Antique DOLL Collector January 2013 Vol. 15, No. 12
January 2013 Vol. 15, No. 12 $595 / $695 Canada www.antiquedollcollector.com
Stars.
An appropriate name for Theriault’s premiere auction weekend of 2013. Stars, of course, in a playful nod to the location of Southern California and its filmdom history. And stars, surely, the extraordinary collectors whose doll treasures people the catalog pages and podium of the three-day auction. And then there are the dolls. A veritable galaxy of stars are offered, each a celestial wonder. There are constellations of doll stars, in patterns not seen at first, but then suddenly discernible. A galaxy of more than 800 dolls will sparkle at the three-day January event, all presented in a 300+ page two-volume catalog. Featured on the cover of the 2 volume auction catalog is an exceptionally rare art character doll from the Kammer and Reinhardt, their 104 model of which only three other examples are known to exist. The doll has been in its original family since 1910, and its impeccable condition includes original body, wig, and fabulous costume. Other rare character dolls in the auction include Simon and Halbig 111, Hertel and Schwab 149 glass-eyed girl, K*R 107 Karl, and more. Mary Young of Atlanta, Georgia turned her exquisite taste to the selection of little dolls from tiny size French bébés to very rare all-bisque mignonettes (some in original presentation boxes with trousseau) to a wonderful group of tiny all-bisque early dolls by Kestner. Her tiny French bébés include two marvelous petite A.T. bébés (one a size 0), as well as a most dear 2/0 Bru and little gems by
Schedule of Events Friday Evening, January 11, 2013
5:30 PM. Early walk-through lecture preview by Florence Theriault. 6 PM. Welcome Reception, Wine and Hors d’Oeuvres and Preview. 7 PM. Auction begins.
Saturday, January 12, 2013
Rare automata will be offered in January auction including the Vichy Fruit Seller with Surprises as well as Pierrot Writing by Lamplight and others.
the dollmasters PO Box 151 • Annapolis, Mar yland 21404 USA Toll-free: 800-638-0422 • Fax: 410-224-2515 www.theriaults.com
Call 800-638-0422 or visit theriaults.com to order 2 volume catalog set.
8:30 AM. Early walk-through lecture preview by Florence Theriault. 9 AM. Preview begins. 11 AM. Auction begins. 7:30 PM. Society Du Cheval d’Or banquet and celebration.
Sunday, January 13, 2013
8:30 AM. Early walk-through lecture preview by Florence Theriault. 9 AM. Preview begins. 11 AM. Auction begins.
Splendid art character dolls from German and French doll firms are offered in original costumes. This is only a sample of wonderful choices.
Gorgeous bébés by Bru in many sizes and models are presented at the January auction.
Considered one of the world’s rarest dolls is the 104 art character model by K*R, here in impeccable condition and original costume.
A very rare pair of Max and Moritz with their original unique bodies are highlights of the many character dolls offered.
Early German portrait face dollhouse man in original costume is one of many dollhouse people.
Little and early bisque dolls by Kestner appeared with a variety of rare body styles, almost impossible to find. Three are offered at the auction.
Left: A delightful set of American carved wooden folk figures with original brightly-painted features.
Right: The Kriteman Collection of half dolls is notable not only rarity of models, but also for the grand size of many, and their pristine condition.
Shown right: rare half doll “couples” from the connoisseur collection of Melody Kriteman of New England. The large couple are actually half dolls with separate legs, designed with original interior lamp at the midriff.
Two from a collection of 15 desirable Bleuette dolls.
The auction includes 15 wonderful fashionable
The Mildred Adkins collection of fine early porcelains and bisque dolls with sculpted hair include these exceptional rare examples. There are more than 80 rare models in the three-day auction.
ladies by Parisian couturieres Lafitte & Desirat, offered by the Lending Collection, Honolulu Museum of Art.
Small dolls were a special love of Mary Young of Atlanta. Shown on this page are a small sample of her very rare all-bisque mignonettes as well as size 0 and 1 French bébés.
Above and right: American folk dolls from the collection of Mary Young include Leo Moss, Alabama babies, and “Maggie-Bessie” doll.
A studio model by Dewees Cochran illustrates the diversity of the collection.
A collection of more than 100 Nancy Ann storybook dolls, including rare early models, will be offered in lots.
Outstanding rare models of black and exotic dolls are highlighted ranging from an outstanding Bru bébé with ebony complexion to German bisque art character models, in deluxe 16”22” size.
The dolls of Steiff are always delightful. Shown are rare comic character models in the auction including Foxy Grandpa, Happy Hooligan and Spark Plug and Barney Google.
From a collection of early Kathe Kruse dolls, this fine pair in their original boxes, with early Steiff bear. Also in the auction is an extremely rare earliest model Kruse doll, possibly handmade by Kathe Kruse.
Falck-Roussel, Jumeau, Steiner, and Gaultier, each chosen not only for its rarity but also for its starsparkling beauty. In a delightful and quixotic turn, Mary Young also treasured the unique charm of folk art and her collection offers fine examples of American Leo Moss folk dolls, as well as other carved wooden and cloth dolls including five very choice Alabama babies and a near mint rare “MaggieBessie” girl. From the same Atlanta region, an earlier collector, was Margaret George also of Atlanta. From her fine estate collection comes fabulous French bébés and fine automata which have just been unpacked from years-long storage. If Ohio is heartland, it seems only appropriate that Mildred Adkins of Kentucky would have chosen early porcelain and bisque dolls with sculpted hair as her galaxy. These mid-19th century dolls speak of tradition and grace in a special way and collectors who often wait years to find only one of these rare treasures, will gaze at brilliant star after star. Nearby lives Mary Marxen whose tastes are eclectic, with wonderful stars ranging from a near mint pair of series I Kathe Kruse to rare bisque character children to Lenci dolls, each chosen with an eye toward not only beauty and rarity, but also perfection. The porcelain half doll collection of Melody Kritemen with extraordinary rarities that seldom are found or offered is also
A stunning 32” Bru bébé in festival costume plays with an early Vichy mechanical toy.
The Bru bébés are sisters, each size 12”w, with the most desired classic face.
featured through-out the three-day auction, including Art Deco full figure dancing couple, dancing Art Deco girls with entwined fingers and Dressel and Kister medieval series. There is, too, a one-owner collection of Bleuette dolls, and a one-owner collection of rare model black dolls including two black Bru bébés, black Steiner bébés, and art character black dolls by Simon and Halbig, Kammer and Reinhardt, and others. Wonderful French automata range from the early Vichy fruit-seller with magic surprises to the much-sought Pierrot writing by lamp light. A museum collection of French studio fashion dolls by Lafitte-Desirat are presented. There is a dainty pair of Bru bébés, size 2, as well as an exceptional 32” Bru, and several other examples. Other rare French bébés include a beautiful H bébé by Halopeau, and G bébé by Steiner. The auction begins with a welcome-to-the-weekend reception on Friday evening followed by Session I of the auction, and continues onto Saturday and Sunday with more than 300 lots offered each day. The grand catalog presents each doll in beautiful color photographs with extensive description and history, and promises to be a classic book to cherish for decades.
Collectors are urged to attend in order to view and choose their favorites in person. If attendance is not possible, other bidding options are available: absentee bidding, live telephone bidding, or live online bidding. For information about bidding options please call Theriaults at 800-638-0422 or 410-224-3655. x
The series of character dolls created by Jumeau in 1892 are highly sought and seldom found. An opportunity in the January auction is this stunning model 203 in original costume.
Two rare character models are the 111 and 128 by Simon and Halbig.
Joyce Lanza
I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com
Visit my website: www.grandmasatticdolls.com 1. - 2. 15" Earliest Mark Portrait Jumeau #0 Bebe, mint pale pressed bisque, head coil intact, blue threaded almond shaped p/w eyes, early blush under brows, , orig. mohair wig, ALL FACTORY orig. velvet & silk 2 pc. dress & orig. matching hat, ant. ermine stole, orig. slip & undies & orig. size #0 shoes. On orig. early 8 ball jointed st. wrist "signed" Jumeau body. Absolutely BREATHTAKING!!! ONLY‌$17,500. 3. - 4. 14" K * R #117 Mein Liebling Character, mint pale bisque, br. sl. eyes, orig. braided full mohair wig, ALL FACTORY orig. Swiss Dot batiste & lace ruffled dress, orig. undie set, orig. leather shoes & socks, added ant. batiste hat & ant. muff. On orig. K * R body. GREAT rare cabinet size, cl/mo., pouty expression & absolutely DARLING!!! $4450. 5. - 6. 13" Tete Jumeau Bebe, perfect bisque, huge blue p/w eyes, luscious lashes, orig. head coil intact, orig. mohair wig, wears orig. cotton 2 pc. costume, loads of orig. undies, ant. Fr. shoes, ant. Ermine stole & very ornate ant. Fr. lace & silk hat. On orig. early "signed" st. wrist body, fully signed head. The most ADORABLE Tete ever. DARLING desirable baby face!!! $5700. 7. - 8. 16" Rare Steiner B Series Bebe, immaculate mint pale pressed bisque, blue lever eyes, early blush under brows, 2 rows of teeth, magnificent orig. long full mohair wig in orig. Bru style set. Wears her very ornate FACTORY orig. silk & lace dress, orig. shoes, socks, slip, undies & orig. hat. On orig. Steiner body, working momma & poppa pull strings & the most delicately modeled orig. "BISQUE HANDS"!! Not only RARE, but this Bebe has it all!! EXTRAORDINARILY BEAUTIFUL!!! $9500. 9. - 10. 11" Sonnenberg Child, beautiful blue sl. eyes, "closed dome", immaculate pale bisque, cl/mo., lambs wool wig, wears ant. orig. magnificent ornate Fr. silk flowered dress trimmed w/lace, orig. matching hat, orig. leather shoes & silk socks. On orig. early st. wrist Belton type body. This little doll is ABSOLUTELY GORGEOUS!!! $2900. 11. 10-1/2" A.M. #240 Kewpie Googlie Toddler, huge blue sl. eyes, big watermelon mouth, Wears ant. blue velvet jacket, matching pants &cotton shirt. On orig. compo. 5 pc. toddler body. The most adorable face EVER!!! $4500. 12. 9" Horsman Rare Large "All Bisque" Tynie Baby, swivel neck, blue sl. eyes, & rare bald head. Wears orig. baby gown, ant. bonnet & crocheted baby jacket. On orig. all bisque bent limb baby body, perfect bisque OVERALL. Includes ant. stroller she is displayed with. Rarely found bald head large version of this desirable all bisque baby doll. ADORABLE!!! $3600. 13. - 14. 15" E. 7 J. Jumeau Bebe, perfect pale pressed bisque, orig. head coil intact, blue threaded p/w eyes , early blush under brows, orig. mohair wig & pate. Wears ant. FACTORY Jumeau dress, ant. undies, ant. Fr. shoes, ant. crocheted socks & magnificent velvet FACTORY Jumeau velvet hat. On orig. early st. wrist Jumeau body. Tremendous presence & an absolute KNOCKOUT!!! $8275. LAYAWAY AVAILABLE Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
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Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS
Happy New Year! 16” Bru Jne 4, Chevrot body, orig. chest label, marked Bru shoes. $34,500. Exhibiting: January 26 Verdugo Hills Doll Club Show, Glendale CA, Glendale Civic Auditorium
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
JANUARY 2013
Happy New Year from Carmel Doll Shop
We’re ringing in the New Year in a small way! Well, “small” where dolls are concerned, as you can see by this marvelous selection of All Bisque Dolls. Please visit carmeldollshop.com for these dolls and many other varieties, plus clothing and accessories. One of our New Years resolutions is to have more frequent website updates in 2013, so be sure and visit carmeldollshop.com today and plan to visit often. While you’re there, please add your name to our mailing list so you will receive advance email notices of our updates. Don’t forget that Carmel Doll Shop can also be found on Ruby Lane. Please accept this sincere “thank you” for your business in 2012, and know that we look forward to hearing from you in this New Year. Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA • Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls Please visit WWW.CARMELDOLLSHOP.COM • Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!
The Complete Guide to Antique, Vintage and Collectible Dolls
January 2013 Volume 15, Number 12
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MORE THAN JUST A PRETTY FACE
by Lynn Murray The early doll heads made by Simon & Halbig showcase the company’s versatility and commitment to quality.
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MEET TILLY B. OF CONCORD, NEW HAMPSHIRE by Joy Harrington A delightful wax-over-taufling models her wardrobe appropriate for a young girl of the 1850’s.
The year 1869 marked an important year in doll-making when businessmen Wilhelm Simon and Carl Halbig joined forces to establish a porcelain factory. In her article Lynn Murray discusses the early years of production and shares several examples of the first mold, a solid dome head with painted or glass eyes. Our cover, an unmarked Simon & Halbig male, with a twill-over-wood articulated body, is most unusual with his painted mustache. Photo and Collection Lynn Murray
About The Cover
THE MARIE ANTOINETTE FANTASY by Sylvia Mac Neil The fichu, a small triangular scarf, in many fanciful variations, is modeled by Chiffonnette. A simple pattern will encourage you to make one for your poupée!
14 Auction Gallery
55 Emporium
54 News
68 Calendar
54 Mystery
71 Classified
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UFDC SPECIAL EXHIBITS 2012 photographed by Keith Kaonis Four special exhibits conclude our coverage of the 2012 UFDC national convention.
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DEWEES COCHRAN AND HER PORTRAIT CHILDREN by Don Jensen
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ANTIQUE DOLL COLLECTOR
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JANUARY 2013
GAITHERSBURG DOLL SHOW DECEMBER 1 & 2
Our Best Wishes
Happy New Year! to you for a
Call 212-787-7279 for details about our dolls!
Valerie Fogel's
Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds
RARE Tiny 9.5 " Bebe Louvre by Jumeau - This precious "wee one" is such a Joy to Behold! Rarely do we see these in this very desirable and sought after cabinet size! She is dressed in a charming original fuchsia & ecru dress over original Jumeau chemise & pantaloons, original size 1 signed Jumeau shoes, adorable antique straw bonnet with pretty ribbon trimmed with dainty flowers. Original long curly honey tone wig which has never been totally removed from the rim. This little prize has been thoroughly examined and is free of any damage, chips or flaws. She has the most expressive little face w/ sparkling blue paper weight eyes, fringed with sweeping lashes & framed with softly stroked brows. Articulated wood & composition body w/ jointed wrists. Her closed mouth is the color of ripened currants... "Precious things come in small packages!" $6800
When I first caught a glimpse of this 20" little one, my first inclination was to sweep her up with a comforting whisper that all would be well. This is the Bebe that comes magically to life in a candle lit room and pleads to be cared for. Blessed with perfect pale bisque, dazzling blue spiral threaded eyes, gentle artistry of lovely molded features and perfect mouth of plump rose lips encircling a little tongue; our winsome lass has just that bit of perfectly crafted sadness mixed with hope. This is such a desirable doll for the collector that has dreamt of owning a beloved Bru Jne Bebe. Perfect pale bisque head, original spiral threaded blue eyes set in original plaster cast, perfect shoulder plate with lovely modeled bosom, marked Bru Jne 6 on both head and shoulders. Chevrot body. Please Call or Email
So rare to find! 9.5" Bebe This precious & wee Series C Steiner bestows the most lovely gaze from large blue threaded eyes. She has delightfully full pastel rose tinted lips, so cherished by collectors, highlighted with delicate outlining. This is a rare to find and charming little Sie C Steiner. Her ensemble is completely original from head to toe. $11,950
Gorgeous Bru Brevete 7 This radiant 22 inch beauty has the somber expression of a demure young girl. Her bisque is pale and lustrous. Her huge spiral threaded blue eyes are hauntingly captivating with carefully stroked lashes, deep eyeliner and framed by softly shaded brows. Her cheeks are delicately tinted in soft pastel pink and her her beautiful mouth is formed with perfectly bowed lips in a slightly deeper shade. She is blessed with a perfectly molded breast plate and exquisitely formed bisque hands and fingers; all in pristine condition. She is enrobed in an original silk magenta and sage Bebe dress and matching original bonnet over her antique blonde curls in original set. She has antique pantaloons and underskirts. Her original signed Bru Shoes complete her attire. Her lovely kid body is very sturdy and in generally good condition with some excellent reinforcement on the lower legs. Overall this is an impeccable doll with a very beautiful and strong presence. She will melt the snow and bring out the sunshine in your heart! Please Call- Generous Layaway Offered
Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA
18" L.D. Poupee - Very lovely and serene Poupee attributed to Louis Doleac and marked accordingly. Beautiful tri-color eyes of sea green rimmed in sapphire. Very sturdy gusseted body. Dressed in remarkable creamy silk bustled walking ensemble and layers of crisp unders. Fantastic original leather slippers. Thick gorgeous mohair wig in original set. $6800
s ’ i z t i Frntique Dolls A
UFDC
Y P P A H NEW YEARe th from r e n t s e K Kids
WE WILL BE AT THE FOLLOWING SHOWS: NAPLES DOLL SHOW JAN 18 & 19 (Fri/Sat) 2013. Moorings Presbytrian Church. Naples, FL NAPERVILLE DOLL SHOW Sunday Jan 27, 2013. Marriott Hotel. Naperville, IL
Buying complete collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net
Cell 630-247-1144
Auction Gallery
Preview: Frasher’s Auction February 2 in Scottsdale
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rasher’s annual winter auction in Scottsdale, Arizona titled “Fleur de lys” features a fine selection of over 250 antique and collectible dolls. Many wonderful French bebes by Jumeau, Schmitt, Gauthier, Gesland and others are highlighted by a “Mystery Doll” with unique modeling, incised “F” and thought to representative of the exquisite doll heads of the Frayon firm, plus an equally stunning early Schmitt bebe with wonderful enlongated almond eyes. Also included are several French poupees by Bru, F.G., and Jumeau, German characters by Kammer & Reinhardt, Marseille, and Kestner, Asian models by Kestner and Simon Halbig, French characters by S.F.B.J., an outstanding 14-inch toddler model of Kestner Hilda, a choice Hilda baby, Hertel & Schwab “Jubilee” googly in original suit, lady dolls by Dressel, Kestner and Simon Halbig, vintage bisque Kewpies, Austrian enamel miniature furnishings, and a superb offering of doll hats, shoes, dresses and accessories, along with select composition Alexander Wave and Wac portrait dolls, Dionne Quintuplets, Patsy family dolls and Shirley Temples. All will go under the hammer at Frasher’s February 2 auction in the popular get-away-for winter city Scottsdale, Arizona at the Chaparral Suites Resort, 500l N. Scottsdale Road. Color catalogs with after-sale prices realized are $45. Internet bidding will also be possible at liveauctioneers.com, as well as absentee and telephone bidding with Frasher’s representatives. 1. A fine representation of the “flapper” is this Cuno & Otto Dressel mold 1469 lady. 2. Jubilee googly by Hertel & Schwab accompanied by all-original petite model of K * R 126. 3. Splendid French bisque bebe by mystery maker, marked “F” and thought to be from the porcelain firm of Frayon who created heads for other firms such as Steiner and Halopeau. 4. Early French bebe with wonderful, extreme almond-shaped eyes. 5. Asian character baby by Kestner and exotic-look Simon and Halbig mold 1329. 6. A 27” Bebe Jumeau with provenance.
More pictures from Frasher Auction on page 57 14
ANTIQUE DOLL COLLECTOR
JANUARY 2013
Danny & Barrie Shapiro
Creating The Ultimate Collection
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Since 1975, The Toy Shoppe has focused on dolls of exceptional design and artistry created with the highest standards of production.
After creating fine porcelain dolls for more than 25 years, Lynne & Michael Roche are recognized as master doll makers. Their charming style draws influence from the famous 19th century French classics that originally inspired them. Roche dolls are rare treasures... truly tomorrow's antiques today.
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call us toll free 1 800 447-7995 www.TheToyShoppe.com 11632 Busy St, Richmond, VA 23236
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More Than Just a Pretty Face By Lynn Murray
T
he year is 1869. Two businessmen, Wilhelm Simon and Carl Halbig joined forces to establish a porcelain factory. The elder partner, Wilhelm Simon, was an established toy maker from Hildburghausen. He would bring experience and financial backing to the partnership. The 30-year-old Carl Halbig was a visionary who would bring a set of high standards for quality and efficient methods of production to the new company. 1869 was a year of significant accomplishments for business and industry around the world. In the United States, Ulysses Grant succeeded Andrew Johnson as the 18th President of the US. The Civil War was over and the first railroad across North America was completed with the driving of the “golden spike” at Promontory, Utah. In Egypt, the Suez Canal was inaugurated, linking the Mediterranean Sea with the Red Sea. These changes in transportation and shipping would have profound effects on trade. In the literary world, the work of Louisa May Alcott shared the shelf with that of Mark Twain, Victor Hugo, Horatio Alger and Leo Tolstoy. P.T. Barnum wrote his autobiography “Struggles and Triumphs” and John Stuart Mill wrote the controversial “Subjection of Women.” Two early cloth body dolls with solid dome heads, glass eyes, bisque lower arms and legs. The larger doll is 8 inches tall, the smaller, just 5.5 inches. The 3.5 inch all-bisque is from a modified version of the basic mold, with molded hair. Dolls are from the Collection of Lynn Murray ANTIQUE DOLL COLLECTOR
JANUARY 2013
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Mistakenly referred to as French-type all-bisque prior to the definitive book, “Mignonnette by Mathilde Heritier and Samy Odin,” collectors now recognize this 5 inch all-bisque as a Simon & Halbig doll. Though some of the details are missing – the multi stroked eyebrows, the defining lip line, the separate thumb – this example is still a desirable little doll. She is considered more unusual because of her bare feet. Her totally original costume and tiny leather shoes make her a charming package.
Brahms’s Requiem and Wagner’s Das Rheingold were written in 1869, but the year was not completely a solemn year in music. Such tunes as Little Brown Jug and Shoo Fly, Don’t Bother Me, brought political commentary into popular culture. The waltz remained the favorite dance and women’s fashion lent romance and grace to every social occasion. Despite the restrictions of crinoline and corset, women’s suffrage was taking hold. In New York, Susan B. Anthony and Elizabeth Cady Stanton formed the National Woman’s Suffrage Association. In England the first universitylevel residential woman’s college was founded in Cambridge. The State of Wyoming passed 22
ANTIQUE DOLL COLLECTOR
JANUARY 2013
Above: The body of the 6-inch all-bisque is recognized as a S&H body by the shape of the hands and the torso with the slightly protruding toddler’s tummy and derriere. This size is sometimes found with the simple blue boots, as were the smaller versions of the same doll. Below: The 6-inch all-bisque doll by S&H loses none of the fine details that typifies the lady dolls. Note the multi-stroke eyebrows, the perfect almond eye-cuts and the multitude of eyelashes. The 6-inch size was made with a solid dome head, requiring a steady hand to set those tiny glass eyes through the neck hole.
The Simon & Halbig allbisque with glazed molded hair is a seldom seen version of the company’s early, unmarked head. This doll was made with black hair and with café au lait hair. The large 8 inch size of this all-bisque makes her even more desirable. Her modeling is crisp and the brush strokes around her forehead are very fine. Her hairband is not tinted. The additional blushing highlighting the body indicates further that her destiny was for a high-end toy shop. Smaller versions of the same doll were made with painted eyes and with joints at the shoulder only. The smaller version had café au lait bisque hair with a painted green headband.
the first law in the world to give women the right to vote and in Iowa Arabella A. Mansfield became the first American woman to have a license to practice law. The paintings of Degas, Tissot, Manet, Monet and Dore portrayed women with softly rounded shoulders and hair upswept in curls decorated with bands or bows, delicate hands and feet peaking demurely from beneath ruffles of lace. Porcelain manufacturers in turn portrayed women as figurines or dolls with the look that was au courant. The town of Gräfenhain, nestled in a valley in northern Thüringen, has a population of approximately 1400 people, just as it did almost 200 years ago. When the Simon & Halbig porcelain factory was opened, it provided employment for many of the local people and commerce for the local shop owners. Carl Halbig was originally from the industrial
This 10 inch unmarked Simon & Halbig doll is a rarely seen example with painted eyes and molded decorated hair. Her hair is swept back off the face, tied with a bow and rolled into a roll that extends all the way around the back of the doll’s head. Her body is cloth with lower limbs of bisque, cupped hands, white molded stockings and four-strap boutines.
ANTIQUE DOLL COLLECTOR
JANUARY 2013
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The 12-inch unmarked Simon & Halbig child has the same cloth body style and lower bisque limbs as the smaller examples. Her dark curly human hair wig and her brown eyes are unusual, perhaps added to the offering in order to capture a new market or simply add some variety. The quality and style of painting remains faithful to the original sculpt.
The 11-inch lady doll has a cloth body with bisque lower arms and legs. Her expression is pert due to the setting of her glass eyes. Her molded hairstyle is embellished with a wine colored bow in the front. In the back her hair is in two welldefined plaits caught up by as if by a snood.
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The 12 inch doll with glass eyes and molded hair clearly shows the distinctive painting style used for the eyebrows of many of the early Simon & Halbig unmarked dolls. Starting in a point, the multi-stroked eyebrow curves gracefully over the eye to the outside edge. The eyelashes are short and plentiful and the lips painted simply with a pale coral and a single fine definition line between lower and upper lip. In this case, the doll’s ears are exposed completely and not pierced. Her body is of cloth with lower limbs of bisque, with cupped hands, molded stockings and grey boots with black edging. The 13 inch doll is perhaps the most unusual in this collection of dolls, for he has a painted moustache. He has a twill-over-wood body with lower bisque arms and legs. His head has been cut to insert glass eyes and a cork pate. His ears are pierced.
area of southern Germany, Frankonia. He understood the needs of his workers very well and he understood the privilege of being the wealthy benefactor. While he built himself a large mansion on the edge of the village, he inspired loyalty from his factory workers by being benevolent: providing toys, ice skates, extra food distributed at school and street lighting in the village to brighten the dark days of winter. Unlike any of the German doll companies, the porcelain company did not rely on home-workers. The factory workers were well supervised and the standard of work was maintained at a very high level. Halbig was a shrewd businessman who eventually supplied doll heads and porcelain parts to more than twenty doll factories in the local area, in Sonneberg and in France. Much of the key to his success was versatility. This can be seen readily by studying the early doll heads made at the Simon & Halbig Company. The earliest dolls did not have an S & H mark. They were completely unmarked, shipped in boxes bearing a label with the company’s name and trademark. Eventually the heads were marked with S & H and a number indicating size. The earliest face, which collectors simply refer to simply as “THE Simon & Halbig” face seems designed to adapt infinitely. It was in production within a year of the company’s establishment. The mold with no number was produced as a solid dome head with painted or glass eyes. Sometimes it had the addition of pierced ears. Some of the larger solid dome heads were marked with a line around the circumference of the head, giving a guide for cutting the crown ANTIQUE DOLL COLLECTOR
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From the time Carl Halbig and Wilhelm Simon entered into partnership, their plan was to expand trade with international clients. In order to accomplish that, they had to be competitive with the poupĂŠes made in Paris. The 1870s was the pinnacle for the French fashion doll, but Carl Halbig set high standards for the company and Wilhelm Simon was an astute businessman. This original fashion lady is an example of their determination and success.
This 16-inch doll has the exquisite clear complexion so desirable in early bisque dolls. She has a shoulderhead on a cloth body with slender bisque arms and cupped hands. Her head has been cut to insert the eyes and a cork pate for under her original mohair wig. Her ears are pierced. Judging from the bisque color and the cloth body style, this doll is contemporary with the shoulderhead with Alice hairstyle. Either doll is equally at home as a child or an adult. 26
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As the development of more articulation in doll bodies progressed, Carl Halbig fought to keep his company on the leading edge. The company produced two types of twill-over-wood bodies as seen here. The larger 16-inch example has eleven points of articulation including the ankles. The 10-inch example has nine points of articulation with bisque lower legs as well as lower arms. The 16-inch twill-over-wood body fashion doll was thought to have been made in France by early collectors. In fact, she was made to compete with the French poupées of the 1870s.
off the head to more easily insert eyes. This head was adapted with the addition of molded hair and molded decorated hair. One example has molded hair with a glazed finish. The dolls were being made for export, so it was essential that they were competitive with the French-made dolls. Thus, they were presented on leather bodies, or cloth bodies with bisque lower arms and legs or articulated bodies of twill-over-wood. By using the same face mold and adapting the hairstyles, Carl Halbig was assured that the quality of the fine face painting ANTIQUE DOLL COLLECTOR
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The 18-inch lady has yet another molded hairstyle, this time without decoration. Parted in the center and swept away from her face, her hair encircles her head with an elaborate combination of curls, rolls and braids. Her exposed ears are pierced and her facial painting is unmistakably that of Simon & Halbig.
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The 18-inch lady doll is on a leather over wood body with eleven points of articulation, including the ankles. Her bisque arms are more graceful than those found on the twill-over-wood bodies.
would be consistent. The bisque limbs were adaptable to several body styles. For a growing company, the investment in training, moldmaking and inventory could have been otherwise overwhelming. For the first five years the company continued to produce children’s dishes and bisque novelty figures, for which Wilhelm Simon already had clientele. Their dolls were introduced with the existing line of toys and novelties. As the doll sales expanded, Carl Halbig was able to source and employ sculptors to expand the doll line. In this way, the company was able to produce high quality product and finance development for the future. In less than ten years, they became a major source of competition not only in Germany, but in France. Carl Halbig was a very savvy entrepreneur. He loved to travel the world and he enjoyed a very comfortable lifestyle. He was willing to work very hard to achieve success, yet he was able to maintain an amiable relationship with his partner and his workers. Doubtless his achievements were partially made possible by the fact that the first doll face was more than just a pretty face.
Blackberry Studio
With some changes to the sculpt of the molded hair, another version of the doll could be created. This example is 19-inches tall, a shoulderhead on a cloth body with slender bisque lower arms and pierced ears. With her Alice hairstyle, she could be a lady or a child.
Margaret Gray Kincaid Member NADDA and UFDC
Tel. 410.323.0373 Cell: 646-709-4340 Margaret.kincaid@gmail.com
HAPPY NEW YEAR! Wood Body FG $6500. FG Nurse with Baby $2250. Unmarked French Fashion on wooden body $6500. Pen Wipe Dog $450. Pair of Chairs $750. Old Paris Tea Set with violets $125. China cupboard $850 ANTIQUE DOLL COLLECTOR
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Gigi’s Dolls & Sherry’s Teddy Bears Inc.
19” Jumeau French Fashion, pierced ears, swivel head, stamped Jumeau body, antique dress, coat, undergarments and shoes, HH wig, shading above blue pw eyes, $3300 now $2895
12” K *R 114, original mohair wig, shoes & socks, great molding & coloring $2100
Chad Valley All Original 16” Princess Elizabeth and 15” Princess Margaret Rose, mohair wigs, glass eyes, Elizabeth’s wrist tag, matching crape dresses and blue wool coats and hats $1850
18” CM Three Hole Belton #300/8 on early stiff wrist body, brown HH wig $1150 Now $850 7 ½” “Just Me” A 310/11/0 M 1925, blue sleep eyes, 5 piece body w/ molded shoes, original unders $995 Now $895 14” x 11” Early Steiff Bear on wooden wheels, underscored F button in ear, shoe button eyes $1020
28” Kestner #17 on Jumeau body, blue sleep eyes, HH wig, antique clothing, great facial coloring $675 16” Century Baby by Kestner, brown sleep eyes, great molding, antique clothing $595 17” x 13” Wonderful Early Steiff Bear on metal wheels, underscored F button in ear, working growler $1525
4” All Original CM French Mignonette, glass eyes, blonde mohair wig, jointed head, black strap shoes w/ heels $1495 Now $800 5” CM French Mignonette, glass eyes, blonde mohair wig, jointed head, black 2 strap shoes w/ heels $2995 Now $1995 4” All Original CM French Mignonette in cream satin suit and hat, glass eyes, blonde mohair wig, jointed head, black 2 strap shoes w/ heels, chip on body by neck and upper left leg $1550 Now $1050
22” Tete Jumeau #10, original wig, earrings, shoes (#10 Paris Depose, as is) & socks, blue pw eyes, great face $4895
3 ½” 1950’s Schuco Mohair Bear, metal jointed limbs $50 16 ½” Early Square Tooth Kestner on stiff wrist body, HH wig, blue sleep eyes $1150 5” 1940’s Schuco Monkey Perfume Bottle with tin eyes $195
23” SFBJ on Jumeau body w/ replaced French hands, HH wig, antique sailor dress, blue eyes, pierced ears, satin smooth bisque $995
18” ED Etienne Denamiur Paris, stiff wrist body, brown paperweight eyes, antique dress, coat, undergarments, shoes & socks $3050 Now $2950 22” A M #560 A DRMG 232 M, brown sleep eyes, cute with slight dimples $500 Now $425 10” German Gray Poodle possible Hermann, jointed limbs $65
12” Portrait Dewees Cochran of Peter Ponsett age 5, marked DC PP 54 #3, latex body, HH wig, brown painted eyes, leather shoes $1650 11” x 8” Steiff 1950’s jointed Lion, fabulous mohair $145 11” Stormie Age 3 by Dewees Cochran all original, blue hand painted eyes, latex, HH wig, green organdy dress, leather shoes $1450
20” K * R S & H #126 baby, really sweet, blue sleep eyes, original brown mohair wig $580 Now $495 10” Norah Wellings tagged on foot, o/m, painted teeth $65 8 ½” Lenci Sold 8” Norah Wellings type Sailor in velvet “Washington” on hat $31.50
2” Early Pink Luster Frozen Charlotte all original, great detailing $165 3 ½” All Bisque molded hair, painted eyes $125 4 ¼” Doll House Girl all original, blonde molded hair w/ black band, blue eyes $225 Now $185 3 ¼” All Original All Bisque Amelia Earhardt in flight suit, molded goggles $395 Now $295 3” All Bisque MIBS by Amberg designed by Hazel Drucker, jointed arms $215
16” Knickerbocker Musical Raggedy Ann, works $125 15” x 11 ½” 1930’s “Little Lady Range” electric stove from Kokomo, IN, great condition $79 15” Beloved Belindy tagged Babbs Merrill ©1965, great face really mint, no apron $395
22” Heinrich Handwerck S & H #2 ½, vintage clothing, original brown mohair wig, blue sleep eyes, pierced ears $590 Now $500 21” Kestner #171, brown sleep eyes, repair on upper leg $595 7 ½” Norwegian Ronnaug Pettersen “Oslo” in box, great coloring $175
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36” 1959 Shirley Temple ST 35-37 on neck, original shoes & socks, vintage dress $695
10” 1930-40’s Swiss Linden Craved Wooden Pair, Tagged Benne - Work Day #800/60 and Berne- Work Day #800/61, jointed limbs, from Brienz, Switzerland $675 pair
Set of 3 Loveleigh Novelty dolls of GA 1920 – 40’s, 2 earlier dolls with red outlined eyes, “Mandy’s Day Off” (tagged), Banjo Player and Coachman, walnut heads, wire armature bodies $295
Effanbee Wee Patsy’s Composition - all original Original blue and white dot dress, original green print overalls $195 Original blue and white dot dress, original green print overalls $195 Original red and white check dress $195 Original red and white check dress, pin and repainted shoes $170
18” 1942 General McArthur by Frendlind, all original in uniform, wonderful composition $325
NASB Dolls Mint in Boxes Beauty (Beauty and the Beast) #156, jointed legs $95 He Loves Me, He Loves Me Not #121, pudgy tummy with jointed legs $150 Goldilocks and the Baby Bear #128, jointed legs, no bear $110 Alice Sweet Alice She Looks Fine & Dandy #122, pudgy tummy with jointed legs $120 When She Was Good #132 with booklet, Jointed legs $125
1937 Coronation Liberty of London 9” King George VI, 8” Queen Elizabeth, 9” Queen Mary, 7 ½” Princess Elizabeth, well detailed cloth dolls with velvet capes & crowns $695 set 16” Dora Deans Hygenic Doll with “Kleenagane” face, all original with hang tag, blue eyes $345
42” Ideal Daddy’s Girl all original dress (cut tag), hat, shoes, no unders, scuff right cheek $595
1930 Marx Tin Newlywed Living Room w/ 3 pieces of furniture $95 1930 Marx Tin Newlywed Kitchen with 5 pieces of furniture, some rust $80 or both $155 2” German All Bisque, jointed limbs, molded hair $45 3” All original All Bisque in Fabulous Ethnic Costume, mohair braids $325 Now $260 2” German Hertwig Twins in red $90 16 1/2” Later Marta Chase Girl and Boy, 13 1/2” Baby with molded hair, hand painted facial features, some peeling on limbs $149.95 set
16” All Original Madame Alexander Princess Elizabeth with crown and velvet cape (missing ermine tails), very slight 9 ½” 1930-40’s Wood Pin crazing $395 Jointed Doll with applied wooden curls, painted face, antique fabric dress & hat $175
9 ½” Mr. Peanut wood ball jointed character, replaced cane $145 Now $125 16” Terri Lee in tagged Girl Scout uniform, Ideal shoes, great face, brunette wig in original set $195 19” Ideal P92 P19 on body in original tagged dress, great facial coloring, blue eyes, light brown wig $195 5” Jaymar of Chicago’s Moon Mullins with cigar $95
20” Shirley Temple original dress, wig and shoes, new combination, some crazing $425 OM Jointed Hermann Teddy Bear $85 18” 1934 Shirley Temple in Stand Up & Cheer original dress, socks and shoes, new combination, slight crazing $325 Now $285 1930’s English & German Shirley Temple Postcards, many different pictures to choose from $10 each
LAYAW AVAILA AY BLE
8” 1961 Nancy Ann Muffie all original straight leg walker $250 Now $ 180 8” Alexander “American Girl” 196162 all original $145 Now $120 10” Jill in 1958 #3313 dress $75 Now $65 8” Alexander “Queen Elizabeth” 1954 #597 from Me & My Shadow Series, no crown $245 Now $195 8” Nancy Ann straight leg walker Muffie $95
26” 1916 10 CM Bergman, brown sleep eyes, HH wig $400 19” Heinrick Handwerck #29 in original chemise, shoes and socks, brown sleep eyes $450 Now $400
19” 1940’s German Girl all original, Celluloid head and arms, cloth body, nose slight dent $40 12” Kathe Kruse in box, HH wig in braids, blue eyes $95 21” 1940’s Japanese silk face, molded hands, cloth body and legs, beautiful facial detailing, silver mohair wig $54.50 14” All Original Scottish Boy, painted bisque AM 390, mohair wig, blue sleep eyes $150
8 ½” Baitz of Austria “Wilte” #375 &”St Wolfgang” #375 all original tagged pair $60 7” 1940’s Polish lady molded cloth face, great detailing $32 7” 1940’s Polish Man fabulous detailing on clothing $29.95 10” Ravca Knitter tagged #36-109 “Lavoyarde”, stockinet face, painted features $110 9” 1940’s Made in Damascas – Galilean Shepherd, Marshall Fields tag $39.95
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of Concord, New Hampshire by Joy Harrington
Photographs by Joy Harrington and Carol Corson
Tilly cools off on hot summer days by wearing her light weight white cotton low neck dress. The dress is fastened in the back with simple loops and buttons at the neckline and waist. The sleeves are trimmed in lace and the waist is adorned with silk ribbon threaded through lace trim. She has on her light weight white stockings and blue leather shoes and her straw hat with blue ribbon trim.
s an ardent doll collector, I will admit to spending too much time checking out auction web sites, speed reading through auction lists and scrutinizing photographs for some desired treasure. Last summer while checking a favorite New England auctioneer website, I spotted a potential treasure. I enlarged the picture as much as my screen would allow and there before me was a wax-over taufling pictured next to what looked like a trunk of clothes. The clothes looked promising as I spotted what looked like an early dress amidst the pile of indiscernible textiles. My heart went pitter patter! I love early dolls. And I especially love dolls with their original wardrobes. Could I be so lucky? I checked the date of the auction. As luck would have it, I was already planning to be nearby the auction house while traveling with friends. The date of the sale finally arrived and I went off to the auction with my friends, who are also doll lovers. 32
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Tilly enjoys wearing her green checked silk skirt and white cotton blouse for a walk in the garden. The skirt is enhanced with trim on the waist and down the folds of the skirt. The blouse is made of windowpane cotton and has simple trim at the neckline with a five button front closure.
We entered the auction house and I quickly spotted her lying unceremoniously on a table with the trunk beside her. My friends and I quickly inspected her and her trunk of clothing, trying not to draw too much attention to the object of my desire! She was a taufling as I suspected and unceremoniously dressed in an early 20th century romper and earlier coat. The trunk appeared to contain her original wardrobe. I was ecstatic! With my friends encouraging me, we decided to sit through the auction until my girl came up. I scanned the room for competition. This was a general estate auction, so there were no familiar doll lovers visible in the crowd. But who knew what left bids or phone bids there were. When my doll came up for bid, she opened with a left bid, I then made the next bid and miraculously she became mine! I quickly paid for her and we gathered her up with her trunk and headed off to the motel to fully inspect her and her belongings.
We discovered that I had just purchased an obviously well loved and cared for eighteeninch German wax-over sleep-eyed taufling with a wardrobe for a young girl of the late 1850’s. Somewhere in time, my girl had sustained a crack to her left temple as well as the usual surface cracks on the wax, a scuff to her nose and slip covering to the cloth parts of her body and her composition torso. In addition, her wood, composition and wax surfaces were covered with a substance that had aged to an inappropriate dark mahogany color. Fortunately, the dark areas were easily removed revealing her natural color below. A full accounting of the trunk’s contents revealed a complete wardrobe for a young girl of the late 1850’s including four dresses, a skirt, two blouses, a nightgown and robe, two sets of underwear, a coat with a separate cape, four hats, two pairs of stockings, two aprons and a smock, a pair of boots and a pair of shoes as well as her 1920’s era romper and a handmade pattern of the romper. All of her circa 1850’s clothing is machine and handsewn by a talented seamstress who employed the usual construction techniques of the day such as lining all of the dress bodices and using cording around the armholes. As we admired my new doll, who I quickly
Tilly’s school dress is made of a black and white check wool blend and is trimmed in red wool tape with a simple lace trim at the neckline. The dress fastens in the back with tiny black buttons. She wears her brown leather boots and heavier stockings for warmth on the long walk to the school house.
Tilly shows off her low neck blue dress with white cotton dimity blouse. The dress has cap sleeves and is trimmed in black velvet ribbon. The dress fastens in the back with hook and eyes and is trimmed with tiny buttons on the back bodice. Her long sleeved blouse is made of dimity and buttons in the back. There is corded detail at the arm holes and simple white trim at the neckline.
Tilly arrives for the Christmas party in her wool coat and cape. Both are trimmed in blue ribbon which matches the ribbon on her brown velvet hat. The coat closes with five tiny black buttons and the cape has a brass hook and eye closure at the neck.
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Tilly is ready for the party in her Christmas red dress. The dress is trimmed with black cording at the waist, neckline and armholes. The dress closes in the back with brass hooks and eyes.
named Tilly B., we wondered about her history. I checked with my friendly auctioneer and the only information he could provide was that Tilly B. had resided with an elderly woman from a prominent Concord, New Hampshire family. The auction company had sold the contents of the woman’s fifteen room home a few years ago when she was moving into a three room apartment in an assisted living facility. The elderly woman had obviously cherished Tilly B. and her wardrobe and may have been the last of the family to play with her when she was a child, thus the addition of the 1920’s romper. Tilly B. ended up at the auction house along with the remaining possessions of this former Concord resident’s estate. I wish I knew more, but it is obvious that she was a well loved family doll. One can conjecture that Tilly B. probably lived in the Concord, New Hampshire area since arriving in America sometime in the late 1850’s as a special gift for a very lucky little girl. I am happy to report that Tilly B. has adjusted well to her new life in Pennsylvania and is happy to once again be loved and appreciated. She enjoys changing her clothes to match the event and season and is a bit of a ham in front of the camera. 34
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Tilly is ready for bed with her long sleeved white cotton nightgown and simple green checked cotton robe and knit night cap. The robe has self cording at the neckline and armholes and closes with a hook and eye at the neckline. The nightgown has a simple button front closure.
Tilly’s trunk contains her extra set of cotton underwear, which consists of chemises, pantaloons, and full and half slips. Tilly has both a cotton full slip and a wool flannel slip for winter warmth. Also pictured are her two aprons, a simple white cotton apron and a printed apron, her simple white smock and her extra knit hats. Also pictured is her circa 1920’s romper and the handmade romper pattern. Tilly B. gets her “B.” from the bee on her straw bonnet!
The Marie Antoinette Fantasy
by Sylvia Mac Neil
P
aris has always been famous for creating fantasies and accessories for the feminine toilette, and the couturiers had the talent for rendering these fantasies quite indispensable. Take, for example, the various short capes, pelerines and fichus, not made to match the dress, but to harmonize with it. These pretty additions to the toilette, referred to as confections, by the French, were exceedingly popular. One of the prettiest fantasies in the way of confections was the Marie Antoinette fichu, named for the Austrian born, teenage queen of France, Marie Antoinette. She is considered to be part of popular culture and a major historical figure. Some academics and scholars have deemed her frivolous and superficial, and have attributed the start of the French Revolution to her; others, however, have claimed that she was treated unjustly and that views of her ought to be more sympathetic. In 1774, Marie Antoinette was given free rein to renovate the Petit Trianon, a small château on the grounds of the Palace of Versailles. She redesigned the gardens in the English manner, and
chose the English dress of indienne, percale or muslin. Some years later, in 1784, she occupied herself with the creation of the Hameau de la Reine, The Queen’s Hamlet, a model hamlet with a mill and twelve cottages in the surrounding garden of the Petit Trianon. When visiting the hamlet, she often donned a dress of white muslin with a white, gauze fichu and a straw hat. This innovativeness of dress of Marie Antoinette and her court imitated the simple, unsophisticated, country life of peasants. It was a matter of common sense, if one went into the world, it was best to conform to its plain, uncomplicated rules. In short, every fashion device that was costly, fantastic, or novel was sure to take ground, for a time at least, with the pleasure loving, novelty seeking society. Soon, the élégantes adopted the simple feminine accessory, the fichu. A small, triangular scarf of lightweight material, it was worn over the shoulders and crossed in front, or tied in a loose knot at the breast. Brought into vogue by Marie Antoinette, variations of this popular fashion accessory, in countless fabrics and trims, were universally featured
Above: This painting is of Marie Antoinette and her children, when the mob broke into the Tuileries Palace on June 20, 1792. Several figures, including Marie Antoinette, are depicted wearing simple, white fichus. 38
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The outstanding feature of this ensemble is the Marie Antoinette fichu which is fashioned from the same material as the dress. The back fits smoothly across the shoulders, the rounded bottom falling quite to the waist. The ends are simply crossed one over the other, falling prettily in long lappets. All is trimmed with Val lace to correspond.
Here is Chiffonnette, a 17 ¾ inch doll attributed to Huret, modeling a coquettish, little number made up in a fine, cotton dotted Swiss. The light and airy dress has a simple bodice with large, puffed sleeves and a full skirt trimmed with a flounce and garnished with Valenciennes lace.
in fashion journals in every decade since, from as early as the 1790s and continuing into the 20th century. Illustrations in black and white, others colored with brightly tinted inks, were illustrated and reviewed in periodicals such as Le Bon Ton, Cendrillon, La Belle Assemblée, Le Follet in French, and Ladies’ Museum, Ackerman’s Repository and Englishwoman’s Domestic Magazine in English. More well known to those doing research today are Journal des Demoiselles, Magasin des Demoiselles, La Mode Illustrée, and naturally enough, “Godey’s Ladies’ Book” and “Peterson’s Magazine.” And let’s not forget the fashion reviews and patterns offered every month in the favored, French children’s magazine, La Poupée Modèle. In the October, 1849, issue of “Peterson’s Magazine,” this detailed information and description appeared; “Among pelerines we have observed one just imported from Paris, made to sit low and easy round the neck. At the back it has something the appearance of a berthe; but in front it descends in long ends, which are crossed on the bosom, then carried behind, where they are tied at the back of the waist. This pelerine may be made of worked muslin, trimmed with narrow lace; or it may be of silk, either back or colored. If made of black, it may be trimmed with narrow lace; and if of colored silk, with a ruche of the same material. When the season becomes
The caprice for fancy is displayed in this striking red and black geometric print on a white background; woven white stripes accent the sheerness of the fine, cotton fabric. This model of grace and elegance is made up from the same pattern as the white dotted Swiss dress. It is surely destined to meet with great success. ANTIQUE DOLL COLLECTOR
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Nothing could be more charming than Chiffonnette wearing a Marie Antoinette fichu modeled after an original doll’s fichu in a museum in Monaco. Made of black taffeta, it is edged round with black silk fringe. A novel feature is the jet beaded braid. It is set at the edge of the neckline and just above the fringe on the cape-like portion. The fichu then narrows, and only one row of the braid continues down the center of the gently rounded lappets, looped over at the back.
This dainty fichu is made up in creamy white, fine cotton and Valenciennes lace. It is garnished in a similar manner to the black silk one, with the addition of three small tabs of lace set at the neckline in back.
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Among the novelties is this fichu of white lace, draped in perfection. A 19th century lady’s lace cap was used to make this fanciful creation. Below, Chiffonnette wears the graceful lace fichu with a green and white windowpane plaid, cotton dress. It is arranged loosely, falling in beautiful, soft folds.
more advanced, this addition to the corsage, made of black velvet, and worn with a dress of colored silk, would have an elegant effect.” It is generally the crossed fichu described here, with long, flowing ends at the back, which was known as the Marie Antoinette fichu. Ends could be long and narrow, nicely rounded or squared or very much pointed. They could, at pleasure, be simply looped one over the other, tied in a loose knot or a fanciful bow. From time to time the shorter fichus which simply crossed in the front also bore the same name. The most novel creations featured in the domain of fashion always occupied a prominent place among the requirements of the wardrobes of dolls. With almost fairylike skill couturiers transformed laces, materials, ribbons and garnitures into charming little coquetries so admired by the doll world. Among the tasteful and novel confections were miniature replicas of Marie Antoinette fichus. Like the adult counterparts they either matched the dress or coordinated with the ensemble. Many lady dolls wore a fichu of simple, white cotton, or black silk, and lace fichus were worn with most folklorique costumes. A fichu was even included in the ever-popular Bleuette’s array of patterns in 1919. Among the fantasies found in original trousseaux of Huret and Rohmer dolls was a variation of the Marie Antoinette fichu. These were made of the same material as the dress, often a dainty, floral, cotton print or simple, crisp, white muslin. This fichu was made like a deep collar attached to the neckline of the dress in back, fell loose to cross in front, were then brought to the back and looped over or tied in a bow. These were decidedly the most delightful affairs introduced by Dame Fashion. ANTIQUE DOLL COLLECTOR
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This jaunty, little affair is an example of the Marie Antoinette fichu which is attached to the dress. Fashioned of aqua blue and white striped taffeta, it crosses over the gathered plastron in front and depends coquettishly at the back. All is trimmed with flounces pinked out along the edge, a tiny hole punched in the middle of each scallop,
Familiar to lovers of early dolls with trousseaux is “The Trousseau Of Blondinette Davranche.” Included in the sumptuous, couturier designed wardrobe are two dresses with the attached Marie Antoinette fichu, one in a tiny, floral cotton print with flounces, and the fanciful creation featured here. Made of fine, white muslin, this elegant model features a fichu crossed in front and looped over at the back, where the lappets cascade nearly to the hem. All is trimmed with fine, hand-embroidered scalloped ruffles, arranged with matchless taste. Photo courtesy Theriaults 42
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In 1850, “Peterson’s” included this fashion note: “Little bodies to wear with low-bodied dresses are in high vogue, as are the Marie-Antoinette and the peasant fichus.” It continues with this description; “For an evening dress, when a lady does not wish to expose her neck, the bodies are made low and nearly straight across. Over them is worn those graceful Louis XIII, or Marie-Antoinette fichus. Some are made of spotted tulle and trimmed with lace, others of plain muslin. Round the latter runs a simple puffing with a double head and having a ribbon in it. This is at once inexpensive and remarkable for freshness.” In the early 1860s, white dresses of every description were in especial favor. Thin, vaporous materials, or “seethrough” muslins, trimmed with fine ruches and airy flounces were made up for dinner or evening dresses, while jaconets, barred muslins, and linen lawns were for morning wear. Rows of wide insertion were used in the skirt, alternating with the same width of muslin. Many ladies remembered this as an old, but elegant, fashion revived. Made to coordinate with these dresses were small capes, fitting close to the shoulders and coming half-way to the waist, about as deep as the old style berthe, but commencing at the throat. These were much more suitable for mid-summer. Another wrap, the mantilla, was very small, open and reached a little below the waist. Paramount
in favor among the Fashionables were Marie Antoinette fichus, made up in the same material and trimmed to correspond with the dresses. The ladies were looking lovelier than ever, from the effect of fresh, light materials, often accented with knots and flowing bows and long streamers of bright, silk ribbons. In the French magazine, Journal Des Demoiselles, in June, 1863, a Marie Antoinette fichu was included in a review of dinner and evening dresses: “I have also seen for evening a dress of striped taffeta without garniture, the bodice was low with a guimpe, and, on the shoulders, a Marie-Antoinette fichu crossed in front and tied behind; the fichu was the same material as the dress, garnished with two little ruffles surmounted by a ruche, the halfopen long sleeves were garnished like the fichu.” In the mid 1860s, it was noted in several ladies’ books that lace had once more found all the favor which formerly rendered it the most beautiful ornament of the female toilette, not to speak of the cuffs and ruffles of gentlemen of the ancient regime. It was no longer to balls that lace lent its charm and grace, it also ornamented morning dresses as well as evening ones. Lace being so generally worn, this beautiful and elegant material was produced in vast profusion and variety. Much of the new lace, such as Alençon, Brussels and Honiton, was remarkable for the richness of its patterns. Black Chantilly lace of superior quality was employed for light wraps and was adapted for trimming cloaks, jackets and other articles of dress. The lace berthes and fichus, invariably worn with low bodices, which had appeared were remarkable for the elegance and costliness of the
Colored engravings of children’s fashions were often featured in French magazines, such as this one from Journal Des Demoiselles in the April issue of 1857: It described the second figure, “Little girl ten or twelve years old. Dress of poplin; the second skirt cut in points, is ornamented with velvet; the sleeves, with double ruffles, are made the same as the second skirt; the Marie-Antoinette fichu, tied behind, of the same fabric as the dress, is also garnished with velvet; Swiss muslin chemisette; puffed sleeves with embroidered cuffs; Louis XIII hat of straw surrounded with a plume.”
The January, 1860, issue of “Godey’s Ladies’ Book” gave this engraving, depicting what Dickens referred to as “worsted armor,” “Bosom Friend, or Sontag. The spots are darned in black in imitation of ermine. A loop is put on one end, in front, and a button on the other, it crosses over and buttons at the back; the back is fastened to a cord and tassels passing round the waist and tied in front.”
Fichu continued on page 64 ANTIQUE DOLL COLLECTOR
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If you’ve been thinking about subscribing to Theriault’s doll auction catalogs, this could be the perfect time. Because coming right up in just a few weeks is a two-volume fabulous cataloged auction with nearly 1000 lots.
A two-volume catalog set “Stars” is available for $79. But subscribers will receive the “Stars” catalog set at 60% savings. We’ve worked hard to make the catalogs more beautiful than ever – and keep the cost as reasonable as possible. Your catalogs are sent rapidly by express mail or UPS, and you will also receive after-auction prices realized. Another benefit for you: if you are solely interested in antique dolls, you can choose to “opt-out” of any specialty catalogs such as modern dolls or doll costumes.
Special Gift Until Jan. 15, 2013 Only
Above is a small sampling of Theriault’s Antique Doll Catalogs from past auctions.
Here’s a breakdown of your options:
Call today at 800-638-0422
or order online at www.theriaults.com.
The 2013 Calendar is free with your new auction catalog subscription (or renewal). The calendar can be ordered separately for $20 by calling 800-966-3655.
the dollmasters PO Box 151 • Annapolis, Maryland 21404 USA Telephone 410-224-3655 • Fax 410-224-2515 www.theriaults.com
Dewees Cochran and Her Portrait Children by Don Jensen Dewees Cochran touching up one of her unique doll heads.
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n a cold January day in 1934, Dewees Cochran boarded a bus outside Saks Fifth Avenue, heading for an upscale shop, Young Books, not far away on Madison Avenue. She was thinking about what the Saks toy buyer had just advised: “Do something realistic, more life-like than these dolls.” Dewees had been creating handmade cloth dolls for only a few months, trying to sell them, with limited success, to Manhattan retailers including Saks, F.A.O. Schwarz and Macy’s. As she pondered the buyer’s words on the short bus ride to the bookstore, an idea came to her. “Why not make a doll to order, to look just like a specific child?” A few minutes later, she hesitantly explained her idea to the bookshop owner. The response was immediate and enthusiastic: “How soon can you have one made?” This was the real beginning of a more than 40-year doll making career for Dewees Cochran. So many wonderful things would follow, including Effanbee’s production of her American Children and her limited editions of Cindy and the Grow-Ups, Susan Stormalong, Angela
The Linda Payson doll with head molded from Plastic Wood, was created for mother, heiress Joan Whitney Payson. Linda Payson, 5, and doll, astride her horse at the 1936 Greentree Fair benefit event. ANTIQUE DOLL COLLECTOR
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Society women became Dewees’ customers. Mrs. Robert Peck, whose husband was a Manhattan banker, ordered this doll to look like her 10-yearold daughter, Marion. It was displayed at the June 1936 Greentree Fair, a major fundraising event at the Whitney estate on Long Island.
A Park Avenue couple, Kenyon and Glenn Winnett Boocock, placed their order for this doll in1936. He – a securities investor – and she – a former debutante from Santa Monica, CA – provided Dewees with photos of their firstborn, two-and-a-half-year-old Susanna.
Cochran’s neighbor, young Patty Wood, 9, and her 17-inch Portrait doll sit in Dewees’ Norwich, Vermont parlor in 1945. 46
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Daska Ivanovic, 6, and her 1950 Portrait doll. Daska was the first-born child of a Park Avenue couple. Her mother, Scarlett – originally Evelyn – Gresham, was an exBroadway dancer. Her father, Vladimir was a wealthy Yugoslavian exile and shipping magnate in New York.
Appleseed, Peter Ponsett, and Jefferson Jones. But it all started with the Portrait dolls, individually sculpted, realistically coiffed and painted, each dressed to look remarkably like the children whose doting parents – mostly the well-to-do – commissioned them. Initially, the orders for Portrait dolls came through the trendy Young Books shop in Manhattan. The very first came at 10:30 the next morning. Cochran was instructed to go to the apartment of songwriter, Irving Berlin. His socially prominent wife, novelist and short story writer Ellin Mackay Berlin wanted Portrait Dolls of her daughters, Mary Ellin, 8, and Linda Louise, 4. Dewees sketched the two little girls and then set to work making the dolls. Dewees, whose prior experience involved mostly cloth dolls, puzzled over what material to use for the heads. She was advised by an acquaintance to try balsa wood. She did, hand-carving the heads for the Berlin dolls. As more orders came in, it became clear that carved balsa wasn’t the answer. Her husband, Paul Helbeck, discovered Plastic Wood, commercial wood-based crack filler that could be pressed into plaster molds. When dried, smoothed and painted it was much like composition. Later, in 1938, she would switch to pourable natural latex and by 1945, when she resumed doll making after WWII, to Vultex, a compound of latex and fine china clays. While some Portraits, like the Berlin children, were based on personal sketches, she preferred to work from
Patty Wood teaching her doll likeness how to knit.
Seven-year-old Marion Faye Cathey and her Portrait doll in a 1945 photo. She was the daughter of Matlee and William E. Cathey, sales manager of a soft drink bottling plant in Norfolk, Virginia.
photographs submitted by the parents, backed up with written descriptions and a hair sample. Just how many individually sculpted Portrait dolls did Cochran make between 1934 and the 1970s? A magazine article reported they numbered about 200 by the end of 1937. A study of her own somewhat sketchy business records suggests that in later years, when she was preoccupied with other doll making projects, she did far fewer Portraits. The author estimates her career total might have been 300 to 350. Her Portrait dolls, understandably, always were expensive. While she might work on several orders at a time, a completed doll typically took several weeks of work. Over the years, some customers were of modest means, but usually they ranged from the merely well-off to the truly wealthy. While she claimed have fixed prices, her records suggest that there was something of a sliding scale, depending on the buyer. In the beginning, an early Portrait doll generally cost around $50. By the early 1970’s, some buyers were paying $500. Understanding that not all parents could afford individually sculpted Portrait dolls,
Musical child prodigies, Veleda and Mary-Alice Stusick, were the daughters of one of Springfield, Massachusetts’ most prominent families, Dr. Stanley and Alice Mikus Stusick. For years, beginning as toddlers, they performed with their mother as a classical trio, playing both harp and violin. At Christmas 1950, when Veleda was 11, and Mary-Alice, 8, they received their Portrait dolls, wearing identical performance costumes. A few months later, they received several more traditional outfits and wrote thank you notes to Dewees. Though Veleda (Stusick) Altman died in her 40s, MaryAlice (Stusick) Plant, then a music teacher, lived until 2003, when her Portrait still stood as the star of a small doll collection atop a table in her upstairs hall.
Dewees studied typical children’s faces and came up with a half dozen standard heads for a new, significantly less expensive Look-Alike series. Even in her advertising, she sometimes referred to Look-Alikes as portrait dolls, which still creates confusion for some collectors. Dewees received more orders for Portrait dolls throughout 1935 and 1936, but perhaps the most important was from one of the richest mothers, Joan Whitney Payson. Mrs. Payson was heiress to the Whitney fortune, and lived on the family’s 400-acre Manhasset, L.I., estate, Greentree, with at least 20 livein servants and a stable of thoroughbred horses. Besides racehorses, Joan Whitney Payson, whose husband, Charles was a successful New York attorney and investor, loved baseball, and later would be a founder and co-owner of the New York Mets. Mrs. Payson, of course, also loved her daughter, Lovinda, usually called, simply, Linda. A frequenter of Young Books, the mother quickly learned of Cochran’s work and contracted with the artist to create a doll ANTIQUE DOLL COLLECTOR
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Edna Socarno Espasas and her Portrait doll in the 1950s, The child was the daughter of Maiza Maria Espasas and her husband, Gabriel, a San Juan, Puerto Rico merchant. Edna currently lived in Florida.
Janet, 12, and Tamar, 9, daughters of Carolyn and James Hutton, and their Portrait dolls, created in 1962. Their father was a Navy chaplain and, later, a Presbyterian clergyman ministering to congregations in California, New York and Vermont. In California, Carolyn Hutton became a friend of the doll artist and, in 1980, incorporated the Dewees Cochran Foundation. The foundation was recently dissolved and Carolyn lives in an assisted living home. Tammy, her younger daughter, resides in California. Janet died in 2012. 48
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portrait of her five-year-old daughter. The Linda Payson doll exists today in the collection of the recently dissolved Dewees Cochran Foundation, overseen by its last director, Cochran expert William Zito. Eventually, the doll is destined for a major museum exhibit. In June 1936, Joan Whitney Payson gave Cochran a big boost by inviting her to display her work at the annual Greentree Fair, a benefit event at Payson’s Long Island estate to support the New York Babies’ Milk Fund Association. The exclusive, charitable “let-down-your-hair” affair was attended by at least a thousand wealthy benefactors, the cream of Society. Dewees’ display of the Linda Payson doll and a tableful of other early Portraits helped established her reputation and led to not only more orders, but also caught the attention of the press. Newspaper stories followed. The New York American wrote: “Something new in dolls, which could easily become a family heirloom, has been introduced in New York. By a sculpture process, a clever woman has undertaken to make dolls in replicas of little girls… “ There were magazine features in the New Yorker, Harper’s Bazaar, American magazine and even Popular Science. She was interviewed on radio and on a very early pre-WWII New York television show. Several Hollywood “shorts” were filmed. The publicity led to orders much further afield than Manhattan and upscale Long Island. In 1940, for example, Dewees was visited in her New York studio by an enthusiastic Blanche Bartshe, who had traveled from Cleveland Heights, Ohio, after she had heard about the Portrait dolls. Mrs. Bartshe and her husband, Glen, president of United Milk Products Co., a major producer of canned condensed milk, wanted Cochran to create doll portraits of their two daughters, 8-yearold Joyce and 11-year-old Grace. So pleased with the likenesses was Blanche that 25 years later, in 1965, she ordered three more dolls of grandchildren, Annette, 3, Jimmy, 4, and Jill, 5. The outbreak of World War II halted Cochran’s doll making. Wartime demands and the enemy occupation of the East Indies cut off supplies of the natural latex rubber she needed. With the end of WWII, she resumed her work, using an improved latex compound called Vultex. She then was splitting her time between her Manhattan studio and a comfortable old home in Norwich, Vermont, just across the river from Hanover, New Hampshire, where she would, for a time, teach artistic design at a craft school. In her Norwich studio, she created one of her first postwar Portrait dolls, using a young dark-haired neighbor, Patty Wood as the subject. Patty also would serve as the model for Dewees’ soon-to-follow limited edition Cindy, dubbed a Modern Cinderella. Dewees Cochran was by now, a well-known name in the doll world with new dolls and doll-related projects keeping her busy. But in the late ‘40’s, ‘50’s and ‘60’s, she still found time to create specially commissioned Portraits, her “bread and butter,” she once said. In 1960, she left the east coast and settled in Santa Cruz, California, where she would spend the rest of her life.
Two of the more important Portrait dolls of the 1960s replicated the photogenic offspring of the U.S. president. An East Orange, New Jersey man commissioned Dewees to create portrait dolls of Jackie and John F. Kennedy’s children, John-John and Caroline. John D. Van Teslaar, a fan of the Kennedys, seems to have gotten a good deal from Cochran for the dolls which he presented to the President and First Lady. Dewees’ records show she charged Van Teslaar only $100 each for the dolls, considerably less than the then-going rate for Portraits. As the years passed, and Dewees advanced into her 80’s, the Portrait doll orders grew fewer. Still, in her autobiography, As If They Might Speak, published in 1979, when she was 87, she wrote: “…it is back to the Speak many delayed, but still highly prized orders for dolls.” She entered a nursing home in Santa Cruz where she would live her last years. Sometime later, she was visited there by a well-known California doll collector, who brought along one of Dewees’ doll creations from long ago. At the sight of her doll, the elderly artist’s face broke into a delighted smile. Though never a mother herself, she always remembered her “children.” “Next time,” Dewees asked Nancy Carlson, “will you dress her in her gray suit?” Not long after that visit, on, May 7, 1991, Dewees Cochran died at the age of 99. The author wishes to thank Dewees Cochran doll expert, William Zito for his important help.
Caroline Kennedy was captured by Cochran in this 1963 Portrait doll, commissioned by a Kennedy supporter, John Van Teslaar and presented to JFK and Jackie.
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Gaithersburg Doll Show December 1 & 2
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he Gaithersburg, MD doll show is looking more and more like a UFDC doll convention. At the December 1st and 2nd show, both days offered programs by Samy Odin and Alan Scott Pate, as well as round table dialogues and demonstrations, doll stringing and repair and ten showcases exhibiting clubs’ and members collections’. A large crowd, a festive holiday atmosphere and as always, a fabulous array of antique and vintage dolls make this a show not to be missed.
Kestner girl #128, $1850 and SFBJ 237, $2300. Ann Lloyd, email: alloyd@nni.com
Left to right, 12-inch AM Baby, Kestner 186 character, S & H 949, 22-inch Kley & Hahn, 12-inch Hertel & Schwab googly. Shari McMasters, email: sharimcmastersdolls@gmail.com
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All bisque Kewpie, 12-1/2 inches, $950. Marshall Martin, email: marshallmartin@ earthlink.net
Munich Art doll and all original Kestner, Jay and Connie Lowe, email: big.birds@comcast.net
Valerie Fogel, email: valerie@beautifulbebes.com JANUARY 2013
Faithful Santa reproductions by Two Sisters Studios, email: twosistersstudio@gmail.com
40-inch Lenci, $6800.Gert Leonard, email: gertleonard@yhoo.com
Kid body fashions offered by Irene Randolph, email: art@fireweedgallery.com
Early crèche angel,, $5300. Dorothy McGonagle, email: dorothymcgonagle@ comcast.net
23-1/2 inch Portrait Fashion, $12,995. Val Star, email: valstarantiques@ earthlink.net
Left to right, an early Schmitt, second series Portrait and AT Kestner. Becky and Andy Ourant, email: ourant.pdt.net
Closed mouth German, $1650. Moira Hatton, email: hattonsgallery@ cox.net
Two darling Maggie Bessie dolls available from Billye Harris, email: billyehb@aol.com
French fashions priced at $2800, $1900 and $4000. Virginia Aris, email: virginiaaris@aol.com
S & H 1388, formerly in the collection of Richard Wright. Rick Saxman, email: ricksax@earthlink.net
A beautiful doll by Izannah Walker was sold early in the show. Nancy Smith, email: nasdoll@comcast.com
Roxanne LeMay Morison, email: ford1964@erols.com
12-inch fashion with trousseau, $4995. Gigi’s Dolls and Sherry’s Teddy Bears, email: gigisdolls@aol.com
14-inch S & H, $1595, Bahr & Proschild #585, $595, 20-inch K*R 114 pouty, $5800. Linda Kellermann, email: lindak222@comcast.net ANTIQUE DOLL COLLECTOR
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Joyce Kekatos, Grandma’s Attic, email: joycedolls@aol.com
Mary Ann Spinelli, email: maspinelli@verizon.net
Fritzi’s Antique dolls, email: fritzisantiquedolls@comcast.net
Mickey and Minnie made from Charlotte Clark patterns. Frizzelburg Antiques, email: frizellburgantiques@ yahoo.com
Rosewood and turned leg lady’s desk, Ann Timpson, email: castles1@att.net
A few of the delightful dolls to be sold at the upcoming Sweetbriar auction, email: sweetbriar@live.com 52
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Waltzing couple by Vichy, $8500. Samy Odin, email: musee.poupee@noos.fr
Phil May, email: dollmanofog@aol.com
Marion Maus Antiques, email: mmausantiques@gmail.com
25” Tete Jumeau and walking Jumeau, $3500, Pat Vaillancourt, email: dollsantique1@gmail.com
Sheila Needle, email: dollwitch@cox.net
Doll Exhibits
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Artist Dolls, Courtesy Sheri Kaplan
Krahmer Puppen, courtesty Maryland Doll Club
Courtesy Charm City Dolling Club
Courtesy Elin Wackernagel-Slotter
Courtesy Terry Danner
Courtesy Judy Brown
Courtesy Barbara Dugan
FDC members loaned dolls for a variety of exhibits, free with the price of admission. Talks, demonstrations and round table dialogues added to a complete dolly weekend!
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Frasher Auction continued from page 14
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7. Jumeau poupee in original folklore costume. 8. 27” Lady mold 1159 by Simon & Halbig. 9. Kammer & Reinhardt characters, Marie 101 & Gretchen 114. 10. A small sampling of doll clothing and accessories to be sold. 11. Ornate gilttrimmed music box with scenic celluloid panel, circa 1900. 12. Petite 14” Bru poupee. 13. Two Armand Marseille 590 character dolls. 14. Choice Kestner 24” Hilda toddler.
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Auction Gallery
Important Discovery of K*R 104 to be Auctioned by Theriault’s on January 10, 2013 by Florence Theriault
E K*R 104 art character boy being auctioned by Theriault’s on January 10, 2012 showing his original exhibition costume which is impeccably preserved. An original photograph of the K*R 104 model from an early catalog, showing the doll in muslin chemise as it was presented (courtesy of Cieslik archives).
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arly in the 20th century, the noble Spanish family of Bustios emigrated from their family home to the mountain town of Puno in Peru, bringing with them family treasures, furnishings, and everyday objects of daily life including several trunks of dolls and toys for the children of the family. Perhaps because of the novelty of the new surroundings and the delicious choices of different ways of life, the trunks were never opened, the dolls and toys remaining packed away, unplayed with and perfectly preserved. Among the many wonderful dolls was one particular treasure. A doll of which only two or three others are known to exist. It is the model 104 from Kammer and Reinhardt’s art reform character series, and it is preserved in impeccable condition including its original wig and costume. That doll will take center stage at Theriault’s premiere 2013 auction on the weekend of January 11-13. The art character series of dolls by Kammer and Reinhardt have long been considered keynote in the history of dolls, both for their rarity and their artistry. Yet not until 1987, nearly 80 years after their creation, was the complete story of these dolls known, thanks to the tireless research of German scholars, Marianne and Jurgen Cieslik. Who sculpted the dolls? Who was the model? The first clue appeared in memoirs of Franz Reinhardt who said that in their quest to create this new type of realistic doll “we contacted a Berlin artist who had been recommended to us”. No mention was made of the artist’s name. Then, years later, another clue appearing in a German newspaper article of 1928 which dealt with the Walterhausen doll industry said “the first dolls of this type were created based on the head of a baby modeled from nature by Professor Lewin-Funcke”. (Note: K*R 100 model). Based on this long-hidden clue, the Cieslik’s tracked down the family of Lewin-Funcke and uncovered still more interesting facts and documents, including
Auction Gallery important information regarding which models he sculpted and who served as the model. They learned that the model for the 104 was Karin Lewin-Funcke, the daughter of the sculptor. An old handwritten note from K*R notes: 103: Girl “serious”/58 cm. 104: Girl “laughing”/no height given 105: Girl “friendly”. 50 and 58 cm. The “girl” refers to Karin, although the models were designed to be presented as either boy or girl, just like the popular 101 model (Peter or Marie) and 114 model (Hans or Gretchen). Professor Lewin-Funcke at Arthur Lewin-Funcke, born in 1866 work in his studio, circa 1910. near Dresden, was early apprenticed to a Dresden ivory sculptor, but by the age of 18 he had moved to Berlin to attend an art school and later the Royal Academy of Fine Arts. In the final years of the 19th century he studied in Paris and Rome, and then returned to Berlin where he founded a free workshop studio for aspiring artists. (An interesting side note: the master workshop for sculptors in his studio was conducted by Max Kruse, husband of Kathe Kruse). Lewin-Funcke’s works centered on themes of woman and children, as well as an important group of sculptures of blind people of which he said “Only after having been in contact with blind people, I learned to see more deeply...” His works can be seen in the Metropolitan Museum in New York, in the National Gallery in Berlin, King Albert Museum, Botanical Gardens in Berlin, Erfurt and Frankfurt/Main and in various city museums, railway stations, and churches. Because of his standing in the art world, the sculptor did not want his name connected with a commercial enterprise, i.e. doll making, and it became part of the contract with Franz Reinhardt that his name would never be revealed. He went to his grave in 1937 with the secret intact. As for the dolls themselves, they were, for the most part, a commercial failure. Marianne Cieslik, currently at work on a new edition of German Doll Encyclopedia, noted in an email “None of the three models of Karin [103, 104, 105] were a success at that time and only some were used in the big shops in Berlin for decoration. In articles in toy magazines you can read that hundreds of the heads were smashed because of overstock. When you compare the many different heights of the big sellers – 100, 101, 109, 112, and 114 – all other K*R characters were an experiment only”. And the word experiment for today’s collector translates to rarity. It is a most felicitous circumstance to find this art doll at all, and to find it in such impeccable original condition is unparalleled. The K*R 104 character is one of 800 rare antique dolls to be sold during the January weekend. All of the dolls can be view at www.theriaults.com or a twovolume 300 page full-color catalog can be ordered by calling 800-638-0422 or at the website.
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uction Team Breker’s 700-lot sale on 24 November included a delightful selection of French automata, alongside antique toys, Christmas items, musical boxes and the world’s first Apple computer which sold for a world record of $640,000! Of the thirty-six automata, those in their original costumes performed particularly well. Examples were the rare Vichy “Acrobat on Stilts” $60,700 and a charming “Déjeuner du Chat” a classic Jumeau doll feeding her pet kitten accompanied by ‘mewing’ sound effects, which sold for $20,800.
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rare Halopeau marked “1H” with blue paperweight eyes, straight wrist, eight ball body, original pate and skin wig, 42 cm., sold for approximately $39,000 during the Chartre December 1 and 2 auction.
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arianne and Jurgen Cieslik tracked down clues, finally providing the full and fascinating answer to the mystery in their journal, Cieslik’s Puppermagazin, 1987 (reprinted in English in German Doll Studies, Gold Horse Publishing, 1999
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Auction Gallery
D
uring their November 30 auction, James Julia sold this unusual portraittype Jumeau incised only with a “12”, on a fully jointed wood and composition French body, 25” tall, wearing marked Jumeau shoes for $16,100.
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ncised “Eden Bebe Paris 9, this 23 inch pale bisque socket head with marked shoes sold for $18,000 during Morphy’s recent auction in Denver, PA.
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n important George II wooden doll, c. 1750, 16-1/2 inches, all original including her open robe, undergarments, slippers, work bag, handkerchief and kid gloves, realized approximately $26,000 at Bonham’s Knightsbridge.
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his 15” J Steiner Bte. SGDG PARIS Fre A7 (left), with closed mouth, pierced ears, original mohair wig, brought $3,575 at Alderfer’s November 14 auction.
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lovely antique French bisque 13-inch E. J. #4 (right) w/closed mouth, pierced ears, original underclothes and socks, straight wrists, early stamped Jumeau body w/ French shoes marked 2, sold for $4,950 during the Dotta Auctions November 10 doll sale in Nazareth. PA.
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lovely bebe by Thuillier, original wood and composition body, (minor damage on forehead), original costume and mohair wig, c. 1889, brought approximately $18,000 at Francois Theimer’s November 24 auction in Paris.
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We would like to thank the following auction houses for their participation: Alderfer Auction, 501 Fairgrounds Road, Hatfield, PA 19440. 800-577-8846. www.alderferauction.com Bonham’s, Montpelier Street, Knightsbridge SW7 1HH. 33 (0) 20 7393 3900 www.bonhams.com Auction Team Breker, Otto-Hahn-Str. 10, 50997 Köln (Godorf), Germany www.Breker.com Auction@Breker.com Dotta Auctions, 330 W. Moorestown Road (Route 512) Nazareth, PA 18064. (610) 759-7389 www.dottaauction.com Galerie de Chartres, 10 rue Claude Bernard, Za du Coudray BP 70129, 28003 Chartres Cedex Email:chartres@galeriedechartres.com James D. Julia, 203 Skowhegan Road, Fairfield, Maine 04937. 207-453-7125. www.jamesdjulia.com Morphy Auctions, 2000 North Reading Road, Denver, PA 17517. 717-335-3435. ww.morphyauctions.com Theimer, 4 rue des Cavaliers 89130 Toucy. www.theimer.fr Email: francois. theimer@wanadoo.fr Theriault’s, PO Box 151, Annapolis, MD 21404. 800-638-0422 www.theriaults.com JANUARY 2013
Naperville Doll & Teddy Bear Show Antique ◆ Vintage ◆ Collectible
Sunday, January 27, 2013 MARRIOTT HOTEL (Formerly the Naperville Holiday Inn)
1801 North Naper Blvd. ~ Naperville, IL Directly off I-88 – South on Naperville Rd. Corner of Naper Blvd. & E. Diehl Rd.
9 am ~ 3 pm Admission $5 12 & Under Free DOOR PRIZES FREE APPRAISALS ONSITE RESTRINGING Info – Karla Moreland (815) 356-6125 kmorela@ais.net
www.napervilledollshow.com
“The Boston Show”
NAPLES DOLL SHOW
s s oy how B r S me Toy m d u Dr y an d ed T , ll
Friday, JANUARY 18, 2013 1pm-5 pm Saturday, JANUARY 19, 2013 10am-4pm MOORINGS PRESBYTERIAN CHURCH 791 Harbour Drive, Naples, FL 34103 239-261-1487 Doll Appraisals $5 each Donations: Friday $8 Saturday $5 Children under 12 $3 Proceeds go to local children’s charities
www.DollShowUSA.com For dealer information or directions call 574-780-0951 mydolls_2@yahoo.com 239-530-0010
Do
SUNDAY January 20th 2013
DOLL-TEDDY-TOY SHOW Hours: 10:00-3:00 PM
FREE PARKING
PSMA
psmashows.org
Only 15 Minutes South of Boston Jct. Rt. 1 South & Rt. 128 Exit 15A Dedham, MA
A Classic Variety of Antique and Collectible Dolls, Teddys and Toys A DRUMMER BOYS SHOW Show Info: (978) 535-4811
Website: www.bornsteinshows.com This ad will admit two at $6 each
See website for any show updates. Next Show MARCH 17, 2013 P.O. Box 2204, Peabody, MA 01960
www.bornsteinshows.com ANTIQUE DOLL COLLECTOR
JANUARY 2013
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UFDC Special Exhibits 2012 photographed by Keith Kaonis at the 2012 UFDC National Convention
H
ere’s a look at more special exhibits from last year’s UFDC national convention in New Orleans, LA. Seven different exhibits offered something of interest to every attendee. The Queen’s Jubilee, A Stitch in Time and Exquisite Ephemera were reviewed in previous issues.
–Friendship Dolls– Alan Scott Pate displayed two rare Japanese Friendship dolls, Miss Kyoto-Shi and Miss Nagano, the latter recently discovered in an estate sale in Providence Rhode Island. Forty-six of the original fifty-eight dolls sent by Japan to the US have been accounted for (see our article in the April, 2010 issue).
Miss Nagano
Miss Kyoto-Shi
This photo shows all of the fiftyeight Japanese Friendship dolls. The whereabouts of dolls not in color have yet to be discovered.
–The Artwork of Susan Beatrice Pearse– Although Susan Beatrice Pearse is hardly a household name, her artwork ranks among the most charming images of children and dolls ever produced. She was born in England in 1870 and died in 1960 at the age of 102. During her long career she illustrated children’s books and produced images for postcards and greeting cards. She is best known for her drawings in the Ameliaranne series of children’s books, a series of twenty books between 1920 and 1950. Her enchanting watercolors were seen in our convention book, as well as on the covers of the schedule and competitive exhibit listings. 62
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–The Vogue Doll Company– 2012 marked the 90th anniversary of the Vogue Doll Company founded by Jennie Adler Graves. A talented seamstress, she dressed and sold dolls purchased from Germany. Success came with an 8 inch composition doll purchased from Arranbee (R&B), known as Toddles. A hard plastic version of Toddles was made in the late 1940’s, paving the way for the Ginny doll. Ginny’s well made and extensive wardrobe, pieces of which could be purchased separately, made Ginny the most popular doll of the 1950’s.
–A Doll Jambalaya– Cynthia Orgeron and the Northshore Doll Club brought us a taste of Louisiana flavor in their exhibit entitled “A Doll Jambalaya.” Primitives, commercially made dolls and dolls by Louisiana artists showcased the rich diversity and cultural influences that make Louisiana our most unique state.
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Fichu continued from page 43
This colored fashion plate from the August, 1863, issue of “Godey’s” illustrates some charming summer dresses. The first figure is wearing a “White French muslin dress, trimmed with six rows of muslin quilling. The corsage is low, and over it is worn a Marie Antoinette fichu, laid in plaits, and trimmed with flutings and worked ruffling. The fichu ties at the back, and has long embroidered ends, also trimmed with a quilling of muslin. The sleeves are puffed, and just wide enough to pass the hand through. The hair is crêpé, and arranged in a waterfall at the back.” The last figure on the right also wears a fichu, this one crossing in the front. This fichu is unusual in that it has sleeves. “Cuir-colored Paris grenadine, figured with black, and trimmed with five rows of box plaited green silk. The corsage is low, and over it is worn a fancy fichu, with long sleeves, trimmed with green ribbon. Fine straw hat, trimmed with green ribbons and a fall of black lace.”
The November, 1867, issue of La Poupée Modèle included, in the “ANNEXES” a paper doll: “Color Plate, Figurine in cardboard to cut out and is the beginning of her trousseau for the year 1867-68.” The blue and white check dress features a Marie Antoinette fichu, simply looped over at the back; all is trimmed with flounces and rows of narrow, black velvet ribbon along the edges, and garnished with rosettes.
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This is the illustration of the fichu for which the pattern was given in the July, 1868, issue of “Peterson’s.” It is made up in black dotted tulle and edged round with black lace, headed by black, velvet ribbon. Zigzag ribbon trims the back, and two jaunty bows set off the shoulders. This fashion engraving is from Journal Des Demoiselles, Demoiselles, 1867. The second figure shows a: “Toilette for a young girl. – Dress of very light Swiss muslin. This skirt is lined in yellow straw-colored tarlatan, and is transparent under the dress of muslin. This type of lining is prettier than silk for a young person, and the effect is very sweet. – The bodice has a low neckline and long sleeves. – The Marie-Antoinette fichu is ornamented by two large tucks created by entre-deux guiure; it is tied behind and finishes in a form of long sash. It is also garnished round with guipure and lined in tarlatan. – The hat of white straw, in the shepherdess style, is ornamented with tea roses.”
designs. Among the fichus was one very handsome style of white lace, trimmed with black velvet. It was formed by rows of lace insertion disposed alternately with rows of the narrowest, black velvet ribbon. All was edged round with frills of lace. Another fichu was formed of bands of black velvet ribbon and puffs of black tulle, with runnings of cerise colored ribbon passed under them. In March of 1868, a pattern to make a Marie Antoinette fichu of tulle and lace was featured in “Peterson’s:” “This Fichu is at present most fashionable over both high and low dresses. It is made in black and white net, either plain or figured. We give an engraving of a Fichu of plain Brussels net, trimmed with two rows of Cluny lace as far as the waist, where one row tapers off, and one only is continued round the ends. Oval medallions of Cluny ornament the ends of the Fichu, and five little tabs of insertion, edged with lace, are placed round the back of the neck.” Another pattern was given in the July issue. Unlike the pattern in March, which had a seam in the center back, this one had seams on the shoulders, and the lappets as well as the back ended in sharp points. “The short, ungraceful sac-paletot is at last to be replaced. The two new forms of out-door covering are
Peterson’s Magazine, October, 1868, depicted this black and white engraving of: “CHILDREN’S FASHIONS. Fig. 1. A YOUNG GIRL’S DRESS OF PINK SILK, with two ruffles around the bottom; white alpaca over-dress, finished at the bottom with two narrow bands of pink silk; Marie Antoinette fichu of the same material trimmed with a ruching of pink silk.” ANTIQUE DOLL COLLECTOR
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The celebrated French fashion journal, La Mode Illustrée, in the Sunday, July 19, 1874, issue showcased this steel engraving: “Fiche Marie-Antoinette. Toilette from the house of Mme Rossignon, Rue de Provence, 9. Made up in white muslin. The garniture is composed of puffs, entredeux, a ruche of muslin, and lace. Under the puffs and the entredeux, one cuts out the muslin.” Courtesy of Patricia Allen
Marie Antoinette fichus were apparently paramount in popularity in 1868, for here is yet another illustration in the December issue of “Peterson’s.” This one sets high at the neck and is made up in a small, figured material, edged with lace and trimmed with rows of narrow ribbon.
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ANTIQUE DOLL COLLECTOR
the Marie Antoinette Fichu and the Lamballe Mantelet. The former crosses in front of the chest, and the ends are looped over at the back of the waist; the Lamballe is a small cape, with short ends that are left to hang at the sides. As the Marie Antoinette Fichu is likely to be the more popular of the two, we this month present our readers with the cut paper pattern of one. The fichu may be made and trimmed in a variety of styles. For morning wear, it can be cut out of the same material as the dress, and trimmed to correspond with it; in black taffetas, either embroidered or braided, and bordered with fringe, it is extremely stylish, as well as useful. For evening wear, it is very fashionable, in either black or white lace, in the new hand-embroidered tulle, and in white muslin, richly trimmed with Valenciennes lace, as in the illustration.” Another type of fichu was described in the March, 1859, issue of “Godey’s:” “The pretty varieties of what Dickens calls ‘worsted armor,’ for children, the gaiters, carriage boots, jackets, talmas, hoods, caps, sleeves, and, in fact, every style of wraps for the open air, which are knit and crocheted by hand or by machinery, of Shetland, Berlin, and coarser wools, of every tint and color imaginable. They improve every year in gracefulness of shape and variety of purpose. … For ladies’ wear, hoods, rigolettes, Sontags, Marie Antoinettes, jackets, talmas, shawls, gauntlets, and sleeves, generally crocheted, or knit with crocheted borders, are in general use. We prefer the fichu Marie Antoinette to the Sontag for wear under a cloak, or as a morning-wrap, where a shawl would be in the way. It crosses on the bust, and fastens behind with a Cordelier, and does not rise towards the throat with the close, uncomfortable tightness of the Sontag, while the warmth is nearly the same.” The general use of the Marie Antoinette fichus continued. With their aid, old dresses or somber colored ones could be very much brightened up at comparatively little expense. For ladies who were unwilling to wear tight-fitting garments in the street without something to conceal the figure, these fichus were the most convenient. They were made in such a manner that they could at pleasure be either at the neck or in the center of the back, or at the waist, according to the manner the fichu was arranged, more or less forward in front. Sometimes they were made up in fine cottons, sometimes of black or white lace, black silk, or the material of the dress. These fichus were trimmed with ruches and narrow velvet ribbons, ruffles and fine pleats, bows and ribbons, or edged round with gathered lace flounces, made to the taste of the wearer. Fashion was the only arbiter here.
JANUARY 2013
Place On Fold
Marie Antoinette Fichu Cut One
The pattern featured here is for the fichu made to match the white, dotted Swiss ensemble, and also the red and white cotton print. It will fit a lady doll 17” to 18”. The seams to join the lappets are sewn with a French seam. Then, the edges of the fichu are folded under narrowly and hemmed. Valenciennes lace is gathered then whipped onto the edge all around.
A piece of fabric 18” X 12” is needed, and 3 ½ yards of Valenciennes lace to suit your fancy.
Marie Antoinette Fichu Cut Two
To sew a fine, narrow hem along a curve, first a small running stitch is sewn near the edge. The fabric is then turned under on the row of stitches, pulling the thread gently to form the curve; the fabric is turned a second time and hemmed.
Valenciennes lace is whipped onto the edge.
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JANUARY 2013
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Ashley's Dolls & Antiquities Have a Happy New Year from the "Carolina Girls"!
Maggie Bessie Cloth Dolls by the Pfohl sisters, Salem North Carolina. All prices upon request.
Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail Visit us on Rubylane.com/shops/Ashleysdollsandantiquities All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Winter Hours: by appointment only January 1st - March 15th
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector February 2013 Vol. 16, No. 1
February 2013 Vol. 16, No. 1 $595 / $695 Canada www.antiquedollcollector.com
We’d Like To Be Considered When You’re Parting With Your Dolls Dear Collector, For more than forty years Theriault’s has been known internationally for auctions of rare and beautiful dolls. Some of the collections we have sold are known worldwide, their owners famous and recognized, their scope immense. Some have been very private, unknown in collecting circles, their owners cherishing anonymity. And still others were quite small, choice, and select. In each case, when called upon, we humbly accepted the responsibility of handling these collections with detail and care. We listened to your concerns and wants, respected your privacy if that was desired, or created a commemorative auction and catalog for the family to cherish. And, always, attended to the business of realizing the most end-money in your pocket. During all of that time, I have been appraising and cataloging the dolls that appear in Theriault’s auction catalogues. It has been my privilege to work with devoted collectors, avid researchers, and among the world’s most beautiful and rare dolls. Of course, not each day is so privileged, and not each doll, at first glance, so beautiful or rare. My responsibility then, as I see it, is to keep my eye on the ball, to seek out in each and every doll what makes it special, and to give each and every doll its day. Until the dolls are finally sold, they are, after all, your dolls. And we never forget that. Never in forty years. Respectfully, Florence Theriault
If you’d like to discuss the possible closing of all or part of your collection, now or in the future, please call 800-638-0422 to arrange an appointment with Stuart Holbrook, president of Theriault’s.
the dollmasters PO Box 151 • Annapolis, Mar yland 21404 USA • Toll-free: 800-638-0422 • Fax: 410-224-2515 • www.theriaults.com
Joyce Kekatos
Visit my website: www.grandmasatticdolls.com 1. - 2. 14 1/2" Early Second Series Portrait Jumeau Bebe, magnificent pressed pale bisque, blue threaded p/w eyes, early mauve blush under brows, orig. mohair wig & cork pate, wears gorgeous FACTORY orig. aqua wool & batiste dress, orig. matching hat, orig. undies, orig. shoes w/rosettes that match dress. On orig. early 8 ball st. wrist "signed" body. Her expression has the essences of innocence. Absolutely GORGEOUS!!! Only‌$9500. 3. 5" Orsini "Mimi" All Bisque, br. glass eyes, orig. long mohair wig & pate. Wears darling orig. batiste & lace dress & matching blue velvet ant. hat on orig. all bisque body, perfect bisque overall, brown 1-2 shoes & high painted stockings. She has the most ADORABLE face. Very SPECIAL!!! $2200. 4. 6 1/2" Armand Marseille #253 Googlie, blue side glancing sl. eyes, flyaway brows, great bisque, fabulous curly lambs wool wig, wears adorable ant. blue romper, ant. hat & orig. shoes. Cutest closed smiling mouth. On orig. jointed compo. body. Has tiny factory bubble on lower cheek, non detracting!!! DARLING Googlie boy with big smiling grin. Great desirable mold number!!! ABSOLUTELY ADORABLE!!! $950. 5. - 6. 11" S & H #1488 Character, blue sl. eyes, immaculate bisque, orig. mohair wig & pate, ant. plaid cotton dress adorned w/big silk ribbon, ant. French ribbon bonnet, orig. undies, socks & orig. leather shoes. On chunky orig. S & H body. Fabulous modeling, rare & darling tiny cabinet size. 4 An absolutely BEAUTIFUL cl/mo. pouty character!!! $5450. 7. - 8. 16" Tete Jumeau #6 Bebe, perfect bisque, huge br. p/w eyes luscious lashes, fabulous orig. mohair wig & cork pate. Wears orig. pink silk & lace dress, ant. Jumeau shoes w/rosettes, magnificent ant. Fr. silk & lace hat, orig. chemise & undies. Fully "signed" head, orig. head coil still intact & on fully "signed" orig. Jumeau body. Rarely found size #6 Bebe. Extremely beautiful with tremendous presence & a 7-8 MAGNIFICENT face! You will love her!!! $6000. 9. - 10. 13" Sonnenberg, huge br. p/w eyes, immaculate early glowing pale bisque & orig. mohair wig. Wears a fabulous complete FACTORY orig. pleated tan & ecru Fr. style dress adorned w/lace & ruching, matching lace hat, orig. crocheted socks, shoes & orig. matching slip & underwear set. On her orig. Belton type fully jointed body with early st. wrists. Absolutely GORGEOUS and a real KNOCK-OUT!!! $3275. 11. - 12. 16" Rare "Open Mouth" Steiner Fire A Bebe, perfect pale bisque, blue lever sl. eyes, early mauve blush under brows, upper teeth, orig. mohair wig & orig. Steiner pate. Wears fabulous FACTORY pink silk & lace orig. Steiner dress (some fraying), ant. matching hat, all orig. undies, orig. shoes & crocheted socks. On orig. early st. wrist Steiner body w/orig. "Steiner label". This particular Steiner is a rare find & is an OUTSTANDING beautiful bebe!!! Only $5400.
I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com
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LAYAWAY AVAILABLE
Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
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Evelyn Philips
17 Loch Lane, Rye Brook, NY 10573 • (914) 939-4455 • Fax (914) 939-4569 Email: poupees57@aol.com • Generous Layaways Accepted Member NADDA • Member U.F.D.C.
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1. 13” SH #949, Sheer delight, fantastic ensemble. $2100. 2. 13” Magnificent Portrait Jumeau, face says it all. $7900. 3. 18” Hauntingly beautiful 1st period portrait, elegance personified. $15000. 4. Top quality presentation set, not only are the clothes to die for, but the french all bisque beauty is spectacular! $5300. 5. 16” Dreamy Series C Steiner. $6500. 6. 19” Much sought after SH #719. $4700.
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7. 16” Outstanding Jumeau the Bebe of your dreams! $5200. 8. 15” K star R #115a unbelievable expressive face, simply adorable. $3000. 9. 7” Rare all bisque wigged Tynie Baby, $2700. Marklin 8” Brass Bed. $500. 10. 13” Rare Kley and Hahn, hard to find mold #549, spectacular character. $3700. “Please call or e-mail for complete details and additional pictures, we will oblige very quickly.” Evelyn
Please see our website or call for more details, and lots more pictures www.evelynphillipsdolls.com
Photography by Paula Claydon
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS
1 - 3. 21” French paper mache w/ enamel eyes, elaborately styled orig. wig, orig. clothes and wonderful leather shoes. $2650. 4 -5. 10 1/2” Milliners model, circa 1840, w/ hairstyle featuring exposed ears and rear braided bun. $1500. 6. 7” Biedermeir doll house secretary in exc. cond. w/ mirrored and detailed desk cavity. $850.
Exhibiting: March 16 - Santa Barbara Doll Club Show, Santa Barbara CA, Earl Warren Showgrounds
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
FEBRUARY 2013
Carmel Doll Shop
1. 15” F.5.G Bebe, a block-letter model with perfect bisque and pale coloring, blue p.w. eyes, pierced ears, and a blonde mohair wig. On her original leather body with perfect bisque arms, she wears a masterpiece of an ensemble. $6800. 2. 17” 6 over E. J. with perfect bisque, gorgeous coloring and painting, blue p.w. eyes, applied ears, and a beautiful strawberry blonde wig. Her most special feature is her all wood articulated body with the original paint finish intact, plus impressed JUMEAU MEDAILLE D’OR PARIS. Mlle. wears a sweet bebe ensemble in soapy green with pink faille and ribbon accents. A rare opportunity for the advanced collector. $12,500. 3. 20” F. 9. G. - a block letter with perfect bisque, chocolate brown p.w. eyes, pierced ears and an antique mohair wig. On a jointed body with the original paint finish in very good condition, she wears a FANTASTIC ensemble. Antique leather bebe shoes in her size complete the presentation. $6800. 4. 22” SFBJ 230 9 with perfect bisque, blue sleep-eyes, molded brows, an open mouth with teeth, pierced ears, her original human hair wig, and her composition body retains the original paint finish in excellent condition, and she wears an exquisite dress of dusty pink silk brocade. A gorgeous French bebe at a very nice price! $1995. 5. 11 ½” E 3 J with perfect bisque, dreamy blue p.w. eyes, pierced ears, the original mohair wig, and a classic 8-ball body with the Jumeau stamp. She will arrive at your door wearing a fancy bebe ensemble, one complete with a lovely chapeau. $9500. 6. 17” S.F.B.J. DEP 6 with perfect bisque, blue p.w. eyes, molded brows, an open mouth with teeth, pierced ears and an antique mohair wig. On a French wood and composition body in good condition (hands repainted) she wears an adorable silk dress in palest lavender. $1250.
7. Probably more S.F.B.J. than German is a 20” S&H 129-9 with perfect bisque, blue glass set eyes with original lashes, molded brows, an open mouth with teeth, pierced ears and an antique blonde mohair wig. On a French body in good condition (hands repainted) she wears a darling dress of printed cotton. $1495. 8. 17 1/2” Tete Jumeau 6 with a perfect bisque head, brown p.w. eyes, pierced ears, and her original human hair wig. On a jointed body showing normal wear, she is costumed in a wool plaid dress that could be a product from the Jumeau workshop. $4800. 9. 17 1/2” Jumeau 4 fashion with a perfect bisque head, crystalline blue eyes, pierced ears - even the original blonde wig! On a leather body (light rust on fingers) she retains her original promenade ensemble of navy silk faille with contrasting components. $6800. 10. 10 1/2” Blampoix Teenager with a perfect bisque shoulderhead, painted blue eyes, a well-painted mouth, pierced ears and an antique blonde mohair wig. On a very clean cloth body with leather arms, she is costumed in the enfantine manner. $2600. 11. 16 ½” E. Barrois fashion with perfect bisque, cobalt blue eyes, an expertly painted mouth, pierced ears and her original wig in its fabulous original set. On a leather body in very good condition, the doll is dressed in a magnificent gown featuring late 1860s styling. $3800. 12. 11” F. G. Gaultier Teenager with a perfect bisque swivel head, blue p.w. eyes, pierced ears and her original mohair wig. On a gusseted leather body in very good condition, she is beautifully dressed in an enfantine style jumper dress. $2600.
Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA • Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls Please visit WWW.CARMELDOLLSHOP.COM • Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!
The Complete Guide to Antique, Vintage and Collectible Dolls
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FINDING TREASURE AT THE WORTHINGTON HISTORICAL SOCIETY by Shari McMasters
An exceptional doll by Izannah Walker is among the dolls to be discovered in this charming historic town.
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DOLLS WITH RUBBER LIMBS ARE WORTH SAVING by Ursula R. Mertz Tips on how to restore and preserve these dolls from the nineteen twenties and thirties.
February 2013 Volume 16, Number 1
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THE SFBJ EDEN BÉBÉ
by Martha Nichols The author shares the history of this popular doll, originally made for the French doll market by Fleischman & Bloedel.
Upon the death of a benefactor, a collection of dolls was divided between the Shelburne and the Worthington Historical Society. This magnificent doll by Izannah Walker was left to the Old Rectory in Worthington, Ohio, now part of the town’s historical society. Photo by Shari McMasters.
About The Cover
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NANCY ANN STYLE SHOW DOLLS by Jane Foster
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JANUARY 2013
12 Auction Gallery 52 Mystery 46 Emporium
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by Margo Delaughter A relatively unknown cloth doll maker is finally gaining recognition.
October 21, 2012
MEET THE ALBRITTONS!
These lovely dolls from the early to midfifties exhibit costuming skills comparable to dolls by Madame Alexander.
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A RARE DOTTY DARLING DOLL
by Sara Bernstein A fascinating quest to discover the link between a doll and the talented artist Rose O’Neill.
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TOLEDO DOLL AND BEAR SHOW
(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023
1. More gentle than most, this Gorgeous and Scarce 16” Kestner XI, among the earliest of the closed mouths, has youthful pure bisque with dulcet round eyes, original pate and her pretty uncut wig with its juvenile side part styling; plus the early, mint fully jointed Schmitt type body with “floating balls.” $3500 (see #14) 2. ‘Kiss and Make-up’ – fully signed rare, and also un-separated is this sweet pair of 7-1/2” very unusual and important Glazed Heubach valentines. $495 (see #4) 3. F.G. made this gorgeous quality bebe with her oversize PW blue eyes in the mid1880s. With all its Gaultier quality, this 22” even more Scarce ‘Bebe Charmant’ lays claim to her original, patented jointed body! Luxurious, unusual and vivacious French child! $1800 4. See # 2 5. Rare Body Parisiennes – 15-1/2” GESLAND POUPÉE with stockinet body, bisque hands and lower legs; 15” articulated WOOD BODY BRU with fluid joints. See #’s 6, 7, 9, 10 and 15! 6 & 7. This Rarely Seen Gesland Poupée with her outrageously exquisite F.G. head, ‘par excellence,’ is drenched in both UFDC ribbons and sensational silk heirloom clothes! The epitome of romance, the antique silk bodice with ballooning sleeves gives way to a torrent of rose silk gown with net overlay and a sweeping train surmounted by its matching rose silk bustle bow, complete with all the appropriate underlayers. The ultimate bouquet! $3800 (see #9) 8. 14” Very Early Portrait Face Poupée – this mid 19th century beauty in paneled bustle back couture with pleated flounce, factory wig, elegant posture, perfect kid fingers and original shoes, is a uniquely intriguing fashion with an enigmatic aura. (see # 11) 9. Luxuriant Gesland Fashion (see #6 and 7) 10. Choice Wood Body Bru Fashion from the early period of the 1860’s is earlier than most you see and clearly incised ‘Bru’ on the shoulder! What a pleasure is her delicate complexion, gracious blue PW’s and genteel lady like aspect. Although lovely displayed as she is in her important leather 2-strap heeled bootines, whether standing upright or graciously seated for tea, who would not want to sew, or at least design, for this richly dramatic figure of a women of legendary Bru repute. $6300 (see #15). 11. Sumptuous Portrait Expression, so evocative of the Simonne era aesthetic has a sultry heavily lidded manner, very long and graceful elongated brows above steady cobalt PW eyes and a uniquely beautiful chiseled mouth. Without compare! $2000 (see # 8) 12. Romantic is the 10-1/2” D & K lady on its rare original full figure assembly featuring the desirable lower porcelain legs with molded pink heeled shoes and mostly original clothes. A small flaw, just $295. 13. “Kitten in the Muff” – this Prized Gbr. Heubach child is one of the most desirable pieces to doll, and cat, collectors! Fully signed, mint and 13” tall complete in every poetic detailed nuance. Rare! $895 14. The Aristocratic Kestner XI elegant in her masterpiece of pleats and lace $4800 book price for only $3500 (see # 1) 15. 15” Unrivalled Wood Body Bru, fully signed, pressed bisque (see # 10) 16. Part Kewpie, part Cupid, this desirable Gbr. Heubach Imp is mischief filled with his open/closed watermelon smile and upturned intaglio googly eyes – amazing details throughout! $495
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Auction Gallery
Theriault’s Three-Day Auction, January 11-13
All original characters Max and Moritz by Kammer and Reinhardt, 15 inches, c. 1913, $50,000.
Pierrot Ecrivain by Gustav Vichy, a rare musical automaton, 24 by 27 inches, all original, $45,000.
A
Very few of models of the K * R 104, which was not a commercial success at the time, have survived. This rare, all original example, 20 inches tall, sold for $190,000.
Left, German bisque shoulder head with glass eyes, fancy bodice and molded bonnet, 16 inches, $4,000 and 17-inch glass eyed lady with brown sculpted hair and fancy molded bonnet, $8,000.
Egyptian-themed half doll by Dressel & Kister, 4-1/2 inches, c. 1910, $7,000.
22-inch black character 1358 by Simon and Halbig, $16,000. 12
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ptly named Stars in recognition of its location in southern California, Theriault’s three-day auction, January 11-13 in Newport Beach, also referred to the women whose doll treasures, some 860 lots, illustrated the diversity of antique doll collecting, from play dolls to rare characters, sublime French bébés and fashions, cloth dolls, rare all bisques, sophisticated automata, half dolls, exceptional chinas, highly decorated so-called parians and 20th century classics. Many of us enjoyed watching Theriault’s Doll Mystery Vignette Series, conducted by Florence Theriault and emailed to those who register on their site. It is a marvelous way to get a personal tour of the auction highlights. The undisputed “Star” of the auction was the very rare K * R 104, of which only two or three other examples are known. Circa 1910, it came from the original family who emigrated from Spain to Peru in the early twentieth century. They never unpacked the dolls and playthings and so this delightful doll, dressed as a boy, stayed in impeccable original condition. Its selling price, $190,000 plus premium, would have amazed its sculptor Lewin-Funcke who preferred that his name not be connected with commercial doll-making. For additional prices go to Theriaults.com and click on Proxibid. Prices do not include buyer’s premium Theriault’s, PO Box 151, Annapolis, MD 21404. 800-638-0422, www.theriaults.com
14-inch early cloth doll by Ella Smith, $3700.
Rare Jumeau 203 character from the series Fantastique, 22 inches, with signed shoes, $75,000.
26-inch Jumeau Portrait Bébé, c. 1878, in original couturier costume from the workshops of Ernestine Jumeau, $24,000.
French All-Bisque by Gaultier with bare feet, 8 inches, $3,400.
22-inch, c. 1865, German bisque lady with glass eyes, elaborate coiffure and bodice, $6,750.
19-inch Early Papier Mache Peddlar Doll, early 1800’s, $7,000.
Hertel and Schwab 149 character, 18 inches, all original, $15,000.
Simon and Halbig glass eyed 111, c. 1910, $27,000.
12-inch, size 2 bébé by Leon Casmir Bru with signed Bru Jne leather shoes, $23,000.
Paper mache shoulderhead of an elderly man by Leo Moss, 17 inches, $9,000.
Bisque Bébé H by Aristide Halopeau, 18 inches, $34,000.
All original “Mein Liebling” by Kammer and Reinhardt, 22 inches, $6,000.
ANTIQUE DOLL COLLECTOR
FEBRUARY 2013
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Gigi’s Dolls & Sherry’s Teddy Bears Inc.
LAYAW AVAILA AY BLE
Allow Us To Help You Discover The Child Within You!
22” S & H 1079 DEP, blue sleep eyes, repainted hands $485.00 Now $435.00 5” Walking Bear (Occupied Japan) in original box (as is), has key and works $49.50 26” CM Bergman #1916 10, blue sleep eyes $395.00 Now $340.00
12” Rare S & H #1304 4 Clown on Jumeau body, pull strings to open and shut eyes, original hat w/ wig, very faint hairline left forehead $3995.00 Now $3095.00
Ginny’s 10 1/2” x 13 1/2” Ginny EZ Do Cabinet #850 with Ginny shoe bag $48.95 Bent Knee Walker 1956 Funtime #6045 Ballerina, red hair, blue eyes, newer shoes, no headband $89.95 1956 Merry Moppets #6033 Straight Leg Walker, 1 chipped eyelid, red plaid dress, blonde hair, blue eyes $95.00 Bent Knee Walker in #7025 1957 brown & white stripped dress & panites, brown hair, brown eyes $99.00 Bent Knee Walker in #7028 1957 black velvet dress & panties, white apron & hat, blonde hair blue eyes $95.00
8” 1930’s Japanese Shirley Temple stone bisque, chip on finger $235.00 Now $195.00 4” Schoenhut Felix the Cat, Pat. Sullivan, pat applied for 1922-24, needs stringing, Felix on chest $192.50
Ginny’s 1952 Strung in #41 Tiny Miss Series, blue & white striped dress, straw hat, brown hair & eyes $155.00 1956-58 Ginnette Surf Raft, Pool & Swim Ring $75.00 Ginnette all original in pink PJ’s and diaper, blue sleep eyes $75.00 Bent Knee Walker blonde hair, brown eyes in 1956 #6064, dress has slices of Crayon melted on it for design, original velvet hat band $125.00 Strung in 1956 #6075 Formal of the Year, black velvet bodice, pink nylon skirt, pierced ears w/ earrings $125.00 Rare Painted Eye, Strung - Miss 2000, tagged outfit, repro hat, blonde hair $495.00
Celluloids 7 ½” Seated girl w/ molded swimsuit, molded legs & arms, molded hair w/ roses and ribbon $50.00 Now $35.00 3 ½” White Rabbit, green eyes, pink outfit $40.00 23” Louis Wolf & Co. #152 on jointed wrist baby 11” Kewpie, jointed arms (loose), body (repainted), brown sleep eyes, HH wig, crack on right side of body $50.00 adorable $450.00 Now $395.00 6” Celluloid Santa with bag on 6” 1960’s Honey Steiff Mohair Bear, glass eyes, back, slight dent, small hole top no button $150.00 of hat, really nice $100.00 Now 14 x 13” Cast Iron Eagle Stove, 4 pieces of $45.00 cookware, handle, missing 1 door & 2 covers 7” Kewpie type with violin Light $145.00 Now $85.00 Fixture, screw on back $100.00 7” All Bisque Kestner #150 – 1, re-glued left knee, Now $60.00 brown sleep eyes, brown mohair wig, molded 4” Baby in Rabbit outfit, seated, blue stockings, black slippers w/ heels $285.00 blue eyes $40.00 7” All Bisque #208, st. brown 14” Celluloid K star R Baby #700, eyes & mohair wig, molded blue blue sleep eyes, HH wig, compo stockings & black slippers baby body $245.00 Now $195.00 w/ heels $275.00
17” Sasha Series All Original in brown corduroy dress, pants, brown leather shoes, brown hair, brown eyes, hand tag $995.00
23 1/2” Kley & Hahn Walkure #250, blue sleep eyes, HH wig, right thumb off $400.00 10” AM 351 baby, blue sleep eyes, original style outfit $225.00
9” Wood jointed and painted Jigger with wire holder $125.00 Now $65.00 9” Steiff Molly Golli & Peg wooden doll 1996, Toy Store Exclusive, w/ box $162.50 9” 1995 Steiff Golli G & Teddy Bear, Toy Store Exclusive, w/ mug & box $195.00 11” Wooden Jointed and painted Jigger with wire holder $125.00 Now $80.00 8 1/2” 1940 Ideal Jiminy Cricket © Walt Disney, wood jointed body, small chip on right upper leg and left hand, sticker on left foot $295.00
16” Adorable JDK #257 Baby, blue sleep eyes, repainted body, slight hairline back of head $245.00 Now $195.00 9” Steiff Mopsy Tagged, swivel head & tag, 1960’s, no button $95.00 9” Black composition Topsy, 24” S & H 109 DEP painted face, floss hair, original Handwerck, blue sleep eyes, dress & diaper, no crazing $85.00 brown mohair wig, pierced 17” R & B 1940 “Little Angel ears $425.00 Now $395.00 Baby” all original, lovely 12” Utick Belgium World War composition, blue sleep eyes, no 1 Soldier with 2 heads, cloth crazing $195.00 Now $160.00 body, compo hands $225.00 16” AM Dream Baby on 5 piece 25” Queen Louise AM #9, body, blue sleep eyes, left cheek brown sleep eyes, honey rub, really sweet $295.00 Now blonde HH wig $325.00 $195.00 14 1/2” x 11” Metal “Empire” Electric Stove, works, some repaint $40.00 16” Maude Tousey Fangel by Georgene Averill 1938, adorable face $395.00 Now $325.00 23” MY #60/4 Morimura Bros Yamati Importing Co 1915 on, brown sleep eyes, $325.00 Now $265.00
16” Toni P91 in tagged dress, dark brown hair, blue eyes, replaced shoes & pants, great coloring $150.00 Now $130.00 12 1/2” Baby Snooks (Fanny Brice) 1938 Ideal Flexy Doll, original clothing, head repainted $145.00 Now $95.00 12 1/2” Ideal Flexy 1938 Mortimer Snerd, original clothing, head repainted $125.00 Now $95.00 18” Horsman Cindy all original in yellow bubble dress, great facial coloring, 1957, spot on left finger $115.00 Now $75.00 15” Unmarked Hard Plastic in red dress tagged Premier, blue eyes, great coloring $65.00
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Finding Treasure at the T
The Old Rectory doll museum in Worthington, OH, dating to 1845.
Sue Whitaker, the curator of the museum, holding the small Empress Eugenie, the doll that started it all when she was purchased by Mrs. Chandler.
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here is a treasure tucked on a side street in the historic town of Worthington, OH, a suburb of Columbus. Most doll collectors in Ohio are not even aware of its existence. It is a small doll museum housed in The Old Rectory, an 1845 manse built by volunteers of St. John’s Episcopal Church, founded by the pioneers who settled Worthington in 1803. This Old Rectory is sited in its third location after it was purchased by the Worthington Historical Society in 1978. The parlor and front hall have been restored with period wall paper, original floors and period furnishings from area families. It is the remaining rooms that make The Rectory so wonderful. Three of the rooms house a collection of dolls, the majority from the collection of Mrs. George Brinton Chandler, who began her collection with the purchase of a small Empress Eugenie at the historic Orange Johnson House, also located in Worthington. Upon the death of Mrs. Chandler, her daughters chose a few dolls, the remaining being divided between the Shelburne Museum in Vermont and the Worthington Historical Society in 1968. The dolls at Worthington are a varied collection of early chinas, parians, papier maches, wax, tiny peg woodens, French poupees, German dolls and exciting examples of unusual dolls that don’t really fit a category. As the Shelburne Museum pretty much had their choice of dolls representing half the value of the collection, the curator of the Worthington collection was astounded and very excited when the Izannah Walker was left behind, with an early Queen Ann being chosen in her stead. The most exciting doll in the collection is the Izannah Walker, with spiral curls around the sides and back of her head and all original clothing. She has obviously not been played with, as the only condition issues are due to age. Her lovely painted finish is clean, with bright coloring, although there are fine craze lines and a light rub on her nose. Her all original clothing consists of her white cotton dress with red dots, underclothing, socks and red leather shoes, and she appropriately sits in a red wooden straight-back chair.
Worthington Historical Society by Shari McMasters
The star of the show, the Izannah Walker, is in incredible condition and is one the most desired examples, with the spiral curls all around her head. Her beautiful coloring defies her age, with pink cheeks and an even flesh tone all around. She retains all her original clothing, making her even more rare and desirable.
Photos by Shari McMasters ANTIQUE DOLL COLLECTOR
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This outstanding early china is a distinguished and very serious lady with her hair in a braided bun in the back, swept back in a looser style known as “spaniel ears”. Made around 1840, she has striking blue eyes that show vividly in her pink tint coloring. She is so wonderful one doesn’t even mind the crack on her shoulder plate that she has acquired through the years.
A mustache and goatee painted on this attractive gent set him apart from the others. He has a shorter hair style with soft waves, a pink tint in his complexion, and is sporting the original clothing of a gentleman of his era. 20
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An all original china has a simple boy’s hair style with a side part and hair cut above his ears. Made by the Alt, Beck & Gottschalck firm in the late 1800’s, he is wearing his original clothing that looks like parts of two different suits.
This early gentleman made around 1850 is certainly the heart throb of all the ladies. His soft blue eyes seem appropriate in his pink tint coloring, giving him a softer look. His hair has a side part, being about the same length all around so that it covers his ears. He has one shorter lock of hair that curls attractively on the right side of his forehead, while the rest of his hair has a slight wave.
This stunning glass eyed tinted bisque German lady is truly a show stopper! Her lovely coloring and fine decoration in her face framed by soft curls give her a look of sweetness. She has pierced-in ears of the early dolls, with a braided coronet and soft waves below it in the back. She stands in her underclothing, but truly needs no lovely outfit to make her outstanding.
Throughout the museum dolls are displayed with interesting accessories, in groupings or in attractive vignettes. The displays in one of the rooms are on a rotating basis, with a few doll houses, some smaller dolls in a wall case that include a Lenci Pan, a Lenci jester, and a Lenci smoking lad as well as bisque dolls in original ethnic costumes, ranging in size from tiny all bisques to quality dolls such as a 12” Kestner and a 10” K*R toddler with starfish hands. One case is reserved for special displays that may be on loan for a period of several months. Currently there is a special display of Kathe Kruse dolls. Chinas are arranged sitting and standing, from very early molds to those that are later and more common, and from tiny sizes to larger sizes of 24” to 26”. The majority of these dolls have either original clothing or were dressed by Mrs. Chandler in authentic styles using antique fabrics. Some of the notables include a lady with a braided bun and “spaniel ears” and an equally early gentleman with side part hair that covers his ears. Another china of interest is the gentleman with a painted mustache and goatee, and a shorter wavy hairstyle. Tiny chinas are displayed with early peg woodens , some with the “tuck comb” style, and are placed around a table with tiny accessories. Period pieces of furniture and other accessories, including a wonderful early sleigh holding two chinas, add to the interest of the display. Mrs. Chandler obviously appreciated the so-called Parian dolls and Pariantype with tinted bisque. A nice display of this type of dolls includes many with
This Parian-type lady has very pale coloring with bright cheeks. An outstanding feature is her lovely hair with braids and soft waves, dressed with flowers. Her shoulder plate is decorated with beads, ruffles and painted decoration, giving her a fancy look, although she, too is standing only in underclothing.
A German Parian-type lady with very pale coloring and deep pink cheeks is always special when she also has glass eyes. This lovely lady with café au lait hair, has tiny light curls for bangs, with the rest of her hair being held back with a metal clasp with beads. In the back her hair falls in short, soft curls and shows her pierced ears on the sides. She is modeling her original clothing. ANTIQUE DOLL COLLECTOR
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A breathtakingly beautiful French poupee is this lady with a full face, flat unpierced ears and original mohair wig. Her fabulous dress is made of tan silk with white crocheted overlay that makes a very striking combination. The full effect of her luscious dress can only be appreciated when one is able to see the back, with the long train and exceptional detail.
A lovely necessaire contains important items for a fashion doll’s toilette. The label on the underside clearly displays the label of the prestigious shop, Au Nain Bleu.
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fancy hair styles, decorations in their hair or decorated shoulder plates. Doll after beautiful doll stands, each one more interesting or prettier than the last. This grouping includes a lovely early Simon & Halbig lady with glass eyes and a very serene expression, dressed in original clothing. Most are on cloth bodies with kid arms, some having been replaced through the years. Their clothing ranges from possibly original, to those dressed by Mrs. Chandler. Exquisite French poupees are elegantly displayed in another area, with authentic accessories such as parasols, wire hoops for skirts, baskets, trunks, small dogs and other interesting items. Some have fabulous original couturier clothing, while one is outďŹ tted in a homemade dress of a more drab colored brown fabric, embellished with lovely detail and a bustle accented underneath with a large bow. They are truly a feast for the eyes, with their sweet faces and lovely fashions.
An early French poupee with pale bisque, highlighted by her pretty cheek coloring, has flat unpierced ears and her original blond skin wig. She is dressed in a tan two piece outfit trimmed with red ribbon and tiny white glass beads decorating all the red ribbon on her outfit, save that at her neck. She is very impressive and seems almost matronly.
A Jumeau poupee is always popular with collectors, and this is a lovely example. She has the serene look typical of this mold and is marked Simonne on her body, and proudly wears her original couturier blue silk dress trimmed with covered buttons and self ruffle on all edges. She has pierced ears with earrings, and her original mohair wig.
This lovely lady was probably dressed at home rather than by a couturier. Her dress is made of a courser fabric in a dark brown. At first glance it isn’t as impressive as others, however upon closer inspection one can see the detail in the design and finishing, with edges of ruffles and the large bow in back finished with silk trim. She has desired bisque lower arms, pierced ears with earrings and her original wig.
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This beautiful bebe is by Gebruder Kuhnlenz, who was very talented in copying the look of French makers. I’m sure this lovely child would have satisfied a young girl who had her heart set on a French doll. Her original clothing is in the French style, completing the desired effect.
What a choice pair of wax dolls! They are reinforced poured wax, and are in their original clothes representing a bride and groom dressed in the manner of the French court or nobility. The bride’s dress is deteriorating in places and she has lost one of her shoes on the way to the altar, but the groom’s clothing seems to have held up pretty well. Their wax has retained the fresh pink color, adding to their appeal.
A 30” early papier mache lady with glass eyes would be a wonderful addition to any collection, especially one with a large braided bun. Although this example has had some touch-up on her face, her hair retains the original paint, making her a very interesting example of this type of doll. 24
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Several open mouth Jumeaux, including a mulatto child, make their home in a case along with a lovely Gebruder Kuhnlenz bebe and a few other German dolls. A sweet carved hair Schoenhut boy has joined several other smaller German dolls in another setting. Wax dolls are highlighted by the lovely wedding couple, and include a poured wax baby by Marsh and early English wax dolls, one with wire eyes. Papier mache dolls are highlighted by a large early lady of 30” with a braided bun hair style and glass eyes, sitting serenely in her case holding a beautiful quilt. Other papier maches are mainly of the type called “milliner’s models”, with detailed molded hair, kid bodies and wooden limbs. Several of these have the scarce and very desirable styles from the early 1800’s. Shown as a grouping, it is interesting to compare the intricate styles and the later more common ones. More primitive dolls which were hand carved in the manner of milliner’s models are a special grouping, and reside on the shelf above the coveted Izannah Walker, who shares her spot with the
The nice grouping of papier mache dolls known by collectors as “milliner’s models” shows some with intricate hair styles with molded curls and braids from the early 1800’s. There is also one with a Greiner hair style, and one with a braided bun, although it doesn’t show in the picture. The papier mache ladies have graciously agreed to share their case with a hand made wooden lady on the left.
shell peddler, a late English wooden and a papier mache. On the shelf below are a few primitive homemade cloth dolls, a wishbone doll, a Springfield wooden and a Gebruder Kuhnlenz mammy with baby. A case with a carriage full of Bye-Lo babies and similar infants graces another room. A delightful Kley & Hahn character dressed as a nurse shows off her original trunk and wardrobe of clothing in another case in this same room. An original staircase in the house was enclosed to create a case with a glass front. German dolly face dolls share this space, with an outstanding Handwerck who possesses a steamer trunk of original clothing and accessories. Other dolls of interest in this room are two Lencis, one the Prosperity doll with a painted face, a Shirley Temple, a Volland Raggedy Ann, a Chase lady and a Gibson Girl by Kestner. Of course, there are dolls to interest doll enthusiasts who prefer more modern dolls, including a case with lovely Alexanders from the 50’s, a Sweet Sue by American Character, a Toni with her box of hair accessories and a Patsy Ann by Effanbee. Naturally these dolls all have their original clothing. The museum also has a small gift shop with inexpensive items of the area and a few dolls or accessories. Here can be found further information on Worthington and other interesting places to visit. If you are planning a trip to central Ohio, it is definitely worthwhile to plan to visit this charming display of dolls.
A petite shell peddler is not only dressed in shells on her clothing, but is selling flowers made of shells. She is a jointed wooden doll known as a Tuck Comb, with a comb at the top of her hair, hidden by her deteriorating hat. She has lost a number of her shells through the years, but is still an exceptional example of this type of doll.
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Learning About American-Made Dolls
Dolls With Rubber Limbs are Worth Saving by Ursula R. Mertz
photos by Christopher Partridge
T
hese days, one does not see many dolls with rubber limbs in collections. Yet, in the nineteen twenties and thirties the Ideal Novelties and Toy Company of New York City sold many dolls with rubber components with names like Smiles, Suck-A-Thumb, Tickletoes, etc. Ideal was definitely in the forefront of exploring the use of rubber in doll production, praising the life like nature of this material. High quality dolls were produced that are definitely worthy of preservation. Even though the company praised the durability of their product, the rubber limbs did deteriorate over time. Contemporary advertising also encouraged children to wash the rubber limbs of their dolls if they got dirty. Vigorous play and washing would Vanity Flossy Flirt features a tightly waved mohair wig. 19” Vanity Flossy. Her eyes move from side to side and she can hold items with her right hand. She has composition legs, and she was redressed.
Full page ad from Toys and Novelties, dated January 1927, featuring Vanity Flossy.
Flossie’s left arm shows the consequences of being stuffed too tightly. 28
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Her left arm was filled in with plastic wood and painted to match. This method of repair should not be used.
All four dolls discussed in this article feature this identical construction: composition head, rubber limbs (compo legs for Vanity Flossy) and stuffed cloth body. All four heads are marked with the well-known diamond shape mark: Ideal of USA.
18” girl in all original outfit, including an attractive hat. No flirting eyes, blond mohair wig.
have contributed to the high rate of attrition. Yet, once in a while, one can find such a toy in good condition and even with original clothes. Such an example would definitely qualify to be included in one’s collection. Yet, people have seen too many casualties and are hesitant to take a chance. They expect the newly discovered perfect example to deteriorate eventually. For this reason, I would like to share some experiences and tips that I have accumulated over a period of about 35 years. Some of them were successful, others not. My first experience with rubber limbs was in 1977. In an antique shop a certain doll attracted my attention. Her eyes rolled from side to side which gave her a very lively expression. Her lower arms were made of rubber, and the four fingers of her right hand were curled in so that she could hold things. The arms were still pliable and in good condition. As I later learned, her name was Vanity Flossy. I gladly took her home and packed her away. Ten years later, when I re-packed and examined her, I discovered that her left arm had collapsed, but the rubber was still flexible. I carefully removed the arms, stuffed them with fiberfill and reattached. When checking Vanity Flossy a few days later, to my dismay I discovered that her left arm had swollen. Obviously, I had stuffed the arm too tightly, and the fiberfill was exerting too much pressure on the fragile limb. What to do now! Taking the arm off again was not an option. The new glue would not let go that easily. Luckily, the sleeves of her dress were long enough to hide the swelling a
16” All original Tickletoes – “The Perfect One.” ANTIQUE DOLL COLLECTOR
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For this Tickletoes a more realistic head was designed. Soft baby features included a wide and flat nose, reminding one of the attributes of an actual child.
21” Tickletoes, all original with flirty eyes.
little. From this incident I learned two things: One must be careful not to stuff too tightly. Secondly, the doll should have been stored in an upright position. That way the arms would have been given a chance to harden in their original shape. Vanity Flossy is still in my collection. The arms have hardened, and after some 35 years, no other changes have taken place. At about the same time in the late seventies I bought another doll. Her eyes did not flirt, but she was dressed in her original clothes, including a very becoming same fabric hat in addition to original socks and shoes. She featured both, rubber lower arms and legs. The legs were still pliable, and when pressed emitted a squeak. The arms had hardened, and the left one showed open cracks that had also collapsed. I filled the open cracks and depressions with plastic wood and painted to match. This IS NOT something that I would do today or recommend! In the meantime, the legs have hardened in their original shape, and the arms have remained stable as well. As we all know, once in a while one gets real lucky and locates an all original doll that is absolutely faultless. For me, such a find was Tickletoes, a toddler featuring rubber lower arms and legs. She was bought some 20 years ago. Her pink organdy outfit looked nice and fresh and still retained its original stiffness. Her rubber limbs had already hardened. Of course, she was always stored in an upright position, and no further changes have occurred. 30
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Repaired left arm of 21” Tickeltoes. The fabric strip firmly reconnects the separated pieces.
Front and back of package insert. Paper hang tag, as seen on both Tickletoes dolls.
Just recently, I was able to acquire another all original Tickletoes. For this doll a more realistic looking head had been designed. Soft baby features included a wide and flat nose, reminding one of the attributes of an actual child. With her came valuable information. A yellow streamer pinned to the front of the dress proclaimed: “Second Prize // prettiest doll // Canton Playground 1934 // Waterworks.” A label on the outside of the original box stated a price of $4.94 and that the doll was bought at Hern Department Store. The original package insert certainly expressed Ideal’s pride and confidence in their product. Since such ephemeral materials get lost so easily, I quote in full: 1. IDEAL rubber arms and rubber legs are soft, safe and flexible. They feel warm and life-like to the touch. 2. IDEAL little rubber arms and hands are delicately moulded true to nature. Every finger is reproduced accurately. 3. IDEAL rubber arms are sanitary, waterproof and washable. 4. IDEAL rubber arms have no paint to crack or peal off, as the color is blended through the rubber itself. 5. IDEAL rubber arms never split or break. They are moulded of one piece. 6. IDEAL DOLLS with rubber arms can clasp hands, and the baby dolls can even suck their thumbs. 7. IDEAL arms and legs are made of the very best live rubber and are very durable. They will last for years without deterioration. SPECIAL DIRECTIONS - When IDEAL rubber arms and legs become soiled from use, just wash them with soap and water, as you do your own hands. This makes them look new.” This doll had obviously been stored in her original box and the legs had hardened in a somewhat flat state. When
Label on outside of original box.
displayed, this is not too obvious. The wide dress skirt will hide this flaw. Her right arm had partially collapsed and had a hole which I covered with a small cloth patch to strengthen the area. The left arm had been repaired by the previous owner with a band aid which had come loose and the broken off lower arm was now dangling precariously. The edges of the break were frail. The new repair was handled as follows: I cut a strip of cotton material on the bias, covered it on one side with tacky white glue and wrapped it around the affected area, making sure that the edges of both parts matched tightly. When dry, I painted the patch to match the surrounding area, making sure not to overlap at the edges. Successful maintenance of dolls with rubber components is possible with basic preservation. Most important is for these dolls to always be stored in upright position. Once the rubber limbs have hardened, little or no change can be expected. These dolls do deserve to be saved and appreciated. ANTIQUE DOLL COLLECTOR
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The SFBJ Eden Bébé by Martha Nichols
An example of the 1890-1899 Eden Bébé whose head was made by François Gaultier company.
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he doll known as Eden Bébé was originally the product of the German doll and toy company founded in 1873 by Fleischmann & Bloedel, and was registered in France on March 31, 1890. The company’s 1891 advertisement suggests that the Eden Bébé was a specialty item made for the French doll market under the auspices of la Société Fleischmann et Bloedel fabricants de jouets á Paris (the Fleischmann and Bloedel company, toy makers of Paris). They advertised a Paris address. This early Eden Bébé (above) had a porcelain head made by the François Gaultier company (FG), with blown glass paperweight eyes also by French makers, including Danel and Guépratte. The 1890-1899 Eden Bébé had a very French appearance with heavy eyebrows, pursed
The well-marked head of the Fleischmann & Bloedel Eden Bébé.
lips (open and closed mouths, some with lip accents), pierced-through-the-lobe ears, and a narrow rimmed, deeply slanted head-cut with cork pate. The bodies were either an inexpensive pasteboard and composition 5-piece body, which was nicely dressed in sewn-on clothing, shoes, and stockings, or a high quality fully-articulated body made in France, probably by Jumeau. Many of these were sold dressed in a lace-trimmed chemise, black lace stockings, and black shoes. The dolls had wavy shoulderlength mohair wigs. The FG head Eden Bébés are well-known because they are well-marked. The incised mark says: “Eden Bébé, Paris, [size number], Depose (registered).” These dolls were sold mainly to Paris department stores such as Bon Marché, La Ville St. Denis, Au Printemps, or Grand Bazar Magenta. ANTIQUE DOLL COLLECTOR
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The redesigned SFBJ Eden Bébé, size 0 (38 cm, or 15 inches). The body of size 0. The head and body marks of the SFBJ Eden Bébé size 4/0.
The author recently purchased this SFBJ Eden Bebe, a size 1 with brown sleep eyes.
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In 1898, Salomon Fleischmann of Fleischmann & Bloedel, was living in Paris and had recently married a French woman. In 1899 he began negotiations to form a “joint stock company” with French doll and toy makers. The Société Francaise de fabrication de Bébés et Jouets, now known as the SFBJ, was formed with the creation of a set of by-laws on March 6, 1899, and included Jumeau, Bru (via the Girard family), Steiner, Danel, Pintel & Godchaux, Gaultier Brothers, Bouchet, Genty, and of course, Fleischmann & Bloedel – 42 shareholders in all. The registered name, Eden Bébé, was transferred to the new company, and its registration was renewed by the SFBJ in 1905, 1938, and 1953. In 1905, Bloedel died, and Fleischmann was the executor of his French holdings. The Eden Bébé was now redesigned to be less costly to produce by the simple expedient of out-sourcing the heads to German porcelain factories where the bisque could be fired at lower temperatures resulting in a large savings in fuel. Also, in 1905, Fleischmann imported a German body-making press for the SFBJ’s Paris factory so many more bodies could be produced in less time and at less expense. In about 1905 the SFBJ began selling the new Eden Bébé (above). Her head was marked only with a size number, and she no longer had pierced ears. She had the redorange German paint color for her lips and dots in the nostrils and eye corners. She continued to have a chin dimple, blown-glass eyes, a molded eyelid line, brown French-style eyebrows, and very fine, dark grey, slanted eyelashes painted on top and bottom. She now also exhibited a small indent under her lower lip (except in the smallest heads), four set-in teeth, and a less-slanted head cut, with a wide rim at the head opening, and a cardboard pate under a wavy mohair wig. The Eden Bébé fullyarticulated body, now made by the SFBJ themselves, had a size number on the back and on the soles of the
feet, and the hands had a slightly raised index and little finger; most had red fingernail outlines. The fully-articulated-body Eden Bébés were made in a wide range of sizes from 12/0 to 6, and possibly even smaller and larger. The evennumbered sizes are more prevalent than the odd-numbered. The Eden Bébé heads were also used for specialty articulated dolls: walkers, talkers, and kiss-throwing bébés. A pasteboard and composition (right) 5-piece body was also used for the SFBJ Eden Bébé, with a similar head. However, the heads on these bodies seem all to have had threaded set glass eyes and two wig-attachment holes in the head, and had a different size numbering than the heads on articulated bodies. Some of the 5-piece bodies may have had jointed elbows. The best versions of this body are entirely painted, while others have only painted arms (right). Pressed pasteboard head Eden Bébés were also part of the SFBJ’s doll line. Little is known about them except that they were sold as washable and unbreakable. It is likely that the heads were made in France with the same type of steam press molds Jumeau perfected for making bodies, which were now the SFBJ’s property. The SFBJ made an incassable (unbreakable) pasteboard head version of many of its bisque doll molds. Some evidence points to the Theodor Recknagel company as the maker of the bisque heads used for the SFBJ’s Eden Bébés. Fleischmann & Bloedel had a factory in Fürth, in Sonneberg, while Recknagel was nearby in Alexandrienthal in Sonneberg. Both were operating there in the late 1880s and 1890s. Dolls with Recknagel-marked heads have been found wearing original chemises (right) under their costumes which are marked “Eden Bébé.” Recknagel dolls and Eden Bébés are both known to have raised marks (right) on the back of the head: a V or sideways L, a branched mark, a slash, or
The painted pasteboard and composition body of the 2/0 Eden Bébé is strung like an all-bisque doll.
“Eden Bébé, Brevete SGDG” is stamped on the factory chemises of some dolls with the Recknagel mark.
Here is an example of the crude unpainted pasteboard body and composition legs that some SFBJ Eden Bébés had, covered by stockings and sewn-on clothing.
This raised “squiggle” mark is found on both SFBJ Eden Bébés and on Recknagel-marked dolls. This is the mark of a 6/0 Bleuette.
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Recknagel’s 1907 mold is nearly identical to the SFBJ Eden Bébé. This example is 28 cm or 11 inches. Her eyes are replaced.
The profile of the Recknagel 1907 mold compared to...
Here is the engraved image of Henri Gautier’s free-with-subscription doll.
This is the so-called “Jumeau mold” Bleuette.
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The profile of an SFBJ Eden Bébé. Notice the ears, especially.
a squiggle. There is a marked similarity, also, between the Eden Bébé mold and Recknagel’s (above) 1907 mold: the ears, chin dimple, mouth formation, eye shape and eye molding are very much alike. The 1907 mold also has head-holes like the Eden Bébé heads on 5-piece bodies. Perhaps the molds for the Eden Bébé were, like Recknagel’s doll molds, sculpted by designers from the Sonneberg School of Industry. In 1905 Paris magazine and book publisher Henri Gautier kicked off a girls’ weekly magazine with the offer of a free small bisque doll with every paid subscription (left). He ordered the dolls for this promotion from the SFBJ, and initially advertised them as size 2 Jumeau dolls. Although there is some disagreement about it, most experts believe that the free dolls’ heads were made from Jumeau molds now owned by the SFBJ and placed on SFBJmade bodies (perhaps made with the new press). Demand for the little 27 cm (10 -5/8”) doll by the readers of La Semaine de Suzette exceeded supplies, and there was a delay while more Bleuettes were made and/or assembled by the SFBJ. Some experts believe that the head used on the next shipment of dolls sent
The 6/0 size mark of the same Bleuette, with a raised mark above it.
This is Friquette, the doll of Fillette magazine as shown in one of her sewing patterns. You can clearly see her French-style articulated arms.
In size 6/0, this is the Eden Bébé mold Bleuette supplied by Fleischmann. She also measured 27 cm or 10 & 5/8 inches. Neither the 8/0 or the 6/0 Eden Bébés on articulated bodies had red nostril marks, yet the smaller heads on 5-piece bodies did have them.
to Gaultier was the one known to Bleuette collectors as “the 6/0” or “Fleischmann mold” (above). This was clearly the newly remodeled SFBJ Eden Bébé in size 6/0. Even if the 6/0 head was not sent to Gaultier in 1905, it was definitely in use by 1907, according to recent Bleuette research. The first known photo of Bleuette, in a 1915 advertisement for her wardrobe, shows the 6/0 mold doll. At the very least, this mold was in use from 1907 to 1915. The 6/0 Eden Bébé mold was supplanted by the SFBJ 60 mold in size 8/0 in about 1915. It is still unknown who made the 60 mold heads. Some are marked R, some D, some PR suggesting the Paul Rauschert factory in Sonneberg, who made heads and eyes. The painting and bisque quality varies greatly; perhaps several different factories were employed. Some experts speculate that the SFBJ continued to have Gautier’s Bleuette heads made in Sonneberg until the advent of the 301-1 Bleuette, who is thought to be an entirely French-made doll. In 1909 in Paris another girls’ weekly magazine Fillette (Little Girl), was begun. Fillette featured sewing patterns for Friquette, their doll mannequin (center). Although no photo exists of Friquette, and her identity has not yet been confirmed, experts now believe that the doll used by Fillette to model their doll clothing patterns was probably an SFBJ Eden Bébé bisque articulated doll of 38 cm, which is (right) size 0. The 38 cm doll was sold by the magazine in its early years, but like the 6/0
A size 0 SFBJ Eden Bébé models Fillette pattern Robe Yvette of May 4th, 1911. It fits her perfectly.
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The Bébé Mulatre was also an Eden Bébé mold doll, here with fully-articulated body.
The mark of the Bébé Mulatre shows her size, 6/0, and a raised mark above it.
The 6 mark and SFBJ sticker on the back of the USA size 6 Eden Bébé.
The face of the unusual size 6 Eden Bébé (57 cm or 22-1/2 inches) found in the USA. 38
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A group of Eden Bébés ranging in size from 9 to 15 inches.
Bleuette, disappeared in 1915. Other sizes and models of dolls were used as the magazine’s mannequin after that. In 1914, when WWI began, the SFBJ’s director, Fleischmann, was still a German citizen. He left France for the safety of neutral Spain, and in March of 1915 his property was sequestered by the French government. For a short time, Fleischmann was able to continue importing German-made bisque doll heads through the French/ Spanish border. Fleischmann died during the war in a Spanish hospital, and after the war his shares of the SFBJ were returned to his wife. The SFBJ’s directorship passed to Bru heir, Paul Girard. Fleischmann’s son-in-law later became an SFBJ director. In the 1910s the Eden Bébé mold was used for several specialty dolls. One was the Bébé Mulatre, advertised in the 1912 SFBJ catalog. The SFBJ 1907 mold was also used for Bébé Mulatre. The 5-piece and fully-articulated Eden Bébés figure prominently in the 1912 catalog as Bébés en Chemise (Dolls in Chemises) and as Bébés Habillés (Dressed Dolls). Sometime in the WWI era the SFBJ produced a size 6 Eden Bébé, 57 cm tall (22-1/2”) with exceptional paperweight eyes, lovely bisque, and a somewhat dissimilar mold to the smaller Eden Bébés, yet marked
only with a size number. She has the four teeth, chin dimple, and unpierced ears of the Eden Bébé. Her body is an SFBJ body, and one example carries the round SFBJ sticker that was used during the WWI era. Two of the size 6 dolls are shown here, one found in the USA, the other in Australia, where she is a treasured family doll with known provenance. In Coleman’s “The Collector’s Book of Doll Clothes,” a 34 cm (13-1/2”) doll on a 5-piece body is shown in her original box, dressed in factory original clothes of the 1920s. The Colemans call this doll an Eden Bébé, but do not explain why – perhaps the box was marked this way. The doll in the box can be clearly identified as an SFBJ 60 mold doll. Her tag, visible in the photo, saying “Je Feis Dodo,” (I Sleep) was one used for the Eden Bébé of the 1910s. Perhaps the SFBJ continued to use the name Eden Bébé into the 1920s and beyond, but not the original mold. In the future we may be able to discover more about Fleischmann’s SFBJ Eden Bébé. She was his creation, and a mainstay mold for the company from 1905 to 1915. Although she lacks the quality of many other of the early SFBJ dolls, still, she has a certain charm, and she played a significant role in the history of the company. ANTIQUE DOLL COLLECTOR
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Doll Lovers Weekend In New Harmony “The Mask” Hosted by The Gateway Doll Study Club of St Louis
April 5 to April 7, 2013 WORKSHOPS: Friday, April 5, 2013 5pm at Doll Shoppe of New Harmony Drop waist child dress for 12” doll. Instructor: Mary Jo Koets
Saturday, April 6, 2013
9am at Doll Shoppe of New Harmony Bleuette hat of pastel silks. Instructor: Maggie Phillips 9am at New Harmony Conference Center Candybox with bisque doll on top. Instructor: Cynthia Orgeron 1pm at Doll Shoppe of New Harmony Painted face cloth doll. Instructor: Susan Fosnot 1pm at New Harmony Conference Center Miniature mignonette doll in box. Instructor: Nada Christensen 1pm at New Harmony Conference Center Garibaldi blouse, with instructions on French sewing techniques. Instructor: Donnell Wisniewski
Free Seminar: Saturday, April 6, 2013 2pm Celluloid Dolls Instructor: Nancy Harmon
Some of the dealers you will see: Denise Buese • The Carmel Doll Shop • Fritz’s • Joan & Lynette’s Antique Dolls • Mary Jo’s Enchanted Doll Closet • Gilda’s Fabrics • Kathy Bailey • Two Beth’s Dolls • Sophie Pearson/Jennie Sykes • Brenda Welker • Gigi’s Dolls and Sherry’s Teddy Bears • Linda White • Barbara Russell • Cynthia Orgeron • Susan Jakel • Betty Thompson • Gayle Reilly & Cherie Donahue • Mary Coleman • Nancy Harmon • Dectra Ltd • Jo Ann Reynolds • Carol Hesterman • Joyce Goethe • Elaine Wojcinski • Barbara Hack
Ticketed Charitable Event at the New Harmony Atheneum 6:30pm to 9pm Title: “The Mask” Evening of fun and information featuring Doll News Editor and doll costumer, Denise Buese. This is a desert and coffee affair with surprises you will not want to miss!
Shopping on Saturday: 10am to 4pm
Doll Shoppe of New Harmony, New Harmony, Indiana Rhoda’s Doll Emporium, 102 East Main Street, Carmi, IL 62821
Doll Show, Sunday, April 7, 2013 Location: New Harmony Conference Center, 9:30am to 3pm
Please log onto www.newharmonytristatedollshow.com for registration form and more information. Contact: Rhoda Wade, 102 East Main Street, Carmi, IL 62821. Phone: 618.387.1255 or 618.384.8735
A Rare Dotty Darling Doll
by Sara Bernstein
Tucked inside the doll’s underwear was this tag, perhaps part of the original hang tag. Compare it to the Rose O’Neill illustration of a little girl reading a book. Rose O’Neill illustration
I
t is always an exhilarating experience attending a doll show. Going through the aisles in search of that illusive doll that you’ve seen in books and magazines, read about for years, wanted but haven’t been able to find. You know who the manufacturer is, the artist, and sometimes even what inspired the doll’s creation. However, it’s the time when you find a doll you didn’t even know existed, have never seen a picture of, and almost nothing is written about, that keeps doll collectors traveling on a never ending treasure hunt. It is also the time when the doll collector has to switch hats from collector to amateur detective. This was the case when I happened to come across an exceptionally adorable doll at a doll show, simply tagged by the seller “Lenci type”. The tag’s description seemed a little odd, since the doll had a composition head and the original label stated “Dotty Darling Trade Mark Made in Germany.” She had a very whimsical expression that was irresistible and somehow reminded me of another doll. The name Dotty Darling was also familiar and I just couldn’t put my finger on which doll she reminded me of. Over the years there were so many fads and trends in the doll industry, that when one doll was successful, other manufacturers would follow suit and make their own interpretations. Many dolls had similar looks, often described by doll collectors as a look-alike or type, so it wasn’t unusual that this doll would remind me of another doll. She was a very good quality, her
18 inch Dotty Darling doll with head made of thin composition.
expression was just so irresistible and the price was right, so she came home with me! Upon examination of the doll, I determined that Dotty Darling’s head was a made of a thin composition, typical of German manufacturers in the 1910-1920’s. What was unusual about her head was that she had a thin flocking on the surface, which made it feel almost like felt, thus explaining the dealer’s confusing tag “Lenci type doll.” Her body is peach cotton cloth and she is jointed at the head, arms, and legs. Her hands are mitt-style with stitched individual fingers. The eyes are painted and glance to the side. She has the original blond mohair wig in waves with a felt ribbon and huge bow. Her clothing consists of a simple green felt top and skirt trimmed with a lot of felt roses, white underwear and a slip, and felt shoes and socks. She has the original paper label sewn onto the dress. I decided to remove the clothing, since identifying marks and tags can often be hidden on the sole of the foot or in the joints. ANTIQUE DOLL COLLECTOR
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Dotty Darling is prominently featured on this handerchief box.
Upon removing the dress, I found a paper tucked inside her underwear which was a cut-out shape with a doll’s face printed on it, but with no text. This may have been part of the doll’s original hang tag since it had a hole in the top. There were no markings anywhere on the doll except for an illegible script letter next to a letter B with the number 7 below it, on the back of the doll’s head. This mark was not familiar to me. So the only thing I had to go on was the printed tag on the dress identifying her as “Dotty Darling Trade Mark Made in Germany”. No manufacturer was listed. I decided the fastest way to find information would be an internet search. I started with just three words “Dotty Darling Doll.” To my amazement the search came up with something totally unexpected, a name that hadn’t occurred to me. Dotty Darling, a trade-marked Rose O’Neill character in the story book The Kewpies and Dotty Darling, first published by George H. Doran in 1912. It was an illustrated story book written in verse and told the story of the Darling Family and their Kewpie friends. I had never seen a Dotty Darling Doll other than paper dolls, so this was a very fascinating turn of events. Dotty Darling, the creation of Rose O’Neill, was the blond youngest daughter in the Darling Family. They interacted with the Kewpies in many adventures. I was intrigued! This doll was blond, but I needed corroboration. I didn’t want circumstantial evidence. I wanted a direct connection between this Dotty Darling Doll and the character Dotty Darling by Rose O’Neill. I have always been a Kewpie fan. Who could resist those cute little characters? I have also seen numerous pages from magazines and books with Dotty Darling’s image. Further searches on the Internet were fruitless. They came up with so many dolls with various combinations 42
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Dotty Darling often interacted with the Kewpies as seen here in this storybook, published in 1912.
and spellings of names with Darling from Dottie to Dearie but no other reference to Dotty Darling other than the Rose O’Neill character. Since the tag on the doll states Dotty Darling is trade marked, the spelling of the name Dotty is important since Rose O’Neill’s Dotty was spelled with a “y” and all other references to dolls with the name Dottie were spelled with the last two letters “ ie.” A trademark is a word, name, phrase, logo or symbol, that when registered, shows that the item originated from a unique source. This is important in identification of a doll manufacturer, since Rose O’Neill’s Kewpies and characters were protected not only with a copyright, but with a trademark too. It was then I turned to my vast library of doll reference books. With quite a few books on Rose O’Neill and the Kewpie dolls, I thought a Dotty Darling doll would surely be mentioned in one of them, but to no avail. Dotty Darling was a character in the Kewpie storybook, and was illustrated in magazines as a series of paper dolls. There is a picture of an all bisque figure of a Kewpie hugging Dotty Darling in John Axe’s book Kewpies Dolls & Art. This figurine was made in Japan. The Dotty Darling in this hugging figurine has similar characteristics to my Dotty Darling doll. So there is evidence that Rose O’Neill did try to create a three dimensional Dotty Darling doll. The next reference book I tried was Coleman’s Encyclopedia of Dolls. I turned to the D’s and there it was, the information I was looking for, “Dotty Darling 1914, a doll representing a child with a ribbon in the hair, copyright George Borgfeldt.” Fred Kolb is listed as the artist, but he was probably assisted by Joseph Kallus. Next to the listing was the same picture that was tucked into my Dotty Darling’s undies. As explained in Coleman’s, the picture was part of the original patent for the doll,
Dotty Darling decorates her Christmas tree with cherubic Kewpies in this vintage holiday card.
so it is highly likely it was also used as a tag on the doll. The evidence was starting to come together but I wanted more. Although it stated the designer was assisted by Joseph Kallus who worked for all parties involved with the Kewpies, I still wanted a direct link between the Dotty Darling doll and Rose O’Neill. Next I checked in the Cieslik reference book German Doll Encyclopedia under Borgfeldt and there it was in a list of trademarks used by George Borgfeldt in Germany “1913 Dotty-Kewpie.” This was the corroborating evidence I was looking for, since the all bisque doll in John Axe’s book was made in Japan and this was definitely not a reference to that figure. The connection between the Dotty Darling Doll, Rose O’Neill and the Kewpies was becoming apparent. Fred Kolb was the head of Borgfeldt & Company and was instrumental in the licensing and manufacture of the Rose O’Neill’s Kewpie line of dolls in the early years. The Kewpies were a huge marketing success. Figurines and dolls were in such demand that Rose O’Neill needed the assistance of artists and sculptors to keep up. It was the year 1913 when a request was sent to my Alma Mater, Pratt Institute in Brooklyn, New York for young artists who could draw and sculpt. A seventeen-year old Joseph Kallus, presented his work to Fred Kolb to apply for the position. Rose O’Neill and Fred Kolb were delighted with his work and hired Joseph Kallus to assist in the development of
Dotty Darling paper doll, 1913, Woman’s Home Companion.
Rose O’Neill’s Kewpie drawings into sculptures, to meet the public demand. It states in John Axe’s book that Joseph Kallus was so excited with this project, a former class mate remembered how he would often bring his Kewpie sculptures to school. Rose O’Neill, George Borgfeldt and Joseph Kallus worked to control all copyrights, licensing and trademarks associated with the Kewpies, dolls, figures and all related merchandise. So the character Dotty Darling being trademarked protected was very significant. With all this new information, it finally occurred to me the doll Dotty Darling reminded me of was a rare cloth Scootles doll made by Richard Krueger, NYC in 1935. The Scootles doll has blond curly hair with side glancing eyes and a whimsical smile. Upon comparing the two dolls, you can see the facial features and even the construction of the body has a remarkable resemblance to the Dotty Darling doll. The facial expression, the body stance and the mitt shaped hands are similar. Upon comparing the illustration on the hang tag with a known illustration of Dotty Darling by Rose O’Neill the likeness is noteworthy. Dotty Darling and the Kewpies were portrayed as a set of paper dolls in Woman’s Home Companion. The original issue of the magazine was so popular that it sold out in July 1913. The magazine reissued the page to satisfy the demand. If you compare the paper doll version of Dotty Darling you can also see a remarkable resemblance to the ANTIQUE DOLL COLLECTOR
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Vintage valentine with Dotty Darling and a lovable Kewpie.
Rare cloth Scootles by Richard Krueger.
Borgfeldt doll. Dotty Darling is described as a four-year old chubby blond little girl wearing a floral dress, with a giant bow in her hair, an accurate description of this doll. The Kewpies protected Dotty and kept her busy when the other children went to play games for which she was too young or when they went to school. One rhyme went, “The others, six and eight and more and though they love her youth and laughter. They didn’t want her toddling after. Where’er they went, to school or play. To church or grandpa’s down the way. Small Dot would toddle in pursuit. She toddled fast and far to boot. She toddled after, through the gate, she toddled quick, she toddled straight, she toddled with determination. Her toddles called for admiration.” It was the Kewpies job to keep her safe. A year later the Darling family welcomed a little brother and the Kewpies helped Dotty adjust to the new situation. The Kewpies were always there to help the Darling family children. Rose O’Neill was so well known for her Kewpies that it is often forgotten that she was an extremely talented artist who created many other wonderful characters and artworks. Some of these were also transformed into dolls like the Kewpies but these dolls are seldom found today and have very little documentation in the Kewpie books. This would include the Dotty Darling doll, an adorable cloth doll named Whoopy Clowny that you could toss in the air so it would scream, sold in the Sears Catalog, and the Scootles doll. With all the evidence compiled it makes sense to conclude that this Dotty Darling doll has a direct link to the work of Rose O’Neill. This is what makes doll collecting so exciting! It’s the quest for that unknown doll, the one you’ve never seen or heard about, that rarity that makes a doll collector keep searching, since you never know what you’ll find! 44
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Rose O’Neill composition Scootles made by the Cameo Doll Co.
Photos of Dolls by Sara Bernstein, Rose O’Neill paper illustrations from the collection of Sara Bernstein
Nancy Ann Style Show Dolls by Jane Foster Photography by Kim McBurney
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ancy Ann Abbott Nancy Ann loved children was born in and enjoyed letting groups of California on February 22, young girls tour her factory. 1901. Her birth name was One part of the tour would Rowena Haskin. She was a be a meeting with Nancy very shy young girl, but in her Ann where she engaged in early adult life she ventured out conversation with the girls and and attended a Fine Arts school in answered any questions they California, later working as a dancer, had about the dolls she made. It actress, and Hollywood studio designer. is interesting to note that Nancy Ann Her stage name was Nancy Phipps. Abbott was very influential in She had many interests and encouraging young girls to collect hobbies, but costume designing dolls, not just to play with them. became her main creative activity. It has also been stated in accounts After leaving Hollywood she of her life that she was very caring changed her name to Nancy toward her employees; she was Ann Abbott. In 1936 she started thoughtful of them and treated designing clothes for dolls made them with respect as they did her. in Japan. She opened the Nancy She became ill and died of cancer Ann Dressed Dolls Corporation in on August 10, 1964. 1937 with a partner, Leslie Allan Most doll enthusiasts are Rowland. Her doll corporation familiar with the small Nancy grew very quickly to become Ann Storybook Dolls. However, it Lilac Time is wearing a striped green taffeta dress. the largest doll company in the seems not nearly as many realize Her straw hat is particularly pretty trimmed with United States in the 1940’s. She the same company designed 18delicate flowers and lavender fur. Style #1504 started making bisque babies in inch dolls in the early and mid her factory, and then in the 1940’s switched to plastic. On 1950’s called Style Show Dolls. December 26, 1945 the name of the factory was changed My husband and I were at a doll auction several years ago to Nancy Ann Storybook Dolls, Inc. She made small hard when a Style Show doll came up for auction. I spoke later plastic Storybook dolls as well as other small-sized dolls, with the woman who had the winning bid, and she shared including Muffie, Debbie, Miss Nancy Ann, Little Miss some information with me about these beautiful dolls. Nancy Ann, Lori-Ann, and Baby Sue-Sue. Nancy Ann had a way of putting different colors and ANTIQUE DOLL COLLECTOR
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Afternoon Tea is Style #1901. Her dress is made of iridescent taffeta trimmed with black lace and velvet pansy flowers.
Summery Day has a yellow taffeta dress with various colored ribbon stripes. Style #1501
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fabrics together for a striking effect. She dressed these dolls in elegantly styled clothing that was reminiscent of ladies’ formal attire of this era. They wore pretty long dresses, attractive matching hats, and “Southern Belle” hoop skirts, nylons, and satin shoes. The flat satin shoes were black, cream-colored, gold, silver, or a light shade to match the outfit. Such materials as silks, taffeta, organdy and tulle were used for their clothes trimmed with lace, ribbon, bows, sequins, etc. The gowns were fastened in the back with small snaps. Many dresses and hats had dainty flower accents, and some of the dolls wore fur capes or jackets. This doll designer used many fine quality feminine fabrics as she outfitted these dolls. Nancy Ann Abbott’s costuming
of the Style Show dolls was certainly comparable to that of the Madame Alexander dolls of the same time period. With each of these dolls there were many details and differences in costuming. Besides paying such attention to detail in their clothing, the designer also gave the outfits special names, such as “Garden Party,” “Dash of Spice,” and “Lavender and Lace,” just to name a few. During the years the Style Show dolls were being produced there was a wedding doll made each year, complete with veil and garter. One doll was made with long pantalettes and a necklace named “Old Fashioned Bouquet.” The doll named “Summer Resort” even sported sunglasses. There have been a few Style Show dolls made with the longer dresses and not identified with specific names in Nancy Ann Doll literature. A few Style Show dolls had shorter dresses. It is particularly interesting to me, being a retired school teacher, that some of these dresses could have been sold as school dresses. Not many of the Style Show Dolls with the shorter dresses have been found. Also, there was one ballerina made dressed in a fancy tutu, which hasn’t turned up too often. There were approximately sixty versions of these lovely ladies made in hard plastic. Some dolls were also made with vinyl heads. The hard plastic doll has a saran wig and a young adult body with a slight bust line. The wig varies from doll to doll in color and style. They have closed mouths with reddish lipstick, some blush on their cheeks and knees, blue eyes, and soft gray eye shadow. They have movable heads and open hands with the second and third fingers fused together. Feet are flat and some were made as walkers in the mid-1950’s. As noted in an article about Style Show Dolls by Judith Izen in Doll Collector magazine (formerly Contemporary Doll magazine),
Sweet and Lovely wears silk tulle over pink taffeta,a very elegant gown. Style #2403
Sophistication Style Show Doll #2404 wears a rosecolored dress. She has off-white long lace sleeves on her bolero-type jacket and lace overlay on her dress. Thanks to Judy Floyd for sharing this exquisite doll with us.
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Garden Party #1904 wears a white delicate print over yellow taffeta. She has her original wrist tag and box.
November 2011, “The hard plastic Nancy Ann Style Show doll is mostly found unmarked but sometimes it is marked “17B” or “18B.” The vinyl head doll is marked ”18V.” Judith Izen, also wrote the following in her article, “Nancy Ann subcontracted the doll manufacturing to the Frisch Doll Company of California. Frisch also sold the same hard plastic doll to other doll companies who dressed and sold the doll under their own name.” But what distinguished the Style Show Dolls from other dolls made from the same mold was their excellent and elaborate clothing. A very helpful and complete guide for the Style Show Dolls is the Encyclopedia of Nancy Ann Storybook Dolls written by Elaine M. Pardee-Volume 2, 2009. Other references include Nancy Ann Storybook Dolls by Marjorie A. Miller, 1980 and Encyclopedia of Bisque Nancy Ann Storybook Dolls by Elaine M. Pardee and Jackie Robertson, 2003. When these dolls were made they sold for approximately $16-$35. Currently an estimated price would be $600-$1200. A Style Show Doll with long dress and complete outfit could now sell for as much as $1500, depending on her originality, condition, and specific costume. 50
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If you are fortunate enough to find an all-original Style Show Doll she should be wearing a silver foil tag around her wrist giving her specific name and her style number. The tag opened up like a little booklet and inside the tag was the style number and costume name of all the Style Show Dolls produced that year. She would also come nestled in a pretty blue or pink polka-dot box.
MEET THE ALBRITTONS! by Margo Delaughter
M
eet the Albrittons – Lucy, Luke and Louise! No, these are not the names given to the dolls by their maker. Rather these are the names bestowed on them by their new owners and used in this article to describe them individually. The dolls were all made by the same doll artist and yet each is unique unto itself. I am one of those people who check the dolls on eBay regularly. While browsing the cloth doll category I came upon an oil-painted cloth doll that immediately caught my attention. I loved her face and her rather unique body construction at first sight. The seller did not have a reserve on her and mentioned that she was one of three dolls from an estate sale. The seller further stated that the dolls were made by a Nina Bonner Albritton and quite rare. That name meant nothing to me even though I am always studying books devoted to cloth dolls and their origins. Thinking the doll would sell above my “doll budget,” I alerted a friend who also loves cloth dolls. My friend won the auction and because the doll sold for a reasonable price, I contacted the seller and asked if she would be willing to sell me one of the other two dolls before she listed them on eBay. I was most pleased when she agreed. A few weeks later the third and final doll was listed on eBay and I won the auction. Now the real fun began as I sought to find out more about these dolls. Fortunately, each doll was accompanied by an original booklet and two photo copies of newspaper articles about the dolls and their maker. I looked up Mrs. Albritton on the Internet, but found very little. The two newspaper articles, however, offered the most information on her dolls while the Internet listed just a few basic facts about her life. ANTIQUE DOLL COLLECTOR
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Lucy
Luke
Nina Bonner Albritton was born in 1881 in Barclay Lake, Lion City, Kentucky. She was an artist, teacher and doll maker and is listed in the 3rd volume of “Who’s Who in American Art” 1564 – 1975. Further research on the Internet revealed that Mrs. Albritton was married to Clarence Albritton. Mrs. Albritton died in 1975. That was all the information I was able to find on the Internet. That left me with the little booklet and the two newspaper articles. The two articles turned out to reveal an amazing amount of information. It was most fortunate that the original owner of these three dolls kept all this with them. The owner whose estate the dolls came from lived in the south and had received the dolls directly from Mrs. Albritton. It is unknown if she was given them or purchased them for her children. None of the dolls were dressed when they were listed on eBay and I do not know if they were dressed when the former owner received them. These questions will remain unanswered – lost to time. The names of the newspapers the two articles were in were not identified, but I was able to find a testimonial in the booklet from a Miss Libbie L. Morrow. Written beneath her name were the words “In Nashville, (TENN.) Banner.” I checked the first newspaper clipping dated March 6, 1915 and found that the article was edited by a Libbie Luttrell Morrow. Now I felt I knew the name of the newspaper. I imagine the other article was in the same paper, but I couldn’t find any positive evidence. I contacted the Nashville Public Library and their microfilm records confirmed the 1915 article was published in the Nashville Banner. The article is titled “Story of Clarksville Woman’s Clever Invention of New Doll.” The printing on both photocopies of these articles was very difficult to read, however I was able to gather quite a bit of information. The 1915 article states that the dolls are character dolls and that each doll has its own personality. The dolls represent children of different nationalities as well as grown people of various countries. It further mentions that Mrs. Albritton was a native of Tyron County, KY. , but for eight years she had resided in Tennessee. At one time she had been a music pupil of Mr. C. J. Schubert at the Schubert Conservatory and was a graduate of the 1903 class in that conservatory. The article claims that Mrs. Albritton was an accomplished 54
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Louise
musician and artist and came to manufacture her rag dollies through an accident. Since we rarely have the opportunity to learn why and how these early cloth doll makers came to create their dolls in their own words, I have included word for word the interview she gave to the newspaper. “Four years ago, when I was visiting my mother in Kentucky, I was thrown from a buggy and received an injury which made it necessary for me to remain in bed nearly two months. I was then residing in Fayetteville and was teaching art and music at that place. The inactivity, which I could never tolerate, was almost unbearable, but my mind was busy with many things. Many plans were formulated to be carried out in the future, among the one for my dolls. “It was love for work of that nature and the fact that I wanted durable but pretty dolls for my two small children that prompted me to want to make them. I had no thought of material benefit from them then. “When I recovered, after some experimenting, I made several dolls, but they in no way satisfied me, for I had not successfully carried out the idea I had in my mind. However, I had no more time to give to them then. I kept the idea before me, but it seemed I could never get to it. The days were never long enough to crowd into them the many things I wanted to do and the dolls must wait. “It was in the early fall of the past year (1914) when I again began to work on the design for my dolls. I soon had the arms, legs and body of satisfactory proportions and these I joined so they were movable. Now the head was to be thought of. I had set myself the task of working out a means by which it could be cut out of cloth and stuffed with cotton so that the features might assume their natural shape, still without the aid of a mask or by any mechanical process. “I worked nearly two weeks unceasingly to gain that end. Oftentimes during that time, after working all day, I felt like giving up but again each morning with a new determination to go on. Finally, I was upon the eve of giving it up for the time being, my subjective mind came to my rescue and the problem that confronted me was solved in part one night in a dream. It was only a few days until I obtained the result shown in them now. “After the doll is cut from the material, sewed up and stuffed and joined they are then hand painted with washable paints. Each one is original, it being impossible to obtain the exact result twice in shaping the head and features, although cut from the same
pattern. The hair and eyes differ in coloring and each face has a different expression often taking on the likeness of my own or some neighbor’s child with whom I am acquainted. “Among the dolls I have painted have been infants, baby girls and boys, negroes, Indians, Japanese and Dutch dolls. The old time Southern black mammy with her big apron and red bandana about her head and neck has been quite popular. The doll is twenty-four inches long, but I am working on one now that is to be about eighteen inches. Each doll is dressed in a befitting costume, the entire outfit for each one being planned and sewn by myself. The doll is also entirely the work of my own hands. Owing to the short time they have been upon the market the output has necessarily been limited. They have already been sent to various points in Tennessee, Kentucky and Alabama and I am preparing for bigger things in the future. A doll design patent has been applied for.” The second article appeared in November, 1917. It was titled “DOLLIES EN ROUTE TO NEW ORLEANS.” The article states that Mrs. Albritton’s dolls would be in the window of McNeal & Edwards’ store so that the people of Clarksville could view them before the dolls left for the “Fair” in New Orleans. The article did not state just what kind of fair it was and I was unable to discover its identity. It described the various dolls that were being sent and that a Red Cross nurse, “who isn’t for
sale for particular reasons,” was to accompany the dolls should they have an accident on their journey. I assume the “nurse” was a human ready to display the dolls at the “Fair.” With the exception of the mammy doll, the dolls were the smaller members of the doll family. Since the dolls are listed in sizes of 18 and 24 inches, these must have been the 18 inch dolls. Of particular interest in this article is the fact that it mentions that one doll was sent to the home of “little Bettie” the grandchild of Lord and Lady (illegible). Thus it appears that one of Mrs. Albritton’s dolls made it to Europe. The first page of the booklet accompanying the dolls explains the dolls construction and the models available. The booklet is not dated. Mrs. Albritton wrote in her explanation, “ The dolls are entirely hand-made and are cut from a durable high-grade cotton material and hand-painted with
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washable paints so that they may be washed with soap and water whenever necessary without injury.” Could this be the reason we find so few today? The rest of the booklet or catalog shows photos of the dolls and testimonials of the people who purchased them. Two of the testimonials came from Nashville, Tennessee toy stores so we know the dolls were marketed commercially.
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Since the three dolls in this article have all been redressed I will not dwell on the clothing. Rather I will compare the painting of the faces and the body construction of each. “Lucy” is 22 inches tall and has more of a character face when compared with her “brother and “sister.” Her heavily painted dark brown hair encircles her head with “scallops” surrounding her face. Unlike the other two dolls she has very long and thick dark brown eyebrows. Her large eyes are dark blue with two white highlights, upper eye lashes, but no lower lashes. Her slightly protruding nose has two red nostril dots. “Lucy’s” lips are her most prominent feature. They are quite large with both an upper and lower bow. A curvy black line divides the upper and lower lips. “Luke” is 23 inches in height. The hair on this doll is also brown. The hair surrounding his face is done with whispery uneven brush strokes. His eyebrows are very short and his eyes are smaller than the first doll. He has both painted upper and lower lashes. His brown eyes have a single white highlight. The nose protrudes, but is small and has black nostril dots. His mouth is small and is outlined with black paint with a straight black line in the center. He does have two spots of missing paint under his chin. “Louise’s” face is still a little different from her sister and brother. “Louise” is 22 inches tall. Her brown hair curls softly around her face. Her eyebrows are smaller than “Lucy’s,” but larger than “Luke’s.” Her eyes are on the small size and are light blue in color with a single white highlight. She has upper eyelashes, but no lower lashes. She has a small protruding nose with black nostril dots. Her mouth is small with an upper bow with a straight black line to separate the upper and lower lips. Louise is owned by Marilyn Parsons who allowed me to photograph her doll for this article.
When studying the dolls closely I found that there was a difference in the head construction between “Lucy” and the other two dolls. The seaming on her head is more involved. One seam runs from the center of the shoulder plate through the center of the face and back down the back of the head. There are two seams on either side of this center seam in the back that start at the top of the head and meet in a “V” at the nape of the neck. Another seam runs from shoulder to shoulder across the top of the head. In order to form the face and give it some depth all three dolls have a seam that runs from the ear area down under the chin and up to the other side of the head where an ear would be. The head seaming is less involved on the other two dolls. One seam runs from the shoulder plate through the center of the face and down the back of the head and a second seam runs from shoulder to shoulder across the top of the head. Finally, like “Lucy,” there is the facial seam which gives shape and depth to the face. The body construction of each doll is basically the same. The heads are stationary and sewn to the shoulder plates which are in turn attached to the torsos. The arms are tabbed jointed and, interestingly, the legs are too. In order to keep the legs from “flopping” pieces of cloth are sewn on the legs to join them. This rather unique leg jointing allows the dolls to sit naturally and keeps the legs together. It is interesting to note that “Lucy’s” tab arm is attached under the shoulder plate while the other two dolls’ tab arms are attached on top of the shoulder plate . The “waterproof” finish on “Lucy” has a shiny varnished look while the finish on the other two dolls has more of a matte finish. Unlike the other two dolls, “Lucy’s” torso is untreated. The shoulder plates on each doll vary as well. The shoulder plates run from very wide to wide to narrow. Why this is the case is unknown, but one must remember Mrs. Albritton made the dolls by herself so perhaps she used whatever fabric might have been available at the time. It might also be that one size was faster to make than another.
A side view of the dolls shows that each doll has a different shape. “Lucy” on the left has a slim body and perhaps was meant to be an older child or adult. “Luke” in the center has a rather fat tummy and most likely was meant to be a young boy or girl. “Louise” on the right has a very pronounced posterior and perhaps was meant to be a baby that would sit easily in a chair or carriage. The hands and feet are the same on each doll. The hands are mitten shaped with stitched fingers and the feet show stitching to indicate toes. I have not been able to determine if “Lucy” was the first design of the three dolls or the last. Her construction is much more involved than the other two dolls. Was this because she was one of Mrs. Albritton’s first dolls and her construction proved to be too time consuming to produce in quantity or was Mrs. Albritton improving on her dolls so they could compete with the other cloth dolls on the market? Clearly the other two dolls would be easier for one woman to produce and dress since this was a “one woman” enterprise from start to finish as she clearly states in her little booklet. Without further research, which is sadly lacking, we will never know. The little booklet has delightful photos of the various dolls Mrs. Albritton made and wonderful testimonials by her very satisfied customers. The dolls pictured in the booklet are shown above. Mrs. Albritton’s dolls are less sophisticated than the other cloth doll makers of the time such as Martha Chase, Ella Smith or Kathe Kruse, but it is their simplicity which gives them their charm. Mrs. Albritton’s dolls represent folk art at its best and deserve to be recognized by cloth doll collectors. Is there one hidden in your collection? BIBLIOGRAPHY Ask/ART The Artists Bluebook Nashville Banner Newspaper Nashville, TN. Nashville Public Library, Nashville, TN. / Deborah May
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Toledo Doll and Bear Show October 21, 2012
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Clockwise from top left: Val Star, IL. 28” French China and a variety of lovely bebes and fashions. / Lorrie Dove, MI. Large closed mouth Kester, Jumeau in box, great early Chinas. / Gigi’s Dolls and Sherry’s Teddy Bears, IL. Amazing Jumeau fashion with articulated wood hands. / Chuck & Barbara Buysee, MI. JDK 221 Googly, S&H 1159, Kestner XI, and Kestner Gibson. / Fritzi’s Antique Dolls, IL. Two beautiful large Simon & Halbigs 949’s. / Hand-wind automaton. Nancy McGlammery and Ed Pelton, PA.
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ord has certainly gotten out about the new Toledo Doll & Bear Show as evidenced by the crowd and distance attendees traveled in to see what the buzz was all about. The 65 plus quality dealers did not disappoint shoppers that traveled in from New York, New Jersey, Northern Michigan, Indiana, Canada, Wisconsin, Minnesota and Louisiana to attend the October 21 show. Those looking for quality had no problem finding what they wanted since there was no shortage of rare and amazing French and German antique dolls to choose from along with a great selection of quality modern and vintage dolls. Well known doll and bear artists as well as an amazing selection of vintage Halloween and Christmas items complemented the show and also blended in with the many rare antique toys and bears on hand for consideration. Dorothy Hunt of Sweetbriar Auctions was kept quite busy giving non stop doll appraisals and we were happy to have Shari McMasters join this and our future shows to do on site doll stringing. A sampling of the rare and amazing offerings at the October show at the Stranahan Great Hall in Toledo is shown here. Be sure to attend our next show, April 14, 2013.
s ’ i z t i Frntique Dolls A
UFDC
18” JDK open/close mouth 211 toddler. 15” 116A toddler. 17” original 141 Hertel Schwab rare character. K*R 121 baby. 19” JDK 247 toddler w/original wig. French mignonnette in original nurse costume.
WE WILL BE AT THE FOLLOWING SHOWS: March 2 & 3 - Eastern National Show, Gaithersburg, MD March 23, 9 to 3 - Madison Area Doll Club, Alliant Energy Center, Madison, WI
Buying complete collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net
Cell 630-247-1144
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Winter Hours: by appointment only January 1st - March 15th
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector March 2013 Vol. 16, No. 2
March 2013 Vol. 16, No. 2 $595 / $695 Canada www.antiquedollcollector.com
For 40 years Theriault’s has been auctioning wonderful antique dolls to collectors worldwide, offering the personal touch of original family ownership complemented by state-ofthe-art bidding styles. MARQUIS. Our premiere quality auctions featuring the world’s finest dolls showcased in art-quality print catalogs and museum-quality exhibitions. Bidding by attendance at the auction, absentee bidding, live telephone bidding, and live internet bidding. This is Theriault’s only auction category featuring print catalogs. The auctions are held in major cities throughout the US. Next Marquis Auctions: April 13 - 14 in Universal City, CA at the Hilton. ELAN. Fine dolls from private collections and estates are presented to attending bidders and are also available for absentee bidding, live telephone bidding, and live internet bidding. Next Elan Auctions: March 23 and May 25 in Annapolis, MD at the Sheraton. RENDEZVOUS ON MONDAY NIGHT. An evening affair held right at Theriault’s headquarters office in Annapolis designed as a little taste of auction fun. Attendance is space-limited to ten bidders and absentee, live telephone and live internet bidding are also available. Next Rendezvous Auction: April 1 in Annapolis, MD at Theriault’s Headquarters. I-DISCOVER. A Discovery Day auction with delightful doll and childhood treasures. And just like an old-fashioned country auction, bidding is for attending collectors only. Next iDiscover Auctions: March 4 and May 26 in Gaithersburg, MD at the Hilton. TEN2GO. The best-kept secret in the doll world. 400 lots (many of multiple dolls) are sold in a fast-paced atmosphere, and wonderful bargains can be found. Bidding is for attending collectors only. Next Ten2Go: March 25 in Annapolis, MD at the Sheraton and May 27 in Annapolis, MD at the Sheraton.
For more information about our auctions, visit www.theriaults.com or call 800-638-0422 or email info@theriaults.com.
Choose which of our auction categories is the one for you!
the dollmasters P O B ox 1 5 1 • A n n ap o l i s , M a r y l a n d 2 1 4 0 4 U S A • To l l - f r e e : 8 0 0 - 6 3 8 - 0 4 2 2 • Fa x : 4 1 0 - 2 2 4 - 2 5 1 5 • w w w. t h e r i au l t s . c o m
Joyce Kekatos
t: r me a Look fo National rn te s a E ow, The Doll Sh Antique nd & 3rd 2 March urg, MD rsb Gaithe
Visit my website: www.grandmasatticdolls.com 1. - 2. 15 1/2" Schmitt Bebe, watery blue p/w eyes, gorgeous pale bisque w/ delicately blushed cheeks, amazing orig. mohair tailed wig w/long extensions. Wears gorgeous factory orig. 3 pc. burgundy & ecru silk & lace costume, PLUS orig. undies incl. orig. corset, camisole & pantaloons that button at waist, Fr. ant. matching velvet & silk hat, ant. crocheted socks & ant. Fr. leather shoes. Fully "signed" Schmitt, head & early st. wrist 8 ball jointed "signed" Schmitt body. OUTSTANDING beauty & presentation!!! $14,500. 3. - 4. 13 1/2" F. S. & Co. Toddler #1295, dark br. sl. eyes, great pale bisque, 2 upper teeth, orig. braided HH wig, wears orig. ornate batiste dress w/silk threading, added lace, ant. straw hat & orig. undies. On orig. fully jointed toddler body. Absolutely ADORABLE!!! $1375. 5. - 6. 11" Swaine & Co DIP Character Baby, mint pale bisque, orig. HH wig & pate, beautiful blue sl. eyes w/molded eyelids, cl./mo. Wears gorgeous factory orig. cotton crocheted dress, bonnet & matching booties, crocheted undies & orig. socks. Great rare large size, orig. FS & Co. 5 pc. bent limb baby body. Her modeling is amazing. She is EXTREMELY beautiful!!! $1550. 7. 8" All Bisque" Tynie Baby by Horsman, swivel neck, light blue sl. eyes, perfect bisque orig. mohair wig & pate. Wears magnificent 'factory' orig. baby gown, long slip, diaper & matching bonnet. On orig. perfect bisque bent limb baby body. An absolute DARLING pouty baby!!! $2800. 8. - 9. 5" JDK All Bisque Baby in Wicker Sled, blue sleep eyes, perfect bisque overall, orig. mohair wig & Kestner plaster pate, wears orig. cotton batiste baby gown, long slip & diaper. Wicker sled incl. w/pink satin pillow & satin bedding. The most adorable little all bisque, EVER!!! $1450. 10. 7" Kestner #143, perfect bisque, gorgeous huge cornflower blue sl. eyes, orig. mohair wig & Kestner plaster pate, wears ant. light blue & ecru dress, orig. pink silky socks & straw hat. On orig. Kestner body. I never saw one this beautiful in this tiny size. GORGEOUS!!! $1050. 11. - 12. 18" K * R 117N Flirty Mein Liebling, blue flirty sl. eyes, gorgeous bisque, 4 upper teeth, orig. HH wig & orig. pate, wears "factory" orig. sailor dress (some fading), orig. shoes, orig. socks & slip & undies too. On orig. K * R body. She is ABSOLUTELY STUNNING!!! $2200. 13. - 14. 16" Kestner XI Pouty, br. sl. eyes, very pouty cl./mo., mint pale bisque, orig. mohair wig, orig. burgundy wool & velvet trim dress, ant. woolen buret, orig. undies & slip, fabulous ant. ermine muff, ant. Fr. socks & "marked" Fr. leather shoes. On orig. early straight wrist chunky Kestner body with the original finish. She is absolutely GORGEOUS and very sad!!! Only....$4500.
I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com
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LAYAWAY AVAILABLE
Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
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Valerie Fogel's
Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds
Sensational and Petite Bru Jeune 5 in couture ensemble of ecru and turquoise with lovely matching satin bonnet. Bebe has a gorgeous mohair blonde wig,beautiful spiral threaded blue eyes and is on a Chevrot body. She is also endowed with original Bebe stockings and her superb marked 5 Bebe Bru ivory shoes. She is in generally excellent condition with beautiful soft bisque. Please call for add'l details and pricing.
F12G Block Letter Bebe - Stunning doesn't begin to describe this fabulous Bebe. She has the most entrancing features from her huge luminous blue paper weight eyes to her peaches and creme pale bisque with lush ripe lips in softest hues and hint of a tongue. She is on a marked Gesland body and wears a sensational original two piece dress. Perfect bisque head and shoulder plate. Call for add'l details. $8800
This is a cheerful little 9" darling all bisque from the Kestner firm. Square cut teeth, beautiful coral tone lips with delicate outline. Her large chocolate colored eyes are rimmed with deftly stroked lashes and her cheeks are subtly hued with a hint of rose. Original ash blonde mohair wig over plaster pate. Fetching ivory silk-satin coat dress trimmed with lavender piping. She has obviously been very loved. Darling circular enameled pin w tiny purple blooms over white background. Finally, she has the molded blue boots w/ black tassels! $3850 Be still my heart...this adorable Belton Bebe made for the French market stands 14" and has the most exquisite and imploring look. She is on a French composition body and her perfect bisque head is lovingly crafted from palest bisque with petal-pink hues on her cheeks and open/ closed mouth w/ desirable white space between her lips. Her large eyes are reminiscent of dark chocolate spun candy and give her a serious beauty. Dressed in sugar pink with antique velvet hat and muff. $3600
20" Jumeau Bebe w/ dewy perfect bisque & rose tint on her cheeks & lips. Her deep amber eyes are rich w/ hints of topaz. Expertly painted w/ fine sweeps of lashes & darkly lined lids. She has been lavished with a lovely leather bound domed trunk full of dresses, two French ribbon bonnets & two pr. Jumeau shoes. She has two original Bebe Jumeau flowered dresses; one in pink and one in blue. She also has two couture dresses of lovely antique fabrics. She has several cotton and lace edged summer dresses, extra pantaloons, an adorable little china doll that has it's own doll, a spray of flowers gathered into a wreath for her hair and array of extra undergarments. Original labeled Jumeau body and red Jumeau stamp on her neck. Original mohair of warm chestnut . Her charming watch pin is stamped as 12k GF. Coil neck attachment. $7494
Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS English slit head wax peddler doll, completely original from her costume and condition to her vast and genuine collection of wares, including three tiny Grodnertal wooden dolls! Height 14 1/2” overall. The longer you look, the more you see. $5950. Exhibiting:
March 16 - Santa Barbara Doll Club Show, Santa Barbara CA, Earl Warren Showgrounds;
March 23 - Jewel City Doll Club Show and Sale, Glendale CA, Glendale Civic Auditorium
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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ANTIQUE DOLL COLLECTOR
MARCH 2013
u d s t e r c e S Les
e l l e n i h c i l o P DVD
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riginally created as the opening program for the 2003 United Federation of Doll Clubs’ annual convention C’est Si Bon, Les Secrets du Polichinelle contains not only abundant information, but also the most factual particulars available concerning the origins of the colorful Commedia dell’arte character – the immortal Polichinelle. Since that initial showing in New Orleans, yes, Polichinelle has been languishing, but also resting up for his big screen debut -- one that will prove to be a raucous, and extremely colorful affaire! In advance of viewing what could be the perfect DVD for a doll club program, or one that will be especially appealing to lovers of all things French, please sit back, relax and do not be surprised if you learn a thing or two, all while being thoroughly entertained. C’est si bon! Narrated by Gérard Bechler
Created by Michael Canadas and David Robinson Originally filmed by William Roden – New Dawn Studios Video edited by Samantha Lewis
Running time is approximately 20 minutes.
© 2013 Legacy Productions Pacific Grove, California (831) 643-1902
www.carmeldollshop.com Order Form for Les Secrets du Polichinelle DVD
Please complete the form below and send, with Credit Card information or Check made out to Carmel Doll Shop NAME ADDRESS CITY, STATE, ZIP PHONE
$22.95 including domestic shipping
CA residents please add 8.25% sales tax
CREDIT CARD INFORMATION CARD# EXP. DATE, 3 DIGIT CODE SIGNATURE
Send completed form to: Carmel Doll Shop 213 Forest Ave. Pacific Grove CA 93950
The Complete Guide to Antique, Vintage and Collectible Dolls
March 2013 Volume 16, Number 2
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THE ARTFUL DOLLS OF MARGAINE-LACROIX by Samy Odin The author unveils new information about the dolls dressed by this renowned clothing designer.
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EXCITING CHANGES FOR THE STURBRIDGE, MA DOLL, TOY, BEAR & HOLIDAY SHOW, APRIL 21
THE 900 SERIES OF ALT, BECK & GOTTSCHALK
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The author and his partner have amassed an amazing collection of rare bisque Kewpies.
Jeanne Victorine Margaine-Lacroix is legendary among doll collectors as the clothing designer for the elusive A. Marque dolls. Our cover features an A. Marque in the Odin Collection and bears the name Mrs. Haverfield, a key player in the suffragette movement during the early 20th century. Exciting new research by Samy Odin reveals new facts about the manufacturer of these prized artist dolls and shares two S.F.B.J. #238 molds also dressed by her atelier. Photo and collection Samy Odin.
About The Cover
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14 News 44 Auction Gallery 54 Emporium
55 Mystery 60 Calendar 63 Classified
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FLEXY DOLLS: FUN WITH CELEBRITIES
“AT LAST— THE GREAT AMERICAN DOLL” The Story of the Giebeler-Falk Doll Corporation
by Judith Izen Products of the Ideal Toy Company, these innovative bendable dolls focused on popular celebrities.
ANTIQUE DOLL COLLECTOR
by Alf Ertsland and Svein Hellberg A look at the early swivel heads from this manufacturer reveals characteristics in common with many popular French bisque dolls.
KEWPIES, LOOKING BACK AT HOW OUR OBSESSION STARTED! by Blain Kukevitch
TREASURES IN ‘ANTIQUE CITY’
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by Donilee Popham Virtually indestructible with heads of cast aluminum, all wood or kid leather bodies, these innovative dolly faced dolls were meant to stand the test of time.
MARCH 2013
(212) 787-7279 Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA
P.O. Box 1410 NY, NY 10023
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8. Luxurious D & K Half Doll – the aristocratic portrait of refined grace is perfectly executed, and signed with the unique trail of windswept hair. $595
1-3. Rare and Outstanding Heubach – not just extremely rare but signed, mint and amazing size, this 12” x 10” masterpiece combines outrageous quality, pup-like energy and a perfected wit of elfin ears and dancing eyes. $1800 4. Young Lady with Muff – all the coy innocence of Victoriana is depicted in this very scarce 12-1/2” young miss in classic fashionable ensemble so rich in art and color; mint and signed. $595
9. 4-3/4” Elegant Original Parian Dollhouse Doll – with turned head, mint parian limbs, original silk dress of with velvet coat and often missing beaded muff a luxurious detail. $495
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5-6. ‘Wendy Face” Kley and Hahn w/ Wardrobe – flawless and touching is this glass eye, closed mouth 15” gentle character mold ‘546’ with original mint wig and body, 4 and darling wardrobe ensemble of 6 dresses, teddy bear, nightgown, hats, accessories and unders, side button shoes, all self contained in the diminutive 14” maroon trunk with pretty interior. A sweet but important treasure! $4250
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10. Important 1860’s Parian Gentleman – this one, however, with very rare glass eyes almost never seen on this model, mended flaw, elaborate molded shirt and good 7 original body w/ orig. maroon leather boots. Museum class $750
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11 & 14. Choice 12” size Rare Handwerck ‘89’ – important mold number, rare size and closed mouth! Pretty blue PW’s, and original stiff wrist Handweck body in silk ensemble. Impossible to find! $2500
7. 13” Handsome Heubach Squire – numerous details of facially nuanced youthful confidence plus brushmarked hair and upturned collar to complete the portrait, mint and signed. $350 9
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12-13. 23” Factory original Kestner 152 – what a doll with her mint, de part factory wig, richly underplayed, elaborate dropwaist dress with aqua silk bows and matching leather shoes mint body and flawless dewey bisque on the scarce 152 mold! $1495
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Quality Antique Dolls by Mail Return Privilege • Layaways • Member UFDC • NADDA
(212) 787-7279
15. 8” E. Heubach ‘269’ – cutie with deep dimples, ‘loving cup’ ears, upturned intaglio eyes, chubby body with factory clothes $595. 6” Campbell Kid Googly - molded red hairstyle, chubby body and ‘ric rac’ trim! $395 16. Lenci Miniature Character – with surprised eyes and daintily tagged outfit with its matching oversize brimmed bonnet! $295 17 & 18. ‘Lovely Lilly’ a 9” Raphael Tuck paper 15 doll, mint in box with all four ensembles and matching hats! Unplayed, brilliant colors. $250
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19 & 20. 23” All Original Kestner Character – this very rare ‘241’ mold known as ‘Hilda’s Big Sister’ is dazzling with her exquisite ‘oily’ sheen bisque, earnest “Hilda” eyes and maturing features; hidden flaw in back beneath long, mint factory wig, an all original doll, wig to shoes, with robust personality, $6000 book price for just $2800 21. Rare 10” Asian Belton – very few Beltons are asian and by the same token even fewer asian dolls are French based, making this cabinet rarity a real prize. See #37 on next page. $1600 22. World’s Fair Kewpie 1916 – double threat! Rare Kewpie and a World’s Fair collectible too! 5” tall, mint and signed in ‘woven wicker’ green chair! $750
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23. Choice Wigged Patsy with Sleep Eyes – 14” mint compo perfect color, factory clothes, wig and bracelet! $395. 13” All Original Compo – mint w/sleep eyes, winter wool ensemble with leggings and scarf and flannel dress beneath! $150 24. Gorgeous Averill Tubby and Alvin! Where do you see a pair like this?! Factory original w/beanies, hair and ears! $395 each
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25. 7-1/2” Louis Amberg Rarity – “Mama’s Own Crossword Puzzle” factory perfect with 1925 label. Rare comic character in choice cabinet size. $750 26. Effanbee Baby 26 Grumpys - both factory dressed in excellent condition Left $225. Right $295. Discount for pair.
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27. 5-1/2” Jointed Kewpie - great size, mint with sticker! $495. 4-1/2” Kewpie Tumbler - mint and rare action Kewpie. $550
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28. 5” Rare Heubach Piano Baby - crawling baby, signed and mint with exaggerated floppy red bonnet. $350 4” Kewpie Crawler - outstretched on tummy. Mint. $395
Quality Antique Dolls by Mail
(212) 787-7279
P.O. Box 1410 • NY, NY 10023 29. 12” Milliners with Hair Falling on Shoulders – lovely condition on this remarkable 1850s mache with the original paint/varnish, clothes and body parts – no repairs! $695 30. 17” Bliss Doll House – with lovely display interior comes with the facade with its original paper, signed Bliss. Unusual bay window needs work, only $295 31. 22” Prized American Rollinson – ca. 1916 and one of the prettiest, most personable we’ve ever seen. It has original complexion and sweet expression, no repaint, plus heirloom clothes – the best! $895
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32. 15” Unusual Black Stockinet Lady – depicting the shapely, slender woman with adult face featuring separately superimposed stitched features and intricate upcombed hair, scarce kind of fashion doll. $575 33-35. 12” Important Folk Art Man – brilliant, early and American carved and painted wood jointed figure with no repairs, glass eyes, dynamic features – a profoundly dramatic piece from the Margaret Woodbury Strong Museum. $1500 36. 16” Foxy Art Deco Lenci – all original with the desirable metal Lenci button, Marlene Dietrich hair, cunning character in saucy ruffled deco styling. $695 37. Belton Oriental Gem – French Trade 10” cabinet treasure! Jewel like exotic features, soft amber tint, calligraphic hand-drawn facial artwork and fully jointed amber body with molded slippers! $1600 38. 16” Unusual ABG ‘630’ Close Mouth – elegant child in the deliberate manner of the Simon Halbig 949 with her dominant 2 tone amber PW’s, forward thrust cheeks and demurely dimpled chin; jointed body, antique french wig and original shoes. Classic. $1495 39. 15” Pristine French Face Belton –rarely seen mold ‘138’. The Steiner ‘round face’ with the early snow pure quality bisque, jewel blue spiraled PW’s orig. stiff wrist body, luxurious silk heirloom ensemble with great shoes! $1795 40. 16” JDK ‘247’ Hilda’s Sister – immaculate bisque, dewey sheen, sparkling baby blue eyes with a glass teeth and tender blush…and so few were made! $1200
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41. Choice Heubachs Duo – see #4 and 7
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42. 4” Very unusual Male China – pink tint too! Many multiple brushmarks, deeply molded tousled hair, very special! $495 3” Adelina Patti with translucent, ‘watery’ glaze, so delicate! $175
43.Spectaular Heubach – see #1-3.
NEWS
Exciting Changes for the Sturbridge, MA Doll, Toy, Bear & Holiday Show, April 21
L
ast year Kimberly Kittredge took over this annual event, making significant improvements that increased the number of dealers participating to ninety. This year, she had to rent the adjacent ballroom to accommodate the 130 quality dealers from the east coast and mid-Atlantic states that will be offering antique and collectible dolls and toys, miniatures, children’s books and ephemera, antique holiday items, textiles and teddy bears. Among the dealers participating will be Tore Scelso, Pat Hatch, Kathy Schoemer, Robin Stephens, Joy Kelleher, Michelle Camden, Anne Bedics, Jackie Everette and Kathy Ray. The show will be held April 21st at the Sturbridge Host Hotel in historic Sturbridge, MA. The evening prior to
the show, dealers and collectors will be open for “room action.” It promises to be a wonderful weekend for doll collectors and we hope to see you there. Here’s a look at last year’s show. For information call 860-559-5050 or email kskittredge@yahoo.com. The Sturbridge Host Hotel is located three minutes off the MA Turnpike at Exit 9 and I-84, exit 3B. For hotel reservations phone (508) 347-7393. 14
ANTIQUE DOLL COLLECTOR
MARCH 2013
NEWS
Treasures In ‘Antique City’
W
hen Carol Channing of “Hello, Dolly” fame visited Norman and JoAnne Schaut on the Jersey Shore, the three time Tony Award winning Broadway and Hollywood actress signed 30 copies of her dazzling memoir “Just Lucky I Guess.” Hourly drawings for these autographed treasures will be conducted during the antique and collectibles show at the Lehigh University Fieldhouse in Bethlehem, PA on April 13 and 14. The ‘Antique City’ Fun Fair is the largest indoor collector’s event in the tri-state area and will present over 250 fine dealers from the United States, Canada, Great Britain and Europe. Among the specialists on Doll & Teddy Bear Island are Philip May, Connie and Jay Lowe, Marion Maus Greer, Ann Ipsen, Holly Popkin, Anna Groetzinger, Fritz Mann, Lois Arney, Dottie Ayers, Barbara Lauver and Lorraine Oakley. Many of these dealers appeared in Norman Schaut’s first antique show on the Atlantic City boardwalk in March of 1986. Within one year, the event grew to 10 1/2 acres and was the biggest indoor show ever staged anywhere in the world. An October fair of equal size was introduced several years later and attendance soared to nearly 50,000 every spring and fall. The show was sold in 2001, and eleven years later after finding the perfect location, the “Fun Fair” opened last year in Lehigh, PA, the heart of antique country. According to Schaut, “A visit to ‘The Happiest Show On An amazing turn of the century automobile designed for play with dolls and sold by the famed Au Nain Bleu Paris Department Store! The automobile`s roof lifts upward so one can access the passenger compartment and seat their petite dolls within. An SFBJ chauffer in original driving outfit would attend to his passengers…opening, closing and latching the passenger compartment doors. Constructed primarily of wood and elegantly painted in white with gilded trim, the car also features operational spoked wheels, a pair of cowl lights & a pair of headlights. The original Au Nain Bleu “license plate” tag is still intact at the rear of automobile. Overall length is approx. 21” and the height is approx. 11 ½”. Just a fabulous toy accessory for ones dolls!! $3250 A fine French clockwork toy most likely by Vichy featuring a fashion headed equestrian rider on a galloping horse in her original outfit. When the toy is wound and activated it propels forward with a most realistic riding motion. Quite a delicate toy, circa 1880`s, it is completely original and in working order. The bisque head marked at the crown with a C/0 . Overall length is approx.. 9” and the height is approx.. 11”. $4500 A charming all original pair of provincially dressed A.M. 1894 dolls. Approx. 11” tall, these dolls came from a New Jersey estate. The lady marked every doll she purchased with the date, amount paid, and usually where and whom she purchased these items from. This particular pair was purchased at the New York Armory Show in 1953 at a cost of $5 each. They were labeled as “Irish Boy” & “Irish Girl“. The boy has blue glass set eyes and the girl has brown glass set eyes, the clothing appears to be more German by nature and not Irish but I guess the collector decided otherwise? Their bodies are straight wristed fully jointed composition and a bit loosely strung but not necessarily in need of re-stringing. Fine quality bisque, overall clothing is in excellent condition, boy`s one shoe missing leather tip at toes but not offensive. $650 An extremely rare bisque piece of four Palmer Cox Brownies, 3 perched on the bisque log with the policeman at their side. Of German manufacture these bisque Brownie novelties are rarer than Hen`s teeth and seldom come to the open market! A number of different variants exist and all are quite
Jay & LOWE
A news photo from The Morning Call of Allentown shows only 9% of the ‘Antique City’ Fun Fair, Pennsylvania’s largest indoor art, antique and collectibles show. Every aisle and booth in the Lehigh University Fieldhouse is carpeted for elegance and customer comfort.
Earth’ is a fun way to spend a day even if you don’t spend a nickel … it’s the place for collectors to invest their money in fun things…schmooze with friends…talk the talk with the world’s foremost dealers… get personal and immediate answers to questions…hold and examine that special treasure…and add to a collection with absolute confidence.” Saturday show hours are 10am to 5pm; Sunday 10am to 4pm. General admission is $8. Saturday 8am preview tickets are $12. Avoid the box office line and enter early by ordering tickets at www.AntiqueCityShow.com or 800-822-4119. Discount show accommodations and driving instructions to the Lehigh Fieldhouse at 123 Goodman Drive, Bethlehem, PA are posted on the website and parking is free.
More NEWS on page 44
charming & appealing. Quite possibly produced by Hertwig at the turn of the 20th century when Palmer Cox Brownies were in their heyday of popularity. $3000 “Our Gang” German comic nodders from the 1930`s. The set featuring Chubby Chaney, Mary Ann Jackson, Farina, Pete the Pup, Wheezer & Jackie Coogan. They are all bisque with movable heads and marked on rear of their bodies GERMANY & their individual names. Approx. size varies with the tallest being 3 1/2”. Overall condition is very fine with minimal wear to Wheezer`s blue pants. $850 (for set) A cabinet sized J.D.Kestner mold # 167, approx. 9” tall and in untouched “as found” all original condition. Drop dead gorgeous doll with a great French styled outfit along with a bevy of undergarments. Great bisque, blue glass sleep eyes, fully jointed composition body with original finish make this a most appealing doll. $1000 A petite sized Hertel & Schwab 165 googley on a fully jointed composition toddler body. Marked on rear of head 165 2/0, he has the typical “watermellon” smile, fine quality bisque, side glancing brown glass sleep eyes, original tosca colored mohair wig, and leather shoes. His outfit is of more modern vintage but quite acceptable. $3000 A jointed wooden Pinocchio manufactured by Ideal Novelty & Toy Company. Approx. 10” tall this fellow is in original finish with some minimal wear under arms
where they brush against the torso & a small chip to surface paint on the tip of his nose. Overall in very fine condition! $400 A composition and cloth 16” Patsy “look – a like” doll. A shoulder headed doll on a cloth torso with composition arms and legs. In all original condition, she does have some crazing to the head and a small amount of lifting to compo but this is concealed by her bonnet and not visible when on display. The composition otherwise is excellent, vibrant and with the much sort after “matte” finish. Her eyes are a very light brown and they are NOT shattered and still sleep. $150
Connie
P.O. Box 5206 Lancaster, PA 17606
FAX 717-396-1114
Call Toll Free 1-888-JAY LOWE or (717) 396-9879
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates
Buy & Sell With Confidence
Email: big.birds@comcast.net
Member of UFDC & NADDA
ANTIQUE DOLL COLLECTOR
MARCH 2013
15
The Artful Dolls of
Margaine-Lacroix A
by Samy Odin
ttempting to write about the dolls dressed by Jeanne Victorine Margaine-Lacroix is quite a challenge. Little research has been done in this specific domain, and the few pieces of information found in existing doll-related books are often contradictory. Very few primary source materials seem to be available about Margaine-Lacroix’s involvement in the doll world. This article, very modestly, tries to present the facts that I could verify over the years, hoping this research would bloom, in the future, into some serious publication. The first explicit mention I found of a doll exhibition at the Margaine-Lacroix gallery in Paris, was printed in the Bulletin de la Société de l’Histoire de Paris et de l’Île de France, vol. 42 on page 85: “Du 13 au 15 Décembre 1915, Exposition de poupées chez Madame Margaine-Lacroix, 19 bld. Haussmann.” Another document mentions a different exhibition of dolls, also costumed by MargaineLacroix (M-L), held in New York the same year, found in the files of the Carnegie Museum in Pittsburgh. In an article by James B. Richardson and Terry Hiener published by the Carnegie Magazine in the November/December issue of 1989, the following announcement appears: “On December 3, 1915, Herbert DuPuy happened upon an exhibit in New York of 37 bisque dolls dressed in historic French costumes.” According to this article, the owner of the dolls at that time was a certain Kurzman. An offer was made to this gentleman for the purchase of the entire collection of 37 dolls on behalf of the Carnegie Museum, whose director was Dr. W. J. Holland. Nonetheless, the offer of $1500, inferior to the price of $1800 actually paid by Mr. Kurzman for this collection, was not accepted and the transaction did not happen. The Carnegie Museum then decided to order similar dolls directly from Paris. A lady named Mme E. de la Mellaie negotiated the purchase of 40 costumed dolls from Jeanne Margaine-Lacroix. These were to be shipped to the Carnegie Museum in Pittsburgh at the beginning of 1916. The originals of the correspondence concerning this purchase are still at the Carnegie, but I was privileged to study copies of the entirety of these documents in the Coleman collection. ANTIQUE DOLL COLLECTOR
MARCH 2013
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In order to avoid the customs taxes that Mr. Kurzman had paid for his “costumed dolls,” the Carnegie explicitly asked Jeanne MargaineLacroix to have the items shipped to the US as “modèles costumés,” and not as “poupées,” since “models” were not taxed as much as “dolls.” The bill for these 40 dolls brought 4501.25 French Francs, the equivalent of less than $1000, a wise move on the part of the Carnegie! Going back to that end of the year of 1915, it is quite impressive to note that M-L had her costumed dolls on display at the same time in Paris and New York! This leads me to think that her dolls were far from being a total failure, as one can read in Theimer F., Les Jouets,, “Que sais-je”, Presses Universitaires de France, 1996 (p.108). Getting an order for 40 dolls from a renowned American museum must have been more than meaningful to Jeanne MargaineLacroix, who had already sold 37 others to Mr. Kurzman in New York. If one adds the direct sales that the gallery was doing at the same time at 19 bld. Haussmann, it appears this limited line of dolls was pretty successful! Which dolls were made for MargaineLacroix’s 1915 exhibitions? The most famous ones bear the prestigious name of renowned artist Albert Marque engraved on their neck. Since the 1970s, these forgotten works of art have experienced a revival in the doll collector community. Before more factual research occurred, some authors hypothesized that Margaine-Lacroix was one among several fashion designers to have dressed these elusive artist dolls. We now know that not only did she dress the A. Marque dolls, she was the exclusive fashion designer to do so. While the A. Marque was the most expensive in the M-L doll line, her atelier also dressed smaller characters. They bore the #238 mold in size 4. During the 1920s, when probably the initial stocks of #238 and A. Marque dolls were no longer offered, Margaine-Lacroix dressed dolls even more rare with a cloth body and glazed porcelain heads made by the Sèvres factory. One of these dolls is presently safeguarded in the reserve collection of the Arts Décoratifs Museum in Paris. Examining the dolls dressed by MargaineLacroix in the Odin collection at the Musée de la Poupée-Paris, one can notice that two different types of labels were used for this line of art playthings. I’m not able to date them, as yet, but it is not impossible that they had been sewn onto the doll costumes at the same time. The identical type of label is found on A. Marque dolls, marked with smaller or bigger numbers, and S.F.B.J. #238 models.
An exhibition held in New York City in December 1915 included 37 bisque dolls dressed in historic French costumes. Pittsburgh’s Carnegie Museum, unable to purchase the dolls from the dolls’ owner, negotiated directly with Jeanne Margaine-Lacroix. The Coleman collection contains a copy of the original correspondence from the Carnegie Museum to M-L concerning the purchase of 40 costumed dolls.
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ANTIQUE DOLL COLLECTOR
MARCH 2013
The numbering system on the A. Marque dolls is extremely confusing. Most of the time, one can find the number penciled under a foot, generally the right, while others bear their number handwritten with red ink at the base of the neck. The smallest number known to exist, no. 2, was on display for several years at the Toy Museum in Legoland Park, Billund, Danemark. The highest number identified to this day is no. 91, offered for sale in Paris by the Lombrail-Teucquam auction house on November 24, 2012. Some dolls do not seem to bear any numbering at all, but I suspect the original hand penciled inscriptions could have been erased over the years. The A. Marque doll in the Odin collection is marked no. 5 and bears the handwritten name “Mrs. Haverfield.” Observing Mrs. Margaine-Lacroix’s range of A. Marque dolls, one immediately understands that each of these dolls is meant to represent some prominent historic character of the past. Several Queens and Impératrices of France, for example, as well as some iconic fashion models, such as the “Bergère Louis XV” share star billing with Mrs. Haverfield, who played a crucial role in the Suffragettes movement at the beginning of the 20th century. Mrs. Haverfield also founded the Women’s Emergency Corps at the very beginning of WWI. To think that M-L purposely included contemporary feminine characters in her line of dolls to stand by great women of the past brings a totally different light to the scope of her doll-making concept. As a fashion professional, Jeanne Victorine M-L had grown under the protective wing of her mother, who was already in the fashion business as a corset designer and awarded a gold medal at the 1889 Exposition Universelle, as well as the Grand Prix at the 1900 International Exhibition, both held in Paris. When this doll project arose, presumably around 1913 to 1914, Jeanne Victorine was in her mid-forties and already totally in charge of her family business. It had evolved from a traditional corset-maker specialty into an haute couture company able to compete with the leading fashion names of the time, such as Poiret and Lanvin. Jeanne-Victorine M-L was born in 1868, so she was only one year younger than Jeanne Lanvin. As early as 1907, her revolutionary “Robe Sylphide” could be worn without the use of a corset and be more comfortably sported with a “Brassière Sylphide,” tied in the front, also patented by this visionary designer. In 1912, M-L had reached the peak of her career and desired to show off her prominent position on the fashion scene by having her professional building redecorated by the famous architect Marie Louis Süe, who had already done the same for Paul Poiret. This newly renovated fashion showroom also became an art gallery, where a diversity of art forms could be displayed. It was within this new trendy setting that Jeanne Victorine planned to have a special exhibition of dolls dressed by her skilled atelier. Chances are that M-L saw Albert Marque’s sculptures of a young girl, according to F. Theimer’s research named “Charlotte,” offered on public display as soon
Mrs. Haverfield, an important figure in the Suffragettes movement, is the name given to the A. Marque in the Odin collection.
A. Marque marked no. 5 and the inscription Mrs. Haverfield.
as 1913. How did they meet? What were the factual circumstances that led M-L and Albert Marque to collaborate on this doll project? This is still unknown. We can only surmise Marque’s achievement was satisfactory enough to actually start production of a truly exclusive doll that was to become legendary a few decades later. Now, according to Theimer’s latest point of view, the Sèvres manufacture provided the bisque parts of Marque’s doll to be assembled on a body designed by another artist, known as Aristide Botta. This seems quite confusing and highly improbable. ANTIQUE DOLL COLLECTOR
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The second dress featured in her small trousseau is marked with the gilded label of this prestigious maison de couture. The long white silk evening gown is worn with a deep blue silk cape, a milky white pearl trimmed purse and a chocolate-colored tricorne.
As Jeanne Doin states in her early book, La Renaissance de la Poupée Française, published in 1916, Aristide Botta sculpted a doll for the company La Francia, who made stuffed cloth dolls in the style of Käthe Kruse’s creations during WWI. Both Botta and Marque created dolls during WWI but for two different companies and with, at least, a span of two years between Marque’s work and Botta’s. If we wanted to make suppositions as to when Albert Marque sculpted his own doll for Margaine-Lacroix, it should be sometime between the end of 1913 and the end of 1914. If
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The Mrs. Haverfield doll also possesses a négligé cut from a delicate mauve-toned silk, and trimmed with fine lace.
we assume the dolls were available for display during the month of December 1915, it is highly plausible to consider they had been in the making for at least the prior year. Further inaccurate information, in my opinion, is the attribution of the manufacture of A. Marque dolls to the Sèvres porcelain factory. We already mentioned that some porcelain headed dolls made by Sèvres were indeed costumed by Margaine-Lacroix, but they should not be confused with those sculpted by A. Marque and more likely made by the S.F.B.J. When one looks closely at the type of bisque, make-up, stringing, as well as the type of composition used for the body of the A. Marque dolls, the similarities with some character dolls made by the S.F.B.J. during the mid 1910s is striking. If we add this comparative element to the fact that Margaine-Lacroix ordered many more #238 headed dolls from the S.F.B.J., it seems quite plausible that all of her dolls were manufactured by the Société Française de fabrication de Bébés et Jouets. Certainly, the extraordinarily complex mold used for the A. Marque dolls, much more complicated than the average two-part molds seen on most of the play dolls, brings them to a level equal to an up-scale artifact rather than a simple plaything. In spite of the evidence that M-L’s creations were expensive, they were not conceived as a static art object but as a deluxe plaything. The provenance of the doll in the Odin collection proves, once more, that these dolls were also meant for children’s play. The original owner of doll no. 5 was, according to the testimony of her grandniece, a very spoiled child, born at the beginning of the 20th century and raised in a wealthy Parisian family that would capitulate to all her tantrums. When given this A. Marque doll, she would also likely have gone into such a fury in order to receive a wardrobe for her, explaining the fact that some of those pieces of clothing made it through time, and are still preserved with the doll today. Based on this testimony, as well as the Coleman’s research that ANTIQUE DOLL COLLECTOR
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states in 1918 Margaine-Lacroix was listed as a doll maker and doll dresser, we can assume extra doll garments were made and sold to her affluent clientele at 19, bld Haussmann. The doll representing Mrs. Haverfield wears her original untagged brown wool dress, together with a brown corduroy chapeau and long brown stockings. It is plausible the doll, originally, also wore pants of the kind Mrs. Haverfield used to sport under her legendary shorter skirts such as that seen on the doll at the Musée de la Poupée-Paris. The second dress featured in her small trousseau is marked with the gilded label of this prestigious maison de couture and represents a long white silk evening gown worn with a deep blue silk cape, a milky white pearl trimmed purse and a chocolate-colored tricorne. Unfortunately, the tricorne is cut from very frail “pongé de soie” that has almost totally disintegrated, like the majority of the linings on Margaine-Lacroix clothing. The lining on the brown woolen dress also has totally melted, explaining the absence of the original label. The third piece of clothing owned by the Mrs. Haverfield doll is a négligé cut from a delicate mauvetoned silk, trimmed with especially fine lace. It is the most becoming, yet simplest garment owned by this doll. The lining on this item also disappeared, so that no label is apparent anymore. The only original
This 238 doll in the Odin collection is no. 1 on the Carnegie Museum accession list (see document) 24
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pair of shoes that came with the doll is a white leather Alart marked flat ballerina type footwear that, originally, had a bright orange silk lining. Soooo chic! The second unmarked pair of shoes, of brown leather, doesn’t seem to fit her feet very well, so it might have been an addition to the items bought from Margaine-Lacroix’s gallery. The other two dolls dressed by M-L in the Odin collection are particularly interesting because their costumes are explicitly mentioned and illustrated on the documents in possession of the Carnegie Museum. The first corresponds to doll no. 1 on the accession list of the museum (see document). It wears a “high-waisted, multicolored dress with a cream crepe apron under a green coat. Her hat is a high-crowned type of crepe and brocade.” Both the description and the sketch perfectly match the doll seen in the Odin collection. The second doll corresponds to no. 3 on the Carnegie accession list: “A Russian peasant woman of the province of Samara at the end of the 19th century. She wears a blouse and trousers of orange satin under a gold mesh tunic; over the tunic is a sleeveless jacket of brocade edged with fur. Her tall hat is made of brocade with a green veil.” It is interesting to note that this particular Samara regional costume was made by Margaine-Lacroix in various color variations, in fact, the one in Paris has gold mesh trousers instead of “orange satin,” under a green silk tunic instead of a “gold mesh” one. The Parisian doll’s costume is almost identical to the one sold by Theriault’s in November 2001 (See Safe Havens of the Heart, lot #182, 11/10/2001), with a few richer details in the embroidery of the bodice and a taller headwear.
This 238 doll in the Odin collection is no. 3 on the Carnegie Museum accession list, although dressed in a color variation. ANTIQUE DOLL COLLECTOR
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A drawing in the Coleman collection depicts a scene from the Ballets Russes, the inspiration for costumes designed by M-L.
Since the A. Marque dolls brought record prices at auctions, everyone wondered how many of them had really been produced. But no one seems to be inquiring about the number of #238 characters also dressed by Margaine-Lacroix! How many originally labeled ones are still in existence? We know 35 of them belonged to the Carnegie Museum. How many others were made? Except from the two in Paris and the one sold at auction in the US, are there records of any others? Of interest to the collector is the fact that the same historical character inspired Margaine-Lacroix to dress either a bigger A. Marque doll or a smaller #238 character. In the Carnegie collection, for example, two different dolls represent the French Queen Isabeau the Bavière: the first, bearing no. 9 on the accession listing, is a #238 and the second, no. 38, is an A. Marque. Early researcher Barbara Spadaccini Day continues to share her expertise about Margaine-Lacroix with contemporary researcher Sue Ralph, a British fashion specialist from Bath Spa University, who recently put up a special exhibition devoted to “Margaine-Lacroix, and the dresses that shocked Paris.” In 2005, the Doll Artisan Guild published a listing of A. Marque dolls documented in various doll books and known in certain public and private collections. At the time, Ragnhild Margareta Ericson, who prepared this list, referenced 24 different dolls. Since then, I identified a few others, reaching a total of 35. More are certainly hiding in private collections, and some might still sleep in forgotten attics, or be cherished by families of original owners. In 2008, the book Albert Marque, un sculpteur, une poupée, self-published by French author F. Theimer, brought the research in this field a little further, but Margaine-Lacroix’s Haute Couture work in the doll field is far from being totally unveiled. Since sharing seems to be a forceful quality of our doll community, I invite you, ADC readers, to contact me for further discussion about this thrilling topic at samy.odin@noos.fr. The author expresses his gratitude to Ann Coleman, Andrea L. Jones and Lori Santamaura for their help with this project. Photos by Samy Odin.
The couturier Margaine Lacroix was experimenting with draped construction and corsetless shaping as early as 1908. 26
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25” CM Tete Jumeau (red mark), blue pw eyes, pierced ears, original wig and cork pate, antique sailor dress & hat, blue stamped Jumeau body w/ momma/poppa strings $4650
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11 1/2” - 29cm Bluette SFBJ 60 8/0, antique undergarments, blue sleep eyes, original HH wig, hairline forehead to chin and by left ear $950
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Kewpies popping out of eggs, 5.5 inches.
Kewpies
Looking back at how our obsession started! This is the only known example of a Kewpie coming out of a shell.
by Blain Kukevitch
Ready for the seashore, this rare Kewpie measures 4 inches.
Kewpie offering a bottle to Doodle Dog.
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ANTIQUE DOLL COLLECTOR
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t was a cool fall day when the movers, marching like an army of ants up the brick sidewalks into the front foyer, up two more staircases to the third floor attic, emptied their three loaded trucks. It took them many trips to move all of our belongings into “The Fenner Mansion,” an Italian Villa built in 1850. The Villa sits on a small hill up from the main road, nestled in a quaint village setting. Being one hundred and sixty years old, it looks much younger, due to the results of concerned owners over the years. Wondering what might be in some of the boxes which had been packed away for at least ten years or more, I headed to the third floor attic. Along the way, I swear I could hear what sounded like little feet running around above my head. As I opened the door to the attic, silence and cool air came flowing down the staircase toward me. I proceeded up to a large open floor area, approximately two thousand square feet which was covered with boxes, neatly placed by the movers. As I walked about, I noticed one small box partially open, with little faces peeking out. I excitably grabbed the box and headed downstairs to the main floor. Sitting in the library with my partner, we carefully removed the little figurines from their resting place of ten years. My partner was excited to see these impish creatures, made of fine bisque and nicely detailed, grinning back at us. He asked ‘what are they’ and I replied, ‘KEWPIES.’ The four little characters were placed on a shelf in the library and the pursuit was on. As a couple, we now had a focus when flea marketing, attending auctions, yard sales etc., not knowing that these little elf-like babies were almost impossible to find in any of the places we were looking. As time went on, we were able to add a few of the more common pieces to our collection, and I use the words “more common” reluctantly, because even those pieces are still difficult to find. Once the shelves were filled, the overwhelming desire to hunt for the really rare pieces began. We started to search the Internet and came across “Kewpiesta,” an annual membership meeting of the International Rose O’Neill Club Foundation, held four days in the middle of April each year since 1967. The event includes a banquet, Kewpie auctions, sales rooms, buying, selling, trading and just a lot of fun. Now instead of getting in the car to storm the yard sales, antique shops, and local flea markets, we jumped on a plane and headed to Branson, Missouri, the location of “Kewpiesta”.
Adorable is the word for these twin Kewpies in a bunting blanket which serves as a bud vase. It was made by Goebel.
Seldom seen Russian Kewpie solder with saber. Just when you think you’ve seen it all! The Kewpie is leaning against a church or a schoolhouse disguised as an egg-shaped vase.
This is the only known example of a goose going through a Kewpie’s legs! It measures 3.75 inches. This is from the extremely rare Kewpie riding series. Kewpie Huggers Candle Holder with rare base, 5.5 inches. ANTIQUE DOLL COLLECTOR
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An abundance of riches – the rare Doodle Dog in variety of sizes, from 1.5 to 4.5 inches.
This is the only known example of Kewpie polishing a boot.
Kewpie sweeper with match stick holder, 5.5 inches.
Doodle Dog with sunflower toothpick holder, 1.5 inches, rare.
Kewpies were often marketed for special holidays, such as these dressed for Thanksgiving in crepe paper costumes with original place cards. 30
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While we were there, we heard about the Bonniebrook Historical Society, the favorite home of Rose O’Neill, creator of the Kewpies, also a talented illustrator, sculptor, artist, writer and poet. What a treat, they have a wonderful museum and art gallery just filled with Rose O’Neill treasures, along with a research library. This is the final resting place for Rose O’Neill. While at Bonniebrook, we were informed we should visit Rose’s great nephew, David O’Neill, who has a Rose O’Neill Museum in Springfield, Missouri which showcases all aspects of the Rose O’Neill’s art. We continue to enjoy visiting with him on our way to and from the airport. During the height of the Kewpie craze, there were a dozen or so of the leading bisque doll companies in Germany operating three shifts a day producing Kewpies to keep up to the demand, among them Kestner, Heubach, Hertwig and Goebel, just to name a few. Geo. Borgfeldt & Co. of New York was the lead importer and distributor of the Kewpie in the USA. Fulper was the only American company to produce a bisque Kewpie. 2013 marks the 100th anniversary of bisque Kewpies being available in the US. As one becomes familiar to the look and feel of the early German bisque pieces, you can determine with certainty the originals from the newer reproductions. Our personal collection now consists of approximately three hundred and twenty five pieces of early German bisque, along with some original art, Kuddle Kewps and Scootles, the bisque being our favorite. It has allowed us to make some wonderful friends who also cherish the art of Rose O’Neill. We continue to travel the country in hopes of adding more unusual rare Kewpies to our collection, sometimes buying a complete collection to get a few pieces. From time to time, someone comes up with a little bisque Kewpie that has not been photographed or recorded. As serious collectors, this gets us excited to try to fine the next undiscovered piece. One day last year, I received a call from a woman in Florida, asking questions about the coveted Kewpie with Elephant. I, along with other collectors, know that there have only been four documented to date that we are aware of in private collections, and none are duplicates, suggesting perhaps only a “sample” line was produced. So you can imagine how fast my heart was beating, waiting for her to describe the piece to me. She was uncertain herself whether it was an
Two views of the rare Kewpie dancing with an elephant. This is the fifth known variation of this theme.
Kewpie holding a googlyeyed dog by the ear.
A rare grouping of Kewpies on green chairs. The Kewpie with the ball is the only known example.
Variations of Kewpie solders taking aim. ANTIQUE DOLL COLLECTOR
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Kewpie drummers, 5.5 and 3.5 inches.
Rare Uncle Sam Kewpies with original costumes, 5 and 8 inches.
The “Hottentot” family. Schafer and Vater made this unusual Kewpie creamer.
Rare 1.5 inch Doodle Dog on bisque base with a pesky fly. 32
ANTIQUE DOLL COLLECTOR
Kewpie candy container, the ribbon bearing the inscription, Broadway, NY. MARCH 2013
Rare sitting Kewpies with parade helmets.
original German piece or a reproduction. Our words kept bumping into each other, and I cannot figure out how we could hear each other with the excitement. As she started to describe the piece, my questions became faster and more direct, asking even more questions. Well after an hour and a half conversation, I concluded that one of two things just happened. Either this woman purchased an expensive reproduction, or she now has the fifth known Kewpie with Elephant. She proceeds to tell me she does not have a digital camera, and her daughter would not be up her way for two weeks or so, and I would need to wait to see the photos. It was the longest two plus weeks; every day from the day she called me I looked on the Internet for the photos, then finally there they were. It was clear on the first picture, that indeed, it was a fifth Kewpie with Elephant, unlike the other four in private collections. And just think, the first day she saw it, she did NOT purchase it, she went back the next day! She recalls it being a very restless night. Well the photos of this piece made its debut at Kewpiesta in 2012 and brought excitement to the crowd. The piece still resides in Florida. It seems that the variety of bisque Kewpie figurines is basically unlimited, and most large collections only have a sampling of what is out there. As we grow our collection, we do acquire duplicate pieces and try to pass them along to other collectors either by sales or trade. I hope you enjoy this sampling of some of the rare antique German bisque Kewpies we have acquired over the years. Please feel free to contact us with questions or to just talk KEWPIES. Blain Kukevitch - Got Kewpie 860-450-2617 email: gotkewpie@att.net Fore more information on Kewpies: Bonniebrook Museum www.RoseONeill.org International Rose O’Neill Club Foundation www.irocf.org
This pair came from the original Hertwig factory showroom.
Kewpie leaning against a glazed china hat pin holder, the only one known and Kewpie on powder jar.
A Kewpie displaying his thespian talents.
Making Christmas special is this rare 8-inch Kewpie angel, all original.
Prussian soldiers with eagle helmets.
Extremely rare Kewpie coming out of shoe.
ANTIQUE DOLL COLLECTOR
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THE 900 SERIES OF ALT, BECK & GOTTSCHALK by Alf Ertsland
A
friend of mine had a little doll which she referred to as my Petit & Dumoutier. And it really did look a bit like a P&D doll. It was marked 915, a mould attributed to Alt, Beck & Gottschalk. Early shoulder head dolls from Alt, Beck & Gottschalk are plentiful in the market. The faces of the dolls are very recognizable, most being china and bisque of high quality. We also find early all bisque dolls, and some fine character dolls after 1909. My friend’s doll however, was my first acquaintance with a particular group of dolls with swivel heads from this manufacturer. They all belong to the nine hundred series, marked with a three digit number like this: 915#5, 915N5 or 915 5. I have recorded six different mold numbers and one unmarked doll: 903, 907, 911, 914, 915, 916. In addition there are two mold numbers with different looks: 938 and 989. After 1888 heads from registered design patents (GM) are also marked DEP. (There is also a mold 630 but it was probably produced later, and resembles the S&H 949.) The mold number is generally incised on the crown rim, and very often hidden by a plaster pate or old glue, and therefore the doll may sometimes be described as unmarked. Some of these heads are attached to separate shoulder plates, and some on early composition bodies. AB&G distributed heads in large scale but did not produce bodies. Most of them have something in common; they have a little bit of the French touch about them. It seems like AB&G may have used various French doll heads as models for their own products. Many German doll factories produced French looking dolls in the late
This is probably one of the earliest bisque dolls from AB&G with a swivel head even though it is not linked to the 900 series. The doll is unmarked but is similar to the 639, which is frequently found as a shoulder head doll with wig, or with different molded hairstyles and bonnets. She has a cut off flange neck on a composition body. A wooden knob going inside the head makes the head turn around, a feature sometimes seen on smaller bald head dolls. The head is bald with two holes for stringing on top, and with an incised number 9. The doll measures 16.5 inches. The body is nicely shaped with a hint of chest and ribs. Her hands and feet are beautifully shaped. Unlike the later dolls she has quite narrow, almond shaped, set, blue spiral threaded eyes with fine details to the lip painting. The expression is very soft and delicate. ANTIQUE DOLL COLLECTOR
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The head of this doll is unmarked, but the shoulder plate is marked 903 # 6 on the edge. She is 15 inches tall. The face is rather long and plump, with large double chins and almost white bisque.
Viewed in profile the 903 (left) has features resembling the Bru Brevete doll. But the eye cuts and paintwork make it appear different. Like many early German bisque dolls the ears are very small and pierced in to the head. She does not have the two stringing holes on the forehead. Fixed gray/blue eyes, and the typical AB&G eyebrows. Her mouth is open closed with finely painted lips details, but no white space.
19th century. They either copied or imitated dolls from Jumeau, Bru, Schmitt & Fils, and others. In order to show similarities, I have photographed some of the dolls from AB&G along with the French dolls. ABG seems to have altered the shape of the nose and the mouth. Some other irregularities are noticeable as well, but the basic profile is very similar and can hardly be a coincidence. The dolls presented here have many similar features when it comes to paintwork, eye cuts, quality of bisque, skills of the craftmanship, etc. I particularly noticed the perfectionism in painting of the eyelashes and eyebrows. The photos best illustrate this. The early heads have their crown deeply cut like the French heads, but unlike the early French Bébés, the rim is very broad, an indication of how the heads are produced. (Pressed versus poured.) Some of them have two stringing holes on the forehead. The bisque is very pale, with slightly blushed cheeks. The eyebrows are finely painted with many parallel short 36
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Another example of the 903 #6 measuring 16.5 inches tall. She has a German kid body. This doll has beautiful deep, brown eyes. Collection Cecilie Juul Möller
strokes over a light brown single stroke. Most of them have high quality blue spiral threaded eyes. The ears are pierced into the head, even though I have also seen some that are pierced through the earlobes. Dolls appear to have closed or open closed mouths. Some have shaded lip colors and additional brush strokes that enhance the shape of the lips. A very prominent philtrum is another feature for many of them. If the dolls were meant to compete with the French output, it is tempting to assume that all the details of the French paintwork would be copied. But these dolls still look more German than French. The same workers who painted the German heads appear to have continued in the same style. An exception is some of the Sonneberg or so called Belton dolls which have more of these French features, and we can assume they were made to directly compete with French dolls. It is natural to see the evolution of European doll industry as a whole. We can find traces of French influence in Germany, and vice versa, which has been a result of competition and
The 938 is a pouty little girl and could perhaps be mistaken for a Kestner doll. She does not have pierced ears. The head is placed on an early German composition body with fixed wrists, and eight loose balls in the joints similar to the body of the 914. She has weighted gray/blue eyes. The color of her bisque is deeper with fewer contrasts. There are no stringing holes in front of forehead.
Standing on the right is mold 907, only 9.5 inches tall but with lots of presence (see close-up on right). On the back of the head she is marked 907 #2. Her huge, fixed eyes are an intensive, gray/blue. The doll, like her sisters, has a very pronounced upper lip and philtrum. The head is flat on the top, with two holes for stringing. Her body has the one-piece arms and jointed legs. Her lips are slightly parted with a white space between them, a feature found on several molds. I have also seen this mold used for a mechanical toy. In the Marklin carriage is a German all bisque. The doll standing on the left is marked 938 #5 on the rim of the crown and measures 11 inches (see close-up above right). She has a typical German touch, more related to the dolls from Kestner, Simon & Halbig and others, and seems to be a product from 1890’s.
In profile the 911 (left) looks almost identical to a Jumeau, but with an even more pointed nose.
Marked 911 #6, this was one of my first Alt Beck & Gottschalk dolls with a swivel head which is mounted on a shoulder plate and attached to a kid body. This head is also found on composition bodies. Some heads are also found as fixed shoulder heads, but marked in the same way. This 911 has a beautiful, pale face with huge, blue, spiral threaded set eyes. She almost looks a bit sad, or dreamy. Her lips are slightly parted, revealing a white space. She has the typical French cutting of the head. In front there are two holes, for stringing. But the head is secured to the shoulder plate by means of a spring system. She has a typical sturdy kid, German ”bébé” body and measures 15.5” tall. ANTIQUE DOLL COLLECTOR
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It was quite fascinating to unwrap this doll, marked 914 #12, to find this very special face; almost similar to an early Schmitt & Fils character face. She has big round cheeks and a tiny chin. Her nose is quite long and pointed. She is slightly smiling. The eyes are cut rounder and smaller than her French sisters, and set very closed to the nose.
Mold 915 is very alert and charming with her intense blue, spiral threaded weighted glass eyes and rosy cheeks. She is marked 915 #5 and measures 13.5 inches. I have seen pictures of larger dolls, and they all look very similar to the Petit & Dumoutier dolls. Again they have different eye cuttings, and decoration. The head is on a typical German fixed wrist composition body from the period. Mould 915 is frequently seen at auctions and in advertisements. The quality seems to be good, but the expression of the face varies a great deal, due to facial painting and cutting of the eyes. Some are on shoulder plates mounted on kid bodies, and some on composition bodies.
The 914 reminds me of an early Schmitt & Fils character face.
The 914 has an original, good quality German body with fixed wrists, and loose balls at the shoulders, similar to the early Kestner bodies. She is 19.5 inches tall.
Another example marked 915 #3 measures 11.5 inches. It has a kid body with bisque lower arms. Collection Cecilie Juul Mรถller
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The 915 (left) shares similarities with the Petite & Dumoutier dolls.
The 916 face is quite fascinating, and is very similar to the early portrait or EJA doll from Jumeau. The profile is identical, as is the shape of the head with a prominent chin and jaws. Again the eye cuts are different, much rounder, and giving her an almost crosseyed look. Her beautiful blue eyes are set.
My favorite in the group is mold 916. I came across the doll on the Internet. It was presented in a miserable way and with misleading photos. I was fascinated however, and suspected the doll to be an Alt Beck & Gottschalk. And so it was, and clearly marked 916 N 10 on the edge of the crown. The doll is 19 inches tall on a composition body with fixed wrists.
cooperation between the two countries, officially and unofficially. The quality of early bisque dolls from many German manufacturers in the 1880’s and 1890’s is generally very high. And the dolls from Alt, Beck & Gottschalk are no exception. When looking at these dolls, I become fascinated by their charisma and appeal. Some of them have a curious and vivid expression and a cautious smile on their faces. As a group, they have many striking similarities, but also their own individual character. All of them show clear signs of being a product from AB&G. As mentioned earlier, the painting differs from French dolls. Only the basic modeling of the head reveals the relationship to the French dolls. It is almost uncanny how they used various French doll models and still managed to make them look like their own genuine products. They contribute in their own way to shed light on the story of how doll production in Europe developed at this time. I have been aware of the AB & G dolls with swivel necks from the 900 series for some years, but very few have been available and it has been difficult to form an opinion of how rare they may be. Rarity was not a conscious reason for my interest in them. For every new doll I found, my excitement and curiosity grew. It was an exciting hunt with a fascinating result. Perhaps this article, an expression of my experiences based on the study of only a small group of dolls in our collection, and other general information available, can contribute to increased interest in these dolls. If anyone is in possession of other dolls from the 900 series, and want to share this with me, please feel free to contact me at alfertsl@online.no. Unless noted dolls are courtesy of Alf Ertsland and Svein Hellberg ANTIQUE DOLL COLLECTOR
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Patricia A. Vaillancourt 561-512-7193
I offer a full array of dolls and accessories 1. 10 inch rare and seldom seen all original fashion. The dress is in rough shape but original to the doll. She has cobalt blue eyes, a skin wig with original cork pate and a leather body. One of the prettiest fashions, she has on replacement blue shoes. $1950 2. This Just Me is in perfect condition. She is so cute, has the original Vogue label in dress (I have never had one with original Vogue label which proves it is prototype of Ginny). The little yellow dress is just adorable, as is the matching hat with flowers. Her wig is original and she has sleep blue eyes. The number 50 is sewn into dress, perhaps this was a museum de-acquisition, 8 inches tall. $950 3. Beautiful Alexander, 21 inches, a rare size (pictured in the Alexander book). She has wonderful coloring, her hair is still in the net, and the top of her hair has a different color to it which just adds to appeal. Original silver shoes and underwear, her blue Cinderella dress has maintained its color; the doll is in really excellent condition. $1250 4. 20 inch Kestner Gibson Girl with a really regal face. She has the most wonderful wig and her bisque is gorgeous. She has some damage to her hands and a faint hairline on the back but I have taken this in consideration in pricing her. Original clothes and wonderful shoes are part of this lovely doll’s presence. $1200 5. Kammer & Reinhardt 121, 19 inches, on a beautiful wooden toddler body (all Kammer & Reinhardt’s have wooden bodies if correct). She has on a lovely blue lawn dress. Great face with sleep brown eyes, a beautiful wig. A perky little doll! $950 6. This is a wonderful 19 inch Reproduction Bru. I rarely buy reproductions but this one is amazing, marked with a ribbon and dated 86 which I presume is 1986. She looks just like the real thing and if you can’t afford the real thing you will love her. $750 7. 23 inch Simon Halbig Lady Doll, with lady body, a really beautiful doll with marvelous Gibson Girl upswept hair. Beautiful bisque and she wears a gorgeous dress. $2300 8. 13 inch Steiff bear (no button but has all the characteristics) good mohair, no damage to the paws. He is a bear with attitude…a wonderful face. This is one pleasure you can not miss and they always hold their value. $ 1150 40
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9. 13 inch rare mohair Teddy Baby a great piece with pewter button and original collar. A hard to find bear and very special piece! $1200 10. Roullet & DeCamps mechanical with Poulbot-like face, works great. It is made of hard composition. A totally charming character! He is 13 inches and is a very hard piece to find. $1300
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Find me at www.dollsantique.com and www.rubylane.com/shops/dollsantique or e-mail: dollsantique1@gmail.com
Flexy Dolls: Fun with Celebrities T
by Judith Izen
he Flexy dolls, produced in 1939 by The Ideal Toy Company of New York and designed by Joseph Kallus, are an example of innovative doll making technology. Advertised as “assuming fifty seven different positions” the Flexy dolls were made with a bendable rubber wire that could be bent and remain in place giving children more play value. The seven Flexy dolls— Fanny Brice’s Baby Snooks, Mortimer Snerd, Otto the Clown, Sunny Sam, Sunny Sue, Soldier and a “Black” version of Sunny Sam—are also examples of Ideal’s focus on producing celebrity dolls. Ideal was scoring huge successes with celebrity dolls such as Shirley Temple, Deanna Durbin, and Judy Garland in the late 1930s. The Flexy dolls combine comic character celebrities with the additional play value of innovative technology. The Flexy celebrity characters include Baby Snooks, Mortimer Snerd, and Otto the Clown. The Baby Snooks Flexy doll was based on Fanny Brice’s comical character Baby Snooks which she created on the “Ziegfeld Follies Of The Air” radio show starting in 1936. The Baby Snooks character was such a hit that it spawned its own popular “Baby Snooks” radio show. Baby Snooks was a mischievous imp who according to radio historian Arthur Frank Wertheim did pranks such as: “...planting a bees’ nest at her mother’s club meeting, Baby Snooks and Mortimer Snerd (1939). 13” composition. Baby Snook’s tag reads “Fanny Brice’s BABY SNOOKS/Flexy an Ideal Doll.” Courtesy McMasters-Harris Doll Auctions.
Baby Snooks. Photo courtesy Suzanne DeMillar. Photo by Dennis Brevik.
cutting her father’s fishing line into little pieces, …inserting marbles into her father’s piano and smearing glue on her baby brother. “ (Wikipedia, The Baby Snooks Show) The Baby Snooks character perfectly blends with the technology of the Flexy doll due to the comedienne’s comic awkwardness and ability to make fun of herself. Ideal promoted the “Baby Snooks” Flexy doll at their New York World’s Fair Exhibit. Fanny Brice may be best known to modern audiences due to the film based on her life, Funny Girl (1968) starring Barbra Streisand. Fanny Brice’s Baby Snooks, and the Baby Snooks Flexy doll, inspired many hours of laughs during the Great Depression. Mortimer Snerd, a ventriloquist’s dummy created by Edgar Bergen and his dummy cousin, Charlie McCarthy, starred on Edgar Bergen’s “Charlie McCarthy” popular Sunday night radio show starting in 1937. The Mortimer Snerd character with buckteeth and an elongated nose was an amiable hick with a streak of innocence. The Mortimer Snerd comic character was perfectly suited to be made into a Flexy doll that children could pose in comical positions. ANTIQUE DOLL COLLECTOR
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Edgar Bergen with his dummies Mortimer Snerd and Charlie McCarthy.
Fanny Brice as Baby Snooks. Mortimer Snerd composition head and gauntlet hands, Flexy doll with flexible wire tubing for arms and legs. Collection of Wenham Museum. Courtesy Diane Buck.
Baby Snooks showing the innovative flexy wire material. Ideal Catalog.
Otto Griebling who joined the Cole Brothers Circus in 1935 created the “Otto the Clown” silent tramp clown character. The “Otto the Clown” Flexy doll had the Mortimer Snerd head mold with a white painted face and colorful circles. The “Otto the Clown” Flexy doll wore a clown outfit and hat and had white painted hands. Other dolls in the Flexy line included Sunny Sue and her brother, Sunny Sam. Sunny Sue wore a long over blouse and slacks. Sunny Sam wore a long sleeve shirt and patched pants with suspenders. Sunny Sue and Sunny Sam were advertising figures that promoted children’s hygiene. There was also a “Black” version of the Sunny Sam wearing the same type of patched pants with suspenders. The other Flexy was a Soldier that wore a khaki soldier’s uniform complete with brass buttons. All the Flexy dolls were 13 inches and had a composition head mounted on a wooden neck joint nailed into the wooden body. Their neck is jointed, and they had composition hands and wooden large flat black shoes. The arms and legs are made of the woven, flexible wire material. They have painted hair, and painted eyes and closed mouths. They are all marked: “ IDEAL DOLL/ MADE IN USA” on their neck. 42
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The material that made the dolls flexible was a newly invented knitted wire that allowed the doll’s limbs to be bent in all sorts of positions. This gave a lot of play value to the doll. Floyd O. De Millar of Warwick, Rhode Island invented the knitted wire machine that produced this flexible wire material. His daughter is Suzanne DeMillar, a well-known doll dealer and author of Arranbee Dolls: The Dolls that Sell on Sight. Ms. DeMillar’s father was a consultant to Ideal and developed the knitted wire machine for which he holds the patent. She remembers being a little girl of six and seeing the machine in her home’s basement. The Flexy Dolls initially retailed for $1.00 while the celebrity Baby Snooks and Mortimer Snerd retailed at $1.19 – what price celebrity! These dolls currently sell in the $200 range. The Flexy dolls provided children and adults with many hours of entertainment during the dark days of the Great Depression. All of us, then and now, can use a giggle and Flexy dolls can make us laugh as we put them in all sorts of comical poses. Judith Izen is the author of the authoritative Collector’s Guide to Ideal Dolls: 3rd edition, Collector’s Encyclopedia of Vogue Dolls: Identification and Values, coauthored with Carol Stover, and American Character Dolls: Identification and Values.
Sunny Sam Flexy. Courtesy Ursula Mertz.
Sunny Sue girl doll with the flexy armature. Otto the Clown. Courtesy Ursula Mertz.
Another version of Otto the Clown. Courtesy Theriault’s Auctions.
Soldier Flexy. Courtesy Veronica Phillips.
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Auction Gallery
NEWS
continued from page 15
A
delightful 14 ½” Ernst Heubach 318 Googly realized $8,250 during the January McMasters Harris auction held in Newark, Ohio.
A
n all-original size 7 incised Depose Bebe by Jumeau, 17” with original wig, straight-wrist Jumeau body with excellent original finish, factory costume and signed shoes, sold for $10,000 at the February 2nd Sweetbriar auction.
We would like to thank the following auction houses for their participation: McMasters Harris Apple Tree Doll Auctions 1625 West Church Street. Newark, OH 43055 800-842-3526 www.mcmastersharris.com Sweetbriar Auctions, P.O. Box 37, Earleville, MD 21919 410 275-2094 www.sweetbriarauctions.com
T
he fifth Rose Percy event held on February 2nd on the Queen Mary in Long Beach, California was another great success. Bringing $9,000 was one of the live auction items, a ten-inch English wax doll donated by The Verdugo Hills Doll Club, and named Flora in keeping with the flower-themed name of other dolls auctioned at Rose Percy events. Flora had long, flowing inserted mohair, and has retained some of her real hair eyebrows and eyelashes. Denise Buese supplied her hand-sewn wardrobe of fourteen dresses, as well as jackets, capes and lots of “whites.” The Carmel Doll Shop donated a trunk, bentwood furniture, as well as fabric and some accessories and Karen Rockwell provided some of Flora’s accessories. Flora came with her own little china head doll, a buggy with a tiny bisque baby, travel bags and lap blanket, a sewing kit, parasol, gloves and paper covered hat boxes for her many chapeaux, as well as everything else a well-reared young lady of the 1860s would need.
Time to redecorate your house?
Marion Maus
Specializing in Dolls and Miniatures
Ellicott City, MD • Email mmausantiques@gmail.com • Phone 443-838-8565 • Member NADDA, UFDC 44
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Puddy’s Dream
Located in Evanswood Village Shops N. 1567 Hwy 10, Weyauwega, WI See our dolls on EBAY - sellers - dawna1235 or bbflytrading. Visit our website
www.PuddysDream.com Free shipping on all dolls See our store - hundred’s of dolls to choose from.
Call 920-867-4300 for doll prices reasonable offers accepted.
Blackberry Studio Margaret Gray Kincaid Member NADDA and UFDC
Tel. 410.323.0373 Cell: 646-709-4340 Margaret.kincaid@gmail.com Simon & Halbig fashion lady, twill over wood body, re-glue on one porcelain arm, 12� tall. $3500 Wax girl with linen body, charming 12.5� size, some wear, original dress $2500 Pair of early French faux bamboo chairs $650 Antique picnic basket $160 Little table $395 French market basket $125 Unusual French armoire $550
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“At Last—The Great AMERICAN DOLL” The Story of the Giebeler-Falk Doll Corporation by Donilee Popham Photos by Scott Popham
This article is excerpted from the author’s upcoming book,
Ready for Play: The Story of Metal Head and All-Metal Dolls.
A little Giebeler-Falk socket head boy enjoys a cup of tea with his girlfriend.
O
n Tuesday, August 14, 1914, the Red Star Liner Finland arrived at the port of New York. About to disembark after an ocean passage from Antwerp, Belgium was Christoph Adolph Giebeler-Wanke. Of German descent, standing 5’6” with brown hair, blue eyes, and a scar on his chin, he probably blended in with the other immigrants, but, as was more than likely the case with many of his fellow passengers, one might assume he hoped to leave his mark on his adopted home of New York City. The New York Directory for 1916-1917 and 1917-1918 showed that Christoph Giebeler was associated with the Semiramis-San Belt & Hygenic Corset Company, but a career change was in the offing. In 1918, Giebeler and his wife, Anna, started the Giebeler-Wanke Doll Company, but this endeavor did not last long. Later in 1918, Giebeler joined in partnership with Oscar Falk, and with an
investment of $10,000, founded the Giebeler-Falk Doll Corporation. They opened their office and showroom at 320 Fifth Avenue, as well as a factory at 524 West Broadway, both in New York City. The new company registered the trademark “Gie-Fa” and the United States Patent Office gazette listed their goods as “Dolls, Doll-Heads, Doll-Bodies; Doll Hands, Feet, and Limbs; Doll-Eyes, Doll-Wigs” as well as doll clothing and doll toys. At least some of the items of clothing were tagged with ribbon labels. A chemise has been found with a label reading “Gie-Fa//Trade Mark// Aluminum Head & Hands//New York, NY//Guaranteed Unbreakable.” Original items of clothing are extremely difficult to find. The December 1918 and January 1919 issues of Playthings magazine included an advertisement ANTIQUE DOLL COLLECTOR
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By February of 1919, Giebeler-Falk had changed from bisqee to aluminum as the material of choice for manufacturing their doll heads. The five sizes of socket heads available are pictured in this Playthings ad.
introducing the “Gie-Fa” dolls to the world. They described the new dolls as having “All Wood” bodies and limbs and claimed they were “absolutely unbreakable,” as well as calling them the most sanitary and beautiful dolls available. The rubber-jointed limb Gie-Fa dolls were offered for sale with brown and blue sleeping eyes, mohair and human hair wigs, completely dressed or wearing only a chemise, shoes and socks. They were also described as having bisque heads. By the time the third Giebeler-Falk Doll Corporation advertisement appeared in the February 1919 issue of Playthings, there had been a significant change in the Gie-Fa line of dolls. The ad described it as the “newest and most important Improvement in the Doll Trade: ALUMINUM HEADS WITH SLEEPING EYES and ALUMINUM HANDS.” In this ad, a two-page spread, the public got its first look at the new unbreakable aluminum Gie-Fa doll heads. The dolls were made in five sizes, 16, 18, 20, 22, and 25 inches in height, and one head is pictured for each size of doll made. They are shown wearing short curly wigs, a wig with shoulder-length curls, and wigs with long ringlets, each featuring bows in different placements. A dimple in each chin helped create what was described as “a wonderfully sweet expression” on the dolls’ faces. In the April 1919 issue of Playthings, readers were treated to another double-page spread from the Giebeler-Falk Doll Corporation featuring a full-page photograph of one of their dolls depicted in pieces so that all of the parts comprising the doll were visible. The Giebeler-Falk doll heads came closer to living up to the guaranteed unbreakable claim than many other dolls of their day. Also known as “Star of David dolls” because they were incised with a “G” inside six-pointed star on the back of the neck, the weight and thickness of the one-piece
Giebeler-Falk dolls could be purchased fully dressed, as shown in this July 1919 Playthings ad.
Page two of the April 1919 Playthings ad shows one of their dolls in pieces, to highlight their sturdy construction. 48
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Giebeler-Falk dolls will hold a pose indefinitely. This 16-inch doll has cast aluminum hands and “duck bill” feet.
heads made them almost indestructible. The heads were made in Giebeler-Falk’s own aluminum foundry using a sand casting process, a method quite different from the manufacturing process of other metal heads such as Buschow & Beck’s Minerva. Minervas and Carl Stanfuss’ Junos, as well as most of the American-made metal heads, were stamped out of two flat pieces of very thin brass or tin-coated steel and soldered together. GiebelerFalks were manufactured by pouring molten aluminum into a mold made of sand. After the molten aluminum cooled and hardened, each head was removed from the mold, sanded, and painted with flesh-tint enamel. In Dolls and Doll-makers, Mary Hillier described the cast aluminum used by Giebeler-Falk as “heavy gauge aluminum of the sort used for saucepans.” These were sturdy dolls! The heads were fitted with painted metal sleep eyes, some of which were attached using a patented eye mount described in the patent application as “especially desirable for metallic heads.” Giebeler felt his eye mounting design was superior to others available as it could be permanently affixed inside the doll head with screws that penetrated the molded ears and would not be “affected by weather conditions.” His mechanism also eliminated the need for “wax or other such substances” to secure the eyes in place. Additionally, each eyeball could be adjusted
This ad appeared in the November 1919 issue of Commercial America and featured the cast aluminum hands used on Giebeler-Falk dolls.
This is the mark typically found on Giebeler-Falk socket heads: a capitol “G” inside a six-point star. The number 22 is the size of the doll in inches. “U.S. Pat.” was not always included and on rare occasions the actual patent date was incised.
independently providing a precise fit, and, as Giebeler stated, with a “minimum of time and labor.” Eye-mounting mechanisms were not the only doll patents held by Christoph Giebeler-Wanke. He applied for a patent for his design for a “Featherweight, allwood,” hollow body in July of 1918, which was awarded ANTIQUE DOLL COLLECTOR
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These are the two types of feet used on original Giebeler-Falk bodies. The “flipper” type, on the left, is made of wood; the “duck bill” foot, on the right, is cast aluminum.
on August 3, 1920. Made of turned wood, holes were bored through the trunk, upper and lower legs and arms, and ball joints, to receive elastic cord. The cords, which were passed through the legs, were attached with metal hooks to a transverse metal rod located slightly below the waistline, as was the cord which was drawn through the upper body and attached to the head. Metal pins affixed to the top of the ankles and the ends of the wrists were also attached to elastic cords with hooks. The arms were held in place by a single cord that passed through the left arm, through the body, and then through the right arm. Thus, the body parts were independent of each other. Giebeler felt this was a major advantage of his body as the “independent stringing of the head, the two legs and arms greatly facilitates the assembling of the doll, improves the functioning of the various joints, and enables any of the various parts of the same to be readily removed without disturbing the other parts.” Most of the Gie-Fa bodies are not marked, but a rare few have been found with an ink-stamped “Gie-Fa” on the upper back. Gie-Fa doll bodies are very easy to pose, and will hold a pose indefinitely, a testament to Giebeler’s ingenuity. He must have been a student of human anatomy, as he not only held several patents for dolls, but a patent for a prosthetic foot and ankle, as well. The Gie-Fa body employs a patented hip joint which included a slotted ball joint which was an integral part of the upper thigh. The front of the thigh was slanted, right below the ball. The bottom of the torso is angled, and in combination with the slant of the upper thigh, allows the doll to sit properly. The integral slotted ball joint holds the elastic firmly and enables the doll to stand properly. In his patent specifications for the doll’s limbs and joints, Giebeler said his invention would “permit the doll to assume postures corresponding to those of the human body, to the end that the doll will be more life like and attractive” and “allow the doll to assume a proper standing and sitting attitude.” Some of Giebeler’s dolls had cast aluminum feet, very simple in design with a “duck bill” shape, covered with enamel paint. Most of the dolls were fitted with aluminum hands as well, adding to their durability. The November 1919 issue of “Commercial America” included a Giebeler-Falk advertisement featuring the aluminum hands, which were not only used on their complete dolls, but sold separately as well. They were cast in one piece of solid aluminum with molded detail and painted with flesh-tint enamel. Their enamel paint was mentioned in the November ad, and they claimed it would 50
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“never crack or peel off and is washable.” They also claimed the dolls were insect and vermin proof, as well as waterproof. The “Commercial America” ad made another lofty claim, stating the dolls were “Guaranteed unbreakable and in transport will reach any point on earth in perfect condition.” Giebeler and Falk were reaching beyond the American shores to make doll sales and were looking for agents in “every country.” In The Collector’s Encyclopedia of Dolls, vol. 2, the Colemans stated their agents included Baker & Bennett; Borgfeldt; B . Illfelder; Owens-Kreiser Co.; Samstag & Hilder; Steinhardt, Strobel & Wilken; and Louis Wolf. The Coleman’s continued that, in an attempt to promote more sales, Giebeler and Falk offered special prices for large orders. It was hoped that the Featherweight body, “carved out of solid wood and hollowed out by special machinery” would keep the weight of each doll low enough to make shipping cost effective. An ad appearing in Playthings in February of 1920 announced that Gie-Fa dolls had been shipped to Australia, New Zealand, China, Japan, Philippine Isles, India, Alaska, Argentine, Chile, Peru, Bolivia, England, France,
The “sound amplifying horn” is shown in Christoph Giebeler’s patent drawing for his phonograph doll, The Primadonna.
Spain, Italy, Morocco, Egypt, and Transvaal, and had, indeed, arrived in “perfect condition.” What the ad did not say is how many dolls were shipped, although in 1919 they claimed to produce 1,000 dolls per week, according to the Colemans. To further promote the Gie-Fa doll line, a May 1919 Playthings ad listed “The Fourteen Points of Dollcraft as represented by Giebeler-Falk Dolls.” Point number five stated, “We meet enough ugly faces in real life, and there is no reason for persuading your little child to love an ugly and freak-faced dolly and call it beautiful.” Point seven referred to the dolls as “a real Forest Fairy with aluminum head, hands and feet.” Point number fourteen concluded the ad calling GieFa “The Great American Doll,” reflecting the general sentiments of the post-World War I period. Though a German immigrant, Giebeler wanted his customers to know his dolls were not only sanitary and possessed beautiful dolly faces, but entirely American-made dolls, as well. Another entry in the Giebeler-Falk doll line was introduced in Playthings in June 1919. The doll, the “Singing-Talking-Teaching Phonograph-Doll,” was called the Primadonna, and came in 25 or 30 inch sizes. Christoph Giebeler’s inventiveness is apparent once again, as the Primadonna featured a hinged crown that lifted to reveal a turntable on which records could be placed. A removable crank in the doll’s back operated a motor that provided the power to spin the turntable, allowing the doll to speak or sing, depending on the record which was played. In his patent application, Giebeler stated that forming these
Twenty-two inch doll has hands and feet made of cast aluminum, just like her head. She wears her original mohair wig.
Fourteen-inch baby doll has a cast aluminum Giebeler baby-style head. Her body is homemade cloth with composition hands.
doll heads of die cast aluminum would provide “superior acoustic qualities.” His Primadonna heads also included “a movable lower jaw adapted to simulate the action of the human mouth when talking or singing.” A “sound amplifying horn” pointed towards an opening in the back of the head allowing one point from which the voice could be heard. A total of fifteen openings, though, were provided, including those in the ears, nose, and mouth. This was done “to enable the effective distribution of the sound produced within the head.” Giebeler proposed making Primadonnas with either movable heads or heads permanently affixed to the body. He also considered constructing the bodies of aluminum rather than the Featherweight wooden bodies of his other dolls, to add support for the motor and turntable. Giebeler’s aim was to manufacture a doll the “character [of] which will be simple and practical in construction, will not readily get out of order and may be operated with facility.” Additionally, he wanted the Primadonna to “be natural and life-like in appearance, and in the production of the human voice, the mechanical parts being so arranged, and the superficial parts being such that the attractiveness and delicateness of the doll are in no way sacrificed.” Also notable about the introduction of Giebeler’s phonetic doll in Playthings is that once again a prominent feature of the advertisement is the pro-American stance. “American ingenuity,” “We did fight and...were victorious,” and “The German doll has met its Waterloo” leave no doubt about the American origins of the Primadonna phonograph doll. One can only wonder what the Primadonna had to say. To date, no example of this doll is known to exist. The July 1919 Playthings ad for the Gie-Fa line offered whole dolls as well as aluminum replacement heads for sale by the dozen. Buyers could also purchase human hair wigs with curls or ringlets, or mohair wigs styled in ringlets, by the dozen, sized to fit on the replacement heads. Not only did they offer their socket heads for ANTIQUE DOLL COLLECTOR
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A painted Giebeler flange neck baby head is on the left in this photo. The head on the right, called a “raw” head, was sold unpainted and without eyes, ready for the buyer to finish. The back of the heads are incised with a “G” inside a five-point star with the number 74 appearing below the star mark.
The unique kid leather bodies made for Christoph Giebeler’s shoulder heads have attached arms and stitched joints at the hips and knees.
Four stitches define the toes on the kid leather bodies.
sale as replacements for broken china or bisque heads, but a dolly-faced shoulder head girl just like their socket heads, and a smaller baby-style head with a flange neck, as well. The shoulder heads and flange neck heads manufactured by Giebeler and Falk were incised with a capitol “G” inside a five-point star rather than the six-point Star of David used on their socket heads. Although replacement heads were offered for sale by the Giebeler-Falk Doll Corporation from May through September of 1919, a possible explanation for the five-point star mark might be related to another company that the partners established, the Aluminum Doll Head Works located at the same address as the Giebeler-Falk Doll Corporation. Ads for Aluminum Doll Head Works offering heads and aluminum doll 52
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The hands on the custommade leather bodies have separate fingers.
All extant examples of Giebeler-Falk shoulder heads are marked with a “G” inside a five-point star as well as 25, which usually indicates the size of doll the head would make in inches. These heads make 22 inches dolls, however. This six-inch shoulder head has facial features, painting, and sleep eyes identical to GiebelerFalk socket heads.
hands appeared in early 1920 issues of Playthings but were discontinued after April 1920, and the company was no longer listed in the directory for 1922-1923. All types of Giebeler-Falk doll heads were constructed using the sand casting process, making them nearly indestructible. They were sold painted or with a bare aluminum finish ready to accept paint, which was referred to as “a raw head.” The factory painted heads
Giebeler-Falk socket head is all original, including her human hair wig and brown velvet dress with accordion pleat trim.
This 22-inch doll is a most unusual example. Her socket head is cast aluminum, but her face is wider than other Giebeler-Falk socket heads.
included multi-stroke brown eyebrows, individual eyelashes surrounding the eye cut-outs, rosy cheeks, pinkish-red nose dots and lips, and four painted teeth in the open-closed mouth. The only exception to this was on the baby-style heads, which had only two painted teeth. The heads could also be purchased with painted eyes or eye holes cut out ready for the buyer to insert sleep eyes. The shoulder heads and flange-necked heads were designed for use on cloth or kid bodies, in fact, the shoulder heads had sew-holes drilled in the bottom corners. Several examples of the shoulder heads have been found on custom-made kid leather bodies. These bodies have stitched joints at the hips and knees and are movable at the shoulders where the arms are attached. Other features include well-formed feet with stitching indicating toes and separate fingers and thumbs on the hands. From the custom kid leather body designed for their shoulder heads to the Featherweight wooden body with patented stringing to the die-cast aluminum heads, hands, and feet to the unique adjustable eye mountings, it is apparent that Giebeler-Falk dolls were innovative in their day. We know, by examining extant examples, that they were made using quality materials and constructed with the highest standards. What we might never know is why the Giebeler-Falk Doll Corporation ceased business. Why did they start the Aluminum Doll Head Works? Why did both of these companies disappear after April, 1920? An educated guess is that their dolls, while of the best quality, were simply too expensive for
most people to purchase. The wholesale price for a 16” doll was $3.75, while the 1921 Sears catalog offered the same size Minerva Violet metal head doll, the best of the Minerva dolls, for sale at the retail price of $1.98. What became of Christoph Giebeler? In the 1930 census his wife, Anna, listed her marital status as widow, but a record of Giebeler’s death has not been located. Oscar Falk is still around in 1930, though, and his occupation is given as a corset salesman. Was it the Semiramis-San Belt & Hygenic Corset Company that brought these two men together? It would be interesting to know more of the facts behind the story of the Giebeler-Falk Doll Corporation, but what is known is that for a short time after World War I, they manufactured beautiful, durable, and innovative dolls – truly one of the great American dolls. References: Coleman, Dorothy S., Elizabeth A. and Evelyn J. The Collector’s Encyclopedia of Dolls, v. 2 (New York, NY: Crown Publishers, Inc., 1986) Commercial America (Philadelphia, PA: Philadelphia Commercial Museum) Hillier, Mary. Dolls and Doll-makers (New York, NY: G.P. Putnam’s Sons, 1968) Google Patents (http://google.com/patents) New York Directory (Detroit, MI: R.L. Polk & Co.) Official Gazette of the United States Patent Office (Washington, D.C.: Government Printing Office) Playthings (New York, NY: McCready Publishing Company) U.S. Naturalization Records, available from (http://ancestry.com) ANTIQUE DOLL COLLECTOR
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SELL A DOLL IN THE
EMPORIUM Ages Designs
BABES FROM THE WOODS
®
presents
Faithful reproductions of hand carved wooden Queen Anne style dolls and Izannah Walker dolls by Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca
Loveday BEBE-10
Detailed Instructions and Pattern to create a High Fashion Dress and Bonnet for an Antique or Reproduction Bébé 1870-1880s For 21-22 inch doll Price: $19.99
For more patterns, please visit our website at
www.babesfromthewoods.com
www.agesdesigns.com
SARA BERNSTEIN DOLLS
Kathy Libraty’s ANTIQUE DOLLS
Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices.
Jackie’s Doll Emporium Rare 19 inch GlassEyed Lenci in All Original Clothes asking $2500. Jackie Gambino email
jackiegam@gmail.com
732-536-4101 Email santiqbebe@aol.com
www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com
23” ALL ORIG. PORTRAIT CHINA DOLL - FANCY HAIR with COMB $4500 14” Antique Alice In Wonderland Parian Doll Circa 1875 by ABG $1200 12” PARIAN “BONNET HEAD” w/Tam-O’Shanter & Early Wooden arms $450 16” COVERED WAGON ALL ORIG CHINA DOLL $400
WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES WWW.KATHYLIBRATYSDOLLS.COM Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC
Phone 802-878-7042
OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1— Search seller name kathylibraty. 8 MONTH LAYAWAY PLAN AVAILABLE
www.rubylane.com/shop/jackiesdollemporium
HAVE YOU SEEN OUR WEBSITE LATELY?
NEW! LARGER Size Emporium Ads.
Purchase of an ad includes FREE internet ad on our website.
It’s where you’ll find ads for auctions not in our print edition – where you can sign up for our sneak peek, a preview of what’s coming in the next issue – check out back issues for sale – renew your subscription – view our calendar of events – and so much more!
WWW.ANTIQUEDOLLCOLLECTOR.COM
Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com
Doll Lovers Weekend In New Harmony “The Mask” Hosted by The Gateway Doll Study Club of St Louis
April 5 to April 7, 2013 WORKSHOPS: Friday, April 5, 2013 5pm at Doll Shoppe of New Harmony Drop waist child dress for 12” doll. Instructor: Mary Jo Koets
Saturday, April 6, 2013
9am at Doll Shoppe of New Harmony Bleuette hat of pastel silks. Instructor: Maggie Phillips 9am at New Harmony Conference Center Candybox with bisque doll on top. Instructor: Cynthia Orgeron 1pm at Doll Shoppe of New Harmony Painted face cloth doll. Instructor: Susan Fosnot 1pm at New Harmony Conference Center Miniature mignonette doll in box. Instructor: Nada Christensen 1pm at New Harmony Conference Center Garibaldi blouse, with instructions on French sewing techniques. Instructor: Donnell Wisniewski
Free Seminar: Saturday, April 6, 2013 2pm Celluloid Dolls Instructor: Nancy Harmon
Some of the dealers you will see: Denise Buese • The Carmel Doll Shop • Fritz’s Antique Dolls • Joan & Lynette’s Antique Dolls • Mary Jo’s Enchanted Doll Closet • Gilda’s Fabrics • Kathy Bailey • Two Beth’s Dolls • Sophie Pearson/Jennie Sykes • Brenda Welker • Gigi’s Dolls and Sherry’s Teddy Bears • Linda White • Barbara Russell • Cynthia Orgeron • Susan Jakel • Betty Thompson • Gayle Reilly & Cherie Donahue • Mary Coleman • Nancy Harmon • Dectra Ltd • Jo Ann Reynolds • Carol Hesterman • Joyce Goethe • Elaine Wojcinski • Barbara Hack
Ticketed Charitable Event at the New Harmony Atheneum 6:30pm to 9pm Title: “The Mask” Evening of fun and information featuring Doll News Editor and doll costumer, Denise Buese. This is a desert and coffee affair with surprises you will not want to miss!
Shopping on Saturday: 10am to 4pm
Doll Shoppe of New Harmony, New Harmony, Indiana Rhoda’s Doll Emporium, 102 East Main Street, Carmi, IL 62821
Doll Show, Sunday, April 7, 2013 Location: New Harmony Conference Center, 9:30am to 3pm
Please log onto www.newharmonytristatedollshow.com for registration form and more information. Contact: Rhoda Wade, 102 East Main Street, Carmi, IL 62821. Phone: 618.387.1255 or 618.384.8735
Ashley's Dolls & Antiquities
Left to right: 29" Jumeau Bebe $5800; 31" Kammer & Reinhardt #171 $950; 24" SFBJ #251 Toddler $1700; 14" Antique Maggie Bessie Please call; 21" Kestner Character Boy Toddler $950; 16" DEP with Marchant Body $850
Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail Visit us on Rubylane.com/shops/Ashleysdollsandantiquities All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Winter Hours: by appointment only January 1st - March 15th
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector April 2013 Vol. 16, No. 3
April 2013 Vol. 16, No. 3 $595 / $695 Canada www.antiquedollcollector.com
A Spring Weekend of Auctions and
at the Universal Hilton
T h e We e k e n d Fe a t u r e s T w o I m p o r t a n t A n t i q u e D o l l
Friday, April 12, 2013 Dollmastery Seminar 10 AM-4 PM. Hurry, the registration is limited to 25 persons and is nearly full. For one day you will have the pleasure of sitting around a large table while rare and beautiful dolls and costumes are passed around for your close inspection and their special features are discussed. Conducted by Florence Theriault who offers frank opinions on the world of dolls and doll collecting. Arrive about 9:30 for coffee and pastries, and plan for a day of fun and knowledge. The seminar is free. Call 800-638-0422 to register.
Saturday, April 13, 2013 Catalogued Doll Auction, Remembering Mama Preview 9 AM x Auction 11 AM
All events will be conducted at the Universal Hilton in Los Angeles. For a free color brochure, to order catalogs, to arrange absentee bidding, or for more auction information call Theriault’s at 800-638-0422 or visit www.theriaults.com.
Featuring important dolls from the estate collection of Barbara Poppenheimer of Mississippi, and from the archives of the Hobby City Doll and Toy Museum of Anaheim, California. The classic and most sought-after dolls of the 19th and early 20th century are in abundance at this fabulous cataloged doll auction. Gorgeous poupées and bébés from important French dolls firms of the classic years peek from the catalog pages, along with the outstanding large collection of rare mid-19th century bisque and porcelain dolls with sculpted hair that were carefully sought and cherished by Barbara Poppenheimer. Collectors, too, will find topnotch dolls in all genres ranging from Schoenhut rarities to early American cloth to 1930s studio cloth (including four rare early Lenci catalogs), to a collection of composition Patsy dolls.
A 145 page full-color catalog, Remembering Mama, is available for $49. Order online at www.theriaults.com or telephone 800-638-0422.
Both auctions will be available for viewing online after April 1 at www.theriaults.com.
Events in Los Angeles, California
April 12-14, 2013
Auctions and a One-Day Dollmastery Seminar
Sunday, April 14, 2013 Catalogued Doll Auction, Small Courtesies, the Connoisseur Collection of Evelyn Ackerman Preview 9 AM x Auction 11 AM For nearly half a century, Evelyn Ackerman of Los Angeles, turned her educated and honest eye to the study of dolls, toys, and childhood delights from past centuries. Of course, to study dolls, one must own them, study them, delight in the special features that make each one special. And along the way, these dolls multiply until they fill all the crannies and corners of a home. Dolls of wood and wax and porcelain and cloth and bisque. Child dolls and lady dolls – and many men. Elegant dolls in courtly finery, and simple and plain American cloth folk dolls. Rare models from the Schoenhut firm that are seldom found today stand side-by-side with a wooden-bodied Huret bébé. Simple pull toys compete with the elegance of small Vichy mechanical toys featuring bisque ladies. Dollhouses, lavishly furnished, peopled with numerous bisque dolls, that bring “lifebursting forces” (Ackerman, Dolls in Miniature) to the scene. Rare French mignonettes, French poupées and a Bru bébé with trunk and trousseau, all are present. The catalogued auction will be followed by an additional 100 lots from the Ackerman collection available only for onsite bidding.
A 145 page catalog featuring over 350 lots is available for $49. Order online at www.theriaults.com or call 800-638-0422.
the dollmasters P O B ox 1 5 1
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A n n ap o l i s , M a r y l a n d 2 1 4 0 4 U S A
To l l - f r e e : 8 0 0 - 6 3 8 - 0 4 2 2
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Collectors have known Evelyn Ackerman through her books, most notably Dolls in Miniature and The Genius of Moritz Gottschalk, as well as her numerous articles in Antique Doll Collector, Doll News, Dolls, Doll Reader and more. Now they will have an opportunity to know her collection first hand. The connoisseur collection of Evelyn Ackerman will be presented in a catalogued auction, Small Courtesies.
Joyce Kekatos
Visit my website: www.grandmasatticdolls.com 1. - 2. 21" "Triste #9 (Long Face) Jumeau Bebe, immaculate very pale bisque, blue p/w eyes, mauve under brows, "applied ears", orig. mohair wig & pate & orig. "head coil". "ALL FACTORY orig." wearing pale aqua challis dress adorned w/rosettes & ribbons, gorgeous orig. hat, orig. undies, socks & "signed" Jumeau shoes & ant. bracelet. Head marked #9 on orig. early "signed" Jumeau 8 ball str. wrist body. The "smallest" of the Long Face Jumeaux & is absolutely STUNNING!!! Out of a private collection!!! $28,500. 3. 4 1/2" All Bisque Bye-Lo Baby, br. sl. eyes, perfect bisque overall, wears darling orig. silk dress & socks. On orig. all bisque bent limb 3 baby body w/ "swivel neck". Includes antique 1-2 carriage lined with pink silk & bedding. An adorable little package perfect for display. TOO CUTE!!! Everything shown is included!! Only....$1250. 4. 6" Kestner "All Bisque" #189 Googlie, perfect bisque overall, br. side glancing eyes, "swivel neck" orig. mohair braided wig & pate(excuse hairs on forehead), wears orig. wool & silk dress. On orig. fully jointed chubby all bisque toddler body. DARLING!!! $1650. 5. - 6. 9" A.M. #310 "Just Me", gorgeous side glancing blue sl. eyes, immaculate pale bisque, full orig. mohair wig & pate, wears "factory" orig. dress, undies, shoes & socks, an added ant. hat. "Signed" head & on orig. "Just Me" body in fabulous orig. condition. Great large 5-6 size & absolutely ADORABLE!!! $1995. 7. - 8. 20� French P.D. (Petit & Dumontier) Bebe, HUGE bulging blue threaded almond shaped p/w eyes, early mauve blush under brows, magnificent early pale bisque, fabulous ant. tailed wig w/long extensions & cork pate. Wears magnificent burgundy fine wool & silk dress, ant. matching velvet hat , ant. slip, camisole & undies, "signed" Jumeau shoes & gorgeous Fr. ant. ermin muff. On orig. PD body w/ "metal hands". Chubby cheeks & double chin! As cute as she is beautiful!! Only....$23,500. 9. - 10. 16" K * R 116A Toddler, o/cl/mo., gorgeous bisque, br. sl. eyes, orig. mohair wig & pate, wears darling wool sailor suit of ant. 9-10 fabrics, buret, orig. undies, orig. leather shoes & socks. On orig. fully jointed str. wrist toddler body, clean & shiny. First out of the mold modeling. ADORABLE!!! $2550. 11. - 12. 19 1/2" Incised Jumeau Bebe, mint pale bisque, beautiful bl. p/w eyes, early mauve blush under brows, "applied ears" fabulous full mohair wig in orig. set, orig. cork pate & "head coil". She wears "Factory Original" dropped waist Jumeau dress, ant. slip & undies, orig. crocheted socks, ant. Portrait Jumeau shoes, matching Fr. ant. silk ornate hat. Added ant. lace jacket, 14K gold bee pin as closure. Fully "signed" DEPOSE JUMEAU head & orig. 8 ball str. wrist "signed" Jumeau body. Out of a private collection & is top notch. Absolutely BREATHTAKING!!! The BEST!! $9800. 13. - 14. 14" Tete Jumeau #5 Bebe, immaculate pale bisque, huge blue p/w eyes, luscious lashes, orig. "head coil", orig. mohair wig & pate, wears magnificent "factory original" pink silk, thin wool & lace Jumeau dress, gorgeous matching slip & undies, orig. crocheted socks & stunning "Presentation" Jumeau shoes "signed" in gold leaf w/rosettes, orig. Jumeau earrings & Au Bon Marche hat. Has it all!!! LAYAWAY AVAILABLE Member UFDC & NADDA On orig. "signed" Jumeau body. This Bebe is AMAZING!!! An (Nat'l Antique Doll Dealers Assn.) OUTSTANDING example with great originality!!! $9550.
I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446 e-mail: joycedolls@aol.com
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Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS 1-3. 17 1/2” Huret fashion, bisque head, glass eyes, marked Huret body (inherent flaw on temple). $14,500. 4. 16” Series C Steiner bebe with rare open mouth. Fantastic face and marked Steiner body! $8500. 5. 21” Francois Gaultier Block Letter bebe, rich brown p.w. eyes, wonderful body... stunning! $8400. 6. 17 3/4” Jumeau Bebe Reclame w/ that super special expression. $4975.
Exhibiting: April 27 - Northern California Doll and Teddy Bear Show, Pleasanton CA, Alameda Fairgrounds May 4-5 - Chicago NADDA Show, Rosemont IL, Embassy Suites Hotel at O’Hare Airport
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2013 by the Puffin Co., LLC.
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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
APRIL 2013
Gala Grand Opening of Carmel Doll Shop At last! One and all are cordially invited to attend the Gala Grand Opening of Carmel Doll Shop in our new, and forever home, in Pacific Grove, California. Please come and help us celebrate the completion of nearly three years of extensive restoration to our historic, circa 1902 building. Be prepared to party with your hosts, the original bad boys Max and Moritz, as they too, will be on hand to celebrate the launch of their digitally remastered 2-DVD boxed-set that includes Mothers Little Angels, along with the never-beforereleased Max and Moritz – The Hollywood Adventure. The boys and their friends will be in attendance, so come join them and enjoy an elegant day of not only delicious refreshments, but also get acquainted with Max’s and Moritz’s new digs. Mark your calendars for a day of festivities! Saturday, June 22, 2013 is when all the fun happens at 213 Forest Avenue, Pacific Grove, California. Bring your doll friends along, and plan to have a whole lot of fun - Max and Moritz style. But please be nice and drop the boys a note to let them know you will be in attendance. Festivities begin at 11am and will last as long as Max and Moritz do!
Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls
Please visit WWW.CARMELDOLLSHOP.COM Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!
The Complete Guide to Antique, Vintage and Collectible Dolls
April 2013 Volume 16, Number 3
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BERTOIA AUCTIONS PREVIEW MAY 3
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HELEN JENSEN’S LAUGHING CHILD FROM SCULPTURE TO BORGFELDT
NADDA MAY 4 AND 5 BIRTHDAY CELEBRATION AND CROSSROADS DOLL & TEDDY BEAR SHOW, FEB. 2
by Carol Corson The author’s purchase of a Gladdie doll led to research about its designer.
A VISIT WITH EVELYN PHILLIPS
by Donna C. Kaonis Turning sixty-five marked a new exciting chapter in this collector’s life.
Emporium Mystery Calendar Classified
About The Cover It all started with a sculpture of their two-year old daughter. Its popularity led to a doll that would be imported and distributed though George Borgfeldt. In Carol Corson’s article you will see the appeal of this happy child depicted in a variety of mediums. Photo by Andy Ourant
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DOLL COLLECTORS OF AMERICA SPECIAL EXHIBIT OF DOLLS BY J. D. KESTNER by Donelle Denery A comprehensive Kestner exhibit celebrated the 76th anniversary of The Doll Collectors of America.
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APRIL 2013
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OLD SMUGGLER AND OTHER RARE ADVERTISING DOLLS by Ursula Mertz A look back at some of our rare advertising trademark dolls.
MYSTERY DOLLS IN MY COLLECTION
by Bernice Millman In spite of not being marked, sometimes you just can’t resist a doll!
(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023
Return Privilege • Layaways Member UFDC • NADDA
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3. (left to right) 4-1/2” French face early cobalt blue gl. eyes, orig. clothes and lavender hose $295.Yellow Boot Pair – 5” glass eye in vintage silk, some upper leg chips, plus her 3” Kestner 208 ‘doll’ with socket head! $575 the pair. 4-1/2” All original Kestner 150, sleep eyes w/ wax! $250. Great clothes!
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1. Mint in Box Hanna Kruse – 10” Tina and Linchen, West German 1950’s, mint in clean boxes with lids, tissue, tags and ties! Each $145
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2, 4 & 6. Only Gbr. Heubach could create such a beguiling fantasy and move the imagination as in the case of this provocative woodland fantasy depicting a Puckish fellow as half rabbit, half merry maker - the elfin spirit of an unspoiled boy! $1495
5. 17-1/2” Special Kathe Kruse Doll I – this early wide eyed youngster with mint facial painting and endearing aspect has separately applied ears, thumbs, wide hips, original clothes and shoes – all unplayed and 2 different UFDC Blue Ribbons to underscore his exceptional merit! $4200 5 4
7 & 8. 19” Fully Signed Tete Jumeau – size 9, very pure ivory luster bisque, blue PW’s, closed mouth, hidden flaw beneath orig. pate and wig, early signed stiff wrist body in raw silk with antique shoes – a beauty! $2900
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9 & 10. Exceptional 24” Bru Jne R - your first, or only, Bru should be a special one with all the spellbound beauty of her older sisters. This elegant tall young lady with original mint signed Bru body provides all that …and flawless bisque, dreamy hazel PW’s and the confidence of beauty. $4800
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11. 15” Heirloom Doll w/Photo – very beautiful turned head, glowing amber PW’s, closed mouth, pretty original clothes and shoes with a photo of her young owner. $550 12. 6” Simon Halbig Type All Bisque – with socket head, closed mouth, sleep eyes with wax, hip length original braided mignonette wig, long slender limbs, the real thing! $1500
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13&14. 13” All Original Belton Fashion – she’s unusual, as well as elegant, her socket head with PW eyes, all in silk w/leather shoes, hat and bag, and upswept mohair coiffure. $1295
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Quality Antique Dolls by Mail Return Privilege • Layaways • Member UFDC • NADDA
(212) 787-7279
15. 8” Mechanical ‘Jumping Jane’ in Original Box. Wind her up and see her hop from side to side with reckless abandon and no regard for her original clothes and wig! $595. Equally perky Celluloid Mechanical Rabbit seated upon a tin tree stump who strums and nods from side to side! $395 16. Attic original and spotlessly clean 16” K * R 122 blue eyed baby, factory wig and body with beautifully embroidered and tailored original ensemble. $575 17. This working Musical Marotte is beautiful and very elegant in its original multi-toned silk costume with a profusion of lace frivolities and original jester’s cap! $495 (see #32) 18. ‘Helga’ – Die Schöne Wiener Puppe – 10” all original composition ‘googly’ with factory label, sleep eyes and charming traditional woodland village costume. $395
19. Age of Indulgence! Frivolity, luxury and history combine in this 19” French Carton Polichinelle in its original silk costume replete with bells, fringe and gold foiled paper decorations! $1495
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20 & 21. Picture this 27” Lifesize Bent Knee Talking Toddler with 17-1/2” circ. head! The open mouth character with glistening bisque by Hertel Schwab is so unusual with 4 teeth befitting his age and the working voice box built into the specially designed head! Beautiful body - all excellent from bonnet to leather slippers! $1200
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22. 13” Miniature Script Series Kestner – choice ‘long face’ model, orig. mohair wig, mint body, factory chemise and shoes! $595. Rare 11” Cabinet Kestner ‘174’ – never seen, she’s mint with early stiff wrists. Imagine how sweet to dress! $575 23. 13” Bahr and Proschild Toddler – mint 23 bisque, pearl blue sleep eyes/lashes and factory wig; plus precious fully jointed mint chubby body. Yours to dress! $895 Candy Container Rabbit - $85 24. 25” Bru Jne Bebe – stunning artist Bru ‘size 15’ with dazzling blue PW’s, antique wig, composition jtd. body and elegant ensemble, $295 25. 25” Unusual SPBH Boy – scarce mold ‘5000’, perfect quality, antique wig, the perfect escort in well tailored dress suit! $550 24
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26. With lifelike dewey blush, round young eyes, lovely features and vintage flounced layers of pink ruffles, this 18” French Trade DEP is in bloom! $695
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27. Victorian Candy Container – wax head, glass eyes, in fancy wicker basket with hinged lid. $250 5” Steiff Rabbit, mint, swivel neck, $75 28. Heubach Piano Baby – mint holding factory hand painted egg! $250. 5-1/2” Heubach Bunny Child – mint, signed and scarce! $350
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29. Heubach Shoe Baby – mint, signed and rare! $495 6-1/2” Kestner All Bisque – all original clothing layers and wig. $325
Quality Antique Dolls by Mail
(212) 787-7279
P.O. Box 1410 • NY, NY 10023 30. 16” Terri Lee ‘Easter Parade’ – early Pat. Pend. Model mint in springtime best outfit, with rare Daisy on wrist, label and bonnet, even hairnet! $450 31. 12” Pierced Ear China – so pretty is her translucent glaze, dainty earrings and original body with the delicate porcelain limbs. $395 32. Musical Marotte – top quality in working condition with a convenient display stand as well! See also #17 $495. French Candy Container – stiffened fabric egg with label, and googly whimsy. $100
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33. 8” Heubach Baby – signed and extra pretty with its scarce molded quilted bonnet. $275 34. 16” Glass Eye Flirty Enfant – impish baby with KR eyes in delightful piqué Factory Outfit, adorable body and beautiful condition! $395
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35. Rare and Important Kathe Kruse – see page 7 for more about this mint and very special Doll I with the sweetest expression ever!! A prize. Just $4200 36&37. Rare Simon Halbig 1368 – a 14” heirloom doll from wig to original shoes with quaint gartered ‘knee-highs’ and her adorable red wood dress! Wonderful ethnic model, compelling and enigmatic, features a desirable ‘fired in’ ebony complexion. Outstanding! $3600
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38. 24” Closed Mouth Bru Jne R – what aristocratic style and elegant bearing in this exquisite Bru ingénue with those chiseled features and haunting PW eyes beneath exquisite brows. (see #9 and #10). $4800
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39-42. The Jumeau ‘Bebe Phonographe’ - this novel Jumeau was made for only 5 years, and although perishable, this example still has the interior mechanism and a rare original cylinder with Jumeau label beneath the metallic torso cover which is often missing. Her lovely PW eyes ignite her luminescent complexion which highlights her vivacious features – along with cork pate, hip length wig and original signed factory shoes! $7500 book price for just $5500. 39
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43. One can only encounter features like these on a Super Size Gbr. Heubach such as this phenomenal 11” size piano baby with glistening bisque and abundant artwork! $895 44. Unusual ‘Kewpie like’ signed and mint Heubach Imp complete with starfish hands! $250 Rare super size 10” Bunny Boy, see 2, 4 and 6. $1495 45. 9” Gbr. Heubach Mechanicals – delightful pair of clever working contortionists in original clothes. $750 and $895 46. 6-1/2” Heubach Shy Boy – mint and signed, scarce well-fed fellow! $375. Peter Rabbit $75 43
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Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net Presbyterian $2500., Columbian $6000., Moravian $3000.
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ANTIQUE DOLL COLLECTOR
APRIL 2013
Auction Preview: Bertoia May 3
Silber & Fleming Dollhouse. This 19th century house has original exterior façade, a long balcony across the second story with scalloped awning. The house opens as one large door in front to reveal four large rooms (rooms 16-1/2” h. x 16-1/2” w.), kitchen has large fireplace w/built in Evans & Cartwright cooking range, two other rooms have fireplaces, all rooms have early old wallpaper, 47-1/2” h. x 35” w. x 18-1/2” d.
O
n Friday afternoon, May 3 Bertoia Auctions will sell dollhouses, dollhouse gazebos, room boxes, dollhouse dolls, peg wooden dolls, lots of good quality ormolu & boulle furniture, Rock & Graner, Marklin, and much more. It is part of a two-day sale May 3 and 4 that will continue with comic character toys, cast iron, Schoenhut toys, banks, European toys, doorstops and country store items. For more information visit www.BertoiaAuctions.com. Bertoia Auctions, 2141 DeMarco Drive, Vineland, NJ 08360 856.692.1881 Miniature furniture made by Harrass. An elaborate fireplace, marble mantle, carved columns, tin hearth area with ormolu decoration with a matching sofa. Fireplace measures 10 1/2” h. Sofa 6-3/4” h. x 8”
Gottschalk bungalow house. All original 1920’s dollhouse is beautifully preserved, bottom front opens a large room and a small room. Second floor front lifts up, there is one large center room with small room on each side, side door on porch opens to a tiny room, original furniture comes including fourteen pieces of Gottschalk furniture and other miscellaneous pieces. 18-1/2” x 20-1/4” w.
Ormolu banquet lamp with ruffled globe, ormolu framed print of angel playing a flute, and round ormolu table with impressed designs. Lamp 3-1/4” h. Table 2 3/4” h.
Rare carved miniature soap scenes. Unique scene of maiden and buildings with trees in heavy card frame, frame has heavily carved leaves & flowers, along with hinged walnut carved soap scene of lady feeding chickens & trees. Frame 5” h. x 3 3/4”.
Rare miniature boulle parlor set. This eleven piece set includes a Boulle sofa with gold transfer work and gilt paper trims, eight side chairs and two arm chairs. The sofa at the highest point measures 6-1/2”.
Replica of Civil War dollhouse, hand crafted by the Mott Family at Knotts Berry Farm in CA, the exterior is clapboard & painted white, there are six large rooms on front of house and six large room on back, all viewing is done through plexiglass, The entire attic space is partitioned into rooms. The house is furnished w/old and hand-crafted pieces, (many items glued down), furniture throughout the house is old pine or hand-crafted new items of the 1950’s-1960’s. Incredible detail! The house comes apart in two sections, elaborate staircase w/ carved spindles and newel posts. 42” h. x 88” l. x 46” w. 14
ANTIQUE DOLL COLLECTOR
APRIL 2013
CROSSROADS Doll & Teddy Bear Show
NADDA May 4 and 5 Birthday Celebration
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ADDA (National Antique Doll Dealers Association) will present its 25th anniversary show and sale in Chicago, Saturday May 4th and Sunday, May 5th. The show will be held at the Chicago O’Hare Embassy Suites, with a free shuttle service from the airport to the hotel. Many NADDA dealers are participating in the birthday celebration and have been saving their best selections for the upcoming show. On Saturday Lynette Gross will present a program on Benefit Dolls and on Sunday, Fritzi Martinez Fritzi will be discussing rare German (Fritzi’s Antique Dolls) character dolls wearing ethnic costumes. is doing a program on German character dolls in original ethnic clothing. The dolls discussed will be on display in the Hospitality Room throughout the two-day show where attendees may also enjoy coffee and a slice of NADDA’s birthday cake. The suite format is the favorite venue for NADDA shows, allowing customers and dealers to become better acquainted and talk dolls in a relaxed atmosphere. Each suite is an individual doll shop adding to the excitement and anticipation. NADDA is having a terrific raffle drawing for customers. One lucky guest will receive a $400 gift certificate to be used at the show. The drawing will take place on Saturday afternoon so that the winner will have the rest of Saturday and all day Sunday to spend their prize with the dealer of their choice. Admission to the show is $6 or $5 with an ad or discount card. The Embassy Suites O’Hare Rosemont is located at 5500 North River Road Rosemont, IL. The hotel is offering a reduced parking rate of $15 per day to both dealers and customers of the NADDA show. For hotel reservations call 847-678-4000. The programs will be at 9AM both mornings and show hours are Saturday 10AM to 5PM and Sunday 10AM to 2PM. We hope to see you there!
Portland, Oregon Feb. 2, 2013
t’s still winter, and we felt like we were coming out of hibernation to enjoy the first doll show of the year… it is always so exciting. And exciting it was! The rooms were jam-packed with the best dealers in the West, and the aisles were filled with enthusiastic collectors. In fact, every minute of the show was literally filled with something for everyone. Junior collectors wrote notes of gratitude for the Junior Collectors Tea sponsored by the Time Travelers Doll Club, collectors showed off their new purchases, and wish lists were being discussed. This very well may have been the most memorable Winter show ever! Ah, Spring! I feel your presence!! For more information: www.dolls4all.com
Fashion dolls pose for their close-up
Kestner Baby
Antique Steiff bear with lithographed cloth doll
A stunning Jumeau
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Lynette Gross will present a program on benefit dolls that were created and sold to fund worthy causes.
Antique Owl holding Nora Wellings Natives ANTIQUE DOLL COLLECTOR
APRIL 2013
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Sandy’s Dream Dolls Always Buying Dolls of Quality Thompson’s Antique Mall 602.228.1829 281.339.0269 skayk43@aol.com Call for doll information Member UFDC & NADDA
& LOWE
Connie
Jay
P.O. Box 5206 Lancaster, PA 17606 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 or FAX 717-396-1114 Email: big.birds@comcast.net
1) 24” German clockwork nodder depicting a uniformed Bellhop, circa 1920`s. In all original condition, with some minimal fading to his felt clothing, he is in working order. $2450 2) 28” S&H 1488 character child on a jointed composition toddler body. An unusually large example with beautiful bisque, blue glass sleep eyes and the bisque head is free of damage other than a slight cheek scuff. $3750 3) 28” black haired china doll on a cloth body with china limbs. Attired in a cotton print dress with a center part hairdo, this china is quite impressive in size! $325 4) 7” “JUST ME” with a fired bisque head. Marked on rear of head GERMANY 310 A.11/0 M. She is on the typical composition 5-piece body normally found with the A.M. 323 or 253 googly heads. Her cotton & felt clothing is original and she also has brown glass sleep eyes. $600 5) 16” Frozen Charlotte with blonde hair and finely decorated facial features. Overall a white glazed china body with a pink toned head, a very exceptional example and seldom found in this size. $525
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA 16
ANTIQUE DOLL COLLECTOR
APRIL 2013
From Arizona to Texas Sandy Kralovetz
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Remaining faithful to Palmer Cox’s illustrations, R. John Wright has meticulously created his Brownie series in the finest all wool felt. No detail has been spared to bring these appealing Palmer Cox characters vividly to life.
~
Danny & Barrie Shapiro
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3/14/13 4:10:06 PM
Helen Jensen’s Laughing Child
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t started with a doll. It usually does. This one was 20 1/2” tall with a biscaloid head, a cloth torso and composition arms and legs. She has an extensive wardrobe that is a picture of a well dressed child of the end of the 1920s. I photographed her with all her clothes and thought I’d like to write a article about her. Time passed, as it will, with no accomplishment. (Note to readers, a future article by the author will focus on this doll and her wardrobe.) Then a plaster bust of the original sculpture used for Gladdie’s doll head showed up at an auction of the Yvonne Baird Collection at the Morphy Auctions in Denver, PA. Interest was rekindled with a change of theme. How did this doll come into being? Who was the Helen Jensen whose signature was on the back of the doll’s neck? Was she a doll designer or an artist? Andy Ourant, who took the catalog photo of the plaster model, gave me a copy of the photo and permission to use it. The next great event was a trip to the Rosalie Whyel Museum of Doll Art planned in conjunction with the Schoenhut Collectors’ Convention being held in Bellevue, Washington. I went out a day early just to see an original bronze model of a statue called Laughing Child, by Helen Jensen as well as the largest example found of a bisque head version of Gladdie in the museum collection. Rosalie Whyel and her daughter, and co-director of the museum, Shelley Helzer, were more than gracious, hauling items out for me to study and photograph and best of all, Rosalie discussing her observations of the bust, including her real doubt
An original bronze head by Helen Webster Jensen called Laughing Child. Taken at the Rosalie Whyel Museum of Doll Art.
Signature on original sculpture
Plaster bust of sculpture (Photo courtesy of Andy Ourant) 18
ANTIQUE DOLL COLLECTOR
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From Sculpture to Borgfeldt by Carol Corson
that it was of the same child as the doll. I absolutely love discussing observations with other curious collectors as they make me see more and notice details that I had previously missed. Yvonne Baird had sent me a copy of an article by Holger Jensen, Helen’s husband, written for Coronet Magazine in May, 1957 and reproduced by Theriault Auctions when they sold the large example to the museum. It is the history in this article I use for this writing. According to Holger Jensen, Helen and he, having recently left studies at the Chicago Art Institute, were given an exhibit of their sculpture at a Miami, Florida gallery. They had 23 completed sculptures and wanted one more to fill the gallery. Helen made a quick portrait of their two year old daughter, Janet, and he cast it in bronze. He doesn’t specify how he accomplished the casting, but does say that the speed with which Helen accomplished the original clay sculpture gave it an impressionistic charm. The sculpture, which the Jensens titled “Laughing Child”, sold for $50. He says that an executive from “a doll and novelty company in New York” bought a bronze copy and invited them to the company to arrange to make a doll from it. They were delighted at the idea of royalties to add to their tiny income, but became dismayed when they found out that it would be at least a year before the doll came out and the royalties would begin. While they were in New York the model was seen in the manager’s office and several orders for bronze castings were placed by people who came into the office and fell in love with the figure. The money they were given allowed the Jensens to make ten more copies to take on the road with them. It seemed that every time they completely ran out of money another bronze copy sold. The Jensen’s referred to the statue as their guardian angel. They even paid for
The 20-1/2” biscaloid Gladdie that inspired the search.
Positive and negative molds for the doll. From the collection of the Rosalie Whyel Museum of Doll Art ANTIQUE DOLL COLLECTOR
APRIL 2013
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28 “ Gladdie with porcelain head. This version has an open mouth with 5 set in teeth and a tongue and grey blue eyes. Photo by Charles Backus, Copyright 2009 Rosalie Whyel Museum of Doll Art.
28” Gladdie dressed as Buster Brown with original bronze sculpture. Photo by Charles Backus, Copyright 2009 Rosalie Whyel Museum of Doll Art.
the birth of their third child with one of the figures. By then the royalties from the resulting doll began to come. Rosalie Whyel observed that “Laughing Child is slimmer and appears older than Gladdie, causing her to doubt that they represent the same child. However, it seems to me that two things caused the change in the design. The first is that the younger chubbier doll model allows it to represent either a boy or a girl. The museum’s 28” bisque version is presented as a boy, while the biscaloid version I studied is clearly meant to be a girl. The second cause would be that the child, Janet Jensen, had a slim neck, a fine pointed chin and wonderful laugh lines around her eyes. To make an exact copy of her head would have required more undercuts in the mold and probably a mold of more than two pieces. In any case the details would have been more expensive to make. The doll came out in 1929, just as American doll and toy makers needed to make less expensive children’s
Brown biscaloid Gladdie with glass sleep eyes. The color is the same on the inside of the head.
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ANTIQUE DOLL COLLECTOR
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All bisque version of Gladdie with open mouth and four teeth. She has a commercial chemise and a small home made wardrobe. Becky Ourant Collection. Photo by Andy Ourant
playthings, as people had less money to spend on items unnecessary to their daily living. In spite of the depression, the doll must have sold fairly well, as there are quite a few examples found. There are variations in the mold of different examples. The biscaloid version has an open /closed mouth with a molded tongue and tooth ridge with teeth indicated by painting. The bisque version usually has an open mouth, with separate set in teeth and tongue, but occasionally is found with the open/ closed mouth modeling. The heads were produced in Germany in porcelain bisque, apparently by Alt, Beck and Gottschalck, and in biscaloid. According to the German Doll Encyclopedia 1800 1939 by Jürgen and Marianne Cieslik, an earthenware product called “biscoloid” (spelling difference) was registered by Hertwig & Company in 1929. Both versions have cloth bodies with composition straight legs and curved arms. There is a very rare all bisque version. The dolls were imported and distributed by George Borgfeldt & Co.
Twin Gladdies from the Julie Blewis Collection. Photo by Andy Ourant
Another 28” porcelain headed Gladdie. This one has brown eyes an open closed mouth with the same molded tongue and teeth that one sees in the biscaloid version. From the collection of Julie Blewis. Photo by Andy Ourant. ANTIQUE DOLL COLLECTOR
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Blessed with the palest bisque, this first period portrait is a stunner. Left, Evelyn enjoys creating inviting vignettes with her small dolls.
A Visit with
Evelyn Phillips by Donna C. Kaonis photos by Paula Claydon
A gorgeous C Steiner wears a magnificent formal gown.
A Kestner 221 googly can’t hide her delight that spring is coming!
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urning sixty-five marked a new, exciting chapter in the life of Evelyn Phillips. Retiring as a clothing designer, she could now, with her children grown, become a full time antique doll dealer. But before we get to that, let’s get to know Evelyn and the fascinating career path that brought her considerable success and accomplishment. Born into a family of three boys, she was admittedly more than a little bit spoiled. Her father worked in New York City’s garment district, commonly referred to as the “rag trade” and her mother was a clothing designer. Dolls were Evelyn’s refuge from her brothers’ boisterous games. From an early age, she adored dolls and was encouraged by her mother to make clothes for them. During school holidays when her mother had to work, Evelyn would visit her relatives, taking along a doll for which she would make an entire wardrobe. She recalls how she and the cousins would fashion a doll carriage out of a shoe box by poking a hole in one end and putting a string through it with a knot at one end so they could pull it along with their dollies in tow. Following high school, Evelyn attended the New York City’s Fashion Institute of Technology and upon graduation opened a ladies’ clothing shop on the lower floor of the family’s apartment building. Located around the corner from the city’s Grand Concourse, famous for its Art Deco architecture, she named her store The Shop Around the Corner, a nod to the beloved Jimmy Stewart movie of the same title. The skills that she learned buying for her ANTIQUE DOLL COLLECTOR
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Several groups of dolls are kept under glass domes, here (left to right), a Kammer & Reinhardt Gretchen #114, Block letter FG, Gebruder Heubach Baby, and Simon Halbig #886 All Bisque.
shop enabled her to become an assistant to a clothing buyer and soon the head of the department. Pregnant with her first child and unable to find a robe that she felt was fashionable enough to take to the hospital, she designed her own. “My brother-in-law, who has just bought clothing factory, came to the hospital and admired my robe, said Evelyn. “He was keeping his Spanish employees but was in need of a designer and so I went to work for him, at first two days a week and eventually three. I didn’t speak Spanish but I showed them how to take the existing patterns and modify them, mostly by adding trim and embellishments.” Soon she was designing fine lingerie and robes for Lord & Taylor and Best & Company and eventually had her own dress label at the plus size clothing store Lane Bryant. Before writing this article I didn’t know Evelyn’s background but learning of her life in the fashion industry came as no surprise. Always elegantly attired and beautifully accessorized, she stands out from the crowd. I seriously doubt if she owns a pair of jeans. “My friends always kid me about everything being so coordinated. I keep things I love forever,” she says. By the time Evelyn retired from the fashion industry at age 65 she was a serious collector, not only of dolls, but doll carriages, samplers, baskets, doll houses, Staffordshire,
Evelyn’s favorite dolls are the Simon Halbig 949 and the Kammer & Reinhardt #128 toddler who is holding an all bisque googly with jointed arms and legs.
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French and German bisque dolls are a perfect complement. The Bru Jne 4 front and center presides over the group.
APRIL 2013
In back, a Gebruder Heubach pouty girl, Kestner Hilda Baby and a rare Baby Stewart with removable bonnet.
Toys, miniature furniture and dolls are always within sight in Evelyn’s cozy living room.
ladies’ beaded bags, doll sized chairs, toys, dolls’ shoes and miniature sewing machines. “My son Billy had moved to Chartre, France and I visited him twice a year. At that time the currency rate was highly favorable and I was able to come home with some wonderful things.” One of her finds was a beautiful Jumeau head that curiously was sheared off at the bottom. The shop owner wanted a $100 for it and Evelyn bought it hoping that one day she could find a body for it. Later she learned it was a head made for an automaton and miraculously was able to purchase the correct automaton body. The gradual transition from collector to dealer was marked by two fortuitous incidents. “My son was only eight years old when I discovered he and his friends were using a lovely antique chest as a target for their BB guns. I decided if the chest was to survive I better sell it and arranged for a local antique shop owner to come and take a look. The woman loved the chest and offered me a Bru priced at $12,000 as payment. I was thrilled! My husband Dick was very skeptical of this transaction, but the very next day at a doll show I sold the Bru for a profit. I still remember waiting for Dick to come home that day; I met him in the driveway waving the check. It was a great I told you so moment.” The defining moment that changed her life happened over thirty years ago when she saw an ad in Women’s Wear
Dip Baby in chair, Byelo and a Kammer & Reinhardt 115A. ANTIQUE DOLL COLLECTOR
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A Darling Kestner 143 that is celebrating Christmas.
A beautiful EJ Jumeau, shares space with a JDK 243 Oriental Child and a Simon Halbig Oriental all bisque.
A few of the many miniature doll carriages in Evelyn’s collection.
Gottschalck stable and house 26
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Daily. It showed a fur vault in the garment district, practically next door to Evelyn’s work place, where hanging from the ceiling were dozens of French dolls, none of them dressed or wigged. It turned out that the furrier’s brother was an antique doll dealer from Argentina who would visit the states periodically bringing dolls for sale (customs required no clothing or wigs). “The prices were wonderful and I had a customer who was able to wig and costume the dolls. Soon others found about the fur vault loaded with French dolls, but for a time I had an exclusive. It really financed my then fledgling doll business.” says Evelyn. The past thirty years of experience has taught Evelyn that you never stop learning. She has amassed a doll reference library that has served her well. “I still keep a stack of books by my bed, and no matter how many times I go through them, I always see something I didn’t see before.” As far as Evelyn’s personal preferences in dolls, she will tell you that faces are everything. She has an abhorrence of nylon and polyester and cringes if an antique doll is dressed in synthetic modern fabrics. Her background in fashion gives her foremost an appreciation of quality. She doesn’t mind if a doll’s clothing needs to be replaced and naturally uses antique
Doll size purses, mirrors, and miniature chairs make a decorative display.
fabrics, laces and trim to recreate a beautiful costume. For the last few years Evelyn has gradually been divesting herself of some of her dolls, her daughter and eight great grandchildren being the lucky recipients. She loves knowing that her favorite dolls will be cherished in the family. “Appreciating the exquisite craftsmanship of things no longer produced can be an intoxicating source of pleasure, which I hope my grandchildren will pass on to their children.” Two wonderful careers and she continues non-stop. Now in her early nineties, Evelyn continues to find life exciting thanks to her determination to keep on doing what she loves. She is active in her doll club, Tuesday’s Child, one of the oldest in the country and maintains her website, evelynphillipsdolls.com. In spite of recovering from a recent total knee replacement, she is looking forward to her next trip to France. Evelyn is an inspiration and a reminder as George Eliot once wrote, “It is never too late to be what you might have been.” A special thank you to Paula Claydon, a close associate of Evelyn Phillips.
An impressive Christian Hacker dollhouse.
A lovely Jumeau automaton is about to check her make-up.
Evelyn has always enjoyed folk art, this child’s hutch in old blue paint, filled with children’s china is an example.
Made for the French trade this all original diminutive S & H 886 is a gem.
A lovely doll by Rabery & Delphieu has been in Evelyn’s collection for over thirty years. ANTIQUE DOLL COLLECTOR
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April 27, Doll Auction Starts at 10am • Preview Daily 9am-4pm ET
Over 500 Lots
The core of the sale is a fresh-to-the-market collection from the mid-west assembled over the past 60 years and remarkable for its depth of French Bébés and large dolls, supplemented by choice additions from other noted collections. French Bébés: H., A.T., 4 Long-Face Jumeaux, 4 Brus, 5 F.G.s, more than 13 Jumeaux, Steiners, R.D.s, E.D. Jullien, Paris Bébé, SFBJs, DEPs French Fashions: 9 including 4 large F.G.s, and one with trunk and accessories German Characters: K & R 117 & 114, A.M. 400 & 233. S & H 1279, Oriental 1129, Heubachs, large babies, flirty-eyed models German Bisque: Kestner closed and open mouth, Bru-type, Simon & Halbig, K & R, Kuhnlenz, Handwerck, Bahr & Proschild, Kley & Hahn, Bergmann, large Kester all-bisques Googlies: JDK 221, A.M. 253 & 241, “Hug Me Kiddie” Large Dolls: Over 100 French and German bisque exceeding 28”, 4 chinas Name Dolls: S & H Santa, Heubach Santa, Jutta, Eleanore, Baby Blanche, Dainty Dorothy, Hilda Cloth Dolls: Alexander boxed “Susie Q”, Venus, Steiff Artist: Roche, Emma Clear, Himstedt, Plusczok, Akira Blount Teddy Bears: Early Steiff and others, vintage teddy bear books Special Interest: Cage and crèche dolls, Queen Ann Dolls, Bliss House, doll shoes, clothing and accessories Collectibles: #1 Barbie, Barbie Perfectly Plaid Set, vinyl and composition Shirley Temples, boxed 1923 “Campbell Kid,” boxed Amberg “It,” boxed F & B “Honey,”
2000 N. Reading Road, Denver, PA 17517 USA Tel: 1- 717-335-3435 | Fax: 1-717- 336 -7115 morphy@morphyauctions.com
AH001884
Doll Collectors of America Special Exhibit of Dolls by
J. D. Kestner D
by Donelle Denery
oll Collectors of America (DCA) is the oldest doll club in the United States. It celebrated its 76th birthday in 2011. Each year, a special annual weekend is planned for members and their guests. DCA focuses only on antique dolls and features a special exhibit during some of the annual get togethers. In 2011, the dolls of J.D. Kestner were the subject of the special exhibit. Although there are many ways to categorize Kestner dolls, for our special exhibit, we grouped Kestner dolls as early dolls (papier mache and wax), china, early bisque (mid 1890’s and earlier), all bisque, later bisque (later than mid 1890’s), character dolls and lady dolls. In studying Kestner dolls, you need to understand a little history of the firm. Johannes Daniel Kestner was an extremely savvy and influential businessman. He began his firm in approximately 1805 making household goods of papier-mache and wood. Between 1816 and 1824, their knowledge and skill in woodworking translated to high quality bodies on early Kestner dolls with articulated wooden bodies and papier mache heads. Just prior to 1850, Kestner is said to have employed three quarters of the population in and around Waltershausen. During the 1850’s, Kestner added china head dolls with china limbs which greatly increased the company’s sales. After J. D. Kestner died in 1858, the firm was run by various people until his grandson, Adolf Kestner, took over the firm in 1863. In 1860, the Kestner firm purchased a porcelain factory in Ohrdruf and enabling them to produce their own porcelain. The number of employees grew to 1,700. The exhibit included china dolls with rare hair styles, rarity features or uncommon hair color (Photos 1, 2 and 3) as well as the more commonly found Kestner chinas (Photo 4). Look closely at the facial features of this china doll which exhibits some of the painting styles Kestner commonly used: no paint between the upper and lower lips and a hollow red circle in the nostril (Photo 5) and a curved line for a tear duct and eye highlights that could be made by removing some paint from the iris (Photo 6).
Photo 1: China with bun and wonderful original outfit
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Photo 2: Rare cafĂŠ au lait color hair and elaborate, molded black snood
Photo 3: Grouping of rare chinas
Photo 5: Detail of lip and nostril painting on china
Photo 6: Detail of eye highlight and tear duct on china
Photo 4: Grouping of more commonly found chinas
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Photo 7: Kestner Bru, notice Kestner’s attempt at Bru-like teeth.
Photo 9: Early Kestner bisque head dolls on chunky bodies
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Photo 8: Kestner AT
As the French Bebe’s with bisque heads and composition bodies became popular, Kestner’s porcelain factory enabled them to compete with the French doll makers. Kestner was one of a few German firms which made both bodies and heads and was always known for its products of superior quality. It is interesting to note that later doll heads incised with “Made in Germany” were made from 1892 on and the early alphabet series was replaced with mold numbers in the mid 1890’s. So, for example, a doll head incised “Made in Germany” and/or with a numeric mold number was likely made after 1892. Imitating the popular French dolls of the era, Kestner was one of the many German firms who made dolls to directly compete with and resemble their French cousins. The socalled Kestner Bru (Photo 7) and Kestner AT (Photo 8) are two such dolls. It is easy to see the influence of the French doll market when you examine the painting of some of these early dolls. Notice that many of these early dolls on composition bodies have a chunky body structure with straight wrists which closely resembles bodies of Schmitt & Fils, another trait borrowed from the French doll market (Photo 9). Particularly popular during this period where dolls with pouty faces. This sad looking young lady has a rarity factor of articulated ankles on its chunky composition body (Photo 10 & 11). Some Kestner
Photo 10: Typical early Kestner pouty face
Photo 11: Articulated ankle of composition body of doll shown in Photo 10
Photo 12: Early Kestner with square cut teeth and original outfit ANTIQUE DOLL COLLECTOR
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Photo 13: Kestner crown label on all bisque
Photo 14: Caucasian Kestner AT all bisque
Photo 15: Ethnic Kestner AT all bisque
Photo 16: 11-1/2” early Kestner all bisque
dolls had grey eyes and almost all had plaster pates, which were not commonly used by many other German doll firms. In photo 12 a sweet little girl, who quite possibly wears her original outfit, has square cut teeth – a characteristic sometimes found on early Kestners. Good things come in small packages is certainly a good way to describe the all 34
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Photo 17: All bisque with articulated knees
Photo 18: Swivel waist all bisque
Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 Lucy’s Dollhouse will be open for the season Memorial Day weekend. If you would like to visit before then, please call 207-322-4851 email: lucysdollhouse49@roadrunner.com
7” Orsini all bisque “Mimi” $3500. 8-1/2” all bisque doll $695.
Queen Anne satinwood desk 11-1/4” tall x 10-1/2” wide $1950.
George lll kneehole desk 8-1/2” tall x 9-1/4” wide $1500. Signed early watercolor $195.
16” Kestner child $995.
7-1/2” S & H doll $450.
Pair golden oak beds 7-3/4” long x 4” wide $195.
Photo 19: Googlies with articulated knees and elbows
bisque dolls of Kestner. The Kestner firm made all bisque dolls over a long period of time – from the 1880’s to post WWI. Kestner all bisque mold numbers were generally in the 100, 200 and 500 series. Many all bisques had a label with the Kestner crown, the company’s trademark, glued onto their chest (Photo 13). In a paper version, this crown was also attached to original clothing, such as chemises, on many dolls dressed by Kestner. Kestner sometimes took popular dolls and made them in a variety of sizes. Shown here are two all bisque Kestner AT’s in two different skin tones (Photos 14 & 15). Sometimes the all bisque dolls would have different variations in limbs with the same head and body. The Caucasian doll has molded boots and one hand closed and one hand open. The ethnic doll has bare feet and both hands are open. Limbs did not always have the same incised mold number as the head and body. This apparent common “mix and match” often confuses collectors who think there should be matching mold numbers on the entire all bisque doll. This is not necessarily true of all bisque dolls made by Kestner. While most all bisques were in the 5 – 6” height, Kestner made some all bisques which were 11” or taller. Shown here is an 11-1/2” pouty all bisque (Photo 16). If you look closely at her eyebrows, you can see individually painted strokes, a trait of many Kestner earlier dolls. Kestner also had difficult to achieve articulation on some of their all bisque dolls. Shown here are several examples of Kestner’s complex articulation: jointed knees with fancy boots (Photo 17), swivel waist which is perhaps the rarest of the all bisque articulations (Photo 18), and jointed elbows and knees as seen on some of these all bisque Googlies (Photo 19). Kestner was also known for making their all bisque dolls in many sizes, such as the Googlies shown here (Photo 20). How many ways could Kestner make one doll mold look different? The Bye-Lo is a good example. The all bisque version came in many sizes, wigged or painted hair, glass sleep eyes or painted eyes (Photos 21 & 22). American markets greatly influenced the design of doll heads after WWI. The Bye-Lo’s, for instance, were produced for George Borgfeldt & Co.
Photo 21: All bisque Bye-Lo with painted hair and glass sleep eyes and bare feet
Photo 22: All bisque Bye-Lo with mohair wig, sleep eyes and blue shoes 36
ANTIQUE DOLL COLLECTOR
Photo 20: Same all bisque in multiple sizes
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And who can resist a bride with her trousseau? (Photo 23) Especially one who has a secret – bare feet which have been painted with beautiful boots and stockings (Photo 24)! The Kestner mold number 171 is one of the most popular of Kestner’s dolls judging from the number still found in collections today. This mold number was produced over a long period of years with two variations in the eyelashes. Some 171’s had both upper and lower eyelashes painted on a slant. Other 171’s had only mohair upper lashes and a fringe of straight down painted lower lashes. Adding to the popularity of the 171 was the 1911 promotion by Ladies’ Home Journal. Children who sold three yearly subscriptions to the LHJ received an 18” Kestner 171 named “Daisy”. The promotion was so popular, Kestner could not keep up with the demand and similar dolls by other German manufacturers were given as the promotion progressed. Shown here is a stunningly original Daisy with the rarity factor of pink ribbons on her chemise instead of blue (Photo 25). Another extremely popular doll of this time was mold number 143. Although produced from the late 1890’s on, long before the character dolls started around 1908, the 143 has an almost character face. The 143 is found on a variety of composition bodies: child, toddler and baby and in a wide range of sizes. Shown here is a diminutive 9” Kestner 143 (Photo 26). Some collectors refer to this doll as the doll with the “chipmunk cheeks!” The special exhibit could have had an entire category for baby dolls but instead these dolls were included with the later bisque period, in which many were produced. Pictured is the oriental baby, mold 243 in an outfit likely from Gump’s department store in San Francisco (Photo 27). This doll has both painted hair and a mohair wig with a long queue! He is a quintessential example of what a collector would like to find when looking for this doll. Hilda is one of doll collector’s most beloved dolls. Her delicate painting and softly sculptured features greatly add to her charm. Hilda is found with several variations in body and hair. She is most often found on a bent leg baby body with either a mohair wig or painted, molded hair. Less often the doll is found with a toddler body and a skin wig, as shown here (Photo 28). One of the hardest to find Kestner dolls is often referred to as “Bonnet Hilda” (Photos 29 and 30). This sweet little
Photo 23: All bisque bride
Photo 24: Detail of painted boots over bare feet of bride
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Photo 27: Kestner 243, oriental baby Photo 31: Kestner 247 looks like an older version of Hilda
Photo 28: Toddler Hilda as a boy with a skin wig
Photo 25: Kestner 171, an original Daisy from the 1911 Ladies’ Home Journal premium
Photos 29 & 30: Rare Bonnet Hilda
Photo 26: Kestner 143 in 9� size 38
ANTIQUE DOLL COLLECTOR
Photo 32: Kestner 241, looks like an even older version of Hilda
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doll is found on both baby and toddler bodies. When you examine Kestner dolls of this period, especially in the 200 series with sleep eyes and open mouths, you see a strong family resemblance. It is easy to see how similar the doll mold number 247 (Photo 31), looks like a slightly older child than Hilda. And, the doll mold number 241, looks like an even older sibling of Hilda (Photo 32). The family resemblance is so strong, it makes us wonder - was the sculptor sculpting his own children or a family of siblings? In 1908, Kestner began its character series of dolls. Many German firms had character dolls in their line in the years leading up to WWI. Shown here are many of the dolls from Kestner’s character series. A number of these dolls came with both painted and sleep eye versions, ranged in size from 11” to 24” and were found both with and without a mold number. Kestner produced a number of character dolls for other companies such as Catterfelder Puppenfabrik and Kley & Hahn. It is amazing how different the same mold can look when you look at a boy and a girl from mold number 179 (Photo 33). As you can see, Kestner made many of their character dolls as both a girl and a boy. Many of the dolls in Kestner’s character series came in both painted eye and glass sleep eye, with the painted eye generally being the more common. The 183 is an example of a mold which had both a painted and glass sleep eye version (Photo 34 & 35). The happy face mold number 185 was a very popular doll and there were several examples in the exhibit. One example wears what might be an original outfit (Photo 36). Even in the 11” size, the characters have a wide range of facial expressions… the 208 looks so sad she might cry….178 – the first in Kestner’s
Photo 34 & 35: 183 as painted eye and glass sleep eye version
Photo 33: Girl and Boy mold number 179
Photo 36: Kestner 185 in possibly an original outfit ANTIQUE DOLL COLLECTOR
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Photo 37: Mold’s # 208, 178, 212
Photo 38: Kestner box set, doll on body is a 185, heads on left are (from the top) 178, 184, 174
character series and the only one with molded hair – looks confident….the 212 looks defiant (Photo 37). Several German doll companies created box sets for their dolls but the Kestner box set is probably the most widely known. Kestner made box sets with three different sizes of dolls: 11”, 15” and 18”. Most commonly the box sets, which featured one finished doll and three additional heads, had one dolly-face and three character dolls as is seen here (Photo 38). Only a few lady dolls came to the exhibit. Kestner made two popular bisque head dolls on lady-style bodies starting around 1908. Mold 172 was based on drawings of Charles Dana Gibson. This doll is often called “The Gibson Girl” and commonly was found on a leather or cloth body with bisque arms (Photo 39). Mold 162 was found on a composition lady body (molded breasts and a slender waist). These dolls were sometimes found with extensive wardrobes. Blanche, shown here, has approximately 60 articles of clothing and accessories. Her provenance indicates her clothing was made in Paris in 1908 (Photo 40). Adolf Kestner died in 1918 and the Kestner firm was continued by three long time employees until the 1930’s. Today, the dolls of Kestner continue to be favorites of many collectors. Photos by: Cynthia Musser, Elizabeth A. Coleman, Howard Foulke, Nancy Smith, Penny Hadfield, Diane Vourderis and Donelle Denery Photo 39: Kestner 172 Lady doll, the classic Gibson Girl of the Edwardian era
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Special thanks to Kate Reed, Lynette Gross, Dominique Perrin, Margaret Dowling, Susan Popp, Jan Foulke, Diane Vourderis, Betty Nett, Nancy Smith, Virginia Aris, Penny Hadfield, Jean Grout, Robyn Katz, Kathy Turner, Coleman Collection, Collection of Linda Edward and all the members of Doll Collectors of America who gave permission for the images of their dolls to be used in this article so others could learn.
Photo 40: Kestner 162 Lady doll. Composition lady body of doll (above)
REFERENCES: Foulke, Jan , Kestner – King of Dollmakers, Hobby House Press, Inc., Revised 1989. Coleman, Dorothy S., Elizabeth A., Evelyn J. Collectors Encyclopedia of Dolls, New York: Crown Publishers Inc., 1968. Coleman, Dorothy S., Elizabeth A., Evelyn J. Collectors Encyclopedia of Dolls Vol.2, New York: Crown Publishers Inc., 1986. Cieslik, Jurgen and Cieslik, Marianne German Doll Encyclopedia 1800-1939, Marks, Dates, Facts, Hobby House Press, Inc., 1985.
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In Our Memories
C
hristine Lorman was born in Hollywood, California in 1926 and always had a true love of dolls. Not only were they a symbol of beauty, in her eyes, they each had a story and life of their own. Her mother, with a keen awareness of this passion gave her a brand new Deanna Durbin doll In 1938. She explained to a young Christine that this was to be “the last doll for a girl her age”. It wasn’t long before her mother realized that this would not be the last... it was only the beginning. As Christine grew older, she continued to collect and appreciate beautiful dolls. In the 1970s, she entered the doll business as a professional collector and dealer. Although her devoted husband, John Lorman Jr., was initially reluctant about this new business venture, she won him over with her conviction, eye for exceptional pieces, and keen business savvy. They soon began attending doll shows together and made a name for themselves in the industry. In 1996, they left California to relocate in Las Vegas, Nevada. One year later John L. Lorman Jr. passed away. Christine continued to actively work within the doll community so long as she was healthfully able to do so. Christine recently passed away peacefully in her home, surrounded by her family. She was a very loving woman with a strong work ethic and even stronger moral standing. There is no question that our Grandmother was a true lady. As anyone who knew her would expect, the very Deanna Durbin given to her 75 years ago still stands in perfect condition, to be passed down through the family from here on out. We share this story with you in loving memory of our dear Grandmother. She will forever live on in our hearts and memories. Jeanie Lorman & John L. Lorman III 42
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Gigi’s Dolls & Sherry’s Teddy Bears Inc.
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Allow Us To Help You Discover The Child Within You!
17” CM German Character #111, French Jumeau body, stationary blue eyes, hairline on forehead and back of right side of head (has been sanded), antique undergarments & shoes, mohair wig $9500
17” CM Paris Bebe, blue pw eyes, pierced ears – chip at right ear, peppering on forehead & cheeks, body marked Paris Bebe, hairline on forehead from rim $2995
30” Heinrich Handwerck Simon & Halbig 5, pierced ears, blue sleep eyes, body has repair on upper legs, hands repainted, lower legs old but not hers $350 16” Head Circ. Wax Byelo by wax mannequin maker Milio of New York, marked © Grace Storey 22 on left side of head, cloth frog body with Sateen arms, cloth strip used for the “Wobbly” effect to hold head to body, original tagged dress, doll pictured in April 1986 Doll Reader Mag $1050 10 ½” CM Steiner Paris F A 3 on stiff wrist body, torso repainted, brown pw eyes, rub on nose, chips on pierced ears, HH wig (cut), vintage clothing & leather shoes $2995
19” CM Bru Jne 8, brown pw eyes, shading above eyes, antique dress, undergarments, socks & burgundy leather boots $13,850
29” CM Incised Depose Jumeau w/ applied ears, blue pw eyes, fabulous antique type 17” Jumeau type French pink grosgrain jacket, vest, skirt & hat, Fashion, no marks, CM antique undergarments, socks & shoes, swivel head, pierced ears, newer mohair wig, 3 sealed hairlines $4950 light blue pw eyes, kid gusseted body, original mohair wig, blue skirt & jacket, undergarments, leather boots #3, few fingers as is $3095
13” Raleigh Doll by Jessie McCutcheon Raleigh of Chicago 1916 - 20, molded hair boy, painted blue eyes, head has repair and repaint $350 11” x 8” Steiff US Zone Germany tagged Horse, glass eyes, some wear $125
23” CM K star R 117, blue sleep eyes, blonde mohair wig, antique dress & shoes, professionally repaired neck socket – overspray as is $3295
17” Marotte German AM 370, blue stationary eyes, cream and blue costume w/ pink & cream poms, music works great, whistle on wood handle, rub on nose & cheek $300
15 1/2” CM Petit & Dumoutier? marked 270, blue pw eyes, 5 piece body with jointed metal hands, feet have been worked on, pierced ears, fur wig, antique style dress, antique shoes & socks $5250
16” French Fashion on kid over wood articulated body, bisque arms, forefinger left hand professionally repaired, blue eyes, mohair wig $3700
20” CM Jumeau w/ 10 in red, blue pw eyes, pierced ears, bisque “pimple” at left corner of mouth, small ½” hairline at forehead rim, antique style dress, 15” Nursing Bru - Bebe Teteur antique undergarments & leather shoes on kid body with bisque arms, $3450 one arm reattached, blue pw eyes, original blonde mohair wig and pate, no rubber ball in head or turn key on back of head $6650
9” CM French Fortune Teller, blue painted eyes, bisque shoulder head, arms & bare footed legs, skirt is all French hand written fortunes, pink silk dress (as is), shoulder plate repaired, blond mohair wig $1095
12” K *R 114, original mohair wig, shoes & socks, great molding & coloring $2100
8 ½” Pull Toy of Mechanical Boy with Donkey on 10” x 4” Platform w/ metal wheels, CM bisque flange headed boy moves head & arms, blond mohair wig, blue glass eyes, original outfit (as 25 1/2” #15 German Sonneberg, is), 5” x 3 ½” glass eyed Donkey, similar to the Carrier - Belleuse cloth covered body (as is), “triste” model of Jumeau, brown pw wooden legs, works great $1050 type eyes, stiff wrist 8 ball elongated French type body, small eye chip lower right eyelid, molded open closed mouth, pierced ears $2950
9” AM 341 Baby in Presentation Basket w/ silk “Baby” pillow w/ bib and 2 diapers, blue sleep eyes, antique bonnet & gown $250
17” SFBJ 301 Paris 6, HH wig, hairline on back of head, some touch up on body $350 19 1/2” Kestner 161, hard to find mold, original pate & wig, 1 replaced lower leg $750 Now $625
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Learning About American-Made Dolls
Old Smuggler and Other Rare Advertising Dolls by Ursula Mertz
photos by Christopher Partridge
Old Smuggler
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22” Old Smuggler. No Identification marks. He was made of rubber over a wire armature. He is all original. The close-up of Old Smuggler reveals that his eyes are decals.
14” Peter Pan, marked Amberg // Pat. Pend. // L.A.&S © 1928. Cloth tag marked: An Amberg Doll With A //Body Twist //all, all its own! // Pat. Pend. SFR No. 320.016. All original. He is made of all composition and jointed at the neck, shoulders, hips and waist. Close-up of Peter Pan. Note the special treatment of outlined eye openings and eye shadow.
e caught my attention at a doll show. At 22 inches he towered over most of the dolls displayed on the table. His whimsical features and impish smile appealed to me. He was dressed as a Scotsman in a green jacket, plaid kilt and tam. The dealer indicated that he was an advertising doll for Old Smuggler scotch, but she had no further information to prove her claim. I was intrigued, and the purchase was made. Eager to find more information, I started with the local liquor store and learned that Old Smuggler scotch was still available, but no one had ever seen my Old Smuggler. I guessed that he was available before WW II, as he was made of rubber over a wire armature. After World War II, I reasoned, such items would be made of plastic. Extensive searches on the Internet yielded some information. I had hoped that I would find advertising posters depicting my guy. The earliest illustrated ad and label I located was from 1948 and showed a drawing of the Old Smuggler dressed in tam and kilt, just like mine. I had hoped for a picture based on a photograph of an actual figure. The ad had been placed by W. A. Taylor of New York City. Eventually, a 10” molded vinyl doll was located on eBay. His face and outfit were of similar design as my man. A molded medallion on his chest displayed the following information: “ Old Smuggler The Fashionable Scotch.” This circumstantial evidence lets me assume that my 22” figure actually is an early advertising item for Old Smuggler scotch. Does any reader have more proof of that? I would love to hear from you. ANTIQUE DOLL COLLECTOR
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Amberg’s Peter Pan
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ome time ago, a Peter Pan doll in all original costume joined my collection. In the February 1929 issue of Playthings, the Louis Amberg & Son Company of New York City had offered three “Sensational Hits,” one of them being my Peter Pan doll. He was easily recognizable in the ad illustration, because of his special features. With small impish nose, bangs and side swept hair he looked the part. I assumed that the reason for offering a Peter Pan doll might have been a current event, such as a popular film or play. To this day, Peter Pan has been a perennial favorite with children and adults. The original play was written by Scottish playwright J. M. Barry and had its first performance in London on December 27, 1904. From then on the story of Peter Pan, the young boy that didn’t want to grow up, traveled the world in the form of several motion pictures, a Broadway musical, children’s books and a classic Disney cartoon etc. A silent film had been shown in New York City in 1924, produced by Paramount Pictures and directed by Herbert Brenon. The part of Peter Pan was played by Betty Bronson. Obviously, that could not have been the reason to produce a Peter Pan doll, five years later, in 1929. Some time after I bought a cute little cotton dress. The dress label stated: “Made of a (logo) Peter Pan Fabric. Reg. U.S. Pat. Off. Guaranteed Fast Color.” What caught my attention was the logo. It showed a figure with pointy pompom cap holding a palette in one hand and paintbrush in the other. The print type of the words with the logo was also familiar. I had seen both before in the 1929 Louis Amberg ad right next to the illustration of their Peter Pan doll. A search on the Internet revealed that this logo belonged to a fabric company. It was registered under No. 0261241 on September 10, 1929 and issued to Henry Glass & Co., 46-50 White Street, New York, NY. Further information stated that “the Trade Mark ‘Peter Pan’ has been continuously used in the business of said corporation since June 21,1917.” I further learned that Peter Pan fabrics are still available today. Additional trade magazine ads placed by the Amberg firm in 1929 do not shed light on what the arrangements were between the fabric company and Amberg. The fact that Amberg commissioned the design of a special head for their Peter Pan doll rather than just using one they had in stock and dressing it in an appropriate costume, is an indication that this was no ordinary project. Apparently, something did not work out as expected with the promotion of this special, very attractive doll. Amberg’s Peter Pan is a rare find in today’s collector market. Additional dresses with the Peter Pan fabric label have not been seen. There is one additional fact that may have come into play. One year later, in 1930, the E. I. Horsman Company of New York City bought Amberg’s composition doll line. While Horsman continued to sell the “It” doll, they may have decided to drop Peter Pan.
Peter Pan dressed in the Peter Pan Fabrics dress.
An ad in the February 1929 Playthings advertised three of Amberg’s “sensational hits,” one of them, a Peter Pan doll. The logo, depicting a elf-like figure with a palette and paint brush, is the same as the dress label.
Dress Label marked: “Made Of A // (logo) // Peter Pan // Reg. U.S. Pat. Off. // Fabric // Guaranteed Fast Color.” (First line of text hidden in the seam.)
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Zu-Zu ginger snaps advertisement as seen painted on the side of a two story building.
16” Zu-Zu Kid showing off her original Zu-Zu Ginger Snaps box. No identifying marks. She is all original, except for her paper hat. Composition flange head, hands and molded boots. Cork stuffed body and limbs, fully jointed with inside disks.
Ideal’s Zu-Zu Kid
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nother infrequently seen advertising doll is the Zu-Zu Kid introduced by the Ideal Novelty and Toy Company of New York City in 1916. Their ad seen in the Playthings issue of February, 1916 announced: “Another Sensation in Doll Land! The “Zu-Zu” Kid Comes to Join the Famous “Uneeda” Kid. Now they travel together – the most famous travelers in Doll Land – our old friend, the Uneeda Kid, with his lady friend.” The Zu-Zu Kid derived her name from a brand of ginger snaps sold by the National Biscuit Company. Obviously, Ideal expected their cute little girl dressed in a clown suit ride to success on the coat tails of their well known Uneeda Kid. This was not going to happen. As mentioned before, the Zu-Zu Kid is a hard to find doll. I consider myself lucky to own an example of this little charmer wearing her original, star studded clown suit. Just recently I was able to acquire her original Zu-Zu Ginger Snaps box, but her pointed same fabric cap still goes missing and the paper hat I made will have to do. Adding this new accessory for the Zu-Zu Kid made me again wonder why the Uneeda Kid, advertising Saltine
In this close-up we can see that the Zu-Zu Kid features what is known as an open/closed mouth with four painted teeth.
Side panel of the Zu-Zu box depicting two clowns. (A Zu-Zu box previously seen on the inter net did not show the clowns).
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Crackers, was so much more successful than the Zu-Zu Kid with her ginger snaps. Was the lack of success to blame on the cookies or the doll? The National Biscuit Company did promote their ginger snaps in a big way, as an advertisement on the side of a two- story building proves. Apparently, the ginger snaps were still being sold in the late nineteen sixties and early seventies. On the Internet, one can peruse several pages depicting Zu-Zu advertising items. On studying the huge advertising on the wall, one is attracted to the clown face of the Zu-Zu Kid seen there. It is the traditional clown face one would expect: A chalky, white face with drawn on, exaggerated eyes and big painted mouth. Our Zu-Zu doll, on the other hand, has the face of a real girl. How could Ideal possibly fail to appreciate the terribly important “recognition factor?” One assumes that they were thinking just a bit too much about the Uneeda Kid whose promotional material showed a real boy in a yellow rain slicker. For collectors, Ideal’s mistake is their gain: Uneeda Kid and Zu-Zu Kid look good standing on the shelf side by side. They do travel well together!
15” All original Uneeda Biscuit Kid with his original cracker box and original advertising piece showing a real boy wearing a yellow slicker and hat.
Blackberry Studio
Room box with all furniture: $3950. Kestner sleep eye mignonette: $3450. Little girl in red dress: $650. Little girl in blue dress: $395.
Margaret Gray Kincaid Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com 48
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Barbara Spears • P.O. Box 126095, Ft. Worth, TX 76126 Phone (Home) 817-249-2069 (after 8:30am & before 10:00 pm CST only please) E-mail: barbarasdolls@barbarasdolls.com • www.barbarasdolls.com 1
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1. 15” Kley and Hahn 585 boy, op/clo. mouth, slant hip ball jointed toddler body, brown sleep eyes, bald dome, he is so cute in his little knee pants w/matching cap. $495 2. Lovely 20” S&H rare mold #750, closed mouth, beautiful blue eyes, nice kid body, beautifully dressed in antique clothes (See close up of her face #16) $600 3. 24” Kestner 214, gorgeous blonde long curls, ball jtd. body, blue sl eyes, arms and hands have had light repaint $550 4. 20” adorable Simon-Halbig 1249, open mouth, brn sl. eyes, old mohair wig, all antique clothes and shoes, ball joint body $650 5. 19 ½ Alt, Beck, and Gottschalk 1362 “Sweet Nell”, very sweet doll, beautifully dressed, ball joint body $375 6. 21” Kestner 164, antique mohair wig, antique wool sailor dress has mends and small moth holes, brn sleep eyes, ball joint Kestner body $525 7. 27” Handwerck 119-3, blue sl. eyes, beautiful long red curls, ball joint body $650 8. Full length of S&H 1249 #4 9. 5 ¾” marked 156/Germany/4 smiling all bisque character, brn glass eyes, light red braids, precious organdy dress, ant. crocheted hat $275 10. Gorgeous 21” Alexander Cissy Queen from the l950’s, all original and excellent, white dress turned ivory color $550
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11. Full length of Alexander Cissy Queen, picture #10 12. 23” Simon-Halbig 1079, beautiful long brown curls, brn sleep eyes, ball jointed body marked Made for John Wannamaker, Philadelphia, PA $550 13. Lovely 23” Simon-Halbig 9 ½, ball jointed body marked Handwerck, no mold number, brown sleep eyes, very fancy organdy outfit $495 14. Close up of face of #13, Simon-Halbig 9 ½ 15. Close up of face of #12, Simon-Halbig 1079 16. Close up of face of #2, Simon-Halbig 750
We accept VISA, MC and Discover, checks and money orders. Layaway is available. Layaway dolls are not returnable unless a crack or chip in bisque head not described is discovered. Dolls purchased with credit card are subject to a 5% fee if doll is returned, except if the doll has crack or chip in bisque or china not described. WE BUY OLD DOLLS. See My New Shop On Ruby Lane www.rubylane.com/shop/barbarasdolls For More Beautiful Dolls, Doll Clothes, Accessories, Books, Paper Dolls, Etc.
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Kathy Libraty’s ANTIQUE DOLLS
Oma’s Toy Box
Center, 109 Heinrich Handwerck, $750, to her left Simon & Halbig, $700 with Heubach pup, $250, right, marvelous bleating sheep, $1650. Brigitte Puckett, 410-638-2736, email: bwpoma@verizon.net
18” ALL ANTIQUE FRENCH DEPOSE JUMEAU-GREAT CONDITION! $6500 15” ALL ORIGINAL LIMBACH—SO PRECIOUS. $1100 12.5” ALL ORIG. FRENCH STEINER BEBE FreA-DARLING $4600 15” ALL ORIG. FRENCH BOY BEBE BY JULIEN (ribbon winner) FABULOUS! $3100
WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES WWW.KATHYLIBRATYSDOLLS.COM Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC
OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1— Search seller name kathylibraty. 8 MONTH LAYAWAY PLAN AVAILABLE
Gorgeous J Steiner Figure A, 24” with perfect bisque, $4400. Call 215-794-8164 or email alloyd@nni.com. Member UFDC and NADDA. Other photos and dolls may be seen at RubyLane.com/shop/ anntiquedolls.
BABES FROM THE WOODS Faithful reproductions of Izannah Walker dolls and hand carved wooden Queen Anne style dolls by Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca
www.babesfromthewoods.com
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Purchase of an ad includes FREE internet ad on our website. Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com
Mystery Dolls In My Collection by Bernice Millman
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ost doll collectors will agree that dolls having no obvious identification marks often find their way into our collections. When a doll appeals to us, it doesn’t really matter who made the doll or where it came from, we just want that doll! As I sorted through my own collection of undocumented dolls, I came across many more enigmas than I had imagined. It is my hope that one or two mysterious examples will be recognized by my readers and if so, will share their knowledge with me and others. Mystery Doll #1 My first mystery doll has a hang tag that reads “Thea Hosaeus Berlin.” This square bit of cardboard anchored to the doll’s wrist by a red cord is the only identification on this 16” cloth child. She came into my collection many years ago when I found her at The Atlantique Show in Atlantic City, N.J. Her head, made of flesh toned silky fabric, features startlingly blue painted eyes outlined with fringed lashes and sweetly painted facial features that declare her as unique. A blond mohair wig gently curves around of her cheeks. The slim torso is closed by side seams. The right arm is bent at the elbow while the left arm hangs straight. The hands lacking finger detail are shaped like the letter “c”. Her legs, crudely gathered at the top are swing jointed at the hips. When the doll is undressed her head appears too large for her body. Many searches through doll reference works yielded no information nor did the name Thea Hosaeus appear in any of these works. Mystery Doll #2 This unusual doll is all wood and stands 17” tall. Her head is a solid round wooden ball with flat painted facial features. A wig made of yellow yarn is styled with bangs and multi-curls. The narrow rounded torso, squared off at the hips allows for sitting. Her arms and legs are jointed at shoulders and hips. Her limbs are loosely strung and allow the doll to sit and pose with ease.
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1 The arms hang straight ending with hands fashioned into a cupped position. Fingers are not emphasized and only the slightest indication of thumbs, with painted pink fingernails, are evident. Her legs are simple sticks that feature extremely large flat feet, completed by black painted shoes and white painted socks. This doll is well marked. Affixed to her back is a sticker that reads: U.S. Patent 1405304. As if this were not enough information for identification, the young lady has two paper tags attached to her left ANTIQUE DOLL COLLECTOR
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wrist. One, a shield shaped tag that reads: “This is Melissa in her Summer Frock ”(on one side) and “An original creation exclusive with Capesley Dolls Philadelphia, Pa. Patent pending” on the opposite side. The second tag is oblong and gives instructions as to the proper care of the doll along with the following information: This doll is guaranteed by the designer, Helen Smiley, Philadelphia 10, Pa. Patented Feb. 6, 1945, No.1405304 U.S. Patent Office. The patent search revealed a serious error on the part of the U.S. Patent Office, since the above number matches to a mechanical contraption and not the doll. A telephone search in the Philadelphia area annoyed several people with the last name of Smiley, but yielded no information. This unusual girl looks so much like a Gulliver’s size version of the Schoenhut Pinn doll and is coincidently also made by a Philadelphia native. Could it be that Ms. Smiley played with Schoenhut Pinn dolls in her childhood and was inspired to create her own larger version? I found this mystery at a doll exhibit and show held at the Maryland Historical Society. She has been in my collection for about fifteen years. Mystery Doll #3 I first saw Celeste, at a very upscale cosmetics boutique, fetchingly displayed among lovely items of merchandise made up of fabric that matched the pattern in her costume. Created more as an advertising eye-catching ploy then a doll, this 23” doll has a resin composite shoulder head. Her facial features are flat with the mere hint of a molded nose. A lovely pink mouth and slightly blushed cheeks make this doll a real knockout. She wears a waist length wig made of abundant amounts of Raffia. A simply constructed body of soft white cloth, with arms stitched at the shoulders ending in mitt hands and legs that are swing jointed at the hips. Her shaped feet with upturned toes feature printed black slippers. Her construction is very reminiscent of a boudoir doll of the 1920’s. Around her neck hangs a cardboard tag reads “the doll is a Nordic House Design, NYC.” Nordic House Designs made lovely raincoats, umbrellas and matching travel accessories. As before mentioned, these items were made of the same fabric as Celeste’s costume. I learned from the Nordic House that the doll designer is Josephine Alexander. She also designed the clothing for the doll which was made in the Nordic factory where the boutique items are also manufactured. I was informed the faces were painted by an artist who had a studio in Woodstock, New York. Enclosed in the box that came with the doll is a certificate that tells the same details as the neck tag. This Celeste is item number 50 out of 500 manufactured. What a delightful surprise to find the certificate is signed by Mary Englebrite. Is she the artist in Woodstock, New York who painted the face of this doll? If so, it must have been early in her career. Calls to the Englebrite Studio have gone unanswered leaving me to wonder. Mystery Doll #4 A sweet-faced boy resides in my collection of mystery dolls. He is very special having been gifted to me by several dear friends to celebrate a landmark birthday. An oil painted cloth face features deeply inset brown eyes, a beautifully molded nose and a shy smile on his lips. Cheeks that still retain their rosy glow and lightly painted brown hair brushes his face in wispy curls, very reminiscent of a Kruse child, add to his charm. His neck is stitched onto a slim but well padded cloth torso, with wooden ball jointed 52
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shoulders, elbows and wrists. His legs are jointed at the hips by way of metal discs and his toes are delineated by red embroidery thread. On the doll’s lower rear is stamped the following information: D R Patent, 25 216, (a 7 or 1, not clear), however, DRP-translates as Deitche Reich Patent or German Registered Patent. The only bit of information I was able to get came from Coleman’s Encyclopedia that was taken from an article or ad in March 1926 Toy Trader. It states that this German Patent Model was granted for 18 years to Dr. Oscar Arendt. A smaller example of this doll came into my collection recently. For comparison, these two were stripped bare and characteristics compared. How exciting to find the smaller 13” version made exactly the same as the 16” doll. The smaller example, however, lacks the stamped information on his rump. It seems as if these boys are a pair of mysteries. Mystery Doll #5 My next Mystery Doll does not resemble what is commonly accepted as a Bing doll, however, when making a comparison of her body construction and fabric to an authenticated Bing, (albeit, a much smaller version) it revealed that the body construction and fabric are identical. Yet, another clue is the undergarments worn by each doll are an exact match. Facial features, however, bear no resemblance either in construction or painting to what is accepted as a Bing. Her full face with tiny pointed chin, full mouth and moveable tin eyes add charm to the little girl. A blond mohair wig styled in the mode of
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the 1920’s verifies her era of manufacture. Her clothing is made of felt, including her shoes that are similar to the felt shoes found on Bing dolls. She is definitely an example of the Art Doll Movement. According to Coleman, Bing Werke is also known to have manufactured a cloth art doll, with a mask type hand painted face and inserted flirty eyes. Some of these dolls were dressed in felt clothing as well. My little girl seems to fit into this description. Could she be this seldom found version of a Bing doll?
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Mystery Doll #6 This little mystery girl is a 16” bundle of charm. Her head is covered with stockinet and has molded hand painted features, large blue eyes. A pert nose, full pink cheeks, a sweet mouth and a most appealing a double chin describes her facial characteristics. A side parted dark blond mohair wig hides slightly molded ears. Her well-shaped cloth body is firmly stuffed and her arms and legs swivel. Her costume is very reminiscent of the French or Italian dolls of that era. According to a note tucked into her dress by a former owner, it states this doll is of Bavarian origin. Perhaps she truly is and if so, possibly the product of Otto Hausser who took over doll manufacturing from Emil Pfeiffer in Vienna in 1894. By 1927 the company was making a Lenci-type felt doll that resembles this one. The soles of her black and white shoe read HAUSER (not Hausser) WEIN (Vienna) MSAL stamped in a triangle. I wish I could confirm that she was made by Hausser! ANTIQUE DOLL COLLECTOR
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Mystery Dolls #7 A mysterious pair live arm in arm in my doll case. It is obvious, this 14” gentleman and his lady have never been separated. They were originally displayed at a UFDC convention standing shoulder to shoulder in a gilt shadow box from which I liberated them. Their bodies are shaped by armatures covered with fine cotton and stuffed with batting. Both heads are made of a plaster like substance with molded and painted features. From their amusing facial characteristics it is obvious the artist was blessed with a fine sense of humor. The lady is posed with her chin tucked coyly into her neck. Her nose is extremely exaggerated in length and is tinted a deep pink at its tip. The beautifully painted eyes are downcast. Her smiling red lips and very rosy cheeks disclose an artistic hand. A wig of red yarn is hand sewn onto a silk base. Her cloth arms are painted from the elbows ending in separate long fingers. Her male companion with his most prominent red tipped nose is a perfect match for this lady. Well painted eyes, very rosy cheeks and a red smiling mouth are enhanced by a painted black moustache and Van Dyke beard. His wig of black animal hair is short and curly and ends in sideburns. He is amusing to look at, yet retains certain elegance, enhanced by an ornate silk suit and top hat. His body construction matches that of his lady. The clothing on both dolls is so delicate that I didn’t dare disturb anything in order to satisfy my curiosity. This comedic pair initially gives the appearance of being French. Adding to the mystery of origin, a small piece of cardboard bearing English lettering was found tucked into the crown of the gentleman’s top hat. This could mean the dolls might be American or possibly French made. This pair is not at all what a doll factory would mass produce. It seems they were meant to represent a special occasion or event. The doll maker used a wild and wonderful imagination when creating this couple. Without any marks or identification the origin of these dolls shall remain a mystery. Mystery Doll #8 A large placid girl is the best way to describe this next mystery doll. Her shoulder head is of very fine composition featuring deeply molded eyes. Very full cheeks and slightly parted almost colorless lips reveal small painted teeth. Her brown mohair wig is firmly glued over brown molded hair that is only apparent when the wig is lifted. The wig is anchored onto her head by three tiny brass tacks that bear the inscription “D. CENTRAL 2.” Her firmly stuffed cloth body contains a large voice box. Arms that swivel at the shoulders are half cloth ending in wooden lower arms with carved fingers. Her swing legs are half cloth from hips to just above the composition molded rosy knees. An interesting feature of her body jointing reveals two thin knotted elastic strands originating from the back of the doll through the torso of the front, knotted again and 54
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9 extending down into the upper part of the legs, through the leg to the rear of the legs and again knotted. There does not appear to be a reason for this since the doll can stand and sit well. With her solid and serious demeanor, she might well have been a “best friend and confidant” to the lucky child that owned her. Mystery Doll #9 Only 11” tall, but so full of character! This boy’s paper mache head has molded facial features that have been touched by an artistic hand. Heavily lidded and multi lashed eyes with arched brows and a smiling mouth revealing white teeth are charming. His body is made of a heavy cardboard tube that ends just below the waist. There is no lower body. His cloth arms end in stitched detailed hands. The boy stays upright by means of a wooden stand that slides into the tube. Dressed as a hotel bellboy, he may have been an advertising item. His spiffy uniform jacket is blue felt with yellow trim and double breasted brass buttons down the front. The bottom of the uniform gives the impression of trousers due to a seam down the middle but is actually one piece of fabric, very full at the hips and tapering down towards the hem. His head is round and bald but
covered by a cunning pill box hat that matches his jacket. My overall impression of this fellow is that he is French. Perhaps he plied his trade at a swanky hotel in Paris in the late 1920’s or ‘30’s. He has no marks. Mystery Doll #10 Oh la la! My last mystery doll is without a doubt a “Frenchie”. From her cloche hat to her gold “leather slippers” she oozes charm and sex appeal. Her swivel head and deep shoulder-plate are flesh toned chamois (suede). The torso is made of heavy cotton with tiny applied breasts, shapely swivel arms and legs made of a fine silky fabric. She is disc jointed at shoulders and hips. The metal discs are imprinted with the words PARIS DEPOSE and are covered with circular cloth patches. This doll is meticulously made. A blond floss wig, in flapper style, caresses her cheeks. Huge green eyes, surrounded by flirty lashes, and accented by highly arched brows, a “Clara Bow” smiling mouth and a pert little nose and chin describe her brightly embroidered facial features. Her roaring twenties era costume is accessorized by a lace evening bag that holds a long wooden cigarette. According to Dominique Pennegues, the author of an article published in Antique Doll Collector Collector, April, 2010 issue, the doll is classified as a French Boudoir Doll. Ms. Pennegues states: “There are only three others like her known to exist”. This poses a double mystery, who made this doll and what was the reason for the exclusivity? While puzzling and often frustrating to the doll collector, the secret origin of these dolls adds a certain charm as well as another dimension to the pleasure of collecting. Credits: Cloth Dolls, Identification and Price Guide. 1920’s and 1930’s by Polly Judd The Encyclopedia of Dolls by Dorothy S., Elizabeth A. and Evelyn J. Coleman Vol.1 Doll Home Library Series The Schoenhuts, their book Vol., 9 by Marlowe Cooper
In Appreciation: The late Diane Dustir, Schoenhut Collectors Club Ann & Joe Wells, Schoenhut Collectors Club Becky and Andy Ourant Julie Blewis Unless noted photographs by Sheri Kaplan
ANTIQUE DOLL COLLECTOR
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($1 off with ad)
Early bird rates for show available - call for inquiries by April 9 Over 95 dealers with more then 200 tables of merchandise. (20 extra booths added to the Theater lobby for this show) Our dealers are traveling in coast to coast from Oregon to Maryland. Following are just a few of the many dealers showcased on our web site. Two Beths Dolls (Ruby Lane) • Fritz’s Antique Dolls (IL) • Mary Jo’s Enchanted Doll Closet (MI) • Angela Simko (IN) • Ray Hoban (NY) • Susan Brightwell (PA) • Ken Yenke (OH) • Vivian Brady (MI) • Chuck & Barbara Buysse (MI) • Artist Monica Rio (MI) • Gail Lemmon (OH) • Bob Severns/Two Spirit Dolls (IN) • Linda Cantwell (IN) • Lorrie Dove/ Antique Doll Treasures (Ruby Lane) • Alora’s Attic (MI) • Barbara Hack (MI) • Gail Lemmon (OH) • Peggy Cwynar (PA) • Donna Smith (IN) • Joan Nagy (MI) • Allen Cunningham/Deanna Ellis (artists & designers for Bethany Lowe) • Shari McMasters (Oh)
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Antique DOLL Collector May 2013 Vol. 16, No. 4
May 2013 Vol. 16, No. 4 $595 / $695 Canada www.antiquedollcollector.com
17 Loch Lane, Rye Brook, NY 10573 • (914) 939-4455 • Fax (914) 939-4569 Email: poupees57@aol.com • Generous Layaways Accepted Member NADDA • Member U.F.D.C. We’ve selected a group of exceptional beauty, all have perfect bisque and lovely bodies. To allow more space for dolls, we have skimped on details of their exquisite clothes. See our recent update on our website for details on these as well as many others. Top Row: Doll 1: 18” magnificent EJ size 8. $7900 Doll 2 a & b: 19” Rare DEP with bisque hands. $2800 Doll 3: 13” Tete Jumeau. $4300 Bottom Row: Doll 4: Bahr Proschild #257 HTF mold DEP. $1200 Doll 5 a & b: 15” incised Jumeau size 6. The best. $6400 Doll 6: 18: E 8 J blue eyes. $8200
Please see our website or call for more details, and lots more pictures www.evelynphillipsdolls.com
Visit my website: www.grandmasatticdolls.com
1-2. 12-1/2” French SFBJ #252 Pouty Toddler, blue sl. eyes, gorgeous bisque (tool mark, back of head, in making), orig. mohair braided wig, wears “Factory Orig.” wool sailor dress & buret’, orig. undies, socks & shoes. On orig. fully jointed toddler body. Deep modeling & ADORABLE in great cabinet size!! $5500. 3. 8-3/4” Kestner All Bisque “Wrestler”, “swivel neck”, mint bisque overall, blue threaded p/w eyes, 2 upper teeth, darling replaced mohair wig, on orig. perfect all bisque body. Blushed in all the right places, painted high gold multi strap boots in great large size. Wears orig. net and ribbon dress & darling hat. EXTRAORDINARILLY beautiful!!! $5200. 4. 5” Kestner #189 All Bisque Googlie, br. side glancing sl. eyes, “swivel neck”, mint bisque overall, orig. mohair wig & pate, wears all orig. lace dress & crocheted hat. Big watermelon mouth. Absolutely DARLING!! $1350. 5-6. 12” Closed Mouth Kestner Pouty, br. sl. eyes, early pale bisque, orig. mohair wig & Kestner pate, wears gorgeous ant. silk ornate dress, ant. buret, undies & ant. shoes. On orig. early st. wrist Kestner body, lose lower balls & cupped hands. She will melt your heart. Only $2975. 7-8. 16-1/2” S & H #739, big blue p/w eyes, mint bisque, gorgeous full mohair wig & orig. pate, wears magnificent ornate dress, ant. shoes & socks. On orig. S & H body. Rare early character from early S & H 700 series. A KNOCK OUT!! $2350. 9. 8-1/2” All Bisque Kestner, br. gl. eyes, early pale bisque, “swivel neck”, 4 upper teeth, orig. mohair wig & Kestner pate, wears ant. dress, orig. full 2 pc. undies, ant. Fr. hat, on orig. Kestner all bisque body, early peg strung, blushed hands & knees, painted black boots w/blue tassels. STUNNING & great large size all bisque. Only $4575.
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r Look foDDA A N t: a me -5 MAY 4
Photography by Paula Claydon
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BUYING & SELLING QUALITY DOLLS FOR OVER 19 YEARS
15 1/2” China Rohmer young fashion lady with oval stamp, whose active life is displayed in her abundant array of outfits and accessories contained in her trousseau. More photos on website. $18,500.
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Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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ANTIQUE DOLL COLLECTOR
MAY 2013
The Complete Guide to Antique, Vintage and Collectible Dolls
May 2013 Volume 16, Number 4
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THE NANCY ANN STORYBOOK DOLL COMPANY by Carolyn Vack
A former actress, Nancy Ann Abbot would achieve her greatest fame with her founding of the Nancy Ann Dressed Dolls Corporation in 1937. The author chronicles the evolution of the delightful Storybook dolls in this comprehensive article.
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THE GOVERNESS – A LIFE UP AND DOWN THE STAIRS by Michael Canadas
A fascinating history of the governess, the highest-ranking member among the household staff in a fine 19th century home. Here, a look at the French governess as depicted in dolls and art.
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MAGIC HAPPENS!
by Jan Peterson Is it possible that there is a Doll Collector Fairy who brings lost dolls and people who love them together?
About The Cover Recently viewers have been entranced
with the life of those in service as evidenced by the popular series Downton Abbey and more than twenty years earlier, Upstairs Downstairs. The highest paid service job was typically the governess whose importance was manifested by the French in dolls, both exquisite poupées and dollhouse dolls. In Michael Canadas’ article you will enjoy learning about this admirable profession. Photo Carmel Doll Shop. Rita M. Johnston Collection.
53 Auction Gallery 57 Emporium 54 Mystery
55 News 58 Calendar 63 Classified
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THE HEDWIG DOLLS OUR DIVERSE AMERICAN CULTURE BROUGHT TO LIFE by Gail Lemmon Depicting characters from the children’s books by Marguerite de Angeli, the “Hedwig” dolls are rare treasures.
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ANOTHER FRENCH CHINA DOLL? by Estelle Johnston
A rare china doll possesses the same unusual sew holes placement as dolls by the French maker Jacob-Petit.
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GLADDIE: A WELL DRESSED CHILD OF 1929 – 30 by Carol Corson With her amazing original wardrobe, Gladdie demonstrates what little girls were wearing in 1929.
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GAITHERSBURG DOLL SHOW, MARCH 2 AND 3
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AUCTION TEAM BREKER MAY 25 AUTOMATA
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA
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2. 5” Kestner All Bisque Googly ‘293’ all original – factory wig, jointed arms and hips with bare feet and terrific orig. ensemble including knee high booties. $495
1. Miniature Fashions 4-1/2” Mint 1840’s China – All original, pink tint w/ pink glazed arms and legs with rare yellow boots too! $395 6” All Original Simon Halbig – glass eyes, mint factory wig and body, silk gown with hat! $395 3
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3-5. 23” Rare Brown Hair ‘Morning Glory’ – the legendary aristocratic pink tint lady, the rarest of all chinas, with long neck, high cheekbones; her rare brown hair with brushmarks all around is combed into a coiled bun exposing her ears and the brilliant molded flowers behind each one. Lovely old segmented lay body, signed ‘7’, w/ glazed arms, invisible rear plate no harm reglue and heirloom clothes include leather boots and a rare cage hooped petticoat to support her antique gown – all just half price at $3750
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6-7. ‘The Mystery Man’ – Unusual Cabinet Size Automaton just 15” tall overall, gentle movements endure to the haunting strains of Swan Lake, the romantic figure at a Masked Ball. If you never thought an automaton was possible, now is your chance! Just $1250
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11. 18” 1850’s Glass Eye China – prized heirloom doll, mint with scarce brown eyes and painted lashes both above and below, original body, clothes and the $19 price tag from a 1950’s NYC antique show! $3000 11
9-10. This 13” 1870’s Simon Halbig ‘905’, the rarest of the ‘900 series’ is a unique model with oversize romantic eyes, powder fine bisque with dewy gleam, closed lips and swivel neck on segmented lady body – a French market ‘ petite fleur’ in delicate pink silks. Rare Halbig! $2500
8. Both Baby and French collectors will love this Rare SFBJ 272 Enfant, 10” long with sleep eyes! Enfant In the original Au Nain Bleu quilted swaddling ensemble, it’s a collector’s prize! $895
13. 23” ‘Mein Neuer Liebling’ K*R 117n – more rare than a flirty is the sleep eye version of the 117 with rare Naughty Eyes! (inquire) She’s beautifully all original including the KR factory angora wig plus the mint, fully jointed teenage body. Museum class! $1495 12
12. Bliss Parlour Set – seven pieces in mint condition including the armchair and footstool. Brilliant! $595
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(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA
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14. 16” Pre 1900 Kestner ‘143’ – one of the early script series models with gentle blush; the original signed Kestner body, wig and eyes – in charming layers of clothes. $750 15. Unusual Cabinet ‘ Jutta’ with Wardrobe – this 11” tall ‘SH 1349 Jutta’, on her fully jointed body, is unique for her wicker presentation case complete with four outfits, hats, parasol, muff, etc. A complete delight! $895
16. 16” All Original JDK 214 – from factory wig and plaster pate to ivory leather heeled boots, this powder fine example with dreamy blue eyes and jointed body has the finest of clothes from pantalettes to pinafore! $750 15
17-19. 13” SFBJ 252 ‘La Boudeur’ – this iconic pouty has set the standard for them all. Perhaps the most well known of all the SFBJ characters with her serious brow, imposing cheeks and determined pout, this fully jointed toddler w/ mint antique curls and dropwaist silk is one of a celebrated few. $3500
Beautiful dolls for the dressmaker! Don’t sew? Ask us about clothes
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24. 28” Early Turned Head Kestner – 1890’s alphabet series, ‘N’, with plaster pate and beautiful ringlet wig, orig. eyes and individual milk glass teeth, kid body (no leaks) mint bisque arms, pin jtd. hips to sit, slender shape for fashionable dress. $495
20. 16” Adorable Dressel – PW eyes, cute orig. wig, early kid gusset body with pretty bisque arms. $185 21. 17” Simon Halbig 1009 – peaches and cream quality, French trade, Jumeau brows, sleep eyes, pc’d ears, mint jointed body. $425
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26. 30” Bebe Cosmopolite – by Halbig for Heindrich Handwerck, lovely soft coloring, big brown sleep eyes, mld. brows, pc’d ears, original beautiful chunky body. $450
22. 18” ABG ‘Sweet Nell’ – character brows lovely eyes with lashes, hip length braids, very good jointed body. $295 23. 23” Classic K * R Child – a good one with dewy bisque, rich brown sleep eyes, pc’d ears, gorgeous chunky KR body. $395
25. 22” Simon Halbig ‘Boy’ – interesting character, antique wig, large almond sleep eyes w/ wax, oily sheen bisque, jointed body. $375
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27. 22” Kestner 171 ‘Boy’ – antique wig, early quality bisque, set blue eyes w/ lashes, mld brows, very good jointed body, snappy red shoes to start you off! $425
28. Early Steiff Cow – 9” across, the one who jumped over the moon! $75 5” Kestner Googly – all original all bisque baby with wonderful orig. crocheted outfit! (see #2) $495 29. 19” K * R 122 Baby Girl – in original puff sleeve dress with matching brimmed bonnet, booties and dainty details, it’s easy to see this big-eyed, dimpled beauty with separate tongue has a lot to say! $575 30. Lifesize K *R 128 – the most difficult to find of the K * R ‘Mein Lieblings’ baby line, especially in the size, as few 128’s were ever produced making this angel heart with innocent blue eyes such a prize. $750 31. Very Rare Gbr. Heubach 10557 – if you like the rare patents be sure to ask about this important Heubach with its vibrant eyes, Schmitt style cup and saucer neck and mechanical body. One for the books! $895 32. 16”” Madame Hendren Character – beautiful unusual dimpled composition from the early 20’s for G. Borgfeldt with pretty green eyes and matching factory clothes. Deluxe. $295 33. 5” Googly Baby – bisque head, painted round eyes, chubby 5-piece compo body – the smallest ever! $350. Steiff Tigers, both c. 1950, green eyes! Cub is 9” across $75 Mama is 14” across $95 Both for $140 34. 13” JDK 243 Oriental – signed artist doll, superior quality, faithful rendition, quality garments. $250. All Bisque ‘243’ – unusual size, socket head, glass eyes! $125. Both for $275 35. 16” K * R ‘Baby Blue Eyes’ – what joy in the sparkling blue round eyes of this magical baby w/ oily sheen, gurgling mouth w/ tongue, butterscotch wig and adorable period clothes! A love! $495 36. 11” Kestner Cabinet Baby – mold 260 with the wide set eyes in a choice little size with orig. Kestner body and miniature heirloom bonnet and gowns! $425 37. 12” Princely Brown “K.B. Baby” – how handsome with his elegant manner, rich brown eyes and closed mouth in period playsuit and his own early velvet Steiff Giraffe! $450 38. How rare is an actual Boy Toddler such as this special 23” E. Heubach ‘415’ Toddler with powder fine bisque, side part combed and molded hair with ringlet curls, tender blue eyes and lovely original clothes incl. coat and leather side buttons shoes! $795 39. Only once in a while do you see a 20” JDK 257 Character with a special face like this, jewel blue eyes w/lashes, active quiver tongue, mint Kestner body and 28” antique gown with all the trims. $575 40. 13” Lovely Brown Layette Baby – original clothes contained in the factory presentation pink flannel blanket plus pillow within. Such a pretty ensemble for any collector! $325 41. 23” Franz Schmidt Breather Baby – a lifelike face with a grown up look, beautiful facial painting, original wig pierced nostrils, dressed as the boy he is, hidden flaw, just $325 42. Steiff German Shepard – 16” across lying down, Germany, c. 1950 with original tongue. Good boy! $75 43. Adorable 10” Brown Baby – how dear with its closed mouth, lovely coloring, orig. body w/ clenched fist and sweet original gowns. $375
(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023
Return Privilege • Layaways Member UFDC • NADDA
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Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net 11” Steiff girl. Button and white tag in ear. $1200. 11” Steiff boy. Button and white tag in ear. $1200. 13” Hedy. US Zone tag. $800.
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ANTIQUE DOLL COLLECTOR
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Valerie Fogel's
Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds
Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA
Marked 3 First Series Portrait Jumeau This 21” Bebe seems to have arrived from some heavenly place where she was endowed with ethereal beauty; magnificent large blue spiraled enamel eyes with royal blue accents to the spirals and outline of her iris. It was a blissful day when she was lovingly created with palest powdered bisque tinted with echoes of spring flowers and carefully applied shades of pinks and peach to her lovely full lips. She has whisper-soft sweeps of mauve shading above her wide eyes and perfectly stroked sienna colored brows. Bebe has her original upswept wig over original cork pate. She is on her correct eight ball jointed body and is clothed in a fetching silk embroidered jacket with lush pink, garnet and ruby flowers over a matching pale sea-foam dress with alternating panels of taffeta and silk fabrics. Her antique French leather shoes complete her ensemble along with her ruby colored silk parasol. This is a doll that steps into the heart and quickens the pulse. Rarely do we find a Bebe so desirable with the quintessential “look” we all crave. This is such a Bebe. Rare. Stunning...Exquisite. $34,000~
16” French Fashion w/ Bisque Arms superbly dressed in well preserved orig. day dress or picnic ensemble. Lovely bisque unblemished by flaw save for a nearly invisible thumb restoration. Shapely bisque arms move up, down & out, away from her sides. Mlle. has deep blue paperweight eyes in an early round face. She is clothed handsomely in original fichu of dark navy silk over a delicate blouse & full skirt with lavish geometric design in silk ribbon; quite kindred to the Huret apparel collectors are so keen for. Orig. boots with turned heel. Monogrammed undergarments w/ initials M.P. She has a fetching parasol to shield her from the sun. Not Shown Additional Items: Lovely large trunk w/ extra under garments including long trained slip for gowns, pantaloons, domino set, pearl handle knife, powder puff & box, small fur muff, small china doll. This is a lovely and captivating doll that will enhance your doll room or cabinet! $7900~ May ADC Special
Beautiful F9G Block Letter Occasionally we find a doll in the attic or trunk of a collector that has moved to the great beyond. Occasionally, the doll is spectacular. A doll that has been carefully or sometimes, accidentally preserved. This is such a doll... better described as a Bébé of presence and exquisite condition. This fair, dark eye’d beauty was made by Françoise Gaultier . An early example with the desirable block letter incise of F.9G. The pictures tell the story of her beauty; Beautiful Bébés assures her condition: Original, Excellent and Fine. $13,900~
Dreamy S&H 939 Darling 25” 939 by Simon Halbig has the loveliest face with a pretty glow borrowed from a sunny Spring day! Her large almond eyes are hypnotic; an absolutely brilliant blue captured from the sky. Desirable closed mouth with beautiful execution of artistry and shading in a palette of peach & apricot tints. Sturdy French body w/ straight wrists. Antique dress made of pink batiste cotton & ruffles abound. Very pretty antique mohair blonde wig w/ the orig. curl-set. This is clearly a doll made to entice the French market. A precious beauty in generally excellent condition. She will be a wonderful asset to any collection. $3400~
Gigi’s Dolls & Sherry’s Teddy Bears Inc.
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18 ¾” J D Kestner Toddler K Made in Germany 14 JDK 220 all original – dress, slip, pants, socks & sweater, plaster pate, mohair wig, blue sleep eyes, beautiful molding & coloring $4250.
18” Eugene Barrois French Fashion, cobalt blue eyes, blond mohair wig, pierced ears, dressed in antique mourning clothes $3250.
14 ½” Jumeau ‘1’ French Fashion, kid body, blue pw eyes, pierced ears, hairline behind right ear $1500. 7” C/M All Original French Mignonnette, blue sleep eyes, blue painted 2 strap shoes, blond mohair wig w/ blue bow, original satin dress & bonnet $3200. 9” x 8” x 3” Fabulous Marklin Tin Plate Coach with art nouveau design, simulated wicker pattern with applied gold railings and acorn finials, possibly replaced hoods cover and inner bedding, wonderful condition $1695.
Sasha Studio Doll 1968 signed Sasha M, 74T/ 008, CIII 16, face type 3, brunette HH wig, hand painted blue eyes, brown velvet dress $6500.
15” x 12” x 10” Canopy Bedstead w/ handwritten label on back Given to Daisy by McOwen on Saturday Feb 9, 1889, all original with beddings, hangings, 6 ¾” German bisque doll – bisque shoulderhead, arms & legs, blue glass eyes, blonde mohair wig, 7” poured wax shoulderhead w/ blue glass eyes, blonde mohair wig, papier mache arms & legs $1895.
21” French Type Papier Mache w/ bamboo teeth, black pupil less eyes, kid body, original clothing $1750. 11” Jumeau French Fashion ‘2’ on kid body in beautiful antique clothing & undergarments, no shoes, light blue pw eyes, blonde mohair wig $2150.
21” CM Steiner A Series 13, original HH wig & pate, Rabert Paris leather shoes, antique clothing, pierced ears, stamped body, label on body $4500. 17 ½” x 19 x 9 ½” Schoenhut Piano with Stool, Piano has ‘pedals’ & candle holders, great details $395.
10” All Original Pair of K star R’s on ball jointed bodies, girl – Halbig K * R 26, small ½” hairline at neck, blue sleep eyes, brunette mohair wig, boy – 192 w/ brown sleep eyes, blonde mohair wig, wonderful matching white outfits, comes with antique German rocking lamb $1350.
10 ½” All original tagged “Poupee Jumeau Paris”, Unis Paris 301, blonde mohair wig, blue sleep eyes, right legs paint as is $495. 4 ½” German All Bisque w/ painted blue eyes, original blonde mohair wig, molded heeled brown shoes $95.
20” over all 15” CM Tete Jumeau (red mark), blue pw eyes, boy with fur wig, hand moves hitting pan, head moves back & forth and hat pops up & down, redressed nicely & box recovered, pierced ears, plays music $6995.
27” “Little Gretchen of 1871” Flat Top China w/ center part, blue eyes w/ red above eyes, all original w/ tags denoting Gretchen’s Wrapper 1871, original owner Mrs. C.B. Moellering $595.
Austrian Bronze Enamel Painted with Ladies & Gentlemen, 3”x2 ½”x2” Table, 3”x3”x1 ¼” Seatee, 2 ¾”x1 ½”x1” 2 Arm Chairs & 2 side Chairs, marked Austria $1295.
12 ¾” Wax Lady by Lewis Sorensen in crepe paper skirt & blouse, slight wear to clothing $225.
19 ½” CM Bebe Mascottes, M 7, blue pw eyes, pierced ears, stiff wrist body, some repaint on hands, antique mohair wig & shoes $2495.
26” S & H 1009, marked S13H 1009 DEP St, blue sleep eyes, brunette mohair wig, beautiful ball jointed body $795.
13” Hilda JDK jr 245 1914 F.10. mohair wig & plaster pate, beautiful baby body $1495.
17” Circle Dot Bru All Original, molded o/c mouth, blonde mohair wig, kid body w/ bisque arms, blue pw eyes, pierced ears $21,950.
16 ½” Smiling Bru French Fashion marked F, 1873, kid gusseted body, blue pw eyes, pierced ears, blond mohair wig, cork pate, dressed in plaid antique style dress, antique blouse & undergarments $3495.
19” Two Faced Jumeau – Laughing & Crying, marked 7, mohair wig, dress & bonnet of antique silk, original shoes & socks $14,500.
17” Martha Chase Baby all original, blue painted eyes, blonde painted hair – few chips, dress, 2 slips, pantalets $480.
12” CM J 3/0 M, Alexandre Mothereau, pierced ears, stiff wrist 8 ball Jumeau body (blue stamp on back), lt. blue eyes, antique hat & leather shoes $4995.
9 ½” CM French Unmarked Doll on nice ball jointed body w/ straight arms, blue threaded glass eyes, pierced ears, original blue satin dress & mohair wig $1095.
9 ½” CM 15/0 Made in Germany, jointed head attached to whisk broom w/ black cloth arms, black & cream striped dress, blue glass eyes, unique piece $185.
25” Poured English Wax – possible Meech, fabulous inserted mohair wig, eyelashes & eyebrows, blue glass eyes, poured wax arms & legs, left index finger broken, redressed very nicely $1550.
21” Kestner 167 10 ½, brown sleep eyes, beautiful molding & painting, blonde HH wig, original store stock dress & shoes, varnish on arms and hands has darkened $595.
20” SFBJ 227 Brown Jeweled Eyed Boy, o/m w/ teeth, repainted body, few scuffs on cheeks, antique leather boots $1150.
14” SFBJ 236 Laughing Jumeau, brown sleep eyes, SFBJ label on body, Au Nain Bleu (shown) tagged silk dress as is, hairline on left upper forehead $595. 18” Alexander Madeline 1953 all original, on ball jointed body $375. 12 ½” CM All Original Kestner #698 turned head on kid body w/ bisque arms, brown glass eyes, blond mohair wig $325.
8” German Military Candy Boxes $250 each. Grey uniform 70 / 15, brown glass eyes, brown flocked hair, replaced hat. Blue uniform w/ sword, Made in Baveria w/ Gobel mark, black glass eyes, great uniform.
14 ½” Schoenhut Carved Hair Girl, blue intaglio eyes, pink band through hair $1950.
14” K * R 126 on toddler body, brown flirty eyes, vintage nurses uniform, hairline on back of head $350.
10” Goebel B1-5/0 Googlie in original clothing & mohair wig, blue sleep eyes, o/m w/ molded teeth, hairlines back of head, 5 piece toddler body $525.
18” Wonderful R. John Wright St. Nicholas 1977, Early unnumbered piece, hang tag, no box $1350.
18” Wax Over Compo/ Papier Mache with unusual hair style, brown glass eyes, wood arms, compo legs w/ blue boots $275.
10” Kewpie All Bisque, marked “O’Neill”, great molding & painting $365.
21 ½” SFBJ 301 in original costume with fabulous leather gloves, mohair wig, blue sleep eyes (missing lashes left side), leather shoes w/ heels $750.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
Contact us for Monthly Specials! Tour our shop at: www.gigisdolls.com & join us on Facebook
Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843
Lucy’s Dollhouse will be open for the season Memorial Day weekend. If you would like to visit before then, please call 207-322-4851 email: lucysdollhouse49@roadrunner.com
Large dollhouse scale revolving bookcase with 26 Shakespeare books. Bookcase is 6” tall, about 4” square. The books are 2” tall $795.
Charming 19th century hand made large scale dollhouse - pictured in Dian Zillner’s book - “International Dollhouses and Accessories” page 29 - $9500. Furnished.
Wonderful artist made Louis Vuitton trunk 4-1/2” tall x 2-1/2” wide $395.
Sweetest pair of all bisque German jointed dolls with swivel necks and glass eyes, original clothes. $495 for pair.
Furnished German grain painted cabinet doll house - all original, 15-1/2” tall x 9-1/2” wide $1295.
Collection of German wire baskets 3-1/2” - 4-1/2” in diameter $55 each.
Pair sweet German dogs 2-1/2” tall $65.
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Blackberry Studio K*R 115/A ‘Phillipa’ $1950 Baby Stuart $1400
Cradle outfitted in pink gingham $250
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ANTIQUE DOLL COLLECTOR
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Margaret Gray Kincaid Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com
Th e Governess – A Life Up and Down the Stairs I
by Michael Canadas
have repeatedly noticed, that in nineteenth-century English writings, one of the most tragic and/or triumphant characters one can find employed in household service is the governess. Considered an essential member of the staff by any fine home or royal palace with children in residence, the role played by the governess was not a minor one. Young Princess Victoria enjoyed the attention and devotion of her governess not only through her childhood years, but rather for at least two years into her marriage to Prince Albert. Victoria’s close relationship to her governess was not unusual, in that special bonds did form between many a child and her primary caregiver. But don’t let this sort of close relationship fool you. The governess was well-aware that her position defined her as a part of the household staff at a time when it was believed that children were to be seen and not heard. She knew that same standard could be applied to those employed in the household. I have learned that approximately one hundred years ago, there existed in England, over one and one-half million individuals employed in domestic service. There was a time when the average country home would employ over one hundred staff members, and the lowest ranking member of that staff would be the scullery maid. Responsible for the scrubbing of pots and pans, the cleaning of floors, the plucking of fowl and the scaling of fish, the scullery maid was often not only quite young, but she was also typically from a lower class family. As abhorrent as the job certainly could be at times, it was considered a far better
François Gaultier created countless dolls that would ultimately be dressed and sold as governesses. I believe that an FG usually makes a perfect governess, due to their typically lovely and agreeable faces. In reality, the governess did not care for the infant children, but doll makers and merchants knew that putting a baby in a doll’s arms might make her irresistible. This baby in swaddling clothing is in fact a candy container - the doll’s body separates just under the bib and was originally filled with hard candy. This wonderful assemblage is thought to have been used as a display piece, and not necessarily a child’s plaything. ANTIQUE DOLL COLLECTOR
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In the nineteenth century, France did not have the degree of divisive racial issues that we endured in America, so a staff member of a fine French home that happened to be of African descent would actually have been considered a status symbol. And today, this black fashion from Eugene Barrois would certainly be a status symbol in any French fashion collector’s cabinet.
bracket of employment compared to living the daily horrors found in nineteenth-century factories or mills. It was a truly suitable job for a young lady who was not yet able to find a husband who could provide for her, because remember, the position afforded her three meals a day at a time when the poor in England often faced starvation square in the face. Most advantageous however, was the chance for the scullery maid’s advancement in her position within the ranks of the household staff. Not that the upper ranks of staff had it that much easier, because the downstairs life operated on rank just like the upstairs life did. But just like reigning as a queen of England is a position for life, so was serving as the housekeeper or the butler of a fine house, that is, as long as the duties were performed in the proper manner. Conversely, the governess was the highest-ranking member of the domestic staff, and she actually operated in the in-between world of the household. Typically the 20
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governess came from an entirely different background than the other members of the staff, as her position dictated that she would be handling not only the behavior of her employer’s children, but quite possibly molding their young minds along the way. Charges included mostly young girls, but sometimes boys were also looked after by a governess, boys that were not sent off to boarding school that is. Children of means in the nineteenth-century, including the royal children, were nearly always placed “in storage” by their parents. By that, I mean most would be visited by one or both parents for as little as half an hour each day. In the case of Queen Victoria and Prince Albert, they visited with their children once per week. So it is quite safe to say that the young minds of the children were, indeed, shaped by the governess in aspects that ranged from cleanliness, to Godliness. Aiding the children with reading, writing, and arithmetic also fell into the realm of her duties – even fashion, handwork and table
Left: Toy-related trade cards can be very rare to find today, especially ones that feature photographic images of dolls offered for sale in fine shops such as AU PARADIS DES ENFANTS. Mostly, the photographic pages came in small, bound, booklets that children could pull apart. These petite books offered a variety of scenes; from French fashion dolls on horseback, and others outfitted in fine ballgowns, but they also included this photo of a high-style governess. Below: This photographic image illustrates an English governess who appears to be not much older than her charges, which was often the case. This rare photo was taken just before World War I, a conflict that not only changed the world of service forever, but also marked for the governess, and most domestic servants, the end of an era. You see, with the typewriter coming into common use at that time, most young ladies that might have gone into home service, looked to office work for better pay, and with it, a chance to have what we might consider a normal life.
manners were considered the territory of the governess. She was not however a babysitter, and she did not take care of infants, as that job was performed by the family’s nanny. Although we do not hear about it very much because the occurrence was rare, men did on occasion perform the same job as the governess, and were known as governors. For a governess to find employment in a fine home, chances are she came to the position with an “inside track.” In other words, perhaps she came from a fine family that had fallen upon hard times, or she may have been one of many girls in a family already known to her would-be employee, and because she simply could not find a suitable husband, she sought a position. In fact, even a low-ranking royal might have agreed to accept a governess position as a suitable form of employment, because after all, royals can go bankrupt and face the resulting destitution as well as anyone. Further, if one had no choice, other than to become employed to earn a living, working as a governess was actually considered a form of acceptable employment, perhaps aided by the fact that she was typically among the highest paid in the household. With top pay at the time around 50 pounds per year, the governess was responsible to cover all of her own travel expenses, uniforms and teaching supplies from that income. In England, even though the governess was technically a part of a staff of people ANTIQUE DOLL COLLECTOR
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You cannot tell from the photo, but this freestanding mechanical governess can “walk” on her own and rock her charge. Probably an early François Gaultier, she is dressed in a solid-color uniform, as aspect that I find to be unusual. Note that she holds a candy container dressed as a rare black baby in bunting.
I have heard it said, “The taller the headdress of the nanny – the higher the social status of the baby and its family.” If that is so, the family that employed this over the top painted-eyed François Gaultier, was at the top of the heap. The fine workmanship showcased in her clothing would rival that of any high-class lady’s couture.
that was employed within the same household, she was not accepted by the members of the downstairs staff as one of their own, as she was thought “too high.” By the fate of simply having to work for a living, and the resulting loss of social status, the governess was considered “too low” for the upstairs residents. So you see, is it any wonder that no child ever uttered the words; “I want to be a governess when I grow up.” Living a potentially lonely existence, chances are a governess’ friendships were kindled and kept burning through letters. This isolation of sorts did not mean that the women did not face the same kind of sexual (and other forms of) harassment that other female staff members endured from both the downstairs staff and the upstairs residents. The governess had really no choice but to handle such situations with a stiff upper lip, because at any time, there was most likely someone waiting in the wings that would be happy to fill her position. The very image of the ideal governess – young, beautiful
and perhaps down on her luck, provided much fodder for nineteenth-century authors, including those who created fictitious characters from Jane Eyre to a host of others. In the tales, the governess is somehow elevated upward, but remember, stories are primarily written to entertain. Yes, in real life, it could be possible that a governess might marry the lord of the manor house, but she never would be accepted in British high society. In other art forms, the two-dimensional variety in particular, the governess is often portrayed by painters of the day. Nearly all are captured on the canvas in an unhappy mood it seems. On other occasions, I have seen them portrayed in their small but very nice living quarters (compared to the other staff members). However, across the English Channel at that very same time, the middle decades of the nineteenth century, things were a bit different. France was a culture away, and a totally different feeling for children, and their upbringing, was expressed there. I am happy to provide you with an
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Right: One of my favorites of the governesses that have been in our hands, and then slipped away, is this very pleasing Eugene Barrois example. She had wonderful clothing, all executed in fine whitework, and exactly the type that a skilled governess would be able to teach her young charges how to make. Below: In this 1883 oil on canvas by the painter Reems, we can see the watchful governess in the background, as the little girl, her bebe doll and carriage are on their own for a moment in a lovely park-like setting. Note that by this date, the governess is illustrated wearing the most commonly found uniform style.
example of the difference, and it is one borne from the top echelon of society. In the 1850s, Queen Victoria and Prince Albert ventured upon a state visit to France as guests of Emperor Napoleon III and Empress Eugénie. The British royals brought their two eldest children along with them. The youngsters were soon witnesses to the completely exuberant love, and actually just basic interest the emperor and empress openly displayed to their own young son. Further, the French emperor and empress made a point to include the British prince and princess in all of the variety of events that had been scheduled during the visit. In a short time, the French royals came to love Victoria’s and Albert’s offspring as their own. Later, when the came time for the British royal family to return home to England, the young prince and princess openly sobbed, while down upon their hands and knees, begging to the emperor and empress to allow them to stay in France. An obviously shocked Napoleon III and Eugénie tried to reason with the two, explaining that their parents would miss them terribly should they not return, yet their reasoning was met with argument. Both the princess and prince stated that their parents did not care about them and would not miss them at all. Yes, a sad, but very real example of the different attitudes that were present at that time about not only the simple raising of children, but also the degrees of care and love for them. Varying degrees of care for children spilled over to the household staff in France as well, with the life of the French governess being a much different one from that of her English counterparts. Some of the same basic rules may have applied in the running of the household staff, but the governess was in charge of the “family treasure” – that treasure being the children. Simply put, the French possessed much more advanced attitudes about birth control, and as a result had much smaller families in general. Miraculously, they usually had children because they wanted them. In France, an excellent governess was a form of a status symbol for a fine family and she would often become a part of the inner world of that family unit. In the second half of the nineteenth-century, the doll industry was booming in France. Happily for doll collectors, this coincided with the years that the popularity of the French governess was at its peak, ANTIQUE DOLL COLLECTOR
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Left: Jules Steiner was well known for his waltzing dolls, as they are not only great dancers, they made excellent governess dolls. The mechanical movement works perfectly when you consider the overall gentle movement, the graceful arms that raise and lower the baby and a rattle, and of course, the baby’s cry that emits from the bellows housed within. In this case, the clothing is quite fine and no detail was spared. Rita M. Johnston Collection. Below: Even dollhouse dolls portrayed the beloved governess, as illustrated by this five and one-half inch tall example who stands obediently upon the porch of her employer’s home.
so it was only natural that doll makers would capitalize on such role models of French society. In time, fine shops that sold dressed dolls would offer governess dolls in attendance among the other offerings, because they were oftentimes the perfect table displays for the ever-important baptism, or children’s party. Even several French impressionist painters captured the family governess at work in the parks of Paris. Yet another big difference between an English governess and a French one was her mode of dress. Early on in England, simple street clothing served as the uniform, but it really offered nothing to separate her from any other lower middle class woman. But in France, the governess uniform would take on a whole new flight of fancy, and it was a flight that only the French can pull off. It was not unusual for the uniforms to be very reminiscent of French folk costumes (those familiar to fashion doll collectors) with tall, stiffened head dresses worn along with long capes, or fancy aprons. Various color patterns were common, from pink and white, to red and white, and blue and white was also a popular combination. But one of the most often seen combinations is the all-white uniform that is offset by a red wool cape with black trim, which is also the version which came to be “the standard” by the end of the nineteenth century. It would also ultimately become the uniform that the English would finally adopt, yet make their own by topping it off with a white cap with lace trim. For me, finding a governess doll seems to come naturally, whether it is a fine French fashion example or a simple dollhouse variety. Because I like to display my dolls in vignettes, and the governess offers so much potential in that realm, I am drawn to them. In just doing a bit of research for this article, I scoured a few books and found over ten governesses, in several varieties, but interestingly, not one of them was identified as such. Does the negative stereotype and stigma suffered by their human counterparts transfer 24
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Right: Shown here wearing the classic governess costume that features the red wool cape, is a capable François Gaultier example. Accompanying her on an outdoor adventure are her two young charges – even the family dog is along for an afternoon of fun. Below: No, life was not all flowers and sunny days for a young governess with serious responsibilities, but it is nice to see this very pretty Jules Steiner example in such a beautiful setting – at least for a moment, or two.
to dolls in service? I certainly don’t consider the governess “less” than the doll acting as the lady of the house. We collectors and historians need to open our eyes and our minds, and learn about the world downstairs, upstairs and of course that unusual world found in-between. In that vein, a few years ago I was asked to help come up with theme ideas for then upcoming national doll events. Two out of three of my ideas were used. (I often like to borrow titles from songs for “article inspiration” – if you haven’t already noticed.) The third, and I believe the best theme, was rejected. Of course that theme was “Upstairs Downstairs.” Those in charge of the event rejected the theme because they thought the entire idea “too elitist.” I am definitely not an elitist – I am a realist to be sure, and I do not consider learning about dollhouse maids and cooks, and governess dolls, to exactly qualify as radical thinking. The working people who were represented by the dolls in the dollhouse did exist and they were represented because they were quite important. Is the life of a princess easy to learn about and understand? Sure, why not? But I bet her maid’s life is just as interesting! Funny, the event in question, the one with the rejected theme, would be taking place about right now. It is simply uncanny that a whole new generation is currently learning about the lives of those who lived in that up and downstairs world through the wildly popular BBC television series, Downton Abbey. I am willing to wager that this great show will help entice many into the world of antique collecting, and I am overjoyed about that possibility. In many cases, those people who lived a life in service were far more interesting and accomplished than those they served. I will never forget that, nor will I ignore the important part they played. We doll collectors are quite fortunate in the fact that we can legally “own” a nineteenth century cook, coachman, butler, house or scullery maid – and of course, that top of the heap of household help, the governess. Let’s continue to learn about, and to be fascinated by a doll’s life, whether it is lived upstairs, downstairs or somewhere in between. ANTIQUE DOLL COLLECTOR
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Magic Happens! by Jan Peterson
Photos by Elwyn Peterson
“I found this little doll on eBay and bought her for $12.” The young woman looked very nervous in front of the camera on the Antiques Road Show. Marshall Martin, the appraiser, then told her she had a rare, bare foot French mignonnette whose little red leather shoes alone would go for $500! Isn’t this the dream of every doll collector? Finding that lost treasure for pennies or, even better, for free! My best friend once bought a box lot at an auction for $25 and found a perfect French fashion doll toilette set among the odds and ends. A lovely lady I met in France bought an old trunk loaded with antique bed linens, and as she was emptying the trunk, found a pristine, large Jumeau bebe in original clothes and marked shoes wrapped in a pillow case among the sheets! My friend, Arielle, in Paris, found a tiny French fashion encrier (inkwell set) among the bits and pieces in a box she bought at a rummage sale, and another time, discovered a jewel hidden inside the head of an antique doll she had purchased. I have sighed deeply and only daydreamed such good fortune would be mine…until now! I swear there exists a Hunting and Gathering Fairy who hovers over those who treasure forgotten dolls! Recently, she sprinkled her magic over me and I was happily blessed with my fondest doll collecting dream come true!
This is how the doll looked when new and given to a long-ago child as a First Communion gift.
A close-up shows the doll’s lovely brown eyes and sweet smile.
The First Communion ensemble laundered and ready to dress doll. ANTIQUE DOLL COLLECTOR
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Doll’s arms before re-stringing. The unevenness of the coloring plus tiny molding flaws and the vestiges of the original wood peg stringing all authenticate the doll as being antique. A close-up of the doll’s hand. Although surely made by Simon & Halbig in Germany, this early doll does not have the typical hands highly molded with separated fingers found on later S&H 886 & 890 models. The little ribbon around the wrist probably held a sprig of wax flowers or was attached to a mass book or a tiny rosary.
I love almost all antique bisque head dolls, but my favorites are French fashion dolls and all-bisques. Not an inexpensive passion for a public high school teacher! I have patiently collected the correct arms, torso, head, and legs over years to re-assemble a doll I could never afford otherwise. My Simon and Halbig 7 1/2”, mold 886, allbisque Lottie, took me five years to reunite with all her parts that were found separately in such far flung places as Spain, Georgia in the US, Germany and France. I call these little rescues my Frankenmignonnettes because, like the monster of folklore, it took a lot of “digging” to obtain a doll I could never afford to buy fully assembled. One kind of doll I have longed for is a smiling, unmarked S & H larger mignonnette made for the French market during the 1880s. But despite lots of searching, I couldn’t even find the parts with which to begin such a quest. Cue LOADS of fairy dust! In a tiny village in the heart of Burgundy, the local people were having a rummage sale. It was early summer and heavy-duty spring cleaning was still taking place in the homes that are centuries old. Regions like this are called La France Profonde (the deep interior) and are simply oozing with un-spoiled, ages-old charm. They are the best reason to rent a car and just take off on the “yellow” roads. That is how back roads off the beaten track are marked on French maps. My husband and I have had our most wonderful, unforgettable adventures getting lost on these “yellow” roads. The little town in Burgundy has only a little over 1200 occupants and only six tiny streets. The rummage sale (called a bric-a-brac in French) was a happy gathering of people who had known each other their whole lives, plus 28
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Doll’s torso and legs ready for cleaning and restringing. Note the uneven coloration and the painting and irregular molding “flaws” on the bootines and stockings. Most reproduction dolls have a near perfect finish, which is much easier to accomplish with today’s clays and kilns. The doll’s body is also slightly rough to the touch. A body that feels like a bar of soap is almost surely a reproduction.
a few hardy antiques dealers looking for treasures. Most of the doll items for sale on tables in the open air were naked Barbies with impossible hair, little matchbox cars, and board games with missing pieces. Nothing really to elicit more than a stifled yawn. Other items, however, were quite lovely. One was a heavy box full of old linens. A local woman bought it and later was going through it at home to get an idea of what she had purchased. Evidently, someone had just dumped all great-grandma’s old napkins and table clothes in the cardboard box without going through them first. The lady was surprised to find, wrapped in a large linen dinner napkin, a small doll. Not really interested in keeping the doll, she photographed it and listed it on eBay France. And that is where I entered the story! I was spending a lazy morning trolling eBay France and just typed in old doll in French. Not expecting to find anything really, among all the 60’s and more recent dolls, there was a blurry photo that intrigued me. I logged onto that auction and thought I recognized the doll! Could it be? Was it possible the mignonnette of my dreams was listed on eBay for relative pennies! I emailed the seller, who was charming and chatty and she told me all about how she found the doll. She thought it was old because it was dressed in an old-fashioned Roman Catholic First Communion costume, but she wasn’t sure what the doll was made of and didn’t want to undress it to see if it was marked. I couldn’t blame her, and I was happy she felt this way, because even blurry, the outfit looked wonderful. The little doll was listed for ten full days and I was the only bidder. The doll had over 200 hits and no other bids, so I thought I must have been
imagining things. I knew there were excellent reproductions of this model out there. The unlikelihood that such a repro would have been dressed like this and buried among 19th Century linens kept hope alive that this doll was the real thing. But, surely if she was the treasure I hoped she was, other bidders would have noticed her as well. Now, I realize my saving grace was the generic listing (old doll), the blurry photos, and a very generic description. Ten days crawled by and still no other bidders. With four seconds left, I bid a ridiculous amount as “just in case” insurance, feeling sure that no one else was bidding and it wouldn’t matter! The LAST SECOND a second person placed a bid, but thinking no one else was really seriously bidding on the doll, he bid only a couple hundred dollars. The auction ended and bidder #2 had no time left to post a second bid! My doll had jumped from pennies to a couple hundred dollars in that last second! BUT, if she was what I hoped for, she was still costing less than the sales tax would have been had I bought her in an antique shop! Now the second agonizing wait began… The seller knew nothing about Paypal, and it took days to send a wire transfer to her bank in the larger town not far from the village where she lived. Next, there was the wait for the mail to arrive from France! I tortured myself with fears the package would be lost or damaged, or that Homeland Security would inspect it and just throw the doll back into the box, no longer protected by the seller’s careful packaging. That nightmare had happened to me twice before! The days crawled by, and my fingernails got shorter and shorter! Finally, the day arrived! I was too nervous to even open the box! My husband kindly did the honors, and gently lifted the doll out of oodles of packaging materials. He unrolled her from layers and layers of bubble
First Communion Sunday is a one day in a life time event, so textile artist Rhonda King was commissioned to make this adorable coat dress ensemble with matching hat for other occasions. A tiny SFBJ Lilliputian doll wears a coordinating outfit.
An antique gentleman’s handkerchief box makes a wonderful presentation box to display the First Communion ensemble when not on the doll. Fashionable 19th Century ladies decorate the box lid and interior doors.
wrap, making her appear to shrink in size as he did so! The final layer of bubble wrap removed, he handed her to me and my heart STOPPED! She was the doll of my dreams and she was REAL! I spent the rest of the day photographing each detail of her amazing, original costume (full-length pantalets, two petticoats, a pin-tucked skirt and lace trimmed bodice, a tiny snood, and the full-length veil). Only the veil had a little souvenir stain of mouse pee! As was the custom, each layer of clothing was sewn onto the doll for a ANTIQUE DOLL COLLECTOR
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Front and back views of this model of the doll au naturel.
perfect fit. After a gentle soaking, the clothes were snowy white once more and that is when I discovered the tiny bodice is fully lined and the entire costume is completely hand made of the most delicate linen weave possible. Only the antique silk ribbons around her waist, edging the snood, and used as ties on the veil are melting. However, her lovely outfit was also holding her body together! Her head, arms and legs immediately detached! The old elastic was rotted, so I cleaned her and re-strung her in the traditional peg-strung manner. The snood and
NAPERVILLE Doll & Teddy Bear Show Antique ◆ Vintage ◆ Collectible
Sunday, June 9, 2013 MARRIOTT HOTEL (Formerly the Naperville Holiday Inn)
1801 North Naper Blvd. ~ Naperville, IL Directly off I-88 – South on Naperville Rd. Corner of Naper Blvd. & E. Diehl Rd.
9 am ~ 3 pm Admission $5 12 & Under Free DOOR PRIZES FREE APPRAISALS ONSITE RESTRINGING Info – Karla Moreland (815) 356-6125 kmorela@ais.net
www.napervilledollshow.com 30
ANTIQUE DOLL COLLECTOR
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The interior of the folding box makes a lovely presentation, including a miniature 19th Century masse book and a tiny antique child’s rosary. I found this little cabinet card of a little 19th Century French girl at her First Communion. Her ensemble is very similar to the one that came on the doll.
veil had kept her curly blond mohair wig perfectly clean and in the original set. Her beautiful brown eyes even have tiny pupils and her gentle smile just melts my heart! She measures a tad under eight inches. Her head is a solid dome and she is peg jointed at the shoulders and hips. Her arms, legs, and head still have their original kid lining. She has the more slender, French style body with little molded breasts and a slightly pudgy tummy. She wears molded light blue heeled bootines with tan soles, white long stockings with a blue garter band painted along the top edge, and her hands are straight with separate thumbs. The lovely First Communion clothes are now displayed in an antique presentation box and my doll is wearing an amazing coat dress and jaunty chapeau totally hand made of antique materials by textile artist, Rhonda King. Every time I walk by the doll vitrine in my living room and fondly glance at my girls, my heart skips a beat when my gaze falls on my only-dreamed-of-before, find of a lifetime. Surely the Hunting and Gathering Fairy is in the intensive care unit of the Memorial Hospital for Magical Creatures, recovering from exhaustion!
& LOWE
Connie
Jay
1) An amazing store display, circa 1920`s from the Baltimore area, these pieces had been packed away for over half a century! A papier mache headed Mother Goose, which is also a candle lantern, fitted onto a doll body with bisque arms riding a large cotton batting goose candy container. Approx. height of this piece is 29”. Included are three other smaller cotton batting goose candy containers. More than likely a one of a kind rarity with tremendous appeal!! $7500 2) A 15 1/2” H&S 165 googley toddler with blue side glancing sleep eyes. Fine quality bisque and the composition toddler body retains the original finish. This particular doll comes with family provenance and a picture of the original owner as a child. A faint line which neither extends into the right eye or reaches the crown however upon close examination this flaw is present. Priced accordingly at $3500 3) A seldom found 15 1/2” H&S 172 toddler googley with light brown molded hair. This fellow has brown side glancing sleep eyes along with a self satisfied look about his face. A very fine example with excellent bisque and overall original finish to his toddler body. $6000 4) A diminutive 10 1/2” H&S 165 toddler googley with side glancing brown sleep eyes. Unusual to find petite googleys on toddler bodies, this youth is on a fully jointed composition toddler body with excellent original finish. $3250
P.O. Box 5206 Lancaster, PA 17606
FAX 717-396-1114
Call Toll Free 1-888-JAY LOWE or (717) 396-9879
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates
Buy & Sell With Confidence
Email: big.birds@comcast.net
Member of UFDC & NADDA
ANTIQUE DOLL COLLECTOR
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The Nancy Ann
Circa 1937, Made in Japan mold dolls Little Miss Muffett 10 (above) and Chinese 33 (center). Photos Loretta Donaldson
M
any years ago a young doll collector set about obtaining an antique doll in its original box. This was long before the Internet and doll club memberships. The source of antique dolls in those days tended to be local auctions. As luck would have it, there was a local auction offering a number of dolls. Among the lots were some fascinating little bisque dolls in their original boxes. The young collector knew nothing about these dolls, but there was something very appealing about their blue eyes with the long lashes, the demure down tilt of their heads and pudgy little toddler bodies. The dolls were dressed in detailed little outfits that interestingly were all closed with safety pins. Fairy tales seemed to be the primary theme and there were tantalizing pamphlets in some of the boxes which listed different series of dolls with charming names. The auction began and one lot of sixteen of these little dolls in their boxes finally came up. The young collector eagerly placed the first bid at $1.00 each. The auctioneer begged for a second bid but none was forthcoming. With great disappointment, she watched the lot go back with no sale. Several hours into the sale, the same lot was offered again. She bid $1.00 per box, there was another bid at $1.50 and she raised the bid to $2.00. Going once, going twice… sold-the lot was hers! $32.00 for sixteen dolls in their original boxes. It didn’t get any better than that. I was that young collector. At the time, I knew nothing
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Made in Japan mold Ireland from Around the World Series circa 1937. Note her Nancy Ann Dressed Dolls sticker. Her green skirt has mutated to brown as commonly happens with certain Nancy Ann fabrics and colors. Her molded shoes and socks are clearly visible beneath the flesh colored paint on her legs.
about the dolls except that they were made by a California company called Nancy Ann Storybook Dolls. I was totally smitten with these dolls. Over the course of the next 20 years or so, I would occasionally find them at auction, but they were not plentiful on the East coast, at least not in the venues I frequented. Certain characteristics became obvious - some were jointed, some were not and sometimes they were plastic with painted or sleep eyes. There seemed to be two sizes as well as babies. These variations hinted at production over the course of many years. I preferred the jointed ones with chubby little tummies and short arms and mint dolls that still looked as if they were just made yesterday. The ones with the molded socks painted over seemed to have the most charm. Gradually, my little collection grew. One day at an auction, a fellow attendee and I were discussing the little dolls. She thought there was a book about the dolls and with some searching I obtained a copy of Marjorie Miller’s book Nancy Ann Storybook Dolls published in 1980. The mystery of my little dolls was finally uncovered and what a fascinating story it was. To add to the allure, there were now pictures to accompany the names listed on the aforementioned pamphlets. The wish list was born. With the advent of the Internet and Ebay, I discovered a ready source of Nancy Ann Storybook dolls and my collection continued to grow. About that time, I also had the good fortune to be introduced to my local doll club and subsequently
Storybook Doll Company by Carolyn Vack
These twins are part of a set of Made in Japan mold quintuplets, c. 1937, which came in a basket decorated with organdy ruffles and Nancy Ann ribbon. Although an incomplete set, they were purchased in their rare original starburst box.
A rare Judy Ann mold set called Audrey Ann in Playland. She came in a specially decorated presentation box with several changes of outfits. Photo Loretta Donaldson
membership in the UFDC. At one of my first conventions, I met some fellow Nancy Ann collectors. It turns out I was not alone in my passion for these little dolls. There were annual gatherings, Newsletters and a group of friendly people with a wealth of knowledge! The late Jackie Robertson’s name appeared frequently in my resource information and I had the distinct honor of meeting her at my first Nancy Ann Gathering. She would subsequently co-author a book with Elaine Pardee titled The Encyclopedia of Bisque Nancy Ann Story Book Dolls 1936-1947 1936-1947, which is now THE “bible” of Nancy Ann collecting. This article is derived from the information in that book, and it is dedicated to the wonderful Nancy Ann collectors I’ve met who so willingly share their knowledge. Let me share with you the story of Nancy Ann and her Wee dolls for Wee collectors. On February 22, 1901, Rowena Haskins was born in Lake County California. She would subsequently attend the California School of Fine Arts, move to Hollywood, and change her name to Nancy Phipps. There she would fulfill a dream of becoming an actress and dancer at Universal Studios, performing in several movies. The last two films she took part in were Broadway Melody and 42nd Street. She was also an avid horse lover and tennis player. The early Sports series of dolls she created were most likely inspired by these special interests. She also had a passion for costume design and she exercised that passion by dressing small dolls for friends. One of her first dressed dolls was given to movie star Dolores Costello and ANTIQUE DOLL COLLECTOR
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Right: Judy Ann mold Curly Locks 22. On the right a crude mark Story Book Doll mold Scotch 38. There are three distinct mold marks from this first year of production – “America”, “Judy Ann” and a crude version of the words “Story Book USA”. Below: This is the rare clown 62 with molded socks in the original box, c. 1939.
was dressed to match the costume she wore in the movie “The Sea Beast”. In 1936 she moved to San Francisco, changed her name again to Nancy Ann Abbott, and opened a book lending shop. She continued to dress small dolls in designs of her creation and sold them at her book store. There was a demand for her little dressed dolls and her hobby flourished. In San Francisco she would live an eclectic life managing her 22 room Georgian estate, throwing high society parties, riding horses, and founding the San Francisco Orchid Society. After eight months she gave up the book store to pursue her latest dream - the creation of a company to produce small dressed dolls. She partnered with Allan Rowland and opened a shop with four employees. The Nancy Ann Dressed Dolls Corporation was incorporated on February 23, 1937. Ms Abbott would come to be known as “The Doll Lady”. The first dolls Ms Abbott dressed were imported from Japan. These baby and toddler dolls were not unique to the Nancy Ann Company. There were several different Japan mold markings. A doll with such a mark can only be attributed to the Nancy Ann Storybook Company if it is wearing a Nancy Ann outfit. These early Japan dolls can be found with elaborate outfits. She preferred the look achieved by coloring the leg a solid flesh color and dipping the foot in paint to create a dainty “shoe” even with the presence of a molded sock. For some models, the dipping was done higher to create a “boot”. Colors utilized were frequently black, white or silver. Brown shoes were used for some of the Dutch girls and some of the earliest Little Red Riding Hoods had red shoes. Some have painted hair with ribbon decorating a molded top knot and many are wigged. The earliest wigs were wool which very quickly gave way to mohair. Ms Abbott soon became frustrated with the lack of consistent quality and easy breakability of these imported dolls and purchased a pottery plant in Berkley, CA in 1938. There she would refine old German formulas, and develop a bisque doll which was 34
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much more durable. Firings were done twice a month and the unfinished bisque dolls were then sent to the factory in San Francisco. There they would be tumbled, painted, assembled, quality checked and then sent on to the artists’ area where the eyes and shoe paint were added and the dresses created. While baby dolls were prolific in the early years, she would subsequently move away from babies and concentrate on the toddler characters. The earliest Nancy Ann dolls were packaged in a box covered in marbleized paper. These early dolls were slightly larger than the imported Japan dolls measuring 5-1/4 inches tall and retained the molded socks under the flesh colored paint of the legs and molded bangs. There are three distinct mold marks from this first year of production – “America”, “Judy Ann” and a crude version of the words “Story Book USA”. Ms. Abbott wanted to use the name Judy Ann for her dolls but they were unable to trademark the name and so it was discontinued. There are distinct characteristics for each phase of production during the subsequent years of the company. The following chart shows the changes that occurred as production proceeded through the 1940s.
Molded sock Mexico (left) and Swiss, from Around the World Series.
Nancy Ann Storybook Doll Timeline Production Year
Mold Mark
1936-37
Characteristics
Packaging
Sticker/Tag
Made in Japan / 1146-48 / FAN8 / Japan
Molded socks, molded bangs under wig, some with painted hair and top knot, costumes closed with safety pins
Marble paper or Sunburst box
Sticker - “Nancy Ann Dressed Dolls”
Early 1938
America
Molded socks, molded bangs, Nancy Ann silk ribbon on costumes
Sunburst box
Sticker “Judy Ann”
Late 1938
Judy Ann USA Story Book USA crude print
Molded socks, molded bangs
Sunburst box to colored box with small silver dots
Sticker “Storybook Dolls”
1939
Story Book Doll USA
Molded socks, molded bangs
Colored box with silver dots
Sticker “Storybook Dolls”
1940
Story Book Doll USA
Molded socks
Colored box with white dots
Sticker “Storybook Dolls”
1941
Story Book Doll USA
Pudgy tummy - no more molded socks-still short arms
Colored box with white dots
Foil wrist tag
1941-1942
Story Book Doll USA
Change to slim tummy change to longer arms
White box with colored dots
Foil wrist tag
1943-1945
Story Book Doll USA
Frozen leg mold - costumes closed with safety pin or ribbon tie
White box with colored dots
Foil wrist tag
1946-1947
“PAT APP FOR” line added “Nancy Ann” added to mold
Frozen leg - change to florist ribbon on costumes
White box with colored dots
Foil wrist tag
1946-1947
“PAT APP FOR”
Teen jointed leg mold costumes close with snap
White box with colored dots
Foil wrist tag
1946-1947
No mold mark
“Pinch” face mold costumes close with gold snap
White box with colored dots
Foil wrist tag
The rare Audrey Ann marked Story Book Doll 12. She is slightly bigger and to date only found in this style dress in several pastel colors. Photo Loretta Donaldson.
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Pudgy Tummy Wednesday’s Child is Full of Woe 182 (left) and Thursday’s Child Has Far to Go 183 from the popular Doll of Week series, c. 1941. This series continued though the plastic era. Many young girls received the doll representing the day of their birth as a special birthday present.
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There are several other molds that were utilized for specific It is interesting to note that cross-over elements can be series: a 4 -1/2 inch mold was used for the Flower Girl and found as production techniques and mediums changed. For Ring Bearer in the family series. instance, it is not unusual to find a later bisque storybook From 1941-1945, the company produced a 6-inch mold. doll with plastic arms. From a business perspective, these These were produced in three different styles – socket head combinations prevented the waste of any factory stock. with jointed legs, socket head with frozen legs, and the frozen Ms. Abbott’s company flourished over the course of those leg with solid neck. These dolls were used for the Dolls of the first 10 years seeing several moves to bigger quarters. By the Month, Operetta, and Hit Parade series. They have slim waists late 1940’s she was running the largest doll company in the and slight busts. United States in terms of volume producing 10,000 to 20,000 In 1942, the company introduced a 7-inch mold specifically dolls a day! By 1950, the company was producing 2,000,000 for the Powder and Crinoline Series. The first version had dolls per year. Sadly, Nancy Ann Abbot died of cancer on jointed legs but these were quickly discontinued in favor of a August 10, 1964. After a highly publicized frozen leg mold. dispute over her will, her estate was awarded There is one more mold mark that bears to her mother. The company officially closed special mentioning. That is the elusive its doors in 1965. “Audrey Ann.” This was a 5-3/4-inch Nancy Ann Abbott’s foresight and doll which is a chunkier, heavier version business savvy were ahead of their of the 5-1/4 inch doll and bears the time. The pamphlets that accompanied number 12 rather than 11. She was the dolls were a stroke of brilliance. produced for only one year during the They encouraged little girls to become molded sock era. collectors of these dolls and In 1947 the company geared the multiple series provided production to the newly popular collecting goals – as much then medium of plastic. as now. There are pictures of sales They continued to produce counters piled high with the latest plastic Storybook Dolls and added shipment and patrons lined 8-inch Muffie, the elegant Style Show up to get the newest releases and the fashion dolls Miss Nancy Ann in the different doll series. She and Little Miss Nancy Ann. By the end was responsible for a mid-century of production in 1961, the company version of the Beanie Baby craze! Marjorie was also producing dolls in the vinyl Miller describes special marketing events medium, adding 10” Baby Sue Sue to involving the dolls. One of these was a the line in 1956. Information on these fashion show where little girls were dolls can be found in The Encyclopedia costumed in outfits to match the dolls. Pudgy Tummy Babes in the Woods 179 – this set appears only in this mold style and of Nancy Ann Storybook Dolls, Vol. 2 by She even successfully weathered World in these outfits, c. 1941-42. Elaine Pardee. War II. The majority of the early bisque ANTIQUE DOLL COLLECTOR
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storybook dolls have outfits closed with safety pins. However, those produced during the wars years of 1943-45 have their dresses closed with ribbon ties as the metal of the safety pins was needed for war related items. Her dolls were marketed and sold internationally. Many well known department stores had Nancy Ann Storybook displays. Part of the fun of collecting these dolls is finding them with their original price tags - 75 cents for the babies and $1.25 for the little girls! Many times there will be gift cards in the boxes. I have several dolls purchased over the course of two UFDC conventions that were given to the same little girl from different aunts and uncles, all dutifully recorded on the inside of the box lids. Such provenances always add an intangible value for me. In the early days, Nancy Ann produced some wonderful sets: There were boxed gift sets that included a doll with several changes of clothes and the darling Geraldine Ann from Movie Land- a set that included doll, movie props and changes of clothes to create different characters. There were baby dolls in hat boxes and baskets with satin rosebud pillows and lots of ribbon. There were even the five little sisters--Nancy Ann’s unlicensed version of the Dionne Quints. These sets are extremely rare. There are several early series that were short lived and avidly sought by collectors today. The Sports series 70-73 includes Tennis, Sailing, Skiing and Horse Back Riding. The masquerade series 60-63 includes Gipsy (sic), Pirate, Cowboy, Clown and Ballet Dancer. Of interest, Clown 62, never appeared on a factory pamphlet – but he definitely exists as he has been found in his factory original box. The flower series 1-6 was produced through 1941. These include Rose, Marguerite, Daisy, Violet, Lily and Black eyed Susan – one of the few dolls that was produced with brown eyes. The Around the World Series, 25-41 was produced from the earliest Japan molds through the slim tummy period. Additional series included: The American Girl; Family; Seasons;
From the Dolls of the Month series, August When it’s Warm 194 and January Merry Maid for the New Year 187, both with jointed legs and socket head.
A trio of frozen leg dolls, left to right, Going a Milking 126, Pretty as a Picture 124, One Two button My Shoe 123, note her painted boots, c. 1943-45.
Painted eye plastic dolls Topsy 26 and Eva 27 were frequently sold as a pair. These appealing dolls bear a striking resemblance to their earlier bisque counterparts and are jointed at the neck, shoulders and hips.
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A replica of the Nancy Ann Toy Fair display built my father. It provides the perfect stage to creatively display a number of Story Book dolls.
Mother Goose/Fairy Tales; Fairyland; Nursery Rhyme; Dolls of the Day; Dolls of the Month, in Powder and Crinoline, Operetta and the all time Hit Parade. In addition to dolls, Nancy Ann also produced a line of doll furniture from 1940-1942. These items included boudoir pieces, chairs, love seats and beds. They are found in silver dot, colored boxes with white dots and occasionally in white boxes with colored dots. Most dolls came packaged with a brochure. These changed over the course of the years to reflect the current production line. Special box inserts were created for Valentine’s Day, Easter, Christmas and birthday celebrations. Nancy Ann dolls appeared in magazine ads for Ciro Perfume and Kodak cameras. McCalls produced a pattern to create Nancy Ann furniture at home. There was a club where aspiring young collectors could receive letters from their favorite characters. In another marketing move, special cabinetry was produced for little girls to display their dolls. These came in two, three and four shelf models. The company also produced their own doll stands in three different styles. The focus of the dolls, however, was always the costuming. The earliest dolls tend to have the most detailed costuming. Panties, separate slips, finely decorated bonnets – all in a tiny outfit only 2-4 inches long. Fabrics and trims were chosen with great care. The French imported ribbon that decorated the outfits is one that is unique to Nancy Ann costumes. Later dolls had florist style ribbon and less intricate detail than the early dolls. A study of the clothes reveals insight into how the pieces were cut and pleated in long pieces and then separated to facilitate speed of production. I think it is safe to say that every Nancy Ann Storybook doll dressed as a girl had a headpiece. This could be something as simple 38
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as a ribbon to some elaborate bonnet, hat or scarf as appears on some of the Around the World series. Each year saw slight changes to the costumes creating a seemingly limitless number of dolls to collect. Box colors tended to complement the costume fabric. Shoe paint coordinated with the costumesilver for a bride and Cinderella, high top black boots for One Two Button My Shoe and black or white for most other styles. It is always fascinating to find a doll without identification and then set about determining just who she is. There is another captivating facet of collecting these dolls. One can find an incomplete doll or set and with enough patience and networking find the missing item to create a complete doll. Certain dolls retain similar characteristics of costuming over the course of their production years, even though fabrics and trims can change. I am always amazed at the ability of long time Nancy Ann collectors to recognize these subtleties. Shortly after I joined the Lancaster Red Rose Doll Club, I was asked to do a program on Nancy Ann dolls. I had noticed a picture of a doll house in the shape of a shoe that Nancy Ann used as part of her display for the 1941 Toy Fair. I had a brilliant idea that I shared with my father: could he build me a replica of that shoe? With only a small black and white photo for inspiration, he was able to build a life size version for me and it was the centerpiece of my presentation. That shoe has since traveled to several cities being a part of a Nancy Ann gathering and part of a UFDC display. I never dreamed of the friendships and fun that shoe would engender when I first challenged my dad to create it. Today, the value of the dolls is definitely driven by condition. Early, mint in box dolls or sets are the most appealing to collectors. The ideal doll remains in its original box with the proper tag or sticker attached. The outfit should
appear “crispy”, unstained and unfaded in condition and preferably never removed from the doll. Some of the fabrics used commonly faded, greens to brown and blues to purple. The earliest dolls, which exist in far fewer numbers, generally command higher prices than later dolls with condition again playing a big part. The rare series produced for relatively short periods are also highly sought. For more information on dating and identifying Nancy Ann dolls, I would direct you again to the Encyclopedia of Bisque Nancy Ann Storybook Dolls by Elaine Pardee and Jackie Robertson. They provide a pictorial guide from the earliest to the latest dolls, illustrating the body styles, mold characteristics, wigs, fabrics and packaging. There are hundreds of color pictures of the dolls in each series. There is another recently published booklet by Lorry Donaldson titled Made In Japan Dolls Dressed by Nancy Ann 1936-1938. This booklet concentrates solely on these wonderful earliest dolls. There is a post script to the Nancy Ann story. In 1966, the company was purchased by Albert M. Bourla who continued to produce dolls under the Nancy Ann Storybook name until 1973. In 1975 the company was closed
but the company name was retained. In 1998, he attempted a comeback with a proposed series of 52 costumed dolls to be produced in limited numbers and based conceptually on the original dolls. Reportedly, only the first four costumes were ever produced and the attempt was abandoned. The company was offered for sale. I recall seeing it offered on Ebay as a “Buy It Now” auction. In 2003, Mr. Bourla sold the company to sisters Claudette Buehler and Delene Budd who produced their first Storybook doll in 2005. It is with great respect for the many dedicated Nancy Ann collectors that this article is written. Many have spent years acquiring and studying these diverse little dolls. More importantly, they have shared that knowledge with relative newcomers like me. Hopefully, readers will be drawn into our Storybook land and acquire a new appreciation of these charming little dolls with so many fascinating stories to tell.
An example of the darling furniture series produced by the company. This is Love Seat 1002. It also came with a matching chair.
Unless noted, photos by Andy Ourant REFERENCES: Nancy Ann Storybook Dolls, Marjorie Miller, Hobby House Press, 1980 The Encyclopedia of Nancy Ann Storybook Dolls, Elaine Pardee and Jackie Robertson, Collector Books, 2003 The Encyclopedia of Nancy Ann Storybook Doll, Volume 2, Elaine Pardee, Collector Books, 2009 Made in Japan Dolls Dressed by Nancy Ann 1936-1938, Loretta Donaldson, 2012.
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Another French China Doll? B
by Estelle Johnston
eing curious about a large china doll head I believed I had never seen elsewhere I looked through books and promptly discovered it had been shown in the Merrill’s Handbook of Collectible Dolls in 1969, and subsequently in the Madeline Merrill book, The Art of Dolls 1740-1940, on page 111. I had spent some weeks working with Dick Merrill on the editing of this book but had not paid much attention to that particular china at the time. The photograph, after all, was in black and white and did not show the extraordinary red/brown color of the hair or the fine painting of the features. However, I was also puzzled by the unusual arrangement of the sew holes on the shoulder plate – note the two center holes rather close together in both the front and the back of the shoulder. Then I noticed on page 85 a marked china head with the same arrangement of four sew holes across the front of the shoulder plate. This doll was identified as a Jacob-Petit. I began to get a bit excited as we know there are so few examples of this maker in existence – or so it seems. I began to look through all the research books on chinas such as Mary Krombholz’ valuable The Pictorial Reference Guide For German Chinas, of course the Coleman books, Francois & Danielle Theimer’s The Encylopedia of French Dolls – and all the other important sources of information gathered over more than sixty years of collecting and studying antique dolls. As far as I can determine all German china dolls had only two or three sew holes on the front and on the back of the shoulder plate. NEVER FOUR. To be sure, some of the Schlaggenwald lady and girl dolls have an extra two holes, a total of six, but these extras are placed at the top of the sculpted arms at the shoulder. The height of the shoulderhead is 6” and the total doll measures 24”.
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A very faint mark inside the shoulder plate.
The doll is pictured in Madeline Merrill’s book, The Art of Dolls 1740-1940.
Is the sew hole evidence enough to determine that these dolls are French and by Jacob-Petit? Could this be a peculiarity of Jacob-Petit dolls, even an eccentricity? Or another way of setting these heads apart from the enormous German productions? More research is needed. But I believe it is so. To think that this particular doll head with its vivid center-parted molded hair and nine ringlets circling the long neck but ending above the shoulders, as well as the very detailed sculpting and painting of the features, particularly around the mouth and eyes could now be listed not as unknown but as a generally unmarked work of Jacob Mardoché is very exciting. The first example I know of in print appeared in the Merrill’s Handbook of Collectible Dolls, but the second example is shown on page 37 of Rosalie Whyel’s The Rose Unfolds, 1996. Two more have appeared in different Theriault catalogs. Of the marked JP dolls the light brown reddish hair color has appeared several times in print. This shade of brown in chinas is rather unusual. Other brown-haired
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dolls of German or Danish origin are more often of a darker shade or tend toward a blonde tint. We know from the Theimer research that Jacob Mardoché filed a patent in 1845 for the first use of porcelain in dolls’ heads in France. He had previously worked at Sevres as a painter and at least by 1830 he was using the name Jacob-Petit professionally. In 1833 he established his own porcelain factory for the production of porcelain figures, of which dolls heads were a tiny percentage. In 1834 he won an honorable mention and in 1839 Bronze Medal at The Paris Industrial Products Exhibit. Nevertheless he continued to have financial problems. In 1849 he was awarded a silver medal for two new patents and also established another factory in Fontainebleau with a partner, one Jacquemin. He dissolved various partnerships in 1861 and died in 1868, so one wonders if ill health as well as debts had plagued him and affected the porcelain business for which he had formerly been praised for both its creativity and immense diversity.
Puddy’s Dream
16” AM $325
22” Kling $550
24” Morimura Bros. $385
33” DEP $3400
Visit Our Large Store - Over 400 Antique Dolls. Bus Tours Welcome.
Located in Evanswood Village Shops N. 1567 Hwy 10, Weyauwega, WI
See our dolls on EBAY - sellers - dawna1235 Visit our website
www.PuddysDream.com
Free shipping on all dolls See our store - hundred’s of dolls to choose from. Call 920-867-4300 - reasonable offers accepted. 17” DEP $495
30” S&H $2300
19” Parian $1,125.
20” DRGM $795
22” Armand Marseille $525
16” Bonnet Head $650
The Tender Years
Deborah Varner • Member UFDC • 303-850-7800 • queenbeev1@comcast.net
27“ Simon and Halbig 1279. Bulging br. p/w eyes. First out of the mold. So sweet and a must have. $6,500.
19” E.D. Jumeau. Very pensive and adorable look. Maroon dress with lots of rouging and wonderful body finish. $6,500
9” French Clown. Painted intaglio eyes. Compo-type limbs and fur body. Unique and special $225
Meet me at the National Doll Festival, July 27-31, Washington, D.C. 5” wicker presentation set with 4” doll with bl. glass eyes. articulated arms and legs. So lovely! $695
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17” Incised Jumeau with creamy bisque. Bl. eyes and gorgeously painted lips. Beautiful doll beyond belief. $7,250
Website up next month. Dolls not pictured: 21” Kestner 154. Pale bisque. Dressed so sweetly $625. Emile Jumeau, size 8. Wonderful honey colored hair, large presentation hat. $10,700
THE HEDWIG DOLLS Our diverse American culture brought to life by Gail Lemmon
The first dolls were 14-inch painted eye composition dolls made by Ideal, the same doll used for their Mary Hoyer dolls. Anelia painted eye doll. Courtesy Frances Edmonston Hannah painted eye doll. Courtesy Frances Edmonston
M
y passion for modern dolls has grown from the historical and cultural insight they provide. After finding that special doll the treasure hunt continues as you search for clues from the doll’s past. When collecting modern era dolls you will find so many of them portray historical figures, actors, actresses, and characters from literature. One such group of dolls are the “Hedwig Dolls”, created from the pages of children’s books written by Marguerite de Angeli. Marguerite de Angeli was born in Lapeer, Michigan on March 14, 1889 and died in Philadelphia, Pennsylvania on June 16, 1987. She was also an accomplished musician and singer but her greatest recognition came as a bestselling author and illustrator of children’s books including the 1950 Newberry Award winning book The Door in the Wall. She wrote and illustrated twenty-eight of her own books, and illustrated more than three dozen books and numerous magazine stories and articles for other authors. Lapeer, Michigan honored her by renaming the library in her honor on Aug 22nd, 1981 and she is a member of the Michigan Women’s Hall of Fame. Marguerite was a truly remarkable and talented women well ahead of her time in her efforts toward social reform. The de Angeli books depicted the lives of struggling minorities and taught tolerance for other people from different ethnic backgrounds. Marguerite is considered to be the first author to address the issues of cultural and racial prejudice in a children’s book. They included Amish from Pennsylvania Dutch country in Henner’s Lydia (1936), FrenchCanadians in Petite Suzanne (1937), African-American in Bright April (1946), the disabled in The Door in the Wall (1949) and many more. In her autobiography Marguerite wrote that she wanted to show children, “It’s not who you are that counts, it’s what you do with what you have that matters!” An inspirational thought we should all live by. ANTIQUE DOLL COLLECTOR
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The second group of composition dolls made by Arranbee had sleep eyes. Left-right: Anelia, Elin, Cecilia, Lydia and Hannah. This was the same doll used for the company’s Debuteen. Suzanne Swanton Collection
At some point in our lives we have all been so taken with a character from literature or film that we wondered at the idea of bringing them to life. So it was for Marian Poe, a friend of Marguerite’s and a doll collector. Marian suggested that it would be wonderful if the children in Marguerite’s books could be depicted in doll form. Both Marguerite and her publisher, Doubleday, were pleased with the idea. The dolls were produced during the late 1940’s and early 1950’s as promotional items used by the book salesmen and could only be purchased through Doubleday. Marguerite’s friend, Hedwig Ryglewicz, a very accomplished seamstress, offered to costume the dolls in outfits depicted in the books, thus the name “Hedwig Dolls.” The two friends headed to New York’s doll manufacturing district to find an appropriate doll. They settled on two different dolls. The first was a 14-inch doll with a five-piece composition body and painted eyes made by Ideal, the same doll used for the early Mary Hoyer Dolls. The second doll also had a five-piece composition body and sleep eyes and was the same doll used for Arranbee’s Debuteen. Now it was up to Hedwig to dress the dolls bringing to life the characters from Marguerite’s books. She would quit her job and spend more than two years costuming the first 100 dolls. After carefully studying each character and selecting just the right costume to create, it was back to New York, this time to the garment district to select the perfect fabrics and trims. From the simple Amish dress of Lydia to the elaborate Polish costume of Cecilia, the workmanship and attention to detail in each costume is amazing. The costuming was very accurate right down to the type of trim and the number of buttons used. In addition Hedwig would custom designed mohair wigs recreating the style worn by each character. 46
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Lydia
Cecilia
Hedwig Ryglewicz created each doll with the same skill and passion that Marguerite de Angeli put into her books and illustrations. She produced the de Angeli character dolls for a period of 20 years. In all there are nine different dolls: Lydia, a Pennsylvania Dutch (Amish) child from the book Henner’s Lydia (1936); Suzanne, a French-Canadian girl from the book Petite Suzanne (1937); Tadd, from the book Copper-Toed Boots (1938); Yonie, from the book Yonie Wondernose (1944); Hannah, a Quaker girl from the book Thee Hannah (1940); Elin, a Swedish immigrant from the book Elin’s Amerika (1941); Anelia and Cecelia are Polish girls from the book Up the Hill (1942) and April, an AfricanAmerican girl from the book Bright April (1946). The six dolls most commonly found are Lydia, Hannah, Suzanne, Elin, Cecelia and Anelia. The two boys, Tadd and Yonie, are the hardest to find. April, an African-American child, is also rarely seen. Hedwig and de Angeli had a hard time finding an appropriate doll with a brown complexion so they settled on an inexpensive hard plastic doll produced in the 1950’s. It is said that they were never happy with the quality of this doll so very few where produced. The total number of dolls produced by Hedwig is not known but it is thought that fewer than 100 complete dolls may exist today. Most of them in private collections or treasured by Marguerite’s friends and family. Aside from the low production, part of the reason they are so hard to find is the lack of markings on the dolls themselves. The original, plane cardboard boxes have end labels and each doll came with a wrist tag. The round wrist tag was marked
Hannah
“Hedwig Dolls, Registered Authorized Characters from the Books of Marguerite de Angeli,” on the reverse side are sketches of the four original dolls Lydia, Hannah, Suzanne and Elin. In the absence of the box or the wrist tag, which are most often lost or discarded, the dolls are unidentifiable unless you are familiar with them and their costumes. This is a common problem with dolls such as these or the composition, international dolls and Thief of Baghdad dolls produced by Molly-E. Molly-E produced cloth dolls but their composition dolls were purchased from other companies and then dressed by Molly-E. When I first encountered a Hedwig doll I thought it was a Molly-E international doll. They both used Arranbee ANTIQUE DOLL COLLECTOR
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The plain box in which the dolls came in had an end label identifying them as Hedwig dolls.
Each doll originally came with a round wrist tag.
dolls so it is an easy error to make. I was pleased with my find but when I realized it was a Hedwig I was thrilled and my excitement soared as I learned more about them. Many times collectors will find these dolls and identify them as a Mary Hoyer or Arranbee Debuteen that has been redressed. Then the doll is undressed and the collector diligently searches for an original outfit when in fact they have just removed it. In order to preserve the Hedwig dolls and others like them it is very important that collectors become aware of them. They are not only beautiful collectors items but also part of our history and culture. In researching these dolls I feel like I have come to know Marguerite and Hedwig and have been inspired by them. I have learned so much, not just about dolls, but about the people behind their creation. Collecting dolls is a satisfying hobby and can be a rewarding investment, but if you take the time to learn the story behind the doll you will find a greater appreciation and learn that their value goes beyond a monetary one.
Suzanne
Hedwig Article Resources 1. Doll Reader Article, August/September 1983 by Frances Walker 2. Doll Reader Article, May 1988 by Ann Bahar 3. Doll Reference website www.dollreference.com 4. Lapeer District Library website: www.deangeli.laperr.org
Special thanks to Frances Edmonston of Sonoma, CA and Suzanne Swanton of Saginaw, MI for photo’s of their dolls and to Janelle Martin, Fictional Dept. Head, Marguerite de Angeli Library in Lapeer, MI. 48
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Dolls from the
Doll Museum
Vist our website for upcoming events
www.legacydollmuseum.com
3206 6th Avenue North, Billings, Montana 59101 • 406-252-0041
Gladdie: A Well Dressed
D
olls with original wardrobes give us a wonderful view of child fashions in different periods. Gladdie came out in 1929 just at the beginning of the Great Depression and her clothes reflect a change in the dress of little girls. Dresses for little girls had been becoming shorter in the years before the 1920s. The stand up neck collar ended in the teens. In the late 1920s the skirt hems of American girls were knee length and sometimes went well above the knees. Matching pants under the dresses became popular through the 1930s and into the early 40s. During the Depression less fabric was used in little girls’ dresses and a straighter line and kimono sleeves were more popular. This Gladdie is 20 ½” (52 cm) tall. She has a biscaloid head, blue glass inset eyes and an open closed mouth in a smile, which shows her teeth and tongue. Her lips are a lighter orange red Her tongue is a deeper red. She has brownish blush above her eyes and a cheerful red blush to her cheeks. Her molded painted hair is a softly airbrushed light brown. Her head is marked:
Gladdie Copyright By Helen W. Jensen Her torso is cloth with an inoperative voice box. She has full composition arms and legs. Both arms are bent, but the 50
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left has a slight bend and the right has an almost 90° bend. Her knees are blushed and her elbows have a slight blush. She is in excellent condition. Her left eyebrow is worn and there is some paint lifting under her right forearm. Gladdie’s underwear consists of a rayon onesy with lace trim at the leg openings. There is a back opening with a snap closure. She has a very plain cotton slip with machine sewn hems at the edge of the neck and armholes. It also has a back opening with a snap closure. She also has a white cotton half slip. She has short rayon white socks and cream colored cloth slippers with ankle straps which close with a shoe button. There is a buckle and bow on one toe. The other shoe is missing its ornament. They have cardboard soles. Her best dress is a T shaped cream silk seamed up the sides and under the short kimono sleeves. It has a pleated net collar. There is a back opening with a single snap closure. The French seams are sewn by machine as is the turning of the back opening. The sleeve edges are selvage turned once and sewn by hand. The dress hem is also hand sewn. There are two short pleats in the front of the dress descending from the neck and emphasizing the narrow satin stripes woven in the silk. The alternate stripes are broad and less shiny. These stripes have many very fine stripes within them giving the impression of light cream and dark cream. For play, Gladdie has a red cotton dress with small squares divided diagonally so half the square is white and half is navy blue. These squares are surrounded by tiny
Child of 1929-1930
by Carol Corson
white squares. The dress has a large white collar with navy tape binding. Navy piping runs around the short puffed set in sleeves. She wears matching pants under the dress, which allow her to play freely. Her dress fastens in the back with a snap. Because the white collar has a navy tape stripe on either side of the back opening it’s possible the dress is on backward, but it fits well this way and the front opening seems awkward when it’s reversed. All the seams and the hem of the dress are machine sewn. Gladdie’s light lavender print cotton dress is longer. It has short cap sleeves that are cut in one piece with the body of the dress. The print is tiny lavender flowers with fine burnt sienna curling stems on a white ground. Three rows of machine sewn gathers give the impression of smocking. The neck opening is tape bound. The dress is fastened in the back with a small safety pin. There is a small cloth floral nosegay on the left front gathers. On cooler days, Gladdie wears her cream wool knit sweater and matching bonnet, with its crochet ball and loop closure. Tiny pink roses and green leaves go across the yoke, down the front borders and on the brim of the bonnet. There are pink satin bows on the bonnet brim and ties. The bonnet is big on her, but looks fine. Gladdie’s white cotton dress covered with small orange polka dots goes perfectly with her bold coloring. It is made in two pieces. The yoke and sleeves are all one piece seamed under the arms. The skirt is a separate piece, gathered onto the yoke and with a single seam in the back center. The deep ANTIQUE DOLL COLLECTOR
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hem is machine sewn. There is a fine cotton pleated collar trimmed at its edge with narrow lace. Matching lace edges the straight short sleeves. Although this dress is charming on her it is the only dress which doesn’t fit across her back, so the two small mother of pearl buttons cannot be fastened to their hand sewn button holes. Gladdie has a plain white cotton dress with full ¾ length set in sleeves. The loose neck and sleeve cuffs are gathered in with large stitches made to look like smocking. The neck and sleeve edges are turned with the gathers making a shallow ruffle. It also fastens in the back with a pin. Her favorite summer dress is a sleeveless yellow organdy with a double collar bound in aqua tape. Under the collars is a short yoke and a gathered shirt which comes to just above her knees. The dress fastens in the back with two snaps. The hem and tape binding are hand sewn. With all her short cotton dresses one could worry that Gladdie might freeze in the cold, but she has a wonderful cream flannel and fake fur snow suit. The bottoms were then called leggings and went from a full pant down to a tapered leg seamed down the front, back and sides to fit closely and cover the tops of her shoes. I remember stuffing my dress skirts into the pants to protect them from the snow, but making movement more awkward. There are quite a few gathers to the full pants section, which fit into a smooth waistband which fastens on the left side with a hook and thread eye. The double breasted fake fur jacket, with set in sleeves, has a wide collar trimmed with heavy braid. The buttons are mother of pearl and have two holes. The bottom of the coat and the neck closure are plain flannel. The front of the jacket is cotton lined. The bonnet is flannel, similar in style to the one that goes with her sweater. It has silk satin ribbon bows over the ears and ties with a silk grosgrain ribbon. Of course Gladdie needs sleep wear and hers is a cozy flowered flannel, bound at the neck with the same fabric. It has a yoke top, full set in long sleeves with a self ruffle and a white work ruffle around the neck. It fastens in the back with two snaps. Along with all these clothes this charming child has a pair of cream cotton knee socks and a pair of golden leather slippers, which are a little big on her. She must have been a delight for her original little girl and she remains one today. 52
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AUCTION PREVIEW: Auction Team Breker May 25 Automata
A
uction Team Breker will be opening the toy chest on May 25th to showcase a selection of fine French automata drawn from private collections.. Originality of costume is prized by many collectors today, and the forthcoming auction includes a number of fine pieces in their original dress. One of the rarest is Gustave Vichy’s bewitching Japanese Mask Seller with her embroidered silk kimono, amber-tinted complexion and twirling printed-paper parasol. Vichy titled this piece “Marchande des Masques” but she appears in a contemporary illustration as the “La Japonaise”, the latter name reflecting a 19th Century fascination with the Orient. One particularly sculptural Vichy automaton in the auction is the Bust of a Banjo-Player, which replicates in animated form the contemporary bronzes of French sculptor Emile Guillemin. The young musician strums his banjo with fluently-sculpted papier-mâche hands, which he lifts occasionally to thumb his nose rudely at the audience. Another is the charming Clown Conjuror, depicting a boyish character perched on the edge of a four-legged stool. Wearing his well-preserved original silk tailcoat and theatrical wig, he flutters his eyelids and flourishes a silk handkerchief to disclose a yellow-eyed kitten in perpetual pursuit of a white mouse. The auction also includes a Lady Magician by Renou with an unusual transitional bisque head probably by Jumeau. Recalling the tradition of a half century before when stage magicians appeared in exotic robes, she is dressed in a fanciful silk ensemble trimmed with silver-thread and edged in green glass beads. She lifts a paper-covered cup to display a changing sequence of coloured balls and dice. The work of Leopold Lambert is also represented by a dramatic Narghile Smoker from c. 1915. When the bowl of his hookah pipe is filled and the clockwork mechanism activated, the cross-legged figure in original harem pants, velvet jacket and turban delicately sips from his cup, calmly savouring the experience of tea and tobacco amidst clouds of smoke. A cabinet-sized example of French romanticism is seen in the Troubador from c. 1870, with his refined pale bisque head and aristocratic profile. Dressed in original Watteauesque olive and cream satin suit embellished with metal-thread and silk ribbon rosettes, he may be the work of little-known maker Jules Joseph Fournier who won prizes at Expositions Universelle de Paris in 1878 and 1889. Continuing in the same bucolic mood is the Village Fête of the 1880s, in which two ladies, a Polchinelle and a Marquis dance a quartet on a papier-mâché hillside bordered by winding path, fabric flowers and feather ferns. This luxurious clockwork toy has been beautifully preserved for nearly 130 years in its original pine packing case. Another figure from folklore is to be found seated on this unusual German manivelle musical box formed as a miniature barrel organ and designed to be worn on a ribbon around a child’s neck. Reflecting a more modern view of entertainment is another manivelle, possibly by Zinner & Söhne, of two Heubach babies using early wall-telephones in adjoining rooms. One stands on a footstool to reach the mouthpiece while the other holds the earpiece which emits an excited ‘squeal’ from bellows concealed in the paper-covered base! Full details of the auction can be found on www.Breker. com. Musical boxes, mechanical toys and automata can also be viewed in action at www.YouTube.com/AuctionTeamBreker. www.YouTube.com/AuctionTeamBreker E-mail:Auction@Breker.com.
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Auction Gallery A
t their February2nd auction in Paris, Francois Theimer sold this Bebe Jumeau by Carrier-Belleuse, size 16, 36 inches, in all original condition including the dress made by Madame Jumeau for $30,000.
A
rare French bebe engraved S. L. (Louis Schneider), c. 1888, 21 inches, wood and composition body with fixed wrists, original chemise, wig, shoes and socks, brought $15,500 at the recent auction conducted by Francois Theimer in Paris.
A
10 inch Bru Brevete incised 5/0 (minor flaws), wearing an antique dress and shoes, sold for $7684 during Withington’s April 4th and 5th auction, the first of the new year.
M
arked EJ A 10, this pressed bisque head Jumeau with fixed wrists and stamped body, 25-/2 inches tall, realized approximately $14,200 at the March 16th Galerie de Chartres auction.
We would like to thank the following auction houses for their participation: Galerie de Chartres, 10 rue Claude Bernard, ZA Le Coudray, BP 70129, 28003 Chartres Cedex. Email: chartres@galeriedechartres.com Francois Theimer, 4 rue des Cavaliers 89130 Toucy www.theimer.fr. Withington Auctions, 17 Atwood Road, Hillsborough, NH 03244 www.withingtonauction.com
Do You Have a Mystery Doll?
R
egarding the D A 6 doll in our February issue, Judy heard from two readers and learned that the doll was made by James Scholly Taft, who had a pottery company with an uncle in Keene, NH. The size 6, 24 inch doll was the only size made, and some are marked “Taft” instead of D A 6. Browsing the Internet for more information about James Scholly Taft, she found another Taft doll for sale marked “x D Taft 1910 6.”
C T
his pair of dolls is 201/2” tall. Their cloth bodies are stuffed with straw, hands are felt material and hair is mohair. I am not sure what the face is made of – perhaps papier mache, some people have suggested a mask. Their Dutch style shoes (one missing) are very nicely crafted. I hope one of your readers can help, Beryl. Phone 815-732-6068
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an anyone identify this doll? It has a cloth body with bent knees (they are not jointed but he can sit nicely) and cloth arms that are original but have no “fingers.” His features are painted on his very hard composition. He is definitely a boy in original clothes that were much played with. His face is familiar to me but I just can’t place it! He is 12” tall. Thanks, Dee Domroe, email: dollrm@aol.com
NEWS
Do You Have a Mystery Doll? W
e can always count on Wally and Dee Domroe to come up with some unusual dolls. Being snowed in gave them a chance rediscover some of their “tinies” including this little 5” painted bisque little girl in her original box dated l933. The tag on the doll as well as the box identifies her as Marion Kinzie, the first white child born in Chicago in 1804. The doll was a souvenir sold at the 1933 Chicago World’s Exposition. Initially, I was doubtful about the claim of being the first white child born in Chicago, but when I did some research on the Internet it proved to be true. Marion’s father, John Kinzie, was one of the first European settlers to settle in Chicago which was founded in the 1830s. Prior to that time the area was inhabited by the Potawotomi Indians. A plaque marks the site where the Kinzie Mansion once stood in Chicago. Thanks Wally and Dee!
L
Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.
NEWS
Wind-up toys on display at Toy Worlds Museum Basle
Toy Worlds Museum Basle
Special exhibition of moving toys from the past 100 years
F
or 100 years wind-up toys have been delighting children all over the world. With their cars, motorbikes, airships, animals and teddy bears, Schuco, Tippco and Günthermann are surely among the most-admired and well-known early German manufacturers. The early toys were often made completely from tin and could be found with elaborate and detailed lithographs. There were also dolls with porcelain heads on tricycles or bicycles and much more. They were later joined by figures and animals clothed in mohair or other fabrics. In this exhibition, running until October 6, 2013, all of the different types of wind-up and battery-operated toys are represented. Through 70 short films beamed onto glass panels placed alongside the individual toys, visitors can enjoy seeing the funny and versatile movements and sequences which the displayed toys are capable of performing. For more information visit http://www.spielzeug-welten-museum-basel.ch
es Rubans Aubergines, a UFDC Region 16 International doll club, is hosting the first Paris Fête de la Poupée October 23-28, 2013. The club is celebrating its 20th Anniversary by inviting doll collectors from the international community to join them for 5 days of intensive doll study, bilingual program presentations, special exhibits, city tours, a show and sale and camaraderie. Doll collectors from Australia, Italy, Germany, the UK, France, Canada and the US are registered for what promises to be an exciting event. The Fête de la Poupée has been scheduled to correspond with the opening of the renovated, Musée de la Poupée and the presentation of the special exhibit Poupées de Mode du Second Empire featuring, among other antique fashion dolls, Chiffonnette and her legendary trousseau by Sylvia MacNeil. Participants will have the opportunity to explore the doll world of 1860s Paris with Samy Odin. They will be escorted to the famous Marché Aux Puces by the intrepid traveler and Paris expert, Marshall Martin. Programs will be presented by members of Les Rubans Aubergines: Janet Gula, UFDC 2nd Vice President, Margaret Kincaid, Lynn Murray, Samy Odin, Lori Santamaura and guest speaker, Loretta Nardone, UFDC Secretary-Treasurer. Through their varied programs, a common thread has been woven, demonstrating the significance of dolls to industry, trade, art and social history. A small number of select dealers in antique dolls from the US, France and Germany have been invited to present an exhibit and sale. With 50% of registered participants from Europe and 50% from other countries, the club hopes to engage more doll collectors and further international interest in their parent organization, United Federation of Doll Clubs, Inc. For more information, visit the clubs website: www.lesrubansaubergines.com or follow all the news of the Paris Fête de la Poupée on Facebook. To register email your name and address to: samy.odin@noos.fr ANTIQUE DOLL COLLECTOR
MAY 2013
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SHOW REVIEW
Gaithersburg Doll Show, March 2 and 3
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or collectors, the March Gaithersburg doll show signals the approach of springtime. Saturday’s opening saw a large crowd of eager attendees eager to dispel their cabin fever. On Sunday the UFDC Learning Room offered lectures and displays of Effanbee’s 1937 Historic Series, Show White dolls, china dolls and civil war dolls. All this in addition to doll appraisals, restringing service and hourly door prizes, and of course quality dealers offering antique and vintage dolls and related merchandise. The next show will be held June 1st and 2nd at the Gaithersburg, MD fairgrounds.
K & R #526, 18”, $4200. Ann Lloyd: email: alloyd@nni.com
Steiner with bare feet and taufling body. Billye Harris, email: billyehb@aol.com 56
Margaret Gray Kincaid, email: margaret.kincaid@gmail.com
Tory Beth Radwick, email: tradwick@aol.com
Shari McMasters, email: sharimcmasters@gmail.com
Fritzi’s Antique Dolls, email: fritzisantiquedolls@comcast.net
Portrait Jumeau (left) and Tete Jumeau. Becky and Andy Ourant, email: ourant@pdt.net
MAY 2013
Phil May Antique Dolls, email: dollmanofog@aol.com
Debbie Varner, The Tender Years, email: queenbeev1@comcast.net
Rick Saxman, email: ricksax@earthlink.net
ANTIQUE DOLL COLLECTOR
Parian with wardrobe, $2200, Marion Maus, email: mmausantiques@ gmail.com
Incised Jumeau $4500, Bru Jne 8 $13,850 and French fashion, $3,095. Gigi and Sherry, email: gigisdolls@aol.com
Jay and Connie Lowe, email: big.birds@comcast.net
Early German teddies. Oma’s Toy Box, Grandma’s Attic, Joyce Kekatos, email: bwpoma@verizon.net email: joycedolls@aol.com
Ashley's Dolls & Antiquities
13” Kammer & Reinhardt 5 Pc. Toddler #126 - $750, 21” Kestner Closed Mouth #128 - $2300, Kammer & Reinhardt #117 - $5200, 13” Kestner #167 - $895, 15 1/2” Simon & Halbig #949 - $1500, 16” French Pajama Dog - $395
Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail.com Visit us on Rubylane.com/shops/Ashleysdollsandantiquities All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC and NADDA
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector June 2013 Vol. 16, No. 5
June 2013 Vol. 16, No. 5 $595 / $695 Canada www.antiquedollcollector.com
Prices Realized by Theriault’s at Auction, April 14, 2013
French Bisque Bébé “H” By Halopeau
$40,000
German All-Bisque Miniature Animals
German Wooden Dollhouse by Moritz Gottschalk
$18,500
German Bisque Dollhouse Soldiers in Original Costumes
$1,700
$2,600
Early German Miniature Doll with Sculpted Bonnet
$2,100
German Bisque Dollhouse Soldier with Sculpted Beard
$2,400
French Bisque Block-Letter Bébé by Gaultier
$5,200
Bisque Bébé Brevete, Size 2/0 by Leon Casimir Bru
$11,500
Announcing Theriault’s Marquis Auction featuring the collection of Estelle Johnston and others, July 28th, 2013 in Washington, DC at the Willard Intercontinental. To receive a free color brochure call Small Courtesies, a 148 page catalog featuring over 800-638-0422.
the dollmasters
350 lots from the Evelyn Ackerman collection is still available for $49. To order call 800-638-0422.
P O B o x 1 51 • A n n a p o l i s , M a r y l a n d 2 14 0 4 U S A • T e l e p h o n e 4 1 0 - 2 2 4 - 3 6 5 5 F a x 4 1 0 - 2 2 4 - 2 51 5 • w w w . t h e r i a u l t s . c o m
Visit my website: www.grandmasatticdolls.com 1-2. 14” Bru Modele Bebe #0, perfect pale bisque, outstanding blue p/w eyes, black liner around rims, luscious lashes, early mauve blush under brows & Fr. ant. mohair wig & orig. pate, wears magnificent French ant. Bru aqua silk dress & Fr. aqua silk hat, ant. socks & “signed” EJ shoes w/rosettes. Brevette face First Generation Bru on RARE desirable fully jointed wooden body (including ankles). This is the most desirable & rarest body of the Bru Bebe doll & she is a rare size #0. Has tremendous presence & OUTSTANDING beauty!!! CALL OR WRITE FOR PRICE
3-4. 11” Kesnter #184 Character, blue sl. eyes, immaculate bisque, magnificent orig. mohair wig. Wears her full orig. organdy & lace dress, orig. undies, orig. crocheted socks & orig. pink shoes, added ant. bonnet. On orig. Kestner body. An absolute little DARLING in a great cabinet size!! $3250.
7. 8 1/2” Gebruder Kuhnlenz, beautiful blue glass eyes, 2 upper teeth, great bisque & great newer double braided auburn mohair wig, wears her fabulous orig. batiste & lace dress, orig. undies, orig. net socks,leather shoes & beautiful ant. hat. On orig. body w/jointed knees. A little GEM!!! ONLY $1075. 5-6. 7” Kester All Bisque Barefoot Pouty, mint bisque, beautiful blue sl. eyes & orig. mohair wig, “swivel neck”, “closed mouth”, perfect bisque overall & rare bare feet. Wears orig. batiste dress & added vintage bonnet. Very pouty face & ADORABLE!!! $2675.
9-10. 24” S & H #939 Closed Mouth, mint bisque, huge blue threaded p/w eyes, early “closed dome” head & gorgeous long newer mohair wig. Wears orig. batiste dress w/beautiful eyelet flower design, crocheted socks & ant. leather shoes. On fabulous early orig. chunky 8 ball st. wrist body (lower arms revarnished years ago). EXTRAORDINARILLY beautiful!!! $3600.
r Look fo C in D F U me at: gton, DC Washin 9-Aug 1 July 2
8. 4 1/2” Kestner All Bisque, blue sl. eyes, perfect bisque, “swivel neck” & orig. double braided mohair wig, wearing orig. batiste & lace dress & orig. undies. On orig. all bisque body, perfect bisque overall. Looks exactly like a Kestner #260. Absolutely ADORABLE in this precious teeny size!! $875.
LAYAWAY AVAILABLE
Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
11-12. 23” Kicking Crying Steiner, desirable “closed dome” head, gorgeous blue threaded p/w eyes, early mauve blush under brows, immaculate pale bisque w/delicately blushed cheeks & orig. mohair wig. Wears beautiful orig. batiste & lace baby dress, orig. knitted booties & great added vintage hat. On orig. body, w/keywind and lever. By far the most beautiful I have ever seen. I normally don’t even buy these, but she is STUNNING!!! ONLY....$3500.
Valerie Fogel's
Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA
Beautiful 20" French Fashion attributed to Francoise Gaultier. Amazing orig human hair wig in elaborate braided upswept style has rare rooted part and is soft and dreamy. Beautiful head with lovely wide topaz spiral threaded eyes and long sweeping lashes. Pale creamy bisque with gentle peach tinted cheeks and coral glazed lips. Dressed in frothy lace and silk dress with fetching silk and lace cape-let with hidden sleeves. Gusseted kid body. $3600~ 25" RD Bebe with THE LOOK. This beauty has superior artistic rendering of her beautiful face. Her amber eyes are large and lovely, her lips are full; ripe in deep berry shades. She has perfect bisque. Original wood & compo body w orig patina. A sweet mauve silk dress w/ ecru lace & tatted lace bonnet garnished w/ beautiful ribbon & bead fashioned rosette are the perfect compliment to her lovely complexion. All framed by an extraordinarily lovely long curly wig. $5500~
Impressive 19" FG Fashion has presence with attitude. Beautiful milky rose bisque; a lovely backdrop for huge blue eyes w/ pale blue centers & sapphire rims. Mademoiselle's features; sweeping lengths of lashes, multi-stroke arched eyebrows in gentle shade of sienna, lush peach lips. Lavish two piece sky blue silk ensemble confection of lovely fitted jacket & long trailing skirt featuring double rows of scalloped ruffles & delicate ecru French lace; tender fabric in places . Orig. long golden mohair wig embellished w/ side braid & ensemble matched bow. Original boots. $4900~
Beautiful example of F6G block letter Bebe. Cerulean blue p.w. eyes darkly framed w lashes & eyeliner. A sweet raspberry mouth with just a hint of tongue tip. Gusseted kid body, bisque arms and wearing factory orig frock of magenta silk w/ ecru lace & matching wired bonnet. Curly blonde mohair wig over cork pate. Her bisque is free of flaws; radiant in both color and texture. Fabulous origl leather shoes w/ rosettes on the toes. 17" cabinet size. $5900~
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC Left-right: 13” Early French paper mache toy, all original, w/ squeeze mechanism that causes arms to move and a cheerful squeak. Excellent cond. $2850. 22” Magnificent and orig. Steiner Gigoteur, early series w/ palest bisque, cobalt eyes and soft decoration. Wind key, then crying “Mama”, head pivoting, legs moving and arms waving! $4500. 6 1/2” Door of Hope kindergarten child, rare, adorable and all orig. $1975.
BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com
Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2013 by the Puffin Co., LLC.
MOVING?
Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
JUNE 2013
Gala Grand Opening of Carmel Doll Shop At last! One and all are cordially invited to attend the Gala Grand Opening of Carmel Doll Shop in our new, and forever home, in Pacific Grove, California. Please come and help us celebrate the completion of nearly three years of extensive restoration to our historic, circa 1902 building. Be prepared to party with your hosts, the original bad boys Max and Moritz, as they too, will be on hand to celebrate the launch of their digitally remastered 2-DVD boxed-set that includes Mothers Little Angels, along with the never-beforereleased Max and Moritz – The Hollywood Adventure. The boys and their friends will be in attendance, so come join them and enjoy an elegant day of not only delicious refreshments, but also get acquainted with Max’s and Moritz’s new digs. Mark your calendars for a day of festivities! Saturday, June 22, 2013 is when all the fun happens at 213 Forest Avenue, Pacific Grove, California. Bring your doll friends along, and plan to have a whole lot of fun - Max and Moritz style. But please be nice and drop the boys a note to let them know you will be in attendance. Festivities begin at 11am and will last as long as Max and Moritz do!
Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls
Please visit WWW.CARMELDOLLSHOP.COM Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!
The Complete Guide to Antique, Vintage and Collectible Dolls
June 2013 Volume 16, Number 5
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36
“THE LANGUAGE OF THE FAN” Flirtation and Love in the Doll Room!
Kathleen Crescuillo A 19th century woman well versed in the art of flirtation could make her intentions known to the gentleman who had captured her heart by certain movements of her fan.
PAPER IS NOT JUST FOR WRITING! by Marina Tagger
A comprehensive look at the production of papier-mache and how it was used for doll making from the early 19th century to 20th century American composition.
27
THE LENCI GIRLS – SERIES 110 AND 149 Judy L. Fisher
Perhaps the most beautiful dolls made by Lenci during the golden era, the author uses early catalogs and photos of these two series to show their similarities and subtle changes over the years.
About The Cover Flirting has existed as
long as social interaction between the sexes, yet the methods used to convey interest have changed dramatically. In her article Kathleen Crescuillo discusses the history of the fan and its use to convey romantic intentions. Exquisite fashion dolls enact a tale of love and intrigue using fans to indicate their feelings in this beautiful article. Cover photo by Kathleen Crescuillo.
44
STUDYING DOLLS – AN EVER ENRICHING EXPERIENCE by Ursula R.Mertz The author discusses Horsman’s “Rosebud Babies” as well as unusual American cloth mama dolls with bisque heads.
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ANTIQUE DOLL COLLECTOR
JUNE 2013
12 Auction Gallery 14 News & Mystery
57 59 60 63
Emporium Book Review Calendar Classified
49
THE DOLLS OF MICHAEL LEE LITTLE MAN - BIG HEART
by Margo Delaughter The discovery of a delightful 10-inch Chinese toddler begins a quest for information about the Chinese gentleman who created dolls to help his fellow man.
(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023
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1. 14” Elusive ‘E.J.’ Jumeau – a scarce ‘middle period’ Bebe with gentle brows, oversize almond eyes, shaded lids, creamy bisque, faint hl, original 8 ball stiff wrist signed body plus vintage couture and original shoes! Just $3800. 2. Spectacular 24” Patrician Lenci Lady – w/ 2 tags, slender jointed body for sitting, richly attired, heeled shoes and the most artful face ever on a Deco Art Doll. $2200. 3. 18” Gbr. Heubach rare Glass Eye Pouty – more rare than ‘6969’; such sensitivity in this tender squire with iridescent blue eyes, fully brushstroked solid crown and perfect closed lips. So very dear! $2500 .
Return Privilege • Layaways Member UFDC • NADDA
4. Historic Johnny Gruelles – one of three of the documented prototype pairs of pre-Volland dolls handmade by Johnny Gruelle himself! This ‘signed’ Raggedy Ann comes with a very rare and important early Andy also in its original clothes. Smithsonian caliber dolls with documentation/ provenance. $5000 for the pair. 5. Vintage American charm exudes this unusual 20” Brown American Primitive rag doll, someone’s best friend, with black hair, button eyes and very quaint clothes – a classic! $1495. 6. 16” Early Jumeau Poupée w/ mint Bisque Arms – factory orig. silk couture c. 1860s with earrings and shoes, mint wig in orig. set and a sumptuous luminescent beauty set around her aristocratic blue PW eyes. $4500.
12 11
10. In the rarified company of AT, Bru and Schmitt comes this breathtakingly lovely, rare and 7. 1870’s Simon Halbig Fashion – all original from chapeau and mohair important ‘Block Letter’ F.G. Bebe, an intoxicating bouquet of dewy wig to pretty leather shoes and her bisque, shaded lids, flawless kid fashion body in ornate layers of silk, she’s a spring lily with early PW symmetry and gentle dreamy eyes. This is the one. $4900. eyes – a 14” beauty! $1750. 11. In 1890’s style Comedia del Arte 8. 11” 1840’s Cabinet China – so is the Rare 6” Kuhnlenz ‘Pierette,’ antique! V part, side paneled waves a slender french style mignonette loop into a coiled bun, original straight leg kid body with the mitten with socket head and glass eyes! Mint! $1250. hands, vintage silk gown – quite the gem! $1600. 12. One of a kind 30” Important Naïve American Black – fabulous 9. Rare 29” Adelina Patti Mache – lanky Folk Art blue ribbon winner original paint and varnish, a classic 1850’s American presentation with the with orig. paint, exaggerated stiffened fabric features, skin wig, early leather chunky body, original dress, slippers and jewelry plus the romance you love arms w/individual fingers and ring! A masterpiece! $2500. in these dolls! A rare one! $1495.
Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net
Two rare 1870’s cloth dolls. 20” Hawkins. 26” Weigand. $2000 each.
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ANTIQUE DOLL COLLECTOR
JUNE 2013
Auction Gallery
Theriault’s April 13 & 14 PO Box 151, Annapolis, MD 21404 U.S. and Canada: 1-800-638-0422. www.theriaults.com
L
os Angeles was the venue for two important sales conducted by Theriault’s the weekend of April 13 and 14. Saturday’s auction entitled “Remembering Mama” featured the collection of Barbara Poppenheimer of Mississippi and the archives of the Hobby City Doll and Toy Museum. The Sunday auction, “Small Courtesies” offered the collection of the late Evelyn Ackermann, an artist, designer, author of three esteemed books on dolls and toys and a frequent contributor to this magazine. Below are some highlights of these two sales. Prices do not include the buyer’s premium.
Remembering Mama
Small Courtesies: The Evelyn Ackerman Collection
Pictured on the cover of the Ackerman book, The Genius of Moritz Gottschalk, this 28 x 28 x 19-inch blue roof wooden dollhouse brought $18,500.
20-inch classic bebe by Leon Casimir Bru with signed Bru shoes, $16,000
Bru Brevete, 18 inches, antique costume and signed Bru shoes, $25,500
27-inch German brown-eyed china, $10,000
Premiere series of E.J.A., marked A 10, 25 inches, c. 1879, $19,500
Petite Bebe by Schmitt et Fils, size 2/0, 11 inches, $7,500 Right: Early portrait bebe by Jumeau, 14 inches, original wig, c. 1878, $9,500 12
ANTIQUE DOLL COLLECTOR
JUNE 2013
Bebe “H” by Halopeau, 13 inches, marked 3/0. $40,000
Schmitt et Fils bebe, 13 inches, antique costume, c. 1882, $8,000
Size 0, Bebe Bru Jne, 9-1/2 inches, $6,500
Block letter bebe by Gaultier, original costume, 12 inches, $5,200 More Auction Gallery on page 56
Theriault’s NEW
Monday Night at the Auctions Upcoming Rendezvous Auctions for June 2013 Collectors are calling Theriault’s new Monday night
mini-auctions (50-75 lots) the best new event for doll
collectors in years. At 7 PM Stuart Holbrook and Luke
Theriault jointly take center-stage to present wonderful dolls in a laughter-filled one hour auction event
beamed right in your living room, courtesy of Proxibid live audio/video feed. Live online bidding is available, as well as telephone bidding and absentee bidding.
June 10, 2013
Rendezvous - Monday Night at the Auctions will feature a general auction of estate antique dolls.
June 17, 2013
Rendezvous - Monday Night at the Auctions will feature a one-owner collection of Sasha dolls.
June 24, 2013
Rendezvous - Monday Night at the Auctions will feature “Big and Little” antique dolls over 30” and under 13”. To receive notice of every Rendezvous, Monday Night at the Auction, go to www.theriaults.com and register to receive email notices. If you are planning a visit to Annapolis, call Theriault’s at 410-224-3655 or email info@theriaults.com to check the schedule and plan to attend in person.
the dollmasters P O B o x 151 • A n n a p o l i s , M a r y l a n d 214 0 4 U S A • Te l e p h o n e 410 - 2 2 4 - 3 6 5 5 • Fa x 410 - 2 2 4 - 2 515 • w w w. t h e r i a u l t s . c o m
NEWS
The Victorian Perambulator Museum Celebrates 25 Years July 13 & 14
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ocated in Jefferson, Ohio, the Victorian Perambulator Museum boasts the largest and finest known collection of early wicker baby and doll carriages. Handmade of natural fibers and fashioned in artistic, intricate and ornate designs and shapes, each carriage is a work of art that embodies the tastes of the Victorian era. The museum also offers children’s toys, games, dolls and other items of playthings of the 19th century. The anniversary festivities July 13 & 14 will include new exhibits, their new 25th anniversary ornament for purchase, music, door prizes and refreshments. Admission is only $4 during the celebration. For more information call 440-576-9588 or visit www.perambulatormuseum.com
Do You Have a Mystery Doll? I
purchased this doll from a woman whose grandmother had died leaving her a collection. I just love the beautiful coloring in her face. She is totally unmarked and I have found no one who is confident in identifying her. Can you help me? Jan Taylor, email: dollymama45@att.net KY Doll and Toy Museum, 106 West Main Street, Carlisle, KY 40311
NEWS
Toy and Miniature Museum of Kansas City Announces Plans for Museum’s Future as a National Museum
T
he Toy and Miniature Museum of Kansas City announces its first public capital campaign with a goal of $9.2 million to achieve three important objectives: improve the museum’s environment, build the endowment, and create a master plan for exhibits and interpretation. In just the last ten years, 27 toy and doll museums have closed, and with them, an important piece of Americana. The capital campaign will help ensure long-term care of the collection and its availability to the public for study and enjoyment. Last October, the Toy and Miniature Museum kicked off its 30th anniversary celebration by announcing plans to change the museum’s name to the National Museum of Toys and Miniatures. The name change helps transition the institution from one of Kansas City’s bestkept secrets to the nation’s leading museum of fine-scale, contemporary art miniatures and antique toys. “While we celebrate our 30th anniversary and founders Mary Harris Francis and Barbara Marshall, we are continuing work implementing a strategic plan which honors their important legacy,” said executive director Jamie Berry. “We are enthusiastic about the museum’s future and hope you share in our excitement.” For more information, call 816.235.8000 or visit www. toyandminiaturemuseum.org.
HAVE YOU SEEN OUR WEBSITE LATELY?
T
his pair came into my church flea market. I think they are possibly very thin composition or celluloid, even the ladies in my doll club were not sure of the material. Bodies are cloth and they wear their original clothing. I would love to know who made them. I can’t find any marks. Thanks. Donna Sypniewski, email: dolznberz@aol.com Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above. 14
ANTIQUE DOLL COLLECTOR
JUNE 2013
It’s where you’ll find ads for auctions not in our print edition – where you can sign up for our sneak peek, a preview of what’s coming in the next issue – check out back issues for sale – renew your subscription – view our calendar of events – and so much more!
WWW.ANTIQUEDOLLCOLLECTOR.COM
Sandy’s Dream Dolls
From Arizona to Texas Sandy Kralovetz
Always Buying Dolls of Quality
For a Houston adventure please visit our spacious location at
Thompson’s Antique Center of Texas
Texas’ largest antique center with over 50 antique dolls and accessories for sale. 9950 Hempstead Road 600 Northwest Mall Houston, TX 77092 602.228.1829 281.339.0269 skayk43@aol.com mailing address: 9825 Moers Rd Houston, Texas 77075 Call for doll information Member UFDC & NADDA
Dressed in her antique wedding gown, this 21-inch Bru Smiler is ready for her June wedding. She is absolutely beautiful and ready for her new home. She has blue PW eyes and the original blonde wig. Her original dress is displayed in the box beside her.
Marion Maus Specializing in Dolls and Miniatures
Ellicott City, MD • Email mmausantiques@gmail.com Phone 443-838-8565 • Member NADDA, UFDC 16
ANTIQUE DOLL COLLECTOR
JUNE 2013
The
Language of the Fan Kathleen Crescuillo
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n every social interaction between men and women flirtation is an essential part. Unlike the current times of texting, IM, online dating, and social networking, the 19th century Victorian could not easily converse with the opposite sex in public, due to restricting social etiquette. As you know dating was not taken as casually as it is now but rather with the main object to secure a good marriage with a reputable mate. Intensive courtships were usually followed by a socially acceptable marriage. Social etiquette disapproved of explicit sexual advances, but indirect or suggestive intimations may at times been considered acceptable. It was an era where everything was more restrained and left to the imagination. Women’s roles were romanticized, becoming pillars of chaste virtue that should aspire to be perfect wives and mothers. Men were required to appear honorable and polite. A man was only seriously considered as a suitor if he had successful prospects. Current flirting is very similar in many ways to time honored flirting but more blatant in its approach. Banter, blowing a kiss, casual touches, coyness, eye contact, flattery, footsy, giggling, imitating, touching one’s hair, and smiling with eye contact directed to the intended recipient are still behaviors that let one’s interest be known. The messages conveyed on the whole are those of love and attraction. It is the methods used to follow up on these approaches of intent that differ from then and today. A young lady did not want to be too obvious about her flirting and take the chance of comprising her reputation. A feminine body language evolved as a way to indicate secret intensions. Many props such as parasols, gloves, handkerchiefs and fans were used to convey these secret messages of intent. Some actions, no matter the prop used, can have the same meaning; for example, drawing a handkerchief or a fan across the cheek in a practiced way means “I love you”. This form of sign language was published in contemporary etiquette books and magazines. The Original Fanology or Ladies’ Conversation Fan was created by Charles Francis Badini, and published by William Cock in London in 1797. In gesture, in repose, the lady was invariably revealed by the way she managed her fan. At the opera, social events, balls and soirees flirting was allowed, following the strict rules of etiquette. How the lady positioned her fan conveyed a coded message understood by any society gentleman. The main rules must have been practiced just to remember them, not to mention the young fellows who also had to learn the language of the fan. Not only could a lady use her fan to communicate quick emotions but have whole conversations in a sort of fan Morse code. If a girl didn’t know the correct fan signals then she could make some serious social blunders. The art of fluttering was said to take months to master, many girls and gentlemen doubtlessly spent hours practicing. Women flirted with danger, sending out signals to attract a lover or rebuff him. They enjoyed these dangerous liaisons, where reputations were made and unmade all under public gaze by expressing their heart through the language of the fan. 18
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The Language of the Fan Carrying in the left hand, open: “Come and talk to me”
Carrying in right hand in front of face: “Follow me”
Gazing pensively at the shut fan: “Why do you misunderstand me?”
Twirling it in the left hand: “We are watched”
Carrying it in the right hand: “You are too willing”
Cover the left ear with the open fan: “Do not betray our secret”
Placing your fan near your heart: ‘I love you”
Twirling in the right hand: “I love another”
Drawing across the cheek: “I love you” Presented shut: “Do you love me?”
Drawing across the eyes: “I am sorry”
Letting it rest on the right cheek: “Yes” Letting it rest on the left cheek: “No” Open and shut: “You are cruel”
Dropping it: “We will be friends” Fanning slowly: “I am married”
Fanning quickly: “I am engaged” With handle to lips: “Kiss me” Open wide: “Wait for me”
Placing it on left ear: “I wish to get rid of you”
Drawing through the hand: “I hate you” Placing behind head: “Don’t forget me” With little finger extended: “Goodbye” Quickly fanning herself: “I love you so much”
Resting the fan on her lips: “I don’t trust you”
Touching tip with fingers: “I wish to speak with you”
The shut fan held to the heart: “You have won my love”
Carrying in left hand in front of face: “Desirous of acquaintance”
Presenting a number of sticks, fan part opened: “At what hour?”
Clasping the hands under the open fan: “Forgive me I pray you”
Shut the fully open fan very slowly: “I promise to marry you”
The shut fan resting on the right eye: “When may I be allowed to see you?” Fanning herself with her left hand: “Don’t flirt with that woman”
Carrying the fan closed and hanging from her left hand: “I am engaged Carrying the fan closed and hanging from her right hand: “I want to be engaged”
Quickly and impetuously closing the fan: “I am jealous” Half-opening the fan over her face: “We are being watched over”
Texting abbreviations are now used much like the fan flirtations of the past. These are some of the more interesting ones. Text: BTYCL? (Booty call) Fan: Open fan slightly over heart and flutter it to indicate the time of your rendezvous. Both mean: I am interested enough for a tryst.
Text: BM&Y (Between me and you) Fan: Cover left ear with closed fan. Both mean: Keep our secret. Text: MOS (Mother over shoulder) Fan: Fan closed, place tip to lips. Both mean: Hush…we might be overheard.
Text: ILU (I love you) Fan: Place the tip of your fan to your heart. Both mean: I am really interested. Text: BIH (Burn in hell) Fan: Lower an open fan and point it at the ground. Both mean: I want you to get lost.
Text: TILIS (Tell it like it is) Fan: Place tip of closed fan to nose. Both mean: I mistrust you. Text: BOOMS (Bored out of my skull) Fan: Yawn behind a closed fan. Both mean: Your conversation is not stimulating.
Text: GIAR (Give it a rest) Fan: Place your chin on the tip of the fan. Both mean: I don’t believe your compliments. Text: NFM (Not for me) Fan: Open your fan and make a brushing movement like you are swatting an annoying fly. Both mean: I want to let him down gently. Text: URH (You are hot) Fan: Open your fan and use it to coquettishly hide your eyes. Both mean: I am interested in you.
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A collection of fans includes several miniatures made by the author.
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he history of the fan goes back to ancient times in Egypt with the use of palm leaves to cool and swat insects. The folding fan arrived in Europe when it was imported from China and Japan by Portugal and Spain, and gradually came into use in most European courts. By the eighteenth century most countries were making fans of some kind and fan painting had become a recognized craft. Fans were an essential fashion accessory and styles echoed the trends in fashionable dress. As an indispensable part of a woman’s wardrobe, artists increased the number of motifs represented on the fans and used more attractive and fashionable materials. Fans were made as a part of an ensemble sometimes with a piece of fabric from a new gown being put aside to complete the outfit. Decorative styles varied according to the country of origin and changing taste in dress. In France the demand for fans led to the creation of a special guild of master fan makers and workshops. Later in the 18th century France became the principle manufacturer of fashionable fans. With the arrival of department stores in France, fashionable accessories like the fan were mass produced and available to the less well-off strata in society. Paris became the capital of fashion. Fans were made from a diverse range of materials: tortoiseshell, ivory, bone, mother of pearl, metal and wood. They were highly decorated jeweled, carved, pierced, gilded, lacquered, painted, printed or simply left plain. Depending on a woman’s social status and economical position, a fan could be a work of art. The folding fan was the most common and convenient style. Folding fans are made up of a set of identical sticks ANTIQUE DOLL COLLECTOR
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with a pleated leaf or separate silk petals. There are two outer sticks or guards that are usually wider, of a more ornate shape and are frequently decorated. A rivet holds the sticks together at the base. Other styles included the Brisé fan, made of touching and overlapping sticks that are linked together at the top with ribbon and a Cockade fan, a simple rigid shape on a handle. There were many beautiful antique fans created in the past centuries that still survive to be admired and collected. Choice examples of antique fans can be extremely expensive and in demand by the serious collector. My interest is in collecting antique French Fashion lady dolls and their accessories from the second half of the 19th century. In the 19th century miniature versions of the then current style of fans were created by the number of shops in Paris devoted to doll couture and the fine art of doll accessories. French Fashion lady dolls would mirror their counterparts with a complete toilette of accessories that would always include a fan. These detailed miniatures were equal to the real thing in cost and appeal. A miniature fan that was made for the numerous doll accessory shops is a hard to find item in the world of doll collecting. Ivory or bone cut-work fans with silk ribbon will occasionally appear, but beautiful little working antique fans with delicate hand painted silk leaves or petals presented in a decorated little box, are rare. Of course the rarity of such a desirable gem would be reflected in the cost, thus denying antique fans to most doll collectors including me. I enjoy accessorizing my dolls and creating my own versions of the miniature fans seen in grand collections shown in books, catalogues and occasional viewing at auctions.
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y meager collection of full sized antique fans is mainly for study and understanding of construction, only two of my miniature brisé cut-work bone fans are antique. I have always admired the fascinating accessories created for the French Fashion lady dolls of the period. Even though I have acquired a few examples of various miniature accessories, I can’t bring myself to comfortably apply my limited doll funds to an accessory that amounts to the cost of a good doll. I feel it is more prudent and fun to make a reproduction of the desired item. Some things like missing shoes are better replaced with reproductions since most of the time they are not viewed under a Fashion doll’s gown anyway. But sometimes that one
irresistible item comes along and I succumb to the temptation. This is always true for me when it comes to parasols, with their turned ivory handles and delicate working frames. I always seem to find and bring home, at least one at each UFDC convention. With a little ingenuity most accessories can be recreated. The best source for patterns of antique items is La Poupée Modéle which has many instructions for clothing as well as accessories. One such was the inspiration for my latest creation of a working evening fan. I enjoy setting up little vignettes of my dolls to reflect an imagined story or situation. Using the language of the fan helps the dolls depict the secret stories of their doll room lives.
Flirtation and Love in the Doll Room!
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here was romance in the doll room ever since three French gentlemen dolls arrived in residence! The Parisiennes were all excited about the attentions and affections of these new arrivals. Although many of the gentlemen were “transgender,” they quickly embraced their new roles, preferring their new positions as a few, among the many. The main concern of all was in which cabinets they would reside. A Soirée was arranged to introduce everyone, but only the properly dressed Poupées were invited. The fans were all aflutter with complicated intentions. Not all affections were reciprocated and that naturally upset the rejected. A few of the ladies had serious physical limitations in their ability to properly convey their intentions using their fans. Even though they were very lovely and beautifully dressed, their failure to properly hold and position
Lanier, René and Gaston arrive at the soirée.
Too Early by Tissout
the fan in the proscribed positions was very frustrating to many. Some Poupées excelled, due to the multiple jointing that they were endowed with by their creator. Others with their stiff sawdust leaking limbs and clumsy wired fingers could not do more than sadly watch as their hopes were dashed by their articulated coquettish rivals. It is fun to imagine a Jane Austen kind of narrative involving flirtation and love in the doll room. There was a great deal of attention and excitement from all the unmarried Parisiennes when the three eligible young gentlemen finally arrived at the Soirée being hosted by Cora Pearl, at the renowned courtesan’s Chateau. All eyes were immediately drawn to the rakish Gaston, a very rich aristocrat. No lady had as yet successfully ensnared his affections, though many had tried. The most handsome gentleman of the three was René, an accomplished Tenor from the popular Grand Opera. René’s friend Lanier was a dashing young soldier, a hero from the recent Franco Prussian war and instrumental in the defense of Paris in its darkest hour. Due to the ravages of war there were many more young ladies than men, and the ladies were well aware of this deficit. ANTIQUE DOLL COLLECTOR
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The Ladies coquettishly communicated their intentions with their fans from across the room. Chantal was stunned to see René again, a young man she had come to love. Her happiness was suddenly destroyed when she was told by her father he was an undesirable suitor due to a scandalous situation that he had been involved in. She hadn’t spoken to René for weeks due to the restrictions her family had imposed on her. When she asked her father for an explanation, he only said that René was not an honorable man. Despite her father’s strident admonitions she was still madly in love and continued to write letters to him. She felt he had given up on her, since she had not received a single letter back from him in all that time. She did not know that her father had been intercepting the many letters sent by René, nor had he allowed the staff to mail her letters to him.
The ladies flutter their fans to communicate to potential suitors.
Collette, Chantal’s younger cousin, saw both René and Chantal exchange glances. Collette, wanting René’s attentions for herself, had told her Uncle Pierre, Chantal’s father, a rumor that René was responsible for ruining the reputation of Amelia, the young daughter of General Berthaut, a respected friend of his. Though all the details were not known, the girl was sent off to the country to stay with an aunt for several months and everyone knew what that meant. Collette had said that she heard Amelia was seen back stage leaving René’s dressing room several times. The truth was that the one time Amelia was seen backstage she was on the arm of a notorious older man. How she had arranged to be out that late without a chaperone at her age was unexplainable. Colette had foolishly made up a supposition to discredit René. She regretted her actions and was thankful that the made up scandal went no farther than her Uncle’s ear. Colette finally confided her guilt to her cousin Sophie, who admonished her severely.
Collette desired René’s attention for herself.
Sophie drew Chantal aside at the Soiree after she saw René arrive and explained everything so knew. She tried to keep Collette out of it but once the true account was known Chantal realized out that it must have been Colette that had made up the lie. She was both angry and heartbroken that her own dear cousin was responsible for all her anguish. Sophie understood Chantal’s heartbreak having a similar difficult love affair involving her own family. Only recently married to a now successful artist, she had eloped rather than give him up. It was a blessing that her family had finally accepted him and they were reconciled. 22
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Sophie confided to Chantal that a lie had been told.
René and Lanier took time to settle their nerves and have a light cordial before entering the hall. René noticed Chantal immediately upon arriving but saw that her family was in attendance and did not want to challenge her father’s decree that he would never be suitable for his daughter. Despite repeated attempts, he was never given an opportunity to speak with her father. René was broken hearted, thinking he had lost Chantal’s love forever. When she did not respond to any of his pleading letters he was afraid that she now hated him. Unsure as to how to proceed, he had confided his dilemma to his good friend Lanier. Lanier was shocked that such a great injustice had been perpetrated against his good friend and told him he would aid in arranging a secret meeting with Chantal to plead his friend’s innocence. René confides in Lanier.
Chantal desperately wanted to speak to René without her Father’s knowledge. As she was leaving the room, she indicated with her fan that she wanted to talk to him. René was excited that he would be allowed to speak with Chantal at last. That she would still be willing to speak to him was very encouraging. Lanier gave him a nod and a smile and they both were surprised when just as she was leaving she turned and flashed him a heart stopping signal Bringing the fan close to her heart, with her fan. He could not Chantal says, “You have won my love.” believe his eyes when he saw that she was saying that she was sorry. Perhaps she had finally learned the truth. Before he could take a step to meet with her, she discretely made another indication with her fan that he had won her love. His heart leapt with the joy of knowing that she did not believe the lies, whatever they were, and still loved him. Chantal uses her fan to express her wish to talk to René. ANTIQUE DOLL COLLECTOR
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From across the room, Lanier watched his friend go to the rendezvous with his true love. He smiled, knowing things would work out and Chantal’s father would come around once the truth was known. Being the aide-de-camp for the General would insure their admittance to see Chantal’s father and allow René to plead his case. Then he turned back to the gathering, looking for the one mademoiselle he was here to see. It was time he attended to another ongoing love affair, his own! Marjorie was standing across the room watching him with a coquettish smile on her lovely lips. Before the war they had been inseparable, dancing at parties and going on many romantic walks in the gardens. He had accompanied her to various events such as the Opera, to see his friend René’s many performances. It was always his intention to propose but the war had demanded his immediate attention and there was no time for goodbyes when he had to depart suddenly. He had only recently returned to Paris. Having heard she would be here tonight, he wanted to gauge what her feelings toward him might be in person. He was afraid she had forgotten him or found another and did not want to intrude in her life if such was the case.
Lanier searches for Marjorie.
Marjorie signals to Lanier to kiss her.
When Marjorie placed her fan to her lips signaling Lanier to kiss her, he was overjoyed. He glanced around to see if anyone else had noticed the quick flip of her fan as she looked his way. When he made his way to her side she wordlessly motioned to him that she still loved him after all this time. He wouldn’t make the mistake of waiting any longer to propose; he guided her to the garden thinking of the ring in his pocket, pleased that he was confident in their love. 24
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Marjorie shyly affirms her love for Lanier.
But let us not forget Gaston! Despite his notorious reputation as a rake, his charming personality made him irresistible to the ladies. He gave each lady his full attention but in truth had no intention of ever settling down. He was very rich and each mademoiselle hoped that she could snare his love. He had grown weary of the competition for his fortune by the sometimes charming but insincere Mademoiselles. Looking around the room Gaston saw the most beautiful young woman he had ever seen. Even though he attended most social events in Paris, he was sure he had never seen her before. Who was she and where did she come from? He asked a friend and learned her name was Gabrielle, the youngest daughter of a rich industrialist who had just come out that season. Gabrielle had long been aware of Gaston, having seen him many times before, but as a young girl she had gone unnoticed. He looked her way and she boldly folded her fan over her heart as she had learned, in an attempt to get his notice, and profess her love.
The beautiful Gabrielle indicates her love for Gaston by holding her fan near her heart.
Gabrielle and Gaston danced all night, having eyes for no others, to the chagrin of the other Mademoiselles. It got to be very late and Gabrielle’s family was preparing to leave. When she saw Gaston about to depart, she was afraid she would never see him again, and that he would soon forget her. She wanted to invite him to call the following day. When he looked her way she indicated with her fan that she wanted him to wait for her so they could speak, then she glanced shyly to the nearby antechamber. Breaking with all etiquette he followed her, observed by many disappointed and teary eyes. He had never been as attracted to a young lady as he was to Gabrielle; she was so charming and unaffected. Gaston was surprised with feelings he had never felt before. Perhaps this was to be the start of a big change in his life. Gabrielle indicates that Gaston should wait for her in the antechamber.
The End
Kathleen Crescuillo will be conducting a fan workshop at the UFDC Convention in Washington DC being held July 29-August 1.
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Early dog bell pull toy (wear) 14” long $295.
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Small Steiff animals (we have a huge collection) $25 each.
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Th e Lenci Girls – Series 110 and 149 Judy L. Fisher Rick Fisher, Photographer
1 – Portion of a 1922/23 catalog page – showing forerunners of the future series seen below
5 – 110-28 doll 2 – Dolls from a 1924 catalog page showing Series 110 dolls
3 – Portion of a 1924 catalog page showing Series 149 dolls
4 –Dolls from 1925 catalog showing the 110-28
T
he first American advertisement for Scavini Dolls, better known today as Lenci Dolls, was in the October 1920 issue of Playthings magazine. It showed various character dolls as well as some short chubby little girl dolls that are not what collectors think about today when they hear “this is a Lenci doll.” Although the dolls featured in a very early catalog, most likely from 1922/23, did not have model numbers, they were clearly the forerunners of the more refined dolls seen by 1924 (photos 1, 2 and 3). Interestingly, the costumes were not repeated from the 1922/23 catalog. In later years, this was not the case. Dolls that had popular costumes were often seen for several years in the catalogs. As noted in photos 2 and 3 from the 1924 catalog, there are now numbers under the ANTIQUE DOLL COLLECTOR
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6 – Late 1925 catalog page showing additional Series 110 dolls
7 – Late 1925 colored catalog page showing a 110-48 28
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pictures of the dolls. The Lenci Company began using this identification system to label the dolls, primarily by face molds and occasionally by height. At this point, most of the dolls became identified with what collectors now refer to as a specific series number. While the company changed some of these in later years, collectors continue to look at these early numbers to identify specific dolls. Thus, it was the 1924 catalog that introduced the new Series of 109, 110, 159, 149, and 111 dolls. The focus of this article will be on two fabulous Series - 110 and 149, which I will refer to as the “Lenci girls.” By sharing pictures from the early catalogs and photos of these two series, it will become clear to see how these dolls changed over the years and why I’m referring to them as girls rather than Lenci children. Before continuing to quote catalog years, I do want to mention that in Dorothy Coleman’s 1977 book, Lenci Dolls, she shows images of dolls from what she terms the 1925/1926 catalog. However, an even earlier catalog was discovered that I usually refer to as the early 1925 (photo 4). It contains a few adorable Series 110 dolls. Photo 5 is a doll marked 110-28 and is from this particular catalog. The number 110 indicates the series and the number 28 indicates the costume. Interestingly, she is not seen in a later catalog. Therefore, I refer to the dolls shown in Coleman’s book as those from late 1925 (photos 6 and 7). Here we see more wonderful Series 110 dolls. Photo 8 shows a 110-48 that was purchased many years ago and restored by a dear friend in Italy. This doll is a very rare doll because we don’t often see Lenci dolls with red hair and blue eyes. The most common was blonde or honey-colored mohair and brown eyes.
9 – Late 1925 catalog page showing a 149-V (top row) 8 – 110-48 doll
10 –149-V doll
11 – 110-74 doll ANTIQUE DOLL COLLECTOR
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12 – 1929 catalog page showing 149-2 and 149-22 dolls
13 – 149-2 doll
Another reason why I separate the two years mentioned in Coleman’s book is that I purchased a copy of a 1926 catalog from Italy. Ironically, this catalog had different dolls featured. In 1926, it appears that the Lenci Company made some significant changes to the dolls. For example, now the Series 110 dolls are 19 inches tall and they have separated fingers except for the middle two. The doll is definitely slimmer and her face has a more girlish than childish appearance. The eyes are almond shape rather than round. The body has become hollow and the foot is sewn to the leg at the ankle. Only six dolls were offered that year. The Series 110 dolls featured in this catalog are the ones that collectors now think of as representing the series. Series 149 is also seen in the late 1925 catalog (photo 9). These 16 inch dolls are often considered one of the hardest Lenci dolls to identify. The Series 149 depicted young girls that were slightly older and thinner than the other 16-inch doll featured at the same time, which was the Series 159. While the Series 149 appeared in the earlier 1924 catalog, there were only three dolls listed as 149: I, L, and M. One could assume that there were others (A-K) but this seems highly unlikely. Collectors call this another mystery of the Lenci numbering system. By 1925 and 1926 new dolls were added like the one shown in photo 10 – a 149-V in almost mint condition. She was a rare find on eBay. This doll and others are often referred to as dolls dressed for sports. The wonderful Series 110 pictured in photo 11 is also
14 – 149-22 doll 30
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16 – 1929 catalog page showing a 110-68 (top row)
15 – 110-68
considered dressed in a sporty outfit. Her actual number is 110-74 and there is picture of her from the 1929 catalog shown later in photo 17. Interestingly, this is the second 11074 that I’ve been fortunate to own. Surprisingly, by 1927 the other 16 inch doll, Series 159, was dropped while the series 149 continued with many more new outfits being introduced. By comparing the dolls in photos 5 and 11, it should be very apparent how the Series 110 changed. Again, the dolls went from 18 inches to 19 inches. Of course, the biggest differences are in the faces and the hands. Just look at the shape of the eyes – round to almond; the hands from mitten-type with the fingers divided by rows of stitching to separated fingers except the middle two. In addition, the earlier dolls are heavier in weight due to the stuffing. Upon examination of the catalog from 1929 (photo 12), the Series 149 now appears to have changed as well. By looking at the dolls seen earlier in photos 9 and 10, one can see that the faces on the Series 149 dolls are definitely different. The height of the doll is still 16 inches. In photo 13, there is a 149-2, which was also featured in the earlier 1926 catalog. In photo 14, there is a 149-22. She is dressed in a slightly different version of the patchwork felt design shown in the catalog image. This patchwork or pieced felt technique was used a great deal by Madame Lenci in creating her wonderful outfits. It was also fairly typical of the Lenci
17 – 1929 catalog page showing many 110s including 110-56, 110-61 and 110-74 ANTIQUE DOLL COLLECTOR
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Company to have variations on the outfits. There were not as many of these sweet Series 149 dolls made over the years but upon closer examination, I feel that the Series 149 with her similar appearance to the larger Series 110 can be considered a little sister. Again, I’m calling the above dolls the Lenci girls because they have a very feminine, girlish, delicate look, and at the same time, a more sophisticated appearance than the popular 23-inch Series 109 dolls and especially the 17-inch Series 300 dolls, which look more like children. Both of these series are much chunkier in body, especially in the legs. In Coleman’s book, she lists the approximate costume variations from 1920 to 1930 by the Series number of the dolls. The Series 110 had 130 outfits and the Series 149 had 65, which makes them among the popular dolls of their period. About 20% of the girl dolls were wearing coats and hats. Only a little over 10% of the dolls were dressed as boys. In fact, the doll in photo 15 is an excellent example of a male 110 from the 1929 catalog (photo 16). The refinement of the dolls and their costumes between 1925 to about 1933 is what I like to term the golden period of the Lenci 18 – 110-56 doll
19 – 110-61 doll
20 – Three Series 149 dolls with Steiff dogs 32
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21 – Two early Series 110 dolls from 1925 (seated) and four later Series 110 dolls from 1927 and 1929
Company. In 1927 and 1929, all the Lenci dolls had wonderful clothing designs (photo 17). The bottom of the shoes usually had a stitched quilted pattern on them. Some wonderful examples of dolls from this period can be seen in photos 18 and 19. In 1930, the Series 149 underwent a big, but short-lived change – the dolls were smiling and had teeth showing. By 1933, the Series 110 and Series 149 were unfortunately discontinued. The reasons are unknown, but Nancy Lazenby stated in her 2007 book, Lenci: the History of the Dolls, that it could have been declining sales or possibly the need to cut costs during the depression. As stated in the beginning, these lovely Lenci girls were perhaps the most beautiful dolls made during the golden era (photos 20 and 21). There is definitely a case for pairing the Series 110 and Series 149 together as sisters (photo 22). In Lazenby’s book, she even states that the face on the Series 149 doll is “a smaller version of the Series 110.” I think you will agree after looking at the pictures in this article. Bibliography Lenci: the History of the Dolls, 2007, Nancy Lazenby Lenci Dolls, 1977, Dorothy Coleman
22 – The sisters - Lenci Girls
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27” CM Kestner 128, brown sleep eyes, HH wig w/ plaster pate, antique clothing $2495. 5-1/2” x 3” Steiff fully tagged Joggi groundhog 1958-69, $90. 14” Norah Wellings Scout with hat, P.C.M.P. on shoulder patch, faded blue pants $110.
14” CM 3 Hole Belton Ernst Grossman with Bru look, marked with fancy r 7, spring strung wood body w/ repainted arms & legs, pierced ears, blue stationary eyes, antique shoes, HH wig, little peppering on face $1250.
7-1/2” Vogue Toodles 1945 - 49 Tyrolean Pair in tagged outfits, Vogue on back of bodies $245. pair 7-1/2” Ronnaug Pettersen Norwegian pair, both tagged $195. pair 19” Ideal Toni P92 in tagged plaid taffeta dress, Fairyland shoes, great coloring, light brown wig $195. 16” Terri Lee in tagged cream taffeta dress, dark brown hair, replaced shoes, great face painting $165. 16” Terri Lee honey blond in tagged red & white outfit, holding original daisy $245. 10” Tiny Terri Lee walker body, platinum blonde hair, tagged dress $125.
17” x 10” x 18”H #204 Bliss 1910 Doll House with original litho paper covering (as is on right side and some edges), paint on pillars as is, wonderful two story house with chimney $995. 19” Effanbee Patsy Ann, compo is in great condition, redressed $225.
10” Circ. Bye-lo w/ blue sleep eyes, nice celluloid hands, purple stamped frog body $195.
14 ½” Schoenhut Carved Hair Girl, blue intaglio eyes, pink band through hair $1950. 15” Carved Hair Schoenhut Girl with pink bow, brown intaglio eyes, repainted head, hair and arms, redressed $795. 8” All Original Schoenhut Barney Google w/ copyright 1922 by King Features Syndicated label on foot $275. 3 ¾” Schuco Bear in honey colored mohair, black eyes $97.50 Now $72.50
12” 3 Hole CM French type 137 Belton, blue threaded pw eyes, pierced ears, piece glued left side of neck, hairline, early body with separate ball at top of straight legs $545. 15” Mother, 12 ½” Son, 11 ½” Daughter WPA Dolls ? possibly by Kansas City WPA Group, girls thumb glued, boys nose has had some work done $750. for 3 dolls Ann Parker of England 11-1/2” “An English Costume of 1852”, blue grey eyed lady dressed in pink w/ parasol $200. 8-1/2” “Alice” holding pig from Alice’s Adventures in Wonderland, mohair wig & blue painted eyes $225.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
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Paper is not just for writing!
This 9” doll reminds me of Peter the Great, the ruler of the Russian Empire (c. 1672-1725). Head and hands are made of papier mache, body stuffed with excelsior or straw, wool yarn wig. All original with many decorations made of Dresden type metal. Circa early to mid 1800’s, ’’s, possibly made by the J.D. Kestner, Jr.
Early Kestner papier mache with molded carton hat, inserted hair in the back. Michael Canadas and David Robinson Collection
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Rococo lady with molded hair and necklace by Kestner. She is seen in the company’s sample sheets. Michael Canadas and David Robinson Collection
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by Marina Tagger
remember sculpting a human head in my art class by first shaping a balloon like structure out of papier mache. I carefully mixed glue with other components, cutting strips of paper dipped in sour cream like mixture, followed by a brisk application of saturated strips to a fully inflated balloon. Once dry, I punctured the balloon, leaving a perfectly oval shape in its wake! Application of eyes, ears, mouth and a nose completed my ʻʻwork of artʼ. What a forgiving substance papier mache was to me that day! The ultimate compound in recycling, papier mache in French literally means “chewed paper”. Other terms are also used to describe this versatile art form, such as “carton pate”, a term coined by Philibert Delorme, “carton moule”, “carton-pierre” and “holzmasse” in German. Composition also encompasses this term. The components of papier mache are most often comprised of paper pieces, or paper pulp, and at times reinforced with textiles and held together with such things as glue, starch, weeds, rags or wallpaper paste. Some manufacturers used bran, rye, vegetable products, and even broccoli and cauliflower; a favorable mix for the maker, but even with the added ingredients such as potash and garlic for protection, a disastrous one where insects were concerned. An individual by the name of Matthias Koops of England, held a patent in 1800 for making paper out of straw, hay, thistle, hemp and flax. As did the German doll manufacturer Johann Daniel Kestner Jr. of Germany, who applied for a 1821 patent allowing him to make papier mache products completely devoid of paper, using such items as straw, moss thistle, bark, hey, etc. He must have certainly been inspired by Koopʼs product.
Greiners came in a variety of sizes as evidenced by this tiny 11” example in original costume. Kaonis Collection
An early papier mache wears her original regional style costume, cloth body, 18”. Kaonis Collection
Papier mache soldier with wood body by Kestner. Michael Canadas and David Robinson Collection
Historically, there were a variety of uses for this strong and durable compound. Papier Mache is very versatile, lending itself to plethora of uses. The earliest known examples of papier mache products are pot lids and helmets from Chinaʼss Han Dynasty (206 B.C.-220 A.D.), who were the inventors of paper itself! Ancient Egypt used “cartonnage”, which consisted of layers of linens or papyrus covered in plaster. The Egyptians made coffins and death masks out of this mixture. Kashmir and Persia had their own uses for papier mache. They produced trays, small painted boxes, etageres (shelves) and various cases. In Europe, in the early 18th century, gilded papier mache was used as a cheaper alternative to a more costly treated plaster or carved wood which was used in architecture. In 1772, an individual by the name of Henry Clay of Birmingham, England patented a process that treated laminated sheets of paper with linseed oil, which produced a waterproof effect. This invention lead to such sheets being used in the construction of door panels, coaches, or other structural items. Henry Clayʼss invention inspired an individual by the name of Theodore Jennens to patent yet another process in 1847, which entailed steaming and pressing the laminated sheets into various shapes. The sheets were then used for a variety of manufactured items, such as trays, chair backs and structural panels, which when adhered to metal armature or wood, would present a very sturdy item. The end product was then smoothed and lacquered, or simply finished with a pearl shell veneer. Russia also produced a large assortment of ornamental and painted papier mache items such as trinket boxes. Some were advertised in a Tiffany & Co. catalogue in 1893.
12” papier mache with hairstyle known as Apollo knot, so-called milliner-style body. Kaonis Collection
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20” papier mache with long curls, cloth body. Kaonis Collection
These handsome fellows came into my collection together. The man with the mustache, molded hair and a molded top hat is dressed in his original suit. He is on a carved wooden articulated body, 9 1/2”. His friend is 8” in height; the body feels like stuffed cloth or leather, with wooden arms and legs, all original. Both were made in the earlier part of the 19th century.
All original Motchsmann type body with squeaker, glass eyes, kid lower arms, 13”. Kaonis Collection 38
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In Ecuador, papier mache built over wooden structures and paper wadding is used for effigies, to represent years past. In America, during the 1800ʼs, one popular item was being made, a papier mache canoe. Very few examples of these paper boats survived, but the best known example was the ʻʻMaria Theresaʼ. It was used by Nathaniel Holmes Bishop to travel from New York to Florida (1874-1875). An account of his adventures can be read in a book entitled Voyage of the Paper Canoe. Because of the versatility of papier mache, and how it lent itself to strength in construction, it was a popular medium used for doll production. According to The Collectorʼs Encyclopedia of Dolls by Dorothy S., Elizabeth A. and Evelyn J. Coleman, one of the earliest written records of dolls made out of papier mache was found in Histoire Des Jouets Et Jeux Dʼenfants by Fournier. It states that during the reign of Francis I of France, (1515-1547), “...doll makers always used a mixture of clays, paper, and plaster called ʻcarton-pierreʼʼ (literally ʻ“stone pasteboard”). Moreover, according to DʼAllemagne, ʼʼAllemagne, Philibert Delorme said in 1550 that cartonpate (pasteboard dough or papier-mache) was poured into molds for dolls.” Also, in German Papier-Mache Dolls 1760-1860, Christiane Grafnitz, states that, between 1700 and 1820 very special kinds of papier-mache dolls were made from carton moule...which were certainly popular among ordinary people. The head, body and sometimes also the thighs were made in carved wooden or poured hollow plaster moulds in which small pieces of soaked glue paper were layered in a special way. The modeling and painting were usually very simple. Some of these dolls have a merry, naive kind of aura about them.
German Oriental Papier Mache Soldier 12-1/2”. Papier mache head with a flange neck, straw stuffed body with cloth arms, composition hands and legs, and a molded hat, c. late 19th century.
Attributed to J.D. Kestner, of Germany the seated gentleman bears a striking resemblance to Benjamin Franklin. He is jointed at the neck, so that when moved, his head wobbles. 6” in height.
Throughout the 17th, 18th and 19th centuries, toy makers, or “Dockenmacher” in Germany were already well on their way to producing items and dolls made of papier mache based on a variety of patents. Places such as Sonneberg, Rodach, Nuremberg, Neustadt, as well as French and English towns were producing toys. Some of the toys and dolls were molded and finished by individual artists, while others were pressed into plaster or sulphur molds, in two part and three part assembly. The heads were varnished, and some even sported a thin layer of wax, giving the dolls more of a lifelike appearance. The wax-covered dolls are known as “wax-over” dolls. In the early 1800ʻs, it was noted that by using a pressure process to mold dolls, these same dolls could be mass produced for the market. It is believed that this knowledge came via Paris around 1807 to Sonneberg, laying the ground work for the German doll industry and production. In the 1820ʼs, doll heads of papier mache were being assembled on leather bodies with wooden limbs, wooden articulated bodies, or even cloth bodies, known to collectors today as “milliner’s models” or “coiffure dolls”, with elaborate hairstyles depicting their production time period. Prominent German doll manufacturers such as Andreas Voit, Johann Friedrich Muller, who was also a trained doll maker and a modeller, Martin Grabner and Johann Daniel Kestner were already established in their trade in the early 1800ʼs, producing dolls and items such as figurines, animals, masks and toys made of papier mache. With the end of Napoleonic Wars, the Continental Blockade and the advent of the Industrial Revolution, export of papier mache goods became predominant. The goods were being exported to such countries as France, England, Russia and America. For example, Andreas Voit sold doll heads with open mouths and bamboo teeth to France, where some were adorned with real hair wigs, elaborate regional costumes, and latest fashions. These dolls were known as “Paris Dolls” or “Pauline” and were exported throughout the world.
Jester, 18”, head and hands are made of papier mache, His body is stuffed, possibly with cotton. French wool knots embellish his costume and hat which has a functioning bell at the tip. Late 1880’s, ’ ’s, German made, possibly for the French market.
Elderly Lady/Witch, 15”, all original. She has a smiling open closed mouth, with molded teeth, and sports original wire rimmed glasses, mohair wig. The body is cloth, but the arms and legs are made of papier mache/composition compound. According to one source, these types of heads were also used on mechanical and other classic German toys. German, c. 1890’s. ’ ’s. ANTIQUE DOLL COLLECTOR
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This is one of my favorite characters in my papier mache collection. With incredible molding details, he is believed to have been made by the Kammer & Reinhardt. Papier mache head, five piece jointed articulated body, of a chubby construction. He wears his original Dutch outfit with wooden clogs, and is 9” in height, c. early 1900’s. ’’s. The background image is courtesy the Carmel Doll Shop.
12” Dutch Boy with molded black hat, possibly made by Louis Amberg. Composition head, cloth body, with a mitt construction stitched fingers and a separate thumb. His outfit consists of a blue tunic and the pants are a part of his body, c. 1912.
Another of my favorite characters is this German made papier mache googly, 20”. It is dressed as a female, but if one removes the hat, on can see a clearly receding molded hairline. Papier mache head, straw stuffed cloth body, cellluloid hands, composition legs. C. late 1900’s ’ ’s to early 20th century. 40
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Smiling Dutch Boy, with molded black shoes, composition, jointed at the neck, shoulders and hips. Possibly French, he wears his original clothing and stands 7” in height, c. early 1900’s. ’ ’s.
During the early to mid 1800ʼs, fashion was all the rage. Dolls sported a variety of hairstyles and clothing to exhibit the trends of the decades. Earlier dolls, with their elegant oval faces fancied elaborate hair designs in a variety of styles, while later dolls (c. 1860ʼs), sported more round faces, with shorter hair and curls framing the face. Male counterparts to the lovely lady dolls also trended their own fashions. The majority of male dolls were dressed in the time period garb, consisting of tight fitting trousers and tail coats in a variety of colors (pre 1860ʼs), and darker tones (post 1860ʼs), as well as military fashions, sporting swords and emblems, or as children. Some were dressed as foreigners from other countries, while others were dressed as jesters, or common people. The mature male exhibited a variety of hairstyles and facial hair, from walrus mustaches and goatees, to basic sideburns, mutton chops and handlebar mustaches. As the time progressed, the male dolls wore longer, side parted hair, as well as a variety of hats. Top hats became popular in the later part of the 1800ʼs. In the later part of the 19th century, and the beginning years of the 20th century, various manufacturers such as Kammer and Reinhardt, Cuno and Otto Dressel, as well as other smaller companies manufactured both male and female dolls representing people of all ages, from children to the elderly, as well as caricatures, such as “The Katzenjammer Kids”, based on the cartoonist’s Rudolph Dirks first comic series, published in 1897, depicting unique family adventures of a comical family and their friends. During the height of papier mache doll production in Europe, the US had its own innovative designer. In 1858, in Philadelphia, PA., Ludwig Greiner, a German born doll manufacturer, patented a papier mache shoulder head. The doll had molded hair and painted
American Composition Boy Scout, c. 1915, maker unknown. Jointed at the neck and shoulders, wearing finely molded Boy Scouts clothing, a hat and a backpack. He has blue glass eyes, 14.5” in height.
or glass eyes, and came in sizes ranging from 11 to 35 inches in height. The doll sported a “covered wagon” type hair design, which was one with the mold, and generally parted in the middle with curls on the sides. The earlier molds mostly had black hair, while the molds that were produced in 1872 began exhibiting blonde hair. At the time, there were probably as many blonde haired dolls being produced as there were black haired beauties. These dolls were primarily manufactured with painted eyes, although some are found with glass eyes in various shades of turquoise. Many of these dolls are found on Lacmann made bodies, and a label with the patent information on the back of the shoulder plate. By the late 1860ʼs, papier mache production began tapering off in Europe, and falling out of favor with the consumer, although some companies were still producing dolls and items made of this compound. England was still manufacturing items, while importing many products from China. The market was seeing an overabundance of merchandise made of papier mache, and with new materials being introduced as a replacement, the industry began losing its grip. One of the final manufacturers in England, McCallum and Hodson, closed their doors in 1920. With changes sweeping throughout Europe, and the advent of WWI, doll imports into the US became more difficult to acquire, giving opportunities for other US companies to begin manufacturing their own dolls. Such companies as E. I. Horsman and Co., who introduced the Billiken doll and the Campbell Kids, Ideal Co. and Effanbeeʼs Patsy were sweeping
This all original composition gentleman is believed to be made by Cuno & Otto Dressel, c. 1900, and is a combination of composition and papier mache. He is fully jointed, including the wrists. 17” in height.
Sibyl, The Fortune Teller Doll, made in Los Angeles, CA., early to mid 1900’s. ’ ’s. Head and hands are composition. Her skirt consists of individually inserted paper sheets, with a variety of fortunes in them. I have only seen one other which came with instructions on how to read one’s ’’s fortune, and listed the company as THE SIBYL FORTUNE TELLING DOLL CO., 1738 So. Oxford Ave. Los Angeles, Calif.
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All Original “Nelson Eddy” Doll In Box, papier mache head and a cloth body with mitten type hands, and individually stitched fingers. The label on the bottom of the box states: “1/12 Dz. 9432/137 Bulgaria $2.75 made in Germany.” Nelson Ackerman Eddy (1901-1967) was a popular American actor and singer, who appeared in musicals during the 1930’s ’’s and 40’s ’ in nightclubs. 13”, circa 1930s.
Papier mache pirate (head, hands and feet), wire jointed at the shoulders, leading down the arms. A harmonica type of a body structure frames his middle. When compressed, he makes a sound and his legs move. All original, 11” c. early 1900’s. ’ ’s. Maker unknown, probably German. Papier Mache Winker Boy 7” tall, similar to the pirate in construction. Made fully of papier mache, except for his wire jointed arms, he also has an accordion like middle. Early 1900’s, ’’s, German.
the market in the early 20th century with their composition made dolls. Composition products are made similar to the papier mache products, using a variety of recipes for their materials and techniques, and made by either pouring the substance into molds or by using the “cold press” method. These composition dolls became quite popular with the masses, and their production lasted well into the 1950ʼs. Papier mache items are still in use today, even though they comprise theatrical sets and parade floats, pinatas and arts and crafts movements. They are still widely used in Mexico to make dolls and figurines, as well as other parts of the world where ease of construction, light weight and low cost are still important. Although the popularity of their golden era is long gone, as collectors, we will continue enjoying our precious dolls and characters of days gone by, and appreciate the craftsmanship and the ingenuity that made papier mache dolls truly special. Happy Collecting!
Unless noted dolls from the author’s collection.
This little fellow reminds me of the German made bisque character dolls. According to Ursula Mertz, an expert on composition dolls, he is American made, c. 1915, maker unknown. He stands at 15” in height, and has a composition head and hands and a cloth jointed body. 42
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BIBLIOGRAPHY Cieslik, Jurgen & Marianne. German Doll Encyclopedia 1800-1939. Cumberland, Maryland: Hobby House Press, Inc. 1985 Cieslik, Jurgen & Marianne. Button in Ear Steiff The History of Teddy Bear and His Friends. Germany: Satz + Druck gmbh, Dusseldorf. 1989. Coleman, Dorothy S., Elizabeth A., and Evelyn J. The Collector’s Encyclopedia of Dolls, Volume II. New York, N.Y.: Crown Publishers, Inc. 1986. Edward, Linda. Eleventh Edition Doll Values Antique to Modern, Paducah, Kentucky: Collector Books. 2011 Grafnitz, Christiane. German Papier-Mâché Dolls, 1760-1860. Germany: Verlag Puppen & Spielzeug. Gert Wohlfarth GmbH. 1994 Mertz, Ursula R. Collector’s Encyclopedia of American Composition Dolls 1900-1950. Paducah, Kentucky: Collector Books. 1999 www.wikipedia.org www.papiermache.co.uk/articles
Phil May Antiques & Collectables Ocean Grove, NJ 732-604-3011
dollmanofog@aol.com
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20 1. a. Wonderful and rare “Dicky Bear” by Steiff –printed velvet paw pads button - very nice condition, c. 1930, 17” - $4750. b. J. Chein USA sand pail - bears at play, c. 1940/1950 - $295 2. Early 8 ball jointed Kestner - square cut metal teeth - marked 12 c. 1880’s - 19” - excellent condition and nicely dressed - $1295 3. Beautiful S&H Santa - totally original - marked “Santa” head and body, approx. 18” - perfect - $1350. b. Early Steiff Monkey - c. 1910 - glass eyes - wool and felt - minor ear repair - 8-1/2” - $295. c. Sand pail marked “Seaside” children at play on the beach (one holding “seaside” pail) Also shows bi-plane and sailboat - 5-1/2” - $445 4. Rare black AT Kestner made for French Market - Paris label - perfect and beautifully dressed - 13” - $4500 5. Orig. Kathe Kruse Series I - excellent condition - unusual orig. outfit - 16” - $3900 6. Lovely “A” series Steiner - flawless bisque - original body finish and wig working Mama/Papa pull strings, approx. 22” - $4500 7. Kamkins - original outfit and great condition - $2200 8. Polar Bear by Deans of England - original button - named Ivy - 18” 9. a. A K * R 116A Character - 13” - great toddler body - excellent bisque and
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outfit - $1800. b. Rare Heubach Character girl #8428 - blue glass sleep eyes 10-1/2” perfect $1750 a. Highly sought after “Cynthia” by Madame Alexander, circa 1940 - original clothes with tag - choice condition - $1195. b. Black Patsy Jr. - 12” - EFFanBEE - 1930’s - wonderful condition (minor repair back of neck) $445 a. Ideal Teddy Bear with twill nose, c. 1905 - nice condition - $1200. b. Bisque Hertwig boy holding Teddy Bear - perfect - $165. c. Bisque girl holding Teddy Bear - perfect - Germany - $165 a. 14” Lenci in folklore costume - tagged - mint condition - great color - $1395. b. Lenci in folklore costume of Brussels - w/label - mint condition - $1395 Bisque head clown riding a bear, beautifully preserved, all orig. $1800 a. (front) 22” K * R 403 - original 8 ball jointed body - unjointed wrists - top of the line model of this classic - long mohair wig and ermine trimmed coat - from the original family - $1350. b. Boy - Sold. c. S & H 949 - open mouth 29-1/2” - exc. cond. - gorgeous outfit made from antique fabric - $1395 Child’s “Teddy Bear Dish Set” - perfect - circa 1905 - Germany - $695 Rarest of the rare Teddy Bear Candy Container - shoe button eyes, c. 1905 - I’ve never seen another - $4750
17. Charming early Teddy Bear Print (child and bear praying) “Appeal for Teddy Bear” 1907 - $350 18. a. “WAVES” by Mdme. Alexander - 15” c. 1940 - very nice condition, original tagged outfit - $695. b. “WAVES” by Mdme. Alexander - c. 1940 - original condition in rare small size, approx. 11” - $750 19. Very rare ebony black Steiner boy in perfect condition - great old outfit, approx. 10” - $5750 20. “Bearkin” made by Eduard Craemer of Thuringia, Germany, c. 1935 for FAO Schwarz, NY. The teddy has its original case and wardrobe with 5 outfits incredibly hard to find in this condition - $4950 21. a. Golliwog by Merrythought of England - original label - excellent condition - 13” - $365. b. Golliwog with label reads: Made in England for Len Art Import Ltd - excellent condition - $365 22. 20” “Baby Bokaye” - perfect flawless bisque and wearing great outfit - $1800 23. EFFanBEE “Anne Shirley” in original rare negligee outfit - 18” - excellent condition - $295 24. Mary Hoyer in original box with stand and 4 beautifully made extra outfits (possibly Molly) - excellent condition - $675
Four all original early Horsman babies, sold for about six years and more. They range in size from ten to eighteen inches.
Studying Dolls – An Ever Enriching Experience
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By Ursula R.Mertz Photos by Christopher Partridge
henever I am able to add an all original doll to my collection I feel fortunate. Time has stood still and lets me study an item that was created a long time ago. A full page ad placed by E. I. Horsman and Aetna Doll Company of New York City in Playthings Magazine in the April 1920 issue was illustrated with four babies sitting all in a row. They were called “Rosebud Babies.” The new doll in my collection matched the tallest one. What a find! Every so often I would pull out the ad and wish for the other three dolls. Wouldn’t it be fun to have all four? Patience and diligence does bear fruit. Eventually another all original baby of this series showed up, then another one and just recently, the Christmas present from a friend turned out to be the fourth. I couldn’t believe my good fortune! How lucky! I had all four. The other three were not 44
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as complete as my first doll. Two probably originally had bonnets, and the smallest one had lost her felt shoes. Yet, who would fuss! These toys are almost one hundred years old. On closer inspection I realized that my dolls did not exactly match the ad illustration. There, three of the dolls feature identical heads, the smallest one’s is different. In my line-up they match by two and two. The markings also do not coincide. My 14” doll is marked 1914. Two bear no identification and only one is marked E.I.H. © A.D.C., an indication that only this doll had been manufactured around the time of the ad. Left: Full page ad placed by the E. I. Horsman & Aetna Doll Co., of New York, in Playthings, dated April 1920. The dolls were called Rosebud Babies.
16” Bonnie Babe. Marked: Copr. By // Georgene Averill // 1005-3652 // Germany // 13866/45. Slightly molded, painted hair, blue glass sleep eyes, open mouth with two lower teeth. Old romper, shoes and socks. Bonnie Baby was produced an a wide, soft stuffed mama doll body with inset crier with composition limbs and stitched hip joints, no shoulder joints.
13” Bisque headed, all original dolly face mama doll sold by Geo. Borgfeldt & Co.
It is well worth the time to study Bonnie Babe’s face. Its crooked smile is most appealing. The eyebrows have been brushed on ever so softly as were the eye lashes. Dimpled cheeks and a double chin were subtly modelled. It all adds up to a masterful job. Who could not love that face?
13” Marks: K And K // Made in Germany. Bisque shoulder head, brown glass sleep eyes, open mouth with two upper teeth, mohair wig. Short compo arms, stuffed cloth body and limbs, no shoulder joints, stitched hip joints.
It is so easy to display Bonnie Babe in a life like setting. ANTIQUE DOLL COLLECTOR
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18” Gladdie marked: Gladdie // Copyriht By (no “g”) // Helen W. Jensen // Germany // 1005 / 1420 – 36. Firmly stuffed mama doll body with crier and composition limbs, jointed at shoulders and hips. Flange head made of Biscoloid, molded, painted blond hair, blue glass sleep eyes, open/closed mouth with painted upper teeth (one painted line). The face is deeply modeled.
Why are these considerations of any consequence? All collectors are eager to identify and date their new acquisitions. A doll showing the markings “1914,” would be considered to be from that time. Yet, in this case my particular doll was sold six years later and probably beyond. It also proves that manufacturers were not fussy in using available dolly face heads when putting together their collections and in this case calling them Rosebud Babies. As the ad so aptly stated, these “Horsman Baby Dolls with the Rosebud Head have been the leaders in the doll world for years.” They were of excellent quality. Their cloth bodies well shaped and stuffed firmly with cork. Their shoulder and hip joints fitted snugly and were constructed with hidden disks. Even though the afore mentioned babies may have been offered for six years and more, things never stand still forever. The bottom of the ad carried the following announcement; “ Horsman Bisque Dolls. The famous Rosebud Model is now being produced in real bisque …” World War II had ended in 1919, and the formerly very popular German dolly faced, ball jointed bisque dolls that had dominated the market before the war were making a comeback. In the meantime, Georgene Averill, of Averill Manufacturing Company, had introduced her composition mama dolls in 1918. A mama crier was imbedded in their soft stuffed cloth bodies, and they featured stitched hip joints. Advertised as the dolls that walked and talked, sales were slow at first, but by 1922, the new mama dolls were dominating the market. The German dolly faced bisque 46
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dolls would never regain their previous market position. In 1920, Horsman and other major doll distributors wanted to be sure they retained their strong market position and decided to offer American made mama dolls with German bisque heads. Apparently, these examples were not very popular, as they are hard to locate. Though offered later, two additional dolls produced with German bisque heads and American made cloth mama doll bodies are worth mentioning. Unlike the previously discussed examples, they featured so called character heads designed by women artists. One of them was Bonnie Babe and the other Gladdie. Bonnie Babe was created by Georgene Averill for Geo. Borgfeldt and Co. Its soft stuffed cloth body is wide and has stitched hip joints. With its crooked smile and dimpled cheeks, it was and is a favorite. Bonnie Babe was sold in six sizes and was also available in a small size made of all bisque. In 1929, Helen W. Jensen created Gladdie for Geo. Gorgfeldt & Co. With her wide, infectious smile, she seems to be a tomboy kind of girl. The rarer form of this doll features a bisque head and the more readily available one a head made of a type of pottery called Biscoloid. An entry for 1929 in the German Doll Encyclopedia by the Ciesliks states that Biscoloid was a registered trademark owned by Hertwig & Co., in Germany. Gladdie was offered on the slimmer, firmly stuffed mama doll body with straight legs and jointed hips. Lucky for today’s collectors, both Bonnie Babe and Gladdie (at least the Biscoloid version) are readily available in today’s collector market.
Blackberry Studio
Margaret Gray Kincaid
Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com
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& LOWE
Connie
Jay
See us at the 64th annual UFDC convention in Washington, D.C. July 29 to August 1 at the Washington Hilton. Wednesday, July 31st is Public Day.
P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With ConďŹ dence
Member of UFDC & NADDA
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ANTIQUE DOLL COLLECTOR
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The Dolls of Michael Lee Little Man - Big Heart
A
by Margo Delaughter
s doll collectors we sometimes focus all our attention on the dolls of well-known toy makers. We read articles and books about these dolls and eagerly seek them out at doll shows. Dolls of lesser known makers are often passed over in our enthusiasm to obtain the doll of a well-known doll artist or company. Such is the case I feel with the dolls made by Hong Kong doll maker Michael Lee. This article is written to tell the story of a remarkable man who was a humanitarian as well as a doll maker. Mr. Lee made dolls not for his own profit, but to help his fellowman. Mr. Lee’s early dolls were made of composition and cloth and dressed in wonderful authentic Chinese clothing. It is these dolls that are featured in this article, but mention is made of his later dolls to show the transition from composition and cloth, to all cloth and finally to cloth and vinyl as he attempted to keep up with the ever changing world of dolls. All of his dolls came with a red and white tag stating that it was a Michael Lee character doll that was made in Hong Kong. Each tag included the doll’s name, a number and his trade mark name “MICALE”. There was also a cloth tag sewn on the body which had the doll’s name and stated that it was made in Hong Kong by Michael Lee. Mr. Lee made dolls from 1947 until the 1990’s. It was on the website of a doll dealer that I discovered a 10-inch chubby Chinese toddler with a beguiling smile that immediately elicited the same smile on my face. One look at his original Chinese child’s outfit complete with a tiger ear hat and I knew I had to have him. A quick email to the dealer and he was in my possession. The doll’s hang tag as well as a rectangular tag on his body indicated that he was made by Michael Lee of Hong Kong. The body tag was also stamped No. 2 (Photos 1-3). His name was listed as Bow-Bow. The doll has a composition head and composition lower arms and legs. His cloth body is firmly stuffed and on his feet are red painted shoes and white socks. The little outfit is very well made. He wears black pants that are tied at the ankle, a dark blue flowered tunic, a blue apron with a large pocket in front and a tiger eared hat trimmed in white and pink. It is interesting to note that his pants are not really pants as they are open at the crotch as is typical for young Chinese children. Then, much to my surprise, his “twin” appeared on eBay (Photo 4). Naturally, my first Bow-Bow needed a companion so I purchased that doll too. The dolls bear the same name and similar outfits, but the second doll is barefoot and his hat is trimmed in gold. The body tag on this Bow-Bow is different from the first doll (Photo 5) A short time later I viewed an original hang tag that explained the meaning of their name. The tag stated: “Bow-Bow means treasure. He is generally a peasant boy, a native of northern China or district around Yangtze Valley. His padded gown and practical split-bottom pants are of native patterns. His tiger hat symbolizes valor. His apron has a pocket for his playthings. He is a jolly, rosycheeked, healthy little fellow.” He is indeed all of these things! These dolls began to interest me so I continued to check the eBay doll site in search for more of Michael Lee’s dolls. I was rewarded when his doll DiDi came up for auction (Photo 6). He has no hang tag, but does have a rectangular tag on his body similar to the painted shoe Bow-Bow tag stating that he was made by
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Michael Lee of Hong Kong. The tag also has No. 1 printed on it (Photo 7). This doll, like Bow-Bow, is 10 inches tall and has a composition head, stuffed cloth body and composition lower arms and legs. He wears a blue silk lined tunic over his yellow silk pants and a short black silk lined jacket. DiDi must represent an older child or adult as his pants are not split-bottom. A replaced black Mandarin hat with a red pompom sits atop his head. His feet have painted white socks and black painted shoes. I believe he depicts a well to do young man or youth in contrast to the peasant boy Bow-Bow. My friend, Cynthia Orgeron, learned about my interest in the Michael Lee dolls so she lent me her doll for my study. Her doll was a girl by the name of “Sampan Girl” (Photo 8). She is dressed in a blue cotton tunic and black pants and is barefoot. Her body tag shows her name, the Michael Lee trademark and the No. 5 (Photo 9). Her face shows a more pensive look than the boys. She has yarn braids attached to the back of her head as well as painted hair (Photo 10). She too is 10 inches tall. Quite a charming little lady! A similar girl model is shown with a baby on her back (Photo 11) and is labeled on her hang tag as “Mother & Child” and No. 8. Mother is 10 inches tall and baby’s bent limb body is 4.5 inches seated. Her body has the rectangular “Micale” trademark of Michel Lee. I did not remove the baby to see if she/he was marked. Mother carries her baby on her back by a suspension band faced with red silk embroidery. She wears a blue and white striped tunic with frog closures and black silk pants. She has two colorful black and orange braids on either side of her head. Baby wears a pink and white shirt and blue cotton short pants. Both dolls have composition heads and lower arms and legs with cloth bodies. Her information tag tells us that she is a Cantonese mother who carries her young “pickaback” in order that her hands may be free to work. Now that I had seen these delightful dolls, I wanted to know more about Michael Lee and his 50
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dolls. My Internet search did not produce much information. However, there was an article about Mr. Lee by Denise Van Patten, author of Official Guide to Dolls, on her website (www. collectdolls.about.com) and another by Mary Chandler in the now defunct Village Life Magazine, the first e-zine on the Internet. Fortunately for me, I contacted Denise and she was able to supply the names of two other sources for more information. These sources were Anita Sue and Harry Lee Gibson and their son Craig as well as Mattie Genovese. They were all friends of Mr. Lee. These wonderful people were instrumental in giving me the
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information I needed for my article. They were so pleased that I wanted to tell Mr. Lee’s story. From them I was able to tell the story of a small man with a very big heart filled with love for his fellowman. Mr. Lee was only 4 feet 6 inches tall, but in a sense, he was a giant among his peers. Michael Lee was born in 1906 in or around Shanghai. His family was quite poor and when he was seven years old American missionaries came to Shanghai. The missionaries told him he could go to school for free if he could pay the $2.00 entry fee. This was a great deal of money for a poor family. However, his mother was able
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to pawn most of their possessions so that he could attend school. While attending school he learned English, finished high school and then graduated from college. He taught physical education for eight years even though he knew nothing about the subject! When the Communists took over Shanghai a stranger paid for his transportation to Hong Kong. Mr. Lee never forgot the kindness of this stranger and this event seems to have shaped his life and his dealings with the less fortunate. Upon arriving in Hong Kong, Mr. Lee lived in a crowded refugee camp where conditions were harsh. In 1947 he left the camp and began to make his dolls. His small apartment at 117 Shanghai Street, Kowloon, Hong Kong was his home and his doll making factory. The dolls were never made in a large factory because Mr. Lee did not make his dolls to become rich. He was content to make enough money in order to help others. One site on the Internet stated he produced about eight dolls a day. He only hired refugees to make his dolls and he allowed them to bring their children with them when
they came to work. Many of these children he later sent to college at his own expense. No mention is made that he had a wife or any children of his own, but he did love children. He was also generous to those living in the refugee camps, however, he only helped them financially when they left the camps. It seems he did this to encourage them to help themselves by working and not to simply accept hand-outs from others. Mr. Lee was also an actor and played parts in many films. These films included “Operation Dumbo Drop” in which he played the village chief; “Between Heaven and Earth” and the award winning Hong Kong production of “Cage Man”. These accomplishments made him a successful man, but he lived modestly and gave generously to the poor. His first dolls are the dolls described in this article. The dolls had composition heads, hands and lower legs while his later dolls were
of cloth (Photo 12) and lastly of vinyl. Some of Mr. Lee’s early dolls are on display in the Singapore Toy Museum along with a tribute to him. As we have seen from the early dolls in this article, each doll had a hang tag and a chest sticker with Mr. Lee’s name printed on them. His later dolls had either hang tags or were signed on the foot or back with his name and chop. Mr. Lee made a variety of dolls throughout his career. Some are typical “Chinese people” while others (the cloth variety) included an Australian Outback man, Uncle Sam (made for the American Consulate in Hong Kong), Santa Claus and even a Richard Nixon doll! An exclusive department store in Hong Kong, Lane Crawford, commissioned him to decorate their Christmas display one year and Mr. Lee created some beautiful elves which were well received by the public. His cloth and vinyl dolls were mainly made in the late 1980’s and 1990’s. Mr. Lee made dolls right up to the time of his death in 1996 at the age of 90. Most of his dolls have
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happy smiling faces and in all his pictures Mr. Lee also has the smile of a happy contented man. In an interview with Mary Chandler, written for the Village Life Magazine, I think he expressed his view for finding happiness in life quite well. He told Mary that he almost became a Communist because communism would take care of everyone. All would work and there would be no poor. The Communist Party he felt could do more to help the masses of poor than just an individual like himself. Then he heard of a group of Quakers in the United States who had come together at a gathering. Each member carried an unlit candle. It was night and very dark. Then each one lit their candle and all the candles together dispersed the darkness. Mr. Lee then told Mary that he could be one candle and help others and everyone else could become a candle and help. His dolls were his way of lighting the way for others and by making them with love he was able to help his fellowman. When I attend doll shows today or surf the Internet, I look for those other little masterpieces created not just for profit, but for a purpose. All dolls tell a story, some just have a little bit more to tell than others. I would like to express my thanks to Denise Van Patten who put me in touch with Anita Sue and Harry
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Mr. Lee
Gibson and Mattie Genovese. These wonderful people supplied me with first- hand information of their relationship with Mr. Lee. I also want to thank the Village Life Company (www.villagelife.org) for permission to use the information from the article about Mr. Lee by Mary Chandler for the Village Life Magazine.
SHOW REVIEWS The Northern Ohio Doll & Bear Show Fun Fair April 12 & 13 F N or over thirty years the Northern Ohio Doll & Bear Show has offered a fine array of antique and vintage collectable dolls as well as modern and artists dolls for your enjoyment and consideration. This year was no exception with several hundred in attendance breaking the winter blahs on February 24, 2013 at the Strongsville Holiday Inn in Strongsville, Ohio. Along with the wonderful assortment of dolls the show offers door prizes, doll stringing and professional appraisals. The next show is scheduled for August 18, 2013. Hope to see you there! For more information contact Gail Lemmon at (440) 396-5386 or Lynne Fassinger at (440) 477-7174
Shari McMasters offered her expertise giving appraisals and restringing dolls. She also presented a wonderful selection of rare antique German character dolls including a Kestner X, Simon and Halbig 949, a Gebruder Heubach 7287 and a painted eye child by Kammer and Reinhardt.
orm Schaut’s Fun Fair delivered what it promised . . . a variety of antiques and collectibles including toys, holiday decorations, general antiques, antique advertising, dolls, teddy bears, folk art, vintage clothing and more, some 250 dealers in all. The former promoter of the “Atlantique City’ Antiques and Collectibles Show, Schaut promoted the show heavily, even attracting several prominent European dealers. At the Saturday morning opening an eager crowd was wrapped around the Lehigh University Field House in Bethlehem, an attractive venue located in this historic town in PA.
Barrois pull toy, $1450. Jay Lowe, Lancaster, PA.
Ron Van Anda, Lititz, PA.
28” German bear, $2500 and c. 1900 Schuco bear, $1200. Phil May, Ocean Grove, NJ.
An exceptional mint Philadelphia Baby, $4850, Marion Maus, Ellicott City, MD.
A large assortment of beautiful French and German antique dolls was presented by Two Beths Dolls of Cincinnati, Ohio. Toni and Shari Gordon, former hosts of the show were on hand with a nice selection of Stieff animals and collectables dolls. This was a special day for them as the celebrated their 45th wedding anniversary. Toni proclaimed there was no better place to celebrate than the doll show. A collection of Skookums, Gemma Leigh, Pottstown, PA.
Author Ken Yenke was on hand offering appraisals of antique bears and toys. He showed this original American Hecla bear valued at $1500. 54
ANTIQUE DOLL COLLECTOR
Specializing in rare and exceptional composition dolls, All Dolled Up presented a wonderful selection of antique and vintage collectable dolls featuring American Children dolls by Effanbee. JUNE 2013
Barbara Lauver, Mt.Gretna, PA offered this magnificent Steiff bear with early button, c. 1906, for $8200.
Napoleon wind up toy, $2200 and mint papier mache in box, $325. Pat and Rich Garthoeffner, Lititz, PA.
A fabulous Santa and Sleigh with eight (not shown)reindeer. Nancy McGlammery, Lancaster, PA.
s ’ i z t i FArntique Dolls UFDC
Large fabulous FG and gorgeous original Tete Jumeau
WE WILL BE AT THE FOLLOWING SHOWS: Gaithersburg, MD June 1 & 2 Naperville, IL June 9 UFDC Convention Salesroom Washington, DC July 23-26
Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net
Cell 630-247-1144
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector July 2013 Vol. 16, No. 6
July 2013 Vol. 16, No. 6 $595 / $695 Canada www.antiquedollcollector.com
An Important Marquis Cataloged Doll Auction, Sunday, July 28, 2013 Washington, D.C. at the historic Willard Hotel Preview 9 AM. Auction begins at 11 AM “In the Company of the Gentleman Bespoken” Highlighted by Part I of the
dolls bear blue ribbon awards
superb private collection of Estelle
from UFDC national conventions.
Johnston of Atlanta, Georgia, meticulously collected over a half
The auction also features other
century, with notable attention to
important and very fine antique
originality of historic costuming.
dolls from other long-held
The collection includes remarkable
private collections including the
early dolls that are virtually
rare French doll collection of
unfound today. (A sample of the
Grace Pope of Fresno, California
significant dolls from the Estelle
and the private collection of
Johnston collection are shown in
To order catalog call 800-638-0422.
a feature article in this magazine).
Arlene and the late Don Jensen of Kenosha, Wisconsin, noted
Estelle Johnston’s passion for dolls is both aesthetic
author, researcher, and lecturer on the subject of
and academic. She has been a highlight lecturer
American composition and celebrity dolls.
and Exhibit Chairman for UFDC, performed conservation work for the Strong Museum and her numerous articles have appeared in Antique Doll Collector, Doll News and Doll Reader. Many of her
Special Note: The Jensen Collection will be presented in a special session beginning approximately 5 PM.
the dollmasters P O B ox 1 5 1 • A n n ap o l i s , M a r y l a n d 2 1 4 0 4 U S A • To l l - f r e e : 8 0 0 - 6 3 8 - 0 4 2 2 • Fa x : 4 1 0 - 2 2 4 - 2 5 1 5 • w w w. t h e r i au l t s . c o m
The 450 lot auction catalog, comprising 180 pages in full color, can be ordered for $59 by calling 410-224-3655 or visiting www.theriaults.com. To view all of the dolls in the auction visit www.theriaults. com and click on the button for Proxibid (after July 10). Collectors are urged to attend this important auction event to bid in person. Absentee, live telephone and live internet bidding are also available. For more information, call 800638-0422 (or 410-224-3655) or email info@theriaults.com.
To view more dolls to be auctioned from the Estelle Johnston Collection see pages 18-22 of this issue.
the dollmasters
r Look fo C in D F U me at: gton, DC Washin 9-Aug 1 July 2
Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment.
Visit my website: www.grandmasatticdolls.com
2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446
21” “Triste #9 (Long Face) Jumeau Bebe, immaculate very pale bisque, blue p/w eyes, mauve under brows, “applied ears”, orig. mohair wig & pate & orig. “head coil”. “ALL FACTORY orig.” wearing pale aqua challis dress adorned w/rosettes & ribbons, gorgeous orig. hat, orig. undies, socks & “signed” Jumeau shoes & ant. bracelet. Head marked #9 on orig. early “signed” Jumeau 8 ball str. wrist body. The “smallest” of the Long Face Jumeaux & is absolutely STUNNING!!! Out of a private collection!!! $27,500.
16 1/2” E. 7 J. Jumeau Bebe, perfect pale pressed bisque, orig.”head coil”, blue threaded p/w eyes w/ early mauve blush under brows, luscious lashes, orig. mohair wig & pate. Wears ant. FACTORY Jumeau dress, ant. undies, ant. Fr. shoes, ant. crocheted socks & magnificent FACTORY Jumeau velvet hat w/plume. On orig. early st. wrist Jumeau body. Tremendous presence & an absolute KNOCKOUT!!! $8875.
14” Tete Jumeau #5 Bebe, immaculate pale bisque, huge blue p/w eyes, luscious lashes, orig. “head coil”, orig. mohair wig & pate, wears magnificent “factory original” pink silk, thin wool & lace Jumeau dress, gorgeous matching slip & undies, orig. crocheted socks & stunning “Presentation” Jumeau shoes “signed” in gold leaf w/ rosettes, orig. Jumeau earrings & Au Bon Marche hat. Has it all!!! On orig. “signed” Jumeau body. This Bebe is absolutely AMAZING!!! An OUTSTANDING example with great originality!!! $9550.
LAYAWAY AVAILABLE • Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
RARE 12” K * R 107 “Carl” Character, mint bisque, light blue intaglio eyes, orig. HH wig & pate, wears darling orig. 3 pc. cotton striped boys suit, added ant. hat, ant. leather low boots. On orig. K * R body, (tiny chip on thumb...not noticeable). Has huge pouting mouth, first out of mold deep modeling. Out of my own collection & has provenance. The most AMAZING adorable “Carl” EVER!!! $15,000.
13” Tete Jumeau O/Mo. Bebe, beautiful bulging blue p/w eyes, luscious lashes, mint pale bisque, 4 upper teeth, gorgeous orig. mohair wig & pate. Wears stunning pink silk & lace dress covered with fine ant. netting adorned w/pink silk ribbons, ant. undies & GREAT ant. Fr. hat, crocheted socks & ant. shoes. On orig. “signed” Jumeau body. Great cabinet size and the most beautiful huge expressive blue eyes. She is a MAGNIFICENT BEAUTY!!! $3275.
9” A.M. #310 “Just Me”, gorgeous side glancing blue sl. eyes, immaculate pale bisque, full orig. mohair wig & pate, wears “factory” orig. dress, undies, shoes & socks, an added ant. hat. “Signed” head & on orig. “Just Me” body in fabulous orig. condition. Great large size & absolutely ADORABLE!!! $1995
RARE 11-1/2” K * R 109 “Elise” Character, perfect bisque, blue side glancing intaglio eyes, orig. mohair wig & pate, wears magnificent batiste & lace orig. dress w/ribbons & embroidery, orig. undies, orig. shoes & stockings. On orig. K * R body, great condition! Fabulous deep modeling. Out of my collection w/ provenance. Absolutely OUTSTANDING adorable Character!!! $11,500.
15 1/2” Horsman Bonnie Babe Baby, big blue sl. eyes, perfect eye wax, painted hair, same face as small Bonnie Babe. Her modeling is fabulous, 2 molded lower teeth & molded tongue, just like the small ones, deep modeling. She is all smiles!!! Orig. stuffed body w/ compo. arms & legs, perfect bisque head. Wears darling little orig. ant. pink romper & ant. lace hat. I believe her body has been revarnished years ago, but looks great. She is very rare & absolutely DARLING!!! Sure to make you smile. $995.
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
Tell the truth… Where would you like to be July 22 - 25? A. Doing laundry B. At the gym
C. In Washington D.C. at the UFDC National Convention buying dolls! There is no wrong answer, but we are going with C! Hope to see you there!
Exhibiting: July 22 - 25 - UFDC National Convention Salesroom, Washington D.C., Washington Hilton Hotel BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
JULY 2013
Carmel Doll Shop This Summer we will be taking part in the 2013 National Doll Festival in Washington D.C.
Please visit us Saturday July 27, through Wednesday July 31, at the Georgetown University Hotel and Conference Center
3800 Reservoir Road - In The Heart of Historic Georgetown University
We would love to see you there!
Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA • Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls Please visit WWW.CARMELDOLLSHOP.COM • Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!
The Complete Guide to Antique, Vintage and Collectible Dolls
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LEGENDARY COLLECTION OF ESTELLE JOHNSTON to be Auctioned by Theriault’s on July 28 in Washington D.C.
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THE LEGENDARY PATSY by Jane Foster
One of America’s best-loved dolls shows off her family.
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THE ENCHANTING TROUSSEAU OF CHIFFONNETTE A CLASSIC HURET DRESS by Sylvia Mac Neil Bretelles, meaning braces or suspenders, were a classic component of the Huret dress. Variations and embellishments, such as soutache, create a special look. Fashion doll collectors will want to try the author’s simple pattern.
July 2013 Volume 16, Number 6
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ALSACE, FRANCE: HISTORY, DOLLS, AND BELOVED UNCLE HANSI
By Elizabeth K. Schmahl The French hero known as Uncle Hansi is an integral part of Alsatian history. Enjoy his story along with an amazing collection of dolls dressed in the traditional costume of Alsace.
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TRAVELING HOUSE: AN 18TH CENTURY SPANISH DOLLHOUSE
About The Cover
During the rein of Napoleon III the richness of attire was at its height. A classic style made for child dolls by Huret was the waistband and coordinating bretelle. Master seamstress Sylvia Mac Neil discusses the prevailing fashions of the era and their implementation as seen in numerous fashion plates from the Journal Des Demoiselles and Godey’s Lady’s Book. Chiffonnette models examples of the classic Huret dress and an easy-to-follow pattern for a bretelle will delight viewers.
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by Elizabeth Bentley Hamilton An eighteenth century Spanish dollhouse is luxuriant with brilliant color and exquisite furnishings.
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Emporium Mystery News Auction Gallery Calendar Classified
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA 1. How angelic is this rare 12” JDK 247 ‘Hilda’s Sister’ in so scarce a cabinet size. Its creamy bisque, gentle round pools of blue eyes and baby fine original mohair wig express her innocence – all in miniature antique silk finery such as you’ve never seen! $1250
2. What exuberance flows from the big happy heart of this unusual pint size K * R 116A at only 13” long! The gurgling open/closed mouth w/ molded tongue, deep dancing dimples cast in dewy sheen and twinkling brown eyes capture such joy. $1200 2
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ke Gbr. 3. Lifeli – as if y b a B h Heubac self, this 11” a doll it ure, with a tall fig ty all its li persona it among ns a c , n w o lls to your do ght li e d ’s e everyon s 11” circ. It . y c n and fa has a unique le head n possib expressio only in its ! ced size pronoun int. $895 m d n Signed a xample mint, 4” e ee 150 or fr signed $ ase of the h w/ purc ” example 11
6. 20” Puppenfabrik ‘208’ Toddler – happy boy with round face, shiny shoebutton eyes, tousled caracul wig and playful dimpled smile with tongue sticking out. A pip! $595 7. 18” “Burggrub Baby” – this jubilant character has vibrant blue eyes! What a lively expression so outstanding in color and oily bisque, plus a great dimpled body with fat folds in delightful vintage dress. $525 8. This Choice 15” Bahr and Proschild 620 Character was a special order design of superior quality. With delicate bisque, big trusting round 6 eyes and a unique genteel nature. A pet. $575 9. 18” Smiling Baby Girl – this Morimura Baby with sparkling blue eyes, broad smile with 4 teeth and rosy dimpled cheeks has a great body and very pretty original dress! $375 10. 20” Heirloom JDK 226 more scarce than many other Kestner models, he has the original set grey/ blue Kestner eyes, very fine quality bisque and of course the original body, plaster pate and 26” long 10 antique gowns, etc.! $650
5. Is a 15 Toddler ” All Bisque It is whe big enough? ! elegantl n its y proport io exceptio ned and n is this ra ally fine as jointed li rity with delicate mbs! His fe pink com atures and buttersc plexion with o his stren tch hair belie reserve! gth and $1200
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4. This compelling 16” signed Kestner ‘Hilda’ is such an eloquent exponent of the mold! The meticulous symmetry of the modeling is spellbinding as is the direct uncompromised honesty of her knowing blue eyes. Her tender gentle bisque radiates a peaceful beauty from within. $1895
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11. 20” Outstanding ‘Hanna’ Toddler – desirable name doll from S.P.B.H. in an unusually large size with such delicate breathy bisque molded into a sensitive heart shaped face w/ impish eyes, original lashes and wig too plus her original period ensemble – all mint! $895 12. 14” K * R ‘Kaiser Baby’ – the first character doll ever produced, this classic, in the premiere edition size, has the original K*R body with flawless quality complexion and the rarer brown eyes. A must! $425 13. 22” Seldom seen Cuno and Otto Dressel grown baby girl about to speak w/long auburn curls, thoughtful maturing expression and very special Dressel body with jointed hands. Lifelike! $525
Quality Antique Dolls by Mail
(212) 787-7279
P.O. Box 1410 • NY, NY 10023
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14. 1937 Mme Alexander 15” McGuffy Ana – all original with close mouth, braids, label and hat. Excellent! $375 Tiny Terri Lee – mint in original box with label, packaging and fancy lid! $295 15. Schoenhut Roly Poly - scarce baby version with sticker; cute and a great accessory! $495 Rare 11” Schoenhut Toddler – excellent, no repaint, smallest size and vintage clothes too! $750 16. What Fun! 16” Popeye and Olive Oyl – he unplayed, still has cap and pipe! Go Navy! $275 Olive – early rare hard rubber version with orig. dress. Oh Popeye! $295 Both $450 17. 8” Brown Hanna Toddler – in box w/ tissue and orig. Hawaiian costume w/ long hair and lei $275 Scarce Brown Heubach – mint, top quality and signed $275 18. 10” Mengersgereuth ‘828’ Character – such a pretty one, molded bows in her hair smiling mouth w/ ptd teeth, toddler body and period playsuit. $395 19. Rare Size 25” tall Simon Halbig Lady – mint 1159 with factory wig w/ hang curls, unusual light filled PW eyes w/ lashes, mint signed lady body, gorgeously made ensemble includes purse and ostrich feather hat! $2250 (See #42) 20. Being a deluxe model, this gentle 13” lad has the original mint, signed Dressel fully jtd. body found on some of the Gbr. Heubach Pouty ‘6970’ and he features those tender blue/grey glass eyes too! Just $1750 (see #29) 21. 15” 1920’s FnB ‘Mary Lee’ mint! With hip length curls, early tin sleep eyes/lashes, factory clothes, great color! $295 15” Schoenhut ‘Miss Dolly’ w/ Sleep Eyes – factory union suit beneath such fine original clothes, factory leather shoes w/ holes, orig. signed pate and no touchups! $595
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22. 14” Mint DeFuisseau Character – unique Belgium bisque head doll with complex modeling, great coloring plus all original clothes. $495 23. 5” Rare Bent Knee Kestner – jointed all bisque child, can sit in chair w/ feet down, all orig. fancy clothes and hip length wig! $650 Mint Sitting All Bisque – adorable, with stunning quality and mint mohair tresses. $275 24. Xmas in July – Mini doll size ornaments in orig. East German box. $95 Snow Children, Santas and Babies $75-$125 each, 8” E. Heubach Babies – chubby, sleep eyes characters! $210 each. Too cute! 25. Big Hair Babes – 12” Cameo ‘Bundie’ by Joe Kallus, signed and mint! $295 8” Betty unusual red head with orig. hang tag! $150 26. 3” All Bisque Baby w/ jointed limbs, probably Kestner, mint $145 6” Barefoot Kestner All Bisque – fancy factory wig, original clothes, cobalt sleep eyes, lip line, some petty flaws, just $1800 27. 13” Gbr. Heubach Piano Baby, fully signed; 10” c. head! 5” $295. Mermaid. $75
Quality Antique Dolls by Mail
(212) 787-7279
P.O. Box 1410 • NY, NY 10023
28&35. 16” Kestner Bru “Mariner” “Mariner – earliest of pale bisques, closed mouth tiny carved teeth, darling PW eyes, mint Schmitt style body, perfectly sea worth in her striking couture! $3500. A prize catch! 29. 13” Sensitive Glass Eye Heubach Pouty $ 1750 (see #20) 30. ‘Wow’ is this really mint, 15” fully dressed Supersize Byelo with its 12” c. head and the signed K&W compo body. Rare brown eyes too! Have one? $650 31&34. Large, mint and beautifully dressed is this choice 14” Dressel Lady 1469 with her heart shaped face, factory wig and those beguiling original ‘green’ sleep eyes and lashes! $2750 32&33. 13” Simon Halbig 1469 – sparkling crisp features on this dreamy sea maiden with crystal blue eyes w/lashes, gorgeous vintage silk layered ensemble and mohair tresses! $ 3250 34. See # 31 35. See # 28 36. Precious little 12” Dressel Child rarity on her fully jtd. signed Dressel body, raw silk dress and factory orig. heeled leather shoes and fancy underclothes! $595 37. Exquisite Dressel and Kister Model standing 12-1/2” tall with fully extended graceful arms and legs, stunning detail and drama! $750
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38. Heubach ‘Beach Baby’ - 7” chubby, signed mint and very scarce sporting the Edwardian bathing cap! $595 39. Hot sand can’t stop this 9-1/2” Borgfeldt 252 Googly with Kewpie style molded top knot and desirable chubby toddler body with starfish hands! $1100 40. 12-1/2” Very Rare Beach Baby Heubach – mint with bathing cap, striped trunks and shovel! Important yet fun! $1500 41. 5” Mint Victorian ‘Naughty’ – with the original detailed silk and lace negligee and store label! $750 Hertwig ‘naughty’ girl rolling up skirt $175 Asstd. jointed children with Molded Clothes $75 to $150 42. Rare large 25” Halbig 1159 Lady – mint $2250 (see #19) 43. 19” K * R 128 Toddler – a great celluloid flirt with glass eyes, naughty lids and lashes, original wig and clothes. Mint $350
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17 Loch Lane, Rye Brook, NY 10573 • (914) 939-4455 • Fax (914) 939-4569 Accepted Email: poupees57@aol.com • Generous Layaways Member NADDA • Member U.F.D.C.
25 inches of total magnificence. This super rare wood bodied, “Poupee Bois,” a spectacular Jumeau French Fashion, spent her life in sumptuous royal splendor. Her exceptional body is totally flexible with multiple joints on her arms and legs. Her stand was crafted especially for her and is responsible for the regal stance. She was costumed by Jim Fernando, a nationally known doll expert and costumer, in a luscious deep brown satin, with blue embroidered flowers and exceptional pale ecru lace. Touches like the faux diamond comb atop her original full gorgeous wig, cork pate, antique beaded bag and beautiful antique slippers, we couldn’t stop taking pictures. We’ll answer all questions, please call.
Please see our website or call for more details, and lots more pictures www.evelynphillipsdolls.com
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Photography by Paula Claydon
Jay & LOWE
1) 17” Nippon Oriental baby w/fixed glass brown eyes on a jointed composition baby body. Dressed in appropriate oriental clothing, this is a doll that is seldom found especially in such a large size! $950 2) 11” Heubach 8420 character girl on a jointed composition body w/blue glass sleep eyes and dressed in her original provincial clothing. This doll was from a New Jersey collector who primarily purchased dolls in the late 1940`s - the early 1970`s from Margaret Whitton, Grace Dyar, Maureen Popp and other well known old time dealers. Beautiful bisque, excellent original finish to the compo body, slight scuff to doll’s left cheek. $950 3) 9” German bisque headed Candy Container in excellent all original condition. Marked on rear of head MOA/Made in Germany, the doll stands on a circular candy box with the underside of candy box having a paper label: Huyler`s. the doll is dressed in her elaborate original cotton & lace dress. $325 4) An all original example of an early American tin toy from the 1880`s manufactured by Althof Bergmann. A clockwork girl on a velocipede, the head is a pressed linen with an “Alice” style hairdo. When the toy is wound it will run forward and give the illusion of the young lady steering as it twists and turns about. $1250 5) 12” kid bodied marked shoulder head Heubach boy. He is on his original leatherette type body but clothing of more recent vintage. A character face with blue intaglio eyes and molded hair. $135 6) 11” Heubach 6969 character girl on a fully jointed composition body. Beautiful pale bisque with blue glass sleep eyes and quite possibly her original clothing. A wonderful cabinet sized character ready to join your collection! $1100 7) 12” Simon & Halbig 1358 black character girl. This doll was only made as a mulatto, such as this example, or with a dark black skin tone. Smooth even bisque with brown glass sleep eyes and still retaining her original curly short black mohair wig & pate. A very desirable doll, she is on a fully jointed composition body (old repaint) and dressed in appropriate antique clothing. $2950 8) A Roullet & Decamp automation featuring a Simon & Halbig lady doll (mold # 1159) at her dressing table. When activated she will raise her right hand with the powder puff, twist & lower her head then raise her left hand with a mirror to view herself all the while a 2 tune music box plays appropriate melodies. The dressing table & lady stand atop of a velvet covered wooden box that contains the music and mechanism. In excellent working condition! $2950
Connie
P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA
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Valerie alerie Fogel's
Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA
15” Wood Body Bru Empress Eugenie Smiling Fashion ~ Fabulous soft face with striking spiral blue eyes, perfect creamy bisque, original blonde wig with long curls dressed in fantastic walking suit and antique sage silk bonnet. Very sought after wood body with swivel waist and articulated ankles. Not shown: Additional teal blue silk ensemble, delicate blouse, slippers, white wear, trunk. $11,250~
Circle Dot Bru Bebe stands at 17 inches of utter charm and a hint of mischief. This is a spectacular Bebe with exceptional fine bisque, huge spiral threaded cinnamon colored eyes with beautiful sweeping lashes and softly feathered brows. Her modeling is crisp and the artist hand is evident in the pale palate of colors that have been used. Long curly mohair wig over orig. pate, original signed Bru Jne shoes, fabulous white pique dress w/ eyelet lace trim. Exceptional doll! Please call for details & pricing!
With the innocent guile of a small child... we are delighted to present this superb Bebe Bru Jeune 7 from the golden era of Leon Casimir Bru. This luscious Bebe has perfect bisque from head to perfect hands. Her precious face is clear and sweetly tinted in shades of honey and palest rose, accented by beautiful spiral threaded amber paper weight eyes. She is radiant in an original French auburn mohair wig and a lovely lace bonnet that is pure confection. She has beautiful full lips and molded tongue. She wears original Bru Shoes and is dressed in a blue and cream frock in an enfantine style that highlights her tender look. Please call or email for details~
Gorgeous doe-eyed 17” Bebe Mascotte by May Freres. Very rare to find in this beautiful mold. Beautiful bisque, huge dramatic eyes, expertly rendered with fine application of soft feathered brows, sweeping lashes and tender rose accents of lips and nostrils. Dressed in precious antique silk Bebe dress and sweet straw bonnet over mohair wig. $6900~ Parasol available; $295~
Fantastic 25” Depose 11 from Maison Jumeau~ Gorgeous creamy bisque, stellar couture ensemble with lush antique silk and wax flowers. Pale, dreamy, expressive face w/ hypnotic spiral threaded blue eyes. Straight wrists, marked Jumeau body. Please call for details~
s ’ i z t FArnitique Dolls
UFDC
Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net
The very rare Kestner 208 with blue glass sleep eyes & original blonde mohair wig. She is 17” and in exceptional condition.
We will be at the fantastic UFDC Convention “A Capital Affair” July 29th thru Aug 1st. Public day is Wed July 31st, 12 to 7pm at the Washington Hilton, 1919 Connecticut Ave NW, Washington DC. We are bringing some great dolls including French & rare characters. Find us in booths 609&611 (first booths to left on the wall) Fritzi’s cell# 630-247-1144 Rick’ cell# 630-247-1219
Sandy’s Dream Dolls Sandy Kralovetz Stop by my booth #705 at UFDC Nationals
Always Buying Dolls of Quality
For a Houston adventure please visit our spacious location at
Thompson’s Antique Center of Texas
Texas’ largest antique center with over 50 antique dolls and accessories for sale. 9950 Hempstead Road 600 Northwest Mall Houston, TX 77092 602.228.1829 281.339.0269 skayk43@aol.com mailing address: 9825 Moers Rd Houston, Texas 77075 Call for doll information Member UFDC & NADDA
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Legendary Collection of Estelle Johnston to be
Collectors dream of finding dolls in perfectly-preserved condition, and this gorgeous Gesland-bodied poupee in totally-original couturier costume, will meet all expectations. She stands a regal 23” tall.
English wooden dolls from the late 1700s were sought by Estelle Johnston during her London years. Among her favorites has been this splendid 23”example.
Parisian automaton maker, Jean Phalibois, specialized in imaginative and luxurious vignette scenes under glass domes. This extremely rare example, of which others are not known, features a soothsayer and young child, with beautiful movements and fine music.
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The fashionably-costumed wax ladies of Lafitte-Desirat of Paris were designed with special posing to accentuate their styles. Three are offered in the auction. 18
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he path toward doll collecting is seldom direct. You begin by mapping a well-traveled route to discover the dolls of your own memory, and then meander, casually, at first, and later, quite deliberately, into the quest for dolls of other places, other times, and other styles. So it has been with the collecting life of Estelle Johnston. Born in Montreal, Estelle’s early life set the path for her interest in dolls and costuming, as her favored past-times were making clothes for paper dolls, while watching her mother make a complete trousseau for her Deanna Durbin doll. Her later childhood, after the death of both parents, was spent near Boston in the care of an aunt, and in attendance at Bryn Mawr College where studies in the history of art gave focus to her early childhood interest in dolls and fashion. Then, living in London in the early 1950s, she and her husband motorcycled 9000 miles overall Europe where she saw “a young man in the festival costume of Normandy, bull fighting in Barcelona, Italians in medieval attire, women in the early morning at the railroad station in Salonika with shoulder yokes carrying milk pails, peasants in Yugoslavia with their feet wrapped in cloths like the pictures in my fairy tale
Auctioned by Theriault’s on July 28 in Washington D.C.
The name doll of the famous Parisian doll boutique, A la Poupee de Nuremberg, owned by Madame Lavallee-Peronne was “Lily”. Lily was written about year after year in La Poupee Modele, Modele and young Parisian daughters were urged to visit the boutique to choose new fashions and accessories for their doll. Evidently, Alice LeFort did just that, for her name appears on the brass label of the accompanying trunk, and the trousseau of Lily is extensive and luxurious.
Two all original wood-bodied chinas, 7.5,” have been beautifully preserved under glass domes.
Known as “staatdamen”, the elegant dames of fine German cities, were created in doll form by wax makers such as Dressel. With distinctive faces, unusual bodies with fancily painted gloves and boots, the ladies are exquisitely costumed, and rarely found.
The Welsh peddler lady (whose head was made in the Grodnertal region) presents her well-laden tray with sewing goods, a sampler, and even tiny Grodnertal dolls. She is one of eight wonderful peddler dolls that are included in the collection. ANTIQUE DOLL COLLECTOR
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In 1852 Queen Victoria bought the Balmoral Castle in Scotland, creating a frenzy for all things Scottish in England. The famous London wax dollmakers presented dolls in Scottish costume, for example, although few were as richly costumed as this 30” lad.
As though her costume was not wonderful enough, the early French poupee has a secret. Her body, in near mint condition, was made by the Parisian shoe-maker, Pierre Clement, whose artistry in forming leather designs was put to good use in his construct of a hollow leather poupee body. So very rare!
The delicacy of the tiny English wax costume dolls, mid-19th century, is as fine as the dolls are rare. Their maker remains a mystery, but their distinctive and charming appeal is not. 20
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Before Leon Casimir Bru deposed his smiling face model with initial markings, he created his beautiful lady, also with initial markings, and slightly smiling. A luxury 22” size, impeccably-preserved with fabulous costume.
books of childhood…all of this was enlarging my fascination with the different peoples of the world and the many ways of clothing”. It was upon her return to America, living in Atlanta, that Estelle’s pathway to dolls became clear. “A trip to Maggie Valley [North Carolina] where I discovered Gaynell Denson’s amazing doll museum bowled me over…now what some had been telling me clicked and I wanted antique dolls.” So began a half century in the pursuit of antique dolls with particular attention on originality of costume and artistic modeling of face and figure. Estelle recalls a return to London during the mid-1960s where she spent weeks visiting every museum available by train. “We flew to London with typical air luggage and returned by ship with countless trunks,” mostly filled with antique doll treasures. Estelle Johnston’s passion for dolls is both aesthetic and academic. She has been a highlight lecturer and Exhibit Chairman for UFDC, performed conservation work for the Strong Museum and her numerous articles have appeared in Antique DOLL Collector, Doll News and Doll Reader.. Many of her dolls bear blue ribbon awards from UFDC national conventions. After nearly a half century in her Atlanta home at the top of its own meandering drive, Estelle Johnston is parting with both her home and a
Paper mache dolls by both German and French makers have been a special favorite of Estelle Johnston. Shown here are a couple in traditional folklore costume, she in the very special wedding attire of a Normandy bride.
At a grand 19�, the Grodnertal lady has outstanding painting of curls around her face, and wears her original costume.
French bisque poupees have been a special favorite of Estelle Johnston, and her passion for fashion has led to her acquisition of very fine models in original costumes. Too, the costumes are often disguising the rare body style hidden beneath, many with articulated wooden bodies, others with exquisite bisque arms and hands.
From a wonderful group of early paper mache dolls in the Estelle Johnston collection.
The beauty of the English wax lady is enhanced by her fine original costume. ANTIQUE DOLL COLLECTOR
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Estelle Johnston’s collection is highlighted by superb lady dolls in all mediums. Her models of sculpted hair bisque dolls ranks among the finest, as seen by this lady with extraordinary detail of decoration of hair, bodice, jewelry and with glass eyes.
Regal upright head and aristocratic throat draw one to this doll, and then her rare hair style is the coup de grace. She stands 20”.
major portion of her illustrious collection, to begin a new stage of her life in California. A few dolls are traveling with her to her new home. The majority of the dolls from the 50year collection will be offered by Theriault’s at an important cataloged auction “In the Company of the Gentleman Bespoken” on July 28 in Washington D.C. In parting with her dolls, Estelle notes, “Although one’s taste can shift with time, the love of dolls has never left me, and I continue to believe that we are very lucky in this passion which has so many avenues to explore”. Meandering paths, indeed. The catalog is named “In the Company of the Gentleman Bespoken” in homage to Estelle Johnston’s passion for fashion, with a nuanced play on the word bespoken, suggesting either the traditional British word for
Left: Every little detail of the 22” Grodnertal lady is original, layer upon layer of costume, and exquisite painting. Right: An old paper label on the back states “Peasant Wedding Grodnertal,” aptly describing the meticulously-carved wedding party with hand-painted costumes sits down to a grand feast. At 14”l, with figures measuring about 3”, it is surely a work of art.
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From the early 1800s, the 21” lady has a regal presence that is charmingly accented by her somewhat-whimsical painting of hair and rosy cheeks. All-original, she wears an exceptional embroidered silk costume and is preserved in a fine early hand-decorated box.
elegant custom tailoring or simply a hint that the gentleman is spoken for. Featured on the catalog cover is a French poupee in the costume of a Parisian gentleman in elaborate evening wear, inspired by the 1865 painting “Dinner at the Tuileries” by Henri Baron. The 450 lot catalog opens with the rare Clement-body poupee and continues through page after page of rare treasures, the likes of which are rarely to be found today. For more details about the auction and for photographs of additional dolls see Theriault’s fold-out advertisement on the inside cover, visit www.theriaults.com or call to request a free brochure. The 180 page print catalog, a collector’s keep-sake book, will be available mid-July for $59 including priority shipping and after-sale prices. The auction will be available for viewing online at www.theriaults.com after July 5. For more information call 800-638-0422 or email info@theriaults.com.
The
Enchanting Trousseau of Chiffonnette: I
Journal Des Demoiselles, 1868. “Toilette “Toilette for a little girl. --- Dress in alpaca. Coat in broadcloth ornamented with bands and lappets bordered in velvet. Hat made of velvet.” This fashion plate depicts a little girl, accompanied by two ladies, attending a fair or bazaar. She wears a charming, tailored coat, garnished with narrow bands over the shoulders, falling in short lappets with pendent tassels, all trimmed with narrow velvet ribbon. She is eagerly trying to take a peek at the exciting toys and dolls for sale here. We can see a lady doll wearing a folklorique costume from Normandy, a dandy Polichinelle, and another lady doll, somewhat simply dressed, holding a toy animal. Who can resist this engraving, reminiscent of antique fairs and street markets held in Paris today, such as the famous fairs, Bastille and Saint Sulpice. Each vender has a stall, or stand, almost like a small, separate wooden shop, complete with a floor and roof, painted in the requisite shade of dark green seen throughout the city in park benches and fences, reminding one of the nineteenth century fairs, in all their glory and excitement. The only detail missing today is the decorative frieze on the top; no doubt it was painted in red and yellow, maybe with an occasional touch of blue, and surely, the stand itself was painted in the dark green color we see today. 24
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n Paris, under Napoleon III, 1852 – 1870, when the city teemed with pomp and splendor beyond description, the delirium of vanity and extreme richness of attire was at its height. There existed a swarm of dazzling creatures, all full of charm and beauty, who buzzed merrily in a world where fashionable inventions and feminine adornment were lavished upon every member of society. Following their love of exhibition and luxury, fair young demoiselles delighted in the loveliness not only of their attire, but also the showy splendor of the attire of their dolls. Naturally enough, doll clothing followed the current modes of dress. Unique doll couturiers and dressmakers ruled over this miniature world, keeping pace with the vagaries of fashion. They excelled in the art of creating those thousand and one charming fripperies and pretty trifles that necessarily made up a fashionable doll’s trousseau. Specialty doll and toy shops catered to the happiness of children, featuring the most delightful frivolities and expensive baubles ever to grace their realm. Fashion was as fickle as the wind, and every season witnessed the introduction of ever-changing novelties in dress. Among the eccentric whimsicalities of the moment, certain details in style reigned supreme. One in particular which has become a classic for the child dolls made by firms such as Huret and Rohmer was the passion for pointed waistbands and coordinating bretelles. Waistbands fitting close to the figure, with high points before and behind, were set on skirts rendered full with laid in plaits and gathers. A number of variations were seen to suit every whim and fancy in the world of doll raiment. Some waistbands, in front, were pointed at the top as well as towards the bottom, and often, this was repeated in the back.
A Classic Huret Dress Simple yet beautiful were those pointed only in front, continuing quite straight to the back, where the ends were either butted together or were lapped over and fastened at the back, usually with hooks and loops, or thread loops. Varieties in the shape and style of bretelles were also seen. The word bretelle is the same as the French word, bretelle, meaning braces or suspenders. The fashion of having a band passing over the shoulders and attaching to the waistband can be seen in fashion plates as early as the 1830s and 1840s, in ladies’ and young girls’ aprons, as well as young boys’ trousers. The style adopted for boys’ suspenders were virtually narrow bretelles, with one or two cross bands, or traverses, connecting the two bretelles, and set upon trousers which were full, with side pleats at the waist. Aprons were found in an endless array of designs. Their bretelles could be slightly rounded or somewhat pointed atop the shoulders, and were attached to the waistband, which was either pointed or straight, with the addition of one or two traverses. These aprons, meant to be decorative rather than utilitarian, were pretty, little fancies made up in silks, often black, elegantly trimmed with ribbons and garnitures, edged with a frill of lace, and most often featured pockets. They obtained a considerable amount of favor, especially for morning wear at home, and were included as part of an ensemble. Later, in the 1840s, continuing into the 1860s, a design feature closely resembling bretelles was made of the same material as the dress. In French, often, during this period, they were referred to as revers, meaning lapels. Being shaped like bretelles, they narrowed to a point at the waist, and were sewn onto the dress, rather than remaining separate. They extended to the waist directly in the center, or were
by Sylvia Mac Neil
A pretty, little number in crisp, plaid taffeta, following the dictates of plaid mania in the realm of fashion. Shades of deep green and blue with bands of soft lavender, all beribboned in the narrowest, black velvet. The Tartanic Mania raged furiously in Paris for every article of dress, with children wearing the gayest which could be purchased. ANTIQUE DOLL COLLECTOR
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A simple black dress is garnished with red, silk passementerie in a delightful arrangement, destined to meet with success. It is set along the edge of the pointed waistband and bretelles, accented with picot loops of black lace underneath.
Soutache embroidery had the advantage of serving for a second dress, because it could be unpicked entirely from the first. This black wool soutache was removed from a child’s dress. The designs so rich and elegant, soutache was considered one of the most beautiful ornaments upon a dress, here on woven windowpane plaid.
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positioned a bit further apart. The space between them could be unadorned, or trimmed to correspond with the dress, or often remained open, with two or three separate traverses, the front of the chemisette showing underneath. During the 1850s and 1860s, on white dresses of uncomplicated cambric or unpretending muslins, bretelles were slightly gathered, sometimes on a cord, and sewn to the bodice. Their richness existed solely in the simplicity and tastefulness of the needlework with which they were ornamented, and were among those which have excited most admiration in the doll world. Another type, one which was the easiest and most unique, was made with broad bands of ribbon disposed over the shoulders, in the style of bretelles. The same ribbon was used elsewhere on the dress, such as horizontal rows around the skirt, or bows set about on the dress, on the shoulders with descending streamers, or at the waist, with long, uttering ends. The history is long and diverse, gathered from many different sources, culminating in the bretelles featured in the pattern presented here. As to bretelles on doll clothing, the classic ones were perfectly charming with a point at the top of the shoulder, becoming slimmer and continuing to the waistband where they were sewn underneath. Very much in favor were those which were notched on the shoulder, creating two, sharp points, often accented with bows of ribbon. A pretty effect was achieved by lengthening the bretelles enough to come to the waist on top of the waistband, where they were then sewn. Still others were exceedingly graceful with long lappets in front and at the back, rounded at the bottom and hanging loosely over the fullness of the skirts. Much taste and skill was displayed in the choice of fabrics and trims used to create these stylish additions to a doll’s toilette. Perhaps the most sought after fabric, one which was favored above everything else, was crisp, silk taffeta. Another fabric, a model of elegance
Godey’s Lady’s Book, July, 1857. “Fig. 4. --- Party dress for a little girl from eight to twelve; the skirt of plain cherry colored silk, with three rows of broad net fringe set on flat and plain; peasant waist of spotted muslin in plaits, over which is a narrow bretelle of the same silk as the skirt, with three rows of narrow black velvet, edged by a fall of fringe. Fig. 7. --- Infant’s dress of cambric needlework; it has a bretelle waist, sash, and short flat shoulder knots.”
Journal Des Demoiselles, 1857. “Fourth figure.--Little girl seven or eight years old. --- Dress made up in fabric of green wool and silk; the revers on the bodice, the basques and the double pagoda sleeves are ornamented with bands of moiré of the same color as the dress; on the bodice the opening left by the two revers is filled with little traverses of ruched ribbon.”
Journal Des Demoiselles, 1860. “Little girl. --- Dotted muslin with three ruffles bordered with velvet or taffeta, with narrow black lace; bodice plain, short puffed sleeves, bretelles in velvet or taffeta, like the skirt; bows in her hair.”
Journal Des Demoiselles, 1861. “Little girl. --- Dress of taffeta, garnished with ruffles forming an apron in front, and descending on both sides like a tunic, and continuing on the bodice like bretelles; chemisette with puffed sleeves in muslin.” ANTIQUE DOLL COLLECTOR
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Journal Des Demoiselles, 1862. “Toilet of a little girl. --- Dress in poplin, ornamented with a band of taffeta, bordered on both sides with ruching, bodice neckline low-cut. English sash.”
Journal Des Demoiselles, 1864. “Toilets from Madame Charpentier. Toilet for a little girl. --- Dress in taffeta; belt with points with bretelles garnished, like the skirt, with crinkled fringe surmounted with a ruche. --- Chemisette in muslin with puffs; short puffed sleeves.” 28
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of the period was the ever-changing shot silk, or changeable silk. In a lavish abundance of color, two or three contrasting shades were reflected, where once all was uniform. Ensembles made up in white cotton always looked fresh, white being decidedly the prettiest for summer wear. Heavier cottons such as pique, and others having a woven texture, were much used. Regarding colors, all the tints as varying as those of sea and sky, those hues as light and brilliant as the petals of flowers, and foliage greens of every shade, were endlessly produced in textiles. Shades of royal purple and lavender, pale or deep blues and reds were in vogue, as well as old favorites such as the fawns, grays and browns. The color black was ubiquitous, found in some form in nearly every fabric, and was always considered to be modish and elegant, especially when garnished with a smart, bold color, or a pale, soft tint. Embellishments were as varied as the imagination of the couturier. Without exception, narrow, black velvet ribbon was highest in favor. Other colors were especially striking when chosen to highlight one of the tones in a plaid or figured material. Wider ribbon of satin or taffeta, with a bordering of woven satin, were popular, especially when pleated with narrow side or box pleats. One of the sensations of the time was the much adored and universally adopted braiding with soutache. The very badge of fashion, intricate and fanciful designs were formed of narrow soutache, usually of silk but sometimes seen in wool, in red, black or white, red being decidedly the most popular. To suit the most exacting tastes was narrow, silk fringe, often with a decorative heading featuring simple, geometric designs, or intricate patterns of flowers. The caprice for fancy was displayed in the most attractive braids, formed of coils and curlicues of silk, with tufts of velvet or twists of chenille, often accented with jet or crystal beads. Garnitures were set in all the correct places, along the edges of the waistband and bretelles, forming a simple yet stylish bordering, and on the skirt disposed transversely near the hemline. Such was the fashion of the day. Though couturiers cannot indulge in all the oscillations of haute couture, still we like to have a peep at what is going on in the fantasie world of doll fashion, and catch fresh ideas for making up new toilettes. The photos of Chiffonnette in this article are excerpted from Sylvia Mac Neil’s book, The Enchanting Trousseau of Chiffonnette. Available to this year’s UFDC’s registrants, it may also be ordered from the author. Approximately 300 pages of photos of Chiffonnette, including many views of each outfit as well as information on each, it is intended for viewing pleasure and enjoyment of classic Huret clothing. Email Sylvia at jimsyl@aol.com
Godey’s Lady’s Book, August, 1864. “Figure 3. --- Child’s dress of green silk, trimmed with two narrow ruffles and ruchings of the silk. Waistband and bretelles trimmed to correspond. The white waist is caught in flutes at the neck, by running a narrow velvet through eyelets placed at regular intervals.”
Journal Des Demoiselles, 1864. “Toilets from Madam Deplanche. Baby two or three years old. --- Dress of pique, embroidered in red soutache. Low neckline; narrow belt and bretelles.”
Journal Des Demoiselles, 1865. “Toilet for a little girl. --- Skirt in foulard ornamented with squares of velvet transversed by a straight band of velvet. --- Chemisette in muslin, garnished with valencienne entredeux.”
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CONSTRUCTION
This pattern ďŹ ts a 17 inch to 18 inch doll. Make your favorite skirt of the period, either pleated or gathered; the waistband and the bretelles can be made with the fabric remaining. As for trims, choose whichever suits your fancy. Both pieces are fully lined in glazed cotton, resulting in construction which is quick and easy. First, the side seams on the waistband are sewn separately, on the lining and the fabric. Then, the right sides of the lining and fabric are placed together and sewn, from the center back edge, continuing all along the top, and down the center back. The seams are clipped on the point, and turned to the right side. Now, attach the trims. The bottom edge is folded to the inside. A cotton tape measuring ½ inch wide is basted along the fold, the ends being folded under slightly, and basted in place. The skirt is then whipped onto the waistband. On the side seams, sew two, small cross stitches to secure the tape onto the seams. The bretelles, with right sides together, are sewn along the two long edges. They are then turned right side out, and trimmed. Next, attach the bretelles to the waistband, as indicated on the pattern. Small stitches along the edges secure them in place. The waistband fastens with three, small hooks sewn inside on the right, to be hooked to corresponding thread loops placed on the outside on the left.
1. The bottom edge of the finished waistband is folded to the inside.
2.A cotton tape is basted along the fold, the ends turned under slightly.
4.Two, small cross stitches secure the tape at the seams. The bretelles are sewn into place with small stitches all around. 30
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3.The skirt and waistband are whipped together.
5.The waistband fastens with three, small hooks on the right, on the inside, and three, thread loops on the outside, on the left.
Gigi’s Dolls & Sherry’s Teddy Bears Inc.
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13” E 0 B Barrois Fashion, kid over wood torso and lower legs, kid over metal upper legs, metal upper arms, bisque lower arms, professionally repaired fingers on both hands and shoulder plate, blue pw eyes, original mohair wig, antique clothing, pierced ears $3995.
18” Lenci Tennis Boy 110 Series, blonde mohair wig, brown eyes, felt top & pants, leather shoes, tennis racket, LS embroidered on top $1850.
19” SFBJ Pierrot 301 All Original in net dress, black satin hat, white shoes, mohair wig, blue sleep eyes $795.
24” “Portrait Face” Jumeau Fashion 1876 with applied ears, shadowing above blue pw eyes, kid gusseted body, clothing of vintage fabrics, little repair on right hand $5995.
23” Lenci Girl all original 109 Series, 1920’s in green felt appliquéd dress & shoes, organdy unders, blonde mohair wig in original style, brown painted eyes, great personality $2995.
4-3/4” Pair of 292 Kestner Googlie’s all original in Swedish costumes, mohair wigs, blue glass eyes $1595.
20” Incised Depose Jumeau 9 on working Mama pull-string body, blue pw eyes, applied pierced ears $6650.
21” #189-12 Handwerck on early 8 ball body, brown sleep eyes, HH wig, pierced ears, wonderful sculpting $850.
11-1/2” CM Kestner #128, brown sleep eyes, original plaster pate & HH wig $750. 3-1/2” German All Bisque doll Sold
8” Pair of German Bing Cloth Dolls 1921-32, blue painted eyes, original outfits $495.
18” FG 4 Fashion, Francois Gaultier, blue pw eyes, kid body w/ gusseted legs, pierced ears, HH wig, antique clothing $2150.
8-1/2” x 6” x 8” Pouty Heubach possible #7602 pull string mechanical, when pulled doll lays down in bed with toy rattle, marked Heubach in square, works great $550.
12” #7604 Laughing/ Smiling Heubach Boy with open mouth & 2 lower teeth, blue intaglio eyes, molded painted hair, bj body $425.
14” Farnell King George VI in Royal Highlanders Uniform, all original with wonderful detailing, complete w/ sword marked Kobenhaun (handle glued) $375.
49” L x 36” h x 24” w Wicker Carriage w/ original interior (slight staining) and working umbrella, fabulous piece $325. 37-1/2” S & H 1249 Santa 17, wonderfully molded and painted, blue sleep eyes, hands repainted, 1 tooth repaired $2250.
27” Simon & Halbig 1078 13, brown sleep eyes, pierced ears, HH wig, antique hat $675.
11” Steiff Leo Lion with jointed head and legs $275. 10” Norah Wellings with turban, tagged on foot $65. 10” Steiff Oseili Rabbit, mohair w/jointed head, felt apron $155. 17” Steiff Jocko Monkey jointed arms and head, glass eyes $275.
22-1/2” Simon and Halbig 1079, blue sleep eyes, pierced ears, antique undergarments & shoes, 4 left fingers repaired $495. 16-1/2” #43 K star R, S & H on flapper body, blue flirty eyes, pierced ears $425.
24” K star R 122 baby, brown sleep eyes, repair on foot and fingers, sweet doll $495. 10” Norah Wellings Scottish doll tagged on foot $79.95 13-1/2” Schuco Yes- No Monkey, tails mohair missing, toe & thumb had mending $99.95
20” O/M Jumeau #10, blue pw eyes, pierced ears, few wig pulls, paint rub on nose & cheeks, hand paint as is $1495.
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Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
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Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 The shop is now open for the season, Monday-Saturday 10-4 or call for an appointment 207-322-4851. Shop 207-236-4122 Fax 207-236-4377
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9” wonderful Portrait Jumeau original shoes and chemise $9500.
14 German tramp art stations of the cross - each are 8-1/4” tall x 4-1/4” wide and double sided with glass covering the old prints. $795.
Artist Bear signed Jamie L. Henry ‘94 22” long, jointed. Great accessories $195. James Hastrich corner room box - furniture sold separately 20-1/2” wide x 9-1/4” tall. $550. 2 old German horses. One is 8” tall x 8” long - $295. The other is 5” tall x 5” long - $195.
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Antique German horse and wagon - horse 8” long x 9-1/2” tall. Wagon (without poles) is 11-1/2” long - $425.
Large scale German drop front desk 9-1/4” tall x 5-1/2” wide - $395.
ALSACE, FRANCE:
History, Dolls, and Beloved Uncle Hansi By Elizabeth K. Schmahl
1. Circa 1882 5” bisque swivel neck French mignonette. Courtesy Theriault’s
T
he different regions of France have historically provided the doll world with some of the most varied and delightfully costumed dolls. Specifically, the traditional costume from the Alsace region is one of the most recognizable French outfits. Often a favorite among doll collectors, the Alsatian costume from the 19th and early 20th centuries is stunningly bold and vibrant. For example, this circa 1882 5” bisque swivel neck French mignonette proudly wears the traditional costume of her native Alsace, complete with her traditional large black hair bow (photo 1). But in order to fully appreciate the dolls dressed in the folklore costume of Alsace, one must first understand their cultural and historical poignancy. The costume of Alsace represents something much more profound than simply a regional costume. It represents the sense of national pride, sentimentality, and patriotism that beat in the heart of every French Alsatian during a very tumultuous time in the region’s history, namely from 1871 to the end of World War I.
2. “En Alsace!” by Georges Bertin Scott
Alsace is a region in eastern France near the German border and plentiful in desirable resources. After the Franco-Prussian War in 1871, Germany occupied Alsace, which was not returned to France until the end of World War I. This Great War was a difficult time for much of Alsace. The occupation of this region forced Alsatians to give up their native French language, customs, and laws in favor of those of Germany. This led some Alsatians to flee to Paris and even to other countries. However, other citizens of Alsace sympathetic to France remained in their beloved homeland and continued to hold their heads high with an immense sense of strength and unity. The plight of the Alsatians and their struggle to maintain hope was frequently a subject for political illustrators, artists, and Alsatian sympathizers. For example, this postcard of a 1914 sketch called, “En Alsace!” by Georges Bertin Scott (photo 2) depicts a French soldier tenderly consoling an Alsatian woman. Scott was a successful Parisian artist, military illustrator and reporter for the magazine, ANTIQUE DOLL COLLECTOR
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3. Above: Circa 1910s doll from the Parisian firm S.F.B.J. 4. Left, Alsace-born writer, illustrator, dollmaker, and French hero Jean Jacques Waltz, lovingly known as “Oncle Hansi” 5. Below, 1915 postcard
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L’Illustration. In the foreground of the sketch, Scott captures the anguish of the ”Alsacienne” (ie, Alsatian woman) while behind her, French soldiers instill hope as they continue to fight for the region’s freedom. This same melange of sadness and hopefulness can almost be felt in this circa 1910s doll example from the Parisian firm S.F.B.J. (photo 3) She measures 8.5” tall and has a bisque head marked, “60” made from Jumeau molds. She has a composition body and human hair wig. She is all original and wears her typical folklore costume. Underneath all the flair and elaborateness of her costume, her closed mouth and dark eyes almost reveal a secret sadness and pain. And yet, she holds her head up high and wears her costume boldly and proudly, hoping for a better tomorrow! During these tumultuous war-torn years, perhaps no artist embodied the virtues of unwavering Alsatian patriotism and hope more than the Alsace-born writer, illustrator, dollmaker, and French hero Jean Jacques Waltz, lovingly known as “Oncle Hansi” (Uncle Hansi) (photo 4). Born in 1873 in the Alsatian town of Colmar, the artist Hansi was a true French patriot who wanted Alsace to remain French. In the years that surrounded World War I, he served in the French army and was regarded as an Alsatian hero. But he became best known for his political satires and caricatures. Hansi’s illustrations centered upon the theme of Alsatian strength, pride, and patriotism in spite of German oppression. His illustrations were published by the Parisian company P.J. Gallais & Cie and his postcards and books were sold through department stores such as Le Printemps. These postcards illustrated Hansi’s genuine heartfelt love for Alsace and concern for the plight of its people. For example, in this 1915 postcard, (photo 5) two Alsatian children are saluting a French soldier as a biplane and bombs fill the sky. Hansi’s beloved town of Colmar is visible in the background. A close-up postcard of Colmar (photo 6) shows the buildings are full of bomb holes and yet the French flags still fly proudly! In another postcard, (photo 7) an Alsatian woman gives a gift of a doll to a baby. The caption reads, “Son Premier Jouet” (His First Toy) and the doll is dressed as a French soldier. Hansi is perhaps best known for the illustrations of his beloved Alsatian characters, Gretel and Yerri. (photos 8,9) These fictional characters captured the unrelenting will, spirit, hopefulness, and devotion to France that embodied the Alsatian youth of this era. Finally, in 1917, that hopefulness became a reality when France recaptured Alsace. To commemorate this landmark event, Hansi’s
7. An Alsatian woman gives a gift of a doll to a baby.
6. Postcard of Colmar shows the buildings are full of bomb holes and yet the French flags still fly proudly.
8-9. Hansi is perhaps best known for the illustrations of his beloved Alsatian characters, Gretel (above) and Yerri (left).
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10-11. Hansi’s publishing company, P.J. Gallais & Cie, produced and marketed these 7.5” Gretel and Yerri character dolls. They are made of a terra-cotta-like substance called, “Prialytine.” Their original boxes say, “First Prize Contest of French and Ally dolls in Paris 1917”. They each hold a flag that reads, “Vive la France!”
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publishing company, P.J. Gallais & Cie, produced and marketed the Gretel and Yerri characters as dolls (photo 10). The dolls are 7.5 inches tall and are made of a terra-cotta-like substance called “Prialytine.” The dolls are considered Googlieeyed dolls with their side-glancing, hand painted eyes. They have yarn hair and silk and wool clothing. Their original boxes say, “First Prize Contest of French and Ally dolls in Paris 1917” (photo 11). They each hold a flag that reads, “Vive la France!” Their boxes bear the same Hansi illustrations on the front as the 1916 postcards. The Gretel and Yerri dolls were now a symbol of immense pride in their Alsace victory! Hansi continued illustrating through World War II when Germany yet again briefly occupied Alsace. He died in 1951, his artwork and his legend remaining a strong part of Alsace history. Regaining control of Alsace during the early part of the 20th century was an important commitment to all of France. The region was the birthplace of the French national anthem centuries earlier and a symbol of national pride. As such, many French doll companies outside of Alsace sold dolls dressed in the region’s costume. For example, this 8” bisque head Alsacienne made by S.F.B.J. is simply marked “12/0” (photo 12). She wears her original paper tag marked, “Fabrication Français Eden Bébé.” She wears a blue cotton shawl, felt lace-up bodice, black bow, white cotton apron and red skirt. She has a straw-like wig, most likely made for cost reasons, due to limited availability of materials during this period of time. The costume of Alsatian women consisted of a large bow in their hair called a “nœud.” This tiny little French Lilliputien all-bisque doll made in 1912 by S.F.B.J. proudly shows off her large black bow atop her tiny swivel-neck head (photo 13). The Alsace bow, a tradition that began in the 1800s, grew larger and larger over the years. The growth in size of the Alsace bow is said to have symbolized the growing sense of Alsatian nationalism. In this antique photo of an Alsacienne circa 1870s, the lady’s bow is relatively small in proportion to her head (photo 14). This later postcard, circa 1910s, shows an Alsacienne with a huge bow, nearly triple in size from the previous generations! (photo 15) Some Alsatian bows were said to have grown to nearly 3 feet wide in size! The large “nœud” also defined the Alsatian woman. For many women of Alsace, the bow represented their individual religion and even their marriage status. Black bows were frequently worn by Protestant women and unmarried Catholic girls. Pictured is a lovely 8” tall celluloid doll, circa 1950s made by the French company Petitcolin, who proudly wears her large red bow as a symbol of her Catholic faith (photo 16). Her outfit, most likely dressed by the La Minor company, is heavily sequined and embroidered. It is also interesting to
12. This 8” bisque head Alsacienne made by S.F.B.J. is simply marked “12/0”. She wears her original paper tag marked, “Fabrication Français Eden Bébé.”
13. This French Lilliputien all-bisque with swivel-neck made in 1912 by S.F.B.J. proudly shows off her large black bow.
14. In this antique photo of an Alsacienne circa 1870s, the lady’s bow is relatively small in proportion to her head.
15. Postcard, circa 1910s, shows an Alsacienne with a huge bow, nearly triple in size from the previous generations!
16. A lovely 8” tall celluloid doll, circa 1950s, made by the French company Petitcolin, who proudly wears her large red bow as a symbol of her Catholic faith. Courtesy plastickingdom/etsy ANTIQUE DOLL COLLECTOR
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17. This example of an original child’s bow prominently displays this round multicolored symbol of French patriotism.
18. This 9” bisque head Unis France 301 doll with a Bleuette face wears her Alsace costume, including her large bow adorned with the tricolor coquarde. 38
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note the embroidered stork on the front of her skirt. The stork has traditionally been a symbol of Alsace. Over the centuries, storks were visible on the rooftops in Alsace. Today, however, the storks are a protected species in Alsace as their populations are dwindling. It is believed that the origins of a stork bringing a “bundle of joy” may have originated with early Alsace folklore. In these legends, a family would place a treat on the window sill in hopes the stork would bring a new arrival to the family in exchange for the treat! After the Franco-Prussian War in 1871, when Alsace fell to become part of the German Empire, a small tricolor rosette or “coquarde” began to appear on the Alsace bow. The red, white, and blue color of the French flag stood out upon the black background of the nœud, almost in defiance, as if to say, “this land will forever belong to France!” This example of an original child’s bow prominently displays this round multicolored symbol of French patriotism (photo 17). This 9” bisque head Unis France 301 doll with a Bleuette face wears her Alsace costume, including her large bow adorned with the tricolor coquarde (photo 18). Smaller versions of dolls dressed in Alsace costumes were also manufactured. This 4” all-bisque doll simply marked, “0 ½” is a tiny example of a girl from Alsace (photo 19). Less expensive to produce, her costume is simpler, although she still proudly dons the Alsace bow with rosette. Being that Alsace is rich in agriculture, this little dolly tends to her German Putz sheep on her farm. This 18” character face beauty is referred to as Lanternier “La Favorite” by the company Limoges (photo 20). Limoges was a company in the Limousin region in the mid-western part of France. She has a bisque head with pierced ears and a smiling disposition and has a composition body. Her clothing is made of silk and cotton. Her Alsace bow is quite large and pronounced. Another distinctive feature of the typical Alsace lady’s attire was the lace-up “corselet”. The Alsatian woman’s corselet typically laced in front with hooks and was often heavily embroidered and decorated with sequins. The Alsace outfit also included an empire-waist skirt found in red, blue, and green as well as an apron in a variety of colors, most commonly, white and black. They wore shawls with fringe and embroidery. While the shawl was at first functional for the sake of keeping warm, in later years, the shawl became a decorative addition to the costume. The years immediately after World War I were very joyous for the Alsace people. In this postcard, (photo 21) a little girl pretends to greet a French soldier and says, “Be welcome in our home, little soldier of France. Thanks to you, our Alsace sings liberation!” This precious 8” doll by CIJ (La Companie Industrielle du Jouet), circa 1920s, (photo 22) looks so happy now that her cherished land has been returned to France! She has a composition-like head marked, “FRANCE” and a cheerful demeanor with her darling rosy cheeks! Her black apron is imprinted with flowers.
19. 4” all-bisque doll simply marked, “0 ½”
20. 18” character face beauty is referred to as Lanternier “La Favorite” by the company Limoges. 21. In this postcard, (left) a little girl pretends to greet a French soldier and says, “Be welcome in our home, little soldier of France. Thanks to you, our Alsace sings liberation!” 22. Right, 8” doll by CIJ (La Companie Industrielle du Jouet), circa 1920s
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23. 17” cloth doll by Poupées Raynal. Courtesy Theriault’s
24. S.F.B.J. 60 Paris 8/0 Bleuette with outfit from 1915 La Semaine de Suzette pattern.
A 17” cloth example of a happy Alsatian girl was made by Poupées Raynal circa 1928 (photo 23). She also wears a decorated floral apron and her large Alsace black coiffe with rosette. She wears blonde mohair braids and has celluloid hands. Dolls in Alsatian dress were immensely popular both in France as well as to foreign tourists. They came in all different forms – paper, cloth, celluloid, bisque, etc. Interestingly, during WWI and WWII, the dolls dressed in Alsace costumes were also used for charitable purposes, as they were sold to raise money to help the young little orphans of France, many of whom lost their families during the wars. Even S.F.B.J.’s Bleuette had a pattern for an Alsace dress! This SFBJ 60 Paris 8/0 Bleuette is wearing an Alsatian outfit made from the 1915 La Semaine de Suzette pattern (photo 24) . It consists of a five-piece outfit with blouse, shirt, apron, corselet, and bow. The Alsatian theme was also found on food packaging like the toy-sized little box of Alsatian cookies that Bleuette is holding! Alsatian-dressed dolls were also popular in other countries. During the first half of the 1900s, many Alsatians immigrated to other countries such as the United States to begin life anew. As such, the Alsatian costume became very recognizable as a costume specific to
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25. 15” Mollye’s doll.
France. Beginning in 1938, for example, the American “Molly’es International Doll Company” created a series of “International Costumed Dolls”. This example of a 15” Mollye’s doll was marketed as “France” and proudly represents her region of Alsace (photo 25). This sweet little vintage 1940s doll was made in Argentina but wears a variation of the French Alsace costume (photo 26). Her costume was likely influenced by the fact that there was a large influx of Alsatian immigrants into Argentina during the tumultuous years between the Franco-Prussian War and both World Wars. The people who left France for Argentina were referred to as “French Argentine.” The doll measures 7” tall. The doll’s tag reads, “65% Cotton 35% Virgin Wool Imported By Schmidt Bros, Inc Boston, Mass Industria Argentina.” The Alsace costume embodied the culture of the region. It lifted the spirits and reflected a confidence that times would again one day be better. The costume symbolized the immense courage and patriotism of the Alsace people during decades of unrest and hard-fought struggles. As we collect and appreciate dolls in Alsatian costumes, we realize that their clothing is not merely simply beautiful to admire… we realize that the costumes symbolize those who stood proudly in honor and respect not only for the battle weary Alsace, but for the heart and soul of war-torn France.
26. 1940s doll made in Argentina.
The Legendary Patsy by Jane Foster Photos by Kim McBurney
Patsy publications from the 1930’s.
Composition Patsy introduced in 1928.
T
he all composition doll Patsy was introduced in 1928 by Efffanbee Doll Company, co-owned by partners, Hugo Baum and Bernard E. Fleischaker. In 1927 she was advertised as “Mimi,” but her name was soon changed to “Patsy.” Some sources state that Patsy was formerly named “Mimi” after the famous movie personality, Clara Bow. Then Effanbee discovered that “Mimi” was a trademark name used by another doll company. “Patsy” was already a name in the Effanbee line for a mama doll. So they renamed the Patsy mama doll, “Marilee,” and “Mimi” became “Patsy.” Around this time there was an Irish pilot, James Fitzmaurice, who crossed the Atlantic from east to west. He was honored at a celebration in New York City. He had a seven-year-old daughter 42
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name Patsy who was presented with a “Patsy” doll by a city official. It has been said that Effanbee, at that time, indicated that they had named “Patsy” for this little girl. Patsy’s past contains several stories about her name change. I don’t think we can be sure which ones have more validity, but we do know that for the parents who could afford the luxury of buying their little girls a doll in the 1930’s, Patsy was often chosen. Pretty Patsy was designed by the distinguished doll sculptor, Herr Bernard Lipfert. Lipfert designed many dolls for different companies, including Ideal’s Shirley Temple, but he considered Patsy to be his greatest achievement. In Patsy Doll Family Encyclopedia Volume 1, Patricia N. Schoonmaker states “Joan Amundsen reported on visiting the Lipferts at home where they had moved in the early 1940’s to Westbury,
Patsy greeting card from 1930’s.
Long Island. The studio was set up in the large sun porch on the second floor. The artist retired in about 1964 due to arthritis but had kept his studio just as it was. Joan was allowed to explore the artist’s attic which she termed a doll collector’s paradise. The most striking object she saw was a lifesize model head of the Patsy doll with soulful puppy eyes and a rosebud mouth.” Lipfert had died on January 6, 1974. While Patsy was introduced in 1928, the composition Shirley Temple doll was not introduced until 1934. Interestingly, in doll memorabilia there are found several photographs of the child star Shirley with a Patsy doll. Patsy and the bisque Armand Marseille doll “Just Me” are very similar. It is believed that there is a very good reason for this. One of the doll companies Bernard Lipfert worked for in Germany was Armand Marseille. After coming to the United States in 1912 he marketed his designs to several manufacturers. After he designed the mold for what would become the very popular toddler doll Patsy, Effanbee bought the model, and the Patsy Family was born. The Vogue Company reintroduced the “Just Me” dolls in later years. The Vogue Doll Company also made clothes for the Patsy dolls in the 1930’s. Other companies that made clothes for the Patsy Family were Niko, Glad Togs, and Molly’es. Fleischaker and Baum (Effanbee) were very successful with their advertising. They employed various ladies to play “Aunt Patsy.” “Aunt Patsy” would visit department stores and meet with groups of little girls. The programs she would present would be interesting to the children, and they would be actively involved. Parents liked her little gatherings because in them “Aunt Patsy” emphasized such things as good manners and safety. Of course, information would be given about the latest in Effanbee’s line of Patsy Dolls. In conjunction there was a Patsy Doll Club the children could join. Patsy’s popularity inspired two children’s story books, “Patsy for Keeps” by Esther Merriam Ames, published in 1932 and “Patsy Ann”, 1935, by Mona Reed King. Composition Patsy’s were approximately 14 inches tall with a molded red or brown hairstyle. The red hairstyle was more prevalent. Some had a molded hairband; some had mohair or human hair (wigs were introduced in 1933). Most had brown painted eyes; it is much rarer to find a painted blue-eyed Patsy. Side-glancing eyes were much more common than centered eyes. Later she was made with sleep eyes. She wore a gold heartshaped paper tag on her wrist or a gold heart-shaped bracelet. The
Patsy’s boyfriend was the delightful Skippy.
Just Me by Armand Marseille shares many characteristics with Patsy.
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22-inch Patsy Lou A parade of Patsyettes, 9 inches.
paper tag had the specific doll’s name and “Effanbee” on it. The gold heart-shaped bracelet read “Effanbee Durable Dolls.” Some of the dolls had original buttons/pins. The Patsy dolls were marked across their shoulders with their names and patent numbers. Some were marked on the head also. Patsy had a bendable right arm and movable neck joint. Her head which could tilt and movable limbs helped her to stand with a striking pose, or possibly even without a stand. In doll reference books she is often shown holding a small stuffed animal; some of her taller sisters are shown holding a small Patsy doll – very cute! Wee Patsy with her rigid neck was the exception. She was introduced in 1934 and was marketed as “The Fairy Princess” in Colleen Moore’s doll house. Colleen Moore was an actress and toured the country with her doll house, raising funds for children’s charities. Another interesting thing about Patsy is that she was the first doll to have extra outfits and accessories that could be purchased. Mamas and little mamas enjoyed this, and so did department and dime stores. There was even a selection of Patsy greeting cards that were available. Patsy wore a variety of clothes – dresses, fur coats, beach outfits; one Patsy even wore an aviator’s uniform which may have been inspired by the story of the Irish pilot and his daughter, which was shared at the beginning of this article. Several Patsy dolls were costumed in felt coat ensembles. Perhaps, in making this fashion statement Effanbee was attempting to compete with the Lenci Doll Company, who was producing felt dolls during the Patsy period. There were some Patsies with roller skates. A few were made with magnets in their hands; two of these dolls could be posed as dancing partners. My personal favorites were the 44
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Patsykins – marked Patsy Jr.
frilly organdy dresses with matching bonnets. Speaking of her sisters, which were introduced from 1928 through the decade of the 1930’s, they were Patsy Mae-29 inches, Patsy Ruth-26 inches, Patsy Lou-22 inches, Patsy Ann-19 inches, Patsy Joan-16 inches, Patsykins-11 inches, Patsyette-9 inches, Patsy Baby-12 inches, Patsy Babyette-8 inches, Baby Tinyette-6 inches, and Wee Patsy-5 1/2 inches. Patsy Baby was advertised and sold as “Patsy Babykin;” but she was marked as “Patsy Baby.” “Patsykins” was first named “Patsy Jr.,” but was changed. The thinking was that “Patsy Jr.” sounded too much like a boy’s name. The mold had already been made, so even though after this she was referred to as “Patsykins,” the marking on this doll is “Patsy Jr.” The Tinyettes sometimes came as twins, triplets, or quintuplets. The Effanbee quintuplets were marketed to compete with Madame Alexander’s Dionne Quintuplets. The doll company also made a straight-legged version of the tinyette toddler
1946 Patsy Joan
Wee Patsy lacked the moveable neck joint.
12-inch Patsy Baby
which was 7 to 8 1/2 inches. Some of the Patsy dolls were dressed in alpine clothing of the Tyrolean style because of a musical production that was famous at the time called the “White Horse Inn.” Effanbee also made some Patsy dolls with a historical twist – the colonial Patsyette pair of George and Martha Washington. Oh, and let’s not forget the winsome little Skippy, Patsy’s boyfriend. He was introduced in 1929 and was modeled after Skippy, the cartoon character. Around 1935 Effanbee decided to make slimmer-bodied dolls to add to the Patsy Family. The older sisters were Patricia Ruth-27 inches, Patricia Lou-24 inches, Patricia Ann-20 inches, Patricia Joan-17 inches, and Patricia-14-1/2 inches. Also there was a “Patricia-Kin” made that was 11-1/2 inches. Her head was a new design by Effanbee. She still looked like Patsy, but she appeared to be smiling just a bit. They made the Patricia dolls to keep up with some of the other doll companies that were making the slimmer dolls rather than the toddler types. Fleischaker and Baum were always on top of the latest doll trends. Variants of the Patsy doll were made such as 19-inch Tousel Head Patsy Ann with the Effanbee Lovums doll head and Another big sister, Patsy Joan is 16 inches. Effanbee Mary Ann with a Patsy body. In 1935 Effanbee introduced the Anne Shirley doll with braids. Anne Shirley was the well known character from the movie “Anne of Green Gables.” Effanbee used different variants of the Patsy doll for their Anne Shirley doll. Due to the popularity of Patsy several other companies made dolls with very similar features. Some of these include “Mitzi” by Maxine Doll Company, “Marilyn” by Acme Toy, “Peaches” by Averill, “Phyllis” by Bouton Woolf, “Sue” by Horsman, “Mary Ann” by Gerling, “Ritzi” by Natural Doll, “Mazie” by Regal, “Sally” by American Character, and “Betty” by Madame Alexander. In 1946 Effanbee made a composition Patsy Joan with a different hairstyle. Her marking was Examples of the 19-inch Patsy Ann. ANTIQUE DOLL COLLECTOR
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spelled “EFFandBEE.” There was a Patsy doll made in 1959 that looked nothing like the original Patsy. She was made of vinyl and had freckles; but she is marked “Patsy Ann” and made by Effanbee. Several different people took over control of Effanbee Doll Company in later years and offered different versions of “Patsy.” For example, Robert Tonner reintroduced the Patsy doll in 2003. These vinyl dolls had the same face and little mouth and although some were well-received, they were not as popular as the cute composition Patsy of the 1930’s, who has a special place in many doll collections today. References: Patricia Schoonmaker, “Encyclopedia of Patsy Dolls”-Volumes 1 and 2 John Axe, “Collectible Patsy Dolls and Patsy-types,” Various articles by Don Jenson and Patsy Moyer.
The Big Sisters Patsy Mae and Patricia Ruth. Patsy’s sisters were introduced beginning in 1928 through the 1930’s. The doll dressed in blue is the 29-inch Patsy Mae.
American Character Sally, a Patsy type, was one of many competitors.
Valentine’s/Virginia Aris at the
Princeton Doll and Toy Museum Hopewell, New Jersey
Telephone: (609) 333-8600 E J – call for details
7 ½” Googly jointed $4,200
Glass-eyed papier mache $3,000
Email: virginiaaris@aol.com
www.princetondollandtoy.org
French Fashion Doll $4,000
Heubach Screamer $2,500
Lenci Child $595
BE SURE TO SEE US AT THE UFDC CONVENTION SALESROOM
TRAVELING HOUSE An 18th Century Spanish Dollhouse by Elizabeth Bentley Hamilton
A wide open view shows the red and gold detail around the doors leading to the balconies as well as the interior of the house itself. The open cover panel reveals the front of the house with its blue and gold balconies, and stable entrance below. With the cover panel hinges locked in place, the house is ready to travel.
I
n October of 2012, with some excitement, I purchased an intriguing 18th century Spanish dollhouse from Susan Singer, owner of Lucy’s Doll House in Camden, Maine. It had belonged to her good friend, the late Lucy Morgan, collector and founder of Lucy’s Doll House. Standing on its four metal feet, this rectangular box-shaped house measures 31” in height, 19 1/2” in width unopened, and is 20 1/4” deep. Made of a sturdy wood, the outside is covered in weather-beaten red heavy paper similar to wallpaper, having decorative gold designs in the four corners of its sides. A front cover panel hooked in place explains the title “Traveling House”, as it secures the contents and protects the house, thereby making it easy to carry without the usual metal handles. Decorative black metal clasps and hinges attach the protective cover to the front of the house, while others attach the front with its slim glass-encased long doors, balconies, and detailed exterior, to the house itself. The interior walls are of cartone, made from carefully applied layers of pulp, painted with great detail. The ceilings are covered with elaborately painted papers, whereas the flooring has various types ANTIQUE DOLL COLLECTOR
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The top floor is luxuriant with brilliant colors, elaborate decorations and giltwood furniture. Below left, on her way to the chapel, mother prepares to take her prayer book and rosary from the table under the large crystal chandelier with its blue candles. Below right, a fulltester bed dressed in melting silk with gold trim stands in the bedroom, separated from the reception area by sliding glass doors. The hand-fashioned highly decorated child’s bed contains its original wooden baby in her fragile silk dress.
of painted coverings. As Lucy had the house electrified, when the lights are on the rich colors and details are remarkable, especially in a house from the 1700s! The interior of the house is divided into three floors, unequal in height. The top floor has a very high ceiling, a small hallway leading to a painted closed door, and a bedroom encased in a partition having sliding glass doors! A reception area with walls painted in vibrant tones of Spanish blue, and flooring made to emulate rosa inferno marble, complete the upper level. A lovely statue of the Madonna and Child from a later date, and a rose colored china vase stand on a giltwood shelf in the bedroom, above which was an empty nail. My grandmother’s antique garnet cross is a perfect fit. The fulltester bed, dressed in rosy-red silk with gold threads used
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for the pattern and trim, is probably from the 1800s, as are the chairs, console and table in the reception area. Above the table in that area hangs a large, beautiful crystal chandelier with blue candles, the very first item I unpacked when the house arrived! A Meissen china cupid stands beneath it. On the left wall of the reception area are very old little shells balanced on wooden shelves. In the center is an early painted metal shadow box containing the cut-out figure of an angel in flowing robes. A fragile tapestry bell pull hangs on the far wall. A small carved ivory chair stands near a half-tester child’s bed from the 18th century. Shaped, sewn and decorated by hand with obvious love and care, this beautiful bed from the mid to late 1700s, with its pearls, gold threads and fringe, is completely charming. Nestled atop the decorated sheets is a
Left, an ornate clock and a somewhat frayed tapestry bell-pull adorn the wall above the elaborate handmade chest, which contained the painting of St. Rita of Cascia. Center, a close-up of the delicate painting of St. Rita of Casica so carefully trimmed with gold threadwork, shows the symbolism which aided in its identification. Bottom, a short hallway and the kitchen are located behind the dining room which contains four rare quill chairs with old velvet seats and one child’s chair with a seat of feathers. The chairs appear to be tall as the second floor ceilings are quite low.
very early wooden baby wearing her original decorated dress. Hovering nearby is her Niñera, a papier-mache doll wearing her original clothing and coral beads, ready to tend to her little charge. Knowing her baby will be well-cared for, Mother prepares to take her antique prayer book, printed in Spanish, and rosary with her to Chapel, to pray for the safe return of her husband from his journey. She, too, is an early papier-mache, wearing her original dress of green and gold melting silk. Her long, flat heeled shoes are painted blue. Both she and the nursemaid were added to the house from my collection. Not far from the half-tester, and similar in materials and workmanship, is a highly decorated trunk, in which I found a delicate painting of St. Rita of Cascia, edged in gold thread. Having died in 1457, by the 1700s devotion to St. Rita became widespread. Due to numerous miracles attributed to her intercession, she is known throughout Spain as “La Abogada de Imposibles,” the advocate of desperate cases. In many churches roses are blessed on her Feast Day, May 22nd, due to the recorded account of her request for a rose from her garden, as she lay bedridden the winter before her death. One perfect rose was found blooming on an otherwise dormant bush covered with snow. The uncorrupted body of this holy Augustinian nun rests in a glass coffin inside the Basilica of Cascia. The rectangular painting is of
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Left-right: A glimpse of the kitchen with its Spanish tile papers, carefully crafted stove and hood. An early engraving of St. Louis de Gonzaga hangs on the wall of the far hallway which leads to a small reading room with numerous candles for light.
Below, other examples of quill chairs may be seen in the dollhouse collection of the Victoria and Albert Museum in London.
St. Rita peacefully at rest, with a garland of roses above her, her crucifix by her side, and one red rose at her feet. The middle floor has a low ceiling and begins with a short hallway containing a hand-made bench fashioned with dark painted crossed sticks, which support a lightly padded red velvet seat. A large, very old mirror is firmly attached to the far wall. The dining room floor is papered in a Spanish tile pattern, and is covered in the middle by a gold color old velvet rug, which matches the tablecloth. The table is set with two striped glass goblets and a large crystal candelabra, a companion to the one on a low table in front of a scenic mural on the left wall. Next to the mural is an imaginative bell pull made from various types of trim. Four wonderful rare quill chairs with gold fabric seats, from the 1700s, surround the table. It was considered a pleasant pastime for ladies of nobility to make such delights as these quill chairs, and other handmade items as found in this house. A large entranceway in the back wall provides a view into the kitchen with its stove and hood, large brass kettle, earthenware, and wall papers of small sized Spanish tile. When closed, curtains properly shield the kitchen from view. A door in the right wall opens into a hallway with two examples of Spanish religious art, each encased in a decorative metal frame. The first, above a table with two glass-beaded candlesticks, is an engraving of St. Louis de Gonzaga. Once a member of the Spanish Royal Court, he took a vow of poverty and became a Jesuit priest. He was only 23 when he died in 1591, from helping victims of the plague, often carrying them 52
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on his back from the streets to the hospital. Nearby, a wide frame on the second piece contains a painting of the Blessed Virgin Mary, on tile. The hall ends with a small room, and not knowing its purpose, I turned it into a quiet reading room with a chair, books on a table, and candles for light. A metal lantern, Spanish in design, hangs from the high ceiling of the stable below, in which no detail was overlooked. A wall with three wide openings between two columns separates the front from the back. There is a raised level with a door and railing, ending in steps leading to the front area. A trough under the railing runs the length of the upper level. The last opening contains a stall with a rack of dyed excelsior for hay on the back wall, with bits of hay scattered on the bare floor. Spanish tile papers complete the flooring for the upper and main levels. While decorative papers are on the walls of the upper level, those of the main area are painted as large stone blocks. Just as the inside of the front door continues the theme of the floors above, the stable theme continues with a large curved central opening having two wooden doors, and a small window with grill work on each side. The only inhabitant is a friendly horse structured of wood, stuffed with excelsior, and covered with a wavy brushed material. He has a mane of human hair, a tail of horse hair, glass eyes and a slightly open mouth. Two wax dolls dating from 1765 must certainly have been placed in the house by its original owner. Despite the melting silk of the wife’s stylish dress, she and her husband are in amazingly good condition. Molded as an elderly couple, dressed in their original period clothing, they compliment each other perfectly.
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The stable (above) on the lower level with its water trough, hay stack, cooling down brush and bucket is home to an excelsior packed horse with a human hair mane and a horsehair tail.
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The noble wax dolls from 1765 (left), dressed in their original finery, pay a rare visit to the stable.
With her walking stick in hand, she has come to visit her husband who, still holding his pitchfork, has just put fresh hay in the rack. Having once been an accomplished horseman, but now no longer able to ride, this noble gentleman enjoys an occasional visit to the stable. A wisp of white hair is visible beneath his tri-corner hat. His coat of dark blue with wide cuffs is trimmed in gold braid. He wears a neck scarf above his shirt, and a red waistcoat with four buttons, trimmed with gold stitching. A work apron protects his dark blue knee breeches, which are partially covered by long wool stockings. Sturdy black shoes complete his attire. A favorite uncle, he and his wife are visiting their niece while her husband is away. Under her thin linen day cap, his wife’s hair is still blonde. Her overdress of green silk has wide lapels, 3/4 length narrow sleeves, and is fitted to the waist. Open in the front, it reveals a full underskirt of red, yellow and green plaid. Her sleeves and lapels are edged in lace. A red silk bow decorates each lapel. Her stomacher, with its long lines and red lacing, provides the desired pinched-in waist, so fashionable in her day. Petticoats and greatly stuffed pantelettes give the wide-hipped look also demanded by fashion. Slender black boots secure her footing. Wearing their original finery, she and her husband truly do bring the past to the present. In an effort to learn more about the history of “Traveling House”, I contacted Susan Singer, who told me Lucy Morgan had purchased it years ago from Michael Canadas of Carmel Doll Shop in California. He remembered it well, and said the house came from Madrid, Spain, but unfortunately its provenance was unknown. He called it a “time capsule”, for although the outside showed some of the ravages of time, the inside was still vibrant in color and undamaged in content – a treasure from the past.
*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories Mold & Global Catalogs not shown
Complete 5 Catalog Set - $25 ppd. Includes $15 money back coupon with purchase.
jeannordquistdolls.com Order Desk
1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 ANTIQUE DOLL COLLECTOR
JULY 2013
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SELL A DOLL IN THE
EMPORIUM BABES FROM THE WOODS
K * R Simon Halbig 116/A 15” open mouth, sleep br. eyes, perfect head and body. $985 Judy Crawford 419-874-6690
Faithful reproductions of hand carved Queen Annes, dolls by Izannah Walker, and Early American Cloth Dolls. Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca
www.babesfromthewoods.com SARA BERNSTEIN DOLLS
BILD LILLIS FOR SALE
Kathy Libraty’s ANTIQUE DOLLS
WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES
11-1/2” and 7-1/2”
Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices.
Extremely nice condition, 7-1/2” in floral Hong Kong Lilli dress with original swimsuit underneath, orig. poodle; 11-1/2” in reproduction dress with orig. poodle, price negotiable.
732-536-4101 Email santiqbebe@aol.com
www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com
OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.
8 MONTH LAYAWAY PLAN AVAILABLE
WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES
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Purchase of an ad includes FREE internet ad on our website. Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com
Email: art@fireweedgallery.com Irene Randolph, PO Box 320, Homer AK 99603 Member: UFDC, NADDA
www.rubylane.com/ shop/fireweedgallery
ANTIQUE DOLL COLLECTOR
WWW.KATHYLIBRATYSDOLLS.COM
Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC
NEW! LARGER Size
Display French Fashion hats on these antique styled 4” or 6” hat stands. Each is painted ebony in color with gold banding, crowned with vintage black velvet fabric and braid trim. The fabric crown keeps hat from slipping off! Size choice $35 each plus $4 shipping.
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Call Sammie 205-413-7535. Email Sammiewonder@gmail.com
JULY 2013
Do You Have a Mystery Doll? T
he UFDC Competition Room has a whole new category for “mystery dolls.” The “Antique DOLL Collector” magazine has a section every month featuring a “mystery doll.” These efforts are in hopes that someone will be able to identify the doll sitting in front of them or pictured in the magazine. All that is very well and good, but how do you pack up a 38” doll to take to Convention? What if you cannot even identify the material from which the doll is made? I have such a quandary to puzzle through. Listed under “paper mache,” I bought my “mystery” on eBay, paying less than $100 for her. I had judged paper mache dolls, but I had never seen the likes of her particular countenance. When I received her, I was astonished, first of all, by her size. She is huge! She is so big, she has to sit on a table with my giant Greiners. And she seems to sit back and relax in my office, with her light smile, as if she were enjoying my frustration over who she is, what she is, and when she was made. First of all, she does not feel like paper mache. She seems in better “shape” than my other big paper maches. Crazing is so slight that it isn’t really perceptible except upon close examination. Her legs and feet are like none I’ve seen in this category of doll, presumably paper mache. Her clothing looks neither new or terribly old. Her hair is less detailed than any paper mache I have seen. I sent pictures of her to several prominent dealers. One of them said she had no idea, but maybe she was from the 30’s to 40’s. Another suggested, quite tentatively, that she might be rubber! I even posted her on the antique doll discussion group on Facebook. No response. Now, I throw my questions about my puzzle of a doll to all of you readers. Study the pictures. Read the text. Please, please, if anyone knows the answers to my “mystery,” the “What is she?” “Who is she?” “Of what material is she made?” contact me at modollies62@hotmail.com
C
an you help me identify these dolls? The first is a wax-over composition-type, 19-1/2 inches with no markings. She has kid-covered hands and arms, a cloth stuffed body; the eyes do not blink. I believe her dress to be original. My other unidentified doll has a bisque head. Although she has no markings I think she may be French as the clothes that came with her have French labels and buttons. Her hair is original but unfortunately chopped off by some young owner. Her body is kid covered, hands are porcelain. She is 21 inches tall. Please call Noonie, 541-343-2898 (west coast) Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail. com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above. ANTIQUE DOLL COLLECTOR
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NEWS I
Rendevous, Monday Nights and Theriault’s
t’s Monday night and you know what that means. Endless hours of TV sports or some silly reality show. And the whole boring, busy week stretching ahead of you before you can meet with friends about your favorite subject: dolls. Theriault’s has the perfect panacea for this. It’s their latest auction venue, Rendezvous, Monday Night at the Auctions. “It’s just a little doll fun to see you though the week”, says Luke Theriault who designed the auction concept and conducts the auction in team with raconteur Stuart Holbrook in an irreverent and fun-filled hour – while meanwhile beautiful dolls are auctioned. The auction, which is conducted in Theriault’s headquarter’s office in Annapolis, MD, begins at 7 PM and is designed to last just one hour (“Well, okay, we run over”, says Luke Theriault) with the presentation and auctioning of 50-70 lots. Due to limited space only 12 people can attend in person (open to all, but advance call-in reservations are needed). And there are many other ways to bid: absentee bids, live telephone bidding, live internet bidding. Attending bidders come to the party early for pre-auction refreshments and conviviality, and when the auction begins, Internet bidders join the party with a live audio and video feed, and an hour of banter, laughter and trivia all the while great dolls are being auctioned. Some Monday night auctions are designated “theme nights”, such as the recent Caribbean night, and the upcoming Tyrolean night on June 17 in step with a collection of Sasha dolls. “It’s the closest we can come to live television entertainment, and still combine the thrill of auction fun”, says
Stuart Holbrook. One collector, who has “tuned in” to every auction put it more simply, “Now it’s my time!” One collector who has attended each and every Rendezvous auction says, “I plan my whole week around this. The laughs carry me through the chores of the rest of the week. It’s edgy, a bit offthe-wall, and it’s great fun to see this team of brothers laughing at themselves, and encouraging us in the great fun of dolls.” To receive notice of every Rendezvous, Monday Night at the Auction, go to www.theriaults.com and register to receive email notices. If you are planning a visit to Annapolis, call Theriault’s at 420-224-3655 or email info@theriaults.com to check the schedule and plan to attend in person.
In Our Memories Don Jensen
F
ellow doll collector, researcher and writer, Don Jensen, passed away unexpectedly on May 23, 2013, at his home in Kenosha. He was born on September 23, 1934, in Racine and grew up there. He attended UW-Madison, where he earned his Bachelors and Masters degrees in Business Administration. Don served two years in the US Army. On his return he worked as a news director for WAXO-AM. In 1963, he joined the Kenosha News as a journalist and retired after a 34-year career. In the 1970’s, Don was president of the Newspaper Guild. He was a member of Friends of the Kenosha Museum and the WGTD Theatre, where he exercised his announcing voice in radio dramas. His love of radio extended to a hobby in short wave. In retirement Don remained just as active. For years he was a member of the Kenosha Historical Society and became an authority on Kenosha County history. He led history tours and presented re-enactments based on Real Kenoshans of the past and also published a book on Kenosha history. He had regular columns in Communications World and Elementary Electronics. Don also was very interested in genealogy and researched his family roots in Denmark and his wife Arlene’s in Norway. When Don and wife Arlene were given a family doll, a new world opened up to them. Soon, both of them were active doll collectors, researchers and writers on the subject. Don’s two reference books on Horsman dolls stand out. Over 56
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a period of more than 30 years he wrote numerous articles on many subjects published in Antique DOLL Collector Doll News and other Collector, doll magazines. Together with Arlene he was an associate editor of Doll News for two years, and they received the UFDC Award of Merit. At National conventions, he presented many programs and seminars. The couple chaired the modern competitive exhibit for several years, served as judges and organized the highlight tours for a number of conventions. Don and Arlene also presented programs to local doll clubs. In spite of all his accomplishments, Don was always a gentle and approachable person. He was a true friend, always willing to freely share and help where help was needed. He will be sorely missed and certainly never forgotten. Submitted by Ursula R. Mertz
The Tender Years
17” Incised Jumeau mkd. Depose Jumeau 7. All original. All orig. body finish in excellent condition. Creamy pale bisque w/soft blushing. Bl. eyes. Pensive. TAKE ME HOME LOOK! A real treasure 8,250
Deborah Varner • Member UFDC • 303-850-7800 • queenbeev1@comcast.net
WWW .THETENDERYEARS.NET
14” Jumeau Dep. All orig. Added Fr. mint hat. CM with tongue. Bulging bl. eyes. 3,600. Not pictured. Gorgeous br. haired 10” Steiner A. Pierced ears. CM. All orig., 7,400 and 10” Couture French Tete Jumeau. Pristine and completely original. Has orig. cork pate w/intact head coil. 11,350
8” All bisque 908 type, all original. Painted blk. heels, dark br. eyes. Sweet open mouth and soft blushing. So much doll in a small package. Fabulous! 3,450.
26” S&H 1279. Huge brown glass eyes. OM. Abundant curls in orig. wig. Beautiful blushing. Wearing a pink satin dress with lace overlay & tons of lace and embroidery. Wonderful Fr. hat. 6,500
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Auction Gallery
A
t the recent Auction Team Breker in sale in Germany a collection of belle époque musical automata included the work of luxury Parisian toymakers Gustav Vichy and Leopold Lambert. Vichy’s bewitching Japanese Mask Seller with her original embroidered kimono and twirling paper sold for $52,640 while another exotic figure, the Narghile Smoker by Lambert brought $17,600. Other highlights included a Whistling Boy by Phalibois for $17,600 and a delightful Clown Magician, also by Vichy, $19,200. Bringing a world record was the Apple 1 computer from 1976 which brought $660,000.
A
rare Bebe Triste by Jumeau, size 16, with pressed bisque head, blue paperweight eyes and fixed wrists sold for approximately $18,000 at the June 1 sale conducted by Chartres auction.
We would like to thank the following auction houses for their participation:
T
his pair of George III English wooden dolls, circa 1780, 9-1/2 inches tall with inset enamel eyes, carved wooden lower arms and fingers, legs jointed at the hips, sold for $16,827 at Bonham’s in Oxford on May 21.
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A
porcelain Huret poupee (circa 1855) with leather body and bisque arms, 14 inches, wearing antique clothing, brought approximately $8700 at Francois Theimer’s May 25th auction in Paris.
Auction Team Breker, Otto-Hahn-Str. 10, 50997 Cologne, Germany phone +49/2236/38 43 40 www.Breker.com Bonhams, Montpelier St, London SW7 1HH www.bonhams.com Galerie De Chartres, 10, rue Clauade Bernard, ZA Du Coudray BP 70129 - 28003 Chartres Cedex, www.ivoire.france.fr Theimer, 4 rue des Cavaliers 89130 Toucy, France www.theimer.fr
Ashley's Dolls & Antiquities
Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail Visit us on Rubylane.com/shops/Ashleysdollsandantiquities All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector August 2013 Vol. 16, No. 7
August 2013 Vol. 16, No. 7 $595 / $695 Canada www.antiquedollcollector.com
Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446
r Look fo C in D F U me at: gton, DC Washin 9-Aug 1 July 2
Visit my website: www.grandmasatticdolls.com LAYAWAY AVAILABLE • Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
19-1/2” Incised Jumeau Bebe, mint pale bisque, beautiful blue p/w eyes, early mauve blush under brows, “applied ears” very full orig. mohair wig in its orig. set, orig. cork pate & orig. “head coil”. “Factory Original” dropped waist orig. silk and lace Jumeau dress, ant. slip & undies, orig. crocheted socks, ant. leather Portrait Jumeau shoes, matching Fr. ant. silk hat adorned w/plumes & silk ribbons. Fully “signed” DEPOSE JUMEAU head & orig. “signed” 8 ball jointed st. wrist Jumeau body w/clean shiny orig. finish. Out of a special private collection & is top notch. The BEST expression & coloring. They don’t come along like her very often!!! BREATHTAKING!!! $9800.
19” Heinrich Handwerck #109, gorgeous blue sl. eyes, immaculate pale bisque, orig. mohair wig & pate, She is ALL factory original!! Her dress is batiste & lace & extremely ornate with matching slip & many layers of orig. undies, plus orig. wool coat trimmed in aqua silk, matching orig. knitted buret & orig. crocheted socks & orig. leather shoes. She has a “first place” Blue Ribbon from 1908. She is to die for. Absolutely OUTSTANDING!!!! $2995. French P.D. (Petit & Dumontier) Bebe, HUGE bulging almond shaped blue threaded p/w eyes, early mauve blush under brows, magnificent early very pale bisque w/ delicately blushed cheeks, fabulous ant. hand tailed wig w/long extensions & orig. pate. Wears gorgeous burgundy very fine wool & silk dress, ant. velvet hat adorned w/flowers, ant. slip, camisole & undies, “signed” Jumeau shoes & Fr. ant. ermine muff. On orig. PD body w/”metal hands” having orig. finish. Darling chubby cheeks & double chin! She is as cute as she is beautiful, almost having the look of an early round face Schmitt!!! OUTSTANDING presence!! SALE.... Only....$21,500.
16” JDK “Hilda” Character Baby #245, mint pale bisque w/ delicately blushed cheeks, 2 upper teeth, outlined lips, blue sl. eyes, full molded tongue, ant. mohair wig & orig. Kestner plaster pate, wears orig. baby gown, an added knitted baby sweater & Fr. lace & silk ribbon bonnet. On her orig. Kestner baby body. The BEST of the Hilda faces & fully “incised” “Hilda” head markings. The perfect size baby doll. Absolutely ADORABLE!!!! Only....$2500.
16” Kestner XI Pouty, br. sl. eyes, very pouty closed mouth, mint pale bisque & orig. mohair wig. Wears a magnificent French ant. light blue batiste dress, ant. Fr. ornate batiste, lace & ribbon hat, ant. knitted socks, orig. undies & slip & darling ant. leather shoes. On orig. early st. wrist chunky Kestner body w/cupped hands. Absolutely GORGEOUS & very sad!!! Only....$5400.
24” Early K * R #192 “Closed Mouth” Character, gorgeous bisque, magnificent blue sl. eyes, (some wig pulls at crown, non detracting), fabulous ant. mohair wig & orig. pate. Wears a most stunning turquoise ant. silk & lace Fr. dress & ant. Fr. silk & lace hat, vintage undies & slip. On great orig. early heavy 8 ball st. wrist body. She is STUNNING!!! $3150. 15” Earliest Mark Portrait Jumeau #0 Bebe, mint pale pressed bisque, orig. “head coil”, blue threaded almond shaped p/w eyes w/early mauve blush under brows, orig. mohair wig & pate. Wears complete FACTORY orig. royal blue silk & black velvet two piece dress w/ orig. matching hat, added ant. ermine stole, orig. slip & undies & orig. size #0 Portrait Jumeau shoes. On orig. early 8 ball jointed st. wrist clean “signed” Portrait Jumeau body. Absolutely BREATHTAKING!!! ONLY....$17,500.
Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA
“What fun to play in the garden!” delights Bebe Bru Jeune 5 from the era of Henri Chevrot. This classic beauty is pure confection with her gorgeous rosy bisque, sweet rosebud mouth encircling the tip of her tongue, stunning blue spiral threaded eyes, excellent kid body with desirable wooden carved legs and beautiful teal and crème silk ensemble. Bebe wears original Bru signed 5 shoes of rare ivory color with intact toe decorations. Her mohair wig is a cascade of golden curls and covers her original cork pate. At 17” this is the perfect cabinet size Bebe that will steal the spotlight in your collection! Please inquire for additional details and pricing~
Now comes a sweet coquette! Mlle Brevete in a petite 16.5” cabinet size is dressed to inspire longing of the heart! Superb gold tone burnished silk dress with teal accents and embellished with exotic design and a matching high brim bonnet crowns her lovely long mohair wig. This little beauty has the softest pale bisque with generous mauve highlights and peach tinted lips. Her tender blue eyes will melt you! Please inquire for price and details~
Stellar large presentation Empress Eugenie with Wood Arms and original upswept wig. This beautiful doll has the loveliest pale bisque and stands an impressive 22”. She has the most benign gaze with her large almond shaped sky-blue spiral threaded eyes and amused smile. She wears a couture original wool suit with fur collar added and original silk bonnet. Her boots are antique leather. Her wood arms make her very easy to pose with graceful gestures or holding a parasol. She is marked J and she is every inch a Royal! Please inquire for details and pricing.
Sweet and petite 10” Bebe Jumeau with HUGE blue eyes! Superb bisque, lovely original blonde wig, charming crème and black dress and matching fabric covered bonnet. She’s ready and waiting to slip into your heart! $5800~
23”Bebe Steiner A 17 with lovely face and completely original ensemble. Gorgeous silk dress and matching velvet and silk hat that is utterly fantastique! Bebe is on a Steiner composition MamaPapa crier body that has the pull strings intact and the crier works. She is wearing antique leather shoes. This is a magnificent example of the La Parisienne. $7800~
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant
Rare Jumeau automaton by Leopold Lambert, the Tea Server, all orig., 20” tall. $11,900.
Subscription Manager: Jim Lance
BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS
Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved.
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2013 by the Puffin Co., LLC.
MOVING?
Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
AUGUST 2013
Join Rose Percy as she Travels West to Seattle for a Liberty Ball! The Event Please join the members of the Seattle Doll and Toy Collectors Club for a Premier Charitable Fund Raising Event. A limited number of attendees will be treated, at the very least, to one full day of festivities that include a Liberty Ball Luncheon, a program on Miss Rose Percy, plus deluxe helpers and shopping opportunities. In addition, attendees will receive a copy of the beautifully illustrated book about Rose, her possessions, and her life, which will only be made available to those in attendance at the event.
www.rosepercy.org
When
Saturday November 1, 2014 Where The Fairmont Olympic Hotel
411 University Street Seattle, Washington 98101 (888) 363-5022 (206) 621-1700 Mention the Rose Percy Event for a Special Room Rate of $185 (Double Occupancy) at not only one of the city’s most celebrated historic landmarks, but also a premier luxury hotel in downtown Seattle.
www.fairmont.com/seattle
NAME
PHONE
ADDRESS
CITY
STATE
UFDC REGION
ZIP
CLUB NAME
NUMBER OF PERSONS
To Register Complete the Registration Form to the right, and mail it, along with the $150 per person registration fee to: Nancy Greenawalt 4423 E. Sequim Bay Rd. Sequim, WA 98382 Phone: (360) 681-0446 nancy_greenawalt@sequimbay.net
PLEASE CHECK ALL THAT APPLY ■ Yes, I would like to support the event by sponsoring an Exhibit Table for $25 each ■ I will volunteer to be a Table Hostess ■ I will volunteer to help in other capacities if needed ■ Yes, I will make a Reservation to stay at the Fairmont Olympic Hotel Please make your Check Payable to: Rose Percy Event CARD # 3 DIGIT SECURITY CODE
EXP. DATE SIGNATURE
Total Registration @$150 per person and Sponsorship Amount Paid $____________________________ Cancellation Fee is $25 per person. No cancellations accepted or refunds made after October 1, 2014 Credit Card Charges will appear on your statement as: Legacy Antiques/Carmel Doll Shop
The Complete Guide to Antique, Vintage and Collectible Dolls
19
WHO IS CHIFFONNETTE?
By Sylvia Mac Neil Her owner tells the story of Chiffonnette and her impressive trousseau.
August 2013 Volume 16, Number 7
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By Ursula R. Mertz Since 1865 the story of these two rascals has never been out of print.
By Jan Peterson Fashionable lady dolls were furnished with every piece of toy furniture imaginable.
Learning About American-Made Dolls A HISTORY OF WILHELM BUSCH, CREATOR OF MAX AND MORITZ
EBONY & ORMOLU FRENCH TOY FURNITURE OF THE SECOND EMPIRE
About The Cover
56 42
THE SENTIMENTAL DOLL By Susan Foreman Some dolls may not be valuable monetarily but are nonetheless priceless.
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ANTIQUE DOLL COLLECTOR
49
EFFANBEE’S MUSICAL HARMONICA JOE
By Don Jensen A harmonica-playing boy followed in the footsteps of Effanbee’s Whistling Jim. AUGUST 2013
A MEMORABLE MUSEUM
Chiffonnette, a very important character in La Poupée Modèle, is the name for a doll that many of our readers are familiar with. She was born during the 1860’s in France, a very special time when establishments were fairly bursting with precious goods for the world of playtime. Sylvia Mac Neil has created for Chiffonnette the most wonderful trousseau any doll could desire.
By Jane Foster The author visits the Mid Ohio Historical Doll and Toy Museum.
48 Emporium 52 Auction Gallery 54 Mystery
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JUNE GAITHERSBURG, MD DOLL SHOW
54 Book
Review
60 Calendar 63 Classified
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA 2 This snappy googly in colorful factory outfit at 11-1/2” large is the scarce AM 254 with cartoon like energy, brilliant clarity of artwork, deep dimples and intaglio eyes for extra effect $1250
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This little girl and her dog is a rare 20” Glass Eye Lenci Flirty mint face, curls and 2 tags! Original silk dress with the usual windows. A stunner with fabulous hat to match! $1800
France produced few bisque googlies and this select 8” SFBJ 245 cabinet cutie is one of them! Such comic modeling with very round eyes, jubilant smile and ticklish aspect! The Queen Bee of any collection! $3000
3 4 Whimsical and feminine Gbr. Heubach ‘9143’ Googly Girl with top knot, window’s peak, long lacy lashes and novel triangular ‘oh-oh’ mouth! Rare One! For your bachelor boy $950
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5 Authentic 14” French Fabric ‘Becassine’ – excellent condition on this beloved and iconic early 1900’s. French character complete with name label by ‘Minerve’ $495
These great Rosalie Weber dolls were carefully recreated using antique eyes in 1975 from JDK 221 Googly molds so convincing and 14” tall with fully jointed composition toddler bodies! $295 each.
This important Roullet et Decamps Character was known as ‘Tata’ in the original French advertising of Gaston Decamps – and called ‘Fifi O’Toole’ stateside. Wearing the clever factory clothes she still carries the original baby in her arms. Sporting a pixie coif, proud smile and glinting eyes, she personifies the intellectual wittiness of early 20th c. Paris. $2500
Quality Antique Dolls by Mail
(212) 787-7279
P.O. Box 1410 • NY, NY 10023 Left to right:
Handpainted Ethereal Beauty – a 14” unique fabric Art Doll with corset, hose pretty face, clothes and fancy shoes – all excellent! $495 16” Schoenhut Character with Braided Wig – a tender faced American child with layers of vintage dress and shoes – a dear one. $795
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15” Scarce Black Papier Mache Character – with broad smile, op/cl mouth with 12 individual teeth, sparkling glass eyes and factory original clothes ! $895
12 Adorable SFBJ 252 Pouty – lovely quality on this eagerly pursued fully jointed French Toddler with ‘grumpy’ cheeks and furrowed brows, deeply modeled in a tender oily sheen with twinkling glass sleep eyes – all 20” in silk and lace! $5000
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18” Tin Head Dandy – unique American folk art! One-of-akind hand painted metal head doll in highly stylized 1920’s homemade dresswear. A carnival barker puffing his stogie! $495
14 and 16. Very Rare Mme Alexander Carousel ca 1935 for 7” Quints or your own special collection of little children! At 14” tall its even cabinet size! $2000 book price for just $595 15. 16” All Original Steiff ‘Clownie’ – large size! Mint complete costume with hat and tag! Be happy! $450
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17. 13” Early “Can’t Break ‘Em” Character – near mint black beauty with sharp modeling, original straw stuffed body and colorful mint factory layers! $350
10” Rare Bisque Head Bear – German made, like ‘Allie Dog’ probably A.B.G. for Georgene Averill c. 1920, mint with glass eyes and original jointed teddy bear body. What a find! $1200
18. 13” Early American Composition - also c. 1910, unusual mold, beautiful color, condition, expression; straw stuffed body in factory romper. $295
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19. 12” Rare ‘Flexy’ Clown – by Ideal, 1938, with original gaily colored clown suit and extravagant facial modeling! Wowee! $295
(212) 787-7279 P.O. Box 1410 NY, NY 10023
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Extremely Rare Leather Doll – 14” tall, socket head w/ molded hair, child body with tender hand painted features, jointed arms/ legs, both important and quaint in period dress and excellent shape! Museum class. $2500
An attic original, this elegant 42” K * R Child with 18” c. head is a special order model having long, flowing tresses and her splendid Edwardian silk dropwaist dress with antique leather dress shoes too! Quite the young Miss! $2500
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Museums and collectors will appreciate this important 27” Pair of American Woodens. The folk art ‘Missouri Woods’ have not just the original clothes but also a UFDC ribbon from 1960! Enduring magnificence in their hand carved stoicism and elegant simplicity. $1500
Another UFDC Blue Ribbon winner is the early 15” composition ‘Whistler’ with Molded Cap – a happy fellow with no craze, stuffed body, compo limbs and mint factory clothes. Incredible paint, hard finish and no repairs! $495
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Nothing is quite as luxurious while being historic as this grand scale 18” Wood Body Bru ‘Smiler’ with Mint Bisque Arms from the mid 1860’s. An early period example, with elongated brows, chiseled features and the legendary smile has extra magic in this rare desirable size. The subdued tones of her antique magenta and bronze silk gown with fur caplet and muff are a dramatic background for her mint arms. What majesty! $7500 (see #27 below)
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Among the most important is the rare 15-1/2” 1840’s Brown Hair China known as ‘Queen Victoria’! Pink tint, rich brown hair and brows, winged panels with comb marks featuring exposed ears and coiled bun – plus original body with the important pink tint long arms and period clothes! The best! $4500
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18” Jointed Wood Body Bru – beneath her vintage ensemble lies the original full slip with camisole cut, pantalettes, corset and half slip with train; what you want in a fashion! $7500 (see #21 above)
23” Rare Blonde Hair ‘Mary Todd’ – brilliant, vibrant coloration, unusual fancy snood, six sew holes, ca 1860; very old body with stout orig. limbs and painted garters. Stunner! $1495
Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net
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ANTIQUE DOLL COLLECTOR
AUGUST 2013
27th DOLL WEEK in PARIS: September 21-22, 2013 Saturday September 21: Prestige Auction Sunday September 22: 27th POLICHINELLE Doll FAIR
A special Book on Elie MARTIN’s life and production will be published: $99 (postage included) Contact François THEIMER
September 21 at 1:30 pm
Auction Part 1: The Elie MARTIN auction: paintings, documents, archives, photography, furniture, medals, catalogs and mechanical toys from the Elie MARTIN family. Auction Part 2: Antique French bebes, parisiennes poupees, automatons, games, toys, curiosities, etc....
LOMBRAIL - TEUCQUAM MAI S O N D E VE NTE S 14 rue de Provence 75009 PARIS Tél: 01 43 97 91 29 Fax: 01 42 83 68 48 email: lt-1@wanadoo.fr N° agrément : 2002-152
Elie MARTIN Family Archives Auction (inventor of “Ondine” the Swimming Doll in 1878)
PARIS September 21, 2013 1:30 pm AMBASSADOR-Hôtel
16 Bld Haussmann 75009 PARIS
Auction Catalogue $25, contact François THEIMER (see below)
“LILLIPUT King’s Palace Burning” (from Gulliver’s Travels by SWIFT)
extraordinary one of a kind automaton with animated firemen, part of the whole “LILLIPUT City” created by Elie MARTIN for the Exposition Universelle in Paris 1889 and also presented in a private exhibition in Paris during the Exposition Universelle 1900. Inspired by the city house in La Rochelle in France where Elie MARTIN was born. Size: 66 x 25 x 25 inches.
François THEIMER
Expert Expert international & Historien du Jouet Français, 4 rue des Cavaliers 89130 TOUCY Tél: (0033) 03 86 74 31 76 Fax: (0033) 03 86 74 32 13 E.Mail: francois.theimer@wanadoo.fr Website: www.theimer.fr
Blackberry Studio “Does your fashion doll need a career?” 19th c. flower shop made from wine crates decorated with all sorts of wonderful merchandise. Perfect size for 14.5” fashion doll. $1950 Wonderful Jumeau fashion on a fully articulated body. She comes with this outfit and a fancier outfit suitable for afternoon tea at Laduree. $8500 Size 0 9” Portrait Jumeau $7950 Unusual, rarely seen French Bebe, size 0, 9 7/8”. mold flaw at back of head. Unknown maker. $2950
Margaret Gray Kincaid Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com
Jay & LOWE
Connie
A grouping of 5 very fine all original Door of Hope dolls with little or no fading to their outfits and their faces being bright and vibrant. Bride & Groom w/original “Made in China” tags still on their wrists..... $1350. Pair of 7-1/2” male & female children..... $850 ea. Rare Policeman with original hat..... $1200. Mechanical with music of a young lady fishing, mounted on a papier mache base. When activated she turns her head and raises and lowers her arm holding the fishing pole. The bisque head marked with only a 2 at crown is quite expressive. In all original working condition..... $4500. Lambert?? automation of a Clown Smoker. In untouched all original condition the papier mache headed clown has bisque arms. When activated his head will turn, raising his arm with a cigarette and inhale while his left arm raises a stick..... $5500.
P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA 14
ANTIQUE DOLL COLLECTOR
AUGUST 2013
Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 The shop is now open for the season, Monday-Saturday 10-4 or call for an appointment 207-322-4851. Shop 207-236-4122 Fax 207-236-4377
email: lucysdollhouse49@roadrunner.com
Steiff doll “Betina” 17” tall -- $125.
Early cow pull toy 15” long x 12” tall, head moves and makes a slight sound. $450.
Large scale chandelier 9” tall x 6-1/2” in diamater $1095.
Wonderful large scale dressing table with one drawer and a swing mirror 12” tall x 10-1/2” wide -- $850.
Large scale tilt top table 6-1/2” tall the top diameter is 8-1/2”, when tilted - 10-1/2” tall $150.
Therese Bahl hand painted room 10”x14” $595.
16” Schoenhut doll model 300 -- $695. 1
Sandy’s Dream Dolls Sandy Kralovetz Always Buying Dolls of Quality
For a Houston adventure please visit our spacious location at
Thompson’s Antique Center of Texas
Texas’ largest antique center with over 50 antique dolls and accessories for sale. 9950 Hempstead Road 600 Northwest Mall Houston, TX 77092 602.228.1829 281.339.0269 skayk43@aol.com mailing address: 9825 Moers Rd Houston, Texas 77075 Call for doll information Member UFDC & NADDA
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ANTIQUE DOLL COLLECTOR
AUGUST 2013
Jumeau Triste 27 ½ inch, Size 13, Original shoes & blond mohair wig. Brown PW eyes. Antique dress cotton and lace Aqua trim. Call for price.
Who Is Chiffonnette? D
By Sylvia Mac Neil
uring the 1860s in Paris, France, there existed a magical world of playthings and amusements, for adults and most especially for children. Large department stores, doll and toy shops, and bazaars catered to their happiness, featuring the most beautiful frivolities and expensive baubles one could imagine. Keeping pace with modern events and extravagant ights of fancy, establishments were virtually bursting with goods, struggling in wild competition with one another. All children derived pleasure from spinning tops from Holland, miniature kitchens from Germany, millinery shops and grocery stores, charming play theaters, and bathing beach cabins with bright, red stripes. To suit the whims of every
In the fashionable world of frippery, much taste and skill are displayed in this exceedingly stylish ensemble. Ruffled and flounced to the last extreme, clouds of white laine mousseline are arranged in matchless taste, garnished in a machine-embroidered border in a chain stitch of red wool and white cotton.
Resplendent with flying skirts and fluttering frills, a dress of white cotton with a print of dainty sprigs of flowers with a tracery of vines, all scalloped in pink, all sewn by hand. ANTIQUE DOLL COLLECTOR
AUGUST 2013
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Fashionable in Paris, a fancy bordering of black, pleated ribbon trims round the edges on this novelty pink, gray and black striped taffeta, rendering it extremely rich and elegant in appearance.
Destined to awaken the admiration and envy of all fair beholders.
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ANTIQUE DOLL COLLECTOR
AUGUST 2013
Nothing could be more superb than this splendiferous combination of crisp, pink, taffeta embellished with pink and ivory Thom Puce fringe, set on according to fancy.
young boy were play cannons, rifles and drums, pedaled toys on wheels, steamships and boats, and train sets complete with trees, villages and tiny people from fantasy kingdoms. Geneva music boxes and parlor games and automatons, especially those featuring character monkeys, brought delight to all. Under glass domes, mechanical scenes representing country living or humorous fantasy vignettes, were brought to life by the gifted fingers of toy makers. Other follies were difficult to imagine without viewing them first, not surprising, since they were given names, such as, imaginative curiosities, amusing scientific toys, musical surprises for celebrations, and entertainment for drawing rooms, plus a full range of luxurious whims. Parisian designers had an original and creative spirit, resulting in fancy pleasurables never before seen. Above all other toys, little girls preferred dolls. Displayed in glass cases elaborately decorated, trimmed in gilt and lined in satin, were the latest doll creations. Sideby-side they stood, dolls having bisque or china heads with a variety of expressions and body styles to please the most exacting demoiselle. The most treasured doll was from Maison Huret, in one size only, size four, measuring 45 centimeters, or 17 3/4 inches. The most favored had bisque heads with round, plump faces and articulated
Nothing could be richer than this green and white silk plaid, make prettily, trimmed tastefully, and relieved by bands of narrow, green velvet and coordinating silk fringe.
Everything is the fashion which fancy may require.
A very jaunty, little affair made up in a pale, green woolen print, tastefully bound with crimped, magenta wool braid.
Fantasie is quite the order of the day in every department of La Mode. ANTIQUE DOLL COLLECTOR
AUGUST 2013
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A fashionable beauty of the moment, a classic tunique of blue and white windowpane plaid wool with pagoda sleeves slashed to above the elbow, all bound with white wool braid.
That ultimate ideal in smartness, blue and black striped skirt accented with a black wool veste Figaro, pinked out in points and enhanced with punched holes. 22
ANTIQUE DOLL COLLECTOR
AUGUST 2013
At once simple and elegant, tan colored wool and silk with bands of yellow dashed with blue, especially adapted to the early fall season wear.
bodies of gutta-percha which mirrored admirably the young of the period. Artists with fairy-like skill painted lightly blushed cheeks and dainty, outlined lips, soulful blue eyes heavily lidded and outlined, and arched, feathered brows resulting in the most dreamy and wistful visage ever before seen on a doll. Wigs of curly lamb’s wool in soft frizzles or light, golden mohair in cascades of curls were arranged coquettishly around their faces. They possessed an altogether saucy, knowing expression as they looked straight ahead or turned and tilted their heads about in every direction. The last word in elegance, the dolls were original products from French workshops. One such favored doll known to many today is Chiffonnette. The bisque head was purchased quite a number of years ago, included in a lot of various dolls, from the family of the original owner, without a shoulderplate and without a body, with no memory of their ever having been more than just the head. Thus she remained, for a very long time. The head is an early one with pressed bisque with the ďŹ nely detailed painting which is desirable and expected on an early head. The neck is rather bulbous with a bisque post for attaching to a shoulderplate. Surely, the original body had been gutta-percha. Finally, ten or twelve years later, a suitable replacement body was purchased from a good friend
Dictated by that fickle goddess, Fashion, pinked-out ruffles and rich box-pleated ruching employed with good effect. All is enhanced by three rows of ruffles disposed transversally and ruching set on to give the effect of a second skirt.
and doll dealer in Paris. Unmarked and made of composition and wood, with metal hands and separate balls, and never meant to have a shoulderplate, this antique body is perfect for the solitary head. Upon stringing with elastic, Chiffonnette measures exactly the requisite 45 centimeters. Now, she is one of the prettiest, and arguably, one of the most photogenic of early Huret dolls. The name Chiffonnette was chosen, perhaps initially, because she was given several cartes de visite with her name printed on them, from the French children’s magazine, La Poupée Modèle. The character, Chiffonnette, is possibly the most important personage in the magazine. The doll, Lily, so well known to collectors today, was merely the name given to denote a doll, any doll, which the young readers owned; originally the dolls were always a size four. In the first issue of the magazine, in November, 1863, it was stated that, “The Old Doll writes with pleasure to the little girls and their dear Lilies…” Some of the characters featured in the magazine were named Charmante, Bleuette, Frivoline and Bellotte, and Bonne Amie. Chiffonnette was not just the name of another doll. She had a role to play, and her duties were numerous. She advised Lily as well as her friends and subscribers on
Another avenue of coquetry has been ingeniously introduced, the prettyism of ribbons arranged as a decoration.
The delirium of vanity was at its height. ANTIQUE DOLL COLLECTOR
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La Poupée Modèle, December, 1863, the first engraving to feature the fashions of Chiffonnette and Lily. “The Toilette of Lily. Our Lily, who is preparing to go to a soirée for children and dolls, wears a dress of white silk striped with cherry and ornamented with pinked-out ruches disposed in crosses with a gold button set at each extremity. Her chemisette is of very lightweight muslin garnished with embroidered entredeux and valenciennes lace. The other doll who came to visit her, is none other than our friend, Chiffonnette, who is wearing a dress of emerald green poplin garnished on the bottom with lozenges of black velvet framed with guipure. Her round hat in velvet has a bouquet of white feathers. She is shod in Russian boots. Her collar and her sleeves are in pleated jaconais. These two toilettes came from the house of Madamoiselle Péronne, who has for Etrennes a charming assortment of costumes for dolls. Regarding the little maid, her dress of chestnut colored woolen cloth will be a comfortable dress for indoors for a little girl. Regarding this, I have told your mamans, my friends, that all the engravings of dolls that we give you can serve them as models for your costumes, because today little girls and dolls are dressed exactly the same, this which we honor infinitely, I assure you. But this regards your mamans, and not you. Little girls who occupy themselves with their toilettes are little flirts.”
La Poupée Modèle, June, 1864, this engraving contains a lesson to be learned by all. “Chiffonnette in The Country. I don’t have to remark to you, my friends, the details of this scene. Chiffonnette has related them to you herself in her letter to Lily. It suffices to add that your mamans will find there some models for your toilettes for summer, formal or casual, and you a new example for the necessity to follow the advice that we give in your interest, the people of age and experience, the people above all who love you as, Votre Vieille Poupée. Chiffonnette included in her chit-chat all the details of this incident. She had been invited to visit her friend, Bonne Amie, in the country. One day, with a superb sun, they were going to visit her cousin’s chateau. She dressed that morning in one of her beautiful new dresses that were made for her in Paris, even though Bonne Amie told her that those dresses were not made for the country. Chiffonnette went into the garden to help water a rose bush. Her beribboned muslin skirt caught in the thorns. She turned quickly to free the fabric and the brisk movement tipped the watering can she placed on her arm, and all the water spilled on her dress and on her pretty slippers with rosettes on the toes. What despair, her last pretty dress was lost in only one blow. 24
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things such as fashion and etiquette, good behavior, and all things necessary for a child who is well-raised. She wrote a column in every issue, titled, “Causerie,” which was a talk or chit-chat, often in the form of a letter addressed to Lily, sometimes about the current modes in fashion, as in the ladies’ books of the period, or various other topics. She signed each “Causerie” with her name, Chiffonnette. Appearing in the premier issue was the first“Causerie” written by Chiffonnette. It was titled, and read, “Causerie on Fashions, Chiffonnette to Lily. Yes, my dear Lily, it is I, your friend Chiffonnette, who in the future is going to keep you informed of what the elegant dolls in Paris are wearing.” Dresses and coats, hats, boots and gloves were described in detail, and she closed with, “Meanwhile, my Lily, do love me and rely forever on the zeal and devotion of your Chiffonnette.” In the second issue she wrote a, “Causerie on Etrennes, Chiffonnette to Lily,” and in the third issue, in January, 1864, there was a, “Causerie on Theaters of Children, Chiffonnette to Lily.” The chitchats weren’t always on topics bringing happiness and pleasure; the May, 1864, issue contained, “Causerie, The Malady of Chiffonnette.” The magazine, in the “Annexes,” often featured fashion plates depicting Chiffonnette and her friends modeling the latest styles in clothing, some including a moral for the readers. The engraving in the December issue, titled,
“The Toilette of Lily” was the first to feature the fashions of Chiffonnette and Lily, and the June, 1864, issue illustrated a fashion plate of Chiffonnette and Lily, “Chiffonnette in The Country,” with a lesson to be learned by all. She also answered letters from subscribers, on any subject matter, in a column, titled, “Petit Courier.” Worthy of note is the origin of the name, Chiffonnette. It is a name which was not intended for a person, but was a pet name derived from the French word, chiffon. In the dictionary, chiffon translates as a “rag, scrap, bit; chiffon; frippery; chiffonner, to rumple, to crumple, to be a rag collector; to busy oneself with ones toilet and dress.” Chiffonnette’s name suits her admirably, since she does, indeed, seem to busy herself with her toilet and dress, but perhaps she isn’t completely responsible for this state of being too concerned about her appearance and her fineries. She remembers her petite maman and the pleasure she took in working on her trousseau. She looked at those other dolls who were very pretty at the moment in an ensemble from a doll couturier, but it would soon be soiled, and then they would not look so very nice or fine. If their mamans made their dresses they could wear one of the other lovely creations from the wardrobes made especially for them. Before long, Chiffonnette believed she had acquired the most wonderful trousseau any doll could desire. She led the life of a fine élégante and was dressed and undressed a dozen times a day, and always felt herself much improved by every new dress. Such was the fashion of the day. Chiffonnette’s trousseau was researched, designed and created using the finest antique materials and embellishments, and accurate construction methods of the period, assuring every pretty fancy was perfectly made and perfectly in fashion.
La Poupée Modèle, April, 1865. “A soirée at the house of Chiffonnette and the first presentation of the Théâtre de La Poupée Modèle.”
La Poupée Modèle, February, 1868. “Colored engraving representing Chiffonnette and her friends skating at the Bois de Boulogne during the great freeze in the month of January.”
Readers may contact Sylvia at 2325 Main Street West Barnstable, MA 02668 phone 508-362-3875 or email jimsyl@aol.com to order.
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ANTIQUE DOLL COLLECTOR
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Learning About American-Made Dolls
A HISTORY OF
WILHELM BUSCH
the Creator of Max and Moritz M
By Ursula R. Mertz
Photos by Christopher Partridge
ax and Moritz is a tale of two boys that played cruel many talents. Besides being a humorist and satirist, he also tricks on their neighbors. The lines of this humorous, was a poet and painter. outrageous story rhyme and Wilhelm Busch was born on while reading, one is carried April 15, 1832 in Wiedensahl, along on their rhythm. Lively a small village near Hanover, cartoon like drawings keep Germany, as the oldest of one visually entertained. As seven children. His parents in old fairy tales, eventually owned a general store. cruel punishment is meted At age nine, he was sent to out to these two rascals. They live and be educated by his ended up being duck food. maternal uncle, who besides One would think that parents being a clergyman, was a would be hesitant to read dedicated beekeeper. It was such a story to their children. from him that Busch learned The publisher that Wilhelm to closely observe man and Busch initially approached nature. His was a time of rapid turned it down. When in 1865 change. When the trip to his he submitted the Max and uncle’s house was made by Moritz manuscript to Braun horse and wagon, soon the & Schneider in Munich, it was railroad reached even small accepted. The rest is history. places. At that time there From then on, the story of Max was no united Germany, but and Moritz has never been out a patchwork quilt of small of print. It was translated into principalities and duchies. many languages including Unification came in 1871, English and even Latin and greatly improving commerce Japanese. by eliminating countless What would account for border checks and duties. All-Original and German Bisque Characters “Max” and Moritz” almost 150 years of success? Busch’s father wanted by Kammer and Reinhardt, 15 inches, c. 1913, each with a Wilhelm Busch was a man of his eldest son to become uniquely sculpted body. Photo courtesy Theriault’s. Above: Max and Moritz candy containers, papier mache, 6 inches. The roosters’ heads are removable. Kaonis collection ANTIQUE DOLL COLLECTOR
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All bisque pair, marked 440, attributed to Kestner, 4-1/2 inches. Julie Blewis collection. Andy Ourant photo
Kestner Max and Mortiz with bisque heads on composition bodies, 11 and 12 inches. These are the most faithful to the Busch illustrations. Note their unique pointed fingers. Julie Blewis Collection. Photo Andy Ourant 28
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All bisque pair with molded clothing, attributed to Kestner, 4-1/2 inches. Julie Blewis collection. Andy Ourant photo
an engineer. At age sixteen he was sent to the Politechnic Institute in Hanover, which he attended for four years. Even though he received excellent grades in technical drawing and math, he decided to leave before graduation. Wilhelm Busch had chosen to become a painter and moved to Duesselddorf to attend the Kunstakademie there. He stayed for only one year. Around this time, some friends had invited him to come and visit them in Antwerp, where he was ďŹ rst introduced to the old masters. The paintings of Peter Paul Rubens and Frans Hals made a particularly deep impression on him. Busch was so impressed by their work, that he began to doubt that he would ever be able to make a living as a painter. Busch was a quick wit, and on outings he always had a sketchbook along. His friends admired his drawings. In 1854 he relocated to Munich. Munich has always been an important center for the arts. However, he did not like what was being done there and did not continue his studies. Instead he joined an organization called Jung Muenchen (Young Munich). Its membership consisted of young painters, sculptors and musicians. He became very active in this organization and submitted some of his humoristic stories to the magazine to be published by this group. These stories were written in the same manner as Max and Moritz but were meant for adults. Kaspar Brown, of the publishing house Brown and Schneider noticed these stories, and he was impressed with Busch’s drawings. He invited him to submit work for their satirical magazine
“Muenchner Bilderbogen” and later “Fliegende Blaetter.” Wilhelm Busch was elated that someone was willing to regularly pay him for his work. The offer came just in time. His father who had not been happy with his son’s career change had threatened to cut off financial aid. Wilhelm Bush now had a regular income and could support himself. Wilhelm Busch’s humoristic stories found an ever increasing audience and he never ran out of material. He was a keen observer of human nature and did not hesitate to make fun of bigotry and hypocrisy wherever he found it including in religion. The Catholic Church banned some of his work. At one point, one of his publishers was taken to court for blasphemy. Wilhelm Bush never married, explaining that at the time he was too poor to propose to his sweetheart. At various times besides Munich he lived in Frankfurt and stayed for extended periods with friends, never forgetting his hometown Wiedensahl, living there for some time as well. He continued painting and writing poetry for his own enjoyment. Some of his poetry was published in later years. When his brother-in-law died in 1878, Busch, now 46 years old, decided to move back to Wiedensahl for good and help his sister raise her three boys. He would spend the next twenty years there. One of his nephews eventually became a clergyman and with his family was living in Mechtshausen near Hildesheim. It is odd to think that in those days a man 66 years of age was considered old and in need of support. But, in 1889 the nephew invited his uncle and mother to move in with his family. The move to Mechtshausen was made that year. Wilhelm Busch never stopped working and his fame grew. For his seventieth and seventy-fifth birthdays he received congratulatory telegrams from all over the world including the German Emperor. He did not like the press and would not give interviews. He claimed that those people usually got things wrong. Wilhelm Busch did respect people in all walks of life and enjoyed talking to local folk. It was reported that he would not hesitate to open the door for a maid who was passing him with a tray full of dishes in her hands. Wilhelm Busch died on January 9, 1908, almost 76 years old. As with his birthdays, the response was tremendous. His fame did not die with him, as his humoristic works including Max and Moritz have never been
Steiff pair, all original felt, 10 and 11 inches. Julie Blewis collection. Photo Andy Ourant
Schoenhut roly polys, round label on bottom: Schoenhut & Co. Max is 5 ¾ inches, Moritz is 6 inches. Hazel Coons Collection
Max and Moritz jack in the box, wood, papier mache and cloth, 5-1/2 inches long. Kaonis collection.
ANTIQUE DOLL COLLECTOR
Max bisque nodder, 4 inches, no marks. Hazel Coons collection AUGUST 2013
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out of print. His 175th anniversary in 2007 was celebrated with great fanfare in Germany. Commemorative stamps and coins were issued. Furthermore, it is said that the comic strip “Katzenjammer Kids” by Rudolph Dirks is based on Max and Moritz. Supposedly, William Randolph Hearst suggested that Dirks create a pair of kids similar to those infamous boys. It was just around this time that German manufacturers started to produce Max and Moritz dolls. The rarest are those made by Kammer and Reinhardt and Kestner. Steiff sold jointed felt dolls distributed in the United States by Geo. Borgfeldt & Co. The Rheinische Gummi and Celluloid Fabrik offered Max and Moritz made of celluloid and the Phoenix Gummiwaren Fabrik in Harburg, Germany, made dolls of rubber. The Schoenhut Company of Philadelphia sold a Max and Moritz pair as well. All of them are hard to find. Even in this country, the Max and Moritz story is still in print. For non German speakers, the paperback offered by Dover Publications, Inc. (copyright © 1962) will be helpful. Both, German and English texts are shown side by side together with the original illustrations. That little book also contains some of the stories meant for adults. Those who would like to learn more about their Max and Moritz dolls may want to include the Wilhelm Busch Museum in the Georgenpalais in Hannover, Germany, on their next doll trip. The house in which Wilhelm Busch lived in Mechthausen is also a museum. In closing I would like to quote one of my favorite Wilhelm Busch tongue in cheek wisdoms:
Schoenhut Wooden Characters, Max and Moritz, 8 “ by Schoenhut, c. 1907, all original. Schoenhut sold the two characters with this wheelbarrow and glass-eyed pig. Kaonis collection The popularity of Max and Moritz spawned the Rudolph Dirks strip, the “Katzenjammers.” The family, made by the Swiss company Bucherer, consists of Mama, Der Captain, Hans and Fritz. Kaonis collection
Das Gute – dieser Satz steht fest Ist stets das Boese was man laesst.
The good - I am convinced for one Is but the bad one leaves undone. REFERENCES:
Coleman, Dorothy S., Elizabeth A. and Evelyn J. (1986) Collector’s Encyclopedia of Dolls. Vol. II, Crown Publishers, Inc., New York. Busch, Wilhelm, (1960) Humoristischer Hausschatz, Deutsche Buchgemeinschaft, C. A. Koch’s Verlag, Nachf., Darmstadt.
Busch, Wilhelm (1960) Neues Wilhelm Busch Album, Deutsche Bucbgemeinschaft, C.A. Koch’s Verlag, Nachf., Darmstadt (Including biography by the three nephews and short autobiography (“Was Mich Betrifft.”)
3.5 and 4-inch pair of Max and Moritz pose with a modern version of “Max und Moritiz”, showing the traditional jacket design of the original Max and Moritz publications. These bendable figures were made of vinyl and tagged Max/Moritz and “Steiff Original Marke.” 30
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Busch, Wilhelm (1962) Max and Moritz, Dover Publications, Inc. New York. Wikipedia.
Ebony& Ormolu
French Toy Furniture of the Second Empire by Jan Peterson Photos Elwyn Peterson
This miniature pair of toy tea sets both bear the iconic symbols of the Bonaparte family, an N for Napoleon and the Bonaparte family bee symbol.
A bonheur du jour lady’s writing desk. Writing letters, filling out calling cards, and composing invitations were a pleasant part of milady’s day. Hence the name, Happiness of the Day.
I
This elegant bronze and copper table jardinière illustrates the elaborate stretchers under the table so often found in Napoleon III furniture.
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t was an exciting time to grow up in France between the years 1848 and 1870. In many ways, this period of time was quite unlike any other in previous French history. Prosperity was the hallmark of the age, not just for the aristocracy, but for the first time ever, a growing middle class. The gold rushes of California in the United States and in Australia hugely increased the money supply in Europe and made large amounts of the precious metal available to jewelers and to furniture makers. Industrial expansion was booming, and the baby boom born during the Restoration period was coming of age and providing the workers needed to man the newly developed enterprises. Both working class and merchant class families had, for the first time in French history, disposable income to buy toys for their children. Before this era, only the children of the wealthy owned toys made especially for them by custom order. The children of everyone else were content to play with simple toys usually fashioned of scraps of wood and cloth and made at home. Lucky was the child whose parents could buy him or her a trinket peddled in the local open-air markets. But with the new prosperity, entrepreneurial
In addition to making furniture in ebonized wood, Napoleon III furniture was also often made with glowing fruitwoods. Photo courtesy of Laurie Baker
merchants of Paris (many of them women) saw a huge opportunity to profit from the sale of toys, and dozens of toy stores opened across the city. Shops with iconic names such as Au Nain Bleu, Simonne, and Au Paradis des Enfants offered their wonderful wares to the children of Paris, and toy makers such as Jumeau, Bru, Huret and Gaultier became household names, much as Mattel and Fisher-Price are known by every child and parent today. This was the Golden Age of French Fashion dolls. These lovely dolls, made to look like fashionable ladies and adolescent ingénues, became all the rage. And, just like Barbie today, they were furnished with every accessory and piece of toy furniture that fashionable women of the era enjoyed in real life. The magnificent furniture style of the Second Empire was reproduced in miniature for them, and these small treasures are among the most beautiful toys ever made. The Second Empire was ushered in by the nephew of Napoleon Bonaparte, Napoleon III. He was the first elected President of the French Republic in 1848, and then became the Emperor of the French in 1852. He ruled until 1870 and holds the distinction of being both
This elegant dollhouse clock is also made in the classic ebony and ormolu style so often found in Second Empire accessories as well as furniture.
This magnificent Second Empire miniature comtoise or tall case clock has an identical twin in the renowned toy furniture collection of the Château de Vendeuvre in France. Photo courtesy of Laurie Baker
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This lovely toy armoire has all the bells and whistles: ebonized wood, fruitwood inlays and elaborate ormolu bronze petits décors.
This grand period lithograph of a lady visiting with her friend seated in a sedan chair reflects the romance of the past so admired by Empress Eugénie who saw Marie-Antoinette as a personal heroine. The interior of the armoire has been embellished with old papers and Dresden gold trims.
the first president elected by popular vote and the last monarch of France. His reign was one of modernity, industrialization, and the resulting prosperity. He is also the last monarch of France for which a style of furniture is named. It is called both Napoleon III and Second Empire style. Electroplating with gold had just been perfected, and machinery was invented that could produce fine wood marquetry at a cost the middle class could afford. The new prosperity of the French people brought with it a taste for elegance and quality. The furniture of this period is some of the most beautiful ever made. It is not strictly a unique style of its own, but rather a combination of previous styles brought together in a unique way. There are clear influences of the Renaissance period, the reigns of Louis XlV, Louis XV and Louis XVI are seen, as is the style of Boulle with rounded fronts and intricate flora and fauna marquetry inlaid into the surfaces. One fascinating aspect of the furniture is that the personal interests of both the Emperor and his Empress are reflected The matching nightstand to the armoire reflects the same detailed craftsmanship that is astonishing to find in a toy! 34
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Miniature sedan chairs that served as jewelry boxes and watch caddies were extremely popular Napoleon III accessories that reflected Eugénie’s love of a romantic past. A close-up of the sedan chair lithograph from the era that decorates the inside of the door of the Second Empire doll armoire.
This classic vanity was made for a small French fashion doll. During the 1870s, especially, lucky dolls enjoyed the same elegant furniture as their little girls’ real families. This vanity is similar to the small one, but is made for a larger doll and has a round mirror.
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The fabulous Maison Giroux that made toy furniture for the aristocracy and very wealthy made this superb commode toilette bateau for a very spoiled doll, indeed! It is a blend of both ebonized wood and fruitwood. Photo courtesy of Laurie Baker.
The small commode toilette bateau is the perfect scale for adolescent French fashion dolls. When the top is up, the commode toilette bateau reveals a marble surface for toiletries and a mirror for grooming. 36
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The craftsmanship that went into making this small fruitwood and ormolu side table or night stand is nearly identical to that used to make real furniture of the highest quality. Photo courtesy of Laurie Baker
in many of the pieces. Napoleon III was intrigued by the Roman Empire and his wife, Eugénie, idolized Marie-Antoinette. Ormolu flower baskets and flowing ribbon motifs adorn much of the furniture that were so favored by the unfortunate former queen, and the columns and pillars of Roman architecture are mirrored at the sides of the furniture as well. The furniture of the era generally is made of dark woods, lacquered pieces, ebonized woods and sometimes lighter woods are used to highlight the marquetry. Extravagance was the ideal, and most Napoleon III pieces are embellished with elaborate bronze fixtures that are plated in gold. Drawer handles were elegantly fashioned of ormolu, and fanciful cherubs, floral motifs, cascading ribbons tied into bows and the ever present fleur-de-lis motif were all reproduced in gold-plated bronze and liberally adorned commodes, armoires, chests and tables. It is astonishing to see that the same materials were used to make toy furniture as well. The most exquisite and expensive toy furniture was made for the Maison Giroux in
This elegant commode in faux ebony with Vernis-Martin motifs actually began life as a box of chocolates! Although made of cardboard, the brass fittings are real ormolu fixtures.
This jewelry box made to resemble a commode makes a lovely piece of doll furniture. It is hand-painted over tin in the VernisMartin style so popular at the time.
Paris who furnished doll furniture to the very wealthy and the aristocracy. However, really lovely pieces could also be found in every toy store that sold doll furniture. The majority of the pieces made were confections of ebonized wood with fruitwood marquetry and ormolu trims. It is possible, however, to ďŹ nd elegant pieces made of all precious hardwoods inlaid with marquetry and festooned with gold-plated brass. The surfaces of commodes and vanities were often thinly cut slabs of genuine marble. Because the furniture was so well-constructed, a surprising amount of it can still be found in France today. Despite over 140 years plus of play and storage in French attics, the pieces are often in wonderful condition. They were made in relatively large quantities because parents of the new middle class could actually afford to buy them for their little girls. The Napoleon III furniture style remained popular in France until the advent of faux bamboo furniture in the 1880s which replaced the Second Empire taste and remained popular as both real and doll furniture until around 1910.
This large commode bateau toilette was inspired by those found in first class cabins aboard luxury liners. They became popular pieces in homes of the wealthy as reminders of romantic voyages.
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Another popular Second Empire style was called Vernis-Martin. It was furniture intricately hand-painted with elaborate scroll work, cherubs, and floral motifs. Tiny replicas of it were made as gift boxes for chocolates resembling commodes, and some items were fashioned to look like the sedan chairs reminiscent of the time of Marie-Antoinette, and were used as jewelry boxes and watch caddies. Because the size and scale are just right, doll collectors prize them as well and display them along with their wooden pieces of toy furniture. In addition to the miniature furniture, accessories for dolls were also made in quantity in the Second Empire style. Jewelry caskets of ormolu with the classic Bonaparte bee motif, lovely miniature dollhouse clocks in ebony and ormolu, and exquisite handpainted tea sets with the capital N for Napoleon, the bee symbol, and imperial laurel leaves were enjoyed by little girls and their dolls. In the Louvre museum in Paris, the personal apartments of Empress Eugénie are on display. It is a thrill to tour them and recognize the peoplesized inspirations for the toy furniture we collect today. The official portrait of Eugénie is also on display. Any French fashion doll fortunate enough to own a gown similar to the one in the portrait would be, indeed, a most privileged toy. Napoleon III’s wife, the lovely Empress Eugénie, is said to be the inspiration for the Bru Smiler French Fashion doll. The resemblance between the Louvre’s portraits of her and the doll’s face is undeniable. It seems fitting that a doll would be made to look like the Empress whose husband’s policies made prosperity for a generation of French people a reality. It was a prosperity that that ushered in the Golden Age of the production of exquisite dolls and also made possible the creation of Second Empire toy furniture that so delights the lucky collectors of today. Portraits of Napoleon III and Empress Eugénie courtesy of the Louvre, Paris 38
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12” Smiling Bru “B” on head, kid body, pierced ears, pale blue pw eyes, lovely early morning dress, undergarments, boots, original blond mohair wig w/ cork pate $3500.
20” English Wax Young Queen Victoria by Lucy Peck 1890’s all original, beautiful clothing, gold necklace, hair thinning w/ hairpiece added, left wrist repaired $1495.
21” FG Fashion marked G on head, FG on left shoulder, brown pw eyes, small chips by both ears, nice kid body, antique clothing, necklace and earrings, HH wig $2700.
14 ¾” La Parisiene A. 7. 8 Paris, beautiful doll with blue paperweight eyes, human hair wig, La Parisienne from 1910 registered by Orthon Henry Kratz – Boussac $1495.
24 1/2” Kestner 171, blue sleep eyes, nice ball jointed body, pretty face $595. 28 1/2” Kestner 171, brown sleep eyes, 1 finger right hand repaired, sweet face $650.
22” DEP Tete Jumeau, red stamp on head, label on body, repainted arms & legs, blue sleep eyes, HH wig, pierced ears $995.
16” S & H 1078 / 6, brown sleep eyes, light brown mohair wig, nice ball jointed composition body $525. 20” “Pont Aven” French Celluloid with green flirty eyes, all original in box by Le Minor with booklet $150.
15 ½” Dressel 1349 S & H, blue sleep eyes, pierced ears, nice ball jointed composition body $475. 5 ½” All Bisque (Twirp looking), marked Made In Germany on back, blue sleep eyes, original mohair wig, brown painted shoes, jointed arms & legs $225.
11 ½” Schoenhut Toddler on walking body, original blonde mohair wig, blue green eyes, cute size $495.
1940’s All Original Toddles Pair in tagged blue knit outfits, blue painted eyes, blonde mohair wigs, center snap shoes, slight crazing on legs, fabulous facial painting $425. pair
14” RARE CM Pouty AM 700 3/0 w/ brown sleep eyes, stiff wrist bj body, cute doll w/ mohair wig, hairline back of head $2150.
18” S & H 1079 DEP 7, blue sleep eyes, repainted ball jointed body, pierced ears $450.
16 ½” Terri Lee w/ honey blond and pink hair in tagged sunsuit w/ bonnet, shoes & daisy, brown eyes $245.
20” SFBJ 60 on Walking / Kissing body, blue sleep eyes, body repainted and as is at hip joint $695.
1951 All Original Ginny Canasta Hostess of Frolicking Fables Series, Canasta pattern top & apron, Jack of Spades card, original Vogue wrist tag, brown eyes, blond hair $450.
12 3/4” Jumeau Fashion 0, kid body w/bisque hands, some repair on body $1750.
12” 2003 R J Wright UFDC Convention Musette (Lt to 1600) and Montague (Lt to 500) - Candy Containers, made of felt with great detailing $1095.
7 ½” German All Bisque, blue sleep eyes, blond mohair wig, small eye flakes on both lower eyelids, pinkie left hand chipped, molded shoes and stockings $195.
1950 Miss ‘1910’ painted eye strung Ginny all original, mohair wig, tagged dress, Miss 1910 ribbon, mint condition $595.
24” Alexander 1935 - 37 Compo all original in tagged pink taffeta dress w/ netting, matching coat, shoes & socks, HH wig $250.
18” ED Etienne Denamiur Paris, stiff wrist body, brown paperweight eyes, antique dress, coat, undergarments, shoes & socks $3050 Now $2650.
6 1/2” x 3 1/2” x 4” French Sedan Chair w/ embossed Cherubs on metal side panels & door, beveled glass windows $695.
22” Tete Jumeau #10, original wig, earrings, shoes (#10 Paris Depose, as is) & socks, blue pw eyes, great face $4895 $4895. Now $4200.
18” S & H 1078 on shoulder plate with kid body, compo arms & legs, brown sl eyes, original mohair wig, pierced ears $395.
11” French A P5G, Pintel & Godchaux, blue pw eyes, antique teal dress, mohair wig $1095.
11 ½” Bru Brevette 5/0, kid body w/ bisque arms, brown pw eyes, mohair wig, antique clothing, undergarments & leather shoes, professionally repaired hairline on right side of head to chin, right thumb & tip of left pinkie $7495.
14 ½” Rosl Kathe Kruse 1977-78, blonde human hair wig in braids, brown painted eyes, plaid blouse, blue denim jumper, hang tag and box $195. 14 ½” Roswitha Kathe Kruse 1977 – 78, blonde human hair wig in braids over head, blue painted eyes, blue floral print dress $195. 17” Late 1950’s Kathe Kruse Baby in original knit outfit, blue painted eyes, blonde HH wig, extra pink dress $215. 5 ½” Steiff 1940’s dark golden mohair Teddy Bear, great face, no tag $225.
24” 1890’s Cloth Doll made from Gutsell Print Pattern – Art Fabric Mills & Butterick Pattern for body, antique clothing $595.
17 1/2” CM F1 possible Adolph Valck, molded dome head (originally flocked), brown glass eyes, 5 piece body $650.
16” Kestner 171, blue sleep eyes, HH wig $475.
12” Portrait Dewees Cochran of Peter Ponsett age 5, marked DC PP 54 #3, latex body, HH wig, brown painted eyes, leather shoes $1650 $1650. Now $1250. 11” x 8” Steiff 1950’s jointed Lion, fabulous mohair $145. Now $115. $145 11” Stormie Age 3 by Dewees Cochran all original, blue hand painted eyes, latex, HH wig, green organdy dress, leather shoes $1450 $1450. Now $1250.
22” All original Shirley Temple w/ pin, blue dress from Curly Top, combination, shoes & socks $595.
22” O/M Steiner w/ 2 rows of teeth, very early pale bisque, early pale blue threaded eyes, stiff wrist body, original pink pate, hairline by left eye, professionally repaired lip chip, HH wig, antique French bonnet $3995.
23” CM K star R 117, blue sleep eyes, blonde mohair wig, antique dress & shoes, professionally repaired neck socket – overspray as is $3295. Now $2550.
5 ½” x 3 ½” Lewis Sorensen (NIADA Artist) Wax Kewpie head, wonderful piece with label on back $95.
19” CM Petit & Dumoutier P3D, early pressed bisque head, blue pw eyes, pierced ears, Gesland body (repainted arms & legs), small hairline back of head, skin wig $5150.
16” Emma Clear 1946, beautifully detailed hairdo and shoulder plate, pierced ears $325.
18” General Douglas MacArther 1942 by Freundlich, all original in uniform, compo on hands crazed, top of hat slight repair $270.
19” 1957 Flirty Eyed Shirley Temple in Wee Willie Winkie newer outfit, sweet face $145. 17” 1957 Shirley Temple in original Rebecca of Sunnybrook Farm dress & panties, beautiful high facial coloring, replaced shoes $165. 15” 1957 Shirley Temple all original Little Bo Peep w/ script pin, wonderful facial coloring $210. 8” Debutant Series Red Head Strung Ginny, great coloring $245.
24” Gebruder Kuhnlenz #165, brown pw eyes, HH wig $295.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
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The Sentimental Doll By Susan Foreman
A
The author’s childhood Cissy
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ANTIQUE DOLL COLLECTOR
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s doll collectors we always thrill at the addition of a near mint example of whatever type of doll we collect…whether it be a Patsy with perfect composition, a French bebe in her original costume, or a rare wooden with unretouched finish. But what about those dolls that come into our lives that may not be valuable monetarily…but are priceless nevertheless….those dolls to which we are asked to be caretakers by their original owners. I have been honored to be the recipient of several such dolls. These dolls carry with them the original owner’s lifetime of memories. Let’s begin with one of my first dolls. Cissy and I met on Christmas morning 1955. As I opened my gift from Santa, there she was. The most beautiful, and eventually most loved, doll I had ever seen. Being a shy child, my dolls really were my best friends. I spent endless childhood hours playing with Cissy, dressing her in the current fashions for day, her nightgown at night, and even a swimsuit for the days spent on the beach of Balboa (she probably still has sand in her joints). I styled and restyled and eventually cut (unfortunately) her hair. And when I received my first Brownie camera, the first picture I took was of Cissy. Cissy and I shared a wonderful 1950s together. In 1962 my mother died suddenly and life changed for Cissy and I, as my childhood came to an abrupt end. Eventually our house was sold and Cissy packed away. Then in 1975 my dad called to tell me he had just come across a box labeled “Susan’s Dolls”. I hurried over to his office to retrieve the box, and as I opened it, the memories poured forth, and Cissy and I were back together again. I could picture our house in Burbank, California. I could see my blue bedroom and the blue and white canopy bed. I remembered (and thankfully still have) the red metal doll trunk that contained all of Cissy’s clothing, her high heeled shoes, and even her Madame Alexander hat boxes. Memories, memories, memories. Since I am the original owner I continue to be the caretaker of this much loved doll.
Then an F&W Goebel character baby came into my life. The late Thelma Nelson was a longtime friend of mine who resided in a fabulous home on the bay of Newport Beach, California with her husband of some 70 years, Russ. Thelma’s husband was an avid watch collector (another area of interest for me) and Thelma loved dolls, especially those she could buy on QVC. Hardly a week went buy that she didn’t receive a QVC shipment. Whenever I went to Newport Beach for the Theriault auctions I would visit the Nelsons. Well, during one visit Thelma said she wanted to give me a special doll. I assumed it would be one of her QVC purchases prominently displayed throughout the house. As we walked down the hallway, however, we headed for her bedroom where no dolls were in sight. She opened the closet door, retrieved an old shoe box, and handed it to me. Imagine my surprise when I opened the box to find this darling bisque baby. This was Thelma’s childhood doll which she recalls receiving in about 1918 or thereabouts. Thelma and I named the doll “Vickie” after her daughter that had died of cancer at an early age. Thus this doll represented not only Thelma’s childhood memories but memories of her daughter as well.
Thelma’s F&W Goebel baby doll
The next doll to which I was honored to be its caretaker belonged to Ina Metcalf, a spinster schoolteacher that resided in our town. If there was a political issue of any kind you can be sure Ina was on one side or another. Most people thought of her as cantankerous. I, on the other hand, knew a different side of her. Her love for dolls brought out a childlike tenderness. We would often spend hours just sharing doll stories with one another. So imagine my surprise upon Ina’s passing to find that I had been included in her will as the recipient of her childhood Armand Marseille baby doll. I had never seen the doll before, but Ina had often mentioned this special doll. Apparently it had been stored in a cardboard box in the garage for many, many years. Over time the doll had lost its eyes, wig and clothing. But having been selected as the caretaker of this special doll inspired me to set eyes, find a wig, and dress her once again. Now, every time I look at her I think of Ina.
Ina’s Armand Marseille character baby ANTIQUE DOLL COLLECTOR
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Mary Louise’s Sally Joy aka “Patsy”
Another very special (and in this case in pristine condition) doll that I was asked to take care of by its original owner is an 18” composition American Character Sally Joy from 1930. Mary Louise Largey and I were friends for many, many years (she passed away in 2012). Like Ina, Mary Louise could come across as rather stern, maybe even a little crotchety, at times. But, like Ina, when the subject of dolls came up, she softened immediately. One day I received a phone call from Mary Louise. She said it was time to part with her childhood “Patsy” doll and was sending it to me by FedEx as she felt I was the perfect person to take care of this very special doll. When the box arrived, even the FedEx man waited to see what was inside. I, of course, was expecting an Effanbee Patsy. Imagine my surprise to find the most pristine Sally Joy doll I had ever seen. When I called to thank Mary Louise, she told me the story of her doll. In 1930 she wanted the very popular Patsy doll, her parents bought her Sally Joy instead, but Mary Louise always called her “Patsy”. So “Patsy” she will always be. A few months later, Mary Louise sent me another of her childhood dolls to keep “Patsy” company…Amberg’s Sunny Orange Maid which Mary Louise had received in 1924. 44
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Amberg’s Sunny Orange Maid
Living in a small town allows me the opportunity to share my love of dolls with various organizations. Following a doll collecting presentation I did for the Newcomers Club, one of the members came to me and said, “I have been waiting for years to find just the right person to take care of a very, very special doll”. Several days later, August 25, 2010 to be exact, Jill McCall presented me with a 17”, hard plastic, “Wanda The Walking Wonder” doll made by Advance Doll & Toy Company in 1954. Jill had given this doll to her daughter in the early 1950s. Sadly Jill’s daughter died unexpectedly in 1996. The doll had a modern dress which did not suit her, but fortunately I had a handmade blue taffeta dress that was made for one of my dolls in the early 1950s by one of my mother’s friends. The dress was perfect for Wanda. Wanda’s mohair wig was a bit thin, but the addition of the ribbon makes her quite lovely. When wound, the clockwork mechanism in her torso causes the wheels in her shoes to propel her forward while moving her arms and head.
Wanda, the Walking Wonder
Kewpie Thinker and German all bisque baby given to me by Jill McCall
Shortly after presenting me with Wanda, Jill presented me with two more cherished family dolls, a Kewpie Thinker that originally belonged to her mother and her very own childhood doll, an armless, undressed German all bisque baby marked “830.4 Germany”. Jill is now 93 and doesn’t remember exactly when she received this doll, but she remembers playing with it so much that she lost the arms and clothing. Fast forward to September 20, 2012 and my doll club meeting. One of our members was moving into a care facility out of state and wanted each member to have a little doll to remember her by. Each doll was wrapped so we did not know what we were picking out of the bag. I picked out an all bisque baby. The doll’s body and head had been reglued, but her arms were undamaged and fit Jill’s baby doll perfectly. And the darling dress that was on RaNae’s doll, made by our member Judy, fit Jill’s doll like a dream. So now when I look at this baby doll, not only do I think of Jill McCall, but I think of RaNae Morris and Judy Hiltbrand too.
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And finally, there’s Hilda. I purchased this beautiful 24” Kestner 245 Hilda from her original owner, Elizabeth Stinchcomb in 1987. Elizabeth included the most amazing letter with Hilda…and thus I felt an obligation to be Hilda’s caretaker for as long as possible. To this day I continue to conclude most of my doll collecting presentations by sharing Hilda and her story and thus I conclude this article as well. I believe this letter truly sums up just how special dolls are in one’s life. And here is Hilda’s story:
“Dear Friend, I may take that liberty because you now have my Hilda. She and I go back a long way. She came to me one beautiful cold Christmas morning in the year of our Lord 1914. I came hurrying down the stairs to see what Santa had left, and there she was in her baby carriage. I had never seen such a beautiful doll. Her blue eyes, her gentle smile, and those loving outstretched arms. It was love at first sight. Many years later I learned that Hilda was in the last shipment of bisque dolls from Germany before World War I! The days and months went by. And then I was allowed to wheel Hilda up and down the block past all those white marble steps. She loved it and so did I. We watched the windows above those marble fronts begin to have little flags with blue stars in the center. As time passed, some of those stars turned to gold. Neither Hilda nor I had the slightest idea of the significance of this as we happily went around the block. At that time there was much to see…soldiers dressed in khaki, marching bands, flags flying from every house. There was something electric in the very air. Several years passed. One day in November (the 11th, 1918) I was in the third grade then the teacher came into the room all excited and told us the war was over! The armistice had been signed! Such excitement…bells ringing, whistles blowing, church bells mellow above the din, people hugging each other and dancing for joy. I’m afraid Hilda and I were the happiest because school was out early. There were Saturday sessions with all the kids in the neighborhood playing mothers. Just as in real life we argued who would do this and who would do that. But all in all we had loads of fun. One day I came home from school with a bad headache and a fever. Mother called the doctor (they came to see you then). I had the dreaded influenza! Needless to say it went through the entire family. Hilda was almost orphaned. But thanks to God all recovered and we were once again a happy family. Christmas again! The Sunday school pageant in progress. We all had to learn our lines. But Hilda became something else…she was put in the manger. The years have come and gone but I think you can still see her Halo! There are so many memories with the floodgates open I could write a book (and nearly have). But I will just say Hilda has lived through many times…courtship and marriage which took me to far places. Hilda stayed home with mother during those years. She lived through the crash of ’29, the assassination of a young president, the bicentennial of our beloved nation, and since the war to end all war, she has lived through two more wars. And in the procession of progress, she saw a man walk on the moon. As life always is, some memories are happy and joyous, while others are very sad. If Hilda could speak she would tell you much. But these are the highlights of her life and times. As our years together are ending, I would like to think that her blue eyes and gentle smiles would draw you to her as they did me over seventy years ago on that Christmas morning. You didn’t buy a bisque and composition doll…you bought a lifetime of memories. Now may your memories and hers grow together over the years to come. Sincerely, Elizabeth Stinchcomb” 46
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Hilda
SELL A DOLL IN THE
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Antique BLEUETTES 10-5/8” tall. SFBJ 60 8/0. Marked “2” body and “1” on feet. Original GautierLanguereau dress “Legeres”, and La Semaine De Suzette wardrobe with French trunk. Excellent condition. $1,950
10-5/8” tall. SFBJ 301 Paris 1. Marked “2” body and “1” on feet. “Le Beau Jour” (First Communion) dress. Antique miniature French rosary. Blue eyed beauty. Excellent condition. $1,850
Sliver Sister Pincushion Doll
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Email: Latte303@msn.com or call 480-332-5158 Debra Borrud • Member UFDC
Danny Daddles, 12”, all orig., $425
Beautiful Jules Steiner marked A-13 Paris, 21”, $3995. Laura Turner, Frizellburg Antique Store, specializing in dolls toys and holidays. 410-848-0664 or 410-875-2850. Email: frizellburgantiques@yahoo.com
Quacky Doodle, 8”, all orig. including bonnet, partial label, $465
www.rubylane.com/shop/schoenhutshop
www.frizellburgantiques.com
Andy Yaffee 201-675-8434
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www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com 48
ANTIQUE DOLL COLLECTOR
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Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.
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Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com
Effanbee’s Musical
HARMONICA JOE By Don Jensen
Black Harmonica Joe emerged from 70 years hiding to join the author’s collection.
Harmonica Joe also came in a white version.
Hugo Baum had an idea. The always thinking “Bee” of the Effanbee brand, Baum was an idea man. Largely, he was responsible for dreaming up many of Fleischaker and Baum’s innovative composition dolls. This time, in 1924, it was Harmonica Joe. The harmonica-playing boy seemed to be a natural, following by a few years, Effanbee’s Whistling Jim, a rather successful doll based on the same facial act: pucker up and blow! Whistling dolls had been around for more than a decade, ever since doll manufacturers realized that children had a special affection for cute character faces with pursed lips. From there it was only a short step to inserting a mechanism that would actually make a round open mouth utter a squeaky whistle. And that was the route Effanbee followed with
A white Harmonica Joe in a blue overall outfit. (Ursula Mertz collection)
Whistling Jim in about 1916. He started out as a typical Baby Grumpy, a popular doll with molded forelock and a pouting look. A minor tweaking of the head mold and the pout became a pucker. But why not have him actually whistle, thought Baum. So a mechanical gizmo was inserted in the cloth torso so the newly named Whistling Jim actually could emit a whistling sound. But by the 1920s, Whistling Jim was no longer a novelty. Children’s favorites change. Every doll has a limited lifespan in the toy market. So Hugo Baum needed a new idea – Harmonica Joe. The harmonica? A rather simple notion: Air blowing across metal reeds causes them to vibrate and create pleasant pitched musical sounds. The ancestor of today’s mouth organ first appeared in China about 5,000 years ago. It was called a sheng. Many centuries passed, but eventually, about the time of the American ANTIQUE DOLL COLLECTOR
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Harmonica Joe’s paper label contained a bit of doggerel verse.
Hugo Baum, Fleischaker and Baum partner and Effanbee’s idea man. Close-up view of Joe’s tiny German-made F.A. Rauner My Little Charmer harmonica, showing Effanbee’s added metal tube that allowed Harmonica Joe to “play.”
Right: Baum was inspired by his company’s earlier pursed-lips spin off of its Baby Grumpy series. Later, with a whistle inserted in his body, he became Whistling Jim.
Revolution, a French missionary to China shipped a few shengs back to Paris. European experimentation with the instrument led to the 1821 patenting of the first brass reed harmonica by the 16-year-old son of an organ maker. A German clockmaker, Mathias Hohner got into the act in 1857 when he started to mass produce harmonicas. The firm he founded, M. Hohner Co., still makes most of the world’s harmonicas today. A Hohner relative began importing large numbers of harmonicas to the U.S. around 1900, and soon they were popular as an inexpensive, easy-to-play musical toy. By 1924, when Baum had his idea for Harmonica Joe, something else had begun to happen. In the American South, the harmonica – also referred to colloquially as a mouth organ, a harp, or even a Mississippi saxophone – was becoming a real musical instrument, not just a child’s toy. African-Americans were playing the blues. The cheap, portable harmonica offered just the right earthy, emotional sound. The rest of the country soon began hearing this new Southern music on records by bluesmen like DeFord Bailey, Hammie Nixon and Sonny Terry. So Effanbee’s orginal doll was a black harmonica player. But first, Hugo Baum had to figure out just how to make it work. In June 1924, he filed an application with the U.S. Patent Office for “certain new and useful improvements for Sounding Dolls.” When he was awarded Patent 1,547,354 the following summer, Harmonica Joe dolls already had been in department stores and doll shops for nearly a year. 50
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Baum’s mechanism was simple enough. A soft rubber ball was hidden in Harmonica Joe’s torso. A flexible tube ran from the ball to the doll’s open mouth. When the child squeezed the body, the air in the rubber ball was expelled through the tube, out through the mouth to “play” an inserted harmonica. But what about the harmonica? For that, Effanbee turned not to Hohner, the world’s largest supplier, but rather to the F.A Rauner Co., its crosstown rival in Klingenthal, Germany’s harmonica capital. No. 2 Rauner offered a better price for its 1-3/8-inch-long “My Little Charmer” model. Effanbee imported thousands of the tiny harmonicas and modified them by soldering a tube to each so the instrument it could be “played” by Harmonica Joe. The 15-inch doll was introduced in both “Negro and white face” versions in the July 1924 issue of Playthings, the toy industry’s trade magazine: “Harmonica Joe is one of the well-jointed, practically unbreakable Effanbee Dolls with the cunning Effanbee kind of face, white or brown. “He is dressed in brown or blue overalls, a blue (or also a beige and brown patterned) shirt and a removable jockey cap; not to mention his snappy patent leather shoes.” Joe has a composition shoulder plate head with molded hair, painted eyes and a short rubber tube in his open mouth to hold his harmonica firmly in place. His bent arms also are compo, with inside joints at the shoulders. Although the ad illustration shows Joe holding the harmonica to his lips, this hand placement can only be approximated in reality.
The first trade ad for Effanbee’s musical doll appeared in the July 1924 issue of Playthings.
Patent drawing for Hugo Baum’s harmonica-playing doll.
And then there is the rubber ball in his body that provides the “air power.” Today’s collectors usually find this onceflexible natural rubber has hardened and any attempt to make him “play” likely would shatter the brittle ball mechanism. Harmonica Joe’s swing legs are stuffed cloth sewn to the lower body in mama-doll fashion. Originally, a paper label was glued to one of the legs of his overalls. On it was printed a bit of verse: “Squeeze me Gently… Squeeze me Slow… I’ll play you a Tune… Harmonica Joe.” Effanbee credited that bit of doggerel to one of its salesmen, Walter Millius, who was challenged in a Playthings article to pen a similar verse for a companion doll, Harmonica Jane. If Effanbee ever actually made and sold a girl version of Harmonica Joe, the author has never seen or heard of an example. In the end, was Baum’s idea a big success? That’s not clear. Harmonica Joe dolls still turn up on eBay and doll dealers’ shelves, but they are not commonly found. The provenance of the black Harmonica Joe pictured here suggests that the doll was not universally accepted or loved. For that, we have to go back to 1924, and the small railroad town of Greenville, Pennsylvania, almost exactly half way between Chicago and New York. This story is reconstructed from surviving facts. The Hinkson family, mother, father and five children lived in the rented second floor flat of a large frame home on Vance Street. That year, the fourth child, coincidentally named Joe, was given a Harmonica Joe doll as a gift – probably
Christmas – by a well-meaning but out-of-touch relative. Joe Hinkson was horrified! He was 12-years-old! A doll? And a “Negro” doll at that! “What would all the fellers say if they learned about it?” But he couldn’t just throw the doll away. It was a present! What would his parents say about that? The answer came to Joe. He would accidentally “lose” his brand new gift. He went up to the attic of the big house and there, in a corner, he dropped Harmonica Joe down between the open floorboards. Several years later, the Hinksons moved on, but Harmonica Joe stayed, forgotten, hidden away just above the ceiling of the second floor bathroom for more than 70 years. Then, in 1996, the new owners of the big old home decided to remodel the upstairs bathroom. A hole was cut in the ceiling for a new exhaust fan. Reaching up through the hole, the homeowner found something very peculiar, a doll – Harmonica Joe. Eventually, he came to live with the author. Joe was complete with his original paper label and harmonica, but with a film of black coal dust from years of neglect in a home long-heated with good Pennsylvania anthracite. After a careful but thorough cleaning a brand new Joe emerged, providing a happy ending to a harmonica blues tale. Editor’s Note: As previously reported, Don Jensen passed away on May 23, 2013. He is missed by his family, many friends and the doll community.
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Auction Gallery
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rovenance dates this early carved wooden to about 1745. Wearing an antique outfit (missing lower right leg, with original sleeves), it sold at Withington Auctions June 13 for $10,170. A 9-inch Jumeau incised 2/0 with jointed French composition body brought $5424.
A
size 4, (16-1/2 inch) German bisque doll with fixed wrists and antique clothing sold for approximately $2900 during the recent Ladenburger auction in Germany.
B
ertoia Auctions sold this impressive Gottschalk blue roof dollhouse, 40 inches tall x 30 inches wide, for $10,620. Electrified, it had four rooms with original floor and wallpaper.
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lovely Andreas Voit papier mache doll with its original box, 16 inches, on a firm white French leather body with wooded lower arms, sold for $4029 at James D. Julia’s June 21st auction in Fairfield, Maine. We would like to thank the following auction houses for their participation:
T
he doll collection of the late Sydney Sheldon and his wife Alexandra sold at Bonham’s in Los Angeles on June 24. Featuring Lenci dolls by Elena Scavini, an unusual maid boudoir doll, c. 1930, 25 inches, sold for $6250.
Bertoia Auctions, 2141 DeMarco Drive, Vineland, NJ 08360. Phone 856-692-1881. www.bertoia auctions.com Bonhams, Montpelier St, London SW7 1HH www.bonhams.com James D. Julia, Inc. 203 Skowhegan Rd, Fairfield, Maine 04937 Phone 207-453-7125 www.jamesdjulia.com Ladenburger Spielzuegaukion. Lustgarten.str 6 / D-68526 Ladenburg www.spielzeugauktion.de Withington Auctions, 17 Atwood Road, Hillsborough, NH Phone 603-478-3232 www.withingtonauction.com
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Book Review Die Puppen Der KPM KPM Dolls by Christiane Gräfnitz
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hina doll collectors can rejoice! The long awaited book on KPM dolls by Christiane Gräfnitz is now available, just in time to mark the 250th birthday of Königliche PorzellanManufacturer of Berlin. Dolls by KPM, made during the 1840s and 1850’s, have always been considered the ultimate prize among porcelain dolls. As recently as the mid 1990’s the KPM factory was skeptical that the company had ever produced doll heads. They quickly changed their mind when the author showed them numerous photos showing a variety of KPM heads all clearly marked. After years of diligent research we are grateful to Christiane for this important contribution to doll collecting. The history of porcelain making, the early years of KPM, the special process they used for mold making, markings and general characteristics are discussed in detail. The author has delineated, beginning in 1840, the trademarks, special features, head sizes and even the names of the painters. Outstanding photos from collections the world over showcase the various hairstyles used by KPM over the years. Antique paintings corroborate the wonderful and occasionally fanciful hairstyles that were worn. Another chapter is devoted to factories which attempted to promote their porcelain by using trademarks similar to KPM. With this exciting new information, the exceptional quality and rarity of porcelain dolls by KPM can be even more appreciated. Printed in English/German, hardcover, 296 pages. ISBN: 978-3-9811524-4-9. $94 plus $23 shipping (priority mail). To order, email the publisher at swantjekoehler@web.de or write Swantje-Koehler-Veralg, 80803 München, Destouchesstr. 26 Payments can be made via paypal (no credit cards please) or via bank account. 54
ANTIQUE DOLL COLLECTOR
AUGUST 2013
Do You Have a Mystery Doll?
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aula Terhune writes, “my mystery doll is 141/2 inches with beautiful quality and pale bisque. Solid dome head with molded shoulderplate, molded pierced ears and a closed pouty mouth. She has a Bru kid body with Bru bisque hands. I am not sure if the incised mark is an actual mark or a mold flaw – a half circle with a dot (not a true circle). I’d like to think she is a Bru, but she doesn’t look like my other Brus. “Another mystery is this 13-1/2 inch doll incised ‘S15K .’ The head has a flat open end neck that sits flush on a wooden body. There is a small molded hole in the center top to attach a wire to the wooden body. Compo arms and legs with molded heeled boots, the lambs wool wig looks original.” Paul Terhune, Southwinn Farm, 8533 Col Arl Road N, Arlington, TN 38002 (901) 867-8932.”
Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookfield, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com
Visit our website and shop online: www.catspawonline.com Catalog price is $8.95 post paid
Accessorize Your Dolls!
Cats Paw has been in business since 1982 specializing in quality reproductions made from antique originals, and unique old store stock. Our antique reproductions are made by hand using the lost wax technique, and each item is hand finished to achieve an authentic “antique” look. We offer exquisite doll accessories that only look expensive! • Jewelry • Trunks • Items for the Boudoir • Buttons and Clasps • Purse Frames • Presentation Boxes • Bleuette Accessories & More
The Enchanting Trousseau of Chiffonnette
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hese two dolls were purchased from a thrift store when I lived in Florida. The adorable blonde human haired boy is 20 inches tall. He has a painted face with an open mouth expression showing his teeth. He also has painted eyes with real human hair lashes. Both dolls’ faces, hands and legs are made from a rubber material. The bodies on both dolls have a wire armature that is starting to push through the bottom of their feet. The arms are stuffed with foam padding and have two wooden balls in between the foam-like joints. The legs are done in the same fashion yet more rubber is being used because they are the legs. I have tried to research these dolls with no luck. I would appreciate any help from fellow doll collectors that read the magazine. I can be reached at psalm234@att.net. Thank you, Don Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.
Long-awaited new book by renowned author, Sylvia Mac Neil
The 304 page book has more than 500 exceptional color photos with many dramatic portrait photos and captions in the vernacular of the mid 19th C fashion world, in the unique style Sylvia is noted for. It features 53 exceptional dresses, attendant accessories and spectacular hats, totaling more than 170 trousseau items, carefully researched and created using the finest antique materials and rare embellishments. A beautifully illustrated book full of fancies and splendors designed for inspiration and enjoyment for both the collector and the couturier.
Available August 1st – $85 plus $5 Shipping Sylvia Mac Neil, 2325 Main Street, W. Barnstable, MA 02668 jimsyl@aol.com
ANTIQUE DOLL COLLECTOR
AUGUST 2013
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A MEMORABLE MUSEUM by Jane Foster
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Photography by Kim McBurney
he Mid Ohio Historical Doll and Toy Museum is located at 700 Winchester Pike, Canal Winchester, Ohio, and houses thousands of dolls, as well as quality collector dolls and vintage toys. A An early Raggedy Ann by Volland special attraction is the Schoenhut Humpty Dumpty toy circus, dated 1903. This building was initially used for office buildings, but now offers a plethora of dolls and playthings from the past. Henrietta Pfeifer is the founder and director of this museum. Her collection started in 1982 when she purchased several bisque dolls at an antique show. These dolls had peeked her interest, and she began her quest of learning all about different kinds of dolls and sharing this knowledge with the public. She spent two years reading, talking with people, researching, touring the United States, and buying dolls for her planned museum. Although she has had some very Cloth dolls are favorites for the museum director. nice donations to the museum, many of her dolls were bought one by one. The museum China head opened in May 1984. She used one third of dolls make a her husband’s office space at the beginning pretty grouping of this endeavor. Every year the museum in this case. grew, room by room, until the whole office This lovely space was occupied and an additional room “Morning was added as more space was needed for Glory” china all her finds. stands out The antique room has an outstanding from the rest. collection of fine dolls. Dolls are creatively displayed to enhance the learning and cultural significance to the viewer. Most dolls are displayed in cases, along with elaborate accessories, depicting the dolls’ era. Included are many rare French and German bisque dolls by various manufacturers, papier mache, wood, wax, china head dolls and Parians. There are also important composition dolls from the thirties including Judy Garland, the Dionne Quints, Margaret O’Brien and many others. Recently, a case of artist dolls and a Christmas exhibit was installed. French and German bisques are also featured in the museum’s gift shop. The gift shop provides doll repair and appraisals, as well as teddy bear repairs and custom designed clothing that replicates a doll’s original attire. An interesting feature of this facility is their attractively decorated meeting room known as the community room. The Mid Ohio Doll Club meets here monthly from April through December. This room is designed for small group gatherings such as children’s birthday parties or showers. It is decorated with garlands of flowers and evokes a tearoom atmosphere. These meetings can be followed by a docent tour The gift shop offers a variety of dolls for sale.
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ANTIQUE DOLL COLLECTOR
AUGUST 2013
French Piano Bebe musical Automaton from 1886 A Googlie is pleased to find herself in the company of friends.
An early rare wax cage doll
of the museum. Each attendee is invited to bring a favorite doll to share. Free appraisal for one doll per person is an added feature. Groups of children, such as scouts, can earn a badge after taking the tour of the museum. Next to the community room she has amassed an impressive library of doll guides and reference books. Henrietta is a former fourth grade teacher and enjoys sharing doll information with children. One interesting story she has shared is the true account of the Raggedy Ann doll, which has been considered by many to be the most popular cloth doll in the United States. Raggedy Ann and Andy were created by Johnny Gruelle. He wrote and illustrated a series of books about Raggedy Ann and Andy for his daughter, Marcella, who died at age 13. The doll was first made in 1915, and the book series was introduced in 1918. P.F. Volland was the first company to make these dolls. You can find the Volland popular pair exhibited in the museum. As you walk through the museum you can point out any doll and Henrietta can recount that doll’s story--what kind of doll it is, its age, and how she acquired it for her museum. Of course she appreciates all dolls, but shares that the old cloth dolls and papier maches are probably her favorites. One case of dolls includes an ”Izannah Walker,” a “Chase” doll, a topsy-turvy doll, and an “Alabama” doll. Henrietta pointed out an all original Bru she calls “Napoleon” and a French bisque by A. Thuillier (A.T.) Jumeau and Bru dolls are well represented. In this eclectic collection you will also see some of the voluminouseyed Googlies, some with their original boxes. An original Bleuette is featured with a trunk of clothing. I especially enjoyed her case of china head dolls. This was such a beautiful grouping, and it highlighted the “Morning Glory” China Head from the 1860’s. Another doll Henrietta points out as special is her French Piano Bebe Musical Automaton from 1886 with music works by Leopold Lambert. This lovely lady can still play four different melodies. One of the oldest dolls showcased is “The Cage Doll” from the 1600’s. This is a wooden doll, and her name originated from her stand, which looked like a bird’s cage. There is something for all doll enthusiasts here. The museum is open April through mid December, Wednesday-Saturday, 11 a.m. to 4:30 p.m., and is manned solely by volunteers. It is a non-profit organization. Donations are welcomed, and so denoted throughout the museum. What a nice trip for any doll club! A cordial welcome is waiting for you there. The author would like to extend a special thanks to Henrietta Pfeifer, and recognize her as the reference for this article. For more information: Mid Ohio Historical Museum 614-837-5573 700 Winchester Pike Canal Winchester, Ohio 43110
Original Bleuette Doll, circa 1930, with her original trunk
ANTIQUE DOLLS
This lovely original Bru is dressed as Napoleon.
August 17 Roanoke, VA Holiday Inn Tanglewood September 7 Salisbury, NC Civic Center September 14 Louisville, KY Holiday Inn Hurstbourne Check website for shows:
www.knightshows.com Ph. 803-783-8049 Museum director Henrietta Pfeifer points to a French Bebe Automaton.
KNIGHT SE DOLL SHOWS
ANTIQUE DOLL COLLECTOR
AUGUST 2013
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Fritzi’s Dolls, Yorkville, IL. Email: fritzisantiquedolls@comcast.net
Bridgett Puckett, Oma’s Toy Box, Bell Air, MD. Email: bwpoma@verizon.net
Black flirty-eyed toddler pouty. Phil May, Ocean Grove, NJ. Email: dollmanofog@aol.com
JUNE GAITHERSBURG, MD DOLL SHOW
Jackie Robinson doll, Strawberry Bear, Atlanta, GA. Email: ronmartin@ westminster.net
Rick Saxman, Valley Forge, PA. Email: ricksax@earthlink.net
A
n array of quality dealers turned out for the June Gaithersburg two-day doll show, offering something for all types of doll collecting interests: antique, modern, vintage, doll clothes, supplies and doll books. On Sunday in the Learning Room, sponsored by members of the United Federation of Doll Clubs, attendees enjoyed Val Star’s entertaining and educational program “Antique Dolls: Large and Small We Love Them All.” Other displays and mini-lectures included Metal Head Dolls by Victoria Christopherson, the NEW Nancy Ann Dolls by Terry Danner and 58
ANTIQUE DOLL COLLECTOR
AUGUST 2013
“Sophia Smith” china, Sheila Needle, Oceanside, CA. Email: dollwitch@cox.net
Ginny: The Lesney Era presented by Jackie Childers. Seven doll clubs from as far away as Charlottesville, VA had sales tables and displays in the Learning Room, adding to the festive air of the event. Part of the proceeds from the sales tables help to support the clubs’ many educational and charitable endeavors. These events are open and free to all Gaithersburg doll show attendees and are held each Sunday during the show. Be sure to mark Saturday and Sunday, September 14 and 15, 2013 on your calendar for the next Gaitherburg doll show.
Left to right: Gigi’s Dolls and Sherry’s Teddy Bears, Chicago, IL. Email: gigsdolls@aol.com Connie and Jay Lowe, Lancaster, PA. Email: big.birds@ comcast.net
Frizzelburg Antiques, Westminster, MD. Email: frizellburgantiques@yahoo.com
Brownie Ten Pins, Charlene Upham, Mardela Springs, MD.
Billye Harris, Whitsett, NC. Email: billyehb@aol.com ANTIQUE DOLL COLLECTOR
AUGUST 2013
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s ’ i z t FArnitique Dolls
Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net Fritzi’s cell# 630-247-1144 Rick’s cell# 630-247-1219
UFDC
This ship has a cargo of dolls which you will get to embrace in the UFDC sales room July 29 thru August 1. Public day is July 31, noon to 7PM at the Washington Hilton DC.
Our upcoming shows:
Bellman’s Eastern national doll show, Sept 14-15. Gaithersburg, MD at the fairgrounds. The doll & bear & toy show in Plymouth, MN Sept 29 at the Crown Plaza Hotel. Show hours 10-4 We will also be giving a talk on Antique Dolls at the 27th annual Doll Jamboree at the Crown Plaza Hotel Sat Sept 28th. Plymouth MN.
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector September 2013 Vol. 16, No. 8
September 2013 Vol. 16, No. 8 $595 / $6 95 Canada www.antiquedollcollector.com
Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment. 2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446
10” WD Bebe, beautiful blue p/w eyes, mint pale bisque, orig. long mohair wig, wears orig. Challis dress w/lace, 2 ant. slips, vintage leather shoes & fabulous ant. Fr. felt & silk hat adorned w/ant. flowers & plume. On orig. early st. wrist body. She couldn’t be more beautiful. Absolutely GORGEOUS doll!!! In a darling teeny cabinet size. Only....$3500.
8” Kestner #260 Toddler w/Starfish Hands, big beautiful blue sl.eyes, immaculate bisque, orig. mohair wig & pate. Wears orig. batiste dress, ant. lacey diaper, undershirt, ant. knitted socks, hat & jacket. On her great orig. body w/ orig. clean finish & desirable “starfish” hands. She is the cutest tiny size. Absolutely ADORABLE!!! $975.
Visit my website: www.grandmasatticdolls.com LAYAWAY AVAILABLE • Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)
6” All Bisque Wigged Bye-Lo Baby, perfect bisque overall, blue sl. eyes w/ perfect eye wax, orig. mohair wig & pate. Wears orig. lace & knitted dress, orig. slip & diaper & ant. knitted baby bonnet. On perfect orig. all bisque “signed” bent limb baby body. She is a great rarely seen large size bisque Bye-Lo baby & DARLING!! $1275. (Chair not included)
4” All Bisque Baby with Cradle, baby is all bisque with painted blue eyes & hair, mint condition & wears orig. knitted ecru & aqua clothing incl. a jacket and booties, which are a 100% match to cradle & from the “FACTORY”. This is the way this was sold when manufactured. Absolutely ADORABLE addition to a collection. The cradle is perfect, it rocks, has ecru wicker & wooden rockers & woven through all the wicker is aqua ribbon & an aqua bow on each side of the cradle with a little matching mattress. DARLING!!! $550.
11 1/2” Early S & H #949 Character, mint pale bisque, blue sl. eyes, early 3 square cut teeth, (2 top, 1 bottom, the extra white you see is from lighting & not in doll's mouth), orig. mohair wig & pate, wearing orig. batiste & eyelet lace dress, very ornate, ant. undies, ant. leather shoes & socks, ant. hair ring around her head. On orig. S & H body. OUTSTANDING sweet face!! $1975.
12” Kestner #143 Character, perfect bisque, beautiful blue sl. eyes, great newer mohair wig & ant. pate, wearing orig. batiste & lace dress, ant. socks, ant. leather shoes & ant. lace & ribbon hat. On fabulous orig. Kestner body. She has tremendous presence. Absolutely STUNNING!!! $1450.
8” Bahr & Proschild #167 Boy, cl./mo. pouty, mint bisque, blue p/w eyes, orig. mohair wig & pate. All “FACORY ORIGINAL” in gorgeous clothing, burgundy velvet & ecru muslin, incl. matching straw & burgundy velvet hat, orig. shoes & socks too. Completely orig. On orig. fully jointed early st. wrist body. You don’t come along a doll like him very often. He has fabulous strong eyes, and pouting mouth & great orig. costume. A real find and he is a BEAUTY!!! $2995.
6 1/2” S & H All Bisque Barefoot, huge outlined light blue p/w eyes, orig. long clean mohair wig. Wears orig. aqua silk & lace dress, orig. undies & a little ant. cotton & ribbon bonnet. On orig. all bisque “barefoot” body, early “peg strung” (one very teeny fleck at one arm stringing hole.. non detracting) & a “swivel neck”. Her bisque is amazing, & so is her very “perfect” decoration. Nice large size, She is BREATHTAKING!!! Only....$4250.
15” K * R 115A Toddler, blue sl. eyes, magnificent perfect dewy bisque, great orig. mohair wig & pate. Wears orig. dress under jumper, plus a darling ant. lace & batiste ruffled bonnet & orig. shoes. On orig. early st. wrist fully jointed “Toddler” body. She has the sweetest sad pouty expression. ABSOLUTELY ADORABLE!!! Only $3550.
Tel: 425.765.4010 Valerie@beautifulbebes.com
Superb Br Jne 7 with excellent bisque, from the Henri Chevrot period with fully marked head and chest. All antique w/ rare wood arms. Gorgeous blue spiral threaded eyes. Dressed in all antique clothing of ivory velvet coat with soutache trim, original Bru two piece dress in silk, wonderful original bonnet and antique shoes. Open closed mouth with suggestion of tongue. $21,800~
Petite and Oh So Adorable! 9.5” Marked 1 Premier Jumeau with fantastique face. Beautiful pale blue eyes, Eau de Nil Bébé dress and matching straw and fabric bonnet. Marked Jumeau body with early straight wrists and ball joints. Original skin wig and darling Bébé pin. Excellent. $13,800~
Member UFDC & NADDA Very beautiful Steiner Gigoteur in working condition. This Bebe is dressed in a truly beautiful dress with delicate matching bonnet. Beautiful blue eyes and superb bisque! $2350~
If you have always wanted the nostalgia and haunting beauty of a wax doll doll, this is a doll that will fill your search with her diminutive facial features except her very large blue glass eyes.. We believe she is a Pierotti; definitely English. Dressed in an exquisite eyelet lace gown and in generally very good condition.23 inches tall. $1400~ Superb Lenci Doll in Bohemian Slavic costume. Stunning face and generally wonderful condition. $1450~
Spectacular 20” SFBJ Boy with blue jewel eyes. Gorgeous dewy bisque and excellent modeling. Cream wool three piece outfit and charming beret. (dog display only) Over-all generally excellent condition. $2600~
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC 13” Early Jumeau/ Theraude novelty doll that moves his arms and squeaks as you squeeze his chest. All original and in exc. cond. $2650. 20” Clockwork mechanical clown, a comical store display that when wound, constantly raises and lowers his eyes while his snout opens and closes, ticking all the while. He may still be ticking when you get home! $1975. 17” Lenci 300 series Dutch boy, clean, vibrant and adorable. $1150. Exhibiting: September 14 Angels Attic De-acquisition Sale, Santa Monica CA, Angels Attic Museum
BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com
Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2013 by the Puffin Co., LLC.
MOVING?
Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
A Special
to UFDC for Awarding Donna and Keith Kaonis the 2013 UFDC Award of Excellence for Educational Endeavors Through Dolls!
W
e began publishing collector magazines in 1981 and since 1993 have focused exclusively on antique and vintage dolls. As long time collectors, we enjoy learning about dolls as much as you do! At Antique DOLL Collector, we are looking forward to the future as we strive to bring you accurate research articles written by collectors, timely advertising, important events, and reporting on prices that set market trends in dolls. We consider ourselves most fortunate that our jobs are also our avocations.
Other deserving award winners were:
★ Margaret Kincaid, the Ralph Griffith Service Award ★ ★ Gloria Osborn for Meritorious Service ★ ★ Alan Scott Pate for Protection and Preservation of Dolls ★ ★ Joan Schultz, Philanthropic Endeavors Through Dolls ★
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
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The Complete Guide to Antique, Vintage and Collectible Dolls
September 2013 Volume 16, Number 8
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A SPECIAL WAX CHILD MANNEQUIN FROM THE BELLE ÉPOQUE
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by Dee Urquhart-Ross Originally from the Galeries Lafayette, this wax model finds a new home.
THE MANY FACES OF ALICE DOLLS
A VISIT WITH BERNICE MILLMAN by Donna C. Kaonis
by Julie Blewis “Alice’s Adventures in Wonderland,” written in 1865, continues to charm and inspire talented artists.
About The Cover
The use of wax for dolls and mannequins evolved over many centuries from wax effigies used in religious ceremonies to portraiture and models used as medical teaching aids. The lovely child on our cover, dating from the late 19th century, once modeled children’s clothing in the fashionable Galeries Lafayette; today she resides in the author’s home, still in her original silk and lace dress. Photo and Collection Dee Urquhart-Ross
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CLICQUOT by Sara Bernstein
Does he look familiar? Like many early trademarks, he is now part of a doll collection.
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UFDC NATIONAL CONVENTION SALESROOM
THERIAULT’S, IN THE COMPANY OF GENTLEMAN BESPOKEN, JULY 28
ANTIQUE DOLL COLLECTOR
Review
July 29 – August 1 • Washington, D.C.
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6
40 Emporium 53 Book
SEPTEMBER 2013
54 Mystery 60 Calendar 63 Classified
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TOLEDO DOLL & BEAR SHOW April 14, 2013 This doll show is attracting leading dealers from around the country.
5
UFDC AWARDS
Quality Antique Dolls by Mail
(212) 787-7279
P.O. Box 1410 • NY, NY 10023 1. In 1892 the famed Parisian emporium “Les Grand Magasins du Louvre” consigned Jumeau to create a unique, sophisticated model for their luxurious establishment and its demanding clientele. This exclusive Bebe Louvre, 27” tall is stunning in quality, short in supply and gorgeous! $4500 2 & 4. Mint Victorian Die Cut – striking large 20” size with brilliant color and a full cotton batten skirt with crepe paper décor! Both rare and excellent. $175 and $225. 3. The 16” 1880’s Kestner ‘XI’ Close Mouth – mint ivory pure bisque, child like purity, original plaster pate and the early Schmitt type body specific to the A.T. and XI Kestners; plus mint antique wig and fabulous dropwaist dress w/ matching bonnet! $2500 5. Important 22” E. Heubach Lad – extremely rare character model of exquisite quality, seldom seen sidepart molded hair, innocent blue ‘shoe button’ eyes and chubby composition body. He is one of two twin dolls. A love! $795 6. 18” Fabulous French Belton – a coveted ‘138’ signed model with ice blue PW eyes, 2 tone closed mouth w/white space between, flawless 1870’s quality, original stiff wrist body and luxurious silk ensemble and shoes! $1800
Any Doll or Steiff#9-18 is $495 or LESS!
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7. Rare 7” All Bisque with Lavender Boots – early 1880’s example with pegged joints, shirred stockings, 6 button boots, factory wig, dewy bisque and rare jointed hips. $750 (dress not shown).
8. Special 7” Bebe Face All Bisque – early French export in the mignonnette manner, socket head, long slender limbs, pegged joints, sensitive expression with huge PW’s and finely detailed clothes! $1250
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WWW.DOLLSHOWPRODUCTIONS.COM PRESENTS
“DOLLICIOUS” DOLL SHOW AND SALE
NOVEMBER 3 Hours: 10 am - 4 pm
MICHIGAN’S LARGEST DOLL SHOW UFCW HALL 876 Horace Brown Drive Madison Heights, Michigan 48071 East of I-75 S. off 13 Mile Thousands of Antique, Vintage & Modern Dolls, Bears, Clothes, Doll Appraisals and Doll Accessories SHOW ADMISSION: $5 • CHILDREN UNDER 12 FREE $1 OFF WITH AD • Limit One Discount Per Person
Info: Michael at (248) 399-4345 or Sharon at (586) 731-3072 Next Show May 18, 2014 8
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
Gigi’s Dolls & Sherry’s Teddy Bears Inc.
LAYAW AVAILA AY BLE
Allow Us To Help You Discover The Child Within You!
12” All Original Kestner Oriental Twins #234 JDK, brown sleep eyes, black HH wigs, beautifully detailed costumes & hats, first place ribbon winners $9750 pair Now $7950.
13 1/2” RARE 239 SFBJ Poulbot in possible original clothing, original red sparse wig, shoes & stockings, 5 piece body with touch up on hands, professional repair on back of head $4500 $4500. Now $2900.
20” over all 15” CM Tete Jumeau (red mark), blue pw eyes, boy with fur wig, hand moves hitting pan, head moves back & forth and hat pops up & down, redressed nicely & box recovered, pierced ears, plays music $6995 $6995. Now $5900.
22” CM Depose Tete Jumeau 10, blue pw eyes (right one cracked), HH wig and cork pate, antique shoes & undergarments, repainted hands $4200 $4200. Now $3800.
15 1/2” JD Kestner #237 Hilda Toddler, br sl eyes, original auburn mohair wig, toddler body w/ mama crier $2895. 13” Hilda JDK jr 245 1914 F.10. mohair wig & plaster pate, baby body $1495. 6” Steiff 1950’s Mohair Teddy Bear w/ original ribbon $185. 3 1/2” Steiff Teddy Bear $195.
15” CM Paris Bebe Tete Depose 5 from Gladyse Hilsdorf Collection, pierced ears, right ear chip, few wig pulls, blue pw eyes, stiff wrist body, hands touched up $2800.
25” CM Tete Jumeau (red mark), blue pw eyes, pierced ears, original wig and cork pate, antique sailor dress & hat, blue stamped Jumeau body w/ momma/ poppa strings $4650 $4650. Now $4200.
19” CM Bru Jne 8, brown pw eyes, shading above eyes, antique dress, undergarments, socks & burgundy leather boots $13,850. Now $10,995.
10 1/2” Rare All Original Kestner doll in boxed set with 3 character heads, #185 (on body) brown painted eyes and brown mohair wig, #178 brown painted eyes, blonde mohair wig, #184 blue painted eyes, blonde mohair wig, has professional repair on right cheek and neck, #174 w/ blue sleep eyes and HH wig, great graphics on cover (missing on side), Fabulous piece $14,500 $14,500. Now $11, 500.
24” L’ Eden Bebe Walking Doll in Original Wooden Box w/ worn labels, works great, original stockings and shoes, head marked DEP 10, blue sleep eyes, mohair wig, repro dress $3995 Now $2995.
20 ½” x 17” x 8” Mechanical Walking Lady with Parasol with SFBJ looking head, this was purchased at Marshall Fields 1950’s – 60’s, black pupiless eyes, HH wig, when moving she spins parasol, raises & lowers lorgnettes, turns head back & forth, plays music, wonderful piece $950.
17 ½” Kestner 129 on early stiff wrist body, brown sleep eyes, original HH wig and plaster pate $895.
18” Tiny Tears all original $145. 20” Chatty Cathy all original in Nursery outfit $135. 15” Krueger, N.Y. Doll all original in tagged outfit $125. 13” Shirley Temple all original in tagged dress with pin, great coloring, slight crazing $325.
18 ¾” CM Incised Brevette SGDG Jumeau 8, blue pw eyes, applied ears w/ earrings, blue Jumeau stamped body, hairline back of head $4500 $4500. Now $4100.
WPA Dolls possibly by Kansas City WPA Group 15” Mother, 12 ½” Son, 11 ½” Daughter girls thumb glued, boys nose has had some work done $750 for 3 dolls Now $650.
19” CM Petit & Dumoutier P3D early pressed bisque head, blue pw eyes, pierced ears, Gesland body w/ repainted arms & legs, small hairline back of head, skin wig $5150.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
Contact us for Monthly Specials! Tour our shop at: www.gigisdolls.com & join us on Facebook
Phil May Antiques & Collectables Ocean Grove, NJ 732-604-3011 dollmanofog@aol.com
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1. Large Kewpie Hottentot with original box, 8-1/2”, perfect! $2450 2. Large Black Piano Baby, 14” long, $350 3. Rare S & H 1358 – fabulous black complexioned character, 21”, $12,950 4. Ideal Mohair Teddy Bear Muff, exc. condition, $795 5. Black Compo Girl with molded hair and bow, all original, 17”, $195 6. “Cynthia” by Madame Alexander – all original – unmarked, $850 7. Black German Bisque Toddler – 17” with flirty eyes, $695 16
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
A Special Wax Child Mannequin from the Belle Époque by Dee Urquhart-Ross
hen I was recently offered an unusual French child mannequin, 36 inches in height, with an equally unusual wax shoulder head, it was impossible to say no! She had apparently resided for many decades in a storeroom at the Galeries Lafayette, the famous Parisian department store, before being acquired by two gentlemen who in turn eventually passed her on to my French connection. My contact was very happy to post me the body part of the child but did not want to trust the more delicate wax lower arms and precious shoulder head to the postal system so it was agreed that they would have to be personally collected. The body arrived in a very large cardboard box along with the wood and metal extra large sized doll stand that was necessary for her stability, along with her hat and silk dress. Luckily for me, London was deemed fine for a meeting to hand over the shoulderhead and lower arms. The seller arrived from Paris courtesy of a high speed train, via the Channel Tunnel to the Eurostar Terminal at St Pancras Station while I arrived from the opposite direction, also by train, at nearby Kings Cross Station. In London, I had a very quick unwrap to view the actual face “in the wax” for the first time and she certainly did not disappoint, as even in her dismantled state, her amazing blue paperweight eyes smiled up at me from her wrappings and stole my heart! I had brought an extra bag with me and the precious box was soon carefully stowed within and entrusted to my dear husband to carry through the busy streets of London to our hotel. Once safely that far, I breathed a large sigh of relief and resisted the temptation to peek at my lovely acquisition again until we were safely home. The mannequin’s construction involves a heavy twill covered torso attached to elegant, shapely papier-mache unjointed legs with articulated, ball and socket type wooden upper arms into which lovely wax lower arms are ingeniously screwed, all topped by a wax shoulder head with a face of such exquisite beauty that she literally takes my breath away. The torso part of the body of the doll is covered in natural undyed linen twill and there are twill over-sleeves shaped and attached at the shoulders which can be tied round the articulated elbows. These upper arms are carefully carved and have ball joints at shoulders and elbows where there is a hand carved wooden screw into which a matching wooden piece can be screwed. This in turn is permanently inserted and fixed into the solid wax lower arms and hands which can be easily and quickly removed to aid ease of re-costuming, imperative of course in her previous “career” modelling in Galeries Lafayette! Each hand has a different positioning of Standing three feet tall, I look forward to adding to her wardrobe with Victorian children’s clothing. Note, her original stand is sadly missing. ANTIQUE DOLL COLLECTOR
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A side view shows the wonderful, life-like qualities of this special wax child. Her lovely shell like ears are exquisitely rendered and you can also see the individually inserted blonde hairs on her temple and brow. Her realism and beauty are quite breathtaking. Her whitework dress with delicate tracery of netted lace suits her ethereal beauty. Her lovely antique straw bonnet is in superb condition retaining its white floral decorations.
Here we see the hard stuffed linen covered body of the child and the loosely linen covered upper arms with their screw fixings for attaching the wax lower arms. Also note the shaped fitting for the wax shoulder head and the linen ties which fix it firmly in place. 20
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the fingers so that expressive gestures are easy to achieve, especially as the articulated arms hold a pose well. The hands are extremely lifelike with carefully shaped and outlined fingernails and the wax seems to have the softness and warmth of real flesh. The legs and feet are heavy papier-mache and the black leather flat soled lacing shoes are original as one foot and one shoe sole have matching circular holes cut in them so that the doll can have a stand (sadly now missing) attached by way of a rod, fitted into a flat wooden base, going up inside the leg to stabilize the figure and allow it to stand securely. This purpose is now achieved by a replacement large doll type stand with a traditional shaped metal waist fixing and sliding metal upright fitting into a wooden lower part and base. The shoulder head is made of very thick, beautifully coloured wax and fits into a shaped papier-mache area set between the shoulders where it is tied onto twill loops on the torso which hold it securely in place. The fine blonde hair is individually inserted into the scalp using the hot needle technique that shows the great skill and patience of these Victorian workers and gives top quality wax dolls a full head of seemingly real rooted hair. The eyebrows, similarly worked, are prettily shaped into delicate curves with individually inserted blonde short hairs adding even more realism to the beauty of this lovely child. The face is beautifully sculpted and naturalistically flesh tinted with delicately blushed cheeks and lips which are sweetly parted and softly outlined and tinted with a charming rosy hue. The mouth is open/closed with its lips almost moving as you look, as though about to break into a tremulous smile. The eyes are big glass paperweight types, huge pools of azure, sparkling with intelligence
and life. I don’t think I have ever had a doll with more beautiful eyes than this one. They are just so utterly captivating! She stands an impressive 36 inches in height and can wear the clothes of a small Victorian child which will mean that I can enjoy building up a wardrobe of interesting items of apparel for her. . . a task I shall enjoy immensely! There is no maker’s mark anywhere on the doll but she was obviously crafted by someone of infinite skill in France in the 1890’s where there were doubtless many made, depicting children through to adult sizes, though few have survived, as being made of wax and in constant use in busy stores, the casualty rate must have been very high. She is wearing an exquisite and complex cream silk dress of great delicacy which buttons right up the back and is profusely embellished with delicate lace inserts. It is entirely lined in heavy cream cotton with much puffiness of the bodice and sleeves. Under it she has two white cotton full length petticoats with the usual lace and ribbon trimmings. Her natural straw hat has a very pretty curved up brim that is garnished with a spray of cream and white artificial flowers and looks lovely set on her fine blonde hair. The use of wax for dolls and mannequins evolved over many centuries, from wax effigies used in religious ceremonies to portraiture and models used as medical teaching aids. In Francois Theimer’s The Encyclopedia of French Dolls it states that in 1778 Jean-Baptise Curtius opened a salon featuring wax figures of popular celebrities. His niece, Madame Tussaud, followed in his footsteps and, after making London her home, began creating wax flowers and modeling children’s faces, including portraits of the royal children. She assured her place in history when she opened the celebrated wax works show whose popularity has not diminished over the centuries. Today no less than fourteen locations around the world continue to lure crowds to view celebrities and historical figures that have been immortalized in wax. Theimer’s research notes wax historical figures were displayed on Blvd de Strasbourg in Paris in a popular wax museum until 1865 using models created by the famous French sculptor Carrier Belleuse, the sculptor of the lovely Jumeau Triste bisque headed bebe doll. Further, the Musée Grévin opened in 1882 and, following the Tussaud tradition, displayed popular and famous figures from throughout Europe.
A close up look at the wooden ball joint of one elbow where you can clearly see the threaded screw fixing which attaches to the lower wax arm. This allows ease of movement so that the mannequin can adopt a variety of postures and gestures.
The thick wax shoulder head is simply but safely attached to the linen covered hard stuffed torso by flat linen tapes which thread through drilled holes in the wax and tie the parts together. It would be a simple job to store the wax shoulder head separately in a cardboard box which is probably how her delicate colouring has been preserved so well over the decades.
The lower arms are made of solid wax with detailed nails and very expressive finger positions. There are inserted wooden parts just visible at the elbow area which have threaded screws where they then screw onto the ball jointed wooden upper arm. Clever, and allows the wax parts to be removed for re-dressing, essential for a mannequin. ANTIQUE DOLL COLLECTOR
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On a recent trip to Paris I popped into the original home of my lovely wax girl, Galeries Layfayette. It hasn’t changed much since the Belle Epoque! The wax girl would feel right at home, current fashions notwithstanding!
In the doll world papier mache dolls, some with wax coating for added realism, began to replace wooden dolls by the close of the 18th century. Francois Theimer states that a M Fessard was offering wax busts, dolls, torsos, hands and feet made of wax from 1848 on. Later wax arms and mobile wax heads for hairdressers and hat makers were available. Poured wax dolls including models of the royal infants were made by Pierotti, Montanari, Videlier and Couvreux. In short, there was no shortage of talented wax artists who may have produced this lovely little child mannequin in the late 19th century. She must have looked so beautiful, set in a shop window perhaps, or displaying this season’s must have outfit for the well dressed little Mademoiselle in the children’s department of the famous and enchanting, gas lit Galeries Lafayette store of old. Shining rich dark parquet flooring, the scent of lavender in the air, bustling, elegantly black clad assistants eager to please the fashionable Parisienne matron shopping for her pretty and indulged child....the scene is thus set in our imaginations, and there is my lovely little mannequin, standing in her silk and lace dress, just as she now does in my doll room over one century later.
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Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 The shop is now open for the season, Monday-Saturday 10-4 or call for an appointment 207-322-4851. Shop 207-236-4122 Fax 207-236-4377
email: lucysdollhouse49@roadrunner.com Lovely old painting on ivory, frame 3” x 4” - $295.
Old Steiff rabbit pull toy 12” long $795. Therese Bahl roombox 19” wide x 14-1/2” tall - $995.
3 old straw stuffed bears and 1 straw stuffed dog: dog $125, largest bear - 24” tall $395, smallest 6-1/2” with old Steiff button $295, bear on wheels $650. Steiff Alice in Wonderland set in original box 24” x 13” - $495.
Huge collection of Steiff animals $30-$50.
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Artist Louis Vuitton suitcases, trunks, jewelry boxes etc. $65-$395.
2 old rag dolls 13” and 14” $195 each.
A visit with M
ost of us can point to certain events or a time in our life that motivated us to begin our fascination with dolls. So it was with Bernice Millman who recalls a winter’s day in 1941 when she and her mother ventured downtown to Hutzler Brothers, an upscale department store in Baltimore. There she saw and fell in love with what she learned much later were Margit Nilsen “minnikins,” sophisticated miniature mannequins perfectly formed and wearing the latest fashionable attire. It was the first of many visits to Hutzler’s to gaze with longing at these remarkable figures that epitomized a glamorous adult world. While they remained a wishful dream, a Sonja Henie doll would soon become a reality for Bernice. As a child of the depression playthings were few and far between. “One day in a shop window I saw a doll I went mad for,” says Bernice. “With her golden curls, a red velvet skating suit trimmed in white ermine and white skates, she was the most beautiful thing I had ever seen.” Unbeknownst to Bernice, her mother took a little money out of each week’s budget and put the doll on layaway for Bernice’s birthday. It remained a prized possession into Bernice’s adult years until one day her nephew broke it and Bernice, not realizing it could be repaired, threw it away. She spent years searching for another Sonja Henie doll and thankfully she eventually found another example. Now married with two sons and a daughter there was little extra money for dolls. One day her sister in law, knowing of Bernice’s growing interest in dolls, came to visit bringing a doll minus a head . . .” just the kid body marked Kestner and shoulderplate but wearing the most magnificent clothes. I began a mission to put that doll back together and was soon haunting flea markets, doll shops and antique markets. I started to educate myself about what kind of head was needed. It took five years to find the appropriate head, but then I was off and running,” says Bernice.
Bernice’s favorites are the early Kamkins dolls with their sweet look of innocence. The earliest dolls had painted hair, followed by human hair inserted in strips (below).
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by Donna C. Kaonis
SEPTEMBER 2013
Bernice Millman In the beginning she gravitated towards dolls by Armand Marseille, then the composition dolls of her era, followed by German characters, a few French (later deemed too rich for her budget), primitive cloth dolls, and finally her greatest love, Kamkins, Chase dolls and Alabama Babies. Like most of us, there is one doll that she regrets not buying, the one that got away. Bernice and her husband Jerry were visiting Belgium and shopping in a flea market when, at the first vendor’s stall, she saw a wonderful SFBJ boy with all original clothing, sparkling jewel eyes and flocked hair. “The seller told me two other women were considering the doll, implying I better make up my mind. My husband told me she was shilling and not to worry, that the doll would still be there when we returned. Of course it wasn’t and I gave him quite a lecture!” But let us not forget the fascinating Margit Nilsen figures that first captivated Bernice. It was at a doll show many years ago that she was
Although Kamkins all have a distinct look, Louise Kampes would change eye color and wigs for special orders. The little boy with the caracul wig is such an example. The last doll pictured is a later example that Bernice believes was marketed by the New York firm that purchased the company in the early thirties. ANTIQUE DOLL COLLECTOR
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Knit outfits made for Margit Nilsen dolls.
catapulted back to her childhood longing, a lovely miniature mannequin, still in the original box with a wardrobe of clothing. This time the doll came home with her and Bernice began a quest to learn about the talented sculptress and artist Margit Nilsen. Born in 1906 in Tacoma, Washington, Nilsen began her studies in clothing and design at the Traphagen School of The Nilsen Design in New York. Her mannequins, earliest human sculptures, measuring over carved out of soap and 30 inches, were a clever way to displayed in department advertise the store windows, coincided latest fashions. with the public’s love of The base window-shopping. Not long of each mannequin after, desiring a more lasting stand included product, she created a clay a space for model from which individual a card with plaster molds were taken the yardage information and filled with latex material, and pattern then cured and hardened, number. and finally assembled with a thin metal armature. The Nilsen minnikins were seen in the finest shops and department stores nationwide. Their use was practical as well as eye-catching. Pattern makers McCall’s and Simplicity sold the countertop figures to department stores to display miniaturized versions of the latest fashions. The figure stood
Margit Nilsen modified her mannequins to create these elegant play dolls; this example was originally in the collection of celebrity Jane Withers.
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A very rare Kathe Kruse doll with a ball jointed body made by Kammer and Reinhardt. These were made for only a few months in 1910 or 1911. The delightful smiling Kathe Kruse doll known as Schlenkerchen.
Just imagine! These are tiny salesmen sample dresses, each with exquisite detailing.
Best known for his needle sculpted dolls, Ravca also produced interesting dolls with composition heads such as this example modeled after Franklin Roosevelt.
on a base which had a space for inserting a card with the amount of yardage needed, cost and pattern number. Measuring over thirty inches, they were obviously heavy and cumbersome to maneuver. Bernice recently sold her heaviest mannequins, but still has several examples that are strikingly displayed on glass wall shelving. Later the Nilsen mannequins enjoyed another success story when they were modified and transformed into a more manageable size as play dolls. The doll that Bernice discovered at a doll show was a Deb-U-Doll sold in the doll and toy emporium FAO Schwarz. When we visited Bernice, it was literally in the nick of time. The following day she would begin packing and moving items from her home, where she and husband Jerry have lived for forty years, to a nearby newly built condominium. The idea was daunting. “I’m a collector but Jerry is a hoarder,” says Bernice. Our friends say if you need something you can probably find it in Jerry Millman’s basement.” Jerry, who continues to work a half day at his dentistry office, is an antique motorcycle and car enthusiast and along with his eldest son they own five bikes between them. The master bedroom is home to her cloth doll collection, her favorites being the Kamkins dolls. “Cloth
An unusual Lenci with a shy smile.
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George Washington doll made by Martha Chase. This doll’s costume is a unique color variation and was made by Chase for her grandson.
German doll artist Dora Petzold made this lovely child. The head appears to be cloth; a thin composition was also used for many of her dolls.
“I’m a collector but Jerry is a hoarder,” says Bernice. Our friends say if you need something you can probably find it in Jerry Millman’s basement.” 28
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An atypical hairdo distinguishes this Martha Chase doll.
Raynal Shirley Temple with her trademark ringlets.
A darling Martha Chase doll with the popular bobbed haircut.
An early Alabama Baby by Ella Smith.
Who wouldn’t love this adorable, wide-hipped Kathe Kruse?
At only 9 inches tall, this is one of the most difficult Chase dolls to find.
dolls are so forgiving,” she is fond of saying. We discussed the early Kamkins which were painted oil cloth with a swivel head and joints and chubby limbs. Human hair, which was inserted in strips, and later mohair, which was glued on, was used for the wigs. When Louise Kampes began her business around 1919 with a partner in Pittsburgh, dolls were simply marked Kampes. Later she began selling her dolls to a children’s shop located in the Traymore Hotel on the boardwalk in Atlantic City. (Viewers of the TV show Boardwalk Empire can see a resurrection of this hotel used as a backdrop for the series opening.) Oh, to be a little girl from a well-to-do family who returned to Atlantic City each summer and purchased the latest outfits and accessories for their daughter’s Kamkins, truly a “Dolly to Love,” as stated on the doll’s red paper label! The dolls were expensive, $10 to $20 at the time, so that when the Depression hit, the business began to suffer, causing Louise Kampes to sell in in the early thirties to a group of New York businessmen who opened a shop on Fifth Avenue and for a brief time marketed the dolls as “Kampes Dolls.” While the heads and wigs remained the same, the dolls now had slimmer, longer legs and the wonderful and detailed clothing that distinguished the earlier dolls was greatly simplified. Bernice who owns one of these dolls, believes that they were trying to compete with Madame Alexander. ANTIQUE DOLL COLLECTOR
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Another special WPA doll dressed in a medieval period gown.
One of several WPA dolls in Bernice’s collection that were made as a school project. This doll represents Sicily.
Bernice looks for dolls with original clothing and buys separate pieces whenever she can find them. “Once at a little doll show I found a Kamkins dress for $6, now I go through every box of clothing I see.” Bernice has been a longtime member of the UFDC clubs Dollology and Lady Baltimore. When a group of British doll collectors came to visit her collection she enjoyed them so much she also became a member of the Doll Club of Great Britain. You will often see Bernice with Julie Blewis and Sheri Kaplan, both of whom she thinks of as daughters, a mutual feeling shared by the two younger women. Bernice has also accumulated an impressive collection of WPA dolls in elaborate traditional costumes. Created as a school teaching aid, the dolls are very sophisticated and show a high degree of skill. Several of them still retain the heavy boxes that they were shipped in. After a lifetime of collecting Bernice retains the same youthful enthusiasm for collecting and enjoying her dolls. “I still find treasures all the time and besides, the search is half the fun.”
This WPA doll shows surprising sophistication and detail.
One of our favorite people, Bernice Millman.
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ÉCOLE DES POUPÉES
Samy Odin, Ann Coleman and Margaret Gray Kincaid Welcome you for a
BEBE JUMEAU Study of Original Fashions
Learn how to Appreciate the Authenticity and Historical Significance of the Jumeau Company Hands-on examination of antique Jumeau Bébés and their wardrobes from the Musée de La Poupée-Paris and private U.S. collections
FEBRUARY 2528, 2014 to be Held at Margaret Gray Kincaid’s charming house in Baltimore, Maryland It all starts on Tuesday Evening with a welcome dinner. Seminars, workshops and programs on Wednesday and Thursday. All meals included with a Gala Dinner on Thursday night. Friday morning tour of Baltimore’s highlights. March Gaithersburg Show following Saturday and Sunday March 1&2 Free Admission with early entry to the show included
Cost: $650 per person CONTACT: Margaret Kincaid 646-709-4340 or margaret.kincaid@gmail.com or write to 17 Elmwood Road, Baltimore Maryland 21210 (Number of attendees VERY limited)
The Many Faces of Alice Dolls by Julie Blewis
Few of these fantastic Martha Chase sets exist. Circa 1920, Alice measures 13 inches. Collection Jay and Connie Lowe
lice’s Adventures in Wonderland, that we all know incorrectly as Alice in Wonderland, sprung from the fertile creative mind of an Englishman, Reverend Charles Lutwidge Dodgson, in 1865 under the pseudonym Lewis Carroll. We have all heard how the book evolved from a tale being told to the three young daughters of Henry Liddell (Vice-Chancellor of Oxford University), with the middle one being the famous Alice that requested the tale be written down. From that humble beginning sprouted one of the most beloved children’s tale, and adult as well, of all literature! The book is populated with an array of creative and fanciful characters, many of which are bought to life so magnificently in the 42 wood engraved illustrations accompanying the book by John Tenniel. These characters have not only delighted readers for almost 150 years, but
have been an inspiration to countless doll artists over that time. And it is little wonder when you have characters like the White Rabbit, Mad Hatter, Queen of Hearts, a caterpillar smoking a hookah, and others that doll artists would be so intrigued and inspired to bring these characters to life as dolls. The appeal to the artist is also evident in the entertainment field, where no less than 19 adaptations in film and television to date have been produced. Growing up in Manhattan, the fabulous and massive bronze sculpture of Alice and some of her friends in Central Park by sculptor Jose de Creeft, was always a childhood favorite. So it comes as no surprise that Alice dolls have found their way into so many of our doll collections! It is fairly safe to conclude that no other fictional or historical character has been the subject of so numerous and yet very ANTIQUE DOLL COLLECTOR
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the Frog Footman. These exceedingly rare dolls, of which very few complete sets exist, was created circa 1920 in Pawtucket, Rhode Island by Martha Jenks Chase with painted stockinette heads and cloth bodies, these dolls range from 12.5” to 15”. With their whimsical appeal and folk art quality it is easy to see why these dolls are both loved and highly coveted. A less well known set of cloth Alice dolls, that could even be rarer, if such a thing is possible, are the ones created in 1931 by the Dean’s Rag Book Co., Ltd. of England. This group of four includes Alice in Wonderland, The Mad Hatter, The White Rabbit and March Hare. They are so rare that only one photo could be found from Polly Judd’s book “Cloth Dolls Identification and Price Guide: 1920s & 1930s”. Far larger in size than the Chase set, these cloth dolls Polly Judd’s book “Cloth Dolls Identification and Price Guide: 1920s & 1930s” range from 15” to 24” and only have two shows this rare set of four characters by Deans Rag Book Co., Ltd. of England. overlapping characters with the Chase set. different renditions. The question becomes, how does Beatrice Alexander, known as Madame Alexander, also one focus on a few samples in this wide array of Alice made a cloth Alice doll very early into her doll making dolls? In this piece, it will be by spotlighting either older career. Born in Brooklyn, New York in 1895, the earliest examples or unique one of a kind doll art. dolls, by what was to become the Alexander Doll Company, For a doll collector, the quintessential set, or ultimate were made by Beatrice and her sisters as simple cloth Alice prize, would have to be the Martha Chase group dolls including a flat face Alice. This was the earliest Alice of six dolls that include Alice in Wonderland, The Mad created by Madame Alexander but the doll was clearly Hatter, Tweddledee & Tweddledum, The Duchess, and a favorite of hers as not only were other cloth variations
Three 23” Cloth Madame Alexander Alices from the mid 1930s with the March Hatter, also an Alexander creation, of the same period. The Hatter and the Alice on the right have their original wrist tags. (The White Rabbit hiding under the table is also from the Alexander Company but is a current cloth creation.) Collection and photo Marsha Hunter 34
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Two 14” Cloth Madame Alexander Alices from the late 1930s with a rare 7 1/2” Cloth Alexander Alice in green. Collection and photo Marsha Hunter
Gund Soft Toys made these three characters in 1951. The Mad Hatter is 14-3/4”.
made, but later composition, hard plastic and vinyl examples populated the Alexander doll line into the present time. A number of cloth examples, including a very rare March Hare, are pictured here in various sizes. One could easily have a wonderful collection of Alice dolls consisting of just Madame Alexander creations! In the cloth medium, the last set oddly has no Alice but just The Mad Hatter, March Hare and White Rabbit and were created by Gund Soft Toys in 1951 to coordinate with the release of the Disney animated film. Clearly reflecting a more comical approach, this set is the latest cloth group pictured and more easily acquired but charming nevertheless. Of the same time period, but not totally of cloth with their hard plastic heads, are the wonderful Tweedledee and Tweedledum by Old Cottage Toy Company, with a hang tag indicating hand made in Great Britain and measuring 10”. What is so interesting about these Old Cottage dolls is the choice to only create the two amusing, but somewhat minor, characters of Tweedle Dee and Tweedle Dum! The remaining Alice dolls, or sets, will be one of kind pieces that represent an assortment of mediums, age, and characters but all show the artists unique interpretation of a classic story. The most important being the Mad
Old Cottage Toy Company of Great Britain made the Tweedledee and Tweedledum, circa 1950s, hard plastic heads and cloth bodies, 10”.
Exquisite and refined detail in this rare set by NIADA artist Dorothy Heizer. Alice meaures 16”. ANTIQUE DOLL COLLECTOR
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What character! Made for BBC America, this one-of-a-kind set is made of clay. The Dutchess at 14” is the tallest figure.
Hatter, Duchess and Alice holding the flamingo done by Dorothy Wendel Heizer, a charter member of the National Institute of American Doll Artists (NIADA). Born in 1881 in Philadelphia, Dorothy Heizer began making dolls in the 1920s and is known mostly for her wonderfully detailed and realistic portrayal of historical figures, in particular royalty. Her dolls are layers of delicate fabric over a cooper-wire skeleton with beautifully detailed clothing and hand painted features. Her Alice trio dates to 1929 and is a rare example of her foray into fantasy.
An unknown artist made these 13 figures of sculpted clay over wire armatures, including some of the more obscure figures. The tallest is the March Hare at 11.5”
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Helen Bullard, hand carved wooden dolls, Alice measures 7”, the queen is 9”.
Helen Bullard, another charter member of NIADA, and its first President, made her own renditions of Alice and the Queen of Hearts in the 1950s but her chosen medium was wood. She even did a unique variation of Alice with an elongated neck! Her Alice is only 7” and the Queen is 9” made of hand-carved wood, painted features and hand sewn costumes. The last early NIADA charter member represented here is Lewis Sorensen, known almost exclusively for his portraits in wax. His 1950s Alice is 11” has a composition
Lewis Sorensen, best known for his wax dolls, made this Alice with composition head and cloth body. 11”, 1950’s. Collection Shari Kaplan
11” Alice made by NIADA artist Nancy Wiley.
head and cloth body. In fact, Lewis Sorensen created in other mediums for fifteen years before beginning to work in wax and Alice represents a work from that earlier time period. No further characters have been found yet to go with her, though one can only imagine how wonderful a Lewis Sorensen Mad Hatter would have been.
White rabbit, Jane Bradbury, 16”.
The largest grouping of 13 dolls was purchased some years ago in the early days of eBay and is totally hand made in sculpted clay over wire armatures by an unknown artist; obviously a lot of time and effort was put into their creation. The Alice seated with her pig measures 7.5” to the top of the chair, and the March Hare, with real
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Alice by ODACA artist Sandra Wright Justiss, paperclay over wire armature, cloth body, 14”.
Unknown artist dolls Tweedledee and Tweedledum, 13”.
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Betsey Baker, ODOCA artist, made the Dutchess and Captillar using super sculpey over wire armatures, cloth bodies 7”.
rabbit fur, is the largest at 11.5”. What makes this set so fun is the huge assortment of characters, including some of the more obscure ones like The Card and The Cook. The other set acquired some years back on eBay came from England, and again the artist is unknown but the unverified story was these pieces were created for use by the BBC. Also hand done in clay with the use of real fur, the group includes Alice at 9”, Mad Hatter, March Hare, Dormouse, and the tallest being Duchess with the baby at 14”. Ending the look at the unique renditions of Alice are some modern examples by current artists. This is just a small sampling of the many Alice dolls being produced by a very diverse and talented group of artists. Starting with Nancy Wiley, a current NIADA artist, she did a book in 2009 illustrated with photographs of her own original Alice dolls in stage sets. Although the book can be purchased with a limited edition doll, the Alice here was a one-of-a-kind used in the book and is entirely hand painted over paper clay. Representing the Original Doll Artist Council of America (ODACA) is Betsey Baker and Sandra Wright Justiss. Both ladies use wire armatures and cloth bodies, but Ms. Baker works in super sculpey while Ms. Justiss prefers paperclay. Pictured here is the Duchess and Caterpillar smoking hookah by Ms. Baker and a nursery Alice holding her pig on a great hand painted base by Ms. Justiss. Lastly, presented here is the work of Mark Dennis, Jane Bradbury, and Friedericy Doll being a small sampling of well-known contemporary artists that are not part of a larger organization like NIADA or ODACA. Mark Dennis has been creating dolls for over 20 years and this 2006 croquet Alice is one-of-a-kind masterpiece at 13.5” made of polymer clay with glass eyes. The White Rabbit is an original by Jane Bradbury, from her extensive and varied portrayal of Alice and other characters over the years, clearly a favorite subject of this very talented artist. Rounding out the group is a Queen of Hearts and her two cards by Friedericy dolls, made of wax-over porcelain head sculpted by Judith Friedericy then painted, wigged, and costumed by Lucia Friedericy.
Left: Friedericy Dolls, wax over porcelain 18” queen and 6-1/2” cards. Center: Artist Mark Dennis’ Alice is 13-1/2”, polymer clay with glass eyes.
The author’s cat, Mookie, a one-of-a-kind masterpiece.
What is obvious from the dolls pictured in this article is that whether you are a collector of the older dolls, early artist dolls or the contemporary artists there are a lot of fabulous choices in Alice dolls to be incorporated into any collection. It is easy to see how “Alice’s Adventures in Wonderland” written in 1865 could still today be the inspiration for so many talented artists, and I expect that will always hold true as long as Alice continues to climb down the rabbit hole!
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VISIT WWW.ANTIQUEDOLLCOLLECTOR.COM ANTIQUE DOLL COLLECTOR
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SELL A DOLL IN THE
EMPORIUM
Thank you for visiting us at the Nat’l in Washington DC.
Purchase of an ad includes FREE internet ad on our website.
Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com
Kathy Libraty’s ANTIQUE DOLLS
Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookfield, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com
25” TETE JUMEAU Bebe in ORIG. SAILOR COSTUME & ORIG JUM SHOES $4100 27” SFBJ 236 “LAUGHING JUMEAU” w/Orig TODDLER body! $1800 27” POUTY CLOSED MOUTH KESTNER (hidden firing line) w/Orig body! $2500 13” THE PRETTIEST EVER BRU Jne on her Original body A BEAUTY $22,000 20” S & H 1159 Lady (repair to ear), in silk brocade dress gorgeous! $1700
Visit our website and shop online: www.catspawonline.com
WWW.KATHYLIBRATYSDOLLS.COM
Catalog price is $8.95 post paid
Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC
Accessorize Your Dolls!
OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.
Cats Paw has been in business since 1982 specializing in quality reproductions made from antique originals, and unique old store stock. Our antique reproductions are made by hand using the lost wax technique, and each item is hand finished to achieve an authentic “antique” look. We offer exquisite doll accessories that only look expensive! • Jewelry • Trunks • Items for the Boudoir • Buttons and Clasps • Purse Frames • Presentation Boxes • Bleuette Accessories & More
8 MONTH LAYAWAY PLAN AVAILABLE
WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES
BABES FROM THE WOODS
The Enchanting Trousseau of Chiffonnette Rare reduced size Schoenhut animals in mint or near mint condition. Rhino-$450; Buffalo-$450; Ostrich-$550; Hippo-$450; Camel-$450 Andy’s Schoenhut Shop on rubylane.com or contact me at 201-675-8434.
An amazing handmade wardrobe being assembled for a Queen Anne, call! Kathy Patterson Ph. 705-489-1046 toysintheattic@sympatico.ca
www.babesfromthewoods.com
SARA BERNSTEIN DOLLS 732-536-4101
Long-awaited new book by renowned author, Sylvia Mac Neil
The 304 page book has more than 500 exceptional color photos with many dramatic portrait photos and captions in the vernacular of the mid 19th C fashion world, in the unique style Sylvia is noted for. It features 53 exceptional dresses, attendant accessories and spectacular hats, totaling more than 170 trousseau items, carefully researched and created using the finest antique materials and rare embellishments. A beautifully illustrated book full of fancies and splendors designed for inspiration and enjoyment for both the collector and the couturier.
Available August 1st – $85 plus $5 Shipping Sylvia Mac Neil, 2325 Main Street, W. Barnstable, MA 02668 jimsyl@aol.com
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Email santiqbebe@aol.com
Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices.
Exclusively at www.sarabernsteindolls.rubylane.com
Early Simon Halbig 905- 11”, closed mouth, brown set eyes, and original mohair blonde wig on solid dome head. She has perfect bisque, nice body. She wears old clothing and shoes. $3200. Call 215-794-8164 or email alloyd@nni.com. Other photos and dolls may be seen at RubyLane.com/shops/anntiquedolls. Member UFDC and NADDA.
The Enchanted Doll
Norma Von Essen • Cardiff, California Phone 760-634-3518 or 760-735-8736
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A lovely Bru Jne R, hypnotic blue eyes, 23 inches. $6500 Exquisite La Parisian Steiner A-15, oily bisque, gorgeous antique clothes, 23 inches, $8000 252 Pouty with delightful expression, 21 inches, professional repair, $3100 Unmarked fashion in lovely antique costume, minor eye flake on upper lid, 18 inches, $2100 Breathtaking in burgundy, a 21 inch portrait Jumeau fashion, mesmerizing eyes, $4500 Unmarked Bru fashion, charming and elegant, 14 inches, $3000 14 inch fabulous Parian with glass eyes, swivel neck and wearing the original costume, $3500. Precious 14 inch Googlie, not marked, looks like a 173 Kestner, $5000 Alt, Beck & Gottschalk 914, closed mouth, beautiful bisque, 19 inches, $2200
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Carrying her fox muff, a 17 inch Tete Jumeau, dressed for the cooler weather, $3200 16 inch Incised Jumeau with mesmerizing gaze, hypnotic brown eyes, $7000 Magnificent C series Steiner, lovely oily sheen perfect bisque, 24 inches, $8000 A. Marque look-a-like with her perky expression, adorable, 21 inches, $3100 Exquisite Fre A Steiner, outstanding and 24 inches, $7000 Kestner closed mouth, great modeling with her dimpled chin, 22 inches, $2900 16. 14 inch brown complexion A. T. Kestner, $8000
CL I CQ UO T by Sara Bernstein
Discovered at a toy show, this 18-inch Klee-Ko doll was made in 1924 by the Gem Toy Company. 42
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t was over 90 degrees outside but this was no deterrent from our looking for a show to go to. With no doll shows scheduled in the area, the next best thing was a toy show. We had no expectations of finding a doll at a toy show but we walked the aisles in the unbearable heat anyway. Then to my joy a lone doll appeared staring at me from a table. This was not just any doll; it was a great big composition doll, dressed like an Eskimo. The doll was all bundled up in a mohair parka with attached pants, a mohair hood with fur trim, boots and mittens! He had a big grin on his face. He looked as cool as if it was snowing. One would think that this doll, dressed for the North Pole, in the middle of a heat wave, would make you feel even warmer, but instead he made me feel like I needed an ice cold ginger ale. This was advertising at its best because he was a premium or promotional doll from a long out of business soda company. Americans love of sodas began in 1806 when Benjamin Silliman, a Yale Professor, invented a process to create artificial mineral water. He sold his soda waters in New Haven, Connecticut and thus began a fad that would create hundreds of brands and take America by storm and to this day has not lost its popularity. Through the years, soda has had many different names: fizzy, tonic, pop, sparkling, and mineral water. It was originally sold for its medicinal properties and was considered a healthy drink sold in pharmacies. Brands still in existence including Dr. Browns and Dr. Pepper attest to the medicinal history of soda. Over the years pharmacists added various ingredients such as birch bark, dandelions, sarsaparilla and fruit, just about anything one could imagine to create their own unique concoctions. By 1830 the demand for soda was so great
that drug stores needed to add fountain service to fulfill the demand. Over 1,500 patents were filed, all relating to the booming soda industry, including the invention of bottling. Most advertising up until the 1900’s was by word of mouth, so sodas were mainly regional. In 1881 Henry Millis and his friend formed a soda company with money his father, a retired railroad man, had given him. Like the micro-breweries of today, it was a small company called the Clicqot Club Company. The name Clicquot came from a French Champagne,” Masion Veuve Clicquot.” The sodas bubbles were reminiscent of champagne, minus the alcohol. Millis’ first customers were his friends and acquaintances. As word spread in the New England region, sales of Clicquot soda picked up and a factory was built in the town named after the Millis family, Millis, Massachusetts. Clicquot Club soda would eventually become one of the most popular sodas in the world, but that would come later when Clicquot was under new ownership. In spite of the high quality of their product, word of mouth was not enough to keep the company afloat, costs outpaced sales and by 1901 the company was sold. The new owners kept the name Clicquot Club Company because of the name recognition in New England. With a new century came modernization to both the factory and to advertising. Clicquot’s new owners were able to expand business with an advertising strategy that would be unlike anything in the past. It expanded its markets throughout the United States. They created a trademark character, “Klee-Ko the Eskimo Boy.” Various artists were hired to illustrate Klee-ko but his image remained remarkably the same throughout the years. Klee-ko’s face was would become one of the most popular well-loved trademark character of his time. His image was used on their soda bottles, in newspapers, magazines, billboards, signs and ads. He was a wonderful smiling face chubby character Eskimo boy wearing a white parka, boots and mittens. This trademark was such a great success, the company created a Klee-ko doll as a promotional item. He was advertised in “Playthings,” the popular children’s magazine of the time. In the past, most advertising dolls were made on sheets of printed cloth for the home sewers, like the Kellogg’s set of Goldilocks and the Three Bears. By the 1920’s composition dolls like the Campbell Kids were being advertised and marketed to consumers. Dolls created as a marketing tool were a great motivator to buy the product. It was a brilliant and lucrative extension to advertise a product and in some cases you were obliged to buy a certain amount of the product, assuring
The Clicquot Eskimo is well represented in this early advertisement.
An early diecut Clicquot Club ad.
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The Reliable Toy Company of Canada issued this generic composition Klee-Ko in 1939.
In the waning years of popularity the company issued this newspaper premium beanie which also served as a hand puppet. 44
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Another Klee-Ko hand puppet.
sales, add a few cents and mail in a coupon to get the doll. It took effort, but the more popular the trademark, the better the premium and the more children had to have it. The Klee-ko doll was manufactured in 1924 by the Gem Toy Company. It was the adorable Eskimo doll I found at the toy show in the heat of summer. The Klee-ko dolls were distributed, according to Coleman’s Encyclopedia, through Supplee and Biddle Hardware Company in Philadelphia. Gem Toy Company was located in New York City from 19121931. They were known for creating their own versions of the some of the most popular dolls at the time, often infringing on the patent or licensing of other companies. Gem manufactured many of the Patsy type dolls found today and were even sued by Horsman for infringing on their copyright for their Tynie Baby doll. The dolls they manufactured used a relatively inexpensive formula for composition and were less expensive to buy. Many of the Gem dolls found today have not survived and many are in very poor condition, either due to the lesser quality of their composition, or being played with. This may also be the reason why very few of the early Klee-ko dolls have survived. Unlike most of the dolls Gem was known for, the Klee-ko doll had a unique face. His head may be similar in shape to other composition mama dolls’ shoulder heads but the smile and painting of the doll
is unique. Klee-ko has a happy face, chubby cheeks, black painted hair and painted facial features. He is a remarkable likeness to the illustrations in the Clicquot advertisements. The doll is 18 inches tall with a composition shoulder head that has no marking. He has a voice box inside his straw stuffed all cloth body. The mittens are part of the body and the boots are felt. The clothing is a one-piece snow suit made from curly white mohair with matching hat and furry trim. This is a close proximity to the parka Klee-ko wears in the advertisements. He is one of the best replications of a trademark transformed into a three-dimensional doll, on par with the Campbell kids. Gem dolls captured the feeling and facial expression of this character to perfection. By 1939 Clicquot sodas crossed the border and were sold in Canada. As they had done in the United States, they targeted the children’s market with a doll made by the Reliable Toy Company of Canada. The Reliable Toy Company used molds purchased from various American companies to manufacture Canadian versions of these dolls. The Reliable Clicquot doll was named “Koweeka”, meaning smile. They used a generic composition baby doll, dressed in a white and black parka and hat made from faux fur. It is much smaller than the Gem doll, only 14 inches tall with an all composition jointed body. This doll had brown painted eyes and molded hair. It is marked Reliable, made in Canada. It lacks the charm and character of the American version of the doll by Gem Company. Reliable also marketed the same doll with different tags as an Eskimo doll. Over the years Clicquot Klee-Ko appeared on everything from matches to wall clocks to toy banks. In their later years they offered a small one piece printed doll, a larger 18-inch doll dressed in red pants and a gold fabric jacket with furry trim, and two different hand puppets that you could purchase for two bottles of soda and forty-five cents. The faces of these were similar to the early original advertisings, but never captured the engaging look of the first composition doll by Gem. The Clicquot Company remained in business until 1952 but was eventually sold to Cotts Beverages. Cotts kept the Clicquot label and trademark until 1965 when they were purchased by Canada Dry. The original factory was closed, machinery sold off and the Clicquot label disappeared. Like many of the early beloved trademarks that have since been forsaken A tin advertising like Marky Maypo, or the Spearmint Gum button for Clicquot. boy, Klee-Ko will go where other famous trademarks go to retire, on the shelf in someone’s collection.
A 1950’s Clicquot doll issued after the company was sold to Cotts.
Collection and Photos by Sara Bernstein References: Collectors Encyclopedia of Composition Dolls, Volumes 1 and 2, Ursula Mertz Coleman’s Collectors Encyclopedia of Dolls Wikipedia
This early ad describes the attributes of Clicquot Club ginger ale. ANTIQUE DOLL COLLECTOR
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s ’ i z t i FArntique Dolls
Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net Fritzi’s cell# 630-247-1144 Rick’s cell# 630-247-1219
Left to right: EJ, A figure Steiner, Gesland body FG, Schmitt
UFDC
OUR UPCOMING SHOWS: Sun Sept 8 Maquoketa, IA County Fairgrounds Sat & Sun Sept 14, 15 Eastern Nat’l Doll Show Gaithersburg, MD Fairgrounds Sun Sept 29 Plymouth, MN, Crown Plaza Hotel. Also attending Jamboree Sept 28 Plymouth, MN Fritzi giving talk on antique dolls at this event
UFDC National Convention Salesroom July 29 – August 1 • Washington, D.C.
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lways a jaw dropping experience, the national UFDC salesroom is heaven on earth for doll collectors. First timers are understandably awestruck, but even for those, including this writer, who have been to nearly thirty conventions, when those doors open for the first time and exquisite doll displays extend as far as the eye can see, well you get the idea! This year’s convention was held in beautiful Washington, D.C. It was an outstanding fourday event, filled with non-stop activities – fabulous special exhibits, the antique and modern competitive exhibits which were bigger and better than ever, seminars, programs, meal events, workshops, a final banquet, a visit to an important private collection and, the icing on the cake, the salesroom, a treasure trove that met the wants and desires of all interests and pocketbooks. Over the next several issues, we will be bringing you our coverage of the 64th annual UFDC Convention. We have supplied email addresses for your at home shopping pleasure. SEPTEMBER 2013
1. 20-inch Halopeau, $38,000. Kay Jensen, CA, email: klj@goldrush.com 2. Joyce Kekatos, NY, email: joycedolls@aol.com 3. 14 inch wooden, $5900. Sondra Krueger, CA, email: sondkr@sondrakrueger.com 4. 24 inch cloth doll, $1875. Yvonne Baird, WA, email: baird2@comcast.net 5. Jay and Connie Lowe, PA, email: bigbirds@comcast.com 6. Bru Jne 7 with original couture dress, $27,500. Valerie Fogel, WA, email: Valerie@beautifulbebes.com 7. Heubach Kopplesdorf googly, $8250. Honey and Shars, AZ, email: HoneyandShars@ yahoo.com
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Alan Scott Pate, MT, email: info@antiquejapanesedolls.com Nancy McCray, IA, email: nlmccray@q.com Samy Odin, Musée de la Poupée Paris, email: musee.poupee@noos.fr Jumeau fashion, $6500. Pam Seifert, CA, email: pjs91108@yahoo.com S & H Fashion $6800, F.G. $7300 and unmarked fashion $2600. Lynn Martin and Marshall Martin, Canada and CA, email: two sistersstudio@gmail.com and marshallmartin@earthlink.net Only at Zona’s, WI, email: twickeham@new.rr.com Scott’s Antiques, WI, email: holliedaz@wi.rr.com 14 piece mechanical market scene, $9500. Antiquesadada, email: ptombro@gmail.com K*R Gretchen, 26 inches, original wardrobe and family provenance. Fritzi’s Antique Dolls, IL, email: fritzisantiquedolls@comcast.net
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17. “Maggie Bessie”, Tore Scelso, NY, email: ohbaby3873@aol.com 18. Kamkins, $3300 and $2000, Nancy Smith, MA, email: nasdoll@comcast.net 19. S & H 1358, $13,500. Phil May, FL, email: dollmanofog@aol.com 20. COD 1469 flapper, $3600. Ann Lloyd, PA, email: alloyd@nni.com 21. 15 inch all original Tete Jumeau with box, $9000. Dorothy Drake, email: drake.dorothy@gmail.com 22. Marion Maus, MD, email: mmausantiques@gmail.com 23. Parian, $1495, early Jumeau size 1, $8995. Joan and Lynette Antique Dolls, IN, email: joanlynettedolls@ sbcglobal.net 24. 19” French Fashion, Sheila Needle, CA, email: dollwitch@cox.net 25. Early F.G. $8950 with Heubach $1450. Margaret Gray Kincaid, MD, email: Margaret.Kincaid@gmail.com
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26. Becky and Andy Ourant, PA, email: ourantpdt.net 27. Constance Blain, SC, email: ceblain1936@aol.com 28. KPM China, $13,500. Diane Hoffman, CO, email: toc@rare-dolls.com 29. Peddlar doll, Ann Phillips, CA, email: ann@annpruett-phillips.com 30. Sue Kallen, CA, email: suelkallen@yahoo.com
31. Rare KPM china with brown hair, $9995. Rosalie Whyel, WA, email: dollart@dollart.com 32. Dorothy McGonagle, MA, email: dorothymcgonagle@comcast.net 33. Deborah Fratino, CT, email: debfratino@aol.com 34. Huret china, $12,500. Irene Randolph, AK, email: art@fireweedgallery.com ANTIQUE DOLL COLLECTOR
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35. English wooden, c. 1760, $14,500. Jackie Allington, Bahamas, email: nickandjackie@gmail.com 36. 35-inch Greiner, $3700. Le Cheval de Bois, NY, email: pamfarr666@hotmail.com 37. Painted eye “#128.” Rick Saxman, PA, email: ricksax@earthlink.net 38. Maggie Iacono, email: maggie@ MaggieMadeDolls.com. 39. S & H “Ivy,” c. 1909, $29,500 with turned head Kestner, $1600. Billye Harris, NC, email: Ashleysdolls@gmail.com 40. Chip Barkel, email: chip.barkel@rogers.com 41. Wax royal figure, c. 1740, Mary Ann Spinelli, CA, email: nellingdolls@gmail.com 42. Collectible Doll Company, TX, www.jeannordquistdolls.com 43. The Toy Shoppe VA, www.thetoyshoppe.com.
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BOOK REVIEWS
500 Years of German Doll Making Mary Gorham Krombholz
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eighing in at a hefty seven pounds, Mary Krombholz’ latest book is a comprehensive look at the German doll industry. Over 2,000 photographs of dolls from collections and museums worldwide encompass wood, papier mache, wax over papier mache, wax, composition, celluloid, china, parian and bisque. Readers of this magazine are no doubt familiar with the six previous books authored by Mary Krombholz, the result of over twenty years of diligent research visiting museums and porcelain dumping grounds in the Sonneberg and Walterhausen areas of Germany. The work she has done has enabled us to attribute unmarked chinas and parians to their makers. This impressive volume is divided into two parts – the Sonneberg and the Waltershausen doll making areas. Within each section is a fascinating history of the workers and production. Wonderful archival materials of factories and equipment, home workers’ rooms, sample sheets, villagers carrying the heavy baskets of doll parts to the factories and markets bring German doll production to life. The Sonneberg factories: Dressel, Armand Marseille, Ernst Heubach, Schoneau, Gebruder Heubach are discussed at length with additional information on a number of other area factories. Walterhausen factories include Kestner, Alt, Beck and Gottschalk, C.F. Kling, Simon and Halbig, Hertel, Schwab and Baehr and Proeschild. 500 Years of German Doll Making is worth its seven pound weight in gold. You will refer to it time and time again for its valuable information and the excellent photography. Self published by the author, the book may be ordered from Reverie Publishing, 888-721-4999, www.reveriepublishing.com. 640 pages, hardcover 10½ x 12½ inches ISBN: 978-0-615-61981-1 $75.
The Enchanting Trousseau of Chiffonnette Under Napoleon III 1852-1870 Sylvia Mac Neil
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eaders of this magazine are acquainted with the lovely doll known as Chiffonnette and her amazing trousseau created by couturière supreme Sylvia Mac Neil. This beautiful volume, a 300 page compilation of 53 dresses with coordinating wraps, hats and accessories, is definitive proof that Chiffonnette’s wardrobe is sartorial splendor to the nth degree. Breathtaking photos with close-up details will fuel fashion doll lovers to create a trousseau for their poupées. Chiffonnette was an important doll character in the children’s magazine La Poupée Modèle who advised Lily, the name given to any doll, typically a size 4, that the young readers owned. As a teacher, Chiffonnette held forth on the latest fashions, etiquette and how to be a model child. In Samy Odin’s preface he tells us that for the last twenty years Sylvia Mac Neil has been creating this magnificent wardrobe for Chiffonnette inspiring other collectors with the art of dressmaking. Using her ever growing collection of period fabrics and trimmings and only after considerable research in Paris, at auctions, shops, libraries and fashion books did she begin to create for Chiffonnette, making each dress and accessory perfect in every detail, implementing authentic sewing techniques. For the many of us who admire and collect fashion dolls made during the glorious period under Napoleon III this book will inspire and enrich your love of poupées and their trousseaux. Hard cover, 9-1/4 x 12-1/4”, 300 pages. $90 includes shipping in the US. Order from Sylvia Mac Neil, 2325 Main Street, West Barnstable, MA 02668, email: jimsyl@aol.com
Doll Values Linda Edward
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e were unaware of the 2012 edition of Doll Values, the fourth by Linda Edward but better late than never! Linda is a frequent contributor to doll publications, the former editor of UFDC’s Doll News, the upcoming president of UFDC and the founder of The Doll Museum in Newport, Rhode Island. This useful and easy to use reference includes more than 7000 values for antique, vintage and contemporary dolls. Prices are compiled from auction house results and dealers asking and realized prices. Helpful tips for collectors, an extensive listing of resources, indexes of symbols, molds and markings, plus historical and identification information along with more than 450 color photos, make this an invaluable reference for today’s doll market. Soft cover, Reverie Publishing, 352 pages. ISBN 193248561-5 $20.
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Jean & Ken Nordquist’s Collectible Doll Co. Gourmet Doll Supplies for the Discriminating Doll Collector
Do You Have a Mystery Doll?
I
am interested in solving this cloth doll mystery. She is attached to a very old hand stitched muslin body that has been very well formed. She does have the remnants of a stamp on the bottom of one foot and I can barely see an S and a G. Her face is reminiscent of a Kathy Kruse in some ways. Her head was painted while on the body as there are a few paint drops on the shoulder and upper torso. Readers, please contact antiquedoll@gmail.com or phone 717-517-9217 if you can help.
*Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions
I
would love to find out more information about this gorgeous face. She is a 30 inch bisque head on a composition body and her eyes open and close. I know a tiny bit about dolls and my huge doll book collection really helps me at times. This doll has me stumped – she is marked at the top of her head with the mold number 101 and the number 14 under that. There is no maker’s mark on the head anywhere. I would love to hear from somebody about her. I can be reached at psalm234@att.net
*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories Mold & Global Catalogs not shown
I Complete 5 Catalog Set - $25 ppd. Includes $15 money back coupon with purchase.
jeannordquistdolls.com Order Desk
1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 54
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am sending these photos and description in the hope that this unusual doll can be identified. The doll is 10” high with a character bisque head, marked 73 Germany 225. The front of the body has a soft center in the stomach area that can be pushed in (like a squeak toy) to activate his arms. When pressed, both arms (6 1/2” apart) come together to bang the cymbals. The back of the body is a solid block of wood and carved wooden legs dangle from his torso. If you can help, please email: hamiltoncm@verizon.net Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.
SEPTEMBER 2013
Theriault’s, In the Company of Gentleman Bespoken, July 28
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n what was nothing less than dramatic, Theriault’s recent auction displayed resounding bidding, realizing prices that had not been seen at this level since 2008. It featured the collection of doll luminaire Estelle Johnston, a frequent contributor to this magazine, whose knowledge of dolls has long
A special poupée by Gaultier with Gesland body and bisque hands, 23 inches, brought $27,000.
This magnificent 21-inch Grodnertal wooden with original wig and multi-layered original costume sold for $8500.
Pictured on the catalog cover was this gentleman poupée with wooden body, $7000 and for Maison Simonne, this lovely poupé by Blampoix, $10,000.
been recognized throughout the international doll community. Before moving from Georgia to California, Estelle consigned a large portion of her 50 plus year collection, featuring one of the finest collections of early wood, papier-mache, wax and French Fashion dolls ranging from the 18th-19th century.
22-inch French poupée by Leon Casmir Bru in original costume, $25,000.
An 11-inch magnificent shell doll was hotly contested before going to a phone bidder for $10,500.
30-inch English wax child in elaborate Scottish costume, with original label, $5250.
“Karl,” model 107 by Kammer and Reinhardt, 21 inches, $42,000.
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
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With an extensive trousseau, trunk and provenance, Lily, by Madame Lavalle-Peronne for her shop La Poupée de Nuremberg, brought $20,000.
A rare swivel neck and kid over wood body distinguished this lovely 17-inch poupée, $12,000.
These two French papier mache dolls will continue to reside together, the lady in original wedding gown with coiffe, 17 inches, $7250 and the 17 inch gentleman in original Flemish wedding costume, $16,500.
Attributed to Huret, this poupée with articulated wooden body sold for $16,000.
Seated at a large banquet table are 14 carved wooden people wearing colorful costumes and hats, the outside back wall hand-lettered “Grodner Tall Peasant Wedding.” It measures 14” l x 6” h x 9” d and sold for $19,000. 56
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
Size 16 Bébé Triste by Jumeau, $17,500.
Known to collectors as the “Spinach Boy,” Gebruder Heubach’s model 7761 brought $7000.
Bringing $36,000 was this 21-inch all wooden doll dated 1790, still with its original paper decorated box.
The largest Steiff Petsy bear known, 43 inches, c. 1928, realized $38,000.
A carved wooden doll with a platform inscribed with the name of a village near Munich, in the original costume with rare accessories including a leather satchel dated 1827, sold for $12,500.
Lady with Singing Birds by Roullet and Decamps, 25 inches $9500.
Grodnertall wooden doll, 10 inches, sculpted ears and beautifully shaped limbs, $5500.
The legendary and historic Willard Hotel was the setting for this important sale. A large crowd in attendance in addition to busy phone and Internet bidding saw high prices for these one-of-a-kind treasures. Prices shown below do not include the buyers premium. Beginning in October and lasting until spring,
Dolls from the collection of the late Don Jensen included this 18-inch W.C. Fields, all original with its box for $3250.
This German wax over papier mache, 24 inches from the yellow gloves series of “Staatdamen” (society ladies) brought $3600.
Theriault’s auctions will feature European museums, private “legends” collections from around the world and a bevy of unique specialty offerings that will keep this energy alive and the bids flowing well into 2014. To be added to Theriault’s mailing lists to receive auction notices call 800-638-0422 or visit Theriault’s at www.theriaults.com and register.
This 13-inch composition Jackie Robinson doll from the estate of Don Jensen sold for $5000.
Bebe by Schmit et Fils, 15 inches, c. 1878, $11,500.
ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
57
TOLEDO DOLL & BEAR SHOW April 14, 2013
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pril showers stopped long enough to make way for another great show at the Stranahan Great Hall in Toledo. With 95 Dealers showcasing over 200 tables, long distance travelers were not disappointed. A few of the many rare and amazing French and German antique dolls featured here were offered by Fritzi’s Antique Dolls (IL), Sue Brightmore (PA), Donna Smith (IN), Antique Doll Treasures/ Lorrie Dove (MI), Chuck/Barbara Buysee (MI), 2 Beths Dolls
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ANTIQUE DOLL COLLECTOR
SEPTEMBER 2013
(OH), Ray Hoban (NY), and Angela Simko (IN). The next show will be held on October 20, 2013 and will feature 120 dealers with approximately 240 tables of merchandise for consideration. Please see the ad in this magazine for additional information. Dorothy Hunt of Sweetbriar Auctions will once again be on hand for appraisals and Shari McMasters will be doing on site stringing.
Be sure to visit us in Gaithersburg, MD on September 14 & 15, 2013
Clockwise from left: 22 IN Jutta #1349 - $600, 32 IN Jumeau - $4800, 19.5 IN FS & C #1296 Toddler - $925, Antique Maggie Bessie - $15,500, 17 IN Simon & Halbig #1079 - $550. Kitties are just for a smile and they are not for sale.
Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail.com Visit us on Rubylane.com/shops/Ashleysdollsandantiquities All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC and NADDA
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at
BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
End of Summer Sale. These dolls plus many more are now on sale at Becky’s Back Room.
Antique DOLL Collector October 2013 Vol. 16, No. 9
October 2013 Vol. 16, No. 9 $5 95 / $6 95 Canada www.antiquedollcollector.com
Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment. home: 718-863-0373 cell: 917-859-2446
Visit my website: www.grandmasatticdolls.com
9 1/2" JDK Black "Hilda" Baby #245, perfect even br. tone bisque, br. sl. eyes, molded tongue, 2 upper teeth & great orig. mohair wig, wearing magnificent orig. lace & ribbon Christening gown & bonnet, orig. undies & ant. ivory baby ring. GREAT orig. bent limb br. tone JDK body. Deep modeling & all "FACTORY" orig. in rare tiny size. Full head markings & "incised" "Hilda". Absolutely DARLING & RARE!!! $3500. 15" S & H #1249 "Santa", gorgeous pale bisque, big br. sl. eyes, fabulous orig. mohair wig, wears gorgeous Fr. ant. burgundy velvet dress, ant. black suede shoes w/pom poms, orig. socks & ant. buret. On orig. S & H clean shiny body. Fully marked head & "incised" "Santa". Great modeling in darling cabinet size!! BEST "Santa" face!! $1575.
12" S & H #908 Character, immaculate pale bisque, bulging blue p/w eyes, 3 early sq. cut teeth, orig. mohair wig in orig. set. Wears great orig. lace dress, orig. leather shoes, socks & undies & darling ant. hat. On orig. S & H body w/early st. wrists. (paint wear to body). Mold # from early S & H 900 series. Tremendous presence. STUNNING!!! $2250.
14" Kestner #152 Child, blue sl. eyes, mint pale bisque, beautiful curly newer hand made mohair wig & orig. Kest. plaster pate. Wears stunning ant. Fr. blue coatdress, vintage hat, orig. blue shoes & orig. socks. On orig. "signed" body. Has the sweetest expression!! Desirable cabinet size & ADORABLE face!!! $995.
LAYAWAY AVAILABLE Member UFDC & NADDA
(Nat'l Antique Doll Dealers Assn.)
7 1/2" Kestner "All Bisque" Oriental Baby, mint pale bisque overall, br. sl. eyes, o/mo., 4 molded teeth, "swivel neck", full orig. mohair wig. Wears complete stunning "FACTORY" 2 pc. satin embroidered costume, very ornate. On orig. Kestner all bisque bent limb baby body. Has the JDK #243 face, very RARE teeny Oriental all bisque baby. Great addition to any collection. Amazing & RARE. Was a hit at UFDC Show where I was very reluctant to part with her. She can be yours now & available to those that begged for her while I was there :-)!! A great find!!! $3600. (Chair sold seperately)
16" Rare Steiner B Series Bebe, immaculate mint pale bisque, blue lever sl. eyes, early mauve blush under brows, 2 rows of teeth, magnificent orig. long full mohair wig in orig. set, Bru style & orig. pate. Wearing very fancy "FACTORY" orig. silk & lace dress, orig. shoes, socks, slip, undies & orig. matching hat. On orig. Steiner body, working momma & poppa pull strings & the most beautiful delicately modeled "BISQUE hands"!!!! This Steiner Bebe is not only RARE, but has it all & is EXTRAORDINARILY BEAUTIFUL!!! $9500.
14 1/2" Early Portrait Jumeau Bebe, mint pressed pale bisque, blue threaded p/w eyes, early mauve blush under brows, orig. mohair wig & pate. Wears "FACTORY" orig. aqua wool & batiste dress w/ orig. matching hat, orig. undies & orig. shoes w/ rosettes that match dress. On orig. early 8 ball st. wrist "signed" body. Her expression has the essences of innocence. Absolutely GORGEOUS!!! Only.....$9500.
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
All pristine, excellent examples, free of restoration and ready for adoption... 14” Maggie Bessie $12,900 12-1/2” Alabama Baby $1950 16 1/2” Presbyterian Doll $2950 Exhibiting: Oct. 19 - Forever Young Doll Show, Pasadena CA, Pasadena Elks Lodge
BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
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Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
The Complete Guide to Antique, Vintage and Collectible Dolls
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POUPÉES DE MODE UNDER NAPOLEON III By Samy Odin
28
During the reign of Napoleon III, the concept of Haute Couture emerged. The author’s article provides a look at an upcoming exhibit which explores doll clothing made during this era.
THE BUILDING OF A DOLL MUSEUM AND THE STORIES IT CAN TELL By Lois Cohorst The author’s love of dolls, their stories and provenance led her to open a museum seventeen years ago.
October 2013 Volume 16, Number 9
35
Learning About American Made Dolls NEW DISCOVERIES By Ursula R. Mertz
American-made dolls from the early 20th century still possess many secrets that add to our excitement of collecting.
About The Cover
Beginning October 26 the newly reopened Musée de la Poupée-Paris presents the exhibit “Poupées de Mode du Second Empire.” We are thrilled to bring you an exciting preview of this very special display. A stellar highlight is “Andrée,” pictured on our cover, a Bru whose wardrobe is believed to have been made by the House of Worth. Indeed her wardrobe displays characteristics of haute couture unequalled even by the famed ateliers of the era.
14 47 60 63
41
SEW SWEET ANTIQUE TOY SEWING ACCESSORIES
By Jan Peterson Because sewing and needle work were so esteemed, French toy makers took advantage of a ready market to create miniaturized nécessaries and étuis for dolls. 6
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
49
2013 UFDC ANTIQUE COMPETITIVE EXHIBIT BLUE RIBBON WINNERS WASHINGTON, D.C. PART 1
Auction Gallery Emporium Calendar Classified
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC & NADDA 1&2. American Folk Art – ca. 1900 historic rare, mint and fascinating! $295. 14” Enchanted Lenci Child – hauntingly beautiful holiday doll, mint with two tags and a tale to tell! $695.
3&4. Toddlers! Very rare and important 16” Horsman Bisque Head Toddlers with fully jointed signed Horsman toddler bodies and ever so playful clothes. $1250 pair.
5-7. 14” Rascally Hertel Schwab ‘172’ Googly – mint rib-tickling imp on fully jointed toddler body with the most captivating roguish modeling ever, cunning eyes and silk playsuit! The ultimate! $5000.
10&11. Very Rare 18” Smiling Simon Halbig 970 Lady – rare sister to the $6000 ‘969’ character, barely open mouth, pw eyes, square teeth, dimpled smile, orig wig and fine antique period attire. $3000
8&9. Stylish 26” ‘Bebe Jumeau’ – luxurious young lady with petal soft bisque, closed mouth, signed body, coil, cork pate and factory wig in original set, typical hidden flaw, a cream puff in her expensive beruffled silk ensemble! $3250.
14. 22” Soulful JDK 214 Character – searching round brown eyes, original hip length honey tresses and Kestner body $595.
12&13. From a 70’s collection two dolls mint and top quality original clothes and wigs of that era: 32” Little Mommy - Block Letter A. Marseille – blue sleep eyes and chunky body $495. 27” French Trade Handwerck ‘99’ – Jumeau brows, signed body silken extravagant bustled ball gown. $575.
15. 17” All Original Kestner 164 – sumptuous Bru-like expression, rich modelling, totally original clothes and shoes. $750.
19. 24” Attic Original ‘Covered Wagon’ - sincere young lady in her girlish pink pinafore over original clothes and her very fine leather slippers plus her twin dolls! $1250.
16. 7-1/2” Miniature ‘Miss Liberty’ – all orig. fancy parian, as found, features mint, silk gown and flat sole slippers! $350.
17&18. 27” Iconic and Rare ‘Morning Glory’ – monumental artistry, fully colored flowers, sensitive brushstrokes, a distinctive portraiture, invisible flaw on plate, porcelain limbs, compelling importance - one you’ll never forget! $6200.
20. ‘Toilette de Ma Poupée’ – French porcelain toiletry set in original pretty 6” x 8” box w/ label and lid. $495.
21&22. 18” Stately Lady in Original Clothes – true china fashion doll with womanly face, luxurious shoulder length snood, wasp waist and 2 part mid-century multi layered gown! $1600.
23. 3-1/2” All Original Doll House Parian Pair - dainty and delicious with perfect limbs. $450.
24&25. 20” Elegant Snood China Fashion – lady body, perfect posture and an expertly executed vintage silk fashion gown rarely seen on chinas. $1100.
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege •Layaways Member UFDC & NADDA
26. 18” 1870’s Necklace China – charming child with porcelain arms, sweet old clothes and a seldom seen molded necklace! $750. 5” Doll House China – mint, colorful and all original! $175. 27&28. 11” Unusual ‘Topsy Turvy’ – featuring one glazed black china w/ black arms and a parian child with blonde hair sharing original clothes! $895.
29. 23” Important ‘Blank Face’ Lady – mid 18th century American fashion in her classic calico fitted ensemble – all mint with the most beautiful face only the love of a child could conjure! So rare! $1600.
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege •Layaways Member UFDC & NADDA 30-32. The ‘Yellow Boot’ All Bisque ‘Wrestler’ – the impossible to find version with the rare yellow bootines, plus the larger 9” size and her factory ringlet wig, sensuous face, sparkling jewel blue pw eyes and curvy body – the best possible! $4250.
36-38. 22” ‘Bebe Phenix Steiner’ – A sofisticated choice with immaculate bisque and stunning chiseled features, so arresting! A standout Steiner with signed body. An impeccable beauty set against aqua silk couture a bebe for the connoiseur! $5000.
33-35. Magnificent 27” ‘Bebe Douillet’ – a scarce sumptuous beauty with magical jewel like eyes, glistening bisque and mohair hip length angel hair tresses, all drenched in an extravagant high style w/ original shoes! $6500.
42-43. Super rare super quality Brown 10” tall 1907 ‘Size 1’ Jumeau – she has it all – factory wig and chemise beneath the original high style couture ensemble! A cabinet prize! Fabulous! $3000. 39-41. The most beautiful 19” Brown Eden Bebe with dramatic pw eyes set in a glowing rich color, good fully jtd., body, with quality factory layers of clothes and great shoes, all mint in the original box! So special! $2800.
Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net 15” Kestner 167. first owner clothing. $600. 12” Handwerck 79. factory original. $500.
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ANTIQUE DOLL COLLECTOR
OCTOBER 2013
Tel: 425.765.4010 Valerie@beautifulbebes.com This little Bebe Reclame by Jumeau is pure “dewybisque and big-blue-eye confection!” All JumeauAll over! 9.5 inches and just adorable! Excellent. $5500~ Golden French antique mirrored screen with handpainted embellishments 14” high x 20” wide. $1895
If the spell of an AT has kept you woven into it’s magical web...this is the time to make the spell come true. This is a magnificent 24” Bebe with a look that simply captivates and renders the onlooker completely helpless. Stunning ‘Clearwater Blue’ paperweight eyes, powder-fresh bisque, immaculate artistry of lash and brow with tender application of brush-strokes applied in soft pastels. All original save her antique shoes. Fantastic and Rare to find. Please email or call for details and pricing~
Two fantastique Bébés... Left-A sublime 18” first series Portrait Jumeau size 1 with spectacular eyes and completely original blonde mohair wig, necklace and earring, original sea-foam dress and antique underclothing. On original stamped 8 ball body. Ready for display. Non visible issue makes this doll accessible. $6800~ Right-Fabulous Fabulous and perfect early 20” EJ in all original ash blonde wig, and clothing on original chunky marked Jumeau body. Compelling, Huge Espresso Eyes. Lovely original silk and lace dress with ribbon festoons. Antique shoes. Very desirable look with softly tinted lips and pale but sunny bisque. Simply sublime. $9200~
Member UFDC & NADDA
Auction Gallery
Preview: Magic, Mystery and Mechanics, Team Breker’s Autumn Toy Auction, Nov. 15-16.
A
Magicienne by Roullet et Decamps
“Le Magnétiseur” by Phalibois
Mechanical picture clock by Xavier Tharin
Monkey Patissier by Roulett et Decamps
Cleopatra
Leopold Lambert’s Narghile Smoker all images © 2013 by AUCTION TEAM BREKER, Cologne, Germany www.Breker.com 14
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
n automaton is a “machine which has the form of an organised being and contains within itself a mechanism capable of creating movement and simulating life”. The art of drawing life from inanimate materials has long-held associations with magic and alchemy. It is, therefore, not surprising that the 19th century public was fascinated by automata that could perform conjuring tricks and illusions. A visitor to the Universal Exhibition of 1878 wrote that the automaton-maker Gustave Vichy “would be excommunicated, at the very least, if the prejudices and laws of the Middle Ages were still in effect.” Team Breker’s auction of antique toys and technology on November 15 and 16 features an array of automata representing the more magical side of life. One of the highlights is the beautiful Magicienne by Roullet et Decamps with a bisque portrait head produced in a special series by Jumeau. Also associated with magic is “le Magnétiseur” by Phalibois. Contemporary illustrations suggest that Phalibois modelled his automaton on Harry Kellar’s famous act, the Levitation of Princess Karnac. The lady appears to be in a deep trance as she floats above the hypnotist’s bench. As he lowers his hand, she sinks slowly, her eyelids flutter open and she fans herself as though nothing has happened. Animals with human characteristics were a popular theme for automata and monkeys were a particular favourite. In this mechanical picture clock by Xavier Tharin of c. 1870 a fashionably-dressed pair of capuchins performs a violin duet directed by their music master, himself a monkey, in green-tinted spectacles. A dignified Monkey Patissier is the subject of an early Roullet et Decamps piece (c. 1885) which comes from the Decamps family collection. Lowering his leather eyelids and curling his upper lip, the chef lifts the crust of his papier-mâché pie to reveal a white kitten trying to escape. This full-sized wax figure of Cleopatra with her exotic jewellery and flowing hair embodies the Victorian fascination with beauty and death. The Egyptian queen appears to be sleeping, her breasts rising and falling gently a pair of asps writhe on the velvet cushion that conceals the clockwork mechanism. The automaton would have been displayed in a wax museum or touring display of the sort advertised by the wax-modeller and doll-maker Charles Meech in 1875 under the title “Meech’s Royal Exhibition of Mechanical and Wax Figures.” An unusual version of Leopold Lambert’s Narghile Smoker automaton depicts a cross-legged gentleman in exotic Arabian dress, sipping delicately from a tea cup as he puffs away on a traditional water-pipe. Although the Turc Fumeur is familiar from the firm’s early catalogue, this version from the 1920s was specially adapted with the dramatic eye makeup and music of the period in order to appeal to a modern urban clientele. The auction takes place at Auction Team Breker, Cologne, Germany on 15-16th November. Additional details of the pieces described here as well as many other highlights can be viewed at www.breker.com or www.yotube.com/ auctionteambreker. Telephone: + 49 (0) 2236 38 43 40. E-mail: auction@breker.com See more Auction Gallery on page 56
& LOWE
Connie
Jay
A wonderful pair of 15” papier mache headed clowns in Schoenhut style in all original as found condition. Elaborately decorated print cotton outfits, the clowns are on 5 piece composition bodies. $875 each Desirable 13 1/2” cabinet sized A.T. Kestner character child on a straight wristed composition body. Pale bisque with blue glass sleep eyes and the much sought after look of the French A. Thullier Bebe but at only a fraction of the price. She is dressed in a fanciful cream colored cotton dress, antique blond mohair wig & shoes. $6500 13” Bru marked Circle Dot/Bru Jne 2. An exceptional example with fabulous peaches & cream bisque, amber paperweight eyes, and a cotton Bebe outfit. Her kid body is still very clean and bright, bisque hands are without damage to fingers, head & shoulder plate have no issues either! $13,000 German Rooster 9 pins container, unfortunately the pins are missing. Fresh from a Maryland estate, the overall condition of this toy is near mint! Purchased from a general line antique dealer I`m afraid he might have left or not seen the 9 animal pins which are probably still in the house? $3500 Lehmann “Paddy & the Pig” German tin wind-up toy, circa 1920`s, in near mint working condition. $1200 An unusually large Dewees Cochran composition character boy in near mint unplayed with condition. Vibrant coloring with virtually no crazing whatsoever to the composition, his outfit is original and in excellent condition, he stands 17” tall. $1750
14” French Cotton Batting Santa Candy Container w/ original box. Just returned from France and this is one of the treasures we brought home, minimal wear to back of cotton outfit otherwise the piece is as crisp all original as they come! $950
P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA 16
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
Poupées de Mode By Samy Odin
D
Pauline, an early French papier mache, possesses a hand sewn wardrobe fashioned by talented domestic seamstresses around 1850-1855.
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ANTIQUE DOLL COLLECTOR
OCTOBER 2013
oll collecting is so much more than gathering objects for aesthetic satisfaction. This hobby is based on our fascination with human culture, past and present. In today’s world, where fashion is an economic driving force, it is interesting to ponder the major role it played in our ancestors’ society. During the French Second Empire (1852-1870) fashion carried even more weight than it does today. Dress codes at the time were very strict; they were followed by high society as well as by the bourgeoisie and popular classes. Under Napoleon III, the concept of Haute Couture emerged. During this period, a myriad of clothiers prospered; new fashion magazines appeared to satisfy the growing “style” demands of all classes. It is not surprising that, during those two decades, the doll market developed exponentially and children’s magazines, focusing essentially on doll fashions, came into existence. In preparing the special exhibit “Poupées de Mode du Second Empire (1852-1870),” I focused my attention on crafting techniques apparent when examining doll clothing created during the Napoleon III era. It is an eye opener to realize that, in certain cases, homemade garments can be extremely refined and sometimes even more elaborate than factorymade garments. So-called “factory original” clothes are those which most often deviate from proper sewing procedures. Even though the final result can be spectacular, crafting quality on a Steiner made garment, for example, is inevitably inferior to a Worth-made dress or to a homemade (or rather convent-made) piece of underwear, where the details are so exquisite they tell us their creation required countless hours of expert hand-work. Collecting fashion dolls of the Second Empire often leads to studying the history of clothing and textiles. The most interesting aspects of garments
under Napoleon III
created for these dolls are techniques used to make them and the quality of fabrics from which they are made. Terminology used at that time to describe textiles, colors and shapes is very inspirational; it helps to explain why these outfits are still so desirable today. When reading the captions of fashion plates published in French children’s magazines devoted to doll attire, one can find, for example, a deeply somber gray described as “couleur araignée méditant un meutre” (“color -- spider planning a murder”). Other terms, such as “Doupion,” “Guingan,” “Jaconas,” “Poult,” “Shantung,” etc., might not mean much to us today. However, they were common 150 years ago, used and understood by the majority and reflecting a common knowledge that can be preserved, today, through the study and preservation of dolls. One of the oldest dolls selected for this exhibition dates from the early years of the Second Empire. It has a provenance that makes this plaything quite special. The doll belonged to a French family who owned a plantation in Cuba and was played with in a tropical climate, which several pieces of its clothing suggest. After Cuba, it was brought by the Coustol Genty family to Algeria, kept packed for a few years and then sent to Oléron Island on the French Atlantic coast, where the family moved when the Algerian war broke out. The type of wardrobe
Violette, an unmarked poupeé, has an extensive wardrobe of 20 costumes, some of which were cut from printed fabric sheets distributed by La Poupée Modèle and others home made using paper patterns available through the same magazine. ANTIQUE DOLL COLLECTOR
OCTOBER 2013
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Andrée, a luxury wooden body BRU lady in size F, whose original wardrobe is attributed to the House of Worth.
worn by this early papier-mâché-headed French doll is typical bourgeoisie of the time. Each piece was hand sewn at home by talented domestic seamstresses. They often cut doll garments from leftovers of fabrics used to dress the humans living in the household. Another interesting doll with a known provenance featured in this exhibition is Violette d’Epigny, a French lady doll with an unmarked bisque head, featured in the Odin collection since the early 1980s. Originally, she belonged to the Deckers, a prominent family from the Pellice valley in Piedmont. An extensive wardrobe of 20 costumes, some of which were cut from printed fabric sheets distributed by La Poupée Modèle and others home made using paper patterns available through the same magazine, accompany her. Violette served three generations of girls. The original owner played with her during the mid-1860s, when that youngster was probably learning the ins and outs of sewing through play. The doll was then carefully stored until it was used by a later generation, during the 1920s. At that time, it was perceived as an extraordinary plaything, showed off by the new child, who was aware she owned a very Charles Frederick Worth founded his Paris “maison de couture” in 1858. He quickly became the most prominent fashion designer of the Second Empire. His ateliers also created doll garments of quality equal to those created for humans. 20
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Among the classic toilettes of an upscale doll, this mourning dress is particularly becoming, though a somber indication of child mortality at the time. Women who never went into mourning during that period were rare.
Checkered pink cotton is an ideal fabric from which to fashion a spring promenade ensemble. ANTIQUE DOLL COLLECTOR
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Wearing a comfortable day dress cut from cream corduroy velvet, with matching elaborate bonnet, Andrée lies on a desirable dormouse upholstered in deep red velvet. Her lap companion comes from the Martin Company.
special item that enabled playing a different type of game. She and her friends, rather than nursing compo baby dolls from their own era, would pretend they were rich ladies from the old time high society and dress the doll appropriately for different places and occasions they imagined the doll would go. Violette, like many dolls made for the bourgeoisie under the Second Empire, was a perfect gift that encouraged children to play “let’s pretend” games, where aristocracy was perceived as a model, not only for fashions, but also for proper behavior in everyday life. The last generation who played with Violette, during the late 1950s, didn’t connect as much with this doll as a plaything. Three sisters shared Violette then, but it was hard for them to incorporate such an old-fashioned doll into their childhood games. That explains why the family sold her to our museum. Childhood memories of these three sisters connected with Violette were not meaningful enough to generate a desire that she be kept for the next generation. Their awareness that Violette bore witness to another time was strong, however. Thankfully, the doll was “saved” by arriving here, even if several original accessories ended up being lost in the process. Andrée is a BRU that appeared on the collector’s market through an auction house. The family who was parting with her, a couple of decades ago, orally transmitted information that she’d come from the House of Worth. Unfortunately, no written proof of this statement has been kept. Yet, looking at the crafting quality of each garment, one can immediately tell that this wardrobe displays the unmistakable characteristics of haute couture. The refinement of each ensemble element is overwhelming. Not even the famed ateliers of Mlle Béreux, Mlle Susse or Madame Lavallée-Péronne would have been able to reach the level of excellence displayed by garments preserved in this trousseau. A dozen outfits are contained in the original trunk, where the doll’s name is inscribed on the lid. The trunk itself comes from Moynat, a revered “malletier” (trunk maker), then located at 5 Place du Théâtre Français in the very center of Paris. Today, Moynat can be Fashion under Napoleon III had been extremely daring where bright colors are concerned. This ball gown, made of the most luxurious yellow silk pongé and satin, was certainly meant to be seen! 22
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The inevitable haute couture bridal gown bears the aesthetic signature of its creator. Andrée’s wardrobe is no exception. Its masterpiece is this wedding gown cut from white silk, beaded with minuscule pearls and having quality lace trim (“ton sur ton”), which flows into the most intricate pleated train. Exquisite headwear with requisite orange blossoms completes the glorious picture. Andrée’s original trunk, inscribed with her name, was made by Moynat, the oldest luxury trunk maker in Paris. ANTIQUE DOLL COLLECTOR
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This blue wool ensemble bears a hand-embroidered label “J. Marquézy” affixed at the waist. Very well made, it seems to reflect a slightly later fashion, likely from the end of the 1870s. Did this spoiled doll receive an extra outfit as her time as a plaything waned?
proud of its status as the oldest such luxury business, active in Paris since 1849. Andrée seems to have lived a sheltered life. She was evidently played with, but in a very careful way. One can tell many accessories are now missing, such as hats, shoes, fans, purses, mirrors and other unique knick-knacks that add flavor to any doll wardrobe. Nonetheless, the outfits remaining in Andrée’s trunk are spectacular! Even the simplest piece of underwear is a masterpiece. Each ensemble is definitely intended for a young adult. No dresses in the style of the Mode Enfantine are found with this set of clothes. Andrée is a grown-up model who sports, with great elegance, only trendy garments from the Second Empire’s last years through the mid 1870s. From her “Descente de lit,” made of the finest lingerie fabric, to the bright yellow silk ball gown; from her summer dainty ensemble to the winter coat lined with soft wool and trimmed with fur; from her colorful promenade gowns to the dark mourning toilette and deep blue city coat, Andrée is as spoiled as any high society doll of that generation could be. Looking at Andrée sporting her toilettes, one immediately thinks of Impressionist paintings that represent the Parisienne so well. An elegant demeanor, enjoying the comfort of her apartment, walking Paris’ streets during the day, visiting with friends in the afternoon, attending a ball or opera in the evening. Certainly, this is an easy and abstract cliché to invoke with respect to fashion dolls of that generation. Yet the Parisian atmosphere that they exude is anthropologically correct. Who more than Charles Frederick Worth personifies the spirit of haute couture under Napoleon III? The fact that such a celebrity made doll dresses signifies the importance these dolls had for society at that time. Their role was substantial, both as teaching tools and also to symbolize the social status of children who were given such treasures. Emulation always has been a stimulating force for economies. Through the wardrobes of play dolls, a couturier such as Worth was investing in the future. He taught high standards to young souls who would, eventually, follow his lead in fashion matters, once they got to be the well-behaved and elegant adults that society expected them to become. Today, interest in lady dolls from the second half of the 19th century is at its peak. We collectors find very creative ways to demonstrate our enthusiasm Very often original wardrobe pieces could be worn separately, or paired with others, as is the case with this summer piqué dress, sporting a short-sleeve bodice, draped in a cashmere shawl and topped by a large-brimmed felt hat. Perfectly suited for a leisurely stroll in the garden picking flowers. 24
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Flounces are gathered on cords. Pinked-out along the botton and accented with tiny, punched dots.
Rich box-pleated ruching is employed with good effect on the elegant pagoda sleeves.
for such a “hot” topic. The last doll that we feature in this exhibition shows how creativity can play a major part in our collecting experience. Sylvia MacNeil is a master in this domain; she has been creating the most incredible wardrobe for her well-known Chiffonnette. Naming her doll after the one that taught readers of La Poupée Modèle to sew for their dolls, Sylvia demonstrates how it is possible today to create pieces of clothing that can equal, in beauty and quality, the best doll garments of the past. Her philosophy is simple: observe and study antique doll clothing, choose appropriate fabric and trims, follow antique patterns, sew in a way that respects techniques used by our ancestors and get it done! Of course, such extraordinary talent and good taste are gifts that not everyone is fortunate to receive. Nonetheless, Chiffonnette delivers the lesson that there is always something more, something better, that can be done to preserve Second Empire dolls’ heritage.
Pendent fringe is set along the edge and bordered with black velvet.
Editor’s Note: The Musée de la Poupée exhibit “Poupées de mode du Second Empire” (1852-1870) opens on October 26 and continues until February 1, 2014. Acknowledgments The author wishes to express his gratitude to the following individuals who contributed to this article: Madame Malard, Claudiane and Richard Jacquet, Sylvia MacNeil, Anne Juliach, Lori Santamaura and the staff at Musée de la Poupée-Paris. ANTIQUE DOLL COLLECTOR
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TH I NK A B OU T BU YIN G F OR C H R I STM AS N O W!
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1. Antique hat stand with glass eyed papier mache doll head $100. 2 & 12. 15” Parian type with glass eyes, cloth body, leather arms, antique clothes, black boots old but not antique $395 3 & 13. 16” German fashion, no marks, orig. lovely white leather fashion body, 2 mends one arm, o/w body excellent, blue sl. Eyes, clo. Pouty mouth, 2 piece antique silk taffeta dress made by hand, antique hat, ant. shoes, orig. mohair wig $650. 4 & 30. Rare glass eyed tin head doll, marked only “Germany” in very nice condition for a tin head – has a little paint loss on side of nose and a larger spot back of head, celluloid hands $150. 5 & 14. 14” F & B marked Baby Dainty, compo & cloth, all original except shoes, minor paint loss top head, rest of compo very nice, dress a little faded $95. 6 & 15. 21” Heinrich-Handwerck beautiful girl, bj body, gorgeous deep blue eyes, one hand shows some repair $395. 7 & 16. 5 1/4” all bisque Kestner #130, 2 strap shoes, textured socks, black sl. Eyes, long curls $225. 8 & 17. 5 ½” all bisque Kestner 208, white spot one cheek that you don’t notice when looking at doll $225. 9. 5” all bisque Kewpie, orig. sticker on chest, marked bottom feet $95. 10. Str. Leg walker Ginny, brown eye lashes and eyebrows, all orig, brn. Eyes and brown hair in braids $125. 11. 8” str. Leg walker Ginny all original and tagged $145. 18. 8” BKW Alexander 1961 Tennis player all orig. $150. 19. 8” str. Leg walker Alex, original navy taffeta dress with red and white stripped apron, panties match apron, repl. shoes and socks $145.
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Barbara Spears Ph. 817-249-2069 After 9 AM and Before 9PM CST 1314 Mildred Ln., Fort Worth, Texas 76126
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20. 23” Horseman compo. and cloth baby marked E.I.H. Co. Inc. Looks like Baby Dimples, but not marked as such. Dressed in lovely smocked romper and matching bonnet, very, very light craze, beautiful doll $150. 21. 5 ¾” all bisque character shown in one of the Blue Books as a Kestner character. Glass eyes, reddish/blonde braids, impish grin, marked 156 Germany 4 $250. 22. 4” all bisque Kestner #208, Prize Baby, orig. label on chest, original dress $195. 23. 20” Alexander compo. and cloth Little Genius, all original except replaced shoes and socks, very minor crazing, caracul wig, brn. Eyes $120. 24 & 32. 25” Kestner mold 214, blue sl. Eyes, long curl h.h. wig, arms, hands light repaint $595. 25. 14” Alexlander Maggie, original outfit tagged, red taffeta skirt, white cotton blouse, repl. panties, bows on shoes missing, red hair $145. 26 & 31. 8 ½” French FG as bread peddler , all orig. (dress shows wear) in new “store”, includes ant. blue enameled cooking utensils, plus crockery plate and mug, basket, papier mache arms and legs, 1 arm mended $450. 27 & 33. 11” Bahr and Proschild cabinet size toddler on 5-pc body, such a sweet face, has one lower eyelash that is darker black than the other lashes. It is not a crack or other damage. Body looks “scrubbed”, one little finger off. Marked 678 and BP in a heart, minor wig pulls one side head $275. 28 & 34. 17 ½” hard plastic Nancy Ann Style show doll, head band matches decoration at neck of dress, spot back of skirt, o/w lovely, all orig., hair in orig. set $250. 29. 6 ½ black half doll, jtd. arms, orig. wig and red hair ribbon, enameled eyes, marked only 9/0 $395.
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The Building of a Doll Museum and the Stories it Can Tell By Lois Cohorst
Left: The author’s friend Truman Dailey from the Missouria tribe left Lois this 1830’s deerskin dress belonging to his grandmother. The child is playing with Plains Indians dolls. Backgrounds painted by the author. Above: Late 1700’s English woodens
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A rare wooden doll with original wardrobe and provenance, i.e., a letter written in Finnish by the first owner in 1824. 28
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have been in love with dolls for years, but it was after I grew up that I began to enjoy the art of the dolls. It was the stories, the provenance and the mysteries that go with them, like “Who had this doll and where has it been?” I began to collect. As doll lovers know, doll collecting is either a recessive gene or a contagious disease, neither of which can normally be cured, so my collection grew. In 1996, I decided to put my dolls in a vacant Ben Franklin dime store in the town of Marysville, Kansas and make it into a museum. I began to realize that I was basically only equipped with a collection that was not particularly of high dollar value, because I did not have high dollars. I also had little experience and only a limited amount of doll knowledge; not a good resume. But I was determined. I propped myself up by remembering that I had taken exhibit classes at the Kansas State Historical Museum, and as president of our local historical society, I had organized our local 1891 courthouse into a museum, and when it comes to a lack of knowledge, I am a fast learner. I thought, “I can do this!” With pure grit I entered the vacated dime store that I had chosen for my dolls, and with great effort tried to imagine it as a museum. After assessing the situation, my next dismal question was, “Whatever was I thinking?” About that time my friend Ed appeared. He knew what I had planned, and he looked at the empty building and asked, “Are you going to need some help with this project?” I thought, “Boy am I!” Ed and I began the daunting task of cleaning and planning. He started the carpenter work and tried to follow my haphazard museum plan of stacking two dioramas under the fourteen foot tall ceilings. Two dioramas stacked nicely leaving about two feet of closed door storage at the bottom for boxes, and about four feet
Rare papier mache kitchen doll, c. 1870.
A group of German chinas enjoy a get together.
Rare papier mache couple in ethnic costume.
Sitting on top of a display is this lovely papier mache with alligator trunk and wardrobe.
on top for standing items. The top was a perfect place to set rocking horses, baby buggies, peddle cars, doll houses, and trunks. The west wall had housed booths during a few previous cafÊ years and the booths provided ready-made spaces for our displays. Ed worked on the carpentry, I planned the exhibits, and it was fun. We ended up with 100 eight foot tall dioramas, mostly divided into two stacked displays, each four feet high and four feet wide. These displays were for dolls in various situations, all with storytelling themes. We arranged the museum chronologically beginning with the early 1700s and leading to the later artists’ dolls. Since the dolls were mostly not of high value, we made full use of the storytelling by arranging dioramas into history. I researched each doll,
Cloth dolls by Izannah Walker.
prepared backgrounds to match the themes, and stocked the dolls with accessories. Later, the dolls grew to include rare and valuable items. The museum began with Native Americans, the OtoeMissouria, who lived in our area of Kansas from 1855 to 1882. These dioramas were single displays, about ten feet tall and separate from the rest of the museum. And then came the history. Stories of the tribe, how, where, and when they lived were documented by Truman Dailey, a dear 100 year old friend from the Missouria Tribe. Yet, I had very few artifacts. While we were putting the museum together Truman passed away leaving me regalia, tools, and clothing. Naturally, these items were incorporated into the museum and arranged in the Otoe dioramas. Manikins dressed in ANTIQUE DOLL COLLECTOR
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A kitchen scene displays two early wax over papier maches and an elderly poured wax couple.
Rare papier mache kitchen doll, c. 1870.
German dolls gather for a tea party.
The boy Kamkins is slightly older than his sister and was made before the Great Depression.
authentic clothes accented the displays and represented the storytelling explaining the tribal beginnings. An example of the story follows: The Otoes were originally Sioux from the Great Lakes area. When the Sioux Nation became so large that dissention developed, the tribe divided. The offspring moved south taking the name of the KANZA, meaning South wind People. Anyone living in Kansas would understand why they chose that name. The wind does blow as witnessed by Dorothy and Toto. The Kanza lived between the Topeka and Kansas City areas. For the People, the split was not a happy one. The two tribes hated each other to the death. After the Kanza left, the remaining Sioux also traveled south along the Great River, the Mississippi, careful to avoid their worst nemeses, the Kanzas. When they reached a danger point, they turned west. 30
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Tribal families split off to form their own villages. The Iowa family settled in what is now called Iowa, the Omahas in what is now Omaha, and the Poncas settled with the Omahas. Several others traveled west to the Dakotas where they are yet today. Remaining members thought they would settle in the corner of the four states now known as Kansas, Nebraska, Iowa, and Missouri, but they ran into problems within their tribe. A chief’s son fell in love with another chief’s daughter. He offered his bride price and was rejected, which forbade the romance. Forbidden fruit is usually only an incentive today, and it worked the same way in the days of old. The girl became pregnant, and tribal fathers banished the pair according to their rules. The entire tribe became involved in the dispute, and the two left taking the boy’s extended family with them. They named their People the Otoe, meaning among other things, those who love, because of their original problem, and they set their village to the south of what is now Omaha. The girl’s family called themselves the Missouria, and they moved down-river to what is now the state of Missouri near the present town of Marshall. Over a period of about 300 years, the Missouria was pushed west and nearly annihilated on the Missouri River
Skookum pueblo.
German automaton
Left: Schoenhut dolls gather around the piano. The doll dressed in white was formerly in the Dorothy Dixon collection.
WPA dolls of Christopher Columbus and Queen Isabella.
by enemy tribes. The few survivors walked north to Omaha and rejoined their old tribe, the Otoe. The Otoe took pity, and merged their tribes into the Otoe-Missouria. In 1855 the tribe moved from Omaha to the Kansas-Nebraska territorial line, receiving their government annuities at Marysville, KS. Finally, they left Kansas for Indian Territory in Oklahoma in 1882, where they are yet today. From the Indian displays the museum switches to pioneers doing the laundry in a 1901 salesman sample washing machine that operates by hand. A salesman sample wood stove heats irons for doing the ironing, a self constructed indoor clothes line dries wet clothes, and the display comes complete with storytelling. The French dolls are represented by SFBJ and Bleuettes, at a carnival; Simon & Halbig, Kestner, Handwerk and Heubach dolls are having a German tea, and dolls of the thirties – Sonja Henie, Shirley Temple, Buddy Lee, Dewees Cochrans, Deanna Durbin and others – are busy in a sewing room. A couple of English style mid-1800 wax-over dolls join an older couple of poured wax in a kitchen. A complete set of presidents’ wives
Above: Philadelphia babies as dressed as the shoemaker’s elves.
from Mdme. Alexander’s collection arrive at a ball dressed in their inaugural gowns, some with their presidential husbands from Effanbee Company. Jack in the beanstalk lands on the ground as the giant comes through the ceiling in hot pursuit, a display which is loved by all ages. WPA dolls fill two large cabinets with couples from the fifteen states that complied. Works Progress Administration dolls include marionettes, puppets, and historic couples, wooden and paper maches, all making great storytelling. Mary McEwin’s dolls appear in a home band with singers, pianos, and several types of instrumentals. A large wax-over doll portrays the miller’s daughter and tries her hand at spinning straw into gold. She is accompanied by a magical Rumplestilskin, and a spinning wheel with provenance from a book listing every owner since it was new in 1824, including me. The rarer dolls are religious cage dolls accompanied by Santos from the late 1600 through the 1800s, and several old wooden dolls. Old clock driven figures add fun to the ANTIQUE DOLL COLLECTOR
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The Pennsylvania unit of the WPA made these Three Little Pigs.
The author has collected several of these rare wax over composition dolls by Mary McEwen, c. 1910-1930s.
Barbie hangs out with Elvis and James Dean at the soda fountain.
Punch and Judy show. The puppet theatre is turn of the 20th century.
displays. Rare Biedermeiers exhibit well, as do the papier maches from the 1700 and 1800s. The newest doll is a Robin Thompson hand carved black artist doll. The Creche dolls are attending a street market in an Israeli village of long ago, French fashions occupy an ornate dressing room, Punch and Judy act out in a turn-of-the-century puppet stand, and the Ninja Turtles test the memory of most every young man who tries to name them. We have added many rare acquisitions, but not without a story for each. Every doll is carefully researched and represented with its proper history. After sixteen years, the museum is reasonably complete with its 100 displays, and I don’t know how many dolls, at least that is what I tell my husband. Putting a museum together was the highlight project of my life. It was never profitable nor did I expect it to be, but I learned far more than getting two college degrees, and the enjoyment was tremendous. However, because of the economy and the museum expense, I’ve also learned that supporting it is the biggest of all museum problems. I doubt that I can keep it much longer in this present economy, but it has been a great ride. 32
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The Museum of Dolls, Toys & Indian Artifacts founded by Lois Cohorst.
Doll House Museum, 912 Broadway, Marysville, KS 66508 Open by appointment about any time and any day, groups or singles, doesn’t matter. We all have a good time.
Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 Shop is now open Fridays and Saturdays until October 12th weekend or by appointment. After October 12th we are open by appointment only. 207-322-4851. Shop 207-236-4122 Fax 207-236-4377 email: lucysdollhouse49@roadrunner.com
Beautiful 4-1/2” all bisque doll $1800.
18th century French chest from Burgandy ca 1895.... 8” tall, 11-1/4” wide, 6” deep $1895. On top - sweet brass candlesticks $45 and old tintype in frame $35.
Antique French Lotterie “A Tout Coup on Gagne” 16” long, 13” tall $1695.
Old lecturn with chained bible 5-1/2” tall... London $195.
Early King’s Rose child’s tea set - teapot 3-1/2” tall, open sugar and 3 handless cups and saucers - $250. 2 old Steiff kitties 4” tall jointed necks - no buttons $35 each.
2 German Christmas Trees - 10” and 8-1/2” $195 and $295.
Painted table and pair chairs - table 5-1/4” tall x 6-1/4” long $195.
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Learning About American Made Dolls
New Discoveries By Ursula R. Mertz photos Christopher Partridge
Louis Amberg & Son of New York City In 1915, a young American doll industry was trying to meet the German competition. Imported dolls with bisque heads had dominated the market. Their heads were breakable. American companies were offering dolls with composition heads, claiming it was a nearly unbreakable material. Around 1910, some of the larger German manufacturers had introduced so called character dolls, which were also imported to the United States. When the proprietors of the Amberg firm of New York City looked around for inspiration for their own lines, they decided to copy some of the German bisque character heads. The company was not alone in this endeavor and they were certainly not the first. Collectors are familiar with the German firm, Kammer & Reinhardt’s baby No. 100 and Heubach’s Coquette. Several American companies copied these two examples. One of my early finds had been a 12” little doll that bore the Amberg mark and 1915. She was not in perfect condition, but she looked like a real little girl. As many of these character dolls have very distinctively modeled hair, it is fairly easy to trace them back to their German origin. My research revealed that my little girl’s head had been copied from an infrequently seem example produced by the Heubach firm (see “Heubach Dolls,” by Lydia Richter (c) 1989, page 83). Just recently, this same girl but in a 17” size joined my collection. On this larger size one can better appreciate the excellent, deep modeling of hair and features. Finding her certainly wets one’s appetite to go and discover additional examples of these early character dolls.
Two Amberg dolls copied from a German (Heubach) bisque character. Left: 17” marked: 387. Right: 12” marked: L. A. & S. © 1915 – Both have composition flange heads and short arms, cloth bodies and limbs, jointed at shoulders and hips with inside disks. Here one can more closely examine the well modeled features and hair. The eyes have concave pupils, which gives them a more realistic look. The smaller doll’s features are not as clearly defined.
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Leda Doll Co. 1917 – 1919 and later Another doll with beautifully modeled hair and expressive features is marked L. D. Co. l914. She apparently was not copied from a German example. In the Coleman Encyclopedia, Volume II, it lists the Leda Company. There is no information available to prove that the doll in question was sold by Leda. During those early, formative years of the American doll industry, some firms did not last long. The Leda Doll Co. may have been one of those that did not succeed or was absorbed by others. Having so little information on hand on a doll of such excellent quality should not discourage collectors from including it in their collections. 17” Marked: L. D. Co. // 1914 (markings set inside an oval). Composition flange head. Plush body and limbs ending in white felt mitten hands and feet. A same fabric skirt tacked on at the waist and a belt create the impression of a jacket. The collar is a replacement. The doll is jointed at shoulders and hips. This larger image shows off to better advantage the deep modeling of the hair and the lively expression of the face.
E. I. Horsman Co., of New York City. The Horsman Company was an old, well established firm, acting as importers and manufacturers of dolls and toys. Among their offerings were cartoon characters. A strip called Lady Bountiful first appeared in 1902 and was created for the Hearst Newspapers by Gene Carr (1881-1959). The story dealt with a rich lady that was trying to reform street urchins. The group in question consisted of four boys and one girl, one of the characters being a black boy. With their ad in the trade journal Playthings, dated June 1915, the Horsman firm introduced their Gene Carr Kids, designed by famous doll sculptor, Bernard Lipfert. They are a jolly bunch with round eyes and wide, toothy grins. Looking at them, one cannot help but smile. For all five the same head mold was used. Individuality was created by the facial decoration. Two had closed eyes. Their names were Mike, Jane, Skinney, Blink and the black boy was called Snowball. The white kids from this group are fairly easy to find in today’s collector marked. It is Snowball that I would like to feature here. Some minor cracks in the face do not detract from his appeal. He is all original right down to his black felt slippers. 36
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This 13” tall Gene Carr Kid was called “Snowball.” His head is marked E. I. H. © 1916. Sleeve label reads: Gene Carr Kids // From New York World’s // “Lady Bountiful” Comic Series // MFG. By E. I. Horsman Co. N.Y. He has a composition head that was sewn unto the cloth body. Hands are also composition. Cloth body and limbs are jointed at shoulders and hips with inside disks. All original. Who would not enjoy that lively, toothy grin?
American Character Doll Co., New York City Not too long ago, a friend raised an interesting question. Her all original blonde toddler mama doll was marked “A Petite Doll” and the dress was tagged “Curlilox.” Could this be a look-alike Shirley Temple baby? We do have proof that the American Character Doll Company tried very hard to partake in the phenomenal success of the Ideal Company with their Shirley Temple. Ideal had been granted an exclusive license to produce this doll. In the October 1934 issue of Playthings, American Character had placed a full page ad showing a doll that looked very much like Shirley Temple, with her wig of long corkscrew curls and a dress decorated with, we assume (no color ad) red polka dots and red trim at the edges. She was called: “Sally’s In the Movies.” The ad further stated: “Millions of children will see Sally Joy in her new picture with Shirley Jean Rickert and every girl will want a doll like this. It has character, reality, charm, appeal. Typical Petite doll quality and value.” We do not know how successful American Character was with their look-alike Shirley Temple called “Sally’s in the Movies.” No advertising for their “Curlilox” toddler is on hand. The elaborate effort the company took with their Shirley look alike and the dress tag on my friend’s doll seems proof enough that they tried one more time to cash in on Ideal’s success. Does anyone have more information? 18” American Character Co. toddler “Curlilox.” She has a composition flange head and limbs and a soft stuffed cloth body. Blonde mohair wig with molded hair underneath. Blue tin sleep eyes, open mouth with two upper teeth, dimples in cheeks. Peggy Montai collection. Back view of Curlilox showing the markings Petite Doll and dress tag marked Curlilox. Peggy Montai collection
Full page ad placed by American Character in Playthings, dated October 1934, advertising their Shirley Temple look-alike “Sally’s In the Movies.”
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Cameo Doll Products Co., Port Allegany, PA
13” Little Annie Rooney, no marks on the doll. Pin: © K.F.S. (King Features Syndicate) // 1928 //Little Annie Rooney. Rim of pin: Parisian Nov. Co., Chicago, Sole Mfg. Licensee. – All composition, fully jointed. Painted features and hair.
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Joseph L. Kallus was the owner of the Cameo Doll Company and created the doll that is up next for discussion. Her name is Little Annie Rooney, and she is a cartoon character. King Features Syndicate introduced the strip in 1927, and it had a successful run from 1927 to 1966. Just like Little Orphan Annie, Little Annie Rooney was an orphan that traveled with her pet dog. Little Annie Rooney comic book reprints appeared around 1938, and that may have been the reason that Mr. Kallus created a Little Annie Rooney doll at that time. She was offered for sale in a Cameo catalog that is from about 1942. The doll must not have been very popular, as she is a hard to find item, particularly in all original condition. This is hard to understand. Her lively expression and stance make her very appealing. Noteworthy to point out is that the doll’s hair which is in all original condition was air brushed on with black paint and has a soft edge. Airbrushing creates a very thin layer of paint, which makes Annie’s hair look more gray than black. Her deep blue eyes have large black pupils, and a thin white line between her lips indicates teeth.
OCTOBER 2013
Close-up of cloth tag: Little Annie Rooney // © King Features, Syn.
Gigi’s Dolls & Sherry’s Teddy Bears Inc.
LAYAW AVAILA AY BLE
Allow Us To Help You Discover The Child Within You!
18” Eugene Barrois French Fashion, cobalt blue eyes, blond mohair wig, pierced ears, dressed in antique mourning clothes $3250.
17” CM German Character #111, French Jumeau body, stationary blue eyes, hairline on forehead and back of right side of head (has been sanded), antique undergarments & shoes, mohair wig $9500 $9500. Now $6950.
23” Lenci Girl all original 109 Series, 1920’s in green felt appliquéd dress & shoes, organdy unders, blonde mohair wig in original style, brown painted eyes, great personality $2995 $2995. Now $2150.
30” Walkure #6 by Kley and Hahn, mohair wig, blue sleep eyes, piece above left ear glued, beautiful doll $495. Steiff Beagle, in mohair with original collar, glass eyes $79. 14” B-0 Germany by Swaine & Co, flange head, O/C mouth, blue sleep eyes, left thumb repair $295.
15” CM German Dome Head Fashion #50-4, HH wig, lt. blue eyes, kid body, some body repair $395.
18” Alexander 1953 #2001A Edwardian Glamour Girl, all original in tagged dress, slip, fingerless gloves, bonnet, nylons, shoes & pantie, brown eyes, high facial coloring $695.
21” Papier Mache w/ bamboo teeth, black painted hair, black pupiless eyes, kid body, original clothes $1150 $1150. Now $975. 12” Pink Luster Frozen Charlie, brown painted eyes, great molding on hair, feet & face $525.
15” Rare K * R 114 Toddler with blue sleep eyes, All Original in factory made clothing, HH wig, great molding and coloring $5900.
38” Ideal Peter Playpal all original in Rare blue suit, fabulous condition, beautiful facial coloring $750.
18” Alexander 1954 Margot Ballerina #1550 in tagged tutu, ruffled tulle (elastic as is), pantie with tulle, nylons, shoes, beautiful facial coloring $275. 15” All Original 1954 Binnie Walker #1523, tagged dress w/ belt, panties, pink velvet bonnet, shoes & socks, high coloring $325.
7 1/2” Composition set of Dionne Quintuplets in tagged rompers and bonnets, seated in original cart with names (missing wheels), some crazing on Marie $695 $695. Now $595.
17” K * R 121 Toddler, blue sleep eyes, original mohair wig, adorable expression $850. 16” K * R 116 on Toddler body with original celluloid hands, professionally repaired eye chip right eye, stationary blue eyes, great molding & coloring $1550.
19” S & H 739 on Early 8 ball body, original mohair wig, blue sleep eyes $1650.
21 1/2” S & H 540, blue sleep eyes, mohair wig, sweet doll $465.
19” BP Bahr & Proschild #604 character, sweet face, blue sl eyes, molded o/m w/ teeth, antique clothing and brown HH wig $725; Steiff mohair “Foxy” w/ original collar, no button $67.50; 6” Steiff 1950’s Mohair Teddy Bear, original ribbon, no button $185.
18” CM Etienne Denamur (ED) Paris on stiff wrist Jumeau body, br pw eyes, HH wig, cork pate $3050 $3050. Now $2850. 20” SFBJ 227 with brown jewel eyes, o/m w/ teeth, repainted body, few scuffs on cheeks, antique boots $1150 $1150. Now $995.
Red headed Terri Lee in tagged blue cotton dress, wonderfully painted big brown eyes $225. Blonde Terri Lee in red tagged dress with red and white stripped collar and sleeves, holds original daisy $245. 16 1/2” Terri Lee in tagged Girl Scout uniform and beret, auburn wig, marked Terri Lee $175.
22” C/M Kestner 11 on kid body w/ bisque arms, brown glass eyes, HH wig $495.
20” Blonde Cissy in 1955 Gold taffeta gown #2098, cape with gold embroidered trim and “diamonds,” “diamond“ bracelet $495.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
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Sew Sweet
Antique Toy Sewing Accessories by Jan Peterson Photos by Laurie Baker and Elwyn Peterson
“I have more certificates of merit and the best grades of anyone in my class,” pouted eleven-year-old Manon. “I don’t see how knowing how to sew is of any importance to a girl like me!” So begins the utterly charming antique book Le Trousseau de la Poupée by J. Becour. The little volume, bound in red cloth and embellished with gold lettering on the cover and gilt edged pages, was an unexpected treasure I found at a French auction. The book is in wonderful condition and is undated, but obviously from the last quarter of the 19th Century judging by the clothes worn in the illustrations and the details of everyday life described in its pages. I sat down to read it one winter afternoon, armed with a steaming mug of tea, and couldn’t put it down. Although the book is designed as a primer to teach young girls the skills necessary for becoming a good housewife, it is written in such a delightful fashion I thoroughly enjoyed my afternoon. Most books of the era are rather stiff and boring treatises extolling the virtues of obedience, piety and homemaking skills. This little book, however, has a PLOT! It is so cleverly written, that the most uninterested child in the womanly arts would love to read it and would actually want to learn the skills the book teaches. Manon is the only daughter of a middle-class Parisian family. She is the youngest child with three older brothers. Her father is a language professor and her mother, of course, remains at home to manage the household. Manon is, to put it mildly, quite full of herself. She takes tremendous pride in her intellectual abilities and is not above bragging about her academic achievements to anyone who will listen. The story begins during the summer before her last year in elementary school. In order to pass her final exams, she must demonstrate the ability to sew well. It reminded me of my generation being required to take Home Economics right along with algebra. Manon is sent to her grandmother’s estate in the French countryside to spend her summer learning the arts of needle and thread so she will have a chance at passing that part of her exams. Her grandmother lives in a lovely old manor house with her cook, maid and gardener and Manon is delighted to discover her eight-yearold cousin, Nelly, will be spending the summer with her. The first day at Grand-mère’s home, Mme Rosamond, who is quite wealthy, presents her two granddaughters with sublime bébé dolls with bisque heads, glorious wigs, and lovely
A book the author discovered in a French auction. Below, an illustration from LE TROUSSEUX DE LA POUPEE shows the girls, Manon and Nelly, taking a sewing lesson from their tutor. Grand-mère watches from the door, as she asks the girls, “Do your know your stitches?”
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OCTOBER 2013
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A demi-lune table displays a variety of 19th century étuis, a small ornamental case for holding needles and other articles.
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This extremely rare miniature French étui is made of tortoise shell with an ormolu frame. The silk interior holds exquisite miniature sewing tools. . ANTIQUE DOLL COLLECTOR
OCTOBER 2013
childlike bodies. Mme Rosamond tells the girls the dolls will be theirs to take home at the end of the summer on the condition the girls provide each doll with a complete trousseau. Even though Manon is thrilled with her beautiful doll, she turns her nose up at the requirement of having to learn how to sew. Little Nelly is enchanted by the idea, however, and jumps into the project with great enthusiasm. Mme Rosamond hires a girl from the village named Annette to be the tutor for her granddaughters. Annette is seventeen, a lovely young woman, and she is skilled in all the facets of handwork. She visits the manor house three times a week to teach her little charges. Each of the fifteen chapters in the book is devoted to making an item of clothing for the dolls, including full instructions and illustrations. What is the most fun, however, is reading the adventures and the misadventures the cousins have during their summer with Grand-mère. Grand-mère has a new puppy, Babette, who is full of mischief and an evil cat named Minou (Kitty), who delights in tormenting Babette and in trying her best to relieve the dolls of their sumptuous wigs! A disaster occurs early on when the girls, who were doing their sewing in the garden, lose all the underthings of the finest muslins they have made for their dolls’ trousseaux to a cat and dog fight! Their adventures roaming the beautiful estate, Manon’s incessant and sometimes cruel teasing of the maid, and their helping the gardener pick bouquets for the house and gather fruit from the orchard are interspersed with lessons on making all the basic stitches by hand (Grandmère refuses the presence of a sewing machine in her home). In addition, Annette teaches them to knit, to crochet, to do needlepoint, how to design their own patterns using graph paper, and how to make their own lace trims. Before long, the two bébés the
girls name Charmante and Gracieuse (Charm and Grace) have magnificent wardrobes, including fabulous hats. Manon has to swallow her words uttered earlier about, “What could a girl from such a little village have to teach a Parisienne?” She has to admit that her doll has a wardrobe that will be the envy of all her friends in Paris when she returns home. Besides giving full lessons on how to sew, embroidery, make tapestry cushions, etc. the chapters are filled with lessons from Grand-mère on how a young lady of quality performs her morning and evening toilette toilette, improves her mind by reading only virtuous publications (Manon just sniffs at that one!), and learns to keep her own bedroom clean and tidy. Manon goes into full rebellion because that is what the poor maid is for! No amount of pleading, however, will talk Mme Rosamond out of the notion, and an entire chapter is included on how to make a bed, properly dust a room, care for a porcelain toilette service and repair holes in the sheets. Late in the summer, the girls get their first taste of what life can be like for others when a young mother in
The egg-shaped étui is displayed in a porcelain egg cup. Note the little mirror inside the lid.
Minuscule sewing implements make a wonderful addition to a classic tiny mother-of–pearl French thimble case. Inside are a screw top needle case and awl made of bone/ ivory in the lid and a tiny goldfilled thimble and scissors with a thread winder.
A lovely red leather “coffin” étui displays beautifully with French Fashion doll gloves. Opening it reveals a variety of tiny sewing implements. The tiny barrel étui was hand-carved of bone/ivory.
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An antique French sewing card with carved bone/ivory implements to use in a toy étui.
This little girl’s classic woven travailleuse is one tenth the size of her mother’s real wooden one. Inside a long-ago child stored sewing implements as well as items for needle work and crochet.
This miniature trunk étui is made of green snakeskin leather.
A real walnut was used to house these minuscule sewing instruments for a long-ago French doll. The tiny sewing tools include a pair of “mouse ear” scissors.
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ANTIQUE DOLL COLLECTOR
OCTOBER 2013
dire poverty asks Grand-mère for something to eat for her baby. Grand-mère is as kind as she is wealthy and takes the entire family under her wing. The father is a stone mason who was severely injured in an accident and can no longer work to support his young wife and their four children. Their eldest is the same age as little Nelly. Manon suddenly gets the inspiration to put the skills she has learned to real use! She proposes that she, Nelly, Annette and Grand-mère make clothes for the poor family. The youngest, Charlot, is only a baby, and the girls delight in making him bibs, booties, diapers, and little nighties. Of course, there is a chapter devoted to each item with instructions on how to make each article for a doll and how to enlarge it for a real baby. As the story ends, together with Annette their tutor, the girls make a lovely frock for the little girl Nelly’s age who has become their friend. Then, with the scraps left over, they create wonderful dresses for their dolls. I found myself actually wanting to try some of the projects as I read the book! Especially the details of how to create a pattern of something amazing for a doll from your imagination or from a drawing using graph paper and a ruler is really tempting! Le Trousseau de la Poupée mirrors the sewing and other needlecraft skills included in every issue of the La Poupée Modèle, the famous French children’s magazine of the mid19th through the early 20th Centuries. Although shops and department stores such as Au Bon Marché did exist at the time and offered ready-made clothing, most clothing was created at home. Indeed, the sewing and notions departments of Au Bon Marché Marché, the Galeries Lafayette and Au Printemps, Paris’ leading prêt-a-porter stores were among the largest mercerie suppliers in the capital. The pages roses (pink pages) included in each issue usually had a collection of doll clothes patterns on one side of the page and crafts projects on the other side. Young girls eagerly looked forward to each issue and the patterns were used. It is possible to find antique copies of La Poupée Modèle in used book stores in France, but finding one with the page rose still there is very rare.
The antique French sewing card with carved bone/ivory implements to use in a toy étui added to a homemade doll’s sewing nécessaire.
The PAGES ROSES from the La Poupée Modèle magazine have doll clothes patterns on the front and crafts projects on the back.
Because sewing and needle work and knitting and crochet work were so esteemed, toy makers in France took full advantage of a ready market. Lovely étuis and nécessaires de couture just like those owned by Maman where made in toy size for little girls, and were miniaturized for their dolls! They were made of the same materials as the people-sized sewing sets (usually woven straw and wood) and some were even made of precious materials like ivory and tortoise shell. These exquisite nécessaires and étuis were most commonly given as gifts from one wealthy family to another. The happiness of the child receiving such a gift was usually secondary to the impression of wealth and good taste it made on the child’s parents. This explains why it is possible to find such exquisite little “playthings” still intact with all their little implements still inside . . . the child was never actually allowed to play with them. Tiny awls for punching holes in fabric, tatting shuttles for make gorgeous lacy trims, minuscule needle cases and crochet hooks were produced in doll size for the smallest French fashion doll. Many of the bone/ ivory implements are less than one inch long. Tiny working scissors were fashioned of steel, but also of gold and silver, as were thimbles so small they could fit a doll’s tiny finger. Collecting these wonderful étuis and nécessaires is a passion for both doll collectors and sewing aficionados alike. Another example of very popular toy sewingrelated items were the wonderful little boxed sets called MODES. They are often found in antique toy catalogs of ETRENNES, the New Year’s gifts exchanged in France, until the two World Wars ended the custom. These boxed sets sometimes held all that was needed to create fancy hats for dolls, and to make fabric flowers, but the most common were the sewing
When the drawers in the toy dresser chest are opened, they are loaded with items to sew, do needlepoint, cross-stitch, crewel work and embroidery!
Little sweet grass baskets were woven and used as little sewing baskets filled with notions for dolls.
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A beautifully boxed child’s sewing set from the prestigious Au Printemps Paris department store. Among the contents is an embroidery project that dates the set to 1907-1908.
sets. They contained a variety of sewing implements, silk threads, embroidery floss, crewel yarn, needlepoint canvases, and printed patterns on both paper and on thin cotton cloth. Obviously, some little girls found the projects too daunting to attempt, because it is possible to find complete boxed MODES still tucked away in French attics and at estate sales. They are like little time capsules of the skills that every little French girl of 150 years ago was expected to master in order to be a respected managère or homemaker. Few modern girls even know how to use an electric sewing machine, but the love of fashion has never gone out of style. Those of us who collect antique dolls are as intrigued by their underclothing, gowns, pinafores, coats and hats as we are by the doll itself. Recreating such items for our antique dolls is a both a great pleasure and an enormous challenge. It is amazing to understand from reading Le Trousseau de la Poupée that girls of eight and eleven were capable of such feats!
ÉCOLE DES POUPÉES
Samy Odin, Ann Coleman and Margaret Gray Kincaid Welcome you for a
BEBE JUMEAU Study of Original Fashions
Learn how to Appreciate the Authenticity and Historical Significance of the Jumeau Company Hands-on examination of antique Jumeau Bébés and their wardrobes from the Musée de La Poupée-Paris and private U.S. collections
FEBRUARY 2528, 2014
to be Held at Margaret Gray Kincaid’s charming house in Baltimore, Maryland
It all starts on Tuesday Evening with a welcome dinner. Seminars, workshops and programs on Wednesday and Thursday. All meals included with a Gala Dinner on Thursday night. Friday morning tour of Baltimore’s highlights. March Gaithersburg Show following Saturday and Sunday March 1&2 Free Admission with early entry to the show included
Cost: $650 per person
CONTACT: Margaret Kincaid 646-709-4340 or margaret.kincaid@gmail.com or write to 17 Elmwood Road, Baltimore Maryland 21210 (Number of attendees VERY limited) 46
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
SELL A DOLL IN THE
EMPORIUM Purchase of an ad includes FREE internet ad on our website.
Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com
SARA BERNSTEIN DOLLS 732-536-4101 Email santiqbebe@aol.com
View Quality Dolls at affordable prices. 100’s of pictures and prices at my Ruby Lane Shop...
Exclusively at www.sarabernsteindolls.rubylane.com
WWW.KATHYLIBRATYSDOLLS.COM
Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.
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*Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions
Kathy Libraty’s ANTIQUE DOLLS
25” XI KESTNER A REAL BEAUTY IN SUPERB ANTIQUE COSTUME $2800 34” HUGE FRANCOIS GAULTIER FRENCH FASHION LADY (hidden damage) $3200 33” Kammer & Reinhardt Schoolgirl Excellent Condition!! $1800 19” Gebruder Heaubach rare doll on her Original body A BEAUTY, SOLD 22” GORGEOUS KESTNER 211, SO CALLED, “Sammy Baby” So Cute!! $1800
Jean & Ken Nordquist’s
Bru-look German doll - 11 -1/2”, original blonde mohair wig, brown set eyes, open/closed mouth composition ball jointed body, perfect bisque and French-type clothing. $3500.
Call 215-794-8164 or email alloyd@nni.com. Member UFDC and NADDA. You may see other photos and dolls at RubyLane.com/shops/anntiquedolls.
*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories Mold & Global Catalogs not shown
BABES FROM THE WOODS
Back row: 32” Kley & Hahn $850, 21”Handwerk #99 $550, 26” Kestner #146. Front: 14 “Tete Jumeau, 16” Volland Raggedy Ann $850, 1907Jumeau, 10” Paris Bebe RARE SIZE 1 $8500.
Evelyn Gigante, Dixie Doll Shop, phone 954-537-9325 or 954-253-6494 Email:dixiedollshop@aol.com
Faithful reproductions of hand carved Queen Annes, dolls by Izannah Walker, and Early American Cloth Dolls. Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca
www.babesfromthewoods.com
Complete 5 Catalog Set - $25 ppd. Includes $15 money back coupon with purchase.
jeannordquistdolls.com Order Desk
1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 ANTIQUE DOLL COLLECTOR
OCTOBER 2013
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Phil May Antiques & Collectables Ocean Grove, NJ 732-604-3011
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1. 4 All Bisque position children – 3 with orig. wigs, one with jointed arms (one reglue of leg). Wonderful set, $1,150 2. “Sweet Sue” by American Character, wearing beautiful evening gown, 20”, exc. condition, $395. Harrison Fisher print, 1912 in orig. condition. Small water stain top of picture, oval frame 15” x 11-1/2”, $225. Children’s high button shoes w/heels, in exc. condition, all buttons, 5-1/2” l x 5” h, $95 3. A Teri Lee with wardrobe, exc. example, $545 4. Early papier mache with written provenance, c, 18351850, 7”, all orig., great condition, $695. Victorian Rattle, c. 1890, 7 metal balls with blue glass clappers, $225 5. Kestner All Bisque in Wicker presentation box, 5-1/2”, blue glass sleep eyes, extra outfit, perfect! $595 6. Art Deco half doll with black hair, arms and hands extended, 3-1/4”, perfect, $225. Half doll with wig, arms and hands extended, Goebel mark, perfect, 4”, beautiful painting of features, $295. Half doll marked Germany, arms and hands extended, 4”, perfect, fancy hairstyle with flowers, $225. Reclining half doll with pincushion and legs, all orig., hand and arms extended, perfect, 7” long, $225 7. Polar Bear “Ivy” by Dean’s Rag Book, England, 18” tall, button in foot, nice condition. $575. Lenci Boy from the 300 series – all orig., often called “The Detective.” Rare, wonderful condition, 17” $2,450. Lenci Boy from the 300 series, orig. outfit “Dutch
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Boy.” Nice condition with great color, 17”, $1800 8. Victorian Naughty “Lady in Turtleshell” with bear seen sleeping on her rear when top shell is removed, perfect, $250. 6” Kewpie with jointed arms and legs, perfect, $525. Kewpie Vase with Kewpie holding a teddy bear, exc. condition, 5-1/2”, $745 9. Heebee and Sheebee bride and groom for wedding cake top, all orig. clothes, perfect, $695. Boy with chocolate pot, all bisque, German, 4” perfect, $165 10. Baby Sandy, rare 8” size by Freundlich, all orig., exc. condition, $245. Early Toy Donkey, c. 1900, all orig., exc. condition, 3” tall, $75. All Bisque Googly boy with moveable arms, perfect, $175 11. Hand crafted house made of wood and cardboard, great look, exc. condition, $95. Large all bisque seated black boy, wonderful detail, 5-1/2” h, perfect, $175. All bisque black boy with pig, 3”, perfect, $145 12. Large Heubach all bisque position baby with hands to mouth, unusual pose, 9”, perfect, $795. Large Heubach all bisque laughing position baby, 9”, perfect, $695. Heubach boy snowball thrower, 14”, perfect, $475. Heubach black boy holding up egg, exc. condition, 3-1/2”h x 5-1/2” l, perfect and marked, $345. Heubach toe sucker, great modeling, perfect, 5”h x 5-1/2” l, $795 13. All bisque Victorian Naughty – black boy with swan biting? – rare item, $175. 14. Heubach pair, boy with hoop and girl with rope (professional hand repair on boy), coraline
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decoration, 12-1/2”, $895 pair. Heubach Dutch Girl Candy container, perfect, 8-1/2” h, $795. Heubach boy resting on log, beautiful coloring, perfect, 6-1/2”, $550 15. Outstanding Gbr. Kuhnlenz Bru, 15”, perfect bisque, orig. body and body finish. Holding old “dream catcher,” wonderful example, $3,250. Antique bear on wheels, c, 1910-1915, exc. condition, (one wheel replaced with hand carved wheel), $450 16. Heubach seashore couple, 13-1/2” with coraline finish, perfect, $750 pair. Frozen Charlie, beautiful pin luster face, one of the largest made, 16”, call for detailed info. $995 17. 19” Kamkins, orig. clothes and condition, great example, $2450. 16” Kathe Kruse series 1, exc. condition, vintage clothing, 16”, $3450 18. Heinrich Handwerck 119, wonderful orig. condition, beautiful bisque and clothing, 19”, $1150 19. Bebe Phenix Steiner marked *94, outstanding example, all original, 23” $4950 20. 10” Kaiser Baby, rare small size, perfect bisque, orig. body and body finish, chair inc. $325 21. S&H 1428 toddler, rare character, 14”, exc. condition, $1750. Painted eye Kestner boy, Kestner body, great presence, 14”, $395. K & R 116 child character doll, orig. wig, exc. bisque, 13”, $1650 22. Kley and Hahn 680 toddler, orig. wig, body marked KH, exc. condition, 22”, $695. Baby Bo Kaye in wonderful condition, great outfit, perfect, 20”, $2,000
WOODEN – late 1600s to early 1800’s, excluding those with religious connotation. L-R: Robin Wyatt, Karen Close
WOODEN – Grodner Tal peg wooden, excludes head of plaster of papier mache. L-R: Winner’s name not visible, Carol Cameron, Carol Corson
Photos taken by D. Keith Kaonis
2013 UFDC ANTIQUE COMPETITIVE EXHIBIT
WOODEN – pre 1930, hand carved. L-R: Catherine Peterson, Nancy Slatterly
Blue Ribbon Winners Washington, D.C. - Part 1
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articipation in this year’s competitive exhibits was outstanding, resulting in what may have been the largest display we have seen in many years of attending the UFDC national convention. I am the first to admit that viewing the competitive exhibits always inspires and informs me, broadening my collecting interests and appreciation for the vast array and types of dolls that make our hobby so fascinating. Congratulations to the winners and thank you to all the generous members who shared their dolls. WOODEN – Springfield, Joel Ellis, MasonTaylor, etc. Kathy Turner
WOODEN – Schoenhut doll with intaglio eyes. Julie Blewis
WOODEN – Schoenhut with flat painted or decal eyes. Chip Barkel ANTIQUE DOLL COLLECTOR
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WOODEN – Door of Hope. L-R: Susan Booker, Christine Jeffrey
PAPIER-MACHE/COMPOSITION – European, glass eyes, excludes milliner’s model type. L-R: Andrea Morrison, Marina Tagger, Jean Kestel
PAPIER-MACHE/COMPOSITION – European, painted eyes, excludes milliner’s model type. L-R: Anna Masiello, Marina Tagger
PAPIER-MACHE/COMPOSITION – American, excludes milliner’s model type. L-R: Carol Corson, Robin Wyatt
PAPIER-MACHE/COMPOSITION – Milliner’s model type L-R: Karen Delfino, Marie Reynolds, Linda Edward, Alicia Carver 50
ANTIQUE DOLL COLLECTOR
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POURED WAX Margaret Kincaid
CHINA/GLAZED PORCELAIN – KPM, Meissen, Schlaggenwald, Jacob Petite, Royal Copenhagen. L-R: Cecilie Juul Møller, Carol Cameron
WAX COATED OR REINFORCED WAX Carol Cameron JAPANESE DOLL PRE 1920 L-R: Carol Corson, Deborah Frey
CHINA/GLAZED PORCELAIN – with decorated, molded or applied special features in contrast to surroundings. Catherine Peterson, Jean Grout, Diana Crosby
CHINA/GLAZED PORCELAIN – with decorated, molded or applied special features not painted in contrast to surroundings. L-R: Alfred Edward, Catherine Peterson
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CHINA/GLAZED PORCELAIN – male, molded hair. L-R: Kathleen Crescuillo, Catherine Peterson, Alicia Carver
CHINA/GLAZED PORCELAIN – child or infant. Kathy Turner
EARLY GERMAN BISQUE/ PARIAN, c. 1860-1880 – molded hair, special features painted in contrast to surroundings. Kathleen Zell CHINA/GLAZED PORCELAIN - bald head. L-R: Lois Cohorst, Andrea Jones
CHINA/GLAZED PORCELAIN – Frozen Charlotte/Charlie. Alicia Carver
EARLY GERMAN BISQUE/PARIAN, c. 1860-1880 – molded hair, special features painted not in contrast to surroundings. L-R: Kathleen Crescuillo, Kathy Turner
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LEATHER, RAWHIDE OR RUBBER – commercially made. Kathy Turner
FRENCH GLAZED PORCELAIN HEAD FASHION. Double-face, Gail Cook
FRENCH BISQUE HEAD – Jumeau bebe, closed mouth. Right: PRESIDENT’S CHOICE, Kathleen Zell Below, L-R: Double-face, Gail Cook, Carol Corson
FRENCH BISQUE HEAD – fashion type, stuffed cloth or leather body with cloth or leather limbs. Cindy Kronman
FRENCH BISQUE HEAD – wood, gutta percha, kid over wood or blown leather body. Leverd & Cie, Cindy Kronman
FRENCH BISQUE HEAD – fashion type, stuffed cloth or leather body, other than cloth or leather limbs. Bru double-face surprise poupée. Marilyn Dornbush
FRENCH BISQUE HEAD – Bru bebe, closed mouth. Above, Double-face, Gail Cook, Right, Florie Hirsch ANTIQUE DOLL COLLECTOR
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FRENCH BISQUE HEAD – Jules Steiner bebe, closed mouth. L-R: Gail Cook, Michael Albanese, Cecilie Juul Møller
FRENCH BISQUE HEAD – other makers, closed mouth. L-R: Gail Cook, Cecilie Juul Møller, Francisca Zucchero
FRENCH BISQUE HEAD – bebe with open mouth. Julie Blewis
FRENCH BISQUE HEAD – male or female with adult composition body. Gae Ward
In our next issue we will begin the antique competitive exhibit with German bisque head dolls.
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It’s Easy To Join UFDC
If you collect dolls, you owe it to yourself to belong to the UFDC! For membership information contact:
UFDC, Inc.,
10900 North Pomona Ave., Kansas City, MO 64153 Phone 816-891-7040 Fax 816-891-8360 Visit www.ufdc.org
PUBLIC AUCTION: DOLLS, DOLLS, DOLLS! Saturday, November 16, 2013 Auction Begins at 9:00 AM Doors Open at 8:00 AM Special Preview: Friday, November 15th from 12 to 7 PM
OVER 400 LOTS!
W
e will be offering an interesting selection of antique and collectible dolls, featuring a local estate collection which has been in storage for nearly twenty years. The highlight of this “fresh to the market” collection includes an 11” Bru Brevete, Belton #106, Kestner #182, S. F. B. J’s, Schoenhut dolls, circus figures and animals, farmer, milk maid, farm animals, and more! Lenci mold #109, F. G. French Fashion, 15” Tete Jumeau (hairline), S&H #1159, Bisque head character babies, Bisque bonnet dolls, Steiff, Madame Alexander compo & HP dolls, Barbie dolls and outfits, plus so much more!
Terms: 13% Buyer’s Premium, 3% discount for cash or good check. For more information including catalog and photos, or to learn more about our other upcoming auctions, please visit our website at www.dottaauction.com or www.auctionzip.com (Auctioneer ID #1255) Don’t miss our Antique Auction beginning at 10 a.m. on November 23rd!
Dotta Auction Co., Inc., 330 W. Moorestown Road (Route 512), Nazareth, PA 18064 • 610-759-7389 FAX 610-759-3992 PA. License AY-1950-L
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
55
Auction Gallery
We would like to thank the following auction houses for their participation:
continued from page 14
A
Alderfer Auction Company 501 Fairgrounds Road Hatfield, PA 19440 215-393-3002 www.alderferauction.com
t McMasters Harris July 25 and 26 auction, a 17” R. John Wright “Captain Corey” sold for $12,100 and a 10½” Tete Jumeau size 2 brought $3,770.
McMasters Harris Auctions 1625 West Church Street Newark, Ohio 43055 740-344-4282 www.mcmastersharris.com
F
riedbold and Ilsebill, a pair of 19” original 1929-1930 Kathe Kruse puppen dolls, brought $6,780 at the recent Alderfer Auction.
Withington Auctions 17 Atwood Road Hillsboro, NH 03244 603-464-3232 withingtonauction.com
W
A
10-1/2 inch bisque head doll incised F 5/0 G, with closed mouth, pierced ears and French jointed composition body, realized $5,876 at the Withington Auction August 15 and 16.
The Tender Years
Correction:
e listed Joan Schultz as the winner of the 2013 UFDC “Philanthropic Endeavors Through Dolls”. Joan accepted the award on behalf of the Doll Scholars of Southeast Wisconsin for the Rose Percy Event that her club hosted.
Deborah Varner • Member UFDC • 303-850-7800 • queenbeev1@comcast.net
WWW .THETENDERYEARS.NET
The most lovely Tete Jumeau from my personal collection. Small firing mark. Wearing fabulous French outfit and hat, orig. French shoes with rosettes, body in exc. condition. 10,500 Thank you to all doll friends for prayers and care when I was so very ill in the hospital. Please keep them coming as I work through this difficult recovery.
56
ANTIQUE DOLL COLLECTOR
OCTOBER 2013
Desirable and hard to find 16” Kestner XI. Straight wrists. Pale bisque with a touch of rouge. Blue lawn dress, fabulous French hat embellished with silk ribbon, blue socks, French marked shoes. 5,900
The most beautiful F.G. Block Ever! 16” of bulging blue p.w. eyes, huge kiss-me lips, orig. long platinum wig, orig. French chapeau and blue satin dress, rare all wood body. From my personal collection of 30 years, now it can belong in yours. 12,500
24” Kestner 154, pale bisque, lovely blue eyes, bisque hands and forearms. White lawn dress lavished with beautiful lace. Wears a wreath of flowers on her orig. blonde mohair wig. A wonderful buy! 675
s ’ i z t i FArntique Dolls
Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net Fritzi’s cell# 630-247-1144 Rick’s cell# 630-247-1219
Left to right: SFBJ’s #247, 252, 247, 251 & 227 boy
UFDC
OUR UPCOMING SHOWS: Oct 12 Altrusa Doll Show. St. Matthews Gym. Wausau, WI Oct 20 Toledo Doll Show. Stranahan Great Hall. Heatherdowns Blvd. Toledo, OH Oct 26 Chicago Toy & Doll Show. Kane County Fairgrounds. St. Charles, IL Nov 3 Dollicious Doll Show. Ufcw Madison Place Hall. Madison Hts, MI Nov 9 Desmoines Doll Show. Iowa State Fairgrounds. Des Moines, IA Nov 24 Tinley Park Convention Center. Tinley Park, IL
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at
BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector November 2013 Vol. 16, No. 10
A Marquis Theriault’s Auction
November 23rd, 2013 A t t h e Wa l d o r f A s t o r i a i n N e w Yo r k C i t y , N e w Yo r k Preview 9AM • Auction 11AM In the 1860s and 1870s, considered the golden years of the French poupée or fashion doll, Paris was filled with small exclusive shops that featured not only the exquisite dolls themselves, but also multitudes of related objects – furnishings, costumes and accessories – such as could be found in “real people” homes and salons of the time. It is not insignificant, for example, that the poupée of Adelaide Huret, considered the signature model for all that followed, emanated from the Huret family workshops that created fine salon furnishings for real people, and subsequently for the poupée. The child played not just with a doll, but actually created a veritable milieu in which the poupée could live.
The collection is featured in the 200 page full-color hardbound book that is sure to be a collector’s item in itself. Order “Ensemble, The Hanne Büktas Collection of French Poupées, Their Costumes, Furnishings and Accessories” by calling 800-638-0422 or visit www.theriaults.com.
the dollmasters P O B ox 1 5 1 • A n n ap o l i s , M a r y l a n d 2 1 4 0 4 U S A • To l l - f r e e : 8 0 0 - 6 3 8 - 0 4 2 2 • Fa x : 4 1 0 - 2 2 4 - 2 5 1 5 • w w w. t h e r i au l t s . c o m
“Ensemble” — Saturday, November 23rd, 2013
November 24th, 2013
More photographs of
side with hundreds of the rarest
dolls and accessories
French poupées from the ateliers
from the Hanne Büktas
of Huret, Rohmer, Rochard, Bru,
collection can be found
Jumeau, Radiquet and Cordonnier,
on pages 18-23 of this
Dehors and others (some with
issue of Antique Doll
provenance including the pair of
Collector. To see further
Taft-Alden poupées) are to be found
examples, visit the
finely crafted doll-sized furnishings,
YouTube videos
of finest woods and trimmed with
http://www.theriaults.
ormolu or bronze, outstanding original
com/vignette. Or call to register at
trousseaux of exquisite style and
Theriault’s Dollmastery Seminar
fabrics, and the rarest of the rare in
on Friday, November 22 at the
miniature accessories ranging from an
Waldorf-Astoria in New York
outstanding
of the late 19th century (perfectly sized as accessories
collection of
for poupées), to chandeliers, miniature books, handbags
“ball-spenden”
and parasols. Ten exquisite people-sized porte-bouquets
In pursuing her outstanding ensemble of the finest French poupées, Hanne Büktas,
miniature favors
(known as tussy-mussies) are also featured. And the
collector extraordinare, of Vienna, Austria, has sought to re-create these childhood
from famous
collection is complemented by a number of dainty
paradises that were found in the shops of Paris during the golden years. Thus side-by-
Vienna balls
mignonettes, serving as “children” in the many lady salon
“Lulu’s Story” — Sunday, November 24th, 2013
A Marquis Theriault’s Auction
and boudoir scenes.
A t t h e Wa l d o r f A s t o r i a i n N e w Yo r k C i t y , N e w Yo r k Preview 9AM • Auction 11AM
(limited to 25 registrants).
Order “Ensemble, The Hanne Büktas Collection of French Poupées, Their Costumes, Furnishings and Accessories” by calling 800-638-0422 or visit www.theriaults.com.
It is highlighted by a superb example of the eminent
It is highlighted by a superb example of the eminent Albert Marque doll.
< FLIP OPEN
Albert Marque doll (seen on the cover of this magazine), bearing the artist signature and the script-
PANEL FOR
marked #23 from the series of only 100 dolls. The auction is also highlighted by the collection of the late
MORE PHOTOS
Kate Hoffman, whose tasteful and inquisitive nature
AND DETAILS.
led her to pursue the best of the best in various doll categories. Her collection of American cloth includes many Martha Chase models that are seldom seen, as well as labeled patent model Izannah Walker dolls, black Beecher cloth, the Columbian doll and many others. Yet she also assembled beautiful French dolls including a superb Bébé Bru from the Golden Age still in its original At eight years of age, Lulu left Louisa’s care in Boston,
costume and box, that was featured in The Bru Book by Theimer and
returning to her father in Switzerland, forced to abandon
Theriault, as well as rare German character dolls highlighted by rare
her “vast collection of dolls”. Lulu lived in Europe
googlies and her outstanding collection of rare characters from the
until the age of 95. It is not known what happened
Gebruder Heubach collection. Her specialized and extensive collection
to her dolls. None of the fine antique dolls offered at
of Snow Children and Babies includes many examples of the very rare
this auction are known to have ever belonged to Lulu.
“blue snow” models. Fine sculpted-hair ladies of porcelain and bisque are
Nevertheless Theriault’s important Marquis auction of
featured from the Hanne Büktas and Pia Langer collections, as well as
antique dolls on Sunday, November 24 is inspired by
automata, all-bisque mignonettes, Schoenhut dolls, and simply beautiful
Lulu’s Story, and thus so-named.
child dolls in fabulous original costumes.
When Louisa May Alcott, author of Little Women, was seven years old her mother wrote to her “My Dear Little Girl, will you accept this doll from me on your seventh birthday? She will be a quiet playmate…” The Alcott family lived in abject poverty, despite the comfortable scenes depicted in the Little Women book which many have felt depicted the actual Alcott sisters, Meg, Jo, Beth and Amy and their mother, Marmee. So it is no wonder that when the later-wealthy Louisa took over the care of her infant niece, Lulu, she showered her with an array of beautiful dolls as well as penning a volume of childhood stories titled Lulu’s Library.
The dolls and childhood playthings are all featured in the 140 page full-color hardbound book that is sure to be a collector’s item in itself. Order “Lulu’s Story” by calling 800-638-0422 or visit www.theriaults.com.
“Ensemble” — Saturday, November 23rd, 2013
November 24th, 2013
More photographs of
side with hundreds of the rarest
dolls and accessories
French poupées from the ateliers
from the Hanne Büktas
of Huret, Rohmer, Rochard, Bru,
collection can be found
Jumeau, Radiquet and Cordonnier,
on pages 18-23 of this
Dehors and others (some with
issue of Antique Doll
provenance including the pair of
Collector. To see further
Taft-Alden poupées) are to be found
examples, visit the
finely crafted doll-sized furnishings,
YouTube videos
of finest woods and trimmed with
http://www.theriaults.
ormolu or bronze, outstanding original
com/vignette. Or call to register at
trousseaux of exquisite style and
Theriault’s Dollmastery Seminar
fabrics, and the rarest of the rare in
on Friday, November 22 at the
miniature accessories ranging from an
Waldorf-Astoria in New York
outstanding
of the late 19th century (perfectly sized as accessories
collection of
for poupées), to chandeliers, miniature books, handbags
“ball-spenden”
and parasols. Ten exquisite people-sized porte-bouquets
In pursuing her outstanding ensemble of the finest French poupées, Hanne Büktas,
miniature favors
(known as tussy-mussies) are also featured. And the
collector extraordinare, of Vienna, Austria, has sought to re-create these childhood
from famous
collection is complemented by a number of dainty
paradises that were found in the shops of Paris during the golden years. Thus side-by-
Vienna balls
mignonettes, serving as “children” in the many lady salon
“Lulu’s Story” — Sunday, November 24th, 2013
A Marquis Theriault’s Auction
and boudoir scenes.
A t t h e Wa l d o r f A s t o r i a i n N e w Yo r k C i t y , N e w Yo r k Preview 9AM • Auction 11AM
(limited to 25 registrants).
Order “Ensemble, The Hanne Büktas Collection of French Poupées, Their Costumes, Furnishings and Accessories” by calling 800-638-0422 or visit www.theriaults.com.
It is highlighted by a superb example of the eminent
It is highlighted by a superb example of the eminent Albert Marque doll.
< FLIP OPEN
Albert Marque doll (seen on the cover of this magazine), bearing the artist signature and the script-
PANEL FOR
marked #23 from the series of only 100 dolls. The auction is also highlighted by the collection of the late
MORE PHOTOS
Kate Hoffman, whose tasteful and inquisitive nature
AND DETAILS.
led her to pursue the best of the best in various doll categories. Her collection of American cloth includes many Martha Chase models that are seldom seen, as well as labeled patent model Izannah Walker dolls, black Beecher cloth, the Columbian doll and many others. Yet she also assembled beautiful French dolls including a superb Bébé Bru from the Golden Age still in its original At eight years of age, Lulu left Louisa’s care in Boston,
costume and box, that was featured in The Bru Book by Theimer and
returning to her father in Switzerland, forced to abandon
Theriault, as well as rare German character dolls highlighted by rare
her “vast collection of dolls”. Lulu lived in Europe
googlies and her outstanding collection of rare characters from the
until the age of 95. It is not known what happened
Gebruder Heubach collection. Her specialized and extensive collection
to her dolls. None of the fine antique dolls offered at
of Snow Children and Babies includes many examples of the very rare
this auction are known to have ever belonged to Lulu.
“blue snow” models. Fine sculpted-hair ladies of porcelain and bisque are
Nevertheless Theriault’s important Marquis auction of
featured from the Hanne Büktas and Pia Langer collections, as well as
antique dolls on Sunday, November 24 is inspired by
automata, all-bisque mignonettes, Schoenhut dolls, and simply beautiful
Lulu’s Story, and thus so-named.
child dolls in fabulous original costumes.
When Louisa May Alcott, author of Little Women, was seven years old her mother wrote to her “My Dear Little Girl, will you accept this doll from me on your seventh birthday? She will be a quiet playmate…” The Alcott family lived in abject poverty, despite the comfortable scenes depicted in the Little Women book which many have felt depicted the actual Alcott sisters, Meg, Jo, Beth and Amy and their mother, Marmee. So it is no wonder that when the later-wealthy Louisa took over the care of her infant niece, Lulu, she showered her with an array of beautiful dolls as well as penning a volume of childhood stories titled Lulu’s Library.
The dolls and childhood playthings are all featured in the 140 page full-color hardbound book that is sure to be a collector’s item in itself. Order “Lulu’s Story” by calling 800-638-0422 or visit www.theriaults.com.
“Ensemble” — Saturday, November 23rd, 2013
November 24th, 2013
More photographs of
side with hundreds of the rarest
dolls and accessories
French poupées from the ateliers
from the Hanne Büktas
of Huret, Rohmer, Rochard, Bru,
collection can be found
Jumeau, Radiquet and Cordonnier,
on pages 18-23 of this
Dehors and others (some with
issue of Antique Doll
provenance including the pair of
Collector. To see further
Taft-Alden poupées) are to be found
examples, visit the
finely crafted doll-sized furnishings,
YouTube videos
of finest woods and trimmed with
http://www.theriaults.
ormolu or bronze, outstanding original
com/vignette. Or call to register at
trousseaux of exquisite style and
Theriault’s Dollmastery Seminar
fabrics, and the rarest of the rare in
on Friday, November 22 at the
miniature accessories ranging from an
Waldorf-Astoria in New York
outstanding
of the late 19th century (perfectly sized as accessories
collection of
for poupées), to chandeliers, miniature books, handbags
“ball-spenden”
and parasols. Ten exquisite people-sized porte-bouquets
In pursuing her outstanding ensemble of the finest French poupées, Hanne Büktas,
miniature favors
(known as tussy-mussies) are also featured. And the
collector extraordinare, of Vienna, Austria, has sought to re-create these childhood
from famous
collection is complemented by a number of dainty
paradises that were found in the shops of Paris during the golden years. Thus side-by-
Vienna balls
mignonettes, serving as “children” in the many lady salon
“Lulu’s Story” — Sunday, November 24th, 2013
A Marquis Theriault’s Auction
and boudoir scenes.
A t t h e Wa l d o r f A s t o r i a i n N e w Yo r k C i t y , N e w Yo r k Preview 9AM • Auction 11AM
(limited to 25 registrants).
Order “Ensemble, The Hanne Büktas Collection of French Poupées, Their Costumes, Furnishings and Accessories” by calling 800-638-0422 or visit www.theriaults.com.
It is highlighted by a superb example of the eminent
It is highlighted by a superb example of the eminent Albert Marque doll.
< FLIP OPEN
Albert Marque doll (seen on the cover of this magazine), bearing the artist signature and the script-
PANEL FOR
marked #23 from the series of only 100 dolls. The auction is also highlighted by the collection of the late
MORE PHOTOS
Kate Hoffman, whose tasteful and inquisitive nature
AND DETAILS.
led her to pursue the best of the best in various doll categories. Her collection of American cloth includes many Martha Chase models that are seldom seen, as well as labeled patent model Izannah Walker dolls, black Beecher cloth, the Columbian doll and many others. Yet she also assembled beautiful French dolls including a superb Bébé Bru from the Golden Age still in its original At eight years of age, Lulu left Louisa’s care in Boston,
costume and box, that was featured in The Bru Book by Theimer and
returning to her father in Switzerland, forced to abandon
Theriault, as well as rare German character dolls highlighted by rare
her “vast collection of dolls”. Lulu lived in Europe
googlies and her outstanding collection of rare characters from the
until the age of 95. It is not known what happened
Gebruder Heubach collection. Her specialized and extensive collection
to her dolls. None of the fine antique dolls offered at
of Snow Children and Babies includes many examples of the very rare
this auction are known to have ever belonged to Lulu.
“blue snow” models. Fine sculpted-hair ladies of porcelain and bisque are
Nevertheless Theriault’s important Marquis auction of
featured from the Hanne Büktas and Pia Langer collections, as well as
antique dolls on Sunday, November 24 is inspired by
automata, all-bisque mignonettes, Schoenhut dolls, and simply beautiful
Lulu’s Story, and thus so-named.
child dolls in fabulous original costumes.
When Louisa May Alcott, author of Little Women, was seven years old her mother wrote to her “My Dear Little Girl, will you accept this doll from me on your seventh birthday? She will be a quiet playmate…” The Alcott family lived in abject poverty, despite the comfortable scenes depicted in the Little Women book which many have felt depicted the actual Alcott sisters, Meg, Jo, Beth and Amy and their mother, Marmee. So it is no wonder that when the later-wealthy Louisa took over the care of her infant niece, Lulu, she showered her with an array of beautiful dolls as well as penning a volume of childhood stories titled Lulu’s Library.
The dolls and childhood playthings are all featured in the 140 page full-color hardbound book that is sure to be a collector’s item in itself. Order “Lulu’s Story” by calling 800-638-0422 or visit www.theriaults.com.
Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment. home: 718-863-0373 cell: 917-859-2446
13 1/2” Brevette Bru Bebe, mint pale bisque, br. almond shaped p/w eyes, early mauve blush under brows, luscious lashes, fabulous ant. long tailed mohair wig, pate & head attachment. Wears gorgeous ant. Fr. red wool dress & matching hat, orig. undies & orig. “signed” Bru shoes, ant. black socks marked “B”. On orig. kid body, perfect bisque shoulder plate, fully “signed”, perfect lower bisque arms & hands (small firing line behind one wrist). First generation Bru & absolutely BREATHTAKING!!! $18,500. 8 1/2” Swaine & Co. “DIP” Character Baby, mint pale bisque, orig. mohair wig, cl./mo., light blue sl. eyes & molded lids. Wears factory orig. batiste & lace trimmed baby gown, & ant. pink dotted swiss pinafore, darling ant. hat, orig. diaper & booties. On orig. 5 pc. bent limb baby body. Great tiny size perfect for doll carriage or stroller. Deep modeling. Adorable!!! Only...$1095.
LAYAWAY AVAILABLE Member UFDC & NADDA
(Nat'l Antique Doll Dealers Assn.)
Visit my website: www.grandmasatticdolls.com
11” Tete Jumeau #2 Bebe, bulging blue p/w eyes, luscious lashes, immaculate pale bisque, fabulous orig. full mohair wig. Wears FACTORY orig. ornate silk & lace dress, matching hat, orig. undies, socks & ant. Fr. leather shoes. On orig. “signed” Jumeau body & fully marked head. More beautiful than I can describe. Great tiny cabinet size. Most amazing face & tremendous presence!!! BREATHTAKING!!! $8550.
7” Kestner Cl./Mo. All Bisque, big br. p/w eyes, early peg strung, “swivel neck”, cl./mo.,, magnificent orig. long curly mohair wig w/chignon. Wears orig. batiste pink & white dress & orig. pantaloons. RARE pink bootines. Absolutely STUNNING & great large size all bisque. $3575. 9 1/2” Tete Jumeau #1 Bebe, immaculate pale bisque, huge blue threaded p/w eyes, luscious lashes, orig. mohair wig & pate. Wears factory orig. flowered Jumeau dress, fabulous ant. Fr. silk hat, orig. undies & orig. unmarked Jumeau shoes w/rosettes & orig. crocheted socks. On orig. “signed” Jumeau body. ABSOLUTELY GORGEOUS in the most darling size #1. $9850.
4” All Bisque Mignonette, blue p/w eyes, great pale bisque, fabulous orig. very long wavy mohair wig, (surface flakes top of torso). Wears gorgeous orig. aqua silk dress. Beautiful tiny all bisque, “swivel neck” & cutest teeny sized mignonette. I love her!!! Only….$2275.
16” K * R 116A Toddler, o/cl/mo., magnificent bisque, br. sl. eyes, , orig. mohair wig, wears darling wool sailor suit out of ant. fabrics, orig. undies, orig. leather shoes & socks. On great orig. fully jointed st. wrist toddler body, 2 molded upper teeth into top lip. First out of mold deep modeling. Absolutely ADORABLE!!! $2550. 10 1/2” A.M. #240 Kewpie Googlie Toddler, huge blue side glancing sl. eyes, big watermelon mouth, painted molded hair pointed on sides & top, mint pale bisque. Wears ant. blue batiste dress w/thin stripping, criss cross stitching & rouching at chest w/ lace collar, ant. crocheted socks & shoes. On orig. compo. 5 pc. toddler body. The cutest one I have ever seen! Just DARLING!! Sure to bring you a smile!!! $5500.
Nelling, Inc.
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC 15 1/2” Terrene body fashion, fully articulated, orig. and charming multi-piece costume and wig. $6950. 5 1/2” French Sustrac mignonette with BTE mark, orig. costume, undergarments and wig. $3375. EXHIBITING: November 9 California Doll Collectors Show and Sale, Garden Grove CA, Garden Grove Community Center December 7-8 Eastern National Antique Doll Show, Gaithersburg MD, Montgomery County Fairgrounds
BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved. Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com
Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2013 by the Puffin Co., LLC.
MOVING?
Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
The Complete Guide to Antique, Vintage and Collectible Dolls
November 2013 Volume 16, Number 10
28
14
AUCTION GALLERY
Temperatures may be cooling but auction action is heating up. A look at the upcoming Bonham’s auction and results from several auction houses are in this issue.
A FUTURE FOR THE PAST: REDISCOVERING QUEEN LILIUOKALANI’S DOLL by Mindi Reid
18
THERIAULT’S PRESENTS THE BUKTAS COLLECTION, SATURDAY, NOVEMBER 23
On Saturday, November 23rd, the venerable Waldorf Astoria in New York City will be the setting for the Theriault sale of the Buktas collection, noted for its renowned collection of French poupées.
Theriault’s two day sale, November 23 and 24, features not only the Buktas collection, but also important consignments from private collections the world over. A singular highlight is this magnificent A. Marque which is numbered 23 on the back of the head and has been in a private collection for the past forty years. For more information see the article on page 19 and the ad in this magazine.
About The Cover
35 6
WELCOME TO VILLA MASE by Kathy Embry The author details the loving restoration of a large dollhouse containing nine rooms.
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
42
14 52 58 58
As a young student of Hawaiian history, Mindi Reid never forgot the courageous story of Hawaii’s last queen and a personal anecdote concerning the donation of a doll dressed in traditional holoku for donation to an American doll collection.
Auction Gallery Mystery News Book Review
2013 UFDC ANTIQUE COMPETITIVE EXHIBIT BLUE RIBBON WINNERS WASHINGTON, D.C. PART 1
59 Emporium 60 Calendar 63 Classified
50
NATIONAL DOLL FESTIVAL JULY 27-31, 2013
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC & NADDA matrixbymail@gmail.com
Spectacular Wax Head Kestner – such a rare and sweet antiquity in an unheard of 20” size! The rare wax socket head, with, uncut mohair curls, is on her mint 8-ball ‘Schmitt body’ with all her Original Fancy Clothes and Shoes, plus an extra pretty dress! Ribbon Winner! $1800
Significant Barrois Portrait Doll – we have never seen an Empress Eugénie portrait sculpted with greater majesty than is this 22” tall signed example. This 3rd Empire French empress, wife of Napoleaon III, is All Original w/ remarkable mohair tresses, sturdy body w/ gloved hands and miniature ring, wearing her mint silk couture gown including fancy factory shoes. Immaculate perfection! $6500
Four Heirloom Closed Mouth German Fashions (l-r): 10” Belton Style with mohair wig, pw eyes, lustrous bisque, silk gown $595, 14” Snow Pure 1880’s Kling ‘Lass’ with romantic tartan wool dress and two tone leather shoes! $450, 13” All Orig. Swivel Neck Fashion - E.J. look w/ shaded lids in tailored silk ensemble w/its matching hat and shoes! $750, 12” ‘Halbig’ Mariner with dewey bisque, mohair wig and a great nautical ensemble! $495
Looking just like a Jumeau, this rare and distinctive 13” 1888 Simon Halbig ‘920’ Fashion is unique. She has oily sheen, original wig, pw eyes, cl. mo. and leather French fashion body – very special Halbig clearly for French export! A must! $1250
Ready to dress! 17” rather rare Swivel neck E. B. Fashion – flawless, signed quality and important labeled Lavalée Peronne, kid body with original underwear and wig! $2900, 14” Jumeau Portrait Fashion – delicate fine bisque and tri-color eyes with original body, awaits your design! $2200
13” Revalo Art Doll! Profound sculpture, richly modeled hair, open closed smiling mouth and 6 teeth, intaglio eyes, a mint cabinet coquette in original clothes! $695. 8” Baby Sister – molded curls, intaglio eyes, plump cheeks, cl. mo. with tiny tongue! $275
German Doll House Kitchen – 6 mint pieces tied into original box with label and prices! $250
(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail matrixbymail@gmail.com
Outstanding Zinner and Sohn Parlor Toy – exceptional assembly of 3 rarely found Halbig/Dressel Characters masculine bisque features include well molded moustache and brows, glass eyes, factory silk costumes and wigs. The merry men tilt and turn their heads and instruments jauntily as the music plays on! All on a convenient 13” x 10” base. $2750
Authentic Bliss Dollhouse – great color, usual wear, original paper inside add out, 11” x 16” x 7” deep, clean and as found, just $395 13” Factory Dressed German Celluloid! Mint! 39” Lifesize Edwardian Child – with 19” circ. head! Exceptional quality bisque and color, light filled grey sleep eyes w/lashes, unusual model ‘478’ (see Cieslik) with chunky mint body and long curls and original shoes! Quite the sophisticated young lady! $1850
25” Rare Wigged Rollinson – Mass., c. 1916. It’s not just wigged but signed too, near mint and heirloom all original in quaint and colorful handstitched period clothes with orig. shoes! Darling! $1495.
17” Factory Original AM 580 Character – a deeply dimpled character w/delicate bisque, op.cl. mouth plus fine orig. clothing and mint factory shoes! ‘twinkling glass eyes’ best describes this sweetheart in the school of Kley and Hahn. $650
Left to Right: 28” Black Character ‘Lula’ with 18” cir. head! Leo Moss type toddler w. glass eyes, molded tears, textured hair, original clothes, all mint, signed and w/tag! $750 The Rare Googlie Character you’ve never seen! 6-1/2” of outrageously inventive fun with black tufts of hair and intaglio black eyes! Wow! $1100 Deluxe 27” Lifesize J.D. K. Baby – with 17” cir. head! Big sleep eyes, factory wig and chunky orig. paint body in lavish 30” gowns w/silk – coat w/ capelet and pink leather shoes! $1200 20” Bebe Tout en Bois – popular in turn of the century Parisian toy stores with its oversize pw eyes and painted all wood ‘incassable’ artistry - still mint! With original silks! $750
Quality Antique Dolls by Mail Return Privilege •Layaways Member UFDC & NADDA
(212) 787-7279 P.O. Box 1410 NY, NY 10023
“C’est Magnifique” takes on its proper meaning in the case of this stunning, family held, ‘Bebe au Polichinelle’ automaton! New to the market, in ‘working order’ unplayed and factory original with Au Nain Bleu label, she can even boast the original wooden box in which she came. The Jumeau ‘211’ head known as ‘The The Screamer Screamer,’ was especially made for Lambert in 1895 Paris. ‘En suite’ she possesses all the lavish wit deemed appropriate to the extravagant European salon. When wound, she indicates her distressed toy while dabbing her sobbing eyes to the aire “Qusqu’ est St. Nazaire” – all contained to the 6” x 9” base! Simply stated: C’est Magnifique! $9200
matrixbymail@gmail.com
A Rare Special Commission Poupée – delicate, crisp, mint and original describes both the quality and condition of this pristine pressed bisque probably Rhomer poupée with a rare, special order, kid lined swivel flange neck design; plus jointed wooden upper arms and graceful 3/4 bisque lowers designed to hold a pose - and they do! An impeccable quality fashion executed by Gaultier in seemingly original period clothes. $4500
A Rare Pierre Victor Clément – more rare than Huret is this lithe and important 14” tall 1866 patent Poupée Clément with the exciting signed ‘Clément // Solidité Garantie’ hollow leather jointed body. Sometimes referred to as ‘blown kid,’ this unique body is much lighter and more rare than wood, more flexible and beautifully shaped. A rare opportunity for a museum class acquisition! $7500
Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net 15” Dewees Cochran “Look-Alike.” All original with box, curlers, coat, leggings, bonnet, and felt hat. $2000.
& LOWE
Connie
Jay
A fine selection of early dolls and toys. Looking for something? Call us with your wants. P.O. Box 5206 Lancaster, PA 17606 • FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA 10
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
Come See Us!!
Bellevue, WA. Antique Doll and Toy Show at the Red Lion Hotel - November 3 - 11-4 The Eastern National Antique to Modern Doll & Toy Show - Dec. 7 & 8 at Gaithersburg, MD. Fairgrounds.
Happy Thanksgiving!
Tel: 425.765.4010 Valerie@beautifulbebes.com If you believe that fine things come in small packages, this is the fine thing you have been seeking! This astonishing and gorgeous little one has the face of an angel. All original except for her antique unmarked shoes, she is dressed a superb sea foam tinted silk dress with matching straw and fabric bonnet. Her original skin wig is thick and curly. She is marked 1 at the base of her neck and signed in the blue Jumeau stamp on her body. Excellent and adorable all in one!! $11,900~
This is an illusive doll attributed to Alt, Beck & Gottschalk. This unusual and very desirable doll is markedly different from most poupées. She has a very early look and is a rival to the early Huret doll in style and look. She is in a wonderful golden weave silk linen two pc. suit, superb flower adorned straw bonnet and original antique leather boots. She has pink-tint china hands and resides on a sturdy leather body. $4000~
13” 1039 Mulatto Simon Halbig Flirty eye in regional/ethnic costume. This is such a darling little girl! She has her original silk eyelashes, her original wig, all original costume and adorable overall presence! A perfect cabinet size and soooo hard to find. $1400~
Member UFDC & NADDA
Ah-h-h-h...the ever lovely Schmitt! This 15” marked 1 Bebe has the most magical gaze. Our beauty is on her marked Schmitt ball jointed body and has the shield on both body and neck. Original wig, antique bonnet and lovely blue coat dress. Antique shoes complete her! $10,600~
Vichy; a name in automata that is synonymous with excellence and fascination. Such is this rare and fantastic automaton “Lady at the Piano”. This stunning and rare piece is mesmerizing. She scans for her music sheet then looks down and side to side while her nimble fingers race over the keys emitting beautiful music. This automaton also has a secret; not one but three secret compartments that once held fabulous confections to delight her audience. She is in her original gown and glorious original wig. All in excellent condition. $14,800~
Empress Eugenie captured in the warm glow and sweet face of this captivating 15” fashion poupee. This is a superb example of this ever popular mold by Leon Casimir Bru. Dressed in a lovely two piece grey silk walking suit, antique boots, antique straw bonnet and residing on a sturdy kid body, our lass comes to life beneath her flurry of golden ringlets. $4800~
Auction Gallery
Preview: Bonham’s Fine Doll Sale December 4
H
ighlights from the upcoming Bonham’s auction in Oxford include an important, 29-inch George II wooden doll, c. 1725-30. The doll’s painted gesso face has finely carved and detailed features with the remains of real hair woven into a coarse linen nailed on wig. The painted and turned wooden torso is defined with well formed bust, rounded hips and disc jointed at shoulders, elbows, hips and knees, delicately carved hands with long fork fingers, and well formed painted legs and feet with detailed toes. She wears her original gown and fichu with leading strings, quilted petticoat, a free hanging secret pocket, a cotton petticoat, together with her cane hooped panniers, plus additional clothing. Two gorgeous Bru Jne bisque bebes will be offered, 21 and 22 inches tall, as well as a Bru circle dot, c. 1888, 18 inches tall. Other fine French dolls include a Bebe Mothereau, 16 inches on a rare composition and metal body and a size 10 Tete Jumeau. To order a catalog ($30) go to subscription@bonhams.com. More information is available by emailing rachel.gotch@bonhams.com
A large and important George II wooden doll with original costume.
Bru Jne, size 7, 21 inches tall.
15-inch Grodner Tall wooden, c. 1820. S.F.B.J. 262, 23 inches.
Mascotte Bebe, c. 1890, 29 inches.
Circle dot Bru, size 6, c. 1880, 18 inches.
A rare set of Steiff bear skittles, c. 1906.
Bru Jne, size 8, 22 inches tall.
Bebe Mothereau, size 4, c. 1880, 16 inches.
More Auction Gallery on page 54 14
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
17 Loch Lane, Rye Brook, NY 10573
(914) 939-4455 Fax (914) 939-4569 Email: poupees57@aol.com Generous Layaways Member NADDA and U.F.D.C.
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Accepted 1. 17” Incised Depose 7 Jumeau. Exquisite pale bisque. $5900 2. 17 “ Simon Halbig 1199 oriental, In her head to toe original costume, spectacular! $3200
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3. 25” Simon Halbig 1279 Character. This dimpled beauty has it all. Crisp modeling, outstanding doll. $2900 4. 8” Beguiling little googly, totally original and ready for mischief! $1200 5. 15” Delightful little boy, made by Simon Halbig for Franz Schmidt, marked mold #1295. $1100 6. 11” Just Me, The most adorable one ever, totally original, perfection from head to toe! $2100 7. 16” Kathe Kruse Doll 1. This gorgeous wide hipped little fellow is just precious as can be. $3600 8. 18” K * R 114, Gretchen Hard to find size with extraordinarily beautiful face, superb modeling, and wonderful body. A treasure. $3800
Please see our website or call for more details, and lots more pictures
www.evelynphillipsdolls.com Photography by Paula Claydon
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Theriault’s presents the Buktas Collection, Saturday, November 23 S
itting at the edge of the hills surrounding Vienna, Austria is the lovely home of Hanne and Umur Buktas. One can look out their windows to see the beautiful vineyards that produce some of Austria’s most famous wines. Few need to look outside, though. For, within this beautiful home is another sight more tantalizing to antique doll lovers, the result of the years of passionate collecting of all things beautiful and fine. Paintings, furniture, decorative arts all blend beautifully with Frau Buktas’ love of dolls. She has never been afraid to adjust her pattern of collecting to embrace new categories. One collection has led to another, evolving and developing into a Butkas hallmark - an ensemble of perfectly complemented dolls, furnishings and accessories. In describing this credo, Hanne Buktas notes “the doll should always be placed in a fitting scenery in order to really show its beauty and transmit its artful value”. Collectors have already been given a view into this credo when the Hanne Buktas collection of antique dollhouses, room and miniatures were presented by
A stunning large French bisque poupée with extraordinary original wig and costume, possibly from the house of Bru. 18
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
The classic French poupée by Jumeau in fine original sheer muslin gown with blue silk ribbon trim and exquisite original wig, and having rare Gesland body with bisque hands, holds her own all-bisque mignonette, also in original costume. She is posed with a fine silk-upholstered gilt wooden parlor set and two Borzoi dogs.
Two of the Huret poupées from the Hanne Buktas collection are shown, the lady on the left with fine antique pique ensemble with soutache embroidery and rare accessories, while the lady on the right owns her own extensive trousseau (not shown here).
A rare bisque sculpted cap with fabric edging is attached to the beautiful cobalt blue-eyed poupée; few other examples are known to exist.
A petite and charming 14” poupée by Rohmer has an extensive trousseau of exquisite original costumes, along with a beautiful trunk lined with cobalt blue papers and decoupage, and dozens of rare accessories and ephemera.
A rare painted-eye poupée with highlycharacterized face, and superb original wig and costumes stands alongside a rare Huret table with painted scene on the table top.
Poupées in fine original costumes grace the Buktas Collection, and are given dimension by wonderful miniature dolls and accessories such as the Maerklin carriage shown here, one of three in the collection.
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
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The beautiful poupée wears her original costume of Normandy nanny, holds a wonderful miniature bisque baby, and is accompanied by two fine all-bisque mignonettes, the blue-dressed mignonette with rare character like face.
A lovely bisque poupée by Jumeau in original costume stands alongside a bronze table with marble top and cherub mounts, and rare French miniature clock.
Theriault’s in the 2010 auction “Echoes of Old Remembered Rooms”. Now Frau Buktas has determined to part with her beloved collection of French poupées, another veritable vision of 19th century classic Europe that she has carefully and meticulously assembled over the past 30 years. The collection will be presented by Theriault’s in an exclusive one-owner Marquis auction entitled “Ensemble, the Hanne Buktas Collection of French Poupées, Their Costumes, Furnishings and Accessories”. It is, without a doubt, the most important event within this category that the world of collecting has yet witnessed. The dolls encompass all that is rare and important in the world of French poupées: Huret, Rohmer, Rochard, Bru, Jumeau, Radiquet and Cordonnier, Dehors, and innumerable others. Always seeking the best of lady dolls, with distinctive portrait faces and rare body models, it has been equally important to Hanne Buktas that her lady dolls were costumed in exquisite and original costumes. In addition, many are the proud owners of extensive and original trousseaux. She also created fantastic vignettes of courtly scenes with her poupées. In doing so, she searched Europe for years for the finest in fashion-doll-sized furniture and accessories that would complement the grace of these beautiful ladies. And finally, to provide accent and scale, she added rare and prized all-bisque and mignonette “children” to her lady scenes. In addition to fine accessories created exclusively for French poupées, Hanne Buktas assembled an extraordinary collection of 19th century Viennese “ball-spenden”. These were miniature favors given to ladies at the famed
A very rare gentleman poupée with sculpted bisque moustache is presented in his original bridegroom ensemble, acquired by Hanne Buktas from the collection of Dina Vierney.
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ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
The beloved French bisque portrait poupée by Jumeau in antique ivory silk ensemble stands by a outstanding Austrian wooden four-panel folding screen in the Art Nouveau style with hand-painted scenes by Raimund Ritter von Wichera.
The French inventor, Rochard, created just a few examples of his be-jeweled ladies, constructed in the manner to allow light to be reflected through the “diamond” centered brooch. One of these extremely rare dolls is included in the Buktas collection.
Wonderful leather cases, valises and necessaries are featured among the dozens of rare poupée accessories.
Four examples from the collection of Viennese “ball-spenden” included in the Buktas Collection; the easel-back frame on the left features an image of the beloved Princess Sissi in full ball gown.
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
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The auction includes two examples of the portrait poupée by Alexander Dehors, with distinctive facial model and sought-after neck articulation that offered realistic posing possibilities.
An especially beautiful French bisque poupée with extraordinary original silk gown having extended train, standing aside an antique French chair with tufted silk cushions.
The very sought-after portrait poupée by Jumeau, of which few examples exist, has splendid complexion and painting enhanced by brilliant cobalt blue eyes. The signature French poupée of Adelaide Huret has been a particular favorite of Hanne Buktas, including several examples with original trousseaux. Shown here is just one example, along with an original Huret table with blue velvet cover. 22
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
A composite of all-things desired in a French poupée: exquisite facial expression, superb wig, and fine antique costume with accessories including jewelry and velvet purse.
Two choice examples of the rare Radiquet and Cordonnier poupées with buxom modeling and bisque lower legs, one with original wooden stand.
The beloved smiling face model of Leon Casimir Bru, deposed in 1872, has been a favorite of Hanne Buktas. Shown are three examples, the largest a very rare 27” “L” size, and all in fine original costumes.
Stunningly beautiful French bisque poupée with portrait expression is enhanced further by exquisite silk and cashmere evening ensemble.
Vienna formal balls during the last half of the 19th century – a period that coincided directly with the epoch of French poupées. The “ballspenden”, often in the shape of tiny purses (one is 800 proof pure silver), picture frames with gold or embroidered details, or miniature books or journals, are delightfully perfectly scaled as accessories for French poupées, as well as unique mementoes. The collection, encompassing 100s of dolls, and nearly 400 individual lots, will be presented at New York’s Waldorf Astoria on Saturday, November 23, and commemorated in a 200 page hardbound book. For information about the auction, to order the catalog, or to request a color brochure call Theriault’s at 800-638-0422 or 410-224-3655 or visit www.theriaults.com. ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
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ÉCOLE DES POUPÉES
Samy Odin, Ann Coleman and Margaret Gray Kincaid Welcome you for a
BEBE JUMEAU Study of Original Fashions
Learn how to Appreciate the Authenticity and Historical Significance of the Jumeau Company Hands-on examination of antique Jumeau Bébés and their wardrobes from the Musée de La Poupée-Paris and private U.S. collections
FEBRUARY 2528, 2014
to be Held at Margaret Gray Kincaid’s charming house in Baltimore, Maryland
It all starts on Tuesday Evening with a welcome dinner. Seminars, workshops and programs on Wednesday and Thursday. All meals included with a Gala Dinner on Thursday night. Friday morning tour of Baltimore’s highlights. March Gaithersburg Show following Saturday and Sunday March 1&2 Free Admission with early entry to the show included
Cost: $650 per person
CONTACT: Margaret Kincaid 646-709-4340 or margaret.kincaid@gmail.com or write to 17 Elmwood Road, Baltimore Maryland 21210 (Number of attendees VERY limited)
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ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
Gigi’s Dolls & Sherry’s Teddy Bears Inc.
LAYAW AVAILA AY BLE
Allow Us To Help You Discover The Child Within You!
28” JDK 260, brown stationary eyes, HH wig, great molding, glass rod teeth $650.
20” CM 639 Germany No.9 Alt, Beck & Gottschalck, solid dome shoulder head on kid body w/ bisque hands, brown stat. eyes $395.
25 ½” COD (K star R 117N look), brown sleep eyes, great body marked Cuno, Otto & Dressel, Germany $785. 4” German Happifats Pair, great molding and coloring, girls arms possible Japanese arms $295.
13 ½” Kestner 154 2 ¼ All Original w/ brown sleep eyes and mohair wig, adorable size $195. 5 ¾” #208/3 All Bisque Kestner w/ blue sleep eyes, mohair wig $225. 14” K star R 128 S & H, great molding, brown sleep eyes, body repainted $395.
Maggie Made By Maggie Iacono - with felt ball jointed bodies, boxes & certificates 16” Evelyn 50/75, blue painted eyes, beautiful light mint green and ivory felt dress, cloche hat $925. Now $695. $925 16” Louisa 20/80, blue painted eyes, beautiful light rose felt dress, picture hat $925 $925. Now $695.
17” K star R 116 A baby, brown sleep eyes, some peppering on nose and left cheek $995. 5 ½” All Bisque #130 Kestner, brown sleep eyes, original mohair wig w/ pate, right foot glued $125.
16” Schoenhut Girl with brown intaglio eyes, blonde mohair wig, great coloring $995.
22” 192 10 Kammer & Reinhart, blue sleep eyes, pierced ears $550.
11” S & H 1079 on French body, brown sleep eyes, pierced ears, pinkie off on left hand $695.
21 ½” Kestner turned head w/ 6 molded square cut upper teeth, brown sleep eyes, original mohair wig, a little work on upper leg, 1 left finger chipped, “Genevive Marie Alexander given to me by Maura” written on kid body $695.
20” S & H, CM Bergmann, brown sleep eyes, mohair wig, pierced ears $395. 20” AM 390 boy all original in Turkish costume, blue sleep eyes, mohair wig, beautifully detailed embroidery on costume $450. 24” Kestner 171 – 12, blue sleep eyes, brown mohair wig w/ braids over head, pink heirloom dress $545.
31” JDK 215 with fur eyebrows, brown sleep eyes, glass rod teeth, Germany stamped on body $545.
19” Patsy Ann by Effanbee, great compo and head, original shoes, redressed $225. 15” Patsy by Effanbee, nice composition, redressed $140.
21” Margaret O’Brein by Alexander, redressed, green sleep eyes, mohair wig, some slight crazing $295. 21” Compo Bauer & Black 1946 all original Miss Curity, crazing on face and left hand slight crazing on legs & right arm, blue sleep eyes, c/m, mohair wig $110. 12” 1939 – 42 Baby Sandy by Freundlich, tin eyes, molded hair, some crazing, redressed $150.
8 ½” circ. 1923 Byelo Baby, blue eyes, celluloid hands, original frog body $185. 10 ½” circ. Byelo Baby, blue sleep eyes, celluloid hands, original frog body $185. 24” K star R #122 Baby, blue sleep eyes, nice sculpting & coloring, repair on foot & fingers $495.
15” Hertel Schwab #136, compo flapper ball jointed body, brown sleep eyes, 1910, HH wig $310. 6” Grace Storey Putnam #16/15 Byelo Baby, Germany, original mohair wig, brown sleep eyes, blue molded shoes, Byelo sticker on chest, jointed arms & legs $550.
22” Effanbee Patsy Lou 1930’s, green sleep eyes, original dress & unders, some crazing on left shoulder $275. 11 ½” Effanbee Patricia, blue sleep eyes, all original heart bracelet, sunsuit, shoes & socks, HH wig, great condition $175. 9” 1939 Effanbee Button Nose, painted brown eyes looking to the right, right leg some paint chipping – very slight crazing $165.
23” S &H CMB 9, blue eyed Bergman, antique mohair wig, pierced ears, nice bj body $450. 17 ½” Schoenau & Hoffmeister Baby, brown sleep eyes, cute expression $250.
25” Heinrich Handwerck 79 13 on wonderful early stiff wrist 6 ball body, hairline back of head & small rim hairline on left forehead, brown sleep eyes $295.
16” CM A. Halopene – marked 1 H, shadowing above eyes, brown pw eyes, HH wig, small hairline on upper left temple, beautiful stiff wrist body $23,500.
17” Jumeau French Fashion 4, kid body w/ wood articulated arms, brown pw eyes, pierced ears, aqua silk suit (melting), original blond mohair wig $4250.
15” Jumeau Fashion w/ wood articulated body from 1865, blue eyes, no marks on head, blond mohair wig $4995.
8” Cameo Scootles all compo, great expression, very faint crazing, redressed $395. 21” Sleep Eyed Scootles by Cameo, original shoes & socks, slight crazing, fabulous doll, small paint flake at neck $725.
17” Simone Fashion w/ stiff neck and kid gusseted body, blue eyes, blond mohair wig, oval Simone label on chest $2800.
17” FG 3 on Gesland body w/ bisque hands & feet, blue pw eyes, pierced ears, blonde mohair wig, melting wedding dress $3500.
8 ½” Heubach Koppelsdorf 250 on 5 piece body, blue sleep eyes, mohair wig $155. 10” S & C, Franz Schmidt on compo body w/ ball jointed arms, blue sleep eyes, blonde mohair wig, antique clothing $495.
14 ½” Bru Fashion #1 on neck & shoulder, pierced ear w/ earrings, cobalt blue eyes, swivel head, leather body w/ straight legs, left hand – 2 fingers repaired, mohair wig, trunk with extra outfit and many accessories $2895.
36” S & H Germany 16 ½, fabulous ball jointed body, blue sleep eyes, original blonde mohair wig, some slight peppering by nose, antique dress $1550. 12” JDK 7 ½ Made in Germany, bald headed baby w/ blue stat. eyes, molded o/c mouth, beautiful coloring, tips of fingers worn, all original clothing – dress, slip, booties & sweater $250.
13 ½” Revalo Coquette w/ hairbows, blue grey intaglio eyes, o/c mouth w/ molded teeth $650. 4” Japanese mohair bear $25.
16” K star R 126 w/ flirty eyes, original mohair wig, repainted baby body $280. 15” Circ. Byelo w/ blue sleep eyes, great coloring & molding, missing 1 finger right hand $450 $450. Now $415. 15 ½” “Buttons” from 1947 advertising character for Dan Rivers Sheets Company, adorable cloth doll w/ molded oil cloth face $95. 35 ½” Heinrich Handwerck S & H, blue sleep eyes, mohair wig, repainted body $1195.
15” S & H 1080 on kid body w/ strung kid over wood arms w/ bisque lower arms, HH wig, brown sleep eyes $285.
20” 1930’s DyDee Baby with lovely compo head , open mouth, lovely rubber body, with original play pen $225.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
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A Future for the Past: Rediscovering Queen Liliuokalani’s Doll I
by Mindi Reid
t had nagged at me for years…just a detail, something that wasn’t hugely important in the “big picture” of the life of Hawaii’s last Queen, or her struggle to preserve an island kingdom’s independence. As a fledgling student of Hawaiian history, I first read “Hawaii’s Story by Hawaii’s Queen” in 1976, nearly eighty years after Liliuokalani had penned what was both autobiography and reasoned plea for the restoration of her nation after its 1893 overthrow by a small group of mostly American businessmen. In her memoir’s pages I came to know the Queen (who died in 1917) as a brilliant woman…eloquent, intellectual, cultured and deeply spiritual…a musician and scholar who endured the injustice of personal and national tragedy (including months of imprisonment on bogus charges) without ever losing her innate grace and compassion for others… particularly children. Among the anecdotes from Liliuokalani’s personal life is one of particular charm which stayed in my mind for decades: a brief account of how she came to dress a doll in Hawaiian holoku (traditional gown with train) and two lei for donation to a unique doll collection. The Queen was in the Boston area during the winter of 1896-97. It was convenient to be near Washington, D.C. as she continued the struggle for independence of her country and people, and Boston was also home to some of her late husband’s relatives, who offered the Queen hospitality and moral support during a difficult time. While staying in the suburb of Brookline, near to “cousins” William Lee (a well-known Boston publisher) and his wife Sara White Lee, she occupied a suite of rooms on the second floor of Stirlingworth Cottage – a genteel boarding house run by one Mrs. Bullard. Page 315 of “Hawaii’s Story” refers to the morning on which cousin Sara brought Liliuokalani an unusual letter, one in which a woman requested donation of a Hawaiian doll to her “international doll show”, a collection being assembled as a touring fundraiser for various children’s charities. The Queen’s Doll, donated to the International Doll Collection and a permanent resident of the Wenham Museum. 28
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The Queen – who was an expert needlewoman, as the crazy quilt displayed at Iolani Palace in Honolulu testifies - was delighted with the idea; she immediately acquired a doll and set about sewing a lovely holoku for it. True to Hawaiian tradition, she also made lei (perhaps with millinery materials) for its head and neck. Cousin Sara’s amazement at the sight of royal hands sewing finery for a doll amused the Queen enormously…something taken note of in both “Hawaii’s Story” and Bernice Piilani’s Irwin’s “I Knew Queen Liliuokalani.” Neither account, however, provides the name of the woman on whose behalf Liliuokalani created her Hawaiian fashion statement. As the doll leaves the Queen’s hands with the blessing of the name “Kaiulani” bestowed upon it (a fact noted in the Boston Globe), it vanishes for more than an entire century – at least from the Hawaiian historical record. Queen Liliuokalani’s choice of the name Kaiulani (pronounced Kah-ee-oo-lah-nee, for her gift to the “doll show,” later known as the International Doll Collection (IDC) is significant. That Liliuokalani chose to bestow the name of her beloved niece - the Crown Princess of the Kingdom of Hawaii - upon an inanimate object indicates she viewed her gift as more than just a doll… it would, in its own way, carry the Queen’s hopes for the future of her own people out into the wide world, becoming a dignified – if miniature – emissary of Hawaiian nationhood, a reminder of the actual Princess Kaiulani’s role in the world at that time. That it would do so as part of a project to aid needy children of every background must have pleased the Queen on a deep level, known as she was for her great love and compassion for children. The doll of course could not be considered be a portrait of the real Princess, not a literal likeness; undoubtedly the Queen had a limited choice of dolls to choose from on such short notice. Liliuokalani did note the doll decided upon for the purpose had features which “somewhat” resembled the hapa-haole (half indigenous, half white) women of the Kingdom. The hapa-haole identity was certainly embodied by the real Kaiulani herself, as the daughter of Edinburgh Scotsman Archibald Cleghorn and the Queen’s own late sister, Princess Miriam Likelike. As heir to Hawaii’s embattled throne, Kaiulani experienced an incredible range of adventure and injustice in her 23 short years of life. From a privileged but often stressful
Queen Lili’uokalani with John Owen and Sybil Francis Lili’uokalani o Keolaokalani Dominis, the children of John ‘Aimoku Dominis and Sybil McInery Dominis, Washington Place, ca. 1916. Washington Place Foundation. Gift of the Dominis Family from the Virginia Dominis Koch Collection, 2007.
Kaiulani at Ainahau, wearing holoku, a traditional missionary style of dress, 1898. Courtesy Hawaii State Archives Kaiulani the daughter of an Edinburgh Scotsman and the Queen’s sister. Courtesy Hawaii State Archives ANTIQUE DOLL COLLECTOR
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Bisque head by Simon and Halbig on a Handwerck composition body. The doll still retains its original neck lei. Courtesy Wenham Museum. Photographed by Ronn Labbe
Queen Liliuokalani in front of her home, Washington Place. It is likely the doll will be displayed here when it visits Hawaii. Courtesy Hawaii State Archives 30
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childhood in Hawaii (her mother, beloved godmother, and a favorite governess all died during this time), she was sent to England for an education meant to prepare her for her own future role as Queen. Like her aunt, the Princess resisted 19th century racism and sexism with grace and courage…and became a cultivated fin de siècle “New Woman”. As such, she was active and accomplished – what one reporter referred to as a “strong brained woman” interested not only in her country’s independence, but such issues as universal women’s suffrage. What she might have accomplished had her life not been cut short by relentless stress and complications of thyroid disease can only be imagined. Today she is remembered widely for her beauty, character, and many talents, and remains a popular subject for artists (including doll makers). The bane of the historian/researcher is a lack of specifics…”something to go on”. Without the name of the woman Liliuokalani gave the doll to, or any description of what kind of doll it was, or exactly what the colors/fabric/detail of its ensemble had been… it seemed unlikely it would be traceable after the passage of a hundred years. The prospect of ever finding a clue to the doll’s fate…let alone the doll itself seemed unlikely at best. The Age of the Internet, with its explosion of research resources would ultimately change everything. In January of 2010, I carefully reread the brief Liliuokalani and Bernice Irwin doll accounts, in which only a “doll show” is referred to. I knew as a search term this would be useless – how many trillions of “doll shows” have there been? Perhaps… doll collection? Just as bad. Hm…what about “International Doll Collection”… with Liliuokalani’s name included to narrow things down? The result was immediate – a New York Time’s article from 1918 – only a year after the Queen’s death! There was her name, and a description of a Sandwich Islands “girl doll” wearing a “Lois wreath” (the journalist’s mysterious term for lei)… in the middle of an account of an exhibition of dolls at the Max Williams Galleries, on New York’s Madison Avenue… the “International Doll Collection”. I soon learned from other newsprint sources the name of the woman who had requested a Hawaiian doll from Liliuokalani…Elizabeth Horton. This led at last to its present day identity as a
long-cherished permanent exhibit at Wenham Museum…the founding exhibit in fact of the Museum itself. I fired off an email to Wenham Museum Curator of Dolls and Toys, Betty Nett. Then I prayed. The response was short and to the point: “I am attaching three pictures of the queen’s doll.” THE QUEEN’S DOLL! Not lost at all. Nor was she broken or blemished; even the clothes sewn by the Queen still survived – a bit faded by time, but intact. The ensemble even retained an important Hawaiian component – the neck lei. (Betty Nett suspects the head lei and a possible handbag – both of which seem to appear in an 1898 photo of the IDC on exhibit – fell victim to either the endless packing and repacking process of the collection’s touring years.) According to Betty Nett, the doll transformed by Liliuokalani into a representation of Hawaiian elegance is German – of a type easily available in the Boston area at the time of the Queen’s stay. Its jointed composition body was made by the Handwerck company, its still-original bisque head by the Simon and Halbig Porcelain factory. Although a treasured permanent resident of Wenham Museum, it is agreed by all those who value her and the amazing story of her “life” that the “Queen’s Doll” should make a visit to the homeland of the Queen herself… to be greeted and honored in Hawaii, whose unique people and culture she was dressed to represent more than a century ago. Forging new bonds of affection between New England and Hawaii, and serving the educational interests of both “halves” of the doll’s remarkable history, it is hoped “Kaiulani” will - in the not-toodistant future - make her first journey by airplane to Honolulu. From one side of the planet to the other… a German doll dressed by Hawaii’s Queen brings the past, present and future together… an ongoing gift of aloha. Editor’s Note: The author is a member of the Hawaiian Historical Society, the Friends of Iolani Palace, and the Bernice Pauahi Bishop Museum in Honolulu. She has written extensively about Princess Kaiulani, and toured as a child singer with the Don Ho Show.
Queen Liliuokalani. Courtesy Hawaii State Archives
Part of the International Doll Collection shown at a home in Kansas City, November, 1898. You can see the Queen’s Doll on the lower left. Courtesy Wenham Museum
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BARBARA’S DOLLS
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Barbara Spears Ph. 817-249-2069 After 9 AM and Before 9PM CST 1314 Mildred Ln., Fort Worth, Texas 76126
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THINK ABOUT BUYING FOR CHRISTMAS NOW! 1. 28” wonderful Kestner 171, dressed in her antique 2 pc. costume of white silk, antique shoes have little heel, human hair curls, brown sleep eyes, bj Kestner body, some repaint on one hand $600 2. 7” South Seas baby, bisque head, 5 pc compo body, doll has no marks but was made for a souvenir of Bermuda as indicated by the partial paper tag on chest and original hang tag. He has painted eyes and very full lips. Doll has a little rub on his left cheek, o/w very nice and all original $250 3. 26” Simon-Halbig 1079, beautiful girl, extra long wig, brn sleep eyes, marked Made in Germany for John Wannamaker, Philadelphia (Wannamakers was a very large toy store at one time). Body has usual rubs & scratched $550 4. 6 ½” Frozen Charlie, blonde painted hair, blue eyes, pink tint
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china, he would be a good accessory for most any scene you make with your dolls, no chips or cracks $195 17 ½” Parian with luster head dress and net snood, classical painted features, lovely antique clothes, orig cloth body and limbs, has made on dark pink slippers, a beauty $850 27” French doll with chunky French bj body, blue sleep eyes, human hair wig, lovely antique dress and pale blue antique shoes with a little heel, unusual original 7 teeth instead of the usual 6 – gives her a childish overbite. Very nice doll! $950 9” all bisque large girl, brown sleep eyes, mohair wig (probably orig.), pretty old dress and undies, new but flattering hat, textured stockings, marked 329 over 23 $895 13” sweet cabinet or cradle size Kestner 226 baby, brown sleep eyes, orig brown mohair wig, dressed in antique lawn
pale pink dress with blue embroidery, pink bonnet, and undies, her 5 pc. body is very good condition except for finger rubs on hand. She looks as if she can talk! $395 9. 4” swivel neck, blue glass eyed all bisque boy dressed in his original sailor outfit, blonde wig, he is adorable and would look so well in your all bisque doll setting $295 10. 19” lovely Kestner 168 on ball joint body, long human hair curls, beautifully dressed, blue sleep eyes, she would look so nice in your cabinet $395 11. All Nancy Ann Story Book dolls (A) jointed leg, molded sock Mexico, no hat, worn place on dress at hem, $95; (B) RARE Made in Japan Irish, had lots of flacking, been repainted beautifully, $150; (C) Jointed leg bisque in excellent condition with part of wrist tag Margie Ann in yellow organdy $145
Welcome to Villa Mase By Kathy Embry
“Villa Mase” with the cover fronts removed from each room. Below: “Villa Mase” all lit up. The house is three stories tall with nine rooms surrounded by a floral garden. The roof is flat with balusters along the top railing.
M
y fascination with dollhouses started as a child when I proudly played with my own 1950s version. When I started collecting antique dolls as an adult my attention was immediately drawn to the historical dollhouse personalities that are found in all types of costumes for all of their various important jobs. Then it wasn’t long when antique dollhouses started catching my attention and soon we had several different styles and ages. About fifteen years ago my husband and I noticed a small add in Antique Week News for a large dollhouse in Ohio. We decided to travel there and check it out for ourselves. ANTIQUE DOLL COLLECTOR
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The ornately decorated name “Villa Mase” is painted above the third story window with a tiny guardian angle keeping watch over the entire house.
The retired fisherman, now grounds keeper of Villa Mase uses his rake to keep the garden immaculate.
A cupid statue ornament of brass with a marble base decorates the side garden. 36
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The original garden pattern restored.
The baker is taking delivery of the fresh eggs today, which is a good thing since a birthday party is expected very soon.
The chauffeur is always hard at work delivering and picking up the many guests that love to visit. Let’s hope he doesn’t run off with one of the daughters of the house one day.
We found out that the most recent owner was moving into a smaller apartment and was selling her collections. She had purchased the dollhouse from a dealer in New York some years earlier. To my amazement the house retained not one single dollhouse doll, mostly newer furniture and needed some restoration, which we knew we could provide. We were fortunate enough to give the highest bid and still to this day we are very delighted that we did. Now the work was to begin. After removing the grainy plastic gravel that had been put in the front yard, we discovered the original pattern for the flower garden. We were very excited and continued to remove other unwanted additions from the residence. The original wallpaper underneath the newer paper led me to find similar patterns of old cloth material to replace each room so it could be returned to its more original glory. The outside still has the original light grey paint, with outlined simulated ‘stone blocks’ and rows of turned balusters with solid pillars between sections. This was used on top of the house as well as in front and around the garden. The roof terrace with the
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Third story music, sitting room with purple velvet wall covering. The owners enjoy sitting on a Waltershausen couch while the children practice their music. A warm fire helps if they need to work at the secretary desk in the corner.
ornate balustrades is typically Mediterranean. The two panel windows still have some of the original glass with outer boxes for decoration or for growing flowers. The house boasts a three story staircase located in the center rear and goes from the entryway up to the third story nursery/ sewing room. Having viewed many dollhouses in museums and books, I have never once seen individual panels for each room that open and are removable to show each of the nine room’s separately for display. They normally had one or two swing away panels that opened to show the inside of the entire house. I believe that this shows a personal choice made by the carpenter himself. The house retains its original white papered ceilings and brown stained wooden floors and most important of all, the original electrical (ceiling) wiring for the lights of each room. The house had not been “turned on” since it left somewhere in continental Europe many decades ago. When the house was first built around the turn of the last century, (most likely by a craftsman carpenter of the period) the source of electricity was using low voltage direct currant similar to battery power. Thomas Edison designed the screw in porcelain base around 1907. The
The center upstairs nursery and sewing room is where the Simon & Halbig nursemaid is always kept quite busy. The center rooms originally had the same stripe wall covering, so I replaced them with this silk stripe pattern.
The grandparents of this era often lived with their children and grandchildren. Today, grandfather is not feeling well, so he gets extra attention from his wife of many years. Notice his bed warmer, fiddle on the settee and grandmothers knitting supplies. For this third story bedroom, I chose a small flower pattern to replace the original one.
American choice of power is AC (alternating current), as compared to the European power, which is DC (direct current) like a battery. The European porcelain socket base is slightly larger and required a screw in adapter to accept the American bulbs. A transformer was required to change the AC power to DC power. The electrical is all connected by one continuous wire throughout the entire house. So that means when one bulb goes out they all no longer work until you figure out which one needs to be replaced. Once you have figured this out they all come back on at the same time. When the lights are turned on, the house suddenly comes to life. Everyone who views it is always ANTIQUE DOLL COLLECTOR
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This is the drawing room that the head housekeeper overlooks with care as visitors can show up at any time (notice her modern vacuum). The Waltershausen matching furniture set consist of a couch with matching chairs (one with arms) of burgundy silk fabric, pedestal table with a marble top where the family photo album rests and a porcelain fireplace with candelabras that sit on top with surrounding portraits. The walls are covered with a light turquoise silk fabric, lovely lace curtains with a nice border around the room.
The center room on the second floor shows some of the children playing with their new toys during the holidays. Notice the staircase in the back and the marked German radiator along the side wall. Modern times were arriving since a telephone can be seen on the small desk to the right.
surprised when they first realize how magical it becomes at that moment. You can peek into the windows and spy on every happening going on inside. Even visitors that are not impressed with old dolls still love the dollhouse. It took several years and different auctions around the country to find all the appropriate furnishings to fit into each of the nine rooms of the three story house, originally named Villa Mase, which can be seen with fine painted
decoration on the third floor at the top of the center window. The name is most likely the original owners own home, imitating life just like the doorbell which also still works. There are also painted initials on top of the front door. The house measures 23.5 inches wide and 36.5 inches tall, and sits on a custom modern made carpenter unit of dark stained pine wood with shelves below. It was a fun job and Villa Mase was worthy of the
The second floor bedroom has almost identical pink striped wall covering as the original. The furniture is all Waltershausen, which includes a twin bed, wardrobe and an elegant desk with a chair. There is a beautiful brass chandelier which lights this young girl’s way to play with her Maltese puppy and dolls. The gilt washstand has a porcelain bowl with ivory soap. Right, a close-up of her paper doll with courtier dress, which was found inside a drawer. 38
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The downstairs dinning room has the waiter and kitchen maid working over time to prepare for the birthday party. Notice the French blue stripe glass set with stirrers and pitcher, birthday cake, flatware and camera to catch the moment. The walls are covered with a white cloth triangle pattern with German marked pictures on the back wall and a beaded chandelier. A long side board sits on the back wall with candle sticks and beverage dispensers. The marked Limoge pitcher sits on a stand beside the leafed wooden table.
The butler will greet you at the front door and take your walking cane or umbrella as you arrive. Notice the pewter candle sconce, front desk with hurricane lamp and brass clock on top. There is a small purple settee in back with a mirror above. Someone left the rug beater next to the front staircase.
restoration. I previously had found and purchased enough dollhouse dolls to accommodate the many rooms and the different jobs it took to run a household for this time period. From the lady and gentleman of the house to the butler, waiter, housekeeper, kitchen maid, cooks, baker, grounds keeper, chauffeur, grandparents, nursemaid and children, there was no doubt that the tiny owners and their servants had found a wonderful place to dwell. After restoring and showing off this wonderful house with so many friends through the years, we are happy to share this piece of history with all of you.
The most important room in the house is a satisfactory working kitchen and this one has everything needed from a modern-day type stove, pots and pans, dishes, kitchen tools and plenty of food. The cook and his helper are hard at work everyday. The birds help make it a safe place to work, making sure that the gas is not too strong.
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The Tender Years
12 inch Portrait Jumeau. Orig. from hat to shoes. Strong blue eyes and brows. Fabulous modeling. Orig. blonde wig with lots of curls. Orig. cork pate. Head coil intact. A truly wonderful doll for your collection. 10,500
Deborah Varner • Member UFDC 303-850-7800 • queenbeev1@comcast.net WWW .THETENDERYEARS.NET SALE
16 inch gorgeous Incised Jumeau. Dressed in a lovely French dress and hat with flowers and bows, French shoes. Fabulous modeling. Mesmerizing dark blue eyes. A treasure for any collection. 9,050
15 inch Fire A Steiner. Couture from hat to shoes in dark purple with lace inset. Long platinum hair. Feathered brows. Finely stroked lashes. Orig. earrings. On her dress is a UFDC first place ribbon from1978. This doll has it all! 7,400
So sweet and gentle! 18 inch ED by Jumeau. Blue eyes. Orig. body finish. Mama and Papa pull strings that work. Fabulous modeling. Antique Jumeau shoes. Tons of ruching on her red wool dress. A very pensive look. 6,500
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GERMAN BISQUE HEAD – doll of color Top Row, L-R: name not visible, Alfred Edward, Kimberly Thareja, Corita Kirby. Below Right, L-R: Diane Vourderis, Gail Cook
2013 UFDC ANTIQUE COMPETITIVE EXHIBIT Blue Ribbon Winners Washington, D.C. - Part 2 Photos taken by D. Keith Kaonis
GERMAN BISQUE HEAD – child with J.D.K, Kestner markings, closed mouth. Julie Blewis
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GERMAN BISQUE HEAD – child with J.D.K., Kestner markings, open mouth. L-R: Arlene Coleman, Carolyn Vack
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GERMAN BISQUE HEAD – child with Simon Halbig, S. H markings, closed mouth. Chip Barkel
GERMAN BISQUE HEAD – child with Simon Halbig, S. H. markings, open mouth. L-R: Julie Blewis, Judy Heckert, Lynda Megura
GERMAN BISQUE HEAD – Kammer and Reinhardt character child from 100-128 series. Above, L-R: Chip Barkel, Eleanor McBride, Below, L-R: Sherri Dempsey, Barbara MacBridge
German with Bisque Head – child with Gebruder Heubach markings, closed mouth. Above, L-R: Carol Corson, Francisca Zucchero Below, L-R: Sherri Dempsey, Judith Ries
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GERMAN BISQUE HEAD – child marked A. M. or Armand Marseille, closed mouth. L-R: Gail Cook, Pamela Conboy GERMAN BISQUE HEAD – closed mouth by other firms. L-R: Beverly Ervin, Judy Heckert, Carolyn Barry
GERMAN BISQUE HEAD – open mouth by other firms. Gail Cook
GERMAN BISQUE HEAD – Belton type, socket head, solid flat crown, closed mouth. Janet Gula
GERMAN BISQUE HEAD – baby with cloth baby body. L-R: Gayle Hansen, Ginger Strain
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GERMAN BISQUE HEAD – doll house doll, no more than 7”, cloth body with bisque limbs, factory original clothing. L-R: Kristel Tomlinson, Diana Crosby
GERMAN BISQUE HEAD – baby, closed mouth, on composition bent limbed baby bay with non-supporting legs. Nancy Harmon
GERMAN BISQUE HEAD – baby, open mouth, composition bent limbed baby body with non-supporting legs. Nancy Harmon
GERMAN BISQUE HEAD – googly with glass eyes. Elaine Romberg
GERMAN BISQUE HEAD – googly with painted eyes. Kathleen Zell
CLOTH – non-commercial. L-R: Elaine Romberg, Diana Crosby
CLOTH – non-commercial with some needle-sculpting or applied sculpting. Diana Crosby
CLOTH – American commercial, flat face. L-R: “Polly Heckewelder” Moravian doll, Patricia Rooney, Roxanna Cole doll, Karen Holich
BISQUE HEAD not French or German. L-R: Michael Albanese, Julie Blewis, Betsey Cumming
CLOTH – American commercial, molded or needle-sculpted face. Left: 8.5” Chase, Carol Cameron. Right: “Baby Sister” by Misses Tebbetts, Susan Booker
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ALL BISQUE – dolls of color. L-R: Julie Blewis, Kare Delfino GOOGLY with head other than bisque. Pat Schlotzhauer
METAL HEAD. Rosalie Whyel
ALL BISQUE – original military uniform. L-R: Marilyn Dornbush, Julie Furman
ALL BISQUE – jointed at shoulders and hips, swivel neck, glass eyes, wigged, no more than 5”. L-R: Marilyn Dornbush, Cecilie Juul Møller
ALL BISQUE – rigid neck, jointed at shoulders, glass eyes, wigged. L-R: Marilyn Parsons, Robin Wyatt ALL BISQUE – jointed at shoulders and hips, swivel neck, glass eyes, wigged, over 5”. L-R: Marilyn Dornbush, Cecilie Juul Møller 46
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ALL BISQUE – painted eyes, wigged, some jointing. Kathleen Zmmerman
ALL BISQUE – with original box. L-R: Margaret Hein, Evelyn Rutledge ALL BISQUE – molded hair, some jointing. L-R: Marilyn Dornbush, Barbara Moleswroth
ALL BISQUE – googly, some jointing. Above, L-R: Diane Vourderis, Kathleen Zell Below, L-R: Gail Cook, Katheen Zimmerman
ALL BISQUE – baby, bent limbs. L-R: Diane Vourderis, Cynthia Orgeron, Marilyn Dornbush
ALL BISQUE – no jointing. L-R: Margaret Hein, Jill Sanders
PINCUSHION TYPE, bisque or china – bust, arms and hands away. L-R: Betsey Cumming, Kathleen Zimmerman ANTIQUE DOLL COLLECTOR
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PINCUSHION TYPE, bisque or china – bust with one arm molded to or returning to body. Margaret Hein
PINCUSHION TYPE, bisque or china – bust, arms molded to or returning to body. L-R: Margaret Hein, Sue Trimble
PINCUSHION TYPE, other than bisque or china – bust or complete assemblage. Sharon Frigon
PINCUSHION TYPE, bisque or china – complete factory assemblage. L-R: Sharon Frigon, Kristel Tomlinson
CANDY CONTAINER – commercial, prior to 1920. L-R: Laura Ellen Wade, Christine Jeffery
KEWPIE. Mary Hickman
COSTUMED BY EXHIBITOR – representing the period 1901-1919. Nina Futon-Tolken
AUTOMATON/MECHANICAL – not key wound. Deborah Wilson 48
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AUTOMATON/ MECHANICAL – key wound. David Group
It’s Easy To Join UFDC
If you collect dolls, you owe it to yourself to belong to the UFDC! For membership information contact:
UFDC, Inc., 10900 North Pomona Ave., Kansas City, MO 64153 Phone 816-891-7040 Fax 816-891-8360 Visit www.ufdc.org
s ’ i z t i r FAntique Dolls Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net
Fritzi’s cell# 630-247-1144 Rick’s cell# 630-247-1219
UFDC
UPCOMING SHOWS, HOPE TO SEE YOU THERE. Nov 3 Dollicious Doll Show. UFCW Madison Place Hall. Madison Hts, MI Nov 9 DesMoines Doll Show, Iowa State Fairgrounds
Nov 24 Tinley Park Convention Center. Tinley Park, IL
Dec 7 & 8 Eastern National Doll Show. At the fairgrounds. Gaithersburg, MD
PUBLIC AUCTION: DOLLS, DOLLS, DOLLS! Saturday, November 16, 2013 Auction Begins at 9:00 AM Doors Open at 8:00 AM Special Preview: Friday, November 15th from 12 to 7 PM
OVER 400 LOTS!
W
e will be offering an interesting selection of antique and collectible dolls, featuring a local estate collection which has been in storage for nearly twenty years. The highlight of this “fresh to the market” collection includes an 11” Bru Brevete, Belton #106, Kestner #182, S. F. B. J’s, Schoenhut dolls, circus figures and animals, farmer, milk maid, farm animals, and more! Lenci mold #109, F. G. French Fashion, 15” Tete Jumeau (hairline), S&H #1159, Bisque head character babies, Bisque bonnet dolls, Steiff, Madame Alexander compo & HP dolls, Barbie dolls and outfits, plus so much more!
Terms: 13% Buyer’s Premium, 3% discount for cash or good check. For more information including catalog and photos, or to learn more about our other upcoming auctions, please visit our website at www.dottaauction.com or www.auctionzip.com (Auctioneer ID #1255) Don’t miss our Antique Auction beginning at 10 a.m. on November 23rd!
Dotta Auction Co., Inc., 330 W. Moorestown Road (Route 512), Nazareth, PA 18064 • 610-759-7389 FAX 610-759-3992 PA. License AY-1950-L ANTIQUE DOLL COLLECTOR
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NATIONAL DOLL FESTIVAL
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t was a great way to start a delightful week of dolls in Washington, D.C. The National Doll Festival, now in its 26th year, was held July 27-31 at the Georgetown University Conference Center and Hotel. Like many others, we feel that the synergy created by the UFDC national convention, the National Doll Festival and Theriault’s makes for the best doll week in the world! An array of antique, vintage and artist dolls and bears, plus supplies, clothing, miniatures and holiday antiques was offered.
Steiff Fox, $1200. Enchanted Doll, CA, email: korney@cox.net
Googlies in original presentation box, $2900. Hollies Dollies, MD, email: holiesdollies@gmail.com Lambert automaton, Clara Johnson, LTD., NJ, email: clarajo@aol.com
Modele with Bru Jne face, extra clothing, $42,000. Holly’s Dolly’s, CA, email: Hhepworth@aol.com Tory Beth Radwick, CT, email: tradwick@aol.com
Paris Bebe, $2995, Bru Brevete, $9250. Gigi’s Dolls and Sherry’s Teddy Bears, IL, email: gigisdolls@aol.com 16” bisque character $4300, Lenci boy $1895, and #1 Kathe Kruse $3800. Barbara de Feo, CA, email: janara@pacbell.net 50
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Early papier-mâché, $3200. Pat Vaillancourt, FL, email: dollsantique1@gmail.com
Bru Jne with Chevrot body, 21-1/2, $35,000. Carmel Doll Shop, CA. mnd@redshift.com
One of a complete set of Mollye Goldmanâ&#x20AC;&#x2122;s Thief of Baghdad dolls, offered by All Dolled Up, OH, email: glemn@frontier.com
Val Star Antiques, IL, email: valstarantiques@earthlink.net
Catâ&#x20AC;&#x2122;s Paw Doll Accessories and Miniatures, CT, email: melembo@snet.net
Left: Portrait Jumeau, all original $6500 and SFBJ #250 boy $2900. Donna Kirsch Smith, IN, email: dkirschsmith@ yahoo.com Right: Lynn Sessel, England, email: lynniejay@ blueyonder. co.uk
Dolls of Yesterday, CO, email: dollsofyesterday@gmail.com
Jan Van der Hoek, France, email: antiquefrenchdolls@hotmail.com
Ivory court doll, all original, Glen Rollins, UT, email: glencrollins@yahoo.com
This wonderful rabbit candy container sold early in the show. Nancy McGlammery, PA, email: mcpelton@aol.com
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Jean & Ken Nordquist’s
Do You Have a Mystery Doll?
Collectible Doll Co. Gourmet Doll Supplies for the Discriminating Doll Collector
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*Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions
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his is a beautiful mint Toni P90 with hangtag. Her costume is original, but is not a usual Toni dress. I know that Ideal had designers dress dolls for a promotion, but this does not look like a designer’s dress, it looks like a foreign costume. Can anyone tell me about this doll and her unusual costume? Email: talowell@yahoo.com
recently bought a doll on a whim at auction...I’ve been trying to find one on the web with the exact same face so I can find out her value but the only very close matches are Shirley temple dolls...have you seen one like her? Her face, arms and legs are composition but her body is cloth. Her hair is a wig. She has a felt tongue and sleep eyes. Her fingernails and toe nails are painted. I just can’t seem to find a mark anywhere. She is about 30”-36” tall Email: kristiboes@charter.net kristiboes@charter.net, phone 616-648-0774 Editor’s Note. We asked our American composition doll expert Ursula Mertz if she could help but Ursula states the doll has a replaced wig which makes it more difficult to identify.
*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories Mold & Global Catalogs not shown
C Complete 5 Catalog Set - $25 ppd. Includes $15 money back coupon with purchase.
jeannordquistdolls.com Order Desk
1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 52
ANTIQUE DOLL COLLECTOR
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arole Harris wrote us about two cloth dolls found at a flea market. “The features are just a few crude stitches sewn on. They have cute little slightly protruding embroidered noses! The clothing consists of pieces of different fabrics that are mostly glued or have a stitch or two. One is 10 1/2 and the other is 11.” They fascinate me. Can you help? Email Carole at b2cdolls@yahoo.com
NOVEMBER 2013
an you help? My grandmother left me this doll which has a bisque head, no markings and a cloth body. I think the dress is original. She is 12 inches. Please email me at dcl.lewis@yahoo.com Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.
Valentine’s/Virginia Aris at the
Princeton Doll and Toy Museum Hopewell, New Jersey
Telephone: (609) 333-8600 E J – call for details
7 ½” Googly jointed $4,200
Glass-eyed papier mache $3,000
Email: virginiaaris@aol.com
www.princetondollandtoy.org
French Fashion Doll $4,000
Heubach Screamer $2,500
ANTIQUE DOLL COLLECTOR
Lenci Child $595
NOVEMBER 2013
53
Auction Gallery
cont. from p. 14
Theriault’s Auction “Home at Last,” October 5
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ollectors enjoyed a fine array of diversified treasures at Theriault’s recent auction held in Dallas, entitled “Home at Last.” Featuring the collection of Ute Bittl of Munich, Germany, it included German and French bisque dolls, dollhouses and room boxes, as well as rarities from other European and American private collections. A diminutive 10-inch, size 1, premiere Jumeau wearing her original couturier costume, complete with provenance, sold for $11,000. Another tiny treasure was the Bebe by Schmitt et Fils, Size 1, with Brevete Mark, c. 1878, realizing $11,500 and a size 2 bebe by Jumeau , 11 inches tall, $6,750. At the opposite end of the size spectrum, a 31-inch incised depose Jumeau, made for one year only in 1884, sold for $8,000. An outstanding German kitchen, fully equipped with rare accessories and a German china lady, c. 1885, brought $4,750. It was made by master carpenter, Mr. Hitz of Furth and featured outstanding construction details. Among the German dolls was a Kestner bisque head Kewpie with glass eyes and composition toddler body for $5,000. An all bisque by Kestner, measuring 10 inches with swivel head and jointing at hips and knees, realized $7,000. For these and other prices visit Theriaults.com and click on Proxibid.
17-inch Series I by Kathe Kruse, in original outfit with rare F.A.O. Schwarz store label. 54
ANTIQUE DOLL COLLECTOR
The earliest period E.J., 18 inches, c. 1882, $10,000.
10-inch all bisque with jointed knees, $7,000. The 12-inch salon chair brought $1,900.
Premiere Bebe by Jumeau with original couturier costume, size 1, $11,000.
NOVEMBER 2013
Schmitt et Fils bebe, size 1, $11,500.
11-inch bebe by Jumeau, $6,750. The all bisque by Kestner with original wig, 6-inches, $1,700.
Bebe Bru with original body and signed Bru shoes, 17 inches, $15,000.
21-inch Depose Jumeau marked Depose Jumeau 14, $8,000. The musical automaton by Roulett and Decamps, $6,000.
A well furnished German kitchen, Ex-Collection Prader Spielzeugmuseum of Davos, $4,750.
Auction Gallery A
s expected the top lot in Morphy’s September 21 doll auction was a magnificent 23-inch French Circle Dot Bru bébé, ca. 1880 with lovely pale early bisque, chubby cheeks and deep brown paperweight eyes with amber threading. An impressive representation of the Golden Age of French doll manufacture, she sold for $18,000. Another French highlight was a very rare ca. 1877 all-bisque mignonnette with ball-jointed elbows by Fernand Sustrac. A delightful package, just 5 ½” tall, she wears a blue silk and lace factory original costume, including ribbon-wrapped feet to simulate boots. Her new owner paid $4,200 for her. A stunning 25 Phénix Bébé with a very sweet face and wearing an antique cream wool dress with black velvet trim was purchased for $5,400. The German bisque category was brimming with desirable Hertel, Schwab & Co., Kley & Hahn, Gebr. Heubach, and Kammer & Reinhart characters. Top honors went to a splendid 21-inch K & R 114 doll with rare glass eyes, very pouty mouth, and crisp modeling, which sold for $9,000. A rare 16-inch Heubach 7746 character with a cheeky grin was ready to entertain in an antique gold and black clown suit for a $6,600 price. Also by Heubach an 11” candy container doll on a sled with pouty bisque head went to a new home for $2,160. Other notable dolls were a 20-inch H.S. & Co. 141 with painted eyes and closed mouth for $4,200 and a rare variant of the same mold with glass eyes and open mouth for $2,700. Lady dolls were quite popular. A 24-inch Simon & Halbig 1159 was enhanced by her original red and white striped nurse’s uniform to sell for $2,280. A lovely 17” French lady doll with wistful face and desirable kid over wood body with bisque lower arms and legs brought $5,700, though one arm was repaired. Other remarkable items of interest which were sold included a 15” Neapolitan crèche figure of an elderly lady with wonderful character face for $3,600; an early Moravian “Polly Heckewelder” cloth doll for $3,200; boxed H. Handwerck child doll with original clothing $1,560; boxed DEP Jumeau $2,040; Kathe Kruse 1931 “Hampelchen” all original with label $2,700; and a wonderful crisp Door of Hope Mission small boy in silk for $1,920. Morphy’s sales are conducted at their Denver, PA, gallery, conveniently located a half mile from the Reading/Lancaster PA Turnpike exit. Catalog of the complete sale with prices realized can be viewed on the Morphy website at www.morphyauctions.com. Morphy’s next scheduled catalog doll sale will be held March 22, 2014. Consignments will be accepted through December 2013. For more information contact Jan at 717-335-3435 or e-mail janfoulke@aol.com.
Morphy’s September 21 Doll Auction
Above, left to right: 23-inch French Circle Dot Bru Bébé, $18,000 16-inch Gebr. Heubach 7746 character doll, $6,600 5 ½-inch French Fernand Sustrac Mignonnette, $4,200
Left to right: 20-inch H.S.&Co. 141 character doll, $4,200 15-inch Neapolitan Crèche figure, $3,600 21-inch K & R 114 character doll with rare glass eyes, $9,000
ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
55
Auction Gallery
A
rare 11 inch sized 18th century wooden with the original silk dress with gold decoration, original underwear, shoes, hat and wig, brought approximately $15,000 at Francois Theimer’s September 21 auction in Paris.
We would like to thank the following auction houses for their participation:
K
ammer and Reinhardt’s rare rascals, Max and Moritz, mold 123 and 124, with specially designed molded shoes and socks, 15-3/4 inches tall, brought approximately $39,500 at Ladenburger Auctions on October 5.
A
pressed bisque Jumeau Triste, 28.5 inches, wearing antique clothing, realized approximately $12,000 at the September 28 Chartre auction.
PUBLIC AUCTION DOLLS, DOLLS, DOLLS!
Saturday, December 7, 2013 Auction Begins at 10 AM Doors Open at 8:30 AM Special Preview: Friday, December 6th from 12 to 7 PM Terms: 13% Buyer’s Premium, 3% discount for cash or good check.
Selling antique and collectible dolls for Grace Evans Raker of Shamokin Dam, PA.
For more information including catalog and photos, or to learn more about our other upcoming auctions, please visit our website at www.dottaauction.com or www.auctionzip.com (Auctioneer ID #1255)
Dotta Auction Co., Inc. PA License AY 1950-L 330 W. Moorestown Road (Route 512) Nazareth, PA 18064 • 610-759-7389
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ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
Bonhams, Knightsbridge, UK, email: rachel.gotch@bonhams.com Galerie de Chartres, Chartres, France email: chartres@galeriedechartres.com Ladenburger, email: spielzeugauktion@t-online.de Morphy, PA, email: janfoulke@aol.com. Theimer, Toucy, France, email: francois.theimer@wanadoo.fr Theriault’s, MD, email: theriaults.comn mm
The Enchanting Trousseau of Chiffonnette
TOYS • DOLLS • BLOCKS HUMPTY DUMPTY CIRCUS TEDDY ROOSEVELT SAFARI FARM SETS • TARGET GAMES TENTS • WAGONS • PIANOS BUILDING SETS • POND BOATS R O LY S • C O M I C F I G U R E S QUACKY DOODLES • & MORE! Long-awaited new book by renowned author, Sylvia Mac Neil
The 304 page book has more than 500 exceptional color photos with many dramatic portrait photos and captions in the vernacular of the mid 19th C fashion world, in the unique style Sylvia is noted for. It features 53 exceptional dresses, attendant accessories and spectacular hats, totaling more than 170 trousseau items, carefully researched and created using the finest antique materials and rare embellishments. A beautifully illustrated book full of fancies and splendors designed for inspiration and enjoyment for both the collector and the couturier.
Available August 1st – $85 plus $5 Shipping Sylvia Mac Neil, 2325 Main Street, W. Barnstable, MA 02668 jimsyl@aol.com
The Schoenhut Collectors’ Club invites you to JOIN NOW!
Worldwide Membership Annual Convention with Seminars, Buying & Selling, Special Events! ● Quarterly Multi-Page Newsletter ● Guaranteed to be Fun! ● ●
Annual Membership: USA $40 • International $55 Museum $10 Send to: Schoenhut
Collectors’ Club,
72 Barre Drive Lancaster, PA 17601-3206 Phone 717-569-9697 Email:jwellsjr47@aol.com Visit www.schoenhutcollectorsclub.org
Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookfield, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com
Visit our website and shop online: www.catspawonline.com Catalog price is $8.95 post paid
Accessorize Your Dolls!
Cats Paw has been in business since 1982 specializing in quality reproductions made from antique originals, and unique old store stock. Our antique reproductions are made by hand using the lost wax technique, and each item is hand finished to achieve an authentic “antique” look. We offer exquisite doll accessories that only look expensive! • Jewelry • Trunks • Items for the Boudoir • Buttons and Clasps • Purse Frames • Presentation Boxes • Bleuette Accessories & More ANTIQUE DOLL COLLECTOR
NOVEMBER 2013
57
Book Review
In Our Memories
Victorian Fashions for Women and Children
Charles Thurman Minton
Society’s Impact on Dress by Linda Setnick
O
riginal doll clothing or replicating clothing of the era with antique fabric and trims is a passion among collectors. Yet, we seldom think about how really uncomfortable and restrictive this clothing was for the women and children who slavishly followed the fashions of their day. In this new and truly fascinating book by Linda Setnick, an expert on Victorian clothing and a consultant for the Victorian clothing collection at the Folsom Historical Museum, she describes the styles and differences between women’s and children’s fashions. As fashion is nothing if not fickle, every two or three years brought new styles and often further embellishments. Beginning in 1860 and continuing until 1900, photographs of our ancestors wearing Victorian clothing offer irrefutable evidence of their burdensome apparel. While beautiful and elaborate, it bears remembering that this was an era without air conditioning, when horses and dusty roads made gowns that swept the ground impractical, and when corsets could cause the condition known as “corset liver” whereby that organ would be seriously indented by the ribs or nearly divided in half!
NEWS
Toy Worlds Museum Basle
A New Beginning for the Toy & Miniature Museum
T
he Toy & Miniature Museum of Kansas City will be temporarily closing for renovation at the conclusion of the holiday season beginning January 5, 2014. In early 2015 (date to be announced) they look forward to welcoming the community back for the museum’s grand re-opening as The National Museum of Toys and Miniatures! You can follow each step of their adventure on Facebook, facebook.com/ toyandminiaturemuseum, and the blog, toyandminiaturemuseum.org/blog!
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ANTIQUE DOLL COLLECTOR
Women and children’s undergarments, leisurewear and street apparel are well documented in this meticulously researched volume based on Victorian fashion, medical, etiquette and advice literature. A final chapter depicts boy’s clothing, often indistinguishable from girl’s, until boys graduated to long pants, known as breeching. The nineteenth century photographs are supplemented by surviving examples of period clothing, picturing both the outside and inner construction. Doll collectors will discover, as I have, that this is a hard book to put down! Soft cover, 160 pages. $29.95 Schiffer Publishing. ISBN:9780764341649
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urrently on display until April 2014 is a unique special exhibition featuring more than 700 original personal items of the extraordinary icon Marilyn Monroe. The exhibition takes a look behind the facade of the glamorous Hollywood movie star Marilyn Monroe, who despite her death some decades ago - still captivates our attention. Also on display from November 30 to February 9, 2014 is a special exhibition of Christmas biscuits and cakes from all around the world. The museum will be filled with the smell of biscuits, bûche de Noël, speculoos, Lebkuchen, gingerbread, Bredele, panettone, Stollen and Vanillekipferl as well as of all the delightful exotic spices and ingredients, which are needed for Christmas baking. For more information: Spielzeug Welten Museum Basel, Steinenvorstadt 1 CH-4051 Basel www.toy-worldsmuseum-basle.ch
NOVEMBER 2013
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harles passed away from a sudden heart attack on September 30th, leaving behind a legacy of love to his family and to all of us who knew him. He became a member of UFDC in the early 1980’s when he joined his wife, Sherry, in the antique doll business. Soon after he joined UFDC, he became a founding member of the Belles and Beaux Doll and Toy Guild of Florida. It was a unique group made up almost entirely of husbands and wives who were serious doll collectors and who wanted a club that would focus on doll study and research. Charles was the backbone of the Belles and Beaux. He attended every convention and served as delegate and as Region 9 Director. He was president of the Belles and Beaux as well as treasurer. He helped organize the club’s fundraisers by obtaining helper donations, setting up the raffle, keeping track of the money raised, writing the donation checks and mailing gifts not claimed. He also prepared budgets for doll events for several other doll clubs and was always there to physically take an active part in the activities. He was in the very first class of trained UFDC doll judges. He focused on half dolls and bathing beauties and judged for many years until he was asked to be the chairman of the Antique Competitive Room in 2003. It was a brand new job and he had no experience, but he impressed everyone by doing an exceptional job... so exceptional that it was supposed to be a two year job and he was still doing it! The Competitive Room under Minton’s leadership is an eagerly anticipated and outstanding part of the National Conventions. Charles was and will always be a special man. He enjoyed doll collecting, but more than that he loved the many wonderful friends he made because of his hobby. Rest in peace our beloved friend.
Ashley’s Dolls & Antiquities
“We’re dreaming of a PINK Christmas in Paris!”
19” Simon & Halbig “Santa” German Doll - $895, Petite French Fashion in Original Gown - $2900, 17” Biedermeier China $1100, Maggie Bessie Cloth Doll $15,500, China Doll with Braided Hairdo $950, Door of Hope Doll $600, French Dog - $450, Pink Santa is not for sale but he wishes you Season’s Greetings! Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail.com Visit us on Rubylane.com/shops/Ashleysdollsandantiquities • Generous Layaways • Member UFDC and NADDA Be sure to visit us at the Gaithersburg Doll Show, December 7 & 8 and the NADDA Doll Show in Greensboro, NC May 3 & 4, 2014
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at
BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!
Antique DOLL Collector December 2013 Vol. 16, No. 11
December 2013 Vol. 16, No. 11 $595 / $695 Canada www.antiquedollcollector.com
T h e r i a u lt ’ s F a m o u s J a n u a r y A u c t i o n W e e k e n d
is
N e a r ly H e r e
Four important catalogued auctions to tempt every collector January 10, 11, and 12, 2014, Friday, Saturday and Sunday Newp or t Beach, California at the Westin Hotel Friday, January 10, 2014. “Fab Fifties and Beyond” featuring more than 250 rare dolls from the Barbie Museum Collection of Judene Hansen of Florida, and including 250 additional rare 50s dolls from the firms of Alexander, Vogue (including the archive collection of Linda Smith of the Vogue Company), Terri Lee, Mary Hoyer, and all the other favorites. Preview 9 AM. Auction 11 AM. Catalog $49.
Saturday, January 11, 2014. Marquis catalog auction “The Empress and the Child” featuring very rare French dolls including Bru and Thuillier, superb collection of all-bisque mignonettes, connoisseur automata, and important dolls in all antique categories, highlighted by the collection of Gail Nichols of Clarence, New York. Catalog $59.
Sunday, January 12, 2014, two important specialty auctions for doll collectors. The Hanne Büktas Collection of Antique Needlework Tools and Sewing Accessories. Extraordinary rarities from the finest European estates garnered for more than 30 years by this illustrious collector. More than 400 lots. Preview 9 AM. Auction begins at 11 AM. Catalog $49. The Vanity Fair: Rare Half-Dolls, Powder Puff Ladies, Bathing Beauties, and Other Toilette Table Whimsies. Over 350 lots highlighted by the half-doll collection of the Margaret Woodbury Strong Museum (sold to benefit the museum’s collections funds), and the private collection of Vicki Lee Little. Preview 12 noon. Auction begins at 1 PM. Catalog $49.
Watch next month’s Antique Doll Collector for full details and photographs. Call Theriault’s at 800-638-0422 or 410-224-3655 or visit www.theriaults.com to order catalogs or request a free color brochure. Make plans now to attend, or absentee bid, telephone bid or bid live online. Questions? Just give us a call or email info@theriaults.com.
the dollmasters P O B ox 1 5 1 • A n n ap o l i s , M a r y l a n d 2 1 4 0 4 U S A • To l l - f r e e : 8 0 0 - 6 3 8 - 0 4 2 2 • Fa x : 4 1 0 - 2 2 4 - 2 5 1 5 • w w w. t h e r i au l t s . c o m
If you’ve been thinking about subscribing to Theriault’s Doll Auction Books
This could be the Perfect Time Because Subscribers will receive ALL THREE of the January 2014 antique auction books in an exclusive boxed set that will COUNT AS ONLY ONE of their subscription issues.
That’s $157 value for only $29* * If you subscribe for ten issues, within USA. Inquire about 5 issue and 20 issue subscriptions that are also available. International fees vary, inquire.
Here’s what a client wrote to us aft er viewing an auction on line and then receiv ing the auction book.
“To top the da y, we received around noon time the hard copy catalogu es. Hanne is superbly hap py. She devou red the catalo as if she had gue not yet seen it at all. That is for her as well as for me the difference between seein g something in the virtual world versus getting the ha rd copy in yo hands. The fe ur el of the top q uality paper, beautiful pict the ures “in your hands” is to us oldies an a dded value th at “a screen” will never be able to achiev e. It is not for nothing th at we human s have more senses t han only seein g and hearing.....” ~ Umur Bükt
as, Vienna, A ustria
14-1/2" Early F. 4 G. Block Letter Bebe, perfect pale bisque, huge blue outlined p/wt eyes, ant. mohair wig, wears orig. aqua satin/silk dress, fraying on sleeves (covered by fabulous ant. stole, ant. undies, orig. ant. shoes, socks & added ant. Fr. hat. On orig. kid body, perfect bisque shoulder plate, bisque lower arms & hands (sliver in 3 finger tips on inside of hands, non-detracting). Tremendous presence. No words strong enough to describe her magnificent beauty. The BE$T EVER. Has the desirable molded Bru type tongue tip!!! Absolutely BREATHTAKING!!!! $8200. LAYAWAY AVAILABLE Member UFDC & NADDA
11” Bru Jne’ #1 Bebe, immaculate pale bisque, bulging br. p/w eyes, fabulous orig. mohair wig, pate & orig. metal head attachment. Wearing gorgeous orig. silk & lace dress & hat, orig. matching underwear set & “signed” Bru shoes. On orig. Chevrot’ body, Bru label on chest, perfect “signed” Bru Jne #1 head & perfect “signed” Bru Jne #1 bisque shoulder plate, perfect bisque lower arms & perfect bisque hands. Absolutely ADORABLE in a RARE tiny cabinet size #1. A real KNOCK OUT!!! CALL OR EMAIL FOR PRICE!!!
(Nat'l Antique Doll Dealers Assn.)
12” E. 4 J. Jumeau Bebe W/ Trunk, perfect bisque, big blue p/w eyes, orig. mohair wig, pate & head coil intact. Wears magnificent orig. pink silk & lace dress matching hat, orig. undies, orig. crocheted socks & orig. “signed” EJ Jumeau shoes w/rosettes, on orig. “signed” early 8 ball jointed EJ Jumeau body w/str. wrists. Orig. Fr. trunk, w/tray & includes blue bed coat, matching hat, crocheted socks, brush, comb & book, plus hankies tied in at bottom flap of trunk that drops down. Trunk key attached. Great condition with all leather straps & handles. Clothing & accessories match inside of trunk. Fabulous for display EJ is absolutely EXQUISITE!!! $12,750.
Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment. home: 718-863-0373 cell: 917-859-2446
14” Early Portrait Jumeau Bebe, magnificent pale bisque, big br. p/w eyes, fabulous full ant. lambs wool wig, orig. pate & head coil intact, wearing gorgeous orig. ecru silk & lace dress, orig. matching underwear set, orig. Fr. shoes w/ rosettes, orig. crocheted socks & Fr. ant. hat. On orig. “signed” early 8 ball st. wrist Portrait Jumeau body. ABSOLUTELY STUNNING!!! Only….$9800.
12” Steiner Series C Bebe, magnificent pale bisque, huge blue p/w eyes, early mauve blush under brows, fabulous long golden ant. mohair wig in orig. set & orig. pate. Wears orig. batiste & lace dress & orig. “marked” #2 shoes w/rosettes, incised #2 on her head, orig. crocheted socks & darling ant.hat. On orig. early st. wrist Steiner body w/desirable banana fingers. Great cabinet size. SPECTACULAR!!! $7500.
5” Orsini All Bisque “Vivi”, mint bisque overall, orig. mohair hair wig, blue glass sl. eyes, orig. Orsini label on chest, darling orig. batiste dress, black painted shoes & white high stockings, in perfect condition. A great find and she’s a little jewel!! $2475.
9” S & H #1079 DEP, blue sl. eyes, perfect bisque, great orig. mohair wig w/ 2 long wide braids tied in back. Wears gorgeous ant. dress, orig.undies, hand-made leather shoes & ant. hat. On orig. fully jointed st. wrist SH body. Darling teeny cabinet size, early SH DEP mark. A little GEM!!! $1075.
Visit my website: www.grandmasatticdolls.com
P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839
Member NADDA and UFDC
Nelling, Inc.
Joy to the World
Exhibiting: December 7-8 Eastern National Antique Doll Show, Gaithersburg MD, Montgomery County Fairgrounds
published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved.
BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS
Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com
Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768. Subscriptions: Send to Antique Doll Collector, P. O. Box 239, Northport, NY 11768. Phone: 1-888-800-2588 or 1-631-261-4100 Subscription Rates: One Year (Twelve Issues) $42.95; Two Years (Twenty-four Issues) $75.95. First class delivery in US add $25 per year. Canada add $27 per year. Europe add $31 per year. Japan, Australia, New Zealand and Mexico add $33 per year. South America and Singapore add $36 per year. Bermuda and South Africa add $41 per year. Foreign subscriptions must be paid in U.S. funds. Do not send cash. Credit cards accepted. Advertising and Editorial: Call 717-517-9217 or email antiquedoll@gmail.com
SEE US ON THE WEB AT: http://www.antiquedollcollector.com email: AntiqueDoll@gmail.com
Antique Doll Collector is not responsible for any inaccuracies in advertisers’ content. An unsolicited manuscript must be accompanied by SASE. Antique Doll Collector assumes no responsibility for such material. All rights including translations are reserved by the publisher. Requests for permissions and reprints must be made in writing to Antique Doll Collector. ©2013 by the Puffin Co., LLC.
MOVING?
Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768. 4
ANTIQUE DOLL COLLECTOR
DECEMBER 2013
Carmel Doll Shop is pleased to announce a very colorful
“Lunch, Listen and Learn” Event:
The Lenci Luncheon Saturday, June 21, 2014
R
Our doors will open at 11:00 am
egistered guests are invited to spend a memorable day at the Carmel Doll Shop when Nancy Lazenby, our speaker for this entertaining and educational event, will share her enthusiasm for those lovable and entirely artful felt dolls. Ms. Lazenby is the author of numerous magazine articles on the subject of Lenci examples, but is best known for her must-have volume Lenci – The History and the Dolls. Plenty of knowledge will be exchanged, plus a tasty, Italian-inspired luncheon will be offered as well. Per usual, attendees can expect the white glove treatment from the staff of Carmel Doll Shop.
The cost for this special event is $55 per registrant, and attendance will be limited to 40 guests only, so it is suggested that you sign up early. (A waiting list will be compiled after our 40 seats have filled.)
The event will take place at the spacious home of Carmel Doll Shop: 213 Forest Avenue, Pacific Grove, California 93950 (831) 643-1902 www.carmeldollshop.com
RESERVATION FOR
“Lunch, Listen and Learn” Event: The Lenci Luncheon
Please complete this order form and send with Credit Card information or Check made out to Carmel Doll Shop. $55 Send to: Carmel Doll Shop 213 Forest Ave. Pacific Grove, CA 93950
NAME / PHONE ADDRESS
CITY, STATE, ZIP
CREDIT CARD INFORMATION: CARD#
3 DIGIT SECURITY CODE
EXP. DATE SIGNATURE
The Complete Guide to Antique, Vintage and Collectible Dolls
19
MISS WINNIE COMES TO STAY: THEY STORY OF A PEERLESS PAPIER PRINCESS By Laurie Christman A circa 1830 “milliner’s model” possesses a captivating wardrobe.
December 2013 Volume 16, Number 11
26
33
DECK THE HALLS A VISIT WITH BETH KARP
A CHRISTMAS STORY By Ursula Mertz Meaningful connections with our fellow collectors are to be treasured.
By Donna C. Kaonis A passion for Christmas melds beautifully with Beth’s doll collection.
The heart wants what the heart wants and in this case it was an exquisite papier mache doll by the name of Miss Winnie. Laurie Christman shares with our readers this special “milliner’s model” doll with her ornate Apollo knot hairstyle and collection of original dresses. A lovely example of a doll that perfectly captures the clothing and styles of a gracious era, she continues to delight us today. Photo by Michael Canadas
About The Cover
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Auction Gallery Emporium Calendar Classified
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MODE ENFANTINE POUR POUPÉES A SPECIAL 2013 UFDC EXHIBIT by Lynn Murray An outstanding array of poupées dressed in children’s fashions demonstrate the extravagance and luxury that parents and children lavished upon their beloved fashion dolls.
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THE KUDDLE KEWPIE
By Mark and Carole Gillette After her tremendous success with bisque Kewpies, Rose O’Neill made a soft, cuddly Kewpie a reality.
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ANTIQUE DOLL COLLECTOR
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2013 UFDC MODERN COMPETITIVE EXHIBIT BLUE RIBBON WINNERS WASHINGTON, D.C. PART 1
(212) 787-7279
2. Luscious 16” Kestner Bru– exceptional complexion, sensuous coloring, oily sheen, and closed mouth with its perfectly carved teeth and the rare and desirable green/ grey pearl-like eyes! $3500
P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail matrixbymail@gmail.com
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3. 6” French Mignonnette in Winter Ensemble – besides hip length factory wig, this unique little ‘fashion plate’ features a stunning and rare original Victorian winter outfit w/ matching hat and leggings! (not shown) So special! $1800
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French Trade Bebes 5. Long face 30” Early Simon Halbig 949, Jumeau brows, scintillating bisque, 6 square teeth, early stiff wrist ‘big bottom’ compo/wood body featuring original ivory leather 3 strap bootines and much more! Stunning and so tender! Just $1650
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1. Spellbinding 22” Elusive E. J. Jumeau – scarce ‘middle period’ Bebe with its applied ears, gentle brows above glimmering pw eyes w/ shaded lids, creamy fine bisque, original 8 ball stiff wrist signed body and gorgeous period silk dress and shoes - dramatic luxury $6250
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6. Factory Original 16” Halbig 949 – this earliest version with the Belton crown, closed mouth and PW eyes, boasts her factory chemise and undies beneath a luxurious cream silk fashion ensemble (Au Nain design) with the French leather shoes – definitive! $2800
4. From the famed Parisian doll emporium comes the precious 10-1/2” Bebe “Au Nain Bleu’ – all original with label, from bonnet to signed ivory leather shoes, in original layers of fancy lace and silk factory couture including jewelry and a luscious and elaborate hip length mohair wig! La Petite Bijou! $2500 7
7. Rare Signed French Half Doll – sensual and creamy pink tint, long arms and fingers, and a real face! $495
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8. 6” Rare Jointed Knee Kestner – all bisque, socket head, chubby body, 5-strap bootines and orig. clothes! $4250
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9. 6” Barefoot Kestner with socket head, incised ‘1’, fancy factory wig, clenched fist, orig. clothes, some flaws, just $1800
(212) 787-7279 P.O. Box 1410 NY, NY 10023
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Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC & NADDA matrixbymail@gmail.com
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10. Adorable JDK “Hilda’s Sister” - Choice Kestner in exquisite period clothes w/orig. plaster pate, wig and body – all of it mint and top quality! $1100
11. Mint Door of Hope – the loveliest Amah and Baby we’ve seen, early quality, clean bright and all original. Choice! $1595
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12. Superior 22” Simon Halbig ‘1279’ Character – all top quality on this mint, honey blonde sweetheart with tender blush, perfect body and picture perfect clothes! $1750
15. Exceptional 33” Handwerck ‘79’ – rare mold in this indulgent size – especially for a pre-1900 French Trade model like this with 16-1/2” circ. head! Jumeau brows, signed body, hip length tresses and terrific original clothes!! Mint. $1250
13-14. Rare Alexanders! Complete with labels, tags and accessories. Sweet Violet fully jointed incl. elbows and knees w/hat box and gloves! $1200 Cynthia Mint in Box – lovely coloring! Complete with purse, literature, label and lid. So important! $1200 13
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17. Imagine this 28” Lifesize Bent Knee Toddler with 17-1/2” c. head! A closed mouth character by Hertel Schwab is so magnificent in this size; with sparkling blue sleep eyes, super quality bisque, factory wig and body finish and completely delightful in elegant original clothes including coat and pretty pink layers! $1200
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16. 21” Precious Brown Teenager – lovely color w/rosy blush, no craze, factory fresh tulle ball gown with hang tag, excellent beauty! $495
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19. 11” Early American Bear – long limbed charmer w/ his shoe button eyes, great snout and condition! $450
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20. 19-1/2” Heirloom Schoenhut Boy – scarce ‘309’ with 2 molded teeth, slight smile, sensitive eyes and strong jaw line of a mature fellow w/factory nailed wig and period nautical suit. $1100
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21. 19” Estate Original ‘Gretchen’ – the classic K * R 114 as seldom seen in richly detailed elegant Broiderie Anglaise and silk factory shoes, hidden rear flaw under mint ringlet wig – a must have at only $2400
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18. Wonderful Working Marotte – frivolity reigns in this fine quality musical jester toy w/PW eyes and finest silk costume! $395
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22. Heirloom Chinas w/Wardrobe – 1890’s sister dolls with numerous authentic articles of orig. clothes all now contained in pretty 6 x 10 cabinet size trunk! $575
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(212) 787-7279 P.O. Box 1410 NY, NY 10023
Quality Antique Dolls by Mail matrixbymail@gmail.com
23. An Astounding Kley and Hahn ‘536’ – peaceful joy comes from the heart of this brilliant, rare and commanding 22” character with its contented aspect, loving eyes, closed mouth and oily bisque of finest quality plus the most charming antique clothes and shoes. What a doll! $5250
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25. A Thoughtful 17” ‘Wendy Face’ Kley and Hahn – mold 546 with big soulful eyes, gentle closed mouth, mint factory wig and body and her delightful antique clothes and shoes all in frilly layers! A dear winsome beauty. $4800
26. A Rare 6” Doll House ‘Nursemaid’ – bisque head, uniform w/cap and her original carriage with folding hood and orig. bisque head baby within! $495
24. ‘Happy’ – from the exceptional 8000 Series of Julianna, Angry Brother, Grumpy – et al. comes this very rare 17” impish toddler – A Museum Class Gbr. Heubach Rarity – the never seen mold ‘8570’! What a masterwork of cunning nuance with unusually carved and painted tri-dimensional eyes and full faced dimple upon dimple joy filled modeling! The ultimate! $5800
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28 16” Heubach Singing Coquette – richly carved head of molded curls and waves with glazed bow, side glancing intaglio eyes and wide open/closed mouth w/molded tongue and tiny teeth raised in song! $1495 27. 5” Kestner All Bisque Googlies – glass eyes, socket heads w/toddler bodies, jtd. limbs and factory clothes. All happy, clean and bright! $750 each.
Happy Holidays!
29. ‘Puppenschneiderei’ Sewing Doll – a rarely seen mint in box set of doll, patterns, booklet and all accessories tied in place – a never played with dressmakers treasure! $2500
Nancy A. Smith Member NADDA and UFDC
Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net See us in Gaithersburg, MD, Dec. 7 & 8, 2013
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ANTIQUE DOLL COLLECTOR
DECEMBER 2013
Tel: 425.765.4010 Valerie@beautifulbebes.com
Sensational art came through the hands & creative inspirations of LEON CASIMIR BRU when he conceived his third generation Bebe. This astonishing beauty mesmerizes w/ huge blue paperweight eyes, creamy bisque w/ peach & apricot tints, orig. thick blonde curly wig, lovely full lips opened reveal the tip of her tongue as though she is about to speak. Enrobed in sky blue silk ruched Bebe dress, antique French Lace Hat w/blue silk bow. Excellent generally from head to toe.
True CHARACTER COLLECTOR’S DREAM~The heavens parted and cast a light on the face of this beautiful boy... the face of an oh so desirable, rare to find young lad with few examples to refer to. Known as the Little Prince, mold 153 by Simon Halbig, one can easily see how refined he is with his aquiline features, deeply molded curls and gentle expression. Generally superb condition on correct original wood and composition body. Dressed in antique woolen blazer with brass buttons, matching plaid scarf, cream wool knickers, antique leather shoes. Please call or email for pricing and details.
Merry Christmas & Happy Holidays to All! Seventeen inches of luscious JUMEAU BEAUTY with huge mesmerizing blue eyes in charming blue and white plaid walking ensemble. Original wig, enchanting antique silk chapeau, antique shoes. A tender Poupee on sturdy kid body in generally superb condition~ $4600
At 11.5 inches this PRECIOUS LITTLE PACKAGE is one of the early and so sought after Bebes that collectors yearn for. All original from kid-skin wig over STEINER pate to antique shoes; this darling will enchant you. Precious, exeptional and so very desirable ~ $12,800~
Member UFDC & NADDA 18.5 inch ASIAN BEAUTY in immaculate condition and wearing original finely styled mohair wig, kimono and fantastic REAL JADE NECKLACE. By SPBH~ Rare and excellent. $1400~
SEE US AT: 12/7 & 12/8 Eastern National Antique Doll Show & Sale Gaithersburg, MD Fairgrounds
Sweet 4-1/2” all bisque doll - barefoot $595.
Sweet 5” all bisque doll - pink boots $1200.
18” Mama Katzenjammer tea cozy with the Steiff button $295. Pair 6-1/2” cloth dolls with painted features and a center seam on the face $395.
3 cute Steiff puppets $35 each.
10” German Christmas tree $195.
14” cloth Oriental doll stamped Michigan State College $125.
Lots of small cute Steiff dogs 4-6” $30 each.
Auction Gallery B
ertoia Auctions recent three-day sale November 8-10 included one day devoted to antique Christmas, Halloween, Easter, dollhouses and shops. The Father Christmas pulled by four reindeer, 27” long, brought $17,700 and the unusual German Belsnickle with a rare glass beard, 19” tall, sold for $20,060.
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classic bisque Bebe Bru Jne, size 10, with original Bru costume and signed Bru shoes, c. 1885, pressed bisque swivel head on kid-edged bisque shoulder plate, French kid bebe body with kid- over-wooden upper arms, bisque forearms, Chevrot hinged legs and wooden lower legs, brought $19,040 at Frasher’s October 19 and 20 auction. This bisque bebe Steiner, 23-1/2”, with rare bisque hands and patented lever-operated eyes, incised A-18 with original blonde mohair wig over original pate, Steiner composition jointed body with mama/papa pull string operation, and wearing an antique costume realized $7,280 in the same sale.
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cMastersHarris October 25 and 26 auction included many items from the Doll & Miniature Museum of Highpoint, NC. The 7” K * R Simon & Halbig 117A bisque socket head girl with glass sleep eyes sold for $1,525.
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lovely 23” Schmitt with brown glass eyes, Schmitt composition body and wearing antique clothes, sold for $10,735 during the Withington October 17 and18 sale.
he November 6 Alderfer auction included a delightful pair of 7-1/2” SFBJ Googlies, both dressed in their original French provincial costumes. They sold for $3,520. Another lot of note was the tagged Wizard of Oz 13” plush Lion, dating from the 50’s that sold for $6,380.
We would like to thank the following auction houses for their participation: Alderfer Auction, 501 Fairgrounds Road, Hatfield, PA 19440. 215-393-3000. www.alderferauction.com Bertoia Auctions, 2141 DeMarco Drive, Vineland, NJ 08360. 856-692-1881. www.bertoiaauctions.com Frasher’s, 2323 S. Mecklin School Road, Oak Grove, MO 64075. 816-625-3786. Email: frasher@aol.com McMasters Harris Apple Tree Doll Auctions, 1625 West Church Street, Newark, OH 43055. 800-842-3526 www.mcmastersharris.com Withington Auctions, 17 Atwood Road, Hillsborough, NH 03244. 603-478-3232 www.withingtonauction.com 14
ANTIQUE DOLL COLLECTOR
DECEMBER 2013
SANDY’S DREAM DOLLS
C-Steiner 29” Blue PW eyes Perfect Body, A Wonderful asset to any collection; Jumeau TETE Depose 11 Blue PW Eyes, Beautiful Doll; Triste Size 13 Jumeau 27 1/2”, Original Wig Old Dress Wonderful Pale Bisque Great Body All Original Finish; 1983 - Royal Duncan Santa’s - #885 of 10,000, Perfect Condition with ornament book and green Santa description book. Original print Santa boxes 1st edition - SOLD AS SET ONLY Top Row- Dedt Moroz- Father Ice. Middle Row - Kris Kringle - Medieval Santa Claus; Nast Santa Civil War Santa Bottom Row - Soda Pop Santa St. Nicholas Bishop of Myra; Victorian Santa Claus American Pioneer Santa; Black Peter - Russian St. Nicholas; Wassailing
Sandy Kralovetz Always Buying Dolls of Quality For a Houston adventure please visit our spacious location at
Thompson’s Antique Center of Texas Texas’ largest antique center with over 50 antique dolls and accessories for sale.
9950 Hempstead Road 600 Northwest Mall Houston, TX 77092 602.228.1829 • 281.339.0269 skayk43@aol.com mailing address: 9825 Moers Rd Houston, Texas 77075 Call for doll information Member UFDC & NADDA
& LOWE
Connie
Jay
Still looking for Marklin doll carriages and Palmer Cox bisque Brownie figurines... any condition, any quantity!
P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net
Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA
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ANTIQUE DOLL COLLECTOR
DECEMBER 2013
Gigi’s Dolls & Sherry’s Teddy Bears Inc.
LAYAW AVAILA AY BLE
Allow Us To Help You Discover The Child Within You!
14 ½” 1915 Charlie Chaplin by Louis Amberg, compo head & hands, original clothes $575.
14” K Star R 100 glass eyed, marked 36, hairline left side of face, blue stat eyes, great antique mohair wig $850.
#126 Pussy Cat, Pussy Cat w/ jointed legs & arms, molded socks, no pet $195. #128 Goldylocks & the Baby Bear w/ jointed legs & arms, molded socks, gold sticker and bear $250.
17” R. J. Wright Christopher Robin all felt jointed doll with hand painted facial features, brown eyes, blue smock top, shorts with suspenders, t-shirt, leather sandals, no box $650. 17” Christopher wearing raincoat #371/500, great detailing on clothing and coat, no box or umbrella $650.
13” Betty Boop by Cameo 1932, sticker reads Des & Copyright by Fleischer Studios, wood and composition body $595.
24” Heinrich Handwerck, S &H, blue sleep eyes, pierced ears, 2 fingers repaired right hand $410. 6” Golden Steiff Mohair Bear w/ original blue ribbon, 1950-60’s $165. 24 ½” Kestner 168 w/ square cut teeth, blue sleep eyes, brown mohair wig, antique dress, small eye flake right eye $475. 6” Carmel Steiff Mohair Bear w/ original ribbon, 1950-60’s $165.
16” French Ravca Woman w/ walking stick, wonderfully hand painted features, light brown eyes, wooden shoes $225.
3 ¾” All Bisque Kewpie Huggers $165. 6” All Bisque Chubby, chip on top knot, brown eyes to side, great molding $145. 3 ½” Heubach Figure #10211, blue intaglio eyes, left pinkie chipped $145.
18 1/2” Lenci Boy w/ Fishing Pole, 1930’s, from 1500 series, great character, has 3 Lenci tags $725.
8” Alexander Dolls: Wendy #432 – 1959 $150. Bill #320 – 1960 Going to the Circus $150.
36” Ideal Shirley Temple 1959, redressed in vintage dress, pretty coloring, great hair in original curls $675.
8” German All Bisque Nodders -Ching Chow, Uncle Walt, Andy Gump, Moon Mullins, Chester Gump, Skeezix, Smitty, Rachel (baking crack by mouth), all white set of 8 dolls $195.
Sasha in white silk dress, replaced shoes, no box $145. Sasha in Ballet dress, with wrist tag (off), no box $145. Sasha in Tube 1969 in blue & white check dress, blonde streaked hair $400.
10 ½” Platinum Tiny Terri Lee in tagged dress, walker body $85. 16 ½” Platinum Terri Lee in tagged dress, marker Terri Lee $195. 16 ½” Red Headed Terri Lee in tagged dress $195. 20” Alexander Nina Ballerina 1949-51 all original in tagged yellow tutu with silver trim, beautiful hair in original set with flowers, few holes in netting $495. 18” Alexander 1954 Margot Ballerina #1550 in tagged tutu, ruffled tulle (elastic as is), pantie with tulle, nylons, shoes, beautiful facial coloring $275.
20” S & H, C.M. Bergman, brown sleep eyes, original mohair wig $395. 20” Jutta S & H 1349, brown sleep eyes, pierced ears $475.
12” AM Dream Baby hand puppet all original with celluloid hands, blue sleep eyes $210. 7 1/2” AM Dream Baby all original with blue sleep eyes $110. 8” All Original Baby marked Germany 14 Germany, blue sleep eyes $95.
1949 Painted Eye Ginny Cowgirl, all original outfit, leather like skirt w/ colorful trim, red felt hat & flocked boots $275.
20” SFBJ 227 Brown Jeweled Eyed Boy, o/m w/ teeth, repainted body, few scuffs on cheeks, antique leather boots $1150 $1150. Now $850.
6029 N. Northwest Hwy. Chicago, IL 60631 • 773-594-1540 • (800-442-3655 orders only) • Fax 773- 594-1710 Open: Tues., Wed., Sat. 10 a.m. - 5 p.m., Thurs., Fri. 10 a.m. - 6 p.m. Closed Sun. & Mon. Near O’Hare, Park Ridge & Niles
Chicago’s finest selection of Antique, Modern and Collectible Dolls, Barbie, Gene, Alexander, Tonner, Fashion Royalty, Steiff, Dollhouses and Accessories. Member U.F.D.C. & NADDA • Worldwide Shipping
Contact us for Monthly Specials! Tour our shop at: www.gigisdolls.com & join us on Facebook
Miss Winnie Comes To Stay The Story of a Peerless Papier Princess by Laurie Christman
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Miss Winnie displaying all of her possessions, obviously proud to be a fashionable lady!
s there ever a time when we can resist that most delicious doll with its magical allure? There have been times when I have tried desperately to resist, but invariably, those are the times when something so special comes along that I am reduced to a quivering lump of jello. Has this happened to you as well? I hope I am not alone in this and I don’t think that I am! Anyway, a time like this came upon me when I was saving for the Las Vegas convention. I was trying with all of my strength to stay away from the computer with its many antique doll enticements, but my will power was sadly lacking. Lo and behold I found my fingers automatically typing in the Carmel Doll Shop Friday night additions.
As the site became visible, Miss Winnie’s beautiful papier mache countenance was revealed! She was standing so proudly and quaintly with her lovely collection of original dresses, decked out and photographed with such beauty and grace by Michael Canadas and David Robinson. When I saw her, my eyeballs felt like they were popping out of my head and I don’t even collect papier mache dolls! In the past I was afraid to buy them, thinking that they would be too fragile to enjoy and play with, having seen many with crackled skin and restorations. While I have some dolls who have visited the plastic surgeon or could use the plastic surgeon, I was convinced that a few nights in ANTIQUE DOLL COLLECTOR
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Miss Winnie poses for her portrait. The artist is grateful that she is willing to sit for long periods without moving or complaining.
Miss Winnie’s stylish but extreme coiffure never fails to elicit consternation from whomever is sitting behind her at the opera.
my sunny California home might be enough to ruin their fragile complexions beyond repair. I was thoroughly unprepared to fall in love, but fall in love I did. Miss Winnie, as she was named, was standing beside her belongings, dressed in a beautiful gauzy ivory dress with a vivacious rose print. She had a wreath of red roses wrapped around her coiffure. Accompanying her was her original skin-covered trunk containing various original dresses, matching bonnets and shawls! She also had a few accessories which drew considerable oohs and aahs from me. The surface of her face seemed unmarred by time with her sweet rosy cheeks still as vibrant as the day she was painted. Her fancy 1830’s hairstyle did not have any chips or cracks and she just jumped out at me and spoke those fateful words, “BUY ME!” I sat at the computer trying to weigh the pros and cons of taking most of my doll money allotted for convention and buying this doll which was different from anything that I owned and not of a genre familiar to me. But as I stared at her and her incredibly well-preserved belongings, I could not help but feel the love that must have surrounded the life of the child who owned this doll. I envisioned a mother or grandmother spending painstaking hours fashioning the doll’s wardrobe for her beloved child. The stitches are tiny and perfect;
everything fits like a glove. Then, beyond the beauty of the doll, I could only stare with appreciation at the exquisite photographs of this doll by Michael and David, so generously offered for this article. I knew that this type of doll was made in Germany between 1825 and 1835. I date her to 1830 because her clothing is no longer in the high-waisted regency style. In the 1830’s, the waistline dropped down to the natural waist location and the sleeves were full at the upper arms. I tried to discover her maker through research, but it was impossible because many small factories made heads similar to hers and there are no identifying marks. Miss Winnie stands 18 inches (46cm) tall. She is on a so-called Milliner’s Model body which we all now agree isn’t really a correct term for the leather body with wooden limbs. Even so, I will use that term as collectors understand what that description implies. Her body is very well preserved. She does have a belly button patch but I assume she must have had some important cosmetic procedure which doesn’t rule out liposuction or a tummy tuck! Her hairstyle is representative of those worn by fashionable ladies of the time which were created to emulate the trends set by Princess Adelaide, the wife of King William IV of Great Britain and Hanover. Ladies’ hair was parted in the middle with curls and loops on the sides and a fancy topknot on the top of the
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The skin covered trunk measures 19 inches by 10 inches by 8 inches high. It is constructed of solid wood, lined inside with paper and covered with thin leather, reinforced with darker leather strips held down by metal studs. It has a black iron lock on the front fitted for a skeleton key. Miss Winnie wears her cream colored gauzy dress with the red floral print. She never fails to captivate the observer in this outfit. The rich gold silk dress with matching bonnet is appropriate for any festive occasion.
Caught in a moment of severe dishabille, Miss Winnie nevertheless retains her usual composure and dignity.
head sometimes surrounded by braids. For festive occasions, the hairstyle was complemented by flowers, ribbons and a stabilizing comb in the back. Adelaide’s hair styles grew bigger and more complicated throughout the 1830’s and fashion conscious ladies copied away! Hairpieces, false buns and braids were frequently employed. One can occasionally find papier mache dolls who have real hair additions as well! The clothing from Winnie’s time is captivating! From 1825 through 1835, fabrics such as silk, cotton, calico, velvet, wool and taffeta were used. Fabric used in this period often displayed ANTIQUE DOLL COLLECTOR
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Miss Winnie loves to look fresh and cheerful in her daffodil dress with matching bonnet.
Leg-of-mutton sleeves are very interesting as is demonstrated by Miss Winnie’s floral on dotted cotton dress.
lovely floral prints such as Winnie owns. Sleeves were wide at the shoulders and were called “leg-of-mutton” or “gigot” sleeves. Corsets were again worn to create tiny waistlines. This was the final nail in the coffin of the loose, high-waisted Empire style, which had been an attempt between 1800 and the early 1820’s to copy ancient GrecoRoman fashion. My favorite dress is the one she arrived in, her cream and red floral dress. The gauzy material is so filmy that you can almost see through it. The print seems as fresh as the day it was made. While she wears roses in her hair with this dress, I can also see her protecting her complexion by wearing her finely crafted sunbonnet with this dress. What I call her daffodil dress is fashioned from cream colored almost transparent cotton and has a lovely daffodil bloom print. Tiny pleats extend from the waist and a dainty trim is revealed at the neck. This dress 22
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Miss Winnie wears her exotic flowered dress with her lovely floral shawl to ward off the chilly breeze. Her straw bonnet is designed to protect her delicate complexion from the sun and wind.
has ribbony leaves at the bust and a matching hat with feathers, buds, leaves and ribbons. One of her fancier dresses is a gold silk print. The fabric is of cream, gold and blue. It also has exquisite detailing with tiny piping and floral accents. The matching bonnet has buds on the inner brim which hang down just slightly to frame the face. I love her printed cotton dress with leaves and flowers. The colors are pale green, teal blue and salmon. It has a Polynesian aspect with exotic blooms. The trim at the neck is of the finest tatting. Again, the pleats at the waist are so tiny and close together that one almost needs a magnifying glass to see them. The stitches on the inside are just perfect and smaller than small. She also wears her colorful fringed shawl. Miss Winnie has another cotton print dress which is between a beige and a salmon color. The pattern is of leaves
Note the lovely silk blooms on her fine straw bonnet. Miss Winnie’s diary is made of red silk with wool pages. There is a large W designating this book as Winnie’s private property. All of the pages are blank which could mean that either Winnie’s life is too boring, too hectic or too naughty to write down!
Miss Winnie’s indigo cotton dress is the only one of her dresses that has short puffed sleeves.
Tiny paper book with the mysterious name, “Yvonne De La Grange,” written in pencil on the cover. Is “Yvonne” Miss Winnie’s nom de plume?
and flowers on a background of tiny dots. This dress is lined at the bodice and completely hand sewn, as are all her other garments. There are no machine stitches anywhere to be found! The trim on this dress is of individual thread loops. I can’t conceive of how this tiny looping was done by hand. The last dress in the group is of a very heavy cotton. It is a deep indigo and cream. This dress has shorter puffed sleeves. The finely crocheted trim adds to the overall look and enhances its appeal. Regarding her other items, she has an enchanting handmade book with her initial “W” as part of the lace cover. The pages are of a type of wool paper with pinked edges. She also has a graceful feather fan and two different types of antique boxes. One intriguing item in her group of accessories is another tiny handmade paper book with the name “Yvonne De La Grange” written in script at the top. Underneath is written “Arithmetique” and below that is “Classe de 7” (which in French means Grade 7, the same as American grade 5). One can only guess at the mysteries associated with this wonderful doll.
In my search for those special dolls that I wish to own, I can’t help but appreciate a doll who is a perfect example of the sensibilities of her time. She shares with us the history of the people she came from, bringing forth their ideas of beauty, fashion, industry and artistry. She was obviously cared for and treasured for over 180 years which touches my soul and hopefully will touch yours as well. SPECIAL THANKS TO: Michael Canadas and David Robinson of Carmel Doll Shop for providing photos for this article. Christiane Gräfnitz for historical background. REFERENCES:
Cieslik, Jurgen, and Marianne Cieslik. German Doll Encyclopedia: 1800-1939. Cumberland: Hobby House Press, Inc. 1985. Coleman, Dorothy S., Elizabeth A. Coleman, and Evelyn J. Coleman. The Collector’s Encyclopedia of Dolls. New York: Crown Publishers, INC., 1968. Gräfnitz, Christiane. German Papier-Mache Dolls: 1760-1860. Germany: Verlag Puppen & Spielzeug, 1994. ANTIQUE DOLL COLLECTOR
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Deck the Halls A Visit with Beth Karp By Donna C. Kaonis • Photos by Leslie Shiels and Beth Karp
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s it any wonder that doll collectors are often antique Christmas collectors, after all our love of childhood dolls and toys is not far removed from the magic of the holiday season, one that can transport us back in time to our cherished childhood memories. Beth Karp and her husband Jay discovered their passion for Christmas, dolls and toys over thirty years ago. Beginning with snow babies, she gradually added German made Belsnickles, Santa candy containers, reindeer, sleighs, feather trees and ornaments. In concert with a large doll, dollhouse and toy collection, during the holiday season the result is a magnificent glittering fantasyland that is the talk of their neighborhood. Beth’s Christmas collecting took a huge leap forward when she joined the “Golden Glow,” an organization devoted to the interests of holiday collecting, particularly Christmas, but 26
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also Halloween and Easter. The majority of antique holiday decorations are from Germany: it wasn’t until the first world war when we no longer imported from Germany that the United States began making holiday decorations. Beth acknowledges that some might think her house cluttered, but for fellow collectors, the bountiful and well thought out array is a wonderland of delights. “My son who is in the auction business and prefers a minimalist look, always jokes that our style of decorating is exactly what he doesn’t want.” The couple celebrates with two parties during the holidays, one for Christmas collectors and one for their friends and neighbors who enjoy seeing a truly magical Christmas display. Decorating for the holidays begins right after Thanksgiving. Feather trees in various sizes from 18 inches to 6 feet tall are displayed throughout the house. She especially enjoys the
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smaller trees which she surrounds with vignettes…dolls, toys, Santas, wooly sheep and putz animals. Her favorite ornaments are whimsical cotton batting decorations. Her friends, Jerry and Darla Arnold, make wonderful modern day cotton batting ornaments often incorporating antique die-cuts. Beth buys a few each year and displays them on a feather tree, decorated exclusively with their ornaments. Beth and Jay’s vast collection of ornaments includes antique glass blown, die-cuts, cotton batting, Sebnitz, Dresdens, delicate metal candy baskets, patriotic decorations, angels, even small toys and dolls. Since her husband Jay backed into a tree three times and broke six expensive hand blown glass ornaments, she has focused on cottons and metal filigree ornaments. A collection of Kugels, most of them too heavy for a feather tree, are displayed on the dining room table with an enormous green kugel hanging from the chandelier. The rarest are the blue, red and pink Kugels in the shape of grape clusters and eggs.
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As much fun as decorating is each year, taking everything down can be a chore. Beth leaves everything up until the end of January so she can enjoy her hard work. She has a smart tip for decorating small trees; she wires the ornaments on and takes a piece of cheesecloth that she cuts to fit over the stand, then pulls it up and knots it at the top. That way, even if an ornament falls off, it won’t be broken. As we all know from our own experiences, being a new collector is a heady experience filled with excitement and anticipation. Beth remembers the morning long ago when she woke up very early and went on Ebay, winning a large cotton batting Santa offered as a buy it now for $150. She was thrilled to learn that it came from a store that Gimbels purchased in 1915. It was in immaculate condition, just like the day it was made. One of her favorite Santas is a candy container purchased several years ago, dressed in red satin with a repainted face. Repairs were made, the over paint removed and a beautiful robe made out of antique mohair turned it into a showstopper. ANTIQUE DOLL COLLECTOR
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At a long ago auction she went determined to buy the first two lots, a Santa wearing a gold robe and a Santa Claus with cotton reindeer. “I bravely held up my hand and didn’t put it down until I won the two items. Years later I ran into a someone who was there and told me the long time collectors were afraid of me! Since I was on a limited budget it made me chuckle to think I intimated them.” She and Jay are still collecting but have found that when the really great items come up, they are very expensive. “Over the years, our tastes have escalated and become more sophisticated. We feel fortunate we started collecting when we did. In spite of skyrocketing prices, it’s still fun to collect and you have to start somewhere. Some of the younger members of the “Golden Glow” begin by collecting affordable postcards and die cuts. The fun is in the looking.”
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Beth and her friend and business partner, Beth Ryan, run a business known to doll collectors as Two Beths and are frequently seen at major doll shows in the east and midwest. When she is not collecting and selling she has a busy career as what she describes as a â&#x20AC;&#x153;plants person.â&#x20AC;? Understanding what grows in what situation, she specializes in entryways and container planting. Their home sits on a beautiful three-acre property that is often visited by garden tours. Thanksgiving comes late this year, making all of us even busier than usual with our decorating, shopping and baking. By the time you read this article, Beth will have transformed their home once again, something she looks forward to each year as she creates yet another magical Christmas for family and friends. ANTIQUE DOLL COLLECTOR
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A Christmas Story By Ursula Mertz
photos by Christopher Partridge
Remember when we met over fifteen years ago? And now you have come back to stay.
F
or years, a favorite doll in my collection has been Peaches, an all composition Patsy look alike sold by the Averill Company of New York City in the early nineteen thirties. Peaches was featured at the 1931 spring toy fairs in New York and Chicago and can be seen on the cover of the March 1931 issue of Toys and Novelties. In today’s market it is not that easy to locate an example of this doll. This may be due to the fact that many of them were not marked. Originally they had cloth tapes attached to their clothing or paper hangtags, items that are easily lost over time. A fellow club member owned an all original but smaller version of Peaches. At one point we photographed the two dolls together. In their short cotton dresses with matching hair bows, they looked adorable. I asked Bernice to remember me should she ever decide to sell her doll. We have known each other for a long time. When I attended my first UFDC national convention in 1979 at the Waldorf
Astoria in New York City, Bernice was my roommate. Some fifteen years passed, and Bernice had retired from our club but we kept in touch with Christmas cards and the occasional phone call. A smaller version of Peaches still had not come my way. Then two years ago, just before Christmas, Bernice called to tell me that she was ready to let go of her Peaches. I told her that I was absolutely delighted that the doll now was for sale. “No, Ursula,” she said, “I want to give it to you.” I was speechless and kind of overwhelmed and protested. But Bernice insisted. We were going to meet half way and have lunch together. Winter weather got in the way and we would not have a chance to meet before Christmas. Bernice decided that she was going to mail the doll, and we could meet some time in spring. When the doll arrived I kept thinking: “What could I do for Bernice as a Christmas present?” I decided to write a short picture story about friendship using the two dolls and mailed it off to Bernice.
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Would you like to play with my teddy?
Yes, I would. Thank you very much!
How about a cup of tea?
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We could also look at some books.
DECEMBER 2013
Friends forever!
Happy Holidays to Everyone from
Blackberry Studio Size 12 EJ with wardrobe $12,000 All original wax doll from Hambly’s Toy Store $2500 Baby Stuart in cradle $1350 Christmas Fairy $750
Bernice obviously liked her present. Here is what she wrote:
“There is no way that I could possibly thank you enough for: “A Christmas Story.” From beginning to end, no one could ever tell the story the way you did. From the first page to the last… a tale that is so loving and perfect – two sweet little girls that we reunited to enjoy forever. It will be one of my prized possessions.” Gazing at her beautiful handwriting the note was another present for me. I was also looking forward to getting together. As happens so often, more time passed than originally planned. At mid year news came from Bernice’s family that she had passed on. I was sad that we did not have our meeting, but how glad I was that we both had loved our experience of exchanging Christmas presents.
Margaret Gray Kincaid
Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com
The
Kuddle Kewpie
15” early 1920’s Kuddles dressed in original clothes. She has a replaced slip under her dress.
By Mark and Carole Gillette
ose O’Neill once stated, “The Kewpie doll went all around the world, but I still had one other dream up my sleeve. I wanted a soft, caress-able Kewpie, a Kuddle-Kewpie. It must be tender to touch, like that baby of long ago; it must be the smiling, funny, embracing St. Kewpie, a patron saint of little tads; it must be capable of curling up in the cushions and the chairs of the grown-ups, to peep out with its little look of jocular kindness.” The first time that we see the term Kuddle Kewpie or Kuddle Kewps, was when it was used by Rose O’Neill in her writing of the October 1914 Good Housekeeping magazine story, “The Kewpies and Bedtime.” The illustrations show Kewpies as they are thought of, but do not show the Kuddle Kewpies as we know them today. The all cloth Kuddle Kewpie was already in existence, but had not been introduced to the public. Laura (Chandler) Eiserman was born to Jesse and Bertha Chandler, in December of 1900. The Chandlers were close friends of the O’Neill family. In 1910, per Rose’s request, the Chandler family moved into Rose’s homestead, Bonniebrook, and took charge of the guests that she was expecting for that summer. The Chandlers ended up living at Bonniebrook for two and a half years. In a 1968 interview, Laura remembers, “Many wonderful events transpired and it was like living in a dream world.” The first documentation of Kuddle Kewpies being handcrafted takes place in an interview with Laura Eiserman. She recalls the event occurring, at Very deluxe, 100% original Bonniebrook, before her eleventh birthday (December 3, 1911): “She (Rose Kuddle Kewpie from 1920’s. O’Neill) had a new idea which she called a project for the family. She Very few of these amazing dolls wanted a cloth Kewpie, one that was soft and cuddly for a child to hug have survived the decades. 36
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Very early production Kewpie (1920’s) that was sold with the matching dress, bonnet and socks. It has matching panties underneath.
Rare Kewpie lying on its belly has an internal bellows type music box.
and love. It was Callista, Lee and Juddy Tittsworth who went to work under her instructions, cutting out cloth bodies, heads, sewing, making dresses, bonnets and shoes for the new creation. I would sit on a big cushion on the library floor (quiet as a mouse) watching them as they stuffed the cotton in the bodies, arms and legs and when assembled it was then the task for Rose to give her personal artistic touch of the brush by painting the lovely Kewpie face. “The new rag Kewpie was sent to Germany for inspection and approval by a famous manufacturer. Some changes were suggested and the doll was returned to
The photo above is from the 1920’s and features the owner of the two dolls with her friend. The dolls they are holding are the actual dolls shown in the photo to the right. Note the “Rose O’Neill” drawings on the fabric. This fabric was manufactured for Rose O’Neill and was copyrighted, and came in three designs. The outfit on the left doll has disintegrated and she is now wearing a reproduction outfit. A snippet of an advertisement featuring these dolls is shown peaking out between them. ANTIQUE DOLL COLLECTOR
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This Valentine candy box with the Kewpie attached is all original as sold at the local candy store. It was found in Bozeman, Montana as shown. Kewpie is red satin and 9” tall.
Blue brothers. Both are all original. (left) is a “Krueger” and (right) is a “King Innovations.”
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Bonniebrook and altered to where it would bend more at the hips and knees so that a child could hold it more like a real baby. It was returned the second time for some minor change, after the third trip the Kewpie seemed perfect, but manufacturing was delayed and set aside.” (In Rose’s memoirs, she wrote that the manufacturing was delayed because of the toy factories desire to make a bisque Kewpie instead. So even though the Kuddle Kewpie was conceived prior to the bisque dolls, it would not be contracted to a major manufacturer until 1925). Laura said of her special Kuddle Kewpie given to her by Rose: “On my eleventh birthday, I had the surprise of my life when I found this special Kewpie sitting in my chair at a birthday dinner party.” Rose’s sister Callista was an experienced seamstress. She designed and made many gowns for both Rose and herself. As an integral part of developing the Kuddle Kewpie body pattern, she experimented and reworked its design trying to perfect the form. Rose said of her sister: “I’ve got it at last. My little sister, who knows more about scissors and needles than I do, has translated all that tiny roundness, that elf-babyism, into soft materials, and now, as of old, I can hardly be kept from playing with the baby all day long. She would cut and stuff and cut and stuff; each time submitting the little soft thing to me for criticism. And at last, we got the perfect Kuddle-Kewpie.” Rose referred to Callista as the “Mother of the Kuddle Kewpies.” In Rose’s memoirs she writes, “Callista and I have made a rag Kewpie, too, for the fun of it, with a flat painted face and wobbly disposition. We meant to perfect it, vaguely planning some means of arriving at a molded face in cloth. But that came later.” Although they were still not yet in the hands of the public, Kuddle Kewpies were still dancing through Rose’s mind and close to her heart. This is evidenced by an early accounting in the song “Kewpie Lullaby”, published in the 1916 book, Kewpie Primer. In 1922, Rose purchased a beautiful riverside estate home in Saugatuck, Connecticut which she named Castle Carabas. Eager to bring these Kuddly Kewpies into the world at large, Rose invited women to work at Castle Carabas to craft them on site. Shortly thereafter, a cottage industry was developed with local women cutting, sewing, and stuffing Kewpies in their homes. In these early years, Rose was working to perfect the face of the Kuddle Kewpie. Contours and colors were established but the hunt was on to find the right manufacturer. It has been unclear in the past, as to who made these masked Kewpie faces. It is now known with certainty that it was M. Fluegelman, a manufacturer of doll faces and novelties in New York City. The first year of fabrication still has not yet been established.
Three sisters are wearing very unique matching fabrics. The brims are attached, and made of same fabric as the pinafores. These are very rare and tagged “Krueger.”
8” Kewpie used as a Christmas ornament store display. It is made of “Airlite” fabric. It has an attached red ribbon with a hook to hang on the tree. It also has a gift tag addressed to some lucky person.
Two satin Kewpies both made by “Richard G. Krueger Inc.” Both are all original, the one on the left has a factory hand painted ribbon.
16” white crushed plush Kewpie, very early tag sewn on the back of the neck. The ribbon has been replaced.
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1936 Krueger advertising card sent to Retailers to spark ordering. The coral colored family of Kewpies featuring 18”, 12” and 8”. All three were manufactured in cotton jersey fabric.
Geo. Borgfeldt & Co. N.Y.C. entered a contract with Rose in 1925 for the making of Kuddle Kewpie dolls. It is evident that he was working very closely with Rose in making design and manufacturing refinements to the Kuddle Kewpie before and during the contract period. Again, this effort to get a large scale manufacturer involved in making Kuddle Kewpies was not a new one; the first attempt was back in 1911. Rose hoped to promote sales of Kuddles in her Rose O’Neill Kewpie Shop, on Madison Avenue, New York City for the 1925 Christmas season. That wish did not come to fruition. Abundant quantities of Kuddle Kewpies did become available in her store for Easter of 1926. There have been several sources, including Callista’s statement in Rose’s estate documents, that 1925 was the date of the first Kuddle Kewpies. The author believes this date was used to reflect the first contract for their production. Up until September 1927, Kewpies were only protected under the original copyright granted in 1913. Rose realized it was necessary to protect the Kuddle Kewpie doll under its own patent. A new patent application was drawn up and filed with the U.S. Patent Office on September 20th, 1927. Callista’s role in making the Kuddles is noted further by the fact that the patent application was jointly filed. Rose made sure that Callista shared in the royalties the sales brought, and even after Rose’s death Callista would receive the majority of the compensation, according to the estate papers. In early 1928, Rose confirmed that four factories in New York City were producing Kuddle Kewpies. Since factories were turning out an abundant supply, Rose again focused her attention on marketing for her Kuddle Kewpies, books and other Kewpie-related items. She made personal appearances in stores, toy fairs and did live interviews, including radio. She was also featured in magazine ads and newspaper articles. The Sears and Roebuck catalog from 1928 featured Kuddle Kewpies in a 15” size, with a choice of three different fabrics. 40
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In April of 1928, the Fels-Naptha soap company began running a series of thirteen monthly magazine ads. These ads appeared in Child Life and Junior Home magazines. Although the magazines never mentioned the dolls as “Kuddle Kewpies,” because of their popularity, they were instantly recognized. These ads bolstered the wave of enthusiasm from children and adults alike. The Kewpies and The Runaway Baby book, released in 1928, included an advertisement for the Kuddle-Kewpies on the last page. It said: “Ask your dealer, or write to The Kewpies, Saugatuck, Conn”. The ad features three Kuddles; one elaborately dressed with a bonnet, another that is plush, and the last in checked sun suit and hat. In early 1929, the contract for making Kuddle Kewpies between Rose and George Borgfeldt & Company ended. In November of the same year, ads started appearing that confirmed that Rose had entered a new contract with King Innovations Inc. (of New York City). This contract made them the sole manufacturer and
distributor. In 1934 Richard G Krueger would be the last manufacturer to produce Rose’s favorite Kewpie. Production finally ceased around 1955. The photos throughout this article highlight Kuddle Kewpies from the very early days up until the end. Notice the many different styles, tags, faces, colors, fabrics, sizes and body styles, that were produced by several different manufacturers. Rose O’Neill is most recognized as being the Mother of the Immortal Kewpies, but she was so much more than that. She produced a vast array of works as a sculptor, illustrator and the author of many books for adults and children. She was a serious artist having had exclusive art expositions in Paris, and took an active part in the Women’s Suffrage movement. I started my love of the Kuddle Kewpie in 1978. In my collecting of Kuddle Kewpies I began to notice many differences which surprised me. These variations became the spark for further curiosity, and my hunt for information began. My husband Mark suggested that he could help me assemble the information that I had into a book that would make it easier to access in the future. I had several others comment that they would also like to purchase a copy if I would print them one. This in depth study has resulted in three copyrighted volumes currently in print with at least one more to come. Each volume examines different interesting aspects of Kuddle Kewpies unknown by casual collectors. Sharing this information with others fuels my passion for Kuddle Kewpies. I enjoy the buying, selling and trading in the pursuit for that Kuddle Kewpie I have not seen or always wanted for my collection. I love to hear from others with information, questions or Kuddles to share. Should you wish to contact me, I can be reached at: qpqp3@att.net or by telephone at (248) 394-0626. Remember to always be willing to go out and Kuddle the Un-Kuddled world.
9” Kewpie in red open weave jersey and original King Innovations peak-out box.
Very early Kewpie with books by the author.
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The Tender Years
11 “ WD Bebe. Pale creamy bisque with rose cheeks. Long blonde hair. Bl. eyes. Tons of luscious lashes. Flyaway brows. Gorgeous white dress with turkey stitching at hem. French hat. Only 4,500
Deborah Varner • Member UFDC 303-850-7800 • queenbeev1@comcast.net WWW .THETENDERYEARS.NET
17-1/2 inch working flirty mechanism on this 117N “Mein Liebling“ K*R. Sleep blue eyes too! Open mouth. Fabulous modeling. Br. bobbed hair with Bl. bow. Sailor suit. Charming working doll. 2,750
10” papier mache $475
21” of the most beautiful Jumeau Incised I have ever seen. Tons of blonde curls. Applied ears. Dark bl. stunning eyes. Huge Rose lips. Head coil intact. Orig. cork pate. Bl. cotton dress with silk bows on dress and in hair. Working mama, papa pull string. Sm. jointed doll in hand. Purse in rt. hand. GORGEOUS Doll. 7,500 SOLD
Kestner “ Sammy Baby “ 211, 11 inches. Most darling look. Bl eyes. Open mouth with two lower teeth. Chubby baby chin. Long white gown, turned up toes, 1,200
Valentine’s/Virginia Aris at the
Princeton Doll and Toy Museum 3-face $1,200
Hopewell, New Jersey
Telephone: (609) 333-8600 Email: virginiaaris@aol.com
www.princetondollandtoy.org
16” French Fashion $2,800 Kruse - $2,400 ABC Chair - $750 Kruse - $3,400
5” Googlie - $450
Visit us at Gaithersburg, NADDA and the Museum. 42
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DOLL AUCTION Part 1: January 18th, 2014 at 11am Part 2: February 8th, 2014 at 11am Renowned Collector & Dealer Barbara Carroll Presented by: Pac Shoppe Auctions, INC. 10610 Metric Drive Suite #150 Dallas, TX 75243 www.pacshoppe.com 972-840-0998 214-403-5855 Email: info@pacshoppe.com Auctioneer: Steve Kaplan - TX License #10877 Rare Half Doll
Jumeau BeBe OM 30”
Kestner Piano Baby 14”
Jumeau, Kestner, Huret, Wax, French Fashions, Simon & Halbig, Piano Babies, Huebach, Barbies, Bye-Lo’s and Boxed Dolls.
Bourgoin Steiner Fr. BeBe 33”
JDK 24”
JDK 30”
FG French Fashion 17” German Fashion 22”
SIE G STEINER 24”
Jumeau Fr. Fash. 17” Limoge Favorite 27”
24” SFBJ Laughing Jumeau Mech.
Vintage Wax Doll 13”
BYE-LO Baby
Walker K*R 19”
Fr. Bebe Olympia 30”
DEP 22”
Simon Halbig 30”
Kestner Leather 25” BRU Smiler Celluloid Fr. Fash. 16”
A-10-M 28”
China Huret Fr. Fash. 17”
Hilda Sleepy Eye 25”
Mode Enfantine pour
A Special 2013 by Lynn Murray
Photos taken at the 2013 National UFDC Convention in Washington, D.C. Dolls, unless noted, are from the collection of Lynn Murray.
Editor’s Note: This exhibit, curated by Lynn Murray, showed the extravagance and luxury that young doll owners and their parents lavished upon the reigning doll of the mid-1850’s to the late 1860’s, the poupée. The well thought out display, including detailed descriptions, which we have reprinted here, offered a large number of poupées by makers Huret, Rohmer, Clement, Dehors and others dressed in Mode Enfantine, children’s fashions. The dolls wore short Enfantine skirts and flat shoes or short boots, exactly like their young owners. Shops and stores such as Maison Giroux, A La Poupée de Nurnberg, Au Calife de Bagdad, Au Bengali and Au Nain Bleu offered every imaginable item for the doll trousseau. From parasols to fans and sewing kits to playing cards, the dolls had costumes and accessories for every occasion. Members and friends of Les Rubans Aubergines, UFDC Region 16 contributed to this outstanding display which we are pleased to share with you.
Poupées designed and patented by Mlle Adéläide Aimée Calixte Huret.
T
This bisque Huret lacks for nothing!
Lynn Murray and Les Rubans Aubergines wish to acknowledge Danielle & François Theimer, whose volumes on Parisienne dolls were invaluable during the preparation of this exhibit. 44
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he spinster daughter of a furniture maker, Huret was destined to become one of the most important doll makers of the Second Empire. She registered her first patent in 1850 at the age of 37. She had been making 1/3-scale models of her father’s iron furniture for samples when she decided they could be adapted for doll’s furniture. She then required dolls to display with the furniture, but when she began to search she found that the available dolls were stiff and shapeless. Huret conceived the idea of an articulated doll that could imitate the movements of a human. She was inspired by an artist mannequin. In 1852 the Huret firm moved to 22 Boulevard Montmartre, Paris, and by 1855 the Paris exposition reporter was calling her dolls ingenious. In 1861 Huret amended her patent, adding a swivel neck that turned only from side to side, as a human head. Huret dolls were the most expensive dolls on the market. Fewer than 1200 dolls were made each year. The inventive Huret sisters held children’s tea parties in their shop and their name was soon synonymous with high quality. They formed an agreement with Madame Farge
Poupées
UFDC Exhibit
to make clothing exclusively for Huret dolls. When the preparations began for the exposition of 1855, Madame Farge was not able to produce enough doll costumes so the Huret sisters looked to additional sources. On the Rue du Hanovre, in the couturiers neighbourhood, they found the Bereux Perfumerie, where Mlle Louise Jennie Bereux worked in the family business. Mlle Bereux was a talented seamstress and designer who entered a non-exclusive agreement with the Huret firm. Together Huret and Bereux created new fashions for dolls. These costumes were not miniatures of adult clothing, they were truly children’s styles, better suited to the life of an active child. Before too long, parents were requesting that the doll costumes be replicated in children’s sizes. Thus the trend for Mode Enfantine expanded in the fashionable circles of Paris. Thanks to a doll maker and a doll couturier, children would have their own fashions. The Huret sisters retired in 1864, passing the business on to their brother Louis Emile Léopold Huret. Mlle Bereux continued in business until 1880, when she retired at the age of 58. Mme Huret died in in 1905 at the age of 91.
Huret, collection Sandy Kralovetz
China Hurets and wardrobes with family provenance. Collection Margaret Gray Kincaid
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Poupée designed by Marie Antoinette Léontine Rohmer.
B
orn in Eastern France, Rohmer began making dolls at age 26 with her mother in 1855 at 22 Rue du Faubourg St Denis and later at 24 Boulevard Poissonniere, Paris. The address was a mere 2-minute walk from the Huret establishment. Within two years Rohmer had filed her first patent for an improved method of articulation for doll bodies. For the next few years, she added numerous addendums and revisions to her original patent, including one for a moveable neck. In 1860, Rohmer’s brother-in-law collaborated with her on a design for the stamped zinc body. The similarity between this design and that of Mme Huret’s gutta percha doll bodies was too close to overlook. Mme Huret brought suit against Rohmer for patent infringement. Despite the fact that Rohmer used a template to stamp and cut the bodies from zinc, an entirely different process from the molded gutta percha bodies made by Huret, the two dolls appeared to be virtually identical to the court bailiff. Rohmer maintained that there was public knowledge of this type of doll prior to Huret’s patent filing and in fact, argued that Huret’s dolls were copied from an earlier patent filed by Louis Cheradame and Louis Halle for an articulated artist mannequin. Nevertheess, the judge found in favor of Huret. Rohmer was fined FF100 and the remaining zinc bodied dolls were confiscated. In the relatively
Collection Catherine Peterson
Mlle Emilie, a bisque Rohmer. Collection Cathy Soares
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small world of doll makers in Paris, this was a cautionary tale. Mme Rohmer continued to be inventive with her doll-making. She was determined to create a doll that would be less costly than the Huret, but of a better quality than the poupées by Jumeau. Mme Rohmer had all the doll parts made in France and shipped to her workshop for assembly. To offset the costs of producing dolls, she and her mother began to produce doll trousseaux. She did not have a show room or shop, she simply sold her dolls from a stand along Boulevard des Italiens. In 1870, she moved her business to her sister’s home, next door to Mme Lavalee-Peronne, where she worked for four years before moving once more to 178 Faubourg St Martin. Despite all her inventive ideas and her hard work, she was never able to establish the same caché as Huret. The Rohmer firm closed in 1882 and Mme Rohmer Vuillame died at her home in 1899, aged 70 years old.
Bisque Rohmer with leather body and zinc arms.
Collection of Lynn Murray and Catherine Peterson
Bisque Rohmer with zinc body and bisque arms.
China Rohmer with leather body and china arms.
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Poupée designed by Benoit Martin
T
his patent was designed and registered in 1863. Martin was a mechanic by trade. Influenced by the articulated dolls of Huret, Benoit Martin concerned himself with making an articulated body that would allow the doll to sit in a natural position. The doll, which Martin called Phenix, was constructed of wood and metal. The lower arms could be made of rubber, metal or bisque. The dolls came originally with shoulderheads and later with swivel necks. Martin applied to exhibit his dolls at the 1867 Paris Exposition, but he was turned down because the dolls were “heavy and disagreeable to look at.” Nevertheless, Martin and his wife established their doll making firm at 67 Faubourg du Temple, Paris, where they remained until 1868.
Poupée designed and manufactured by Marie Emmanuel Cruchet.
C
ruchet was known as “Good Old Boy Cruchet,” the former sailor and prisoner of war. It was while he was imprisoned as an English prisoner of war that he developed several designs for novelties and toys, including a miniature toy guillotine. He was a clever inventor, known more for toys and early automaton than for dolls. Cruchet registered a patent for articulated jointed dolls in 1852, though he did not begin making the dolls until ten years later. This example has a shoulderhead with articulation at the shoulders, lower bisque arms, articulated hips and knee. An unusual feature is the use of papier mâché for the feet. From the label found on this doll, we know it was made between 1863 and 1869 when Cruchet worked at 7 Rue des Filles du Calvaire, Paris. By this time he was 85 years old. 48
ANTIQUE DOLL COLLECTOR
Poupée designed by Albert Frédéric Anqueulle and his sister, Marie Victoire.
P
atented in 1865, the designers applied to exhibit their doll at the 1867 Paris Exhibition, but were denied entry by the jury who saw no originality in the design. In fact, the body shape and design is extremely close to that of Mlle Huret, registered in 1861. After the rejection of the 1867 Exposition jury, the affluent Anqueulle family appears to have lost interest in their doll-making venture. The body-style was used for several years, sold in the fine boutiques and luxury stores of Paris, such as Maison Simonne in the Passage Delorme, Rue de Rivoli, Paris, who specialized in trousseaux and fine quality dolls and toys of every description. At Mme Lavalee-Peronne’s shop, À La Poupée de Nuremberg, 21 Rue de Choiseul, Paris, the Anqueulle designed body fit the exact measurements required for the 45-centimeter doll, Lily, first introduced in La Poupée Modèle in December 1863.
DECEMBER 2013
Poupée designed by Pierre Victor Clement
O
riginally trained as a shoe-maker, it was not a long stretch for Pierre Victor Clement to begin supplying replacement leather doll bodies to shops and doll hospitals. Once exposed to the types of wonderful articulated dolls, Clement was inspired to create a doll body of molded leather. His reasoning was that the leather was more durable than the gutta percha used by Mlle Huret, yet lighter and more natural than stuffed leather or wooden bodies. In fact, Clement’s leather bodies fit the Huret shoulders perfectly. Clement designed his own unique thigh joint, so while the bodies are very similar, they can be distinguished from the Huret bodies by this attribute. Clement registered his patent on February 6, 1866. Like so many others, he had heads produced by François Gaultier and Eugene Barrois. He sold complete dolls to shops in Paris. Collection Samy Odin
Dehors
P
oupée made by Alexandre Auguste Dehors has a body style that was never patented. The body is of wood covered with leather, the arms of bisque and the feet of a type of composition or papier maché. Dehors dolls were luxury art dolls, designed for home decoration rather than play. He is more frequently noted for the spectacular long-faced poupées with the bent right arm and the opulent evening gowns or walking suits with long trains.
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The Ideal 18-inch Poupée, Lily
A
t number 21 rue de Choiseul, Paris, there was a shop full of dreams! Mlle Jeanne Peronne, the skilled seamstress and daughter of parents with means, opened her shop in 1863. In 1865, she married her Cubanborn husband, François Lavalée, and became Mme Lavalée-Peronne. Her specialties were children’s clothes, doll’s trousseaux, layettes and doll repairs. She worked closely with the magazine La Poupée Modèle, creating patterns and encouraging girls to sew and create items for their dolls. In her shop Mme Lavalée-Peronne offered the one special doll for which girls could sew: Lily. Although the real Lily was available exclusively from her shop, À la Poupée de Nurnberg, the only common denominator soon became the 45cm (18 inch) size, for Mme Lavalée-Peronne astutely offered various qualities and a price-range of dolls. She offered dolls made by Rohmer, Anqueulle, Herbillon and others, but always in the 45-centimeter size. Thus, the clothing, shoes and accessories offered in the shop were the perfect fit. Lily was a celebrity in the doll world for nearly two decades before Mme Lavalée-Peronne ceased pattern making in 1882 and closed her shop in 1885. The magazine La Poupée Modèle continued to be produced until 1924...but that is another story, anther exhibit!
La Petite Rohmer, Lilas –Inspired by her love of the Mode Enfantine era and the lovely original Lilas, Susan Sirkis created the miniature replica of Lilas’ trousseau. The lucky doll is a Region 11 Souvenir doll, made by Cathy Hansen. Lucky us, the patterns are available on Susan’s CD! Susan Sirkis Collection
Lori Santamaura Collection
Poupée from the toy store of François Simonne. The Simonnes assembled heads made at the Gaultier factory on fine quality bodies. They ran a very luxurious toy store called Maison Simonne which was located in Passage Delorme, off Rue de Rivoli. They sold high quality dolls, doll clothes and accessories, toys and doll furniture.
The style of fashion Mode Enfantine copied the clothing that little girls were wearing at the time. Collection Marshall Martin
By the end of the decade, the luxurious lifestyle of the poupée was over. Paris was plunged into wartime and siege, from which the doll industry would emerge completely changed. 50
ANTIQUE DOLL COLLECTOR
DECEMBER 2013
BISQUE – Nodders/Knottters, two or more comic characters from the same strip. Suzanne Swanton
BISQUE – Nodders/Knotters, excludes comic characters. L-R: Pat Schlotzhauer, Kathleen Zimmermanm, Gayle Hansen
2013 UFDC MODERN COMPETITIVE EXHIBIT Blue Ribbon Winners Washington, D.C. - Part 1
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Photos taken by D. Keith Kaonis
his year’s competitive exhibits were unprecedented in the number of dolls on display! What a fun experience it is when the exhibit opens and, with fingers crossed, you rush over to see if any of your dolls made the cut! The exhibits inspire us to be better collectors and ever cognizant of the judging guidelines when adding a new doll to our collection: rarity, originality, condition and appearance. Congratulations to the winners!
BISQUE – marked Germany, all bisque. L-R: Birdie Dapples, Judy Heckert 52
ANTIQUE DOLL COLLECTOR
DECEMBER 2013
BISQUE – Nancy Ann Storybook Colonial Dame. Robin Hochteil
BISQUE – Nancy Ann Storybook “Season’s Series.” Robin Hochteil
CELLULOID – Kewpie. L-R: Mary Winslow, Cheryl Wright
CELLULOID – molded clothes. L-R: Robyn Adair, Linda Green
CELLULOID, ethnic costume. L-R: Rose Morrill, Loretta Nardone, Carol Hansen
CELLULOID – side glancing eyes. L-R: Nancy Harmon, Rita McCloskey
CLOTH – Hallmark Rag Dolls. Deborah Osbach
CELLULOID – baby. L-R: Carol Allen, Evelyn Rutledge
CLOTH – English. L-R: Kimberly Thoreja, Suzanne Swanton
ANTIQUE DOLL COLLECTOR
DECEMBER 2013
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CLOTH – French L-R: Judy Heckert, Christine Wadsworth
CLOTH – regional costume, excluding Lenci. Top, L-R: Marina Tagger, Andrea Azar, Mary Swasey 2nd Row, L-R: Deborah Troy Pam Coghlan
In our next issue we will continue the modern competitive exhibit with composition dolls. CLOTH – personality. L-R: Elaine Romberg, Sheri Kaplan, Julie Blewis
It’s Easy To Join UFDC
If you collect dolls, you owe it to yourself to belong to the UFDC! For membership information contact:
UFDC, Inc., 10900
CLOTH – uncut, commercially printed. L-R: Gae Ward, Patricia Rooney
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ANTIQUE DOLL COLLECTOR
DECEMBER 2013
North Pomona Ave., Kansas City, MO 64153 Phone 816-891-7040 Fax 816-891-8360 Visit www.ufdc.org
SELL A DOLL IN THE
EMPORIUM FRIZELLBURG ANTIQUE STORE A quality group shop specializing in dolls, toys and holidays. Visit our website today!
www.frizellburgantiques.com
Kestner 143 17” $850
Laura Turner, proprietor, 1909 Old Taneytown Rd., Westminster, MD 21158. Open Thurs- Sun 11-5. We also carry a quality line of antiques, textiles, furniture and jewelry. 30 years of experience where you can buy or sell with confidence. Call us with your wants, we have an ever-changing inventory 410-848-0664 or 410-875-2850.
Hand Carved Grodnertal and Queen Anne style wooden dolls by Anne Reiss Miniature dollhouse dolls now available Hand carved wooden dolls made to your specifications ph. 843-314-3324
WWW .CAMEOQUEEN.COM email: thecameoqueen@gmail.com
Hilda - JDK 237 - 18”, blue sleep eyes, original blonde mohair wig and plaster pate and perfect bisque. Her body is a composition bent limb baby body in nice condition except for a finger repair and minor finger wear. $2350. Call 215-794-8164 or email alloyd@nni.com. You may see other photos and dolls at RubyLane.com/ shops/anntiquedolls. Member UFDC and NADDA
BABES FROM THE WOODS Faithful reproductions of hand carved Queen Annes, dolls by Izannah Walker, and Early American Cloth Dolls. Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca
www.babesfromthewoods.com
SARA BERNSTEIN DOLLS Email santiqbebe@aol.com 732-536-4101 View Quality Dolls at affordable prices. 100’s of pictures and prices at my Ruby Lane Shop...
Exclusively at
www.sarabernsteindolls.rubylane.com
Kathy Libraty’s ANTIQUE DOLLS
18” RARE CHINA C.1875 ALL ORIGINAL W/TRIPLE BUN - Gorgeous $1500 22” SUPER RARE BARE-FOOT CHINA IN ALL ORIGINAL ENSEMBLE $5200 21” ALL ORIGINAL MOON-FACE CHINA IN STUNNING COSTUME & HAT $1200 22” CHINA LADY ALL ORIGINAL W/FANCY HAIR COMB & FAB DRESS $3800 17” DUTCHESS CLARA ALL ORIGINAL W/RARE HAIRDO - FABULOUS $2000
FARAWAY ANTIQUE SHOP
Send us a photo or a digital photo of your doll with a description and your check or credit card information. We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space.
OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.
Exceptional 16” Bru French Fashion Lady with Museum Provenance, original wardrobe, and trunk with many extras. View her details in our shop or email sandrafayle@gmail.com.
WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES
WWW.RUBYLANE.COM/SHOP/FARAWAY
WWW.KATHYLIBRATYSDOLLS.COM
Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC 8 MONTH LAYAWAY PLAN AVAILABLE
Purchase of an ad includes FREE internet ad on our website.
Antique DOLL Collector,
P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com ANTIQUE DOLL COLLECTOR
DECEMBER 2013
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s ’ i z t FArnitique Dolls
Buying entire collections of antique dolls and dolls of merit. Email: fritzisantiquedolls@comcast.net Fritzi’s cell# 630-247-1144 Rick’s cell# 630-247-1219
L-R: K*R 121, K*R 117N, K*R 117N Flapper, AM 550 Bottom Row: AM 323 Googly, K*R child.
UFDC
OUR UPCOMING SHOWS: Nov 24 Illinois Doll Show, Tinley Park Convention Center. Tinley Park, IL Dec 7&8 Eastern National Doll Show. Fairgrounds, Gaithersburg, MD Jan 17&18 2014 Naples Doll Club Show. Moorings Presbyterian Church. Naples, FL
Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment only. We welcome your visit.
Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.
Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com
Now there are two ways to buy great dolls from us...
Becky’s Back Room
Open 24 hours a day / 7 days a week, visit our exclusive shop at
BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!