ART IN ACTION PARIS Galerie Charlotte Norberg 74, rue Charlot, Paris Feb. 7 - 21, 2016 Vernissage Feb. 9, 18:00hs
ART IN ACTION
Art is the concept that encompasses all creations made by humans to express a sensitive vision of the world, whether real or imaginary, running it through plastic, linguistic or sound effects. Art can express ideas, emotions, perceptions and feelings. The artist of the XXI century, wanted to unite art and aspects of everyday life, expanding the horizons of aesthetics beyond the spaces dedicated to art experience. Communicating human experience in all its expressive range, he has involved various branches and artistic strategies: • Highlighting the mental components of art and its perception. • The artists tries to reflect his feelings, his inner world, in relation to its environment. Art in Action interprets art as a means of creative expression of human nature. The event is organized by BAP. Rose Marie Bellemur is the curator of the exhibition, with the collaboration of co-curators, Sara Malinarich and Jasna Tomasevic, of SilpaArt. Art in Action presents the following artists: Rose Marie Bellemur (FRA), Margarita Garcés Echeverría (CHI), Sandra Gordillo (ESP), Anna Guseva (RUS), Sara Malinarich (CHI), Marlow Mar (CHN), Sam Marshall (GBR), Liza Marzolo (CHI), María Elena Naveillan (CHI), Lourdes Naveillan (CHI), Marisa Poullain (FRA), Macarena Salinas (CHI), Gonzalo Sánchez (CHI), Constanza Sierralta (CHI), Petra Skopalová (CZE), Jasna Tomasevic (CHI) et Paul Walden (GBR).
ART IN ACTION L'art est le concept qui englobe toutes les créations réalisées par l´etre humain pour exprimer une vision sensible du monde, qu'il soit réel ou imaginaire, Gráce à des moyens plastiques, linguistiques ou sonores, l'art peut exprimer des idées, des émotions, des perceptions et des sentiments. L'artiste du XXI siècle, a voulu unir l'art et la vie, en élargissant les horizons de l'esthétique au-delà des espaces dédiés à l'expérience de l'art. Communiquer l'expérience humaine dans toute sa palette expressive, impliquant divers modes et les stratégies artistiques: • Soulignant les composantes mentales de l'art et sa perception. • Oú l'artiste ne tente de refléter la réalité, mais son monde intérieur et l expression de ses propres sentiments. Art in Action vise l'art comme moyen d'expression humain à caractère créatrif. L'événement est organisé par BAP, Bellemur Art Project. Rose Marie Bellemur est le commissaire de l'exposition, avec la collaboration de co-curators Sara Malinarich et Jasna Tomasevic, de SilpaArt. Art in Action présente des œuvres d'artistes professionnels suivants: Rose Marie Bellemur (FRA), Margarita Garcés Echeverría (CHI), Sandra Gordillo (ESP), Anna Guseva (RUS), Sara Malinarich (CHI), Marlow Mar (CHN), Sam Marshall (GBR), Liza Marzolo (CHI), María Elena Naveillan (CHI), Lourdes Naveillan (CHI), Marisa Poullain (FRA), Macarena Salinas (CHI), Gonzalo Sánchez (CHI), Constanza Sierralta (CHI), Petra Skopalová (CZE), Jasna Tomasevic (CHI) et Paul Walden (GBR).
PETRA SKOPALOVÁ Prague, Czech Republic. “I love geometry and I love colors – painting gives me an amazing chance to bring this two fascinating elements together and create something very powerful. This helps me to express my way of perceiving reality around me, not only my joy, love, happiness but also common fears and misunderstanding around us. Geometry helps me to describe things in a clean sharp way, colors brings the emotion into this world – what a beautiful and fascinating play. My paintings can be described as my own personal diary, with my head creating the geometry and my heart guiding my choice of color”.
Tree of Life Acrilic on canvas 120 cm x 100 cm 2015
ANNA GUSEVA
Kharkov, Ukraine. The connection with the painter’s surname is not simply a game. It turns the goose into a kind of lucky charm, a protective device, a tool of artistic self-discovery and self-development. In a sense, there’s a similarity with Salvador Dali’s famous moustache. But if the moustache was part of the famous artist’s public image, the goose’s figure is involved in creative process itself: serving at the same time as the subject of paintings, a formal element of design, and a visual metaphor. The surname brought about the image of goose, and with it — the multitude of cultural references discussed above. The surname is a prompt, but it is important why and how the artist decided to use it. Of course, the goose is not an alter ego, but in a sense, it is an avatar behind which the artist’s personality, individual character can be concealed when it cannot be or is not meant to be openly present. The goose helps to bring stylistically diverse means of expression together. It becomes the subject and a tool of creative exploration, a field of contemplation, a “lens” through which the painter sees and depicts the world. Smart Feathers Acrilic on canvas 120 cm x 80 cm 2015
 
PAUL WALDEN (GURU JOSH)
PAUL WALDEN (GURU JOSH)
London, GBR. Paul Walden, a recording Artist responsible for the worlds biggest selling dance record Infinity 1990 (infinity 2008, 2012). As well as being a successful recording artist, rest assured, Paul is a serious career artist making and selling serious art. All previous art pieces received huge acclaim at his self promoted exhibitions and art fairs alike the pieces having been bought more or less equally by music fans and art fans, not unusual due to his popularity established worldwide brand and huge interest for his art works. Paul is much more than an artist, a visionary, magician, inventor alchemist/artist all in one. Over 5 years of experimentation developing the new art in a medium and in a way that is arguably unique (using binary liquids on a transparent substrate). Full of colour, texture and exploratory in nature, most first time viewers find the urge to touch the art almost irresistible and have a tendency to view from varying angles to experience the pleomorphic and pleochroic effects. As good as the photographs are can never match the experience of seeing these stunning works in real life.
Untitle Binary liquid of transparent substrate 125 cm x 105 cm 2014
UNTITLE
SANDRA GORDILLO
Ibiza, Spain. Let me introduce myself, I was born on an island surrounded by salt water, surrounded by Mediterranean sea and its crystal blue color, I grow up in this island and made me who I am, and especially thanks to my family for their philosophy and criteria of life such as respect, honesty, openness, love… etc, my goal is endless. And finally, I do not care if it is by night or by day, festive or labor, the most important thing to me is paint, but I am on “top of my game” only If I am having an Earl Gray tea.
Sex and Technology Acrylic on canvas 195 cm x 135 cm 2013
 
MARISA POULLAIN Paris, France. Different extents of colour and forms of the artworks composition, show us a colour explosions and silhouettes present in her art and transformed to the viewer. Marisa breaks new ground in the appreciation of art and the representation of different images included in her works. The beauty is present in the chromatic richness and formal simplification. These works are characterized by joint soft lines with vivid colors, where the presence of joy and reality is perceived.
Untitle Acrylic and pencil on paper 70,5 cm x 63 cm 2013
ROSE MARIE BELLEMUR  
France. The desire to capture space, time, emotion and experience cannot be fully captured on canvas. The result is that my works are suggestive rather than representational. Through my painting process I create a unique pictorial vocabulary, using colors to impart a strong emotional charge. The way in which the works are made varies considerably from piece to piece. Some are thinly painted while others are more worked. There is a suggestion throughout of flux and a strong sense of arriving at an image rather than the creation of a fixed, specific representation. There isn´t necessary to draw up universe limits, we can get a new unlimited line, each visible fragment has an infinity appearance.
Le Chamin de la LumiĂŠre Oil, mixed media on canvas 150 cm x 200 cm 2015
My paintings has suffered different stages: figurative paintings, geometric paintings, landscapes and collages. The painting process confront us to visibility of abstraction, still remain loyal to proceed. My goal is to get latest limit lines, exploring latest figuration possibilities, with the support of the stylistic abstraction. By using large canvases format like a good way to dive in oil painting, which is my favorite, but I also use acrylic, ink, watercolors, colored pencils and pigments.
  MARLOW MAR
China. Marlow started his art lessons from his father Ming-Shun Ma when he was nine years old. He has relocated to California since 1978 to study Fine Arts in Don Miles Art Institute. After many years study and research, he finally creates his own unique style—Romantic Realism. He uses mixed mediums to create his works on silk and on canvas as well. His works are the combination of romanticism and realism and the east and the west. His paintings are full of dreaming feeling, and give the viewers a vast room of imagination. Viewing his paintings is like reading a poem. His works emit a feeling of mystery and illusion; and reflect his zeal and enthusiasm for universe and life from the depth of his soul. Colors of his paintings being soft and bright, his works will inspire viewers hearts and cheer up their minds. He beautifies our lives with his brushes and colors. Marlow Mar paints with oil, acrylic, water colors, pastels, Chinese colors, and water inks, almost all kinds of media. He paints landscapes, floral, seascapes, figures, and animals. He has won numerous awards in the art shows in the past 30 years. His works are collected by celebrities, museums, Art Centers, etc.
Artista Acrylic and Mixed Media on Canvas 60 cm x 60 cm 2015
SAM MARSHALL
London, GBR. Sam Marshall is a London based visual artist and musician. His practice explores the relationship between sound and image, and how one may activate meaning within the other. Working with an experimental approach to both photography and music, Marshall creates immersive and ambient works of art, manipulating and distorting the senses of the viewer by creating ambiguous sonic and visual landscapes. These multi-sensory experiences strip away the representational qualities of both conventional musical structures and the photographic image, so that they become something more: open ended atmospheres that encourage new ideas about what we are seeing. Visual Ambient: “Perfect World” is the title of a series of photographic works created through darkroom processes that explore the potentials of the medium to create abstract landscapes. The artist takes the idea of photography being representational and turns it on its head, blurring the distinction between fiction and reality by creating open ended abstract images. These works are limited edition 35mm film prints. These works are accompanied by an immersive soundscape created specially for the exhibition. Visual Ambient 01 3/11 35 mm Film Print 2015
Silpa Art Gallery (Miami, USA) réalisé par Sara Malinarich et Jasna Tomasevic, est consacrée à la représentation des artistes ibéro-américains. Le caractère nomade de Silpa ouvre la possibilité d'être présents dans les foires d'art et des expositions partout dans le monde. Tous ceux-ci est possible beacuse Silpa a un support de réseau international dans certaines capitales culturelles telles que Paris, Madrid, Miami ou New York. Cette stratégie d'expansion donne à nos artistes la chance de montrer leur travail au-delà de leurs frontières. Les conservateurs de la galerie peuvent changer pour chaque exposition, mais sur chaque projet, nous avons mis en pertinence de la qualité de nos artistes et leur projection dans leur avenir.
Silpa Art Gallery (Miami, USA) directed by Sara Malinarich and Jasna Tomasevic, is dedicated to the representation of Iberoamerican artists. The nomadic nature of Silpa opens the possibility to be present at art fairs and exhibitions anywhere in the world. All these is possible beacuse Silpa has an international network support in some cultural capitals such as Paris, Madrid, Miami or New York. This expansion strategy gives our artists the chance to show their work beyond their borders. The curators of the gallery may change for every exhibition but on every project we put in relevance the quality of our artists and their projection in their future.
MARGARITA GARCÉS ECHEVERRÍA Santiago, Chile. Painting is not said … is made. I define myself as a painter … My idea of the art work is not based on what it is says about it but what it says about itself. My work is the result of an intuitive pictorical research, experimental, intuitive, which seeks to value the experienced in the visual field, as a stuck result in the retina. I collect photo and visual images that I represent with my own codes, sometimes steeped in a kind of Bright Blindness, caused by glare reflected in the whites. Photos, notes, notes that I put in the paintings as travel letter and personal memories. I want to capture the “smell” and “color” of the place … the feeling of being there, remember as a dream that has been something lived, with abstract paintings that represents the feeling of what I’ve seen and lived, I paint landscapes from my memory, my own memory, that stays in my retina and creates a new way to see and remember … invites to see another visual field. Put - ru (Caliente) Mixed Media on board 50 cm x 50 cm 2015
MACARENA SALINAS Santiago, Chile. “In my sculptures I intend to develop a language of signs, symbols and codes that are joined on a trip to the essential. As I try to start from the beginning, from the mystery , from the primordial trying to capture in each sculpture a relationship with the primitive, with origin, purity. With my sculptures in stoneware intend to develop a symbolism of simple shapes such as a circle or ribbons as a symbol of eternity, of commitment, of origin. The process of making sculpture for me has a magical sense because like shamanism production has a moment in which the artist as shaman plasma him a feeling which is trapped in sculpture. Through the form and treatment of textile capture the beauty, simplicity and evoke the native peoples". Primitivo Stoneware pottery, copper wire and wool 22 cm x 33 cm x 35 cm 2015
CONSTANZA SIERRALTA Santiago, Chile. “In each of my works I seek to achieve contrasts of different textures, playing on the support of these until it feels rough, smooth, rugged, flat… mixtures. For this I use oil after different kinds of sand on primers, clinginess of paper and some metal elements. So I paint and strip the paint until I have managed to creat the illusion of ragged walls and worn surfaces, beaten and trimmed by erosion that occurs over time. The color emerges from deep within me…from the need to express the union of emotional with the mental. My biggest concern is that each work is appreciated and felt like genuine from our origins”.
Cerúleo Mixed Media on board 50 cm x 50 cm 2015
LOURDES NAVEILLAN Santiago, Chile. In search of the color and the stain, my work has been developing. From the aqueous to the expansion of random mixtures, this abstraction and feelings have shaped. It is in the ones that color, water and stains, from the micro to the macro in magnitude, have given rise to characters that flow from these accidents of alchemy in painting. These characters seek to move between defining themselves to the merger of the aqueous surrounding background. Perhaps even generate circus playful and harmonious atmosphere, where gesture and action game of the present, are what motivated me to keep finding them. Finally is to tie, but rather interlocking movements, nuances, feelings and a dialogue to interact in that enchanting world.
Couple II Mixed Media in Cardboard scrim 111 cm x 47 cm 2015
LIZA MORZOLO Punta Arenas, Chile. Marzolo has a chromatic proposal that retrieves features of Islamic design . His compositions are based on fragments of color, beautifully bound and light bulbs spread across the scene. A scene consists of so many who live in parallel. Marzolo is a thorough and intuitive creative . The discerning viewer who faces his work can be perceived in his work the hours of deep thought behind the picture .
Jardinera Collage 30 cm x 40 cm 2015
JASNA TOMASEVIC Chile. Tomasevic reveals a ritual dimension in art. His travels to communities in pagan tradition , both in Latin America and Asia , has contributed to the development of his work. Tomasevic in these , far between , minority populations one thing in common . It is the primary religious rite. His characters are dancing devils ; all masked and colorful . The costumes of the dancers are part of the interface connections to archetypes ; a dialectic between the sacred and the profane , between one dimension and another . In his painting, the artist stripped of context to make their similarity emerge. In this opportunity, she presents “Loose devil”, denomination that the dancing devils from “La Tirana” (Chile) receive. The dancer’s autonomy is the main characteristic, since they are not part of any Religious brotherhood that participates in this magnificent Sanctuary located in the north of Chile. Diablo suelto Acrylic and gold leaf on paper 50 cm x 50 cm 2015
GONZALO SĂ NCHEZ Chile. Gonzalo SĂĄnchez (PIKTI) excels at his perfect execution. But what is also remarkable is the sensitivity of the lines in his drawings and the way in which he places them in solid, aseptic continents. There is a dialectic relationship in his work, based on opacity and transparency, the relationship between plastic and electronic. The spectator who experiences his work comes across Pikti as creator, full of nuances and subtleties. The work he produces invites us into thoughtful contemplation. His work has a beat. The way he plans the lights, shapes, the play of mirrors that open up landscapes to infinity, as well as the construction of surroundings, produce hypnotic atmospheres even extend beyond the work of art.
Dialogo con el infinito Box LED Light 60 cm diameter 2015
SARA MALINARICH Chile. SYNOPSIS: Overflow. A suicide note. A woman sacrifices herself in a technological scene, in front of virtual witnesses and streets coexisting in time in different places. The screen is the suicide note, the physical support of a protest that overflows through an invisible mechanism that activates the self-destruction sequence. It is the suicide note that burns and sets fire to the woman, becoming the bonfire of her protests. ‘Overflow’ is a videocreation made in real-time with automated machines and telepresence systems (and a veiled tribute to José Val del Omar).
Overflow Video. HD 2013
RACHAEL RUNNER Paris, France. Rachael Runner is a BOT-ARTIST and part of Carnival System by Intact Project (www.intact01.net). Art&telepresence Project. An installation between @medialabprado & @lieumultiple. Active her, typing #telepresence on twitter. All texts from JosĂŠ Val del Omar. Co-Authors: Sara Malinarich, Jaime de los Rios, Jorge Ruiz Abanadez y Manuel Teran. CARNIVAL SYSTEM: Rachael Runner module twitter #TELEPRESENCE Carnival System. Modular system of distributed telepresence. Carnival is a distributed telepresence system based on electronic and digital devices, which we call modules. Carnevale creates a network of interconnected assets facilitating the exchange of data in real time between two or more points and simultaneously opens a passage in cyberspace for the incorporation of other presences and interactions. @notengopajaros Digital Graphics 25 cm x 25 cm 2015
MARIA ELENA NAVEILLAN Santiago, Chile. It is said that in the beginning, all of Earth’s inhabitants shared the same tongue. But unlike the tale of the Tower of Babel, where the scenery got chaotic when the different languages arose, the artist uses a great variety of words and symbols to show the positive effects of globalization regarding ways of understanding. Like a whirlwind of images created to communicate with, MarĂa Elena Naveillan gathers these signs, overlaps them in layers like playful forms and we are moved by the possibility of a world without connection limitations. She understands that dialects can be a barrier, but really it is the excess of alphabets that becomes harmonic in her work: they provide infinite possibilities for mutual learning. Alfa Mixed Media on Cardboard scrim 53 cm diameter 2013
Art in Action: Paris Director / Curator:
Rose Marie Bellemur
Co-Curator:
Sara Malinarich Jasna Tomasevic
Exhibitor Relations + Special Projects: Jean L贸pez Mar铆a Pilar Gracia Lima Antoine Spognardi
Contact us: Ibiza to Sant Joseph road KM 2.100 07817 - Ibiza - Balearics Island - Spain (+34) 664 474 488 www.bellemurartproject.com
It deserves a special mention Art Blue Show S.L.
info@bellemurartproject.com