Half Moon Lane, Sands Point

from Robert E. Lee. After the war, Henry’s moment of truth arrives. He does avenge his sister, but through most dishonorable means, shooting Charles in the back. The Sutpen family collapses. Henry flees the country. Judith perishes during an outbreak of yellow fever. The elderly Sutpen is undaunted. He remains fixated on fathering an heir. An old man, he seduces a teenage girl. The girl has a father. Sutpen becomes the second Sutpen man to meet a violent end. Sutpen, Charles, Henry, Judith—all dead. The mansion is burned to the ground. No wonder that Faulkner’s scholarship rivals that of Shakespeare. With Absalom, Absalom! the man went into the ring with The Bard—and scored some real points.

For Cleanth Brooks, Faulkner’s most profound critic, the novel is much more than Southern gothic, “Sutpen’s virtues are those of a typical twentieth-century man. So are his vices—his dismissal of the past, his commitment to the future, and his confidence that, with courage and know-how, he can accomplish literally anything.”

Quinten Compson acts as the novel’s main narrator. Sutpen’s second wife, Rosa Coldfield, has summoned Quentin to tell him the Sutpen story, hoping that the young man might someday record it.

Instead, Quentin talks about the drama all evening on a cold New England night, coming to terms, tragically, with his failed manhood. Henry is a man of action. Quinten flashes back to his adolescence when local men had their way with his older sister, the stunning Candance (“Caddy”). He must fight at least one of them to save his sister’s honor. Quinten is beaten and humiliated by one Dalton Ames, a man who had impregnated Caddy. Henry fought and “won.” Quinten was beaten. He can’t go on.

In The Sound And The Fury, the Compson family represents the landed gentry Faulkner revered. The downfall of the Compson family is especially moving. The reader knows that the best of America is passing with them.

The Compsons have three surviving children: Jason, the embittered older brother; Candance, the young siren who flies the family nest and Benjy, the 36-year-old man-child. Before leaving town, “Caddy” gave birth to a girl she named after her dead brother. The girl is now 17 and set to leave the haunted household. Benjy is protected by his minder, Luster, and the latter’s mother, Dilsey, the maid who tries to keep the household together.

Jason is resentful. Spoiled by his mother, he lives at home, works at a department store, frequents local brothels and dreams of making a killing on Wall Street. He, too, is a modern, 1920s-style character: America, he grouses, is now the “land of the wop and the home of the kike.” An anonymous “New York jew” prevents him from cashing in on his investments.

Caddy has fled. Jason now must look after her daughter, while keeping an eye on the retarded Benjy. He hates his life and blames others for his fate. Since Quentin’s suicide, Mr. Compson succumbs to alcoholism. The female Quinten takes her life savings of $3,000 (serious money in those days) and tries to run off with a traveling showman. Jason wants the money for himself.

Benjy and Dilsey retain their humanity. Both can give and receive love. Dilsey takes Benjy to her Easter Sunday service, dismissing the gossip of black parishioners over a retarded white man in their midst. The novel begins and ends with Benjy howling away. Its beginning remains unforgettable. Luster is scouring the rough of a local golf course, looking for stray golf balls he can trade in for coins to go to the motion pictures. On the links, golfers are yelling “caddy.” Benjy thinks that they are addressing his long-lost sister. On he goes, howling away. At the end, Luster drives Benjy home from the services. He makes a wrong turn and Benjy, his world out of joint again, howls on until Jason steps in and sets things right. Is Jason that bad? When need be, he is a reluctant lifeline to his younger brother.

As with Absalom, Absalom! Cleanth Brooks believes the novel has a universal theme.

“The book is…about the disintegration of a family, a tradition, and of a culture,” he observes. “The Southern setting… renders these lesions…more poignantly…because the South…is stubbornly traditional…and old-fashioned. But the disintegrating forces…are national and international.”

Of the two, The Sound And The Fury is the easier read. All you need to do is turn off the television set and read the first chapter. You’ll remember the experience for the rest of your life. I guarantee it.

William Faulkner: First Encounters

(Photo courtesy of Amazon.com)

A Tribute To Hall Of Famer Gil Hodges

On Sunday, July 17, at 7 p.m., Ed Kranepool and Art Shamsky, two key members of the ‘69 Miracle Mets who were instrumental in the team’s success, will take attendees down memory lane, sharing seminal moments of that amazing season through video and personal stories. Babylon Village’s Argyle Theatre will host this celebration of the remarkable career and life of 2022 Hall of Fame Inductee Gil Hodges, who molded the perennial basement dwellers into a cohesive confident unit. Hear stories of famous stars like Tom Seaver, Jerry Koosman and Nolan Ryan along with seasoned veterans like Ed Charles and Donn Clendenon, the grit of Jerry Grote, the lively wit of Tug McGraw, the workman-like play of Cleon Jones, Bud Harrelson and Tommie Agee and the numerous unsung heroes like Al Weis, Ken Boswell and so many others. The evening will include a fun-filled trip down memory lane through an inter-actional Q & A session. Sponsored by Connoisseur Media Long Island. Tickets are currently on sale for this event and are $30 for general admission and $50 for VIP Meet & Greet. Tickets may be purchased online at www. argyletheatre.com or by calling 631-2303500. The Argyle Theatre is located at 34 W. Main St. in Babylon. —Submitted by the Argyle Theatre

YES Community Counseling Center’s Bridges Presents Transitioning To College Night

Transitioning to college is an exciting, emotional and often challenging time for both young adults and parents. YES Community Counseling Center’s BRIDGES Program is hosting Transitioning to College, a free workshop for parents and graduating high school seniors transitioning to college this fall. The program is on Wednesday, July 13, from 6 to 9 p.m. at YES Community Counseling Center, 152 Center Ln. in Levittown. The purpose is to empower young adults to navigate the challenges of starting college and assist parents during this sensitive milestone.

The evening will kick off with a panel of speakers addressing young adult social/ emotional growth and common college transition issues. Next, The Safe Center Long Island will focus on creating healthy relationships, including sexual assault prevention. The final part of the program offers a choice of workshops from study skills to match one’s learning style to what college students should know about drugs and alcohol. A separate parent discussion will focus on ways to support their child’s transition to college. Naloxone training will also be offered to both parents and young adults. Spanish translation services will be available for parent sessions. The College Transition program is also supported by YES Community Counseling Center’s PACT Initiative and Massapequa Takes Action Coalition. Visit www. bridgesyes.org to register online. YES’ BRIDGES program is funded through the Substance Abuse and Mental Health Services Administration to support youth (ages 17 to 25) struggling with substance use and mental health concerns. BRIDGES is a mobile program for young adults that provides prevention, intervention, early treatment, recovery support, referral and access to wrap-around services. For more information, contact Caryn Sawyer at bridges@ yesccc.org or call 516-719-0313, ext. 218. —Submitted by the YES Community Counseling Center

Getting Literary And Lunar With The Tedeschi-Trucks Band

BY DAVE GIL DE RUBIO

dgilderubio@antonmediagroup.com

If necessity is the mother of invention, then the isolation of the pandemic proved to be the rocket fuel for the Tedeschi-Trucks Band’s most ambitious project—the four-part opus I Am the Moon. Divided into I. Crescent,II. Ascension, III. The Fall and IV. Farewell, the duodecet’s fifth studio release was inspired by the same 12th century Persian poem that inspired the title track to the Derek and the Dominos 1970 opus Layla and Other Love Songs.

Susan Tedeschi, who co-leads the 12-piece with husband Derek Trucks, still sounds a bit awestruck by the magnitude and complexity of an undertaking that came together as the TTB was trying to navigate getting through COVID-19 when all touring came to a screeching halt.

“The pandemic was a good time to really sit back, look and re-evaluate,” Tedeschi explained. “At the same time, we did take care of our band and crew, even though we didn’t work for 18 months. While we had no money coming in, we did have some saved as a band. Primarily because we had lost Kofi [Burbridge] (Ed. note: The longtime band member died in 2019 at the age of 57) and we realized you get medical bills, things happen and you have to have money saved. Thank God we did. Then we had some help from the government and then we would sell our personal stuff to keep food on the table for everyone. A lot of our band and crew have kids—we were just making it through and keeping the dialogue open. Mike Mattison, being our Harvard grad of course, said we needed a project. He suggested we all dive into the original ‘Layla and Majnun’ poem from 12th century poet Nizami Ganjavi.”

When the musical collective agreed to dive into these heady waters, the approach was to have all the band members read the poem and start writing. An early creative direction was rather than having it come from the man’s point of view, the decision was to view the songs from Layla’s perspective and how other people in the story may have viewed this relationship. The ideas started to flow and before long, the amount of material quickly piled up

“We just kept writing while it was organically growing because we wanted to see where it was going to take us,” Tedeschi said. “When we started recording, we had a lot of songs [and realized] it was too much for a double-album because it wouldn’t all fit on a record. We weren’t sure if we were going to cut it down because we didn’t have any songs that we thought were fluff. They were all really great. So we made it into four records because we realize some of the best records like Axis: Bold As Love are only about 35 to 40 minutes long, which is a good amount to enjoy the music. Otherwise, you get overwhelmed with too much information because it’s too much stuff. Honestly, that was happening in the studio when we were doing it. I’d be asking what a particular song was. I couldn’t keep up with all these songs and there were so many of them. I was just having to do one a time and take my time.”

While the earliest cracks at I Am the Moon started in July 2020, it wouldn’t be until January of this year when all four movements would be completed.

Adding to the unique approach is a visual component in the shape of I Am the Moon: The Film, which has four parts attached to each album and all of the songs. Directed by documentary filmmaker/author/television writer Alix Lambert, the films are debuting on YouTube concurrent with each record’s release. It’s yet another quirky component Tedeschi is completely enamored with.

“During the pandemic, people were waiting for The Mandalorian to come out every two weeks or whatever and you’d get 30 or 40 minutes to ingest and enjoy it before you’re on to the next [episode],” she explained. “Not unlike these records that are coming out a month apart, it gives you something to look forward to. The other thing too is having it come out on YouTube live for free as a listening experience is something everyone can do together as a society—we have people all over the world in places like Japan and Brazil watching at the same time as people in California and Massachusetts were. Some people woke up in the middle of the night to see it. And then people would watch it the next day or whenever on YouTube. It was just a really cool, weird and different way to do it. We’ve gotten so much positive feedback from it.”

In taking this out on the road, Tedeschi admits the TTB aren’t trotting any new material out until after the albums are released (“If you do that before it comes out, everybody tapes it and it’ll be on YouTube and it won’t be fresh or new.”) That said, fans will have plenty to look forward to from the annual Wheels of Soul summer tour that’ll find them joined by Los Lobos to the multiple Beacon Theatre fall dates.

“On the summer tour, our set is about an hour and 45 minutes and we’ll probably do a mix of all different things,” Tedeschi said. “Maybe a couple of songs from each of our albums like Revelator, Made Up Mind, Signs—whatever. And a couple of covers sprinkled in like Derek and the Dominos and some Allman Brothers. Then, we’ll do some of the new stuff. And whatever record is out, we’ll be able to introduce those songs. Derek is usually our set-list writer, so a lot of times you just don’t know until the day of. Last year I think we played 88 different songs during the Beacon run and now we have 125 songs. We’ll mix it up and it’ll be different and fun. It’s not predictable. Some bands will have the same set list every night and I don’t know how they do that every night. Aren’t you bored with yourself? This band doesn’t like to get bored.”

The Tedeschi-Trucks Band. Derek Trucks and Susan Tedeschi are front and center

(Photo by David McClister)

The Tedeschi Trucks Band will be appearing with Los Lobos on July 10 at the Great South Bay Music Festival, Shorefront Park, Patchogue. Visit www.greatsouthbaymu sicfestival.com for more information. Visit www.longislandweekly.com to read a sidebar about Susan Tedeschi’s favorite albums.

These Speakeasies Are The Bees’ Knees

BY EMMA DUFFY

editors@antonmediagroup.com

The past is very much alive in New York. The honored speakeasies of the Prohibition era are still around today and can be found in both New York City and Long Island.

Under years of unrelenting pressure from the Temperance movement, the government caved to pass the 18th Amendmen t. With its passage, the manufacture, sale and transportation of liquor ground to a halt. While those who pushed for Temperance felt triumphant, the rest of America refused to abide by the new law of the land.

Not surprisingly, crime skyrocketed as people refused to stop drinking and instead took their drinking underground. New York became the epicenter of organized crime and during the height of Prohibition, there were 32,000 speakeasies in the state. The ratification of the 21st Amendment ended the need for speakeasies. However, that does not mean they lost their charm.

There are two speakeasies in New York City that have stayed in business all this time since prohibition; one of which is The Back Room.

The Back Room is open at 6 p.m. every day for customers to come and enjoy a taste of the past. There is not usually a password, but sometimes the doorman will heckle guests before allowing them in. If there is a password, it is most likely in use on Monday nights. On these nights at 9 p.m. there is live jazz. Admission is free and the password is posted on Facebook and Instagram.

The Back Room oozes history and while there is seemingly nothing special about the exterior, once you enter the speakeasy, there is no doubt you are in the right place.

The Back Room’s interesting history includes it being one of two speakeasies that have stayed in existence since the 1920s. During the Roaring Twenties, a number of infamous gangsters regularly held meetings at the speakeasy. Meyer Lansky, Lucky Luciano, Bugsy Siegel, Frank Costello all enjoyed an illegal libation at The Back Room. That being said, there is definitely a bit of tainted history behind this bar.

“A gangster was shot, right in front of here,” Back Room Event Coordinator/Manager Megan Bones said. “So people were really actually doing horrible things and we really did have those gangsters in our bar.”

If the drinks and the history are not enough, Bones thinks there are other reasons people come to The Back Room.

“People always want to go where they’re not supposed to go,” she said.

Similar historic options are available for those who don’t want to leave Long Island for the experience. Charlotte’s Speakeasy in Farmingdale has reopened a historic space to complement the ice cream shop that stands above.

Charlotte’s Speakeasy is open on weekends and some Thursdays. Upon entering, it just looks like a normal ice cream parlor. However, at a bookcase that doubles as a hidden door, a bouncer will ask you for $5 and a password to enter. The password can be found on the website or if you are extremely stuck, people at the register will help out.

This speakeasy was not always part of the plan. Upon buying the ice cream shop, it just looked like there were useless cellar doors in the back. Even after walking down the back steps, the basement did not seem like it was worth anything but storage. All of this changed when Mayor Ralph Ekstrand entered the ice cream shop and asked how they liked having a speakeasy in their basement. Brothers John and Nick DeVito, who own the shop, knew that it would be an expensive endeavor to open the place, but it would be worth it.

It was important to the siblings to keep the history intact while renovating the space. The original tin ceiling from the 1920s is still in use. And while some of the posts in the basement were torn down to make room, none off them were thrown out. They were re-purposed and the wooden posts are currently holding up the candles while the bar was constructed out of the recycled material.

“What used to hold up the ceiling is now holding up your drinks,” DeVito said.

The history of the place is felt by all who come, but especially by psychics. One visiting medium said she heard the previous owner speaking to her while she walked along the escape route.

“She said, ‘He’s very happy you brought this place back. He feels alive again.’,” DeVito said.

People come for the fun, the live jazz music, drinks, company, history and much more. There is something for everyone at Charlotte’s Speakeasy. They have noted that they have a very diverse crowd. This idea has astounding similarities to speakeasies in the past in which everyone came together, including women being at bars for the first time. They are glad to have people from all different ages and racial and cultural backgrounds.

“Our place is a kind of welcome to everybody and it’s funny to see when you come down those stairs. Whoever you are, you’ll see yourself down here,” DeVito said.

Charlotte’s Speakeasy’s spacious seating area matched with walls lined with vintage photos from the DeVito family and a vintage tin

ceiling. (Photo by Emma Duffy)

Visit www.longislandweekly.com to read a longer version of this story.

Karl V. Anton, Jr., Publisher, Anton Community Newspapers, 1984-2000

Publishers of Glen Cove/Oyster Bay Record Pilot Great Neck Record Manhasset Press Nassau Illustrated News Port Washington News Syosset-Jericho Tribune The Nassau Observer The Roslyn News

Editor and Publisher Angela Susan Anton President Frank A. Virga Vice President of Operations Iris Picone Director of Sales Administration Shari Egnasko Editors Janet Burns, Jennifer Corr, Dave Gil de Rubio, Christy Hinko, Julie Prisco, Frank Rizzo, Joe Scotchie Advertising Sales Ally Deane, Mary Mallon, Sal Massa, Maria Pruyn, Jeryl Sletteland Director of Circulation Joy DiDonato Director of Production Robin Carter Creative Director Alex Nuñez Art Director Catherine Bongiorno Senior Page Designer Donna Duffy Director of Business Administration Linda Baccoli For circulation inquiries, email: subscribe@antonmediagroup.com

Publication Office: 132 East Second St., Mineola, NY 11501 Phone: (516) 747-8282 Fax: (516) 742-5867

© 2022 Long Island Community Newspapers, Inc.

Letters to the editor are welcomed by Anton Media Group.

Celebrating We reserve the right to edit in the interest of space and clarity. All letters must include an address and daytime telephone 38 YEARS number for verification. All material contributed to Anton IN BUSINESS 1984-2022 Media Group in any form becomes the property of the newspapers to use, modify and distribute as the newspaper staff assigns or sees fit. Letters to the editor can be mailed to: editors@antonmediagroup.com

Additional copies of this and other issues are available for purchase by calling 516-403-5120.

Home of the Free Because of the Brave

Wishing you a happy 4th of July

Maureen Polyé

Licensed Real Estate Salesperson O 516.582.5646 | M 646.239.0769 maureen.polye@elliman.com

elliman.com

Top 10 Baseball Caps Of All-Time

BY CARTER GIL DE RUBIO

editors@antonmediagroup.com

When it comes to sports apparel, baseball is in a league of its own. While the stylish jerseys can make for nice casual wear, it’s the caps that have truly taken on a life of their own. They’ve become representative of more than just a person’s allegiance to it’s the caps that have truly taken on a life of their own. They’ve become representative of more than just a person’s allegiance to their favorite team, stretching out into social movements and pop culture expression. Major League Baseball has seen many hats come and go, and everyone has their favorites. Here is a modest list of the 10 best baseball caps of all time.

New York Yankees (1915-Present)

Simple, yet enduring. The New York Yankees have sported this look for over a century, and it’s easy to see why. Not only is it the logo of the most to see why. Not only is it the logo of the most accomplished sports franchise in history, but accomplished sports franchise in history, but it’s become synonymous with hip-hop and it’s become synonymous with hip-hop and urban culture as a whole. From Times Square to the Great Wall of China, you’ll find someone wearing this hat even if they aren’t a Yankees fan.

Miami Marlins (2012)

Only worn for two games in their inaugural season under their new “Miami Marlins” branding, this citrus-colored hat was the perfect embodiment of the all-sizzle, no-pop team of that season. The bright color scheme was a bold yet perfect representation of the city of Miami, which makes it all the more painful we only got to see them worn in-game twice.

Chicago White Sox (1982-1986; 2013-Present)

Back in the ’80s, the White Sox abandoned their monochromatic color scheme. This resulted in a simple, yet sleek design that This resulted in a simple, yet sleek design that gave the South Siders a distinct look and feel all gave the South Siders a distinct look and feel all their own. While short lived, back in 2013 the team their own. While short lived, back in 2013 the team brought the look back as an alternate uniform and gave a brought the look back as an alternate uniform and gave a whole new generation of fans a chance to see their best look. whole new generation of fans a chance to see their best look. While the logo might be reminiscent of their piping on the top of the hat that is supposed to be the halo to their angelic attire. It’s a unique classic that should have been around much longer than only their first

Atlanta Braves (1972-1980)

The unique “softball uniforms” the Atlanta Braves rocked in the ’70s gave way to their most colorful look in franchise history. This was the logo and look in franchise history. This was the logo and cap Hank Aaron wore when he passed Babe cap Hank Aaron wore when he passed Babe Ruth, that lowercase “A” being the lasting Ruth, that lowercase “A” being the lasting image of one of baseball’s most historic image of one of baseball’s most historic moments. It’s a funky, stylish reminder of moments. It’s a funky, stylish reminder of a decade built on individuality and pop. a decade built on individuality and pop.

Arizona Diamondbacks (1995-2007)

Nowadays, the Diamondbacks are known for their deep crimson color pallet. But before that change in the mid-2000s. their uniforms sported teal, gold and purple. It was a unique set that to this day has yet to be matched and it showed in their caps. A variation of this look was what the team wore when they won their only World Series in 2001, but this colorful cap was certainly the basis for what came next.

Los Angeles Angels (1961-1964)

It’s rare that the original model is the best, but these old-school Angels caps felt as if they were blessed by heaven itself. While the logo might be reminiscent of their crosstown rivals, the real standout is the gold piping on the top of the hat that is supposed to be the halo to their angelic attire. It’s a unique classic that should have been around much longer than only their first three years of existence.

Montreal Expos (1969-2004)

Losing Montreal’s baseball team was a tragedy for baseball. Even worse was losing these incredible caps. The bright red, white and blue pops with color and immediately attracts the eye and is a stylish look with just about any outfit. The logo also holds complexity too, as the colors inside the giant M spell out the initials “E” and “B”, a subtle way of having the cap say “Montreal Expos Baseball” without drawing too much attention away from the M itself.

Milwaukee Brewers (1978-1993; 2020-Present)

Back when the Brewers were an American League team and banging on the walls of every stadium on their way to the 1982 American League pennant, Milwaukee was rocking an iconic look that defined the greatest era of their franchise’s history. The baseball glove logo created with the “M” and “B” is one of the most creative design choices in the sport. It was brought back permanently only a couple of years ago and baseball has been better for it since.

Pittsburgh Pirates (1976-1987)

The unique box shape. The piping. Stargell’s Star’s decorating the sides and brims. The look of one of the most iconic teams in baseball history. There was nothing like it before and there was nothing like it since. What more could you ask?

Baltimore Orioles (1975-1989; 2012-Present)

The charm of their logo does a great job of masking the poor play on the field. The bright orange and white contrasts perfectly with the harsh black within and was the look and feel of some of this franchise’s bests moments. After a brief stint with a realistic oriole logo in the ’90s and aughts, the O’s brought back this iconic look a decade ago and it has endured since.

HOME & DESIGN

Home Price Increases Less Than One Percent

OneKey MLS is the one source real estate marketplace for monthly statistics for residential real estate transactions from Montauk to Manhattan, north through the Hudson Valley and the Catskill Mountains. For April 2022, OneKey MLS reported a regional closed median sale price of $580,000, representing a $5,000 increase in the closed median sale price, or less than one percent higher than the reported figure in March 2022. Between March and April 2022, closed regional sales transactions, including residential, condo, and co-op sales, decreased to 4,629 from 5,264, representing a 12.1 percent month-over-month change.

OneKey® MLS, the largest MLS in New York, aggregates the real estate transactional data from nine counties making up the regional MLS coverage area and reports individually on each county represented. The infographic demonstrates month-over-month closed median home price comparisons for the region.

Whereas six of nine counties reported an increased closed median sale price, three of nine counties reported a decrease. Sullivan (22.3 percent), Westchester (9.3 percent), Orange (3.4 percent), Nassau (2.50 percent), Suffolk (2.4 percent), and Rockland (0.80 percent) Counties had month-over-month increases in closed median sale price. Queens (-7.90 percent), Bronx (-8.80 percent), and Putnam (-10.30 percent) Counties had month-over-month decreases.

“In April, month-over-month regional home price gain was consistent with the slowing pace of the last several months of less than one percent month-over-month growth, an indication that the impact of inflation and rapidly rising mortgage rates are eroding the purchasing power from some would-be homeowners,” Jim Speer, CEO, OneKey MLS, said. “Home prices can’t exceed a buyer’s ability to pay, so with inflation and interest rates on the rise, we can expect to see home price appreciation continue slowing in part across our region.”

Visit www.onekeymls.com/market-statistics for more statistical information about residential, condo and co-op sales transaction. —OneKey MLS

HOMES Recently Sold

Why rent when you can own this immaculate and spacious one bedroom co-op at 400 Fulton St. in the private well-maintained Suburbia Complex in the heart of Farmingdale Village? This unit sold on June 17 for $285,000. The open-concept floor plan offers a great view of the complex’s in-ground pool. It is an upstairs unit with newer wall-to-wall carpeting. The kitchen has stainless steel appliances and an island, leading to formal dining and living rooms. The bedroom is large enough for a king-sized bed. The bathroom is updated and there is plenty of storage. The windows and security system are new. The complex offers lovely sitting areas throughout, a laundry room, bike storage, party room, barbecue area and parking spaces. This home is near transporation, shopping, dining and entertainment.

This beautiful split-level home situated on quiet block in prime West Farmingdale at 6 Paul Place sold on June 17 for $625,000. It has great curb appeal with a newer vinyl-sided exterior. It has a spacious living room and a large new eat-in-kitchen with custom KraftMaid cherry cabinets, granite countertops and stainless steel appliances. The upper level of the home has a new bathroom with porcelain tile and a Kohler bathtub. There are three bedrooms and three bathrooms. The master bedroom has a ceiling fan, walk-in-closet and a full bathroom. The home has Andersen windows and a 200-amp breaker. It has a brand new cast iron heating system. The private, oversized backyard is fully fenced in and includes a deck. This home is conveniently located near transportation and shopping. It is located within the Northside Elementary School District.

Homes shown here represent closed sales, sold by a variety of agencies and are selected for their interest to readers by the Anton Media Group editor. Except where noted, data and photos are provided courtesy of Multiple Listing Service of Long Island, Inc. and Zillow.

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