ANTONIO UGARTE UNDERGRADUATE WORK
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2015 - 2016
2016 - 2017
2017 - 2018
2018 - 2019
YEAR ONE
YEAR TWO
YEAR THREE
YEAR FOUR
JUNE
JULY
UNDERGRADUATE WORK Funeral Complex // 01 Artifact Pavilion // 02 Coffee Bike Shop // 03 American Gothic Synthesis // 04 Musician Studio Pavilion // 05 Freshman Studio Work // 06 Rome Field Study Sketches // 07
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FUNERAL COMPLEX
ARPL 401 // PROFESSORS JULIO BERMUDEZ and SUSAN JONES // FALL 2018
1. Reception 2. Selection Rooms 3. Administration 4. Dining/Kitchen 5. Viewing Rooms 6. Banquet Room 7. Care Center 8. Ceremony Hall
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FLOOR PLAN with SITE PLAN
PARTI
DEFINE CENTRAL THRESHOLDS
PUSH/PULL APPLYING PROGRAM
FUNERAL COMPLEX // ANTONIO UGARTE
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CONCEPTUAL EXPERIENTIAL MODEL
This project is a funerary complex, built atop an existing mausoleum, that addresses returning humility and humbleness to the view of life and death. A conceptual experiential model evolved into architectural spaces divided by planes. Processing forward, each new threshold has a darker modulation of light and a darker wood grain, separating the experience from the previous and from the next. The natural light is decreased until the darkest and most humbling experience is presented, after which a light glass structure completes the cathartic experience.
EXPERIENTIAL PARTI
PROGRAM
LIGHT DIAGRAM
FUNERAL COMPLEX // ARPL 401 // PROFESSORS JULIO BERMUDEZ and SUSAN JONES // ANTONIO UGARTE
ELEVATION
VIEW DOWN MAIN HALLWAY
SECTION A - A
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FUNERAL COMPLEX // ANTONIO UGARTE
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CEREMONY HALL
CONCRETE AND CHIPBOARD MODEL
HUMBLING THRESHOLD
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ARTIFACT PAVILION
ARPL 302 // PROFESSOR LAVINIA FICI PASQUINA // SPRING 2018 // TEAM DESIGN
SITE PLAN - Piazza Campo de’ Fiori in Rome
WRAPPING GESTURE
SINGLE PLANE ROTATES
FOLDING OF PLANE
ARTIFACT PAVILION // ANTONIO UGARTE
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MATERIAL PALETTE
FACADE DIAGRAM
This two week intensive design studio was based on the idea of a found artifact in Rome, with the architectural design celebrating and honoring the important artifacts that were discovered, in this case it was fabrics. The architectural interpretation should re ect the characteristics o Roman lifestyle, drinking, eating, markets, and an investment in social life. My role in the team design was sharing in the design process, the site plan, the abstract render, the section perspective, and general graphic choices.
PLANE
CUT
SEPARATE BY PROGRAM
PUSH / PULL
CIRCULATION DESCENDS INTO PAST
ARTIFACT PAVILION // ARPL 302 // PROFESSOR LAVINIA FICI PASQUINA // SPRING 2018 // TEAM DESIGN
1. Pop up clothing store 2. Outdoor patio 3. Indoor exhibit 4. Interactive display tables 5. Storage 6. Display niches 1
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GROUND FLOOR
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EXPLODED AXON
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BASEMENT FLOOR
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ARTIFACT PAVILION // ANTONIO UGARTE
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EXTERIOR VIEW TO CENTRAL SPACE
SECTION PERSPECTIVE
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COFFEE BIKE SHOP
ARPL 202 // PROFESSOR CARLOS REIMERS // SPRING 2017
SITE PLAN
SITE PLAN
COFFEE AND BIKE SHOP TAKOMA PARK, MD
FUNCTIONAL BOARD 2 2017
SITE ANALYSIS
JULIA PRYOR AND ANTONIO UGARTE ARPL 202 ∙ SPRING 2017 ∙ REIMERS
COFFEE AND BIKE SHOP TAKOMA PARK, MD
SPACE FORM ESSAY 2017
SITE ANALYSIS
JULIA PRYOR AND ANTONIO UGARTE ARPL 202 ∙ SPRING 2017 ∙ REIMERS
BUILDING AND LIFE ANALYSIS
COFFEE BIKE SHOP // ANTONIO UGARTE
CONTEXT LINES
SELECTING DOMINANT LINES
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COMPLETING FORMS
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COFFEE BIKE SHOP // ARPL 202 // PROFESSOR CARLOS REIMERS // FALL 2017
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1. Bike store 2. Coffee shop 3. Barista 4. Dining area 5. Clothing store 6. Bike repair shop 7. Storage 8. Storage 9. Men’s locker room 10. Women’s locker room 11. Cycling studio 12. Cycling studio 13. Reading area 14. Bathroom 15. Bathroom 16. Office 18 17. Office 18. Office 19. Office 20. Mechanical Room
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GROUND FLOOR
SECOND FLOOR
SECTION
COFFEE BIKE SHOP // ANTONIO UGARTE
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EXTERIOR VIEW TO ENTRANCE
his pro ect is a coee shop ike repair shop and cyclin studio in akoma Park Maryland. The angled shapes were drawn from contextual lines in the site along a linear spine Makin the entire south acade lass allo s or the coee shop to be full of lights, and with the bike shop and cycling studio further back, more arti cial li ht can e used he passive coolin strate ies involve cross ventilation through an opening in the bottom of the south facade and operable windows in the north facade in addition to operable windows along the east and west facades.
FRONT ELEVATION
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AMERICAN GOTHIC SYNTHESIS ARPL 201 // PROFESSOR LOU BOZA // FALL 2016
AXON 1
AMERICAN GOTHIC SYNTHESIS // ANTONIO UGARTE
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AXON 2
FLOOR PLAN
After analyzing the painting “American Gothic”, Mondrian style drawings were done capturing key elements and then a spatial design was created from those drawings. Space/void is seen from the top face, hierarchy is seen from the front face, and color is seen rom the side aces A ter makin a physical model and nali in the design three iterations were made by making cuts along the x-axis, y-axis, and z-axis, the latter being used for the next project.
SPACE/VOID
HIERARCHY
COLOR
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MUSICIAN’S STUDIO PAVILION ARPL 201 // PROFESSOR LOU BOZA // FALL 2016
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1. Recording studio 2. Small playing space 3. Storage/Bathroom 4. Large playing space
SITE PLAN
MUSICIAN’S STUDIO PAVILION // ANTONIO UGARTE
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ITERATION 2
ITERATION 1
ITERATION 1
ITERATION 2 ITERATION 3
ITERATION 1
ITERATION 2
ITERATION 2
ITERATION 3
FINAL ITERATION
ITERATION 4
After examining the “American Gothic” painting I designed a space ased off o the analysis o the space/void hierarchy and color. Next, I took the two levels of a z-axis cut spatial design and drew the tartan lines of both levels and overlaid them on a single plane. I then chose dominant lines and made forms that ended up creating these wrapping shapes around a central space. ITERATION 3
ITERATION 3 FINAL ITERATION
MUSICIAN’S STUDIO PAVILION // ARPL 201 // PROFESSOR LOU BOZA // FALL 2016
EXTERIOR VIEW TO PAVILION
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MUSICIAN’S STUDIO PAVILION // ANTONIO UGARTE
INTERIOR VIEW TO OUTSIDE
SECTION
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FRESHMAN STUDIO WORK
ARPL 102 // PROFESSOR VYTENIS A GURECKAS // SPRING 2016
HAND DRAFTING OF MARIO BOTTA’S PREGASSONA HOUSE
HAND CUT MODEL
3D PRINTED MODEL
3D PRINTED MODEL
FRESHMAN STUDIO WORK // ANTONIO UGARTE
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STEVEN HOLL BERKOWITZ HOUSE
The freshman year studio curriculum was designed to give the students a foundation in architectural design through hand drafting, hand cut model building, 3D printed model building, laser cut model building, rendering, and the basics of Adobe products. This was done by reproducing architecture from Mario Botta, Alberto Campo Baeza, Tadao Ando, and Steven Holl.
ANDO 4 X 4 LASER CUT MODEL
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ROME FIELD SKETCHES
ARPL 503 // PROFESSOR MARINA KAVALIREK // SPRING 2018
Scanned by CamScanner
Scanned by CamScan
ROME FIELD SKETCHES // ANTONIO UGARTE
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Field sketches drawn on my travels during the Spring 2018 semester in locations in Italy, Greece, and Spain