or 800-638-0422. You are invited to request free color brochures.

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 10" Rare "Figure" C Steiner Bebe, perfect pale bisque, blue p/w eyes, early mauve blush under brows, orig. mohair wig & pate, fabulous FACTORY orig. ornate silk & lace dress, matching hat, orig. muff, orig. "marked" shoes w/rosettes & crocheted socks. On fully "signed" early st. wrist Steiner body. Teeny cabinet size rare "Figure C" Steiner & great originality. Out of my personal collection!!! And she is absolutely GORGEOUS!!! $15,500. 3. 9" All Bisque Kestner, br. glass eyes, gorgeous pale bisque, "swivel neck", 4 upper teeth, orig. mohair wig Kestner pate, wears orig. dress & darling full 2 pc. undie set & ant. Fr. straw hat. On her orig. Kestner all bisque body, perfect bisque overall (except a minor flake in right arm stringing hole), early peg strung, blushed in all 1-2 the right places, painted black boots w/blue tassels. STUNNING & GREAT large size all bisque. Only…$4675. 4. 5" All Bisque Kestner Pouty, rare bare feet, swivel neck, blue sl. eyes, magnificent pale bisque. orig. pale blonde mohair wig, wears fabulous ant. silk dress w/rows of piping & lace, made for her, w/matching hat, orig. darling crocheted socks & orig. leather shoes over her bare feet. The most darling pouty face. Mint bisque overall & early peg strung. Another out of my own collection. Absolutely ADORABLE!!! $4250. 5. - 6. 15 1/2" Rare K * R #131 Googlie Toddler, perfect bisque, huge blue 5-6 side glancing sl. eyes, orig. long HH wig & pate. Wears adorable ornate ant. batiste & lace insert dress, orig. socks & leather shoes w/pom poms & ant. straw hat w/ant. ribbons. On orig. chunky fully jointed K * R toddler body. Desirable watermelon mouth. Rare Googlie mold & GREAT large size toddler. Sure to make you smile!! ADORABLE!!! ONLY…$12,550. 7. - 8. 19” ED by Jumeau Bebe, bulging blue p/w eyes, mint pale bisque, orig. head coil intact, fabulous mohair wig & pate. Wears gorgeous ant. Fr. wool dress w/loads of ruching, ant. undies, ant. "signed" Jumeau #8 orig. shoes, gorgeous ant. Fr. silk hat. On orig. “signed” Jumeau body (non working voice box). The desirable ED made & "signed" by Jumeau factory. This Bebe is absolutely BREATHTAKING. Priced great at only…$6250. 9. 16" Kestner "Hilda" #245 Character Baby, blue sl. eyes, molded tongue, 2 upper teeth, immaculate pale bisque, orig. mohair wig & Kestner pate, orig. long christening gown, added vintage 9 pink sweater & the most extraordinary ornate all lace baby bonnet adorned w/loads of silk ribbons. On great orig. bent limb baby body, desirable Hilda face, fully marked & "incised" "Hilda". GREAT large size!! DARLING!!! $2450. 10. - 11. 17" Gebruder Heubach #7246 Pouty Character, beautiful peaches & cream bisque, bright blue sl. eyes, ant. mohair wig & orig. pate. Wears fabulous ant. Fr. 2 pc. Sailor Suit, ant. Fr. buret marked "MARCEAU” in gold leaf, orig. set of undies, ant. socks & ant. red leather shoes (missing one buckle). On fabulous orig. body. Full pouty mouth & the most darling expression. ADORABLE character!! $3350. 12. - 13. 15 1/2" Bru Jne #4 Bebe, magnificent perfect pale bisque, amber p/w eyes, early mauve blush under brows, orig. Bru mohair wig, pate & head attachment. Gorgeous ornate FACTORY orig. aqua silk & lace costume, orig. matching hat, undies, socks & orig. "signed" Bru Jne #4 shoes. On her orig. Bru Jne "Chevrot" body, perfect "signed" Bru Jne #4 head & perfect "signed" Bru Jne #4 shoulder plate, bisque lower arms & hands. Desirable molded tongue tip & the BEST of the Bru Jne faces. EXTRAORDINARILY LAYAWAY AVAILABLE BEAUTIFUL & ALL FACTORY original!! Member UFDC & NADDA Call or Write for Price

(Nat'l Antique Doll Dealers Assn.) Photos by Vincent Lanza

t: r me a Look fo National tern s a E e ow, Th Doll Sh Antique 3rd & 4th h rc Ma , MD rsburg Gaithe

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

7-8

10-11

12-13

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 18 YEARS

1 - 3. 13” K*R 101 “Marie”, in impeccable orig. cond., from her wig to her 3-pc. costume, to her crisp, multi-layer matching undergarments! Body is mint, as well. $2450. 4 - 5. 14 3/4” Rarer Heubach 8407 pouty character boy, bl. sl. eyes, orig. lashes, quality toddler body (couple of paint flakes off at neck socket). $2450. 6. Dreamy early wooden cradle with “cloud” motif painted throughout inside surface. Orig. strawfilled mattress and Brittany type carving on outside panels. For your best early dolls! (14 1/2” long) $475.

Exhibiting: March 10 - Santa Barbara Doll Club Show and Sale, Santa Barbara CA, Earl Warren Showgrounds March 31- Jewel City Doll Club Show and Sale, Glendale CA, Civic Auditorium

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray Sales Representative: Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2011 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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MOVING?

Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

MARCH 2012

Carmel Doll Shop

Descriptions left to right: 16” Jumeau fashion who is a great opportunity for a sympathetic collector, as she is not a “perfect” doll due to a well-done restoration to the forehead. Details include a perfect bisque shoulderplate and a swivel head, lovely blue eyes, pierced-through ears and the original mohair wig. On a kid over wood articulated body, that features long bisque arms (repair to fingers) her costume is a sweet dream in various tones of gold and sunny yellow. $4250. 11” Blampoix Fashion teenager with a perfect china shoulderhead with delicate painting, expressive cobalt blue eyes, and a darling skin wig. On a gusseted leather body that is in good condition, she is beautifully dressed in the enfantine manner in navy silk. Antique leather slippers are a perfect fit. $2995. 21-1/2” François Gaultier Parisienne with a perfect bisque head, blue paperweight eyes with spiral threading, hooded eyecuts, pierced ears and the original mohair wig. On a leather body, she has leather arms without elbow gussets -- the effect achieved is amazing, as it looks like she is wearing opera-length gloves. She wears a ball gown of cream slipper satin with black accents. $4500. 28” François Gaultier Fashion with a perfect bisque shoulder plate and swivel head, pale blue/gray spiral threaded eyes, and her original mohair wig. The gusseted, leather body is quite sturdy and clean, but does bear minor scattered patching. She wears a wonderful walking suit in taupe silk. $6800. 18” (attr.) Eugene Barrois fashion with a perfect bisque swivel head and shoulderplate, spiral-threaded blue eyes, (minute flake to right lower eye rim) lovely painting of lashes and brows, pierced-through ears and the original brunette human hair wig. An articulated kid over wood body (repair to the left bisque

arm, and right leg) will allow this lady to sit, lounge and kneel in your vignettes. Note her gorgeous two-piece ball gown featuring rich pink and dove gray silks. $7500. 13-1/2” perfect china shoulderhead with beautiful coloring and luster, ﬁnely painted lashes and brows that frame cobalt blue glass eyes, a wonderful mouth with a soft, subtle smile, and her original mohair wig in honey blonde mohair. On a gusseted leather body in very good condition, she is smartly attired in lovely silk brocade featuring a charcoal stripe, plus black silk velvet accents. $3800 17-3/4” Jumeau fashion with “wrap around” blue paperweight eyes, plus a perfect bisque shoulder plate and a swivel head, pierced ears and a great original blonde mohair wig. On a classic leather body with long bisque arms, it bears a paper label from Au Calife de Bagdad. Burgundy silk faille and cream watered silk damask never looked better together than on this confection of an ensemble. $5500. 18-1/2” size 4 Jumeau fashion with a perfect bisque head and shoulderplate, a beautifully modeled and painted mouth and lips, un-pierced ears, and the original blonde mohair wig. Her kid-over-wood body is a marvel, due to its exquisite bisque arms, plus bisque lower legs and ﬁnely modeled bare feet. The threepiece ensemble bears characteristics that hearken back to Ernestine Jumeau -- it is a triumph in cream silk faille. $9500. 11” Jumeau fashion teenager with a perfect bisque shoulderplate and swivel head, pale blue paperweight eyes, pierced ears, and a brunette mohair wig worn down in soft curls. On a non-gusseted leather body that is in very good condition and with a Jumeau boutique stamp, Mademoiselle is exquisitely dressed in the enfantine manner, complete with a sweet straw hat and antique black silk slippers. $2750.

March 2012 • Volume 15, Number 2

THE DOLLS OF DORA PETZOLD

by Sara Bernstein The discovery of six all original dolls at auction by Dora Petzold, three of them distinctly different than other dolls by this maker, led to a search for information.

THE BÉBÉ HURET STORY

by François Theimer Inﬂuenced by the emergence of the bébé Calixte Huret created her own perfectly proportioned bébé in 1879.

About The Cover

Although she was no longer involved in the family company, at 66 years of age Calixte Huret decided to create her own articulated bébé. Using the same aesthetics as she used for the poupée, the resulting doll achieved perfection unmatched by other makers.

LENCI-LIKES TO LOVE

25 6

THERIAULT’S PREVIEW

Known for their exquisite poupées, the museum’s holdings will be sold on April 1 in San Francisco.

ANTIQUE DOLL COLLECTOR

MARCH 2012

by Judy Fisher The popularity of Lencis inspired other doll makers to copy their dolls, many of them deserving a place in your collection.

14 Auction Gallery 50 News 50 Mystery

52 Emporium 60 Calendar 63 Classified

UFDC MODERN COMPETITIVE EXHIBIT 2011 ANAHEIM, CA Part II Photographed at the United Federation of Doll Clubs National Convention by Keith Kaonis

(212) 787-7279 • P.O. Box 1410 • NY, NY 10023 Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC and NADDA

1. 14” Rarely Seen 1893 “Paris Bebe” An important Jumeau character, this one with the exceptional modeling. Museum class. (See page 9) $4250 2. 6” All Bisque Kestner Googly – mold “111” with watermelon mouth, widely spaced googly sleep eyes, socket head, factory wig and painted “boots” plus original ornately beaded Eastern European costume. (See page 8) $1595 3. 16” Rare Sleep Eye Scootles exceptional large size, great color and condition plus factory romper and shoes! Sensational compo prize! $895 4. Nurse Collectors! 9” 1930’s Bear with uniform, cap and pin! $250 8” Fabric Doll with googlie eyes, factory hang tag, $150 5. Scarce Size JDK 247 – choice 11” Kestner Hilda look alike! Heirloom clothes, plaster pate and desirable skin wig. All precious and mint! $1200 6. 20” Rare and Important Orsini Baby – pure joy in the lively expression of this smiling toddler with bright eyes, active wobble tongue, beautifully molded butterscotch hair and broad cheek bones, all wrapped up in period clothes! $1495 7. 19” Choice Smiling Kestner Character Baby – the elusive version mold “277” with mischievous eyes, open/closed smiling mouth, molded teeth and tongue, dimples, molded center forelock, outstanding character! $895 8. Rare sleep eye Scootles! See #3 9. The Premier Model K * R 192 Closed Mouth – rare and important 23" pre 1900 closed mouth beauty with oily bisque, early artwork, hidden flaw, gorgeous mohair extension wig and luxuriously drenched in a profusion of lace couture befitting her importance! $2500 10. 27” Handsome Large Norah Wellings – clean and stunningly beautiful felt fellow, mint full blonde wig and elegant British uniform with the cap. $750 11. The Exquisite “Block Letter” Gaultier – by far the most important of all the F.G. dolls, this 16” glamorous bebe is one of a select few of precious icons such as Bru, P.D. and Schmitt. Magnificent! (See page 9). $5500 12. 17” Attic Original Kestner 160 – this scarce model with shoe button eyes and barely open mouth was beautifully preserved from hip length wig to factory leather shoes. $795 13. 12” Gbr. Heubach Laugher – “7604” with intaglio eyes, open closed mouth, molded teeth and period clothes! $450 14. 14” Gbr. Heubach Coquette – charming child in outstanding original Edwardian clothes, plate damage, original body, just $495 15. A Ladies Victorian Bodice – antique garment with pleats, laces and silk décor for costuming or to hang on your wall! $250 16. 18” Romantic Large Parisienne – elegance, grace and style embodied in one lyrical figure with a rare Simonne style body. (See page 9) $5800

(212) 787-7279

P.O. Box 1410 • NY, NY 10023 Member UFDC and NADDA

1. 14” Early American Compo – fascinating charm, c. 1912, what a face! Sweet coloring, factory romper, early jointed stuffed body, no craze $395 2. 9” Unusual Wagner and Zetzsche – scarce indeed is this googly type character with top knot, made from Haralit, c, 1917, with Kewpie type arms and cunning body! $450 3. 9” Deans Rag “Lupino Lane” – celebrity portrait doll of the 1920’s performer complete with cane (not shown) hat and 3 tags! $250 4. 14” Important Simon Halbig 1368 – more rare than the SH 1358, this all original doll is further distinguished by it choice dark complexion and the original matching body. (See page 9) 5. 22” Glass Eye Parian with Decorated Dollar – majestic UFDC Blue Ribbon winner with the original body and clothes, hidden HL, including great leather shoes; she features a rarely perfect molded ruffled collar and perfect hair bow too. Pierced ears complete the elegance at only $1200 6. 20” Continental Cage Doll – early European wooden, well over 150 years old, probably more, fully jointed arms with beautiful hands, usual gesso loss, worth your attention, just $595 7. 23” Stunning Fabric “Punch and Judy” – brilliant color and condition on these mint UFDC ribbon winners, probably Deans, pre 1900 London. Show stopping pair $850 8. 20” KR 117N Flirty – mint factory wig in the classic bobbed hairstyle along with the fully jointed high knee teenage body, factory chemise beneath owner made dress. $895 9. 16” Rare Wax Fashion with Molded Gloves – plus matching wax bootines! A compelling Edwardian wax lady with slender shapely body, original wig and underwear and the rare molded wax gloved hands. $1100 10. Kestner “111” All Bisque Toddler – unique variant of their socket head googly with jointed shoulders and hips. A sparkling gem! (see page 7) 11. 11” Pretty SFBJ Alsatian – such fine quality throughout, elegant, factory original and graceful. Just $295 12. 23” Important K * R Closed Mouth 192 – this earliest model in the KR line was produced in far fewer numbers than the legendary line of character dolls that followed it! A rare and luscious example! $2500 (see page 7) 13. 15” American Folk Art – fantastic block fabric child with stitched features, original corded hair with bow and classic checkered dress. $495 14. 22” Vintage Philadelphia Babies – scarce heirloom dolls in charming clothes and shoes, with some of the expected wear typical of these elusive dolls, but no repaint and no repairs. Left $1495 Right $895 15. All Bisques – Unusual l 5-1/2” Googlie with sleep eyes, jtd. limbs and original wig (ask about clothes), mold “545”, $695. 6” Rare Brown Kewpie – lovely color, original period dress, jointed starfish arms! $495 16. 22” Ribbon Winning Rollinson – scarce American doll, c. 1916, Massachusetts with an excellent original complexion, quaint heirloom clothes, a great example in great condition! $1200

1. 10” Rare Oriental Belton – French trade gem with jewel like clarity in the exotic features of her soft amber tint beauty, curvy hand drawn feathered eyebrows, full crimson lips and fully jointed amber body with its unique molded composition slippers! All in the cabinet size! $1800 2. 16” Rare and Desirable “Block Letter” F.G. – breathtaking describes this singularly important model on its fully jointed French body with its very rare pewter hands; dewy bisque with gentle blush, shaded eyelids and mellow soft brown PW eyes complete this faultless, regal beauty. $5500 3. 14” Rare Simon Halbig 1368 – you never see this rare and important black ethnic Halbig as pretty as this one, and with the desirable ebony finish! All very well preserved from original wig and cork pate to leather shoes, gartered stockings and adorable red wool dress. Spectacular! $4250 4. 14” Elusive Paris Bebe – excitement and controversy have always surrounded the history of this very rarified Jumeau character, this one with the most exaggerated beauty possible, enormous luminous hazel PW eyes, early Jumeau body – prime example of a rare and legendary doll! $4850 5. 13” Heirloom Poupée Jumeau – glorious pools of jewel blue rimmed PW eyes dominate the delicate color and dreamy expression of this elegant young ingénue with original pate and wig and vintage silk couture gown. Unearthly! $2250 6. 20” Grand Hilda Baby – pure and gentle, flawless quality describe this breathtaking Hilda with tender blue eyes, original plump mint body and very fine original commercial clothes – all pristine and unplayed! $2750. 6” All Bisque Googlie (see page 8) 7. 18” Distinctive Wood and Bisque Parisienne with Bisque Arms – not just large but a novel French design patent having kid over mostly wooden jointed body and fully jointed bisque forearms; romantic, oval portrait face with poetic expression, stately and rare in size and aspect! $5800 8. 20” Luxurious Rare Brown Hilda – gorgeous and smooth coloring on this important, fully signed Hilda in an equally uncommon, mint factory wig, mint Kestner body and lovely period clothes – it even has the brown wax on the eyelids! A must have! $3800. 6” Rare Brown Kewpie (see page 8)

(212) 787-7279

Quality Antique Dolls by Mail Return Privilege • Layaways

Nancy A. Smith Buying and selling quality antique dolls. Specializing in early cloth dolls.

28â&#x20AC;? Papier Mache. Hand sewn leather body. Original finish. Dress fragile and stained. $3800.

Member NADDA

Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net

ANTIQUE DOLL COLLECTOR

MARCH

2012

In Loving Memory

Roberta Zygalowski and Maxx

t is with great sadness that we report Roberta Zygalowski, co-owner of Roberta’s Doll House, passed away on January 20, 2012. Roberta was hospitalized shortly after the December Gaithersburg, MD doll show and remained there until her death from cancer. She was a tireless worker, a one-woman doll show, her enormous booth commanding center stage at doll shows across the country, as well as being a long time advertiser in Antique Doll Collector. Roberta was born and raised in Virginia and moved to New York in 1970. She met her husband of 37 years, Carl “Ziggy” Zygarlowski, in 1974. In May of 1984, Roberta and Ziggy opened Roberta’s Video City. In May of 2007, after 23 years of business, Roberta’s Video City closed its doors and Roberta and Ziggy moved out of Yonkers to pursue the doll business full time. Roberta is survived by her loving husband Ziggy, daughter Victoria, son-in-law Robert and grandchildren, Brandon and Samantha. Roberta’s family and many friends will always remember her as a loving, thoughtful and beautiful person.

ANTIQUE DOLL COLLECTOR

MARCH 2012

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1. Paris BeBe”- 24” Blue Stamped Emile Jumeau - E8J. Limoges. Pierced Ears. Pale Bisque Coloring. Vintage Taffata Dress. Super! Was $4,700. Now $2,350. 2. Stunning Paris Child - All Original Marked 12 Beauty-28” Tall - Soulful Expression Blue Grey Sleep Eyes - Deep Brown Human Hair - All Original Clothing - Silk and Celluloid Fan - Fitted Gloves, undergarments and Original Trunk. Was $17,500. Now - $6,500. 3. Charming Tete’ Jumeau 1907 - 23” Tall. Beautiful Ruffled Dress. Long Wavy Blonde Hair. Satin Shoes. Professional Repair. Huge Brown Paperweight Eyes - Original Seed Parl Earrings - Was $4,700. Now - $2,350. 4. French Market Beauty - 26” Tall Handwerck- Gorgeous Almond Eyes - Extra Smooth Perfect Bisque. Sweet! - Was $2,250. Now - $1,125.

920-867-4300 puddy4300@gmail.com Free shipping on all Dolls in 48 States.

Celebrating 35 years of business on March 3rd 2012 4

Auction Gallery Theriault’s Doll Auction January 13 and 14

heriault’s January auction, held in Newport Beach, CA, entitled “Other People’s Lives,” paid homage to collectors and their sense of personal connection to the past and the young children who originally cherished and played with these dolls. Approximately 450 lots included ﬁne French dolls, German characters, Lencis, American cloth dolls, dollhouse shops and rooms, automata, German characters and doll clothing. Some of the highlights are pictured here – for more prices visit www. theriaults.com (Prices do not include buyer’s premium).

Bisque Bebe Modele with Brevete face by Leon Casimir Bru, 15 inches, a doll made in limited numbers between 1879 and 1883, $56,000.

18-inch bisque art poupée by Maison Huret with trousseau, c. 1910, $26,000

Early model A.T. by Thuiller with signed A.T shoes, 15 inches, $31,000. The all original Vichy “Little Girl at a Parade,” sold for $3,500.

Series B Steiner in original costume, 19 inches, $25,000. Below: Bebe Triste by Emile Jumeau with original signed dress, c. 1884, 24 inches, $21,000. The 13-inch candy container dog brought $700.

Classic Bebe Bru Jne by Leon Casimir Bru, size 2, 13 inches, c. 1884, $20,000.

Wearing his original silk Spanish “Traje de Luces” costume, one of only two original models known, 21 inches tall, $19,000. A prototype of the 102 character doll by Kammer and Reinhardt with sculpted composition socket head, brought $20,000. More Auction Gallery on page 53 14

ANTIQUE DOLL COLLECTOR

MARCH 2012

Sandy’s Dream Dolls From Arizona to Texas Sandy Kralovetz

Always Buying Dolls of Quality Visit Our Showroom:

ANTIQUES ON 8 10 am to 6 pm 5455 West Sam Houston Pkwy North, Houston, TX

602.228.1829 • 281.339.0269 skayk43@aol.com Mailing Address: 9825 Moers Rd, Houston, TX 77075 Member UFDC & NADDA

Happy Easter!

Victorian Retreat Antique Dolls QUALITY DOLLS AND REASONABLE PRICES

Check out my Ruby Lane site: www.victorianretreat.rubylane.com Lynne Shoblom • P.O. Box 2461 • Prescott, Az 86302 928-445-5908 • 928-713-1909 • email: victorianretreat@msn.com Member UFDC • Visa, Mastercard, Discover, PayPal accepted Generous Layaway Plan Two Steiner’s to steal your heart! 1. Incredible 20 1/2” Fig A Steiner with the face of an angel! One of the prettiest you will ever see with huge blue paperweight eyes, the finest quality bisque with expert painting. She has a marked head and body with it’s original finish. Her fantastic antique clothes are a dream, consisting of a gorgeous antique pink silk dress, hat, underwear, shoes and socks. She also has an ivory handle antique pink silk parasol! Her blond mohair wig is antique. This beauty is perfection! $4995 2. Rare tiny 8” fully marked darling Steiner! How often do you find such a small Steiner with such exquisite painting and quality! This little tasty French delight has blue paperweight eyes, closed mouth, finest quality bisque and painting. She is fully marked on her head and Steiner body with the original finish. She has a darling pale pink factory dress, underslip, hat, antique wig, shoes and socks. She is in a wonderful antique French box! What a tiny treasure and so very hard to find! $2895 16

ANTIQUE DOLL COLLECTOR

MARCH 2012

The

Bébé Huret by François Theimer

hen Calixte Huret was in charge of the family company, she took the creation of the Huret poupée very seriously, turning the doll into a toy meant to educate. The Huret doll had became an industrial and aesthetic reference. The snobbishness which surrounded its image, its high price due to the care brought to its creation and manufacture, almost exclusively on demand, its elegant outfits, sumptuous accessories and prestigious furniture, made it a true icon. A first generation of privileged young girls had played with her. Aware of her success and out of curiosity, Calixte continued to keep abreast of changes in the doll industry and evolution of styles. Visiting the Exposition Universelle of 1878, she was filled with wonder when she saw the newcomer – “the articulated bébé.” At this time, French society was evolving regarding attitudes toward children. Rousseau’s precepts that children are innocent and vulnerable, entitled to freedom and happiness, had turned into an extremist social tyranny. Perhaps much like the excessively spoiled children of today everything revolved around them. Children’s fashion had grown, much of it due to the imaginative outfits of the dolls, which were used as models for children’s clothing. Maternal instinct was promoted

Bébé Huret from the Lemoine period with pressed bisque head. The doll’s wooden bébé body is stamped Elisa Prevost. Old stock from the Lemoine period continued to be used until it was sold out. Private Collection 18

ANTIQUE DOLL COLLECTOR

MARCH 2012

Story in moralizing tales and sentimental engravings. Children’s literature had evolved as well, and society’s interest had moved to children between ﬁve and six years of age, those hardly out of infancy and much younger than the girl Calixte intended her doll for. Doll makers created the “articulated bébé” as an alter-ego of this young child. At the Exposition Universelle in 1878 Calixte saw the creations of Emile Louis Jumeau, whose father she used to know, and who had commissioned the famous sculptor Albert Ernest Carrier-Belleuse. She also observed that Leon Casimir Bru presented a wonderful bébé, the face of which had been realized by Barbedienne and with a silhouette which fairly imitated young children. Once again, she was guided by her enthusiasm and determination in spite of her years (she was 66). Using her own ﬁnancial resources, she decided to have fun and create her own articulated Huret bébé even though she was no longer involved in the family company. The word “bébé” (baby) entered the national French vocabulary around 1841, through the intervention of children’s literature and the story of a real dwarf known as “Bébé,” who lived during the 18th century at the

Bébé Huret from the Lemoine period with gutta percha body and bisque hands. Collection La Maison de Poupées

The pudgy youthful face of Calixte Huret’s doll, circa 1880. ANTIQUE DOLL COLLECTOR

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Court of King Stanislas of Poland, the protégé of Louis XV. His shape and his silhouette were those of a well-proportioned small man, a Lilliputian rather than a dwarf. His legend and image took his name from the 18th to the 19th century, when it was applied to young children who had the same size and general look. Calixte used the same aesthetics as she did for the poupée, finding the perfect proportions, and this meant that the size of the bébé should be five times the size of the head. It was to be one size only, like the poupée doll, which was 45 cm. She drew the new silhouette, the body more thickset than the doll, representing a child with plump limbs, which a young girl playing the role of a mother could easily hold in her arms. Under her supervision, a sculptor modeled the head of her bébé after the drawings and images she presented. She desired two versions, one with painted eyes, the other with enamel eyes. For the neck assembly she used her 1861 patent, making adjustments without the shoulderplate seen on the poupée. The body, still made in gutta-percha, was composed of nine pieces which were held together by mortise and tenon joints. The torso was divided in two parts for easier assemblage and then covered by a skin strip to hide the joints and to affix the stamp of the Maison Huret. The main novelty was the hands, which were made in bisque and wonderfully designed. This particularity corresponded to Italian This doll has the wood body introduced by Lemoine. 20

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Twin bébé Hurets with pressed bisque heads from the Lemoine period. Courtesy Rosalie Whyel Museum of Doll Art.

acrolith statuary, which advised that visible parts of a ﬁgure or statue should be made in more noble materials than the rest of the body which was hidden by clothes. In the case of the Huret bébé, often presented with a layette or as an infant, only the head and hands were visible. Making them both in tinted bisque increased the preciosity of the whole, inspired from the Bru bébé, while removing the drawbacks of the skin body. The Huret bébé was ready in 1879 and presented the same year for the ﬁrst time in the shop 22 Boulevard Montmartre, under the good auspices of Madame Lonchambon (her husband Remy had passed away on April 9, 1873). As the Huret poupée, the bébé was produced in a limited series and assembled on demand by Miss Callier. A luxurious and rich wardrobe was created for the doll, directly inspired from children’s fashion but with its own style, which could not be compared to the clothes of other articulated bébés. This period in time saw the beginnings of androgynous children’s fashion, allowing genders to alternate the wearing of boys’ and girls’ clothes. A few dollmakers including Jules Nicolas Steiner and Francois Gaultier imitated the shape of the Huret bébé for their most luxurious dolls, however, they never reached the

Bébé from the Lemoine period, bisque hands. Photo courtesy Theriault’s. As seen here, young boys often wore girl’s clothing, c. 1860.

ANTIQUE DOLL COLLECTOR

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The dolls of the Carette period marked a change from the pressed to poured bisque heads. Photo courtesy Museé de la Poupée.

perfection of the Huret doll. A novelty, which truly belonged in its time, it was aimed at developing the maternal instinct of the young girls who owned it. It quickly captivated the attention of Mr. Aimé François Lemoine, a supplier to Huret. In 1880 Lemoine was successful in buying the company from Madame Lonchambon. Until his death six years later he worked to improve the Huret poupée and bébé, replacing the fragile gutta percha bodies with wood. His widow sold the company in 1889 to Edmond Carette. At this time in history the popularity of the bébé superceded the poupée. Changes in production methods led to poured bisque heads, easily differentiating the dolls of the Carette period from his predecessor Lemoine. In 1895 Carette became quite ill and unable to work. There were no more changes to the Huret as his wife continued to sell the unused stock from the shop. Carette passed away in 1898 and in 1902 Elisa Prevost took over Maison Huret, 22

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Only a few dolls exist from the Carette period and they all have the wooden bodies initially used by Lemoine. Photo courtesy Museé de la Poupée.

Blackberry Studio Margaret Gray Kincaid Tel. 410.323.0373 Cell: 646-709-4340 Margaret.kincaid@gmail.com Member NADDA and UFDC

Bébé Huret from the Carette period. Photo courtesy Museé de la Poupée. Wood body used by Elisa Provost. The torso was divided in two and covered by a skin strip. The hands are now metal. Danielle and François Theimer are authors of The Huret Book.

receiving from Madame Carette several old documents including the drawings of the bébé Huret. As the patent of the bébé Huret had never been deposed and forgotten for some reason, she deposed it in 1904 … such a long time after its creation. As for the Huret children – Leopoldine, Calixte, Marie Therese and Leopold – none of whom had ever married, they decided to live together, until death parted them. Leopoldine died on November 14, 1891, Leopold on February 28, 1893, Marie Therese on November 12, 1901, and Adelaide Calixte on August 12, 1905 at the age of 91.

Spring Is Coming 27-1/2 inch Steiner Series C $1100 9 inch blank button Steiff bear $1500 9 inch plus tail completely jointed Steiff cat (no button) $250 ANTIQUE DOLL COLLECTOR

MARCH 2012

ANTIQUE DOLL COLLECTOR

APRIL 2012

De Kleine Wereld Museum of Antique Dolls and Doll Houses to be Auctioned by Theriault’s on April 1, 2012 It began with a tea cup.

r, as Els Van Houtven of De Kleine Wereld Museum relates, “One day in 1976 we went antique shopping in Antwerp and we returned home with one small doll’s cabinet with 3 drawers, painted salmon pink and missing one leg, and two pieces of a tea set that did not even belong together”. So began a 36 year quest for antique playthings of little girls. The collection eventually filled the large Liers, Belgian home of Lena de Swert, the mother of Els Van Houten, and led to the fulfillment of the mother and daughter dream, to create a museum for all to enjoy. A beautiful building in the historic Belgium village was chosen for De Kleine Wereld Museum and the dolls, doll furniture and doll houses were presented in breath-taking settings that earned the museum a reputation as one of the world’s most beautiful doll and dollhouse museums. Sadly, the museum will close, but happily for collectors the entire museum collection will be exhibited one last time when it is presented at auction by Theriault’s on April 1, 2012 in San Francisco, California. Els Van Houten tells of the collecting years with her mother. “Our collection took the two of us all over Europe for the next 36 years. We met fantastic people along the road, found ourselves many times in the middle of nowhere, somewhere in Europe, to achieve this one more piece, shared the thrilling excitement of chasing an item at an auction; we shared doubts, disappointments, hilarious situations, but most of all the pleasure of searching, finding, installing and cherishing our growing collection. And a kind of sixth sense – without words we loved the same items, in an auction catalogue we always marked identical objects. A small fish bowl! A miniature frame with butterflies! Even more, we both knew exactly where it would fit.” As the collection grew, so did discrimination and a sense of what was rare and special. The mis-matched tea cup and broken chest were discarded along with most of the pieces acquired during the first ten years. “Our main strategy was to buy always the very best

Considered a signature doll of the museum, once featured in a lead article in Antique Doll Collector, is the porcelain poupée by DenisDuval, with her original trunk, trousseau, and early hand-written inventory of her costumes.

Leopold Lambert so loved his concept of this automata that he deposed the model. Its theme of a little girl playing with toys and dolls is symbolic, too, of the overall theme of De Kleine Wereld museum.

Exceptional maitrise miniature furniture in the museum collection is perfectly sized for display with classic poupées. Notable here is the inlay grandfather clock.

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The early French theatre, circa 1830, bears the insignia stamp of the luxury French toy store, LeMaire at Rue Chapon, No.2, and is furnished with a miniature wooden harp and carved bone accessories.

French bisque poupée with cobalt blue eyes and original costume stands beside a maitrise quality dressing table with fine French miniature glassware, and an inlay tilt-top table.

A petite Biedermeier Parfumerie is decorated with gilt paper decoupage; the rare early store has miniature perfume boxes and bottles. 26

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with the budget we had available at the moment…it could happen that we returned from a fair with just a small, mint umbrella”. Along the way, mother and daughter had discovered the world of French fashion dolls, and it is no small coincidence that the a major doll from De Kleine Wereld museum is an early porcelain Denis-Duval poupée with complete original trousseau, and remarkably, a hand-written inventory of every item of clothing in the trousseau. (In June 2009 an article about the doll and her trousseau appeared in Antique Doll Collector). Other poupées, always in original or antique costumes, formed highlights in the museum collection. Examples by Jumeau and Gaultier are delightful, and especially notable is a Jumeau poupée in her original Russian silk aristocracy costume. But the poupées were never in isolation. “What we also liked was to create a world on its own: interiors, scenes, all had to fit together in color and age and style and scale.” A French lady doll poses in her salon, alongside superb maitrise furnishings and accessories, while in the child’s room, the nanny hovers lovingly over the little bisque children playing with tiny toys and pets. Antique costumes are laid on the fine canopy bed in the boudoir, while a poupée looks on, choosing her gown for the evening’s gala. Crystal chandeliers dangle, fine miniature blown glass is set on the table, along with porcelain dinnerware and cutlery. A grandfather’s clock chimes nearly, and salon dogs hopefully keep one eye on the well-laden pastry dish. All of these beautiful dolls, and the objects from the world that they inhabited, are to be presented in the auction of the De Kleine Wereld Museum. The furniture, mostly scaled for exhibition with 14”-20” poupées, is of maitrise quality, and includes superb examples for each doll’s environment. Florence Theriault, who traveled to Belgium, for the farewell fete of the Museum and to oversee its packing, notes that the poupée furniture and accessories are among the finest she has seen in decades. Although a keen sense of history and a desire for research have ensured that most of the pieces are well documented, Els Van Houtven notes wistfully, “We have no clue about the true history of every single piece we have. Why has it

survived more than 100 years, as so many other objects haven’t? Was it owned, loved, cherished once by a little girl? Most probably she is not alive anymore. How many times was it turned into other hands? How many years did it spend on a dusty attic before that…?” In addition, the Museum has exhibited fine automata including the rare Lambert deposed model of a child playing with dolls, the Chinese tea server, the early and beautiful gliding lady by Vichy, the crying child with broken doll by Lambert with signature character bisque head by Jumeau, and a young lady pushing a carriage with all-bisque child. Furniture on a larger scale, perfect An extremely rare miniature store is the German shoe store whose shelves are laden for display with dolls 24”-30”, is with tiny boxes of shoes, each box decorated with a little metal medallion of a shoe. also exhibited. Of particular note is a remarkable kitchen cupboard that is lavishly fitted (originally) with all the necessary utensils and tools of a wellAn all original poupée contemplates kept German kitchen of the late 19th a very rare miniature jardinière in century. Standing 50” tall, it displays the Art Nouveau manner. fine porcelain ware with blue designs as well as dozens of accessories, and centered on its counter top is a fine Maerklin stove. On a smaller scale is the outstanding collection of miniature stores, kitchens, doll rooms, and doll houses, each filled to the brim with rare miniatures and accessories. Of particular note are three fine millinery shops; one example features a French window label on the exterior, while the interior is filled with wonderful fabrics, trims, laces, and more. Two very unusual shops include the German shoe store, whose shelves are filled with dozens of tiny filled shoe boxes, and the lederwaren or leather Gorgeous French bisque poupée by Jumeau is store, which offers valises, purses, wearing her original silk belt, and other leather ware. There costume of Russian royalty. are apothecaries, grocery stores, an outstanding butcher’s shop, mouthThe Music Lesson with four watering pastry stores, and an miniature bisque dolls from the exceptional toy store whose laden German studios of Zinner and shelves are filled with tiny childhood Sohne is featured in De Kleine wishes. Of great rarity is the Chinese Wereld Music collection. tea store with lacquered cabinets and shelving, filled with miniature tin tea decanters. Each of the miniature stores and rooms is in its original state of preservation, and includes examples by Christian Hacker, Gottschalk, and other notable firms. And about that tiny tea cup that Theriault’s Preview started it all. The mother-daughter continued on page 55

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Gigi’s Dolls & Sherry’s Teddy Bears Inc.

14” E Barrois French Fashion, blue eyes, kid body w/ mitt hands, antique undergarments, new walking costume in antique style, vintage hat box, blonde mohair wig, pierced ears $2250

27 ½” FG Fashion in antique skirt, blouse, velvet jacket, lovely kid body and arms, HH wig, newer leather boots $3750

18” C/M ED Etienne Denimur, brown paperweight eyes, blonde mohair wig, antique style dress, early stiff wrist body, repainted forearms, antique underclothing & leather shoes $3050

23” SFBJ Paris on Jumeau body (wrong hands), blue eyes, brown mohair wig, o/m, sweet face $995

27” Shirley Temple w/ ﬂirty eyes, fabulous overall composition, slight crazing on right arm, original style yellow organdy dress, shoes & socks, new combination, great original wig $595 18” 1934 Stand Up & Cheer Shirley Temple in original dress, shoes & socks, new combination, original wig $325 14” Knickerbocker Snow White, molded black hair w/ blue bow, original dress, pants, shoes & socks, wonderful compo $155 13” All original Shirley Temple in pink party dress, The Worlds Darling pin, combination, shoes & socks, slight crazing $425 18” Shirley Temple all original in pink party dress, The Worlds Darling pin, combination, shoes & socks, shading above eyes, hair in original set, few cracks by eyes $425

17” FG Fashion, brown wrap around eyes, lovely leather body, gusseted legs, pierced ears, antique purse boots and undergarments, antique fabric in vintage style, small chip on each ear $1950

13 ½” Jumeau Fashion, blue gray eyes (right upper eyelid small eyeﬂake), leather body, antique brown wool walking suit and undergarments, original blonde mohair wig $1900

17 ½” FG Fashion in antique costume in brown with satin skirt, antique boots, HH wig, lovely kid body, beautiful facial coloring $2350

15” Simone French Fashion all original, HH wig, beautiful antique clothing, silk dress melting, leather boots w/ tassels, pierced ears $2995

19” French Fashion with beautiful shadowing above eyes, swivel head, pierced ears, beautiful light blue early eyes, antique clothing and leather shoes $3300 Now $3050

1935 Effanbee Colleen Moore Doll House Doll Fairy Princess in original box wearing original blue organdy dress with pin, 1 original extra red & white check dress & 1 vintage outﬁt, blue eyes to the side $310 1935 Colleen Moore Doll House Doll Fairy Princess in original dress & undergarments, little facial & body paint touch up, really sweet doll $125

Vogue compo Toddles 1940’s 1947 Alice in Wonderland #8-188 tagged dress, strawberry blonde mohair wig $150 All original in tagged white dress w/ flowers down front, bonnet, unders & shoes, blonde mohair wig $225 Toddles in tagged white dress w/braid trim, unders, bonnet, shoes & socks, blond mohair wig, some facial touch up $97.50 All original “Captain” from 1943 Military Group w/ Vogue sticker on pants leg, painted blue eyes, no flag $275 1956 Fun Time #6049 Skier, red head st leg walker, molded lash, pink and grey ski outfit with skies and poles $185 1953 Carol #26 Sold All original painted eye Ginny - 1949 Judy #82C in pink patterned organdy dress, straw hat, in Vogue Toddles box $325 1953 #45 Ballet strung Ginny, blue eyes, painted lash, multicolor dress w/ silver trim, silver shoes $165 1959 #1256 Scotish Ginny all original st leg walker, molded lash $110

17” L x 5” W x 7 ½” H Antique Noah’s Ark, early wood hand painted ark with litho paper detailing, dove with olive branch painted on roof, 57 wood hand carved farm, domestic, wild animals & birds, all in pairs except elephant, lama & camel, 5 legs broken, oil cloth hinges on roof as is, wire hoop & pin closure, small 1 ½” wood silver off back base $950 Now $545

Ginny’s Trip Mates all original in box complete with Ginny Swag Bag, Hat Box, Auto Bag & Garment Bag with hangers, all mint $165 Western Boy and Girl from 1951 Frolicking Follies series all original in black cowboy & girl costumes with guns & boots $495 pair Ginny Doll cardboard suitcase, towel, gown, ﬂannel robe& tie, blue pom pom shoes, mint condition $39.50 Steiff Ginny Pup original ribbon, bell & ‘Ginny Pup’ coat $150 Painted Eye Ginny in tagged blue taffeta dress, pink hat & stockings, blue shoes, blonde mohair wig $250 All original blonde strung Ginny in pink black ﬂocked satin dress with black velvet bodice, straw hats, great facial coloring $250

Allow Us To Help You Discover The Child Within You!

25” 1830-60 All original Wax over papier mache, HH wig, brown glass eyes that open and close with wire in body, one crack out of each eye, blue leather “glove” arms, fabulous clothing $1350

28” 1880’s C/M RD Radury Delphoir, paperweight eyes, brown HH wig, antique dress & shoes, lovely coloring, some body repaint, professional repair by right eye $1650

11” Hasbro 1967 G I Joe Action Nurse #8060 complete with uniform, red cross arm band, cap, shoes, hose, medical bag, stethoscope, plasma bottle, bandages, 4 splints & 1 crutch (missing 1) $1350

24 1/2” 1880’s Poured English Wax, blue glass eyes, inserted mohair wig, beautifully sculpted, original satin wedding dress w/ fabulous detailing $1650

28” Simon & Halbig 1009 w/ peaches and cream complexion, brown sleep eyes, original HH wig, original bj body has been professionally repainted, pierced ears, wonderful doll $995 Now $895

22” S & H 1159 Lady doll, original wig and clothing, repair on face by left cheek & chin, beautiful body $1150

20” All Original Heinrich Handwerck, Simon & Halbig, Sold 7” Kestner #155, compo bj body, original mohair wig, brown sleep eyes, really sweet doll $725

16” Madame Alexander 1939 compo McGuffey Anna in Rare original tagged dress, undergarments, bonnet, HH wig, replaced shoes & socks, very faint crazing $250 Now $195 12” Gund Minnie Mouse with pressed cloth face and felt gloves, velvet type plush body, head & legs, felt ears, original skirt (soiled) $195 Now $165

19 ½” 1887 – 1896 J. Steiner A – 13, blue eyes, stiff wrist body stamped Le Petit`Parisien Bebe Steiner, mohair wig, antique shoes $4950

14” Little Women by Madame Alexander Dolls 1955 “Beth” Maggie face walker all mint w/ box, high facial coloring, pink dress w/ white organdy puff sleeves and yoke $295.00 1949 “Amy” with ﬂoss loop hair, red & white checked dress w/ white taffeta yoke & puffed sleeves, “Let’s Go For A Walk” booklet, box w/ curlers & comb $550.00

LAYAW AVAILA AY BLE

28” All Original Heinrich Handwerck #79, brown sleep eyes, pierced ears, blonde mohair wig, beautiful antique clothing, undergarments, coat, hat & shoes $850

1952 “Marmee” w/ box, black velvet yoke and lavender taffeta dress, original hairset and high facial coloring $250 1950 “Jo” all original w/ box and “Little Women” how to curl dolls hair booklet, red dress w/ blue rick rack on sleeves, blue velvet yoke $325 1952 “Meg” in pink dress and black & pink ﬂoral apron, original box & hairset, great facial coloring $295

18” Sweet Violet 1954 Alexander #1878B all original in pink faille coat, taffeta dress, green velvet hat & purse, under garments & shoes, hat box, ball jointed elbows & knees on walker body $350

19” #1349 S &H “Jutta”, brown sleep eyes, small eyeﬂake left eye, nice bj body $425 19 1/2” #250 K & H Walkure 1 1/2, brown sleep eyes, blonde HH wig $350

Victorian Wedding Gown fabulous condition in beautiful challis wool with 20” waist, satin embellishments on blouse, leg a mouton sleeves, small stain on lower left sleeve $295 Now $195

1958 Cissy #2091 in black taffeta tagged dress, lace wrap, pink straw & ﬂower hat, original wig set, nice coloring, Letter to “All Little Girls”, few spots on back of dress $725

1954 Alexander 18” Wendy Bride #1555 all original, replaced bouquet, hard plastic walker, reddish hair in original set, dress net over taffeta, has original veil $275 19” 1953 Alexander “Rosemund” Maggie face, pink net & satin bridesmaid dress, unders, shoes & socks, reddish wig in original set, great facial coloring $195

18” CM Three hole Belton #300 on stiff wrist body - paint as is, blue glass eyes, blonde mohair wig, antique clothing and straw hat $1150. Now $1050 18 1/2” S &H #1039 w/ high forehead, brown sleep eyes, body has working momma strings, pierced ears, cute doll $625

HOPE TO SEE YOU AT THE FOLLOWING SHOW: Chicago Toy & Doll Show Kane County Fairgrounds St Charles, IL Sun. April 22, 8am - 3pm

Chicago’s ﬁnest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping

The Dolls of Dora Petzold by Sara Bernstein

All original Dora Petzold dolls. The three center dolls have unusual chubby faces. All but the boy in the tuxedo have mohair wigs. The taller dolls have the face we associate with Petzold dolls. (See individual close-ups)

t was a beautiful autumn morning. There was a chill in the air as I entered the auction gallery. The auctioneer, a tall lanky fellow who could sell ice to a polar bear in winter, was circulating the room schmoozing with the buyers. The usuals were there, Armand Marseille, Jumeau and Kestner just to name a few. I gave them a knowing glance, but was really looking for something different, something more elusive. As I perused the sales tables, a box caught my eye. It was a big box, a shabby box to say the least. Not the kind someone would expect to ﬁnd any great treasure in. But, my curiosity was peaked and something pulled me to take a closer look. To my delight, I saw six faces staring back at me. Those faces were familiar. I knew I’d seen them before in some old book or catalog. Something was strikingly different about them. They weren’t bisque or the usual type of composition that dolls were made of. So I pulled out my ﬂashlight for a better look. I picked up each doll. Upon closer inspection I found markings stamped on the body of each doll depicting a little girl holding a D and a P in her hands. Each doll also had markings on the sole ANTIQUE DOLL COLLECTOR

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of the shoe. That mark looked familiar. Could these be the elusive dolls by German doll artist Dora Petzold? Now I was intrigued. Upon further examination I noticed that each of the six dolls had a socket-style ﬂange head made of an unusually thin composition. Early American composition dolls were thicker, made from either hot pressed or cold pressed composition. The composition on these dolls was much thinner than the type I was familiar with. Each face had hand painted features, giving the doll a slightly different facial expression. All but one had a mohair wig, styled in a bob hairdo popular for children in the 1920’s. The dolls’ bodies were made of stockinet and they were dressed in original clothing, including shoes. Two of the dolls had wonderful tortoise coke bottle eye glasses, a popular style in the 1920’s. These also appeared to be original to the dolls. Three of the dolls were 14 inches tall. Theirs were the faces most recognizable as that of a Dora Petzold doll, a realistic long thin face, with a somber expression. One of these dolls was a boy in pants and two were girls. Their clothing was made of felt and the shoes

were faux leather with pointy toes. The other three dolls were made in the same manner but their facial and body shapes were very different from the typical Dora Petzold dolls pictured in the reference books. If these three dolls were not stamped with the Dora Petzold mark, the little girl holding the DP, identifying them would have been very difficult. These three were smaller than the others. They were only 13 inches tall and each doll had an uncharacteristically round, chubby face. Two were girls with mohair wigs, dressed in the original lace clothing, like ballerinas. The third was a dapper young fellow with molded hair, dressed in a felt tuxedo. Finding one Dora Petzold doll is rare, but finding a box with six Dora Petzold dolls, all in original clothing and two who were boys was very exciting. The auction was about to begin. The sale moved at a steady pace, and though I was tempted by other dolls, I was holding out for that shabby box with the Dora Petzold dolls. After a long, patient wait, the box finally came up. The bidding was competitive but with resolve the box became mine.

Now I wanted to ﬁnd out more about Dora Petzold and her dolls. Searching the internet was to no avail. So back to the tried and true method of investigation, digging through the dusty shelves ﬁlled with research books, and sorting through stacks of old doll magazines. After hours of searching, amazingly I discovered how little information there is about this talented artist and her dolls. Information on Dora Petzold was almost as elusive as her dolls. Determined, I was not ready to give up. After some further digging, I was able to discover a glimpse into the doll maker’s artistic beliefs and the possible force behind her desire to make dolls. Since very little can be found about Dora Petzold, the person, an artist’s work often speaks volumes. In early 1900 the German doll industry was the major manufacturer of bisque dolls. About half of the world’s total output of dolls came from Germany. The main doll manufacturing areas were in the Thuringia and Bavaria, areas that were the traditional doll making centers for generations. The dolls were mostly the mass produced ANTIQUE DOLL COLLECTOR

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27-inch Dora Petzold dolls.

bisque dolly faces that had been produced for decades. There was a stagnation of creativity. The reforms in the doll industry began in Munich and spread to Berlin and Dresden. Competitions were organized for doll designers, who submitted creations that were intended to appeal to children. Unfortunately children didn’t warm up to many of these creations, and preferred the traditional bisque dolls they were used to. Many of the dolls however were extremely artistic, since many of their creators came from the traditional arts. These artists experimented with materials and methods of doll making that were very different from what had been used in the past. They experimented with various techniques using 34

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different types of paper mache, cardboard, composition, and cloth. A few of these dolls did however manage to appeal to both the child and adult collector. This was the beginning of the German Puppen reform movement. In 1903 the Dresden handicraft workshops appealed for fresh innovative designs, but in a more traditional manner, trying to combine the old with the new. The most successful were the designs of Marion Kaulitz, of the Munich Art Group. Marion Kaulitz created a doll with a realistic look which gave a natural character to her dolls. One Berlin exhibition of home-made toys did produce an artist with an appreciation, not only of doll making methods, but also of children. Of all the German

doll makers of this era, Kathe Kruse is still the best known. The concept of what would make an appropriate doll for children was still evolving as more, and more, traditional artists ventured into the doll making world. The German Puppen Reform Movement was actually part of a greater German Art Reform Movement which flourished between 1880-1930. The German Reform movements reflected what was happening in the art world as a whole. It was an off-shoot of the Arts and Crafts Movement, an international design movement originating in England. The earliest and fullest development of the Arts and Crafts Movement was in the British Isles, but spread to Europe and North America. Promoted by the artist and writer William Morris (1834-1896) in the 1860’s and inspired by the writings of art critic John Ruskin (1819-1900), the Arts and Crafts Movement flourished between 1880 and 1910, but its influence continued well into the 1930’s. The Arts and Crafts movement was a rebellion against industrialization and the absence of quality in manufacturing. The movement highlighted the lack of creativity in the decorative arts due to mass production. It advocated truth to materials and traditional craftsmanship, using simple forms and often, romantic or folk styles of decoration. Dora Petzold was first mentioned in writings, around 1919, so she began her doll making career towards the latter part of the German Puppen Reform Movement. While searching through the various reference books, I noted that Dora Petzold is often referred to as a Doctor, but no indication of what particular field can be found. She was a member of the Elsa Hecht workshop between 1920 and 1930, but she also had her own workshop. Elsa Hechet Kasperl owned an art doll factory and workshop in Munich Germany which had been described “as a wonderful place with dolls dressed in brightly colored folk costumes, sitting around the large studio. The dolls were displayed on chairs, cupboards, window ledges and trunks. The aim of the workshop was to create dolls with a life-like quality out of

unbreakable materials.” The following artist’s works were represented in the Else Hecht Workshop between 1919 and 1930: Brunhilde Einenkel, Elise Israel, Betty Krieger, Dora Petzold, Lottie Pritzel, and Stasser. The most successful of the group was Dora Petzold. Very little information can be found about most of these doll artists, except for Else Hecht whose work is pictured in the Judd’s book, Cloth Dolls. Petzold worked mainly in brightly colored felt, hand stitching the dolls to create sculpted features. Her dolls were mostly ladies and men in traditional folk costumes. I found an often quoted article in various doll reference books from the magazine “Die Post.” This was an early review of the Dora Petzold dolls. It gave the dolls glowing reviews and described them as “dolls for high society, for the elegant world of the boudoir for the lady. She works with quality materials like felts, velvets and silk, for so-called knock about dolls to decorate a room, by placing them in front of embroidered pillows or having them swing on the handrail of an arm chair. We are always confronted by a character, a Serenissimus figure putting his monocle in a charming way to his eyes a gallant cavalier as from a promenade a painting or a most interesting court jester reminding one of Rigoletto. All her dolls are created in her own workshop under her personal directorship and after her personal designs and models.” The little boy doll I found in the box wearing the suit may be similar to the one described in this early review. Dora Petzold dolls were advertised as “made from unbreakable, nonflammable material and painted with non-toxic colors, which made her dolls heads washable.” The dolls bodies were advertised as “consisting of a knit material and were stuffed so the doll’s joints could bend to imitate human movement.” The dolls are actually jointed at the shoulders and hips. There is no stitching to define elbows or knees. The hands are mitt style with a protruding thumb and stitching to define the fingers. The dolls clothing was advertised as fashioned after the best children’s outfits of the time and were produced with high quality materials. Dora Petzold stated “all these characteristics make a practical and, at the same time, a very nice toy “.

18-inch Dora Petzold.

27-inch Petzold doll wearing black velvet herringbone bone skirt.

ANTIQUE DOLL COLLECTOR

MARCH 2012

27-inch Petzold doll, blonde mohair wig, multi-colored felt hat.

Dora Petzold trademark.

An advertisement for Dora Petzold’s Elegant and Modern Creations.

ANTIQUE DOLL COLLECTOR

MARCH 2012

In 1919 her dolls were advertised as made with heads of silk material. There was no mention of any other materials being used for the heads at this time. These obviously were not the washable heads to be advertised a few years later. By 1920 Dora Petzold had registered a trademark for her dolls and in 1921 she was incorporated in the commercial register. In 1924 she registered the trademark DP for her dolls. Then in 1925 she switched to a head made with unbreakable material. This would have been either the pressed cardboard or composition. These were the heads advertised as non-toxic and washable. In 1927 she was successful enough to be represented by the Berlin agent Carl Stahl who represented various other companies like Alt, Beck and Gottschalck, and Bruno Schmidt. 1925 was the year Dora Petzold created a brochure for her company and listed a doll described as the “Dollar Princess” with various girl’s names, plus grotesque boudoir dolls, Pierrots, Pierettes and various other characters. In 1928 she brought out a doll called “Funny.” It was advertised as a new humorous doll with a cloth body, some wearing eyeglasses. They were dressed as boys and girls. This description gives a date to three of the dolls in my box. Then in 1930 she advertised a baby doll. I could ﬁnd no further mention in any research book or article on Dora Petzold after this year. Not much can be found about Petzold’s personal life, where she was born, lived or her family. But her doll making career tells you a lot about the person. She desired that her dolls have individual personalities which would connect with both the child and the adult collector. These dolls were not mass-produced to the extent of the earlier German bisque dolls, making them hard to ﬁnd today. Dora Petzold dolls do show up at auction once in a while, less frequently at doll shows. The dolls most often found are those with the elongated facial modeling, and distinctive painted features. They have shaded eyes, eye shadow and black eyeliner. Their eyes are either brown, or blue. Some dolls have feathered brows but the smaller dolls have single brows. Each of these dolls has an elongated nose, closed mouth, high coloring on the cheeks and a bobbed mohair wig in various shades of blond, or brunette. What is most interesting about these dolls is that although the painting techniques are similar on each doll, when placed next to each other no two are identical. Their creator made sure each doll had its own individual identity. This was accomplished not only by hand painting but by giving each doll a different combination of eye color, eye shadow and hair color. The dolls range in size from 13 inches to 27 inches. I have found Petzold dolls dressed in colorful felt costumes like the doll in the multi-colored felt hat. Others are dressed for spring, in a straw bonnet and cotton dress, and one beautiful blond example dressed in a black velvet suit with herringbone skirt.

The one thing all these dolls have in common is the quality of workmanship, and quality of materials used in the manufacturing of the dolls and their costumes. It would be wonderful to find the dolls that were described in the magazine “Die Post,” the boudoir dolls, Pierrots and those not easily identified as being made by Dora Petzold like the three round-faced dolls I found in the box. How many others are out there waiting to be identified? Luckily Dora Petzold thought to mark her dolls with a stamp on the body, so if the marked shoes or identifying hang tags are missing the dolls can still be identified. With so little information about Dora Petzold, this artist’s work does speak for itself. Dr. Dora Petzold was a true artist as can be seen in the beauty, and quality of her creations. She had a strong belief and confidence in her own talent. She used quality materials, and had a definitive vision of what her dolls should represent, much like a painting in a museum or another work of fine art. Her creativity and quality of workmanship allowed her dolls to survive for over ninety years.

Original shoes.

References: The Collector’s History of Dolls Constance Eileen King Coleman’s Encyclopedia of Dolls. Volume 1 and 2 Ciesliks, German Doll Encyclopedia Dolls are from the collection of Sara and Harriet Bernstein. Photos by Sara Bernstein

Markings on base of Petzold dolls’ shoes. ANTIQUE DOLL COLLECTOR

MARCH 2012

Lenci-Likes to Love by Judy Fisher

Photos by Rick Fisher

Is it or isn’t it a Lenci?

Yes, that is the question! The participants who attended the two seminars titled “Little Lenci Dolls: How to Identify, Care and Repair” that I conducted at the July 2011 UFDC Convention in Anaheim, California were asked this very question. As an educator, I thought it would be fun to give the participants a quiz at the end of the seminar to see how well they learned to identify a true Lenci from a so-called Lenci-like doll.

Lenci baby with duck. Her outfit is special from the hat down to the diaper and finally the shoes.

N.A.T.I. girl with rooster. She has great hair, hoop earrings, and a wonderfully detailed rooster with similar shoes to the Lenci. ANTIQUE DOLL COLLECTOR

MARCH 2012

Fiore farm couple; boy holding a felt pig and girl holding another elaborate little rooster.

N.A.T.I. cowboy with a great hat, rope, leather looking chaps and shoes. 40

ANTIQUE DOLL COLLECTOR

MARCH 2012

Fiore cowboy and cowgirl couple do not show the same degree of detail as the N.A.T.I. example at left.

Lenci gaucho with basket is simply pristine (courtesy of Susan Voake).

My main reason for offering the seminars at UFDC is to help people know that a doll being considered for purchase is a genuine Lenci miniature, because often dolls advertised as Lenci are incorrectly labeled. Thus, the topic of how to identify a Lenci from a multitude of other small cloth dolls made during the 1920s and 1930s was emphasized. My secondary reason was to teach people how important it is to take care of these small cloth dolls for future generations to enjoy. Naturally due to the huge success of the Lenci Company in the 1920s and 1930s, many Italian companies in Turin started to copy the dolls, especially the inexpensive miniature-sized ones. Other wonderful Italian cloth miniatures have been found that were

N.A.T.I. girl dressed in a lovely organdy dress with felt dots similar to Lenci outfits and blue leather shoes with bows; also has wooden castanets. She retains her N.A.T.I. paper tag.

manufactured in Milano and Venezia. In fact, the imitators went beyond the Italian borders to Spain with the small N.A.T.I. dolls and France with the 8-inch La Nicette dolls. So the ultimate question becomes, if it isn’t a Lenci, should I buy it? Yes, is the answer! I told the participants in the UFDC seminar that the important thing to know is what you are purchasing. Thus, you can ask yourself the following questions – 1) Is the price fair for that particular cloth doll? 2) Will the doll maintain its value over time? All of us that collect dolls know when a certain doll speaks to us “buy me,” so perhaps the answers don’t really matter. However, I feel it is important to make an educated purchase. Even though I normally collect only Lenci dolls and must have well over 150

Lenci girl with wooden castanets and plain black leather shoes.

N.A.T.I. boy with castanets and wonderful leather shoes and his original tag.

Lenci Japanese girl in kimono.

Fiore Japanese couple with similar details but not as refined as the Lenci Japanese girl.

ANTIQUE DOLL COLLECTOR

MARCH 2012

Lenci Vatican Guard in pieced felt.

Fiore Vatican Guard in red fabric with yellow and blue ribbon.

Lenci male and female skiers display lots of details. Fiore skier also has sweet details and is most likely missing his mate. 42

ANTIQUE DOLL COLLECTOR

MARCH 2012

Lenci Dutch girl holding her tulip with wooden shoes.

miniatures, there have been several Lenci-like dolls that found a home in my collection and my heart. Two of my favorites from this time period are the Italian Fiore dolls and the Spanish N.A.T.I. dolls. I encourage you to consider a Lenci-like to love too. The Fiore dolls are probably most often listed on eBay and at doll shows as Lenci. Unfortunately, I have not been able to ﬁnd out much about the company in all my cloth doll books. They are one inch shorter than a Lenci miniature, standing at 8 inches tall depending if they have a big hat. While they also have a felt painted faces, the seam in the back of their head is sewn in an overcast fashion - not the Lenci zig zag method. Their rounded, bulging eyes with the “surprised” look might fool some buyers; however, the dolls have a red dot in corner of each eye, which is probably the easiest way to tell them apart from a Lenci. Another way is the glossy dark red oval mouth with only one color on the lips unlike the two-toned lips of Lenci. They had sweet felt arms, mitten stitched hands, and legs. Their shoes were always made of felt, which has stitching around the sole for a decorative effect and appear to be a little large for their small bodies. Lenci shoes are small and very different. Also, there were different type of felt shoes and sometimes the Lenci miniatures had leather shoes. A printed cotton ribbon “Made in Italy” was usually attached to the Fiore shoes, but these are often lost. Similar to Lenci, the dolls were dressed in provincial costumes and were often made in pairs. I have pictures of some couples to illustrate this point. Sometimes they can be found with accessories like the pair that are holding a pig and rooster. This was quite a ﬁnd!

Fiore Dutch girl with beige felt shoes to replicate wooden shoes.

The Spanish N.A.T.I. probably comes the closest in copying the look of the Lenci miniatures. They are 9 inches tall like the Lenci dolls. The one way they differ is the stiffened muslin mask face. The face paint is very bright, especially the deep red lips. Often the female dolls have what appears to be eye shadow. Their clothes are very well made of felt and picot organdy with lots of details like Lenci; for example, some N.A.T.I. dolls have beautiful leather shoes. They, too, are found with accessories. Like Lenci, N.A.T.I. dolls are considered art dolls and have won awards in doll shows in England and the United Stated. There was a wonderful article written about these dolls in the February 2009 issue of Antique Doll Collector and I would suggest getting a copy to ﬁnd out more information about the company and these marvelous dolls. After viewing the pictures in this article, I hope that you too will be able to answer the question – is it or isn’t it? However, as my dear friend Nancy Lazenby often said, “If a doll speaks to your heart, this is what really matters.” As doll collectors, we all know that wonderful feeling when a doll says “Take me home.” I think in the following pictures, you will see why you might want a Lenci-like to love. Bibliography & Recommended Reading: Lenci - The History and the Dolls by Nancy Lazenby Cloth Dolls - 1920s and 1930s by Polly Judd http://www.throughtheeyesofachild.info/ 1900-1935-characters-cloth-french-lanicette-culture.html Spanish Dolls, Vol. 12 #1 February, 2009 Antique Doll Collector ANTIQUE DOLL COLLECTOR

MARCH 2012

Meet Miss Columbia ★ ★ ★ ★

FRIDAY MAY 11, 2012

★ ★ ★ ★

Join us at the Waltham Embassy suites at 9:00 AM. We will visit the doll collection at the Wenham Museum followed by a visit to the Peabody Essex Museum in Salem where we will have a guided tour and luncheon then return to Waltham by 3:30. NADDA will have a President’s Reception at 6:00 PM and early opening at 7:00 PM The Tour and President’s Reception cost $150 each The President’s Reception and early opening will be $30 each NAME ______________________________________________________________________________________________ ADDRESS ___________________________________________________________________________________________ ■ VISA ■ MASTERCARD ACCT # _____________________________________________________________________ EXPIRATION DATE _____________ SEC CODE ___________ PHONE #_______________________________________ LUNCHEON CHOICES: ■ CRAB SALAD

■ CHICKEN

■ VEGETARIAN

There is limited space on the tour; so please respond early but no later than April 20th 2012 for the tour. Reply to Margaret Gray Kincaid, 17 Elmwood Road, Baltimore MD 21210 or phone 410-323-0373.

ANTIQUE DOLL COLLECTOR

MARCH 2012

1. Precious antique German bisque doll by Kestner in a harder to find mold number, 149. She is 21 inches of pure joy! $750 2. Adorable early antique German bisque head doll by Kestner. She is mold number 166. She is truly scrumptious in her lilac trimmed costume and hat. She measures approximately 17 inches tall. $400 3. Darling! Antique German bisque shoulder head doll by Kestner. She is mold number 154 with such a sweet face! She measures a wonderful cabinet size of 16 inches! $350 4. Gaultier French Fashion Doll, 18 Inches, Blue Paperweight Eyes, Kid Body, Antique Shoes. $2100 5. Sweet antique German bisque doll “Walkure” by Kley andHahn. She measures approximately 27 inches tall. $495

6. Little sweetie!! Antique German bisque doll with luscious silk and lace costume. She measures a wonderful cabinet size of 13 inches! She has a ball jointed composition and wood body with straight wrists. Her bisque socket head is incised with the number 2 only. SOLD 7. Absolutely DREAMY!!!! Antique German bisque doll by A Wislizenus. She is fabulous with her original stamped factory finish body too! She measures approximately 24 inches tall. $400 8. 17” Precious! Antique German bisque head doll by Armand Marseille. She is mold #390. This adorable girl is dressed in a sweet costume with bows bedecking her hair! $395 9. Antique German bisque head doll by Kestner. She is mold number 154. She measures approximately 27 inches tall! She has working blue glass sleep eyes with painted lower lashes. Her eyes are topped off with incredible and full brows. $400

Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • www.rubylane.com/shops/ashleysdollsandantiquities.com Billyehb@aol.com • All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • UFDC Member

UFDC

COMPOSITION – Madame Alexander Princess Elizabeth. Barbara Peterson

Modern Competitive Exhibit 2011 • Anaheim, CA • Part II Photographed at the United Federation of Doll Clubs National Convention by Keith Kaonis

COMPOSITION – Mary Hoyer with tagged outﬁt or knitted or crocheted from a Mary Hoyer pattern. Left, Sue Temblader, right, Maryll Goldsmith

HARD PLASTIC – Vogue Ginny, painted eyes, straight leg nonwalker, pairs, 1948-1950. Shelley Chapman

ANTIQUE DOLL COLLECTOR

HARD PLASTIC – Vogue Ginny, sleep eyes, straight leg, non-walker, pairs, 1950-1953. Susan Rose

MARCH 2012

COMPOSITION – Snow White, 19” or under. Left, Pam Kandel, right, Barb Patrick

HARD PLASTIC – Vogue Jill. Suzanne Swanton

HARD PLASTIC – Madame Alexander Wendy, short dresses, 1953-1955. Elaine Sarnoff

HARD PLASTIC – Ideal Tony, P90. Left, Rose Marie Souza, right, Steve Peterson

HARD PLASTIC – Black Terri Lee. Dennis Ross

HARD PLASTIC – Tiny Terri Lee and Tiny Jerri Lee in coordinated tagged outﬁts. Darlene Bolig (left), Dennis Ross

ADVERTISING – cloth doll, any product other than food or beverage. Roberta Heintz (left) and Patricia Girbach

ADVERTISING – Previous Blue Ribbon winner. Ursula Mertz

HARD PLASTIC – Terri Lee in tagged western outﬁt. Sondra Dorsey

HARD PLASTIC – Jerri Lee, in tagged western outﬁt. Dennis Ross

ADVERTISING – Cloth doll for food or beverage product. Marie Reynolds (left) and Margo Delaughter

CELEBRITY – Ideal Mary Hartline, 23” or under. Louise Lunde

CELEBRITY – Ideal Shirley Temple, composition only. Jennifer Craft-Hurst

ANTIQUE DOLL COLLECTOR

MARCH 2012

CELEBRITY – Madame Alexander Dionne Quintuplet, 18” or under. Cathy Noone

CELEBRITY – Madame Alxander Sonja Henie, 21” or under. Pam Kandel (left) and Barbara Peterson

CELEBRITY – Madame Alexander Margaret O’Brien, 18” or under. Sharon Lee

CELEBRITY – Adult male performer, 18” or under. John Bunny, Ursula Mertz

CELEBRITY – Madame Alexander composition celebrity. Nancy Jo Schreeder

COMIC CHARACTERS – Supporting character from Disney animated ﬁlm. Julie Blewis, Roberta Heintz

It’s Easy To Join UFDC

COMIC CHARACTERS – Title character from animated Disney ﬁlm. Left to right: Julie Blewis, Sherri Van Opijnen, Linda Vines

ANTIQUE DOLL COLLECTOR

MARCH 2012

COMIC CHARACTERS – Animated ﬁlm, excluding Disney. French comic character Toto, Don Jensen

CORRECTION: In our last issue the Blue Ribbon Winners in the Bisque Nancy Ann Storybook Flower Series were Teri Danner and Nancy Jo Shreeder (page 53).

Barbara Spears • P.O. Box 126095, Ft. Worth, TX 76126 Phone (Home) 817-249-2069 (after 8:30am & before 10:00 pm CST only please) E-mail: barbarasdolls@barbarasdolls.com • www.barbarasdolls.com 1

1. 22-1/2” pretty Max Handwerck #283, blue sl eyes, hh wig, lovely old white dress lined in blue, bj body. $250 2. R. John Wright l993 Jack and Jill, still tied in box. $1850 3. 22” Gorgeous closed mouth Tete Jumeau, marked head and body, lovely old clothes, beautiful blue pw eyes. $3350 4. Beautiful Heinrich Handwerck/Simon Halbig 26” girl, soft human hair curls, beautifully dressed, bj body. $650 5. 12” (including stand) Neopolitan Creche young man, beautiful face, some fingers missing, one arm reglued, gesso over wood. $495 6. 21” Konig and Wernicke painted bisque head baby, nice 5 piece compo baby body, blue sl, wobble tongue, sweet old clothes. $250 7. 8” Horseman Tynie Baby, all bisque, swivel head, blue eyes, orig wig fragile, antique clothes, in her 1920’s wicker carriage, rare doll. $2100

8. 8” Tynie Baby shown in her wicker carriage, her toy cat is new. 9. 19” French SFBJ 60, lovely bisque, brn sl eyes, hh wig, beautifully dressed, late French body w/straight arms, jtd. knees. $400 10. 8” ptd. Lash, str leg walker Vogue Ginny, darling green tagged outfit, has original box, blue eyes, blonde braids. $150 11. 16” flirty eyed K*R 126 baby, orig wig, old clothes, sm cheek rub one cheek, darling baby. $150 12. Lovely 20” Kestner #168, blue sl eyes, hh long curls, bj body, beautifully dressed in blue velvet, lace, and satin. $450 13. 22” late l940’s hard plastic head, vinyl limbs, cloth body “talking” baby, talk mechanism only mumbles, all orig., never played with. $125 14. 25” very nice wax over papier mache, circa early l900’s, compo limbs w/molded and painted shoes, straw stuffed cloth body, glass eyes. $150

See My New Shop On Ruby Lane www.rubylane.com/shop/barbarasdolls For More Beautiful Dolls, Doll Clothes, Accessories, Books, Paper Dolls, Etc.

Do You Have a Mystery Doll ? If He Could Only Talk…

his is a 14” Du Mein by Kathe Kruse made in 1928-1930. I purchased him at Theriault’s Discovery Auction after the December Gaithersburg Show. He was very dirty with an issue behind one ear which was an easy fix. There was no mention of the names on him because they could not be seen unless he was undressed, and it did not look as if his clothes had been removed for a very long time. The name on the neck is Ralph Brinkley and there are about 60 other names written on the doll in a fine tip black pen either in print or in script. Down the front of the doll is a list of names with the date 1934 recently inherited this doll from my Mom, who had a under it. I think these were probably passion for antique dolls and acquired the doll at a local done at the same time and were the show for $250 in 1979. The information she catalogued with first of the names, but the other this doll is the following: names appear to be done at 15” Negro baby, head may be bisque. Marked K & R Germany random and over a long 305/3. Negroid features, flirty eyes, cries. Very rare. Circa 1900-1910. period of time. All of the I can find no reference to this doll anywhere. What is clothes appear to be perplexing is that the mark literally is “K & R” with an original and the doll is ampersand instead of a star symbol. Also, number “305” does dressed as a boy with not show up on any list of K & R molds that I could find. The knickers, shirt, and doll does cry a sort of “mama” when tipped forward. Is this socks. The clothes fit indeed a rare K & R? Or was my Mom duped? Suzanne, Email: Photos by Billye Harris so well that it would zannesta@gmail.com be time consuming to try and remove them if going through customs or checking people in/out of places. The names are mostly in German or English with one or two being Japanese and French. The back of the he Toledo Doll, Bear & Toy Show, formerly known as the Toledo Glass City head is missing a lot of paint which looks as if Doll Club Show, is now under the ownership of Sandra Kean Bullock, owner of the doll were in water or very damp conditions Alora’s Attic. (www.alorasattic.com ). Since taking ownership of the show after the for a period of time. April 2011 event, several changes have taken place. I feel so strongly that this little fellow had Owner Sandy Bullock explains, “While we did inherit a full show, the floor plan some connection to the Holocaust. I have written has been totally re-done and several quality dealers from Chicago to New Jersey to the US Holocaust Memorial Museum but have since signed on. This is a old show going in a new direction and as a 30 year have heard nothing. plus dealer of antique dolls, I know what dealers want… great lighting, other quality The names on him are for a reason, and I dealers, walk in booths, a good location, early set up, plenty of advertising and last am going to do my best to find out if there is but not least plenty of customers coming though that door.” someone out there who will know about him Show flyers were distributed in major malls throughout Ohio and Michigan as and where he has been and why he is so marked well as shows from Chicago to Gaithersburg, MD. Several doll clubs in Michigan and with so many names and the dates of 1934, 1936, Ohio have received “save the date refrigerator magnets” and have been given club and possibly 1938. Can you help? Email me at discounts and discount meal tickets to attend the show. stevaallgood@yahoo.com “I want choice and quality and I think you will find that our show does offer that by introducing antique bears and toys as well as several quality dealers of antique, Perhaps there is a doll in your collection vintage, and modern dolls. We are also excited over the fact that this show has now that you and others have never seen before. been turned into a twice a year event. We know that good shows are built by word of Send us a high resolution photo and any mouth and plenty of advertising,” added Sandy. information you have to antiquedoll@gmail. In addition to doll appraisals, the April show will have Antique Teddy Bear Author com (you may also send a print photo to Ken Yenke giving bear and antique toy appraisals. UFDC Region 12 Director Cindy Antique Doll Collector P.O. Box 39, East Nichols Bailey will have a table by the entrance recruiting new members for UFDC. Petersburg, PA 17520). If you can identify To see a listing of dealers doing the April 15, 2012 show, please click on the show a mystery doll, write to us at the address or web site at www.toledodollshow.com email above.

News

New Management for the Toledo Doll, Bear & Toy Show

ANTIQUE DOLL COLLECTOR

MARCH 2012

News

More on Rag and Tag by Julie Blewis

n exciting update on the original article printed on Georgene Averill all bisque animals Rag & Tag (Antique Doll Collector, December 2010 issue) At the last National Doll Convention I was very fortunate to be offered the rare Rag dog in the black & white coloring. What made this so special was he came with his original box! The box lid has an illustration of Rag’s head and states “Rag in Uncle David Cory’s Adventures of Rag & Tag”. This led to the discovery of the actual book that featured the pair and was published in 1915 by Grosset & Dunlop.

ANTIQUE DOLL COLLECTOR

MARCH 2012

SYLVIA’S DOLLS Private Collection of 40 years 16” Kammer & Reinhardt 101 Marie $2499 18” Kley Hahn Tommy Tucker $2250

SELL A DOLL IN THE

EMPORIUM

www.babesfromthewoods.com

27” Unis 251 Paris, France $1399 Madame Alexander Dionne Quintuplets on See-Saw $2499 I am downsizing my personal collection of 40 years. My dolls are top quality. Law-away Terms Available PayPal Buyer Pays Shipping & Handling

Mae

BABES FROM THE WOODS Hand carved wooden Queen Anne style dolls by Kathy Patterson

toysintheattic@sympatico.ca Ph. 705-489-1046

SARA BERNSTEIN DOLLS

sylvia.dolls@gmail.com • 325-669-3376 Visit our Shop: www.rubylane.com/shop/sylviasdolls

Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices.

TOYS • DOLLS • BLOCKS HUMPTY DUMPTY CIRCUS TEDDY ROOSEVELT SAFARI FARM SETS • TARGET GAMES TENTS • WAGONS • PIANOS BUILDING SETS • POND BOATS R O LY S • C O M I C F I G U R E S QUACKY DOODLES • & MORE! The Schoenhut Collectors’ Club invites you to JOIN NOW!

Worldwide Membership Annual Convention with Seminars, Buying & Selling, Special Events! ● Quarterly Multi-Page Newsletter ● Guaranteed to be Fun! USA Memberships: Memberships Overseas: $20./Single $25./Single $30./Family $35./Family $10./Museum ● ●

Send to: Schoenhut

Collectors’ Club,

72 Barre Drive Lancaster, PA 17601-3206 Phone 717-569-9697 Email:jwellsjr47@aol.com Visit www.schoenhutcollectorsclub.org 52

ANTIQUE DOLL COLLECTOR

MARCH 2012

Phone 732-536-4101 Email santiqbebe@ aol.com

www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com Simon Halbig 151 14”, original blonde mohair wig, open / closed laughing mouth, painted blue eyes, excellent compo. body, possibly original clothing. $3900. Call 215-794-8164 or email alloyd@nni.com. Member UFDC and NADDA. Others may be seen at RubyLane.com/shops/anntiquedolls.

Rare German bisque Kewpie sitting in green bisque chair with banjo 5.5”, accompanied by a 8.5” straight legged Kewpie and his little 1.5” Doodle Dog. Always looking to purchase rare Rose O’Neill bisque Kewpies, Scootles, Kuddle Kewps and original art.

GOT KEWPIE

Blain Kukevitch PO Box 295, Central Village, CT 06332 860-450-2617 GotKewpie@att.net

Valentine’s/Virginia Aris at the

Princeton Doll and Toy Museum Hopewell, New Jersey

Telephone: (609) 333-8600 E J – call for details

7 ½” Googly jointed $4,200

Glass-eyed papier mache $3,000

Email: virginiaaris@aol.com

www.princetondollandtoy.org

French Fashion Doll $4,000

Heubach Screamer $2,500

Lenci Child $595

VISIT US AT: • Gaithersburg, MD – March, June & December NADDA – Boston – May 11 & 12, 2012 • Museum luncheon – Yardley, PA – March 25, 2012

Auction Gallery continued from page 14

Simon and Halbig model 128, 11 inches, c. 1912, a rare glass eyed character, $13,000.

The Gebruder Heubach character girl, #7956, 19 inches tall, realized $16,500. Lenci googly known as “Autumn,” 19 inches, c. 1931, $7,500.

16-inch poupée by Rohmer with swivel head and bare feet, $9,500. Rare Lenci character girl with original costume and jewelry, 16 inches, $7,750.

Kathe Kruse early sleeping baby “Traumerchen,”, c.1925, with stockinette weighted body, $5,250 and awake companion, the “Du Mein” model, $9,500. More Auction Gallery on page 54 ANTIQUE DOLL COLLECTOR

MARCH 2012

Auction Gallery continued from page 53

he recent auction of important automata presented by François Theimer in Paris included the seldom seen, rare musical “Pierrot and his Monkey,” 23 inches tall, c. 1895, which sold for approximately $50,000.

Bebe Bru from the ﬁrst period with pressed bisque head, known as the “circle dot” model, 18 inches tall, c. 1879, brought approximately $16,600 at François Theimer’s February 4 auction.

his 25-inch Incised Depose Bebe Jumeau on a bisque socket head, blue paperweight eyes, closed mouth, applied pierced ears (tiny ear chips), original cork pate, wearing antique shoes stamped “12,” circa 1886-1889, recently brought $6,600 at McMasters Harris Apple Tree auctions.

circa 1960 Cissy, 20 inches tall, wearing a specially commissioned Ice Capades costume brought $1,100 at Theriault’s auction of Alexander dolls on January 15. Cissy dressed as a toreador from the 1960 Ice Capades, realized $3,600.

We would like to thank the following auction houses for their participation:

classic Bru Jne bebe with trunk and wardrobe, marked Bru Jne 4, 15-1/2 inches, original kid body with carved wooden lower legs, bisque forearms, antique costume with additional clothing and accessories included in trunk, sold for $13,800 at Frasher’s January 28 auction. 54

ANTIQUE DOLL COLLECTOR

MARCH 2012

Frasher Doll Auctions, 2323 S. Mecklin School Road, Oak Grove, Missouri 64075. 816-625-3786 McMasters Harris Apple Tree, 1625 W. Church Street Newark, Ohio 43055. 740-281-0923 740-877-5357 www.mcmastersharris.com www.appletreeauction.com Francois Theimer, 4 rue des Cavaliers, 89130 Toucy www.theimer.fr Theriault’s, PO Box 151, Annapolis, MD 21404. 800-638-0422. www.theriaults.com

Theriault’s Preview continued from page 27

collecting team never lost their love for miniature tea services, so it is no surprise that more than 40 rare miniature tea sets have been featured in a special Museum gallery, and are to be included in the auction. The De Kleine Wereld auction features more than 350 lots, with literally thousands and thousands of objects, as each room and house is filled to over-brimming with rare treasures, and many dolls are sold with an accompanying doll or with an accessory or furnishing especially chosen for it. In reflecting on her collecting years, Els Van Houtven looks first at one treasure and then another, and notes “This is so nice about collecting: it is hard to say if you find a piece, or if the piece finds you. Mostly it is love at first sight. You find something you were not even looking for, however all of a sudden it becomes simply essential, and very often we felt a piece had just ‘come home’ when we added it to our collection.” The De Kleine Wereld Museum auction is part of an extravaganza weekend of auctions and doll events planned by Theriault’s for March 30, 31, and April 1 at the Westin Hotel in San Francisco Market Square. The weekend begins on Friday March 30 with a free one-day seminar to be conducted by Florence Theriault, featuring hands-on workshops into “the environment of the antique doll.” On Saturday, a superb auction of antique dolls, entitled “The Well-Bred Doll”, includes treasures ranging from an exquisite Huret poupée to a 38” A.T. bebe by Thuillier to rare automata. The auction of De Kleine Wereld Museum takes place on Sunday, April 1. Catalogs are available for each of the auctions, and absentee and live online bidding are available if your attendance is not possible. For more information, to pre-register for the seminar, or to order catalogs call 410224-3655 or email info@theriaults.com. Els Van Houtven, her mother and her two daughters will be present at De Kleine Wereld museum auction, available to sign the commemorative auction catalog of the museum collection.

Other examples of the Chinese tea shop are not known. Its shelves are filled with very rare three-sided miniature tin tea canisters, and the walls and floor have original Chinoiserie lacquered designs.

French poupées in original costumes were displayed in De Kleine Wereld Museum in room settings with fine maitrise furnishings and accessories. All will be presented at the March 31, 2012 auction by Theriault’s in San Francisco.

A small select group of all-bisque mignonettes includes this fine brown-boot example in her original woven egg presentation box.

ANTIQUE DOLL COLLECTOR

MARCH 2012

Jean & Ken Nordquist’s

19” French Fashion dressed beautifully in her antique silk brocade peach gown with train and wearing an antique fashion hat and black antique slippers. Her bisque is the ﬁnest quality without damage or repairs and leather body is in very good condition without repairs. She wears antique underwear consisting of many pieces. A very beautiful French Doll. $3600

Collectible Doll Co. Gourmet Doll Supplies for the Discriminating Doll Collector

Lofall’s Dolls *Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions

JUDY LOFALL • Poulsbo, WA 98370 Member UFDC and NADDA • Buying and Selling Quality Dolls Home: 360.779.4926 (call 1st) Cell: 360.434.0331 Fax: 360.697.4405 E-mail: lofallsdolls@comcast.net • Visa • MasterCard • Discover • Layaway

ANTIQUE DOLLS FOR SALE AT ALL OF OUR DOLL SHOWS

*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories

Myrtle Beach, SC 3/10/12 Lakewood Conference Ctr Nashville, TN 3/24/12 Holiday Inn Airport

Mold & Global Catalogs not shown

Raleigh, NC 4/28/12 NC State Fairgrounds

Complete 5 Catalog Set - $25 ppd. Includes $15 money back coupon with purchase.

jeannordquistdolls.com Order Desk

1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 56

ANTIQUE DOLL COLLECTOR

MARCH 2012

Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookﬁeld, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com

Charlotte, NC 6/9/12 Metrolina Expo Center

Catalog price is $8.95 post paid

Check our website www.knightshows.com

Visit our website and shop online: www.catspawonline.com Accessorize Your Dolls!

Cats Paw has been in business since 1982 specializing in quality reproductions made from antique originals, and unique old store stock. Our antique reproductions are made by hand using the lost wax technique, and each item is hand ﬁnished to achieve an authentic “antique” look. We offer exquisite doll accessories that only look expensive! • Jewelry • Trunks • Items for the Boudoir • Buttons and Clasps • Purse Frames • Presentation Boxes • Bleuette Accessories & More

Ph. 803-783-8049 KNIGHT SE DOLL SHOWS

Come Celebrate with Rose Percy, Duty’s Most Faithful Child and Commemorate Her 150 Years of Charitable Service The Event Please join the members of the Doll Scholars of Southeastern Wisconsin for a premier charitable fundraising event. A limited number of registered attendees will be treated to a very full day of festivities that include a luncheon, a specially created program about Rose Percy, deluxe helpers and shopping opportunities, plus each attendee will receive a copy of the beautifully illustrated book about Rose, her possessions and her life. Please note that the exclusive book will only be made available to registered guests at Rose’s events.

When Saturday May 19, 2012 Registration – 8am to 9:30am Event – 9am to 2pm

Where The Historic

 PFISTER HOTEL  424 East Wisconsin Ave. Milwaukee, WI 53202 800.558.8222

Special Room Rate @ Hilton Milwaukee City Center 509 W. Wisconsin Ave., Milwaukee, WI 414.271.7250

www.thepfisterhotel.com

To Register Complete the Registration Form below and mail it, along with the $145 per person registration fee To: Peggy Oberbeck Event Registar 6707 Maple Terrace Wauwatosa, WI 53213 pegoberbeck@gmail.com

www.rosepercy.org

The Remarkable Rose Percy Luncheon Event

Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

Beautifulbebes.com It would seem the masters conspired to place the heavens in this bebe's faceâ&#x20AC;ŚThe oceans and the skies are captive in her gaze, flowers bloom across her cheeks and kiss her lids ever so delicately. A lingering rose bud stains her perfect lips while her powdery bisque is a perfect pale canvas for each delicate hue. This is a sublime first series portrait from the house of Jumeau. Shown in two of her three frocks, she patiently awaits her place in your dream. Marked 0. Please call for additional details and pricing.

The pastel powdery shades on this gorgeous doll's face are unrivaled by any other example I have seen of this mold. She is marked E11D and stands 25 inches tall. Dressed in an intricately crafted burgundy velvet and silk antique ensemble and wearing a miniature portrait of possibly her first owner, this darling is blessed with her original amazing wig in long pencil curls, has huge luminous blue paper weight eyes, softly tinted full lips and is on her original wood and composition body. A treasure. $5995

14.5 inches of pale bisque, huge royal blue eyes, petite rosebud mouth and long sweeping curled original wig. She is adorned with a stunning voluminous 2 pc. antique royal blue silk ensemble and tiny antique leather boots. Mademoiselle is pleased to be protected by a crisply pressed slip and eyelet embellished pantaloons. She wears a jaunty petite black velvet feather hat. A very desirable and fashionable lass with pierced ears and sturdy gusseted kid body. Enchanting! $3800

Precious 17" Marie with a hint of melancholy. Warmly painted with hints of apricot and rose; a perfect backdrop to her sky colored eyes. Long wavy human hair wig with escaping tendrils is the perfect frame for her wistful face. What a little darling. $2250

www.rubylane.com/shop/bebesatticfinds

12 inch Bebe in warm toffee tones. Her large amber eyes with darkly rimmed liner and lashes have a magical effect. She is precious in her small cabinet size and marked 2. A beautiful bebe, that is certain! Attributed to Jumeau. $3200

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS Left to right: 25” E 12 J Jumeau Bebe, wonderful antique pink satin dress, original wig & shoes, $9500. 15” Heubach Girl with pleated skirt, $595. 28” Series C Steiner - all original couture clothes, fabulous doll in beautiful condition, $11,000.

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

Antique DOLL Collector April 2012 Vol. 15, No. 3

April 2012 Vol. 15, No. 3 $595 / $695 Canada www.antiquedollcollector.com

An Exceptional Auction

Weekend of Antique Doll Events San Francisco, CA, March 30 – April 1 at the Westin Market Street

Saturday, March 31, 2012 Preview 9 AM Auction 11 AM

The Well-Bred Doll, an Auction of Exceptional Antique Dolls and Automata An exceptional auction featuring private collections from France, Germany and America. Rare and exquisite dolls and automata are included in this remarkable auction including an extremely rare 38” bébé by Thuillier, a petite 14” early A.T. bébé from original family owners, four outstanding Bru bébés including rare mulatto bébé, collection of Steiner bébés including the rare Series G and a superb blackcomplexioned bébé, and sought-after bébé from Jumeau including early portrait models, a gorgeous Bébé Triste and two petite size one bébés (E.J. and Paris Bébé). There are other examples by Schmitt and Gaultier, each with wonderful antique costumes. Automata include three fine early Vichy models including the grand Lady at the Harp Piano, petite Lady with Harp, and Lady at the Piano, as well as other rarities including Roullet et Decamps Astronomer. Collectors of fashion dolls can choose an early period exquisite Huret lady or the cover doll, the extremely rare brown-complexioned smiling poupée by Leon Casimir Bru, among others. For character doll collectors there is a great selection, including the Van Rozen Marquis, googlies galore, and sought-after painted eye art reform characters. A private collection of Schoenhut dolls, toys and circuses includes rare animals, as well as early carved hair models of dolls. And the collector searching for the off-beat can consider the mint and rare Little Willie salesman sample stove, a collection of toy cows including an amazing 38”l. example, French bulldogs, German candy containers, and a pristine collection of Neopolitan dolls. The 120 page full-color catalog is available for $59 including after-sale prices realized.

The weekend events begin on Friday, March 30, with a 10 AM-4 PM seminar “The Well-Bred Doll” conducted by Florence Theriault featuring hands-on study of antique dolls and their costumes and environment. Attendance is free. Seats will be limited so call early for registration.

Sunday, April 1, 2012 Preview 9 AM Auction 11 AM

The Auction of De Kleine Wereld Doll and Dollhouse Museum of Lier, Belgium An exceptional collection, considered one of the finest private small museums of childhood ephemera in the world, featuring beautiful dolls, rare dollhouses, stores, kitchens, and finest quality maitrise furnishings from the 19th century. “We wanted to build a world for dolls, and then invite some dolls to come and live there”, is how the museum founders, Els Van Houtven and Lena de Swert described their concept. The result was a remarkable environment in which dolls seem alive as they are posed choosing a costume for the ball, preparing the banquet table, decorating the house for Christmas, walking the dog in the park. As well as creating the world of the 15”-20” poupée (of which many examples are highlights of the auction) the museum also featured a wonderful selection of even smaller worlds - doll rooms, doll houses, stores and kitchens. Of particular note is an early Christian Hacker millinery shop with connection to the Parisian fashion journal, Les Modes Parisienne, as well as a remarkable Chinese Tea Shop, three well-laden miniature toy shops, butcher shops, mouthwatering bakeries and candy shops, and more. Each house and shop is in its original unrestored condition, so sought by collectors, and with all contents intact as they appeared in the museum. The 164 page full-color catalog is available for $59 including after-sale prices realized.

For more information or to order your catalogs call 800-638-0422 or visit www.theriaults.com.

the dollmasters PO Box 151 • Annapolis, Maryland 21404 USA • Telephone 410-224-3655 • Fax 410-224-2515 • www.theriaults.com

Joyce Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

Visit my website: www.grandmasatticdolls.com 1. - 2. 18" E. 8 J. Jumeau Bebe, bulging blue p/w eyes, immaculate pale bisque, orig. head coil, early applied ears, orig. mohair wig & pate, orig. burgundy wool & lace dress, undies, socks & "signed" Jumeau shoes, plus fabulous ant. Jumeau Presentation hat, on early orig. "signed" st. wrist Jumeau body. Too beautiful for words in a great cabinet size. She has tremendous presence and is absolutely STUNNING!!!! Only $8500. 3. - 4. 11 1/2" Rare Hertel & Schwab #173 Googlie Toddler, br. sl. eyes, mint bisque, orig. mohair wig & pate, wearing his complete FACTORY ORIGINAL Scottish wool costume & hat, orig. shoes, socks & undies. On orig. H & S fully jointed toddler body, watermelon mouth. Sure to make you smile!!! Only…$5875. 5. - 6. 13 1/2" Early Steiner Series C Bebe, amber p/w eyes, beautiful pale bisque, orig. mohair wig & pate, orig. pleated batiste & lace dress,w/ matching hat, orig. full undies, ant. silk socks & marked ant. shoes. On orig. early st. wrist body. Darling character face. Great cabinet size. OUTSTANDING!!! $8800. 7. - 8. 4 1/2" All Bisque Bye Lo Baby, blue sl. eyes, perfect bisque overall, orig. mohair wig, full chest label & incised marking on back. Incl. a little dress & hat too!!. A little jewel!! $650. 9. 4 1/2" French-type All Bisque Mignonette, perfect bisque overall, cobalt blue glass eyes, orig. mohair wig w/2 long braids down back, wears factory original ALL silk & lace dress, incl. hat & orig. undies. Early peg strung w/"swivel neck". In unplayed with condition. The finest & BEAUTIFUL. From my own collection. $5200. 10. 16" J.D. Kestner Character Toddler, beautiful pale bisque, br. sl. eyes, o/cl/mo. & molded hair, adorable vintage romper, ant. shoes & socks. On his orig. "fully" jointed toddler body. Great modeling & a darling little boy!! ONLY…$1095. 11. 11 1/2" Rare Kley & Hahn #536 Character, mint bisque, blue painted eyes, deep dimples, orig. mohair wig & pate. Wears orig. wool Mariner costume, ant. undies & shoes. On great orig. K & H body. Deep modeling, first out of the mold. Absolutely ADORABLE!!! ONLY…$3800. 12. - 13. 18" R.D. Bebe, mint pale bisque, big br. p/w eyes, early mauve blush under brows, orig. head coil, fabulous orig. mohair wig & pate, wears ant. Fr. wool 2 pc. dress & ant. beret, ant. socks, orig. undies & ant. Fr. shoes. On orig. early chunky 8 ball st. wrist body. Most beautiful RD EVER. Absolutely GORGEOUS!!! $5500. 14. - 15. 20" Incised Jumeau Bebe, immaculate perfect bisque, bulging blue p/w eyes, early applied ears, orig. head coil, ant. mohair wig & pate, wears orig. navy blue velvet & ecru silk 2 pc. costume, fabulous Fr. ant. net & silk ribbon bonnet, orig. undies, ant. lace stockings & ant. marked Fr. shoes. On orig. early "signed" Jumeau st. wrist body. EXTRAORDINARILY BEAUTIFUL!!! Priced GREAT at Only…$7675.

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LAYAWAY AVAILABLE

Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.) Photos by Vincent Lanza

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Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 18 YEARS 1 and 4. 12 1/4” Bru “Smiler” w/ dramatic personality and presentation, incised “C”, transitional Brevete type body w/ bisque hands. $4250. 2 and 5. 16” Dainty English wooden, endearing little lady, fully jointed, dressed in 18th century fabrics and trims. $9500. 3 and 6. 9” Wrestler 102 all bisque girl in excellent cond., frothy orig. clothing, orig wig and pate, and most special are her original drop earrings! $3975.

Exhibiting: May 4 - 5 - Nancy Jo’s Doll Show and Sale, Vallejo CA, Vallejo Fairgrounds

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray Sales Representative: Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2011 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

APRIL 2012

Carmel Doll Shop

o all of our Carmel Doll Shop friends, by the time you read these words, we should be moved into our new, much more spacious location in Pacific Grove, California. Pacific Grove is just one of the small cities, Carmel included, that makes up the Monterey Peninsula on California’s Central Coast region. In addition to being known as the winter home of the migrating Monarch butterfly, Pacific Grove is endowed with more Victorian houses per capita than anywhere else in America, most remaining from the town’s early days as a Methodist retreat during the 1870s and 1880s. Here, we are pleased to share with you the results of over two years of remodeling that has been lavished on our new home, a circa 1902 building that we purchased two and one half years ago. We spent much more time on the project that we originally anticipated, because we wanted to get it “just right.” Not only right for us, but also right for you, as we hope your first visit will leave a lasting impression upon you – one that will make you want to return again and again. After a few weeks of settling in, we will be ready to announce an opening date. Please look for that announcement in the upcoming weeks. Until we are ready to open the door to our new shop and warmly welcome you inside, we sincerely hope you will continue to visit our web site at www.carmeldollshop.com, or if Ruby Lane is a preferred method of shopping for dolls and accessories, you can find an assortment of our items available for sale there. Thank you friends, for not only over twenty years of support, but also for your words of encouragement along the way. And by the way, just because we will soon be located in Pacific Grove, we will always be the “Carmel Doll Shop”offering the same great dolls and excellent service that you have come to expect from us. Michael Canadas and David Robinson

Visit WWW.CARMELDOLLSHOP.COM for a Large Selection! • Members of UFDC & NADDA Carmel Doll Shop, 213 Forest Avenue, Paciﬁc Grove, California 93950 • (831) 625-5360 Visa • MasterCard • American Express • We Welcome Layaway • Always Buying, Selling and Trading Fine Antique Dolls

April 2012 Volume 15, Number 3

LONG LIVE THE KING! A UFDC 2011 SPECIAL EXHIBIT

Reported by Donna C. Kaonis Photographed at the 2011 National UFDC Convention by Keith Kaonis Marina Tagger and Maureen Herrod, along with generous assistance from other UFDC members, mounted a comprehensive special exhibit at last year’s national convention.

HEADS AND TALES TRUE STORIES OF CIVIL WAR DOLLS WITH PROVENANCE

Learning About American-Made Dolls THE JESSIE McCUTCHEON RALEIGH FIRM by Ursula R. Mertz

Rare dolls with hand-painted hair were produced for only about a year.

A rare version of the Martha Chase George Washington stands in front of Faneuil Hall, ready to greet collectors attending the NADDA Show, May 11 and 12 in Waltham, MA, the ﬁrst such event to be held in the Boston area. You won’t want to miss visits to the Wenham Museum, home of Miss Columbia, the Peabody Essex Museum, a delicious lunch, President’s Reception and early buying on Friday evening. Attendees will enjoy a special exhibit on cloth dolls and of course, all the spectacular dolls and related merchandise offered by the reputable NADDA dealers. Turn to page 48 to take a look at the exciting events planned during the show. Photo by Marion Maus. Collection of Bernice Millman.

About The Cover

by Karen B. Kurtz Dolls have lived at the Museum of the Confederacy in Richmond, VA for nearly 150 years.

14 News

55 Book Review

50 Mystery

60 Calendar

52 Emporium

63 Classified

SILK MASK DOLLS OF JAPAN

by Judith Scott Soft faces and ﬂexible ﬁngers allow for realism and movement.

44 6

ANTIQUE DOLL COLLECTOR

APRIL 2012

GAITHERSBURG, MD DOLL SHOW MARCH 3 & 4

STOCKINGS FOR CHIFFONNETTE by Sylvia Mac Neil

Hose for every occasion and an easy to follow pattern for your poupée.

(212) 787-7279 • P.O. Box 1410 • NY, NY 10023 Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC and NADDA

When was the last time you saw a Jules Steiner Gigateur actually work – and was it factory original as well?! Such is the case with this rare and lavish pristine Au Nain Bleu example with her delicate complexion, early soft brow and an uncanny Figure B aspect – all in the finest of bisque As if not enough, and as testament to her elaborate presentation, she bears the coveted Au Nain Blue/E. Chauriere/Boul. Des Capucines, 27/Paris label guaranteeing that this doll has already met the highest of standards! $2500

You don’t have to put on a show to love this 14” 1950’s Steiff Hare hand puppet with label and button and of course whiskers! And its light enough for your doll to love! $250

Not just character doll lovers, but holiday collectors too can easily take to the contagious joy of this 11-1/2” Gbr. Heubach Laugher 8636 in the original bunny eared ensemble with its own carrot and mache rabbit! A pint size dynamo with big round happy eyes and joyous modeling with deep dimples, gog-goo mouth with molded tongue and oily sheen. Hop on fast! $1695 9. Even Schoenhuts are happy to see this winter end, hence the unusual big smile on this Rare 16” Schoenhut Character with early incised mark, intaglio eyes, six carved teeth and deep dimples – all attic original from wig to leather shoes in complete layers of dress, all excellent condition and no restoration! Happy feeling included. $1250

Where do you go to find an All Original 10-1/2” (size 3•4) Fully Jointed Steiner A… Right here! Initially you had to go to the famed Au Nain Bleu department store in 1890’s Paris because this amazing cabinet prize in haute couture grandeur with hip length wig original mint wig has not one, but two Au Nain Bleu Labels – one on the dress, the other on her fully jointed body with the hallmark “white fingernails.” Complete with original chapeau, pearl necklace and factory shoes; she also has the factory chemise beneath her opulent ensemble! $5000

Which fine child or little lady would not be tickled to have this novel 2” Celluloid Folding Fan with its Easter Rabbit motif in time for the spring season! A must! $295

Complete Sets: Little Men and Little Women – Nate, Stuffy and Tommy Bangs – each fellow very rare! All three for just $1200. Little Women, Amy with the loop curls, all of them with labels, $1250 all five. It looks like Faberge but it’s a mint 12” tall Vintage German Candy Container with a 25” circ.! This confection of foil decoupage elegance opens to reveal plenty of space for your favorite dolls, animals and yes, even chocolate! Stunning! $250

(212) 787-7279

P.O. Box 1410 • NY, NY 10023 Member UFDC and NADDA

1. The early cloth characters of Mme. Alexander from the 1930s really captured the whimsy of the decade and this 20” Little Shaver with tag silk floss curls and organdy ruffles are a gay and frolicking tribute to creativity and joy. $325 2. What high style art and glamour in this fashionable 24” 1920’s Lenci type Art Deco Lady doll with swivel head, slender waist and limbs, jointed hips and knees. Excellent condition too! $495 3. From her felt bow to matching felt shoes, this 20” Italian Felt Alma with baby soft mohair wig, plump little girl’s cheeks and sassy dropwaist play dress is a deco delight. $250 4. This 14” Lenci “Rita” with beautifully combed hairstyle and 2 Blue Ribbons has original label and tag in the partly refurbished gown with original organdy layers, felt slippers and appliqués. $395 5. As celebrated in the pages of Life Magazine, doll artist Dewees Cochran produced the American Children Series in the 30’s – this 17” Effanbee Barbara Ann is one of those iconic portrait dolls, Great color and dress. $395 6. Effanbee conceived the Patsy family in the 30’s. Wigged members are scarce – especially on a 14” Patricia with sleep eyes, smart original dress, shoes and bracelet too! $350 7. This sleep eye Patricia also has the elusive wig, in braids, and also a tailored 3-part factory ensemble with hat and matching red shoes! $385 8. This member, Patsy Joan is 16” tall – she has both those sweet sleep eyes and the wig, plus a more than charming factory original ensemble from hat to shoes. $350 9. 30” Rare Size Lovums original wig and fancy mint factory dress; very good condition for her size! Just $350 10. What a surprise it is to find a 27” Shirley Temple Baby in the original clothes and wig with a 19” circ. head and flirty eyes! Convincing old restoration makes her a big bundle of giggles for only $295 11. We are always grateful when twin dolls are not separated such as this pristine 12” brother/sister SACO Chatterbox Twins, all original with hang tags, clear eyes, hard plastic heads and quality clothes! $350 12. Do you like mint, crisp and comic characters? This 14” 4” Georgine Georgin Novelties ‘Nancy’ ‘Nancy is all that with a hang tag too. Bright color and tons of fun. $595 13. Baby collectors and character lovers too will be excited by this 16” 900 series Black K * R Flirty with active glass eyes known as “Puz!” Original body and period clothes too. $550 14. Brown Bisque Pouty Baby – see #4 on next page. 15. Like a bon bon, you’ll be ticked by this 9” Effanbee Patsy Babyette with fresh bright color, clear sleep eyes and crisp factory ensemble – mint! $250 16. Like eggs in a basket but without any cracks is this 7-1/2” Set of Dionne Quints by Alexander Alexander, all original in tagged outfits with bonnets and named bibs, perfectly clean and pretty in the basket! $895

1. In his formal short suit, this 17” Fully Jointed K * R 122 Toddler is the perfect companion, gentle eyes, dewy bisque, molded tongue, original wig – a catch! $895 2. Luscious coloring and sensuous modeling define this 15” French Face Belton with her huge blue pools of PW eyes and sullen closed mouth pout, mint stiff wrist body and silk 2 part fashionable gown. $1200 3. Made for only 3 years, let alone in black, this 19” Rare Incised Jumeau Depose Bebe with original brown stiff wrist Jumeau body and cork pate is a lucky find with an artful restoration that makes her all the more attainable yet fully enjoyable at just $1200 4. This unusual brown bisque baby with lovely fired-in color, is the 14” Scarce Recknagel 138 and has closed pouty lips so unusual on baby dolls, with sleep eyes and fine old gowns, truly a special baby. $425 5. Original skin wigs are very scarce and with the plaster pate it really makes this 20” JDK 211 Baby a choice Kestner with original body, ivory pure bisque and great gown, a real prize. $495 6 & 7. How delicate is this 34” tall beauty with her tender, heart shaped face, tiny dimpled chin, rosebud mouth and 16-1/2” c. head – a unique size for a Max Oscar Arnold Lifesize Child with a gorgeous big body and period clothes. $1250 8. It has to be the prettiest Lifesize Byelo Baby all clean, original body and amazing 36” long christening gown complete with all the extras! Lifelike armful! $595 9. This 26” solid crown turned head infant style 1880’s ABG with Paperweight Eyes and closed mouth has snow pure bisque and fine heirloom clothing, all so innocent and angelic. $575 10. How much more coy can a flirty get than this fine quality 23” Simon Halbig 1349 Jutta sweetheart, neat, clean and attic original in such quaint hand embroidered clothes! $575 11. The essence of antiquity, this 12” 1860s Winged China, China with brush marks entirely around the frontal hairline of winged panels which loop up in back, has some gentle restoration that makes her yours for only $495. 12. What an elegant man is this 16” Vintage Parian Gentleman with his mint, stylish molded shirt, collar and tie, all trimmed in gold and wearing a dapper vested suit of antique clothes! $495 13. This 18” All Original Pre-1900 baby face innocent has jewel PW eyes, early smooth feathered brows and a barely open little mouth – completely precious! $395 14. This 13” French Trade Simon Halbig in the ornate original fashion doll costume, swivel neck, true work of art so pretty in pink silk with her delicate, dewy bisque and doe like eyes. $450 15. With her ample 18” size, it is so much easier to enjoy the clearly formed pursed lips and plump pouty cheeks of this distinctive Gbr. Heubach 8420 with Glass Eyes, Eyes in period dress, hidden invisible repair, so impressive, only $1100 16. Do you love dolls you don’t even see in books? Than try this very rare 12” Gbr. Heubach “11173” Infant with such nuance of contour, complexion and content – what a unique Heubach! $2500

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News

Clockwise from above: Compositon Burgarella dolls, 1920’s Gioia Prosperity Baby by Lenci, c. 1930’s Lenci, 1920-1930’s Italian doll with bisque head by Bahr and Proschild, c. 1900

On Exhibit at the Musée de la Poupée

Italian doll with bisque head by Kunhnlenz, late 19th century

n view to September 22, 2012 at the Musée de la Poupée in Paris is the exhibit “Dolls Made in Italy.” The first industrial companies to produce dolls in Italy date from the end of the 19th century. They often assembled their dolls with heads imported from Germany. The period between the two world wars was the most productive for the Italian doll market. Most notable is the Lenci company which began making cloth dolls in 1919 and, at the end of the twenties, the firm of Burgarella, creators of beautiful composition dolls with expressive faces and well finished outfits. The exhibit continues through the 1970’s with Italian made dolls. Also on exhibit at the same time is “Baby Boom II,” a look at French dolls made during the 1960’s and 1970’s. For more information visit www.museedelapoupeeparis.com

Furga doll, c. 1920 © Photos Jean Dalmard Collection Musée de la Poupée-Paris

More News on page 54 14

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LONG LIVE THE KING! A UFDC 2011 Special Exhibit

Photographed at the 2011 National UFDC Convention by Keith Kaonis reported by Donna C. Kaonis

f you ever doubted the proliﬁcacy of Kestner, last year’s UFDC special exhibit would have put those doubts to rest. Their long years of dollmaking from 1815 to 1938 witnessed countless changes in production techniques, materials and of course the “look” of the dolls as tastes and styles changed over the years. The exhibit included an overview of Kestner production from early papier mache, china and parian to bisque doll production: early closed mouth dolls, open mouth “dolly” face dolls, character children and babies, all bisques, dollhouse dolls, half dolls . . . what didn’t Kestner make? One of the few companies to make the entire doll, Kestner also sold bisque heads to Catterfelder Puppenfabrik and Kley and Hahn. Marina Tagger and Maureen Herrod, in charge of this ambitious project, described the experience as a labor of love. (Readers became acquainted with Marina and her love of Kestners in an article written by Maureen Herrod in our February 2011 issue). “The planning began a year in advance, with a steady follow up of countless hours of prep work, calling collectors in order to secure their dolls for the exhibit, networking, gathering information, data, materials and ideas in order to make this exhibit a success. What took a tremendous amount of time was the tag making, which each doll ended up wearing on her wrist, or the cards which were used in the display cases! I wanted to make certain that they were just so, and that they contained a easy to read/understand format for attendees to enjoy,” said Marina. (As an attendee I found the informative tags to be extremely helpful.) 18

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The greeters, a group of open mouth bisque dolls from the early 1900’s were there to welcome us to the Kestner exhibit. Note the doll with the original chemise embellished with the Kestner crown trademark, first used around 1896.

Papier Maches from the 1840s and 1850’s. Bodies are typically turned wood and papier mache. To avoid conflict with paper millers who held exclusive rights in Waltershausen for the making of paper and cardboard, Kestner used a formula comprised of “straw, moss, hay, thistles, bark, etc.” Christiane Grafnitz’s book Papier Mache Dolls is an extensive study of the leading German doll producers. The doll with the elaborate molded blue cap is pictured on the Kestner sample sheets. One the earliest dolls in the exhibit was this paper mache with molded carton hat and inserted hair in the back. The gentleman soldier is on a wood body with a molded cap. Note the array of millinery on the Kestner sample sheets. Rococo Lady with molded hair and necklace, c. 1850’s. She is an exact match to the sample sheet behind her.

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In the early years of Kestner production the firm purchased china heads and limbs from the Müller factory; in 1860 they purchased the factory and henceforth made their own porcelain items. Although the company’s chinas are unmarked, Mary Krombholz has identified characteristics identifying them as Kestner. The dolls shown date from the 1850s and 1860s with the exception of the marked Parian and the bisque boy with the molded hat. Kestner continued to make china head dolls until around 1928.

As the only dollmaker in Waltershausen from 1816 to 1851, the importance of Johann Daniel Kestner, Jr. to the history of German doll making is unequalled. To add an historical perspective to the Kestner exhibit Maureen Herrod enlarged photographs to make large posters of the remaining Kestner factory. Fascinating pages from Kestner sample books (many of these are seen in Christiane Grafnitz’s book Papier-Mache Dolls) served as backdrops for the early dolls. An impressive exhibit by Donelle Denery featured Daisy, the popular Kestner mold 171, 20

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Kestnerâ&#x20AC;&#x2122;s bisque dolls from the 1880s and early 1890â&#x20AC;&#x2122;s were socket or swivel heads on composition bodies. They also made turned head shoulder head dolls on kid bodies. These early dolls were marked with size letters or numbers. In 1897, the Kestner patented their unique sizing system, enabling Kestner heads to be identified by letter and/or number. The Kestner A.T. and Kestner Bru were attempts to capitalize on their more famous sisters.

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Beginning around 1880 French and German companies produced all bisque dolls. Dolls with special features such as jointed elbows or knees, swivel waists, bare feet and kneeling examples are highly prized. Kestner was the leading producer of Kewpie dolls for the distributor George Borgfeldt.

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Lifelike character babies with composition baby bodies first appeared in 1910. The left arm curves inward and the right turns slightly out, all the better to hold a baby bottle or rattle. The O.I.C. baby (lower right) is perhaps the most expressive character baby made by Kestner!

in all her outfits along with blown up paper doll pages from Ladies Home Journal. Many others contributed dolls to round out and show all aspects of Kestner production. Marina developed an appreciation of Kestner dolls when she was in her twenties. The fascinating historical aspect of the company and what she describes as the “human” quality of J.D. Kestner, left her wanting to learn more about these dolls. Her first Kestner, a lovely 154 mold dressed as boy, was the one who gave her the Kestner “bug” and led to her research. Her initial goal was to acquire one of each of the molds made by Kestner. She soon realized that it was an insurmountable task, but she has still managed to collect a good cross section of Kestner dolls as well as other products made by the company including buttons, figurines and furniture.

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Daisy, a high successful premium for selling three subscriptions to Ladies Home Journal, was introduced in 1911. The popular doll was first made by Kestner, their mold 171. Along with the doll, the child received a pattern for making the outfits that appeared in LHJ for that month’s paper doll page.

Numerous Contributors Generously Loaned Their Dolls To The Kestner Exhibit:

It was hard to pin her down as to her favorite doll, “They become a part of you, your extended family, your children! However, the very pouty children are often the ones that tug at my heartstrings, and I must say that one doll in particular has always had a special place in my heart. She stands a grand 33” in height, and has one of the most soulful appearances I have ever encountered in a doll!” Maureen’s favorite Kestner is also a pouty, marked 14, standing 20 inches tall with a gorgeous wig. She admits to a love for the 243 Oriental children, especially the model with the painted hair. Her very ﬁrst doll was a Kestner 154, purchased from a neighbor in 1980 and still in her collection. While Marina’s primary focus is on Kestners, Maureen collects a variety of German bisque as well as chinas. An avid traveler she has acquired many dolls dressed in original foreign costume. Marina is in the process of writing a book on her favorite subject. “I am taking baby steps in writing the book, because I wish to make certain that the book is well thought out, and is carefully composed. I do not think that one will ever know everything that there is to know about this subject matter, and it might take a lifetime to follow all of the leads in order to make the book ‘complete’, but I am trying to make it as well rounded, comprehensive and complete as possible!” 24

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Julie Blewis Michael Canadas Lenell Chace Carol Corson Donelle Denery Althea Garcia Christiane Gräfnitz Maureen Herrod Cheryl Hoiler Michael Kouri Anita Ladensack Sheila June Needle David Robinson Sherryl Shirran Marina Tagger Diane Vourderis Pete and Sandy Wolters

Special Thanks To: Thomas Reinecke, “Schloss Tenneberg Local History and Doll Museum”, Waltershausen, Germany Deutsches Spielzeug-museum, Sonneberg, Germany Museum Schloss Ehrenstein, Ohrdruf, Germany REFERENCES: Cieslik’s German Doll Encyclopedia, 1800-1939 The Story of German Doll Making. 1530-2000 by Mary Krombholz German Papier Mache Dolls, 17601860 by Christiane Grafnitz

Delightful toddlers and character children. Dolls date from 19151920. Following the death of J.D. Kestner in 1858, his first and second wives managed the business (Kestner was so powerful and wealthy he received permission to practice polygamy); his grandson Adolf was in charge from 1872 until his death in 1918. Mold 211, â&#x20AC;&#x153;Sammy,â&#x20AC;? seen below, was the first mold to carry the J. D. K. initials.

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Learning About American-Made Dolls

The Jessie McCutcheon Raleigh Firm

Some Very Exciting New Discoveries by Ursula R. Mertz Photos by Christopher Partridge

t a doll show I spotted a 13” Raleigh doll with painted hair and barrette. The top of the head was not in good condition. I examined her, trying to decide if I should buy her. I had been searching for an example for a very long time. It looked as if some of the hair had been hand painted. That was news to me. All the Raleigh dolls that I had bought for my collection or seen at shows had air brushed hair. The purchase was made. At home the doll was examined at leisure. To my surprise I realized that the entire hairdo had been hand painted, even the hairline and the so-called “soft” transition from skin to hair all around the head. Strands of hair were painted in soft waves and varying color tones for the entire hairdo. When examining the painted features on this doll I found that more care was taken with them as well. While on all Raleigh dolls the irises are painted with some modeling and highlights, the irises here were subtly blended from dark on the outer rim to light near the pupil, giving the illusion of roundness. Eyebrows and lashes were done in soft, light tones. Teeth were also individually painted and are

In this illustration the realistically painted eyes and teeth can be examined. Note the hairline. It was all hand painted, not air brushed. 14” Marks: None, all composition, fully jointed with steel springs. Redressed. All dolls illustrated with this article were produced in this manner. Raleigh Dolls are never marked.

In the side view of the head we can study the carefully painted hair. Rich tones of light brown to blonde are covered with fine lines, representing individual hairs. Unfortunately, the other side of the head shows extensive damage. I did want to point out the beautifully hand painted barrette, showing a flying insect, delicately rendered, flanked on both sides with the side view of the same insect. It is hoped that there will be a collector who can show us a picture of an undamaged barrette with this same decoration. ANTIQUE DOLL COLLECTOR

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In this side view, more of the little boy’s beautifully hand painted hair can be studied and appreciated. Roberta Heintz collection.

18” boy in knitted suit with lovely hand painted hair and features. Roberta Heintz collection.

14” Little girl with beautifully hand painted hair and features. Note that her head was made from a different mold as the doll seen in the first illustration. Roberta Heintz collection. In this side view more is visible of her beautifully hand painted hair. Her barrette, decorated with three painted flowers, adds to her special appeal. Roberta Heintz collection. 28

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partly covered by the upper lip. Usually, white dots will be applied to simulate teeth. When discussing this new find with other doll collectors, one friend reported that she owns two Raleigh dolls with hand painted hair. As can be seen in the illustrations accompanying this article, the hair on her two dolls was obviously painted by another artist. Loosely rendered color variations are seen in shades of light and dark, ending in a beautifully painted, soft hairline. What great new discoveries! All three dolls are truly the work of fine artists. But, how do they fit into the already known and documented line of Jessie McCutcheon Raleigh’s dolls? Does it mean that these special dolls were sold alongside the examples with air brushed hair, or do they represent her early output? An advertisement placed by Jessie McCutcheon Raleigh in the trade journal Toys And Novelties in October of 1917, reported that the dolls had been on the market for only a few weeks and were well received. The ad further stated: “They are sculptured from real children… They are beautifully hand painted by skilled artists…” Only one year later, in their Christmas catalogue of 1918, the large wholesale house Butler Brothers announced that they were exclusive wholesale distributors of Raleigh dolls. This was accompanied by a six-page spread of illustrations and descriptions of the various types of Raleigh dolls, babies and children in various sizes, with painted hair and also wigs.

This 11” Raleigh doll features an air brushed hairdo. Though the lock on his forehead was expertly rendered, it was done with an airbrush. This side view of the previous doll reveals more of his airbrushed hairdo. As can be seen, airbrushing produces a smooth surface with some variations. It does not simulate the texture of hair.

Based on this evidence I would conclude that demand for Raleigh dolls expanded quickly. Hand painting a doll head in the manner just described would obviously be time consuming and costly. Surely, the Raleigh ﬁrm must have been under a contract that stipulated the price per doll that Butler Brothers was going to pay and the number of dolls that had to be delivered within a certain time frame. Most likely, the method of executing the hair was changed at that point. While the features of the dolls were still being hand painted, applying the hair color with an airbrush would be much faster. It is therefore assumed that Raleigh dolls with

hand painted hair were only produced for about one year. For comparison purposes, two illustrations of a Raleigh doll with airbrushed hair have also been included with this article. Since Raleigh dolls were available for sale for only four or five years, they are hard to find. Dolls in their original clothes present an even more difficult challenge. It is felt that a Raleigh doll in only partially original clothes is noteworthy. Pictured here is an 11” Red Riding Hood. The hooded cape is most likely original. It is not tagged but factory made. The matching red oilcloth shoes most definitely are original. They feature a vertical seam over the middle in front and sewn on sole. Only Raleigh shoes were manufactured in this manner. For more detailed information on the Jessie McCutcheon Raleigh Company, please see my article in the June 2006 issue of Antique Doll Collector. When finished reading this, I hope that everybody with Raleigh dolls in their collections will go and examine them once more. I would love to hear from owners of Raleigh dolls with hand painted hair.

Red Riding Hood’s features were painted in the more typical manner of the Raleigh dolls with air brushed hair. She does show some lifting by her left eye and right corner of her mouth.

11” Little Red Riding Hood with probably original hooded cape and original matching red oilcloth shoes. Replaced mohair wig and old white dress and socks. Her head was produced from the same mold as the previous doll. ANTIQUE DOLL COLLECTOR

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Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

20” CM Tete Jumeau, blue paperweight eyes, HH wig, original style costume, antique French shoes, lever eye opening on head $4995 Now $4295

17 ½” Kestner 167, brown sleep eyes, original wig & pate, replaced upper right thigh $525 11”x 7” Steiff 1950’s Lowen Papa Lion, w/ jointed legs & neck, a little wear back right ﬂank, little stain on face $150

20” Ideal Shirley Temple, original blue & white dress, combination & shoes, beautiful original wig, some crazing, great facial coloring $425 14” Alexander tagged W.A.V.E. all original, missing hat, some crazing $295 Now $200 13” 1935 Howdy Doody by Joseph Kallus w/ compo head & wooden ball jointed body, label on chest, small chip left wrist $165 11 ½” Effanbee Patricia in original combination, shoes, socks & bracelet, HH wig $175 15” Ideal Deanna Durbin in original pink ﬂoral print dress, unders & shoes, HH wig $250

7 1/2” S & H 886 All Bisque w/ 5 strap boots, blue sleep eyes, original mohair wig, antique dress, bonnet & undergarments, jointed head, shoulders & hips, few chips by leg string holes and back of body by neck $2050

25” K star R #192, original mohair wig & leather boots, vintage clothes & undergarments, wonderful body $695 5” NASB Pudgy Tummy He Loves Me, He Loves Me Not, all mint in box, jointed arms & legs $250

10” S & H 739, brown stationary eyes, original body w/ straight arms & ball jointed legs, beautiful coloring, mohair wig $950 9” Schoenau & Hoffmeister on 5 piece toddler body, brown sleep eyes, mohair wig $695

14” Af Am K star R 100 Kaiser Baby, brown painted eyes, hairline by chin, some crazing on body $575 6” & 4” Black Forest Family with lots of details by BAPS - Edith Von Arps of Germany, hand painted faces, felt bodies w/ wire armatures, lead feet $195 set

17 ½” Parian, blue painted eyed boy, bisque arms & legs, chip & hairline by back left sew hole $195 17” Sonnenburg Type Papier Mache 1880 – 1900, wooden arms & legs, touch up on nose, cheek rub, fabulous period costume 13” x 11 1/2” Underscored F Steiff $595 Now $380 Wool Felt Donkey on Wooden Wheels, glass eyes, leather saddle and bridle, red felt trappings, horse hair mane and tail, fabulous piece $995 17” S & H 1009 on early stiff wrist body, blue stationary eyes, mohair wig, high forehead ( small hairline at crown and few paint pulls), pierced ears $475 14” x 11” Underscored F Steiff Mohair Camel on Metal Wheels, original felt trappings, leather muzzle, glass eyes, little mohair wear on nose $995

15 ½” #1159 S & H on lady body, 1910, blue sleep eyes, HH wig, vintage undergarments & shoes $1425

11” 1972 Blythe by Kenner “Golden Goddess” all original, nice full hair, eyes change to 4 colors, great condition $1595 11” 1972 Blythe by Kenner all original, full brunette hair, eyes change to 4 colors, great condition $1595

19 ½” CM #6970 Heubach Character Pouty 1910, blue sleep eyes, HH wig, antique clothing & wonderful shoes $3150. Now $2595 7” Steiff Jocko Monkey, brown mohair, jointed limbs $75

LAYAW AVAILA AY BLE

28” Simon & Halbig 1249 “Santa”, brown sleep eyes, beautiful natural wavy HH wig, wonderful painting, original leather shoes $1295

24” K star R, S & H, blue sleep eyes, pierced ears $475 10” Bye-lo Baby, wonderful purple stamp on frog body, celluloid hands, blue sleep eyes $250

5” 1930’s - 40’s Japanese doll in box with 5 wigs, Palmer House Chicago sticker on box, includes paper showing wig styles for different ages $125 1940’s Later Schoenhut Pinn dolls - wooden jointed with yarn wigs 12” Skier with yellow hair, painted face, great outﬁt $100 12” Skier in corduroy outﬁt, knit hat, red hair, great expression $100

24” Alexandra Koukinova’s Fleur #3/8, fabulously sculpted porcelain doll with incredibly meticulous detailing to her jewelry and costume copying the authentic embroideries of the times of Art Deco style, has box and certiﬁcate. $5,500 7.5” x 6.5” Brigitte Deval wax

over porcelain bust, human hair wig, blown glass eyes, hand painted features, beautifully sculpted, from the 1990’s $795

13” All Original J.K Farnell & Co London tag with “Queen Mary Mascot”, label on foot, cloth body, molded face with painted features $165 8” Washington Sailor cloth and velvet (no tags) $31.50 10 1/2” Georgene Novelty “Holland Girl” cloth doll with original tag #011, wooden shoes, yellow yarn wig, painted face $62.50 12” Spanish Dancer, cloth body, satin costume, papier mache molded head, ﬁne detail, painted eyes, tip of nose as is $45

HEADS AND TALES True Stories of Civil War Dolls with Provenance by Karen B. Kurtz

photographs by Mark A. Kurtz

Civil War dolls have lived at The Museum of the Confederacy in Richmond, Virginia for nearly 150 years. The author shines a bright light of research on them, documenting them for posterity. Thanks go to Ann Coleman, Mary Krombholz, and Christiane Graefnitz, who identiﬁed the manufacturers of these early unmarked dolls and the originality of their clothing, and to curator Cathy Wright, who graciously granted the privilege of entering the vaults.

mma Boyd Winn, Lucy Ann, and Grace Darling were witnesses to extraordinary events in American history during the Civil War. Each doll, a cherished child’s plaything, was given a unique name that made its way eventually into a provenance. A provenance provides a history of ownership that, along with other research materials, can be used to prove each story. This trio is part of the largest group of Civil War dolls with veriﬁable provenances that I’ve discovered at one site. Due to space constraints, only a few represent the collection. It’s an unfortunate reality with aging objects: given improper handling, environmental conditions, unpredictable calamities, and time, eventually precious artifacts begin to fall apart. Loss or destabilization may interfere with a museum’s ability to fulﬁll its mission. The Museum of the Confederacy (MOC) doesn’t have immediate plans to conserve these precious old dolls. The Board of Trustees and museum staff are working on other priorities.

J.D. Kestner, Jr. made Emma Boyd Winn, 24 inches, in the 1850s. She has a Covered Wagon hairstyle, pink tint, and rare brown eyes. The mouth painting has a thin, unpainted space between upper and lower lips, a Kestner feature. Her cloth body has china arms and china lower limbs. Black-laced china boots have flat soles. She wears a two-piece cotton lawn dress with puffed sleeves and three-tiered ruffled skirt. Underneath, she wears a knee-length chemise with drawstring tie, lace-trimmed pantalets, and three petticoats. Her pert hat belongs to a friend. 32

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Meanwhile, most of the dolls remain sequestered at the Museum in dark storage vaults. A few live upstairs in the nursery at the White House of the Confederacy, where President Jefferson Davis and his family lived. Some rotate out on exhibit to other galleries. All are shy about revealing their time-ravaged condition. (Hint: The White House heated with coal for many years.) These precious old treasures were so startled by a new-fangled contraption called the digital camera they simply refused to rise up from their supine positions! But they intuitively knew this was a once in-a-lifetime opportunity for doll enthusiasts to learn about them. Eagerness to share their true stories saved the day. EMMA BOYD WINN Emma Boyd Winn’s provenance says she belonged to the child, Kate Winn. To imaginative, adventurous young Kate, Emma Boyd Winn was more than just a toy. The doll “became a personality and constant reminder of the strong and tender love of parents and brothers, whose protection of ‘Little Sister’ extended to [Emma Boyd Winn], my most cherished playmate and companion.” The Winns lived peacefully at Winnwood Plantation in Marietta, Georgia, until the town was occupied by the Union. They “suddenly decided to refugee, [but] in the haste of packing, Emma Boyd Winn was forgotten. Kate set up a wail, [so the doll] returned to her arms, a safe and comfortable shelter.” Historians estimate at least 200,000 Southerners were displaced during the Civil War, trying to escape the Union army and the indignities of occupation. Some left their homes in response to food shortages and forcible evacuation. Like most Southerners, the Winns probably deeply resented their privations and hardships, but Emma Boyd Winn’s provenance simply says “after many heart-rending vicissitudes, we returned to ﬁnd our home in ashes.” Kate put Emma Boyd Winn away when she went away to school, but “didn’t forget her and would often take her from her bed for a loving.” Kate married Confederate General J. Colton Lynes and the trio lived at Winnwood. Kate died there in 1947, at age 87. JULIA FLISCH’S DOLL Born in 1861, Julia Anna Flisch wasn’t a typical daughter of the Old South. She wanted women to think, hold jobs, and make their own choices. Recalling her childhood during the Civil War years, Julia wrote, “When Christmas came, there were no toys to be had for… my brother [Henry] and myself. My mother went to a local cabinet maker and had him make a small wheelbarrow for my brother and a doll bedstead for me. She had already secured an alabaster-

Julia Flisch’s doll was purchased between 1865 and 1870, while her family lived in Athens, Georgia. The doll, 14 inches, was made by the A. W. Fr. Kister porcelain factory. Typical Kister features are small eyes, a small mouth, one-color lips, and no eye highlights or outlines. Mary Krombholz documented this Kister mold in one of her books.

headed doll. The wheelbarrow and the doll have gone the way of all ﬂesh. But the bed still remains a relic of the days that tried a mother’s soul, and incidentally, children’s souls also.” Julia eventually donated the doll bed to MOC along with another china doll, “which… was purchased sometime between 1865 and 1870,” she wrote in the provenance. Julia became a powerful advocate for women’s rights, and a writer. She never married. When she died in 1941, people said she did “more than any other person to ANTIQUE DOLL COLLECTOR

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36-inch Nina, an early papier-mâché doll, was made in Philadelphia by Ludwig Greiner (1840-1883). Nina’s centerparted wavy hair exposes her ears, giving her a high forehead and broad face. She has a snub nose, tight mouth, cloth body and legs, and hands with individually stitched fingers. Greiner factory workers originally painted Nina with black hair – a rare color for a Greiner. She originally had black lashes and brows, and a sober expression, but someone repainted her with a surprised look. Cotton strings secure Nina’s head-a fact from her provenance. Drug smugglers placed quinine inside her hollow head cavity. Shoulders and sew holes are deeply worn from repeated use.

advance the cause of women’s education in Georgia.” My research at additional sites has uncovered other women suffragists who owned dolls as playthings. The women’s movement came of age after the Civil War; Julia’s important legacy has helped to pave the way for all of us. NINA Nina is one of two drug-smuggling dolls MOC stewards in its collection. Historians believe famous Nina and shy Lucy Ann may be the only surviving drug-smuggling dolls in America. Nina has appeared in books, art galleries, photographs, newspapers, on Yahoo! News and the popular PBS television program, History Detectives. But adulation hasn’t fazed her; she still wears her original cherry-red boots. Nina’s provenance says she was owned by the family of Confederate Major General James Patton Anderson. His niece, Lizzie Scott, unknowingly smuggled quinine across enemy lines to sick Confederate soldiers. Clutching a favorite toy, Lizzie probably wasn’t easily searched. Anderson’s letters to his wife, Etta, are at the University of Florida. They prove Etta traveled from their plantation near Monticello, Florida, with children in 1862 and 1863 to visit her husband on the Tennessee war front. Confederate women concealed valuables in hoopskirts and their hair, in pincushions and pieces of fruit, so clever Etta may have used Nina as a drug-smuggling doll. 34

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When MOC curator Cathy Wright wanted to prove that Nina and Lucy Ann actually smuggled quinine across enemy lines during the Civil War, I suggested two strategies: x-raying and forensic testing. Radiologists at the Virginia Commonwealth University Health Care System x-rayed the dolls with equipment used on newborns. Doctors interpreted the results: both dolls have hollow head cavities, which were ideal hiding places for drugs. Then History Detectives wanted to expand Nina’s investigation with modern technology. Technicians at the Virginia State Forensics Laboratory swabbed the inside of Nina’s head several times. Disappointingly, traces of quinine weren’t found. Scientists and historians need to conduct more research to determine how the drug was packaged. LUCY ANN Lucy Ann’s provenance says she carried quinine through the blockade in 1863. Two years before, President Abraham Lincoln prevented the South from exporting its primary cash crop, cotton, and importing supplies that Southern industries couldn’t provide. The Union blockade went all around the South—even on land—and slowly strangled the Confederate economy. All types of goods, from straight pins to gunpowder to medicines, were restricted.

Lucy Ann proudly displays the old gash (1-1/2 inches in diameter) that lurks beneath her bonnet and human hair wig. Interestingly, the felt bonnet, which is gaily trimmed with an ostrich plume, is a mid-20th century addition. Did someone widen Lucy Ann’s slit for drug-smuggling exploits? Her provenance clearly describes quinine’s receptacle.

Shy Lucy Ann, 26 inches, is an English slit-head, wax-over composition doll. She has a slit in the crown for hair, colored kid arms for gloves, fragile long legs, and turned-in toes. Lucy Ann’s dressed as a child in a 1860s dress with matching crewel-embroidered cape and silk taffeta apron. Underneath, she wears a chemise, pantalets, and three petticoats.

Doctors needed quinine to treat wounded Confederate soldiers every day and to treat malaria, a common mosquito-borne illness. More than 600,000 soldiers died from disease, malnutrition, and amputations in the Civil War, a number never surpassed in any war since. An adequate supply of desperately needed medicine never met the horriﬁc demand. Lucy Ann is an English wax-over composition doll that was popular from the 1820s until 1870. Known as a “Bagman’s Baby,” peddlers sold these types of dolls very cheaply at market stalls. We’ll probably never know how she got to America; her black pupil-less glass eyes are expressionless. The mysterious Lucy Ann belonged to a Virginia girl, who later passed her down in her family. She was given to the Museum anonymously. GRACE DARLING Grace Darling’s provenance says a wounded Confederate soldier was carried to the home of Leopold and Caroline Strauss in Culpeper, Virginia, where they nursed him back to health. Grateful for their kindness, the soldier gave a china doll to their ﬁve-year old daughter, Sophia. The Culpeper Exponent says Leopold and Caroline owned a successful general store. Townsfolk called them

A child’s cape, shown here, is similar in construction to Lucy Ann’s cape. It is from the same period. A seamstress cut the fabric into a half-circle, shaped the neckline with four darts, and then finished the raw edge with bias-cut seam binding. Entirely hand-sewn with meticulous stitches, the embroidered pattern on Lucy Ann’s cape is different from the child’s cape. For the child, a lustrous grape-and-leaf design; on Lucy Ann’s cape, a flowing vine. Edging is similar on both capes. (Child’s cape and photo courtesy of Wayne County Historical Museum, Richmond, Indiana.)

“kind and generous.” Caroline “always found time to help others in need.” Geography and circumstance made Culpeper a vortex during the Civil War. Located halfway between Washington, D. C. and Richmond, the town was linked by railroads and two rivers – the Rappahannock and the Rapidan. Confederate and Union troops were always on the move. More than 160 battles raged around Culpeper in the Civil War. Historians believe Grace Darling’s soldier was probably wounded at the Battle of Cedar Mountain. The Strauss house faced Main Street so it was in perfect position to receive battle-worn soldiers. Everyone in town took in soldiers to nurse. ANTIQUE DOLL COLLECTOR

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Alt, Beck, & Gottschalck made 28-inch Grace Darling in the 1860s. She has a china shoulder head and arms, Flat Top hairstyle, rosy complexion, and cloth body. Grace Darling’s provenance says Sophia’s mother, Caroline Strauss, had her costume made from one of her old dresses. It is an exact duplicate of Caroline’s adult dress. Fabric is black chine silk taffeta with purple and green stripes. Lace trims the collar, undersleeves, two petticoats, and pantalets. A gown similar in style and fabric is illustrated in Elizabeth McClellan’s Historic Dress in America 1607-1870 1607-1870.

Sophia named her doll “Grace Darling” in memory of a real British woman, Grace Horsley Darling. Grace lived on a remote island in Northumberland and often helped her father, William Darling, keep watch at Longstone Lighthouse. In 1838, the steamship Forfarshire shipwrecked near the Farne Islands. Through the glass, Grace saw nine people floundering in the water, fighting for their lives. She convinced William to row out to the wreck and they safely rescued the survivors. But shy Grace attracted all the attention. Tourists flocked to meet her, Queen Victoria recognized her bravery, and William Wordsworth wrote a poem about her. Her fame lived on in novels and paintings. For years afterward, the mere mention of her name stirred people’s imaginations, just as it stirred young Sophia. Sophia Strauss Morris kept Grace Darling for 76 years before donating her to MOC. MATTIE It took courage for John Goode to leave Cornwall, England and carve out a new life in the New World. “The Goode family in the 1620s built one of the first plantations on the James River, called Whitby,” wrote Margaret Lathrop Law, in Mattie’s provenance. Whitby Plantation was near Werawcomoco, the ancient site where the Indian princess Pocahontas befriended the English colonists and saved Captain John Smith from death at the hands of his Algonquin captors. Margaret’s forebears may have learned to grow tobacco from John Rolfe or Chief Powhatan. Goode was master of his own labor and land, and by industry, grew rich. (At the time of his death in 1706, he owned 5,000 acres of fertile soil.) Whitby had a magnificent Manor House, sumptuously furnished. The family dressed elaborately. Emmie Farrar’s book Old Virginia Houses along the James says “horse racing was one of the chief interests and pleasures of the Goode family.” As landed gentry, their lifestyle supported personal honor, hospitality, and the accumulation of land, slaves, and wealth. Nearly 250 years after Whitby was founded, the china doll Mattie entered the Goode family. “Confederate Colonel Charles T. Goode gave Mattie to his daughter, Elia Warren Goode, about 1855,” said Margaret. While womenfolk sewed quietly at home, The Colonel went off to fight the Civil War. Goode served with the 19th Georgia Cavalry Battalion, and “fought under General Lee from first to last,” Margaret said. Goode’s Partisan Rangers raided trade and supplies lines, and disrupted communications. In battle, their lightning fast mounted attacks were supplemented by hardhitting infantry standing toe-to-toe with Union troops. Goode, a “gallant and gifted man,” surrendered at Appomattox on April 9, 1865 with 16 officers and 176 men. Seventy years later, Elia’s sister, Lucy Lathrop Goode Law, Continued on page 59

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Mattie, an unmarked German doll, has a china shoulder head and cloth body. Mattie was manufactured by Alt, Beck & Gottschalck, circa 1854 onward. Mattie wears a two-piece silk traveling suit, trimmed in lace. Her matching bonnet is lined with silk roses and lace. A complete set of underclothing and a gold enameled locket complete her ensemble. At age 75, Lucy Lathrop Goode Law made Mattie’s outfit from a design in Godey’s Lady Book.

Silk Mask Dolls of Japan by Judith Scott

This doll clearly shows the mask a geisha paints on while to the right a real geisha puts the finishing touches on hers.

Circa 1900 or earlier, this doll resembles the Edo woodblock at right. It is unusual to find a Ningyo wearing her hair down in such a common daily activity. Every inch of her is hand stitched.

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he can be flirtatious, coy, innocent or beckoning, her white complexion the backdrop for painted eyes and a red rosebud mouth. Her gait is slow and her stance always graceful. She is perfection itself, the Japanese geisha. Of all the Ningyo (human figure or doll) Japan produced that imitated this female icon, the silk-faced dolls and the silk Sakuras best reflect the geisha’s perfection. The soft face and flexible fingers and limbs of these dolls allow for realism, movement and a unique interaction with its owner not found in the hard shell gofun doll which preceded it. The best silk faced Ningyo were carefully constructed by a practiced doll maker who “is always concerned with the texture of the material and even with the shape of the body and is most interested in communicating movement. The arms and hands in a graceful position, the head is turned away from the body and the legs are drawn back from the front position.

Stress must be put on the loveliness and is the center of the problem from the beginning to the end.” (Uchioke and Abston, Sakura Dolls of Japan, 1963, Tokyo, Japan) Japan has an ancient interest in miniatures, fabrics, and papers, all of which come together beautifully in Ningyo. The first simple Ningyo that incorporated silk was fashioned around 1192 AD. These had bamboo bodies, a wooden head covered in silk and facial features that were absent or simply painted on. These were used as a talisman to ward off sickness or evil. In time they were made wearing a silk kimono and maybe even an outer brocade one as well and eventually became a gift or a play thing. In the Edo period (1615-1868) dolls became quite exquisite and collectible, and were often given as an expensive gift. They accurately portrayed the costumes of the day down to the tiniest detail. The heads and hands were made using gofun (a mixture made of ground oyster shells and seaweed glue). Glass eyes were inserted behind the white mask. This was the practice for doll making until the Taisho period (19121926) when silk is once again used and facial features painted on. The bodies of these dolls are straw, covered with cloth. A paper mache mask is formed under the silk that covers its face. It is fitting that it is called a “mask”, as there is great significance in the use of masks in Japanese Noy and Kobuki theatre. Even the white painted face of the geisha harkens back to the importance of the mask as defining a character or hiding one’s real identity. The Lady with Bird, Young Girl and Heian Beauty are wonderful examples of a skilled craftsman making important Ningyo. No expense is spared in the amount of silk used, the number of layers of kimono or the size of the doll. They most likely date from before the 1900’s and measure 26”. Most dolls sold after the 1920’s were 13 to 18” tall.

Lady with Bird: Her kimonos at the bottom form a perfect circle around her. Because of the helmet we know she is from the house of a Samuri warrior still in favor. When these men were not needed in later years, their daughters often became Oiron or courtesans, a highly paid entertainer. It was these, not the geisha that were paid for other favors.

Young Girl: The loose hair, the red kimono, worn by children for good luck and health are indications that she represents a young girl. The long sleeves of her kimono tell us she is still a child as only geisha and children wore them. Again the amount of fabric used is abundant. The obi tie is thickly padded and her obi is designed just for this doll, not made of a common fabric as later dolls.

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It is in the 1920’s that the silk doll is given a real boost. Manufactured body parts for the silk doll became available and factories could make the dolls faster. These parts were also sold wholesale to the public. This fact, along with the availability of the sewing machine, allowed the Japanese homemaker to make her own dolls! Using scraps of old kimonos and their own familiarity with the wearing of this garment, the hobbyist could create a lovely Ningyo of her own. Doll making clubs were formed and were often held in well to do homes. The doll making factories, using the pre-made parts, produced a new kind of doll for the tourist. Because of its brightly colored dress and cheerful countenance they were called Sakura or “cherry blossom” Ningyo. Mostly they represented geisha, meiko or dancing characters from a kabuki play. The Japanese bride was also popular.

Heian Beauty - She wears the numerous kimonos required of court women in this period. (c. 1100 AD). Notice the long trail of the outer kimono which becomes greatly shortened in later dolls. Each under kimono is fully made, not just indicated to save material. The eyebrows are shaved and larger ones are painted higher on the woman’s forehead as was the custom. It was also the custom at that time to blacken their teeth.

ANTIQUE DOLL COLLECTOR

Sakura or cherry blossom dolls began being made from the 1920’s to the 70’s. Though the body is straw underneath, the rest, including the hair, is all silk. The gesture was most important to these doll makers.

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Individual doll makers also made silk dolls representing the ordinary Japanese people. Children are a popular subject for the skilled doll maker and are depicted by rounder faces and wider eyes with accurate body proportions, whereas the adult dolls are usually elongated, most likely as a design factor that they felt enhanced the drama and beauty (this is still a principle we use in fashion advertising). This is true also of the Edo women depicted in the Japanese woodblocks which the silk mask dolls emanate. On the internet the buying and selling of the silk Ningyo is very active. Because of the many numbers brought back to the USA by servicemen and tourists, most don’t bring a high price unless there is something unique about them, which is part of the fun of watching and collecting. Even though the mask after the 1920’s was produced in a factory, each doll was given its own expression by the person who painted on the face features, making each unique.

This doll has machine sewn clothes and premade body parts. Her tag reads “Shuri Women’s Handicraft Club, Made in Okinawa.

This Bride, 23” tall, is fashioned from the finest silk and has the proper hair accessories (usually ivory birds of happiness, ribbons and dangles) scarf, a fan and a small pocket book.

Compare the elongated proportions of this adult ningyo to an actual Japanese woman.

Readers who wish to order the book, “Japanese Silk Dolls” by Judith Scott, can contact her at scottartstudios@yahoo.com. The book includes photos, information and help on identifying the different dolls. ANTIQUE DOLL COLLECTOR

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Connie

Jay

LOWE

1) An incredible 35” size #16 Tete Jumeau with beautiful bisque, blue paperweight sleep eyes, and a fully jointed composition body w/original finish. Dressed in period, perhaps original clothing & marked with the #16 on the wig, french shoes and rear of head. One of the nicest open mouthed Jumeau’s to be found, especially in this size! $3500 2) With extremely pale bisque this fine 26” Long Face Jumeau size #12 is on her original 8 ball jointed Jumeau body. Straight wristed and the compo body in exceptional original finish; large amber paperweight eyes further add to her allure. An original dress, french shoes and a long tailed light brown human hair wig further complement her presence. This doll was recently acquired and comes directly “fresh to the market” from an estate sale. $18,500 3) A large 24” German Brown Eyed China (7” shoulder width) on a cloth body wearing a period cotton print dress. This doll was just purchased from a New Jersey house sale, evidently the owner was quite active in buying dolls from the late 1950’s thru the early 1970’s from such memorable dealers as Grace Dyar, Maureen Popp, Margaret Whitton, etc. $575 4) One of the finest Figure “C” Steiner’s with stunning blue paperweight eyes, peaches & cream bisque and a “look” that stops one in their tracks! Approx. 26” tall, mkd Fre C #6, she retains her original composition body which is in excellent original condition. Attired in an antique plaid dress, french shoes/boots, and a long blonde original mohair wig. $8500

DOLL AUCTION • Saturday, May 5, 2012 at 9:00 A.M.

f you have never attended one of our auctions, we cordially invite you to “discover” an auction conducted by the Dotta Auction Co. We have successfully been in the auction profession for over 30 years and have conducted a Spring and Fall Doll Auction for the past twenty years. One of our previous Doll Auctions was featured on the Smithsonian T.V. Channel and continues to be shown to this date. This auction will include over 400 lots of antique and collectible dolls from local estates and private collections. The selection features a set of Dionne Quints in a Merry-Go-Round and in a Swan Rocker plus others; collection of Steiff animals including animated store display in working order; vintage Barbie dolls; large selection of antique bisque dolls; Schoenhut Nature Baby; (2) Large Martha Chase dolls; wax and papier mache’ dolls; (2) A.M. “Just Me;” Alexanders; S.F.B.J. toddler #236; Ideal 25” compo Shirley Temple; Anita Page autographed statue (only 8 made); Rudolf Nureyev autographed hand crafted doll (each from the Billy Nelson Tyrell Collection); cloth dolls and so much more! Special Preview: Friday, May 4, 2012 from Noon to 7 p.m., Saturday the doors open at 8:00 A.M. For more information and auction terms, visit our website or AuctionZip.com (Auctioneer #1255)

Dotta Auction Co., Inc., 330 W. Moorestown Road (Route 512), Nazareth, PA 18064 • 610-759-7389 FAX 610-759-3992 • Website: dottaauction.com 42

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PA. License AY-1950-L

13" Heubach Girl - $900, 20" German Bisque - $550, 25" Kammer & Reinhardt Flirty - $850, 17" ABG #1361 - $850, 18" Kammer & Reinhardt #126 - $500, 10" Series C Steiner with faint hairline - $3800, 7 1/2" Antique Bear $400 Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • www.rubylane.com/shops/ashleysdollsandantiquities Billyehb@aol.com • All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC & NADDA

Stockings For Chiffonnette by Sylvia Mac Neil

Chiffonnette, a 17 ¾ inch doll attributed to Huret, stands barefoot, amidst an array of stockings, from soft, pastel tints to bold stripes and dashing plaids. She is charming, in her snood of bright red and cream Cluny lace trimmed with a bow of red, silk ribbon, with a cord of red silk at the back. Her chemisette of fine batiste features rows of hand-sewn tucks in front, and is trimmed with delicate Broderie Anglaise which matches the lightness of the fabric. The petticoat of finest cotton, borrowed for this eventful, inspiring occasion, is garnished with rows of dainty, white Valenciennes lace insertion and edging. Her hoopskirt is fashioned from antique, cotton mesh and an antique, lady’s hoop, complete with the slightly rusted, covered bands of steel and small, brass fastenings. 44

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n drawing our studies from the nineteenth century World of Fashion, we are made cognizant of the fact that the topic of stockings did not necessarily occupy a prominent place among the requirements of a trousseau. There was, however, a certain amount of space allotted to the subject in the popular ladies’ books of the time. If one chose to venture into the world, it was best to conform to its basic rules of etiquette. In the art of dressing, one was obliged, to some degree, to imitate the French, who, by general acknowledgment, were referred to as the most tasteful of societies. As regards evening footwear, elegant satin shoes were favored, ornamented with black or white lace, or bugles and pearls, and produced a pretty effect when corresponding with the rest of the costume. Silk stockings also embroidered with beads were worn with these shoes. Black satin slippers were considered the most suitable and becoming, as they reduced the apparent size of the foot. Black kid slippers were also worn, richly embroidered with jet. Others were made of silks and satins, some richly quilted. With these dress slippers stockings of silk with colored, silk clocks were worn. Clocks are ornamental, embroidered ﬁnishes to the leg and instep of knitted stockings and socks. They were stitched in silk in a color that either matched or contrasted with the stockings they adorned. The name given to this decoration is considered to have originated in the resemblance to the pendulum of a clock. During this period, toilet slippers were more fanciful than ever, being made of red, green, violet, or other color Moroccan leather, with heels to match. They were garnished on the toe with large bows of velvet or silk, in the center of which were huge buckles of steel, gilt, or jet. With these slippers, white silk stockings spotted with the same color as the leather were worn. For daytime, shoes with dainty, curved heels and pretty kid boots

Here’s Chiffonnette, donning a charming pair of silk, plaid stockings in soft shades of coral, charcoal and cream. A separate band of buff at the top, and a sole of the same buff, were cut from a different pair of socks, and set off nicely the colors in the plaid. The dots of coral, silk chenille in her snood match her stockings perfectly.

with high heels and silk tassels were considered in the best taste. They matched one of the colors of the ensemble, and silk stockings the other color. Ladies who did not wish a pair of shoes for each toilette, adopted, with dark dresses, black shoes with black silk stockings, and with light ones bronze shoes with pearl-gray stockings. For a lady’s skating costume, Balmoral hose were adopted. They were made in rounds of half an inch or so, in two colors, such as black and magenta, black with blue, or other hues to match the costume. Other favorites for skating were stockings of brilliant scarlet, or plaids of the brightest but most harmonious combinations. We can imagine, though perhaps merely a Parisian caprice, the distinguished appearance of a young Fashionable wearing Balmoral boots, bright Balmoral skirts, and still brighter Balmoral hose. In the most dreary weather, there was still a flaunting of bright skirts and a glancing of pretty faces on the ice and upon the pavement. Colored stockings were extremely fashionable for children, bright red, both in silk or wool, being the favorite; they adopted the same gay stripes and prettiest plaids. Also popular were gaiters of the same color as the dress, but children from two to four years of age, wore white, knitted gaiters decorated with clocks. Not to be overlooked, research material regarding stockings for dolls was found in the well known and everpopular, La Poupée Modèle. There were two patterns featured, one was printed in the first year of its publication, in March, 1864, and the other was in February, 1872. The pattern changed little, if any. The 1864 pattern is featured here: “…stockings which are cut from an old stocking and are sewn in an overcast stitch, on the wrong side, all the length of the leg.” In a footnote, this information, always with a keen eye towards business: “You will find at the house of mademoiselle Péronne,

All the featured stockings, fashioned from antique ladies’ stockings, are made using the pattern from the March, 1864, issue of La Poupée Modèle, and will fit a lady doll, or a child Huret or Rohmer, from 17 to 18 inches tall. They have a nice curve at the ankle, a squared heel, and separate soles with rounded toes. The socks at the left are made up in a soft, cotton plaid of pinks, gray and cream. A separate band at the top and the soles are made of plain cream. Fancy was allowed more liberty with the stockings on the right. They are made from lacey, knit, cream-colored cotton stockings. A textured band in the socks was placed at the top, giving the appearance of original, doll stockings. ANTIQUE DOLL COLLECTOR

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It’s no easy matter, managing her unruly hoopskirt and voluminous petticoat, while she contemplates her brightly colored, striped, cotton stockings. In the strongest shades of red, blue, green, gold and white, these socks have white bands on the top, and white soles, cut from the tops of the original hose. Vertical bands of yellow, bright green and dark blue embroidered in silk, chain stitch enhance the novelty of these stockings. Here she wears a snood of cream, handnetted cotton, accented with a ruff of pale, blue Cluny lace at the front.

Chiffonnette’s pale mauve, silk stockings are the prettiest folly of the day. What could be more perfect with her dress made up in an 1850s plaid in soft tints of mauve, gray, charcoal and cream, with its fanciful ruffles and ruching, pinked out along the edges using an antique pinking machine. 46

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These jaunty, little affairs of Eugenie bleue striped with black match her skirt to perfection. They are sure to find favor with all lovers of novelty.

rue de Choiseul, 21, some stockings all made, as well as some small felt hat forms without being garnished. I also recommend to you the boots with elastic sides and heels, and the Russian boots from la Poupée de Nuremberg.” In the 1872 issue, these instructions: “Stockings embroidered in point lancés, with colored silk of any color, for Lily. You cut these stockings from an old ﬁne stocking and you embroider each side. … For a costume for a carnival or for mi-carème, perhaps your doll would be delighted also to have some pretty shoes from the address, la Poupée de Nuremberg.” Point lancé is the simplest of embroidery stitches, made with short, straight stitches, easy enough for any child to master. Also in the magazine, in the August, 1865, issue, was a list for: “A Very Complete Trousseau For A Poupée. Claire, who is a skillful, hard working little girl, has made a splendid trousseau for her doll.” Included in the trousseau, listed in the underpinnings, among the four chemises and four combing jackets to match, besides one gored crinoline and one net crinoline, two white petticoats with scalloped trim and two petticoats with embroidery, and one woolen petticoat with a ﬂounce, and one corset, were listed: “4 pairs of stockings, 2 white, 1 red, and 1 with open work embroidery.” A small, seemingly unimportant and often overlooked item of attire was given the attention it was due. Such was the fashion of the day. With this important information at hand, one can create the most perfect little gems of stockings, cut from antique stockings, from the simplest, unadorned, white cotton to the boldest of stripes and jaunty plaid affairs, to the marvels of fanciful, open-work cream-colored cottons and silk.

In this photo, Chiffonnette wears a tasteful, black cotton snood, dotted with tufts of yellow chenille. She is able to control the hoops here, allowing her to lean forward a bit while putting on her elegant stockings fashioned of fine, textured, black silk.

The seam is sewn using a back-stitch with an overcast stitch to neaten the edges; the corner of the heel is clipped.

The sole is sewn on, carefully positioning the square corners on the sole with the clipped corners on the stocking. The seam is overcast.

The top edge of the stocking is folded narrowly once to the wrong side and basted. The edge is folded again and stitched in place. The basting stitches are then removed.

The result is a stocking that has a smoothly fitted sole and squared heel, perfect to grace any dollâ&#x20AC;&#x2122;s leg.

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NADDA in Boston May 11 & 12

e’re very excited about the upcoming NADDA show, to be held May 11 and 12 in Waltham, Massachusetts, only a short drive from Boston. It promises to be special on several counts, not the least of which are the events planned for Friday, May 11 by NADDA President Margaret Kincaid. A tour bus, limited to 35 attendees, will leave from the Embassy Suites Waltham and take us to the world famous Wenham Museum, home to the Miss Columbia whose historic two-year journey beginning in 1900 raised money for children’s charities. Following a docent led tour through the museum’s extensive doll collection, we will be on our way to the Peabody Essex Museum in Salem, MA, the oldest continuing operating museum in the US. Along the route a light snack will be served. Salem of course, is a charming historic town and the site of American’s witch trials in 1692. A delicious lunch will be catered by Salem’s renowned Hawthorne Hotel, after which we will return to the Embassy Suites with plenty of time to relax or visit with friends. At 6:00 pm you’re invited to the President’s Reception featuring a variety of hot and cold hors d’oeuvres. In keeping with NADDA’s mission to educate, a special exhibition on American made dolls, with a focus on early cloth, will be on view in the reception area. (Noted cloth doll expert Nancy Smith will discuss the dolls on exhibit prior to the show opening on Saturday morning.) At 7:00 pm, the moment we’ve all been waiting for – dealers open their suites and early buying begins. As in past shows, the stellar cast of dealers will have transformed their suites into doll shops. You can buy with conﬁdence from NADDA dealers, the world’s leading antique doll authorities who adhere to a strict code of ethics. You can also count on them bringing a fabulous and diversiﬁed array of antique and vintage dolls, doll 48

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clothing, miniatures and related merchandise. The suite format encourages a relaxing atmosphere where you can sit and discuss a doll and get to know the dealer. The cost for the Friday excursions including transportation, lunch, entrance fees to both museums, the evening President’s Reception and early entry to the show is only $150. The bus to the museums is limited to 35 people, so it is important to make your reservations early (credit cards are accepted). Call Margaret Kincaid at 410-3230373, email margaret.kincaid@gmail.com or mail your check or credit card information to Margaret Kincaid, 17 Elmwood Road, Baltimore, MD 21210. Please indicate your choice for lunch: crab salad, chicken or vegetarian. If you are arriving later and cannot take the bus tour, the cost for the President’s Reception and early entry to the show is $30 which can be paid at the entrance. The NADDA show resumes on Saturday, opening at 10 am and closing at 5 pm. Regular Saturday admission to the show is $6. To make your hotel reservation at the Embassy Suites Boston-Waltham, 550 Winter Street, Waltham, MA 02451 call 781-890-6767 or 800-362-2779. Mention NADDA for the special rate of $159. Parking is free. You can also reserve your site on the NADDA website: www.nadda.org. Hopefully you will have additional time before or after the show to enjoy Boston, rich with Colonial Revolutionary history. There’s so much to do in Boston – Faneuil Hall, Paul Revere’s house, Old North Church, the Public Gardens, museums and Boston’s eclectic shopping and dining on Newbury Street. We hope to see you there!

Meet Miss Columbia ★ ★ ★ ★

FRIDAY MAY 11, 2012

★ ★ ★ ★

Join us at the Waltham Embassy suites at 9:00 AM. We will visit the doll collection at the Wenham Museum followed by a visit to the Peabody Essex Museum in Salem where we will have a guided tour and luncheon then return to Waltham by 3:30. NADDA will have a President’s Reception at 6:00 PM and early opening at 7:00 PM The cost for the Tour, President’s Reception and early opening is $150. The cost for the President’s Reception and early opening alone is $30. NAME ______________________________________________________________________________________________ ADDRESS ___________________________________________________________________________________________ ■ VISA ■ MASTERCARD ACCT # _____________________________________________________________________ EXPIRATION DATE _____________ SEC CODE ___________ PHONE #_______________________________________ LUNCHEON CHOICES: ■ CRAB SALAD

■ CHICKEN

■ VEGETARIAN

There is limited space on the tour; so please respond early. Reply to Margaret Gray Kincaid, 17 Elmwood Road, Baltimore MD 21210 or phone 410-323-0373.

Do You Have a Mystery Doll ? I

wonder if anyone would be able to sort out this mystery for me? I recently purchased this beautiful doll by Lanternier, she is 18” tall and marked on the back of her head “Favorite, No. 4, Ed Tasson sc, Al & Cie, Limoges”. On looking through my doll books it seems that the Lanternier “Favorite” doll could be marked marked either “Ed Tasson” or “Ed Masson”. (In the Colemans Encyclopedia Vol. 1. p. 225, illustration 544 and Doll Makers and Marks by Dawn Herlocher p. 284, show Lanternier “Favorite” doll marks as “Ed Tasson” and “Ed Masson”). I was able to ﬁnd information on the French sculptor Jules Edmund Masson but nothing for an Ed Tasson. I thought that perhaps the letter “M” for Masson could have be blurred during manufacture and turned into a “T” but the “T” is very clear on this doll. It would be quite unusual for 2 sculptors of doll heads for Lanternier to have similar names so I’m guessing that the spelling “mistake” was made while making the moulds. If I’m wrong then I would love to ﬁnd out more! Email Georgina in Italy at geo@brown.sh or contact Antique Doll Collector, 717-517-9217.

subscriber Margaret Towner wrote us about the mystery doll seen in our February, 2012 issue. “I think it is David Lloyd George, Prime Minister of Britain from 1916 to 1922, whose white hair and moustache were notable. He was famous as a Welsh politician, but was involved in some scandals, so a caricature of him as a doll is quite likely.”

purchased this doll at a doll show several years ago for his appealing expression, eyes and mint condition. After getting him home and trying to ﬁnd any marks, I discovered a paper tag hidden under the dolls clothing written in pencil “unmarked boy, Germany, 14 inch, 1959.” I was afraid to remove the tightly ﬁtted clothing as it might cause damage to the garments. The doll has a human hair wig, is all original with a beautifully made regional costume in mint condition. His hands appear to be composition, with the torso and limbs made of a stockinette jersey fabric and his head celluloid. He has a wonderful face with painted features. His eyes are most usual as they almost look like glass eyes. I took photographs to the UFDC convention in Anaheim and approached many dealers and but none were not familiar with this doll. Can someone identify him? Email Rose at timelesstreasures4@mchsi.com.

I Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.

ANTIQUE DOLL COLLECTOR

APRIL 2012

s she a Bru, a Jumeau or what? Everyone I ask has a different opinion. She is unmarked, 20 inches tall with a bisque shoulder head, pierced ears, glass eyes, closed mouth, kid body with a small waist and large hips. Paula If you can help, email antiquedoll@gmail.com.

News

Christening and much more at Toy Worlds Museum Basle

he Puppenhausmuseum in Basil has a new name which more closely reﬂects its purpose – Toy Worlds Museum Basle. Since its opening in 1998, the Doll’s House Museum on Barfüsserplatz has attracted between 60,000 and 70,000 visitors a year. Each year, the museum stages two special exhibitions and a Christmas exhibition on the world of toys. With more than 6000 teddy bears, dolls, toy grocers’ shops, doll’s houses and miniatures, the exhibition is the only one of its kind in Europe. The museum in the heart of Basle’s inner city is home to the world’s largest collection of teddy bears, numbering more than 2500 in total. Beginning April, 21, 2012 until October 7, 2012, the Toy Worlds Museum Basle is devoting itself to a special exhibition on the theme of “Christening”. On display will be over 450 unique items connected with typical christening customs from the last three centuries. They provide fascinating insights into the various christening customs and traditions and how they came about. The exhibition will also include a competition in which three valuable Reborn dolls (dolls made from vinyl intended to look as much like a real baby as possible) Roullet-Decamps automaton, can be won. girl’s head and hands made of The “Christening and much more” celluloid, France, ca. 1930, special exhibition presents numerous Roullet-Decamps automaton, highly desirable collectors’ items boy’s head and hands made of including the elaborate silver rattles with porcelain, France, ca.1870 coral in countless shapes, christening Christening gown with handgowns, ﬁnely made silk christening embroidered edging, ca. 1880 cushions with Brussels lace and gifts given by godparents such as mugs, cutlery and christening plates. Another particularly interesting aspect is the wide variety of christening cards; the oldest in the exhibition dates from 1819. Numerous original photographs in very different styles provide an indication as to how a baby would be decked out for its christening in those days. “Christening and much more” takes the visitor on an incomparable journey through time to discover the origins, history and meaning of this ritual. With their diversity and uniqueness, the exhibition objects provide a splendid impression of the importance of christening. For more information visit www.toy-worlds-museum-basle.ch 54

ANTIQUE DOLL COLLECTOR

APRIL 2012

Baby shop, Germany, c. 1900 Photo of twins, ca. 1880 Photos Courtesy Toy Worlds Museum Basle

oard Member, Robin Wyatt, coordinated a very successful fund raiser for the Doll and Toy Museum of High Point, NC, during the Gaithersburg, MD Doll and Toy Sale the ﬁrst weekend in March. The sale came at a crucial time for the Museum which has been operating on a very limited budget for some time. All proceeds from the sale will go to the Museum to offset the cost of operation. Booth space was provided and donated by Ashley’s Dolls and Antiquities of Whitsett, NC. A huge thank you to all who donated to this cause by purchasing a doll or toy. Photo by Billye Harris. Submitted by Steva Allgood

CORRECTION for the Vallejo Doll Show

ancy Jo’s next doll show in Vallejo, CA at the Fairgrounds will take place on May 4 and 5, 2012. The dates were listed incorrectly in our last issue. The show opens Friday at 12:00 p.m. and Saturday at 9:00 a.m.

Caring and Sharing – A Baby Doll Project

re you looking for a project that serves your community, costs very little and is related to your interest in dolls? The members of the Ottawa Doll and Collectors Guild have found the perfect solution. They have created the Care and Share program, in which they deliver baby dolls to long-term care patients in residences around the city. These dolls have been giving these patients—particularly those suffering from Alzheimer’s or other forms of dementia—something to nurture and love. In the year 2000, Guild member Renée Gauthier came up with the idea for the Care and Share program after a neighbour had come over to see her doll collection. The neighbor, who worked in a long-term care centre, explained to Renée how many the residents seemed to enjoy cuddling with the centre’s clinical doll and how it was a shame that there was only the one doll available. Touched by the story, Renée decided to round up any suitable dolls she could and donate them to the centre and so the program was born. Since the program began, the Guild has collected, cleaned, repaired, dressed and placed over 800 baby dolls with elderly patients across the city. The program is a community service provided by the Guild and the members personally undertake all costs associated with repairing or cleaning the dolls, so as to not burden the participating facilities. Although there has been no scientiﬁc proof that presenting Alzheimer’s patients with dolls can improve the patient’s clinical state, studies have shown that cuddly dolls seem to alleviate a patient’s distress and eases his or her withdrawal from society. The patients forge an emotional bond with the dolls, sometimes allowing for past parental memories to emerge, and thus facilitating communication with residence staff and visiting family members. “When a client has something that they can own and be responsible for, it gives them something to talk about” explains Guild President Anne Taller, ”We can’t prove it scientiﬁcally, but we know by experience that the program works.”

Guild members remove noisemakers from the dolls to prevent patients from being confused by unfamiliar sounds (such as crying or giggling) at night. Because of the patients’ attachment to the dolls and the comfort they have brought them, families are welcome to take the dolls home and keep them once the patients have passed on. Since the Guild operates this program without a budget, the dolls generally make their way to the doll doctors via donations, garage sales and thrift shops. Guild members then sort the dolls, choosing those soft-bodied baby dolls that are ideal for the Care and Share Program. These dolls are then cleaned and dressed in real infant clothes, including ﬂannelette diapers that have also been found at thrift stores or hand-sewn or knitted by the Guild members. The ideal doll for the Care and Share program… …is a soft-bodied, baby-sized doll …has a bald head or features moulded hair (for sanitation purposes) …has eyes that are always open or eyes that open and close For more information about the Ottawa Doll and Collectors Guild, please visit the Guild website, www.ottawadollandcollectorsguild.com. The Guild has compiled some tips and hints gained from experience. If you wish to start your own Care and Share program, or ﬁnd out more about this service, please contact the Care and Share program at careandshare@live.ca. This article was excerpted from an article by Robin Redmond, originally published in @StatCan, Statistics Canada’s employee newsletter, in July 2007. It was updated by Anne Taller for reprint in this magazine.

Book Review

Colleen Moore’s Doll Castle by Carol Stevenson

ike many others I had heard of Colleen Moore’s Doll Castle, but the details escaped me. I only knew she had been a famous Hollywood personality in the 20’s and that her doll house was on display at Chicago’s Museum of Science and Industry. It was a delight to read this charming book which holds great appeal for dollhouse, miniature and toy enthusiasts. Colleen Moore’s love of miniatures and her desire to help crippled children after she suffered a serious accident led to the construction of the “Fairy Castle,” which toured leading department stores from 1935 to 1940 raising $650,0000 for children’s charities and hospitals. The popularity of the fund raising effort became an opportunity for other companies to sell related merchandise – Rich Toys made three different sized castles which could be furnished with miniatures from Tootsietoy and Effanbee’s Wee Patsy became the Fairy Princess. It took the author nearly twelve years of searching to ﬁnd an eight-room castle made by Rich Toys. Continuing her research she spoke to relatives of the founders, Maurice and Edward Rich, only to discover that very few of the castles were made. Close-up photos of the author’s 8-room castle show that inside its walls life was very agreeable with numerous all bisque dolls from the 20’s enjoying the cozy comforts of the Tootsietoy furnishings. Other Colleen Moore tie-in merchandise advertised by Chicago’s The Fair department store in 1935 was collected – a cut out book of paper furniture, a doll house story book, Wee Patsy in her special castle box, and a storybook written by Colleen Moore. A 3-D magic theatre and reels of “animated ﬁlm” are also pictured along with a closer look at the Tootsietoy furnishings, the dolls, carpets and accessories used in the eight-room castle. Softcover, 64 pages, $18. To order visit www.littlecreekpress.com

ANTIQUE DOLL COLLECTOR

APRIL 2012

Marion Maus

Specializing in Dolls and Miniatures Ellicott City, MD • Phone 443-838-8565 mmausantiques@gmail.com Member NADDA, UFDC

All original German shop with antique accessories and original old glass windows. Made of oak, this impressive shop measures 28”w x12”d and15”h.

Which American Toy Co. was the largest in the world in 1908? The A. Schoenhut Co. of Philadelphia, PA!

The Schoenhut Collectors’ Club invites you to JOIN NOW!

Antique Doll Rafﬂe

Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookﬁeld, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com

Visit our website and shop online: www.catspawonline.com

Saturday Doll Workshops Call for Info

Catalog price is $8.95 post paid

Accessorize Your Dolls!

ANTIQUE DOLL COLLECTOR

APRIL 2012

●

Send to: Schoenhut

Collectors’ Club,

72 Barre Drive Lancaster, PA 17601-3206 Phone 717-569-9697 Email:jwellsjr47@aol.com Visit www.schoenhutcollectorsclub.org

Gaithersburg, MD Doll Show March 3 & 4 T

he promise of springtime greeted showgoers at the March Gaithersburg Doll Show with booths decked out with ﬂowers, bunnies, chicks and Easter candy. For this, the 157th show, and for the rest of the year, guest speakers will present

free lectures and demonstrations each Sunday. Some sixty dealers presented ﬁne antique and vintage dolls, miniatures, holiday decorations, doll clothing, teddy bears and related merchandise. The next show is June 2nd and 3rd.

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1. All original crying Jumeau automaton with Polichinelle, $13,500. Phil May, Ocean Grove, NJ. 2. Marshall Martin, Folsom, CA and Lynn Murray, Ontario, Canada. 3. 27-inch Jumeau fashion, $4900 and 10-inch all bisque Kestner, $700. Donna Kirsch Smith, Portland, IN. 4. Back row, P.G., $3850 and F.G. Bebe, $5500; in front K * R 101 Marie, $2100 and Tete Jumeau bebe, $3850. Becky and Andy Ourant, Adamstown, PA. 5. 24-inch Fre A Steiner; 16-1/2-inch Series C Steiner and 20-inch Series C Steiner. Rick Saxman, Valley Forge, PA. 6. Style I Kathe Kruse dolls, left, all original $4500 and right $2800. Linda Kellermann, Glen Allen, VA. 7. Billye Harris, Whitsett, NC, always decorates her booth for the season. This time it was spring flowers, candy and Easter bunnies. A June wedding scene is planned for the next show. 8. Holiday decorations are the specialty of Scott Tagliapietra, Whitefish Bay, WI. 9. Left to right: Tete Jumeau; Heubach character; FG fashion; unmarked fashion and in front all bisque S&H 886. Gigi’s Dolls and Sherri’s Teddy Bears, Chicago, IL. 10. Cabinet-sized cuties offered by Marion Maus, Ellicott City, MD.

ANTIQUE DOLL COLLECTOR

APRIL 2012

1. Rare infant marked P 123 and Jumeau bebe. Tore Scelso, Saratoga Springs, NY. 2. Left to right, Steiner C Bebe; Incised Jumeau; EJ Jumeau; RD Bebe; in front Hertel & Schwab 173 Googlie. Grandmaâ&#x20AC;&#x2122;s Attic, Joyce Kekatos, Bronx, NY. 3. K * R 117A, $3350 and 16-inch AM 550, $2495. Ann Lloyd, Doylestown, PA. 4. Steiff character dolls, all original and velveteen rabbit playing the accordion. Fritziâ&#x20AC;&#x2122;s Antique Dolls, Yorkville, IL. 5. 11-inch French candy container with original box, $2495. Sherri McMasters, New Concord, OH. 6. Munich Art dolls, Jay and Connie Lowe, Lancaster, PA. 7. Early papier mache commemorative case doll, all original, circa 1840, $4,000. Virginia Aris, Pennington, NJ.

ANTIQUE DOLL COLLECTOR

APRIL 2012

Heads and Tails continued from page 36

“dressed Mattie herself, copying a design from Godey’s Lady Book and taking great pleasure in her work,” Margaret wrote. (Margaret was Elia’s niece and Lucy’s daughter.) Lucy, age 75, was probably an excellent seamstress, someone interested in dressing Mattie according to period. Or perhaps she just intuitively knew it was the right thing to do. We don’t know what this effort cost Lucy in terms of energy. But we do know that she finished Mattie just before she died. Mattie’s legacy is a testimonial to the culture of the Virginian aristocracy in American history. MILDRED STONE SCOTT’S DOLL In December 1862, Confederate General Robert E. Lee’s 75,000 troops were entrenched high on Marye’s Heights, the ridge of hills above Fredericksburg, Virginia. Securely the Confederates waited behind a stone wall, squinting down on an open plain. Their position was so strong a Confederate officer said, “A chicken won’t live on that field when we open on it.” The Union looted Fredericksburg after they crossed the Rappahannock River. Then they moved forward to attack the Confederates. Repeatedly, Union Major General Ambrose Burnside’s men –113,000 strong –tried to break through strongholds. But the Confederates cut down wave after wave of Union soldiers. “It is well that war is so terrible, or we should grow too fond of it,” said General Lee, watching the tragedy from afar. Instead of changing his faulty plan, Burnside stubbornly continued to attack the Confederates. Sometime during the four-day Battle of Fredericksburg, the doll’s provenance says, in the midst of confusion and turmoil, an unknown Confederate officer gave a large wax-over composition doll to four-year old Mildred Stone, who was ill with rheumatoid arthritis. We may never know what ultimately happened to the soldier or Mildred. Even the German manufacturing history of Mildred’s doll is shrouded in mystery. Yet after 150 years, it seems a miracle that Mildred’s doll is still in her crispy, original condition. Her simple elegance is a joy to behold! Interesting dolls like those owned by Mildred Stone Scott, Julia Flisch, and others preserve a segment of our diverse American cultural heritage. More than 150 years after the Civil War, dolls at The Museum of the Confederacy still tell their true stories of courage, compassion, loyalty, and leadership. Indeed, they are real American girls. Karen B. Kurtz is a lifelong doll collector, writer, consultant, and UFDC member-at-large. In the 1990s she founded and published The Kurtz Kollection, a premier line of stationery and greeting cards featuring the images of precious dolls, for customers worldwide. Her husband, Mark A. Kurtz, is an award-winning photographer.

This wax-over composition doll, 30 inches, belonged to Mildred Stone Scott, and is attributed to Kestner. She resembles other Kestner Flat-Top chinas of the period. From the 1850s through the 1870s, perhaps even longer, Kestner used the same master mold for wax-over composition and porcelain dolls. Mildred’s doll has ten sausage curls around a center part. Her features include bulgy black pupil-less glass eyes, red eye corners and nostrils, and multi-stroke feathered brows. Her cloth body has ballet feet and mitten hands with individually stitched fingers. Mildred’s doll wears a simple cotton dress with deep flounce, circa 1860s.

MOC is expanding into a multiple-site Museum System to include Richmond, Appomattox, Fredericksburg, and Fort Monroe. Construction of MOC-Appomattox will be completed in 2012 at an estimated cost of $7.5 million. It’s the largest brickand-mortar project in the nation during the Civil War Sesquicentennial, 2010-2016. For more, see www.moc.org. MOC-Richmond campus includes the Museum and The White House of the Confederacy. The original campus will continue educating visitors about the War Between the States. A few of MOC’s Civil War dolls are displayed in the second floor nursery of the White House of the Confederacy. Shown here, its beautiful back yard garden. At street side, the daily hum of a modern city. MOC is located next door to the White House and stewards most of its doll collection in storage vaults. ANTIQUE DOLL COLLECTOR

APRIL 2012

Fritzi’s Antique Dolls

Buying and Selling Collections • Please Call 630-553-7757

Email: fritzisantiquedolls@comcast.net • Member NADDA and UFDC

SEE YOU AT THESE UPCOMING DOLL SHOWS!

March 31: Madison, Wisconsin. Madison Turners Hall, 3001 South Stoughton Road April 15: Toledo, Ohio. Toledo Doll and Bear Show. 4645 Heatherdowns. New management April 22: Chicago, IL. Chicago Toy Show, 8 am - 3 pm. Kane County Fairgrounds, 535 S. Randall Road, St. Charles April 28: Des Moines, Iowa. 9 am - 3 pm. Iowa Street Fairgrounds. May 11 -12: Waltham, MA. NADDA Show. Embassy Suites, 550 Winter Street

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

27” Kammer & Reinhardt 117/A “ Mein Leibling” character doll with sleep blue eyes, original blonde mohair wig and nicely outfitted in antique fabrics. $4250 BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

13” J.D. Kestner black “Hilda” character baby with beautiful even coloring, original wig and antique clothing. $2400

Antique DOLL Collector May 2012 Vol. 15, No. 4

May 2012 Vol. 15, No. 4 $595 / $695 Canada www.antiquedollcollector.com

Wonderful Dolls of Your Dreams are Coming For Auction

We MissYou! If you’ve been thinking about subscribing again to Theriault’s doll auction catalogs, this is the perfect time.

Subscribers will receive the catalogs at 50% savings. And that’s for a ten-issue subscription. If you order a 20-issue subscription the savings are even greater. We’ve worked hard to make the catalogs more beautiful than ever – and keep the cost as reasonable as possible. Remember that your subscription price includes shipping costs. Your catalogs are sent rapidly by express mail or UPS, and you will also receive after-auction prices realized. Another benefit for you: if you are solely interested in antique dolls, you can choose to “opt-out” of any specialty catalogs such as modern dolls or doll costumes.

So please come back to us. Call today at 800-6380422 (or order online at theriaults.com or fax to 410-224-2515 or mail to Theriault’s at PO Box 151, Annapolis, Maryland 21404 to get started again.

adc_0512.indd 1

This Spring and Summer 2012 From Theriault’s Private estate and museums from England, Germany and France, and from throughout the United States will be highlighted at these wonderful auctions. Make plans to attend them all. THERIAULT’S UPCOMING SUMMER DOLL AUCTIONS May 19, 2012 - Estate Auction - Baltimore, MD at the BWI Marriott June 23, 2012 - Estate Auction - Baltimore, MD at the BWI Marriott August 19, 2012 - Estate Auction - Baltimore, MD at the BWI Marriott July 22 - 23, 2012 - Marquis Catalog Weekend - New Orleans, LA at the Westin Canal Place

Theriault’s doll appraisers will be available in New Orleans during that auction. If you have fine dolls or collections you are considering parting with, please call our office in Annapolis at 800-638-0422 for preliminary information or to schedule an appointment at the hotel or at your home. Visit www.theriaults.com for details about these auctions. Be sure to register your email address so you can receive up-to-the-minute emails about auctions. If you are not on our mailing list you are welcome to call 800-638-0422 to request a free color brochure.

the dollmasters PO Box 151 • Annapolis, Maryland 21404 USA • Telephone 410-224-3655 Fax 410-224-2515 • www.theriaults.com

4/6/12 10:27:54 AM

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 14" Rare Schmitt Bebe, magnificent blue threaded outlined p/w eyes, luscious lashes, immaculate pale bisque, great orig. mohair wig & pate, wears orig. burgundy silk & lace dress, (some fraying on dress), frayed sleeves covered by fabulous ant. ermine stole, gorgeous ant. Fr. hat, orig. undies, orig. shoes & socks. Fully "signed" head & orig. "signed" early 8 ball jointed st. wrist body. Extremely RARE Schmitt face. Out of my collection & she is BREATHTAKING!!!! $18,900. 3. - 4. 23" F.G. Block Letter Bebe, huge 1-2 bulging blue p/w eyes, immaculate pale bisque, great mohair wig w/loads of curls & orig. pate, wearing beautiful ant. pink silk & lace dress, ant. undies, Fr. ant. silk & lace hat & handmade leather shoes w/rosettes. On orig. early 8 ball st. wrist body, "Gesland FG Bebe Paris" label on back. Desirable Bru type tongue tip & OUTSTANDING beauty, the BEST!!!! $8500. 5. 7" Kestner #143, blue sl. eyes, mint bisque, 2 upper teeth, orig. mohair wig & Kestner plaster pate. Wears ant. silk dress, darling handmade leather shoes & ant. hat. On great orig. Kestner body w/jointed knees. TOO CUTE for words. ADORABLE!!! Only…$1175. 6. - 7. 16" Gebruder Heubach #5636 Character, amazing sparkling blue sl. eyes w/painted & upper orig. mohair lashes, mint pale bisque, fabulous orig. 5 mohair wig pate. Wears magnificent ant. blue silk dress, ant. beret & orig. leather shoes. First out of the mold deep modeling, adorable deep dimples. Loaded with presence & the cutest EVER!!! O/Cl/Mo. w/molded tongue & 2 lower molded teeth, on orig. Heubach body. An absolute DARLING!!! $3295. 8. - 9. 23 1/2" Steiner Fire A Bebe , big blue p/w eyes, mint pale bisque, ant. mohair wig & orig. Steiner pate, wears orig. ornate velvet dress, loaded with decoration & silk apron, layers of ant. undies, ant. velvet hat & "signed" Jumeau shoes. On orig. early chunky st. wrist Steiner body w/"Steiner Label" . Wonderful desirable soulful expression. Absolutely GORGEOUS!!! Only…$5800. 10. - 11. Rare 7 1/2" Steiner Size #1 Bebe, beautiful pale bisque, light blue p/w eyes, orig. mohair wig & pate, wears fabulous Fr. ant. silk & lace dress, orig. slips & camisol, orig. "marked" Steiner shoes, orig. bracelets, socks & fabulous Fr. ant. silk & lace hat. On orig. "fully" jointed Steiner body. Smallest & most adorable fully jointed Bebe I have EVER seen!!!! Out of my collection! RARE size & absolutely GORGEOUS!! Only…$6500. 12. - 13. 19" K * R Mein Liebling #117A, amber sleep eyes, perfect bisque, ant. orig. mohair wig & pate, wearing adorable ant. burgundy wool jumper & ant. batiste under dress, ant. undies, fabulous ant. Fr. hat, socks & ant. leather shoes. On original K * R body. Great pouty expression & best bisque coloring. So adorable she will melt your heart!! $4450.

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

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LAYAWAY AVAILABLE

Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.) Photos by Vincent Lanza

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Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 18 YEARS TWO SPECIAL PRESENTATIONS 1 - 3. 21 1/2” Jumeau Portrait Fashion in orig. box w/ orig. wig, pate, and factory chemise. $5950. 4 - 5. All orig. Au Nain Bleu German sweetie, for the French Market, w/ boutique label on back, resting on her basket layette. (Doll is 7” tall) $895.

Exhibiting: May 4 - 5 - Nancy Jo’s Doll Show and Sale, Vallejo CA, Vallejo Fairgrounds May 26 - Forever Young Doll Show, Pasadena CA, Elk’s Lodge

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray Sales Representative: Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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ANTIQUE DOLL COLLECTOR

MAY 2012

Carmel Doll Shop

April Showers bring May Flowers – Here are some of the Prettiest Blossoms in our Spring Garden! 18” Wigged or “Biedermeier” China with a perfect shoulderhead, beautifully painted facial features, and a marvelous mohair wig secured by a lace snood. On an old leather body in good condition, she wears a glorious ball gown, along with a party mask she “carries” in one hand, and a paper calling card that she holds in her left. $3200. 8-1/4” China shoulderhead featuring a classic hairstyle with very fine wisps at the temples. On an antique cloth body with original china limbs, there are minor flakes on the underside of the fingertips, plus a repair to one boot. The dress, of floral-printed, lightweight cotton with black trim, is just exquisite. $650. 20” Bru Jne. 9 with a perfect bisque head, blue p.w. eyes highlighted by mauve shadow, and a luxurious blonde mohair wig. Her classic Chevrot body features lower wooden legs and perfect bisque arms, which are the unusual variety that feature separated fingers. Mlle. Bru wears a classic Bru-style dress in floral-printed light tan silk, with taupe silk accents. A beautiful Bebe Bru with a very sweet look. $25,000. 21” E.9.D (Emile Douillet) with a perfect bisque head, deep blue p.w. eyes highlighted by luxurious lashes and brows, pierced ears, and a lush auburn mohair wig. The jointed composition body bears scattered, expert re-touching. The costume of taupe satin features fine lace and exquisite buttons, while leather bebe shoes are a treat. $6200. 19” Bebe Phenix impressed *90 upon the perfect bisque head, with

blue p.w. eyes, an antique brunette mohair wig, while the jointed composition body bears a few areas of in-painting and refreshing to the hands (light flaking). Classic lines abound in her lovely bebe dress of taupe and dusty pink striped iridescent silk. An unusual bebe at a price point no one can afford to overlook. $3900. 28 ½” Smiling Bru Fashion (size M) with perfect bisque, beautiful blue p.w. eyes in almond eyecuts, and a gorgeous original wig. On a clean kid leather body showing normal wear and a few patches, this example wears a Continental, but Chinoiserie-inspired silk gown with exquisite floral embroidery -- an amazing presentation. $14,500. 11” Fashion Teenager with perfect bisque, pale blue p.w. eyes in large eye cuts, pierced ears, and a darling brunette mohair wig worn down in youthful soft curls. On a classic, non-gusseted leather body that is in very good condition and is complete with a Jumeau boutique stamp, Mademoiselle is exquisitely dressed in the enfantine manner. $2750. 14” François Gaultier Bride with a very pretty and perfect bisque head, she has blue p.w. eyes in large round eyecuts, pierced ears and her original dark blonde mohair wig. On a classic non-gusseted body in very clean sturdy condition, this blushing bride wears a sublime wedding gown of cream satin with delicate lace accents. $3200. 16-1/4” Jumeau Fashion, with fine painting, cobalt blue eyes, pierced ears and a fantastic original wig. Her leather body is a patented product

of Edouard Briens -- we have offered only two of these in our entire career. In very sturdy, clean condition, the body features articulated arms that end in bisque forearms with nicely modeled hands (loss to tip of one finger) plus articulations at the hips and knees. Mlle. wears a mourning costume, but the subtle additions of lavender means she is coming out of that period of her life. $9800. 14-1/2” K*R 121 Baby with perfect bisque, brown glass sleep-eyes, an open mouth with two teeth and a wobble tongue, plus her original mohair wig. Her bent-limb body retains the original finish (save for some refreshing of paint to her fingers) and she wears a sweet christening gown and an extra-nice lacy bonnet. $1150. 22” Kestner Bru, size 14, with a perfect bisque head, brown glass sleep eyes, amazing modeling, plus a lovely antique human hair wig and plaster pate. The composition body bears the original finish in exceptional condition, she wears an original chocolate brown wool coat dress with gorgeous cutwork decoration – extraordinary! $6500. 22” Simon & Halbig 719 with a perfect bisque head of excellent quality, blue p.w. eyes in even eye-cuts, pierced ears, and a fabulous mohair wig worn in long curls. On a chunky jointed wood and composition body with straight wrists, it bears the original paint finish showing normal wear. Of cream slipper satin, the A-line dress is a triumph, with its monochromatic applique and silk-covered buttons. $3200.

May 2012 Volume 15, Number 4

“WHAT’S INSIDE MISS BAGGY PANTS?” The Repair of a Terrene French Fashion Doll by Kathleen Crescuillo

A MYSTERY DOLL BY KESTNER?

by Penny Hadﬁeld Pretty pink shoes with bows perplex the experts.

At last year’s UFDC Convention, Kathleen Crescuillo discovered a French fashion in need of repair. The doll had a body style known as Terrene, affectionately known to collectors as “Miss Baggy Pants,” referring to the covering of leather on her hips and thighs to below her knees. The author walks us through the process of restoring this fascinating doll. Photo and Collection Kathleen Crescuillo.

About The Cover

VICTORIAN TRADE CARDS AND THE DOLL MOTIF by Elizabeth K. Schmahl Appealing to busy mothers, merchants often used heartwarming images of children and dolls in their advertising trade cards. 6

ANTIQUE DOLL COLLECTOR

“BABS” TAKES HER FIRST STEPS A Bit of a Doll History Mystery by Donilee Popham A ventriloquist would give birth to a walking doll. MAY 2012

MY NAME IS MARILU, AND MY HOME IS IN THE CITY OF BUENOS AIRES by Dorothy Hunt Sold only in Argentina and originally produced by K * R using their Mein Liebling model, these composition dolls were favorite playmates.

14 Auction Gallery 46 Emporium 54 Mystery & News

SMALL DELIGHTS: THE WORLD OF ALL-BISQUE DOLLS Photographed at the 2011 National UFDC Convention by Keith Kaonis

59 Back Issues 60 Calendar 63 Classified

SCHOENHUT DOLLS IN THE STRANGEST PLACES by Diane Dustir The story of two dolls found in an antebellum Civil War Mansion.

Everyone loves the cabinet size Bébés. Imagine then, the excitement surrounding this miniature 12” tall Fully Jointed Bébé Phénix! With her scintillating facial details and her aristocratic aspect, she captures all the elegance of this rare Bébé Phénix in an even more rare cabinet size by combining immaculate bisque with a faultless beautifully formed fully jointed Steiner body retaining its original patina. As graceful and dramatic as a Renoir ballerina you’ll appreciate every bit of her from mint hip length antique wig to her factory rosette tipped silk shoes! $5000 Who wouldn’t want the their wood body fashion to be the one that is clearly signed “Bru” on her shoulder? Such is the case with this 15” tall Jointed Wood Body Bru from the early period of the 1860’s. Her serene beauty with delicate complexion and blue PW’s eyes is fully animated whether she is perfectly standing or graciously seated. She has original pate and wig, complete underwear and important two strap leather heeled bootines. She comes with antique two part bustled gown. What an early example she is of the vaulted wood body parisienne by the exalted firm Bru. $6800

(212) 787-7279

P.O. Box 1410 • NY, NY 10023 Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA

Dolls with painted eyes are artistic dolls, and a sophisticated choice such as this from the elite group of Kestners. They were produced in fewer numbers than many of the K & R characters with painted eyes. This 15” Kestner character child “179” on her mint, signed jointed body is a perfectly painted portrait of an Edwardian child that reflects the fairy tale innocence of her era with trusting blue eyes, a gentle blush of youth and a respectfully closed mouth – all surrounded by a cascade of merry curls and wrapped in a lavender and lace party dress. $3500

What is an extraordinary Jumeau? This fully signed 22” Tete Jumeau lady with closed mouth has original cork pate and factory lady wig with ringlet hang curls. She features a rare, fully jointed Jumeau body, fully dressed, having shapely torso with pronounced molded bust, slender waist and rounded hips beneath her original camisole with attached pantaloons. Her flawless ivory complexion encases dazzling blue PW eyes. The perfect choice for anyone who loves the unusual doll – French, lady or otherwise! $6800

Auction Gallery

Theriault’s March 30, 31 and April 1

An unusually large A.T., at 38”, marked A 15 T, circa 1888, sold for $38,000. A musical automaton by Vichy depicting an elegant lady seated at a piano-harp (37” overall) brought $36,000. Her bisque portrait head is marked Depose Tete Jumeau 10.

An outstanding French bisque bebe by Leon Casimir Bru with signed Bru Shoes, 28”, circa 1885, brought $26,000.

ANTIQUE DOLL COLLECTOR

t was a grand weekend – three days of beautiful dolls at Theriault’s auction conducted in San Francisco, March 30, 31 and April 1. A hands on seminar conducted by Florence Theriault, free to readers of Antique Doll Collector, took place on Friday. Then on Saturday an important auction of antique dolls and automata featuring private collections from France, Germany and the U.S. Sunday saw the auction of De Kleine Wereld Doll and Dollhouse Museum of Leirs, Belgium offering French fashions, rare dollhouses and miniature shops. Here some highlights from the weekend’s events (prices do not include buyer’s premium.) Theriault’s, PO Box 151, Annapolis, MD 21404 U.S. and Canada: 1-800-638-0422 www.theriaults.com The smiling poupee by Leon Casimir Bru, 17” with “cafe-aulait” complexion and brown-tinted kid poupee body, circa 1873, the only known “Smiling Bru” with this complexion, in original purple satin and wool fashion costume, brought $14,500.

Marked Van Rozen France Depose, this rare 15” bisque socket head on a French composition and wooden fully-jointed body, one of few examples known to exist, brought $16,500.

Bringing $14,000 was this large one-room wooden store (28 inches) with an elaborately constructed interior with built-in shelves on back and one side wall, a side staircase with railing, and a balcony with railing. The store is ready for business with 55 boxes of shoes as well as additional empty boxes and extra shoes. 14

MAY 2012

The earliest period E.J. Bebe by Emile Jumeau with the original costume and signed E.J. shoes, 22”, realized $12,500.

A 17” pink-tinted porcelain shoulder head by DuvalDenis, successor to the Blampoix firm for a twoyear period only, 1861-1863, and sold in the Paris toy shop, Au Pere Noel, brought $10,500. The doll was sold with her original trunk, trousseau and an extremely rare hand-written inventory of the clothes that she owns titled “Liste de Trousseau de ma poupee.” The doll and trousseau were featured in our June 2009 issue. More Auction Gallery on p. 56

Sandy’s Dream Dolls Sandy Kralovetz

Always Buying Dolls of Quality 602.228.1829 281.339.0269 skayk43@aol.com Houston Showrooms

Antiques On 8 Thompson Antique Gallery Mailing Address: 9825 Moers Rd, Houston, TX 77075 Member UFDC & NADDA Visa - MC

All Original Tete Jumeau Size 15 - 33 Inches BL-PW-Eyes Beautiful Bisque Great Body Blue Body Stamp

Victorian Retreat Antique Dolls QUALITY DOLLS AT REASONABLE PRICES

Check out my Ruby Lane site: www.victorianretreat.rubylane.com Lynne Shoblom • P.O. Box 2461 • Prescott, Az 86302 928-445-5908 • 928-713-1909 • email: victorianretreat@msn.com Member UFDC • Visa, Mastercard, Discover, PayPal accepted Generous Layaway Plan See these dolls and more at the NADDA SHOW AND SALE, Embassy Suites Boston/Waltham, 550 Winter St., Waltham, MA on May 11 and 12 and the PRESCOTT DOLL SHOW AND SALE, Sunday, June 3 at the historic Hassayampa Inn, 122 E. Gurley St., Prescott, AZ. - 10am to 4pm. Hands on workshops: Saturday, June 2 at the Victorian! Please call Lynne 928-713-1909 or Diane 928-308-2644 for details. Check out our website: prescottdollshow.com Exquisite 14 1/2” Size 6 Jumeau! What a darling French Bebe with an early look! She has big blue spiral glass paperweight eyes, lovely bisque and coloring, delicate brows and a beautifully painted closed mouth. She is fully marked head and body, has her original body finish, blond mohair wig and cork pate. Gorgeous antique clothes too! A lovely small Jumeau! $4295 RARE 16” open mouth XI by Kestner! You will find closed mouth XI’s but hardly ever the elusive open mouth version! This darling is just as adorable as they get and even cuter than her closed mouth sisters with more of a character look. She has brown sleep eyes, beautiful bisque, finely done painting and an open mouth with square teeth. She has her original early Kestner fully jointed body with it’s original finish. Her clothes are antique and her wig and pate are original. A rare and completely wonderful doll! $3195 16

ANTIQUE DOLL COLLECTOR

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Danny & Barrie Shapiro

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The Queen of Hearts is the latest edition in R. John Wright’s remarkable Alice In Wonderland series. She represents the pinnacle of felt doll making and exemplifies the culmination of John and Susan’s 36 years of creating exceptional felt dolls.

The Queen of Hearts, Mad Hatter, March Hare and Alice are in stock and available for immediate delivery at The Toy Shoppe. call us toll free 1 800 447-7995 visit our website www.TheToyShoppe.com visit our gallery 11632 Busy St, Richmond, VA 23236

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4/12/12 1:55:12 PM

What’s Inside Miss Baggy Pants? The Repair of a Terrene French Fashion Doll by Kathleen Crescuillo

uring the latter half of the 19th century various French doll makers came up with many inventive designs for doll bodies. In those early years of doll designing the many ﬁrms were in serious competition with each other to make the better and more saleable doll. This fueled the ﬁre for all the different and sometimes odd body styles. These different body styles are of great interest to me since they allow dolls to have varying degrees of articulation and make them more than just mannequins for their lovely fashions. A stiff kid body doll, no matter how lovely, is not as fun as a doll I can pose and animate. I think it goes back to my childhood when I had many fun times playing with my little Betsy McCall doll. Her knees could bend and this added great play value to the doll. This was fun until I tried to have her straddle

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my Bryers pony and snapped her leg off at the hip, later to be repaired by me as an adult. At last year’s UFDC doll convention in Anaheim, CA I was determined to ﬁnd a doll with something unique. I found that special doll in the sales room on opening night, when a friend brought my attention to a Briens Fashion doll she had for sale. (Photo 1) A Briens has a patented early body style that involves the stuffed kid thighs being attached diagonally at the hip. There are inserted wooden washers that allow the legs to pivot somewhat like a teddy bear joint. The knees and bisque arms are also jointed in innovative ways involving half

wooden balls inserted in the kid allowing articulation. (Photo 2) I was so happy with this beautiful doll, that I was satisﬁed to go home with only her as my treasure from the convention. But each time I walked around the sales room my attention was always attracted to a pitiful fashion doll lying on a table, having no clothes and eventually a detached head. (Photo 3) I would call this doll a true basket case since she needed so many things repaired. Her legs were ﬂoppy and loose and appeared to be ready to fall off. The friendly and honest dealer brought attention to an invisible repair to the bisque under her chin. I recognized that she had a body style frequently referred to as Terrene. Another fun name, which is used to describe this doll is “Miss Baggy Pants,” referring to the covering of leather on her hips and thighs to below her knees. This has the appearance of ANTIQUE DOLL COLLECTOR

MAY 2012

loose leather pants and is part of her body and is not removable. With a little patience and investigation, I knew I could repair this fascinating doll. Restored to her former glory, she would be a welcome, lovely addition to my collection. Terrene dolls usually have very beautiful faces, and their unique articulation makes them desirable to collectors. I would have had to pay much more for a perfect one, which was not in my budget at that time. With a flaw in the bisque, problems with her legs, the splitting metal seam on her left upper arm, and being undressed, I was able to acquire her at a bargain price. My thoughts went to a doll I had at home that had a Terrene paper label on her body. I could examine the way that the legs are attached on an original marked Terrene. Up to that point, I hadn’t really investigated what was involved in the mechanism used to join hips, thighs and knees, in this kind of doll. After returning home and comparing the dolls bisque modeling and body construction, I found them to be nearly identical. The only difference between the dolls was the face painting and eye color. (Photos 4-6) Each doll’s body was covered with a delicate kid leather. The kid was stretched around the hollow carton torso in one continuous piece, meeting in a seam at the back. It appeared the kid was applied wet, and when it dried, had shrunk tightly to the body. The vertical joint up the back was covered with a long thin strip of kid to hide the seam. The lower carton legs of both dolls were also covered in the same manner. Below the waist, the bodies were fitted with heaver kid leather that was constructed like a pair of knee length pants. They were sewn with a seam at the crotch and a seam at the back of each leg. The cuffs at the knees were hemmed. All this was gathered up loosely over the upper legs and derriere, and glued smoothly around the waist. To cover up this seam, a thin strip of kid was then wrapped around the waist like a belt, meeting at a slight angle in the front. A piece of shaped kid covered the soles of the feet. They both had beautifully shaped bisque lower arms with separated fingers. The upper arms were made of a molded twopiece thin metal shell that was welded together, painted a cream color, with an internal spring at the elbow. (Photo 7) The shoulder plate had to be removed from the torso in order to reattach the head. Care was taken not to damage any of the kid overlapping the edges of the shoulder plate. The head had become detached because the rusty wire securing it to the

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shoulder plate had broken at a bend. All the attaching spring parts were still with the head. (Photo 8) When the shoulder plate was removed from the kid body I had noted the expected incised markings of “E 4 B” indicating Eugene Barrois, the maker of this style doll, and size 45cm. (Photo 9) Barrois would commission porcelain heads designed by his many artist friends and then assemble dolls using various body styles. Sometimes he would use this body style, which was originally designed by Marie Emmanuel Cruchet, who did not exploit his patent but leased it to Barrois. Now you ask where Terrene comes into all this. Terrene was a doll merchant not a manufacturer. Because dolls of this body type are frequently found with the Terrene label still remaining, the name has come to be attached to this style doll. (“The Panorama of Parisienne Dolls” By Danielle & Francois Theimer, Pages 152-153, 189, 215-217) (Photo 10) Attaching the head to the shoulder plate was simply done using all the original springs and leather linings. The broken rusty wire was replaced with a longer wire shaped like the original with a loop on top. Once threaded through all the original parts, the new wire was bent back on the spring, allowing proper tension when connecting the head to the shoulder plate. (Photos 11 and 12)

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I rolled up the loose leather covering the thighs on both dolls. Upon examination of the knees I discovered how ingeniously the legs were attached. (Photo 13) The thighs were simply carved wood sticks with a horizontal socket at the end. This cupped the round carved wood end of the molded carton lower legs. My new doll’s lower legs were currently being held on by an old repair, using ﬂat elastic and thumbtacks. (Photo 14) It did the job of holding the legs in place, but left them ﬂoppy and loose. There were broken remnants of stringing elastic protruding through holes in the wood legs. (Photo 15) I removed the old repairs and dug out the crumbling old elastic and glue. I could see all that was needed was simple stringing elastic ANTIQUE DOLL COLLECTOR

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strung through a horizontal hole in the thigh and a matching hole in the knee socket. A knot was tied in the elastic, then trimmed and gently wedged into the large hole in the thigh. (Photo 16) While I had the shoulder plate off the body I looked inside the hollow carton body, (photo 17) to see how the thighs were attached to the groin area. I was fortunate that no repairs were needed here. There was a ďŹ xed wood dowel inserted across the bottom part of the body. It appeared that the upper thighs were attached to the body, in the same way as the knees and thighs with the elastic of each leg going around the dowel, all hidden under the baggy pants. This simple and effective design allowed much ďŹ&#x201A;exibility and articulation, and made the dolls very light. (Photo 18) Once dressed, the awkward looking leather pants would not be noticeable.

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Her left arm had become detached during repairs, due to the split in the welded seam of the two-piece metal upper arm. The top of the metal shell was designed to cup around a wood ball, which was held in place by a wire, and large interior spring. (Photo 19) I needed to ease up some of the tension from the spring, before I could reattach the metal arm around the ball. I repaired the metal split, using “JB Weld” metal glue, and held it in place to dry. The bisque was given a much needed but gentle cleaning. Under all the grime, the arms proved to be in perfect condition with no breaks or repairs. It was a simple matter of repositioning the shoulder plate and head to the body. To shape the dried leather back in place a little moistening was applied to the kid edges to make them more pliable. The water reactivated much of the original glue and held the shoulder plate ﬁrmly in place. Once dry and my little Terrene was ready to have her original mohair wig reworked and styled. This doll has the look and proportions of a mature young lady and not the earlier “Enfantine” look of a young girl of 14 like my Briens. She should be dressed in the bustle styles of the 1870’s. I enjoy sewing for my French Fashion dolls, copying the historical style of dress, using antique fabrics, what fun! While at the convention I had diligently searched for antique undergarments that would be appropriate for her. In the Convention sales room I found antique undies that were a perfect ﬁt, at reasonable prices. Now partially clothed in split drawers, chemise, and slip, she could go shopping in my collection of French Fashion garments, hats, shoes and accessories, both old and new, or wait for a new creation made just for her.

ANTIQUE DOLL COLLECTOR

MAY 2012

A Mystery Doll by Kestner? I

by Penny Hadﬁeld

n November, 2011, I acquired a most unusual 9” tall all bisque doll, incised “133” at the top of her head in back, and “12” way down on her neck (her size). She made me think “KESTNER” right away because of her plaster pate with her original gauze cap and attached mohair wig…but, she had pierced ears and pale peach colored shoes with pretty bows! I had never heard of peach (or any other pastel color, for that matter) shoes on a Kestner…Simon & Halbig yes, but not Kestner. I spent a couple of days speculating about her, and then decided to ask a couple of very knowledgeable friends their opinions. I sent pictures of her to Jan Foulke and Donelle Denery, both of whom I consider experts on the subject of all bisque dolls. We all emailed back and forth for several days discussing possibilities. Could someone else have made her? Well, yes, but Kestner was known to have used pierced ears on some of the so-called French Wrestlers. Still it was those peach shoes that perplexed us; they really were more like legs Simon & Halbig would have made. It ﬁnally came down to the need to know if the arms and legs were marked with a “12” as on her head. She was all pegged with kid lined joints and I couldn’t see the markings. I was left with no choice but to cut the cords attaching her arms and legs. I carefully peeled back the kid linings so I could re-use them, and then

9” tall doll marked only “133” and “12” at the base of her neck. A charming face with bright blue spiral threaded paperweight eyes, dimpled cheeks and lovely mouth, topped by her original plaster pate and wefted mohair wig. Markings on back of her head. Note how the ‘3’s are formed with inward curving ends. ANTIQUE DOLL COLLECTOR

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Note the well matched body parts with even coloring.

soaked off the residue. Yes! “12” was clearly marked on the inside of both leg joints, and also on the tops of both arms. I really expected them to be marked, as the body parts all seemed to match color-wise so well, but until you see matching size numbers it is hard to be confident in a doll’s complete originality. To properly describe this doll I guess I should start by saying that her body proportions are those of an adolescent, not as chunky as a younger child. Her head is cut with a high forehead and a pronounced slant at the back. Her face is beautifully painted with softly blushed cheeks, a Kestner type mouth with a short lower lip and slightly upturned outer corners on the upper lip. She has spiral threaded blue paperweight eyes in the original set with the upper lid edged in black and very finely painted lashes. Her brows are quite dark but finely brushed and not too heavy. Her four 28

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On the inside of the leg joints both are clearly marked with the size “12”. The shapely legs have molded shoes with heels, and straps with well defined bows. Arms are also marked “12”.

Note the pronounced cut of the back of her head and her bulging paperweight eyes. Her torso is unmarked. At this angle you can see her pretty eyes with the black upper lid edge, and her rounded teeth and soft dimples. Inside her head you can see that her eyes are in their original set, also if you look carefully down beneath the plaster you will see that her teeth have been set in.

upper teeth are rounded and set in. She has soft dimples in her cheeks on both sides and a very subtle chin dimple as well. Her ears are delicately molded and are pierced into her head. Her torso shows careful modeling with small breasts, a hint of ribs, and a deep navel. The back shows shoulder blades, a spine, and dimples in her plump buns! Her arms are bent at both elbows, and her hands are slightly cupped with separate thumbs. The palms are nicely molded and the backs of her hands are dimpled across the knuckles. But of course her legs are the big attraction! The backs and inner legs show the usual fat rolls, perhaps a bit much for her age? Her peach shoes are the exciting thing, and they are very nicely molded with well-deďŹ ned ANTIQUE DOLL COLLECTOR

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8” doll marked “153” side by side with the 9” “133”.

The face of the “153” shows similarities to the “133” but has sleep eyes, no pierced ears and no cheek dimples. Her size number “9” is way down into the neck area.

The legs of the “153” doll show wide ribbing and brick red shoes with molded rosettes on the vamps.

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bows and heels…the soles are tan. Her stockings have very thin vertical ribbing with blue bands at the top. When I got this doll, I soon started comparing her to another unusual doll that I got 4 or 5 years ago. She is 8” tall with the mold number “153” and a size number “9” way down on her neck… very similarly marked…but this one has brick red shoes with rosettes on the vamps and widely ribbed stockings with blue bands. I always considered her a Kestner just because of the way her face is painted and the shaping of her hands. She no longer has her pate so that cannot aid in her identiﬁcation. She has pretty blue sleep eyes and narrow ﬁnely brushed brows. She has a chin dimple but no cheek dimples, and her ears are not pierced. Side by side with the larger “133”, their faces are really quite similar. Might we speculate that the “153” was a later doll made for the German market, while the “133” was made for the more sophisticated French market?

7 ½” doll incised only “10” with bare feet. She has blue sleep eyes and neither dimples nor pierced ears. (Photo courtesy of Morphy Auctions, Denver, PA)

At about the same time that I got my 9” doll, 2 eastern auction houses had very similar but smaller dolls that are probably related to mine…remarkable coincidences! On November 12, Morphy Auctions in Pennsylvania sold a 7-½” all bisque doll with bare feet, listed as a Kestner and incised only “10”. She had blue sleep eyes, but no pierced ears and no discernable dimples. On November 30, James Julia in Maine sold an 8” doll also incised “133” and again with bare feet. She had brown sleep eyes, the same narrow brushed brows and very similar hands, but again, no pierced ears. Both of these smaller dolls show less facial detail, but that is to be expected with smaller sizes. So what can we glean from this? We have known that Kestner made lovely early all bisque dolls with bare feet as well as high bootines. We also know that their “French Wrestlers” (with the typical wrestler type body with chubby torso, bent arms and fat legs) and the lovely “102” head (whether incised or not) came

8” doll incised “133” also with bare feet. She has brown sleep eyes and again no pierced ears or dimples. The absence of dimples may just be due to the smaller size of these 2 dolls. (Photo courtesy of James D. Julia, Inc., Auctioneers, Fairfield, ME)

with different colored boots and both set paperweight and sleep eyes, but always with ears pierced through the head. However, the “102” head, when found on other types of bodies, does not have pierced ears. Thus we definitely know that Kestner was not in a rut…they mixed and matched parts. With many of their later all bisques (especially the googlies and characters) they frequently used the same arms and legs on dolls with different mold numbers…it was probably an economical measure. Perhaps now we can speculate about whether they also made some lovely legs with peach colored shoes with bows…they certainly are pretty! I guess until we find another such doll, or one with a Kestner crown label pasted to her chest, we can’t be positive that Kestner made her. So keep on the look out, and let me know if you find one, or if one has been sitting in your collection for years…that would be the best news. There must be others out there somewhere! Please contact me at aquietplace@verizon.net ANTIQUE DOLL COLLECTOR

MAY 2012

Gigi’s Dolls & Sherry’s Teddy Bears Inc.

4” All original Kley & Hahn all bisque, brown glass eyes, blonde mohair wig, beautiful original dress, 1 strap black slippers, comes with metal lithographed “Dolly’s Trunk” 3 ¾” x 3 ¼” x2 ½” $295.00 5.5” #543 3/0 14 Kestner Googlie, sleep eyes, original brown mohair wig, water melon mouth, chubby legs, black Mary Jane slippers, crotched dress, jointed arms and legs, eyes to the left, adorable. $995 3” Mibs, molded hair, jointed arms, stiff legs, brown strap slippers, painted blue eyes, c/m, molded hair. $250

4.5” Kestner, swivel head, all bisque with brown glass eyes, original mohair wig and clothing, molded shoes and stockings. $895

10 ½” Revalo Character Toddler with molded hair & blue bows, blue intaglio eyes, marked 3 Revalo Dep, 5 piece toddler body $495.00

11.5” Alt Beck Gottschalck #1288 blue glass eyed Parian, leather body, bisque hands, beautifully molded hair, right thumb as is. $275

23” Alexander McGuffey Ana, all original with gold wrist tag, crazed overall, boots as is. $190 17” R&B baby, Little Angel 1940, all original, compo head, jointed arms, legs, cloth body, white organdy dress and bonnet, shoes and socks. $195

10.5” Simon Halbig #160, c/m, brown eyes, original brown mohair wig, cloth body, bisque arms and legs, black boots, antique plaid dress with shawl collar. $325 5”x6” Metal cream-colored antique buggy, big wheels, molded handles, lace covered hood with ribbons, pink silk coverlet, really charming, made in Germany. $220 4” Kestner # 0 all bisque baby, o/m, blue eye, jointed arms and legs, original mohair wig, adorable vintage dress and matching bonnet. $295

Winnie The Pooh’s Characters - Owl, Rabbit, Eeyore, Tigger and Heffalump by Agnes Brush of Whitestone LI. Started in 1948-1960’s. Owl has tag, few moth holes in Eeyores felt, snap on tail, great detailing. $1500.00

5 ¾” CM All Bisque 2/0, brown glass eyes, blonde mohair wig, blue boots, black toe & heel, chips at string holes on arms & legs $280.00 2” All Original Dressed early hairdo pink tint Frozen Charlotte, fabulously detailed $295.00 3 ¼” Kestner Swivel head C/M all bisque, blue glass eyes, blonde mohair wig, 2 strap brown slippers, jointed arms & legs $365.00 Marklin Brass Bed 6” x 3 ¼” x 4” all original with springs, mattress and bedding $225.00

5 ¼” #208 CM Kestner All Bisque, brown mohair wig, brown glass eyes, black strap slippers, jointed arms & legs $289.00 4” All Bisque painted eye Bye-lo with sticker on chest, marked 20-10 copr by Grace S. Putnam Germany, small imperfection on top of head, cute bonnet $200.00 6” x 5” x 3 ¼” Metal Bath, missing knob on faucet, back legs re-soldered $89.50

5” All bisque, blue sleep eyed Bye-lo, jointed head, arms and legs, $515

21” Alexander Cissy Queen, all original with crown, blue sash faded. $395

23.5” FG in Scroll on Gesland stamped body, two rows of teeth, brown paperweight eyes, pierced ears, hairline left side of head by ear, antique clothing, leather shoes, HH wig, hands paint as is. $2250

19” Simon & Halbig 1078, blue sleep eyes, HH wig $475.00 25” Heinrick Handwerck Simon & Halbig, HH wig, stamped body, pierced ears, blue sleep eyes, vintage dress $525.00

8.5” Adorable C/M Kestner, blue eyes, original mohair blond wig, #111, feathered eye brows, antique white dress and red shoes, newer rufﬂed bonnet. $1750 3” All bisque, wire strung, jointed arms and legs, all original ethnically dressed, long brown mohair braids, glass eyes, c/m, black Mary Jane shoes. $325

15” Patricia, Effanbee, all original, HH wig, blue, red & white plaid dress and combination, blue hat, socks, black shoes, slight lifting by nose, lips touched up slightly. $295

16.5” Ideal redhead Toni, walker, original dress (tag as is), Ideal shoes, P91 on head. $125 14.5” Blond P90 Toni in original green and white striped dress, nice coloring, few marks on left cheek, $110 14.5” Brunette P90 Toni in original dress, beautiful facial coloring. $145

19” 1957 Cissy #2146 in tagged blue taffeta dress, organdy wrap (no ﬂowers), hat, slip, nylons and shoes. $495 19” Cissy in tagged jacket, shorts, and mid drift top and shoes, a few eyelashes missing, beautiful coloring. $425

8” SFBJ Twirp #247 baby, c/m, gorgeous blue eyes, lovely curly blond mohair wig, 5 piece baby body, vintage lace dress, newer leather boots, cute pug nose, great coloring. $1095 4” All bisque swivel head, c/m, blue painted eyes, 2 strap brown slippers, mohair wig, #620 0. $245

HOPE TO SEE YOU AT THE FOLLOWING SHOWS: The Eastern National Antique To Modern Doll Show & Sale 2012 June 2nd 10-5, June 3rd 10-3 The Fairgrounds at Gaithersburg Naperville Doll & Teddy Bear Show June 10, 2012, 9am-3pm Wyndham Hotel

29.5” Flat top China, 8.5”x 8.5” head on wonderful antique body with leather arms (one has been banded w/leather), antique undergarments, leather boots, dress from about the 1940, hairline on back left shoulder. $395 16” JDK 257 Baby, repainted body, original mohair wig, blue sleep eyes, slight hairline on back of head. $245

16” Terri Lee sisters, platinum blond and brunette in matching tagged outﬁts with straw hats, bodies marked Terri Lee, wonderful facial coloring, cute pair. $510 pair or $275 each.

Allow Us To Help You Discover The Child Within You!

7.25” General with molded hair, mustache, c/m, blue felt uniform, gold braid epaulets and double breasted tong jacket (head & mustache as is). $215 7.5” Lady, redressed, black boots, molded hair with bun, blue eyes, chip on bun. $135 7” Man, velvet suit, mustache, bisque hands, blue eyes, molded hair parted in center (toe chip). $225 6.25” Lady, all original, black and white dot dress, molded ﬂuffy hair, curls in back, c/m, blue eyes, 2 strap black slippers. $175 6” Man in black felt tails, shirt and cumber bun, brown molded hair, c/m, painted eyes (left foot repaired well). $195

19.5” Original studio Sasha doll, all original, #1 head style, green eyes, blond HH wig, textured tricot fabric body, wrist tag, head of gypsum with hand painted features. $3100

22” Heinrick Handwerck Simon & Halbig 2 ½, original mohair wig, vintage clothing, stamped ball jointed body, blue sleep eyes, pierced ears $525.00 21 ½” K star R Simon & Halbig 55, brown sleep eyes, original HH wig, antique undergarments, leather shoes & socks, pierced ears $475.00

12”x12” McLoughlins folding doll house patented Jan. 1894, fabulous condition, original directions for opening and closing the dollhouse, parlor, dining room, bedroom and kitchen, fabulously lithographed in lush Victorian colors. $1250

14” Effanbee Skippy in aviator jumpsuit with plush collar, belt and “Keep ‘Em Flying” wing patch, cap missing, oilcloth goggles and 1 button, slight crazing, some chipping on molded shoes. $595

Figures Made in Germany by Hertwig 2” Pair of Skiers with poles and skies, white sweater & cap $95.00 2” Three Caroler Figures w/ Violin, trumpet & songbook, 3 ½” Lantern $65.00 2 ¼” Pair of Bisque Skaters in blue outﬁts $85.00 2” x 1 ½” Boy & Girl on sled, girl w/ bonnet, boy w/ cap $65.00 2 ¼” Pair of Bisque Skaters in red outﬁts $85.00

19.5” Studio Sasha doll, all original, #4 head style, head of synthetic material with hand painted features, dark green eyes, brunette HH wig. $3100

Snow Babies by Hertwig of Germany 2 ¼” x 1 ½” Polar Bear and 2 1 ¾” x 1 ½” polar bear cubs, one standing & one laying $115 for 3 1 ¾” Twin Snow Babies smiling huggers $110.00 2” Dancing Snow Babies in action, wearing green shoes $95.00 2” Seated Snow Baby, black shoes, cap with pom pom $100.00 2” Snow Baby playing the accordion wearing red shoes $75.00

21” Baehr & Proeschild #340 DEP, circa 1894, blue sleep eyes, spring strung BJ body, original wig. $535 20” Heinrich Handwerk #139, brown sleep eyes, bisque hands, kid body (some repair). $200 17” 1930’s Fully jointed golden brown mohair bear with felt pads, some wear. $89.95

LAYAW AVAILA AY BLE

6” Doll house doll, brown glass eyes, c/m, 2 strap slippers, long mohair wig, lace dress, all original. $375 6.5” Man, all original with vest and tails, c/m, painted eyes, molded hair (one toe repaired). $215 5.5” Doll House man redressed in black felt suit, painted eyes, balding gray hair, beard & lamb chops, c/m, bisque arms & feet. $195 3.5” 36/8 All original boy, c/m, glass eyes, blond mohair wig, felt skirt and bonnet, silk lapels and shirt, Mary Jane strap shoes, jointed arms and legs. $425 3.5” All original, c/m, glass eyes, #36, brown mohair wig, blue felt coat with eyelet collar cotton dress, jointed arms and legs, blue Mary Jane shoes. $395 3.5” All original, blond mohair wig, brown glass eyes, c/m, blue silk cape, red felt hood, red skirt, Mark Jane slippers, jointed arms and legs. $395

4.25” Girl, all original. Velvet skirt and jacket, molded hair with blue or black painted ribbon , molded boots, no color, c/m, painted blue eyes. $225 5.5” Captain, mustache, c/m, painted eyes, white felt pants, blue jacket, gold button white shirt and black tie, black boots. $350 5” Young Lady, molded curly brown hair, curl on forehead, bun in back, lace dress, black boots, c/m, exposed ears. $250 3.25” All bisque, jointed arms and legs, molded blond braids coiled at ears, big blue bow on top of head, c/m, blue eyes, black Mary Jane shoes, antique clothes. $225 5” Maid, all original, striped dress, white apron & cap, short blond hair with bangs, black shoes, c/m. $150

13” Ideal Shirley Temple in original brown, orange and white Bright Eyes dress, old underwear and leather shoes, great compo, touch up on lips, comes with cute wool snow suit. $290 17” Reliable from Canada, compo Af Am baby w/great facial expression, complete with dimples, few paint ﬂakes. $98 8” Cloth Af Am doll with great expression, red & white polka dot dress. $29.95 8” Cloth Af Am doll with great expression, red & white pattern dress. $29.95

6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710

Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles

ANTIQUE DOLL COLLECTOR

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ANTIQUE DOLL COLLECTOR

MAY 2012

ANTIQUE DOLL COLLECTOR

MAY 2012

ictorian Trade Cards and the Doll Motif by Elizabeth K. Schmahl

ife for a lady during the Victorian era was simple and modest. With a strong emphasis on domestic strength and morality, Victorian society was often demanding of the woman’s role in the home. From the responsibility of child rearing to the tedium of daily household tasks, women during this period often sought amusement in scrap projects. As countless Victorian scrap albums turn up in antique shops, we realize that the Victorian woman was a sentimental woman. Scrapbooks from the 1880’s were often full of scraps and trade cards that brought out such images as the beauty of nature, the tenderness of animals, and the comforts of the everyday home life. But perhaps some of the most cherished items found in these scrapbooks are those that emphasized the innocence and happiness of childhood and the joys of toys and dolls! Some of the most popular paper items coveted by Victorian women were advertising trade cards. The chromolithography technique used at the time produced such colorful and delightful images that the average Victorian lady cherished each trade card

she received. Because trade cards often advertised household items and appealed to women, businesses and merchants tried to connect with women in the design of their advertisements. One could imagine the typical day of a nineteenth-century woman… trying to ﬁnd a spare moment between darning socks or starching linens, all the while tending to her children. For example, as seen in these two ads of early Domestic Sewing Machines, (above) the cards market a stunning sewing machine in all its glory while the children play nearby with their dollies. In the next trade card for “Household Sewing Machines”, the mother almost appears solemn as if the day has gotten the best of her. She enjoys her time by the ﬁre as she plays with her little girl and a doll. Other trade cards had a much more lighthearted theme. As seen in another trade card for Domestic Sewing Machines, (next page) the salesman chose not to illustrate a sewing machine at all, but focus on the splendors of childhood! Certainly, this trade card is almost an overly lavish image since the typical Victorian family could not afford many luxuries for ANTIQUE DOLL COLLECTOR

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their children. It seems that all of a child’s dreams could be wrapped up in this image – fancy clothes, an ornate goat-driven cart, and a large, expensive French “poupée” in the back seat! Merchants who used trade card advertising quickly picked up on the fact that 19th century women were actually collecting and treasuring these cards. Perhaps that is why companies like J&P Coats Thread advertised a series of cards with different images. As seen in this trio of trade cards, (right) the Coats Co. illustrates differing views of the play-lives of children. These were perhaps the very images a Victorian woman saw when she paused from her sewing, looked up, and smiled at her children playing with their dolls. Another example of a series of trade cards is this series of beautifully illustrated trade cards for Acme Soap (below). All three images show children with their dollies. In one image, a big sister is consoling her sibling over her broken bisque doll. Poor dolly! Too bad Acme made soap instead of glue!

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It seemed as though the design of trade cards during this era was endless and the competition for a salesman to sell a trade card was likely very tough. Therefore, it stands to reason that trade cards came in so many different designs as well as shapes! These two early Victorian trade cards (right) printed in France are in the shape of an artist’s palate! The little French girl is so lucky to be holding a bébé as well as a puppet doll. Imagine being a Victorian girl so very lucky as to have two dolls! A nineteenth-century woman donned many roles – mother, housekeeper, teacher, and even caregiver. When her children were sick, she tended to them, worried over them, and nursed them carefully back to health. Because medical ailments were an everyday concern during this era, it makes sense that the printing of medically-related trade cards was a thriving industry at the time. In this advertisement for Radway’s Pills, (right) a little girl lovingly kisses her china doll and asks, “Does oo want Radway’s Ready Relief?” How could this form of advertising not tug at a mother’s heart strings and encourage her to buy the product? In this next advertisement for Burdock’s Blood Bitters pills, (far right) it is obvious that exaggerated product descriptions juxtaposed with gentle childhood images seemed to be the most effective marketing strategy. One side of the card shows a sweet and innocent little girl holding her French doll in one hand and a Blood Bitters box in the other. The other side of the trade card boldly states, “They will remove every vestige of disease from the blood.” No

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Victorian mother could possibly go wrong with Burdock’s in her medicine cabinet! This Bilousine medical trade card (previous page) advertises an expansive list of “curative powers”, including dyspepsia. After all, as the card states, even “Dolly’s got spepsia!” During this time period, trade card salesman traveled to businesses showing off their blank “salesman sample” cards. Individual businesses would then choose the wording that would be printed on the card. Here are two examples of the same illustration of a little girl in a bonnet holding her basket and her doll (previous page). One card advertises “Royal Grand Stoves and Ranges” while the other advertises the furniture company Chas. M. Freeman. Another pair of images (top row) shows a little girl playing in a tree with her doll at her feet. One card advertises Acme soap while the other advertises Metropolitan Life Insurance. It is likely that numerous companies used the same trade card image to market a variety of different products Another recurring theme popularized in trade cards with children and dolls was the French influence. France was considered to be the fashion center of the world at the time. In these two French trade cards, (left) little French girls are pictured with their best dresses, parasol, and French Poupées. What a little Victorian girl in rural American wouldn’t give to be like one of these little Parisian girls! Lavish French images in trade cards sold well. This 1880s trade card (bottom left) illustrates two elegantly dressed girls in all their ruffles, bows, and frills walking their dolly in her carriage. This particular card for a New York milliner states, “Hats Trimmed in the Latest and Most Fashionable Styles.” The elaborate hats the girls (and the doll!) are wearing clearly promote a sense of French elegance and flair! Oh, how the average Victorian women longed for a wardrobe of such French finery for herself and for her children! 44

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For all the glamour and grandeur of the French trade cards, it appears that a touch of the quaint American life was an equally popular Victorian trade card theme. It almost seems that the more common the image in the trade card, the more natural they appear. More importantly, they may best provide a window into the everyday lives of Victorian children. Tender and simplistic, these images seem less overdone and more genuine. For example, this Boston ad for “Briggs Piano” (previous page) seems endearing as two girls and their doll enjoy a peaceful moment on the fence. How much more at-home could one possibly feel than when admiring the bond of sisterhood in this New York Quaker Bread ad? (right) There is almost a familiarity about this Chicago McLaughlin’s Coffee ad, where two girls lovingly braid their doll’s hair (below). And even in the New York Condensed Milk Co. advertisement directly below it, we are touched by the little child practicing to be a mother as she

feeds her baby doll with a spoon. Any Victorian mother would, of course, feel conﬁdence in a product advertised with such seeming sincerity! Yet, nothing could be more quaint than this ad for Carter’s Little Liver Pills (below center). Obviously, after a dose of Carter’s Pills, the little girl and her dolly are sleeping soundly! Even Geo. W. Fischer, merchant tailor for “Scouring, Dyeing, & Repairing” (below right) knew that if baby dunks her poor dolly in the bathwater and soils her, mommy just might run to the tailor for help! No matter the style, Victorian trade cards of children and their dolls provide a warmth in our hearts that touch us deeply. They help us understand the fascination Victorian ladies had in collecting these cards. An avid modern-day “scrap-booker” myself, I know without a doubt that had I been born 125 years ago, I would have been the type of Victorian-era woman to collect these dolly trade cards too!

ANTIQUE DOLL COLLECTOR

MAY 2012

“BABS”

Takes Her First Steps

A Bit of a Doll History Mystery by Donilee Popham Photos by Scott Popham

ventriloquist might seem an unlikely candidate to become a doll designer, but for Harry H. Coleman, it was this occupation that lead him to the doll business. More precisely, it was his ventriloquist’s dummy that gave him the idea. The Fort Wayne News reported on May 1, 1917, that Coleman, who was currently appearing there at the Palace Theater, was planning on “entering the manufacturing game soon to make…dolls for society girls.” It seemed that young girls were so attracted to his dummy, which could walk and “even does a tango step or two” that Coleman “determined there is a big potential market for the contraptions.” Harry Coleman was a British subject living in New York at the time he decided to take up doll manufacturing. He intended to make the United States his permanent home, as he had procured naturalization papers, but prior to beginning doll manufacturing, he traveled the country as a visitor, performing his ventriloquist act. A snippet in the May 6, 1915 Washington Post announced that Harry Coleman would perform at the Cosmos Theater “as a singing ventriloquist with a number of new and interesting features in his line.” His walking, dancing, singing dummy attracted much

Pair of “Babs” walking dolls are made almost entirely of metal. ANTIQUE DOLL COLLECTOR

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attention, not only from children, but from adults as well. A photograph in The Fort Wayne Journal-Gazette from May 2, 1917 1917, showed the dummy, dressed as a prison convict, carrying a sign proclaiming “the country’s call to arms.” With the Great War raging, Coleman brought attention to the cause, and his ventriloquist act, as well, by employing his dummy as a “recruiter.” And, as World War I brought German imports to a halt, many manufacturers in the U.S. took advantage of the situation and began production of American dolls and toys, to take up the slack left by the lack of German products. Coleman took advantage of the times, as well as his popular ventriloquist’s dummy. He was able to secure both U.S. and British patents for his non-mechanical walking doll, which was an adaptation of his dummy. In his first U.S. patent application, issued on April 10, 1917, Coleman described his invention as “a walking doll having legs, particularly hip and knee joints of novel construction and operation, whereby a child can take the doll by the hand and cause it to automatically walk along by the child’s side in a natural manner, without requiring clockwork wind up mechanism, or other mechanical appliance.” He continued that his walking doll would be “very strong and durable and yet so attractive that it will appeal to children” and “is so constructed that it will not only walk, but may kneel, or sit down and may be danced with.” The resultant dolls were a large 28” in height. The upper arms were stationary and the elbows were hinged, so the torso of the doll could be held securely while one foot slid in front of the other. A most unusual feature of these dolls was the “birdcage” torso. To construct this, wire mesh was attached to a shoulder structure and an oval base, making the dolls lighter in weight than if they were made using more conventional materials. The legs were hinged at the hips and knees, and the soles of their feet were rounded, to enable a more natural gait. Construction of the walking dolls began in 1917, but this is where a bit of a mystery develops. According to Polly and Pam Judd, writing in Compo Dolls Volume II: 1909-1928, examples have been found with composition heads and forearms, wire mesh torsos, and wooden upper arms, torso base, and legs, marked “This is Dolly Walker//Patent Pending” stamped on the back of the shoulder plate. These dolls were manufactured by the Wood Toy Company of New York City, and distributed by Harry Coleman, as Playthings ads prominently proclaimed, but there was another walking doll produced at the same time that bears a startling resemblance to Dolly Walker. “Babs” The Walking Doll was made by the “Babs” Manufacturing Corporation in Philadelphia, Pennsylvania from 1917 on and distributed by the International Walking Doll Company, also of Philadelphia. At first it would appear that “Babs” was an unwelcome competitor, but a September 1919 Playthings ad proved this was not the case. The ad boldly stated that “Babs” was manufactured and sold by the “Babs Manufacturing Corporation under United States Patent No. 1221970 granted on the tenth day of April, 1917, A.D., which patent it owns of record.” This is the first walking doll patent assigned to Harry H. Coleman. A doll marked “Babs” on the base of the torso has been found with a composition head and forearms, wire mesh torso, and wooden upper arms, torso base, and legs, just like Dolly Walker. And, adding to the mystery, is a doll made almost entirely of metal marked on the base of the torso, within an emblem, “Babs// The Walking Doll.” At first glance, she looks just like her composition “sisters,” but this doll’s head and shoulders were made of stamped brass. Tin and steel were used for almost all of the rest of her body parts, including the wire mesh covering her torso. The metal “Babs” has stationary forearms of stamped sheet metal, with hinges at the elbow 48

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Drawings from Coleman’s first patent show how his doll could not only walk, but sit and kneel, as well.

The “bird cage” torso of the all-metal “Babs” doll makes her light in weight.

The all-metal “Babs” boasts sleep eyes and an open/closed mouth with four painted teeth.

attached to two pieces of wood—the only wood to be found on metal “Babs.” She also boasts rounded soles on her feet, so she walks just like composition “Babs” and Dolly Walker. Her upper and lower legs were also made of stamped metal. Other features of the metal “Babs” included painted metal sleep eyes, multistroke eyebrows and single-stroke eyelashes, orange-red dots in the corner of her eyes and nostrils, and orange-red painted lips with four painted teeth in her open-closed mouth, as opposed to the dolls with composition heads which have two painted teeth. She wore a brown human hair wig, styled in stovepipe curls, like the examples shown in the November, 1919 “Babs” ad from Playthings, which featured two dolls walking side-by-side with two little girls, and claimed the doll “Walks Like a Live Baby.” Most advertisements do not mention the materials used in the construction process by the “Babs” Manufacturing Corporation, the dolls are simply described as either “Absolutely Unbreakable” or “practically unbreakable.” Dolly Walker ads don’t mention her primary materials, either, rather the focus is on her nonmechanical make up, which “will NOT get out of order.” By early 1920, Dolly Walker ads also focused on improvements to her construction. Springs and spring hinges on the legs were said to be eliminated. In Coleman’s second patent, ﬁled on March 18, 1919, the spring hinges were still included, but mention was made of “an improved body which affords a more natural ‘feel’ to the child when fondling the doll,” more resilient hip and knee joints which eliminated the need for elastic bands, and “weighting of the feet by lead or other heavy material so that the leg will kick forward with a much stronger action, as the doll walks.” This patent, though, was ﬁled before the 1920 ads appeared, and not granted until 1921. The non-mechanical nature of the dolls was always stressed in the advertisements, whether Dolly Walker or Babs. An ad in the April 17, 1919, New York Times called Babs “An Ideal Easter Gift” and “the most sensational toy ever known.” Eleven locations are listed where Babs could be purchased, including John Wanamaker, James McCreery & Co., and Abraham &

An all-metal “Babs” (left) sits next to a well-loved composition and wood “Babs” (right).

All-metal “Babs” dolls are marked with this ink stamp on the bottom of their torsos. The inset shows the detail of the stamp.

This mark is found burned into the bottom of the torso on “Babs” dolls with composition heads. ANTIQUE DOLL COLLECTOR

MAY 2012

Straus stores. The Manhattan Doll Co. was also included on the list. Prices in this April ad were $10.00 for a doll (probably with molded hair), or $11.50 for a doll with “Natural Hair” (assumed to be wearing a wig). A Manhattan Doll Co. ad which appeared only three weeks later in the May 4, 1919 New York Times listed the price for dolls with human hair wigs at $12.00. The Manhattan Doll Co. also advertised the walking dolls in the August 1919 Playthings. In this ad they offered the dolls dressed “in exquisite silk gown, in latest Parisian style” for $15.00. They also called her “The Sensation of Fifth Avenue.” Perhaps Babs did create a bit of a sensation. Apparently someone took notice of Harry Coleman’s dolls, as on March 10, 1920, The New York Clipper included a small item on page eight titled “Claims Walking Doll Patent.” It explained that Coleman filed an infringement of patent complaint against Walters and Walters, a Vaudeville act, claiming they were using a walking doll dummy in their act in violation of his patent. In both of his patent applications, Coleman had been careful to note that “my invention is not limited to dolls as the improvements embodied in the legs and their joints may be applied to other figure toys…and the like.” The outcome of Coleman’s complaint is not known. This is another part of the “Babs” story that remains a mystery. Although the Colemans reported in volume 1 of their Collector’s Encyclopedia that in 1919 one dealer alone sold 1,000 dolls, this was not the case for most. In Still More About Dolls, Janet Pagter Johl described interactions between Harry Coleman and Wallace and Emma Clear, of Humpty Dumpty Doll Hospital fame. Johl stated that when the hospital was located on Broadway in Los Angeles : “Harry Coleman practically demanded that the Clears handle his dolls. He had placed them in department stores on consignment but was not meeting with much success. He had such a dynamic personality that Mrs. Clear was won over… The doll hospital was located on the second floor front in the very heart of the downtown district in Los Angeles. The first floor was low so that the crowds across the street could look directly into the windows, which were large plate glass with a wide ledge. Harry Coleman sensed that this location was ideal for his walking dolls. He wanted permission to remove the glass, pay two demonstrators and have the doll walked during the day to the amusement of the crowds…” Harry Coleman used two of the dolls in his theatrical act so Mr. and Mrs. Clear decided that they should go to see him perform. At first Mr. Coleman came out onto the stage, talking to the dummy, and then he sat down with the doll on a sofa and conducted the usual type of ventriloquist performance. After that he strolled off the stage. Then he returned dancing with a doll on either side of him, one dressed in pink and the other in blue… He was able to dance both dolls at once, while he carried on a doll-like conversation and he ended on the note that the dolls could be purchased at the doll hospital just across the street. The Clears gave in and the idea worked. Even at night Mr. Coleman continued his publicity stunt with a spotlight on the windows and some high school boys employed to walk the dolls along the street. He soon ran out of dolls. Janet Johl continued the story, saying that eventually Mrs. Clear purchased the rights to Coleman’s doll patent, but did not use it immediately. Shortly after that, in the summer of 1923, Harry Coleman passed away while in Denver, Colorado. Dolly Walker was forgotten until a similar doll arrived at the Humpty Dumpty shop for repairs. Mrs. Clear planned a revival, of sorts, for the walking dolls, but problems with suppliers put a quick end to the idea. That was the last hope for the Dolly Walker and Babs-type dolls. 50

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Stationary upper arms keep “Babs” secure while walking. The rounded bottoms of the feet ensure a more natural gait.

These drawings, from Coleman’s second patent application, look more like the actual dolls. “Weighting of the feet” was just one improvement included in this new patent.

This Playthings ad from September, 1919, features a fullpage photo of “Babs” wearing a short, curly wig. She is proclaimed as the doll who “SELLS HERSELF.”

Readers were encouraged to visit the “Babs” Manufacturing display at the Toy Fair of 1920 in this February Playthings ad.

It may never be known how many walking dolls of the Coleman variety were actually sold, why the “Babs” Manufacturing Co. was allowed to use Coleman’s patent, or why they chose to make a walking doll in metal. What is known, however, is that the Coleman walking doll is a true wonder. If one holds her hand, she will walk along beside a person now just as primly as she did in 1920. She is, indeed, both a sensation, and a bit of a mystery, as she walks off into history—she’s no dummy!

“Babs” distributors looked for sales outside the U.S., as this ad from the 4 December, 1920 Evening Post, Wellington, New Zeland, illustrates. Notice that the dolls were demonstrated daily at Kirkcaldie & Stains, Ltd, where they were offered for sale.

References

Coleman, Dorothy S., Elisabeth A. and Evelyn J. The Collector’s Encyclopedia of Dolls; vol. 1. (New York, NY: Crown Publishers, Inc., 1968) The Fort Wayne Journal Gazette (Fort Wayne, Indiana) The Fort Wayne News (Fort Wayne, Indiana)

Google Patents (http://www.google.com/patents

Johl, Janet Pagter. Still More About Dolls (New York, NY: H. L. Lindquist Publications, 1950)

Judd, Polly and Pam. Compo Dolls, Volume II, 1909-1928: Identiﬁcation and Price Guide. (Grantsville, MD: Hobby House Press, 1994. The Evening Post (Wellington, NZ)

The New York Clipper (New York, NY) The New York Times (New York, NY)

Playthings (New York, NY: McCready Publishing Company) The Washington Post (Washington, D.C.)

ANTIQUE DOLL COLLECTOR

MAY 2012

SMALL DELIGHTS: The World of All-Bisque Dolls Photographed at the 2011 National UFDC Convention by Keith Kaonis

here are many reasons to love all bisques – they are easy to sneak into the house, take up little space and are great fun to pair with doll sized pets, furniture and accessories. Perhaps because of their tiny size, children were discouraged from undressing them and clothing is often original. The variety of all bisques is quite impressive and collectors can choose from French and Frenchtype known as mignonnettes, which began to commercially produced around 1880 (often made by Simon Halbig for the French market), the German all bisques made by numerous companies, notable among them the Kestner Company, character dolls, nodders, tiny jointed all bisque animals and early twentieth century Japanese all bisques. Special features such as bare feet, jointed elbows or knees, unusual footwear, original clothing and sizes 8 inches and over add considerably to their value. Perhaps the best known all bisques are the Kewpies by Rose O’Neill. In spite of their small size, the appeal of all bisques is limitless, an example of the old adage, the best things come in small packages. We have Toni Foster and Bowdre McAllister to thank for the delightful all bisque display at last year’s national UFDC convention in Los Angeles.

ANTIQUE DOLL COLLECTOR

MAY 2012

Do You Have a Mystery Doll? W

ould any of your readers be able to help identify this doll? It is wooden with leather joints. One half of the doll is white, the other side brown. There is a similar doll featured in the book “The Doll” printed in 1988, except it is all white with red leather joints and is described as being a primitive made in the nineteenth century and most likely made in the USA . It was at the time featured in the Margaret Woodbury Strong museum known today as the Strong Museum. I would appreciate if any new information has been discovered. Thanks Jodie (Australia). Email Jodie at jodie.thomas7@bigpond.com

n our last issue we showed you a doll by Lanternier. The owner questions the marks on these dolls – both Ed Tasson and Ed Masson have been recorded. She notes that on page 819 of the Coleman’s Encyclopedia (Vol.2) it states that Jules Edmund Masson 1914-16 “made models of clay or wax for art dolls” also “The Louvre store sold dolls with heads designed by Masson and dressed in Alsatian regional costume” and one of his models was named “Lorraine.” The name Tasson is also seen on several Lanternier dolls. Subscriber Rozanne Sullivan wrote to us, “I believe that the word “Ed” does not refer to a person’s name – e.g., short for “Edward,” but rather, for the word “edition,” which in French is spelled similarly, but with an accent mark over the e: édition. So far the similarity of names – Tasson and Masson – remains a mystery. Samy Odin suggests it may have been an error in the invoice of the cast for the dolls. We do know these dolls were produced for the Association d’aide aux Neuves de la Guerre (association to aid war widows).

ANTIQUE DOLL COLLECTOR

Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.

MAY 2012

eaders wondering about the luscious Huret bebe pictured in François Theimer’s article (March 2012, page 20) should know it was courtesy the Carmel Doll Shop.

The pattern for stockings in our April issue was reduced by 67%. For your convenience, we are reprinting the pattern full size. You can also find it on our website: antiquedollcollector.com

The seam is sewn using a back-stitch with an overcast stitch to neaten the edges; the corner of the heel is clipped.

The sole is sewn on, carefully positioning the square corners on the sole with the clipped corners on the stocking. The seam is overcast.

The top edge of the stocking is folded narrowly once to the wrong side and basted. The edge is folded again and stitched in place. The basting stitches are then removed.

The result is a stocking that has a smoothly fitted sole and squared heel, perfect to grace any dollâ&#x20AC;&#x2122;s leg. ANTIQUE DOLL COLLECTOR

MAY 2012

Auction Gallery

xtraordinary bisque distinguished this lovely Bebe Jumeau, engraved E. J. 6, 17 inches, with original chemise and underwear, circa 1880. It brought approximately $16,600 at Francois Theimer’s March 24 auction in Paris.

continued from page 14

nown to collectors as “Wendy,” this 14 inch Bruno Schmidt incised BS in a heart and 2033, realized $8,800 at Withington’s April 5 & 6 auction.

lovely bebe Jumeau Triste, pressed bisque head marked 12, ﬁxed wrists and blue stamped body with original wig, 64 cm, sold for approximately $14,000 at the recent Chartres auction. At the same auction March 17 two pairs of marked Huret slippers realized over $5,000.

his Simon Halbig 1448, size 8-1/2 (19-1/2 inches) wearing an antique costume, realized approximately $11,000 at the March 30th and 31st Ladenburger Spielzeugauktion.

#1 Kathe Kruse Child, 17 inches tall, all original and in mint condition, brought $6,490 at Sweetbriar’s April 7 auction.

We would like to thank the following auction houses for their participation: Alderfer Auctions, 501 Fairgrounds Road, Hatfield, PA 19440 www.alderferauction.com Galerie de Chartres, 10 rue Claude Bernard, ZA du Coudray BP 70129, 28003 Chartres Cedex. Email: chartres@galeriedechartres.com Ladenburger Spielzeugauktion, Lustgartenstr. 6/D-68526 Ladenburg www.spielzeugaucktion.de

mong the Lenci’s sold in the March 28 Alderfer doll auction was (left to right) a c.1930’s 23” girl, $1,430; a series 109 girl, all original, $1,650; series 109 all original boy, $1,430 and 24” lady “Queen” doll, all original, $1,760. 56

ANTIQUE DOLL COLLECTOR

MAY 2012

Sweetbriar, P.O. Box 37,Earleville, MD 21919. 410-275-2094. sweetbriarauctions.com Theimer, 4 rue des Cavaliers, 89130 Toucy. www.theimer.fr Withington Auctions, 17 Atwood Road, Hillsborough, NH 03244. 603-478-3232 www.withingtonauction.com

Schoenhut Dolls In The Strangest Places By Diane Dustir Not long after writing this article for Antique Doll Collector, Diane Dustir passed away from cancer. She was editor of the Schoenhut Newsletter and an avid collector, attending last year’s Schoenhut convention only two weeks before her death on October 22. She was a wonderful, giving and thoughtful individual and is missed by all who knew her.

hile contemplating the 100th Anniversary of the invention of the Schoenhut doll by Albert Schoenhut in 1911, I began to reflect on the background details of several Schoenhut dolls in my collection. I can still recall the phone call from Case Antiques Auction after winning the final bid for two lovely Schoenhuts. Imagine my curiosity when I discovered my two dolls were found in an antebellum Civil War Mansion in Nashville, TN! Case Antiques, of Knoxville, stated, “The dolls probably belonged to “Conn” West as a child, circa 1915, Glen Leven estate.” My first thought was, “Who was Glen Leven and how was he tied to these dolls?” Doing some online research I found out Glen Leven was not a who, but an it! As a Northerner I had much to learn. . . Glen Leven is a Greek revival mansion, built in 1857, 154 years ago, by one of Nashville’s early and prominent citizens, John Thompson. Glen Leven has always been privately owned, the last owner was Susan “Conn” West, a descendant of this family and it was in her family since the time it was built. Provenance information provided with many of the auction items were gathered from notes made by Susan West before her death and oral history from surviving family members. Items included extensive offerings of antique silver, fine art, early furniture and Civil War relics in addition to the two Schoenhut dolls. Glen Leven sits on 65 acres of open land that served as a field hospital

Background, Largest cannon 36” long and smallest cannon, 14” long Dolls: 19/405 boy and 19/308 girl

during the Battle of Nashville. It is the largest piece of Nashville’s Civil War battleﬁeld still intact. Susan McConnell West, who died in 2006, generously left Glen Leven to The Land Trust for Tennessee in her will and it stipulated that the land could never be developed or subdivided. “Anybody who is

interested in American history should be extremely pleased about what has occurred,” said Doug Jones, past president of the Battle of Nashville Preservation Society. The mansion and the 65 acres are appraised at more than $1.08 million. The property is located in Nashville at 4000 Franklin Road. ANTIQUE DOLL COLLECTOR

MAY 2012

#19/405

#19/308

News releases mentioned, “not only is the land the largest existing piece of the Nashville battleﬁeld, it’s one of the largest remaining battleﬁeld tracts in the south.” Susan “Conn” West’s obituary mentions she was a graduate of Duke University, a farmer and a faithful supporter of the University of Georgia. Survivors included cousins and friends, (and of course, the two Schoenhut dolls!) Naturally, the history of the dolls

does not go back to the Civil War, and they were not as valuable as the early and elaborate antiques at this auction. They must have appeared rather out of place among the other ﬁne art to the assembled ﬂoor bidders. However, what a rich provenance these dolls still possess! The undressed dolls as presented in online photos looked pristine and clean wherever their clothing had covered them. In exposed areas they were quite dusty from storage and

needed cleaning – all in all they were in fantastic and carefully played with condition. They came with delightful handmade original outﬁts, factory union suits, brown leather Schoenhut shoes and mohair wigs. Careful vacuuming and combing of the wigs proved very helpful, as did soaking the clothing in Orvis. The dolls are both the same intaglio eye model with incised markings on their backs and date from about 1912 to 1915. One doll is a brown eyed girl, #19/308; the other is a blue eyed boy, #19/405, differentiated by the style of their wigs. The girl’s wig was quite sparse; therefore I added a huge bow to give her some femininity. Of the two, the boy is my favorite with his bright blue eyes, rosy facial paint and extremely wistful expression. These dolls have a natural childhood serenity about them that is not typical of most other dolls – one of the reasons I so love the Schoenhut dolls and collect them exclusively. As a Northerner, this piece of Southern history both amazes and excites me. I ponder it whenever I catch a glimpse of these two special dolls that are nearing 100 years old! Photos by Jim Sneed unless otherwise noted Information on Glen Leven gathered from the internet

Glen Leven Antebellum Mansion. Internet photo. 58

ANTIQUE DOLL COLLECTOR

MAY 2012

Doll information from Carol Corson’s book, Schoenhut Dolls

Ashley's Dolls & Antiquities

French Casket - $550, 5 1/2" French Mignonette - $2100, Simon & Halbig All-bisque - $1700, 16" Kammer & Reinhardt Mold 121 - $600, 12" Circle Dot Bru with Trunk & Wardrobe - please call, 18" Steiner with Tauﬂing type body - $5800 Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • www.rubylane.com/shops/ashleysdollsandantiquities Billyehb@aol.com • All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC & NADDA

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

12.5” Hertel & Schwab 134 character child, with sleep blue eyes, all original regional clothes and fully jointed composition body. $5000

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

14” Tete Jumeau Bebe, size 5 with large brown paperweight eyes, closed mouth, original blonde mohair wig, antique coat and hat. $3800

Antique DOLL Collector June 2012 Vol. 15, No. 5

June 2012 Vol. 15, No. 5 $595 / $695 Canada www.antiquedollcollector.com

Two Important Days of Doll Auctions July 22 and 23 Sunday, July 22, 2012. The Prestige Auction of the Legendary “Spielzeugmuseum Davos” Preview 9 AM. Auction begins at 11 AM. The prestigious museum,

Monday, July 23, 2012. Important Marquis Catalog Auction “Upon Arriving Home” Preview 9 AM. Auction begins at 11 AM. Theriault’s classic summer Marquis doll auction is known for offering the best of the best, and this year’s event

nominated as one of the

continues the tradition. The finest dolls

best European museums,

selected from important European and

has closed, and its

American collections will make their

complete collections

runway appearance for your bidding

will be presented at an

pleasure. Notable are dolls from the

important exclusive

Judene Hansen Dolls and Dreams

auction. More than 600

Museum of Lake Worth, Florida, a

lots will be offered

delectable one-owner private collection

in the one day

of more than 50 googly dolls, a choice

event. Exceptional

selection of French poupees with

rarities in dolls,

trunks and trousseaux, rare German

toys, and childhood

characters including the glass-eyed 208

ephemera are included,

model by Kestner and early Heubach

each in unparalleled pristine condition,

characters, superb French bebes in

personally selected for their rarity of

their original couturier costumes. An

nature and purity of collection by the

art-quality hardbound catalog of the

museum founder, Angela Prader. A

auction “Upon Arriving Home” is

commemorative hardbound catalog,

available for $75 or can be ordered with

certain to become a collector’s item

“SpielzeugMuseum Davos” catalog for

in its own right, is available for $75 or

combined $129 ($21 saving when both

can be ordered with “Upon Arriving

are ordered). Catalogs can be ordered

Home” catalog for combined $129 ($21

at this time or a free color brochure can

saving when both are ordered). See the

be requested by calling 800-638-0422 or

article about the Museum in other pages

email info@theriaults.com.

of this magazine, and watch for next month’s issue of Antique Doll Collector for extensive advertising. Catalogs can be ordered at this time or a free color brochure can be requested by calling 800-638-0422 or email info@theriaults.com.

the dollmasters PO Box 151 • Annapolis, Maryland 21404 USA • Telephone 410-224-3655 Fax 410-224-2515 • www.theriaults.com

At the Westin Hotel Canal Place New Orleans, LA

Both auctions are conducted at the Westin Hotel Canal Place in New Orleans. For more information about the auctions contact Theriaultâ&#x20AC;&#x2122;s at 800-638-0422 or email info@theriaults.com. Register at www.theriaults.com to receive emails with further details about these two superb auctions. Both auctions will appear online at www.theriaults.com (click on the button for Proxibid) after July 1, 2012.

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 16 1/2" Incised Depose Jumeau Bebe, blue p/w eyes, immaculate pale bisque, great ant. mohair wig w/loads of curls, orig. pate. Wears orig. aqua silk & lace pleated dress, ant. silk lined hat adorned w/flowers & silk ribbon, ant. undies, ant. crocheted socks & ant. Fr. leather shoes. On orig. fully "signed" body. Orig. coil still intact. Great cabinet size & ABSOLUTELY GORGEOUS!!! $7975. 3. - 4. 15" Kestner #165 Googlie Toddler, blue side glancing sl. eyes, perfect pale bisque, orig. mohair wig & pate, beautiful ant. cotton & lace dress, ant. straw hat, ant. undies & ant. leather shoes. On orig. fully jointed toddler body. Desirable watermelon mouth & too ADORABLE for words. 1-2 Only…$5500. 5. 7" S & H All Bisque 908 Type, amber sl. eyes, pale mint bisque overall, "swivel" neck, orig. mohair wig & pate, fully orig. couture silk, velvet & lace costume, matching velvet hat. On orig. perfect S & H all bisque early peg strung body, o/mo. with 2 early sq. cut teeth, She is a knock out & very RARE!!!! A fine addition to any collection, especially to All Bisque doll collectors. An attic find!! $3750. 6. 4 3/4" Rare French All Bisque Barefoot Mignonette, almond shaped sparkling blue p/w eyes, immaculate bisque overall, "swivel neck". Wears stunning orig. red silk & lace dress w/matching adornment in orig. mohair wig. Rare barefoot Fr. Mignonette & early peg strung. 5 6 ABSOLUTELY GORGEOUS!!! $4200. 7. - 8. S & H #1159 Lady Doll, mint bisque, big hazel/br. p/w eyes, fabulous orig. mohair wig in orig. set braided across back & orig. pate, wearing magnificent orig. silk dress, adorned w/the most magnificent ornate buttons in back, orig. undies, fabulous ant. hat & orig. shoes & socks. On great orig. desirable "signed" Jumeau lady body. Made for French trade for S & H by Jumeau factory. One of the most beautiful lady dolls I have ever had & she is OUTSTANDING!!!! $2750. 9. 10 1/2" Gebruder Heubach #5636 Character Child, mint bisque, blue sl. eyes, slightly o/mo. w/2 lower molded teeth, deep dimples, ant. mohair wig & orig. pate. Wears darling ant. wool plaid dress, orig. underwear, socks & orig. leather 9 10 shoes. On orig. jointed body. Absolutely ADORABLE in a great rare teeny cabinet size!!! $2375. 10. 12 1/2" A.M. #231 “FANY” Toddler, blue sl. eyes, full pouty mouth, perfect pale bisque, great orig. mohair wig & pate. Wears fabulous ornate ant. batiste dress decorated w/ribbons & lace, ant. pink socks, ant. blue leather shoes & ant. pink wool buret. On her fabulous orig. early st. wrist fully jointed todder "FANY" body. Fabulous rare pouty character & absolutely ADORABLE!!!! Sure to bring you a smile!!! $6400. 11. - 12. Rare 18" Figure C Steiner, gorgeous light blue p/w eyes, feathered brows, immaculate early pressed pale bisque, ant. mohair wig & orig. Steiner pate. Wears ant. dark teal dress, ant. velvet hat,, layers of orig. underwear & orig. Steiner shoes. On orig. "signed" early st. wrist Steiner body. Rare early Steiner and possesses MAGNIFICENT beauty!!! The face of an angel! Only…$8700. 13. - 14. 11" Tete Jumeau #2 Bebe, huge bulging blue p/w eyes, luscious lashes, immaculate pale bisque, fabulous orig. mohair wig & orig. pate. Wears orig. ornate silk & lace dress & matching hat, orig. undies, socks & ant. Fr. leather shoes. On orig. "signed" Jumeau body. Fully "signed" head. Great tiny cabinet size. She has the most LAYAWAY AVAILABLE amazing face and tremendous presence!!! BREATHTAKING!!! $8550 Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.) Photos by Vincent Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

3-4

7-8

11-12

13-14

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS 1 - 3. 17” Kathe Kruse in superb condition with no repaint or touch up! Clean from head to toe, w/some minor discoloration at waist. Possibly orig. clothes, number stamp under foot. $5250. 4 - 6. 6 3/4” Door of Hope Kindergarten child, all orig. w/ kitten shoes! Very unusual orig. ceremonial powder applied to face and neck. $1950.

Exhibiting: July 22 - 25 National Doll Festival, New Orleans LA, Hilton Riverside New Orleans

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray, Michael Canadas, David Robinson Sales Representative: Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com

MOVING?

Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

JUNE 2012

Come Aboard the Queen Mary, Set Sail upon

Rose Percy’s Fantastic Voyage and Help Commemorate over 150 Years of Charitable Service

The Event

Please join the members of the Verdugo Hills Doll Club for a premier charitable fundraising event. A limited number of registered attendees will be treated to a very full day of festivities that include a delicious luncheon, a specially created program about Rose Percy, deluxe helpers and shopping opportunities, plus each attendee will receive a copy of a beautifully illustrated book about Rose, her possessions and her life. The exclusive book will only be made available to registered guests at Rose’s events. Also included in the weekend’s festivities is a Friday evening Welcome Reception which includes a Special Program entitled “HRH Queen Mary – Collector Extraordinaire” presented by Michael Canadas.

When

Friday Evening, February 1, 2013 Saturday, February 2, 2013

Where

The Queen Mary Long Beach, CA 90802 General Information: 877.342.0738 Hotel Reservations: 877.342.0742 Mention the Verdugo Hills Doll Club for a Special Rate. (Limited room block.) www.queenmary.com

“Rose Percy’s Fantastic Voyage” Luncheon Event

To Register

Please send a check or credit card information to Rose Percy Event, P.O. Box 7198, Carmel, CA 93921. For inquiries or further information, please contact Event Registrars, David and Pam Kandel by email at dakandel@gmail.com or telephone at 805.480.0930.

www.rosepercy.org

Mail To: Rose Percy Event, PO Box 7198, Carmel, CA 93921

June 2012 Volume 15, Number 5

37 19

THE WONDERFUL FACES OF THE BÉBÉS BRU

IN RESIDENCE AT STONE GABLES

by Lori Santamaura and Juliette Peers A delightful family of early rolled linen dolls have found a home in this nineteenth century Victorian dollhouse.

EARLY FRENCH CELLULOÏD DOLLS BY SIC (Société Industrielle de Celluloïd) by Samy Odin French celluloid production was especially fruitful during the period between the two world wars.

About The Cover A father and his youngest daughter return from the parsonage, on their way to Stone Gables. Part of a family of ﬁve – three sisters, father and son – they were fashioned from techniques used in 18th century rolled linen dolls. The ladies with their early Victorian silhouettes and dramatic Apollo-knot hairstyles and the formerly attired gentlemen reside at Stone Gables, a picturesque 19th century home decorated in the Victorian aesthetic… more is more! Collection Lori Santamaura. Photo: Sal Santamaura.

LULA MCLEAN’S DOLL “THE SILENT WITNESS” TO HISTORY by Sara Bernstein

The story of a doll who “witnessed” General Robert E. Lee surrender to Lieutenant General Ulysses S. Grant.

ANTIQUE DOLL COLLECTOR

by Dee Urquhart-Ross The lasting beauty of the early bébe Bru models – the Brevete, Circle Dot and Bru Jne – continue to win the hearts of collectors today.

THE ALL NEW TOLEDO DOLL & BEAR SHOW

JUNE 2012

14 Auction Gallery 54 Emporium 54 Mystery & News

RARE FINDS

by Ursula R. Mertz The author discusses several rare, early 20th century American composition dolls.

56 Back Issues 60 Calendar 63 Classified

THE TOY MUSEUM OF DAVOS, SWITZERLAND by Margaret Kincaid

The author travels to the museum’s closing party to view its remarkable contents.

3. Poetic describes the look of this near perfect 22-1/2” Heirloom Schoenhut Character wearing original commercial clothes and factory shoes w/ holes, beautiful eyes, original color and varnish. How can wood be so tender? $1295 Schoenhut Poodle – excellent $295

1-2. Factory 1 Original Schoenhut – from mint wig with bow to factory shoes w/holes and stockings, she’s 15” of picture perfect in her original union suit and dress, and, of course, flawless paint! Unplayed! $1795

5. This 16” tall Signed Bliss Dollhouse is only 9” deep and has all the original paper inside and out – takes no space and is a perfect place to house your collection of “minis.” $750

4. Just this month Schoenhut’s SchnickelFritz turns 100 years old! Made in 1912 for about one year only, Schnickel-Fritz is a rare and prized catch no matter how you find him and this, with a possible factory repaint, is no exception! Now’s your chance to have one. Just $2500

6. What could be more charming and colorful than this vibrant 3” tall ‘Bliss’ Doll House Furniture Set to light up a room or a cabinet scene?! $195 Doll House Cat $75

(212) 787-7279 P.O. Box 1410 NY, NY 10023

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA 9

8-10. When do you ever see these Skookums sitting down? So Alive! This 36” All Original Skookum brave is a rarity whether standing or seated with his jointed hips and knees folded beneath him. Beautifully preserved mix of fabrics and colors, all clean – don’t let this rare addition get away! $1495

7. Clown Collectors! Jump up and sit down for this rarely seen important 10” turn of the century American Worsted Clown with especially wooly hair and complete with hat! Be happy! $295

13. When have you seen one of these?! 7-1/2” ‘Mamas Own Crossword Puzzle’ Doll by Louis Amberg 1925. Factory perfect example includes the crossword puzzle label! Rare comic character in a choice cabinet size. $750

11. The large Patsy members are the rarest such as this 26” Effanbee Patsy Ruth in very lovely condition, color, original bracelet, wig and clothes! No craze! Just $895

14. In the manner of W.C. Fields comes this very rare and dynamic 11” Louis Amberg celebrity character ‘John Bunny’ with such explosive modeling and original ‘beer belly’ body. Too much fun! $695

12. Early Composition ‘Mibs’ type child – the unique soul, so angelic and true in the factory romper. $495 11

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA

(212) 787-7279

1 & 4. 9” Exquisite Ivory 1 and Wood Jointed Figure – important 1850s masterwork with ivory portrait face (glass eyes) and 7 arms, uncut spun 6 mohair wig, original silver and gold brocaded silk garments – a museum class figure of rare dramatic import. $2200 2 & 3. This important Poured Wax Fashion with hip length original wig features rare molded wax gloved hands and the matching side button wax boots! Profound 5 and romantic facial portraiture and onethird the auction price at only $1100 5. Rich and rare describe the drama of this 16” 9 10 All Original 1850s Black Hair Motschmann with glass eyes, floating joints including early hands and feet, elegantly austere in her fine clothes/ slippers. Hauntingly innocent. $695 6 & 7. 18” Early Factory Couture Simon Halbig ‘905’– not only the rarest of those early SH molds, this ribbon winning socket head fashionable bebe, with closed mouth, has her original elegant soft wool couture, tiers of fine tatted lace, swag and bustle, plus her factory hat, muff and bisque arms! $2200 8 & 10. These mid 19th Century American Black Folk Art dolls are rarely males and rarely 24” tall! Such is the 12 13 importance of this well postured example with simply stitched features and very well dressed in layers of original garments in remarkable condition. Important Americana and an outstanding doll! $2250 9. 11” 1840’s Wire Eye Motchmann Baby – probably English and definitely all original with swivel head and eyes that open and close by wire; early jtd. hands and feet beneath layers of finery so well preserved for 172 years! $750 11. 27” Very Pink China 1840’s – luscious complexion, very brown eyes, heart shaped 2 part lips, closely cut curls, original factory produced commercial body in red wool challis day gown. Statuesque! $850 12. Do you like lifesize? Try this early beautiful 36” Big Chase Boy with transitional signed body (not heavy) and mint facial paint with brilliant color and stippled hair – wearing his period labeled silk sailor suit from Filenes of Boston! Go for it! $1495 13. Oodles of extra clothes and accessories accompany this wonderful 16” Heirloom Chase Baby as he travels through time. Orig. paint, no touchups, brown eyes, signed sateen covered body, well housed in a dome top antique trunk! $795 14. Remarkably quaint are the clothes on ‘Emma Jane,’ the 24” Attic Original 1858 Greiner with her label, original body, some typical modest old touch ups, nothing major and owner’s note attached to make her personal. $850

(212) 787-7279 P.O. Box 1410 NY, NY 10023

1. Precious, delicate and

powder fine bisque make this 18” Heirloom K * R Flirty all the more cunning along with the fancy original antique dress 7 6 and super factory shoes! $595 2 & 3. The Simon Halbig ‘1200 series” produced the most nuanced expressions. This deluxe Model ‘1279’ has the iconic slanted flyaway brows over big round iridescent blue eyes, peaked upper lip, dimples, all authentic from her uncut wig to factory 8 blue leather shoes and baby blue antique layers of clothes! $2200 4. Everyone loves Fully Jointed big toddlers like this Sensitive 25” 11 K * R 121 wearing her 10 original period layered ensemble with leather shows and precious quilted silk jacket, she’ll touch your heart with her big tender blue eyes! $1100 5. Along with ‘Hilda,’ Kestners only other name doll, ‘SIEGFRIED’ is a stunning character! The only infant doll said to be offered by Kestner, it exists in relatively small numbers compared to Hilda. She’s mint, small and factory original! $750 6. Here’s a truly rare French one! This UNIS/SFBJ ‘290’ toddler has the fully jointed SFBJ toddler body, excellent quality bisque and original underlayers beneath her silk dress. Important never seen French character doll for the 14 curious collector. $1250 13 7. Did you know Horsman made a Bisque Head Toddler? This unusual 17” find is a great addition for anyone’s collection on her fully jointed and signed Horsman body and wearing her original clothes and shoes! $750 8. 18” Kestner ‘171’ Daisy – (size C-7) from plaster pate and hip length wig to factory leather shoes with mint Kestner body signed ‘1-1/2’ beneath her picture perfect original clothes – all mint! $750 9. World’s Smallest Black Dream Baby – all original and mint with fire-in color amazing facial detail, jointed body and flawless quality all! $550 10 & 11. In a league of her own, no other Kestner is asked to express the maturity of the Rare Kestner 241 Portrait doll. The unique modeling of her high cheekbones, mature jawline and knowing eyes evoke a radiant honest beauty and intellect. Flawless quality with a discreet invisible hidden flaw, original mint body and factory ensemble make her even more important! $3800 12. No one was more inventive than Gbr. Heubach! This 9” Cabinet Size Mechanical is mint, all original in elaborated ensemble and a fully functional performer! A unique joy to behold in action! $1200 13 & 14. 25” Magnificent ‘Hanna’ Toddler – what energy radiates from this supersize character with her larger than life zest captured in the outstanding modelling of her incredible oily sheen bisque, dancing blue eyes and lush antique curls. $1495

Danny & Barrie Shapiro

Creating The Ultimate Collection Since 1975, The Toy Shoppe has focused on dolls of exceptional design and artistry created with the highest standards of production.

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R. John Wrightâ&#x20AC;&#x2122;s artistry and technical proficiency bringing classic two-dimensional illustrations into three-dimensions is unequalled. These are truly heirloom pieces.

Cicily Mary Barker Palmer Cox

Lewis Carroll

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Evelyn Phillips

Please see our website or call for more details, and lots more pictures www.evelynphillipsdolls.com

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Accepted

1- 21 inch “C” Steiner spectacular bisque. $6500 2- 18” RD -Rabery & Delphieu from my own collection. $6000 3- & 3a-12” precious Tete Jumeau. $5500 4- 15” Exquisite early Bahr & Proschild Belton. $2400 5- 16” Huggable Chinese JDK #243 $5800. 6- 18” Exceptional Kammer & Reinhardt #121 toddler $1900 7- 15” Magniﬁcent RD, Rabery & Delphieu. $5500 8- 15” Rare c/m Bahr & Proschild Magniﬁcent “Harem Girl” $2600 9- 21” all original, awesome PD, Petit & Dumontier. $19,000 Photography by Paula Claydon

In Residence at Stone Gables By Lori Santamaura and Juliette Peers Photos by Sal Santamaura

tone Gables was merely a house, not a home, until a brood of rousing, remarkable relatives called it their own. With vivid personality, this family speaks to us now, just as compellingly as the day, one hundred eighty years or so ago, when an unknown young lady – or even little girl of extraordinary talent – seated in the bent back chair of a sunny morning room, made the conﬁdent, conclusive snip of her scissors. At that moment, the last of her doll ménage was lying on a nearby table, or held at arm’s length, to behold what she had just made.

Father, with youngest daughter at his side, on the road to Stone Gables. There’s simply no place like home. ANTIQUE DOLL COLLECTOR

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Even in aristocratic houses, sewing proficiency was expected; young girls were required to master the craft. In the early children’s books the little girl is exhorted to ply her needle, or is praised for the skill with which she has made her dolls’ clothing (John Darcy Noble). Eliza Leslie’s “The American Girl’s Book,” published in 1831, contained instructions for making linen dolls, extolling them as more pleasurable for play than dolls of other media, even composition, since young, eager hands could be more free with those of linen. Ladies’ monthly magazines had also been circulating since the first quarter of the nineteenth century, often containing instructions designed to cultivate needle skills, including the making and dressing of cloth dolls.

This rare clan comes from techniques used in eighteenth-century rolled linen dolls. Linen has a cultural history that can be traced to ancient times; harvested through the ages, sturdy and dependable, lending to the miracle of seeing them today, just as crafted those many years ago. Finding numerous uses in furniture textiles and household wares, linen denoted luxury as much as any sumptuous fabric. Each doll is composed of a stuffed linen body with rolled linen limbs. Upon close inspection, a hint of a thumb is revealed on their hands. The stuffed heads feature stitched and needle-sculpted facial features. They were bestowed with an enormous gift: one cannot avoid smiling at their combination of sophistication and whimsy. The ladies are three sisters, costumed in style-conscious gowns classic of the 1830s epoch. Fashioned from gauzelike printed cottons, the dresses are complete with legof-mutton sleeves, which had just hit their stride. These billowy, romantic gigot sleeves and full, ﬂowing skirts displaced simple lines from the Regency period, where high-waist, slender Empire styles had been the tenor of the time. The Early Victorian silhouette, with bell-shaped skirts and ﬂounces, would reign for nearly four decades before bustles shifted focus to exaggerated fullness at skirts’ backs. Flower prints had become increasingly popular by the 1820s. Printing processes, which were perfected in 20

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Lancashire fabric mills, rendered cottons with delicate floral designs that would become iconic of youth and femininity around the globe. The deep pink ensemble one of our young ladies wears has a printed fleur-de-lis pattern, while the most liberally used color of the era – brown – is featured as earthy backdrop for another’s milk white flowers. Prime for that period, too, is the outfit of light-colored ground with motifs in green, yellow and brown. These ingénues sport cloth squaretoed laced “boots.” Amazingly, their muslin and eyelet underpinnings are complete in every detail; modesty takes precedence with pantalets. Ribbons and Dresden decoration serve as sashes around the waists, a treatment at the peak of its popularity. Each girl in this household, be she blonde, auburn or brunette, has a coiffure that is a sky-seeking triumph, if not pure engineering, in braided thread which has been styled and stiffened into Apollo’s knots. This vogue was an extraordinary moment in the history of fashion and personal styling that, so far, has not seen a revival. Nonetheless, dolls that continue to sport these gravity-defying tresses include Milliners models, early papier-mâché and this current rare family of cloth sisters. The crowning touch for our dark-haired young lady is a gleaming Dresden paper tiara. Such flamboyance reflected a trend in the early nineteenth century to wear Greek-inspired articles of clothing or hair ornamentation,

This family portrait of the sisters, young brother and Father, 5-1/4 inches to 6-1/2 inches in height, shows the industrious makerâ&#x20AC;&#x2122;s undeniable combination of love and skill, imbuing them each with personalities of their own â&#x20AC;&#x201C; verve, vitality and playfulness prevails in the house they call home. Curiously, no chapeaux were fashioned for these dolls, understandable perhaps since the young ladies might muss their triumphant hair. For gentlemen of the era, coats, hats and vests were expected at all times in public. Perhaps these requisite items are hidden among the cloaks and overcoats in the Blue Bedroom wardrobe or chest. Lori Santamaura Collection

Stone Gables measures 32 inches wide, 14-1/2 inches deep, 27-1/2 inches tall from grade to the top of its chimney flues and exhibits solid overall construction. It is carpenter-made, with an impressive front door, stone block exterior in warm buff paint and four cozy rooms. Possibly of regional British origin, the color and clear rendering of stonework on Stone Gables, rather than brick, portrays the more austere northerly locales. Such dollhouses were often constructed on the grounds of a country estate where the carpenter was a member of the permanent staff. A unique feature is the small, acidetched glass roundel that emits a soft glow from the electrified interior. The pair of chimneys and center gable completes a picture of perfect symmetry. Small windows lend an intimate feeling, yet belie large rooms discovered upon swinging the two doors open and entering this province for play. Lori Santamaura Collection ANTIQUE DOLL COLLECTOR

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A dollâ&#x20AC;&#x2122;s pretty kitchen, stands next on the shelf, with grate, pans and kettle, and pot; with dish and tureen, and all crockery-ware, knives and forks, and I cannot tell what (Wonders of a Toy-shop, 1835). The handcrafted range and spacious cupboard, along with a plethora of helpful cooking implements, make this well-appointed kitchen functional, yet charming. There are pewter and metal vessels of infinite variety, molds in a host of designs, plates and platters to serve every desire. A large braided rug renders the room all the more cozy and inviting. Brotherâ&#x20AC;&#x2122;s indiscretion, though, can be seen by the kitchen curtains, where he sheepishly sweeps broken window glass from the floor. Boys will be boys.

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referred to as sphendone or wreaths. A fountain of youth radiates from their delicately blushed complexions, while the eldest sister wears a choker of cut steel beads. The gentlemen, father and son, are more conservatively and formally attired in wale cotton black tailcoats and trousers. Their coat collars have been enhanced by sturdy silk tape. Glazed cotton doubled as starched collared shirtfronts, complete with black satin bow-tied cravats and Dresden ovals as a row of buttons. This is the same level of creativity and maker’s charisma evident in the sister dolls. According to “The Gentlemen’s Book of Etiquette,” the ﬁrst rule of guidance for Victorian men in matters of clothing was, “Let the dress suit the occasion.” Propriety dictated the watch chains displayed from their waistcoats or vests. The men’s sandy-colored hair is of heavy thread; both feature moustaches. A hint of the romantic panache and vivid character sketching that distinguishes these sister dolls is found in the men’s tousled Byronic locks à la Titus. Center-stage in the children’s study of this privileged and talented artisan, as if high on a grassy knoll amid the billowy whispering willows, stood Stone Gables, a miniature theater in its own right, which opened a world of wonder with the linen doll family. Low, oldfashioned stone houses, surrounded by laurels, roses, fuchsias and other ﬂowering shrubs, dotted the child’s actual environment, making her play all the more an enactment of life. A particular magic pervades nineteenth century dollhouses. Part of their mystique is the Victorian “more IS more” approach to real life interior design, furniture, ornaments, pattern and decoration, brought together in one glorious riot. Dollhouses of the period take that perspective down to a fairytale dimension. Everything that could be found in a real life Victorian home was replicated by factories and artisans across Europe and England. Here, the dollhouse is a

The parlor is rich and welcoming with its overstuffed suite of furniture in deep red vertical floral pattern velvet, further enhanced by vibrant drapery along with tonal red border rug. Mirrored sconces flank the ornamented Victorian Rococo fireplace, with Louis Philippe style gilt surround and gold- painted accessories adding glittering ambience. A mantel clock under a glass dome plus a regulator on the wall serve to showcase their clock collection. Their mahogany buffet enables the most social of occasions, with the turned leg table strategically centered so delicacies can be offered for any gathering.

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A brilliant red and green parrot in a fine ormolu cage glistens gleefully in the perfectly pink bedroom. The sisters’ majestic, gilt-accented ebony Biedermeier beds with canopies offer a place for sweet dreams to come true. Reminiscent of Raphael’s angels, a lithograph depicting three Victorian cherubs is hung facing those glorious beds. It serves as a memoir of “mum,” ever their guardian. A classically detailed Biedermeier wash stand of sublime simplicity, finished in ebony and rosewood stain, graces the lovely needlepoint carpet, which is resplendent with swirls of tans and browns, while grain-painted pieces round out the furnishings. The girls’ prized possession, an exquisitely detailed statuette, is showcased on the mantle, while a German lithograph of children with doll safely tucked under arm, tribute to the presence of dolls in Victorian everyday life, hangs prominently over one of two matching tin-plate fireplaces that further enhance the ambiance of this warm, safe haven.

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stage upon which narratives can unfold. Dollhouses are fascinating in part due to their role of making the virtual visible and how each detail, each object within, is a delightful accessory to the fact of this imaginary world. The kitchen served as heart of this idyllic home, where sturdy pine furnishings reigned supreme. Expertly handcrafted, the range was enviable to any chef, as were accoutrement to whip up the heartiest of meals and most decadent of desserts. The girls, certainly not in their best crisp cottons, might have had a few baking tips from the cook, who served up some confections fresh from the oven on a pine harvest table. Tucked next to the robust, towering cupboard is a beautifully carved and turned high back chair which, in real life, would have been placed in the hallway of a Victorian house, often bearing the family coat of arms. Cheery floral wall covering makes a hot stove pale in comparison to the delight of pleasing palettes and garnering smiles from appreciative children. Accidents do happen; brother’s frantic strokes of his straw broom on the kitchen floor to remove glass from a window he was responsible for breaking is not music, though, to the cook’s ears. Stone Gables’ parlor décor, from the pageantry of Gothic-inspired wallpaper to splendid furnishings and adornment, would suit the grandest of guests. Offering a luxuriously plump sofa and chairs in sculpted burgundy velvet, the wing chair affords most sublime fireside seating, the better to savor its glimmer and glow. Ornate ivory curio shelves display a grandiose assemblage of cups and vessels. Ivory bibelots, especially those found in an English context, may well have been fabricated as souvenirs for European visitors. Thus, too, the world of commerce and the British Empire informed the dollhouse. A host of gilt luster appears, including the glorious mantle clock under glass and the regulator prominently on a wall. One can almost hear the Westminster chimes as it strikes each hour. From this vantage, the family is like every other in their area, greeting guests and gathering together for a leisurely evening.

The blue bedroom is large enough to function as both sleeping quarters and sitting area for father and son. Although a harlequin grouping of pale wood and grain-painted pieces, their personal quarters are quite satisfyingly furnished. Dad’s drop-front desk is positioned by their own glowing tin-plate fireplace. A gentleman’s ivory shaving stand, displaying implements rendered to every intricate detail, is not to be missed. There is opportunity, too, for a cup of tea or refreshing glass of water at the handsome inlaid wood table. The family dog, a St. Bernard, spends time in this comfortable room pressing his nose inquisitively to the low window.

Once upstairs, perfectly pink wallpaper, adorned with sprigs of cerise roses and bordered in pristine white acanthus leaves, serves as a soothing surround for the young girls’ retreat – and everywhere the glint of gold. Silk canopies in a salmon hue bearing trapunto decoration, loop fringe and cascading lace make an exhibition of their Biedermeier beds. While many elaborate interiors contained Biedermeier furniture, the style was adopted at all social levels, ranging from modest to extravagant. Replete with a time-honored Biedermeier dressing table and snow white opaque “Bristol” glass toilette, which was likely reproduced in Lauscha, Germany for dollhouses, the room serves their every need. Nondescript, yet elegant, the dresser with “marble” detail has a swing mirror that tilts perfectly to declare who is the fairest of them all. The gentlemen’s territory is a menagerie of pale wood and grain-painted pieces complemented by periwinkle wallpaper with nature in full bloom, all tied together by the deeper cerulean blue rug. There is ample space for the assemblage of furnishings to service them both, not only for routine functions, but also those quiet, introspective moments, such as reading comfortably on the sofa upholstered in textured steel gray velvet or when Father puts pen to paper for his weekly sermon at the secretaire. ANTIQUE DOLL COLLECTOR

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The family’s colorful German tinplate horse-drawn carriage features a wicker seat with tufted silk upholstery and fancy spoke wheels. It is pulled by a stuffed hide-covered dutiful horse, made all the more charming by his leather tack with brass studs. Strutting through the village, this family adds panache to an otherwise quiet, northerly area of the Pennines, where old stone houses are high along narrow streets. Curiously, too, their hamlet was noted for its cloth production, which boomed in the early 1800s.

The young, deliberate artist had attended to each and every detail, not only of her dolls, but the world in which they lived and loved, laughed and cried, grew and ﬂourished. Note the names she gave her rolled cloth creations — Charlotte, Emily and Anne, their brother Bramwell and their father the Reverend Patrick, united under one roof. Charlotte and her sisters were known to retreat into fanciful worlds of the artist’s own, writing stories and poems. Be they famous or ﬁctional, and this account a tall tale or true, our handcrafter of cloth reminds us that the Victorians had a sense of fancifulness and spirit that is undeniable and reaches out to us still. BIBLIOGRAPHY Antrim, Liza. Family Dolls’ Houses of the 18th & 19th Centuries. Great Britain: Cider House Books, 2011. Greene, Vivien. English Dolls’ Houses. Great Britain: B.T. Batsford Ltd, 1955. Jacobs, Flora Gill. The Small World of Antique Dolls’ Houses. New York, New York: Lake Isle Press, Inc., 2006. Johnston, Lucy. Nineteenth-Century Fashion in Detail. London, England: V & A Publishing, 2009. Noble, John Darcy. Selected Writings of John Darcy Noble. Cumberland, Maryland: Portfolio Press, 1999. Picken, Mary Brooks. A Dictionary of Costume and Fashion. Toronto, Canada: General Publishing Company, Ltd., 1985.

In recognition of Michael Canadas and David Robinson for generously sharing their knowledge on the subject, two important words – thank you.

Like Rumer Godden’s “Tottie: the Story of a Doll’s House,” whose subject matter concerns a family of dolls and their owners (Emily and Charlotte), it’s not exclusively about the dolls. The tale told also paints a portrait of humanity, moments of courage or folly, as does this image intended to suggest our Emily and Charlotte. 26

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Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

26” C/M Tete Jumeau, size 12, on stiff wrist body, brown paperweight eyes, red depose Tete Jumeau mark, antique clothing, HH wig, $4150, Now $3650 5” Steiff Witty the Owl, mohair, jointed head, button on wing $50

26” C/M Kestner, K-14, blue sleep eyes, mohair wig, original pate, antique dress, was $2680, now $2395

24” C/M Tete Jumeau 11 on early stiff wrist, stamped body, piece reglued and hair line side of head $2050

4”x4” 1880’s German wooden Walterhausen piano with moving keys (does not play), great gold detailing $250 4”x4.75” 1880’s German Walterhausen in Thuringia Marble top desk with gold detailing, 2 doors that open, metal fan on desk top, graceful carved legs $225 5.5” CM, glass eyes, marked 13A, jointed arms and legs, German 5 piece compo body $170 4.5” 540/2 All bisque, jointed arms and legs, blue sleep eyes, CM, black slippers, blue stockings, silk & lace original dress as is, mohair wig, crocheted hat, adorable $375 3.75” All bisque, CM, blue painted eyes, mohair wig, redressed in blue snow suit $150

15” 1959 Shirley Temple, all original in Heidi outﬁt, mint and complete w/ red Shirley dress and Ideal shoes $210 10” R&B Littlest Angel Majorette, all original with boots and hat $86 18” Ideal Shirley Temple, 1935 “Our Little Girl”, Scottie dress and combo, Mattel Kiddles & Kars, slight crazing on 1968, Lenore Limousine compo $395 #3643, mint in package, plastic as is on front right corner $225 Rarest Storykins by Hasbro, 1967, Walt Disney’s The Jungle Book, #8711, mint on card w/ record, set includes Baloo, Mowgli, drum and 2 sticks $695

Pretty Village #546 Rip Van Winkle Set, copyright 1897, McLaughlin Bros., New York, 23”x23” layout paper (few wears), complete with 9 buildings, Blacksmith (one wall loose), Firehouse (missing copula on roof), 3 houses, glass panel Photo Studio, Rip Van Winkle Log House, Friendship Boat Club, Little Folks Hotel, Tent, 3 boats, 4 trees with people, bike, horse & wagon, man with trunk, man with pail & older lady, 12 tin stands $695.00

16” tall, (12.5” circ.) Kestner Century Baby, beautiful molding, brown sleep eyes, compo hands on cloth body w/ jointed legs, antique clothing and delicate bonnet $595

30.5” 1940’s Butterick Store Mannequin made of LaTexture, light overall crazing, molded black wavy hair, blue eyes, comes with 6 original outﬁts, mustard & cream polka dot crepe dress with blue buttons, blue ﬁne wool cape lined with crepe from dress, black textured nylon dress, green cotton, belted & cuffed pants, sleeveless jacket, red, black, cream & green striped shirt, grey blue cotton linen blend dress w/3 rose buttons, blue, white and black patterned rayon belted dress w/hand sewn button holes, red and silver lame gown (as is at waist seams), slight damage to the tip of nose, throat & ankle $395

8.5” Vogue Ginnette #6570 blue eyes, in adorable sun suit and bonnet, pink shoes and Ginnette socks with box, comes with red plastic carrying case $95 14” 1950’s Hard plastic, blue sleep eye Kewpie, 8” “Wee Did It” watermelon mouth, Wee Paulson, adorable in blue and NIADA artist, 17” Vogue Baby pink dress $275 African girl w/ Dear w/rooted blonde hair, Vogue label on body, redressed 16” Brunette hair Terri black poodle, in pink romper, Eloise Wilkens designed $150 Lee, blue sailor hat and wonderful 17” Vogue Baby Dear w/blonde rooted hair, redressed in skirt, tagged red jacket, personality, she is holding a bone white bonnet and an animal print panties, original booties $150 Ideal plastic white shoes, great face, was (as is) making her 19” Ideal Thumbelina, beautiful doll that works, has original instruction sheet and bottom of box, great hair, redressed $150 $245 now $195 dog beg $350

22” Geisha Girl on wood 9”x12” platform with sign on wood stand, glass eyes, fabulous hairstyle with combs and flowers and silk wrap in back, orange floral and gold Obi, black and aqua and orange kimono with butterflies and floral petals, gold paper fan in left hand $695.00

LAYAW AVAILA AY BLE

French Mignonettes, swivel head, all bisque slim legs, arms and torsos; 4” Blue glass eyes, CM, mohair wig, black strap slippers, long white dress with blue dots and lace $1495 3.25” CM, painted blue eyes, black slippers, mohair wig, tan cotton and lace dress, pink bow $295 2.5” Lead baby buggy with moveable wheels, one wheel glued to spoke, original paint and materials $75 1.75”x1.25” German cardboard lithographed steamer trunk, as is $25 2.5”x1.75” German cardboard suitcase with handles and “locks”, great detailing $45

8” 1955-56 Nancy Ann Roy Rogers & Dale Evans in rodeo costumes, all original, Roy has holster with 2 guns $300 pair

19 1/2” Kestner 167, fabulous antique clothing and leather shoes, original mohair wig and pate, blue sleep eyes $625 5” Unis Paris on 5 piece body, blue painted eyes, blond mohair wig $150

8.5” Alexander Little Colonel, compo, painted brown eyes, mohair wig, redressed, 1935-36 $125 13” Alexander McGuffey Ana, all original, new socks, brown sleep eyes, some crazing, was $250, now $150 12” 1959 Alexander Christening baby, blue sleep eyes, original dress, has spots, no bonnet, was $75, now $49.95 17” Alexander Princess Elizabeth, compo, some crazing, paint rubbed on ﬁngertips, eyes as is, redressed, was $175 now $97 18” Binnie #1820, 1964 only, cute face, blue sleep eyes, original dress and socks, was $245, now $125

12” Horsman Campbell Kid, fabulous condition, compo, 1948 in original box, outﬁt and bow in hair $275 8” 1955-57 All original Ginny Davy Crocket with original pin, tagged fur hat, blue sleep eyes, red hair, fabulous $350 8” Ginny straight leg walker, brunette braids, original tagged dress, red straw hat and purse, red Ginny shoes $195

Early French Celluloïd Dolls by SIC (Société Industrielle de Celluloïd) by Samy Odin

ne of the privileges of traveling, when you are a doll collector, is being able to find out which dolls are popular in which country. It is natural that people will be attracted to their country’s doll production. Yet, certain types of dolls seem to have become popular almost everywhere the antique doll market has developed, for example the 19th century French bébés and the early 20th century German characters. Since the Internet has facilitated a worldwide communication, the popularity of certain types of dolls has spread beyond geographical borders and hit new markets. It’s the case, for example, of the vintage Ginny dolls by Vogue, now becoming popular among European collectors. It’s also the case of the French Bleuette, whose collecting frenzy unexpectedly captivated US collectors. As far as “fascination” is concerned, many factors concur to transform a yesteryear Photo 1 - Photo by Jean Dalmard plaything into a collectible item. Visual appeal, condition, rarity or popularity are Industrielle de Celluloïd (SIC) is worth a special mention. important, of course, but not without an historical It was founded in Paris in 1906 but it actually was making approach. As soon as the collector perceives the depth dolls since 1903, when it was called the Société Industrielle of a topic, no matter if it concerns a national or an de Cellulose, the successor of the famous Neumann & international doll production, its “collectible” potential Marx Company, active in Paris since 1887. starts to build. Let’s consider Lenci, for example. In 1927, the SIC was absorbed by the Société Nobel Advanced collectors do not hesitate in investing in the Française (SNF). According to the earliest catalogues by dolls that correspond to the Golden Age of this label, the Nobel, we understand that a few models by SIC were twenties and early thirties, when Elena König Scavini continued after the merger of these two companies. It is created her very best models. The increased value of the interesting to remark that certain Nobel dolls bear both of dolls from this era is not only due to their beauty or their these markings. In the pages to follow, we will concentrate, rarity but, essentially, to the fact that, historically, this essentially, on the early SIC production, spotting out period was the very best for the Lenci firm. which models were discontinued by SNF and which lasted French collectors have been aware, for quite a bit longer on the market. of time now, that their celluloid doll production was The products of this company are easy to recognize, for fabulous throughout the 20th century, especially during they almost always bear the explicit marking “SIC” inserted the period between the two world wars. Among the into a diamond shaped logo associated, on the earlier models, major firms who specialized in this medium, the Société

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Photo 3

Photo 2

Photo 4

with the symbol of a dragon. It is usually found in the back and/or in the neck, surrounded by numbers referring to a size or a mold. One of the earliest models by SIC is called “Baby”. It has a certain resemblance to the character #100 by Kämmer & Reinhardt. It appeared on the French market in 1910, a year later compared than the German model (photo 1). It was made in several sizes, from 2” to 22”, mostly assembled on a bent limbed baby body. Since it was produced for several years, it is not rare but collectors tend to look for this model in all the sizes, skin colors and costume variations. In fact, it was also produced in a rare black version (photo 2), as well as an Indian version and as Commedia dell’Arte characters, such as Pierrot and Colombine, originally dressed in crepe paper clothing (photo 3). The rarest among the “Babys” (this is the spelling of this model in the SIC catalogues) is the girl version with a voice mechanism connected with the sleeping glass eyes detailed in a patent of June 11, 1913. This extremely rare version was made in four sizes (14”, 16”, 18” and 20”). The specimen shown here is presently the only intact one documented in France and stands 14” (photo 4). “Baby” was discontinued by Nobel in 1927. The so-called “side part toddler” is another popular model from the early years. Like “Baby” it was produced in many sizes and with two different types of bodies: the bent limbed version and the straight legged one. It is a very charming character, reminiscent of certain German made celluloid models by Buschow and Beck and Rheinishe Gummi (photos 5). The Caucasian version is not difficult to find, except when it has a special pale greyish complexion, obtained by coloring the skin from inside the head (photo 6). Another very rare variation is the mulatto baby distributed during the 1931 Colonial Exhibition (photo 7). All of the models made out of this mold bear the “SIC” logo, even those produced after 1927. None of the Nobel made specimens bear the “SNF” logo which can make it difficult to date them precisely. The “Bobbed hair girl” was made out of three different molds, each existing in at least two versions. The most classic one is called the ANTIQUE DOLL COLLECTOR

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Photo 5 - Photo by Jean Dalmard

Photo 6

“Jeanne d’Arc by SIC”. It actually came on the market long before Petitcollin challenged it with its own Jeanne d’Arc. Since these two dolls have a similar hairdo, collectors often tend to call them with the same name even if SIC never used the Jeanne d’Arc name. So this “bobbed hair

Photo 8 - Photo by Jean Dalmard 30

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Photo 7

girl”, appeared on the market shortly after WWI, comes in various sizes and is especially known in its painted eyes version (photo 8), but is also exists in a much rarer glass eyed version (photo 9), usually seen in a bigger size (16”). A very distinctive feature of this model is the type of molded and painted shoes, cross-laced on the ankle, and the molded bracelet at the right arm. (Note that Petitcollin got inspired by this detail and made almost the same for its own Jeanne d’Arc (photo 10). The second mold with bobbed hair has a more angelic face and usually comes is small sizes from 5” to 10” (photo 11). It has a smiling expression and painted features. Often seen wearing folklore costumes, it also has been used for a mechanical doll walking with a notable twist of the waist (photo 12). The third mold of the little girl with bobbed hair is the Photo 9

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Photo 10 - Photo by Jean Dalmard

Photo 11 - Photo by Jean Dalmard

Photo 12

rarest and the biggest (photo 13). It usually stands 18” and is called François’s big sister, since the face mold is almost identical to this popular baby model but it comes with molded girl hair and side glancing eyes. Up to this day, only the painted eyes version has been documented but it would be plausible if such a big size also had existed with stationary glass eyes. All of these bobbed haired girls have all been made before 1927 and do not appear to have been kept by Nobel after that date, with the exception of the 18” doll, still on the market during the early 1930s. Three different other molds also have been used by SIC

Photo 13

to represent a side-part haired baby girl. These different heads, usually with a stationary neck, come with a bent limbed baby body and often in a small to medium size, 5” to 12” (photo 14). “Fétiche” is a very interesting character from the early 1910s, inspired by the popular Kewpies designed by Rose O’Neill but realized with a French touch. The Caucasian (photo 15) is the most popular but it also came in a black version. It was produced from 4” to 8”, sold in the nude, dressed, or with painted-on clothes. Its production was stopped during the late 1920s. Very desirable celluloid toys from the twenties are the ANTIQUE DOLL COLLECTOR

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cyclist and the acrobats. The cyclist usually comes in a 9” size, assembled with a pneumatic bicycle. The acrobats are smaller, a tiny 4” size, and come with a metal structure moved by simple lead weights. The mechanism often breaks the celluloid parts, so they are difficult to find in perfect/ good condition. They were very popular after WWI and during the early Twenties. Their molded and painted clothes exist in different color shades, as well as their hair, usually decorated with gilded, silver or bright colors (photos 16). The following celluloid dolls were made by Nobel after 1927 but they can be marked with the SIC logo. The most irresistible doll from this second generation is called “Pre-Dominique” (photo 17). Created in 1928, it represents a shy girl pouting while keeping her legs with both feet inside turned. It exists in various sizes, the biggest being 16”, and the smallest 8”. It has a solid domed head with painted hair but no molded volume. The factory original clothes are often cut from quality felt and/or organza. It is always marked SIC. At the beginning of the 1930s, Dominique came to replace the so-called PreDominique with a molded short hair-do, so trendy in those years. The models prior to WWII had always painted side-glancing eyes, but during the forties and fifties they also were produced with acetate stationary eyes. The earlier models are fully marked with the SIC logo, then came the specimens marked SIC on the head and SNF on the body and the later ones are entirely marked SNF. Dominique has a twin brother, also named Dominique, but with a different face mold. The boy has a curlier hairdo, with a side part and painted side glancing eyes. Like his sister, it came back after WWII with acetate eyes. Brother and sister share the same body with the inside turned feet and a very slender silhouette. The boy only has been documented with the SNF marking but the earliest models date indeed from the mid-thirties (photo 18). Jacky is one of the most popular models by Nobel. Some early babies bear the SIC logo, but the majority Photo 15 were already marked with the SNF letters. This pouting

Photo 14

Photo 16 - Photo by Jean Dalmard 32

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Photo 17 - Photo by Jean Dalmard

Photo 18

character was assembled on a toddler type body or a bent limbed baby body (photo 19). François is a smiling baby appeared on the market as soon as 1931. Like Jacky, it came with glass or painted eyes, assembled on a body with bent or straight limbs. The earliest models are marked SIC but the majority already is marked with the SNF inscription (photo 20). Françoise is the girl version of François, wearing a wig. It was made in several sizes and, as for her brothers, the first models are marked SIC followed for two more decades with the SNF marking (photo 21). Claudinet is extremely popular among collectors. Initially it only existed in size 64 cm, with sleeping and flirting glass eyes. Some of these early models are Photo 20 - Photo by Jean Dalmard Photo 19 - Photo by Jean Dalmard marked SIC, both on the back of the head and in the back. After WWII, Claudinet was produced in a wider range of sizes, been discussed in this article, for too many were produced when Nobel was not using celluloid anymore but a nonand would deserve an article on their own. In France, the soflammable material called “acetate.” The models of that called “sujets moulés” include the anthropomorphic figures, generation were already all marked with the SNF logo. the caricatures as well as the animals and other celluloid (photo 22). toys made, essentially, during the 1920s and 1930s and still Finally, Claudine is Claudinet’s younger sister. She stands produced until the end of the Fifties. 57 cm and during the late 1930s it came with stationary glass The author will be delighted to discuss with the readers any eyes. After the Second World War, it evolved into a character SIC made celluloid doll or figure. You can contact Samy Odin at with sleeping and flirting eyes made of acetate, keeping the samy.odin@noos.fr. same body proportions (photo 23). A special thank you to Guido Odin and the Musée de la PoupéeOn purpose, the molded celluloid figures by SIC have not Paris for sharing the SIC dolls photographed for this article.

Photo 21 - Photo by Jean Dalmard

Photo 22

Photo 23 - Photo by Jean Dalmard ANTIQUE DOLL COLLECTOR

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Do You Have a Mystery Doll? T

hese dolls were bought on Ebay and I’d like to ﬁnd out more about them. Two newspaper articles and a small catalog came with each doll. They were made by Nina Bonner Albritton, an artist, teacher and dollmaker around 1915. They were made in Clarksville, TN and sold in a few southern states. I hope readers will check their cloth dolls and see if they have one in their collection and would be willing to share photos for an article I’d like to write on these dolls. They are unmarked, but the joining of the doll’s legs is the clue to determine if it is an Albritton doll. If you can help please email me at margoinla@ bellsouth.net. Margo Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.

Connie

Jay

LOWE

Always Buying Quality Dolls & Toys or Entire Estates Buy & Sell With Conﬁdence Member of UFDC & NADDA Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 13-1/2 “ Bru Jne 3 - A fabulous all original example with marked Bru Jne 3 shoes. Incredible blue paperweight eyes, pale, perfect bisque and hands on a kid body. This French bebe has the look that is so highly desired by collectors!! Please call 13-1/2” DIP character child – a wonderful example of a German character child contained within her original box. $1650

14” S & H 1488 Child – Nice size character on a short, stocky fully jointed composition body. Blue glass sleep eyes, great bisque and antique clothing. $3,000 16” JDK Hilda Toddler – A sweet character child on a fully jtd. toddler body. Original clothing and short curly mohair wig. Marked 237 Hilda on rear of head. $2850 16-1/2” Frozen Charlotte – great size with a pink tinted shoulder head. $575 34

ANTIQUE DOLL COLLECTOR

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NEWS

IN-DOLLS

International Costa Brava Doll Festival, August 9-12, 2012

his unique, new festival invites doll and bear artists, doll manufacturers, collectors, crafters and antique doll dealers to participate. The aim is to celebrate the doll not just as a motionless object of art or as a collectible object but as a real guide to the world of joy, beauty, fantasy, magic and play where every child and adult is happy, as they return to their childhood. The Festival will take place at the most beautiful and prestigious region of Spain – The Costa Brava (Catalonia), in the town St. Antoni de Calonge, near Barcelona. On the same date, the International Magic Festival will bring together famous magicians and illusionists, the connecting-link between the two Festivals being a theme of clowns, circus, theatre and fantasy. Daily shows and performances for adults and children (music folkloric shows, magicians, clowns, puppet shows, artist’s workshops) will take place. Don’t miss the opportunity to ﬁnd new clients, vendors and dealers, to make new professional contacts, and yet to enjoy the art’s shows and performances and just have a relaxing vacation at the most exquisite beaches of Spain! For more information visit www.in-dolls.com

The Wonderful Faces of the Bébés Bru by Dee Urquhart-Ross Bébé Bru Brevete boy, 23 inches, wearing tight fitting heavy silk/satin cream breeches, a Marquis type top coat richly embellished with jet beadwork round the collar and front edges, and a beautiful lace cravat. He has a chubby all kid body, permanently bent legs, and fat little feet with his original wide fitting early bebe shoes which are unmarked unlike the later slippers of the Chevrot bodied bebe. Early type enamel eyes are a deep cornflower blue which lack the crystal bulge of the slightly later paperweight type. He carries an ivory and bamboo shafted walking stick heavily crusted in gold decoration. Small exquisite accessories such as this can add so much to a doll’s “look” and are essential in my view for setting off each doll to best advantage. This semi profile shot of the Brevete boy shows the almond cut of his eyes, the paleness of the bisque and the delicate rendering of his facial features. His original sheepskin wig with those abundant fly-away curls frames his face. Who could fail to love this doll?

I Doll 1

He retains his original shoes with their little high heels! You can see the early Bru shoes were made wide to accommodate the fat little kid feet of the full kid early body type favored by M Bru at the time.

have a theory; people with wonderful names are I feel pre-destined to do wonderful things! Named in infancy with a moniker such as Rudyard Kipling, Winston Leonard Spencer Churchill, Isambard Kingdom Brunel, Franklin Delano Roosevelt, Michelangelo Amerighi Da Caravaggio and such, how could you be just “ordinary” and lead a dull inconsequential life? So, Leon Casimir Bru may have started his life in modest circumstances but his wonderful name was just asking for him to be remembered by posterity! A memorable name, one to live up to, seems to me to be a wonderful useful thing to have bestowed upon one by one’s parents! It preordains a life less ordinary by its very memorable qualities and perhaps has a subliminal effect on its owner, pushing him or her to achieve more than merely their potential in life. Starting his doll making company in Paris in 1867 a year after his marriage, M. Bru, like all of his contemporaries, at first produced the lady dolls know as Fashion dolls or Poupées, constructed with a pressed bisque socket head attached with a metal spring attachment to a bisque shoulder plate which in turn was secured to a kid stitched and shaped body. Some of these dolls had kid arms with separately stitched fingers, others sported bisque or wooden lower arms or complete jointed wooden bodies. These early dolls could have painted or inserted glass eyes secured with plaster inside the head and fitted carefully into hand cut eye sockets. These first lady dolls were made between 1866 and 1877. Some were modelled on the unusual looking but very handsome face of the Empress Eugenie and known sometimes as “smilers” and marked ANTIQUE DOLL COLLECTOR

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28-inch Circle Dot in a shot silk/satin green/blue ensemble. The dress is lavishly trimmed with frills and buttons down the front and soft cotton velvet accents and bows. The bonnet is trimmed in flowers of matching shades with lots of lace flouncing. She has a pretty honey blonde mohair wig and original “fat feet” type Bru slippers. The original B marked socks complete her outfit and she clutches a little French unmarked baptism type baby doll of her very own! She has lovely bisque lower arms and a hugely pouty expression which is so endearing and very typical of early Bru bébé. Marked with an incised “circle” and “Bru Jne” to the rear of the head, she has soulful honey brown eyes of huge size and like the Brevete boy is on the early Bru body with full kid chubby legs. She has survived in such wonderful condition probably because of the fact that she would have been very difficult to actually play with and was probably treated more as a “companion doll” for an only child.

with incised letter numbers ranging from A to O. They reproduced perfectly her long acquiline nose and enigmatic expression. However, lovely though these lady dolls are, these are not going to play any part in this article as I wish to concentrate here on the Bebes of Bru; that is the child dolls which quickly, from their first introduction in the late 1870’s, won the hearts, minds and awards of their era. Jules Nicolas Steiner is credited with the introduction of the first bébé. A doll with a chubbier more childlike look which the young owners of these pretty toys could identify with totally. A miniature version of themselves could become a playmate and companion to the lucky owner. Its clothing too could be simpler and designed to be removed and replaced at will by the child. In fact, when one thinks this through, it seems surprising that it took so long to invent the child doll in the first place! While lady dolls fashionable outfits were often a permanent part of the doll, sewn and pinned in place, or very difficult to take off at best, a whole new industry could develop in producing multiple costumes for these wonderful new play dolls with simpler fixings and fastenings which small fingers could manage. Clothing that was designed to be removable was however a double edged sword as with typical childish carelessness, young owners proceeded to oftentimes tear, lose and mix up between their dolls the original costumes that came with them. The good side of this was that extra outfits were necessary to keep the best dressed dolls in suitable finery, trunks were then procured to keep the various pieces together and even mini inventories were made by careful nannies or mothers which still sometimes appear miraculously with the doll giving extra pleasure and information to today’s collectors. The first bébé of the Bru firm was produced around 1879-1880 and is known as the Brevete as it bears an oval or rectangular paper label often still found intact, glued onto 38

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Doll 2

the kid body around the chest of the doll which declares that the doll is “Bebe Brevete SGDG Paris,” meaning that the design is registered but not guaranteed by any government agency. This doll has a lovely chubby face, a pressed bisque swivel head on a bisque shoulder plate and is found with a cork pate and often the original sheepskin wig, though soft mohair was also used. Paperweight eyes in many shades of blue or brown were used and the face has full rounded cheeks, a closed mouth and delicate shading on eyelids, lashes, cheeks and lips. Bru continued to use a full gusset jointed kid body rather than adopting the jointed composition type of bebe body which quickly became the norm among almost all the other manufacturers of the new child dolls. (Notable exceptions to this rule were the early block letter FG dolls and some of Andre Thuillier’s earliest creations). The Brevete body is a variation on the earlier lady body with its gusset jointing, but made in a much chubbier and shorter proportion so that the head is bigger in relation to the doll’s height just as a real child has a short body and bigger head, so the new child doll adopting this revised set of proportions became more cuddly to its young owner.

A lovely Bru Jne from the second, Chevrot era of the Bru firm, 24 inches tall. The slim waisted body has hinged kid covered metal upper arms and legs with bisque lower arms and carved wooden lower legs. A slightly sparse honey colored mohair wig and a wonderful dark burgandy original dress complete her look. The finely worked dark straw bonnet is trimmed with extravagant plumes of matching burgundy feathers.

A pronounced bustle shows complexity and lavish detail.

Doll 3

The incised markings on the Chevrot era Bru Jne.

The kid is pulled high on the shoulder plate and secured with a pinked band of kid to which the paper Bru Brevete label is affixed. The lower arms are bisque and the edges of the upper arm are straight cut and have a metal wire inside to aid posing the doll. The bodies are stuffed with bran or cork and are firm and warm to the touch which adds weight and a strangely vulnerable feel to the dolls when handled. There is only a size number on the head and no incised maker’s name on these first child Bru bébés, but they are of course instantly recognisable to collectors today. I illustrate this early Bru with a 24-inch example (Doll 1). He has retained his original sheepskin wig with a natural blonde colouring and lovely curls. He wears lined plain heavy cream silk breeches that have become impossible to remove as the body has settled over the years and the fabric is now becoming slightly frail. His black figured brocade jacket has jet beadwork trimmings to the upstanding collar and edges. A lace jabot and long waistcoat complete the ensemble. His blue striated early type eyes are set in almond shaped eye cuts with a direct open gaze and lovely delicate paintwork to brows, lashes and cheeks. The mouth is tentative and tremulous and the whole effect is very pleasing. He has bisque lower arms and also sports a

wonderful little walking stick with gold trimmings. Next is a 27 inch Circle Dot bébé, marked with the socalled “circle dot “ incised to the rear of the head. (This marking is sometimes thought to have been placed to allow for a cut at the rear of the head to accommodate a nursing mechanism. The Bru Teteur was ﬁrst introduced as early as 1878 until 1898.) However the bébés which are incised with the circle dot mark, usually a semi circle with a small dot below or sometimes a complete circle with a dot in the center, do not have the mouth opening necessary for the nursing model and have a speciﬁc chubby face that seems to have an almost goiter like look to their bulging neck shape. They also have heavier, slightly drooping mouths with a highly characterised very pouty look. They sometimes have, as this example does, slightly modelled teeth between the parted lips on the closed mouth. The cheeks are very plump and the body is a heavy gusseted kid type similar to that used on the Brevete with chubby kid gusseted legs with thick ankles and kid feet with stitched toes. The bisque lower arms are attached with no rivet joints, though an extra gusset is evident at the elbows and the bisque shoulder plate is much deeper and now with moulded ANTIQUE DOLL COLLECTOR

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Known as a Transitional Bru, although she has the Bru Jne marked head of the Chevrot period, she is on a very interesting and short lived body type. By the mid to late 1880’s when this doll was made, virtually all makers were using the fully jointed composition style body, while Bru, during Chevrot’s time, had persevered in using a kid body with bisque lower arms and wooden lower legs which was, although beautiful, heavier and less posable than the full composition type. It is believed that this hybrid model was an attempt to keep the best of Bru with the added simplicity of the composition body. This doll therefore has lovely bisque lower arms affixed to the composition upper arm allowing full articulation while the rest of the body is entirely composition. She is a big impressive size, marked Bru Jne 13 and standing 28” tall. She has large almond cut paperweight honey brown eyes and very pale bisque. A desirable tiny tongue tip shows at the closed mouth and her chin dimple is very pronounced adding extra charm A fine honey coloured mohair wig sets off her delicate complexion and she is very crisply modelled showing that the head was a fine top class model used with this rarer Bebe body type.

childish breasts. The Circle Dot produced from around 1879-1884 is one of my favourite Bru models though they sometimes suffer from what is euphemistically called “an early crouch” where the cork or bran stuffing has shifted in the legs and causes the body to warp from the hips down. It is often possible to re-straighten the body by careful manipulation though I would hesitate to poke large holes in the leather legs and remove “excess stuffing” where it had shifted over the decades and lodged in the gussets. If your Circle Dot is impossible to straighten out, she can of course happily sit in a little chair which will disguise any warping of the body very successfully! The large Circle Dot illustrated here (Doll 2) has a wonderful outfit in teal blue slightly shot silk with black velvet bow trims and a lovely bonnet which sets off the whole outfit nicely. She has also managed to retain her original Bru shoes and mesh socks. Those found on the early dolls are round and wide, a completely different shape from the later shoes designed for the wooden lower legs of the next incarnation of Bru bodies. She has a nice thick dark blonde mohair wig which is probably original to her and suits her pale colouring. Her eyes are huge and the eye cuts rounded. The chubby cheeks are lightly blushed and the brows and lashes very delicately delineated. She has pierced ears and is especially rare in this large size though one would surmise she would have been rather heavy and cumbersome to be played with by the original child owner. The next doll is a classic Bru Jne (Doll 3). This doll marked the sale of the Bru firm to Henri Julien Celestin Chevrot in 1883. The classic Bru Jne of this next period of ownership (1883-1890) has a bisque swivel head mounted on a deep shoulder plate with moulded breasts and both it and the head are marked Bru Jne and with a size number. The body is still gusseted kid but has a slimmer torso of an older child with metal upper arms and legs covered 40

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Doll 4

closely in matching cream kid leather. The lower arms are exquisitely modelled in bisque with expressive fingers and attached at the elbows with rivet joints which pass through them and affix to the metal kid covered upper arms. The lower legs are carefully modelled in carved wood with delineated stitched toes and attached with a similar jointing fixing at the knees. The upper leg joint is gusseted and the upper arm joint is a ball joint fixed through the kid torso to the other armhole. This doll has a pensive expression, the slimmer face giving it a slightly more grown up look. There is a cork pate and the wig is generally fine mohair if original. The doll I share with you here has deep dark paperweight eyes and pale colouring. She has her original blonde mohair wig and an original Bru dress in dark maroon silk of heavy quality and very finely worked with a ruched bodice and side fixings of hooks and eyes to the front. The skirt is pleated and the sleeves tight. She has a dark straw bonnet extravagantly trimmed with ostrich feathers. She has lost her original shoes along the way but wears a lovely pair of early bébé slippers that accentuate the more elegant slim feet on this model of Bru.

Doll 5 Wearing a heavy silk cream costume this doll retains his maroon leather, original Bru marked shoes and a lovely close fitting very finely wrought pair of tiny leather gloves. He has his own puppet doll and nice plaid stockings to complete his look!

Another interesting doll type is known as a “Transitional Bru” which dates from the first years of Girard’s stewartship. The doll seen here (Doll 4) in a large size 13 she has the elegant bisque lower arms of earlier Brus but mounted on a specially adapted composition body which resembles in other ways the type introduced as standard throughout the 1890’s. She has a Bru Jne head of the 1880’s but a slightly later body so it is commonly thought that these dolls were produced by Girard using the earlier heads left over from the Chevrot period of the firm. In my opinion this produces a very nice combination of a lovely earlier quality closed mouth Bru Jne head and equally desirable bisque lower arms, yet incorporates the more easily posed, chunky, jointed, later composition body type. She wears a Scottish inspired costume which consists of a fine woollen red dress lavishly trimmed with dark green soutache embroidery and fastening at the front with jet buttons. A beautiful elaborate lace collar is also trimmed to the throat with jet buttons. She carries a very sweet little satin muff which allows her lovely bisque lower arms to be posed to advantage. Her Scottish bonnet has a pom pom trim and feather decoration set off by a French rosette. Little black leather boots and red cotton socks which match her dress complete the look! Another example of a transitional Bru is this example dressed in a Pierrot inspired costume (Doll 5). He has a Bru Jne closed mouth head in a size 7 and stands approx 18” tall. He is on a completely composition, fully jointed Bru body, again redolent of the Girard type but with a head marked Bru Jne. He has lovely eyes of excellent quality paperweight variety. When M. Paul Eugene Girard took over the firm from his predecessor in 1890 the market had changed and the dominance of the French bébé was greatly threatened by German competitors. The much more expensive French bébé was struggling as the market was flooded with well made (and otherwise) dolls from German makers who

copied the look of the French dolls but undercut them on price. Girard therefore, along with all the other French makers, had to compromise on the quality of his products to a degree, speeding up production and simplifying the processes involved to produce the bébé if he was to keep his market share and continue to be viable. As I have several different examples of this model that I wish to share with you, including one in her original box, I will save this last incarnation of the Bebe Bru for a future article devoted to the Bebe Bru Jne R. Whichever models of Bru Bebe you aspire to, they are all lovely and collectible. Now over 140 years since their debut, they have happily lost none of their ability to utterly beguile all who gaze upon them. ANTIQUE DOLL COLLECTOR

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Lula McLean’s Doll “The Silent Witness” to History M

by Sara Bernstein

ost doll collectors wonder if only a doll could Witness,” a name given to her by one of the Yankee speak what incredible stories the doll could soldiers who took her home with him as a trophy of war. tell. This is the story of one such doll and her Wilmer and Virginia McLean lived in Manassas, incredible journey as a witness to history. Virginia in 1861 with their five children. It is recorded Years ago, there was a large flea market on Canal in history books that Wilmer Mclean said, “the Street in New York City. Always the antique American Civil War started in my front yard collectors, my parents used to take us there on and ended in my front parlor.” The First weekends. On one such trip, we came across an Battle of Bull Run took place on the McLean’s antique dealer who was selling old picture frames. family farm, in Manassas, Virginia. The Union One frame immediately caught our attention. It Army fired on the McLean’s house which contained an illustration of a rag doll and a was being used by Confederate Brigadier short verse called “The Silent Witness.” General Beauregard. A cannon ball It mentioned General Lee, Custer dropped through the kitchen fireplace. and the surrender at Appomattox McLean was a retired major in the and verses about an old rag doll. Virginia militia and at the outbreak It was a charming picture and of the Civil War was making his we thought at the time that living as a sugar broker for the it appeared to have been a Confederate army. In 1861 he made up children’s story. decided to move his family out There was no evidence that of harm’s way and moved them this was a true story, no to Clover Hill, Virginia which name, signature or a date on was renamed Appomattox Court House the picture. Since it was doll-related when it became the county seat. However, we purchased it. it was not their destiny to get away from This was many years ago, before you the war. Four years later in April 1865 the war could just turn on the computer and the followed them right to the front parlor of their world was at your fingertips. So the picture new home. hung on the wall in our house for a long The South had lost and Confederate General time. Then one day after we moved, while I Robert E. Lee needed a place to surrender was unpacking and hanging pictures on the to Lieutenant General Ulysses S. Grant. A wall, I read the verse again and I began to messenger was sent to Appomattox Court wonder about this doll. House to find a place to meet, but the Information was easier to acquire meetinghouse was not available. So on now. I just turned on the computer and April 8, 1865 a messenger was sent to the did a search on the Internet. There she was, The Silent Witness Doll at the McLean’s home to request its use for the Appomattox National Park. surrender. McLean agreed and on April 9, “The Silent Witness”! It was not a made up children’s story, she was a real doll! 1865 Confederate General Lee surrendered The doll belonged to Lula (Lucretia) Mclean, a little to Lieutenant General Ulysses S. Grant in the parlor of girl who lived in Manassas, Virginia at the beginning McLean’s home, effectively ending the Civil War. of the Civil War. Her beloved doll was a cloth rag doll, Once the signing was over, members of the Army made for her by her doting mother. She was made from of the Potomac began removing furnishings from the remnants, cotton scraps of material, as we say today, a home as souvenirs of this historical moment. It is said real folk art rag doll. they handed McLean money as they made off with It has been over 150 years since the start of the Civil his property, although family history disputes that the War and the name that Lula gave her doll is long furnishings left the home with their permission. forgotten. Today she is known only as “The Silent Colonel Horace Porter of General Grant’s staff ANTIQUE DOLL COLLECTOR

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The illustration the author purchased many years ago, which led to her search for the Silent Witness doll.

recorded the events of the afternoon. He wrote, “A child’s doll was found in the room, which the younger officers tossed from one to the other and called the “Silent Witness.” The doll had been sitting on a horsehair stuffed sofa. As the story goes Lula was scared of the soldiers. She ran away and forgot to put her toys away. There are a few versions of the story so some of the soldier’s identities cannot be verified. One version of the story names the soldiers in the room as Robert Todd Lincoln, son of Abraham Lincoln, and another as General George Armstrong Custer. But other versions say that Custer did not arrive at Appomattox until after Lee left. The one soldier who was not disputed being there was a red haired aide-de-camp Captain Thomas Moore of Major General Sheridan’s staff. The poor little rag doll was snatched up by the group of soldiers and tossed around the room, flying back and forth. It was recorded that the soldiers announced,” you have at your fingers tips the eighteenth member of the surrender party, a “Silent Witness”, who has seen and heard things that the nation will be talking about for centuries to come.” 44

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Lula would never see her beloved doll again. The doll was gone forever, carried off under the arm of the aide de camp, the red haired Captain Thomas W. C. Moore. The doll was a trophy of the Civil War and earned an honored place in a glass case in the Moore home in upstate New York for 128 years, until 1992. The McLean family home became part of the Appomattox Court House National Historical Park System on April 10, 1940 by an Act of Congress. In 1941 restorations began to recreate the site with historical accuracy. They used many of the original materials that were salvageable including ﬁve thousand original bricks. The restoration was discontinued during World War II then resumed in 1947. The museum tried painstakingly to recreate the furnishings in the home. There sitting on the sofa was a reproduction of Lula’s doll. The real one was still a prized trophy of war and in the possession of the Moore family. The museum tried for years to seek the return of the doll, but the Moore family always refused. Then in 1992, a Moore family member visited the McLean Home at Appomattox and decided it was time that the little doll was returned to her rightful

The McLean House in 1865. In 1940 it became part of the Appomattox Court House National Historical Park System.

A recreation of the Silent Witness doll. Collection Sara Bernstein

place, Lula’s home. The Moore Family donated the doll to the Appomattox Court House National Historical Park December 1992. She is now on permanent exhibit at the park, safely displayed in a glass case in the visitor’s center. I was also able to ﬁnd a photograph by Timothy O’Sullivan taken in 1865 of the McLean family home in Appomattox Court house. Lula’s doll is 8 inches high and has become worn and faded over the years. The body of the doll is coarse unbleached cotton and lightly stuffed. It has a simple round face with eyes and no other features. The cotton that the doll was made of was lovingly hand stitched together by her mother. She has a slim body with stumpy arms and legs and a wardrobe that has been lost to time. Various children’s story books have been written about “The Silent Witness” inspired by the Ken Burns PBS series, “The Civil War” which mentions the McLean’s and the events surrounding the doll in the ﬁrst episode of the series. Almost one hundred years after the incident the story was told in an article in the Saturday Evening Post, April 7, 1954, “The Lost Rag Doll of Appomattox” by the children’s book author Dorothy Kunhardt. In a later article, a story was told about a tour guide at Appomattox Court House who noticed a woman listening to the tour guides lecture and was seen nodding her head during her talk. After the tour, the woman approached the guide and told her that Lula McLean was her great grandmother. She said that Lula never got over the hurt caused by the loss of her doll. She said that Lula told her, “The Yankees stole my doll.”

ANTIQUE DOLL COLLECTOR

JUNE 2012

The First International Costa Brava Doll Festival August 9-12, 2012

Come to Spain’s beautiful Costa Brava region, less than an hour from Barcelona, to celebrate our love of dolls. Join doll, bear and miniature artists, antique dealers, doll manufacturers and crafters for this four-day celebration, August 9 – 12. In conjunction with the Doll Festival, renowned magicians and illusionists will present daily shows and performances for adults and children alike. This unique event has government support and promises to be an unforgettable experience for the worldwide doll community!

For information or to participate call 00 34659161660, 00 34669056513 or visit www.in-dolls.com

Doll artist Laura Scattolini’s “Little Secrets”

The verse in my frame goes: “The Silent Witness, she saw General Lee sign the surrender at Appomattox. She was sitting on the mantle piece. The long war was over, young Custer, who later made the last stand against the Indians, picked her up and threw her at the head of “Mike” Sheridan. He caught her and tossed her to another young ofﬁcer. Back and forth she went and it was then that the poor Silent Witness lost her skirt and most of her petticoat. And there she remains to this day in his family a beloved prisoner of war. It was Col. T.W.C. Moore who carried her off-up north in honorable captivity.” Although this story is similar to other versions, the details of the exact events and who was actually there, is still a controversy more than 150 years after the Civil War. A couple of years ago we took a trip to visit to the museum in Appomattox Court House. You can see Lula’s beloved doll given a place of honor as a survivor of the Civil War. You will hear the story of her incredible journey from a child’s beloved doll to a witness to one of the most historic events of the Civil War, to her capture and, according to Lula, her imprisonment up North and her ﬁnal journey home. On our visit to the Appomattox Court House we were delighted to purchase a wonderful replica of “The Silent Witness” doll at the museum gift shop. She was made in Virginia especially for the gift shop by the doll artist Patsy Hardy. It is a very accurate copy of the doll replicating the size, face and tattered clothing. She has a proud spot in our home, sitting next to the framed picture of “The Silent Witness.” Upon examination of the illustration and the original frame, we can determine the picture dates to the early 1900’s but exactly when it was made, and by whom will remain lost to history just as the original name Lula gave her beloved doll. RESOURCES: Chet Callero, The Daily Commercial Appomattox Court House National Historical Park Wikipedia History of William McLean “From the North a Final Prisoner,” Darrell Laurant, the News & Advance “The Lost Rag Doll of Appomattox,” Dorothy Kunhardt, The Saturday Evening Post, April 7, 1954. Photos by Sara Bernstein

ANTIQUE DOLL COLLECTOR

JUNE 2012

The All New Toledo Doll & Bear Show

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he show was advertised as under “New Management with New Direction” and several hundred people attending the April 15, 2012 show at the Stranahan Great Hall in Toledo found this to be very true. Wide isles and crystal chandeliers showcased several quality dealers from New Jersey, New York, Chicago, Indiana, Michigan, and Ohio. From Barbie to Bru it was all there. Shoppers enjoyed a very large selection of ﬁne German and French antique dolls as well as artist, modern, and vintage dolls. The next Toledo Doll & Bear Show is October 21, 2012. We hope to see you there!

ANTIQUE DOLL COLLECTOR

JUNE 2012

1. Joan Nagy from Michigan had a wonderful selection of early chinas. 2. Many new to the market items from the collection of Doris Ludwig and brought to the show by Lorrie Dove, MI included all original early woodens, papier maches, waxes, French automata, and chinas. Seen here, a rare original Joan of Arc by Jumeau and a Vichy banjo playing automata. 3. Fritzi’s Antique Dolls, IL, offered a wide selection including, in the case, a smiling Bru fashion and an F.G. fashion. 4. Entry into the lower level main selling floor of the Stranahan Great Hall. 5. An amazing selection of French Bebes from Ray Hoban, NY, included a lovely Portrait Jumeau and Bru Jne. 6. Dorothy Hunt from Sweetbriar auction giving an appraisal on an amazing 30” closed mouth Jumeau.

For more information contact Sandy Bullock at 734-282-0152 or visit our website www.toledodollshow.com

Learning About American-Made Dolls

Rare Finds by Ursula R. Mertz Photos by Christopher Partridge

I 12” Canton Kid. She is not marked. Composition shoulder head and full arms. Jointed only at shoulders. Composition legs and lower torso were modeled in one piece. Stuffed cloth body. Molded cap with flower decoration glued on. The cloth ribbon around her head is actually nailed on. All original.

was lucky enough to have on ﬁle several pages from a circa 1915 E. I. Horsman catalog. Page one dealt entirely with their then very popular Peterkin dolls - boys and girls with happy, smiling faces. The more expensive ones featured wigs and glass eyes. Others had painted hair and eyes. Over the years, I had been able to acquire several of them for my collection. Occasionally, I would again study that page with the Peterkin dolls. There was one pictured that had so far eluded me. She was described as “The ‘Canton Kid,” A farEast Peterkin ﬁrst-cousin.” Hers was not a smiling face, but she looked at me with a more pensive expression. Dressed in what Horsman called a “Dainty Oriental dress,” her head was decorated with a big daisy. When one day I saw her offered for sale, I couldn’t believe my eyes. There she was, in excellent

Page from Horsman ca. 1915 catalogue, showing their collection of Peterkin dolls, including the Canton Kid. ANTIQUE DOLL COLLECTOR

JUNE 2012

15” Master Sam. His composition shoulder head is marked: T. T. Co. – Cloth tag: Uncle Sam’s Kids // Trade Mark // Design Patent Applied For // E. I. Horsman Co, New York Short compo arms, cloth body, upper arms and legs, jointed with inside disks. All original except for bow tie and flag.

In this illustration we can study the different types of body construction that Horsman used for their Peterkin dolls. On the right we see the version that was used for the Canton Kid.

16” Rookie. His composition shoulder head is marked: E. I. H. © 1917. He has short composition arms and a stuffed cloth body, upper arms and legs, jointed at shoulders and hips with inside disks. He is all original. Note the paper sash over his shoulder.

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JUNE 2012

condition, all original, exactly as seen in the Horsman catalogue, including the daisy decoration on her molded cap. How happy I was to add her to my collection! There are other rarities yet to be discovered included with the Peterkin family. Editorial copy in the Playthings issue of 1915, featured a black Peterkin named “Panama Kid.” The doll was described as follows: “From the same house (Horsman) comes The Panama Kid, The Boy that dug the Ditch - a charming little brown-skinned youngster from the land of the big canal. He wears a jaunty blue and brown romper-overall sort of suit and promises to be a most popular little puppet with little boys and girls everywhere.” I would love to hear from readers if they have a Panama Kid in their collection. A full page Horsman ad in the trade journal Toys And Novelties of May 1917, offered patriotic dolls for sale. Shown were Miss Sam and Master Sam, Army Nurse, Middie (a sailor) and Rookie (a soldier). Illustrated with this article are Master Sam and Rookie. What makes both of them rare discoveries is the fact that Master Sam’s jacket is tagged and suit and cap are in excellent condition and he still has his original shoes. Rookie retains part of his original paper shoulder band showing the Horsman symbol in an oval and is inscribed “Horsman Art Doll.” A red, white and blue bow tie pinned to his front is a little faded and frayed, but it is all there. Wouldn’t it be fun to ﬁnd the other three? The above mentioned 1915 Horsman catalogue also

Full page Horsman ad from Toys And Novelties, May 1917, featuring patriotic dolls, including Master Sam and Rookie.

10” Baby Bumps. There are no markings on the doll, but it is illustrated in Horsman’s 1914 catalog and listed under #79. His composition head is sewn onto the body. He has composition hands and a stuffed cloth body, arms and bent legs. He is jointed at shoulders and hips with inside disks. Original pink romper and brown felt booties.

contained a page offering “Junior Size” dolls. These small dolls are not often seen. Each cost all of 65 cents, and one would assume that children were allowed to really play with them until they were worn out. If one is found in all original condition, that is a rare ﬁnd. Pictured here is Baby Bumps Jr. listed in the catalogue as No. 79. One would wish that his original romper were a bit less faded. In his long life he did not loose his brown felt slippers. I am happy to have him in my collection. My article in the June 2011 issue of Antique Doll Collector featured swivel hip dolls. At the time I was unable to supply a maker for these novel little playthings. In the meantime, another swivel hip doll was located that still retains her original tagged dress marked “Horsman Doll.” She is illustrated in detail with this article. It is always very satisfying to be able 10” Swivel Hip Doll. She is made of all composition and jointed only at shoulders and hips. The flower pattern of the all original tagged dress beautifully matches the color of her molded shoes.

Note the Horsman symbol on the sewn in cloth tag. It is also imprinted: Horsman // Doll // M’F’D In U.S.A. ANTIQUE DOLL COLLECTOR

JUNE 2012

to move dolls out of the “orphan” category. Another important early manufacturer of composition dolls was the company of Louis Amberg and Son. Besides babies and children they produced character dolls such as Charlie Chaplin, etc., all of them eagerly sought after by today’s collectors. A famous contemporary comedian was John Bunny. In 1914, the Amberg firm offered two John Bunny dolls for sale, one eleven and the other thirteen inches tall. When one compares an illustration of the real John Bunny with the doll, it is a good likeness. I was happy to own the smaller one but what I really lusted after was the larger size doll. I had seen one at the Strong Museum years ago and knew of an excellent example in the collection of a well-known dealer. When her dolls came up for auction, I finally had an opportunity to add this special example to my collection. It is hard to believe that this plaything is almost hundred years old. The color of his complexion and cheeks are as fresh as when he was made. His features are well painted. The original outfit is tagged and in good clean condition. The red bow tie is a bit frayed, but it is all there. I am not a collector of bed dolls. But when I saw the example illustrated with this article, I could not resist the temptation to own her. Her beautifully styled and preserved red wig harmonizes so well with her pale lime green gown. She is very special to me. In the December 2011 and January 2012 issues of Antique Doll Collector, the feature, “Do You Know A Mystery Doll,” presented information on a 10” wooden Flexy Doll, designed by Helen S. Hitchcock and produced by Morton E. Coverse & Son of Winchendon, Mass. Included here is a picture of the Flexy Doll in

13” Joñ Bunny. His composition head is marked: © 34 // L. A. & S. 1914. The sewn on cloth tag reads: Joñ Bunny Doll // Copyright L. A. & S. 1914 // Trade Mark Registered // Made Exclusively By Louis Amberg & Son N.Y. // With Consent of Joñ Bunny. (Last line illegible). – He had lower compo arms, a stuffed cloth body and limbs and is jointed at shoulders and hips. He is all original, including his bow tie.

27” tall bed doll. Her composition shoulder head shows no markings. Short compo arms and legs (with molded high heel shoes) are wired to cloth limbs, cloth body. All original. Her beautifully preserved and styled red mohair wig harmonizes beautifully with her pale lime green, all original gown. She has inset eyelashes. 52

ANTIQUE DOLL COLLECTOR

JUNE 2012

This 10” Flexy Doll is dressed in a commercially made shift. It may be original.

10” Flexy Doll, dressed in her all original girl scout uniform. Roberta Heintz collection.

There are no markings on the Flexy Dolls. Underwear, shoes and socks are printed on only in front. Note the pin jointing at shoulders, hips and knees.

her original girl scout uniform. Another Flexy Doll is shown in a simple shift that may be original. Her underwear, socks and shoes were printed on. The illustration further enlightens us on the doll’s construction. I had learned about this rare doll when I did research and wrote an article entitled “Winchendon, Massachusetts – An American Toy Town” for the October 1988 issue of Doll Reader. I had hoped that there would be more dolls to be discovered. Apparently, this was the only one ever produced by Converse. They did sell nice doll furniture, doll trunks, dollhouses and rocking horses etc.

ANTIQUE DOLL COLLECTOR

JUNE 2012

The Toy Museum of Davos, Switzerland reported by Margaret Kincaid

he week after Easter, I set out to see Angela Prader’s museum in Davos Switzerland, Spielzeugmuseum, or Toy Museum. I had met her three years before when she had stayed for a few days at my house. I had always intended to go to the museum; now it was closing and it was my last chance. Angela Prader was having a special party for the closing of the Museum on Saturday, April 14. It was a great adventure to ﬂy into Zurich and take the train up into the high Alps to visit Davos. As I looked out the window everything was pristine, the chalets were charming, the fruit trees were in bloom, the cows were out in the ﬁelds. The rock walls of the mountains rose right beside the train hundreds of feet. The engineering of bringing roads and trains into the high Alps was astounding. The towns of Koster and Davos are popular ski centers close to the Austrian Boarder. Davos has the Economic summit every year where the wealthy and powerful people of the world meet to discuss economic issues. While spring had already arrived in Zurich and the towns at lower altitude, the mountains above Davos were still covered in snow. 58

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The toy museum was located in a charming building on the main street; inside it was modern with the technology to high Swiss standards. Angela has collected antique toys and dolls which are both rare and perfect, in pristine condition and often in their original clothes. The lower level features wonderful large displays of toys and dolls including a Schoenhut Circus and a variety of English peddler dolls. Steiff is well represented with a hiker doll and the complete Steiff school house, along with wonderful Steiff bears. A merry-go round and large dollhouses are on display here. There are side rooms with some very rare miniatures displayed in special cases at eye level. The glamorous gold dollhouse furniture is displayed here along with a really interesting grouping of chimney sweeps done up in black. There were two tiny bisque girls with pets which I thought were really adorable. Upstairs a singular attraction is a wonderful French fashion doll with an extensive wardrobe which was used in London to raise money for charity. Many china sets are beautifully displayed. There is a grouping of very rare wooden dolls with character china heads. One case had an assortment of different dolls undressed to show their different bodies. There is a silver carriage, paper dolls and an interesting assortment of Chinese and Japanese dolls. One case is ﬁlled with early waxes, wooden dolls and paper-mache dolls, all pristine in original clothes. The third ﬂoor has an extensive train collection and other boy toys, as well as great examples of Meccano constructions and toy soldiers. The museum is closing due to Angela’s health problems. Theriault’s will be auctioning most of the things from the museum at the same time as the UFDC National Convention in New Orleans on Sunday, July 22. Florence Theriaults estimates that there will be about 600 lots. Since I do not speak German, I was very grateful that Florence Theriault and Stuart Holbrook were at the party. I was sad to leave the lovely museum and all its treasures, but it was a wonderful party and a great time was had by all. ANTIQUE DOLL COLLECTOR

JUNE 2012

Fritzi’s Antique Dolls Buying and Selling Entire Collections Email: fritzisantiquedolls@comcast.net

WE WILL BE DOING THE FOLLOWING SHOWS: Gaithersburg, MD, June 2 and 3

Naperville, IL, Marriott Hotel, June 10, 9 to 3

THE SHOW THAT STARTED IT ALL: UFDC’s 63rd National Convention, July 24 to July 27. Salesroom opens Tuesday evening, 8:15 to 10:30 pm; Wednesday noon to 6 pm, Thursday (Pubic Day) 2 to 7 pm; Friday 10am to 3 pm

15” EJ and 16” Tete Jumeau . . . packed and waiting to go to UFDC in New Orleans!

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

17” Sonneberg Child with solid dome head, great character style face, brown stationary glass eyes, original jointed composition body, antique wool jacket and skirt. $1950

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

Diminutive 10.5” Figure A Steiner Bebe with unusual brown eyes, fully jointed body and antique finely made wool dress. $5000

Antique DOLL Collector July 2012 Vol. 15, No. 6

July 2012 Vol. 15, No. 6 $595 / $695 Canada www.antiquedollcollector.com

Two Important Days of Doll Auctions July 22 and 23 Sunday, July 22, 2012. The Prestige Auction of the Legendary “Spielzeugmuseum Davos” Preview 9 AM. Auction begins at 11 AM.

Catalogs can be ordered at this time or a free color brochure can be requested by calling 800-638-0422 or email info@theriaults.com.

The prestigious museum, nominated as one of the best European museums, has closed, and its complete collections will be presented at an important exclusive auction. More than 600 lots will be offered in the one day event. Exceptional rarities in dolls, toys, and childhood ephemera are included, each in unparalleled pristine condition, personally selected for their rarity of nature and purity of collection by the museum founder, Angela Prader. A commemorative hardbound catalog, certain to become a collector’s item in its own right, is available for $75 or can be ordered with “Upon Arriving Home” catalog for combined $129 ($21 saving when both are ordered). See the article about the Museum in other pages of this magazine, and watch for next month’s issue of Antique Doll Collector for extensive advertising.

Both auctions are conducted at the Westin Hotel Canal Place in New Orleans. For more information about the auctions contact Theriault’s at 800-638-0422 or email info@theriaults.com. Register at www.theriaults.com to receive emails with further details about these two superb auctions. Both auctions will appear online at www.theriaults.com (click on the button for Proxibid) after July 1, 2012.

At the Westin Hotel Canal Place, New Orleans, LA Monday, July 23, 2012. Important Marquis Catalog Auction “Upon Arriving Home” Preview 9 AM. Auction begins at 11 AM. Theriault’s classic summer Marquis doll auction is known for offering the best of the best, and this year’s event continues the tradition. The finest dolls selected from important European and American collections will make their runway appearance for your bidding pleasure. Notable are dolls from the Judene Hansen Dolls and Dreams Museum of Lake Worth, Florida, a delectable one-owner private collection of more than 50 googly dolls, a choice selection of French poupees with trunks and trousseaux, rare German characters including the glass-eyed 208 model by Kestner and early Heubach characters, superb French bebes in their original couturier costumes. An art-quality hardbound catalog of the auction “Upon Arriving Home” is available for $75 or can be ordered with “SpielzeugMuseum Davos” catalog for combined $129 ($21 saving when both are ordered).

Catalogs can be ordered at this time or a free color brochure can be requested by calling 800-638-0422 or email info@theriaults.com.

PO Box 151 Annapolis, MD, 21404 USA Telephone 410-224-3655Fax 410-224-2515 • www.theriaults.com

the dollmasters

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 12" Early Portrait Jumeau #2 Bebe, br. p/w eyes, mint early pressed pale bisque, orig. mohair wig, wears the most darling wool ecru & pink Jumeau sailor suit, ant. woolen beret, ant. undies, Jumeau shoes & ant. stockings. On orig. early 8 ball st. wrist "signed" Jumeau body, head coil intact. She is AMAZING!!! Great price at only $9800. 3. - 4. 12 1/2" Tete Jumeau #3 Bebe, huge blue p/w eyes, luscious lashes, gorgeous pale bisque, orig. fabulous mohair wig w/orig. Jumeau silk hair bow, wears stunning peach silk & lace dress made of ant. fabrics, orig. undies, fabulous ant. Fr. lace & ribbon 1-2 bonnet, ant. socks & great shoes. Fully "signed" head w/orig. head coil intact & on orig. "signed" Jumeau body. Best Jumeau expression & absolutely GORGEOUS!!! $4900. 5. - 6. 24â&#x20AC;? Rare DEP Jumeau #749, huge bulging bl. threaded p/w eyes, immaculate bisque, 6 upper teeth & gorgeous ant. full mohair wig. Wears fabulous Fr. ant. batiste dress, crocheted socks, ant. leather shoes & ant. hat. On orig. heavy chunky Jumeau body w/Bebe Jumeau label on back. Tremendous presence. Very rare from early S & H 700 series & Incised DEP 749. Truly OUTSTANDING!! Made for the French trade. $3250. 5-6 7. - 8. 16" Jumeau French Fashion, gorgeous bulging light blue almond shaped wraparound p/w eyes, immaculate pale bisque, fabulous orig. mohair wig, wears what I believe to be orig. plum silk & lace dress, (sewn on), orig. Fashion heeled boots, ant. socks, ant. ermine stole, undies, ant. velvet hat & added accessories. On orig. gusseted kid body w/separately stitched fingers & perfect bisque shoulder plate. Look of a Portrait Jumeau Fashion & absolutely BREATHTAKING!!! $5950. 9. 6" All Bisque French Barefoot Mignonette, perfect pale bisque overall, big blue p/w eyes, orig. long mohair wig, wearing factory orig. blue silk & lace dress, orig. undies & 9 10 darling ant. hat. On orig. perfect all bisque early peg strung body. Wonderful long limbs and early bare feet. Rare and absolutely MAGNIFICENT!!! $4750. 10. 13 1/2" K * R 117N Flirty, br. flirty & sl. eyes, immaculate pale bisque, orig. auburn mohair wig & pate. ALL FACTORY original cotton & lace frilly dress, orig. undies, hat, shoes & socks. On GREAT orig. K * R body. She is an absolute DARLING!!! Only....$1575. 11. - 12. 15 " Steiner Fire A Bebe, perfect pale bisque, gorgeous blue p/w eyes, orig. great mohair wig, wearing orig. plum silk & lace costume, ant. undies, orig. shoes & crocheted socks. On orig. body w/ Steiner label. She was a First Place Ribbon Winner from UFDC in 1978 & retains her ribbon. The BEST ever in a super cabinet size. Desirable soulful Steiner expression & absolutely STUNNING !!!! $6200. 13. - 14. 16" Tete Jumeau #6 Bebe, perfect bisque, huge br. p/w eyes, fabulous orig. Jumeau mohair wig, wearing orig. silk & lace dress, ant. Jumeau shoes w/rosettes, magnificent ant. Fr. silk & lace hat, orig. chemise & undies. Fully "signed" head, head coil still intact & on fully "signed" orig. Jumeau body. Tremendous presence and a LAYAWAY AVAILABLE MAGNIFICENT face! You will love her! $6000. Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.) Photos by Vincent Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

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From the Editor

t isn’t often that Antique DOLL Collector prints a “From the Editor” column, but we have important news to share with our readers. For nearly twenty years Antique DOLL Collector has been the only magazine to deal exclusively with antique and vintage dolls. As time marches on, the definition of antique is constantly changing. The National Antique Doll Dealers Association uses fifty years as their guideline, thus including, dare we say it, early Barbies! While our focus will always be dolls from the 18th, 19th and early 20th centuries, we have come to recognize the need to add the iconic dolls of the mid-20th century – important dolls by Madame Alexander, Ideal, Effanbee, Horsman, Vogue, and Nancy Ann to name a few. Our goal in Antique DOLL Collector has always been to expand our doll knowledge; we certainly cannot expect to collect all types of dolls, but as they say, knowledge is power. In this issue Connie Lowe authors an intriguing article entitled, We’re not in Kansas anymore…or are we? Connie is an antique doll dealer/collector, doll fashion designer and doll artist with many awards to her credit. Ball Jointed Dolls or BJDs as they are known, have brought together her two passions, the old and the new. Connie’s dolls wear fashions made of antique fabrics, trims and findings. She is finding that a surprising number of antique doll collectors are adding BJDs to their collections, the reason being that these dolls can be played with, they are perfect for showcasing fashions and they are fully customizable. As you will see in her article, the roots of BJDs are much older than you might imagine! You may have noticed the new line of copy above our magazine masthead: The Complete Guide to Antique, Vintage and Collectible Dolls. This reflects our continuing commitment to our readers to bring you more for your subscription dollars. We look forward to bringing you a monthly magazine that is fun and informative, one that will continue to enhance your joy of collecting.

ANTIQUE DOLL COLLECTOR

Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray, Michael Canadas, David Robinson Sales Representative: Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768.

Donna Kaonis 4

published by the

JULY 2012

Carmel Doll Shop

Visit WWW.CARMELDOLLSHOP.COM for a Large Selection!

Carmel Doll Shop, 213 Forest Avenue, Paciﬁc Grove, California 93950 • (831) 625-5360 Visa • MasterCard • American Express • We Welcome Layaway Always Buying, Selling and Trading Fine Antique Dolls • Members of UFDC & NADDA

Some things may be new for us at Carmel Doll Shop, including our great new location, but some things never change, like the quality of the dolls we sell. We do have one additional exciting change to announce, and that is the fact that this Summer we will be taking part in the

2012 National Doll Festival in New Orleans. Please visit us July 22-25 at the Hilton New Orleans Riverside. We would love to see you there!

The Complete Guide to Antique, Vintage and Collectible Dolls

July 2012 Volume 15, Number 6

BROOKS HOUSE

by Susan Grimshaw The author brings a British dolls’ house in need of repairs back to life.

A LOOK AT RARE LENCI DOLLS

ASCENT TO THE MOUNTAINS The Spielzeugmuseum, Angela Prader in Davos, Switzerland

Collectors can expect to ﬁnd an extraordinary range of antique dolls, doll houses, rooms, shops, toys, candy containers, squeak toys and paper dolls when the museum goes to auction in New Orleans on Sunday, July 22.

WE’RE NOT IN KANSAS ANYMORE...OR ARE WE?

by Connie Lowe The author, an antique doll collector and a modern doll artist, shares her perspective on ball-jointed dolls.

by Judy Fisher These exquisite dolls exemplify the amazing craftsmanship of Lenci during the company’s golden age.

About The Cover

Our cover illustrates the originality of costumes and diversity of the Spielzeugmuseum Davos. Now closed, the contents of the museum will soon be sold in New Orleans by Theriault’s, Sunday, July 22.

15 • Auction Gallery

MAUD TOUSEY FANGEL 1881-1968 Artist, Illustrator and Doll Designer by Sara Bernstein A look at the artist’s renowned artwork and cloth dolls.

ANTIQUE DOLL COLLECTOR

60 JULY 2012

70 • Emporium

RUSSIAN DOLLS

by Penny Hadﬁeld A comprehensive look at the antique bisque and cloth dolls from Russia.

MADAME ALEXANDER’S “MYSTERY DOLLS” by Florence Theriault The story of six extraordinary dolls created in 1951.

76 • Calendar

MISS FLORA MCFLIMSEY, MARIANA AND FADED ELEGANCE by Florence Theriault

79 • Classified

GAITHERSBURG, JUNE 2 & 3

1, 2, & 11, Heirloom 1 Fashion Doll with Photo History – seldom are these early fabric, one of a kind dolls as graceful and refined as is this 20” beautifully preserved 1880s American heirloom treasure from one of the pioneer doll collections in the United States. Constructed with the same ladylike aspect and detail of an extravagant milliners model or elegant fashion, she is well documented in a photo album of 3 various studio portraits and newspaper accounts. Today, she is unchanged and still exceptional after 130 years! $3000

A. Beautiful Half Dolls… please call.

‘Miss Columbia’ 4

8 7 3-6. An American Master – from the early 1800s comes this 22” historic, privately held oil painted rag recalling Early American gallery portraits. All the original paint – no cleaning or touch-ups – as well as the original clothes make this doll not just an important and thrilling acquisition; but the unique cornerstone of an advanced collection. $4000

7-9. 29” Rare Size Early Columbian – the Bru of fabric dolls and America’s original sweetheart, this rare baby face beauty is painted by the hand of Emma Adams herself. She’s uniquely coy, so pretty with big round “baby blues” and a full tummy with chubby limbs. She has her original barn red frock with its juvenile pinafore. A museum class doll… with a tender heart. $7500

(212) 787-7279 P.O. Box 1410 NY, NY 10023

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10. Buster Brown Brothers – you’ll chuckle every time at the wit and whimsy of this classic 16” humorous duo. These handmade geniuses have droll hand stitched expressions and they sport their original belted drop waist jackets, knee-high knickers, matching hats and leather shoes. Iconic! $1250

12. 14” Oil Painted American Indians – history and drama combine in the moving portraits of this native American Choctaw couple. Hand painted in 1940 with remarkable artistry in Oklahoma City, they are mint with original wigs, clothes and romance. A rare opportunity. $1495

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(212) 787-7279

1. & 5 It’s enviable! The 1 full rich heads of thoroughly embroidered hair on this handmade pair of 1940’s Navy Men in their dashing uniforms complete with caps. Real Americana! $295 each 2. 25” Shirley Temple Wee Willie Winkie – a very rare costume w/pin, in a scarce size w/flirty eyes and overall very nice condition! $495 3. Handsome Skookums Brave – the dramatic 35” figure in original 5 clothes including the original mint mohair wig and headband that is usually missing! $895 4. 16” Impish Lenci Character – quite the rare one with early 20’s ‘flat’ nose and very comic, playful eyes, important doll , as found, just $395 5. See # 1 6. Here’s a French doll you may not have. This infrequent 31” ‘Tanagra’; Paris has roots going all way back to Gesland. It has brilliant bisque coloring, vivid eyes, good French body and all the more fascinating as a young man to compliment your Bebe! $1100 7. This well made and well preserved composition Freundlich Military Trio, c. 1940, consisting of General MacArthur, WAAC and WAVE are all original, one with tag! And no craze! $750 the set (will divide) 8. Playful, sweet and mint describes this heirloom 16” JDK 211 Baby Girl with her ivory pure bisque, perfect skin wig and ‘pretty in pink’ period baby dress, bonnet and shoes. All so dear! $595 9. – 11. Creativity and wit characterize this 27” UFDC Blue Ribbon winning pair of Norah Wellings Art Dolls with such expressive features and a wealth of other details (inquire) all in unplayed condition w/labels and their accessories usually absent. Just $1495 the pair! 12. Large Early Kestner – these early 1880’s dolls are generally small, so imagine the grandeur of this spectacular example with her early chunky Kestner body in the Schmitt manner. (See next page, #8) 13. Dressed for school, this leggy Norah Wellings Schoolgirl is an unusual 27” tall! - and in excellent condition! Just $595. Early Steiff Donkey Pull Toy – with metal wheels, button in ear, shoe button eyes and saddle. $395 14. Celebrity compos are important, especially this 13” Mme Alexander Jane Withers, with closed mouth, no craze, and Factory Original with label! $750

(212) 787-7279 P.O. Box 1410 NY, NY 10023

1. 27” Hand Painted Babyland Rag – early silk face version, c. 1893, in lovely condition with the proper original clothes too! Just $750 2. 15” Unusual Black Stockinet Lady – depicting a shapely slender woman with an adult face, stitched features and intricate upcombed hair. $595. 12” Black Child – adorable youngster with hand drawn features and pretty old clothes! $250 3. Rare 9” Halbig ‘886’ 8 All Bisque – outstanding in the largest size made with her long black stockings, socket head, sleep eyes, French wig, lovely bisque, no chips or cracks, a stunning rarity!! (see # 5) $2850 4. Flags and Flowers – most adorable English water coloring book with a brilliant interior and quaint literature. Excellent. $125 5. Simon Halbig ‘886’ – see # 3 6. Choice Large Size Googly – an uncommon 7” tall with jointed limbs and watermelon mouth, blue sleep eyes, all original uncut wig and beautifully crocheted clothes with hat! A quality knockout! $1250 7. All Original Hilda’s Sister – since so few were made, this 14” Kestner 247 is actually more rare than Hilda itself! Gorgeous 30” long elaborate lace drenched presentation gown and bonnet with every possible layer and detail imaginable. Luxurious! $1250 8. 31” 1880’s ‘Square Tooth’ Kestner – outrageous to find such an early Kestner in this size! Stunning with her long forward thrusting cheeks, barely open mouth with 6 carved teeth, ‘flat’ brows and important mint, French wig. (see opposite page, #12) $1795 9. 11” Factory Original ‘Patsy Jr. – rare wigged version with sleep eyes, lashes and no craze! Complete with hat and ready for summer fun! $350 10 & 11. Rare Pair Choctaw Indians – important pair of American oil painted portrait dolls. Museum class (see page 7) 12. 16” Rare 1920’s Lenci Character – oodles and oodles of corkscrew curls on this early, shy toddler with chubby limbs, flat nose and very Deco costume! $750 13. Scarce Kley and Hahn ‘161’ – fine quality 12” cabinet baby with open/closed mouth, molded teeth/tongue, original wig and many sweet ankle length layers with bib! $495 14. 16” Baby Girl by Bahr and Proschild – rare mold ‘641’ with the prettiest wig in original set, pert character face, pretty bisque and fussy original gowns! $575 4

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS

1 - 3. 16” Smiling Bru “Empress Eugenie” fashion w/ tri-color eyes and fully articulated wood Bru body. $11,750. 4. French fashion ermine muff in orig. Huret type box. Box is 4 3/4” long. $450. 5 - 6. 5 1/4” All-bisque mignonette, all orig. except for her grand antique hat. $2400.

Exhibiting: July 22 - 25 - National Doll Festival, New Orleans LA, Hilton Riverside New Orleans

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

ANTIQUE DOLL COLLECTOR

JULY 2012

ASCENT TO THE MOUNTAINS

The Spielzeugmuseum, Angela Prader in Davos, Switzerland

t began as a simple amusement, became a diversion in an otherwise busy family schedule, and, somewhere along the line, became a serious life’s work and study. Some who study antique dolls and playthings remain private collectors, others author books and still others lecture. Some dream of founding a museum. Of those, a very few actually do. One who did is Angela Prader of Davos, Switzerland, founder of Spielzeugmuseum Davos. The Museum, nominated in 2010 for the prestigious European Museum of the Year, is now closed, and its entire contents will be presented at auction by Theriault’s on Sunday, July 22, 2012 in New Orleans at the Westin Canal Place. A hardbound commemorative catalog of the Spielzeugmuseum Angela Prader Davos featuring more than 600 lots is available. Establishing a museum compels vast planning, hard work, and a determined vision. In addition to all the business and building decisions, there is the collection itself. What will be included? What will be its standards? Angela Prader resolved, early on, that she would seek and select only the best in each category. “Originality of the doll or the dollhouse, or the costume or the house contents, has been crucial to me”, she reflected in an interview. “Of course, one always wants the object itself to be perfect, such things as flawless bisque and porcelain or original paint on wood or paper mache, but I decided to go a step further. I’ve always sought out dolls wearing their original costumes and wigs, and with wonderful accessories.” And then there is the question of specialization. “I wanted to show dolls and playthings from every genre, from the 1700s until the early 20th century”, she noted. “And because I’ve always had to choose and buy carefully, I decided that I would just pause until I could find the best of the best for every category. Having to be patient has stood me well, because, along the way, I continued to study and learned what the best really was. And that’s what I added to the Museum.” The Spielzeugmuseum Prader has no incidental objects that just wandered in by chance. Each item has a reason, a purpose to portray. Whether it is the signature “Victoria” fashion lady with her wonderful provenance and extraordinary original trousseau (“I knew I needed this doll for my museum, but I was so stunned when I went the limit and beyond at auction to win her that I couldn’t move or breathe for some time”, she still recalls even though that event occurred

The signature doll of Spielzeugmuseum is “Victoria”, so-named by her original family, which donated the doll to a charity raffle to benefit veterans of WWI. The charity raffle winner preserved the doll in her own care until its acquisition by Spielzeugmuseum Davos in 1994. The doll, with rare Clement articulated body, owns an extraordinary trousseau which is featured in a four-page lay-out in the auction catalog of the Museum.

Two sisters poured wax child dolls from England in their original costumes.

Wonderful and rare “double” peddler dolls on original base depicting an aged woman and young boy, both heavily laden with wares to sell.

The Schoenhut wooden boy is so original he is still tied to his original box display with details of how to pose the doll.

Is she Marie Antoinette at Petit Trianon? Whatever, she is all wooden fully-articulated and is found in her original packing box with five paper mache sheep. ANTIQUE DOLL COLLECTOR

JULY 2012

Pristine set of wooden articulated dolls with sculpted and painted hats of various styles, mid-19th century.

The nine miniature carved wooden dolls still have their original costumes. “The Sewing Companion,” all-original, would surely counsel any young aspiring seamstress, as well as supply the sewing tools she holds.

Lenci’s googly “Winter” girl wears a pristine original costume. 20

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more than 15 years ago) or the collection of “Kinderbringen” figures so symbolic to the world of doll collecting, or her peddler dolls chosen for their originality of wares, the focus has always been fullness and unity. Into her fold, Angela Prader has welcomed a very rare set of Grodnertal wooden dolls with sculpted hats alongside Lenci’s googly-eyed “Autumn” from her four season series. There is an outstanding Maerklin ceramic stove with six copper cookwares counterbalancing an extraordinary collection of Austrian enamel miniature furniture. Tiny wooden Erzebirge villagers in their original box juxtapose the “Der Wanderer” mountain climber by Steiff. There are more early Steiff dolls, including an impossibly-complete early school room set with all accessories. Rare examples of early paper mache ladies, many photographed in books, proudly stand alongside German bisque and porcelain beauties with fancily-sculpted hair. The world of fashion is carefully represented, ranging from a grand-sized paper mache gentleman as Mozart to an amazing collection of eight French ladies by Lafitte-Desirat from the early 20th century, each in original costume on base. There are 19 miniature bisque dolls in original handmade elaborate costumes representing the coronation of Elizabeth I that contrast a pair of Japanese bisque children in outstanding exhibition-quality silk traditional costumes. Dolls in fine folklore costume, including a rare pair of bisque children in Swiss costume, parade in competition with elegantly-attired French ladies. And should the fashion dolls, themselves, not be enough there are collections of early antique purses, fans and accessories to be presented. The collection includes very rare bisque dollhouse gentlemen with sculpted helmets, an all-original French mechanical waltzing lady by Vichy, a bevy of early sculptedhair dolls known as “milliner’s models,” Grodnertal wooden dolls including an exceptional set of six dolls with sculpted hats, English poured wax child dolls in superb original silk costumes, set of Chinese Door of Hope dolls, very fine French all-bisque dolls in original costumes, cloth Kathe Kruse, mint Chad Valley Snow White and Seven Dwarves in original boxes, and hundreds more. Representing their native Switzerland are a large pair of carved wooden dolls by Huggler, an early studio Sasha doll, and a remarkable collection of more than 25 different models of the rare early 20th century metal-bodied dolls by Bucherer, some virtually unknown. The Museum also features a fine collection of doll houses, doll rooms, stores and kitchens. Notable is an English carved wooden butcher shop, German Apothecary by Oscar Meier, early petite Hacker stores with lithographed decorations, and more.

Three examples from the eight fashionable ladies by Lafitte-Desirat shown at the Spielzeugmuseum Davos.

Two early Steiff art character dolls are preserved in immaculate condition.

A studio art doll from Sasha Morgenthaler with original costume was featured at Spielzeugmuseum Davos.

Vichy’s mechanical “Waltzing Lady” was a beloved luxury model of the firm. A choice example was preserved at Spielzeugmuseum Davos, in perfect working order, and wearing perfectly-preserved original costume.

The early 20th century carved wooden dolls of the Swiss Huggler family are avidly sought – and so rare. A choice example at the museum is this large pair of boy and girl.

A beautiful French room with beaded curtains, glass chandelier, walls covered with framed engravings, an exquisite set of furnishings with painted silk upholstery, and three fine dolls.

The pair of Swaine characters, rare D.P. and F.P. models, wear their original Swiss folklore costume.

Talk about a well-crowded room! This one – with its all-original furnishings to match the draperies – barely leaves room for its two bisque inhabitants to walk about. ANTIQUE DOLL COLLECTOR

JULY 2012

Among the rare German bisque dollhouse gentlemen is this pair, shown with a large Austrian enamel coach from the collection of enamel miniature furniture at the auction.

How appropriate for a Swiss museum high in the Alps, that Lenci’s rare Hockey Player was included.

A prized large paper mache head with exquisitely beautiful features has an ornate original human hair coiffure.

Rare comic characters from Bucherer of Switzerland, from the collection of more than 25 models. The giraffe is also by Bucherer.

Known as “the Kinderbringen,” experts disagree on the origin of the traditional figure. Is he a doll merchant or is he holding new babies? At any rate, he is very rare and perfectly-preserved.

Angela Prader, founder of Spielzeugmuseum Davos, posed alongside a temporary exhibition of Noah’s Ark toys. 22

ANTIQUE DOLL COLLECTOR

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There are German doll house rooms with original furnishings and curtains, and superb French folding rooms with original furnishings. Rare individual miniature of carved bone and silver form other collections. Although Angela Prader preferred to display her museum objects singularly, she has also been keen on placing related objects in nearby proximity. Thus, abundant in the Museum have been doll-related objects. Carriages range from an impressive handcarved coach with drivers and passengers to hand-painted tin carriages by makers such as Maerklin and Bing. Furniture includes superb 19th century works including maitrise models. And there is the collection of rare 19th century toy stoves, complete with their cookware and accessories. Too, rarities in doll’s tea and dinner services had been showcased in the museum, many in their original boxes. Among the rarest of the 19th century doll and toy world are playthings of paper mache or paper. Their delicate nature, by very definition, means that few still exist in fine condition; those that have were assiduously sought out by Angela Prader, and her collection offers superb examples such as a boxed set of men and woman on horseback in classic fox hunt, mid-19th century boxed paper dolls, sets of paper soldiers, and a Chinese checkers game with paper mache figural pins. There are paper mache candy containers and squeak toys including a wonderful lady whose shoulder pads pop up revealing two little children hidden inside, and an early paper mache doll, believed to be dated early 18th century, with rattle interior. Sought-after Erzebirge wooden dolls and figures include complete market places, villages, and other vignettes from the 19th century, and wax dolls are wearing their original dainty costumes, while a rare early wax taufling baby has a dated ink inscription. The collection rounds out with a wonderful collection of antique toys, ephemera and tinplate trains. The Davos Museum is a tribute to the vision of Angela Prader, one of Europe’s keen eyes in collecting. She was known throughout the continent as loving a wide range of objects that traced the entire history of playthings, her mission. Her husband Jurgen Prader, who encouraged and aided her from the early years of collecting throughout the Museum years, says “her mission was to show to visitors the amazing craftsmanship, the beauty, the harmony, the love with which these old things were manufactured. For her it was art and culture.” For more details about the auction or to order a catalog visit www.theriaults.com

Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

16” Early Bru Fashion, size F, original mohair wig and pate, perfect bisque with beautiful molding, blue eyes, on patented Bru kid body with articulated wooden arms $5250

18” 1889 ED Etienne Denamur Paris on early stiff wrist Jumeau body, brown paperweight eyes, HH wig, antique clothing & shoes $3050 2” All Original German All Bisque in satin heart shape presentation box $95

3” All Original All Bisque in Ethnic costume, mohair wig, blue glass eyes, black Mary Janes $325 3 1/4” Amelia Earhart Doll House doll all original in ﬂight suit and molded helmet with goggles $395 3 1/2” Doll House Flapper, all original in red and white dress, molded red cloche hat $110

37” Little Lulu by Marge 1954 all original in red dress, Little Lulu purse with makeup and hair bow, dance with me straps on feet, comes with Little Lulu - Her Ride to Grandma’s 1946 book with original dust jacket $750

15” Dianna Effner “Jenny” 1992 original artist doll, bisque head, arms and legs, cloth body, w/ handmade giraffe, bear, snowman and elephant $1050 11” Ruby Red “Dancing in Masquerade” Bleuette, resin BJD, changeable eyes & wig, gold mask & high heel shoes $258

12” #370 AM w/ compo arms, blonde mohair wig, kid body $90 13 ½” C/M Kling #123, dome head, cloth body w/ leather hands, brown eyes, piece re-glued on shoulder plate $170 24 1/2” DEP S & H made for French trade, stationary 11” K star R #26 in store stock dress, fabulous bj body, sleep eyes, blue eyes, slight nose rub, original wig $375 French body $725

5” French All Bisque Mignonnette Girl in antique silk dress, blue glass eyes, blonde mohair wig, 2 strap black slippers $2495

10” Bye-lo wonderful facial coloring, nice body with Bye-lo purple stamp, celluloid hands, blue sleep eyes $250 8” AM #341 German Dream baby, blue sleep eyes, compo baby body, blue suit & cap $135 8” AM #341 German baby, blue sleep eyes, compo baby body, red suit & cap $135 7” CM Germany #16 Herm Steiner baby on cloth body with compo hands $85

5 1/2” Kestner #2 All Bisque with swivel head, blue sleep eyes, original mohair wig, 5 strap black heeled boots, white stockings with rose accent $2195

14” K * R 115 A Baby all original in cotton baby dress, knit booties, blonde mohair wig, blue sleep eyes $1450

26” 1880 RD Bebe Rabery Delphin, c/m, HH wig, brown paperweight eyes, repaired left lower eye 17” AM 390 Af Am on ﬂake, 1 pimple on cheek, marked Handwerck body, antique style dress $2600.00 original wig, professionally Now $2250 repainted legs $700. 11” Horseman He Bee She 9” Schoenau & Hoffmeister Bee 1925, professionally - S PB star H black ﬁred repainted, great look, rare bisque, brown sleep eyes, composition doll $395.00 original mohair wig, 5 piece Now $295 toddler body $695

18” Italian Nicaprit all original blue ﬂirty eyed hard plastic doll, wonderful red coat, dress and hat, really sweet $75 15” Deanna Durbin by Ideal, HH wig, original pink organdy dress, panties and shoes, crack by left side of head $295.00 Now $210 19” Cameo vinyl Scootles 1980’s all original with gold wrist tag $195.00 Now $139.95 9” Cameo Scootles in vinyl 1960’s all original with gold wrist tag $95

4” French All Bisque Mignonnette All original boy in cream satin suit and hat (outﬁt as is), blue glass eyes, blonde mohair wig, 2 strap black slippers $2495

20” 1957 #2071 Cissy Queen all original in gold brocade dress, blue sash w/ “jewels”, 3 bracelets, (crown backing as is in spots), rub on left cheek $695

LAYAW AVAILA AY BLE

14” x 11” Underscored F Steiff mohair Camel on metal wheels, original leather muzzle and red felt trappings $995.00 now $850 16” K * R 116 on toddler body with original celluloid hands, professionally repaired small eye chip on right eye, stationary blue eyes $2500.00 Now $1995

22 1/2” Cuno, Otto & Dressel (look of a K * R 117 N), body and arms re-varnished, right foot repaired, HH wig, blue sleep eyes $985.00 Now $795 23” SFBJ on Jumeau body, blue sleep eyes, HH wig, French replaced hands $995

HOPE TO SEE YOU AT THE FOLLOWING SHOW: July 22 - 25, National Doll Festival Hilton New Orleans Riverside New Orleans, LA

A Look at Rare Lenci Dolls by Judy Fisher

1930 Boudoir doll, 31 inches tall, has dreamy eyes and wonderful earrings. She is seen in Marco Tosa’s Bambole Lenci on page 137.

Numbered 569, from 1929, 1930, 1931; it was then changed to T3 (this is a common occurrence with Lenci’s identification system) This is an example of the Gish face, with partial teeth showing and lovely details like the pearl necklace, roses and small cat on her shoulder. 28 inches tall.

1930 Boudoir, 28 inches, is another example with half closed eyes. She is seen in Marco Tosa’s Bambole Lenci on page 137 .

I 1930 Lady with the Fishing Pole numbered 584, 28 inches. She shows the bright colors often used by Lenci. The straight yellow hair and green eyes are unusual.

ANTIQUE DOLL COLLECTOR

JULY 2012

n the early 1920’s the Lenci Company started to produce felt dolls in Torino, Italy. However, it wasn’t until the mid to late 1920s that the dolls reached the height of production. During this period, there is no question of the beauty and artistic quality the Lenci Company was able to accomplish in creating their dolls. The exquisitely painted faces, elaborate hair designs, the costumes with bright colors of felt and organdy with wonderful textures, in some cases the wonderful leather shoes made by artisan shoemakers, the personalized accessories made of wood and the ﬁne details of embroidery make these dolls works of art. This article will illustrate the above statement by showing some of the most unusual, rare and seldom seen dolls that were produced during the “golden era” of Lenci.

1926 Manuelita Spanish Lady, 25 inches, numbered 165/8. Here is an example of a boudoir with teeth. Note her fabulous felt hat with a huge flower and the other jewelry accessories.

1931 Boudoir, 28 inches, numbered T25. The details on this doll are incredible – from her dress and headdress with pearls to her long braids entwined with gold braid.

1930 Lady is often referred to as Louise Brock. She is numbered 579 and measures 28 inches. Her black hair with blue eyes is very seldom seen on Lenci dolls. Interesting in 1927, there is a similar doll numbered 800C called Vampir holding a bull dog but she is 45 inches tall.

uring the 2011 UFDC Convention in Anaheim, these photos and many more were shared during an hour long program titled Lenci – the Master of Felt Dolls. Following is some basic information about the boudoir dolls as well as some rare facial photos to highlight the craftsmanship of Lenci. THE BOUDOIRS • Sizes range between 24 and 29 ½ inches; rare ones at 40, 45, 48 inches. • Some dolls have wide-eyed expressions while others have narrow eyes looking mischievous and a few ladies have dreamy eyes (half closed appearance). • The doll known as Gish (named after the famous sisters) is a popular face for the boudoirs. • Facial molding is done with great realism and artistry. Eyes, nostrils and mouth are molded but also temple, chin and often eyebrows. • Some have teeth. • Head, arms are felt; bodies and legs are flesh colored muslin. • Feet are sculpted to wear high heeled shoes. • Legs attached by a tab joint; the top two inches are unstuffed to create a floppy leg so dolls can sit. • Arms attached with flat disc type joint; hands have separate fingers except second and third are sewn together. • Wigs are mohair with a combination of rooted hair, wafting on top and back and long curls or braids sewn under back and sides of hair. • Dolls wear long silk stockings up to the hip.

1926 Corinna, 36 inches, numbered 180A. This is a seldom seen doll. Note her blonde curled mohair wig, the incredible hat with double bows and flowing berries, and the organdy dress with a cross pattern of felt bands. ANTIQUE DOLL COLLECTOR

JULY 2012

he next category to illustrate the uniqueness of the Lenci Company is what I’ve termed character dolls. Lenci was known for creating dolls that captured the likeness of famous people of the time and, in some cases, friends of Madame Scavini, who was deﬁnitely the genius responsible for the dolls. The noteworthy example of this is the doll called Josephine Baker. It has been recorded that Ms. Scavini and Ms. Baker were friends. While not shared in this article, this doll has been sold at Theriault’s and can be seen on their website. In short, these dolls were not produced in large quantities; therefore, the following photographs are not only rare but exceptional.

1924 Pappagallini Bimbi (left) 30 inches , 924 and masked Jester or Arlecchino numbered 175.

1926 Nunu numbered 555 and Mimy numbered 553, 31-1/2 inches. These dolls are often described to as having the Marlene Dietrich face. As you can see, the face is the same but the hairstyle makes them look quite different. The outfits are fantastic and here is an example of the silk stockings and leather shoes.

1925/26 Lady with dog. 28 inches, numbered 258. She is seen in Dorothy Coleman’s book, Lenci. Her face is very unusual especially with the wide full smile and wide nose. Note the fabulous hat covering her chestnut (rare) curly hair.

From the 1924 Lenci Ultime Novita Catalog, Mistinguett numbered 165, 24-1/2 inches. Mistinguett was a French actress who starred with Maurice Chevalier. She appeared in Folies Bergere and Moulin Rouge. She had prominent front teeth and was known for her long legs, which she had insured. Noteworthy are her rare large blue eyes and angled eyebrows, flat wide nose and big toothed grin. 26

ANTIQUE DOLL COLLECTOR

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1929 Butterfly numbered 559, 25-1/2 inches. She is part of what was termed the Orientals. The Lenci Company had a different mold for these faces, which were painted with very rounded eyebrows. Note the wonderful painted wooden hairpiece and the lovely silk embroidery on her felt outfit.

1930 Black Character numbered 573, 18 inches. Lenci did not make many black dolls and most of them were character dolls; however, here is a little child wearing a simple outfit with fabulous wood/felt shoes. Note the shape of her legs which is not typical of the children to be seen later in this article.

enci’s children are considered the most popular among collectors. The company definitely produced more children, grouped by series numbers, with a large variety of costumes. I’ve included a couple photos of another rare group known as teen dolls. The children are more readily available for the collector to find. While there will not be examples of all the series, to the right you will see the basic information for the series, including height and how many costumes were produced during the “golden era.” • Bodies are made of felt, including arms and legs; zigzag stitching in back of head. • Eyes are side-glancing and have black dot in center of pupil and two highlight dots one white dot in the colored area. • The upper lip is darker than lower with two light dots to highlight. • Hands are either mitten or they have individual fingers except for the two middle fingers; toes are defined by stitching on early dolls. • Disc joints at hips, shoulders and neck; some have tab joints at the arms and the legs. • Ears are double layered. • Hair is either wefted or rooted. • They are often stamped on foot and/or have cardboard and woven ribbon tags.

THE CHILDREN AND TEENS Series Height Costumes 1920-1930 109 22-23” 135 110 18-19” 120 300 17 -1/2” 110 400 17” 16 1500 17-1/2” 20 111 13” 70 450 13” 25 149 16-1/2” 65 500 21-1/2” 40

1931 Boy numbered E45 from the 300 series, 17-1/2 inches. This doll has often been referred to as the Bogart doll.

1926 Pepito 17-1/2 inches, numbered 300/L (the L represents his costume). The 300 series is one of the most popular among collectors. His dark hair is rare.

ANTIQUE DOLL COLLECTOR

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1927 300/T, from the 300 series, 17-1/2 inches. Just look at those curls! Note the wonderful details that Lenci is known for â&#x20AC;&#x201C; his felt shirt with pockets and covered buttons, his shorts with a leather belt, knitted gators, two toned leather oxfords and the big felt hat covering the golden locks.

1931 Girl numbered AA3, 23 inches. She has a different face compared to all the dolls in the category. She wears a marvelous hat adorned with typical Lenci felt flowers. She wears green overalls with a pattern of felt dots crossstitched that is often seen on some of the costumes.

ANTIQUE DOLL COLLECTOR

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1926 Aligi or series 300/O (O is the outfit designation, in 1931 the number changed to E70), 17-1/2 inches. Here is another example of the popular 300 series. Here he is wearing an organdy shirt with adorable pink shorts that have felt covered buttons. The beige vest has embroidery on the corners. His leather shoes look like Roman sandals that cover his toes. There is a fabulous hat but the walking stick topped off with a felt rose is priceless.

1929 or later Black doll, 10-1/2 inches. In 1929, four 10-1/2-inch dolls first appear as 310 and later they are called the 70 series. This doll has never appeared in any catalog and is extremely rare, thus it is hard to date it. Without a doubt, her coco colored felt is unusual and as mentioned earlier, black children are rare.

Here is an extremely rare 500 with glass eyes, probably a prototype - only one discovered and definitely all original. 1929 and 1930 Golfer numbered 500/5, 21-1/2 inches. The 500 series wasnâ&#x20AC;&#x2122;t made as frequently as some of the others. His felt checkered shirt over his beige shorts with leather shoes is great but what makes him special is that original painted wooden golf club. The Lenci Company had artisans just to make their wooden accessories along with the leather shoes.

1931 149, 16-1/2 inches. She is another very rare child because of her big smile. Lenci children often have pouty expressions.

1926 Teen Tennis Player 400/G, 16-1/2 inches with intricate felt work on her costume. This lovely doll is holding an original tennis racket made for the company.

1927 Teen 400/M, 16-1/2 inches. There are only sixteen teen dolls shown in the 1926 and 1927 catalogs which makes them very hard to find. The face on this doll is different with a wider nose. The body is quite thin compared to a 16/2 child doll. This doll has dark chestnut hair which is not often seen.

es, there is another category of dolls that Lenci called their Babies. These are very seldom seen for sale at shows or for that matter auctions. They tend to be large and bulky.

1931 Bambino numbered 5 is 25 inches.

Featured in the 1931 My Darling Baby supplement catalog were Bambino/1, Banbino/2 and Bambino/6, 16 inches, with a Lenci painted wooden cradle. Each of these darlings holding their fruit, flower and spoon are a joy to the eye.

1933 Glass eyed googly, 20â&#x20AC;?, numbered 250. Even though this belongs with the googlyeyed dolls, it is included with the babies due to the way the doll is dressed. Note the waffle pattern on the bottoms on the shoes. Note, Googly-eyed dolls have moveable glass eyes or large painted eyes; hands have five individual fingers; heads are hollow molded.

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astly, the Lenci Company made children’s clothing, purses, sewing baskets, even egg covers and so much more. As one last demonstration of the artistry of Lenci, included is a wonderful tea cozy from the 1925/26 catalog which is also shown in Dorothy Coleman’s 1977 book Lenci. My hope is that you enjoyed seeing some of these rare photos of works from the Master of Felt Dolls – LENCI. Photographs contributed by Patrizia Nicotra Martini and Rick Fisher I would like to express my deepest gratitude to PNM for sharing some rare photos. 5/26 Dutch tea cozy, 10 inches, numbered 211. Her head is similar but not the same as a miniature, which don’t actually appear until 1929.

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by Connie Lowe

BJD dressed by Connie Lowe using antique fabrics. Courtesy Connie Lowe 32

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nce seen as foreign to the antique doll collector, the modern ball jointed doll, or BJDs as they are commonly referred to, are beginning to transcend those borders and the lines drawn in the sand are not so clear any more. Collectors both young and old are beginning to find the appeal of the modern BJD. Not only are collectors who once collected only antique dolls now collecting BJDS, I have found that collectors of the BJDS are now being introduced to the world of antique dolls. The BJD has strong ties to the antique dolls commonly seen in this magazine as well as the articulated clay and wooden dolls of ancient Greece and Rome dating to at least 200 BCE. The modern ball-jointed doll era began in Western Europe in the late 19th century. From the late 19th century through the early 20th century, French and German manufacturers made bisque dolls with strung bodies articulated with ball-joints made of composition. These dolls measured between 15 and 100 cm (6 to 40 inches) and are now collectible antiques. During the 1930s the German artist Hans Bellmer created dolls with ball-joints and used them in photography and other surrealistic artwork. Bellmer introduced the idea of artful doll photography, which continues today with Japanese doll artists, as well as BJD hobbyists. Influenced by Bellmer and the rich Japanese doll tradition, Japanese artists began creating strung ball-jointed art dolls. These are usually made entirely of bisque and often very tall, sometimes as tall as 120 cm (48 inches). These dolls are purely intended as art, not for play or even the hobby level of collecting usually associated with dolls. They cost several thousand dollars, and up to several hundred thousand dollars for older collectible dolls from famous artists. The art doll community is still active in Japan and artists regularly release artbooks with photographs of their dolls. The history of commercially produced Asian resin BJDs began in 1999 when the Japanese company Volks created the Super Dollfie line of dolls. The first Super Dollfie were 57 cm tall, strung with elastic, ball-jointed, and made of polyurethane resin. Around 2002–2003, South Korean companies started creating and producing BJDs. Customhouse and Cerberus Project were among the first Korean BJDs companies, and since then the Korean market has expanded with many more.

Courtesy Connie Lowe

Clothing designers can let their imagination soar with a wide range of clothing inspirations. Kim Lasher sculpts, painted and costumed by Connie Lowe

Val Zeitler and Connie Lowe collaboration

The first Chinese company to release their own original BJD sculpts in high quality polyurethane resin was Dollzone. Their dolls hit the market in late 2005, early 2006. Since then, several other Chinese companies followed suit, putting their own BJD creations on the international market. The first American company to produce a BJD with more of an American aesthetic influence was Goodreau Doll in 2007. Since 2007 with the encouragement and success of the Goodreau Doll company many American artists have taken on the BJD market successfully – Kim Lasher, Berdine Creedy, Christy Stone, Bo Bergman and Connie Lowe (the author of this article) just to name a few. They are not only popping up at doll shows but have their own shows and conventions which are well attended and widespread. Much like their predecessors, one can purchase an array of accessories for the modern BJD. From production line clothing, shoes, eyeglasses, even tiny cellphones and more to elaborate costumes custom made by clothing artists Val Zeitler, Michelle Hardy, Marbled Halls (author) and many others. Clothing ranges from modern chic, Goth, Lolita to vintage reproductions. ANTIQUE DOLL COLLECTOR

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Courtesy Connie Lowe

More examples of the authorâ&#x20AC;&#x2122;s fashions using antique fabrics. Above, Dollstown sculpt, painted by author.

Another trend involves the mixing of antique clothing and fabrics with new to create a look that is familiar to the clothing of the antique doll but with a bit of a twist. Corsets, hoop skirts and vintage style shoes all reďŹ&#x201A;ect back to the antique doll. As a clothing designer I have found the lack of constraints with designing for the modern BJD refreshing. My love of antique fabrics and styles can be freely applied yet I can also add a bit of humor. When studying the costumes of Val Zeitler one can see the connection to the French fashion designers of the past. Not only are the fashions designed for the modern BJDs familiar, the body construction and the removable glass eyes recall their antique sisters. See how some bear a resemblance to Googlies, character dolls and pouty toddlers (page on right). The ability to customize these dolls makes for a variety of

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Antique jointed French fashion doll bodies.

Comparison of a BJD doll body and an antique Bebe Modelle for a Brevete Bru. The sad, pensive face of this BJD (right) reminds us of Kammer and Reinhardt’s Carl (below). Right: Dollstown sculpt, painted by Connie Lowe

This sculpt by the author is reminiscent of a googly doll.

Miss Muffet (Courtesy Kim Lashers, redone as “Miss Muffet” by author, photo by Alden Monberg) takes her inspiration from the S.F.B.J. 252 pouty, courtesy Mrs. Sabra Dee Whitmire, Heirloom Dolls & Antiques/Ruby Lane

To see the author’s latest BJDs, visit www.marbledhalls.com ANTIQUE DOLL COLLECTOR

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interpretation. One can work with common themes used by doll companies and artists for years such as “Wizard of Oz” and “Alice and Wonderland”(left) or can create many looks from one sculpt, as with the antique dolls. Depending on the wig, clothing and the artist that painted the doll, one sculpt can be seen many ways. As collectors with the BJDs we now have the option to not only display our dolls but to take them down from the shelves and play, change their clothes, and share them! There are a myriad of doll forums to discuss, share photos or just read about what’s new, and old in the Modern BJD world. It’s a whole new world… but a familiar one! A new sculpt by Connie Lowe.

BJDs are creative art forms open for a number of interpretations. Courtesy Dollmore Lusion Dahlia, painted by Connie Lowe.

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SOME BJD FORUMS TO CONSIDER: Den of Angels (a membership of over 36,000) Zone of Zen • American BJDS • Amazing BJDS All BJDS Welcome Here • Resin Cafe and many more!!!

Connie

Jay

LOWE

P.O. Box 5206 Lancaster, PA 17606 • FAX 717-396-1114 • Call Toll Free 1-888-JAY LOWE or (717) 396-9879 • Email: big.birds@comcast.net

Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates • Buy & Sell With Conﬁdence • Member of UFDC & NADDA

ANTIQUE DOLL COLLECTOR

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Brooks House by Susan Grimshaw

The hinged faรงade of the house features an attached shallow fenced garden that is decorated with a variegated green sponged paint effect. The balustraded fence and the house trim were originally painted a flat brown color but by the time I purchased it, the original paint had been covered with a glossy white enamel that shows the rich architectural details to advantage, so I decided to keep it that way. The cornices on the front and back facades feature structural rain gutters than needed a good cleaning. The bow windows also have gutters incorporated in their cornices. Every individual brick is scored and outlined in a cream color. Houses of this vintage often feature flat painted brickwork that is not scaled as small as this, so I consider this finishing detail truly distinctive.

ore often than not, I have purchased antique doll houses and miniatures at auction without knowing the identity of the consignors. Unless they are wellknown individuals whose collections have appeared in publications or been displayed in public venues, auction consignors often remain under the radar until the day their collections go under the hammer and even then, some may choose to remain anonymous. I knew the previous owner of this house as a fellow collector and someone who sometimes competed with me at other auctions. Our tastes are similar and we have often found ourselves attracted to the same things at auctions and shows and we also share an appreciation for vintage craftsmen. A good portion of her collection recently ended up at auction when she down-sized and moved to a smaller home and I catalogued many of her items for the

One of the features I most enjoy about this house is the ornamented Victorian window sashes. When I set down to repair the windows, I discovered one broken sash was missing an entire section. From the disassembled pieces I was able to replicate the missing piece and learned that every window had been realistically constructed with mortise and tenon joints. It was the first time I had to repair a window made that way, and it was very satisfying when everything fit together just right!

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Although the rooms are quite spacious, the dark paint colors made them seem small, cold and depressing. The later white trim paint was applied carelessly and I needed to clean up some areas with paint stripper before I could redecorate. The house came with one antique soft metal chandelier and a more recent electrified one that was never hooked up to a power source and I kept them, although I relocated them to other rooms.

The design of the interior’s layout is typically British with basic box-back construction and centrally placed fireplaces located on the back wall. In this case, the fireplace openings were cut through the walls and external chimney stacks were attached to the back of the house. The chimneys visible at the far ends of the house are just for decoration since they do not line up with the fireplaces. Commercially produced English box-back dolls’ houses may be similar in basic design but they usually lack windows on the sides so the rooms can seem somewhat claustrophobic. The presence of side windows in this example brightens the interior and provides an opportunity to decorate the rooms with formal window draperies. The house was never electrified and really doesn’t need to be since the rooms are so generously proportioned. 40

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Sometimes the central staircase hallways in English dolls’ houses seem cramped and ill-proportioned with overly steep risers, as though the stairs are almost an afterthought, but such is not the case here. The house is deep enough that the stairs could be set well back into the hallway and the risers are nicely scaled. The hallway was very dark and foreboding before I painted it a warmer light tan color. I kept the stair carpet as I found it, but I do need to replace some missing carpet rods.

auctioneer. It was fortunate I had the unique opportunity to closely examine her things well before the sale because just a few days before the auction was held, an unexpected family obligation prevented me from attending in person. I made arrangements for someone I trusted to bid for me with instructions that my limits on a few items could be exceeded if I was unsuccessful on other items earlier in the sale. This worked out well and although I missed out on one dolls’ house I liked, I was able to acquire this one for substantially less than my maximum bid on a day when large doll houses needing TLC seemed to draw little interest among bidders. I have a fondness for British dolls’ houses and when I ﬁrst saw this one, it was still in its packing crate and only the roof and chimneys were exposed, but that was enough to catch my interest because I instantly admired the detailed work evident in the hand-carved

Although I avoided filling the house with predominantly commercial furnishings, the entry hall provided the perfect spot to hang this rare antique Boulle key cabinet. Conveniently situated by the front door, it still retains its original blue lining paper and tiny soft metal keys.

roof slates and ornamented chimney stacks. Weeks later, when the house was completely unpacked and ready for cataloguing, I could appreciate how the individually scored and painted brickwork on the façade complemented the detailed work of the roof. I could also see how much restoration work was needed as many trim pieces were damaged or missing and almost half the sliding doublehung windows needed to have missing glass reﬁtted. Fortunately, most of the glass panes had been saved along with sections of a damaged sash and some walnut replacement brackets were found in shoebox inside the house. I was able to fabricate the other missing components and it took me about a month to restore the house. Inside, I appreciated the generously proportioned rooms symmetrically balanced on each side of a center hallway with nicely scaled staircase. Each of the four rooms featured a small recessed ﬁreplace with faux marbled surround, paneled hinged doors and unusual ceilings covered with molded Anaglypta papers imitating elaborate

This room was over-painted rather sloppily with a glossy white paint that showed every surface imperfection, and at first I planned to paint it a shade of blue similar to the color often encountered in commercial box-back houses. But I felt such a bold color was just too much for this house that I wanted to appear warm and welcoming, so instead I opted for this soft pale gray that turned out to be very close to the original color. I removed later layers of paint from the floor until I got to this glossy gray shade with some old shellac residue giving it subtle gradations of hue, and I painted thin lines to make it look like old paving stones as would be typical for ground floor level rooms. The Welsh dresser, heavy oak table, and massive chandelier are English pieces I purchased at auction in Canada. They are not that old but I like the character they lend this utilitarian room. In this view, the original simple curtain can be seen at the window. All the windows had these embroidered panels originally, but after I took them down to launder them (the wash water turned black!), I decided to dress the windows of the other rooms differently. I happily re-used all the original panels when I made gathered curtains and valances for the bay windows. The fireplace is fitted with an 18th century English brass and steel grate, probably the oldest item in my collection.

The formal draperies for this room were made from a lovely old upholstery remnant that I purchased at auction simply because I loved that shade of blue. Last year I acquired the fine petitpoint carpet that was formerly displayed in the late Jackie Andrews’ exquisite dollhouse replica of the famous tidewater plantation house, Wilton, and I love how it complements the draperies. The old mousy brown velvet carpet underneath came from my grandfather’s darkroom – it is from a large piece he used it as a backdrop cloth some seventy years ago. ANTIQUE DOLL COLLECTOR

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This intricately draped crystal chandelier is a vintage fixture crafted by Ellen Krucker Blauer for the Blauers’ celebrated Maynard Manor and I purchased it when the contents of the Manor were sold at auction nine years ago. It is probably only about 40 years old but I love its elaborate delicacy. Coincidently, the huge Manor itself was purchased at the same auction by the former owner of this house.

The floor in this small space was covered with a stained pink velvet carpet that had been marked by ballpoint pen, so after removing it, I stripped the floor down to bare wood and placed a small tapestry rug here. The Babette Schweizer sewing machine was one of my very first purchases on eBay some thirteen years ago. Old daguerrotypes and ambrotypes hang on the walls along the staircase.

plasterwork. The house’s well-proportioned architectural features and its graceful staircase display an uncommon level of skill and attention to detail and it must have taken its creator a long time to build such a realistic and sturdy house. Even the projecting bay windows on the ground ﬂoor are expertly angled and cleanly ﬁnished inside and out. Because the house had so much detail, I didn’t care that the interior needed substantial attention. Every room had been painted several times and the bedroom wallpaper had been covered with 42

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I purchased this early 20th century mahogany breakfront at a New Hampshire auction without previewing beforehand, but I decided to risk an absentee bid solely from my favorable impression gathered from a rather poor quality photograph. I was absolutely delighted with it when it arrived in the mail and I waited a number of years for a sufficiently formal room in which to display it. The patina and craftsmanship are a delight.

This warm and cozy bedroom had old painted-over wallpaper peeling from the walls and when I easily removed it, I found a hard-to-replicate shade of shellpink paint coated with brown crackled wallpaper paste residue. Since the room had been papered before, I used an old Laura Ashley paper with soft coral pink colors in a very traditional Victorian diaper pattern that I had purchased in Worcestershire a decade ago. The background color is a very close match to the original paint surface. The delicate wing chair in the foreground with gently faded brocade upholstery is an early 20th century piece by Eric Pearson from Carolyn Sunstein’s collection. The chandelier came with the house. The draperies came from a dollhouse in Ontario. I topped them with an ormolu cornice and old tasseled fringe that had been part of a drapery pelmet found at a car boot sale in Birmingham a dozen years ago. The bed coverlet is a piece of antique embroidery edged with satin ribbon ruffles that just fits the antique fourposter bed with trundle from the Mary Merritt Museum.

a coat of mustard gold paint. A dismal dark green coated the hallway, parlor and dining rooms and the same paint covered the exposed edges of the walls, floors and hinges. A thin film of powdery mildew clung to the painted surfaces while stained and dirty velvet carpeting had been glued to the floors. I was eager to strip back the layers of later decoration to see what was underneath it all. The carpets had been tacked to the floors around the perimeter and only thinly glued in the center, so they came up easily to expose wooden floors that had been carelessly painted over the original glossy gray. I stripped down all the floors to their original gray paint and in the kitchen and entrance hall, I added thin painted lines to delineate large Yorkshire paving stones. Clean replacement velvet carpets were fashioned from gently faded old drapery panels I had purchased at car boot sales in England a decade ago. There were so many layers of paint on the walls that rather than strip them all down, I filled in some cracks and multiple nail holes and simply repainted them in muted Victorian colors. It was only after I stripped the single layer of paint on the inside of the façade that I discovered my paint choices were very similar to the original colors! The very dark gray original to the dining room was rather oppressive and I’m happy with the lighter shade I chose myself. In that room, a large mirror or framed picture had once been attached to the back wall over the fireplace and its outline could be discerned because someone had once painted around it! I was able to hang an antique gilt mirror with a surprisingly similar shape in the same place. When it came to furnishing the interior, I departed from my usual custom of striving to maintain the antique character of the house with purely antique miniatures. It just seemed appropriate to be more eclectic in my choices because I knew the previous owner has always been very broad-minded in the way she furnishes her dolls’ houses, blissfully mixing antique, vintage and contemporary artisan work together. Since I had made the decision a few years ago to divest myself of a lot of my own commercially produced antique furniture to focus on more unique hand-crafted pieces, I had limited antique inventory on hand to place in this house when it

All the fireplaces were vacant and forlorn-looking when I purchased the house, so I constructed coal grate inserts for all the rooms but the kitchen. I tried to emulate the lovely Evans and Cartwright inserts I long admired in Carolyn Sunstein’s Vickerman Baby House and I made these from wood decorated with brass upholstery tacks, Dresden paper painted glossy black, and brass-finished coat hanger wire. They will do quite well until authentic inserts are found.

I wanted this room be a comfortable refuge for a family. The walls were previously painted forest green and were marred by many old nail holes and a deep split across the back. I repainted the room a lighter shade of green after patching the walls and later discovered it was almost identical to the original color buried under later repaint. The parlor suite is an unusual one I bought in pieces at auction, and the rosewood bookcase is among my most favorite pieces in my entire collection. The interior is lined with pale green paper and filled mostly with antique wooden books. I waited some years for just the right English house for this beautiful bookcase and when I saw this house, I knew I’d finally found it. The draperies are also from the Ontario auction and the small Chinese rug is from Jackie Andrews’ Wilton. The rich green velvet carpet came from a damaged old Victorian chair I bought just for the fabric and the antique tea set is Limoges. The ormolu tray on the left is filled with tiny hand-lettered calling cards and was purchased from a London auction house. I find the atmosphere of this room most comfortable and appealing, especially in the morning when natural light streams through the window. ANTIQUE DOLL COLLECTOR

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This antique miniature portrait on ivory hangs over the fireplace in the parlor. I love the sensitive expression on this young man’s face and it was another item I saved for the right house someday. It is British and dates to the early 19th century. The back of this pendant displays a token lock of the sitter’s hair.

came along, so I also used vintage artist pieces from the early 20th century and I kept a more modern chandelier that had come with the house. I tried to place mainly English furniture in this house and many were pieces I bought at antique fairs in England or at auction in this country and Canada. Because the dolls’ house is in the style of a late Victorian suburban villa, I wanted the rooms to have the comfortable lived-in feeling of an upper middle class family home. I particularly enjoyed making the window treatments. The windows had been dressed with very dirty white curtains and I laundered and re-used them for the kitchen and the bow windows, but I concocted something a little more elaborate for the other rooms using antique lace panels under lightweight upholstery fabrics crowned with ormolu cornices. The draperies in the bedroom and parlor came from a dollhouse I acquired when the Marion Mahoney Museum in Ontario closed in 2010 while the blue brocade draperies in the dining room were made from an elegant remnant saved for “something special” like this large English dolls’ house. I refer to this house as the “Brooks House” because it is named after the enthusiastic collector to whom it once belonged and I hope she likes the way it has been affectionately restored and redecorated. I went substantially over my budget to bring this wonderful handmade rosewood bookcase home with me from Eileen Rhoads’ auction of Carolyn Sunstein’s collection several years ago. It was the one item from that sale that I was determined to acquire and I have no regrets at all. It fits perfectly in the parlor of Brooks House and I just wish the hand-carved Gothic tracery on the door fronts could be more easily seen and appreciated when looking straight into the room.

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Madame Alexander's “Mystery Dolls” S

by Florence Theriault

ince 1923, Beatrice Alexander had been involved in the creation of beautiful dolls – of cloth and of composition, representing both storybook figures and childhood stars. The fledging company moved rapidly from its headquarters at her kitchen table in Brooklyn to ever larger offices and studios in New York. In the pursuit of excellence, and having a natural love of fashion, textiles, and historical costume, Madame Alexander mingled with the fashion elite of New York, winning acclaim not only for her doll designs, but for their costumes. The 1940s, the era of WWII, impacted this as fine textiles became more difficult to acquire, skilled couturiers had been called into other work arenas, and the doll market was generally in disarray. At the end of WWII, Madame Alexander looked to re-invigorate the doll world with new designs - in materials, in models and in fashion. To accomplish this, she enlisted the aid of designers and moguls in the New York “people fashion” industry who astutely determined that the excitement generated by haute couture dolls would benefit them as well as the doll industry. This path, in fact, was not new. It was exactly the path that the French fashion industry had

undertaken earlier in the 20th century when French artists such as Marque and Prevost-Huret had joined forces with Parisian couturiers to create artistic dolls in extraordinary costumes in order to re-kindle the mutually-struggling worlds of fashion and dolls. The illustrious dolls that issued from the Alexander studios in the late 1940s and early 1950s have been described as “paeans to past perfection” (Madame Alexander Dolls, An American Legend). The Godey Ladies, the Fashions of a Century, and, most notably the six extraordinary ladies known only as “The Mystery Dolls” were created during that time. All are highly desirable if found today, but none compare with The Mystery Doll series of 1951. These six portrait dolls are known as Champs-Elysee, Victorian Bride, Lady with Rhinestone Beauty Mark (or Judy), Deborah Ballerina, Pink Champagne (or Arlene Dahl) and Kathryn Grayson. Presumably, these were not names used by the Alexander doll ﬁrm in 1951, but they are somewhat useful in identifying the dolls to collectors today. The doll from this series never appeared in the Alexander catalogs, and it is likely that they were only made in the same limited numbers as the ANTIQUE DOLL COLLECTOR

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prized bisque French Marque doll of 1915. The reason is understandable. Each face is hand-painted to the highest of artistic standards and each is ornamented with luxury details such as a rhinestone beauty mark or hand-cut lashes with geometric detail. The coiffures are meticulous, of distinctive hand-dyed colors, with highly-stylized arrangements ornamented with jewels, lace or flowers. It is not known if the fabrics used in the construction were antique, but they are, surely, from the finest fabric houses of the world comprising hand-woven lace, softest silk satins, and the daintiest of fabric flowers. So spectacular were the dolls that in 1951 Beatrice Alexander received the celebrated Fashion Academy Gold Medal for her designs. In a photograph shown in the Jewish Women’s Archive of New York, she is shown accepting the award from Emil Hartman, director of the New York Fashion Academy while an example of one of the Mystery Dolls is posed between them. What was most notable about this was that the Award had been meant to honor designers of “real people” costumes, and here it was, being awarded to a doll designer! As a letter accompanying her 1952 Fashion Academy Award read, 48

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“Accenting ﬁne fabrics and meticulous workmanship with the newest in fashion trends, you have imbued dolls’ clothes with all the loveliness and smartness that might well characterize a leading couturier’s collection.” Perhaps due to the expense of their production, few of the Mystery dolls were made, and today, even fewer come onto the market. Occasionally, one or two isolated examples appear, but a complete set of six? And, even more, six dolls that have always “lived together”, that is, been in the hands of one owner. That is what makes the set of dolls shown here, coming for auction at Theriault’s catalog doll auction, “Upon Arriving Home” on July 23 in New Orleans, so exceptional. For as rare as the individual dolls might be - and that is exceptionally rare - this is the only complete set of six known to exist intact from one original owner. When the dolls ﬁrst surfaced in 2003, the original owner noted that her grandfather had been in the New York fashion industry, had been a close friend of Madame Alexanders, and, thus, had been able to purchase the complete series for his granddaughter as a special gift. The dolls had been in her possession since 1951 and she wished to have them remain together. The set was acquired by Judene Hansen and has been featured in her West Palm Beach, Florida doll museum since that time. ANTIQUE DOLL COLLECTOR

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Visit Dollmasters

at the UFDC Salesroom, Booth 125

At the New Orleans 2012 National Convention

You’ll see the latest arrivals from our Dollmasters Exclusive line of antique-style doll costumes, made of the finest silks, wools and cottons with pure lace trim. Our costumes are authentically-styled from master patterns drawn from original doll clothing.

And don’t forget to stop by and request your Dollmaster’s complimentary gift, a perfect complement to the Jambalaya Jubilee convention theme.

dollmasters

PO Box 2319 • Annapolis, Maryland 21404 USA • Orders: 800-966-3655 • fax: 410-571-9605 • www.dollmasters.com

Maud Tousey Fangel 1881-1968 Artist, Illustrator and Doll Designer by Sara Bernstein

Framed prints of Maud Tousey Fangel’s work were sold in Woolworth’s. The print of the baby is the high chair is raised in some areas giving it a three-dimensional look.

oday we see advertisements everywhere, on billboards, computer screens, in magazines and newspapers. We’re accustomed to advertisements as part of our daily lives, so it may be hard to imagine that in the 1880’s printed advertising was a fairly new and daring concept. Some of the greatest artists of the time were commissioned by manufacturers to create these early illustrations for this fledgling industry. Due to innovations in the printing process in the late 1800’s, the business of printing had become very profitable, leading to “The Golden Age of American Illustration,” the period from the 1880’s through the 1920’s. It was the development of a four color printing process called “chromolithography” and half tone, printing that would bring the works of artists like Maxfield Parrish, N.C. Wyeth, Howard Pyle and Maud Tousey Fangel into the homes of American families. Lithography was first invented in Germany in 1798. It was a one-color process, based on the concept that oil and water repel each other. Within twenty years, its use spread to the United Kingdom and the United States. It was mainly used for books, or printing artwork which would then be hand colored, such as the prints of Currier and Ives. It was a time consuming process, making

owning art expensive. For years attempts were made to use multiple colors in lithography. It wasn’t until the late 1800’s that chromolithography and halftone printing were developed successfully. Chromolithography used a separate plate of limestone or metal for each color printed. Each colored plate would go through the printing press, one color at a time. Half tone printing took this advancement to another level, by breaking down the colors to dots. With the development of a steam driven printing press and the availability of cheaper pulp papers, the process of printing became affordable. Its use was just beginning to come to fruition with the publishing of mass produced magazines, advertising and packaging. These advancements would have profound effects on the economy. It brought art, literature, newspapers, magazines and shopping (the Sears Catalog 1894) to almost everyone in the United States. One of the first companies to take advantage of this new technology was Cream of Wheat who hired an advertising agency to create some of the first illustrated advertisements. Maud Tousey Fangel was one of fifty-eight illustrators hired to do the early Cream of Wheat Illustrations. Maud Tousey Fangel was among the most talented, prolific and sought after artists and illustrators in the ANTIQUE DOLL COLLECTOR

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During the Golden Age of Illustration (1880’s – 1920’s) many famous artists were commissioned to create illustrations for well-known products used by children but which were targeted to their buying parents. These drawings in ads for Kellogg’s and Vanta Baby Garments show the appealing realism Maud Tousey Fangel was renowned for.

first half of the twentieth century. She was born January 1, 1881 in Medford, Massachusetts. Her father was the head of The Divinity Department at Tufts College. Like many young women at the time, Maud learned to draw. She was a serious artist and distinguished herself with her talent. She attended Boston Museum School of Fine Art, where she excelled and won a full scholarship to the Cooper Union Art School in New York City. She also studied at the Art Students League. It was this early trip to New York to further her art education that would be fortuitous. She would soon be making the rounds to advertising agencies and magazines with her portfolio. On one of these early interviews she met the art director of Good Housekeeping magazine Guy Fangel. Guy Fangel recognized her extraordinary artistic abilities and hired Maud for her first commercial magazine assignment. This artistic relationship would continue over the years and she would create a vast amount of covers for Good Housekeeping. Guy Fangel was so taken with this lovely and talented woman that he courted her and eventually proposed. In 1914 they had a son named Lloyd. Before her son was 3 years old, she had rendered him in over 1500 sketches. These early illustrations of her son were a great influence in the direction of her career. Maud’s sketches and drawings were executed in her own unique style. Her charming illustrations of very young children and babies portrayed a very special understanding of her subject. Her illustrations seem 52

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to come to life on the paper. For the first half of the twentieth century, Maud Tousey Fangel was considered the preeminent and most innovative American artist of children. Her realistic illustrations set her artwork apart from her peers and brought her worldwide recognition. She became a member of the prestigious Society of Illustrators, whose members included such prominent artists as Maxfield Parish, Charles Dana Gibson and James Montgomery Flagg. In the past, children had been portrayed in artwork as miniature adults, or chubby little cherubs. There was nothing natural about them. Maud Tousey Fangel changed that. She portrayed her models naturally, as she saw them, active in everyday life, playing, napping and happy. She brought realism to her subjects that had never been seen before. To quote Mrs. Fangel “babies have never been properly portrayed, adults had no perspective on them and produced drivel about them. The pictures you saw of them look like stiff little adults, sophisticated, absurdly mature. I wanted to study everything they did to show them as they really were, each one different from all others, not wise cupids, nor precocious cherubs, but flesh-and blood babies.” Between 1920 to 1950’s her artwork graced the covers of thousands of magazines, advertising campaigns, product packaging, and children’s books. She was commissioned by numerous companies such as Colgate, Cream of Wheat, Kellogg’s, Wheatena, Munsingwear,

The paper doll book consists of the five Quints, each with a different expression. The dolls are six inches tall. There are also five pages with costumes, accessories, furniture and toys, each with the sisters’ names. This early set of paper dolls by Merrill is highly collectable and very hard to find in an uncut set.

Hinds Cream, Hoover and Ivory Soap to create illustrations for their products and packaging that was geared to children but meant to appeal to the consumer, the parent. Her illustrations were frequently on the cover of the Ladies Home Journal, and Woman’s Home Companion and magazines as far away as Australian Women’s Weekly. Maud Tousey Fangel’s artwork was reproduced for prints and even calendars. She was becoming a household name. She never worked from photographs, but used live models. She did not pose them but she preferred to observe them in natural situations. Her favored mediums to work with were oil pastels, chalk, charcoal and a conte crayon, which is made from a combination of Kaolin clay and graphite. All these mediums are very versatile for drawing or sketching. They allowed the artist to use various strokes, sweeping lines, blending and smudging that gave a flow to her illustrations that captured a sense of realism and movement. It was not surprising, that 21 years after Maud Tousey Fangel did her first series of drawings of her son Lloyd she would be hired as the first artist commissioned to illustrate portraits of the famed Dionne Quintuplets in their nursery. Mrs. Fangel was one of the few people ever given complete access to the entire Dionne Quintuplet Nursery. She wrote and illustrated an article called a “Squint at the Quint’s” for Women’s Home Companion and did the first portraits of them for the magazine cover. She was also commissioned to be the first illustrator to create a paper doll book of the Dionne Quintuplets for Merrill

Coloring book with artist’s signature in lower left.

Publishing in 1935. Unlike other artists, who would later draw the famous sisters as identical, Maud Tousey Fangel’s cover illustrations of the Dionne Quintuplets and her rendition of the paper dolls gave each Quint her own identity. In an interview with Maud Tousey Fangel in the 1935 Pittsburgh Press, written by Mary Margaret McBride about Mrs. Fangel’s time spent with the Quintuplets, McBride describes Maud Tousey Fangel’s uncanny understanding of babies, her ability to capture each of the Quints individual personality. ANTIQUE DOLL COLLECTOR

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Made of muslin fabric, Fangel’s simply made baby doll was very affordable and must have appealed to young children. This side view shows the artist’s initials and the copyright symbol, indicating it was done for Averill.

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loth dolls had been around for centuries. Prior to the advancements in the printing industry doll manufacturers did not possess the ability to mass-produce an affordable printed cloth doll. The only way to apply color to fabric was using handmade wood cuts, hand painting each doll individually, or embroidery . . . all tedious processes and too time consuming and costly for mass producing a cloth doll. Cloth dolls were left to the creative home sewer. Most of these early rag dolls were well loved by their owners and many did not survive. It was in the late 1800’s that doll artists were determined to create commercially successful cloth doll. Cloth was a great material to work with. It was versatile, inexpensive and best of all, unbreakable. Doll artist Izannah Walker created the earliest commercial and exceptionally beautiful hand painted doll. Other commercial doll artists such as Julia Beecher and Ella Smith also saw the need for all cloth dolls. These dolls were also hand painted or had embroidered features, so each doll was hand created, one at a time. As with all advancements, as time passes, people find more innovative and creative uses for it. It was companies like Peck, Cocheco and Arnold Print Works that saw the possibilities of commercially printed cloth dolls. These companies used the new, innovative printing processes to create flat sheets of fabric with dolls printed on them. The dolls were meant to be cut out and sewn by the home sewer. It was a commercial success and lead to other companies experimenting with cloth dolls. Today if you happen to find one of the original uncut sheets of dolls you will see at the edges of the fabric, dots of black and the primary colors. This was how they aligned each color plate for printing. Possibly the best example to explain the timeline in printing advancements on fabric would be the Babyland dolls by Horsman. Their earliest dolls were hand painted. The later ones used the halftone printing process for photographic faces. By 1938 Maud Tousey Fangel had already achieved great notoriety. The Averill Manufacturing Company saw the advantage of working with the most sought after children’s portrait artist of the time. Averill had been making a series of international mask face cloth dolls for a couple of years. These dolls are often confused with the similar mask face Molleyes dolls. The Averill Company was also collaborating with other illustrators to create cloth dolls. They had exclusive license agreements with artists Johnny Gruelle for his Raggedy Ann and Andy, Howard Garis for his storybook characters Uncle Wiggily and Nurse Jane and Grace Drayton for her Dolly Dingles and Chocolate Drop characters. However these dolls were created from the artist’s imagination. They were fictional characters. So collaborating with Maud Tousey Fangel on a cloth doll with a face based on her real life illustrations was a novel idea. Since her illustrations had been reproduced by chromolithography and halftone printing in hundreds of magazines, advertisements, calendars and prints it was understandable that the only way to capture the essence of Maud Tousey Fangel’s artwork, would be to use this same method of printing to create the doll. A doll made from composition or bisque which was more widely used at the time would never have captured the same charm or character that she expressed in her illustrations. It was in 1938 that Maud Tousey Fangel, in collaboration with Averill Manufacturing Company, created all cloth dolls with printed faces.

The dolls were advertised by the names Sweets, Snooks and Peggy Ann. Each doll had a face printed onto a flat piece of cotton material and sewn in place. Two different faces were designed for the dolls. The two faces are easily identified as the work of Maud Tousey Fangel since they capture the essence of one of her pastel drawings. The faces are signed with her initials MTF on the left side of the doll’s face, so these faces were most likely done as a commission for Averill. They do not seem to have been taken from one of her other illustrations, since her illustrations were signed with her full name. Averill manufactured the dolls in a few different sizes 12 inches 14 inches 17 inches and 22 inches. The examples most easily found today are the smaller size. Averill priced the dolls so they were affordable, ranging from forty-nine cents to one dollar. They came with brunette or blond hair and blue or brown eyes. Two of them were meant to be baby dolls. The baby doll body was made of a sateen muslin fabric with no print or pattern. The pattern for the baby doll body was specifically designed with curved legs and a flat bottom, so it would be able to sit, and it had mitt style hands. The clothing and bonnet was usually a white organdy dress or a little colored romper with matching bonnet. The clothing and bonnet on these dolls was removable. The third doll was meant to be a slightly older child, even though the lithographed face was the same face that was used on the babies. This was probably a cost saving measure. This doll’s pattern was designed in a similar manner as the babies, with mitt hands, but the arms and legs were longer and straight. The most significant difference between these dolls was the material Averill used for the body. This doll was made from brightly colored cotton, unlike the plain muslin on the baby doll. The materials used were various prints, from pretty pastels, to bright garish floral and plaid. She had a large floppy brim on her bonnet that was not removable but was sewn onto the head. The only removable piece of clothing was the skirt which was made from the same material as the body. There is another variation of this doll that can be found with or without wool pigtails. The doll is jointed at the hip and shoulder making a floppy doll that would delight their young owners. Each doll had a blue paper hangtag that had the name of the doll “designed by Maud Tousey Fangel for Georgene Novelties. The collaboration between Averill Manufacturing Company and Maud Tousey Fangel brought the worlds of advertising, art and doll manufacturing together. The dolls were only manufactured between the years 1938 to around 1940. She was still receiving commissions to illustrate magazine covers and advertisements well into the 1950’s, when advertisers were beginning to turn towards photography to replace illustrations. To this day, collectors still appreciate the talent and charm that made Maud Tousey Fangel’s artwork sought after at the time, and highly collectable today. There are many prints, and magazine covers illustrated by Maud Tousey Fangel that are available for resale at reasonable prices. Her original artwork does command much higher prices. The Maud Tousey Fangel Averill cloth dolls are extremely hard to find and very collectable today. Snooks, Sweets, and

Printed fabric was use for the body of the doll meant to be a slightly older child.

Peggy Ann dolls were originally advertised as washable, which may be one of the reasons that they are so scarce. It also may be due to their few years of production or that they were so well loved by their owners, not many survived. For the lucky doll collector who is able to own one of these wonderful creations, the artistic talent of their creator and the charm they possess of a long ago time is readily apparent. References: The Illustrator in America, Walter Reed, Society of Illustrators, New York Who Was Who in American Art, Peter H. Falk, Sound View Press Cloth Dolls of the 1920’s and 1930’s, Polly Judd, Hobby House Press Pittsburgh Press, Volume 51 No. 330 , “Artist Calls Dionne’s Most Lovable Babies “1935, Mary Margaret McBride

This doll has different eye color and hair treatment than the previous example. Photos by Sara Bernstein ANTIQUE DOLL COLLECTOR

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Auction Gallery

Jean & Ken Nordquist’s

continued from page 15

Collectible Doll Co. Gourmet Doll Supplies for the Discriminating Doll Collector

*Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions

lovely Bebe Bru marked Bru Jne 8 (repair at neckline and ﬁngers) sold for approximately $15,000 at Chartres on May 19. Included was a trunk and additional costumes.

his rare Huret poupee from the Carette and Prevost period with poured bisque head, original articulated body, metal hands, 17 inches tall, with the original silk costume, boots and wig, brought approximately $9,100 at Francois Theimer’s May 26 auction in Paris.

rare Bebe Francaise incised B. 9 F., 21 inches tall, with fully jointed wood and composition body, brought approximately $13,800 at Bonham’s May 23 auction in Knightsbridge, London. We would like to thank the following auction houses for their participation:

Complete 5 Catalog Set - $25 ppd.

Bonhams, Montpelier Street, Knightsbridge, London SW7 1 HH. www.bonhams.com

jeannordquistdolls.com

Chartres, 10, Rue Claude Bernard, Za Du Coudray BP 70120-2800 3 Chartres Cedix www.galeriedechartres.com

Includes $15 money back coupon with purchase. Order Desk

1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 58

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François Theimer, 4 rue des Cavaliers 89130 Toucy, France www.theimer.fr Sweetbriar Auctions, P.O. Box 37, Earleville, MD 21919 (410) 275-2094. www.sweetbriarauctions.com

Patricia A. Vaillancourt 1380 West St. Joseph Street, Stuart, FL 34994 • 561-512-7193

Come visit me in Stuart, FL! I offer a full array of dolls and accessories. Find me at www.dollsantique.com and www.rubylane.com/shops/dollsantique or e-mail: dollsantique1@gmail.com 1. Marked French Fashion, all original, blue paperweight eyes, perfect fingers, original hair, marvelous old clothes, original shoes and socks. This is a sweet, seldom found diminutive size, only 10 inches. Her eyes are unusually pretty and she has a bee stung mouth. Very special because of size and originality. $1500 2. This is a really fine example of Princess Elizabeth, 19 inches tall, on a chubby 5 piece body, a rare and hard doll to find. She is marked Porzellan fabric Burrgurb Princess Elizabeth 5 Made in Germany. She was made in 1929 and has always been a favorite of mine. She wears a silk dress trimmed in rosettes. $2300 3. All bisque Nun, marvelous face, great poised hands, wearing a wonderful nun’s outfit, with brown stockings on her bisque. Pictured in the 6th Blue Book. The previous owner left a label which says, marked on head 129 Germany. Her hands and face really make this Dominican nun a real winner, 1 2 3 4 5 so perfect. $650 4. Beautiful example of an all original Madame Alexander Wendy Ann with tag, 16 inches. According to Mme Alexander not many of these dolls were made. This example is in pristine condition, with no odor. Has all her clothes in top condition, wonderful blush on legs. Original shoes and socks matching underwear, the hair is perfect. $750 5. A sweet Steiff bear from the early 1900’s. The tag was removed but it has a wrist bracelet that says on one side, “a bear, a little girl’s first love,” and on the other side, “Margarita from Love.” He has a nice little hump and a cute upturned nose, the kind of bear you can’t help loving… he just has the look. $950 6. 16-inch sweet original Annabelle by Madame Alexander, marked on her bib and in a plaid dress with matching hat. Her 6 7 8 9 10 color is excellent, her hair still in clip, original shoes and socks. This is the cutest doll in perfect condition, one I have never had. She has the Maggie face. $650 flowers, no doubt made from a formal antique dress. $2500 7. 9-inch Yes/No Schuco Elephant, very special with a belly button and glass eyes! (Only one very small 9. All original 15 inch Simon Halbig Fashion, clothes, body and head are in perfect condition. You do not worn spot). His unusual size and attitude make him stand out. $350 see many Simon Halbig fashions and this example has original clothes, wig, hat, shoes and socks. I have 8. Simon Halbig Lady doll in a magnificent 23-inch size. This is a great doll in a large size. She has a mohair owned her for many years. $2500 wig that is really styled for the period as if she is going to a ball (feathers have been added), beautiful 10. A wonderful 20-inch Cuno Otto Dressel character that resembles the 117n with flirty eyes (works brown eyes and a wonderful lady body. She is wearing a spectacular silk embroidered dress, handmade perfectly) and wonderful molding. If her eyes look crooked in picture it is just because they flirt. I have socks. Unfortunately you can not see the magnificence of the dress with its beading and embroidered always been attracted to this doll. You can see her in the Blue Book, $750 ANTIQUE DOLL COLLECTOR

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RUSSIAN DOLLS by Penny Hadﬁeld

actual information about Russian dolls is not easy to find…there is very little written about them…at least in English! As Susan Hedrick and Vilma Machette say in their great book on ethnic dolls, “World Colors,” They are fascinating and handsome, yet information about them is very elusive.” Is it ever! No one seems to know exactly who made them, when or where. I have collected these bisque and cloth Russian dolls for about 25 years. I was first attracted to the cloth dolls by the beautiful workmanship shown in their making…stockinet covered faces delicately hand-painted, wigs made of natural flax, clothing often made of linen with block printed and stenciled patterns and edgings, and overall wonderfully colorful outfits. My mother was an artist and art teacher and I grew up cutting and printing with wood and linoleum blocks and stenciling, so these dolls struck a chord with me. The bisque head dolls are wonderfully costumed with lots of beading. I did not collect the ceramic head dolls…their color and staring eyes (they are good

German glass eyes, but with very small pupils) just did not appeal to me. The earliest dolls I have in Russian costumes are German bisque head dolls with composition bodies. I have four little 5-6” (photo 1, above) dolls that I think might be by Gbr. Knoch (heads are marked only “Made in Germany.” They wear the elaborate beaded costumes of areas surrounding Moscow. A 10 ½” doll has a Kestner 155 mold head on a somewhat cruder Russian made wood and composition body (photo 2). She wears a faux-astrakhan coat over several layers of clothes including a long-sleeved under-dress and the traditional “sarafan” (a sleeveless jumper/pinafore overdress). The legs are wrapped in fabric and then the “lapti” (sandals) are tied on and laces wrapped up the legs. In real life these are made of split birch bark, on dolls they vary from dried grass and crocheted cotton to very ﬁne splint. Another 9 ½”bisque head doll is marked with a Russian script letter and the numbers “532 4/0” (photo 3). I do not know her maker for sure but I think she can be attributed to Kestner…

Photo 1: Four Little 5-6” Bisque Head Girls – heads are marked only “Made in Germany” – perhaps by Gbr. Knoch. Each has a pinned on paper label with a number. Left to right: #70 Simbirsk, #78 Samara on Volga, #66 Penza, and #35 Valujki (or Valuschkaya). All have blue glass eyes, brushed brows, 5-6 tiny teeth, mohair wigs and nice quality 5 piece German composition bodies. 60

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Photo 2: 10 ½” doll with a Kestner 155 head on a Russian made wood and composition body. Her head is marked “Made in Germany / 155”. She has sleep eyes and a flax wig on a cloth cap over a turned wood pate. She wears 3 layers of clothing under her faux-astrakhan winter coat, including a long sleeved under-dress and the traditional overdress/jumper (sarafan) and woven sandals (lapti).

Photo 3: 9 ½” (11 ½” including her head dress) doll marked with a Russian script letter and “532 4/0”. Her head is attributed to Kestner. She has a Russian composition and wood body also. She has sleep eyes and a mohair wig with braids wrapped around her head, over a gauze cap and cardboard pate. Photo 4: My favorite, and also the earliest, of the 15” cloth dolls is the doll from Belarus (or Byelorussia) on the left. The label is written entirely in Russian. She has a great body with large breasts, and defined waist. Her costume has an elaborately wrapped head piece, block printed trim, and an embroidered flannel vest. On the right is the “Smolensk District Woman”. She has a tag “Made in the Soviet Union”. These 2 dolls use the same mask face with a very serene expression, though the later one on the right seems slimmer.

A comparison of the legs of these 2 dolls: on the left, the early Belarus lady has a shaped torso of heavy flannel and fine cotton legs with well defined thighs and knees; while on the right, the later doll has a muslin body and almost straight un-defined legs.

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Photo 5: A 15” pair with very dramatic faces. There were obviously many artists painting the faces of these dolls, and the end result is that you find many variations of each face. This “Village Boy” on the left is very unusual with extra large eyes and mouth and bright golden yellow flax hair. He has a cloth label with no country of origin…just hand-written “Village Boy”. His lovely companion is the “Ukrainian Woman”. The beautifully painted face of the “Ukrainian Woman”. Note her shaded eyes with fine lashes at the outer corners. Her flax hair is dyed black and bedecked with cloth flowers and trailing silk ribbons. Her label is stamped “Made in Russia” while “Ukrainian Woman” is hand written.

her face certainly looks it. She has the same wood and composition body as the Kestner 155. The larger cloth dolls are 14 -16” tall. Most of the examples that I have are labeled “Made in Russia” and a few “Foreign Made” which dates them from before the Revolution in 1917, up until 1922 when the Soviet Union was created (photos 4-7). After that date they are labeled “Made in Soviet Union”, which puts their making through the late 20s and up into the 1940s (photo 8). A book about the doll collection at the Wenham Museum written in 1951 by Adeline Cole showed a picture of a set of 13 different adult dolls in this largest size. These dolls were meant for display and to show the various costumes. They are not play dolls…the bodies are quite stiff and un-jointed…very firmly and smoothly packed…arms are movable but not the legs. It is the painting of their faces on the stockinet-covered mask and their colorful costumes that makes them so wonderful. The hands are also molded very distinctively and covered with stockinet. Occasionally you find heads covered in fine cotton, and in those cases the hands will match. I think these early large dolls were mostly sold at world fairs and perhaps imported by American stores and businesses such as Elsie Clark Krug in Baltimore. I have never found any with tags or labels to suggest this, but they had to get here somehow and not through Kimport, I don’t think, as I have never found one of this size with a Kimport label. The 10” play dolls (photo 9) are all marked “Made in Soviet Union.” They are solidly stuffed but not hard, with pink muslin bodies with sewn on cloth joints. They wear children’s folk costumes that are much simpler than the adult costumes of the larger dolls. Their faces are all hand painted also, and they all seem to be stockinet. Kimport sold these play dolls for many years, giving them different names all the time, frequently “Olga” and “Sonia.” They appeared Photo 6: Two happy ladies, both are tagged “Made in Russia – Ryasan District Woman”. Their red cotton head scarves are edged with wool paisley. Note the different fabrics used in their “sarafan”, but similar block-printed long sleeves and head wrap. The lady on the left has a cloth face and hands while the doll on the right is stockinet. The arms are tacked into position on the doll at left. 62

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Left to right: Photo 7: These two ladies are both tagged “Made in Russia – Mordwa Woman”. They wear long tunics over shorts, both of heavy linen, with bright silk scarves tied into the belts. Note their totally different faces! Both are painted on stockinet but there the similarity ends! Photo 8: This doll is later, as she is labeled “Made in Soviet Union – Eskimo Woman”. She is dressed for the cold weather in flannel trimmed with fur, and large mittens and padded boots.

in their catalogs up until 1944 but by then they seem to be selling leftovers in just a couple of styles. Then there are some 6 - 9” character dolls with really darling faces (photos 10, 11). These generally have a wire armature like the 7” costume dolls. The 8-9” ones have larger heads with deeply molded features…all that I have found have stockinet covered faces, and most are tagged “Made in Soviet Union” or “Foreign Made”. They are truly characters and all have names. The pair named Tanika and Vanika are real favorites! Note the tiny pair of Kestner all bisque dolls that Tanika holds on their original cords… I wonder if they were sold as ornaments? The sailor boy shown has an unusual ﬂoppy corduroy body similar to those of Norah Wellings dolls (photo 12). I love the happy expressions on the two gossiping ladies (photo 13). There is a great variety of costumes in the 7” size series all marked “Made in Soviet Union” (photos 14-16). These dolls have cute round little faces (mostly of stockinet but some fabric ones also) and a ﬁrmly stuffed small cloth body with wire armature for the arms and legs. The arm wire goes straight through the body so both arms can move together. The legs are padded and then wrapped. Most of the dolls wear woven straw “lapti” but a large number have hand carved wooden boots instead. Kimport also imported a lot of these and the little 3-4” ones as well…they are scattered through many years of their “Doll Talk” news/sales pamphlets. It is odd that so many of the different dolls have the same number – 8084…one wonders why? And the smallest series of dolls measure only 4” to 4 ¾” with very delicate little faces with side glancing eyes (photo 17). Unfortunately these little faces are often

Photo 9: Three of the later 10” play dolls. All are tagged “Made in Soviet Union”. The dolls also have numbers: left - #8098 (?), center -#8092, and right #9086. The doll on the right also has a sewn in Kimport label that says “Made in Russia. ANTIQUE DOLL COLLECTOR

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Photo 10: A colorful and cute 9” pair of character dolls – “Tanika” and “Vanika” both labeled “Made in Soviet Union”. These character dolls have firmly stuffed bodies with a wire armature for the arms to be movable, and padded and wrapped legs. “Tanika” holds a 2 ½” pair of Kestner all bisque dolls – suspended by their original cords. Perhaps they were sold as ornaments? Both have mohair wigs, painted features, and are properly costumed. Photo 12: This 9 ½” sailor boy has a Norah Wellings type of soft and floppy jointed body, made of corduroy. His face is stockinet, and his hair is cut from heavy coat fabric and tacked on. Under his collar in back he is tagged “8208 - Made in Soviet Union”. Photo 13 (right): These two charming ladies, 6” and 6 ½”, are both labeled “Kiazan Village Girl”. No two are ever alike, making it fun to have more! The girl on the left has a border of mushrooms painted on her kerchief, while the girl on the right has a more common border of flowers.

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Photo 11: Two 8 ½” Boys. On the left is a play doll with pin jointed legs and cloth jointed arms. He has a hand written label “1859 – Made in Soviet Union”. The boy on the right is un-jointed as are the other characters. He has a printed label “Foreign Made – 6202 – Grishka”.

Photo 14: Three lovely 7” girls! On the left is “8084 – A. Girl with Bundle”, in the middle “8089 – Belorusska”, and on the right “8091 – Ziqanka”. If you have been observant, you will have noticed lots of dolls with the number ‘8084’…don’t ask, I don’t know why! “Ziqanka” has a cloth face instead of the usual stockinet.

damaged…the painted gesso surface is very fragile and chips easily. Even these smallest dolls show diversity in hair styles, caps and scarves and are always very colorful! I think they were probably dressed using scraps of fabrics from the larger dolls. And of course there are many oddities. A wonderful wooden egg on legs that opens up, and little hand made creations made by refugees living in Paris and perhaps also in Austria (photos 18, 19 and 20). These dolls often portray royalty rather than peasants…they are quite charming! I also have a 15” Beefeater (or Yeoman of the Guard) (photo 21) with the royal crest embroidered and the initials “ER” appliquéd…a special order for the coronation of Edward VII? Some have thought there might be a connection to the Liberty of London dolls… the body is deﬁnitely Russian, but perhaps he was dressed in England. There are no tags or labels to help us! Now for a bit of their history…what I have managed to glean! The earliest Russian dolls of colored clay were made in the Dimkovskaya district around 1600. A few years later wooden dolls were made in a Sergiyevo monastery. Both clay and wooden dolls were made for many generations. Playing with dolls was considered important in children’s upbringing. Rag dolls in cradles were considered guardians. These rag dolls had no facial features and a single braid of human hair, but they were ﬁnely costumed. As early as 1787 wooden dolls were being made by peasants and townspeople in Serhijewski, near Moscow. The “father” of the doll-making industry was Tatyha, who carved dolls of linden (bass) wood. He trained others including Chirkoff. The most popular wooden dolls were the Trihedrals (carved from 3-sided pieces of wood…usually 7-8” tall) and Matryoshkas which originated in Semyonov. Many of

Photo 15: Here are three more from the 7” series. On the left is “8084 – A. Samoied”, in the middle “8084 – A. Tadjik”, and on the right “8090 – Kirquiz”. All three have wooden boots and they are all different!

Photo 16: These three girls appear to be a bit later as they are in more modern everyday dress. The pretty girl on the left has moveable wooden arms and legs and stands alone. She is marked only “8202 – Girl”. In the middle is “8200 – Sky Girl”; obviously they meant to say “Ski”. She is dressed in flannel and is ready for the slopes. On the right is an odd doll with a gauze face, she is labeled “8084 – A. Winter Girl”, and wears a cute coat and matching hat. ANTIQUE DOLL COLLECTOR

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Photo 17: A group of seven of the smallest dolls, 4 ¼” to 4 ¾”. These are marked only “Made in Soviet Union”. They have no names or numbers. The girls have various hairdos and the boys can have cloth boots or crocheted lapti like the girls. Their faces are painted over a very fragile gesso coating and can be chipped very easily.

the Trihedrals of the 1800s and 1900s were made in the Zagorsk region, northeast of Moscow and now known as Sergiev Posad. Zagorsk became the doll-making center of Russia, surrounding a monastery there, and by 1900 all types of dolls and toys were being produced in the area. Some families made heads, others bodies,

Photo 18: These little 4” and 5” dolls are examples of those made by Russian refugees living in Paris after the Revolution. They are totally hand made with faces painted on silk and hair of raveled wool fabric. This balalaika player and drummer are part of a musical band…I have also seen a boy with a flute. 66

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and yet others dressed them. There were dolls for the rich as well as the poor, and carved wooden soldiers and other figures, including endless Matryoshkas. “Matryona” means mother. The nesting dolls were traditionally made for Easter. Both wooden and papier mache dolls were also made in Horodowski, Wladymyr and Wiatsky Provinces. Doll making prospered during the earlier years of the 1800s and the dolls were sent all over the world. Complete dolls and doll heads were imported to Russia from several German doll manufacturers (Simon & Halbig for Kammer & Reinhardt, and Kestner among them) and used in Zagorsk to make Russian costumed dolls from the late 1880s into the 1920s. In 1900 Russian toys, including Matryoshkas, were exhibited at the Paris Exhibition and were awarded the bronze medal. These nesting dolls became very popular and were exported around the world. In 1913 independent craftsmen united to form the first cooperative. The Russians were making wood and composition bodies which are less refined than the German bodies, but when covered with bright costumes… who’s to know or care? An old catalog from the Zagorsk Toy Museum stated that in the late 19th century interest in Russian antiques and folk culture inspired a series of dolls dressed in costumes from various Russian provinces. Towards the end of the 1800s cloth dolls were made in the Orel region and some bisque head dolls were possibly made in Zagorsk. As the 1800s ended competition grew and craftsmen found it necessary to form a union. Russians copied many types of dolls made in other countries, but one type is unique to Russia…wooden dolls carved with a hot iron. In the new Soviet Union traditional crafts were encouraged, but not the individual worker, so arts and crafts were organized

Photo 19: This 6 ½” tall wooden egg is very thin and light and stands on wooden legs inserted into the bottom of the egg. It opens at the waist but has nothing inside. The design is burned into the wood and then painted… an old Russian art form. She has an old paper note that came attached to the back of her skirt – “This doll came in the first ship load of toys from the Soviet Union to Am Torg in New York” – this was in 1928, according to the Coleman Encyclopedia, Vol. 2. Photo 20: This is a 5 ½” charming silk needle-sculpted doll, made by one of those Paris refugees. She has no labels or tags, but is clearly made by a very talented seamstress and artist. Photo 21: 15” Beefeater (or Yeoman of the Guard) - This very unusual 15” cloth doll may be a one-ofa-kind. My thoughts are that he was a special order for the coronation of Edward VII in 1936. There are no labels. “ER” is appliquéd on his chest. The costume is mostly made of heavy wool felt with ribbon trim and embroidery. The painting of the face is typical of the Russian dolls and the body is definitely Russian made…but the hair and costume I think are unique!

into cooperatives. The 12-13” ceramic headed dolls were made from about 1920 to the mid 30s, using old Kammer & Reinhardt molds. They are painted a reddish brown but the K*R Star of David can sometimes be faintly seen. Sadly, today in Russia, there seem to be too few of these old dolls, and even more sadly, little interest in them! Is it because those years were not happy ones for the vast majority of the people, and these dolls are reminders? There is an active group of modern doll artists producing both cloth and porcelain dolls dressed in elaborate costumes, as well as endless artists producing delightful Matryoshkas by the thousands…these are very delicately painted with wonderful vivid colors. The newer doll and toy industry is thriving again in Russia, but it is producing mainly for tourists and export. Older dolls are rarely to be found outside of museums. I ﬁnd this unfortunate, but we who have found and treasure these old dolls, are the fortunate ones. I have about eighty of these Russian dolls, but I would love to see pictures of any unusual examples and receive information from anyone willing to share that would add to my knowledge of these wonderful dolls. Please contact me at aquietplace@verizon.net, or through my website www.aquietplacedolls.com. Bibliography: World Colors – Dolls and Dress – by Susan Hedrick & Vilma Machette; Hobby House Press, 1997. Dolls at 2000 – UFDC, 2000 – pages 63-69 “Dolls of the Former Soviet Union” by Elena Lisiana. The Collector’s Encyclopedia of Dolls, Vol. 2, by Dorothy, Elizabeth and Evelyn Coleman, Crown, 1986.

Timeline from Coleman Encyclopedia, Vol. 2 Prior to 1897: Russian Toy Congress protested large elegant French dolls that taught love of dress and luxury. 1900: At Paris International Exposition, Russian wooden dolls and dolls dressed in provincial costumes were displayed. “Zemstvo” (possibly bisque head) dolls competed with Polish bisque dolls. 1913: “Toys and Novelties” showed trihedral wooden dolls that were made by Russian peasants. “Ladies Home Journal” showed 7” dolls dressed by children in a Russian orphan’s asylum. 1914: Rubber dolls were made in Russia. 1919: A collection of early clay dolls belonging to the author Denshin was given to the Toy Museum in Zagorsk. 1924: A Frenchman referred to doll babies in swaddling clothes made by Russian peasants and costing less than a cent. 1926: Russian refugees in Paris dressed dolls as Russian peasants. Marie Vassilieff, one of the Russian doll makers, was still showing her character dolls. 1928: Dolls made by Russian peasants were distributed in America by “Am Torg”. “Toys and Novelties” reported, “Moscow Teacher’s Union has decided that little girls should not be allowed to play with dolls. The doll represents the bourgeois idea of family life.” “Playthings” reported that 50 more dolls that belonged to the Russian Princesses were sent to the museum at Tharkoies Selo.

ANTIQUE DOLL COLLECTOR

JUNE 2012

UFDC Salesroom Booth Number in Yellow

Miss Flora McFlimsey Mariana and Faded Elegance by Florence Theriault

“Once there was an old doll whose name was Flora McFlimsey. She lived in a toy cupboard in the attic with a box of Tiddly-Winks and a Mother Goose book and Gulliver’s Travels and a Noah’s Ark and a fat sheep on wheels and an old, old, doll’s trunk”.

So begins the story of Miss Flora McFlimsey, written in 1949, and the ﬁrst book of a series of adventures about the doll. The books were written and illustrated by Marian Foster Curtiss under the pen-name “Mariana”. She was born in a small town at the end of the 19th century. At an early age, obliged to choose between piano or drawing lessons she “chose drawing, what seemed the lesser of two evils”, according to an interview she gave in her later years. Her love of art developed and continued into studies at the Art Students League in New

ANTIQUE DOLL COLLECTOR

JULY 2012

York and into free-lance work for the New York Herald Tribune. “When the Great Depression hit I got a job on the American Index Project of the W.P.A. We made factual drawings of ‘Early Americana’ at the museums and here I discovered the fine craftsmanship and beauty of pre-mass-production days. It was the old toys which charmed me most...especially the old dolls in their faded elegance”. During that work project, Mariana discovered an old cloth doll at the New York Historical Society named for the heroine of the 19th-century poem “Miss Flora McFlimsey of Madison Square” about a young lady who had silk and velvet gowns galore, but “nothing to wear, nothing to wear”. Inspired by that doll, Mariana went on to write and illustrate nine children’s books about the adventures of her own Miss Flora McFlimsey which she described in a 1952 article in Life magazine as “a cross between Queen Victoria and Mae West”. Her simple line drawings feature a doll with large O-shaped pupil-less eyes and a prim little mouth. Those same features are present in the two cloth dolls that she made, inspired by her drawings. The books were published by Lothrop, Lee & Shepard Co. and for a number of years were printed, re-printed, and finally grew out-of-print. Mariana died in 1978 in East Hampton, Long Island at the age of 86. In the garden of her East Hampton home still stood the large one-room playhouse of her youth. It was said that, during her writing years, the playhouse served as her muse, and during the summer months she moved into the child-scaled playhouse along with a fullsize cot, a chair, and all her drawings, writings, and the one-of-a-kind cloth doll, Miss Flora McFlimsey, that she had made. The 18” cloth doll with firmly-stuffed head, oil-painted complexion, and highly-stylized facial features including large round O-shaped pupil-less eyes, turned up nose and tiny mouth, has a mohair wig, loosely-loopjointed limbs, and is wearing her original velveteen dress and fancy matching bonnet - “faded elegance”, indeed. In 1952, Mariana was featured in an article in Life magazine. She is shown in a photograph sitting inside the tiny playhouse, her cloth doll posed alongside and other illustrations of the doll pinned to the walls. How the doll and her accompanying artwork came to be saved is an equally fascinating story. As a young girl in the early 1950s, Linda Mumew Ruskoski, didn’t much like to read. So when the bookmobile came to her second-grade classroom she searched instead for books with nice illustrations, and spotted the book Miss Flora McFlimsey’s Christmas Eve. She relates, “After dinner, I sat in the living room and began to read this special story about a doll that had been relegated to the attic and forgotten. Then, thanks to Santa, she began life anew...I loved pouring over all of the accessories on one of the pages. It has always been one of my favorite illustrations. I can’t tell you how many times that little book was read and reread.” And Linda began a life-long love of reading. At that time, her father worked in

ANTIQUE DOLL COLLECTOR

JULY 2012

ofﬁces at the Plaza Hotel, nearby FAO Schwarz where the Miss Flora McFlimsey books were sold and each time a new book in the series was added, Linda marched from the Plaza to the toy store and eagerly swooped up a copy. Years later, then a teacher herself, Linda relates, “I decided to write Mariana a letter, sharing with her that I did not like to read until I discovered her books. Well, Mariana wrote me back! We became friends! ....Spending time with her was incredibly special to me. She was so modest and humble, like Flora”. During the coming year, Linda determined that the books, long out-of-print, must be reprinted, and began a dedicated drive to that end. The anecdotal details of that project, which sadly was never realized, are outlined in hand-written correspondence from Mariana. Then, just one year later, 1978, Mariana died. Shortly before her death, a large box arrived at Linda’s home. “Carefully, I opened the package and inside was the doll, Miss Flora McFlimsey, a smaller Flora and a French fashion doll named ‘Mamselle’....Mariana had made the two Flora’s herself to use as models for her illustrations”. In addition, Mariana had given to the young teacher a number of her hand-colored artworks, many featuring Flora. As for the books in this collection, they are all the childhood property of Linda Mumew Ruskoski, cherished these many years. Except for the book Hotspur which has a hand-drawn image on the inside front page and the message “A Merry Christmas from Hotspur, To Linda, Mariana”. The dolls, artwork, and books have been in the private possession of Linda Ruskoski until this time, and are exceptional documents and poignant ephemera of one woman’s lifetime work. Included with the one-of-a-kind handmade cloth Miss Flora McFlimsey, are 12 original watercolor paintings by Mariana, including scenes from the story books as well as an intriguing set of watercolor samplers; each is signed by the artist. There is a folio of paper ephemera including letters from Mariana to the present owner, a September 22, 1952 Life magazine issue with article and photographs about Mariana, a red wooden doll chair for Flora, a small hand-made cloth doll and a petite 9” French bisque poupee named “Mam’selle” in Mariana’s correspondence. And, ﬁnally, included in the collection are nine out-of-print Miss Flora McFlimsey books written between 1949-1965 including Christmas Eve, Baby New Year, Easter Bonnet, Birthday, Little Laughing Water, Little Red Schoolhouse, Valentine, May Day and Halloween, and three additional Mariana books: Journey of Bangwell Putt, Doki and Hotspur. Miss Flora McFlimsey the doll, along with all of the artwork, letters, ephemera, other two dolls, and books will be sold in one lot at Theriault’s July 23 New Orleans catalog doll auction, “Upon Arriving Home”.

ANTIQUE DOLL COLLECTOR

JULY 2012

Gaithersburg, June 2 & 3 O

minous tornado warnings threatened to put a damper on the recent Gaithersburg Doll Show, June 2 and 3, but Saturday dawned bright and beautiful with an eager crowd waiting patiently outside for the 10 am opening. Held four times a year, the December event being the largest, the other three shows also boast quality dealers and great merchandise. And now on Sunday mornings, prior to the opening, you can learn more about dolls from respected dealers/collectors. This June show featured Val Star discussing early dolls dating from the 1700’s to the late 1800’s and Shari McMasters on what to look for in buying an antique doll.

Fritzi’s Antique Dolls, Yorkville, IL.

22-1/2” French fashion, $3850, rare incised Bru Jne C fashion, $7500 and a Portrait Jumeau, $5500. Jackie Allington, Fort Lauderdale, FL.

Kathy Ray, Westmoreland, New Hampshire.

Tete Jumeau, 26”, $3650, 17-1/2” FG fashion, $2350 and FG fashion, 27-1/2”, $3200. Gigi’s Dolls and Sherry’s Teddy Bears, Chicago, IL.

27” Schmitt et Fils, Block Letter FG, 23” and 19” SH 939. Dolls Etc. Walworth, NY. 74

ANTIQUE DOLL COLLECTOR

Jay and Connie Lowe, Lancaster, PA.

JULY 2012

Rick Saxman, Valley Forge, PA.

Sue Kallen, Bonita, CA.

Marion Maus, Ellicott City, MD.

Sondra Krueger, Forest Ranch, CA.

These adorable reproduction mignonettes in presentation boxes are being used as a fundraiser for the Princeton Doll and Toy Museum.

26” Kestner #146, $850 and a 20” JDK 211, $700 found in the wedding themed booth of Billye Harris, Whitsett, NC.

Scott’s Antiques, Whitefish Bay, WI. Phil May, Ocean Grove, NJ.

Val Star, Wayne, IL.

Linda Essers, Fallston, MD. Laura Turner, Small Wonders Antiques, Westminster, MD.

Circa 1790 wooden holding a “baby house” wooden. Nancy McCray, Cedar Rapids, IA.

Left, 12” AM 252 baby, $1725 and 12” Hertel Schwab googly 172, $3875. Shari McMasters, New Concord. ANTIQUE DOLL COLLECTOR

JULY 2012

Ashley's Dolls & Antiquities

24" Handwerck Mold 109 - $950, 26" Kestner Mold 146 - $850, Rare 14" Bisque Head Baby Bo Kaye - $950, 20" Kestner Mold 211 - $750 See you in the UFDC Salesroom in New Orleans! Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • www.rubylane.com/shops/ashleysdollsandantiquities Billyehb@aol.com • All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

18” Unusual Figure C Steiner Bebe with original wig, original fully jointed composition body, lovely antique aqua silk dress and incredible blue French boots with rosettes. $5800

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

29” S&H 1279 character child, wonderful modeling with “fly away” eye brows, beautiful composition body, original blonde mohair wig, ivory silk antique dress and a fabulous bonnet. $3850

Antique DOLL Collector August 2012 Vol. 15, No. 7

August 2012 Vol. 15, No. 7 $595 / $695 Canada www.antiquedollcollector.com

Prices Realized by Theriault’s at Auction, March 2012

French Bisque Portrait Doll as Marquis by Van Rozen

French Automaton “Piano Watteau” by Vichy

Googly, 221, by Kestner in Antique Costume

Grand-Sized French Bisque Bébé A.T. by Thuillier

French Bisque Bébé, Series G by Jules Steiner

Bébé by Leon Casimir Bru with Mulatto Complexion

Smiling Poupée by Leon Casimir Bru

Early Wooden Doll with Important Historical Lineage

Bébé Triste by Emile Jumeau with Silk Costume

$16,500

$38,000

$14,500

$36,000

$27,000

$9,500

$4,250

$22,000

$20,000

PO Box 151 • Annapolis, Maryland 21404 USA • Telephone 410-224-3655 Fax 410-224-2515 • www.theriaults.com

Displays for Your Little Dolls in the Antique Style We all love little dolls, those diminutive charmers that you can hold in the palm of your hand. But, let’s be honest, sometimes they’re difficult to display. They need a showcase. Dollmasters offers three wonderful options from their Architectural Model Series, handmade of fine woods, with antiqued finish to complement your antique dolls, and having exquisitely hand-carved details.

The Loggia. 10”h. Perfectly sized to display 3”-8” dolls. Order GH-280 for natural wood finish as shown. Also available in ivory with antiqued patina. GH-316. Each $175. The Spiral Staircase. 19”h. Perfectly sized to display 1”-6” dolls. Order GH-282. $210.

The Cupola. 16”h. Perfectly sized to display 5”-9” dolls. Order GH-281 for natural wood finish shown. Also available in antiqued ivory painted finish. GH-317. Each $249. (The detail photograph is shown with R. John Wright’s 9” Dude Brownie, also available from Dollmasters. SD-1113. $475.

dollmasters

Coming this Autumn are two wonderful catalogs from Dollmasters, featuring Early Fall and Halloween collectibles in the vintage mood, and Holiday 2012. Call to be placed on our mailing list at 800-966-3655.

PO Box 2319 • Annapolis, Maryland 21404 USA • Orders: 800-966-3655 • fax: 410-571-9605 • www.dollmasters.com

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 13 1/2" Bru Jne #3 Bebe, gorgeous bulging light blue p/w eyes, gorgeous pale bisque, orig. mohair wig & pate & orig. head attachment, wears factory orig. aqua & plaid silk & lace dress, great ant. Fr. hat, orig. socks, undies & "signed" Bru Jne #3 shoes. Perfect marked & numbered bisque shoulder plate and perfect bisque arms, hands & fingers. Desirable Bru tongue tip, poofy mouth & the best face EVER. OUTSTANDING BEAUTY!!! A collector's DREAM!! Call or Write for Price 3. 10" Kestner #167 Child. br. sl. eyes, immaculate bisque, ant. long mohair wig & orig. plaster pate still in tact. Wears fabulous ant. pink cotton Fr. style dress, great ant. leather shoes & ant. socks. On orig. Kestner 1-2 body w/great orig. shiny finish. Absolutely adorable, fully jointed arms & legs, darling cabinet size. A BEAUTY!!! $1200. 4. 4 1/2" All Bisque Kewpie With Wings by Rose O'Neill, mint bisque overall with brown side glancing eyes, blue wings at his shoulders, jointed arms and a label on his back and marked on his foot. He wears his original crepe paper sailor suit which is very hard to find. A little jewel!!! $795. 5. - 6. 13" RARE Tete Jumeau 5-6 Bebe, keywind br. sleep eyes, luscious lashes, original mohair wig & pate, orig. silk dress (frail, so added a second ant. dress), orig. cape, orig. "signed shoes, undies, ant. Fr. hat & orig. "signed" body & fully marked head. Great cabinet size. Tremendous presence, rare eye mechanism. OUTSTANDING!!! $6200. 7. - 8. 24" Early K*R #192 Character, gorgeous bisque, magnificent bl. sl. eyes (some wig pulls at crown, under wig), fabulous ant. mohair wig, orig. pate, wears a stunning ant. turquoise Fr. silk & lace dress & hat, vintage undies, handmade leather shoes w/ rosettes. On orig. early heavy 8 ball body w/st. wrists. She is 9-10 STUNNING!! $3200. 9. - 10. 12" Au Nain Bleu Steiner Fire A Boy, mint pale bisque, magnificent bl. p/w eyes, orig. mohair wig & pate, fabulous ALL ORIGINAL Au Nain Bleu boys costume, orig. shoes, socks & fabulous orig. matching hat. On orig. Steiner body, clean, shiny & in unplayed with condition w/white painted fingernails. Rare beautiful Steiner, darling cabinet size. GORGEOUS face & soulful expression. Only $7000. 11. - 12. 15" JDK #237 Hilda Toddler Character, mint pale bisque, blue sl. eyes, orig. caracul wig & orig. Kestner plaster pate still in tact. Wears factory orig. ecru silk dress w/matching hair bow, orig. undies, shoes & socks. On fabulous orig. fully jointed Kestner toddler body w/great orig. shiny clean finish. Simply, the BEST!!! Absolutely DARLING w/great originality. $3950. 13. - 14. 18" E. 8 J. Jumeau Bebe, bulging bl. p/w eyes, immaculate pale bisque, orig. head coil, early applied ears, orig. mohair wig & pate, orig. burgundy wool & lace dress, undies, socks & "signed" Jumeau shoes, plus fabulous ant. Jumeau Presentation hat, on early orig. "signed" st. wrist Jumeau body. Tremendous presence & absolutely BREATHTAKING!! $8500. LAYAWAY AVAILABLE Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

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11-12

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Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS

1 - 3. Magnificent wooden lady from the European Continent, circa 1740, w/ rare enamel eyes and highly detailed carving and jointing throughout. $28,500. 4 - 6. Wooden figure of a child, angel or both. Either way, heavenly carving and condition, glass eyes, superb orig. condition. $3,000. Exhibiting: September 8 - Angel’s Attic Deaquisition Sale, Santa Monica CA, Angel’s Attic Museum

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributing Editor: Lynn Murray, Michael Canadas, David Robinson Sales Representative: Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

AUGUST 2012

The Romance

The Life of Lillian Dal Monte O

riginally created in 1997 as a slide presentation for the UFDC annual convention â&#x20AC;&#x153;To Have and To Holdâ&#x20AC;? in Anaheim, California, this spectacular and wonderfully entertaining program has been viewed, and enjoyed, by thousands after it was offered as a VHS tape available for purchase. Rumor has it that the program also aired on Australian television shortly after its debut. The video has recently been re-created in DVD format, and features many new scenes, greatly improved costumes and several new characters. In the original version, the major roles were performed by French Fashion dolls. That charming aspect has not been changed, but the supporting roles, originally played by dolls of many varieties, have been re-cast with only fashion doll examples -- offering a seamless delivery. The costumes are more exquisite than ever, and the scenery is lush and cinematic. A touching tale of music, achievement and love, countless tears have been shed during the telling of this sentimental story of two sisters and their journey to adulthood. A perfect choice for a doll club program, you and your friends will want to enjoy the splendid scenes over and over again. So, we invite you to come along with Lillian and Delia Dal Monte as they traverse the globe, landing in such spots as Paris, Vienna, Venice and Milan -- all accompanied by a memorable musical soundtrack! Written by Michael Canadas, David Robinson and Janet Hollingsworth Narrated by Delia Green Photographed by Michael Canadas Set Design by David Robinson Photo Stylist -- Paula Olsson Video Editing by Samantha Lewis Run Time: 42 min. - DVD Format

Newly Digitally Remastered for DVD

The Complete Guide to Antique, Vintage and Collectible Dolls

August 2012 Volume 15, Number 7

BRAVE, GAY, AND BEAUTIFUL German Flapper Ladies by Simon and Halbig and Armand Marseille

CUNO & OTTO DRESSEL’S OWN MUNICH ART TYPE DOLLS

by Julie Blewis Not long after Marion Kaulitz introduced the character dolls that heralded the beginning of the German character movement, Otto and Cuno Dressel introduced a line of papier mache/composition head dolls.

by Sharon Weintraub Zelda Fitzgerald was quoted as saying she wanted her daughter to be a flapper, because flappers are brave and gay and beautiful. An estate sale was the author’s introduction to the German ladies with slim bodies and long legs, representative of the flapper style. She shows us four lovely examples modeling their period costumes. These ethereal beauties are quite elusive, suggesting most mothers did not want their daughter to grow up to be flapper!

ANOTHER AVENUE OF COQUETRY HAS BEEN INGENIOUSLY INTRODUCED by Sylvia Mac Neil Simple to make, but irresistible with their fanciful trimming, snoods were once fashioned for every occasion, adding variety to one’s toilette. Chiffonnette models an array of these delightful accessories, followed by an easy to follow pattern.

THE SEVEN FACES OF MARGARET

by Rebecca Hawkins The author discovers that her cloth doll has had several previous lives as she continued to be loved by generations of children.

About The Cover

The oldest operating doll factory in Thuringia, Cuno and Otto Dressel, participated in the 1910 Brussels World Exposition along with other doll and toy manufacturers. The centerpiece of the exhibit was a carousel with character dolls by Dressel seated on the hand-carved animals. As seen on our cover, their papier mache/composition dolls bear a striking resemblance to the Munich Art dolls, the main difference being the treatment of the eyes. Julie Blewis shares her collection of these rare dolls with our readers. Photo by Andy Ourant.

12 Auction Gallery 50 Emporium 58 Mystery 60 Calendar 63 Classified

Learning About American-Made Dolls EFFANBEE’S SWEETIE PIE AND TOUSLE-TOT by Ursula Mertz

NATIONAL ANTIQUE DOLL DEALER SHOW; A WEEK-END IN HISTORICAL BOSTON by Valerie Fogel

ANTIQUE DOLL COLLECTOR

AUGUST 2012

(212) 787-7279 Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA

P.O. Box 1410 NY, NY 10023

1. 16” Bisque Head Horsman Toddler – what an unusual doll is this fully jointed toddler with signed Horsman body and head! Original wig and clothes too! Rare! $750 2. 17” All Original “Mariner” – lovely quality Hoffmeister, ca. 1900, with rich fired in color, mint factory wig and quality jointed body wearing fully layered nautical ensemble! $795 3. & 16. Rare 11” size JDK 221 – power packed charm in this rare pint size example of the legendary Kestner Googly with its factory wig and fully jointed chubby Kestner body and spry period sailor costume! $5750 5

4. 30” Deco Era Mannikin – highly stylized advertising model with jointed arms and exaggerated red hair featuring a rare, early two-piece swimsuit! Important. $1495 5, 6. & 9. Early Bru with Jointed Wooden Arms – even Bru fashions enjoy a day at the shore as does 15 16 this 13” 1860’s early model incised “C”, with contented smile, pearly blue PW’s, pierced through ears and promenading her vintage hand sewn cotton linen summer day dress with jacket, full underlayers and original side button boots. $4500 7. 6” Choice little googly, this Rare 262 E. H. Googly of excellent quality, patriotic factory chemise and matching shoes! All mint. Not $900 just $695 8. 11” Cutie in a Clam Shell – mint Kewpie type seaside sweetie, in beach dress with big eyes, wig and nestled in a clam shell! $175 9. Elegant Bru Fashion with wooden arms in summer couture. See #5 10. Designed as a pair, these two gossiping Bathing Beauties, 6” long, both mint with exquisite features, are well dressed in Naughty factory detailed lace and silk lingerie, one still has remains of her original retail sticker! Perfect quality! $1600 for the pair 11. Very Rare Male Bather – flesh tinted glazed fellow, signed Germany, with articulated muscular grace and period suit, likes to read – seeks other females with similar interests for fun times. $2800 12. First day in the sun for this 7” long pale skinned Wigged Bathing Beauty; a beautiful languorous Galluba and Hoffman figure with intricately modeled features including sexy eyelids. $950 13. The smallest size made, this 11” Cabinet Size Schoenhut Toddler is mint with factory wig and union suit, two labels and beautiful original finish! $750 Choice! Includes clothes. 14. Shoreline Beauties – 5” Mermaid $125. German Bathing Beauties – assorted group, some pebbled, all mint, tallest is 3-3/4”, average price $90 15. 7” Scarce “Tis Me” – unusual 1919 version of the sweetly beguiling Hy Mayer design for George Borgfeldt, complete with wig and paper label. $250 16. See #3. All hands on deck for this cabinet gem!

ANTIQUE DOLL COLLECTOR

AUGUST 2012

Auction Gallery

cMasters/Harris sold this rare #1 brunette Barbie, c. 1959 on June 15 for $4,750. At their mid-century modern auction the following day, this 1953 Vogue rare black Ginny wearing her #65 “Angela” costume brought $625.

n elaborate carved English wooden doll, dating from the mid 18th century, 24 inches tall, with only minor paint loss, realized $34,500 at James D. Julia’s Toy, Doll and Advertising auction on June 22.

his lovely 22” French Fashion with blue glass eyes, closed mouth, pierced ears, swivel neck, kid body with kid arms, and wearing antique clothes, sold for $4,840 during Withington’s June 14 and 15 auction.

ild Lilli, the German fashion doll produced from 1950 to 1964, known as the predecessor of Barbie, sold with the original stand for approximately $4,870 at the Ladenburger Spielzeugauction during their three day auction June 14-16.

See more AUCTION GALLERY on page 59 We would like to thank the following auction houses for their participation:

t Theriault’s June 23rd estate doll auction, this early 18” French bisque premiere bebe by Emile Jumeau, an original family doll, realized $5,700.

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James D. Julia, 203 Skowhegan Road, Fairfield, ME 04936. 207-453-7125. www.jamesdjulia.com Ladenburger Spielzeugauktion GmbH, Lustgarten str.6, D-68526 Ladenburg www.spielzeugauktion.de Mainichi Auction, TOC Ariake Bldg, Ariake, KOTO-Ward, Toyko, 135-0063. www.my-auction.co.jp McMasters Harris Apple Tree, 1625 W. Church Street, Newark, OH 43055 (740) 281-0923. www.mcmastersharris.com Theriault’s, P.O. Box 151, Annapolis, MD 21404. 800-638-0422. www.theriaults.com Withington Auction, 17 Atwood Road, Hillsborough, NH 03244. 603-478-3232. www.withingtonauction.com

Cuno & Otto Dresselâ&#x20AC;&#x2122;s Own A

ll German character doll collectors know about the 1908 exhibit in the Munich branch of the Hermann Tietz department store and the game changing effect of the Marion Kaulitz exhibit of her Munich Art dolls. For most it is considered the birth of the German character movement with realistic child dolls replacing the earlier idealized doll forms. What is less known is that just a few years later the ďŹ rm of Cuno & Otto Dressel (hereafter COD or Dressel), introduced their own line of papier mache/

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composition head child dolls also with a realistic look and artistic touch. These much less known groups of dolls are also wonderful examples and deserving of attention and recognition of their place in the history of the German character movement. Founded in Sonneberg in 1700 by Johann Georg Dressel, the COD factory holds the distinction of being the longest continuing operating doll factory in all of Thuringia. The name was changed to Cuno & Otto Dressel in 1873.

Munich Art Type Dolls The factory produced wooden and papier-mache dolls, wax, bisque, composition, glazed porcelain and celluloid. The company both assembled their own products inside their factory as well as purchasing from their many doll company neighbors including Simon & Halbig and Armand Marseille. For our purposes here, the pivotal event was the assembling of an amazing and impressive exhibit for the 1910 Brussels World Exposition by the entire community

by Julie Blewis

of doll factories and craftsmen in the town of Sonneberg. The exhibit was a collaboration of thirty-seven doll and toy manufacturers that populated Sonneberg and joined together to produce an award winning display representing a Thuringian Fair. It was designed by Professor Reinhard Mรถller who had worked as a sculptor at the A. W. Fr. Kister porcelain factory and was the primary modeling instructor at the Hertwig & Co. porcelain factory before becoming Director of the Sonneberg School of Industry. Built in the

The realistic expressions on these seldom seen dolls by Cuno & Otto Dressel as well as the clothing reflect the emergence of the character doll movement. The dolls we have seen all measure between 19 and 20 inches and have composition bodies.

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This display, as seen at the 1910 Brussels World Exposition, was designed by Professor Möller, director of the Sonneberg School of Industry, and executed by thirty-seven doll factories in Sonneberg. Plans are underway to relocate the exhibit to a separate building of the Sonneberg Toy Museum.

Below, two more Cuno & Otto Dressel dolls. Courtesy Dorothy Hunt, Sweetbriar Auctions.

Sonneberg School of Industry, the centerpiece of the elaborate display was a carousel of beautifully hand carved animals. Dolls that looked like children were seated on the carousel animals. Local artists designed and created the ﬁgures, animals and scenes but all the dolls were donated by the local doll companies. We are so fortunate that the entire exhibit has always been treasured – it was awarded the Grand Prix in 1910 – and then returned to the School of Industry which was opened to the public as the Sonneberg Toy Museum in 1938. In Mary Krombholz’s book Identifying German Character Dolls she has some wonderful photos of this display. (All photos in the book of the display, including pictures of the dolls, were taken by Christiane Graefnitz.) In its preserved state, all the original COD dolls from 1910 still ride the fully functioning carousel as they have been for over a century. It is like time has stood still for the dolls of the Thuringia Fair! The dolls on the carousel are all attributed to Dressel and are a combination of bisque head dolls as well composition/papier-mache heads. Mary Krombholz’s book also has excellent photos of many of the dolls with close ups of their faces and has been an invaluable resource. Interesting, she states on p. 201 that “the words papier-mache and composition are used interchangeably to describe the carousel dolls’ heads because the recipes for Thuringian papier-mache and composition are similar: both have a base of material that includes wet wood pulp and/or paper pulp, dry plaster of Paris and hot glue.” When contrasting the Dressel dolls to the Munich Art dolls the most striking difference is the treatment of the eyes. With Munich Art dolls the eyes are always painted and this can account for the fact that their heads are somewhat heavier. Of course, all the companies had their own secret formulas for papiermache and composition so this would also account for the difference. Munich Art dolls are considered to have “hard-composition heads.” The Dressel dolls have stationary glass eyes with lighter heads to accommodate the extra weight 20

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These all original dolls were part of the 1910 Brussels World Exposition. They are on exhibit at the Sonneberg Toy Museum. Photos by Christiane Grafnitz from the book, Identifying German Character Dolls by Mary Krombholz, published by Reverie Publishing Company.

of the eyes. Both dolls use master molds for heads with distinctive looks resulting from differences in hairstyles (both wigs and painted hair) and clothing. Both sets of dolls are very artistic and draw upon real children as models whether from the neighborhood or the artistsâ&#x20AC;&#x2122; own family. The bisque head dolls on the carousel are all marked COD//A/3 but the papier-mache/composition COD dolls are only marked on their bodies with the signature winged-helmet Dressel trademark. Pictured in this article are a number of COD dolls that have surfaced outside the carousel dolls of the

Thuringian Fair. Most have their original clothing, often folklore inspired, with the signature stationary glass eyes. Our cover dolls have distinctive side glancing stationary eyes. The photos in this article of Munich Art dolls are to visually demonstrate how that series of dolls and the ones by Dressel are made of comparable material with a similar artistic look. Even the clothing choices for the dolls have a family resemblance. We are very fortunate to have both of these wonderful series of German character dolls to admire and appreciate over a hundred years after their creation.

Unless noted, dolls are from the Blewis Collection.

The Kaulitz Munich Art dolls bear a strong resemblance to the Cuno and Otto Dressel dolls which appeared about two years later. The Dressel dolls are also composition but the material is not as dense as that of the Munich Art Dolls. Their lighter weight accommodates painted eyes instead of the glass eyes of the Munich Art dolls. ANTIQUE DOLL COLLECTOR

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Another Avenue of Coquetry Has Been Ingeniously Introduced by Sylvia Mac Neil

Feminine extravagance and frivolity of the age was the order of the day. Chiffonnette, a classic size four, unmarked Huret, is wearing a jaunty ensemble made up in pale, pink pique with a fine diagonal weave. It is garnished with white scalloped edging and accented with a fanciful, white cotton passementerie. Among her trifles is her headgear, consisting of a white felt hat, trimmed coquettishly with white flowers and a smart, little plume. A simple net of fine, white, dotted, cotton tulle, encircled with white Valenciennes lace is the ultimate finishing touch.

Fruitful fancy has produced this delight, arguably one of the most elegant snoods ever introduced into the realms of doll fashion. Made up in small, hand-tied white net, it is trimmed with froths of Valenciennes lace and fancifully arranged bows of pink, satin ribbon. The same ribbon, laid on plain, with gathered lace at the edges, is set on the top, the ends continuing down the sides, forming elegant, pendant barbes. Featured in the October, 1871, issue of La Poupée Modèle, this creation is sure to meet with great success.

or fancies and novelties of all manner requisite for a complete doll trousseau, we visit the maisons of mid-nineteenth century Paris, the great metropolis of fashion. There are found all the latest whims of the ruling, fickle goddess, Fashion. As the ancient Dame generally thought of her head first, and her votaries were apt to do the same, we are given an idea of the reigning modes in headgear. Though quite easily overlooked, nets and snoods are a matter of some importance in the fashionable doll ensemble. A variety of elegant confections were designed by doll couturiers with irreproachable taste and fairy-like skill resulting in some of the most bewitching, little affairs imaginable. There exists a countless manner of snoods that are vastly coquettish with a pretty doll’s face under them. Set on top of the head, they frame the face and give the doll a certain charming air. They are made up in a variety of materials, such as a large mesh, of cotton or silk, and, greatly favored, lush chenille. Some are made of a small scale, square cotton mesh. Others are fashioned of actual hand-netted material, made of a string or cord, or a narrow, flat, cotton tape. Nothing is more simple to create. Thin, round elastic is threaded through a large needle and run through the loops or spaces on the edge of the net and through the spaces along the flat edge of the lace. The stitches are pulled a bit tightly, gathering as it is sewn, adjusting the fullness so the net and lace is evenly disposed around the entire edge. Either a very small scale or a somewhat larger scale of net can be used with good effect. Any partial loops protruding at the edge of larger scale net can simply be cut off. The beauty of these little fancies rests in the trimming. Lace as a ANTIQUE DOLL COLLECTOR

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The September, 1871, issue of La Poupée Modèle offered a pattern to make this charming filet de nuit: “After having cut the pattern out of the tulle in question, you will have to choose, with care, the widest and thickest net that you can – you sew very neatly a type of insertion, called an engrêlure, all around. And in the holes you thread a narrow ribbon, or a small colored velvet (ribbon), that you tighten and tie in a bow around mademoiselle Lily’s head.” This filet is made from a lady’s antique snood of cotton cord which has been hand-netted with a small, all-over pattern.

This magical chapeau of pale, yellow crinoline, glistening with crystal beads, requires a simple net of cream, silk mesh, edged with cream colored tatting, and sprinkled with silken chenille dots to complete the vision.

A confection of straw and dainty, white flowers with loops of pink and white ribbons, accented with pink ribbon rosettes at the sides, is worn with another net of silk mesh, this one dotted over with pale pink chenille. 24

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Who wouldn’t love to don this dainty, little affair with its pearl and crystal chain Benoiton and red silk passementerie, finished with the net of dotted, cotton tulle….

garniture, whether fine Valenciennes, or somewhat heavier Cluny lace, or dainty tatted edgings, is used in great profusion. As it is sewn along the edge, it gathers into a pretty border. Lace can also be formed into single plaits which are stitched together before it is sewn with elastic round the edge. Double standing ruffles, sometimes triple, along the top of the net, create a fanciful ruff to accent the face. A novel touch is the addition of lace barbes, or lappets, which depend capriciously at the sides. They are easily formed by sewing two rows of lace, straight edges together, gathering tightly at the bottom end to turn the corner. When finished, each barbe measures four to five inches long. Narrow bands of Broderie Anglaise can also be used as a frill to encircle the snood. It is first rolled, whipped and gathered slightly, then sewn to the edge of the net with elastic thread, gathering it a bit more as it is sewn. Another favored embellishment is ribbon. Double loops of narrow, silk velvet or satin ribbon are set along the top, resting between the frills of lace. Pendant loops are arranged gracefully at the sides or back, or one full bow of wider ribbon is set directly at the top. Other ribbon is made into ruches, either gathered or pleated in side or box pleats. Some snoods are spangled with metallic beads or sparkling beads of crystal, usually incorporated when the net was made, or each one can also be sewn separately onto the net. Others are dotted over thickly with tufts of silken, wired chenille. Small pieces are set on the right side, the ends being folded firmly on the underside. A bow of silken cord with tiny tassels, or ribbon tied in a bow with floating ends, sets off the back of the snood admirably. Some snoods or nets were intended to be worn under a hat or bonnet. Made up in a lighter weight silk or cotton tulle, either spotted or plain, or silken mesh-like fabric, they are worn at the back of the head, to catch those straying tendrils and curls. They are usually trimmed simply with a single frill of fine Valenciennes lace or tiny guipure lace of cotton. Elastic thread is used to create these nets. Stitches are taken through the tulle and the edge of the lace, gathering as it is sewn along the entire edge. Other nets were meant to be worn at night. The September, 1871, issue of La Poupée Modèle featured a pattern for a

A puff of fine, black, silk tulle edged with Chantilly lace sets off this jaunty, red velvet hat, accented with black velvet and a black plume, to perfection.

Nothing could be more coquettish than this frill of cream and red cotton lace. Made up in a larger scale hand-netting in a cream color, a classic bow of red ribbon is set directly on top, while a red silk cord terminating with tassels accents the back.

This net is made up in white, cotton mesh in a small scale. It is edged round with a ruff of white, cotton embroidered with a scalloped border. Double loops of narrow, velvet ribbon are set amongst the ruffles at the top. A bow of velvet ribbon depends prettily at the back.

Here is a novelty made from a ladyâ&#x20AC;&#x2122;s antique net. It is hand-tied, fashioned from a narrow, white cotton tape, dotted over with puffs of coral, silk chenille. White Cluny guipure is ruffled round the edge.

Made of a small, handmade net, this snood is encircled with Cluny lace of white and ciel blue. A triple frill on top is accented at the sides with loops of cream-colored ribbon with a tiny picot edge. Long barbes of lace descend from under the ribbons. A blue, silk cord is tied in a bow at the back. ANTIQUE DOLL COLLECTOR

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This creation of large, open, handtied white net has a Cluny lace edge and long, pendant barbes. Double loops of cream ribbon are nestled along the triple ruff at the top.

Lilas, a fifteen inch doll from the celebrated house of Rohmer, resides at the Musée de la Poupée, Paris, and has been documented in the book, Lilas, by Samy Odin. Every collector’s dream, she has been passed on through the generations with her provenance and retains her original trunk and extensive trousseau. Among her fifteen ensembles and countless accessories, are thirty two hats, which include four nets or snoods. This creation of netted blue silk is dotted with sparkling, crystal beads, finished with a blue ribbon. Photo courtesy of Samy Odin Blondinette Davranches, a classic china Huret, is another early doll with an original trousseau. “The discovery in a chateau outside of Rouen, France, in the spring of 1994, of one girl’s Huret doll and its trousseau and furniture is – to doll collectors – the equivalent of Tut’s tomb.” There are several bonnets, nets and snoods among her trunk of elaborate treasures. This one is “a loosely-woven snood of red silk cord with tiniest knots at each junction has red silk ribbon border and ribbon bow.” Photo courtesy of Theriault’s

Another snood in Blondinette’s trousseau: “Very narrow ecru silk ribbons are loosely woven, with knots at each juncture to hold the shape, and banded by black cord and braided lavender silk decorated with tiny silver beads and faux-buckle.” Photo courtesy of Theriault’s 26

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filet de nuit, or net for nighttime. This net is a little different, in that it uses a band of lace beading along the edge. So easy to make, the edge of the beading is sewn onto the net or mesh with ordinary thread. A narrow ribbon is run through the beading, tightened, and tied in a simple bow at the top of the head. A pattern for another net was given the following month. Although the size and shape varied just slightly, the embellishments were vastly different. This net was referred to as a “ bonnet in tulle.” It is trimmed round with Valenciennes lace, sewn with elastic thread. A twelve inch long ribbon is trimmed on the center four inches with gathered lace at both edges. It is positioned, without being sewn, on the top of the bonnet, then it is sewn with just a few stitches, to the edge at each side. The ribbon continues and falls into two barbes, each four inches long. The lace is sewn flat, without gathers, on the barbes. Ribbon is made into three bows, each one different, as illustrated with the original pattern. Another row of gathered lace is sewn on top, between the bows at the sides. Delightful nets and snoods were favored by the Parisian fashionables and were sighted in many ladies’ books as well as the French children’s books, familiar to all collectors. In Peterson’s Magazine, in the June, 1856 issue, this information was noted in the fashion review. “HEAD-DRESSES. – The nets of various kinds worn on the head with evening costumes are progressing in fashionable favor. One of the new coiffures of this kind consists of a net of gold, intermingled with pearls, strings of pearls drooping toward the neck. Others, formed of purple or green silk, are spotted with small ornaments, in enamel, of different colors, which glitter like precious stones. Some of the prettiest are formed of coral. These are fixed on each side by large pins with a coral head.” And, continuing in the next paragraph: “GREEK- NETS are also worn over the plait at the back of the head, either all gold or mixed with silk. Then come other head-dresses, entirely of blonde (lace), with a round head covered by small flowers like those which form tufts at the sides.” In the young ladies’ book, Journal Des Demoiselles, in the January, 1861, issue, one particular net was noted in the chat on fashions, or Mode: “ …with the Zouave embroidered in gold soutache, you wear a ‘turco.’ What is a ‘turco?’ It is a pretty hairnet in gold net or colored silk, with a band forming a diadem, with a tassel on the side; nothing is better to give your best friend.”

This colored plate was presented in Gazette de la Poupée in the February, 1864, issue: “…just here is a doll from Mlle. Béreux, of Rue Hanovre, whose dress you can copy using our plate. It’s very nice, isn’t it? A dress of white muslin, a poppy-colored sash, an imperceptible net of the same nuance, as well as the ribbons on the front and back of the head. Then pantaloons with ruffles like the dress, some fine stockings and gracious little shoes, all is simple, charming and in good taste. This doll loves flowers, and it is true, they are so pretty, see, her little basket is full already! As to our friend, from our Petite Créole on Boulevard Poissonière, she has left to come play with this beautiful kite …Oh! That one there, she is a rich and elegant type. You will notice that her blue dress is garnished with splendid Chantilly lace.”

In the December, 1863,issue, Gazette de la Poupée, featured this colored engraving: “The maison Huret has permitted two of his prettiest little girls to pose at the house of M. Frank, for the fashion plate. … The doll of Mlle. Susse was found just then visiting Mm. Huret and agreed to replace one absent doll. She has been very good and received many compliments. She was wearing a dress of taffeta with very small green and blue squares, garnished on the bodice, on the sleeves, and at the bottom of the skirt with three microscopic ruffles. It was, I assure you, a very delightful toilette. A little lownecked chemisette had been garnished with entre-deux with very narrow Valenciennes lace, a quilted petticoat, simple and gracious, and her darling little Russian boots, giving this toilette a type of rare elegance. …. I forgot to tell you that she had just removed her paletôt of black velvet garnished on the front with passementerie mixed with jet, and a similar trim on the epaulette, set on the armhole. Regarding her coiffure, it was made up in a pretty net of black chenille with golden sequins worn under a ravishing velvet toque ornamented with a bunch of curly feathers, red and blue. The other doll, her companion, posed with much less happiness. But they did not point out that it was her first time going out since her birth and the day was probably tiring. However, she was very nice in her dress of gray taffeta with little gray squares, garnished with violet taffeta ribbons. She removed, upon entering, a delightful round cape of gray velvet, garnished with chenille fringe in the same color. Regarding her hat that she wished to hold in her hand, it was of gray felt garnished with a little bouquet of red feathers surmounted by a bird’s wing . You will find, like me, that these two dolls form a gracious tableau, don’t you think?”

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In the May, 1862, issue of Cendrillon, was this charming color engraving showing the latest in children’s fashions. Worthy of note is the headgear worn by the fourth figure: “CHILDREN’S COSTUMES. Fourth figure. – Little girl of four years. Net of silk with pearl beads. Chemisette of very lightweight red wool, with black velvet ribbon. White skirt with bands and black velvet ribbon the same as the chemisette.”

Journal Des Desmoiselles also featured in 1862, this black and white engraving of the latest children’s fashions, showing two of the girls wearing snoods: “TOILETTE FOR LITTLE GIRLS. – First toilette, 8 years old. – Dress of gray poplin, skirt ornamented at the bottom with four rows of blue velvet (ribbon) and a little ruche of gray taffeta. – Bodice round and low-cut with Empress belt of blue velvet, and a bertha garnished, like the bodice, with velvet and ruches. – Short, puffed sleeves. – Chemisette and undersleeves in muslin. – Hat of Italian straw, bordered with blue velvet (ribbon), and ornamented with two plumes, one black and the other blue. – Hairnet of blue chenille. Third toilette, 10 years old. – Dress in green taffeta. – Skirt garnished at the bottom with three fluted ruffles, in taffeta. Bodice round and low-cut, with a bertha garnished with a taffeta ruffle. – Guimpe and undersleeves in organdy. – Hairnet of straw-colored silk, with a green taffeta bow on top of the head.”

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Quite an oddity, and worthy of note, this net was chronicled by Godey’s Ladies’ Book Book, in the May issue of 1856. “The newest net is of mohair covered with little ring curls. When the net matches the hair in shade, it has all the effect of the natural hair being curled. This style of net can be had for the waterfall or to cover the entire head. The latter is intended to wear with the bandelette coiffure, and obviates the necessity of crimping the hair. It is a great saving of trouble, and the hair can be dressed in different styles at short notice.” Some snoods and caps were better suited to déshabillé, or home wear, presenting a most graceful accessory to a morning toilette. Made up so prettily, even the youngest married lady need not be frightened at the idea of wearing a cap. Most displayed rather than concealed lovely hair. These caps were often made of a larger, hand-tied net in white or pale cream cotton. Full rufﬂes of lace were arranged in all sorts of picturesque ways, encircling the net or set in front, brightened with loops of ribbon tucked in between. Cluny lace with the addition of the palest blue or pink on the edge was very much in favor. Some of the most captivating featured long barbes of lace and ribbon. Any amount of coquettish taste could be displayed here if the wearer chose. Others were especially adapted to the summer season. Made of lighter weight tulles and laces and larger scale nets, many were diminutive and not necessarily elaborate. Those made of Cluny lace of cream color with accents of red or cobalt blue were among the favorites. Smart, simple bows of ribbon ornamented the front, or a multiplicity of loops of ribbon was arranged capriciously on top or set at each side, streamers ﬂuttering in the breeze. These snoods were the very creations for youth, bright eyes and round cheeks. All together, they formed a charming ornament of dress for the gayeties of watering places and summer resorts. Malines lace was a new, powdered tulle that had the appearance of being covered with frost. It was very pretty and gossamerlike, and was used for overstrings on a bonnet, and as a transparent layer over satin and silk. This lace was brought out in every shade of color, and was preferred to the coarser dotted nets. It was used for scarves and nets and mantilla veils and was popular for spring bonnets, frequently covering the frame and forming the whole bonnet. It was very much admired for a dinner coiffure when sprinkled with tiny specks like diamond dust.

In 1863 another black and white engraving with children was printed in the Journal Des Desmoilles. Two of the girls are wearing snoods: “COSTUMES FOR CHILDREN. Second figure: Toilette for a little girl eight years old. – Dress in taffeta in the princess style, soutache design along the bottom. – The low-cut bodice and short sleeves are ornamented with braid which cover the front seams and end with a tassel. – Guimpe of Swiss muslin garnished with Valenciennes (lace). – Sleeves of muslin garnished with the same Valenciennes (lace). Hairnet with a ruche. Fourth figure: Toilette for a little girl six years old. – Dress of striped or checked taffeta ornamented at the bottom with three little ruches. –Low-cut bodice with points in front and in back. – Belt the same as the dress and tied behind. – Short, puffy sleeves ornamented with the same little ruches. – Guimpe and sleeves of muslin. – Hairnet with a bow.” In 1862, Journal Des Desmoiselles printed this colored engraving. Of note is the second figure: “TOILETTE OF A YOUNG GIRL. – Dress of Gaze de Chambéry. Skirt ornamented with taffeta ruches. Round bodice, décolleté, with belt with long streamers; open sleeves ornamented with bows and ruches. Guimpe and undersleeves in organdy. Hairnet in black silk net.”

Peterson’s Magazine, in the December issue, 1861, shows this black and white engraving. Although the caption states, very simply: “NET FOR THE HAIR,” we can see that is hand-netted, trimmed with pom-poms and a ribbon round the edge, ending in a bow and short, flowing ends.

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Snoods were so popular at this time, that the November, 1866, issue of Lady’s Friend, included directions for making a handnetted snood: “A CHIGNON NET (NETTING WITH BEADS). – Nets still remain very popular. They are universally worn, and are made with a variety of materials, and decorated with beads and bugles of every description, as well as with coins, shells, etc. The chignon net we illustrate is very easy to make, and will be found useful for wearing over a chignon out of doors, as it serves to keep the hair neat and prevents it from straggling in all directions.” Instructions follow: “The materials required are netting or purse silk, a bunch of jet seed beads, and a bunch of larger jet cut beads, a flat mesh rather more than a quarter of an inch wide, a steel netting pin, and half a yard of elastic…” And it concludes: “The elastic is run into the last row in order to fasten the net firmly over the chignon. Crystal beads can be substituted for the jet ones if desired. An invisible net can be made using the silk called “Invisible,” the exact color of the hair over which the net is to be worn.”

This is the pattern for the night cap featured in the September, 1871, issue of La Poupée Modèle. “No. 28. filet de nuit for a size 4 doll.... entre-deux of lace called engrelure in which you pass a ribbon that is gathered around the head.” The pattern can be cut on the outside line, or along the edge of the lace beading for a slightly smaller net, either one of which will fit a doll from 17” to 18” tall. Be sure to press the net or mesh with a steam iron for an accurate cut. The pattern calls for a piece of net 7 1/2” X 6” and 20” to 22” of lace edging or beading; more lace edging as needed for gathered frills or pleats, and any ribbon for desired trims.

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Another net, suitable for dinner or plain evening dress, was made of Brussels net, and was trimmed with rows of Brussels lace, vandyked at the edge. The ribbon was disposed in loops at one side. On the opposite side were two or three loops of ribbon with one long, ﬂoating streamer. Among the intricate maze of nets for the hair were those made up in chenille. The prettiest style introduced was the “Clotilde,” with the trimming in the shape of a coronet. It was formed of black or brown chenille, with a large bow of ribbon above the forehead. This type of net was worn by the Princess Clotilde for indoor, negligee dress, and thence received its name. Such was the fashion of the day. These elegant and fanciful snoods, favored by all, were among the many pretty things that added variety to any toilette. Though easily executed, they were quite charming and tasteful, either when worn on the head or found amidst the little dainties in a trousseau.

Connie

Jay

LOWE

A remarkable Jumeau automaton depicting an elegant lady preparing herself for an evening at the opera. While gazing in the mirror, she bends forward at the waist while applying make-up to her cheeks with a power puff in one hand. In untouched all original condition with several movements and a music box all contained within her body. $15,000 A rare 1880’s mechanical toy manufactured by the well-known Ives Blakeslee Co. of Connecticut. This mechanical toy represented the political and social climate of the period . . . votes for women. As the female suffragette stands upon

her podium proclaiming voting rights for women, her head turns and, leaning forward, she slams her hand upon the podium to make her point. $7,500 A most interesting automaton contained on a gilded pedestal base with a shaped glass dome (not pictured).When activated the fashion lady strums her mandolin while turning her head as the musical tunes play. The bisque headed fashion lady is perched upon a molded paper mache base in a nature setting. In all original condition, the clothing does have some minor wear and the base some gilding loss. $5,000

P.O. Box 5206 Lancaster, PA 17606 • FAX 717-396-1114 • Call Toll Free 1-888-JAY LOWE or (717) 396-9879 • Email: big.birds@comcast.net

Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates • Buy & Sell With Conﬁdence • Member of UFDC & NADDA

1. Fine elastic is threaded through the loops of net and the edge of the lace, gathering as it is sewn. 2. A 10” piece of lace is folded in half as shown, and sewn together for a length of 4”. 3. The remaining lace is gathered tightly to make a rounded end.

The author wishes to thank Samy Odin for the use of his research material, and Michael Canadas and David Robinson for the loan of their original volumes of Gazette de la Poupée.

Brave, Gay and Beautiful

German Flapper Ladies by Simon and Halbig and Armand Marseille by Sharon Weintraub

“I want her (my daughter) to be a ﬂapper, because ﬂappers are brave and gay and beautiful.” Zelda Fitzgerald, 1924

he doll lay dirty and unstrung in a battered shoe box at a local estate sale, clad only in a silk chemise so frail that bits of it blew away at the slightest breath and a single dirty ragged stocking. Her glass eyes had fallen into her head and her mohair wig was tangled and gray with dust. But I could see the beauty beneath the dirt and neglect. Her soft rounded face with the large eyes and open mouth with four tiny teeth seemed sweetly child-like, and her torso and slim arms could be those of a slender child, but her lower legs were the long shapely limbs of an adult woman, the narrow feet molded to fit pumps. In another room, I found a cedar box which first appeared to be filled with scraps of vintage fabric, but turned out to be the little lady’s wardrobe, including a perfect miniature pair of high34

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Illustrations 1-2, doll marked “1159 Simon Halbig S & H. 5,” 13 inches tall.

heeled shoes and additional stockings. A bag of broken costume jewelry was found to contain several pieces of doll-sized adornments that fit her perfectly. This was my introduction to the line of German ladies with slim bodies and lithe legs generally referred to as flappers. My estate sale find is a 13-inch tall doll marked “1159 Simon Halbig S & H 5.” A little soap and water revealed the rosy, flawless bisque of her face and a bit of plaster put her big blue sleep eyes back in place. Some careful pin-combing brought shape and sheen back to her mohair wig, which still had its original ribbon headband, and inside her body was tucked the mate to her single stocking, as well as a little milk-glass bead chocker. Cleaned up and restrung, she was ready to model her wardrobe. In Illustration 1, she is poses for her portrait.

Illustration 3, Simon and Halbig 1159 with original undergarments.

Illustration 4, Simon and Halbig 1159 in original dress and shoes.

Although her silk chemise was melted beyond repair, most of the other pieces in her trousseau were intact. In Illustration 2, she stands in her sheer, short chemise, which ties with a pink ribbon at the neck and has short ruffled sleeves edged in blue. The stockings appear to be rayon, introduced as an alternative to silk in the 1880s, and the garters are adorned with ribbon rosettes. She wears a “pearl” drop on a delicate chain. Her house slippers, however, were borrowed from another doll, as they better suit her state of dishabille. In Illustration 3, she shyly shows off her other original undergarments. The fine cotton teddy snaps between her legs, a one-piece chemise sometimes referred to as “step-in.” On the chair next to her are a half-slip and a pair of panties in delicate pink windowpane fabric. The blue linen dress she models in Illustration 4 is beautifully tailored and looks commercially made. Her black pumps are original. The “pearl” necklace and bracelet were also found in the bag of costume jewelry. Another original outfit, an emerald green wool suit with a sleeveless silk blouse a la Coco Chanel, is shown in Illustration 5. This ensemble looks homemade. In Illustration 6, our little model is stepping out on the town. Her silk dress with rhinestone trim is homemade, but beautifully tailored. Unfortunately it is starting to melt. The velvet cloak with rabbit fur collar looks commercially made. Her sequin headband comes from the bag of costume jewelry.

Illustration 5, Simon and Halbig 1159 in original dress and shoes.

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Illustration 6, Simon and Halbig 1159 in original dress and shoes.

Illustration 7, Simon and Halbig 1159 in original nightgown.

Illustration 8, original stockings and shoes for Simon and Halbig 1159. 36

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Although the nightgown in Illustration 7 looks a bit large for her, it was found with her other clothing. It is pale green and trimmed with delicate ecru lace. Illustration 8 is a close up the other pair of stockings found with her. They are typical of the type this doll was originally sold in, complete with an attached fancy ribbon garter, but they are too fragile for her to wear. I included her shoes so you can see how beautifully they are made. In the popular imagination, the flapper of the 1920s boldly went about with bare knees. However, during most of the 1920s, hemlines fell well below the knee, although scalloped or uneven handkerchief hems often blurred where just a hemline fell. Hemlines began to rise in 1925, reaching the knee by 1926, only to drop again in the late 1920s (refuting the often quoted “fact” that hemlines fell following the fall of the stock market in 1929). This little lady’s knee-length dresses would date her to the mid-1920s. If the doll dates from the 1920s, her head mold was developed two decades earlier. Simon and Halbig introduced the 1159 mold in 1894, referring to it as a child’s head. The head was a stock item and sold to other doll companies. Although the head appears to be that of an older child, whose face is just starting to lose the roundness of early childhood, it is a veritable chameleon, taking on the characteristics of whatever body it is placed on. In the early 1900s, the 1159 head appears on wasp-waisted women’s bodies with full bosoms and rounded hips, sometimes marked Heinrich Handwerck or Jumeau. Topped with an upswept mohair wig and dressed in the elaborate fashions of that decade, the 1159 head indeed takes on the mature, rounded features and serene gaze of the aristocratic Gibson girl, the all-American beauty immortalized by illustrator Charles Dana Gibson. Ten years later, placed on the flapper body, the 1159 head changes again, taking on the wideeyed energetic look of a young lady out to enjoy her new freedoms to their fullest. There are a number of other German lady dolls often referred to as flappers because of their slender, womanly bodies, and long lithe legs with narrow feet molded to wear high heels. Another model by Simon and Halbig is Mold 1469. Simon and Halbig produced this mold for Cuno and Otto Dressel (COD). The beautiful bride in Illustration 9 is marked “1469 C&D Dressel Germany 2” and is

Illustrations 10-11, Cuno and Otto Dressel 1469.

Illustration 9, Cuno and Otto Dressel doll marked “1469 C&D Dressel Germany 2,” 14 inches tall, antique bridal gown.

Illustration 12, 1927 COD catalogue picture.

14 inches tall. She wears a hand-sewn antique silk wedding gown trimmed with tiny white beads and a lace overskirt. Her net veil is edged with silk rosettes that match her headband. As seen above, she has long shapely lower legs with feet molded to fit high-heeled pumps. Her body is more detailed and refined than that of the #1159, with elongated thighs and slender arms that are jointed at the elbow. There is a slight indication of a waist and breasts, giving her the figure of a slim young lady. The elegant oval face is that of a young woman, not a child, with a long straight nose and a closed mouth. She has thin one-stroke brows and her blue sleep glass eyes are not only edged with delicate painted lashes, but also have mohair lashes on the upper lids. Her old mohair wig is pulled back into a short chignon. A 1927 COD catalogue pictures a COD 1469 lady in a presentation case with an extensive trousseau, shown in Illustration 12. Although COD, who advertised this model as a teenaged girl, was offering this doll in the 1920s, the mold itself may date from the 1910s. This same mold is sometimes found carrying the name of Simon and Halbig rather than COD. The Halbig heads are on the same slender female body, but they often appear to have a softer, more wistful face, with multi-stroke brows, slightly larger eyes, and more softly painted lips. Although the mold numbers are the same, somehow the ANTIQUE DOLL COLLECTOR

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Illustrations 13-14, doll marked “Armand Marseille Germany 401 A 5/0 M,” 14 inches tall.

Illustration 15, original shoes for Armand Marseille 401.

modeling on the Halbig versions seems more refined. I have seen several of these scarce Halbig versions in their original clothing, which more closely follow the fashions of the 1910s rather than the 1920s and some even have pierced ears. Pierced ears had fallen out of fashion by the 1920s, with the advent of hats and hair styles that covered the ears and the introduction of clip and screw-back earrings. Between the era of the curvaceous Gibson girl, with her puffed out bosom, tiny waist, and rounded back-thrust hips, and that of the boyish flat-chested flapper were the 1910s, which heralded many of the changes in the female silhouette that would become the hallmark of the flapper. By 1910, the Gibson girl was replaced by French designers such as Mariano Fortuny and Paul Poiret, who introduced an elongated slender silhouette with little emphasis on the bust or waist. The Gibson’s girl’s corset was discarded, along with layers of chemises and petticoats, replaced by a softly-draped more columnar figure. Skirts became shorter, exposing the ankles and rising to the lower part of the calf. The 1920s would continue to simplify this straight silhouette and hemlines would continue their climb up the leg. The high-piled Gibson girl pompadour gave way to shorter hair, often pulled into a chignon. In the mid1910s, ballroom dancer Irene Castle Treman introduced bobbed hair when she cut her long locks. Slim and lovely, 38

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Castle was a trendsetter, and the Castle Bob was adopted by those literally on the cutting edge of fashion. Bobbed hair became the signature style of the flapper in 1923 when beautiful silent film star Colleen Moore had her hair cut in a pageboy bob for her role in the movie, “Flaming Youth.” Therefore, Simon and Halbig may have introduced the 1469 lady under its own name during this transition period of the 1910s, and continued to produce the same model for COD throughout the 1920s. Posing in her original commercially made “step-ins,” the blonde beauty in Illustration 13 is Mold 401 by Armand Marseille. Her ball-jointed body is identical to that of the COD bride. The original mohair wig is cut into a bob and she has her original bead choker and rayon stockings (I added the garters to help keep them up). Her “mules” are antique and were part of her original wardrobe, but it looks like someone carefully cut down a pair of pumps to make them. Marked on the back of her head “Armand Marseille Germany 401 A 5/0 M,” she is 14 inches tall. The close up of her face shows a certain resemblance to the COD flapper, but her face is fuller and her nose slightly flatter and broader. Her blue sleep eyes also have mohair lashes, but her eyebrows are feathered, rather than the single stroke. Although this model is of beautiful fired bisque, she can also be found in painted bisque,

Illustrations 16-17, doll marked “Germany M.H. A. 300 M. 12/0X,” 9 inches tall.

suggesting this mold continued to be produced very late. This doll came with a large wardrobe of commercially made and home-styled clothing dating from the early 1920s, including her lace bandeau or headband. The bandeau was a popular hair accessory in the 1920s, worn everywhere from the boudoir to the ballroom, to help control, or to dress up, short bobbed hair. A lacy bandeau such as this one might be worn in the bedroom to keep short hair smooth while the woman slept or out of her face while she applied her makeup. A sports bandeau of absorbent cloth might be worn while swimming or playing tennis, and in the evening an elaborately feathered, embroidered, or beaded bandeau would bring glamour to short locks. Included in her extensive wardrobe were several pairs of shoes, in addition to her mules. Two pairs are pictured in Illustration 15, one pair marked “Germany” on the sole. The last of these long-legged ladies is pictured in Illustration 16. Also by Armand Marseille, her sheer lace step-ins barely conceal her slim body with small molded breasts, slight waist, and long shapely legs with painted thigh-high cream stockings and molded gold pumps. Just 9 inches tall, she exudes an aura of elegance. Her boudoir cap, made of vintage lace and ribbon, covers the worn remains of her mohair wig. Descended from the night cap donned by women in the previous century, the boudoir cap

was a dainty confection of lace and silken ribbon. Like the bandeau, the cap protected hair from being mussed while sleeping or dressing. As seen in Illustration 17, her oval face with its long slender nose, narrow blue sleep eyes, and beestung lips, also resembles that of the COD bride, but like her 401 sister, she has delicately feathered brows. She is marked on her head “Germany M.H. A. 300 M. 12/0X.” These lovely long-legged ladies are quite elusive. Although ladies, such as the serene chinas, elegant parians, and aristocratic French fashions, once dominated the doll world, by the 1880s, the wistful bebes and the wideeyed Germany doll faces had conquered the playroom. Although lady dolls won a brief reprieve with the popularity of the Gibson girl, their so-called ﬂapper sisters are few and far between. Perhaps, while many parents would not have minded their little girl growing up to be a graceful and demure Gibson girl, unlike Zelda Fitzgerald, most parents cringed at the thought of their darling daughter becoming a ﬂapper. Sharon Weintraub is the author of Bawdy Bisques and Naughty Novelties: German Bathing Beauties and Their Risqué Kin bawdybisques.blogspot.com BIBLIOGRAPHY Cieslik, Jurgen and Maryanne. German Doll Encyclopedia 1800-1939. Cumberland, Maryland: Hobby House Press, 1985. Cieslik, Jurgen and Maryanne. German Doll Studies. Annapolis, Maryland: Gold Horse Publishing, 1999. Foulke, Jan. Simon and Halbig Dolls; the Artful Aspect. Cumberland, Maryland: Hobby House Press, 1984. ANTIQUE DOLL COLLECTOR

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Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

2003, 33” Steiff Maximilian, button & tag in ear, #123/1500 made exclusively for the Toy Shoppe $595 22” S&H #1159 Lady Doll, great 22” Kestner Baby Dome Head 18, blue sleep original body, auburn mohair eyes, jointed wrist, wig and clothing. Net over cotton dress, beautiful face and repainted hands, $695 coloring, slight repair on left cheek and chin, brown sleep eyes. Was $1150 Now $950 8” Adorable SFBJ #247 Twirp baby, blonde mohair wig, 5 piece baby body, blue glass eyes, C/M, great coloring $1095

8” 1870 Rare hair do, AWFR, Kister Porcelain Factory, blue eyes, bisque legs & arms, brown shoes, wonderful hair do $250 19” Molded brown eye ﬂat top China, great coloring & molding, hairline by left eye, left shoulder plate reglued, new body, china arms and legs $125

25” 1830 Wax over composition C/M, brown glass eyes open with wire, cloth body, arms of blue leather, fabulous material, in white dress with aqua blue satin ties, HH wig with antique lace and silk bonnet $1350

22” O/M Toddler K star R #126 with teeth, blue sleep eyes, lower left lid has a tiny eye ﬂake, body repainted, great expression. Was $495 Now $450 20” K star R baby #126, blue sleep eyes, mohair wig Was $550 Now $495

16.5” 1957 Alexander Elise Ballerina, jointed elbows and knees, no shoes $185 16.5” Elise 1957 Bridesmaid #1638 in box with tagged nightgown, shoes and ﬂowers, no basket. Was $425 Now $295 18” Uneeda Dolly Kins, all original, blue sleep eyes, black hair with pearls, satin and net tutu, fully jointed $150 8” NASB Mufﬁe, Sold 18” Ideal 1930’s compo Shirley Temple, original wig and dress, newer combination and shoes, great coloring, lip touch up, almost no crazing, great doll $325

4.75” 1920 A 16/0M pair, moveable bisque head, jointed 5 piece compo body, glass eyes, CM, all original outﬁts and wigs $265 6” Steiff 1960’s Mohair bear, no tag or button, stitched nose, glass eyes, jointed $150

19” Nippon Hilda, about 1915 Japan, original body, blue sleep eyes, mohair wig Was $650 Now $450 1960 Steiff Mopsy, swivel head, tongue, has Mopsy tag $95 17” Baby Horsman Nippon #2, blue sleep eyes, paint touch up on hands, 1915 $150

6” Wee Patsy Effanbee “Fairy Princess”, all original $175 9” German bisque Recknagle 28-7, molded cap w/ blue pom poms, O/C/M with teeth, Intaglio eyes, 5 piece baby body, smiling face. Was $425 Now $325 6” Wee Patsy, Effanbee with original pin and 2 outﬁts, Colleen Moore Doll House doll $225

14”Alpaca R John Wright jointed Winnie the Pooh with boots and ﬂannel-wool scarf, open mouth with tongue, box & certiﬁcate #7/1000, Walt Disney World Convention. Was $695 Now $400 12” Alpaca R. John Wright Winnie the Pooh, black glass eyes, jointed Was $425 Now $310 14” Alpaca R John Wright jointed Winnie the Pooh with honey bee on ear, glass eyes and honey pot, #4459/5000. Was $395 Now $325 16”x8” Winnie the Pooh Bears bed with antique type mattress, blanket and pillow, white iron/ metal bed #102/500 Was $499 Now $399.99

1969 Early English Sasha, Sold Sasha Baby Ginger, Sasha tag on arm, no box $125 1981 Sasha Velvet, L.E. 3701/5000,style 180, Sasha tag on arm, HH wig, blue eyes $189.95 11”x8” US Zone Germany Steiff horse, alpaca & mohair, glass eyes, felt hoofs $125

LAYAW AVAILA AY BLE

23.5” 1980 Lenci Lavonia with box and COA, nylon and felt dress, blue eyes Was $580 Now $325 28” Seated 25.5” Briget Deval “Gerda” Sold 24” OAK Rosie, ODACA artist Gillie Charleston, wax over porcelain arms, legs, head and shoulderplate, brown eyes, brown HH wig, C/M, purple & lavender ﬂoral cotton coat, holding bouquet. Was $1440 Now $995

Winnie the Pooh Series R John Wright all MIB 11.5” Christopher Robin & Winnie the Pooh, blue jacket, white hat, tan short pants, white shirt with suspenders and buttons, mohair wig, brown eyes, leather sandal shoes #317/1500 $1055 6” Pocket Eeyore, #327/3500. Was $284.95 Now $235 5” R John Wright Kanga & Roo #2495/3500 both with jointed heads $225 4.5” Tigger #757/3500, jointed head $235 7” Piglet with Violets, #1008/2500 $245

English wood hand painted dishes, 27 pieces, compote, 2 candle sticks, 2 ﬂower vases, dishes and soup bowls $125 Tilt Top wood hand-made table by Fred Laughan, 1985, table is 6” round by 9.5” tilted $75 Shaker sewing table, top is 4.5” x 5”, 6.5” high, 2 drawers open either side, wooden table by Fred Laughan 5/29/84 $60 1.75”x2.25” Brynes Thumb Dictionary $65 1.75”x2.25” 1924 Hotel, St. Regis New York, photo of hotel and calendar, leather $55 1.75” German Brass pig with tape measure in tummy, crank tail to wind up tape, 4 leaf clover in mouth $150 1.5”x2” 1912&1913 Calendar, red leather cover, as is $45 each 1”x1.5” Leather album with embossing and metal latch, old photos inside $150 1.5”x2” Dew Drops America Tract Society, gold edging $32 each 1”x1.25” Bible, 1943, given to soldiers $32

19.5” Monika Collette L.E. 35, velvet coat and hat with black braid trim with silk gown, sculptured brown eyes looking to the right, brown mohair, porcelain head, arms and legs $795 21” “Love Letters” L.E. 35 Monika “Tienna Linnea”, purple patterned silk gown mohair wig with ringlets, porcelain head, arms and legs, beautiful sculptured face and brown eyes, graceful hands holding a rose, $795 19” Early Monika doll L.E. 35, bare feet, mohair wig, sculpted painted brown eyes, porcelain head, arms and legs, cloth body, ivory satin and lace gown $695

The Seven Faces of Margaret by Rebecca Hawkins

hy do we do this? Those of us who have discovered the exciting world of dolls and made them an integral part of our lives have done so based on the personal feelings these miniature, inanimate objects bring to our lives. While their beauty, craftsmanship and history are intriguing enough, it’s the mind game we play regarding their previous, and especially their original owners, that excites us the most. My personal collection covers French and German antique dolls from the 1850’s to the turn of the century and while I love this segment of my collection, my other area of interest, early rag dolls, elicits the most wonder and excitement. Why? Because I know that the dolls were owned by young children who befriended them and made them a part of their lives and sometimes passed them along to younger friends or relatives who loved them in the same way. It was with this in mind that I came to know Margaret, or at least that’s the name on the tag of her original skirt. Having purchased her at one of my club’s doll shows several years ago from Charles and Sherry Minton I discovered from the Mintons that she came from a family collection in Tennessee. Discussions with the gentleman who had previously owned Margaret revealed that she belonged to his grandmother then his mother and while their nicer dolls had been “put away” Margaret was always “played with and loved”. How lucky could I be! At this point a brief description of Margaret is in order. She is dressed in her original skirt, hat, underwear and socks. They are quite worn but are made just to fit her. She has a human hair wig that is stitched to black material and attached to her head. Her well constructed lady body is made of cotton sheeting designed to be flexible at the hips, knees, shoulders and elbows and her feet, which the maker stitched onto her legs, are separately made and stitched forming individual toes, heels, and arches. Her hands are “mitten-type” with stitches forming four fingers on each hand and separately applied thumbs. My mind games started ANTIQUE DOLL COLLECTOR

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when I realized that this type of body was typical of china dolls made in the 1860’s but her pencil drawn face was more typical of 1880’s dolls. Maybe someone had just put a cloth head on an older china body. The conflicting thoughts about Margaret’s origin percolated in the back of my mind until sometime in 2011 when I was making a presentation on antique cloth dolls to the Atlanta Doll Club. After my talk on such a “weighty subject” the discussion changed to hand made cloth dolls and some of us shared examples of cloth dolls with the group. Margaret had accompanied me to the meeting and as a one of our “cloth guests” began to find her way around the room. Maybe seeing her in a different light caused me to notice a piece of material sticking out from the underside of her head. Could it be that there was another face under the one we could all see? Through lunch we discussed the possibilities and the technique we could use to find out. I must say that I was not without trepidation at the thought of taking scissors to my beloved Margaret’s face but with more than a little moral support from my good doll friend Catherine, I began to snip away and slowly we pulled the first layer up to expose another face! It was highlighted by hand stitched cotton sheeting and her face was pencil drawn with elaborate earrings. Her cheeks, mouth and ears had been painted pink and the head had remnants of black material that appeared to be hair. Who had changed Margaret’s face? The detailing of her face seems to be beyond a child’s capability; maybe a mother or grandmother… The story could end here and I would have plenty of food for thought as I tried to determine more about Margaret’s second face but my juices were flowing. As I looked at the surgery Catherine and I had just performed it became apparent to me that we had just started! There was more. The stitching could easily be undone without damaging Margaret’s physical integrity and away we went. A few moments of snipping revealed face number three. It had been slightly damaged, probably dropped, causing it to tear, but with close inspection, we could see circles drawn for eyes and an oval for a mouth. These features were done in pencil and her face was stitched to black material used for hair. The workmanship was the most crude so far. Had the mother made the head covering and then let her child draw Margaret’s face? Nothing was stopping us. We were “experts” now and quickly uncovered face number four. As we delved earlier into Margaret’s past we discovered cloth from another era. Her face seemed to be made of hand spun cotton and her nose location was a cutout that revealed a stitched cotton nose protruding though the hole. Her eyes were also cutouts with eyeballs drawn inside and her mouth and cheeks had been painted on. Enough excitement for one doll club meeting so I pulled Margaret’s faces back into place and pinned them just as I had found them. She found her way back to her shelf in my doll room but she did not leave my mind. Research and a calmer environment brought me to the understanding that further investigative work would be more intricate and as a result more difficult. It was very important not to damage 42

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Margaret has a well constructed flexible cloth body. Her separately made feet have individual toes.

Face 1

Face 4

Face 2

Face 5

Face 3

Side view of face 5

Slow and careful removing of stitches revealed Margaret had lived seven previous lives. Each was an exciting discovery! Her oldest, original face has handpainted eyes that were inserted into the cloth.

Face 6

Face 7 ANTIQUE DOLL COLLECTOR

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Margaret just for the sake of research. It looked to me like removal of her head was the only way to examine the possibility of more faces. My good friend and “Doll Expert Number One”, Georgia Alarcon, concurred with my findings. She agreed that the body was older than any of the faces we had uncovered and was excited for me to pursue further exploration of another face. Back home in the quietness of my own little upstairs workshop I went to work. Off came the head and with slow deliberate snips I began to uncover face number five. What a wonderful surprise awaited me! The face is made of cotton sheeting with painted features. Her eyebrows are painted dots, an older technique that produced similar eyebrows to those found on Queen Anne Dolls. Her eyes are drawn circles with darker dots depicting eyeballs. These features are the ones protruding through the eyeball cutouts on face number four. Her hair is beautifully painted all around the head and reflects what must have been a wonderful companion for her childhood friend. However, it appeared there was more. The nose sticking through another cutout had to come from somewhere! Again I went to work. I snipped away and when I pulled the material up I was taken aback by her beauty! For the first time the face, number six, was made of the same material as the body. I had to be getting close to the end/beginning! She has drawn eyebrows, cutouts for her eyes and nose and rosy painted cheeks. She has such a sweet, soulful face why would anyone want to cover it? I could not answer that question but I knew the empty eye holes were telling me to look further. It had been a labor of love but I knew I had to be coming to the end. This would prove to be my last discovery regarding the faces of my beloved Margaret. Her seventh and original face is a thing of beauty. By far her most beautiful face, it is made of the same material as the body and her stitched nose is there in its entirety. She has painted cheeks and a faded painted mouth. To me, the most exciting feature of the original face is her eyes which are handmade, painted and then inserted into her head. This technique is new to me and discovering it with Margaret has been as exciting as it gets. This is what doll collecting is all about. It doesn’t get much better! The beauty of a hand made cloth doll is actually reflected in the beauty perceived by the child who receives it as a gift. I can only imagine the joy passed on to so many children through Margaret’s seven reincarnations and I am in awe of the family that took the time and patience to preserve her through so many generations. I am also lucky and honored to have been the one to undo some of her secrets and to be able to share my findings with you. I hope in some way having Margaret’s past explored gives her new life. 44

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Back in the day, Margaret was quite the beauty. Her handmade eyes were made separately and inserted into the head. This is the original face.

Margaret in her final reincarnation with all her faces put back into place.

Learning About American-Made Dolls

Effanbee’s Sweetie Pie and Tousle-Tot By Ursula Mertz Photos by Christopher Partridge

he year was 1942. The United States had become involved in World War II, but that did not deter Effanbee from offering an opulent line of dolls made of composition, one of them being Sweetie Pie. An editorial of the same year in the trade journal Toys And Novelties pictured a beautifully dressed Sweetie Pie, headlined: “This Is Sweetie Pie.’” During wartime when it is highly essential that children on the home front be kept amused and contented, “Bernie” Fleischaker, president of Fleischaker & Baum, manufacturers of Effanbee dolls, decided that what was needed

today was a new baby doll, and so Sweetie Pie, “that charming little miss with the rosebud mouth, sparkling eyes and captivating smile makes its bow to the toy buyers of America.” At the annual New York City toy fair in April of 1942, Sweetie Pie was shown atop a trunk set. Three slightly opened drawers were ﬁlled with extra clothes for her and editorial copy stated: “This popular miss retails for $7.95 and up.” Obviously, wartime prosperity was generating additional income and people were spending more money on toys.

Sweetie Pie, as seen in the 1944 Montgomery Ward Christmas catalogue. Children must have been spellbound by the large image of this lovely doll.

Full page from the 1948 Christmas catalogue. While Sweetie Pie is still wearing the same outfit, her display takes up only one third of the page.

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This page is from the 1949 Christmas catalogue. Sweetie Pie’s costume has been redesigned, and she is sharing the page with Bi-Bye-Baby.

16” Sweetie Pie - Marked on head: © 1942 // Effanbee – Composition flange head and limbs, stuffed cloth body with inserted crier that still works. Disk jointed at shoulders, stitched hip joints. Blonde human hair wig, brown sleep eyes also move from side to side. Painted fingernails (not toenails) All original except for hair bow (bonnet missing). Close-up of the 16” Sweetie Pie. Note the expertly painted eyebrows and lashes. Her blonde hair is still in the original setting.

Montgomery Ward offered Sweetie Pie in their annual Christmas catalogue in the front color pages for several years, thus attesting to her popularity and success. In a full page display, the 1944 catalogue showed her in a beautiful organdy dress and matching bonnet, and she was offered in three sizes, 24, 19, and 18 inches at $15.95, 11.50, and 9.95 respectively. Accompanying copy stated: “Her ﬂirting Glassene eyes (with real lashes) move from side to side and she says ‘Ma, Ma.’ Curly ‘Tousle Tot’ hair is real lambskin … won’t mat and tangle, can be ‘shampooed’ with damp cloth – see page 72. Head, arms and legs are beautifully molded composition. Soft body is cotton stuffed…” One can only hope that parents did check “page 72” regarding shampooing instructions. The doll’s head was made of composition and usually under the wig no paint was applied. If the dampness had penetrated the lambskin, the composition would have reacted adversely. Note the mention of “glassene” eyes. Formerly the eyes of composition dolls were made entirely of metal or metal with inset irises made of celluloid. These new eyes were made of plastic. To know this should be a relief to collectors, as these plastic eyes do not crack like some of the celluloid ones used before. ANTIQUE DOLL COLLECTOR

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Full page from the 1944 Christmas catalogue, featuring two of Effanbee’s all composition “Tousle-Tots.” Who would not love to locate one of those all original dolls, particularly the one with suitcase and extensive wardrobe?

24” Sweetie Pie – Marked on head: Effanbee – Same construction as the 16” Sweetie Pie. As described in the 1944 catalogue, the snowsuits of the Tousle-Tots were made in two pieces. This Sweetie Pie’s suit was made in one piece and has two real patch pockets. When formerly garments were held together with little brass safety pins, they now feature buttons and buttonholes. Construction of the cap is identical. It was described in the catalogue as a “helmet.” A Sweetie Pie dressed in identical white show suit is pictured on an Effanbee picture puzzle. Above, close-up of 24” Sweetie Pie. This doll survived in unplayed-with condition. Effanbee called the finish on these dolls “satin smooth skin.” This smooth, matte finish should never be cleaned, as that would make it undesirably shiny. 48

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Sweetie Pie was still offered in the 1948 catalogue in the same lovely outfit, but only on one third of the page. The other two thirds of the space were taken up by DyDee and her extensive wardrobe. Only two sizes of Sweetie Pie were offered this time: 24 inches at $18.95 and 19 inches at $14.95. (Note the increase of $3.00 over the prices of four years earlier.) Sweetie Pie can again be seen in the Christmas catalog of 1949 with identical description. This time she is seen in a dress and bonnet made of pink dotted swiss and an organdy pinafore. Still located in the color section, she is now sharing the page with “Bi-Bye-Baby,” and is again offered in three sizes: 24” tall at $16.49, 19” at $13.49. A new, smaller size, 16” tall at $10.49, has been added. Obviously, the price for the two taller dolls has been lowered from the previous year, and this is pointed out alongside the new quote, probably an indication that demand for Sweetie Pie had slowed down. An actual 16” tall Sweetie Pie doll is pictured with this article. She was outfitted with a curly, blonde human hair wig. Her eyes move from side to side as well. They are popularly known among collectors as “flirty” eyes. Manufacturers always tried to make the most of popular models. By making slight changes, the same doll head could be used for other “numbers” and be given a different name. Usually that included changing the eye color, type of wig etc. Going back to the 1944 Montgomery Christmas catalog, on another page besides the Sweetie Pie doll described, two versions of Effanbee’s “Tousle-Tot” were offered. Surprisingly, both of them looked exactly like Sweetie Pie: Identical head, same flirty eyes and even same brown lambskin wig. The catalog description was identical as well, except that instead of stuffed cloth bodies, the Tousle-Tots featured all composition ones and were fully jointed. The first doll was offered in a 20-inch size and shown with accompanying travel case and extensive layette at $21.00. The second Tousle-Tot is shown in a light blue twopiece snowsuit and matching cap, trimmed with pink braid. Also mentioned was that underneath the snowsuit the doll is wearing a broadcloth romper. A 24 inch size at $15.00 and a 19 inch size at $11.45 was available. The snowsuit was avaiable in pink or blue. Illustrated with this article is a 24” Sweetie Pie with stuffed cloth body that is dressed in a one-piece white fleece snowsuit and matching cap of similar style as the two

Under her snowsuit Sweetie Pie is wearing a crème colored playsuit made of some kind of crepe material. It too has buttons and buttonholes. When usually cloth bodies were manufactured of tan cotton fabrics, with these dolls an effort was made to match the color of the cloth to that of the composition limbs. The crier was usually inserted in the back. With these two Effanbee dolls, the outline of the cry box can be seen in front. Her fingernails were painted in a pale, pink tone (not the toe nails).

tousle-Tots. This doll too is wearing a romper under her snowsuit but it was made of some kind of crepe material. Unlike Sweetie Pie, the two Tousle-Tots were not carried again in the 1948 and 1949 Montgomery Christmas catalogs. Effanbee’s DyDee and other drink and wet dolls had taken center stage. Apparently, the all composition Tousle-Tots were not that popular. This is unfortunate for today’s collectors. Who would not love to own the Tousle-Tots seen in the catalogue?

ANTIQUE & COLLECTIBLE DOLL AUCTION Saturday, August 18, 2012 Location: Blencoe Community Center, 413 Main, Blencoe, IA. 1000 Dolls to Sell!

Auctioneer’s Comment: Due to her health Charlotte Stachowski will be selling at this public auction all of her entire 50 year collection. This will be a LIVE auction without reserves or buy backs. The buyers attending will make their own personal inspections. We will be setting up for this auction only 2 days ahead. We shall be selling by the Lot Number. There will be no time to catalog the entire sale. After visiting the home we can only say there are hundreds to sell. There are Large and Small sizes of German, French, and American Dolls. Bring your own note pad so you can write down the dolls you are interested in bidding on. Thank You, McCall Auctions Inventory Includes: French Limoges (ALcc 10 Ed tusson) 30” Very old – (her name is Cherrie), 19” Shirley Temple with teeth Comp., 28” German 370 A.O.M., other include Kestner’s, Jumeau, Armand Marseille, Simon & Halbig, French German Babies, Hard Plastics, China, Bru, F&B with ﬂirty eyes, H&M’s, Effanbee, Barbies, Hildy Toddlers, Vintage Dolls of all types, clothing wigs etc. and the listings go on and on. It’s a worthwhile auction event! Make plans to attend and tell all your friends! Motel Accommodations: Onawa, Iowa Super 8 – Ph. 712-423-2101

Sale information & pictures available online at: www.McCallAuctions.com Next Estate Doll Auction September 22, 2012 Sellers: Charlotte and John Stachowski

Auction Conducted By: McCall Auctions and Real Estate, Onawa, Iowa, Ph: 712-423-1901

ANTIQUE DOLL COLLECTOR

AUGUST 2012

Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

Beautifulbebes.com

Twelve inches of pure perfection. One of the prettiest Premier Jumeau dolls I have had the pleasure of caring for. Original wig over original pate, antique shoes with original rosettes, the most lovely pale blue spiral threaded eyes. Oh La La! $9500

Words fail to express the beauty of this Schmitt Bebe. Timeless and captivating with mystic blue spiral threaded eyes and flawless bisque. Sixteen inches of sheer delight. Marked at head and body. $16,500

Radiant blue eyes, rose petal cheeks and lips ripe with hues of summer berries. Jumeau succeeded once again in bringing the most beautiful Bebes to the market! Twenty two inches tall, marked size 10 in red, this is a Mademoiselle that will bring sunshine and beauty into your home. $6200

Alt, Beck and Gottschalk had a wonderful hand in these early dolls. This 17" lass with a Highland Mary-type look and simply huge blue eyes is charming in her antique cinnamon velvet ensemble complete with matching muff. $575

www.rubylane.com/shop/bebesatticfinds

Superb twelve inch Marie by Kammer and Reinhardt is all original from head to toe! Simply adorable and still retains crisp and clean feel to dress and under garments alike! Someone took very good care of this little princess! So desirable in this petite size with first out of mold definition. $2200

Those who signed up for the museum tour and luncheon received a NADDA goodie bag In 1922 Elizabeth Horton donated her doll collection, which had been used to raise money for various charities, to the Wenham Village Improvement Society.

National Antique Doll Dealer Show; A Week-End in Historical Boston By Valerie Fogel • Photos by DeAnne Dodson

The Wenham’s Miss Columbia, the doll who traveled the world from 1900 to 1902 to raise money for children’s charities. 52

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hat fun! This was the thought that immediately came to mind when I received the notice that National Antique Doll Dealers Association would be making Boston, Massachusetts the venue for the 2012 Spring Show. I have had the privilege to travel far and wide; however, Boston had yet to be a place I had visited. Mental images of Paul Revere riding over cobble stoned streets and a harbor filled with tea and angry patriots danced through my head. Surely, this historical and colorful place had been the birthplace of many a cloth and wooden doll! So, filled with anticipation we packed up our trunks and headed to Boston! We arrived in a downpour! History was being bathed in three inches of spring rain, making for poor visibility as our flight lowered over the sprawling city. Our spirits refused to be dampened and we made our way to the Embassy Suites in Waltham to prepare for show. The Suite Shows have always been a favorite of mine. The Embassy Suite Hotels particularly lend themselves to these shows with suite rooms built around an open atrium. We (antique doll dealers) have the opportunity to make the front room of each suite into a doll shop. Invariably, rooms that had once been boringly identical to each other, are magically transformed into unique and inviting antique doll and accessory boutiques; reflecting the interests and styles of each proprietor. I was inspired to get my suite transformed quickly as Margaret Gray Kincaid, NADDA President, had organized an enticing museum tour and luncheon for attendees and dealers prior to our show open. The tour was to include a morning visit to the charming Wenham

Diane Hoffman and Valerie Fogel at the Wenham Museum.

Museum and Claﬂin-Richard’s House on Boston’s north shore, then onto the beautiful and captivating Peabody Essex Museum in historical Salem. My fertile imagination conjured images of sea captains and witch trials and I was determined that this was a not to be missed event! The day proved to be as enjoyable as it was educational! We were greeted by a well-appointed mini-bus and delightful goody bags with Antique Doll Collector magazines, water bottles, assorted treats and adorable felt crafted blossom pins created by Margaret herself. Then we were transported through time and space. At the Wenham Museum we absorbed the displayed portion of the permanent rotating collection of intriguing dolls and accessories. We learned that in 1921, the Claﬂin-Richards House was acquired by the charitable Wenham Village Improvement Society with the goal of preserving and exhibition. Elizabeth Richards Horton, a former resident of the house, donated her International Doll Collection to the WVIS in 1922 which has remained together and is one of only two original doll collections to have remained intact worldwide. Thus, the Wenham Museum was born. A rotating permanent exhibit features upwards of 1,000 of the 5,000 dolls in the Wenham Museum’s world-renowned collection including wonderful examples of both French and German Bisque dolls, dolls made of unusual media, one of a kind artist’s renderings, and dolls by 19th and 20th-century American doll makers. Highlights of the exhibit are a late 18th-century wooden “Suzanna Holyoke” doll in original costume, late 19th-century bisque automatons, dolls by Joel Ellis, Greiner and Izannah Walker 19th and 20th-century collector dolls by Vogue, Madame Alexander and the Ideal Toy Company.

Saga Ningyo Boy with Bird, early 1600’s

Visit NADDA at nadda.org

Velocipede, c. 1855-1865 ANTIQUE DOLL COLLECTOR

AUGUST 2012

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16 1. Fritziâ&#x20AC;&#x2122;s Antique Dolls, Email: fritzisantiquedolls@comcast.net 2. Rick Saxman, Email: ricksax@earthlink.net 3. Dorothy McGonagle, Email: dorothymcgonagle@comcast.net 4. Margaret Kincaid, Email: Margaret.Kincaid@gmail.com 5. Virgina Aris, Email: virginiaaris@aol.com 6. Peggye Tombro, Email: ptombro@gmail.com 7. Phil May, Email: dollmanofog@aol.com 8. Joan & Lynette Antique Dolls, Email: joanlynettedolls@sbcglobal.net 9. Sondra Krueger, Email: sondkr@sondrakrueger.com

17 10. President of UFDC Ada Dietrich and her husband at the NADDA show. 11. Alan Pate, the well known authority on Japanese Ningyo. Email: info@antiquejapanesedolls.com 12. Lynne Shoblom, Email: victorianretreat@msn.com 13. Sheila Needle, Email: dollwitch@cox.net 14. Diane Costa, The Toy Depot, Email: toydepot@comcast.net 15. Moira Hatton, Email: hattonsgallery@cox.net 16. Sue Kallen, Email: Email: suelkallen@yahoo.com 17. Marion Maus, Email: mmausantiques@gmail.com ANTIQUE DOLL COLLECTOR

AUGUST 2012

Nancy Smith discussed American cloth dolls during a program prior to the opening on Saturday.

Dolls by Izannah Walker and a doll by Roxanna Cole were among the rare dolls in the display hosted by Nancy Smith and Tore Scelso.

Permanently displayed in the Osgood Gallery is Elizabeth Richards Horton’s International Doll Collection (IDC), the original nucleus of the museum’s doll collection. As noted on the Wenham Museum Web Site: “On behalf of charities all over the world, Mrs. Horton would plan an itinerary a year in advance, pack her dolls, and ship them off to be exhibited as a charitable fundraising event. Over the years, in an effort to expand her collection, Mrs. Horton wrote to officials, celebrities, and the crown heads of Europe to request donations to her collection. Many personalities of note responded and the collection still contains dolls from Queen Victoria, the Emperor and Empress of Japan, Czar Nicholas and Czarina Alexandra, Admiral Byrd and Cecil Rhodes, among others. A highlight of the IDC is Miss Columbia, the museum’s most famous doll. A cloth Columbian doll designed and manufactured by Emma and Marietta Adams of Oswego, N.Y., Miss Columbia traveled around the world by herself from 1900 to 1902 raising funds for children’s charities. She is displayed with her travel diary and souvenirs.” Seeing the Miss Colombia display was a special treat, igniting sparks of imagination at what a joy she must have been to the children she visited around the world. I read that at one point she had to endure a thorough wash of her hands and face after being kissed by over six hundred adoring children and adults. We trailed after each other enjoying the lovely displays of rare and beautiful bisque, wax, and wooden dolls and miniatures. Next, we were escorted by our somewhat colorful guide and forty year docent of the property, Benjamin Merry, to the fascinating Claflin-Gerrish-Richards house adjacent to the museum. The house had sheltered three centuries of families from the first period through the Victorian era and each successor had added additions and changes. Most notable were the rare ogee braces; an unusual form of architecture normally found in sixteenth century English homes. Wide 56

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old planks, huge beams, spinning wheel and giant hearth, an original 1724 bed rug given to a Wenham bride and so much more made this part of the visit an enthralling peek into the past. Our next stop was in the legendary town of Salem; home of the notorious Witch Trials in the 1600’s. We were treated to the spectacular and singularly oldest continuously operating museum in the United States, the Peabody Essex. From the history page of the museum’s web-site we learn: “The roots of the Peabody Essex Museum date to the 1799 founding of the East India Marine Society, an organization of Salem captains and supercargoes who had sailed beyond either the Cape of Good Hope or Cape Horn. The society’s charter included a provision for the establishment of a “cabinet of natural and artiﬁcial curiosities,” which is what we today would call a museum.” This classic and artistically designed museum was recently redesigned in 2003 by Moshe Safdie, a worldrenowned architect and urban planner. The sweeping tall glass atrium with accents of billowed sails and sunlight harkens back to the origins of the museum’s seafaring founders and the vessels they once sailed. PEM was among the ﬁrst museums in the United States to collect works of art and culture from around the world. These collections include contemporary and historic American, Asian, Maritime, Oceanic, Native American, and African art and culture. Additionally, the museum has an archival library and historic American and Chinese houses, ranking as the best of their kind. It was easy to see that the museum strives to be the best possible steward of history and art and the linkages these precious pieces create between the past and the present. It was then I learned as I gazed at the historic portraits of William Gray, 9th Lt. Governor of

Dolls by Martha Chase featured some of her Dickens characters.

Massachusetts, born 1750 died 1825 and his wife Elizabeth, born 1756 and died 1823, that our very own Margaret Gray Kincaid is a descendent of these notable roots. This made the visit that much more fascinating! We moved on to our delicious luncheon at the Tavern on the Green in the historic Hawthorne Hotel. Truly, the time had passed all too swiftly and I was left with a sense of longing for more! All too soon we were whisked back to our comfortable hotel to make ﬁnal touches to displays and prepare for a brief but delightful reception of hors-d’oeuvres and a no host bar. It was a fun mix of show attendees and dealers who eagerly awaited the ﬁrst ever Friday evening opening of the National Antique Doll Dealer Show followed by a full Saturday of exhibits and sales. Premier dealers were showcased from across the country. Attendees were treated to a superb variety of antique and eclectic memorabilia and ephemera, vast assortments of accessories for all manner of dolls including a stunning array of antique American, Japanese, French, German and English dolls and dolls from far reaches of the world. NADDA Shows are such a warm and friendly venue. Customers and dealers mingle and reminisce, talk shop, make discoveries and share doll adventures. The comfort of the inviting surroundings lent to an atmosphere of warmth and camaraderie. Saturday morning Nancy Smith delighted the preshow crowd with an informative and comprehensive program featuring her exhibit of American cloth dolls with contributed examples from both her own and Tore Scelso’s collections. Before her program I learned that Nancy had raised two children and had begun her adventures in dolls in 1978 as a collector and reseller. “I used to go to auction and buy anything with arms

American primitives as well as commercially-made dolls were on display.

and legs that looked like a doll,” she quipped. “I was a quick learner.” When she shared her experience as a teacher and librarian, this was not surprising! Nancy also shared her special fondness for ‘one of a kind’ cloth dolls and when asked what dolls were closest to her heart, her answer was firm; Martha Chase dolls! Everyone felt much more competent to recognize and understand the various types of dolls she presented from Izannah Walker to Wellingtons, Philadelphia Babies to Columbians and when the doors opened and the attendees spilled out they were armed with fresh enthusiasm for the days’ hunt! Overall, the week-end in Boston spent in the pursuit of education and connection with fellow doll collectors and dealers was simply magical. This journalist/doll collector/dealer would re-live the adventure again given half the chance! I am warmed and heartened to participate in an organization that is truly dedicated to not only procuring, stewarding and sharing fine antique dolls with collectors and each other, but is enthusiastic about seeking and embracing destinations with historical perspectives as a platform for sharing and experience. I have found this to be the case with all of the NADDA events I have attended and participated in over the years. The organization makes certain to bring education to the forefront; to make the venue proximal to relative and pertinent sites. This is illustrated by the recent Seattle Show which provided collectors the final opportunity to see the Rosalie Whyel Doll Museum before closing and the Kansas City Show with the evening at the Kansas City Museum of Dolls and Miniatures followed by an evening at the UFDC Headquarters and Museum for a BBQ dinner. Steeping collectors in environments conducive to learning and experience is, well…Priceless. ANTIQUE DOLL COLLECTOR

AUGUST 2012

s â&#x20AC;&#x2122; i z t i Frntique Dolls A

Buying dolls of merit & entire collections Email: fritzisantiquedolls@comcast.net

Cell 630-247-1144

We will be at the following shows: Eagle River, WI. August 4th, Kalmar Community Center Eastern National Doll Show, September 15 & 16 at Fairground, Gaithersburg, MD Countryside, IL. William Tell Inn, La Grange Rd. September 23rd

21â&#x20AC;? Portrait Jumeau, original costume, also, Early premier Bebe Jumeau. Plus Marklin carriage.

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

15” Tete Jumeau with open mouth and unusual paperweight sleep eyes, original body and vintage clothing. $2250

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

16” K&R 116/A character child with sleep brown eyes, fully jointed toddler body, and great antique sailor outfit. $1795

Antique DOLL Collector September 2012 Vol. 15, No. 8

September 2012 Vol. 15, No. 8 $595 / $695 Canada www.antiquedollcollector.com

Prices Realized by Theriault’s at Auction, July 2012

“Victoria”, Perfectly-Preserved Extensive All-Original Trousseau, Detailed Provenance

German Bisque Lady, Model 107, by C.F. Kling

$55,500

All-Original German Paper-Mache Lady

$11,500

Italian Felt Character Boy as Hockey Player by Lenci

$6,000

Rare German Complete Set of “School” by Steiff

$50,000

American Wooden Doll by Schoenhut, with Display Box

$7,000

Swiss Comic Character Dolls by Bucherer

$2,400

Bisque Character Doll and Mechanical Cow

$5,600

German Felt Soldier by Steiff with Original Buttons

$7,000

Exquisite French Cloth Taufling Doll with 1785 Date

$13,000

PO Box 151 • Annapolis, Maryland 21404 USA • Telephone 410-224-3655 Fax 410-224-2515 • www.theriaults.com

This Is What You Missed Last Year

If you didn’t subscribe to Theriault’s doll auction catalogs. Priced separately their cost is $550 plus postage. Your subscriber’s cost? Only $299, including postage. Subscribe now (before September 30) for the next ten catalogs and receive the extra bonus of FREE 2013 Calendar of Doll Art. Call 800-638-0422 or 410-2243655 or visit www.theriaults.com to order online.

The 2013 Calendar is free with your auction catalog subscription. The calendar can be ordered separately for $20 by calling 800-966-3655

5 and 20 issue subscriptions also available. Subscription price includes two-day priority shipping and after-auction prices realized. Price is for domestic subscriptions. Price of international subscriptions varies due to shipping charges.

the dollmasters PO Box 151 • Annapolis, Maryland 21404 USA Telephone 410-224-3655 • Fax 410-224-2515 www.theriaults.com

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 21" Early 10 E. J. Jumeau Bebe, blue threaded p/w eyes, immaculate pale bisque, orig. mohair wig & cork pate, "head coil" intact. Wears orig. silk & batiste costume, matching orig. hat, orig. undie set, orig. crocheted socks & marked #10 ant. "French" shoes. Orig. early "signed" 8 ball jointed Jumeau body, desirable oversized hands, the earliest of the EJ's w/number above EJ marking. I can't say enough about this Bebe. She possesses the most OUTSTANDING beautiful face. BREATHTAKING!!! $14,500. 3. - 4. 12 1/2" JDK #237 "Hilda" Toddler, mint pale bisque, br. sl.eep eyes, orig. mohair wig & plaster pate, wearing orig. batiste dress, ant. ornate straw 1-2 hat, ant. undies, crocheted socks & orig. leather shoes. On orig. "fully" jointed "SIGNED" Toddler body, 2 upper teeth, outlined lips, fully "signed" head, incised "Hilda" marking. Desirable cabinet size & BEST Hilda face. Absolutely DARLING!!! $3775. 5. - 6. 13 1/2" Hertel & Schwab #165 Googlie Toddler, mint pale bisque, blue side glancing sl. eyes, ant. mohair wig & pate, wears pale blue silk & lace dress of ant. fabrics, ant. undies & slip, orig. ant. leather shoes, ant. Fr. hat, on orig. "fully" jointed toddler body. Desirable watermelon mouth, darling cabinet size & ADORABLE!!! Only…$5550. 5-6 7. - 8. 16" Early Portrait Jumeau #7 Bebe, flawless early pale pressed bisque, huge br. p/w eyes w/early mauve blush under brows, orig. mohair wig, orig. cork pate & orig. head coil intact. Wears fabulous FACTORY orig. silk & lace dress, orig. undies, orig. Jumeau socks, orig. Portrait Jumeau shoes w/ rosettes, plus fabulous ant. Fr. silk & lace hat. On orig. early "signed" 8 ball jointed st. wrist Portrait Jumeau body. ABSOLUTELY STUNNING & priced great at only $8800. 9. 6 1/2" All Bisque Kestner Pouty W/ Jointed Knees, blue sl. eyes, perfect bisque overall, orig. mohair wig, wearing orig. batiste dress & matching onsies w/pink silk ribbons on both, added fabulous Fr. ant. pink 9 10 silk & lace hat. On orig. all bisque Kestner body w/left clenched fist, painted multi strap lavender boots & "jointed" at the knees. Looks darling sitting in a chair. Very RARE & a wonderful addition to any collection. Wonderful pouty expression & absolutely GORGEOUS!!! Only…$6500 (chair not included). 10. 5" Bye Lo Baby "All Bisque", blue sleep eyes, perfect eye wax, mint bisque overall & "swivel neck". Wears darling orig. batiste baby gown & orig. crocheted sweater & hat. Her back is fully "marked". Has the most darling pudgy cheeks & Absolutely ADORABLE!!! $1000. FIRM 11. - 12. 9" Very Early Steiner Bebe, big light blue p/w eyes, perfect pale pressed bisque, orig. blonde skin wig & Steiner pate. Wears orig. red silk & lace dress, ant. undies, ant. Fr. crocheted socks & orig. Steiner shoes. On orig. Steiner body. The most darling early Steiner, not quite 9". I have never seen one this teeny. She is absolutely GORGEOUS & extremely RARE to find this early Steiner in this tiny size. Only…$7800. 13. - 14. 15" Kestner #221 Googlie Toddler, huge blue side glancing sl. eyes, gorgeous pale bisque & rosy cheeks, big desirable watermelon mouth, orig. mohair wig, wears what I believe to be her orig. batiste dress w/matching hat, organdy apron, ant. undies, orig. ant. shoes & socks. On orig. Kestner "fully" jointed toddler body. Cutest one I have ever seen. I love her & so will you. Sure to bring you a smile. Absolutely ADORABLE!!! $8800. LAYAWAY AVAILABLE Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

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From the Editor

t is hard to believe that the greatest week in the world for doll lovers has come and gone. We arrived in New Orleans early afternoon on Saturday, July 21st. After unpacking, I enjoyed a leisurely stroll to the French market founded in 1791, passing the Café du Monde, famous for its café au lait and beignets, and Jackson Square, named for American general Andrew Jackson following his victory at the battle of New Orleans. Along my walk I passed street musicians, mimes and tap dancers, a joyful testament to the spirit of this vibrant and uniquely different city. Sunday we spent part of the day at the Theriault auction of the Speilzeugmuseum of Davos, Switzerland, held at the nearby Westin hotel. It was a fascinating sale, museum founder Angela Prader’s mantra being condition, originality and diversity. In the afternoon, early buying began at the twentyfifth annual National Doll Festival, located only a few short blocks from the UFDC convention hotel. Show promoter Rowbear Lowman thoughtfully provided a “party bus” that took shoppers from the Sheraton to the nearby Hilton. Monday, we attended day two of the Theriault auction featuring the museum collection of Judene Hansen along with other noteworthy consignments. Then back to the National Doll Festival in the afternoon for more great shopping and photography. By now, events were well underway at the convention hotel… luncheons, setting up of special exhibits and the salesroom, dynamic doll dialogues and a welcoming program for newcomers. Tuesday marked the official opening of the 63rd annual UFDC convention, one day shorter than in the past, making for four days of non-stop programs, seminars, workshops, themed meal events, the salesroom, competitive exhibits and special exhibits. The synergism of the UFDC convention, the auctions and the National Doll Festival attracts doll collectors from around the world. We’re happy to report that the doll market remains strong with dealers reporting outstanding sales and record breaking auction prices (Theriault’s marked their highest grossing two-day event in company history). A magical week of fun, friendship, doll shopping and fabulous food… Laissez les bons temps rouler!

Donna Kaonis 4

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768.

Carmel Doll Shop

Please visit www.carmeldollshop.com for a closer look at these lovely Fashion Ladies and more. While you’re there, be sure and peruse our wide selection of Clothing and Accessories. Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier! Carmel Doll Shop, 213 Forest Avenue, Paciﬁc Grove, California 93950 • (831) 643-1902 • Members of UFDC & NADDA Visa • MasterCard • American Express • We Welcome Layaway • Always Buying, Selling and Trading Fine Antique Dolls

The Complete Guide to Antique, Vintage and Collectible Dolls

FRENCH DREAM

by Kathy Embry The author researches the possible maker of this ethereal beauty.

September 2012 Volume 15, Number 8

CHINA DOLLS WITH EXQUISITE FACES

Sometimes a doll is so captivating, the fact that it is not marked takes a back seat to its beauty. This happened to Kathy Embry when she discovered a French bébé at a UFDC salesroom. Having many characteristics of the ﬁrm Schmitt et Fils, the author shares this lovely French dream with us. Photo and Collection Kathy Embry.

ERNESTO PERUGGI:

America’s Forgotten Doll Designer This talented doll designer and sculptor received little recognition during his lifetime. 6

JANE’S HOUSE GETS A SECOND CHANCE

by Susan Grimshaw A fascinating look at how a large dollhouse was tastefully restored.

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

THE MYSTERY OF MARY MCEWEN

by Laurie Christman China dolls whose painting and artistry elevates them to a higher level.

About The Cover

by Jenny Jones and Lois Cohorst Fascinating information is revealed about the maker of these unusual wax dolls.

46 DVD Review 48 Auction Gallery 59 News

UFDC SPECIAL EXHIBIT: THE QUEEN’S JUBILEE

Photos taken at the national 2012 UFDC Convention by Keith Kaonis

60 Calendar 61 Emporium 63 Classified

UFDC SALESROOM, JULY 24 - JULY 27

3rd Annual

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Any Fine Quality Doll on this page is priced at $100 – $250! Many in original clothes!

Call 1-212-787-7279 for information! P.O. Box 1410 • NY, NY 10023

3rd Annual

BACK TO SCHOOL EVENT! 27

Any Doll on this page is priced at $295 â&#x20AC;&#x201C; $495! Call 1-212-787-7279

3rd Annual

BACK TO SCHOOL EVENT!

Any Fine Quality Doll on this page is priced at $295 – $495! Many in original clothes!

Call 1-212-787-7279 for information! P.O. Box 1410 • NY, NY 10023

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS 1 - 3. 7 1/2” Completely and impeccably ALL ORIGINAL Gaultier fashion w/ Gesland body. Elaborate, matching underclothes hiding beneath her crisp, silk skirt and long, velvet jacket w/ soutache trim. Bonnet, wig, boots, jewelry, everything…hers from the start and in beautiful condition. The one to own! $7450. 4 - 5. 15 1/2” Schmitt et Fils bebe, fully marked head/body, orig. antique ensemble, even the antique French newspaper stuffed under her antique, long ext. wig, orig. underclothes and a pristine corset as well! $12,900. 6. French miniature rosary contained in its gutta percha, egg-shaped storage case. $225.

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1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 10

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

French Dream

by Kathy Embry

She stands 30 inches tall in her antique attire. She now has an antique blond mohair wig to adorn her round full face. Her long narrow shoes fit her perfectly. She has bulbous pale blue eyes outlined with a darker blue iris circle. Notice the blue threading inside her iris. Her delicate lips have painted highlights on top and bottom with a darker painted line between. Her long curved eyebrows have feathered strokes over a light brow line.

t happened at an UFDC convention in the sales room on a Tuesday afternoon, after the rush of Monday night madness. My husband and my partner in doll collecting and I always like to go back and take our time the next afternoon when the sales room re-opens. We were browsing up and down aisles when a unique looking French bebe took our breath away as we both simultaneously stared at her in a well known dealer’s sales booth. It was love at first sight. What was she? Where had she come from? How did we miss her the first night and how was she still standing there today? She certainly stood tall at 30 inches. We learned she had been in the famous Mary Merritt Doll Museum and sold at one of the auctions to liquidate the collections when the museum closed its doors in 2006. Later after looking her up in the auction catalog, we could see how she was not recognizable since her wig and clothes were now quite different. Her former attire was not worthy of this gorgeous face. The dealer knew this too and appropriately changed her wig and clothes. After the details were agreed upon my French dream doll was coming home with us! As we carried her out past other dealers and friends, everyone couldn’t help but notice her so we asked opinions about who they thought may have produced her. Most didn’t know or weren’t sure, but all agreed she was gorgeous! I knew I would want to do some research and try to figure out which French manufacturer most likely produced this lovely early child doll and so I have been studying and this is what I have learned. She definitely fits into the Schmitt requirements due to her unique distinctive body style. These bodies have a flatcut shaping of the derriere rim (where the Schmitt crossed hammer insignia usually appears on the flat-cut edge). My doll’s body does not have this mark. They have large ball joints in the shoulders, elbows, knees and hips, gauntlet shaped forearms with straight wrists and slightly separated fingers on their cupped hands. The lower legs are muscular with a ANTIQUE DOLL COLLECTOR

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She has all the criteria of a Schmitt body style, from her unique gauntlet arms, straight wrists, flat cut derriere, muscular legs, and large ball joints down to her narrow feet. The black stamp ‘1884’ can be seen on her back as well as the ‘14’ on her head. Her lower legs are muscular and she has long narrow feet with her big toes slightly separated.

The flat-cut shaping of the derriere rim is distinctive and unique to Schmitt bebes.

ANTIQUE DOLL COLLECTOR

Her uniquely shaped arms have large ball joints. Her hands are like a Schmitt’s with a cupped shape and separated fingers.

SEPTEMBER 2012

This view shows matching blush on her ears, as well as her cheeks and eyelids, just like a Schmitt Bebe.

slender ankle and long narrow feet with the big toes slightly separated. My doll’s body does have these criteria. A black stamp can be found on my doll’s back with the year ‘1884’… perhaps this was the year she was produced. The early heads were always pressed bisque, not poured. My doll’s bisque pressed head is marked with only a number, ‘14.’ The Schmitt bebe’s were marked with size numbers but usually with the shield mark around the crossed hammers or on the earlier dolls the letters ‘Bte. SGDG’ which does not appear on my doll. She does fit into the early full round face molds that were this maker’s first type of bebe dolls. Her almond shaped blue threaded paper weight eyes are the early type with black outlining the eyes and perfect eyelashes. She has delicate blush color on her cheeks, matching her lids and lightly blushed pierced ears. The Schmitt bebes were blushed on their ears as well as cheeks and eyelids. Her mouth is closed with a darker painted line between her lips with highlighting around the tops and bottom with a lighter lip shading between. Her long curved thin eyebrows are feathered on top of the lighter shading, giving her an unusual look and charm all her own. The Schmitt dolls did not always have cork pates, but sometimes heavy cardboard, often painted flesh color and they usually wore sheepskin wigs. They have also been found in all original clothes with a plaster pate. My doll has a cork pate now (which may have been added) and a replaced mohair French wig. So as you can see it is quite confusing to determine for certain which French doll firm may have produced this bebe. She has a Schmitt type body, not marked, a Schmitt type bisque head, but not marked. Schmitt et Fils produced some of the most beautiful French bebe dolls ever made and I believe my French doll is equal to this firm’s production. On May 5, 1877 the father, Henri Maurice Schmitt and son, Charles Schmitt jointly filed their trademark of two crossed hammers in an escutcheon, with the initials SCH. They began making their bebes in the late 1870s and in 1877 were granted a patent for improved coloring and tinting of porcelain heads for bebes and dolls. In 1878 they won a

silver medal at the Paris Exposition where they showed their ‘unbreakable improved dolls and bebes’. From 1879 until 1890, the company advertised ‘Bebe Schmitt.’ Since these dolls are not found in large numbers we can assume that their production was small. They continued to patent for new ideas in their quest for a better doll. By the 1890s times were changing for French companies in competition with German manufacturers, who were able to produce more dolls for less money. These familiar challenges can be found in our own time. This company like other French factories could not successfully compete in the new market and sadly the Schmitt et Fils name disappeared. Life goes on and today we doll collectors are fortunate either to be temporary care givers or be able to at least view these unique gorgeous bebes in collections or museums. I am temporarily a lucky care giver and plan to take my job very seriously for as long as I can. No matter which French doll manufacturer for certain produced my French dream doll, I love her and she will always be a special memory I will not forget. References: The Encyclopedia of French Dolls Volume II L-Z by Francois & Danielle Theimer Doll Makers & Marks A Guide to Identiﬁcation by Dawn Herlocher Dolls A Collector’s Guide by Olivia Bristol Fabulous French Bebes by Mildred Seeley

My French Dream doll has an unusual look with a charm all her own. A child doll produced with fine qualities by a French firm, she is not easily found since these early dolls were not produced in large numbers. Her large almond shaped pale blue eyes are very alluring and can spellbind you into taking her home without any hesitation. ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

China Dolls with Exquisite Faces by Laurie Christman

Doll 1. My favorite doll is this lovely 23-inch example with a sweet and innocent countenance.

s collectors, we find ourselves drawn to certain dolls for a myriad of reasons. Rarity, charm, originality, or beauty can be compelling and we can all identify with finding and wanting a doll that affects us in an inexplicable way. As a new collector 35 years ago, I was particularly fond of antique china dolls, especially those with country charm. The ones I loved had a warm and affectionate look that touched me. For years I scoured shows for these motherly ladies and delightful children from the mid-1800’s. It wasn’t until much later that I discovered that there were china dolls whose faces were as beautiful as their French bisque rivals. While these dolls were not as plentiful as their plainer china relatives, there were still many marvelous examples to be discovered and admired. Once I began a more refined search, I found many examples that displayed an astounding level of skill and artistry. In fact, I was conflicted as to whether they should have actually been considered pieces of art and not toys, for their beauty seemed to be representative of the ideals of the Romantic Period in

which they were crafted. At that time, poetry, art and music were changing and evolving. While literary historians label the Romantic Period as beginning in 1798 with the publication of Lyrical Ballads by Wordsworth and Coleridge and ending in 1832 with the deaths of Sir Walter Scott and Goethe, the Romantic period expressed itself in all of the arts, including music, painting, sculpture and architecture. As the changes in these various media occurred during slightly different time frames, before and after these years, many place the period of Romanticism in the wider time frame of 1770 to around 1870. The proponents of the Romantic Period felt that the time had come for the heart of man to be free to express passion and love. All that inspired man to that end came to be revered. The goal was to stir the emotions and to help man address the deeper longings of both heart and soul. To this end, beauty was greatly admired, as we can see by the art and music of the period. Liszt and Chopin (often called “the poet of the piano”) wrote music that stirred the soul. Visual art not only expressed ANTIQUE DOLL COLLECTOR

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Doll 2. With her upward glancing eyes, this china almost appears to be praying.

the aesthetic of what was considered the perfect beauty of the time but also seemed to have the purpose of inciting the passion of humanity. In other words, it was more important for art to be aesthetically pleasing and expressive than it was for it to be accurate and reasonable. The striving to touch the core of humanity is what Romantic art was all about. Therefore, it isn’t hard to understand why beautiful things were held in such high regard. Sometimes I look at the faces of the dolls, both male and female, that seem to show such inspiration and I know that these dolls were painted from the heart of the artist. I see this love of beauty in so many of the china dolls from the time of their manufacture beginning in the 1840’s and onward. While these dolls were not made to be objects of art as such, each piece, being hand painted and ﬁnished, was as close to art as any object could be. Many in the doll world have noted that there are great similarities in painting styles within the individual companies, and this is very true. But even within the parameters set for the different companies there are clearly examples that display a truly talented and skilled hand which sets these dolls apart. When one examines the painting on an exquisitely rendered piece, the features are clear and expressive and without ﬂaw. Even 24

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Doll 3. The artistry of KPM is clearly evident in this doll’s aquiline nose and sensuous mouth.

Doll 4. Only 7 inches tall, this bun china is nevertheless expertly painted.

Doll 5. This china has an aristocratic bearing. Note her finely detailed brushstrokes.

Doll 6. A 12-inch bun china on a wood body.

so, one must also realize that there is subjectivity in everything artistic and what appeals to one collector may not excite admiration in another. That being said, I have some examples which to my humble taste seem like they were created with great care and skill and rival the beauty of any doll of the time. My first example (Doll 1) is a profoundly lovely bun china from the 1840’s. Her face is sublime and demonstrates the skill of the artist who created her. Her beautiful face is pure and innocent with the sweet countenance of a young lady about to start her adult life. She has a soft pink tint to her complexion and her features are rendered exquisitely, showing no indications of an inexperienced creator. The brush strokes creating the eyes and eyebrows are delicate and exact and her lips are full and turned up just slightly at the corners giving her a hint of a smile. Eyes are painted with partial outlines of the bright blue irises with highlights on the left side as we face the doll. Her nose is straight and patrician, yet soft and not haughty. Her neck is elegant and her little pointed chin, so delicate. Total height is 23 inches and she is on her original cloth body. My next example (Doll 2) is often referred to as a Lydia-Type. She is 19 inches tall and on a cloth body. Some would call her a Sophia Smith, but she is an example that falls somewhere between a Lydia and a Sophia. Her ringlets are long and fall below her chin and her face has almost a religious look with the upward glancing eyes. This doll was made in the 1850’s. She has a beautiful pink tint and a very elegant look. No one could ignore the beautiful face on this lady (Doll 3). She is a large, 25-inch KPM with stunning features. Sometimes I walk by the doll cabinet and just have to catch my breath. Her eyes are penetrating and have an unmistakable depth to them. The mouth is full and sensuous. Sometimes we are called by the rarity of a doll. The search is a pleasure and we all know how exciting it is to find that doll that eludes us. In the case of this KPM, one can see that rarity is matched by artistry. What a beautiful lady! There were times in the past when I felt that the larger dolls just were more beautiful. Their faces, at a significant size, stood out with defined modeling and their beauty was easily visible. Then I came across several small chinas that had exquisitely painted features. Some of these little ones had features that were barely visible due to their tiny size, yet when inspected with a loupe proved perfectly done. This little gal (Doll 4) is a small bun china at about 7 inches. Her features speak for themselves. The next example is a lovely 11-inch china (Doll 5) with fancy hairdo. She has tiny individual brushstrokes at the sides of her head at her temples. They are so fine and small that they are hard to see upon first glance but are amazingly clear when one inspects the doll at closer range. Her face is angelic ANTIQUE DOLL COLLECTOR

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Doll 7. A lovely example of the fairly common “flat-top” proves plain can be beautiful.

Doll 8. Only a few examples of this mold have been seen. Her features are quite extraordinary. Collection of Svetlana Yanova.

Doll 9. Another common mold known as the covered wagon hairstyle, yet beautifully rendered with eyelashes and carefully delineated eyebrows.

ANTIQUE DOLL COLLECTOR

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and her hairstyle is lovely and complex. Another fine example is this very early bun china on wooden body (Doll 6). She is approximately 12 inches tall and has a very serene expression. While relatively small, she has fine, clear features and a lovely countenance. Who could ever say that the more common china dolls don’t boast examples that were as finely crafted as the rarer beauties of the china world? This example (Doll 7) is a doll whose mold is rather common. In fact, I see this mold at least once a doll show, but I have never seen an example like this. The eyes on this doll are magnificent. They are huge and piercing, yet soft and sweet. Every feature on this gal is painted deftly and perfectly. She is a large doll, a little over 25 inches tall. Her body is cloth with well-preserved, robust leather arms. This example is truly a rarity (Doll 8 - Collection of Svetlana Yanova). I have seen only a couple of this mold in my years of collecting. She is approximately 23 inches tall and has unique coloring and dramatic features. This doll looks like she is in the midst of spiritual ecstasy. I have always loved Covered Wagon dolls. I find them cheerful and friendly looking. They seem to be the epitome of a play doll. This example (Doll 9) has the bonus of rare eyelashes and single stroked eyebrows. The artist must have taken a lot of time painting her to make her so appealing. Doll 10 (Collection of Svetlana Yanova) has a very high and regal forehead which emphasizes her oval

face. She has huge eyes which seem to gaze back at all who are admiring her. Her features aren’t perfectly symmetrical but work well to create a soft and feminine look. She is about 17 inches tall and on a cloth body with leather arms. One of my earlier doll purchases was this china on a milliner’s model body. (Doll 11). She has braids on both sides that wrap around into a bun in the back. She is about 19.5 inches tall. The last doll photographed is this beautifully rendered lady (Doll 12) . Her features are clear and fine. No mistakes are visible as the brushstrokes are even and refined. Her hair wraps around into a figure eight bun in back. She is large at 24 inches tall. Not only is her face divine, but her hairstyle is flattering and intricate. Everything came together to make her a very special example. In conclusion, it is clear that there are many antique china dolls whose exquisite faces and overall artistry equal and sometimes surpass dolls of other more popular genres. Whether we consider them art or toys, one cannot ignore the reality that these faces were painted with great artistic skill and executed to evoke passion and delight. They remain stellar examples of the ideals of loveliness and beauty of the Romantic Period from which some of the most moving and stunning creations of art and music were born. Whether it be a piece of music, an aesthetically pleasing sculpture, a painting or an exquisite doll, these works of art will continue to inspire us and remind us that we should seek beauty in nature, ourselves, our friends and the world around us.

Doll 10. An unusual face registers her regal bearing. Collection of Svetlana Yanova.

Dolls are from the author’s collection unless otherwise noted.

Doll 11. A lovely china with a milliner style body.

Doll 12. This lovely 24-inch doll has an elaborate figure eight shaped bun.

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9-1/2” rosewood armoire $295.

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Drop front Biedermeier chest 5-/1-4” w x 8” tall - $395.

4 pieces German Blue Onion porcelan utensils - (rolling pin 5”) $195.

Antique German pained horse and wagon horse 8” long - 22” long with wagon. $495.

The Mystery of Mary McEwen by Jenny Jones and Lois Cohorst

t happened in about 1915 that an old Victorian house stood quite alone and forlorn with blinds closed day in and day out with no sign of life. However, someone did live there, and word was that it was a woman called Mary McEwen. Mary lived there alone, spending her time in an upstairs room of her old Victorian home after her husband had passed away in 1943. But no one knew her or anything about her, nor would anyone have known the woman had they met her on the street, because they never

saw her. Unbeknownst to anyone, she was an artist who made folk dolls. In 1980 Jenny Jones, who owned several of the dolls, wrote an article about Mary after she saw a McEwen doll mistakenly advertised as a French doll. She researched the cemetery where Mary was buried and received oral history from Maryâ&#x20AC;&#x2122;s neighbor and probably her only friend, Lucille Stingel. After Maryâ&#x20AC;&#x2122;s death, her dolls were sold to Seattle doll collectors. Now, more of these dolls have surfaced, and there is more information about them. ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

Mary was born April 4th, 1866 in New York. She was the daughter of David and Filinda France and had married David McEwen in 1891. The McEwens owned the McEwen Wax Works Factory in Milwaukee, Wisconsin, and they made manikins with wax heads for store displays around the turn of the last century. The art of making the wax manikins developed into a very successful business that employed a great number of people. The McEwens created beautiful wax heads for their manikins. Each strand of hair separately found its place with the help of a hot needle. The eyebrows and eyelashes were also set by hand, which complemented the dollsâ&#x20AC;&#x2122; German glass eyes. The jointed bodies were of papier-mache and wood. But the price of wax manikins could not compete with the cheaper materials of composition. Wax was also labor intensive, all which caused the McEwenâ&#x20AC;&#x2122;s business to fail. They sold their home and business in about 1910 and moved to Seattle, Washington, where they resided at 2317 East Union between the years of 1913 and 1914. Later they moved to a big Victorian house at 532 30

ANTIQUE DOLL COLLECTOR

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The McEwens made beautiful wax heads for manikins, c. 1900. They are in striking contrast to the black wax dolls.

Sixteenth Avenue, now a hospital parking lot. Mr. McEwen worked for the railroad. Mary furnished her house with beautiful antiques, and she loved music and the arts. She could recite Shakespeare from memory and knew all of the operas. But it was in Seattle, in about 1915, that Mary began making a type of black folk dolls with wax. We have learned that she continued to make these black character dolls probably into the 1950s. After Mr. McEwen passed away, Mary lived alone in the house, keeping the blinds closed and living as a recluse. She was afraid to leave the house and only let a few friends inside. But she continued to make dolls although very few people knew it. She kept to one upstairs room in the old house where, from her window, she could see

black children playing baseball in the ďŹ eld below, which is probably when she began to create the dolls with black wax heads. According to her few friends, she intended to make a complete baseball team. No one knows for sure if she did, but a neighbor, Lucile Stingel, had two dolls dressed in original baseball outďŹ ts, which Jenny now owns. Outsiders in the neighborhood may have wondered if her house was haunted, because they could have seen an upstairs light at night and not have seen any sign of life in the daytime. But the night light was just Mary, ANTIQUE DOLL COLLECTOR

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creating her wax masterpieces. Mary died in 1958 at the age of 92. After her death, boxes of the black doll parts, along with a few finished dolls were found. The dolls and doll parts were sold along with other possessions at an antique sale in Seattle. Few dolls were finished and most of the heads were without bodies. Upon further study, it appears that these heads were molded over a papier-mache form and fitted to the bodies. Mary molded the hot wax dyed with lamp black or soot and colored it to suit her. Therefore, some dolls are darker than others. She built the wax to a certain thickness by repeatedly dipping the head into the wax and then sculptured it, leaving no two dolls alike. This procedure also explains the crude chisel marks on the dolls’ faces. Most of the heads are bald although hair sprigs from long ago indicate hair had been added with the hot needle approach. The hair came from the local barber shops. Heads were screwed to bodies in a fashion that allowed the heads to turn. Other heads covered a dowel that fit down into the body which also allowed the heads to turn. The body was built with a wooden torso, metal armatures, and cloth strips wrapped to the desired thickness. A sewn cloth body covered the body sculpture. The dolls were dressed and finished by Mary McEwen. Some of the dolls had wax sculpted feet while most 32

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had cloth or metal feet. The hands on these dolls were large wax sculptures, resembling a sculpted caricature hand. For variety, some dolls have papier-mache or compo hands. None of the dolls are exactly alike, having different expressions and moods. One doll might have a pipe

Original body parts for McEwen black wax dolls.

molded into his mouth, another head is trimmed with a goatee or moustache, and most are bald. The hair for wigs and eyebrows came from barber shops. All of these black dolls have exaggerated features, round German glass eyes, and are 12” to 24” tall. Most of them have not been put together and ﬁnished. Only about 90 of the dolls were found ﬁnished and dressed. Mary McEwen was obviously fascinated with the artistry of her black dolls, so different from her white wax manikins. She was extremely talented, but the difference between her black and white dolls probably portrayed a personal prejudice that was typical of that era. But history is history and folk art is folk art. The white dolls were beautifully crafted. The black folk dolls are fantastic caricatures. Nevertheless, it is hard to believe the same person created both. The black dolls originally sold for 50 cents, but now that some have been blue ribbon winners in doll and folk art competitions, prices are more in line with other collectible dolls and are highly valued. Mary McEwen was probably the only wax doll artist in the Seattle, Washington area at her time in history and most notably, the most mysterious.

Dolls are from the Collections of Lois Cohorst and Jenny Jones

Mary McEwen, c. 1910

Marion Maus Specializing in Dolls and Miniatures

Ellicott City, MD • Email mmausantiques@gmail.com Phone 443-838-8565 • Member NADDA, UFDC ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

ernesto peruggi:

America’s Forgotten Doll Designer by Don Jensen

t Among Ernesto Peruggi’s first doll sculpts was 17-inch Happy, created for the Trion Toy Co. in 1915. He has composition flange head, short arms and molded boots. His cloth upper arms are attached to the torso by outside metal disks.

Also among the composition flange head dolls Peruggi created for Trion Toy in 1915 was 13.5inch Cheery with his molded red hat, cloth body and limbs.

hough he designed hundreds of dolls in a forty-year career, sculptor Ernesto Peruggi remains largely unknown and certainly under appreciated by today’s doll collectors. From 1915 until the mid-50s, Peruggi labored in the shadow of the wellknown and prolific doll master, Bernard Lipfert. While Lipfert was celebrated, then and today, for a long list of hit dolls, Peruggi received little promotional credit from the toy companies for which he worked. His name was mentioned prominently in doll advertising for only two of his many doll designs – Regal’s 1928 Our Lindy Lindy, a remarkable likeness of the famed transatlantic aviator, and Horsman’s teenage Sweetheart, a decade later. But Peruggi’s work deserves a longer look today! Ernesto Peruggi was born Feb. 5, 1884, according to his family and some records – other official records claim 1886 – in Potenza, in southern Italy. In 1920, Playthings, the toy trade magazine, said he had exhibited artistic talent from childhood, and had attended the Academia di Belle Arti in Bologna in the early 20th century. In 1911, the 27-year-old artist sailed from Naples aboard the SS San Guglielmo, arriving in the port of New York on November 13. He settled in Greenwich Village, a popular artists’ colony on Manhattan’s lower west side. His first job in America was painting carousel horses on Coney Island’s carnival midway. In 1915, he married Assunta Spagnuolo, known to family and friends as Susie. They rented an apartment at 63 Perry Street in what today is known as the West Village neighborhood. Ernesto was, first and foremost, a sculptor, although he was also an excellent oil painter and even an interior decorator and upholsterer. By the time of his marriage, he was sculpting dolls for the Trion Toy Co. Inc., a major doll maker of the day, which advertised it produced 25,000 composition doll heads a day. In 1915 and 1916, working for Trion, Peruggi designed “Little “ Rascal,” a little girl in a sailor dress, with molded hair parted on the left and sideglancing eyes; Sunshine Sunshine, a girl with a ribbon in her hair; Pettish Polly Polly, with bangs over her forehead; Georgy-Porgy Georgy-Porgy, a young boy character; Chubby, Chubby a child with hair pulled down over the forehead and Smiles, a doll with a laughing young child’s head. Another doll in his Trion series was Happy Happy, a 17-inch boy with composition flange head, lower legs and short arms. He had a cloth body, upper arms and legs and metal disc outside jointing. The doll had molded blond hair and an open-closed mouth with painted teeth. And there also was Cheery Cheery, a 13.5-inch compo head boy with open-closed mouth and a painted white line between his lips to represent teeth. Though creating dolls earned Peruggi the money that put bread and pasta on his table, he never neglected other, perhaps more satisfying artistic expressions. Some of his work, notably oil paintings, he sold, but often he simply gave them as gifts to friends, according to his granddaughter, Carol Heckrotte. ANTIQUE DOLL COLLECTOR

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In the mid-1920s, Peruggi is believed to have modeled this infant head for Effanbee, which used it for its Pat-O-Pat doll. The unique doll had a mechanism that caused the doll’s hands to clap when the child pressed its chest. Photo courtesy Ursula Mertz

In 1923, Effanbee’s Hugo Baum hired Ernesto Peruggi to sculpt this new face for its frowning Baby Grumpy, a doll that had been in the company’s line for more than a decade. The resculpted face gave new sales life to this old doll. Photo courtesy Ursula Mertz

In 1917, he began a tradition of sculpting busts and large high relief medallions of sitting American presidents. These, according to the family, Peruggi presented to the then current occupant of the White House, his way of showing his thanks to his adopted country. The first of this presidential series, a bust of Woodrow Wilson, was exhibited for years at the Wilson birthplace museum in Staunton, VA. Later, it seems to have been turned over to a Nashville, TN auction house and was sold in 2011 to a private buyer for a mere $35. An 18-inch high relief plaque of President Warren G. Harding is known to have existed in 1921, but its present whereabouts is a mystery. That also is the case for other Peruggi presidential sculptures. He also created a large bronze bust of Italian poetphilosopher Dante Alighieri, which was cast by the Roman Bronze Works on Long Island. In 1921, it was presented by an Italian-American organization to the Newark, NJ Public Library. It is believed to still exist in the collection of the Newark Museum, which split off from the Library in 1929. But fine art would not pay the bills, so Ernesto focused his artistic attentions on doll sculpting. His work for Trion Toy caught the eye of other doll firms. In 1918, he sculpted two cherubic-looking dolls for a little known company, Daniel Pollack in New York City. Little Hero was a pudgy little fellow with molded hair and unusually short arms, jointed at the shoulders. Little Nero was a similar type but a bit slimmer. Now freelancing, in 1919, he produced Toodles for the American Bisque Doll Co., and Love Me for the Fine Doll Manufacturing Co., both located in New York. The former had side-glancing painted eyes, molded hair and bent arms, jointed at the shoulders. With a molded bathing suit, she was of a type then popularly known as a “summer girl.” Love Me was a sweet faced doll with similar limited jointing. She had a 36

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Peruggi began working for Regal Doll Manufacturing Co. in 1926, creating newborn baby dolls and its Kiddy Pal Dolly line. This 26inch Kiddy Pal dates to 1928, when it was offered in the Butler Brothers wholesale catalog. Photo courtesy Ursula Mertz

molded dress, socks, bobbed hair and hair ribbon. For the Manhattan Toy and Doll Manufacturing Co. he modeled, and patented a nude child with bent arms jointed at the shoulder, legs together and with short molded hair and upward glancing eyes. It was patented as Kewpie’s Model, but of course immediately ran into copyright infringement problems. So Peruggi redesigned her for Manhattan Toy and Doll. The new design had legs apart and a new name, Beauty Kist. It still bore a resemblance – but a legally acceptable one – to Rose O’Neill’s Kewpie. About this time, Ernesto decided to go into business for himself and opened the E. Peruggi Art Studio and Novelties at 54 Grove Street, only a few blocks from his Greenwich Village apartment. He patented, manufactured and sold types similar to those he was designing for other doll companies, but with no jointing, more ﬁgurine than doll. A 1920 Playthings trade

This Kiddy Pal Dolly, believed to have been designed by Peruggi, dates to 1930. She is 19-inches and has a composition head, lower legs and short arms.

In 1920, the sculptor had established his own shortlived doll company, E. Peruggi Art Studio and Novelties. He patented and sold what he called the “latest luck bringer,” Oh Boy. The unjointed composition figure came in 4.5 and 6 inch sizes.

ad shows his May II, another “summer girl” in her molded swim suit, in several poses; Oh Boy Boy, a bashful boy with molded clothes and cap, billed as a “good luck charm; and Tootsie, a sitting infant with a molded baby bottle. Tootsie More artist than businessman, however, Peruggi’s brief ﬂing as a manufacturer failed and within two years, he went bankrupt. With a wife and two small children, 7-year-old Frank and Gemma, 4, to support, this ﬁnancial setback made a regular wage attractive to Ernesto. In about 1922, he went to work for Bernard Fleischaker and Hugo Baum, the F. and B. of the Effanbee doll company. Soon, Baum assigned him to create a new face for Effanbee’s aging Baby Grumpy, a staple in the company’s doll line since 1914, but fading in popularity. Peruggi sculpted a softer look that updated the pouting infant. Baby Grumpy and a larger, 22-inch Grumpy were released by Effanbee in 1923, giving a number of years of new life to a vintage doll name. The new Grumpy had a composition shoulder head with molded concave blue eyes and a closed mouth. Its cloth upper legs were attached to the stuffed body with diagonal hip joints. In 1925, anxious to have a doll to compete with Grace Putnam’s realistic Bye-Lo Baby, Bernard Fleischaker set Ernesto to work sculpting a realistic baby doll face. The result was design copyrighted by Fleischaker as New Born Baby. The head, with a pudgy broad face, fat cheeks and wide open eyes, coupled with a patented mechanism in the May I, described in ads as a composition figure of a cloth torso that could move summer girl, also was sold by the arms, was marketed as Peruggi’s own doll company Effanbee’s new clap hands in 1920.

Also from 1920, another patented small unjointed figure from Peruggi’s art studio was Tootsie, with her molded baby bottle.

Pat-O-Pat doll. A similar head was used for a later version of Baby Dainty. With that, Peruggi’s term with Effanbee ended. In 1925, he also created a chubby infant with movable arms, called RockA-By Baby for the Novelty Doll Co. of New York City. The next year, Peruggi began an association with the Regal Doll Manufacturing Co., then also located in New York. He would remain with the company into the 1940s. Regal was a toymaker on the rise. In 1929 it would move to a huge, modern factory in Trenton, NJ. In 1926, Ernesto designed the first of a several newborn dolls for Regal. As something of a publicity stunt, Peruggi sculpted another doll modeled on a real 12-week-old child, the infant daughter of Sam and Frances Pinkenfield of Brooklyn. Little Mildred Pinkenfield had been in the headlines after having been adjudged by a board of 15 pediatricians as “A Perfect Baby.” In 1928, after the famed transatlantic solo flight of boyish pioneer aviator, Charles A. Lindbergh, Regal brought out its Our Lindy doll, dubbed, “America’s Pride.” The 27-inch compo head doll was a true-to-life smiling likeness of the heroic young flyer, with a plush-collared twill flying suit, leather mittens and belt. Our Lindy was the first doll to be advertised on its hangtag as the work of the Italian-American sculptor. Ernesto Peruggi was finally getting some respect as a doll designer. Though he would get no public credit for it, Peruggi is believed to have designed most of Regal’s popular Kiddy Pal series, beginning in 1928. Kiddy Pal dolls, with several different face molds, were sold by Regal into the 1930s. In the late 1920s, Ernesto moved his family from Greenwich Village to their new home at 1872 West 11th Street in the Bensonhurst section of Brooklyn. There the children, Frank and Gemma grew up. After Frank graduated from Manhattan College, Ernesto proudly referred to him “my son, the engineer!” He would serve for many years as Borough Engineer for Fair Lawn, NJ. When the struggling Horsman doll company was purchased by Regal in 1933, it became an upscale division of ANTIQUE DOLL COLLECTOR

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the parent organization. By the late 1930s, the firm’s management, realizing that Horsman was its best known brand name, reorganized the parent company under the Horsman name. In 1938, Peruggi sculpted the last of his “name” dolls, Sweetheart. A teenage doll dressed in the latest fashions, she was promoted as “a true representation of girls between 10 and 16.” Competition from Effanbee’s American Children, designed by Dewees Cochran, was Horsman’s motivation to create Sweetheart Sweetheart, but Peruggi’s design was surely distinctive in its own right. Besides her well-sculpted features, she had finely detailed fingers, hands and arms of unbreakable molded hard rubber. In his mid-50s, Ernesto left Horsman and returned to freelance doll and toy designing. Working from a small studio in his Brooklyn home, in 1944, he patented a toy horse, which he assigned to the Lionel Corporation, the electric train manufacturer After Charles A. Lindbergh’s heroic 1927 Transatlantic flight, the Regal company who, with wartime metals shortages, added a line assigned Peruggi to sculpt this true-to-life face for its 27-inch compo head Our of wooden pull toys. In that same year, he finally Lindy doll. Advertising credited the sculptor by name for the first time. became a naturalized U.S. citizen. Carol Heckrotte fondly remembers childhood visits to Grandpa Ernesto and Grandma Susie’s Brooklyn home and enjoying sitting down to a family dinner, featuring her grandfather’s pasta and homemade marinara, a special sauce of his own creation. Other times, Ernesto whipped up his famous Rice Cake, to accompany his wife’s roast and vegetables. Carol remembers her grandfather as a dapper, well-dressed man who wore a white shirt and tie even when sculpting in his small studio in a spare bedroom. There she would stand at his side, as his nimble fingers modeled a lump of clay into a doll’s head, or, one time, a small sculpt of Disney’s Mickey Mouse. That same studio doubled as a doll hospital, when grandpa “did an operation” on her favorite doll, Ruth Ann, by swapping her damaged head for a spare he had on hand. Carol also remembers a After, 1937, Peruggi’s employer, the Regal Doll Manufacturing Co. decided that all its dolls would carry the brand name of its more successful Horsman division. The next year, the sculptor created Horsman’s Sweetheart, advertised as “a true reproduction of girls between the ages of 10 and 16. The dolls, all composition except for their hard rubber arms with delicately molded fingers, came in 21, 24 and 28-inch sizes.

A typically dapper Ernesto Peruggi. 38

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basement work counter and shelves for storing plaster casts and art supplies. She recalls that in the late 1940s and early ’50’s her grandfather was still creating doll heads for the Irwin Corporation, a longtime maker of celluloid toys, that in the post-WWII years switched to plastics. Peruggi would ship his plaster doll models to the Irwin ﬁrm in Fitchburg, MA. By 1954, Ernesto was mostly retired, though he still enjoyed oil painting gifts for friends and acquaintances. That year, after years of procrastinating because Susie feared the Atlantic crossing, they went to Italy and Ernesto’s home town of Potenza. They had such a good time, they went again two years later. But when they returned, Ernesto learned that he had cancer. They moved from Brooklyn to New Jersey and the home of his son, Frank and his family. There, after four decades of designing wonderful dolls for generations of little girls, Ernesto Peruggi died on June 14, 1957.

This is the tallest house in my collection, measuring over 40” high and encompassing three full floors inside. I have owned smaller, less elaborate English box-back houses but always yearned for a really big one with a staircase for better realism and this one fits that bill admirably. The classical façade retains its original painted brickwork, but the stonework areas had been painted over with a dazzling white glossy paint that was carefully removed with a variety of techniques. The door had been repainted yellow and when stripped, revealed the original Paris green paintwork. I replaced the missing door knocker with one I bought in England. How much warmer and welcoming the house looks with its missing windows replaced and decorated with antique lace curtains!

Jane’s House Gets by Susan Grimshaw

first saw this large English box-back house in the catalogue for a Christie’s South Kensington auction in May of 2005 when the estimate was given at $1600 -1900. Perhaps it did not meet a reserve because it reappeared in October with a lower estimate of $1100 - 1500 and at that time, I emailed the sale’s specialist to express an interest in the house. Its imposing facade reminded me of a similar, even larger house I had admired when I catalogued the dollhouses in Carolyn Sunstein’s first auction. Daniel Agnew was kind enough to send me photos of the interior and when I saw them, it was clear that the house had been subjected to some pretty unappealing redecoration within the past 20 years or so. Thick white enamel paint had been carelessly applied over the exterior stonework, the center staircase and ceilings, and one room had lost its fireplace and chimney breast. Wrapping paper had been pasted over the original paper and vinyl adhesive paper was stuck to the floors in the uppermost rooms. And of course, all the window glass was gone, as were all the interior doors save the small closet door under the staircase. 40

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This close-up of the top right hand-corner of the façade shows where a previous owner scribed her name. The masonry lines are transfer-painted over the brick paint in a Flemish bond pattern. I never even noticed her name until I worked on removing the over-paint in this area.

If not for the dust problem, I’d love to keep the house open like this all the time. With each room measuring a foot or more in height, the overall size of the house can seem somewhat imposing, but I believe that the added moldings help bring a warm and comfortable atmosphere to the interior. All the wallpapers are original except for the nursery and hallways, and the bright blue paint in the kitchen is also original. The chandeliers hang from ormolu ceiling roses I re-purposed from a large and heavy box of old ormolu furniture hardware I bought at an auction some years ago. They are actually drawer pull mounts!

a Second Chance Clearly, it required a comprehensive restoration job and there was no guarantee that the original papers remained intact under the modern papers. Given that uncertainty, I felt the estimate was still too high for a house needing so much work, so I decided I would not bid, but the house stayed on my mind and I called Daniel the following week to ask if it had been sold. I was informed that it had not and Christie’s was preparing to return the house to the consignor, but Daniel said they would pass on an offer if I was still interested. I contacted a shipping company in Bristol that had been recommended to me by another collector and procured a ﬁrm quote for collecting, packing, shipping and delivering the house to New Jersey. After explaining to Daniel that it was going to cost me almost $1000 to ship such a large house to New Jersey, I faxed a letter with a pitifully low offer of only a few hundred pounds to Christie’s and was pleasantly surprised when it was quickly accepted. The shipping company specialized in handling antiques and made what could have been a daunting process relatively painless. The house arrived about two months after the auction and was delivered in a sturdy crate with plenty of padding – I was very pleased. And when I tallied up my costs, I was satisﬁed knowing that I would have been happy to pay the

same amount or more for the house had it been offered for sale on this side of the Atlantic. When I acquire a dolls’ house in this condition, I usually let it sit for a while as I study it and consider how extensive the appropriate repairs, restorations or improvements should be. It can be a number of years before a project is completed. Sometimes I have to wait to ﬁnd appropriate old wallpapers or hardware while I dive right into removing previous “improvements”. It can take a year or more to scrape down the exterior of a house or to carefully peel off later wallpapers. In this case, the newer papers came off very easily to expose faded but original full-sized wallpapers that appear to date to the latter half of the 19th century, but dealing with the over-painted surfaces was a different matter. The plain white ceilings had been painted over chipped and loose distemper, so I left them as I found them, but the later paint had been carelessly smeared along the top edges of the walls so I was faced with a choice of trying to hand-paint the papers’ designs over the paint, or disguise this sloppiness with cornices. Commercial houses like this one normally did not have a molded cornice, but might have had a border paper. Had this been a museum-quality house, I would have tried ANTIQUE DOLL COLLECTOR

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The “before” picture of the nursery gives a pretty good idea of the challenges I faced in rehabilitating this house. The fireplace and floorpapers were missing and whoever painted over the ceiling also splashed paint along the top of the original wallpaper in this and every other room. Since the wallpaper on the left side was worn away, I covered the new chimney breast and walls with a subdued antique wallpaper.

the painted approach, and I did paint over some drips and smears on the walls as well as a few dark water stains. But since this house that had already been so diminished by thoughtless redecorating, I decided to adopt a more relaxed attitude and chose to add painted cornices to help visually lower the ceilings because the rooms were about a foot high. Substantial cornices help make a room feel cozy while adding a touch of formality. I also added substantial baseboard moldings made from antique wood salvaged from my real house. The floors were challenging. The top floors’ vinyl adhesive paper came off with little trouble to reveal floors that had been painted over with pale blue enamel paint. I chemically stripped off the paint but was unable to salvage any papers remaining on the floor, so I relied on my stock of old velvet curtains purchased in England a decade ago to carpet those rooms. Lower rooms still had some papers but so much of that ubiquitous white paint had been smeared on them that I also covered those with either velvet or textured upholstery fabrics that complemented the wallpapers. The kitchen’s painted tile floor had survived in better shape than the other rooms and so I left it as I found it. The stairs and hallway floors retained a small patterned oil-cloth covering but much of it had been painted over. I successfully removed the paint on the floors but temporarily covered the stairs with velvet carpeting rather than try to strip paint in an area so difficult to access. The wallpapers in the hallways had also been painted over and after much consideration, I decided to re-paper the walls with a charming small-patterned but full-size wallpaper I had bought at an English car boot sale – there had been two rolls and I still regret I only bought one. Houses like this, which some collectors still refer to as Silber and Fleming houses, typically featured very plain flat interior doors, sometimes with a few lines to 42

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The nursery is the most transformed room in the dollhouse and is home to three little girls and their assortment of mostly German dolls and toys. I copied the chimney breast and fireplace insert from examples in the other rooms. The wallpaper was purchased from Secondhand Rose in New York and seemed a perfect choice for a girls’ nursery. Some of the toys are things I’ve owned for almost forty years. In one corner of the nursery, several early jointed wooden dolls and a tiny frozen Charlotte are being observed by an Erzgebirge monkey with a long leather tail. He is climbing around the birdcage under one of my favorite pictures: a little boy in a sailor suit holding a toy boat.

In the upper hallway outside the nursery, I had to reconstruct the missing newel post and bannister. I was able to find five matching mahogany newel posts hand-crafted about twenty years ago by a local businessman. I had planned to handcarve simpler ones that would be more accurate based on measured drawings of similar houses, but since I had these tucked away for over ten years, I was ready to use them. The small rug is a sample of embroidery on black velveteen.

The bedroom is comfortably furnished with German furniture such as a Kestner chest of drawers and a lady’s writing desk loaded with accessories, including a very tiny early 19th century leatherbound volume titled “Etrenne A L’Innocence a Paris”. The original wallpaper required some touch-up painting over water stains and faded areas.

The parlor contains a handsome suite of German transfer-decorated furniture with sculpted velvet upholstery and a Rock and Graner table where the gentlemen enjoy a game of chess. The seated doll came from Iris Brown Antiques in Manhattan many years ago while the standing gentleman was once a member of Dorothy Dixon’s wedding party. This rather sober interior is brightened by a trio of gilt metal wall sconces and a very fine petitpoint carpet.

The Kestner sewing table is closed to afford space for such decorative elements as a rare lithophane and a small souvenir album featuring the British Royal family ca. 1900. The homemade beaded pillow on the settee came to me inside another, smaller house I had shipped from England years ago. One of my favorite rooms in any of my dollhouses in this cozy sitting room inhabited by two Simon & Halbig “Little Women” dolls in period clothing. I bought them at auction undressed and soon afterward was able to buy these sweet dresses from a dealer. The German parlor suite features pristine pink silk upholstery while the desk and piano were purchased at Carolyn Sunstein’s first auction in 2005. All the framed Ehrhard & Sohne pictures feature animals, while the watercolor of a Venetian boat over the fireplace came with the house – it had been glued to the wall in that very spot and I placed it in an old daguerreotype frame before putting it back in its place. A closer view of the dolls and a pretty treenware tea set that almost got away – I bought the cups at a Bertoia auction and later purchased the matching saucers from a dealer who had found them hidden in the drawer of something she purchased at the same auction! The ormolu picture frame on the desk belonged to my mother who kept it near her bedside for decades, with a photo of her sister in it. The photo is still there under the picture I placed over it. The book on the settee is titled “L’Amour et Les Belles” published in 1818. ANTIQUE DOLL COLLECTOR

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indicate panels. It would be more “correct” to replace them with something similar, but I exercised a little creativity by making paneled doors painted with a faux rosewood effect, and then added casings that covered the way the hinges were applied to the walls, lining up my hinges where the originals had been attached. The nursery had been papered with the same pattern as the bedroom across the hall, but was missing the chimney breast and grate. When I replaced them, I decided that rather than try to replicate the wallpaper to cover this new construction, I would decorate the entire room with a sweet antique paper I had acquired some years ago that features silver stars on a pale pink background, and I used some fragile old silver Dresden paper to trim the new moldings. When the delicate paper dried, it split in a few places, making it look even more authentically aged. The kitchen had been stripped of its original built-in dresser, but its outline was still visible on the wall. I referred to a photograph of another large English boxback house in the collection of the late Flora Gill Jacobs to design the proﬁle for the dresser and used old cigar box wood to build the replacement. I also replaced two wall shelves whose shadows remained on other walls, and removed the glaring white paint that coated the large ﬁreplace in that room to expose the much softer original cream color beneath. The intense blue paint on the walls is typical and required touch-ups in a few spots. I furnished the house with many of the best antiques in my collection before moving on to my least favorite part of the project: the exterior. I always dread the tedium of scraping off over-painted facades and in this case, the sides of the house also needed to be scraped down as the original brick color had been 44

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A few years after I purchased this desk, I discovered a handwritten note tucked inside one of the drawers, addressed to “Miss Anderson”. It reads: “Dear Kate, I am writing to you to express my fond love for you my darling. I really feel as though I cannot live without you my pet. I love you and I adore you my own affect. dear and darling Pet. I must (smudged) your own dear Charley. PS I’ll try and call this afternoon. I want to speak to you privately”. One can’t help but imagine that Miss Kate Anderson saved this note because she received a proposal later that afternoon. One the most pleasant and romantic surprises I’ve ever encountered in a dolls’ house!

Dollhouse kitchens may be the most fun to decorate; I certainly enjoyed furnishing this one. The blue painted walls and worn floor are original as are the hearth and cooker, but I had to replace the missing dresser, copper and wall shelves. The wall color suggested the selection of most of the tin and treenware featured here.

This angle shows the assortment of blue and white treenware decorating the shelves of the dresser. Many of the pieces came from Dorothy Dixon’s Tynietoy Mansion. A yellow painted Evan & Cartwright chair reminds us this is an English kitchen even if the cook is German – she must have brought the lidded steins with her. A wonderful large blue and white Staffordshire platter can be seen on the mantel behind them.

I was able to salvage the original floorcovering in the second floor hallway, but the stairs were painted over and so I have temporarily carpeted them with old velvet while I search for antique ribbon or needlepoint to use for runners. I made replacement doors for all the rooms from old cigarbox wood and grained them to look like flamed mahogany. The prominent doorway moldings lend elegance where things once looked quite dreary.

painted overl. I spent several years chipping away at it a little at a time, taking extended breaks when my wrists could take no more. When I started scraping the painted stonework on the front, the original paint was missing in some spots and other areas were very ﬂaky so after a few days of scraping I cautiously used a chemical remover and the work went far more quickly. A few small sections of trim missing from the pilasters were replaced and the damaged stairs were repaired and painted before I was ﬁnally at the point where I could replace the missing window glass. I used old glass from some damaged antique picture frames I’d purchased at local auctions and had my neighborhood hardware store cut them to size. When the original windows were removed from the house long ago, the glass came off with the wallpaper that held it in place, leaving only skeletal patches of the original dreary green geometric paper inside the hinged facades. Some restorers use strips of plain paper to attach replacement glass and I considered making wooden casings to hold them in place. In the end, I chose to use an antique paper to completely recover the inside, leaving what remained of the original paper underneath for a future owner to rediscover if they choose. Antique lace trim dresses the windows and I made pelmets from old wood covered with very decorative embossed metal strips I found in the scrap-booking section of a craft store. They are sturdier than the gilt paper I had considered using. When I was working on the front of the dollhouse, I discovered that a previous owner had scribbled her name in awkward block letters in the top right-hand corner of the brickwork and that’s how I came to know this was once Jane’s house. I’m sure she never envisioned that one day her dolls’ house would cross the Atlantic Ocean to be rescued and treasured by a grown woman in New Jersey!

I’m always impatient to see how rooms look furnished even while the process of restoring or rehabilitating a dollhouse is ongoing, so this photo shows the new door but plenty of work remaining. The splashes of white paint seen on the rear wall are typical of what I found in all the rooms, and similar messiness can be seen just above the fireplace mantel.

Adding cornice molding and painting over the sloppy paint smears made a tremendous difference in this room. I first tried a muted brown velvet carpet, but decided this old piece of jacquard upholstery fabric brightened the room considerably, especially with such dark furnishings. It is a rather busy, but Victorian interiors were often decorated that way with layers of patterns. The imposing sideboard is by Rock & Graner and I purchased it from the dealer who outbid me for it on ebay. ANTIQUE DOLL COLLECTOR

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DVD Review

The Romance

The Life of Lillian Dal Monte

Phil May

Antiques & Collectables

Ocean Grove, NJ 732-604-3011

dollmanofog@aol.com

1ST ROW 1. Circle Dot Bru - 19” $18,500. 2. Bru Jun R - All Original - 13” $9,750. 3. AT Kestner - 19” $11,500. 4. Paris Bébé - 16” $7,950.

2ND ROW 1. Earliest period EJ Jumeau - Size 9 - 24” $19,500. 2. E-13-J Jumeau - 29” $17,500. 3. Papier Maché Boy with glass ﬂirty eyes - Circa 1850 (from Dorothy Dixon collection) 25” $3,900.

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ow do they do it? Nearly fifteen years ago I watched The Romance… The Life of Lillian Dal Monte. The VHS production with script written by Michael Canadas, David Robinson and Janet Hollingsworth was captivating, with fashion dolls becoming fully realized characters in a drama about the rise to stardom of an opera singer, one who achieves worldwide acclaim and then finds her true love. Fast forward these many years, the VHS format now virtually obsolete. It was time to redo the The Romance as a DVD. Viewing it for the second time I was struck anew by its professionalism – in fact, I nearly forgot that I was watching dolls! The story is told by Delia, younger sister to Lillian. After the tragic death of their young mother, the girls are sent to France to live with Grandmama. There Lillian meets Madame Bruwanska who recognizes her enormous singing talents and becomes her teacher and mentor. When the lead performer in Lucia becomes ill, Lillian is chosen to replace her and a star is born. Michael Canadas created the exquisite costumes, lavish with embellishments, some taking hundreds of hours to create and the extravagant wigs; the breathtaking sets were made by David Robinson. Rich color, sparkling jewels, beautiful bouquets, sophisticated lighting that simulates the soft glow of gas lights or radiant sunshine… it is a magical presentation. Many of the costumes used in the original production were redone to even greater perfection. Throughout the forty-two minute program, sublime operatic music tells a story of romance and love. We follow the career of Lillian in Delia’s own words (the lovely narration of Delia Green) as she wins over audiences in Paris, St. Petersburg, Venice and her transforming performance in Milan. It is here that she meets Jean Phillipe Valentine, a long time admirer who pledges his love and devotion. The perfect happy ending – the couple are married, Lillian radiant in a magnificent gown. Enchanting, you will long remember this tale told through music and fashion. DVD format, 42 minutes. $29.95 includes domestic shipping (CA residents add 8.25% sales tax). Send to: Carmel Doll Shop, 213 Forest Ave., Pacific Grove, CA 93950. Credit cards accepted. www.carmeldollshop.com

Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

14 ½” Jumeau Fashion Wooden Arms, kid body, original socks & leather boots (1 ½), swivel head, blue eyes, original honey blonde mohair wig, antique white lawn & lace blouse & skirt, pierced ears, outlined lips, wonderfully photogenic $5450

Norwegian made - Ronnaug Pettersen Dolls - felt sculptured and hand painted faces 7 1/2” “Oslo” all original in Norske Dukker box, dressed with beaded red vest & cape, white apron hand painted features $175 7 1/2” “Hardanger” all original in Norske Dukker box, blue & red felt costume, hand painted features, eyes to left $175 15” All original in tagged beautifully embroidered costume, vest and head piece, hand painted features, blue eyes $995 7 1/2” “Vest Telemark” all original in Norske Dukker box, dusty blue wool embroidered costume and cape, hand painted features $195 7 1/2” “Ski” all original in Norske Dukker box, knit costume, wood skies and poles, hand painted features $195

27” A & M 390 12, blue sleep eyes, HH wig, really sweet face $385 4 ½” x 5 ½” Steiff Lamb - black & white, green glass eyes $45 13” Jocko Steiff, glass eyes, great condition $155 24” Heinrick Handwerck Simon & Halbig #4, brown sleep eyes, nice ball jointed body $525

12” C/M Smiling Bru Fashion, swivel head, kid body, blue eyes, mohair wig, original aqua blue & lace walking suit, ribbed green walking suit w/ shawl, woolen ivory coat w/ rose trim, red pattern on cream cotton dress, 2 cotton skirts and blouse, black lined fur muff, toiletries of soap & perfume, ivory handle umbrella (as is), in lovely covered box $6295

6 ½” Kestner All Bisque 2/0, brown sleep eyes, original wig and pate, molded black boots & tan molded socks, chip on neck back of body $1450 5 ½” CM All Bisque Kestner #2, swivel head, blue sleep eyes, original mohair wig, small chip on left hip, 4 strap black boots $2195

17 ½” Kestner #167, brown sleep eyes, mohair wig, replaced upper right 20” All Original Madame Alexander thigh, antique dress & 1950’s Cissy Garden undergarments, sweet doll $525 Now $485 Party, jointed Steiff Mohair Goat w/ elbows & knees, hat, shoes and ring original ribbon & bell, green glass eyes $65 $795 15” Af Am A & M 390 9” “Sleeping on marked Handwerck Beauty” Walt body, original mohair wig, Disney in original professionally repainted box w/ original gown, cape, crown legs, brown sleep eyes $700 Now $595 (elastic as is), 1972 straight legs $150

7 ½” Schoenhut Felix the Cat 1922 – 24 Sullivan label on foot, face as is $425 11” Madame Alexander Dionne Toddler, original wig & combination, vintage dress, small split by left eye, very little crazing $165 8 x 11” Steiff mohair “Leo” Lion, jointed legs & head, glass eyes $275

11 ½” Effanbee Patricia all original w/ heart bracelet, slight repaint on back of knees $250 14” Effanbee Patsy redressed in vintage sunsuit, some paint ﬂaking on left arm, top of head touched up $165 Now $130 11 ½” Effanbee Patricia, original wig & combination, gold bracelet $175 9” Effanbee Patsyette redressed, professionally repainted $110 9 x 6” Steiff mohair Beagle, glass eyes, red collar $ 79

LAYAW AVAILA AY BLE

18” C/M Three hole Belton on stiff wrist body - paint worn, blue eyes, HH wig $1150. Now $950 8 ½” Early China (repaired shoulder plate & nose), sausage curls, blue eyes, green boots w/ heels, fabulous cupped china hands, antique body $225

11” 4 B Germany original toddler body w/star ﬁsh hands, intaglio blue eyes, molded teeth, blond mohair wig, sweet expression $675.00

Early Skookums with great sculpting and facial detailing 15 ½” Squaw & Baby, leather boots, wool blanket, cotton skirt, HH wig, beads, painted eyes $265 18 ¾” Indian, leather boots, wool blanket, HH wig, eyes to right, great expression $325

20” C/M Tete Jumeau, blue paperweight eyes, HH wig, antique style purple taffeta dress, antique undergarments, leather “Paris 8 ” shoes, French body, $4995 Now $4250

Steiff Mohair Animals 11” Jocko Monkey, glass eyes, no tags $79.95 17” Jocko Monkey, great personality, glass eyes $275 30” Jocko Monkey with great face, glass eyes, left hand & toe a little wear $465 13 ½” U.S. Zone Germany tagged Jocko, glass eyes $175 18” Jocko Monkey, glass eyes, hands & feet as is, right ear as is, some soil on face $165 20” Steiff tagged Santa, great face, glasses & left boot as is $185

7 3/4” Rare Effanbee 1930’s Patsy Tinyettes all original dressed as Patsy’s Doctor & Nurse, nurses uniform has NRA Effanbee tag, slight overall crazing, it is not know whether a few rare dolls were sold in limited numbers or were only prototypes $1100

18” Cuno Otto & Dressel COD #93, brown sleep eyes, mohair wig, kid body, antique dress & unders $210 14” German Parian marked 5, molded blonde hair, blue painted eyes, bisque hands – left thumb as is, both ankles reglued, 5 strap boots w/ heels $375 Now $295 17 ½” #120-6 Handwerck shoulder head on kid body, bisque arms , pierced ears, blue sleep eyes, HH wig $265

30 ½” French Silk Face Boudoir Doll, painted blue eyes, compo arms & legs, gold metal crown, taffeta and lace gown, some staining on dress, little wear on nose $195 29” Composition Boudoir Doll, mohair wig, compo arms, satin & lace dress $97.50

Auction Gallery

Theriault’s Auction of the Spielzeugmuseum of Davos, Switzerland

A 14 inch all original Schoenhut doll with original display box, $7,000.

nusual, seldom seen pieces caused prices to skyrocket at the Theriault sale of the Spielzeugmuseum of Davos, Switzerland. Originality and condition were the guiding forces behind Angela Prader’s passion. She diligently put together a fascinating collection of dolls and toys, each item superbly representative of its genre. Over 600 lots, the eleven-hour auction received widespread interest from other museums, European and American collectors making the July 22nd sale in New Orleans a recordbreaking event. Prices do not include buyer’s premium.

Formerly in the Bodmer collection, this rare and very early group of 5 inch carved wooden dolls with their original costumes sold for $7,000.

An 8 inch German papier mache lady head with elaborate coiffure, c. 1830, sold for $11,500. Amazing for its completeness and condition, this rare school set by Steiff, c. 1910, brought $50,000. Each doll still retained its button in the ear. Only fortyfive sets were made.

This very early, all original French cloth taufling, with a date of 1785, realized $13,000.

This 18 inch German tin stove by Bing with original copper utensils, all complete, brought $12,000. The centerpiece of the Davos museum was this poupee, 17 inches, known as Victoria, with a perfectly preserved all original trousseau. The doll has a rare Clement body. It brought $55,000.

An all metal jointed giraffe by the Swiss company Bucherer, c. 1925, $4,200.

The 14 inch Lenci hockey player. C. 1936, all original, brought $6,000. 48

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

A German character lad by Schuetzmeister and Quendt tending a 25 inch nodding papier mache cow bedecked with flowers and a crown in honor of a spring time Swiss festival, sold for $5600.

A seldom seen bisque bebe by Huret with gutta percha body and bisque hands, wearing the original costume with signed Huret boots, with an early, possibly original box, brought $42,000.

Commanding top price at $88,000 was this extremely rare set, always together, of Madame Alexander hard plastic dolls known as the “mystery portrait dolls.” Made in 1951, Madame Alexander received the Fashion Academy Gold Medal for her designs.

Theriault’s Day Two

he excitement continued on Sunday, July 23 in New Orleans as Theriault’s sold the museum collection of Judene Hansen, along with a private collection of googlies and selections from numerous other ﬁne collections in their sale entitled “Upon Arriving Home.” Surprising many people was the high lot of the auction, a set of six spectacular Madame Alexander portrait dolls made in 1951. Only a very limited number were ever produced, their extraordinarily lavish costumes and hand painting driving the bidding to $88,000. Another high point was the rare Lenci equestrienne in pristine condition which brought $27,000. For additional prices visit Theriaults. com and click on Proxibid. Prices do not include buyer’s premium.

From the earliest E. J. period, this 22-inch model, c. 1880, realized $9,500.

A table full of googlies! Standing on the drum, a painted eye googly, 8590, by Gebruder Heubach, 16 inches, $9,000. To its left, an extremely rare 208 Kestner with glass eyes, 19 inches, $25,000. The little fellow in the straw hat, model 318 by Heubach Kopplesdorf for Albin Hess, $5,000.

Gerald Nelson, Theriault’s photographer, holds the rare brown complexioned Jules Steiner, 22 inches, in the original opera costume, $39,000.

In the same condition as the day it was made, this 17-inch, circa 1930 Lenci from the company’s sport series, in the original box, all complete down to her silver spurs, sold for $27,000.

Adorable pair of German composition googlies with mechanical flirty eyes, 23 inches tall, c. 1915, $9,000.

29-inch Jumeau Triste, signed Paris Depose shoes, c. 1880, $17,000.

In a grand size, this 30-inch bebe Bru Jne, wearing signed Bru Jne shoes, realized $34,000.

Simon Halbig’s 1388 lady, 23 inches, wearing the original costume, $19,000.

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

The Enchanted Doll

Cardiff by the Sea, California 92007 Phone 760-634-3518

Norma Von Essen • Antique Dolls • Buy • Sell • Appraise 1

1. Lovely 21” milliner’s model with long curls, beautiful brushstroke details, all original condition, $1700. 2. 14” Gorgeous Bru fashion, beautiful painting and pale bisque, $3200. 3. Exceptional oily bisque, mauve painting above eyes, on this 24” magniﬁcent C series Steiner, $8000. 4. Unusual glass eyed parian-type dressed in lovely antique costume, 14“, $3500. 5. A touching expression on this #149 Kley and Hahn, 12”, excellent condition, $3200. 6. A chubby cheeked darling – Kley and Hahn’s 169 model, a big girl at 23” in excellent condition, $3700.

7. 12” Adorable Kestner 220 Toddler, the only thing marring his perfection is a small cheek rub, $2400. 8. Pretty in pink, charming AM 550, 14”, $1400. 9. Only 8-1/2”, this rare size Belton is marked 137, $1600. 10. Simon and Halbig mold 1279, 8-1/2 “, $850. 11. Breathtaking Steiner, series A, in grand 25” size, perfect condition, $6400. 12. Diminutive Jumeau fashions, from left to right, 12”, wearing great costume and all original $2300, 13-1/2”, $2300 and 12-1/2”, dressed in antique costume, $2300.

UFDC Special Exhibit: The Queen’s Jubilee Photos taken at the national 2012 UFDC Convention by Keith Kaonis

1938 Liberty of London Coronation of King George VI. A young Elizabeth is depicted on the lower right.

Elizabeth in her coronation gown by Chelsea Art Doll.

Dorothy Heizer Elizabeth on her wedding day to Philip, Duke of Edinburgh.

his year marks Queen Elizabeth’s Diamond Jubilee honoring her sixty years on the British throne. The event was widely celebrated over ﬁve days of festivities in early June. Few British Monarchs have achieved reigns lasting over ﬁfty years, Queen Victoria being the only other monarch in the UK to have celebrated 60 years on the throne. A special exhibition orchestrated by Shirley Karaba at this year’s national UFDC convention presented dolls that have been make in the likeness of Elizabeth and her younger sister Margaret, as well as a look back at the Jubilee of her great grandmother, Queen Victoria. The elder daughter of King George VI and Queen Elizabeth, Elizabeth was born in 1926. At her birth she was third in line to succession after Edward Prince of Wales (later Edward VIII) and her father, the Duke of York (later George VI). When her grandfather, George V, died, Edward Prince of Wales

Schoenau and Hoffmeister Princess Elizabeth ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

became Edward VIII, but in less than a year gave up the throne to marry Wallis Simpson. Upon his abdication her father acceded to the throne as King George VI in 1936 until his death in 1952 at which time Elizabeth became Queen at the age of twenty-ﬁve. She has reigned through more than ﬁve decades of enormous social change and development and has had thirteen prime ministers, from Winston Churchill to David Cameron. Top row: Chad Valley Princesses Elizabeth and Margaret. Middle row, left to right: Chad Valley Princess Elizabeth. Princess Elizabeth by Raynal Dorothy Heizer Elizabeth and Prince Philip. Bottom row, left to right: Deans Rag Doll Company, Princess Elizabeth wearing her Girl’s Guide uniform. Queen Victoria is the only other British monarch to celebrate more than sixty years on the throne.

It’s Easy To Join UFDC

If you collect dolls, you owe it to yourself to belong to the UFDC! For membership information contact:

UFDC, Inc.,

10900 North Pomona Ave., Kansas City, MO 64153 Phone 816-891-7040 Fax 816-891-8360 Visit www.ufdc.org

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

A Holiday “Glory & Glamour” Gala Weekend in Michigan will be the perfect setting to “Meet and Greet” the Remarkable...

ROSE PERCY Duty’s most faithful child

SPONSORED BY: Doll Show Production’s “Dollicious” Doll Show and Sale Rochester Doll Collectors Club Dolls & Friends Club of Royal Oak & Greater Lansing Doll Collector’s Club Ann Arbor Doll Collector’s Club Doll Doctor’s Club of Michigan

NOVEMBER 2 - 4, 2012 3 day registration $135 The gala weekend begins Friday November 2nd with early registration at 1 P.M. followed by assorted workshops. An informal “Meet and Greet” with program presenters Michael Canadas and David Robinson will be from 6 to 8 P.M. Saturday November 3rd, dress up, wear your “Holiday Best” and prepare to be amazed by “Rose Percy” and her extensive array of breathtaking clothes, jewels and accessories. Listen, while her amazing story of service to her country and its veterans is told. Rose truly is “Duty’s Most Faithful Child.” The elegant Gazebo Banquet Hall in Warren is the perfect location for our Gala. Attendees will be treated to a sumptuous luncheon buffet, a specially created program about Rose Percy, deluxe helpers, a live auction of marvelous doll items, terrific table favors, a souvenir doll and a beautifully illustrated book about Rose, her possessions and her life. (This exclusive book is only available to registered guests.) The fun isn’t over yet! On Sunday, November 4th, your registration will allow you entry to the “Dollicious” Doll Show and Sale at Madison Place Hall in Madison Heights. Over 200 tables of wonderful dolls, bears, toys and accessories will be on sale. 90+ dealers will attempt to make all your doll collecting dreams come true! Special Hotel/Motel rate information will be sent with your registration confirmation. This information is online at www.littledollshoppe.com, www.dollshowproductions.com or www.rosepercy.org. For more information call Michael at 248-399-4345 or Sharon at 586-731-3072. Email questions to lildolls@excite.com.

Please complete the registration form below (please print) and send with appropriate fees Send to: The Little Doll Shoppe, 49770 Sandra Drive, Shelby Twp, MI 48315 NAME

PHONE

ADDRESS

CITY UFDC REGION

STATE

ZIP

CLUB NAME

PLEASE CHECK ALL THAT APPLY ■ I would like to be a table hostess ■ I would like to volunteer wherever needed ■ I will donate a tax deductible helper or auction item. (Tax deduction receipt will be given for each donated item.) ■ I would like to support the “Gala” by sponsoring an exhibit table for $25. Registration includes, Meet and Greet, Luncheon and Doll Show. Total cost per person $135. Total amount due $______________________ Payment method (please mark one) ■ Check (payable to The Little Doll Shoppe) ■ Visa/Mastercard CARD # 3 DIGIT SECURITY CODE

EXP. DATE SIGNATURE

(Credit card charges will appear on your statement as: The Little Doll Shoppe Cancellation Fee is $25. Cancellations will not be accepted, nor refunds made, after October 15, 2012 All monies and gifts are tax deductible. All proceeds will be donated to 501 C3 charities Half of the proceeds will be donated to Veteran charities, half to local charities decided by the sponsoring clubs.

UFDC Salesroom, July 24 - July 27

elcome to New Orleans, LA and the Jambalya Jubilee! We begin our coverage of the national UFDC convention with highlights from the salesroom. The hard working dealers are the icing on the cake, talented individuals who bring their finest merchandise to the convention in the hope that you would find a treasure or two to add to your collection. This year’s show, held in the Sheraton’s Grand Ballroom, wins a prize for being one of the most attractive venues we have seen in recent years. With French/Creole street names, it was easy to locate dealers, many of whom went out of their way decorating their booths with enormous bouquets of flowers. C’est ci bon! 54

ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

Left to right from the top: Nancy Smith, email: nasdoll@comcast.net RD, 10 inches, marked 6/0; block letter F.G., all original and second series portrait Jumeau. Marion Maus, email: mmausantiques@gmail.com “Sosaku” by Hirato Yoko, a Japanese 1930’s art doll. Alan Pate, email: info@antiquejapanesedolls.com The “Lullaby League.” R. John Wright, email: rjwrightdolls@aol.com Lynn Murray and Marshall Martin, emails: twosistersstudio@gmail.com/ marshallmartin@earthlink.net Terrene poupee, $6,900. Kay Jensen, email: klj@goldrush.com Companion doll for the Kathe Kruse luncheon souvenir doll, one of only ten made. www.kaethe-kruse.de

Left to right from the top: Snow White and the Seven Dwarfs by Marlene Xenis, Toy Shoppe, www.thetoyshoppe.com Kestner 243, $5,200. Sandy Kravolitz, email: skay43@aol.com Sue Kallen, email: suelkallen@yahoo.com Gottschalk dollhouse, $15,000. Sondra Krueger, email: sondkr@sondrakrueger.com Dewees Cochran designed dolls, c. 1950s. Rosalie Whyel, email: dollart@dollart.com

A very rare unmarked AM character sold early in the show. Fritziâ&#x20AC;&#x2122;s Antique Dolls, email: fritzisantiquedolls@comcast.net Franz Schmidt mold 1362. Connie and Jay Lowe, email: big.birds@comcast.net Bru fashion with early wood body, $12,500. Dorothy Drake, email: dorothy@dolls4all.com Huret from the Provost era. Jackie Allington, email: nickandjackie@gmail.com ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

ANTIQUE DOLL COLLECTOR

1. Joan Farrell and Lynette Gross, email: joanlynettedolls@sbcglobal.net 2. Back row: Kestner 221 googly; Hertel & Schwab 165 googly; E. J. marked 10; front, E.D. by Jumeau; all bisque jointed knee Kestner; earliest round face Steiner; F.G. block letter. Grandma’s Attic, email: joycedolls@aol.com 3. 14-inch S & H 949, $2,700 and 17-inch Steiner, $8,250. Honey and Shars, email: Sharon@honeyandshars.com 4. A rare 24-inch china with molded bonnet, c. 1840. $18,500. Turn of the Century Antiques, email: toc@rare-dolls.com 5. K*R 101x, $4,950 and French bulldog, $3,900. Deborah Fratino, email: debfratino@aol.com 6. A nearly complete Steiff Schoolhouse, Rick Saxman, ricksax@earthlink.net 7. Friti’s Antique Dolls. Fritzi won the top award for booth decoration. Email: fritzisantiquedolls@comcast.net 56

SEPTEMBER 2012

8. Sheila Needle, email: dollwitch@cox.net NEXT PAGE: 9. Margaret Kincaid received an award of appreciation for her booth decoration. Email: margaret.kincaid@gmail.com 10. Dionne quints, $2,500 and Dr. Dafoe, $1,395. Chip Barkel, email: chip@chipbarkelantiques.com 11. Scott’s Antiques, email: holliedaz@wi.rr.com 12. Pair S & H Santas, 17 inches, $2,500. Le Cheval de Bois, email: pamfarr666@hotmail.com 13. Phenix Steiner, $5,750. Phil May, email: dollmanofog@aol.com 14. Jumeau automaton, $9,800; S & H $3,995 and china fashion, $2,995. Nancy McCray, email: nlmccray@q.com 15. 18-inch Van Rozen doll, 18 inches. Shirl’s Dolls, email: ppas99@att.net

16. Rare “Maggie Bessie” cloth doll, $17,500, companion cow $250. Ashley’s Dolls & Antiquities, email: billyehb@aol.com 17. Rick Saxman sold this rare 1308 by Simon Halbig early in the show. 18. Valerie Fogel received an award of appreciation for her beautifully decorated booth. Email: Valerie@beautifulbebes.com

18 ANTIQUE DOLL COLLECTOR

SEPTEMBER 2012

Ashley's Dolls & Antiquities

30 Inch Wax Doll with Blue Glass Eyes, Human Hair, Antique Clothing, Extra Lovely Girl! - $850; Haute Couture French Fashion Gown Made with Antique Fabrics and Trims, Lace Netting, Floral Silk and Velvet Ribbon for 18 Inch Doll - $550; 29 Inch China with Elaborate Braided Hairdo, Copper Lustre Boots, Brush Marks, Antique Costume with 10K Gold Brooch, Pierced Ears, RARE doll! $5500; 15 Inch Heubach Boy with Intaglio Eyes, Molded Hair, Ball Jointed Composition Body with Factory Finish, Great Costume, Adorable!! $950; 14 Inch Maggie Bessie Moravian Cloth Doll, Handpainted, Ca. 1890's, Original Costume, Very Hard-to-ﬁnd Doll from Old Salem, North Carolina Estate - $21,500; 12 Inch Armand Marseille Character Mold #640, Original Mohair Wig, Intaglio Eyes, Original Cloth Body w/Oilcloth Factory Arms, Vintage Clothing, $450

Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • AshleysDolls.com • AshleysDolls@gmail All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

24” A.T. Kestner child, blue sleep eyes, excellent composition body with straight wrists, totally original clothing with exceptionally full blonde mohair wig. $8800

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

19” Simon & Halbig 719, wonderful expressive face, early wood and composition body with straight wrists, dressed like Little Red Riding Hood in all antique clothing. $3500

Antique DOLL Collector October 2012 Vol. 15, No. 9

October 2012 Vol. 15, No. 9 $595 / $695 Canada www.antiquedollcollector.com

Friday, November 9. Dollmastery, Hands-On Study of Dolls to be conducted by Florence Theriault. Limited registration of 25 attendees, informative discussion and close-up examination of wonderful antique dolls. The seminar is free, but you must call in advance to register. Saturday, November 10. Marquis catalogued doll auction “Apples”, featuring the private collection of legendary and early California collector Alice Avery. Catalog available for $49. Sunday, November 11. Catalogued auction, “The Fabulous Fifties”, featuring important American dolls from the golden age of the 1950s, all from private collections. Catalog available for $49. Both auctions will be shown online after October 20 (visit www. theriaults.com and click on Proxibid). We hope you will attend to view these beautiful and rare dolls in person, but if you cannot attend, you can absentee bid, live telephone bid, or bid live via the internet. For more information about the weekend, visit www.theriaults.com, or call 800-638-0422 or email info@theriaults.com.

(Plan ahead. Next Marquis cataloged auction will be January 11-13, in Newport Beach, California featuring two important private collections.)

PO Box 151 Annapolis, Maryland 21404 USA Telephone 410-224-3655 Fax 410-224-2515 www.theriaults.com

Saturday, November 10. Marquis catalogued doll auction “Apples”, featuring the private collection of legendary and early California collector Alice Avery. Catalog available for $49.

Friday, November 9. Looking to Learn More about Antique Dolls? There’s no better way to do this than attending the one-day seminar workshop to be conducted by Florence Theriault on Friday, November 9 at the Omni Mandalay Las Colinas, Dallas, Texas. Admission is free, but by advance reservation only as attendance is quite limited. Dolls and their costumes and accessories are discussed, shown, and even passed around for collectors to see at close range. “It’s a dream come true for me”, said one collector who attended the last seminar. For more information call 800-638-0422.

Sunday, November 11. Catalogued auction, “The Fabulous Fifties”, featuring important American dolls from the golden age of the 1950s, all from private collections. Catalog available for $49.

Both auctions will be shown online after October 20 (visit www.theriaults.com and click on Proxibid). We hope you will attend to view these beautiful and rare dolls in person, but if you cannot attend, you can absentee bid, live telephone bid, or bid live via the internet. For more information about the weekend, visit www.theriaults. com, or call 800-638-0422 or email info@theriaults.com.

For more information about the weekend, visit www.theriaults.com, or call 800-638-0422 or email info@theriaults.com.

PO Box 151 • Annapolis, Maryland 21404 USA • Telephone 410-224-3655 • Fax 410-224-2515 • www.theriaults.com

Joyce Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

Visit my website: www.grandmasatticdolls.com 1. - 2. 9 1/2" Tete Jumeau #1 Bebe, immaculate pale bisque, huge blue threaded pw eyes, luscious lashes, orig. mohair wig & pate, wears gorgeous ant. lace dress, matching bonnet, orig. undies, shoes w/rosettes & orig. socks. Includes orig. flowered Jumeau dress. Orig. "signed" Jumeau body. ABSOLUTELY GORGEOUS, darling size #1. $9850. 3. - 4. 16” E. 7 J. Jumeau Bebe, gorgeous pale bisque, magnificent bulging blue p/w eyes, orig. mohair wig & pate, wears ant. Fr. tan ornate silk dress ant. Fr. shoes. On orig. early straight wrist fully “signed” Jumeau body. I have never seen such magnificent big light bl. eyes. OUTSTANDING!!! $9800. 5. - 6. - 7. 10" Early Steiner Series C Bebe, orig. Fr. trunk & trousseau, immaculate pale bisque, light blue p/w eyes, early mauve blush under brows, orig. long clean mohair wig & orig. Steiner pate, wears magnificent pleated aqua silk & lace dress, orig. undies, orig. crocheted socks & orig. aqua Steiner shoes, ant. Fr. hat adorned w/aqua silk ribbons. Orig. trunk contains extra undies, sleeping gown, 2 extra dresses, bonnet, 2 extra hats, celluloid mirror & comb, Steiner Chemise, capelet, hankie & Fr. ant. dog. Beautiful trunk w/lock, handles, tray & fits inside. $12,500. 8. - 9. 23" F.G. Block Letter Bebe, huge bulging blue p/w eyes, immaculate pale bisque, gorgeous clean mohair wig & pate, wears a beautiful ant. organdy & lace dress adorned w/silk ribbons, ant. undies, Fr. hat & handmade leather shoes w/ rosettes. On orig. early & ball jointed st. wrist body w/ fully marked "Gesland FG Bebe Paris" label. Desirable Bru type tongue tip. OUTSTANDING beauty. $8700. 10. 8 3/4" Kestner All Bisque Wrestler, mint bisque overall, blue threaded p/w eyes, 2 upper teeth, swivel neck & darling replaced curly mohair wig, on orig. perfect all bisque body w/blushing in all 5 the right places. Gold multi strap boots in wonderful large size. Wears orig. net & ribbon dress & matching hat. EXTRAORDINARILY beautiful!!! $5800. 11. - 12. 9" Tete Jumeau #1 Bebe, blue p/w eyes, mint bisque, orig. Jumeau mohair wig w/ orig. hair ribbon & pate, wears orig. flowered Jumeau dress, ant. undies, ant. size #1 Fr. shoes & crocheted socks. On early st. wrist Jumeau body. Darling teeny cabinet size & STUNNING!!! A little jewel!! $8975. 13. - 14. 13" French Paris Bebe 8-9 #4, mint pale bisque, expressive beautiful blue p/w eyes, orig. mohair wig & pate, wears fabulous ant. turquoise batiste & lace dress, orig. undies ant. shoes & socks. Full Paris Bebe red head stamp & on orig. Paris Bebe body. Desirable Paris Bebe face. Absolutely GORGEOUS great cabinet size!! $6350. 15. - 16. 13" A. Thullier (AT Bebe), gorgeous blue threaded p/w eyes, beautiful pale bisque (invisibly restored in back of head only), ALL FACTORY orig., incl. mohair wig & pate, orig. silk bridal gown (frayed) w/train, orig. undies, shoes & socks & fabulous ant. bouquet. On orig. st. wrist AT body. BREATHTAKING AT!!! The BEST face EVER!!!! LAYAWAY AVAILABLE $25,500. Member UFDC & NADDA

1-2

3-4

11-12

(Nat'l Antique Doll Dealers Assn.)

13-14

15-16

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS 1 - 2. 18 1/2” Jumeau early E.J., marked w/ “7 over EJ”, factory wool Mariner’s costume, early 8-ball body, orig. buttoned together 2-piece undergarments. Excellent example. $13,850. 3. French Sac de Voyage in larger size for longer journeys! 8” long, 4” wide. and approx. 6 1/2” tall. $1675. 4 - 6. 17” Jumeau fashion w/ rare, articulated leather body that’s articulated w/ wood joints at shoulders. Excellent condition, all antique presentation and wonderful too! $3450.

Exhibiting: Oct. 6 - Happy Dolling Show and Sale, Glendale CA, Glendale Civic Auditorium Oct. 13 - Calif. Doll and Teddy Bear Show, Pleasanton CA, Alameda Fairgrounds Nov. 10 - California Doll Collectors of Orange County Show, Garden Grove CA, Garden Grove Community Center

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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Carmel Doll Shop

Please visit www.carmeldollshop.com for a closer look at Miss Daisy and more. While you’re there, be sure and peruse our wide selection of Clothing and Accessories. Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!

Michael Canadas and David Robinson (831) 643-1902

Members of UFDC & NADDA

iss Daisy is an eighteen-inch tall English poured wax child with infinite charm. Most likely a fine product born of the Montanari workshop, circa 1860, Daisy was given lovely modeling, bright blue inset glass eyes, and inserted, fine blonde hair. On a softly-stuffed cloth body, it is fitted with poured wax limbs that remain in perfect condition. Much attention has been lavished on Miss Daisy during her lifetime, most in the clothing she has been provided. Daisy boasts ten enfantine-styled ensembles – each of them with coordinating head wear. Although there is no shortage of clothing in her tousseau, it is a bit shy when it comes to accessories, so think of the fun you could have outfitting her with accessories, and furniture! Daisy is shown here wearing a marvelous four-piece ensemble of lovely silk with forest green ribbon accents, but it is the crystal drops scattered here and there that makes it sing – and Daisy loves it… and you will love her… $7500 complete as shown.

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November 24, 2012: Auction Team Brecker sells Automata from the Gaston Decamps family

INSIDE THE WORLD OF GUIDO ODIN

by Lynn Murray The fascinating life of the talented co-founder of the Musée de la Poupée.

About The Cover On November 24 Auction Team Breker presents an important

sale featuring rare examples of nineteenth century automata, including for the ﬁrst time, several pieces from the family of Gaston Decamps. The ﬁrm Roullet et Decamps played an important role in the history of the French toy industry. A preview of this upcoming sale can be found beginning on page 21. Cover courtesy Auction Team Breker

Learning About American-Made Dolls INTERESTING NEW DISCOVERIES by Ursula Mertz

ANTIQUE DOLL COLLECTOR

THE ROMANCE THE LIFE OF LILLIAN DAL MONTE A Glimpse Backstage by David Robinson Fifteen years later, a new DVD version of this popular presentation comes to life. OCTOBER 2012

Octber 2012 Volume 15, Number 9

THE MARAZZI MAGIC

by Samy Odin Learn about these luxury doll automatons made of dressed felt, erroneously referred to as “walking Lencis.”

14 Auction Gallery 49 Mystery 49 Book Review

UFDC ANTIQUE COMPETITIVE EXHIBIT 2012 NEW ORLEANS, LOUISIANA PART I

Photographed at the 2012 National UFDC Convention by Keith Kaonis

56 Emporium 60 Calendar 63 Classified

NATIONAL DOLL FESTIVAL JULY 22-25 • NEW ORLEANS

Highlights from the 25th annual show.

(212) 787-7279 P.O. Box 1410 NY, NY 10023

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA

A Rare Labeled Trousseaux - Filled to capacity with mint riches in extravagant detail. The French Mignonette with Trousseaux is factory original with the boutique label appropriately called A La Mignonette! The 6” mignonette, itself a gem of stylish perfection, is surrounded by her miniature couture, silk ensembles with companion hats and numerous accessories, all still securely tied into its drop front, bi-level box with hinged lid! An exhilarating gift from the specialist Monsieur George Guigue. $8000

Connoisseurs want what is unique and distinguished. “Lily” the very rare signature piece of Madame Lavallée Peronne, proprietress of the luxurious 1860’s shop “A la Poupée Nuremberg”, is just such a piece! La crème de la crème, this 17” icon in splendid condition has the early jointed wood body with label intact, immaculate bisque flawlessly rendered and framed by mint factory wig. She wears her well-preserved luxurious silk gown with train, and her stylish bustle is supported by a fascinating hooped cage! A momentous poupée of celebrated import and incomparable value. $9000

Lafosse Era Steiner- Academics, suffragettes and Steiner lovers in particular will all enjoy this 18” scarce and exceptional Bebe Phénix, c. 1895, by Marie Lafosse, the enterprising widow and successor to Jules Steiner. Her distinctive angularity is exquisitely colored, brilliantly modelled and few in number! With blue PW’s, closed mouth and mint stiff wrist fully jointed Steiner body, plus original corset and antique leather shoes! $4500

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1. 14” Jumeau Portrait Poupée – earliest flawless bisque, dreamy wraparound pearl gray PW wyes, original Jumeau body, no leaks, delicate size. $2200 2. 11-1/2” Elegant Barrois Poupée – interesting post war model, excellent quality and condition, incised “E. Deposé B.” Mint original signed body, lovely PW’s and original jewelry. $1200 3. 11” F.G. Fashion – diminutive size 2/0, perfect bisque, signed, F.G. vibrant blue PW’s, pierced ears, orig. body, no leaks, makes a great child fashion too! $1500 4. 18” All Original Jules Steiner – lavish and pristine describe this exceptionally pretty mechanical Steiner “Gigateur” with her delicate complexion, early soft brows and uncanny Figure B aspect. The Aux Nain Bleu label on her torso testifies to her elaborate presentation – silk couture perfectly complete from chapeau to shoes in the quality for which the famed Parisian store is celebrated. $3,000 5. 4-1/2” “111” All Bisque Googly – a rare Kestner googly baby with original wig has jointed arms, perfectly matching singed Kestner bent limb legs that could be original assembly. See Foulke page 180 and 183. Not $3200, just $1495 6. 6” Boy and Girl Barefoot Kestners – socket heads incised “1” with original wigs sleep eyes, exquisite quality bisque, shapely bodies with the iconic bent arms, dressed or undressed what a luxurious pair they make! $2500 each 7. Rare 7” All Bisque w/Long Brown Stockings – beautiful early quality, probably Halbig, closed mouth, perfect sleep eyes, knee length braided factory wig, more unusual than the 886 and only $2250 8. Au Nain Bleu Gigateur – in full layers of dress. See # 4 9. 9” Fully Jointed K * R – no one made composition bodies like Kammer and Reinhardt and this mint example, with sleep eyes, is no exception! Not $750 just $495 10. 4-1/2” Adorable French Trade – early French style mignonette round face, socket head with two square teeth, cobalt blue glass eyes, peg-jointed slender legs w/ long baby blue stockings and mint braided factory wig! $750 11. Miniature 6” Jointed Black – an unusual doll house scale of the popular Gbr. Kuhnlenz 34, fired bisque, glass eyes, orig. wig and what a shapely well made fully jointed compo body! Just $650 12. Mechanical Steiner – few “Kicking Steiners” are so well preserved. See #4 13 & 14. 18” 1860’s China Lady – long neck, sloping shoulders, 3 sew holes, truly invisible plate mend does not show, original body with lovely antique replaced arms, ornate braided hair w/ ornament. Just $595 15. Printed Fabric Chinas – we love these “teaching dolls” with firm bodies, orig. limbs, and quality heads. 9-1/2” Southern Hemisphere protectorate; 12” Ethel with Flags of the world. $250 each 16. The Au Nain Bleu Label assured the ultimate in quality. See # 4

1 & 2. This Rare Molded Hair Googly – 12” tall, has multiple molded forelocks, deeply carved charming intaglio eyes, impish smile, an enigma signed “H in a circle C”, fully jointed quality body, as seen in the Puppen Spielzeug museum sale, not $3500, just $1495 3. Really mischievous is this cunning 8” Factory Original “455” Googly, a Kestner type known for its oversized glancing eyes and acute smile, this “Katzenjammer Kid” has orig. dashing boy’s outfit incl. hat! (See #14). $1495 4. In the tradition of the early funny pages comes this Zany 8” 5 6 Cartoon Character with a smooth solid crown head, rare on googlies, tiny upraised comic eyebrows, intaglio “surprised eyes” and the widest grin ever on a googly! $595 5 & 6. Totally adorable is this 10” Fully Jointed Toddler by Bahr and Proschild with a rare closed mouth and two carved teeth, pretty blue eyes, gentle blush, hip length original wig and period party dress! $795 7. Nothing says “Googly” like the Classic AM 323 in his healthy 9” height w. orig. wig and robust body dressed to impress in lacey dress skirt and dashing silk knickers to match his infamous baby blue eyes! $750 8. This 11” Dimpled Heubach 271 Lothario has his enameled flirty 9 10 eyes on one of your girls! Superior bisque, molded sidepart, and shy smile. Mr. Hopeful is all done up in original silk suit and calling card! $595 9. 7-1/2” Miniature Heubach Portrait, this rare unlisted mold is an artful study in quality and nuance. Every detail of modelling is present in oily sheen from 3 dimensional eyes to facial subtleties that render the complex expression. $650 10. What’s not to love about this Rare 8” Gbr. Heubach “Cupcake” from the desirable “9000” series with pixie like cheer, dancing eyes and comic flyaway brows, great factory wig and tubby barefoot toddler body in period silk party dress! $1495 13 14 11. Love is in the air! See # 7 & 10 12. This Gbr. Heubach “Party Clown” is a very rare unlisted mold and a handsome lad to boot with neatly combed hair, high pompadour, extra gentle big eyes ,toddler body and wonderful original clown costume! A must! $795 13. Bahr and Proschild known for its gently expressive characters, submitted this rare mold 641 into the Hilda market in the following year. Ever as pretty with oily bisque, widely set expectant round eyes and curvaceous lips with molded tongue – how do you say no?! $650 (14. see #3) 15. Few googlies are actual babies so this Rare 7” Heubach 9085 is a real find with such great big eyes, button nose, tiny mouth and exaggerated tufts of hair and low hanging curl, the baby brother to #12! $650 16. Anne Fishers’ Little Doll – a very special mint 12” character with the most engaging expression, oily sheen, sparkling blue eyes, darling heart-shaped open/closed mouth… precious! $550

(212) 787-7279 P.O. Box 1410 NY, NY 10023

Danny & Barrie Shapiro

Creating The Ultimate Collection Since 1975, The Toy Shoppe has focused on dolls of exceptional design and artistry created with the highest standards of production.

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At their workshop in Vermont, John and Susan Wright are busy bringing beloved vintage characters to life as well as creating their own exquisite dolls and animals. Their artistry and expertise are truly unmatched.

The Toy Shoppe is your premier R. John Wright shoppe with a great selection of current and vintage RJW editions. Free shipping on RJW every day!

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2012-09-13 1:19:33 PM

November 24, 2012: Auction Team Brecker sells Automata from the Gaston Decamps family

BOUTIQUE FANTASQUE

visitor to the Paris Exposition in 1900 reported amazement at the “large animated scenes” which attracted the crowds: dancers performing pirouettes, Pierrot taunting the Moon, Hercules lifting a dumb bell, and even Mephistopheles himself, rolling his wicked eyes. Audiences at Martin Scorsese’s ﬁlm Hugo last year showed a similar reaction to the mixture of magic, motion pictures and mechanical life that the story conjures. Set in Paris in 1931, the action centers around a young boy, Hugo Cabret, who lives secretly within the walls of the Gare Montparnasse and spends his time regulating the station clocks and attempting to repair a mysterious automaton (loosely inspired by Henri Maillardet’s famous Draughtsman-Writer at the Franklin Institute in Philadelphia). The ﬁlm has a happy ending, and happily too, many of the 19th century automata of the Parisian belle époque that form the background of the story have survived today. Auction Team Breker’s toy sale on November 24, 2012

includes a special selection of ﬁne automata from private collections including, notably, pieces from the family of Gaston Decamps. The Cuisinier by Gustave Vichy is undoubtedly one of the most imaginative. Its inspiration is the French nursery rhyme “La Mère Michel”, which tells the story of the rascally old chef Luscosco who sells his neighbour’s cat (as rabbit, always a more popular choice) when she refuses to pay him a reward for its return. Vichy’s retelling of the tale serves up a decidedly more animated cat which would not be out of place in a Dr. Seuss illustration, in a pink satin bowtie, emerging from the copper pan and sticking out its tongue each time the chef takes a swig from his bottle of Madeira. A more serene view is presented in “La Dejeuner du Chat” by Roullet et Decamps, featuring a classic Tête Jumeau bébé and her fur-covered cat which opens its mouth and appears to mew. The sound effects are created by a pair of bellows hidden with the mechanism. ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Pneumatic effects on a grander scale are to be heard in Henry Phalibois’ “Siffleur” (above, left): a raffish boy who sways his head from side to side, winks and points while whistling two tunes, one of which is Henry Dacre’s popular 1892 song “Daisy Bell” (a Bicycle Built for Two). While the whistling boy was an innovation by Henry Phalibois, the two-cup magician with early French fashion head (above, center) was the work of his father, Jean Marie Phalibois. Dating from c. 1905 and 1875 respectively, the two automata from different generations of the family firm show the changes in the French toy industry, and fashion in general, over a thirty year period.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

As the 19th century wound down, automata, which were always in tune with the trends, began to reﬂect a certain ﬁn de siècle decadence. An elegant black dandy (above) puffs away on a cigarette as leather bellows in the base allow him to inhale and exhale in a passing imitation of life, while a handsome clown acrobat by Vichy (below, left) performs perfect handstands on a pair of stilts. The world of the circus and music hall provided much inspiration for the French automata makers. Take, for example, Decamps dancing mistress and her tiny protégé (below, center) or the black guitarist in his original minstrel jacket by Lambert (below).

Another theatrical piece by Lambert is the Pierrot Musician (above, left), circa 1915, with an S.F.B.J. character head (mould 255) that has been factory painted with the dramatic eye make up of the period. The Chinoise Vérseuse (Chinese Tea Server) (above, center) also features a bisque character head, with amber-tinted complexion and Asiatic features. Unusually, here she is accompanied by a musical box that suits the genre by playing two Chinese-inspired airs: “Pontzi” and “Loe Lee Han Chin”. A particularly charming vignette, beautifully preserved, is the “Magic Theatre” (above, right) by Louis Renou, whose automata tend to be smaller than their counterparts and usually feature bisque heads with a distinct expression. Here a bébé in fine original costume raps on the roof of her puppet booth to summon a different actor to the stage each time the curtain rises. A special category in the auction is a group of automata from the Decamps family collection. The firm Roullet et Decamps occupies an important place in the history of the French toy industry, in that it remained an ongoing concern from its foundation by Jean Roullet 1866 until its eventual closure in 1995. Some of the firm’s most celebrated automata are preserved at the National Museum in Souillac. The Decamps lots in the auction present a rare opportunity to acquire a piece from the original family. Of special interest is a superb pressed black bisque portrait head (right), produced on commission by Jumeau, but never fitted to an automaton. Another head from the Decamps family archive is a large Kämmer & Rheinhardt 114 “Gretchen” character (right) with glass eyes. The auction also includes a delightful mechanical ménagerie that encompasses a grunting kid-covered pig, a balancing bear and a running horse, the perfect companions for any well-appointed doll.

Further reading: Christian Bailly (1987), Automata, the Golden Age, 1848 – 1914. Annette Beyer (1983), The Fascinating World of Automata. Mary Hillier (1976), Automata & Mechanical Toys. Complete details of the auction can be found online from mid October at www.breker.com and to experience the automata in motion, please visit www.youtube.com/Auction Team Breker. We look forward to welcoming you to the auction. Fully illustrated bilingual (English-German) COLOR Catalogue is available for prepayment of: EUR 28,- (Europe) or EUR 37,- (Overseas – approx. US$ 55,-), incl. airmail. Auction Team Breker P.O. Box 50 11 19, 50971 Köln, Germany phone +49/2236/38 43 40, fax +49/2236/38 43 430, Otto-Hahn-Str. 10, 50997 Köln (Godorf) InterNet: www.Breker.com • e-mail: Auction@Breker.com

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Inside the World of

Guido Odin by Lynn Murray

A painting of the first French doll in the collection, by Guido Odin.

hose who have recently visited the Musée de la Poupée, in Paris, will have missed the amiable Guido Odin, who with his son, Samy, established the museum. The effervescent Guido has taken retirement and is only an infrequent visitor to the museum these days. In a quiet suburb of Paris, stands a large house, surrounded by a six-foot fence that only partially hides the glorious hydrangeas, the trellised vines of wisteria, the shaded grape arbor and the oldfashioned roses. Children on their way to and from school can be heard calling “Allo, Pappy,” as they pass by. Inside this sanctuary is what can only be described as a private museum. For it is here that Guido surrounds himself with his bountiful collections. Born in northern Italy, just pre WW II, Guido was the youngest child and only boy in a family of girls. Perhaps inspired by his Godfather, the Italian artist Golia, Guido showed a natural talent for sketching. In the next few years he added to his repertoire, watercolors and pastels. A solitary child, he was drawn to the fantasy world of the movies. Movies were his escape. Movie stars fascinated him and he avidly clipped and saved every picture of every glamorous star that he found. Today his vast collection of movies and

Guido’s love of monkeys stems from his “close encounters of the primate kind” in Africa.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Until the 1960s, the French still had many colonies in Africa. This 60cm baby, made by Petitcollin, is the largest in the “Negri Series.”

On a trip to Africa during his days as a professional photographer, Guido shot this remarkable portrait that was later used on a UNICEF poster.

memorabilia holds more than a million images, all catalogued and precisely organized. Perhaps it was this fascination with glamorous photographs that led to his choice of profession. Guido became an accomplished and well-known art and portrait photographer. Eventually he established a studio and photography shop in Turin. A selection of Guido Odin’s photography was published in “Una gerla di sassi” which translates to “A Basket of Stones.” Indeed there have been times in his life when he felt he had nothing more than a basket of stones. His wife died very young, leaving him with the responsibility of raising their only child and plunging him into a time of depression and anxiety. All in good time the pragmatic side of Guido emerged and he focused his attention and devotion to nurturing and educating his son, Samy. On a trip to Africa, he spent weeks taking wildlife pictures. He was particularly fascinated by the community of monkeys inhabiting the jungle nearby, and spent many long, hot afternoons observing their behavior and social structure. In time he believed he was able to communicate with one or two of the individual members of the troop. Stories of his interaction

Portrait of an African child by Guido Odin.

When the Odins opened the Musée de la Poupée in 1994, Guido commissioned this portrait doll of his son Samy to act as a museum mascot.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

The complete series of French celluloid Jeanne d’Arc girls from Pettcollin. They came with 5-piece jointed bodies, molded hair and painted or glass eyes. The strawberry-haired doll in the front is a Japanese copy from the 1950s.

The Odin Collection is the most comprehensive collection of celluloid dolls from the French companies. On top of the showcase is a group from the séries nègre by Nobel and a few German babies including Mamby, by Schildkröt. Arranged on the top shelf in the showcase is the complete series of Negri by Petticollin. On the second shelf are the Jeanne d’Arc dolls of Petitcollin and on the bottom shelf the series of Asiati, also by Petitcollin. A 24” pristine celluloid girl with flirty eyes greets visitors chez Odin.

ANTIQUE DOLL COLLECTOR

French celluloid Asiati babies and children made by Petitcollin, representing the children of the former French colonies of Indochine: Cambodia, Laos, Vietnam, Annam, Cochinchina, Tonkin and Kouang-Tcheou-Wan, China. The very large baby is from an unknown company.

with the troop of primates can best be appreciated when told by the intrepid traveler. His African experience led to the large collection of Steiff and Schuko monkeys that inhabits a room at the top of the house. The African village people inspired Guido with their dignity, their music and dance, their joie de vivre, despite their hardships of famine and disease. Ever ready with his camera, he captured hundreds of spectacular images. UNICEF later used his portraits of African children on calendars and posters. Guido’s creativity and fascination for things from the past evolved into a business of buying, selling and restoring antiques. The ﬁrst antique doll appeared in the shop in 1981. A gentleman telephoned to offer a doll for sale. According to his description, it was not worth much because it didn’t have sleeping eyes and it didn’t have any teeth. The doll, with its bisque head and solemn expression, captivated his imagination and awoke the inherent collector within. It was a Kammer & Reinhardt 101 “Marie.” Like OCTOBER 2012

Guido’s select collection of German character dolls from Heubach, Kammer & Reinhardt and others indicates his preference for painted and intaglio eyes.

Currently, Guido’s grand passion is for Googlies. On a recent trip to Germany, we were shocked and dismayed to discover how many reproduction heads had been married to antique bodies and were being offered as the real thing. The work is often so well done that the head circumference is the only way to detect a reproduction.

The laughing face of a very rare character by Gebrüder Knoch, a porcelain factory from Neustadt bei Coburg, Germany.

Roses in the secret garden chez Odin.

His hand-made felt dolls epitomize Guido’s sense of humor and whimsy.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

The Disney movie “Snow White and the Seven Dwarfs” came out in 1937, the year Guido was born. The seven dwarfs above are his tribute to the Disney film.

An extremely rare Googly in black composition made by SFBJ and marked only “62.” 30

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

a hungry bear waking from hibernation, Guido is a passionate collector and a determined and tenacious hunter. With few doll collectors in his particular corner of the world, the time was right for starting a doll collection. Within months the doll collection had taken over his every waking hour. It occupied every available space, leaving no room for the rest of the antique business. By 1983, Guido was virtually living in a doll museum, so he decided it would be a good idea to open his museum to the public. By the late 1980s, son Samy had graduated from university and was himself a teacher of languages. Samy’s teaching career, however, did not satisfy his need for intellectual challenge, diversity or artistic expression. Associated with a conservative university, he could not foresee changes any time soon. Instead, he took the bold step of resigning his teaching position and joining his father to plan a future revolving around antique dolls, history, literature, fashion and textiles. Samy had already digested every morsel of antique doll research available. The partnership of Samy’s knowledge and a keen eye for quality coupled with Guido’s passion and temerity made the Odins a force to be reckoned with in European doll circles. Though Turin was home, both Guido and Samy realized the city was not large enough to support a doll museum. They were interested mainly in dolls with bisque heads, made in Germany and France. Time and again they discussed the advantages and the challenges of moving far from family members to another country, another culture, a larger city. Finally

Paper dolls by Guido Odin representing the children of the world.

they determined that the advantages outweighed the problems and they took the giant step of moving to Paris. The choice of Paris was made with the express intent of opening a museum of dolls in the city that had given the world many of the finest dolls of the 19th century. The Musée de la Poupée opened to the public in 1994. For a collector with the enthusiasm and appetite of Guido Odin, life in Paris was a carousel of temptations! He was introduced to French celluloid dolls and with the motivation of a special museum exhibition, the Odins set out to collect as complete a set of examples as possible. Along the way came several dozen German celluloid dolls and some very rare Norwegian celluloids. As a boy, always cutting pictures, Guido had been called upon to assist his young cousins and neighbors with their paper dolls. He was so adept at cutting precisely and the girls were always in such a hurry. Little did they realize that he loved the paper and the artwork every bit as much as they loved their dolls. When he happened to find a sheet of paper dolls from his childhood, another fabulous collection was born. Paper dolls from the early 1800s up to modern day artist dolls occupy an entire room in the house near Paris. His first love is for the Dolly Dingle Paper Dolls, of which he has collected the entire series. The paper doll collection motivated Guido to create original cloth dolls resembling the Dolly Dingle characters. Not surprisingly this child of the 30s and fan of the movies is an avid collector of Disney memorabilia, in particular, Snow White and the Seven

Along with cutting out pictures of movie stars, the young Guido loved to cut paper dolls. The Italian printed sheets like these began a lifelong love of paper dolls.

Above: Large Polish celluloid girl, maker unknown. Left: An interesting Polish celluloid girl made to represent the Princess of Denmark as a child together with a Minerva mechanical swaddling baby, both from the 1930s.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Examples of the 700 Series celluloid dolls from Kammer & Reinhardt.

Dwarfs, which was released the year of his birth. In July 2012, Guido and Samy mounted an exhibit of their very impressive collection of Victorian scrap, referred to as chromos in France. Again a massive collection, Guido has painstakingly arranged the scrap into albums, organizing by size and subject matter in order to create a valuable study archive as well as a collection of tremendous variety, rarity and beauty. The fragile ephemera covers several decades and the subject matter is vast: animals, angels, children, Valentines, birds, boats, Christmas and on it goes. After a recent exhibit at Musée de la Poupée, they published an extensive study of scrap entitled “Exquisite Images.” These study books or cahiers are valuable research tools published by the museum for collectors. Under

For seven decades this avid movie fan has clipped pictures of the stars and collected press releases and autographs. His remarkable collection contains more than a million images.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Two of the perennial favorites from Kammer & Reinhardt, “Marie and Elsa.”

Samy’s direction, the museum has continued to evolve into a center for education about dolls. They regularly offer children’s activities, seminars, identiﬁcation clinics and doll repair services. In his retirement, Guido has a full time occupation maintaining his collections and pursuing his art. He has ﬁlled his home with a graceful combination of whimsy, nostalgia, humor and beauty. Not surprisingly, the dolls he has chosen to live with him are his Googlies. Their rounded side-glancing eyes peak at you from cabinets and shelves. They are present in every size and every version imaginable. From tiny Heubach all-bisques to the most rare SFBJ black papier maché baby, the Googlies set the tone for a visit inside the world of Guido Odin.

The Marazzi Magic by Samy Odin

mong Italian competitors to Lenci, active between the two world wars, Marazzi is unique. The only common point with Lenci is the use of pressed felt for the head and body of their dolls but, evidently, their products being so different from one another, there shouldn’t be any possible confusion, since Lenci NEVER made mechanical dolls, while Marazzi seems to ONLY have made those. However, some collectors today erroneously describe the Marazzi dolls as “walking Lencis”. The purpose of this article is to correct this wrong attribution.

Two different face molds and variations in the length of the same dress makes us wonder were different molds produced in the same year, or did production of a mold last longer than one year? Adelina Brovarone Collection

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Although the costume is different, this doll has the same face mold as the doll on the left in the previous photo. This rare key wound luxury doll is capable of five movements, its mechanical parts being replaceable to keep it fully operational. Odin Collection

Depending on the position of the little levers protruding on the front of the shoes, the doll can circle to the right or left.

Patents for la Bambola Magica were filed in six different countries as indicated on this box label. 36

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Based in Milano, the company Marazzi filed the patent, seemingly in 1925/1926, for what was called a “Bambola Magica” (Magic Doll). This technical marvel can walk, raise and lower the arms, turn the head and circle either to the right or to the left, depending on the position of the little levers protruding on the front of the shoes. Key wound, this luxury doll can be considered almost as an automaton, for five different movements are possible with its mechanism. Twenty-seven different pieces were used for its skeleton construction. They were made of steel, bronze or copper (these two different metals are alternatively mentioned, one on the box label and the other on the instructions leaflet) and aluminum which led the maker to state that since each piece could be replaced, the duration of this plaything had no limitations. This seems to be quite true because all of the rare dolls of this kind that I studied were still functioning well. It is interesting to know that this patent was filed in at least six different countries: in Italy it bore the number 214491, in France 572077, in England 232774, in Spain 89570, in Japan 63892 and in the US 1561992. Marazzi certainly had quite ambitious projects for this “Bambola Magica” but the 1929 crisis seems to have stopped the production of this expensive doll, for no records from the 1930s have been found mentioning it. The short life of this type of doll also explains its rarity today.

Looking more closely at the dolls featured in this article, one can notice that different face molds have been used. Three are shown in these pages and a fourth one on page 186 of Michela Giorgi and Henrietta Solmavico’s “Le bambole Lenci - Le bambole di stoffa italiane”, italiane”, Idea Libri, 2003. Did Marazzi use a different mold each year or were they in production all at the same time? Looking at the two dolls featured in the Adelina Brovarone’s collection, one can notice the variation in the length of the same dress sported by these two “sisters”. Does this mean that the same product came with different head molds at the same time or that its production was kept for more than one year, which would explain the differences in the choice of the mold and the length of the skirt? The same face mold can also be seen in the two dolls dressed with different outfits. The Marazzi dolls can have separately sewn fingers or mitten type hands, painted features with side glancing eyes enhanced by two light dots of different colors, a closed mouth and a mohair wig. Their key is not removable and is always sticking out of the right side. Four wheels are visible under each sole. Comparing various models, it is interesting to note the different painting done on the Marazzi dolls. Some dolls came with long dark painted lashes, other ones with short pale ones. Red dots can be seen in the corner of the eye opposite to the iris or on both eye corners close to the nose. The eyelids are clearly designed on some dolls and totally absent on others. The eyebrows are single stroked on certain dolls and feather like painted on others. Finally, the mouth is painted with one or two colors and edged, or not, with a darker shade. These differences in the make up lead us to think that, unlike Lenci, Marazzi did not train its painters to identically reproduce a make up scheme but gave them more artistic freedom. The factory original garments of the Marazzi dolls also show some similarities with Lenci. In fact, both of these companies essentially used felt and organdy. While Lenci excelled in the felt inlaid art, Marazzi tended to use, and sometimes abuse, organdy ruffles. Looking closely at the Marazzi outfits, one can easily tell the sewing was professional but not as standardized as with the Lenci production. The same dress seen on the Brovarone “sisters” shows consistent differences in the two specimens suggesting that most of the sewing was probably realized by seamstresses working at home, in the purest cottage industry logic. No business document has yet been found about the Marazzi Company, so we are ignorant as to how many workers they hired, the volume of their doll activity, their financial resources and their distribution strategies. It is my belief that Marazzi was specializing in clockwork mechanisms and that dolls only happened to be one of the specialties of this firm over a short period of time. The author can be reached at samy.odin@noos.fr Dolls from from the Odin collection and the Adelina Brovarone collection.

Marazzi dolls can have individually stiched fingers or mitten hands.

Note the side glancing eyes with two light dots of different colors and the placement of a red dot on the outside corner of the eye or close to the nose. Lip color, eyelashes and eyebrows differs on each. ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Interesting New Discoveries Learning About American-Made Dolls

by Ursula Mertz photos by Christopher Partridge

omposition dolls from the nineteen forties are fairly easy to locate on E-bay and at doll shows, even in original clothes. Effanbee’s Mickey and Candy Kid are not considered rare dolls. Usually, Mickey will be seen in pink corduroy overalls with light blue and white striped long sleeve knitted top. The doll was available in 15, 18, 20 and 24 inches. The 15 and 18 inch sizes are more common. Pictured with this article is a 20-inch Mickey in bright red corduroy overalls and matching cap and a white and red striped blouse. I had never seen that outﬁt before. Only once did I encounter a 24” Mickey clad in black corduroy overalls and matching cap with a red and white striped shirt. When all original, having good coloring and being in excellent condition, these last two dolls would be “stand out” additions to a collection.

20” Mickey, marked Effanbee on head. Composition flange head and hands, cloth body and limbs with stitched hip joints. Molded, painted hair, closed mouth and eyes that move from side to side. All Original.

12” Candy Kid, marked Effanbee on head. Pictured in “Effanbee, the Dolls with the Golden Hearts by M. Kelly Elllenburg, © 1973. All composition fully jointed, with molded, painted hair, closed mouth and sleep eyes. All original.

Many collectors of composition dolls will be familiar with M. Kelly Ellenburg’s book Effanbee, The Dolls With The Golden Hearts. On page 132, an original catalogue page is reproduced, showing a line up of seven Candy Kid dolls. Shown are: an adorable pair of twins in matching outfits, a sweet little girl in fluffy skirt and flower decorated hat, a boxer, a majorette and a cowgirl and cowboy. I had never seen the latter three. The book illustration is in black and white. When an actual Effanbee Candy Kid in cowboy outfit was eventually located, he did not disappoint. His colorful outfit of red and white plaid shirt, richly decorated blue felt spats and bolero, and a big brown hat is well designed and carefully constructed. I am still looking for the other two! When searching through my Effanbee file, I came across a full-page ad the company had placed in Playthings in 1923, advertising their “Beach Baby.” Shown in the accompanying illustration is a dolly face mama doll dressed in appealing play clothes of matching dress, apron and bonnet. To reproduce these ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Full page ad dated 1923, and placed by Fleischaker & Baum (Effanbee) advertising their Beach Baby, A MidSeason Novelty.

Enlarged picture of Beach Baby shown in the above illustration. This should enable eager seamstresses to copy this endearing outfit. 40

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clothes would be a worthwhile project for the seamstresses among us. Any dolly face mama doll without original clothes but in good condition could be magically transformed into a special item by dressing it in this outfit. Part of the ad copy reads as follows: “Hood and apron are of black patent leather, appropriately decorated in bright and attractive colors, calculated to interest the little folks.” I am quite certain, that “black patent leather” meant oilcloth. I wonder how stiff that oilcloth was. Some colorful cotton fabric and plaid material for cap and trim would do just fine. I am certain that with today’s colorful pens for drawing on textiles, the design could be reproduced, or it could be done in appliqué and embroidery. Will anybody give it a try? Next up for discussion is an all original Madame Alexander Baby McGuffy. At sixteen inches, she is an ideal cabinet size. She is dressed in a simple, small print cotton dress and white lace trimmed apron and bonnet. Ribbed white socks and blue satin bows held in place around the ankles by elastic complete the outfit. Socks and ribbons are definitely original. Knowing how particular Madame Alexander was about the design of every detail of a costume, why was the doll not outfitted with shoes? One can only assume that this is an indication of temporary material shortages during the years of WW II. For me, noticing and evaluating such small details make doll collecting more interesting. The Vogue Doll Company’s Ginny was an all time favorite in her time and remains very popular among collectors today. But how many of us know that Ginny was preceded by a similar looking little doll? She was made of all composition, fully jointed and her name was Toddles. Toddles was available for about ten years, from 1937 to 1948. The Collector’s Encyclopedia of Vogue Dolls by Judith Izen and Carol Stover shows an amazing number of these little charmers. Three of them are seen with this article: John Alden, Chinese Boy and Russian Girl. The latter two are from the series “Far Away Lands.” With their side glancing, painted eyes and pensive mouths, these small dolls are most appealing and so are their costumes. Anybody who has ever sewn for such small dolls will appreciate the difficulty of coming up with attractive results. The little Russian Girl’s costume in particular is a great example for showing how the proper use of various in scale fabrics, trims and color combinations can add up to a sumptuous costume on such a small doll. One of my favorite comic characters has been a 14” Popeye produced by the Cameo Doll Co. Popeye is the main

16” Baby McGuffy, marked on head: Alexander. Tag on dress: Baby McGuffy // by Madame Alexander N.Y. // All Rights Reserved. Composition flange head, hands and bent legs to above the knee. Cloth body and limbs with stitched joints. Blonde mohair wig, blue sleep eyes and closed mouth. All original.

8” Toddles, marked: Vogue. Printed on shoe: Chinese Boy. Circular, golden tag on pants leg marked: Vogue. Mohair wig with braid down back. All original.

character from the comic strip Thimble Theatre, created by E. C. Segar (1894-1938), and does not require further introduction. Popeye and his family of Olive Oyl, Sweet Pea and others are loved by many even today. The doll under discussion was produced by the Cameo Doll Company and designed by its owner, Joseph L. Kallus. With his segmented body and limbs and big feet, Popeye can be posed in any number of ways. I am sure that children loved to play with him. Not too long ago, another Popeye was offered at an auction that I had never seen before. He looked very similar to the Kallus figure, but was smaller and showed slight variations. Markings on one of his feet revealed that he was sold by the J. Chein & Co. of Harrison, New Jersey. Searches of doll references did not yield any information on this company. It was finally learned that this firm is quite well known among toy collectors. They were manufacturers of all kinds of lithographed metal and wind-up toys and were in existence from 1903-1979. The Chein Company did make tin Popeye walking toys. Therefore, they already had a license to use his image. It is not known who produced the figure offered by J. Chein & Co. Don’t the two of them make a jolly pair?

Same as photo on left, except shoe is marked: John Alden.

Same as photo on left, except shoe is marked: Russian Girl.

Left: 10.5” Popeye, marked on left shoe sole: J. Chein & Co. // Harrison N. J. // Made // in // U.S.A. Right shoe: King Features Syn. Inc. // l932. Compo head, body and arms. Wood segmented legs, shoes and cap with celluloid visor nailed on. Pipe consists of nail and wooden cup. He is strung with steel springs. Right: 14” Popeye marked on chest: Pop // Eye // © 1935 // King Features // Syn. Same as above, except that his arms are made of wood, with only round shapes for hands. His cap is part of the molded composition head, and the visor is made of oilcloth. He was strung with elastic cord. ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Gigi’s Dolls & Sherry’s Teddy Bears Inc. Allow Us To Help You Discover The Child Within You!

18” E7D Etienne Denamiur Paris on Jumeau stiff wrist body, brown PW eyes $2950 9” Schuco Yes No Bear on all 4 paws, head tail mechanism $350, Now $285

23” FG on Gesland body, compo arms & legs, antique leather shoes w/ heels, 2 rows of teeth, brown paperweight eyes, HH wig, pierced ears, hairline left side of head, very pose able & charming $2250, Now $1995 7” x 7 ½” Wooden Spinning Wheel (possible salesman sample), very well detailed, crank & handle on side of wheel $95 17” 154 Kestner on riveted kid body, bisque hands, blue 18” Shirley Temple 1935 “Our Little eyes, mohair wig $250 Girl” Scottie dress, great original wig set, very little crazing, good color on face & legs $395 15” Howdy Doody Puppet, All Original clothing, strings and card board control $165 12” Kayo all composition, strung for mouth which opens, painted eyes to the right, molded clothes & hat (left toe as is) $155 13” 1928 “Puggy” American Character, painted eyes to the right, original outﬁt, paint back of head as is $165 17” Lenci 1930’s tagged Boy all original in felt embroidered blue shirt & black pants, mohair wig, some soil $595

12” Portrait Dewees Cochran of Peter Ponsett age 5, marked DC PP 54 #3, latex body, HH wig, brown painted eyes, leather shoes $1650 11” Stormie Age 3 by Dewees Cochran all original, blue hand painted eyes, latex, HH wig, green organdy dress, leather shoes $1450

4” All Bisque #203/0 w/ Blond mohair wig, blue glass eyes, 1 strap Mary Janes $165 2 ¾” German Black All Bisque, painted features, adorable $65 4” All Bisque #203/0 w/ Brunette mohair wig, blue glass eyes, 1 strap Mary Janes, tiny rim ﬂake $165 3 ½” Pair Nippon All Bisque Happifats $150

18” Christopher Robin & 10” Pooh (musical as is) by Gund, vinyl face, cloth body $125, set 19” 1933 – 1940 All Original cloth Madame Alexander Alice in Wonderland, tagged dress, painted molded face, yarn hair $395 9 ½” x 9 ½” Mohair Steiff “Pummy” Rabbit, movable head, glass eyes, chest tag, 1960’s $79.95 12” Paper Clay 3 ½” Steiff “Peip” Mohair Queen Elizabeth in Mouse, red eyes, felt tail $65 Coronation Dress by Ilsa Ottenberg with 23” velvet & ermine trimmed metal thread embroidered train, crown, scepter, orb, photos and original box, gorgeous satin embroidered gown with pearls, braid, thistles & shamrocks, fabulous detailing w/ fascinating meanings & workmanship $395 Old Cottage Dolls made in England 9” Bobby with tag, 1 shoe and no medallion on helmet $70 9” All Original Girl with basket of oranges, 6” Seated Angelo by Yolanda Bello red mohair wig, tag $110 9” All original English Guard, fur hat, great #12/100, bisque head, hands & legs, 15” 1957 Shirley great molding $395, Now $195 coloring $95 Temple, original 3 ½” Made in England by Peter McAndrey, 8 ½” Unis France #60, 5 piece body, outfit with script pin, black mohair wig, original clothing, 1952 Queen Mary, 1953 HRM The Duke of Fairytale shoes, great brown glass eyes $245 Edinburgh & 1953 Queen Elizabeth, finish 1961 – 62 All Original facial coloring $210, 8” Painted Bisque Hanna by has darkened, meticulous detailing on Alexander “American Now $185 Schoenau & Hoffmeister, tiny eye costuming $149.95 set of three Girl”, BK walker $145 19” 1957 All Original flake right eye $125, Now $95 1956 BK Alexander in Box Mint Flirty Spielwaren by Szalasi German Doll Furniture Eyed Shirley Temple, “Nurse” original Cream & gold flowers grand piano & bench $75 outfit & cap (no baby) tagged dress, black 6 ½” Lady w/ bun hairdo, right shoe toe missing, redressed $75 $175 suitcase $295 Hall mirror w/ 2 drawer base, (one small gold piece missing) $47.50 Vogue Early Painted 12” 1960 Shirley 8” Doll House Captain w/ black molded cap and mustache, Eye Ginny, mohair wig, Temple all original redressed nicely $265 dotted Swiss dress & w/ script pin & hair Rocker w/ blue floral print and gold flower trim $36 panties, really sweet clips, great facial 6” Doll House Glass Eyed Lady, blonde mohair wig, 2 strap $165 coloring $115 slippers $265 1961 All Original 5 ½” Captain with mustache, redressed nicely $265 Muffie Nancy Ann, 7 piece Parlor Set w/ aqua blue velvet with gold flower trim, 2 arm straight leg walker $250 chairs, 2 side chairs, table, sofa & foot stool $210

LAYAW AVAILA AY BLE

14 ½” Tagged Kathe Kruse dated July 1992 #16 Stoffpuppe , blonde braids, brown painted eyes $295 10” Kathe Kruse Dorle #488 1950’s w/ original booklet & gold paper tag, blue gray painted eyes, cloth body, HH wig $150 17” Kathe Kruse dated 1962, all original tagged “Handgernuptt”, Western Germany, blue gray painted eyes $445 10” Kathe Kruse Engineer has hat & oil can, with tags “Robertchen” #486, HH wig, blue gray painted eyes $250

24” Adorable Brown Flirty Eyes K Star R 126 Baby, original body (left hand repainted), HH wig, beautifully detailed dress $525 11” Schoenhut Rolly Polly Clown, partial tag on bottom $225 15” Cirm 1923 Bye-lo, blue sleep eyes, celluloid hands (2 ﬁngers missing), stamp on body, great face $395 6” Silk Screen Cat dated July 5 1892 $95

14” Little Lulu Georgene Averill , cloth all original, except underpants, 1950’s, scuff on cheek & nose $155 12” 1949 Aunt Jemina, 13” Uncle Mose, 9” Wade on printed oil skin, great condition $295, set

The Romance

The Life of Lillian Dal Monte A Glimpse Backstage by David Robinson

ights! Camera! Action! The lights? Every table lamp in the house plus flashlights and candlelight. The camera? A Nikon 35 mm, with lots of slide film. The action? Plenty, but mostly in our active imaginations. Creating “The Romance, The Life of Lillian Dal Monte” was not unlike making a Hollywood movie, except that our actors were never late on the set, and our budget was much, much smaller. The Romance was screened for the very first time in August of 1997 during the United Federation of Doll Clubs’ annual convention in Anaheim, California, as an entertainment-style program my partner Michael Canadas and I were asked to provide for one of the banquets. In its original format, a multi-faceted slide presentation with recorded narration and music as accompaniment, The Romance was met with genuine emotion by the viewers that evening, and their positive comments were expressed to us throughout the remaining the days of the convention. That convention week, we took pre-orders for a VHS tape version of the program we were planning to create and market, to help offset the expenses involved in producing The Romance. The orders were strong, and the VHS version of the story allowed it to be told around the globe, to countless antique doll aficionados. As we are all aware, time marches on, and with it the VHS format has been rendered obsolete. Because of that, we along with countless others, lost our ability to escape for nearly an hour through the story that we dearly loved. Over the past two years or so, Michael and I have been steadily working on converting components of the original program to DVD format, making improvements along the way with the aid of digital technology – something that did not exist in our world in 1997. We now have a new finished product to market and just as we did the first time, we learned a lot the second time around, including some new tricks, but mostly we had as much fun as we did the first time around. Now, we would like to share with you a glimpse backstage – a behind the scenes look fifteen years ago during the making of the original version of The Romance, The Life of Lillian Dal Monte. Our story is fiction with little snippets of real life thrown in. Janet Hollingsworth was part of our team and thanks to her no-nonsense editing style we soon had a story that flowed. Our friend Delia Green, who with her posh, lilting, voice could recite listings from the phone book and make them sound romantic, was the voice of Delia, our narrator. Lillian and Philippe are not the first stars to enjoy this enchanting location, which was specially chosen for our program The Romance. In the mid-1960s, this garden and the historic home to which it belongs, hosted the most famous couple in the world -- Elizabeth Taylor and Richard Burton, during the shooting of the movie The Sandpiper.

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OCTOBER 2012

The story begins around 1859 when the young lives of two sisters are tragically interrupted by the death of their mother. The ensuing voyage across the Atlantic steams Lillian and Delia into the welcoming arms of their maternal grandmother who was previously unknown to them. The girls’ take-charge “Grandmama” resides in Paris and is quite well-to-do. As viewers learn, Grandmama keeps the girls busy with a full schedule of cultural activities. It is Lillian who especially shows promise. Lillian, we discover, is blessed with a voice that Maria Callas would envy. In time, through Grandmama’s “inﬂuential social connections,” Lillian is introduced to legendary soprano and diva, “Madame Jeanine Bruwanska.” Steely-eyed Madame, long-retired, holds all the keys to those locked doors

Above left: In The Romance, there are many supporting players such as this fisherman, who displays his catch from the waters near Venice. Above right: Lillian and Philippe stand near their gift table, which is laden with treasures. Below left: Like all young girls of their generation, Lillian and Delia must both learn the art of sewing. Below right: In Lucia, going mad is just part of being a diva, but Lillian takes insanity over the top!

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Above: Creating a boat for a French fashion doll was not something that I thought I would ever do in my life, but for a romantic afternoon, what vehicle could be better? Above, right: Here, Lillian stands in the only surviving set from The Romance -- the Balantine opera house, while wearing the sumptuous gown from her jubilee performance. Below, left-right: Lillian is being held securely by Paula Olsson (under the plank) as our star plays Amina, the sleepwalker, in La Sonnambula. Grandmama and Madame Bruwanska greet each other warmly in Grandmama’s enchanting salon. Lillian’s debut was deemed a triumph! The red velvet drape you can see behind her, used as an opera house curtain, is in fact a piano cover that once belonged to the great opera composer Richard Wagner. A gift from King Ludwig of Bavaria to his beloved Wagner, someday the cover will be given to Wahnfried, the Wagner house museum in Bayreuth, and once again reunited with the piano for which it was designed.

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OCTOBER 2012

that Lillian will pass through on her way to international fame and fortune. Those keys that Madame possesses are not privilege and favoritism, but rather the knowledge that only grueling hard work, vast knowledge and ﬁerce determination will allow one the success for which they yearn. Under Madame’s demanding guidance, Lillian is eventually called upon to perform her debut at the Paris Opera. After multiple triumphs in Paris, Lillian, along with sister Delia and Madame, journey to Russia for a premiere, thus embarking upon a whirlwind tour of Europe. As it sometimes does in real life, actual romance found its way into our story. It was the courtship of Lillian and Philippe that allowed us our most glorious photo opportunities, along with some of our most daunting challenges. For example, how does one get two eighteen-inch dolls (with kid bodies that don’t bend) to appear like they’re sitting face to face in a rowboat drifting lazily on a pond?

We did it. Not only do our photos make it appear that the two lovers are drifting on the pond, they’re accompanied in the boat by two pug dogs and a picnic basket! Of course, in actuality, the dolls’ legs and feet are sticking out of the bottom of the canvas-covered boat, which is suspended from the edge of a low table near the water’s edge. It was all trickery that did not involve Photoshop, as we were not personally even aware of Photoshop until many years later. From a production point of view, remember that all of Lillian’s performances require unique costumes, wigs and sets. In fact, over seventy costumes were required for our sixteen characters, the majority of those costumes were created by Michael alone. Because I’m the only one in the group who knows what can be done with a hammer and nails, cinder blocks, moldy garden statuary, various gauges of wire and silk tassels, I was designated the set designer. We found it quite a rewarding challenge to tempt mood and emotion from inanimate objects and our various sources of lighting were deﬁnitely a key. We shot all of our slides outdoors by setting up each scene on a large table located on our brick patio. We then waited for the sun to fade, because when photographing late in the day, the light is level. One of our most involved scenes features Lillian performing as Norma,

Above, left-right: Love from afar and now… face to face. Just one of many sweet shots from the wedding. Our storyteller Delia spends a lot of time at her writing table, while narrating our story. Below: Various opera house boxes were created for our story, but the real challenge was getting the mood lighting just right.

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Above, left-right: At the end of the Lillian’s performance as Violetta in La Traviata, there was not a dry eye in the house. In all romance stories, a love letter is a definite requirement. The young Lillian Dal Monte. The always-elegant Madame Bruwanska was coaxed out of retirement to sing at Lillian’s wedding. Below: Lillian’s exquisite bridal bouquet is just one of the many floral masterpieces that was created by Paula Olsson for The Romance, The Life Of Lillian Dal Monte. This tiny bouquet is displayed upon a giltwood stool that stands about three and one-half inches tall.

ANTIQUE DOLL COLLECTOR

in Milan, and in that scene, Lillian’s bisque arms were capable of being manipulated from a distance with fishing line. Unbelievably, that scene was photographed around midnight, outdoors, lit with table lamps, flashlights for spots, plus flickering firelight from silver fire pots, which were actually antique footed salt cellars. We used pure lighter fluid in the fire pots, and at one point, our flames were over a foot high. Combine the fire with a billowing, lightweight silk costume and thin fishing line, and doesn’t it sound like a recipe for disaster? The scene came off without a hitch, and it appears beginners luck was certainly with us that evening. Many of our scenes involved candlelight in the form of miniature chandeliers and candelabra. During our three months of photography, I believe we exhausted the entire supply of white birthday candles within a five-mile radius of our home. We eventually shot over 2000 slides, with about 280 images making the cut in the video version. During the shooting of the wedding (and the reception that followed) our appreciation for Paula Olsson (our photo stylist and resident florist) talents deepened. The floral creations in these scenes are miniature works of art, made exclusively with the tiniest fresh flowers. We recorded our audio portion of the program on three tracks: narration, music and applause. By the way, we didn’t select just any old music for The Romance. Hours and hours of listening, timing, discussion and recording went into the musical selections. Michael was completely responsible for the editing of the musical soundtrack. From the heralding trumpet blasts of the opening scene (Verdi’s The Force of Destiny), to the seductive strains from Samson and Delilah which is heard while the two lovers drift on the pond, musical symbolism occurs throughout our story. During the boating scene, the music hints of swirling leaves caught by a warm, gentle breeze and it seems even the swaying willows speak their own musical language. There have been countless questions asked of us concerning the making of The Romance, and there is one frequently asked question that we just won’t answer -- “What did you use for the dolls’ tears?” Our typical response is “What do you mean? They cried them.” Another question did truly catch us off guard. A lady approached us with a very serious, almost pained, look on her face and with genuine concern asked, “What happened to Delia?” After a moment Michael said to her, “Listen to the reading of the letter in the opening scene, and you’ll get a hint.” You see, Delia Dal Monte-Dandini also has a story to tell and it is a very happy one. But for now, Lillian, Delia, Grandmama and Madame are resting on their laurels, gearing up for their next adventure. In closing, I would like to share the most valuable lesson we learned through the making of our labor of love, The Romance, The Life of Lillian Dal Monte. It was pointed out to us by the late Dorothy Coleman, the first lady of dolls, when she told us one evening shortly after the initial screening, “You have done with these dolls exactly what they were made for – you played with them. They were made for pretend, make-believe, and fantasy.” Bravo.

OCTOBER 2012

UFDC Antique

Competitive Exhibit 2012

Antique Doll Collector presents the blue ribbon winners in the UFDC antique competitive exhibit. Thank you for sharing your dolls!

–Wooden –

Late 1600’s to early 1800’s, excluding religious connotation. Circa 1720’s, the doll’s costume is made of paper and cardboard, her skirt opens up to reveal bare legs. Cynthia Orgeron

Pre 1930, hand carved. Kathy Turner, Ana Marseillo Dolls with religious connotation. Neapolitan crèche ﬁgure costumed to commemorate Sister Mary Joseph’s receiving orders in 1830. Cynthia Orgeron

Grodner Tal peg wooden, prior to 1920. Patricia Bellamy

Schoehut with intaglio eyes. Barbara Close, Jan Morris Schoenhut with ﬂat painted or decal eyes. Barbara Close

ANTIQUE DOLL COLLECTOR

Springﬁeld, Joel Ellis, Mason Taylor type. Marilyn Parsons

OCTOBER 2012

Door of Hope. Jean Kestel

New Orleans, Louisiana

Part I

Photographed at the 2012 National UFDC Convention by Keith Kaonis

–Papier Mache/Composition –

European, glass eyes. Elaine Boyle, Becky Hawkins

American glass or painted eyes. From above: Kay Cassedy, Candace Wubber, Al Edward.

European, painted eyes. Christiane Grafnitz

Milliner model-type. Left-right: Catharine Peterson Sue Edwards Diane Vourderis

– Japanese – Pre 1920 Suzanne Toji

–Poured Wax – Cyntia Orgerson

–Wax Coated – Margaret Scelto

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OCTOBER 2012

KPM, Meissen, Schlaggenwald, Jacob Petite, Royal Copenhagen. KPM wearing the ethnic costume of Point Aven, Brittany. Ann Coleman

– China –

Decorated, molded or applied special features, not painted in contrast to surroundings. Barbara Jones, Sheryl Newton Decorated, molded or applied special features, painted in contrast to surroundings. Barbara Farr

Molded hair, no decoration, painted eyes, 12” and under. Alicia Carver, Carol Hansen

Bald head. Left-right: Alicia Carver Sheryl Newton Susan Mathias Marilyn Parsons

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OCTOBER 2012

Molded hair, no decoration, painted eyes, over 12”. Left-right: Sherryl Newton Alicia Carver Susan Mathias

– China – Frozen Charlotte/Charlie. Left-right: Diana Crosby, Deborah Wilson, Sara Rowe Fashion doll. Left, Denise Buese, above, Barbara Peterson

– Early German Bisque –

Molded hair, molded or applied special features in contract to surroundings. Kathy Turner, Hope Sorrells

– Heads of Leather, Rawhide or Rubber –

Molded hair, with or without special decoration. If decorated must not be painted in contrast to surroundings. Alicia Carver

Commercially made. Nancy Splitstoser Karen Delﬁno Jean Grout

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OCTOBER 2012

– French Doll with Bisque Head –

Fashion type, cloth or leather body and limbs. Doll by Louis Doleac, Denise Buese; Anita Ladensack

Jumeau closed mouth, excluding Tete Jumeau. Peggy Labom, President’s Choice. Ray Labom

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OCTOBER 2012

Fashion type, cloth or leather body, other than cloth or leather limbs. Helen Thomas, Cynthia Orgeron

Marked Tete Jumeau or Paris Bebe, closed mouth. Character Jumeau, Gail Cook

Fashion type, wood, gutta percha, kid over wood or blown leather body. Rebecca Hawkins

Bru with closed mouth, excluding Bru Jne R. Gail Cook, Martha Simmons

– French Doll with Bisque Head –

Steiner, closed mouth. Gail Cook, Cynthia Orgeron

Falck-Roussel, Petite & Dumountier, Pintel et Godchaux, Delcroix, Mascotet and Pannier, closed mouth. Falck-Roussel, Gail Cook; Falck-Roussel, Luann Gulesenian

H., A.T., Schmitt, Mothereau, closed mouth. Schmitt, Denise Buese

French doll with open mouth. Left-right: S.FB.J., Alicia Carver S.F.B.J., Gail Cook Steiner, Patricia Kelley F.G., R.D., Jullien, Denamur, Danel, closed mouth. F 14 G, Gail Cook

It’s Easy To Join UFDC

If you collect dolls, you owe it to yourself to belong to the UFDC! For membership information contact:

UFDC, Inc., 10900 North Pomona Ave., Kansas City, MO 64153 Phone 816-891-7040 Fax 816-891-8360 Visit www.ufdc.org ANTIQUE DOLL COLLECTOR

OCTOBER 2012

National Doll Festival July 22-25 • New Orleans T

his year marked the 25th annual National Doll Festival, a not-to-be-missed event featuring quality antique, vintage, artist and modern collectibles along with doll accessories, teddy bears, miniatures and doll supplies.

A lovely fashion poses alluringly. She was offered with her wardrobe (not shown). Holly’s Dolly’s, email: hhepworth@aol.com

Held at the Hilton New Orleans Riverside Hotel, it was an easy walk from the UFDC convention hotel or a quick ride on the free “party bus.” Here’s a look at some of our favorite things.

Gigi’s Dolls and Sherry’s Teddy Bears, email: gigisdolls@aol.com

The Carmel Doll Shop had a beautiful booth with dolls for every taste. Email: mnd@redshift.com

A depiction of child actress Baby Peggy, $1995. All Dolled Up, email: glemn@frontier.com

Simply amazing! This doll’s skirt opens up to reveal a complete kitchen, $4950. Glen Rollins, email: glencrollins@yahoo.com

Great Halloween merchandise was offered by the Collectible Doll Co., email: bdecker1@ jeannenordquistdolls.com

The Dionne quintuplets, $595. Sherryl Shirran, email: sherrylks@aol.com

Left: Lady Chatsworth, $1995. Robins Miniature Furniture and Dolls, email: thmpsnr@gmail.com Right: Quailty reproduction fashion dolls and mignonettes as well as clothing and accessories were offered by Cat’s Paw Doll Accessories, email: melembo@snet.net

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

Philadelphia Baby with toys, clothes and trunk, $2300. Pat Vaillancourt, email: dollsantique1@gmail.com

Rare Kissy Cissy with original tag, $2300. Email: DolzDolzDolz@aol.com

Kestner Gibson girl and K & R 192, Hollies Dollies, email: holliesdollies@verizon.net

S & H 1079 sisters, $990. Linda Essers, email: linda21047@verizon.net

Rare Continental wooden, Carmel Doll Shop, email: mnd@reshift.com

26â&#x20AC;? Child Fashion, Mary Ann Spinelli, email: nellingdolls@ gmail.com

Dorothy Hunt, Sweetbriar Auctions, holds a Bru to be sold at her upcoming auction. Swivel head Barrois fashion with baby, $3000. Dixie Doll Shop, email: disciedollshop@aol.com Robin Thompson creates outstanding sets for her reproduction Queen Anne style dolls.

ANTIQUE DOLL COLLECTOR

OCTOBER 2012

A lovely E. J, offered for $9200 by Tory Beth Radwick, email: tradwick@aol.com

15” male china with bare foot, $2150. Gigi’s Dolls and Sherry’s Teddy Bears, email: gigisdolls@aol.com

Early E. J., 18-3/4”, Mary Ann Spinelli, email: nellingdolls@gmail.com

Jumeau Portrait Fashion, Ann Pruett-Phillips, email: ann@annpruettphillips.com

A pretty Belton was available for $3200 from Enchanted Doll, email: korney@cox.net

DOLL SHOW PRODUCTIONS Presents Another

“DOLLICIOUS” DOLL SHOW AND SALE

SUNDAY, November 4, 2012

Hours: 10 am - 4 pm UFCW HALL 876 Horace Brown Drive Madison Heights, Michigan 48071 East of I-75 S. off 13 Mile

MICHIGAN’S LARGEST DOLL SHOW

Includes thousands of Antique, Vintage & Modern Dolls, Bears, Clothes, Doll Appraisals and Doll Accessories Info: Michael at (248) 399-4345 or Sharon at (586) 731-3072 SHOW ADMISSION: $5 • CHILDREN UNDER 12 FREE $1 OFF WITH AD • Limit One Discount Per Person

SEE WEBSITE FOR “ROSE PERCY” EVENT INFO

WWW.DOLLSHOWPRODUCTIONS.COM ANTIQUE DOLL COLLECTOR

OCTOBER 2012

s â&#x20AC;&#x2122; i z t Frnitique Dolls A

Buying and Selling Antique Dolls Interested in Whole Collections

Email: fritzisantiquedolls@comcast.net

Cell 630-247-1144

R. John Wright MIB $2695 for the pair

WE WILL BE AT THE FOLLOWING SHOWS:

Oct. 21 Toledo Doll and Bear Show Oct. 21 Wausau, Wisconsin, Altrusa Doll Show Oct. 28 St. Charles, IL, Kane Country Doll and Toy Show Nov. 4 Madison Heights, MI, Rose Percy and Dollicious Doll Show, UFCW Hall Nov. 10 Des Moines Doll Show, Iowa State Fairgrounds Nov. 18 Tinley Park, IL. New Location Convention Center, 18451 Convention Center Dr.

UFDC

LARGE SELECTION OF ANTIQUE FRENCH AND GERMAN DOLLS

14” Smiling character bisque lady with glass eyes, beautiful black fired-in complexion, finely painted features, shoulder head on original cloth body with composition limbs. All original. $1850

BUYING FINE QUALITY DOLLS AND COLLECTIONS

Open Sunday 9AM - 4PM or by appointment Visa/Mastercard 8 N. Village Circle P.O. Box 705 Adamstown, PA. 19501 717-484-1200 cell 610-662-5473 ourant@ptd.net

17” Kestner glass-eyed 180 character child, open/closed mouth with molded teeth, fully jointed Kestner body, and original regional costume. $3800

Antique DOLL Collector November 2012 Vol. 15, No. 10

November 2012 Vol. 15, No. 10 $595 / $695 Canada www.antiquedollcollector.com

A Grand Doll Lover’s Weekend

F e a t u r i n g T wo M a r q u i s C a t a l o g u e d D o l l A u c t i o n s f r o m L e g e n da r y P r i va t e C o l l e c t i o n s a n d a O n e - D a y S e m i n a r

November 9, 10 & 11, 2012

At the Omni Mandalay Las Colinas, Dallas, Texas

$49.

Saturday, November 10, 2012

Sunday, November 11, 2012

Featuring the private collection of legendary early California collector Alice Avery. The Los Angeles collector began her quest for fine dolls and dollhouses in the 1950s, with a quixotic and delightful mélange of mignonettes, Lenci dolls, and American and European dollhouses. Not to mention the superb French dolls and German characters as well as early Kathe Kruse and elegant miniature maitrise doll furnishing that found a home within her home, too.

Featuring important American dolls from the Golden Age of the 1950s, all from private collections highlighted by the fine Alexander collection of Gail Gavit of Texas, and including more than 500 lots of exceptional beauties and rarities. The extraordinary auction showcases four very fine private collections, offering wonderful dolls from the decade (and a bit into the 60s) that made American dolls into the pinnacle of doll making for its era.

$49.

Dollmastery Hands-On Seminar 10 AM-4 PM. For one day you will have the pleasure of sitting around a large table while rare and beautiful dolls and costumes are passed around for your close inspection and their special features are discussed. Conducted by Florence Theriault. The seminar is free, but registration is limited, so call immediately.

Next Marquis Auction Weekend — January 11–13, 2013 at the Westin South Coast Plaza, Newport Beach, CA. Highlighted by the private Estate collection of Mary Young of Atlanta, GA.

Each catalog is $49 which includes after-auction prices and priority shipping. Call 800-638-0422 or order online at www.theriaults.com.

the dollmasters

PO Box 151 • Annapolis, Maryland 21404 USA 410-224-3655 • Fax 410-224-2515 • theriaults.com

Joyce Lanza

Visit my website: www.grandmasatticdolls.com 1. - 2. 13" Early Portrait Jumeau #5 Bebe, huge blue threaded p/w eyes, immaculate pressed pale bisque, great orig. mohair wig, orig. set & orig. hair ribbon, orig. "head coil" intact, wears fabulous aqua pleated dress with ant. lace overlay, ant. silk ribbons, orig. undies & ant. socks, leather Portrait Jumeau shoes w/rosettes & fabulous matching ant. Fr. hat, very ornate, on early orig. 8 ball jointed st. wrist "signed" mint body. Absolutely BREATHTAKING & priced GREATâ&#x20AC;Ś only $8500. 3. - 4. 10" Steiner A Bebe, immaculate pale bisque, huge br. p/w eyes with luscious lashes & early "mauve 1-2 blushing" under brows, orig. full curly mohair wig & pate, wearing orig. aqua silk & lace dress, matching orig. silk & lace hat adorned w/silk ribbons, orig. socks & ant. leather shoes, on orig. "signed" Steiner body w/early st. wrists. Tremendous presence & OUTSTANDING beauty!!!! $5900. 5. - 6. 17 1/2" Kestner #164 Child, br. sl. eyes, outlined lips perfect bisque, great orig. mohair wig & Kestner plaster pate, wears orig. embossed batiste dress w/ant. ribbons, ant. netted lace hat & vintage shoes. On orig. "signed" Kestner body. GORGEOUS 5-6 expression and a fabulous doll. She has it all & a price you can't refuse!!! $1050. FIRM 7. - 8. 10" S & H #1279 DEP Character, blue sl. eyes, early flyaway brows, auburn mohair wig, orig. pate, wears darling orig. ornate batiste dress, ant. lace bonnet, crocheted socks & leather shoes, on orig. S & H body, desirable flyaway brows & dimples. Rarely found precious tiny cabinet size & ABSOLUTELY ADORABLE!!! $1995. 9. 5" Kestner #189 All Bisque Googlie, br. side glancing sleep eyes, mint bisque overall, orig. 9 10 mohair wig & pate, wears fabulous orig. costume, has a "swivel" neck great watermelon mouth. Absolutely adorable!! $1350. 10. 5" All Bisque Georgene Averill Bonnie Babe, br. glass eyes, great bisque overall, deeply molded painted curly blonde hair, open mouth w/2 lower teeth on all bisque body w/ jointed arms & legs & "swivel" neck, wears darling orig. plaid dress w/ painted pink shoes & matching orig. bonnet. A little jewel. Perfect condition & too cute for words!! $1295. 11. - 12. 15" DEP Jumeau Bebe, cl/mo., bulging blue p/w eyes, mint pale bisque, orig. long mohair wig & pate, wears orig. silk & lace faded red dress (some fraying, mostly in back), orig. shoes & straw hat, on orig. Jumeau body. Desirable cl/mo. DEP in Great cabinet size. STUNNING!!! Only $2900. 13. - 14. 8" Steiner Fire A Bebe, mint pale bisque, blue p/w eyes, orig. mohair wig & pate, wears darling FACTORY orig. Mariners costume complete w/matching beret, orig. undies & orig. red leather shoes & socks. On fully jointed early st. wrist Steiner body. Darling rare teeny size that will fit in the palm of your hand & she has it ALL. Very soulful expression & absolutely GORGEOUS!!! $5500.

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

3-4

7-8

11-12

LAYAWAY AVAILABLE

Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)

13-14

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS

1 - 3. 16 1/2” F.G. Block Letter bebe, Bru type body, completely orig. presentation from wig to underclothing to silk dress, bonnet & shoes! As she was on her first day! $10,500. 4 - 5. Grand French lamb candy container, largest ever! Approx. 16” long overall, 8” tall at head. $1975. Exhibiting: Nov. 10 - California Doll Collectors of Orange County Show, Garden Grove CA, Garden Grove Community Center; December 1 - 2 - Eastern National Doll and Toy Show, Gaithersburg MD, Montgomery Fairgrounds

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com

MOVING?

Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Carmel Doll Shop

LEFT TO RIGHT: 21-1/2” Bru Jne. R. 9. with perfect bisque, slightly side-glancing hazel p.w. eyes in an unusual shade of hazel, nicely painted lashes and brows, an open mouth that was given a smile, pierced ears and a light brunette human hair wig. On a body signed “Bebe Bru 9” with the original paint finish (fading to arms and hands) Mademoiselle wears a darling bebe dress in cream and spring green silk. $5500. 7-3/4” Bebe Jumeau – a Unis France 60 with perfect bisque, blue glass sleep eyes, an open mouth with teeth, her original mohair wig worn in a braid, and a darling jointed composition and wood body with the original mint paint finish. The French regional costume bears decoration in the form of fancy stitching and crisp lace. A sweet souvenir from the Paris International Exposition of 1931. $650. 10” Jumeau Paris Bebe in rare size 1 with a perfect bisque head marked PARIS-BÉBÉ DEPOSÉE 1, blue p.w. eyes in large eye-cuts, pierced ears, and her original, human hair wig. On the original body in excellent condition, it is complete with the Eiffel Tower mark. Dressed as Mlle. Polichinelle in cream and French blue satin, the ensemble is studded with silk toggles, plus brass bells that add a musical dimension to the entire affair. A rare cabinet-sized bebe dressed for a party – what could be better? $8900. 29” Rabery Delphieu Bebe – an open mouth model marked R 4 D. Although it looks perfect to the naked eye, the bisque head has seen some expert restoration to the forehead and below, across the eyes and bridge of the nose. She has blue p.w. eyes, pierced ears and her original human hair wig. On a jointed French body that has seen refinishing, Mlle. R.D. wears a crisp white cotton bebe dress with lace insertion and additional lace accents. $1350. 16-1/2” Jumeau Paris Bébé with perfect bisque, stunning blue p.w. eyes, a wonderful mouth that includes upturned lips that suggest a smile, pierced ears, and an antique mohair wig. On a composition body with the proper markings, she wears a charming bebe ensemble of rich violet silk that is paired with cream ribbed silk, which is then set off by lovely lace. Appearing like a beautiful flower, freshly plucked from the garden, she is ready to complement the bouquet that is your bebe collection. SOLD It isn’t every day one finds a Pajama Dog this fabulous! Typically we see these French models created in curly natural fur, but this cuddly canine is obviously a Pekingese – and an adorable one at that! Measures: 8” tall x 17” long. $895. 12” cabinet-sized SFBJ bebe marked upon her perfect, open-mouth, bisque head “R S.F.B.J. PARIS• 3” plus, she has pretty brown glass sleep eyes, pierced ears, and her original human hair wig. On a jointed wood and

composition body with the original paint finish in very good condition, she is costumed for the winter holidays in a red and green wool tartan dress with a matching tam. A sweet bebe in an appealing size! $1595. 22” SFBJ 230 9 with a perfect bisque head, beautiful blue sleep-eyes, molded brows, an open mouth with teeth, pierced ears and a fantastic original human hair wig. Her body retains the original paint finish in excellent condition and she is beautifully costumed. A gorgeous French bebe at a very nice price! $1995. 12-1/2” Bebe Steiner, a rare “bisque-hip” model with perfect bisque and gorgeous modeling to the dome head, blue glass eyes, a closed mouth with exquisite lip painting and an original wig styled in soft curls. Mlle. Steiner possesses a bisque hip section which is attached to the shoulders by a glazed cotton band that covers a working squeaker! Perfect legs and feet are present, while bisque arms (repairs) and hands are attached to the bisque shoulders. This bebe might be the perfect one to display sans clothing, but a simple dress of white cotton is the perfect choice here. $6800. 17-1/2” Steiner Gigoteur with a perfect solid dome head, an open mouth with two rows of teeth, pretty blue p.w. eyes, and the original curly lamb wig in its original style. The body, with composition limbs, is in exceptionally clean condition. When the internal mechanism is wound, the doll moves its arms, legs and head in a realistic manner, plus cries “Mama” and “Papa.” A great example of Steiner ingenuity combined with sheer beauty. $3800. 10” Bebe Jumeau 1 with a perfect bisque head, exquisite painting especially to her beautiful mouth, big, round, blue p.w. eyes, pierced ears, and her original blonde mohair wig. The body retains its original paint finish in excellent condition and she is dressed beautifully in tan silk with gorgeous lace trimmings. Tiny antique leather bebe shoes make her cabinet ready. $7800. 24” E. J. with a perfect bisque head impressed 9 over E. J., a molded tongue, blue p.w. eyes in almond eye-cuts enhanced with mauve shadow, applied pierced ears and a fantastic original blonde wig attached to the original cork pate. On an eight-ball body with the Médaille d’Or stamp, she wears a classically beautiful dress of fine net that is lined in soft pink china silk. A remarkable Bebe Jumeau. $22,000. 16-1/2” Bebe Steiner, an early, round-face model with a perfect bisque head and lovely coloring, blue spiralthreaded eyes, pierced ears, and a blonde mohair wig. The original, first generation body bears the original paint finish, plus visible pull strings that one operated a voice box. Destined for a connoisseur of fine French bebes, her ensemble of purple silk with abundant lace decoration is nothing short of a true work of art. $9500.

Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA • Carmel Doll Shop 213 Forest Avenue, Paciﬁc Grove, CA 93950 Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls Please visit WWW.CARMELDOLLSHOP.COM • Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!

The Complete Guide to Antique, Vintage and Collectible Dolls

November 2012 Volume 15, Number 10

by Michael Canadas and David Robinson In the past three years Miss Rose Percy has raised over $74,000 for veterans and other charities.

by Dee Urquhart A look at several dolls that were produced under the last owner of the Bru ﬁrm.

OUR FANTASTIC VOYAGE WITH MISS ROSE PERCY

THE LAST BEBE BRU, THE BRU JNE “R”

About The Cover

Miss Rose Percy’s accomplishments during the last three years are nothing short of amazing. With half of all monies raised slated for veterans’ charities, and the remainder going to charities selected by the hosting doll clubs, her largesse has been felt far and wide. Photo Carmel Doll Shop

A VISIT WITH KELLY HARPSTER by Donna C.Kaonis One-of-a-kind dolls, the legacy of a mother’s love, are the passion of this collector.

14 News 18 Auction Gallery 65 Mystery

67 Emporium 68 Calendar 71 Classified

MORE HEADS AND TALES True Stories of Civil War Dolls with Provenance by Karen B. Kurtz

UFDC ANTIQUE COMPETITIVE EXHIBIT 2012 NEW ORLEANS, LOUISIANA PART II

Photographed at the 2012 National UFDC Convention by Keith Kaonis 6

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

GAITHERSBURG DOLL SHOW SEPTEMBER 15 AND 16 Not only buying opportunities but lectures and exhibits at this four-times a year event.

AUCTION PREVIEW Auction Team Breker November 24 in Cologne, Germany

(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023

2 1

Return Privilege • Layaways Member UFDC • NADDA

2. - 4. 18” Factory Original Portrait Deposé – Pure Jumeau – from her ornate platinum blonde braided coiffure to her signed Jumeau shoes and original earrings she has, with the expected loss of some silk, all the original construct of her jacketed couture ensemble, stiff wrist signed body with coil, and of course immaculate satin bisque with applied ears, shaded lids, soft brows and her gentle pearl blue eyes. $7500

7. 6” Rare Kestner All Bisque with Jointed Knees – five strap bootines, ribbed stockings, one clenched fist, socket head with closed lips, sleep eyes and charming original clothes! $5500

6. The Rare Kammer and Reinhardt 101X – a coveted 12” model with its designated mark features the flocked hair rarely seen on only a few of the important K * R characters. The perfect swain with his original body and shoes. So rare! Just $3600

4 5

8. Quite the miniature, this Rare 6-1/4” Handwerck 189 with her beautifully contoured jointed body and unique molded shoes and socks – with all her Original Clothes too! $850

9. Choice Cabinet Bliss House – at just 12” high and 6” deep, this richly colored shelfsize mansion is signed “Bliss” with all the original paper and blue roof too! $750

10. – 11. The 22” Simon Halbig “1279” Character is like no other Halbig – so cunning with flyaway brows, oversize vibrant eyes, deep dimples at the eyes as well as the cheeks and chin, all in flawless bisque, with mint body and high style silk ensemble! $2500

13. - 14. Over 100 years ago Jumeau created the 22” Elusive Bebe Louvre for the famed Paris store “Les Grand Magasins du Louvre! Uniquely sumptuous with more discretely refined features than their own Tete models, the quality is resplendent in every aspect – from luscious blue eyes to chiseled coral lips! $4500

12. & 15. “At the Ball” – a rare 16” pair of palatial style Gbr. Heubach figurines with brilliant panache gallantly poised and gorgeous – featuring her separately modeled and never seen bisque handbag still intact! Stunners! $1800 12

Quality Antique Dolls by Mail Return Privilege • Layaways • Member UFDC • NADDA

(212) 787-7279

1. 3” German Snow Baby – $135 others – on tummy, riding polar bear, pushing snowball, skaters, etc. Shown against Schoenhut House (page 9) complete with shutters, window boxes and planters. 2. All Bisque Kestners – left: 6” Kestner All Bisque with jointed knees! Rare! See page 7. Right: Rare Bent Knee Kestner Child, limbs jointed to sit, factory clothes with her ornate wig. $750 3. 4-1/2” Rare All Bisque googly “292” – swivel neck toddler with chubby jointed limbs, original wig, hidden repairs in back under red silk! $625 4. Beautiful bisque, huge PW eyes, mohair wig, lovely old silk dress, undies and orig. shoes make this 24” 1890’s French Trade DEP with original chunky Jumeau body a magnificent showpiece. Just $1250 5. The molded shoes and socks distinguish this 5” Bonnie Babe All Bisque by Averill with sleep eyes, tiny molded curls and flawless bisque $795. Snowbaby on Skies $85. Other “no snows” too! 6. The convenient small size of this choice 17” Princess Elizabeth by Schoenau Hoffmeister makes her a special find as only a limited few were produced for only one year …83 years ago! $2500 (See # 8) 7. Very Rare Bahr and Proschild 686 “Googly Baby” in its choice 7” size is a googly you are not likely to have or even see outside of books. Factory perfect, mint bisque and body! $2200 8. The Rare Portrait Doll designed by Caesar Schneider on an idea by Alec Cohn to depict the future Queen of England as a 3 year old – wearing period clothes, shoes and wig! (see # 6) 9. Rare Prototype Kathe Kruse Doll I – important, unique and perfectly wonderful (see #6, next page). 10. This Pre 1900 DEP has huge blue PW’s surrounded by painted eye lashes and a barely open mouth with 6 square teeth. (See # 4) 11. What a rare size in which to find this outstanding 20” Hertel Schwab 125 so called Patsy Baby! It is Factory Original with shoes, toddler body and astounding quality – all just $1495 12. “Our Fairy!” Mold 22 with glass eyes, factory wig and label, the original arms, perfect! $895 13. 30” All Original Handwerck 109 – what a beauty from her mint wig to factory leather shoes with mint, signed body, original clothes and the french face oily sheen bisque - one in a hundred. $795 14. The perfect accessory to the nursery is this scarce Schoenhut Roly Poly Baby with all the original paint and label! $495 15. 26” Gbr. Heubach “Grumpy” – mold 8548, outrageously gorgeous character only seen in books and museums (see #5, next page). 16. 3” Santa Nodder – signed Germany, in Schoenhut doorway. $175 3” Rare snowbaby Snowman with champagne bottle, signed Germany. Happy Holidays! $495

1. See opposite page. 2. A 17” Schoenhut with Carved Bonnet is a rare acquisition and this especially is a lovely one with all the facial gravitas associated with a well executed model like this. Made between 1912-16, with no repairs and her cotton union suit, her rare multi-colored floral bonnet with painted and gold trim still intact crowns her natural unassuming beauty. Only $4600 3. 12” Steiff Gnome “Pucki” with belt and money bag! $450 9” Norah Wellings holiday “Pixie” with all 3 tags! $150

4. The World’s Largest Heubach Candy Container! Fully signed and mint, this 20” tall Gbr. Heubach with 10” circ. head is a real show stopper with his lively 3 deep modeling, obvious top quality and factory original wooly suit with cap and 9” wooden sled! When will there be another like this? $3250 4

5. Super Rare and easy to see why, is this really outstanding 26” tall 8548 Gbr. Heubach “Grumpy.” Tousled hair, worried look and troubled pout all in magnificent larger than life modeling nuanced to unbelievable perfection with a 13” circ. head, and perfect bisque forearms! A mostly hidden invisible repair makes this impossible to find. $17,500 book price character a steal at only $6500

7. Would you believe this Six Room optical illusion is a Signed Schoenhut House and only 10” deep?! Near mint and light enough for a shelf, it is 18” across with staircase, foyer closet and two-room attic! All original papers and paint, plus furnishings too! $2495

6. 17-1/2” Rare and Important Kathe Kruse – here’s a variation of Doll I you probably don’t have and 6 has won two different UFDC Blue Ribbons to prove it! This early dark hair fellow with such pretty coloring (no touch ups) and big eyes, features the wide hips, separate thumbs as well as some seam variations and applied ears! All unplayed with in excellent condition with his two piece suit, woolen cap and socks and the leather shoes. This exceptional “prototype” Kathe Kruse will continue to win both ribbons and hearts! $4900

(212) 787-7279 P.O. Box 1410 NY, NY 10023

Our Fantastic Voyage Civil War reenactors have been present at each of the three Rose Percy events held to date. Their participation lends a special dimension to the general atmosphere, and even better, some of them are experts in all things “Civil War” including the United States Sanitary Commission. Here, Miss Rose Percy wears one of her white play dresses – a rare occasion. It seems that even in 1862, the girls at the Ogden Hoffman boarding school knew that our Rose was destined to be a party girl, as the majority of her frocks are meant to be worn at formal events.

e believe it safe to assume that most people in the doll world have now heard of Rose Percy, or have read about her life and events, both past and present. It was three years this month that we initially began our journey with Miss Rose Percy – a change in course for her that also represented a new chapter in her long life of service to the United States of America. In our involvement in Rose’s life story, our ﬁrst objective was to make sure that Rose did not fall into the wrong hands, but beyond that we did not have a ﬁrm plan as to what might be in store for any of us. Would Rose’s fate be that she would quietly live with her new owner and be seen only by a few fortunate people? Would the public be willing to pay to see her? Could Rose return to the business of raising funds for charity? Further, if Rose did launch a fundraising mission, what would be the right cause for her, and for us, to stand behind? Because the world was in such a terrible mess from natural disasters three years ago, helping to fund Red Cross-type aid to those in need seemed the right choice, but many different ideas were put on the table and discussed. One day, Sharon, a friend and fellow doll club member, telephoned and expressed her view as to what she believed Rose’s new mission should be. Sharon made her case and it was a good one. “From the beginning, Rose was created to help comfort our men in uniform, and the need today is just as vital as it was during the Civil War.” She then 20

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

with Miss Rose Percy by Michael Canadas and David Robinson added that if we didn’t believe her, we could simply come to her place of employment, the VA Palo Alto Health Care System, and walk through the halls of the hospital and see that need for ourselves, because after doing so, anyone would realize what a wonderful life they have. We could not have agreed more with her, so it was firmly decided that Miss Rose Percy would return to what she did for the first sixty years of her life — raising funds for wounded soldiers and veterans of war. In Rose’s early days, she was brought out as a reminder of the good deeds accomplished by the much-respected United States Sanitary Commission at events such as the Grand Army of the Republic’s reunions. Remember, Rose made her debut and raised an astounding 1200 dollars for that commission at the New York Metropolitan Fair in 1864, but it was at these later events where she would actually meet not only the legends of the Civil War, but also quite a few of the presidents of our country. We have to thank her original owner, Bertha Chittenden, for sharing Rose with any needy cause. As the veterans of the Civil War left this earth and took their need for care along with them, Rose found a new cause in the soldiers who fought in the Great War — World War I. During those years, countless teas were held with Rose and her treasures billed as the star attraction. With the price of admission at 25 cents, the goal was to raise funds for medical ambulances. By the end of that conflict, Rose’s owner had grown to be a lovely old lady who had lived a full and happy life of service to her country. Bertha made the decision that the American Red Cross Museum was the perfect place for her beloved Rose Percy to reside, as after all, the Red Cross is considered the offshoot of the United States Sanitary Commission. With her installation, Rose Percy became a very important part of the American Red Cross Museum in Washington D.C. when she was positioned to greet all of the visitors who walked through the door. She acted as the first lady of the Red Cross for over 80 years and in that time she also acted as the mascot of the Junior Red Cross. We are sure that many of Rose’s first juniors are members of that esteemed group known today as “our greatest generation.” However, since history does repeat itself, and as Rose was created and then sold to raise funds for the United States Sanitary Commission, it should not be surprising that she would be selected

The little wax doll that Rose is holding is new to her. It wasn’t until very recently that she received the first doll of her own, and it took just over 150 years. A gift from one of her fans, it is now a cherished part of Rose’s permanent collection.

Rose Percy models a dress that she has not worn that often in the last 152 years. It is an elegant purple faille number with black velvet trim decorated with black jet beads, and includes a coordinating handbag sewn to the waist. In the background is a portrait of the first U.S. president to make the acquaintance of Miss Rose Percy. Rose has met several presidents of our great nation, but Mr. Lincoln will always be her most beloved. ANTIQUE DOLL COLLECTOR

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One of the finest pieces in Rose’s collection is this white faille suit that was given black soutache trim. Rose likes to keep herself amused with a great puppet show.

Miss Rose loves paper dolls. We find her here playing with an antique set, but Rose is proud to report that she has two sets of paper dolls of herself to play with, that is when she is not working. The talented Jim Howard and Sandy Hohne are the artists responsible for Rose Percy’s paper doll likenesses. 22

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to be sold by the Red Cross to help pay off a mountain of debt. That is precisely where our journey with Rose Percy began, in our winning her at public auction on behalf of her current owner. We are quite happy about the latest case of history repeating itself, because since going back into fundraising, Miss Rose Percy has helped raise over $74,000 for veterans and other charities, proving that in the world of dolls, she is a mighty fundraiser. We believe the key to that success is the choice of American’s veterans as the recipients of the lion’s share of the funds raised. Half of all funds raised at Rose’s events must go to veterans charities, while the other half is divided among her hosts’ choice of charities. The host clubs and organizations put a lot of thought and time into their selections and not one cent of the money raised at a Rose Percy event can be kept by the host after all of the bills are paid. Another aspect that has made Rose a ﬁnancial success is that no volunteer gets anything thing for free. We insist that each and every attendee pays for their lunch, or dinner and souvenir, including Rose’s escorts. These strict rules have helped the events represent true volunteerism, and the results should be clear to everyone in Rose’s presence. Even though we should be used to it by now, as we have attended three successful Rose Percy events, we are regularly surprised, and heartened, by the sheer generosity of the people that volunteer their time, talent and money for Rose Percy’s goals. All of them have done great things for their communities and our veterans, and all have shown complete dedication to the cause. In many cases, the selected charities have no idea that they will be receiving a donation from a Rose Percy event. For us, that is one of the joys of life, to be able to present a $3000 check to a food bank, and to be told by the volunteers that they “don’t get donations like that, ever.” Especially touching to us was the

$4000 donation raised from the Maryland Rose Percy event, which hosted a barbeque for 250 injured veterans and also supplied them with niceties, such as toiletries, that our government does not provide. From that same event, the Maryland Patriot Guard helped purchase a titanium wheelchair for a young veteran who, through combat, had lost one eye, and seen both of his legs so badly impaired that he could no longer walk. That simple gift will have a long-lasting effect on improving that deserving soldier’s life. At each Rose Percy event, there is a moment that sticks with us. In Milwaukee, it was the words of jolly Colonel Lee, the doctor who spoke on behalf of the VA Brain Trauma Center. Colonel Lee told the audience that day that the Rose Percy event marked, for him, the very ﬁrst time that an organization aiding his veterans did not ask for anything in return, such as billing in advertising, et cetera. He remarked that it was especially touching that the event’s organizers, and the people in attendance were willing to give without a single string attached to their gift. Colonel Lee then shared that when he returned to the States from duty in Iraq, he had been treated for brain injuries at the Palo Alto Veterans Hospital, and was aware that the hospital — “his hospital” — was the recipient of $10,000 from the Carmel Doll & Toy Study Group, the doll club that hosted the very ﬁrst Rose Percy Luncheon. That gentleman did his homework, and after the event, the Doll Scholars of S.E. Wisconsin rewarded Colonel Lee’s soldiers with a check for $20,000 — the largest donation ever to have been received. These are just a few of the good deeds that have materialized due to Rose Percy’s return to the fundraising arena, through the hard work of the host organizations, and we are all pleased to share them with you. We would be remiss if we did not tell you that one of the most special parts of a Rose Percy event is seeing Rose herself. In the photos upon the pages of her book she seems

While wearing her blue wool school uniform, Rose prepares her thank-you notes the way she used to back in the 1860s. We try very hard to not let her use her original Tiffany & Co. stationery, due to a very limited supply.

Like many famous characters, Rose likes to read about herself — she even Googles “Rose Percy” on a regular basis. But in order to remember things long past, she will pick up the book dedicated to all things Rose — and who can blame her? No 152-year-old memory is perfect. ANTIQUE DOLL COLLECTOR

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Together again ever so briefly, Rose enjoys a moment with an old friend — a Sanitary Fair parian dressed as the lead character in the Daughter of the Regiment. The rare doll is now part of the UFDC Museum collection – gifted by a doll club from proceeds raised at a Rose Percy event. At this writing, Rose Percy events have donated a grand total of $10,000 in cash and gifts to the United Federation of Doll Clubs.

Miss Charity, one of the highlights of the live auction items that were offered at the Gaithersburg Rose Percy event, models her skating costume -- a small, yet exquisite component of her extensive trousseau. 24

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to be small and fragile, but in life she is quite overwhelming, both physically and spiritually, and she possesses an overpowering presence. Yes, that is due in part to the sheer volume of her historic collection, but she also has the ability to communicate with her audience in a way that we have never experienced with any other doll. But to say that Rose Percy is “just a doll,” is like saying that Lady Liberty is “just a statue.” A true test of this fact is that at each event so far there have been guests present who are not doll collectors, and yet they, too, are moved by Rose Percy — and her story. In our own roles pertaining to Rose and her possessions, we are not unlike the Secret Service in the sense that we must protect the “commander in chief” at all costs, and that is what we have done thus far. So it is hard for us to believe that there exist some critics in the doll world who don’t seem to like what Rose Percy is all about — that somehow her events, in which we are heavily involved, take away, rather than enrich. And to those who charge, or believe, that “There must be something in it for Michael and David.” we say, “Guilty as charged, because there is something in it for us, but that thing is not money.” We ﬁrmly believe we are helping to preserve something that is worth preserving — giving it an important purpose that helps others — others who are, shamefully, most often overlooked by our society, and our reward is something that is inﬁnitely priceless. We also believe that each and every person who has helped bring a Rose Percy event to life can relate to our words, and we thank those individuals for their dedication. Again, as history does repeat itself, we will go forward with no worries, for you see, Miss Rose Percy has always been on the right side of history, and it our pleasure to stand behind her.

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The Last Bebe Bru, the Bru Jne “R”

by Dee Urquhart-Ross

Doll 1. Still in her original box, a “walking” Bru Jne, size 9, wears a fine silk dress with pin tucks and lace and a lovely padded bonnet with pretty ribbon ties. She has a very thick mohair wig in a dark blonde that sets off her spectacular blue paperweight eyes. Dating from 1892, she nevertheless has a pressed bisque head.

M. Girard was the third and final owner of the firm started by Leon Casimir Bru, taking over the firm in the difficult last decade of the 19th century when the glory days of the French Bebe were inexorably drawing to a close. This was mostly caused by the unrelenting pressure on price caused by vast quantities of less expensive German dolls flooding the market and capturing the customer base that once preferred the exquisite though more expensive French Bebe. Girard continued to use the same head mould as before with only subtle differences in the plumpness of the cheeks and chin showing slight changes to the master moulds, but now the bisque was poured instead of being pressed. The exception that proves the rule will be seen here – two heads incised Bru Jne R that have the earlier type of pressed bisque rimless head, that is, not showing a top folded over rim which is a standard indicator of a poured head caused when the filled mould is inverted to dry. The complex earlier kid body types were also changed at this time for a good quality but more easily produced jointed composition body of the type adopted many years earlier by virtually all the other major French firms and which were much cheaper to make. Often these bodies have a yellowish tint to the layers of paint and some but not all, were stamped in ink with “Bru” on the lower back. As ever with the world of dolls and their makers there are honourable exceptions to every rule we would like to make regarding identification and traits of authorship! The early Bru Jne R models can have the look of the Bru Jne bebe with softer paintwork to the lashes and brows. The Girard era may have introduced a different group of painters to the task of giving the dolls their features as the brows of the Bru Jne R have a slightly more fly-away and thickly brush-stroked look. The eye cuts are different too and on some of the smaller later dolls can be a slightly uneven. With the eyebrows following the positioning of the eye cuts, sometimes the result is a charmingly quizzical look. The painting of the lashes, lips and blushing is usually very well ANTIQUE DOLL COLLECTOR

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Doll 2. At 27-1/2 inches, this bebe boasts a wonderful straw hat with floral decoration in shades of cream to brown and a superb pair of original Bru socks with the B woven into the sides. Her Bebe slippers have big cream pom poms on the toes and her lovely cotton dress drips with lace and layers.

Doll 3. A lovely little Bru Teteur, marked Bru Jne but on a full composition body of the later era, 14-1/2 inches tall. The original outfit is constructed in fine lawn with lots of lace and pale blue ribbon trims on the layers of underwear. Her bonnet is original and shaped at the back to allow for the metal key mechanism by which the teteur was made to suck up her “milk” from a special bottle.

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observed though some of the very small dolls are lacking in the grace one would normally expect of a Bru product as they were probably produced under a pressure of time and not as before, when a striving for perfection was the uppermost thought! The Bru Jne R came in both a closed mouth which is generally agreed to be the earlier model and an open mouth model with a neat row of porcelain upper teeth moulded into the head. It is often forgotten that the open mouth model was in its day more expensive to produce than the closed mouth models. The closed mouth Bru Jne R and many of the open mouth bebes too, still have lovely paperweight eyes, though again, they may lack the stunning depth of colour on occasions, particularly of the cornflower blues found on the best of the earlier Brus. Very late dolls have inferior sleeping eyes which are usually dark in colour and lack the sparkle and depth of the paperweight type. The heads are all marked Bru Jne R. It is not definitely known what the “R” actually denotes and this is still open to conjecture but whatever the reason, it does of course identify the Girard dolls quickly and easily as some of them still bear the characteristics of the earlier “Jne” model in their painting with the lighter brow colouring for instance. The surprise candy container dolls and a few double face examples were also still produced and Girard in an attempt to innovate and put his own stamp on the firm now introduced dolls with breathing mechanisms both clockwork or hand operated, where pressing a lever at the back of the torso produced a simple in and out impression of breathing. He also made walking dolls with swinging leg bodies, kiss throwing dolls where pulling a string in the doll’s side caused the arm to bend upwards towards the mouth and on release the doll seemed to throw a kiss to her delighted owner, sleeping eye dolls and dolls that squeaked an mama or papa when strings were pulled which operated internal bellows. The first Bru Jne R shown (Doll 1) dates from 1892 and is a size 9 (22 inches). She is the rare Bru Jne R with the pressed bisque head yet clearly marked with the R from the Girard era. How to explain this aberration I know not, but there she is! She has an articulated body with a working squeak mama papa voice box and a kiss throwing mechanism worked by a pull string to the side of the doll’s body. The legs are of the normally jointed type with articulations at hip and knee but have a metal joint that allows a walking action if the doll’s hands or waist are held and she is propelled forward. One leg follows

the other and she gives an approximation of a young child being helped to walk. She has managed to hold on to her original box made of sturdy thin wood, covered in a grey heavy paper which may have once been of a bluer hue with an embossed texture to the outside. The original tie strings are still in the bottom of the box. The label in bright red flowing script boldly declares “Bebe Bru” then in gold Marchant [patented walker] No 9 Brevete SGDG and in a cartouche Habille (meaning dressed) then a long row of all the medals the firm achieved at many international exhibitions and additional information regarding the eye colour etc. The label inside the box lid states in flowing script “To make your bebe walk, place the hands against the mouth contrary to the position from which you want the infant to send the kiss. Next grasp the Bebe behind the waist and push strongly to the front of you as fast as you can. Be certain to follow close behind.” The next Bru Jne R (Doll 2) is a very large size 12, measuring 27-1/2 inches in height. She has poured bisque with the folded over top rim and very clear markings. She is an open mouth model with neat teeth and

Doll 4. This Bru Jne R, size 10, has a delicately painted mouth with tremulous lips that seem to hover on the edge of speech. She has a dark thick hair wig and wears a striped polished cotton dress with layers of under things and a beautiful composition fully jointed body that stands well on its own.

Doll 5. Bru Jne R 10 dressed as a Pierrot/clown in a polished cotton dark red one-piece suit trimmed with gold braid and lace and with a ruffed collar (this was replaced as the original silk/satin one had shredded to pieces). Little pom poms in cream cotton are attached at strategic accent places. This doll has superb blue paperweight eyes and the head although marked with the “R” of the later dolls is a closed mouth example with lovely pale even bisque and delicate colouring of the features.

lovely pale bisque and huge limpid brown paperweight eyes. She has a very chunky body and stands well all on her own. She has an extra long mohair wig with added tails. The sweet Bru Teteur pictured (Doll 3) was still in production during the Girard era in the 1890’s, this time set on a jointed composition body instead of, as in the earliest 1878 model produced by M. Bru himself, a full kid with bisque arms Brevete type. In the second phase when M. Chevrot ran the company, he continued to make this nursing style Bebe using his jointed kid/bisque/wood bodies. The Teteur therefore managed to survive throughout the entire life of the Bru ﬁrm, doubtless due to its appealing cute look and interesting mechanism. Another closed mouth Bru Jne R incised size 10 is 24 inches tall (Doll 4). She has beautiful creamy pale bisque with a cute deep dimple to her chin and spectacular pair of Mediterranean blue ANTIQUE DOLL COLLECTOR

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eyes that are almost hypnotic in their depth. Her eyes are topped by lovely arched brows which are carefully and neatly painted and her blushing is very lightly realised. This bebe shows that when carefully decorated and with even, pale bisque tones, the Bru Jne R can still be exquisite doll type that M. Girard can still be proud of. A sweet closed mouth Bru Pierrot boy (Doll 5) whose head is incised Bru Jne R 10 is 22” tall and mounted on a fully jointed composition body as was the norm with dolls from the Girard period of the firm. With his paperweight eyes, closed mouth and pale bisque, he has the look of the earlier Bru Jne head although this one is clearly marked with the R of Girard’s time. A clearly marked Bru Jne R head in a size 10. The “R” would date it to the Girard period of the firm The Bru Jne R is a French Bebe that, when in the 1890’s yet the head is a pressed bisque acquired discerningly can, I would happily one with no distinctive rim to the upper edge. argue, be as wonderful as any made by that A wide rim is indicitive of the later poured variety firm over its long life. which we would have expected this head to be, given its date. Hand pressing into the head mould Seek out these special later Bru Bebes. was superceded in the mid 1880’s by pouring A comprehensive collection of French liquid slip into the moulds which caused a folded dolls is enhanced in every way by the rim as it set. addition of examples from every era of the Bru firm including the 1890’s. These Girard developed his own take on the jointed composition body type. This example has excellent examples can and still do hold the slightly earlier fixed wrist model. Often the bodies have this distinctive yellowish hued paint finish. They are sometimes marked to the small of the back Bru with a blue the banner high! stamp but this one although unmarked is distinctively a Bru composition body.

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14 ½” Jumeau French Fashion w/ wood articulated arms with kid body, blue eyes, original mohair wig & antique leather boots, antique dress, undergarments, fabulous facial painting $5450 Now $5195

3.5” All bisque MIBS, jointed arms, stiff legs, brown strap shoes, dressed as a boy, adorable. $250 7” AM #210 10/0 Googlie w/ intaglio blue eyes, 5 piece jointed original body, cute crocheted dress and jacket. $375

14” Sonja Henie Doll by Alexander in original tagged dress, original skates, pink dress w/ sequins, slip and pants, HH wig, some crazing. $350 14” 1937 Alexander Sonja Henie, tagged dress, all original yellow taffeta dress w/ green edging, mohair wig, (one blade on skates) wonderful facial coloring, very slight crazing. $445

18” 1934 Shirley Temple “Stand Up & Cheer” all original, very slight crazing $325 13” All Original Effanbee Skippy Aviator, compo arms and legs, few chips on feet, slight crazing $595 Now $475 20” Steiff Tagged Santa, (glasses as is), great look $185 Now $140 18” Shirley Temple in “Bright Eyes” original dress, replaced combination & shoes, slight crazing $325 15” Ideal Deanna Durbin, HH wig, original dress, unders & shoes $250 Now $210

7 ½” Just Me A310 11/0/M, 1925 registered Germany, blue sleep eyes, c/m, 5 piece body, mohair wig, organdy dress $995

24” Heinrich Handwerck S & H #4, brown sleep eyes, mohair wig, great facial coloring $525 19” 1938 – 45 Georgene Raggedy Ann, large black outlined nose, original dress & pantalettes, no apron, stain on back of head $695

8” Parian Bonnet Head, necklace on shoulder plate, parian arms & legs, brown boots $210 Now $125 26” K star R Simon & Halbig #73, blue sleep eyes, blonde mohair wig, professionally repainted body $695 Now $495

16” Century Baby by Kestner, brown sleep eyes, o/c mouth, molded teeth and hair, compo hands, cloth body, adorable expression $595 Now $515 28” Fabulous S & H 1009, brown sleep eyes, HH wig, antique dress, undergarments, boots, professionally repainted body $995 Now $850

16” K*R 126 Toddler, 5 piece body, mohair wig, blue sleep eyes. $395 8” Schoenhut Barney Google w/copy. 1922 by King Features Syndicated label on foot. $275

16” Blond Gregor all original w/ wrist tag, blue eyes, no box $150 16” Sasha with really full 2 toned blonde hair, gingham dress, has box $210 11” Ginger haired baby “Rosie”, brown eyes, wrist tag $125 Now $105 16” 1975 Caleb all original in sweater and pants, wrist tag $250 Now $205 16” Red Headed Gregor #312S in box, teal corduroy outﬁt, blue eyes $215 Now $195 16” 1981 Sasha “Velvet” Lt Ed with HH wig, blue eyes, 3701/5000 $189.95 Now $159.95 11” Sasha Baby Girl #4-501 in box, brunette hair, brown eyes $220 Now $170

10” Klumpe with basket of felt vegetables, mohair wig, great look $95 Now $65 15” French Raynal type, really sweet all original, cloth body, papier mache head, brown eyes, organdy & felt dress, hat & shoes $115 10” Italian Lenci type doll, all original, flowers in basket $105 Now $85 17” Hawaiian cloth doll, grass skirt, painted face, yarn hair, purchased 1941 right before Pearl Harbor $69 Now $45 10” Tagged Klumpe Bullfighter in satin outfit w/ sequins, all original $75

8” Schoenhut Felix the Cat, slight repair back of body, original ears, copyright Pat Sullivan 1922-1924. $395 4” Schoenhut Felix the Cat, copyright 1922 Pat Sullivan (needs restringing), all original. $192.50

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Fabulous #1 Blonde Barbie complete with #1 stand (chip on side), earrings, shoes, sunglasses, wonderful original face makeup, doll is from an original owner $5450

8.5” Marie Polack’s Pennsylvania Dutch Amish pair all original w/ writeup, painted eyes, 5 piece compo body $66.50 14.5” Effanbee black Baby Grumpy 1925-39, all original, tagged outfit, paint flakes on legs, some cracking. $185 11” Georgene Averill - Madame Hendren, cloth body, compo. head & arms, all original felt outfit. $95 14” 1920’s All original Georgene Averill - Grace Drayton “Chocolate Drop”, yarn hair, paint as is, cloth body, composition arms & head. $295

17” Mohair, jointed 1960 Herman bear, glass eyes, stitched nose $165 6” Steiff 1950’s mohair teddy bear with original ribbon. $185 15.5” Ideal 1916 Zu Zu Kid, redressed, cloth body, composition molded head and hair, composition hands and feet, jointed at hip & shoulder, National Biscuit Company. Was $225 Now $150 12” Antique mohair bear, chain in nose, button eyes, worn overalls, jointed, straight paws, jointed head $115

22 ½” Limogues France, blue eyes, repainted body, cream cotton dress $450 Now $395 18 ½” Cuno, Otto & Dressel – K*R 117N look painted bisque on ﬂapper body, blue sleep eyes, original HH wig & leather shoes $525 Now $425 22” Cuno, Otto & Dressel 1912 4, blue sleep eyes, 1 ﬁnger as is $250 Now $200

8” Heubach Koppeldorf painted bisque pair. Girl has blue eyes, boy has brown eyes, all original wooden shoes, mohair wigs, boy teeth as is, 5 piece body. $195 11” Peg wooden Peddler doll, pegged elbows and knees, painted face, red dress, black felt cape, nose as is, face has a chip. $45 11.5” Peg wooden doll, pegged elbows & knees, painted face and hair $65 7.5” Bisque o/m, glass eyes, all original peasant girl (left elbow re-glued), mohair braid down back $85

A Visit with

Kelly Harpster by Donna C. Kaonis

photos by Keith Kaonis

Kelly named the house “Annie” for its soulful spirit.

he back roads of south central Pennsylvania unfold to reveal softy rolling hills, rustic barns and silos and, like the song says, corn as high as an elephant’s eye. It was a pleasant summer afternoon as we drove down a country lane passing a lovely shaded meadow where I glimpsed geese and pigs enjoying the balmy weather. A pair of magniﬁcent peacocks were resting under a large tree as we pulled up next to a large, old stone barn. Across the lane we saw a beautiful brick farm house which we would learn later goes by the name “Annie.” We had arrived at Kelly and Lou Harpster’s farm in picturesque central Pennsylvania.

The large stone barn was constructed in 1813. ANTIQUE DOLL COLLECTOR

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The top two shelves of his beautiful case made by David T. Smith contains twenty dolls by Izannah Walker! A closer look at some of the dolls shows they are “in different states of love.”

I had eagerly anticipated this visit knowing of Kelly’s love for cloth dolls (readers can see her Lancaster Rag dolls in our April 2009 issue). I also knew she had a particular fondness for Izannah Walker dolls, my all time favorite cloth doll. Our visit fulfilled all my expectations and then some! Kelly greeted us and led us through the gate in the white picket fence where a number of excited Chihuahuas greeted us with enthusiasm. Even more Chihuahuas were delighted to meet us as we entered the cozy farm kitchen. She explained she used to run a dog rescue, but now keeps them as permanent pets. A confirmed vegetarian and animal lover, in the past she also operated a pot belly pig rescue and at one time was caring for one hundred and thirty-seven pigs! We started in the dining room where my eyes immediately gravitated to a display case holding twenty dolls by noted American dollmaker Izannah Walker! Kelly was in her early teens when she saw her first Walker doll 34

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A fabulous smoke decorated cabinet contains a collection of Amish, Mennonite and New England rag dolls.

at a local auction. Her girlfriend dissuaded her from bidding, saying, “Why would you want a dirty old rag doll?” To this day, Kelly has regrets and says she is still looking for the doll she missed out on. “All my Izannah’s – she refers to them as ‘her girls’ – are in different states of love and they are all very meaningful to me,” says Kelly. The same room holds a collection of wooden dolls, primitive rags, tauﬂing babies, Lancaster Rags and a group of early Steiners, her favorites being the very pale examples with teeth, loved for their folky appeal. It’s easy to see where Kelly’s passion for country antiques comes from. As a young girl, she accompanied her parents on their frequent antique jaunts. She explained that, “back in the day barns and outbuildings were stuffed with old things; that’s where my

Kelly bought these New England dolls when her husband was still in medical school. The lamb is a pen wipe.

The Lollipop Girls, named for their head configurations. ANTIQUE DOLL COLLECTOR

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Amish dolls include a rare boy Amish doll, c. 1910, who comes with the name Johnny Johnny Whoopsi Johnny.

Kelly calls the doll on the left her “cloth Izannah” girl for her beautiful period clothes, c. 1850. She has string hair as does Bridget, who is pictured in The Dolls of Yesterday, by Eleanor St. George. Bridget’s hair is pulled back to form a beautiful bun in the back. 36

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When Kelly bought the doll with the Baby bib it was covered with another, newer face which was carefully removed to reveal its older face. The little lady on the right was found on Ebay, interestingly, it turned out to be a doll passed down in Kelly’s family. The sewing on this doll, including it undergarments is exquisite. The taller doll is appropriately dressed for a fancy outing.

love for country, home-made and one-of-a-kind antiques comes from. Even as a young girl, I was drawn to rag dolls, but I always felt like I should be buying bisque dolls. I would drool over beautiful French dolls in books, but my heartstrings always tugged at the sight of an old rag doll. I love the wear and fading, the patina, the layers of clothing that you can ﬁnd on a true farm doll.” Artfully arranged with the dolls are fascinating smalls – pen wipes, Amish animals, old photos, miniature braided rugs, dolls’ dolls. Except for two beautiful David T. Smith period reproduction cases, all the furniture is antique Pennsylvania Dutch, a perfect complement to the doll collection. Moving on to the living room, I was immediately attracted to a wonderful smoke decorated step back cupboard with an impressive collection of Amish, Mennonite and New England dolls. What she loves about primitive dolls is how personal they are. “It is the effort that some mother put into making the doll, trying to please, an extension of what they can give,” says Kelly. Watching her pick up various dolls, I could see her strong affection and attachment to each. A hanging cupboard holds Amish dolls by Lizzie Lapp, a famous early maker of Amish dolls.

Lizzi, a former resident of Bird-in-Hand, Pennsylvania, made dolls around the turn of the twentieth century. Amish dolls often do not have facial features, relating to their belief that all are alike in the eyes of God. Lizzie Lapp made her dolls using a rod or dowel in their construction, then stufﬁng them with cotton or old rags. Feet and hands were covered with denim fabric. Although the outer garments were the solid dark colors favored by the Amish, it was not unusual for undergarments to made of a patterned fabric. Kelly’s Amish dolls have been documented in several books devoted to Amish and Mennonite art. We also photographed an unusual Amish riding horse upholstered in an antique rug, formerly in the Merritt Museum of Childhood, and pictured in the guide to the museum. Rag dolls with provenance naturally hold a special place in her heart. Often literally loved to death, it is seldom that information has survived telling us their history. There’s a doll made for

Some of the most coveted Amish dolls are those made by former Lancaster resident Lizzie Lapp, circa 1900.

This wonderful Amish horse, which has been upholstered in an old carpet, was pictured in the small book produced by the former Mary Merritt Doll Museum. A mother’s love is reflected in the doll’s several early, painstakingly done repairs.

Primitive rag dolls, Steiners, Motchmanns, linen wrapped dolls and Lancaster Rags fill this case. Kelly is particularly fond of early Steiners with teeth.

Taufling or Motchmann babies are a favorite. ANTIQUE DOLL COLLECTOR

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The Menonnite doll on the left is circa 1890 and comes from the Lancaster county Stauffers. On the right, an early Amish doll.

A bedpost doll shows surprising sophistication.

Kelly describes this doll, made by a slave, as a piece of history. The doll has only one toe, reflecting the punishment inflicted by former slave owners on runwaways. 38

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

An antique bucket bench is home to black rags.

A simple, yet appealing large cloth doll holds an Amish rabbit.

These Mennonite twins are from Lancaster County.

Colorful Pennsylvania rag dolls dressed in red and blue.

At some point in this doll’s history, a child decided to make it a “girl” with body parts. 28 inches, it is stuffed with bran. She doesn’t seem to mind!

A leather doll from England on the left shares space with “Juicy Pie Face,” made of chamois in 1903.

Ann Rector by her grandparents from Clark, Ohio in 1903. Named “Jerusha” which was unpronounceable by Ann, she nicknamed it “Juicy Pie Face.” The doll has an unusual chamois face, human hair and big stitched individual ﬁngers. Kelly has a museum class collection of teddy bears, but “Rose’s Bear,” a funny, little Steiff bear given to Rose in 1904 when she was three years old and her constant companion until she passed away at ninety-nine, is a poignant story that makes Rose’s Bear very special indeed. One of the stories that charmed me was how at age fourteen, in an effort to raise money to buy dolls, Kelly began selling night crawlers at the gas station where her boyfriend (later her husband) worked. The going price was two cents apiece and her father would match whatever she made. “My father was a collector and totally understood my passion. He always told me to buy the very best I could afford.” We all make sacriﬁces for the dolls we want, but I doubt if any of us have sold worms to support our habit! Husband Lou, although not a collector, is totally supportive of his wife’s interests, although he does enjoy occasional ribbing, for example, letting her know when the “Hoarders” are on TV. The couple grew up together, Kelly recalling how in the fourth grade she was writing his name in a heart. She helped put him through medical school, even selling a favorite Izannah Walker doll to pay for his studies. Upstairs a spare bedroom contains an impressive collection of Alabama Babies, the pale ghostly early examples, the result of the artist using white housepaint. “Ella Smith was a lesser talent than Izannah Walker, but her dolls were wonderful playthings,” says Kelly. Another room is devoted to Raggedy Ann and Andy and Beloved Belindy. The master bedroom is home to an amazing collection ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Early blank button Steiff bears take care of Rose’s bear, the little guy with the long snout. Rose was born in Battersea, London in 1904 and given this bear when she three, her constant companion until she died at the age of ninety-nine. The Steiff roly is a seldom seen toy, the arms and legs come off to make a ball.

“Pony” came out of a barn in Hew England dates to about 1830. The early doll astride has a wonderful stitched and applied nose.

A very early Amish/Mennonite doll rests against a giant rag ball. 40

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

of early teddy bears, both German and American, as well as homemade examples, many of them well over 20 inches. One shelf holds stuffed possums; they were an unsuccessful attempt to give William Taft his own mascot. Taft was elected but unlike the enduring success of the teddy bear named for Roosevelt, possums were a commercial ﬂop, making them exceedingly rare today. Kelly went through a period she describes as “pig craziness.” One room with ﬂoor to ceiling showcases displays hundreds of German pink pigs. These were mass produced novelties produced from the late 1800s to the 1920s, often with humorous sayings that are translated from the German. In the same room, an automaton depicts several portly porcine enjoying a picnic. A Halloween “spook house” a fun project Kelly and Lou shared one winter, is a large, quirky dollhouse whose eerie inhabitants and furnishings were all handmade by the couple. The farm is leased out leaving Kelly time to care for the

A faded farm doll from New England holds a smaller Lancaster County doll, c.1860’s-1880s.

Kelly describes this doll from New England as simple and just right. She is holding a clothespin doll.

The Alabama Babies with the early white faces are Kelly’s favorites.

The rag dolls are a perfect complement to the primitive antique furniture the couple have collected.

couple’s many animals – the Chihuahuas, six cats, two mini horses, two parakeets, chickens, roosters, pigs, geese and two peacocks. A busy feeding schedule! Kelly and Lou purchased the farm about twenty years ago. The house had been rebuilt in 1901 but there is a small original stone section remaining from the 1700’s. It still retains the original squirrel tail oven, a type commonly use during Colonial America, and a tiny dog door in the wall which convinced Kelly the house had a soul. She gave the house the name Annie for the warm, welcoming feel it evoked. For several years the couple worked on the house, one room a time, painstakingly removing layers of white paint from the beautiful woodwork until now it is a showplace of Victorian splendor. The large stone barn is one of only two others with these grand proportions that date to the early 1800’s. A date stone hear the peak of the roof is inscribed 1813. Stopping by the barn on the way out we were introduced to Seemore Hairy Spots, a large pig that Kelly raised from a tiny piglet. “I have sucker printed right across my forehead for any animal in need of a home,” joked Kelly. What a wonderful afternoon! If you ever doubted the diversity within the doll world, Kelly’s collection, a celebration of American folk art, is proof that our hobby encompasses many passions.

The impressive America made bears in the back are all 38 to 40 inches. The open mouth teddy with teeth is a rare Roosevelt Laughing Bear.

These are all big girls – the doll on the left came with provenance stating that she was made for Martha, age three, by her mother Bessie Lockman from Carlisle, PA, c. 1910. On the far right a painted rag and center a black doll of pressed cloth. ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

More Heads and Tales True Stories of Civil War Dolls with Provenance by Karen B. Kurtz

photographs by Mark A. Kurtz

Thanks go to Ann Coleman, Mary Krombholz, Christiane Graefnitz, and curator Cathy Wright, who graciously granted the privilege of entering the vaults.

Still on the research trail at The Museum of the Confederacy in Richmond, Virginia, the author continues to shine a light on early dolls, documenting their true stories for posterity.

“H

istory could be taught by means of dolls. The future historian will have no difficulty in reconstructing our age if she finds merely a few toys in dusty garrets or museums,” wrote Laura Starr in The Doll Book. More than a hundred years after Laura’s publication, I am blazing a new trail in dollology by documenting the true stories of Civil War dolls. For the very first time, these indomitable old saviors will be able to speak up for themselves. This endeavor complements the larger fields of social history and people’s history by preserving a segment of our diverse American cultural heritage. When the War Between the States ended after four agonizing years, virtually every family in the nation–the wealthy, the working class, and former slaves–had been touched, often devastated, by the War. The very fabric of American society, economy, and everyday life was torn to shreds.

She loved me for the dangers I had passed. – Othello

Pleasant Lula, 17 inches, is a Kestner china. She has rare brown eyes, a modified Flat Top hairstyle, and cloth body with china lower limbs. Ziena got Lula in 1861, while her father was away at War. “Lula shared my childish grieves,” wrote Mrs. Ziena A. Locke in the provenance, dated 1908. “Lula was ever my best beloved [doll]. Her dress was made from pieces left from my own first ‘after-theWar’ calico dress. I cut, fitted, and made it all by myself, except the hem, which some kind grown-up stitched on a primitive sewing machine. I felt quite proud of the work.” Straight pins fasten the back of Lula’s dress. 44

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The doll dressed by Kitty Hill exhibits strong facial molding and curly human hair wig. Note large expressive blue glass eyes and multi-stroke brows and lashes. The United Daughters of the Confederacy (Culpeper, Virginia chapter) donated this beautiful 15-inch wax-over composition doll, circa 1860s, to MOC. Her provenance says she was dressed by Kitty Hill, the beloved wife of Confederate Lieutenant General A. P. Hill and sister to Confederate Brigadier General John Hunt Morgan. Kitty dressed her as a child in white tarlatan and gave the doll to her cousin, Lizzie Lightfoot.

Mary Scotia belonged to Mary Sperry, a Baltimore girl. It’s easy to see why Mary Scotia was the “pet” of the neighborhood, as her provenance says. She simply captured everyone’s attention with her beauty. When Union solders called Mary Scotia a “Yankee girl” because she wore a blue bonnet, her owner tore it off and threw it away!

Aided by a plethora of primary source materials, veriﬁable provenances, and the knowledge of experts, I have discovered that Civil War dolls really did carry secret messages to military generals. They ministered comfort along Underground Railroad escape routes; they provided solace to children bereft of fathers and brothers ﬁghting far away. Dolls became refugees alongside their young owners. They smuggled quinine into sick Confederate soldiers, ran the Union blockade, and more. The Museum of the Confederacy (MOC) has the largest collection of Civil War artifacts in the nation. Despite changes in technology and attitudes, MOC continues to exist

Mary Scotia, 30 inches, is an unmarked German papier-mâché doll made by Johann Andreas Voit, circa 1840s-1850s. Voit worked for Kloster Veilsdorf before establishing his own firm. Early Voit heads, like Mary Scotia, resemble Kloster Veilsdorf chinas. Paris distributors sold Voit dolls to French, British, and American markets. Mary Scotia wears a marvelous dotted Swiss dress; cotton chemise; frothy lace-trimmed petticoat and pantalets; three pairs of silk stockings, one right on top of the other; and fancy embroidered cloth slippers. Three nails anchor each slipper to the foot. Mary Scotia’s original Voit cloth body is horsehair stuffed, and she has long leather arms. She has a Kinderkoph hairstyle, pierced nostrils, and dark glass eyes. She has a soft, serene expression, round friendly face, and splendid painting. ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Hercelia, 22 inches, is a German molded hair papier-mâché doll with kid body, shapely waist, and carved wooden limbs, ca. 18201860s. This type of doll is sometimes called a Milliner’s Model. Hercelia’s provenance says she belonged to Mary Susan Wright, the daughter of James Wright of Essex County, Virginia. The doll has shoulder-length curls; her ears are exposed. Hercelia’s frivolities: flat green slippers painted on her feet, and a silk bonnet with ribbon rosettes. The doll wears a cotton calico dress with ruffled sleeves and neckline, flannel petticoat, two cotton petticoats, net pantalets, and bustle. Georgia Wardlaw made Hercelia famous in her 1939 book, The Old and the Quaint in Virginia. She said Hercelia was “dressed in 1845 in a typically Southern dress and bonnet.”

The provenance of Sarah Haskins Winn Chalkley’s poured wax doll, 22 inches, says she was “bought in Lexington, England. She ran the [Union] blockade at Charleston, South Carolina in 1864. It was a great curiosity, as toys were very scarce, and people, young and old, flocked to see her.” The doll’s wax head, arms, and legs were probably made in London. Human hair was inserted into a slit in the wax. Huzzah! A wig! Note feathered brows, lovely blue glass eyes with threading, and eye socket modeling. Sara’s doll is dressed as a child, circa 1850-1870. She wears a cotton dress with gathered bodice and tucked hem, chemise, petticoat, and pantalets. An original overdress is missing. Sarah was six years old when her doll ran the blockade.

in order to educate visitors about the Confederacy and the Civil War. MOC’s mission is to serve as the preeminent world center for the display, study, interpretation, commemoration, and preservation of the history and artifacts of the Confederate States of America. I was eager to meet Nina, the famous drugsmuggling doll. But what Mark and I actually discovered at MOC-Richmond was astonishing! MOC stewards dozens of dolls in its collection! It is the largest group of Civil War dolls I’ve discovered at one site. In anticipation of our visit, curator Cathy Wright carefully arranged dolls made from cloth, wax, 46

ANTIQUE DOLL COLLECTOR

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Stolid Mrs. Granby, 24 inches, was made by Ludwig Greiner in Philadelphia. Greiner is significant in American history because he received the first known U.S. patent for a doll head in 1858, which he extended in 1872. Mrs. Granby’s papier-mâché head is glued to a sturdy cloth body. She has been redressed in a plaid silk dress with red sash. Note the remnants of long lace mitts. Greiner dolls were manufactured with either black or blonde molded hair. Mrs. Granby’s fair coloring sets off bright blue painted eyes and black lashes.

The cabinet stood ajar and a large doll, rather oldish, and with a rivet in her neck, peeped out and said: “Suppose we play human beings—that would be so charming!” – Hans Christian Anderson

This china doll, 30 inches, belonged to Louise Wellons Nurney. Manufactured in Germany by Alt, Beck & Gottschalck, Louise’s doll wears child’s clothing. Note ABG characteristics: singlestroke eye brows that are thicker in the middle and taper to fine lines at each end, white iris highlights, and thin, straight mouth painting. According to the provenance, John Thomas Nurney, promised his daughter the biggest doll he could find! Most MOC dolls are large; only the wealthy could afford them. Louise grew up, married, and became a historian. Interestingly, readers can still purchase her books, as well as those written by her husband, Peter Jefferson Kernodle, online.

If you destroy your past, something in people dies. – Jacqueline Kennedy

According to the provenance, this tin horse and peddler’s cart belonged to Fannie Fern Davis, who was born in 1865. A four-inch dollhouse doll made Fannie Fern’s imagination soar! Manufactured by A. W. Fr. Kister, the doll was actively played with, as there are several repairs and replacements. Note the straight eyebrows, which are typical Kister painting features. Mass-produced sets like this example were manufactured from thin tin-plated sheets of steel, soldered together, and hand painted in bright, cheerful colors. Today, these appealing toys document a working class lifestyle, circa 1830s-1900. Fannie Fern’s set was stowed away in a cabinet for 56 years. When she died, her fragile toys passed down to her grandson.

General Beauregard has a Kinderkoph (child’s head) hairstyle. Note delicate brush marks around the hairline. Kestner did not purchase the Steudinger, Mueller & Company porcelain factory in Ohrdruf, Germany, until 1860, so it is probable that Steudinger and Mueller made General Beauregard for Kestner. This doll was the only thing saved from the Mayes house when Union soldiers burned it. ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Give the girls a chance! – Julia A. Flisch

wood, papier-mâché, composition, china, parian, and bisque, on several large tables. Nina was present, of course, as well as another drug-smuggling doll, Lucy Ann. (For more on these true stories, read the April 2012 issue of Antique Doll Collector, pages 32 to 36 and 59.) Cathy also laid out black dolls, doll furniture and other accessories, original photographs, prisoner-of war art, and toys. Due to space constraints, only a few more MOC dolls are illustrated in this issue. Enjoy these precious old treasures in spite of their time-ravaged condition. They have achieved a certain splendid dignity, a special sense of presence, all of their own. Wonder at the extraordinary events in American history they witnessed. You may even hear a faint echo from Georgia Wardlaw, who said in The Old and the Quaint in Virginia, “There are so many historic, interesting, and quaintly dressed dolls in the Confederate Museum collection, one scarcely knows when to end in describing them.” Almost without realizing it, I have taken up Laura Starr’s challenge. Karen B. Kurtz is a lifelong doll collector, writer, consultant, and UFDC member-atlarge. In the 1990s she founded, published, and marketed The Kurtz Kollection–the premier line of stationery and greeting cards featuring the images of precious dolls–for customers worldwide. Her husband, Mark A. Kurtz, is an award-winning photographer.

Confederate President Jefferson Davis and his wife, Varina, lived with their family at the White House of the Confederacy. The nursery, filled with toys, books, and pets, was located on the second floor, next to their father’s office and near the back stairs. Full of high spirits, the children liked to sneak in and out of the house in a flash, and interrupt their father’s work, which he dearly loved. Four of the six Davis children are shown here, Jeff Jr., Margaret (Maggie), Billy, and Varina Anne (Winnie). Joseph and Samuel died before this photograph was taken in 1867.

MOC curator Cathy Wright, left, and author Karen Kurtz examine a doll.

The Museum of the Confederacy in Richmond, VA.

Ancestral glory is, as it were, a lamp to posterity. – Sallust, ancient Roman historian

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

UFDC Antique

Competitive Exhibit 2012

Antique Doll Collector presents part II of the blue ribbon winners in the UFDC antique competitive exhibit. Thank you for sharing your dolls!

–German Doll With Bisque Head – J.D. K., Kestner, closed mouth. Mold 208, Gail Cook

Doll of color. Above: Kathy Meador Right: Charlotte Bellino

Child marked Simon Halbig, S.H., open mouth, 12” and under. Judy Heckert

Child marked Simon Halbig, S.H., closed mouth. Left: Elaine Boyle Above: Gail Cook

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Kammer and Reinhardt character child from 100-128 series. Left-right: Garvin Manhart, Gail Cook

J.D. K., Kestner, open mouth, 12” and under. Gail Cook

J.D. K., Kestner, open mouth, over 12”. Mold 241, Gail Cook

Child marked Simon Halbig, S.H., Child marked Simon Halbig, S.H., open mouth, over 12”. Gail Cook

New Orleans, Louisiana

Part II

Photographed at the 2012 National UFDC Convention by Keith Kaonis

–German Doll With Bisque Head –

Bahr and Proschild, Kley and Hahn, Schmidt or Revalo. Above: Bruno Schmidt, Carol Hansen Left: Kley & Hahn, Gail Cook

Gebruder Heubach child. Above: Sherri Dempsey Right: Nancy Splitstoser

A. M. child, closed mouth. A 15 M, Gail Cook

Heubach Kopplesdorf, C.M.Bergmann, Scherf, Dressel or Schoenau & Hoffmeister. Doll by Peter Scherf, Brian Taggerty

Belton type. Gail Cook

Not from makers in other categories, closed mouth. Above: Marciann Madey Left: Doll by Fritz Bierschenk, Gail Cook

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

â&#x20AC;&#x201C;German Doll With Bisque Head â&#x20AC;&#x201C; Not from makers in other categories, open mouth. Connie Reynolds Baby with cloth baby body, closed mouth. Barbara Manhart

Baby with cloth baby body, open mouth. Above: Garvin Manhart Right: Barbara Manhart Baby, closed mouth, composition bent limbed baby body, non-supporting legs. Left-right: Barbara Manhart Faye Wetherhold

Googly with painted eyes. Gebruder Heubach, Gail Cook

ANTIQUE DOLL COLLECTOR

Baby, open mouth, composition bent limbed baby body, nonsupporting legs. Rosalie Whyel

Googly with glass eyes. Hertel & Schwab, Gail Cook

NOVEMBER 2012

– Cloth –

Non-commercial, some needle-sculpting to face. Gae Ward

Non-commercial, ﬂat face. Above: Tish Lehman Right: Gae Ward

American commercial, ﬂat face, inc. Babyland Rag, Roxanna Cole, Columbian, Presbyterian, etc. Marion Buschborn Carolyn McDufﬁe

American commercial, molded or needlesculpted face, includes Alabama, Chase, Rollinson, Wellington, etc. Albritton doll, Margo Delaughter

– Bisque Head –

Not made in Germany or France L-R: Nancy Pillar, Kathy Turner, Margo Delaughter

European commercial, painted molded face with ﬁrmly stuffed supporting body, inc. Bing, Steiff, Kruse, etc. Carol Cameron

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

– Googly –

– Bisque Head – Made In Japan Margaret Hein, Kathy Monier, Fern Junso

With Head Other Than Bisque Barbara Close

– All Bisque, German or French –

– Metal Head – Pewter, Catherine Peterson.

Jointed at shoulders and hips, swivel neck, glass eyes, wigged, up to 5”. Barbara Close

Rigid neck, jtd. at shoulders, glass eyes, wigged. Orsini Didi, Evelyn Rutledge

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Jointed at shoulders and hips, swivel neck, glass eyes, wigged, over 5”, up to 8”. Sheryl Williams

Painted eyes, wigged, some jointing. Patricia Dutchman

Rigid neck, jtd. at shoulders, glass eyes, wigged. Gebruder Heubach, Barbara Close

– All Bisque – German or French Baby with bent limbs. Below: Elaine Wade Right: Teddie Martin

Molded clothing, some jointing. Left: Margaret Hein Above: Diana Crosby

Molded hair, some jointing. Diana Crosby

Googly, some jointing. Diana Crosby

No jointing. Judith Schafer

8” and over, some jointing. Left-right: Beverly Baker Patricia Kelley

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

– All Bisque –

German or French – dolls of color. L-R: Evelyn Rutledge, Suzanne Swanton

– Snow Baby – Single or multiple ﬁgures. Margaret Kincaid

– Pincushion Type –

Bisque or China – Bust only, one arm molded or returning to body. L-R: Mary Groupe, Margaret Hein

Bisque or China – Complete original factory assemblage. L-R: Hope Sorrells, Margaret Hein

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

– Pincushion – Bisque or China – Bust only, arms and hands away. Above: Rose Morrill Right: Margaret Hein

Bisque or China – Bust only, both arms molded or returning to body. Hope Sorrells

Other than Bisque or China – Bust or complete assemblage. Tea cozy, Hope Sorrells

– Kewpie – Diana Crosby

– Bathing Beauty –

Nude, molded costume or factory original costume. Top: Margaret Hein Kristel Tomlinson

– Paper Doll – American or European commercial. Nancy Splitstoser

– Costumed by Exhibitor – Mardi Gras Ball. Sherri Dempsey

– Automaton/Mechanical – Key Wound Richard Tickal

Hand operated or pull string. Nancy Splitstoser

Handmade. Rosalie Whyel

Hand operated or pull string. Cynthia Orgeron

It’s Easy To Join UFDC

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Tete Jumeau in original box, $5,000. Virginia Aris, email: virginiaaris@aol.com

Trade stimulator, $1800, Nancy McGlammery, email: mcpelton@aol.com

Block letter FG, Radiquet and Cordonnier fashion, and waltzing Steiner. Rick Saxman, email: ricksax@earthlink.net

Val Star Antiques, email: valstarantiques@ earthlink.net

Gaithersburg Doll Show September 15 and 16

here’s no denying the importance of the Internet but when it comes to fun and camaraderie, most you will agree that there is nothing like a good doll show. It was a glorious early autumn day when we visited the September Gaithersburg doll show to reconnect with friends and fellow collectors. Show promoter Hubert Bellman has instigated the UFDC “Learning Room,” featuring lectures, demonstrations and exhibits. Sunday’s lectures included Hasbro dolls, Tuck Comb, Queen Anne dolls and ﬁfties fashion dolls. Barbara Stone presented an outstanding display of Schoenhut dolls, all included with the price of admission. The next show will be held December 7 and 8. We hope to see you there.

Billeye Harris, email: billyehb@aol.com 60

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Smiling Bru fashion with trousseau, $6295 and Jumeau fashion with wooden arms, $4540. Gigi’s Dolls and Sherry’s Teddy Bears, email: gigisdolls@ aol.com

Kruse children, Linda Kellermann, email: lindak222@comcast.net

949 Simon and Halbig, Fritzi’s Antiques, email: fritzisantiquedolls@comcast.net

Phil May, email: dollmanofog@aol.com

Marshall Martin, email: marshallmartin@earthlink.net

31” French China, $4500. Sherry McMasters, email: sharimcmastersdolls@gmail.com

Handwerck 109, $725 and platform lamb, $1600. Oma’s Toy Box, Bridgette Puckett, Bel Air, MD

Babs Little Red Riding Hood, all original. Kathy & Terry’s Dolls, email: kathysandterrysdolls@comcast.net

Frizzelburg Antiques, email: frizellburgantiques@yahoo. ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

17” Schoenhut, $2500, 24” Exquisite Block Letter FG girl, $5900; 24” C. M. Bergmann, $ 750. Linda Kellermann, email: lindak222@comcast.net

Rick Saxman offered three googlies by K*R, Kestner and Hertel Schwab. Email: ricksax@eathlink.net

Show attendees enjoyed a display of Schoenhut dolls presented by Barbara Stone

ANTIQUE DOLL COLLECTOR

NOVEMBER 2012

Ashley's Dolls & Antiquities

21" Kley & Hahn #169 Closed Mouth Toddler $4200 • 22" Handwerck DEP #99, Original Wig, Antique Clothing $650 23" Tete Jumeau with Crier Body $2400 • 18" DEP Tete Jumeau $950 • 17" SFBJ #235 French Character $1200 8.5" Antique Santa Candy Container $450 • Antique Feather Tree $350

Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Open Sunday 9AM - 4PM or by appointment

Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.

Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com

Now there are two ways to buy great dolls from us...

Becky’s Back Room

Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!

Antique DOLL Collector December 2012 Vol. 15, No. 11

December 2012 Vol. 15, No. 11 $595 / $695 Canada www.antiquedollcollector.com

It was over 40 years ago that Theriault’s established the first auction house in the world to focus only on the subject of dolls. x To offer dolls in an atmosphere of respect and style. x To make each auction fun and unique. x To understand the history and subject of dolls and to freely share this knowledge with all collectors and the general public. x To give each collector an opportunity to build a “great” collection within any budget. x For those who wish to sell their dolls; Theriault’s ensures that each doll is accurately showcased, beautifully presented, and offered to the greatest collectors in the world. x To adapt our auction services to meet the particular needs of each consignor. x To invest ourselves in every collection. x To develop a guarantee unique in the industry (The Gold Horse Guarantee) that protects your investment on select dolls. x To make every auction a completely open and fair market for all collectors. x So as to prevent a conflict of interest, we will never collect dolls ourselves.

Sparked by the visionary ideas of George and Florence Theriault, the company established a set of values and ideas that brought doll collecting into the forefront of all collectibles and revolutionized an entire industry. This is still the mantra of our success. This heritage is why we auction the greatest dolls. And give our consigners the greatest returns. Over 40 years later, we continue to set the benchmark.

x That we will stay true to our nature as an auctioneer and sell only at auction, never privately, regardless of opportunity. x That we will stay forever true to our nature as a specialist in dolls and toys. x That family members and staff will be accessible to collectors and clients at all times. x That we will communicate, engage and participate in the conversation of dolls.

the dollmasters PO Box 151 • Annapolis, Maryland 21404 USA • toll-free: 800-638-0422 • fax: 410-224-2515 • www.theriaults.com

Here’s What Is Under the Holiday Tree For You at Theriault’s in December Three fun Antique Doll Auctions with so many wonderful treasures from childhood past. December 3, 2012

Discovery Day – Gaithersburg, MD at the Hilton Washington DC North/Gaithersburg. Sorry, no absentee or online bidding.

December 10, 2012

Monday Night at The Auctions: A Petite Sale Annapolis, MD. Absentee, telephone and online bidding is available.

December 16, 2012

Estate Auction – Baltimore, MD at the BWI Marriott. Absentee, telephone and online bidding is available.

For more information about these auctions just call Theriault’s at 800-638-0422 or email info@theriaults.com. This free holiday gift awaits those who attend any of our three specialty auctions in December.

the dollmasters PO Box 151 Annapolis, Mar yland 21404 USA

Special Auction Announcement for January 11-13, 2013 Marquis Auction Weekend – Newport Beach, CA at the Westin South Coast

toll-free: 800-638-0422 fax: 410-224-2515 www.theriaults.com

Joyce Lanza

I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com

Visit my website: www.grandmasatticdolls.com 1. - 2. 21" E. 9 J. Jumeau Bebe, gorgeous royal blue p/w eyes, early mauve blush under brows, immaculate pale bisque, "applied" ears, orig. head coil intact, gorgeous ant. mohair wig & orig. cork pate. Wears fabulous French ant. silk dress, orig. undies, orig. "signed" EJ shoes with rosettes & ant. crocheted socks. On orig. chunky early 8 ball st. wrist fully "signed" Jumeau body. BEST EJ face. OUTSTANDING!!! $13,500. 3. - 4. 10 1/2" F. 2. G. Bebe, immaculate pale pressed bisque, gorgeous bulging light blue p/w eyes, orig. mohair wig & pate, wears fabulous satin/ silk FACTORY couture costume & orig. from head to toe, incl. matching hat, orig. undies & orig. leather shoes. On orig. fully jointed French F.G. body. Desirable molded "Bru type" tongue tip!! From famous collection. & STUNNING!! $13,500. 5. - 6. 12 1/2" A.M. #231 “FANY” Toddler, blue sl. eyes, full pouty mouth, perfect pale bisque & French HH wig, wears magnificent antique net & ribbon dress, ant. Fr. velvet hat, ant. socks & orig. shoes. On fabulous orig. early st. wrist proper "FANY" fully jointed clean & shiny "toddler" body. Fabulous & rare pouty character, absolutely ADORABLE!!!! Sure to bring you a smile!!! - ONLY…$6275. 7. 6" Gebruder Heubach All Bisque Coquette, great bisque overall, 3 lavender molded hair bows deeply modeled painted hair, o/cl/mo. w/2 upper molded teeth, br. side glancing painted eyes. Wears darling ant. 2 pc. flannel costume, painted shoes w/molded bows & straps. A real winning character & as cute as she can be!!! GREAT!!!! $1600. 8. 7" Kestner #155 Character, br. sl. eyes, perfect pale bisque, Fr. HH wig, & orig. Kestner plaster pate. Wears beautiful ant. silk dress, leather shoes, orig. undies & socks. On great 5-6 orig. Kestner body w/jointed knees. A little GEM!! Only…$950. 9. 8" K * R #131All Bisque Googlie Toddler, br. side glancing sl. eyes, mint bisque overall, orig. mohair wig & pate, FACTORY orig. silky dress & orig. undies. Rare "barefoot" w/perfectly detailed toes, "starfish" hands & "watermelon" mouth. Sure to make you smile. Absolutely ADORABLE. ONLY…$5700. 10. - 11. 14" Brevette Bru Bebe, mint pale bisque, big br. almond shaped p/w eyes, early mauve blush under brows, orig. metal Bru head attachment, orig. lambs wool wig & pate. Wearing FACTORY orig. blue silk & lace costume, matching orig. bonnet, orig. pantaloons, orig."signed" Bru shoes & orig. crocheted socks. (dress frayed, but is hers & beautiful color). On orig. kid body, perfect bisque shoulder plate, fully "signed" & perfect lower bisque arms & hands. First generation Bru & absolutely GORGEOUS!!! SALE at ONLY…$18,900. 12. - 13. 9" E. #1 J. Jumeau Bebe, light blue p/w eyes , immaculate pale bisque, orig. long mohair wig & pate. Wears orig. navy blue & ecru silk dress, orig. ant. marked #1 French "signed" shoes, orig. crocheted socks, fabulous Fr. ant. velvet hat taken from my hat collection, ant. underwear set too. On orig. early "signed" st. wrist Jumeau body. Rarely found Size #1 EJ. Absolutely 9 AMAZING beauty. Best EJ face. $19,950. 14. - 15. 21" Earliest Mark Portrait Jumeau #3 Bebe, amber p/w eyes, perfect pressed pale bisque, orig. mohair wig, & pate & orig. head coil, beautiful Fr. FACTORY orig. ornate white cotton, lace, ruffled & net dress, w/pink silk ribbon & added ant. Fr. hat, "signed" Jumeau shoes, ant. socks & orig. undies. Earliest of the Portrait Jumeau bodies w/oversized hands, 8 ball jointed & st. wrists, clean shiny finish. First Series Portrait Jumeau. Earliest of Portrait Jumeaux. Sweetest expression. MAGNIFICENT beauty!! Rare large size at great price!! ONLY…$25,800.

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LAYAWAY AVAILABLE

Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.) 12-13

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Mary Ann Spinelli FINE ANTIQUE DOLLS AND ACCESSORIES

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

Winter in a Walker Wonderland..

BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100

Ella, Ellie, Eliza and Emma Please contact for details and prices or visit them all at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2012 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com

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ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Happy Holidays from Carmel Doll Shop

The Complete Guide to Antique, Vintage and Collectible Dolls December 2012 Volume 15, Number 11

THE PARIS WORLD OF MIGNONETTES

by Florence Theriault In the late 1870’s pocket dolls, described as “charming articulated poupées,” were ﬁrst introduced.

CHRISTMAS AT FRITZI’S

by Donna C. Kaonis You’ve seen her beautiful displays at shows, now for a personal look at Fritzi’s holiday decorating!

About The Cover

Rare French and German bisque, delightful mignonettes, half dolls and so much more will be the focus of Theriault’s January 11-13, 2013 Marquis auction at the Westin South Coast Plaza in Newport, Beach. CA. Florence Theriault brings us some of the sale’s highlights just in time for your holiday wish list.

CARRIE A. HALL AND THE FASHION MANNIKIN WARDROBE by Dale Rensing The author wins a doll at auction along with its trousseau made by a famous dressmaker active during the late 1800’s.

14 Auction Gallery 52 News 62 Emporium

“…NOT ENTIRELY TRIFLING” THE PORCELAIN HALF-DOLL by Florence Theriault

69 Calendar 71 Classified

UFDC Special Exhibit: A STITCH IN TIME FOLK ART BLACK CLOTH DOLLS

Photos taken at the national 2012 UFDC Convention by Keith Kaonis

UFDC SPECIAL EXHIBIT: EXQUISITE EPHEMERA Photographed at the 2012 National UFDC Convention by Keith Kaonis

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

UFDC MODERN COMPETITIVE EXHIBIT 2012 - NEW ORLEANS, LOUISIANA

Photographed at the 2012 National UFDC Convention by Keith Kaonis

Learning About American-Made Dolls AMERICAN CHARACTER’S TONI, A FASHIONABLE DOLL IN EVERY WAY by Ursula Mertz

WHAT MARY McABOY NEVER TOLD US

by Maurine Steurer When two Skookums had an unfortunate fall from a mantelpiece, the author made an unusual discovery.

(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023

1. Rare and essential Neapolitan Crèche Baby with glass eyes, 5 inches long. The centerpiece! $850 2. 16” Elegant Neapolitan Crèche – exquisite Patrician beauty with glass eyes, rare fair hair close to her oval face, original delicate silk clothes, normal wear, sublime! $895 3. Choice mid 1800‘s McLoughlin ‘The Bride’ – 5” hand colored paper doll in the glorious French box with wooden stand and five double-sided painted gowns. Rare! $595 4. Energy and pathos radiate from this expressive 16” Neapolitan Crèche with glass eyes, carved teeth and tongue. Original fine clothes in excellent condition $850 5. So delicate is this mint all original 10” Cabinet Parian, pierced ears, molded bow, orig. Fashion gown and limbs including very ornate molded boots! $650 6. Dreamy pools of jewel blue wrap around PW eyes on this 13” Heirloom Poupée Jumeau, a lithe ingénue with original pate, wig and stunning vintage silk couture gown! Just $2200 7. Rare Maker Waxes – lovely clean condition on these 14”/16” Heirloom 1870’s Poured Waxes, rooted hair, glass eyes and featuring the signed bodies of rarified English shops: Joseph Vons and Sons and Frederic Aldis. Connoisseur dolls! $695 and $895 8. 8” Factory Original Je Marche ‘DEP’ for Jumeau in elaborate silk dress with chapeau, sash, tag and mint, mohair wig! A gem. $750 9. All Original 14” Simon Halbig Fashion, ca 1870, from mint mohair wig to pretty leather shoes in ornate silk ensemble in full layers with early glass eyes! Only $1895 10. Please see #3 11. 18” Lovely “Bru Face” Belton – rare jointed version of the Circle Dot Bru with beautiful early body; stunning modeling features the classic closed mouth pout, extra large PW’s and gorgeous creamy bisque. $2800 12. 15” French Face Belton ‘138’ – snow pure early quality dazzling PW’s, pierced ears, closed mouth, original stiff wrist body, luxurious silk heirloom ensemble with great shoes. Only $1795 13. Rarely so convenient at 12-1/2” tall, this Petite DEP with fully jointed French body still has the original silk dress and hat! $650 14. Like Toddlers? Try this select 14” fabulous Fully Jointed K * R 127, a scarce lad with molded hair, shoe button sleep eyes and original clothes. Sweet! $1100 15, 16. La Patricienne – Both Jules Steiner and Simon Halbig collectors will prize this rare Edmond Daspres 20” lady doll! Features the specially consigned Closed Mouth 1159 with PW eyes on the shapely Steiner lady body in elegant factory costume. Uniquely important! Only $2750

Return Privilege • Layaways Member UFDC • NADDA

Quality Antique Dolls by Mail Return Privilege • Layaways • Member UFDC • NADDA

(212) 787-7279

17, 18. Spear’s “Dolly’s Wardrobe” – embossed hinged box contains two 10” easel back paper dolls “Dorothy and Daisy” in their cardboard armoire with door and drawer and hangers for all 8 outfits w/matching hats and accessories! $595 19. 10” Petite Size 0 Block Letter F.G. – smallest size made w/orig. fully jointed body and factory chemise, a flaw nearly impossible to see in her size make her not $7500 or more but just $3000. 20. Breathtaking rarely seen 22” signed Simon Halbig Parian flawless with pierced ears, café au lait hair with coiled braid on back of neck plus original body and clothes! A stunner $2200 21. “Block Letter” FG with all the nuance of the full size! See #19 22. Cabinet Size “Laughing Jumeau” – 15” sparkling blue eyed child, fully jointed Jumeau body, op/cl mouth, original mint curls and clothes! $750 23. 9” Cabinet Size Bliss House with signed door, 2 floors, great color inside and out! $795 24. Cabinet Size SFBJ 251 – a 13” little brother with deeply dimpled oily bisque and vibrant blue PW sleep eyes, fully jointed in elegant playful silk suit! $995 25. Museum class 1880’s Schilling Smiling ‘Taufling’ in exceptional dress w/glass eyes, all original, a one owner’s doll rarely seen like this one! What character! $425. 26. Gbr. Kuhnlenz ‘34’ Blacks – super fine fired in quality w/ glass eyes, original clothes; one in factory ensemble w/orig. bisque bunting baby in arms! $550 and $650 27. Rarely are Schoenhuts as mint as this 12” Baby, factory finish paint and wig (no touch ups) exceptional miniature clothes! $495 28. Unique even for Heubach, this Rare 12” ‘8590’ Googly Character w/Katzenjammer cowlick, elfin ears and exceptional convex enameled and intaglio eyes is a real winner with its fully jointed toddler body too! Sister to mold ‘8556’. Just $4850 29. Choice 10” Cabinet Brus by celebrated artist, ca. 1970, PW eyes, leather bodies, bisque arms, original clothes. $275 each 30. 16” Rare Heubach ‘Dolly Dimple’ – dimpled character with those “shoe button” glass eyes and original wig and clothes. Great! $750 31, 32. Miniature Heubach Toddler – this 9-1/2” glass eye ‘5636’ ‘Laugher’ boasts a mint, chubby Fully Jointed Toddler Body with factory shoes and wig. Totally adorable pint size imp! $1495

Quality Antique Dolls by Mail

(212) 787-7279

P.O. Box 1410 • NY, NY 10023 33. Precious and Rare 13-1/2” Name Doll “Elsa,” so incised, with overt Bru like modeling, youthful aspect with tender blue PW eyes and beautifully closed mouth, completely charming and rare, in period clothes, just $2800 34. Important 1830’s Papier Mache – museum class rarity, a jointed 9” male with molded mache top hat and heirloom suit of clothes over important and Rare Jointed Wooden Body! $2800 35. 10” 1840s Milliners Model – choice Apollo Knot mache with desirable twin beehive w/side curls, original paint and underwear w/ cream silk voile. $850 36. Since so few were made, this 18” Heirloom JDK 247, Hilda’s sister, is actually more rare than Hilda herself, with its original pate, wig and body in gorgeous heirloom clothes. $1400 37. Brown Heubach Piano Babies are scarce indeed and these mint pieces are terrific! $275 each 38. Currier and Ives Kestner Close Mouth richly dramatic 19” Victorian beauty in her antique Red Riding Hood wool cape, etc., shoes, plaster pate/wig and chunky stiff wrist body, all mint! $1895 39. Choice 13” JDK 243 Asian Baby with lovely amber tint bisque, original factory tint body and wig, asian centric period clothes. Formal costume available too. Half price at $2200 40. Outrageous modeling, superior complexion and round googly eyes on this Heubach Black Character with all the factory décor too! Mint. $750 41. 24” Jules Steiner Bebe by highly esteemed artist, faultless recreation with antique PW eyes, wig and clothes. $495 42. History Lovers! 12” Choice Kestner Wax, all original in her hand sewn Amish costume complete with missalette, tiny buttons and no cracks! $495 43. 13” Adorable ‘197’ Belton – waiflike beauty with soulful countenance, creamy bisque, hidden flaw, PW eyes, orig. jointed french stiff wrist body and very lovely clothes. Just $1100 44. Please see # 34 45. 24” SPBH ‘Hannah’ Toddler – larger than life character, super size zesty expression, oily sheen, big bright eyes plus original wig and fine period silk ensemble! Great! $950 46. Rare 14” Sonja Henie Skier exceptional factory costume with the ski poles and the wooden skies. Collectors’ choice! $450 47, 48. 14” Gene Carr Cartoon Characters Snowball and Blink, excellent condition and original clothes! No craze. $350 each

Valerie Fogel's

Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds

Beauty forever captured in the soft essence of this 17" Jumeau Fashion. Darkly lined, blue spiral threaded eyes, pale perfect bisque, phenomenal hand woven - plaited wig, very desirable cotton antique pin striped dress, silk antique cape, fabulous original leather boots with rosettes and heels, and original straw bonnet with black velvet ribbon. Sturdy gusseted kid body with stitched fingers. Truly a beauty! $4995

What a Bébé Doll! HUGE babyblue spiral threaded paper weight eyes, gorgeous bisque, beautiful full apricot hued lips with a hint of the Bru-like tongue, child like expression, original antique wig, lovely peach toned costume in antique silk, matching polished cotton underwear with lace embellishments; all beautifully pared with her stamped Gesland body w/ lovely armatured fashioned arms and legs. This is a Bébé that draws you in. She has the guile of a wide eye-ed innocent and the look of the most sought after of French Bébés. Mademoiselle is marked F.G. in scroll, number 5 beneath. Generally excellent overall condition with the exception of a baking line over her right ear making her very attainable. $3800

HOLIDAY SPECIALS: 1. Twelve inch Premier Bebe with mesmerizing eyes. Perfect and entrancing! $8,250 2. Gorgeous 26" Jumeau Bebe with glowing bisque and eyes. $6750 3. Charming 10" Bisque Mulatto Baby -Marked 2 Wobble tongue. Adorable! $600 4. Stunning E11J in pale pink couture ensemble. $8400 5. Magical Portrait marked 8 with molten chocolate eyes $7900 6. Ravishing Brevete with sublime pale bisque and rapt expression. $13,900 7. Tiny 9.5" Sie C Steiner with precious face in orig. French silk costume $11,800 8. Superb all orig. Dehors fashion lady in spectacular soutache pique dress $5200

Enchanting 16" FG Fashion Governess with delicate bisque, beautiful face and quite winning original black velvet jacket with chatelaine. All original except black skirt may be made from antique fabric. Orig wig with cork pate and delicate bonnet. Rare to find! (child not included) $4800

Simply adorable and rarer to stumble upon! Kestner 155 mold child in original costume. 10 1/2" character child with deep and expressive modeling, huge brown sl. eyes, open mouth with pearly teeth. She is displayed in fabulous hand weft mohair wig of dark blonde curls. She has a wonderful little Kestner body and her red wool Mariner ensemble gives her a perfect presence! Absolute cabinet perfection and her little black doggie follows wherever she goes! $1275

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Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

Auction Gallery A

t Theriault’s recent auction in Dallas, TX, the private collection of the early California collector Alice Avery gave bidders the opportunity to choose among an array of mignonettes, Lencis, Kruse dolls, French bebes, German characters and American and Eurpean dollhouses. This type I Kathe Kruse with wig and original costume, 17”, after 1920 realized $10,250. Among a fantastic collection of Lencis was this rare miniature boy with original hobby horse and paper hat, series XX, which sold for $16,000. This model originally appeared in a 21” size during the 1920’s and was later released circa 1931 in this miniature size. Even more astounding was the 1925 Lenci catalog which brought $10,000. The following day an extremely rare 20” Cissy as “Lucy Bride” by Alexander, 1956, brought $7,000. Prices do not include buyer’s premium.

beautiful Jumeau Triste bebe, 30”, marked 13, with original Jumeau wood and composition body with straight wrists realized $27,760 at Frasher’s doll auction October 20 and 21 in Kansas City, MO.

easuring 16”, a magniﬁcent Santa and Reindeer candy container heralded the holiday season at Bertoia’s recent toy auction. It brought $5,900.

Kathe Kruse Doll I with side hips and applied thumbs realized $1340 at Alderfer’s October 23rd doll auction. Auction Gallery continued on page 61

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Danny & Barrie Shapiro

Creating The Ultimate Collection

Also At The Toy Shoppe Gerda And Johan

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Since 1975, The Toy Shoppe has focused on dolls of exceptional design and artistry created with the highest standards of production.

John brings over 35 years of dollmaking experience to his latest series of dolls, Around The World. Their hand-painted faces and the exquisite craftsmanship of their authentic outfits will delight you.

call us toll free 1 800 447-7995 www.TheToyShoppe.com 11632 Busy St, Richmond, VA 23236

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The Paris World

A stunning face with a hint of smile highlights the early barefoot all-bisque doll.

Extremely rare and sought is the all-bisque mignonette with wooden-ball-jointing at the elbows. This example has original costume and below-hip length mohair braids.

n 1878 a strange little notice appeared in La Poupée Modèle, the popular French children’s journal, announcing the arrival of poupees de poche at the prestigious Parisian doll shop of Madame LavalleePeronne, A La Poupee de Nuremberg, located at 21 Rue de Choiseul. It is droll to learn that the amusing name, “pocket dolls”, used by today’s collectors to endearingly describe their miniature all-bisque dolls was the very name they originally bore. And what name could suit them better? Poupees de poche. A little doll that fits in your pocket. One that can easily travel along with you. A doll for a bigger doll. A size that means you can always find room for another. The miniature doll that was “born” in the late 1870s differed from her tiny predecessors that had been made of wax or wood or paper mache or even glazed porcelain. There had been the taufling baby, the bathing doll known as “Frozen Charlotte”, even the Grodnertal all-jointed wooden miniature doll. This new model was different. 18

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

For one, it was made entirely of bisque, and, too, it represented a idealistic little child, with real wig and glass eyes, fully-articulated, able to be dressed and undressed, a veritable tiny model of its child-owner. The little dolls were described in the 1878 La Poupée Modèle as “charming articulated poupees, with head, arms and body of bisque, with long hair able to be combed”. Actually, the dolls had appeared one year earlier, in 1877, offered by the Grand Magasins du Louvre, which extolled their pretty costumes in delicately shaded silks, ornamented with ribbons and lace; in the original catalog drawings bare feet are evident. By 1878 the same store offered the dolls in two sizes, and in the 1879 Etrennes catalog of Coin de Rue the dolls appear, described as having coiffures arranged or ﬂottante, with silk costumes ornamented with ribbons and lace, the most elegant in this genre”. An illustration of the dolls in that catalog shows them as having hip-length long braids and ankle-length princess-style dresses that showed their elegant bisque

of Mignonettes

by Florence Theriault

A trio of all bisque mignonettes illustrates the variety achieved in facial painting and expression. Note the variation in the painting of boots.

arms and fancily-painted boots to advantage. In 1880 the Maison du Petit Saint-Thomas offered “Poupees miniature articulees” in their Etrennes catalog, in costumes of silk and satin, in three sizes. Although all-bisque dolls had clearly caught on, apparently the catchy name poupees de poche did not. Two years after their introduction, beginning in the June 1880 issue, the miniature doll of La Poupée Modèle was re-named Mademoiselle Mignonette. And the magazine added “the pocket-sized doll will be referred to as the mignonette, if you don’t mind”. This time the name caught on and so-strongly entered the general parlance that dolls are known as mignonettes today. The original mignonette cited by La Poupée Modèle was 10 cm, presumably a barefoot all-bisque. Yet one year previously a patent had been registered in France by Fernand Sustrac concerning the use of spherical balls in the articulation of bebes not exceeding 20 cm. This system included articulation of the elbows and/or knees.

And on April 30, 1879 Schmitt et Fils registered a nearly identical patent for the articulation of all-bisque dolls. The articulation could include swiveling of the head and jointing of the shoulders, elbows, hips and knees – or any combination of those. It is important to remember that the so-called “French” all-bisque mignonette was actually an “assembly” doll. That is, its various parts – bisque head and body, wig, costume, trousseau, presentation box or packaging – were purchased from various sources and assembled by one of many small studio doll-making ﬁrms or by a boutique which maintained its own couturier ateliers. During the early 1880s the bisque production appears to be French as the earliest barefoot mignonettes have a bisque and modeling quality identical to other French dolls of those years. Yet the French ﬁrms seemed unable or unwilling to actually manufacture these all-bisque dolls to any great extent. It is clear that even for those dollmakers such as Henri Alexander, Francois Gaultier and Emile Jumeau who ANTIQUE DOLL COLLECTOR

DECEMBER 2012

The earliest French all-bisque mignonettes are notable for long slender limbs. This pair wear their original costumes and have variation in facial expression, one with large dramatic eyes, the other with gentle expression.

Dolls dressed as a governess or “nourrice” were offered in Paris Etrennes catalogs. Illustration from original catalog of 1884.

This all-bisque mignonette wears her original costume. 20

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

experimented with mignonettes for one or two years, it was not their focus. Even Armand Jullien of Jullien Jeune, the Parisian dollmaker who advertised mignonettes from 1877 onward (presumably purchasing bisque heads from the Gaultier porcelain firm according to the 1881 Gaultier inventory) was not an important figure in the all-bisque market. The French doll shops and assemblers mostly turned to German porcelain firms for their supply of “French” all-bisque dolls. From the mid-1880s onward, German doll firms, in particular Simon and Halbig and Kestner, were the major suppliers of the head and body parts to Parisian doll firms such as Alexandre Krohn of 24 rue Angouleme who created luxury doll costumes, describing himself as a supplier to the finest doll shops in Paris and Russia. And in the French department store catalogs from the mid-1880s onward, the illustrated all-bisque miniature dolls are clearly Germanmade, despite their description as “French”. As time went on, stylistic variations and production methods changed. The early slender-bodied, long-limbed mignonettes

The Kestner firm of German created an extremely rare series of mignonettes with body variations including the little girl with swivel waist, the girl with chubby legs, and the girl with kid bebe body similar to the early Bru bebe body. The dolls appear to have been offered as “French” dolls, as well as their actual German origin. Below: Even a 1” variation in size is notable in the petite dolls. The all-original dolls are 6” and 5”.

The large doll, known as “French Wrestler” for her plump and sturdy body (yet note the tiny ankles!). She appears to be offering a lesson or two to her closed mouth little sister. ANTIQUE DOLL COLLECTOR

DECEMBER 2012

The firm of Simon and Halbig created a gorgeous series of all bisque with gentle expressions. Note the daintily curled fingers, hint of smiles, original costumes and fancy boots.

became chubbier. The early system of woodenpeg-jointing was supplanted by bisque hidden-stringing loops. Models appeared with open mouth and porcelain teeth. Shoes and stockings became modeled and painted onto the doll legs in a wide variety of styles. Heads were designed to swivel or as onepiece with the torso. And all-bisque dolls were used in the design of other playthings such as Leopold Lambert’s automaton featuring a young girl playing with her all-bisque mignonettes. Too, the boutiques such as Au Nain Bleu and department stores such as Au Louvre and Samaritaine competed to present the mignonettes in presentation arrangements of lavish array, with additional costumes and accessories. In fact, it could be argued that trousseau and presentation became, to the doll ﬁrms and to the stores, nearly more important than the dolls.

At 10” no wonder she needs a rest. A rare size and a rare model, emulating the circle/dot bebe of Leon Casimir Bru.

ANTIQUE DOLL COLLECTOR

Most sought by collectors of all-bisque mignonettes are the jointed elbow models, especially when one is graced with a beautiful face, long mohair wig, and original costume. A profile of a similar doll (without the jointed elbows) was illustrated in this 1877 Au Louvre department store Etrennes catalog.

DECEMBER 2012

The detail of expression on all-bisque dolls becomes most apparent when they are placed in a story-setting such as this.

For example, the La Poupée Modèle mignonette, mentioned in the opening paragraph of this article, became standardized: the size 1 black-stockinged all-bisque doll by Simon and Halbig. The reason was simple. Having a uniform size doll was important to Madame Lavalle-Peronne boutique, for after all, every child would want all of the accessories that were designed to complete the costumes. And, if perchance, the family didn’t want to make the costumes themselves, why, my goodness, wonderful costumes could be purchased at the Rue Choiseul shop! The 1880s French and German bisque mignonettes were beloved by their original child owners, and have remained cherished and sought-for by today’s collectors. Mignonettes are sought for rarity features such as swivel heads and jointed elbows, original trousseaux or wigs, and, always, for a particular facial expression that touches one’s heart. It is remarkable that even such tiny dolls (an 8” model is considered grand-sized!) have such variation in facial presence.

The parting of lips with tiny inset teeth was considered a luxury detail in the all-bisque designs. The painting detail around the eyes is especially notable on this example who wears her original costume, and guides the little all-bisque in a carriage. Her gentle smile suggests delight at the carriage ride where she has been seated for more than a century.

The presentation of all-bisque mignonettes in luxury trousseaux allowed the prestige Parisian boutiques to not only enhance the beauty of the doll, but also to buffer their reputation as a creator of exquisite trifles.

The dolls shown in this article are all from the private collection of the late Mary Young of Atlanta, Georgia, and will be presented at Theriault’s January 2012 premiere auction event “Bespoke” in Newport Beach, California. For information visit www.theriaults.com ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Christmas at Fritzi’s by Donna C. Kaonis

I’

d like to think that doll and toy collectors have an edge over others when it comes to holiday decorating, after all, we possess the playthings that once made Christmas wishes come true for lucky girls and boys. Over the years I’ve seen some wonderful displays, but Fritzi Bartelmay Martinez, known to all simply as Fritzi, has taken holiday decorating to a new level! With her mother as a doll dealer, Fritzi’s interest in dolls began at an early age. “When I was a little girl my mother would bring me dolls from the merchandise mart and Marshall Fields. My father owned a factory and some of the workers would give him dolls for his little girl. My grandmother, knowing of my love for dolls, would give me a doll each year for my birthday or Christmas. Some of the dolls I could play with but other, more expensive dolls, were displayed in cabinet. I quickly learned how to respect expensive dolls.” When Fritzi was old enough she began scouting antique shows for dolls for her mother’s business. “Once I found an entire collection and decided to buy it using the proceeds from the sale ANTIQUE DOLL COLLECTOR

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of a beautiful hutch cabinet.” After numerous phone calls to the owner of the Chicago Kane County Fairgrounds doll and toy show, I was able to get a booth where I sold every doll. Those customers have stayed with me forever.” At ﬁrst Fritzi specialized in Ginny dolls but gradually came to love antique dolls – citing their artwork and investment potential. Fritzi and her husband Rick built their house about seven years ago incorporating many of the antiques and leaded glass windows they had acquired over the years. Primarily brick and stone, Fritzi describes the architecture as old world European. Hand crafted walnut woodwork and cherry cabinets, along with and their collection of antique furniture create a Victorian ambience

ANTIQUE DOLL COLLECTOR

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ANTIQUE DOLL COLLECTOR

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that harmonizes beautifully with the dolls and toys. They started adding to their family collection of Christmas decorations about fifteen years ago, citing the Gaithersburg, MD doll show as a great source. The fun begins on Thanksgiving day. Following an enormous meal, Fritzi’s daughter Megan, son Ken and his wife Louisa, Rick’s son Lee and wife Jody, along with six grandchildren: Jessie, Garrett, Melissa, Kyle, Allisa and Josh are put to work. A twelvefoot old world style artificial Christmas tree is already up awaiting the decorations… sentimental family ornaments, those collected on trips and purchased at the Christkindlmarket in Chicago, and homemade ornaments from their children and grandchildren. While the big tree is being decorated Fritzi arranges antique Santas, floral displays, village scenes, twinkling lights, smaller feather trees and holiday stockings. 30

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ANTIQUE DOLL COLLECTOR

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Ask anyone who has been to a doll show with Fritzi in attendance and they will marvel at her large booth, artfully decorated with carefully selected props that make the dolls seem to come alive. “ I once dreamed of being an interior decorator and even took some classes. It turns out I am fulﬁlling that dream with dolls,” says Fritzi. At home her dolls deserve no less … Christmas storybooks, Merry Christmas tins, toys, small trees and decorations are carefully placed amongst the dolls as if they are celebrating the holiday. Each year she enjoys making different arrangements to keep it fresh and interesting. When all the decorating is done, everyone is rewarded with cherries jubilee.

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When Christmas day comes there are many traditions the family enjoys. Rick makes his grandmother’s Lithuanian’s cheese blintzes for breakfast. Later in the day with the entire family assembled they sit down to a goose dinner with all the trimmings. In front of each place setting is a small cut glass dish containing a warm cinnamon ﬂavored rice confection. One of the dishes contains a whole almond, another half an almond – the two lucky people who discover the almonds receive special gifts. “In spite of all the presents under the tree, they absolutely love this custom,” exclaims Fritzi. “It was my grandfather from Denmark who passed down this tradition, which he said was originally to curb the children’s appetite when food was not plentiful. After dinner the children draw numbers out of a hat. Going in turn they each put on a Santa Claus hat, sit in fancy chair and open all his or her presents.” During the holiday season they enjoy having doll collectors over. “Last year I had a buffet with a variety of soups… it was so much fun,” says Fritzi. Giving, sharing, friends and family… it’s all about making meaningful memories at this special time of year. ANTIQUE DOLL COLLECTOR

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Gigi’s Dolls & Sherry’s Teddy Bears Inc.

15” C/M Pink Luster Stiff Neck Rohmer Fashion on kid body w original stamp on chest, lovely pink luster arms, blue eyes, rosey cheeks, silk ﬂoral walking suit, antique shoes, 3 ﬁnger tips left hand professionally repaired $3850

14” C/M Tete Jumeau 5, blue pw eyes, blonde mohair wig, antique leather shoes, French style dress $4350

15” C/M Kestner X, brown sleep eyes, brown mohair wig, stiff wrist body, beautiful facial sculpt, antique shoes & bonnet $2495

16 ½” E. Barrois 1862-1877 Fashion, early stiff neck shoulder plate, pale bisque, blue eyes, kid body, antique gown $2450

20” C/M Tete Jumeau, blue paperweight eyes, HH wig, antique style purple taffeta dress, antique undergarments, leather “Paris 8 ” shoes, French body, $4995 Now $3750

5” Simon & Halbig Af Am bisque head on 5 piece compo body w/ 2 strap heeled slippers, original black 10 ½” Jumeau Fashion 2/0, mohair wig, dress melting swivel head, blue pw eyes, antique mohair wig & original $450 4 ½” Af Am C/M Kestner All earrings $1450 Bisque, swivel head, glass eyes, original mohair wig, fabulous piece $895 Now $745

16” Steiff “Clownie” all original with hat and “Clownie” tag, great condition $195 19” A 996 M Germany, sleep eyes, vintage dress, dimple in chin $250 18” #109 Heinrich Handwerck, original wig, shoes & socks, sleep eyes $395

10” Brown eyed all original Kathe Kruse all original in blue 17” Lenci Boy all floral jumper and pink apron original, brown eyes $125 Now $95 to the left, mohair wig, 14 1/2” Kathe Kruse all silver Lenci tag, felt original, hang tag & dated & yarn embroidered July 1992, blonde braids, pink outfit, some facial flowers on black vest $295 soil $595 Now $225 8 ½” Lenci Mascot, 17” Kathe Kruse all original, blue eyes to the right, hang tag & dated April 1962, blue felt skirt, white blond hair, red dress w/ white apron & blouse, black collar $445 Now $350 vest, cute yellow hat, 10” Kathe Kruse tagged holding flowers, gold “Robertchen” Engineer with earrings $225 oil can $250 Now $185 Childs glass & metal washing machine & wringer, R. John Wright Pieces w/ Boxes works great! $85 9” Teddy Bear 1998 Club piece, #1016/2500, in brown alpaca wool, glass eyes, great detailing $235 5” Pocket Winnie the Pooh In alpaca wool, fully jointed with red wool vest, #3003/3500 $245 Rose O’Neill Kewpies 10 1/2” Golliwog 1996 Club piece, fabulous detailing 3 ½” “Little Traveler” carrying suitcase & umbrella, heart sticker $165 on the felt outfit, black and white checker board 4 ½” Kewpie laying on back #5518 $315 pants, red vest, green tail coat, leather shoes with 8 ½” Kewpie with paper heart sticker O’Neill on feet, jointed arms buckles, great facial molding, mohair hair $550 $375 8” Dopey from Snow White and the Seven Dwarfs 4” Thinker #26, part of paper sticker on foot $185 set, hand painted face, fabulous detailing and 4” Crawling on Tummy, Kewpie paper heart sticker #5317 $295 molding in felt, #393/3500 $425

18” Kestner 143, brown sleep eyes, original HH 16” K star R 116 on wig, beautiful doll $925 Toddler body w/ 21” SFBJ 60 on mama pull original celluloid hands, o/c mouth with string body, brown sleep eyes, original HH wig, two molded teeth, small eye ﬂake right eyes stationary blue eyes, professionally repaired $495 small ﬂake right eye $2500 Now $1450 6” Lt Carmel mohair 1950’s Steiff Bear, glass eyes, original ribbon $185 14” K star R 115A Baby, original mohair wig, blue sleep eyes, o/c mouth $1450 Now $995 6” Honey mohair 1960’s Steiff Bear, glass eyes $150

24” Ideal 1940’s Deanna Durbin Doll all original w/hang tag, thumb & inside of middle ﬁnger chipped, beautiful doll $696

8” Seated Heubach Piano Baby, fabulous detailing & molding, blue intaglio eyes $215

14” 1950’s Georgene Averill “Nancy” all original, fabulous face, one spot on blouse, jointed head $295 37” 1950’s Georgene Averill Dance With Me “Little Lulu” all original with purse containing make up and book, jointed head $795 Now $595 14” 1950’s Georgene Averill “Little Lulu” original dress, replaced pants, scuff on cheeks, jointed head $155 12” 1991 Walt Disney World Convention Mickey Mouse Bear with ceramic mask, black mohair $495 16” Simon Halbig K * R 126 toddler, blue sleep eyes, mohair wig $395 22” S H 1079 11 DEP, blue sleep eyes, cute organdy dress $485

Allow Us To Help You Discover The Child Within You!

26” Mon Cheri LP Paris Lantennier child 1915, Jumeau stamped body w/ talker, blue sleep eyes, pierced ears. HH wig $475 9” 1960’s Steiff Teddy Baby hand puppet w/ ear tag & original red ribbon $95 7 1/2” Steiff Jocko Monkey 1950’s $75

5 Louis Marx Co. 1930’s Tin Newlywed Rooms - Bedroom, Dining Room, Living Room, Kitchen and Parlor with tin lithographed furniture, tin lithographed rooms are 5”x 2 1/2”x 3”, Great Find $550

5” Schuco Monkey Perfume Bottle, jointed arms & legs $195 5 ¾” Effanbee Wee Patsy in compo, original dress & pin, repainted shoes & socks $170 4 piece Arcade Bathroom set, 6” x 3” “Crane” Bath Tub w/ soap dish & facets, 2” x 2 ½” Toilet w/ movable seat & lid, 3 ½” x 2 ¾” x 2” “ Crane” Sink w/ hot & cold facet & stopper, 3” x 3” “ Crane” Shower Base all 4 pieces $150 9” Loveleigh Novelty Dolls by Itura Rosalein Colley 1924 – 30, these are early ones having red by the eyes, nut head, cloth & metal dolls, hand painted, “Mandy’s Day Off” and banjo player $255 pair

9 ½” Indian all original 7/0, black eyes, black mohair wig, 5 piece body $127.50 7 ½” 11 H 20 A all original Indian, black eyes, 5 piece body, mohair wig $115

6 1/2” Doll House Man all original w/ suit, shirt and vest, rt foot repaired $215 Now $185 6 3/4” Doll House Lady, molded hair w/ bun, high heeled boots, redressed in silk and lace $125 Now $110 5 1/2” Doll House Man w/ molded hair and moustache, black shoes, redressed in woolen suit $125 Now $110 6 1/4” Doll House Lady, molded hair, black boots, redressed in lavender & lace $125 Now $110

15” PM 914 / 6 Porzellafabrik Mengersgereuth Toddler, blonde mohair wig, blue sleep eyes, arms professionally repainted $245 14” B – 0 O/C Mouth German Character Baby, sleep eyes, ﬂange head $325

15 1/2” 1915 - 30 “Miss Dolly” Schoenhut, painted eyes and teeth, replaced mohair wig and repro metal stand $495 Now $430 12” Ideal “Baby Snooks” Fanny Brice on ﬂexy body, all original, great coloring and composition $225

40’s - 50’s Collection of 19 Miniature Men’s Hat Boxes and 12 Hats - 3 felt, 4 ﬂocked, 4 plastic and 1 metal, hat boxes from Stetson, Lee, Cavanagh Hats (bottom loose), Dobbs, Knox, Neiman Marcus and more, All Different! $265 for all

20” 1922 Madame Hendren “Dolly Reckord”, HH wig, working phonograph mechanism in body & horn in head, 4 cylinders, key, has pictures of Charlotte her original owner, paint ﬂaking $160

Wooden jointed ﬁgures by Jaymar of Chicago 5” Little Orphan Annie $95 5 ½” Amos w/ cigar & Andy from the Radio Show, really great pair $285 4 ½” Sailor $69.95 5 ¼” Popeye with pipe $95

LAYAW AVAILA AY BLE

24” HH Simon & Halbig 4, brown sleep eyes, mohair wig $525 24” Kestner 171, brown sleep eyes, original plaster pate, beautiful coloring $550 Now $510 12” All Original Scottish Boy, A M 390, painted bisque $135 23” Cuno Otto Dressel 1912 – 4, blue sleep eyes $395 Now $355

22” AM 370 on kid body with newer bisque arms, some repair on body, brown eyes & wig $275 Now $175 20 1/2” DEP Simon & Halbig shoulder head, kid body, bisque arms, HH wig. pierced ears, brown sleep eyes $335 Now $260 21” Simon & Halbig shoulder head, kid body, bisque arms, pierced ears, brown sleep eyes, vintage shoes $400 Now $295 22 1/2” AM 370, kid body w/ bisque arms, open mouth, missing 1 tooth, brown sleep eyes, red velvet & lace dress $300 Now $195

American Character Betsy McCalls Blonde Betsy in Birthday Party All Bisque Dolls dress, pants, shoes & socks $150 20” 1957 #2071 Cissy Queen 7” #208 5 brown Blonde Betsy in 1957 School Girl all original in gold brocade stationary eyes, o/c dress, pants, shoes & socks $115 dress, blue sash w/ “jewels”, 3 mouth, blue ribbed Reddish Blonde Betsy in 1957 18” Simon bracelets, crown (clear backing socks and black strap Birthday Party dress, pants, Halbig 1078, as is in spots), slight rub on slippers $275 shoes, crotch split $95 S & H 0/2, left cheek $695 Now $585 5 ½” C/M Kestner Blonde Betsy in Holiday Dress, Handwerck #120, brown sleep eyes, pants, shoes & socks, splits by stamped body, mohair wig $395 13” Skookum Squaw with papoose, eyes to mohair wig, white knees $95 24” B 6 Germany, blue sleep eyes, HH the left, leather boots, glass beads, sticker on ribbed stockings, black Blonde Betsy in 1957 School hand knotted wig, sweet expression foot $150 1 strap slipper, left leg Girl dress, pants, shoes & socks, $395 19” Skookum Chief, leather boots, mohair wig, reglued at knee $185 wool coat, hat, scarf & gloves 16” #300 Heubach Koppelsdorf, blue really great $325 Now $300 7” Kestner #150 – 1, sleep eyes, mohair sleep eyes, wobble tongue, mohair wig, $140 9” Skookum Indian with braids and feathers, wig, blue ribbed stockings, 1 strap black Tosca Betsy in original teddy, red woolen snow suit $250 plastic shoes, all original in box (box as is) $150 slipper, repair on left knee $285 13” x 5 ¼” Wooden Sled from 1930’s $45 shoes & socks $120 Chicago’s ﬁnest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping

Carrie A. Hall and the Fashion Mannikin Wardrobe by Dale Rensing

s a seamstress and collector of vintage fashions, I am fascinated by the costumes with which Victorians dressed their dolls. The attention to detail at even this minute level is such a hallmark of their tailoring that I can’t help but admire the workmanship of the clothing as much as that of the doll. At Withington’s in October 2011 a number of very special lots came up for auction – a 27-inch “French Fashion Mannikin” along with several outﬁts which were a part of her trousseau. The catalog description read “27” Mannikin French fashion incised 8 on head and shoulder plate, kid body w/bisque arms custom made by Emma Clear, swivel neck – costume was made by Carrie A. Hall, dressmaker to General Douglas MacArthur’s mother and Susan B. Anthony. The costumes made for the Mannikin… circa 1850 to early 1920’s…” There was a note which accompanied the lots adding that the costumes were marked “Handicraft Shop N. Platte, Nebraska”. It also stated that some of the costumes were made with fabric of the period and that Carrie had written a book entitled From Hoopskirts to Nudity. Known for the doll clothing I create from the patterns we sell at Ages Designs®, I was asked just a month earlier by our doll study club to give a program on costuming dolls. I intended to make a number of examples to illustrate different styles that were popular during the Victorian era. I knew it would take a lot of time to create all the costumes needed, and these lots seemed the perfect solution to ensuring that I had the program ﬁnished in time. What made them even more perfect was that not only did these costumes exemplify some of the better known styles of the era, but they were also made by a person who lived during that time, sewed for most of her life, and used all the authentic techniques of each period. To be sure, the interiors of the costumes were as important and revealing as their exteriors. The dressmaker who created

Figure 1. Earliest Polonaise with Scotch Plaid

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them, Carrie Alma Hackett, was born on December 9, 1866 in Wisconsin. Her married name, Hall, came from her second marriage to John Hall in 1906. Carrie once said she had been born with a needle in her hand; she completed her very ﬁrst star quilt at the tender age of nine. At the insistence of her parents, Carrie became a school teacher, and was even superintendent of schools for a time. Her ability to instruct eventually carried over into other aspects of her life. At the age of 23, Carrie traveled to the booming town of Leavenworth, Kansas to seek her career as a seamstress. Working at a department store, she quickly became head Figure 2. Interior of Early Polonaise

Figure 3. Green day gown with brown Polonaise

Figure 4. Gold Princess Gown with 3/4 Sleeves

seamstress and, around 1900, started her own label. She soon became known for the quality and style of her garments. Carrie used magazine fashion plates from London and Paris to recreate the latest fashions for her customers. At the height of her career, approximately 1898 to 1920, a dress, or even an entire wardrobe, created by Carrie Hall was very sought after by the women of high society. She was known as Leavenworth’s finest dressmaker and came to be known by her customers as “Madam Hall.” Although the Susan B. Anthony museum was unable to confirm that Carrie was a dressmaker for the famous activist, it is likely that Carrie did create outfits for her, as Susan’s brother, Daniel, lived in Leavenworth. Susan was known to visit her brother and sister-in-law for months at a time. Daniel Anthony was an important newspaper publisher who, as of the late 1860s, was able to afford expensive services for both his wife and his sister. With the increasing availability of readymade clothing offered through department stores, the custom dressmaking business waned and Carrie was forced to find other ANTIQUE DOLL COLLECTOR

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employment. Quilt making was all the rage in the 1920s and 1930s, and here Carrie found her outlet. Not only did she create quilts, but she also presented programs throughout the state on their history, dressing in colonial-style costumes and showing the collection of quilt blocks she had made to illustrate every quilt block design known. All told, she created over 800 quilt blocks to assist in this instruction, eventually donating them to the Spencer Museum of Art at the University of Kansas where they can still be viewed today. Mrs. Hall became the leading authority in the country on quilting, and her name is still known by quilters today. Her book, the Romance of the Patchwork Quilt, is still a quilter’s staple, and has been described as perhaps the greatest contribution to the standardization of quilt pattern nomenclature. Her other book, From Hooped Skirts to Nudity, while not as well-known, does appear to have inﬂuenced a number of books which were written in the 1970s and 1980s on vintage fashion. It is not too much of a stretch of the imagination to think that the costumes which accompanied the Fashion Mannikin at the October 2011 Withington auction were made for instructive purposes similar to

Figure 6. Dark Green Wool Eton Jacket and Gored Skirt 38

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Figure 5. Ivory Silk Bustle Dress with Moire Ribbon

that which she created for her quilting programs. The idea that Carrie may have created the costumes for the purposes of instruction, using them for almost the exact purpose for which I had acquired them, intrigued me. Eager to prove my theory, I sought out authorities from museums and historical societies in the Midwest to ask what they knew of the Mannikin and her costumes. While they did provide me with a great deal of information, no one could say for sure why this doll and her trousseau existed. Eager for more clues, I turned to her book on fashions. Printed in 1938, the full title, A Review of the Follies and Foibles of Fashion, 1866-1936, From Hoopskirts to Nudity, hints at Mrs. Hall’s sense of humor which she carried with her throughout her life. This book is reminiscent of an autobiography, documenting Carrie’s opinions and feelings on the events

in her life. It was during her early adolescence that the introduction of analine dyes, synthetic colors which could be produced more easily and affordably than previously, with superior color fastness, sometimes shocked the eye. Mrs. Hall writes that in the 1870s “...One expression of the hideous taste of this period, which makes one wonder if for a time women had not taken leave of their senses, was the introduction of a conglomeration of vivid colors into the fashionable fabrics. An inspection of the fashion plates of the day reveals that most shocking array of plaids, stripes, and checks in the most striking colors. Scotch plaids that no Scottish Clan would claim; magentas, solferinos, and violent blues and greens were to be seen everywhere.” Mrs. Hall starts off her book with a discussion on the fashions between 1866, the year she was born, and 1876, spending a good deal of time discussing items such as the steel-hooped skirts and the hour glass corset. Interestingly enough, one of the lots which I did not acquire at the auction contained those exact items. The next chapter, “Panniers and Bustles 1876-1886,” begins with an explanation of how the bustle evolved from the hoopskirt and how it worked with the pannier to produce the swags of fabric gracefully draped over the hips of a skirt, draping the remainder of the fullness toward the back. The dress that the “Fashion Mannikin” wore at the auction was of this style. Two other styles which Carrie writes about in detail in this chapter include the Polonaise, a waist and overskirt cut in one piece and worn over a separate skirt, and the princess gown. Both of these styles were well represented at the auction and, recognizing their importance in the history of fashion, I snatched up two examples of the Polonaise (Figures 1 and 3), as well as the lovely gold princess-line gown (Figure 4). The grey Polonaise trimmed with black lace, featuring a Scotch plaid basque is an exquisite piece of work. Now exhibiting the ravages of time, the plaid silk is disintegrating. Yet I believe that earlier this was the queen of the collection. The construction is exactly as Carrie writes in her book, with the drilling (lining) basted to the fabric and assembled as one (Figure 2). The fact that Mrs. Hall really gets into detail about this style and how it evolved into the princess gown leads me to believe that this was a costume in which she took great pride in creating. The bustle she describes during this period was evidenced on a couple of gowns in different lots. I regret that one lovely light blue silk gown trimmed with a darker blue velvet, which was paired with an equally lovely pink satin dress, got away from me, but I was able to obtain one example of a bustle gown in an ivory silk trimmed with moiré ribbons (Figure 5). Chapter 4, entitled “The New Victorian Woman 18861896” points out that the new modern mindset, greatly concerned with health and increased social equality, had women living a life of greater physical activity which required costumes that were less elaborate, providing more freedom of movement. The bustle would disappear, and the split skirt would make its debut, enabling women

Figure 7. Red Balloon Sleeve Evening Dress

to sit properly astride bicycles. Costumes similar to a man’s business suit would become fashionable as more women took to the workforce, seeking careers as teachers, librarians, and nurses. The Eton jacket and the gored skirt were mentioned specifically in this chapter. Had this particular style not been one of my favorites of all time, would I have bid so much to have it, without knowing its importance in relation to Carrie’s book (Figure 6)? In “Balloon Sleeves and Bell Skirts 1896-1906”, Carrie reveals that the emphasis at the shoulders and collars continued to be popular into the new century, pairing jackets and shirtwaists with gored skirts worn close at the hips, flaring out into a circle at the hem, much like a bell. The red ball gown I acquired (Figure 7), with its ruffled bertha and balloon sleeves hail from this period, as well ANTIQUE DOLL COLLECTOR

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as a yellow gown and dark walking suit with a blue shirtwaist I was unable to obtain. Another item I passed on, but would have done otherwise had I read the book first, was a cream-colored gown trimmed with lace and a pink silk sash, complete with its matching pink straw hat adorned with marabou. That particular costume dates to a style very popular after the 1902 introduction of the straight-front corset, which gave the wearer a somewhat unbalanced appearance; “a pouter-pigeon silhouette” as Carrie put it. There are a few other styles that Carrie expounds upon such as the Bloomer and Peekaboo waist which do not show up in the collection, but it is hard to know if they did not survive the test of time or if they were never actually created. But the hobble skirt, at which Carrie enjoys poking some fun, did show up in two costumes, one of which is now in my collection (Figure 8). Her quote from the Carol Press of Boston served to describe the silliness she found in its creation: Hobble, hobble, little skirt, How I wonder what thou wert, Perchance, maybe a papa’s pant Now for him a trifle scant. This, however, is where the costumes leave off, but the book continues on. As a matter of fact, the hobble skirt only brings us three-quarters of the way through the book. Were there more costumes? Which came first – the costumes or the book? Were the costumes actually used as a teaching tool as I surmise, or did some wealthy client simply request a doll with a lot of fancy outfits? There are other questions about Carrie Hall’s life as well. In 1941, at the age of 75, Carrie moved from Leavenworth to North Platte, Nebraska. She began yet another career, that of a doll maker, doing business as “The Handicraft Shop”. She produced character dolls of historical importance, such as American presidents and their wives, characters from the Bible, European royalty, and Buffalo Bill Cody. According to an old newspaper article, Carrie’s doll business took off quite rapidly, with the major portion of her business consisting of wholesale orders from department stores and gift shops. Her dolls were not mass produced; each doll was hand made to order. They often were dressed in old fabrics and trimmings, textiles provided to her by friends who were cleaning out their attics. One doll was pointed out as being very special; Katherine Parr, made for a lineal descendant of Katherine, the only wife of Henry VIII to have the distinction of having attended the monarch’s funeral. Yet some of the research I have done points to the fact that Carrie may merely have assembled and clothed the dolls, working with others such as Emma Clear to create the heads and body parts. Letters between her and a friend she calls “My Humpty Dumpty Emma Jane” can be found in a Quilter’s Journal from the Fall of 1980 talking about how she hoped that the new head maker would work out. Indeed, the “Fashion Mannikin” points to this collaboration. Over time, I hope I will find more answers. In the meantime, I like to think that Carrie would be glad to know that her work as a seamstress and fashion historian carries on. 40

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Figure 8. Hobble Skirt

Carrie passed away at the age of 88 on July 8, 1955. She left her mark boldly in the quilting world and quietly in the doll collecting world—yet touching both in stewardship as an historian. I would like to thank the Leavenworth County Historical Society, the Lincoln County Historical Museum, the Susan B. Anthony House, as well as Ms. Laura Elkins, a reenactor who has played the part of Carrie Hall, for their assistance in research with this project. They were each very forthcoming and gracious in sharing what they knew about this remarkable woman.

“… Not Entirely Trifling”

The Porcelain Half-Doll

all them what you will. Half-dolls, demi-figurines, tea-puppe, even pincushion dolls. These lovely ladies, mostly waist-up modeled figures with elaborately sculpted hair and bonnets, sometimes nude, sometimes with richlysculpted costumes, were vastly popular in the first decades of the 1900s. But, truthfully, they may have been trifling, a bit of fancy added to utilitarian objects, designed to delight. In her 1974 book “China Half-Figures Called PinCushion Dolls”, Frieda Marion approached this subject. Writing that, “as a proper New Englander”, she had felt guilty about enjoying something she felt to be frivolous, she added, “For frivolous they are. Pincushion dolls are embellishments and adornments, but they are not useful objects. True, most of them were intended to top utilitarian items, but in themselves they are totally unnecessary, even, in fact, impediments. The female form in miniature is not really a functional whisk-broom handle, and as for the pincushions they topped, their skirts of lace and ribbon only served to hide the pins and needles beneath, creating a pretty effect on the dressing table but a nuisance to the seamstress”. Researchers today seem agreed that this early 20th century craze began with an exhibition of doll heads made by the Royal

Historic fashion and artistic themes inspired the designers of half dolls as seen in this superb pair from the Kriteman collection; the bonnet lady is a remarkable 7”h. 44

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by Florence Theriault

The double-person dancing couple is a rare variation of half doll. The standing pair are actually half dolls with original separate porcelain legs.

The grand 7” example of the luxury model is remarkable not only for exquisite detail of Dresden flowers but for extravagance of costume detail; little details like fingerless gloves are fashionably accurate as well as beautiful.

Luxury details include not only quality of porcelain but also size. Their similar gentle smiles and proportional size suggest the larger model is mother to the smaller dressed model.

It is extraordinary to consider the delicacy with which this lady must have been created. And even more amazing that she has been so perfectlypreserved. Details include the Dresden “lace” of costume and Dresden flowers.

Half dolls could be arranged on powder or jewelry boxes, or affixed to mirrors or lamps, by the original manufacturer, as seen in this luxury model affixed to a pink porcelain powder jar with gilt metal overlay designed to appear as gold lace. On the left is a lady with brown sculpted hair captured in a formal coiffe, and on the right is a lady with a “copper” urn balanced on her white coiffe.

Among the most sought-after half dolls are those of the Dressel & Kister Medieval series. The graceful woman with extraordinary gold helmet and richly-painted jewelry has uniquely posed arms. So favored were the ladies bearing cups of tea or hot chocolate, that similar models were made by various firms. Shown are three rare variations of the theme; the 6” example in the center has an especially beautiful face.

Highlystylized models, one with hands modestly posed and a very unusual coiffure of brown hair were surely inspired by high fashion of the 1920s. Each is 5 ½”.

The Kriteman Collection features a wonderful selection of Art Deco or flapper era models including this rare trio of 5” models including lady with Pierrot and lady in top hat.

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To visualize the grand size of the 10” red-haired lady, realize that the lady with fan at the left is a 5” tall, a more standard size. The “Dancing Girl” on the right is a half doll with attached porcelain legs and original sequin costume.

Connoisseur collectors consider the lady with porcelain basket to be among the rarest half doll models made. At 6 ¼” she stands alongside a 3” child with apple, and a 4 ½” child with interlocked fingers and exceptional sculpting of hair.

An example of the Dressel & Kister medieval series features a woman with jointed arms, elaborate gold coiffe, holding a bird.

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Bavarian Porcelain Manufacture in Nymphenburg (known simply as the Nymphenburg dolls). The ladies of Bavaria were so taken with these models that the company issued them as heads and limbs to be fit with armature and used as “tea-cozies”. Other companies such as Dressel and Kister saw their popularity and began to produce their own series which included not only the porcelain heads, but also half dolls, flathead dolls and double-face dolls. Still more companies followed, ranging from firms creating works of highest porcelain quality, to those of journeyman production. Literally thousands of models of these little frivolities were created, appearing on candy boxes, powder puffs, coffee warmers, whisk brooms and the every-popular pin cushion doll, with themes inspired by artistic works of the Renaissance, the French 18th century courts, Italian theatrical figures, and even chic fashion of the era. Lady magazines of the 1910 era ranging from the French “Journal des Ouvrages de Dames” to the German “Welt der Frau” to the American “Woman’s Home Companion” featured the half-dolls along with needlework instructions for their costuming. In truth, the notion of a so-called pincushion doll was not exactly new. It evolved from the 19th century “Lady’s Work Companion” which was a bisque doll whose skirt was formed into pockets and hanging ribbons to hold all sorts of sewing notions, and whose actual hat was a dainty pincushion. Today, several excellent reference works have joined and accentuated Frieda Marion’s early study of half dolls. Yet it seems fitting that the early work of one New Englander should have been followed by another New Englander, Melody Kriteman of Massachusetts, who has gathered what is arguably today’s finest known collection of rare half dolls. Photographs of some of those nearly 200 half dolls are shown on these pages. And as to their so-called trifling nature, as Frieda Marion concluded in her 1974 book on the subject, “Half-dolls were fashioned to please, to amuse, to distract and to titillate…[yet these are] surely not completely unworthy aims…and not entirely trifling”. Editor’s Note: the porcelain half dolls shown with this article will be auctioned at Theriault’s grand January 2013 auction weekend in Newport Beach, California. For more information visit www.theriaults.com. For further research: Cieslik, Jurgen and Marianne. German Doll Studies “German Half Dolls, Tea Ladies of the 1910s”. Gold Horse Publishing. 1999. Marion, Frieda. China Half-Figures Called Pincushion Dolls. J. Palmer Publishers. 1974 Marion, Frieda and Werner, Norma. The Collector’s Encyclopedia of Half Dolls. Collector’s Books. 1979 Lorrin, Shona & Marc. The Half-Doll with Related Items, Makers and Values, Volumes 1-4, 1999-2004. Petitfrere, Marie. Les Demi-Figurines. Edition Musee de la Poupee. 1996 The Ladies of Hertwig, Reprints from Original Factory Catalogs. Gold Horse Publishing. 2003

UFDC Special Exhibit: A Stitch in Time - Folk Art Black Cloth Dolls

at Hatch purchased her ﬁrst black doll in 1973. As the years passed, she gradually added more dolls until 150 dolls later she had a sizeable collection. When researcher Roben Campbell saw the collection she became determined to learn as much as possible about the dolls – their age and their place in history. In the spring of 2007 an exhibit of the Pat Hatch black doll collection entitled “No Longer Hidden,” was shown at the Harvard Historical society. Since then the dolls have traveled to folk art shows and museums and most recently to the 2012 UFDC convention in New Orleans. UFDC member Joyce Stamps of the Black Gold Doll Club of New England curated the recent exhibit, which also included some of her dolls as well as those belonging to other UFDC members.

Photos taken at the national 2012 UFDC Convention by Keith Kaonis

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

UFDC Special Exhibit:

Exquisite Ephemera Photographed at the 2012 National UFDC Convention by Keith Kaonis

eginning in October of 2011 and continuing through March of this year, visitors to the Musée de la Poupée in Paris were treated to a rare exhibit of “scraps”, also known as “chromos” from the extensive collection of museum co-founders Samy and Guido Odin. Like many of you, Paris was not in my itinerary, so it was wonderful to see the collection brought to the national UFDC convention in New Orleans. Chromos, the end result of chromolithography, a printing method that preceded today’s four-color printing, used as many as twenty colors per design, each color requiring a separate lithographic stone or steel plate. It literally transformed the printing industry, vibrant rich colors making what previously might have been thrown away – what we call ephemera – into a keepsake. During the Victorian era women and children enjoyed many crafts, among the most popular of these pastimes was scrapbooking. Trade cards from businesses, greeting cards, cigar box labels, postcards, calling cards, holiday decorations, poems and other mementoes were pasted into scrapbooks. Women’s magazines of the period described scrapbooking as the perfect “rainy-day” occupation for children much like the Ipad or smart phone of today. For the cultural historian scraps provide a window into nineteenth century commerce, mores, social history and cultural trends. There are endless subjects to collect: animals, circus, birds, flowers, butterflies, and holidays to name a few. The UFDC exhibit focused on Christmas images depicting Santa and angels and sweet-faced children often holding dolls. Many of the Christmas scraps were printed on heavier paper and often die-cut and embossed, making them suitable for hanging on the Christmas tree. Scraps were also incorporated into fancy glass ornaments or embellished with metallic tinsel and fabric trim. Sadly, the golden age of scraps coincided with the advent of World War I. More cost efficient printing methods and changing attitudes toward children presaged an end to the romantic idealism of the Victorian age. 50

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

NEWS

Childhood in 19th-Century New England

ld Sturbridge Village in Sturbridge, MA examines the changing world of children in the early 1800s in the exhibit, A Child’s World: Childhood in 19th-Century New England on display through Memorial Day, May 27, 2013. Nearly 150 rare children’s toys, games, puzzles, portraits, clothing, and furniture from the museum’s collection will be on exhibit. A new concept of a child’s formative years began to emerge in 19th-century New England. There was an increasing awareness that “childhood” was an important time, separate from infancy, yet distinctly different from young adulthood and maturity. Most rural New England children played with homemade toys – carved animals, board games scratched into a scrap of wood, roughly carved toy houses, and “rag baby” dolls made from bits of left over fabric. Families were larger in early New England – with ﬁve to six children the average. With no prenatal or postnatal care, infant mortality in the 1800s was high and mothers also faced serious complications during pregnancy, childbirth and recovery that could prove fatal. Then, as now, special equipment was needed to care for babies and keep them safe in the home. Nineteenth-century highchairs, “potty chairs,” chamber pots, and child tenders (a precursor to the playpen) demonstrate that there were some specialized “gear” designed then for babies and toddlers, but it was Throughout much of the 19th century, infant boys nothing like the variety of sophisticated and girls were dressed very much alike in gowns, Black doll’s chair, 19th century so the same garment could be passed from one equipment available to families today. and paper mache doll, circa sibling to the next without concern for gender. For more information visit 1835-50, American This was also much more practical for managing www.osv.org or call 1-800-SEE-1830. diaper or nappy changes. Photos courtesy Old Sturbridge Village

It’s a Small, Small World: Doll Houses and Miniatures

he Gunn Museum in Washington, Connecticut opens their holiday exhibition, It’s a Small, Small World: Doll Houses and Miniatures, on Sunday, November 25 and continues through January 20. This holiday season visitors will enter a fantasy world of miniature houses, furnishings, toys, and dolls, loved and played with by generations of children. The enchanting display features over ﬁfty unique handcrafted dollhouses, spanning three centuries, from the Gunn Museum, Washington residents and private collectors across the Northeast. The oldest item on display is a very rare George II English Baby House built in 1747. Some other notable artifacts in the exhibit are 1890s Moritz Gottschalk doll houses, elaborate 19th century German “room boxes”, a 1920s Tynietoy doll house with original Tynietoy furnishings, an early 20th century British Tri-ang doll house, and a Mt. Vernon doll house built in 1932 for the bicentennial of George Washington’s birth. The Gunn Museum is open Thursday, Friday and Saturday 10am-4pm and Sunday 12pm-4pm. Admission to the museum is free, but donations are always appreciated. The Museum is located at 5 Wykeham Road, the intersection of Rt. 47 and Wykeham Road, in Washington, CT. For more information call 860-868-7756 or visit www.gunnlibrary.org 1747 Baby House

Three Gottschalk Dollhouses 52

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Introduce a fellow collector to Antique DOLL Collector magazine and we will add two issues to your current subscription! * At this busy time of year, you can make your life simpler and someone else very happy by giving Antique DOLL Collector - it keeps on giving all year long! We'll send the recipient a gift card announcing your thoughtfulness. Call us today at 888-800-2588 (outside of the U.S. at 631-261-4100). * This offer is valid for New Gift Subscriptions only. Outside of the US, payment must be drawn on a US bank; all major credit cards accepted.

Photos courtesy Bertoia Auctions

Happy Holidays!

UFDC Modern

Competitive Exhibit 2012

Photographed at the 2012 National UFDC Convention by Keith Kaonis Congratulations to these blue ribbon winners.

–Bisque –

Nancy Ann Storybook, “Around the World Series,” with original box. L-R: Jennell Howell, Robin Hochteil

Nancy Ann Storybook Pairs. Suzanne Swanton

All bisque marked Nippon, some jointing. Jill Sturgeon

Just Me, ﬁred bisque, 12” and under. Below, President’s Choice, Evelyn Rutledge Right, Cynthia Orgeron

Nodder, 8” or under. L-R: Cheryl Hoiler, Patricia Brown, Lois Bodach

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

New Orleans, Louisiana

Part I

–Cloth –

Bernard Ravca, 13” our under. Cheryl Hoiler

Topsy Turvey, black and white heads, 19” or under. Pam Coghlan

Topsy Turvey, one head may be an animal, 19” or under. Nancy Jo Splitstoser

Elinor Pease Bailey original, or made from kit. Andreia Morrison

–Composition – Effanbee Butin-Nose, 8”. Left, Kay Cassedy Below, left-right: Betty Trussel Suzanne Swanton

BAPS Storybook Character Series. Nancy Moore

Effanbee Wee Patsy. Left-right: Debbie Tracy, Suzanne Swanton

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

–Composition –

Ideal Mama doll. Sherry Minton

Nun, 18” or under. Mary Vedros

Dolls sold as a pair, 16” or under. Above, Colleen Eckman Right, Suzanne Swanton

Mdme Alexander Scarlett O’Hara. Linda Willard

–Hard Plastic –

Mdme Alexander Quizkins, tagged clothing. Caroline Larson

Mdme Alexander Scarlet O’Hara, 8”. Suzanne Swanton

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Vogue Crib Crowd. Linda Cantwell

Cosmopolitan Ginger. Sallie Howard

– Celebrity –

–Hard Plastic –

Left, Sandra Sue by Richwood Toys, 8”. Mary Nelson Above, Pedigree, marked “Made in England.” Anita Berg

Mdme Alexander Carmen Miranda, 21” or under. Peggy Labom

Sports ﬁgure, 18” or under. Jackie Robinson, Marilyn Parsons

– Celebrity –

Nobility, 18” or under. Left-right: Princess Margaret by Deans Rag Book Co., Suzanne Swanton Bonne Prince Charlie, Pat Girbach Farnell King Edward, Shelley Chapman

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

– Celebrity –

Public ﬁgures. Left-right: Charles Lindbergh, Lynn Kublank Chief Justice Hughes by Ravca, Patrick Bellamy Franklin D. Roosevelt, Pam Coghlan

Child or teen from television. Alexander, son of Dogwood and Blondie, Suzanne Swanton

– Comic Characters – Nancy and Sluggo. Al Edward Little Lulu. Linda Levi

– Special Dolls –

Sasha Studio Doll, 20”. L-R: Kay Cassedy, Susan Steirn

Ruth Gibbs, Little Lady Play Friends of the Year, 7”. L-R: Jan Morris Patricia Brown Ruth Gibbs Bridal Parties, 7, 10 or 12”. Anita Berg

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Special Dolls Left to right:

Sasha Studio Baby or Toddler. Linda Levi Susan Steirn Smoker or Bed-type doll, composition head, 26” or under. Deborah Bigness

– Native Americans –

Seminole, 18” or under. L-R: Barbara Close, Sharon Zerkel

North American, 14” or under. L-R: Sharon Zerkel, George Steurer

Left-Right:

Eskimo/Inuit, 14” or under. Lynn Elliott, Andrea Azor Pairs, 4” or under. Sherri Demsey

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Steiff, pre 1950, 12” or over. Top, Barbara Close

– Teddy Bears – Steiff, pre 1950, under 12”. Below, Barbara Close Right, Margaret Kincaid

– Commercial Paper Dolls – Musical performer. Dolly Dingle, Carole Correll

– Novelties and Accessories – – Costumed by Exhibitor –

Bear with a purpose. Pam Coghlan

Purse doll. Right, Donilee Popham, Below, Lynne Elliott

Mardi Gras participant. Anita Williams

It’s Easy To Join UFDC

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

The Romance

The Life of Lillian Dal Monte Quality Antique Dolls

Long term layaway. Appraisals and Consignments. Over 40 years experience. We strive to meet your needs.

Val Star

Email: valstarantiques@ earthlink.net Phone 630-951-8832

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Purchase of an ad includes FREE internet ad on our website. Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com

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riginally created in 1997 as a slide presentation for the UFDC annual convention “To Have and To Hold” in Anaheim, California, this spectacular and wonderfully entertaining program has been viewed, and enjoyed, by thousands after it was offered as a VHS tape available for purchase. Rumor has it that the program also aired on Australian television shortly after its debut. The video has recently been re-created in DVD format, and features many new scenes, greatly improved costumes and several new characters. In the original version, the major roles were performed by French Fashion dolls. That charming aspect has not been changed, but the supporting roles, originally played by dolls of many varieties, have been re-cast with only fashion doll examples -- offering a seamless delivery. The costumes are more exquisite than ever, and the scenery is lush and cinematic. A touching tale of music, achievement and love, countless tears have been shed during the telling of this sentimental story of two sisters and their journey to adulthood. A perfect choice for a doll club program, you and your friends will want to enjoy the splendid scenes over and over again. So, we invite you to come along with Lillian and Delia Dal Monte as they traverse the globe, landing in such spots as Paris, Vienna, Venice and Milan -- all accompanied by a memorable musical soundtrack! Written by Michael Canadas, David Robinson and Janet Hollingsworth Narrated by Delia Green Photographed by Michael Canadas Set Design by David Robinson Photo Stylist -- Paula Olsson Video Editing by Samantha Lewis Run Time: 42 min. - DVD Format

Newly Digitally Remastered for DVD

LEARNING ABOUT AMERICAN-MADE DOLLS

American Character’s

Toni

A Fashionable Doll in Every Way by Ursula Mertz photos by Christopher Partridge

he American Character Company of New York City introduced their Toni doll in 1958. The doll derived her name from the then popular Toni Home Permanent Wave. The firm had been granted a license from the Gillette Company to produce a doll with a Toni Play Wave set. Some ten years earlier, the Ideal Novelty and Toy Company had been very successful with a similar play wave doll, also called Toni. She too had been sold under license from Gillette. But, the new doll was very different. The Ideal version had been produced in the image of a little girl, featuring a flat chest and flat feet. She was made of hard plastic. The new American Character Toni was made of a high quality firm vinyl that showed no mold seams on body or limbs. The new Toni did not represent a young girl but had the features of a young woman with budding breasts and slight waistline in addition to “high heel” feet. Her complexion showed a lovely creamy, matte quality. The American Character Company also promoted the idea that their Toni was a fashion doll. Not only could she be purchased in clothes for every occasion, but costumes were available separately. The accompanying booklet advertised sixteen different outfits. Each one had a name that reflected the optimistic, upwardly mobile expectations of the middle class of the fifties. To name just a few: There was a Collegiate costume, another one called High Society, next came Suburbanite, ChaCha, Charleston, Cocktails, Romance with Mink Stole (real mink), Dinner Date, Country Club, etc. Of course, a ballerina costume and elaborate bridal gown were also available.

Toni is 20” tall and is marked on her back in a circle: “American Character.” She has rooted saran hair. The original box stated that the colors brown, red, tosca and blonde were available. She is fully jointed and has an additional waist joint. It permits her to assume many different poses. Her fingernails are lightly painted pink, but not her toenails. Her underwear consists of bra and panties, and her outfit is called “Dinner Date.” Toni was available in sizes 10.5, 14, 20 and 25”.

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Back of hangtag.

Close up â&#x20AC;&#x201C; showing off her expertly executed facial decoration of multi stroke brows, just a few eyelashes off to the side, and very discreet eye shadow.

Front of hangtag.

Ladies of a certain age will remember those nylons with seams up the back of the leg. What an effort is was to keep them straight!

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

Toni play wave kit and contents. The kit includes a brush, comb, applicator, sponge and four curlers. Note the clever design of the brush. By pulling off the brush part it converts to a comb.

The side panel of the wave kit very clearly shows how to set the curlers to achieve a desired style. 66

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

The booklet further told the story of two girls named Sally and Jane playing with their Toni dolls. After their doll’s mussed hair had been reset according to the instructions of the Toni Play Wave using the lotion provided, they decided to invite their friends with their Toni dolls and put on a fashion show. The best costume would win a prize. In the end it was decided that each one should be awarded a prize. The booklet suggested that the girls would come to the same conclusion once they had a chance to see all the wonderful Toni fashions at their favorite toy store “Real Soon!!” Not only is American Character’s Toni doll an item of exceptional quality but her clothes were created on the same level. As we can see from the example featured with this article, the design of her lovely plum color taffeta dress was closely copied from adult fashions of the time. The pouf at the hemline creates an eyecatching contrast to the otherwise simple, straight cut of this sleeveless creation. All was painstakingly executed. The dress is fully lined and all seams are ﬁnished. The back closure is constructed as it would be on an adult garment and features snap buttons. A real pin decorates the front of the shawl collar. The pillbox hat and bow trim on the dress are made of pink velvet. Pocketbook and shoes are made of black velvet. The chin length veil adds an elegant touch. Toni’s ears are pierced into the head and hold faceted teardrop earrings. The booklet also invited their customers to join Toni’s Birthday club, and I quote: “FREE – Join Toni’s Birthday Club. Toni will have a surprise for you on your birthday and we will keep you constantly informed about all the news on American Character Dolls. You do not have to order anything to be a member of The Birthday Club, just ﬁll out the application.” The page provided room for the girl to note her address and birthday. It would be interesting to know what surprises were actually sent. Perhaps some day at some future doll event in the competitive room there would be a category for American Character’s Toni and that a fashion parade of all sixteen advertised costumes would be present. What a feast for the eyes this would be!

Front of booklet that came with every American Character Toni doll.

What Mary McAboy Never Told Us W by Maurine Steurer

e read in many sources about Mary McAboy and how she began making apple head Indian dolls in Montana. As her craft grew in notoriety, so did the sales. They were wrapped lovingly in wool blankets and offered for sale and called Skookum. Eventually they progressed from apple heads to composition to plastic heads. The dolls were assembled in a cottage industry situation and so each was somewhat a one-of-a-kind. In 1914 the company of H. H. Tammen, Denver, Colorado and Los Angeles, California, took over production, but it continued with the cottage industry, paying at one point, 25 cents per doll completed. Not long ago, I met someone who had two Skookums, an illustrious 23 ½” chief and his 22 ½” squaw companion with papoose. An unfortunate fall from her mantle caused a lot of damage to the faces. I was intrigued and offered to restore them. When I began the process, I pulled out the pieces and laid them out for repair and to my surprise, the shoulder plates were each inscribed “Germany” in cursive writing. These Skookums had the leather shoes which had designs painted on them which puts their manufacture before World War II in the 1930’s. At that point, they were being handled at the H. H. Tammen Company of Denver, Colorado and Los Angeles, California. Harry Heye Tammen was deceased, but he had a “wheeler-dealer” partner, Fred G. Bonfils, and the two of them had a reputation of diversifying, whether it was above board or not. They had run the Denver Post and were not hesitant to run scathing articles about people and companies, especially if they didn’t advertise in their newspapers. The process of restoring the Skookums was like putting a puzzle together, but eventually, all the pieces were in place and it was just a matter of filling in the blanks and grooves, and repainting the parts where needed. The other puzzle, of when and where these heads were manufactured, is still a unanswered. I hope some day that we can find the solution to that puzzle as well. I remember as a child, wishing longingly for one of these wonderful little warriors, but had to wait until adulthood to welcome one in my home. I did run my fingers across the breastplate of my composition Skookums, but could 1913 Leather moccasins, square perforated printed not feel any incised stamp paper labels (used until 1920) rare. Early lettering. Apparently, shirts and dresses were calico and later ones not all composition were made of feed sacks. heads came from 1918 Suede shoes over wood, with a painted design Germany, but perhaps Oval printed paper label w/HH Tammen Co. if you have one at 1920 Label on foot first appears (composition face home that is mask, wear glass beads, leather covered feet, “pull-apartable,” you leather head band/dress, wig of human hair, can contact me and we string or mohair). can solve this puzzle. 1930s Shoes with designs painted on them It would be great if 1940s Masking tape over wood for shoes (Plastic you could also identify face mask, glass, natural, or wood beads, the year it may have masking tape covered feet, coated canvas-type headband/dress, mohair wig) been made (see chronological ? Wooden feet wrapped with flannel to make shoes order, right). ? Felt moccasins over wood I can be contacted at 1950s Plastic molded moccasins, plastic face mask, moandpo37@gmail.com wood or plastic beads or 319-331-8874. Note, if you note that the heads are a thinner plastic and usually at this point, turning pink, those are Japanese knock-offs made approximately in the 1940’s and 1950’s.

Who knew? The badly damaged shoulder plates were each inscribed “Germany.” REFERENCES: Lesley Mitchell-Polinko, www.Skookumnews.com John Axe, “Skookums,” Doll News, Fall 1998 Helen M. Fagg, “Vigo County Historical Society: Historical Treasure Article”, March 1, 1987 Laton McCartney, “The Teapot Dome Scandal: How Big Oil Bought the Harding White House and Tried to Steal the Country, Jan 13, 2009

ANTIQUE DOLL COLLECTOR

DECEMBER 2012

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See you at the Eastern National doll show in Gaithersburg, MD. Montgomery county fairgrounds, December 1 & 2

Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Open Sunday 9AM - 4PM or by appointment

Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.

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Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!