Klobenstein Sans
Klobenstein Sans Designed by JD Reissinger
18/20 pt
Klobenstein Sans is the younger brother of Klobenstein Serif, offering a more playful, less formal take on a typewriter-style font.
A tall x-height and large counter spaces in the main bodies of rounded letters, keep the reader’s eyes focussed in a non-aggressive and relaxed way.
68 pt
500 pt
No cut-offs on round or rounded terminals on lower case A, C, E, and R
brĂźderchen Large and rounded lower case E, rather small aperture, and a crossbar slightly below the median of the x-height
Left-leaning lower overshoot
Straight cutoffs on all vertical terminals
14/13 pt
Similar to the serifed version, Klobenstein Sans focusses on the main bodies of its letters, but also has relatively longer vertical lines and ascenders, giving it a slightly more narrow look overall.
Slightly asymmetric curvature, positive stress angle Straight cutoffs, curved left arm
74/65 pt
Unique vertex on the M
MONDAY IN SANTA BARBARA High connection point into the stem, with a downward sloping curve
Oblique crossbar on the A Mirrored low connection point into the stem, with upward sloping curve
42/36 pt
LOWER CASE T
650 pt
t
10/12 pt
The top of the stem in the lower case T is adorned with a left-facing slab with straight cut-offs in order to underline this typeface’s affiliation with the Klobenstein Serif font. The rune-like lower case T therefore becomes a clearly visible defining and unifying characteristic of both fonts.
500 pt
o
90/72 pt 39 pt
Mondo numero 1
14/17 pt
NO BEAUTIFUL TITLE
28 pt
NO FIRST CHAPTER The people had been instructed by Sotuknang and Spider Woman to respect their Creator, Taiowa, but as they began to ignore this, they began to quarrel among themselves, until finally, the situation reached a point where Sotuknang and Taiowa decided that the world had to be destroyed. Thus Sotuknang appeared before those chosen people who remembered Taiowa and his plan, and told them that the doorways at the top of their heads would lead them to safety before he would destroy the world. They then followed his instruction, and found refuge underground with the Ant People as the first world was destroyed by fire, and a second world was created for their emergence.
24 pt 12/17 pt
The second world was almost as beautiful as the first world, but with the significant difference that animals no longer trusted humans and remained separate from them. But here, too, people began to forget the plan of their Creator, Taiowa, until finally this world had to be destroyed as well. As before, those who had remembered were saved, and taken care of by the Ant People. Once they were safe, the twins at the poles were instructed to leave their posts so the world would spin off its axis and out of control.
18 pt
Mondo numero 2
Mondo numero 3 Now in the third world they multiplied in such numbers and advanced so rapidly that they created big cities, countries, and an entire civilization. This made it difficult for them to sing praises to Taiowa and Sotuknang. More and more of them became wholly occupied with their own earthly
10/17 pt
plans. Some of them, of course, retained the wisdom granted to them upon their emergence. With this wisdom they understood that the farther they proceeded on the Road of Life and the more they developed, the harder it became. That was the reason their world was destroyed every so often to give them a fresh start. When this world and its advanced civilization was destroyed by Sotuknang, this time with great floods, those who still remembered Taiowa’s plan took refuge inside the hollow stems of the
14 pt
Mondo numero 4
9/1 1 pt
bamboo. Then came their emergence into the fourth world.
This time, the people had to search long and hard for a place to settle and start over again. Finally, completely exhausted from their fruitless efforts, the people opened their doors and let themselves be guided. The waters of the sea carried them gently to a sandy shore, where they were greeted by Sotuknang and given further instructions. They were to separate into different groups, each heading in different directions, to claim all the land for Taiowa. Each group would have to follow its own star to a place where the earth met the sea. They would complete such a journey four times in all, to cover all the four directions, before being guided back together again to settle permanently.
80/87 pt
the* #quick brown? @fox jumps’ over, the: lazy; dog!
Slightly higher contrast between thin and thick curves compared to Klobenstein Serif
Slightly flattened negative space, strong positive stress angle
300 pt
Slightly askewed curve on the lower right leg of the lower case N
Q
no
Q A straight, slab-like crossbar counterbalances the positive and askewed stress angle of the counter space on the upper case Q
700 pt
FRIEDRICHSHAIN MITTE HELLERSDORF KREUZBERG TIERGARTEN MARZAHN WILMERSDORF LICHTENBERG SPANDAU TREPTOW REINICKENDORF KÖPENICK PRENZLAUER BERG WEDDING TEMPELHOF STEGLITZ NEUKÖLLN WEISSENSEE SCHÖNEBERG CHARLOTTENBURG PANKOW ZEHLENDORF
UPPER CASE
28/28 pt
friedrichshain mitte hellersdorf kreuzberg tiergarten marzahn wilmersdorf lichtenberg spandau treptow reinickendorf kรถpenick prenzlauer berg wedding tempelhof steglitz neukรถlln weissensee schรถneberg charlottenburg pankow zehlendorf
lower case
28/28 pt
310/240 pt
Oblique, downward sloping and curved mid-crossbar without cut-off on upper case F and E
EF FE
Framed by straight, elongated top and bottom crossbars
Jugendstil-like curved leg on the upper case K
No cut-offs on either end of the lower and upper case S
No crossbar on the G, no cutoff on upper arm terminal
Squared dots
Moderate contrast and medium sized vertex
57 pt
GLĂœCKWUNSCH
1 1/14 pt
EXAM PLE OF A LETTER Lotterie Klobenstein Tombolastr. 25 95950 Klobenstein Bolzano-Bozen
18. NOV. 2018
An: JD Reissinger Studentengasse 7 90203 Klobenstein Bolzano-Bozen
*GEWINN* Lieber JD, Du hast mit Deinem Rubbellos den kleinen mini Jackpot des Tages gewonnen! Wir freuen uns für Dich! Hol Dir Deine Prämie im Wert von 50,- € bis morgen, den 19. NOV. 2018 ab, sonst verfällt Dein Gewinn.
Vielen Dank / Grazie Mille!
i.A. Hans Klobensteiner-Sans Lotterie Klobenstein Abteilung mini Jackpot
Dieses Schreiben wurde maschinell erstellt und ist ohne Unterschrift gültig.
Faculty of Design and Art Free University of Bolzano - Bozen Typeface designed by JD Reissinger WUP 18/19 Prof. Antonino Benincasa Gian Marco Favretto Maximilian Boiger Calligraphy Workshop by Mag. Art. Eva Pรถll Font created with Illustrator & Fontself