ANTON
LUNDBLAD
Anton Lundblad 1990 / 12 / 22
lundbladanton@hotmail.com (+46)707 28 46 65
content
I.
L.A. LIBRARY Year 5 UCLA Architecture & Urban Design
II.
MEET Year 3 (Bachelor Project) Lund School of Architecture
III.
NOD Year 3 Lund School of Architecture
IV.
VERNON CITY Year 4 UCLA Architecture & Urban Design
V.
CONTINENT Year 2 Lund School of Architecture
VI.
TOWNHOUSE Year 2 Lund School of Architecture
VII. HOUSE OF CULTURE Year 4 Internship Sweco Architects
VIII. PITCH Year 4 Internship Sweco Architects
L.A. LIBRARY PROJECT I UCLA ARCHITECTURE & URBAN DESIGN
COURSE
COURSE DIRECTORS
A.UD 412 -
STEVEN CHRISTENSEN
BUILDING DESIGN
GABRIEL FRIES-BRIGGS
STUDIO
KAREL KLEIN JIMENEZ LAI
This studio focused on the development of synthetic design skills derived from a multi-pronged focus on architectural organization, program and structural order, with related conceptual and formal implications. The studio introduces basic structural concepts in response to live and dead loads, volumetric hierarchy, and uses methods of comparative analysis as a means by which architectural precedent may be described, evaluated, and subsequently deployed as the foundation for new work. The program consist of a branch library plus an connecting entrance to the LA Metro. Situated on a corner site in Downtown L.A. the building function as a link between the old and the new. Downtown L.A. are made up of a great variation in its built environment with different heights, sizes and materials adding different textures and feelings. This building will add its own layer to the urban fabric with its distinct form and use of material. The project explores the whole and the part as well as different modes of visuality. Floors are broken apart, treated separately, at moments coming together to connect. The visuality are created through several different aspects. From the outside a layered sectional view are created letting you see through several rooms, activities and floors. The views are, due to the structure, framed both from the inside and the outside. Emphasising the quality of the view. Connections are physical only at places while the visual connections remain the constant throughout the building.
Hi ll St re
et
Bunker Hill
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4t
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Roof Plan 1:800
Part 5
Downtown L.A. - variation in heights and sizes. .
The site sits on the corner of Hill St. and W. 4th St.
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3
Whole
Proposed building covering the whole site, similar dimensions as its surrounding structures. 2
Broken down in scale, adding to the multitude that dominates Downtown LA’s built environment Floor 1
The structural frame creates the buidings distinct form. Adding it’s own distinct charachter to the area.
Part
130` 50`
40`
40`
A
50`
B
B
Automated Materials Handling System
140`
40`
Kiosk
Copy Room
Backstage Storage
50`
A
Ground Floor 1:400
Visual connections
Section B:B 1:400 Section A:A 1/8� = 1`
Sectional view
Framing views
West Elevation 1:400 Elevation West 1/8� = 1`
Exterior Wooden Ribs Steel Rods Structural Axo 1:1000
The structure consist of a heavy timber frame, that repeats and change throughout the building, creating a sectional layering. Similar to the structure used in Vennesla Library by Helen&Hard, which where used as an early structural reference in this project. Glass curtain walls covers the facade creating an transparent building. The function clearly visible from the outside. an exterior wooden rib are placed on top of the curtain walls with, giving the interior the necessary shading. The exterior ribs also have an aestethic function adding a variation and blurred-out facade.
Section B:B 1/8� = 1`
Section B:B 1:400
Heavy Timber Frame Glas Curtain Walls
Plan 01 1:400 Floor Plan 02 1/8” = 1`
Plan 02 1:400 Floor Plan 03 1/8” = 1`
Reading Area
Reading Area
Plan 5 Computer Zone Main Library Reading Area
Plan 4 Main Library Study Rooms Office Main Library / Café Terrace Popular Materials
Plan 3 Lobby Auditorium Tech Room
Roof Garden
Plan 2
Foyer Auditorium Lobby
Auditorium
Communal Space Book Handling Material
Children’s Collection Entrance Metro Station Plan 1
MEET PROJECT II LUND SCHOOL OF ARCHITECTURE
COURSE
COURSE DIRECTORS
ARCHITECTURE IN
CHRISTER MALMSTRÖM
CONTEXT
BERNT NILSSON
BACHELOR PROJECT
MARIA RASMUSSEN
Meet is a market hall, creating a social meeting venue in central Helsingborg. Situated on Landborgen, a steep canyon cutting through Helsingborg’s center, dividing the city into a lower level, connected to the sea, and an upper level. Landborgen gives Helsingborg a unique urban landscape but the area has not yet been fully utilised, with many people experience the area as a dark and scary place. A barrier, dividing the city. Himmelriksgränden is a small alley situated on Landborgen. It’s a well used path by people on and off to work, with Helsingborgs Hospital situated close by. The area are, like many other places on Landborgen, regarded as a bit shady and a place you most likely will avoid during night. The concept of Meet is, through its design and function, better connect a divided Helsingborg as well as create a place for gathering, creating opportunity for the cities inhabitants to meet. The function is a market hall but also a market place utilising the big parking lot connected to Himmelriksgränd. The market hall will make the area feel safer by activating the area both day and night. It will also enhance the flow through the area and at the same time not block, obstruct or diminish the existing paths and nature. A market hall created where people can meet, engage and connect.
The market hall taking its form at the flat parking lot on top of Landborgen, making its way down the sloping alley. Walk through it, underground, or on top of it. Enter or exiting at each level.
A
1.
B
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B
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1. 3.
6. 5.
A
Plan 0 1: 500
1. OUTDOOR SEATING 2. GOODS RECIEVING 3. EXPRESSHOPS 4. FOODTRUCKS Connects directly to On your way on and off Cafés and bars placed the market hall under to work, grab a quick on the south side with ground coffee or a sandwich connecting outdoor seating areas
5. OUTSIDE MARKET
6. MARKET HALL
2
3
1
1. KNUTPUNKTEN Helsingborgs Centralstation
ÖRESUND
2. LANDBORGEN Location for the project (Himmelriksgränd)
HARBOR
TRAIN STATION
CITY CENTER
3. HELSINGBORGS HOSPITAL Workplace for many people living in this region
LAND BORGEN
HOSPITAL
SPORT CENTER
PARKING LOT LANDSCAPE
The existing area
The market hall traditionally placed on a flat, open space
The market hall is placed under ground and moved forward to engage with the landscape
On top of the market hall two volumes are placed. You can move freely through the area and down to the market hall that engage with the sloping landscape both under and above the ground.
North Elevation
Section A:A
EXPRESSSHOPS! Pick up a coffee and a sandwich on your way to work
Restaurants and bars, connected to the outside, sloping alley
Goods recieving and employee entrancĂŠ
Market hall
When approaching the building your able to choose different paths. Stroll through the building or walk on it, outside. Enter or exit at each level.
Plan -1 1: 500
Section B:B 1:400
NOD PROJECT III LUND SCHOOL OF ARCHITECTURE
COURSE
PARTNER
COURSE DIRECTORS
SUSTAINABLE
ALEX SVÄRD
CHRISTER MALMSTRÖM
ARCHITECTURAL
BERNT NILSSON
DESIGN
TOMAS TÄGIL
The Paradise neighbourhood is located in the middle of Lund, filled with students. The buildings here are old with a beautiful patina and finish. Surrounded by a fence, from the outside the neighbourhood gives a private feeling. It does not show or tell about the neighbourhoods open and warm feeling. Situated on the outskirts of the neighbourhood our proposed building will serve as a first stop, which leads you in to the heart of the neighbourhood. A building where you can study, work or just hang out. The building is multifunctional in its usage creating a variety in the people who use it, not only focusing on students but also houses offices for businesses. The building comprises of learning zones, lecture halls, leisure spaces, a kitchen for students, offices and a café/lunch restaurant. To lead people in to the heart of the neighbourhood three passages cuts through the building. Two of the passages are semi temperated, functioning as passages but also as nodes from which you can localise yourself to the rest of the building.
Site Plan 1:2000 Movement through the neighbourhood
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5. 3. 1.
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6.
1. Roof Terraces 2. Study Zones 3. Semi-Temperated Zones
4. Lecture Hall 5. Offices 6. Equipment/Storage
7. CafĂŠ 8. Kitchen 9. Entrance Hall
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8. 7.
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Plan 0 1: 500
The building placed at the entrance of the site. Curved along the road and strict against the neighbourhoud.
Divided into seperate volumes, creating passways letting people enter the neighbourhood
Semi transparent passages added connecting some of the volumes while still functioning as passways.
1867
East Elevation
The buildings volumes varies in size and materials, breaking down the scale of the building. The dominating materials are corrugated plastics, concrete, glass and perforated steel and sits in stark contrast to the neighbouring facades. All material have a sense of lightness and transparency but it’s only in chosen places the building is truly transparent letting you see through it and into the neighbourhood.
VER NON CITY, LA https://www.youtube.com/ watch?v=d7HTsilR0AM PROJECT IV UCLA ARCHITECTURE & URBAN DESIGN
COURSE
PARTNER
COURSE DIRECTORS
VERNON CITY HALL COMPLEX:
JEFFREY KUO
JIMENEZ LAI
HOUSE(S) FOR THE MAYOR SUBTEXT: “AS NORMAL AS POSSIBLE”
This brief presents the problem of gathering existing program and combining it into a single structure. We looked at the city of Vernon in Los Angeles, an industrial zone with a population of 144. In addition to the combining of program, we were asked to incorporate Vernon’s first park. Our study of normalcy focused on privacy. Privacy dominates Vernon due to its use of warehouses, barred windows, and lack of public spaces. We convey the motif of privacy through verticality and porosity, the higher and more porous the building goes, the more private it gets. Accessibility is limited through knowledge of cores, and separation of buildings creates sense of individualism. In terms of representation we were asked to produce a movie explaining our structure and concept as well as two larger image, one an elevation of the building á la Filip Dujardin. The other a three dimensional section cut through the building showing some of its spacious qualities and functions.
CONTINENT
PROJECT V LUND SCHOOL OF ARCHITECTURE
COURSE
COURSE DIRECTORS
ARCHITECTURAL DESIGN
MARCUS ANDĂ„NG
PROCESS &
EEVA OVASKA
PROTOTYPES
A table, a first encounter when entering your home, a place to put away your everyday things, leave one part of the day to start a new, all things neatly organised and ready for you the next morning. This project seek to examine an entire design process. From sketching, analysing material and concept, first drafts and completed drawings, to construct and actualise a furniture that then got exhibited at the Stockholm Furniture Fair 2015. The furniture plays with contrasts, where the softer cork meet the harder legs of ash. The massive cork slab sitting on top of slender wooden legs. The main challenge of the project was the actual production of the furniture. The cork top is made up of five individual layers of cork slabs which then have been glued and plugged together to create the desired thickness of the table top. The partitions are milled and create distinct departments to help you organise your everyday belongings such as keys, phone, newspapers, bills, pens and magazines. Everything gathered in one furniture, neatly organised and a first and last stop when arriving or leaving your home.
1. Sketches, drawings and researching materials. The cork
2. Templates made of MDF boards to mill from. The mill
comes from Portugal and was delivered in 25 mm thick slabs.
could only go through two cork slabs at time. This lead to milling the slabs separately and afterwards glue and plug them together.
3. One of the compartments has a softer form and distinguishes
4. When all the compartments were made the five slaps were
itself from the rest which are stricter. The MDF template on the picture before is constructed like a ramp from which the mill could leap back and forth to create the soft form wanted for this compartment.
glued together. To minimize the risk for dislocation between the slabs wooden plugs are used.
5. Everything was then smoothening out using a sander to
6. The wooden frame was built using ash. The frame is
create a smooth layer and make the five different slabs appear like one massive block of cork.
relatively thin and stands in contrast to the more massive, thick table top.
TOWNHOUSE MEXICO CITY
PROJECT VI LUND SCHOOL OF ARCHITECTURE
COURSE
COURSE DIRECTORS
ARCHITECTURE,
NINA FALK ARONSEN
BASIC COURSE B
The size of the plot was decided (5x25 m) but the site was undiceded, letting you create your own context. This project is located in Mexico City. The townhouse seek to integrate nature into the house. Divided into three volumes, each separated and connected by nature inbetween. The kitchen and dining area, located in the middle volume, serves as a meeting point. The bedroom are located in the inner volume creating a more private area. The first volume serve as an entrance, with washroom and an office. Along the house a narrow volume creates the linking bridge between each volume. A toilet, a shower and storage space are placed here. Each volume is broke off by a small garden. To enter one volume you need to go though these gardens making the nature an active part of the everyday life in the house. The facade is created by a thin, colorful mesh. The mesh is semi transparent, filters the sunlight and blocks the view from the outside. When walking past on the street you can merely disguise what is happening inside. When entering through the door you find yourself in a garden also functioning as an entrance.
The townhouse facade is made of a colorful, semi transparent mesh. You can merely disguise what happens behind, without getting any clear insight. When entering the house you find yourself entering a garden instead of a lobby as normally expected. The nature is an active part of the house.
Roof Plan
Plan 1
The townhouse is located in a central area in Mexico City. The plot is imaginative but tries to capture the feeling of Mexico that I experienced while traveling there. The neighborhood is filled with colorful family homes with a variation in sizes, like the existing neighborhood Coyoacรกn in Mexico City.
Plan 0 1: 200
T O W N H O U S E
West Elevation with neighbouring houses 1: 200
The townhouse is divided in different volumes with gardens between each part. You move freely between these volumes and the nature becomes a big part of your daily life.
1: 200
HOUSE OF CULTURE 1 yr INTERNSHIP SWECO ARCHITECTS STUDIO: CONCEPT & DESIGN
COMPETITION
TEAM
SKELLEFTEÅ
JONAS HÄLLGREN
NEW CULTURE
ANDREAS LIEBISCH
CENTRE
ANNA MARKSTRÖM AMANDA WAHLÉN
Competition for a new cultural centre in Skellefteå, a city in the northern parts of Sweden. The brief included a large program consisting of several cultural functions coming together creating a cultural hub in the town. The program included a concert hall, hotel, conference center, public library, art gallery, theatres and supporting functions. A large building that will take up most of an entire block in the city centre. We wanted all functions to have their present on the ground floor, and from their taking you up or further into the building. Broken apart, connecting at points, the volumes creates an inner passage/courtyard which functions as a public street, sheltered from the harsh Swedish weather. From this passage you have several different cultural amenities to enter. Due to the weather in northern Sweden it was important that the building would create a public plaza indoors as well as connect with the outside during the warmer periods. The facade is made out of wooden ribs, aligned with the rich forest history of Skellefteå, From the outside you can clearly view the buildings different functions. At places, the hotel for instance, becomes more private and the facade gets more solid. Entrances are placed at all direction making it easily accessible from all over the town.
Main program
The permanent program placed with a distinct foot print on the ground floor.
Functions rotate to integrate with each other. Creating gaps and a inner courtyard/passage.
Different functions creates the volumes variation in heights and sizes.
Situation Plan 1:4000
Gaps between the volumes letting natural light puncture thoughout the project.
The building meets the public at all side creating a vibrant, public cultural center.
Situation Plan 1:800
West Elevation 1:400
Foyer (theatre) Black Box
Main Theatre
Public Library
Loading Dock Storage Information Desk Children’s Library Kitchen
Shop
Café Restaurant / Bar
Ground Floor 1:800
The volumes creates a square where each main function is visible from it. Spaces towards south is dominantly active and open, with a bar, café and a public library. Two main stairs lead you from the ground level up to the hotel- and conference foyer or to the Museum and Art Gallery. These stairs also functions as gathering of people and a place to sit. The square like, open space between the different functions on ground level works as the main passage and communication area in the building. It can also be utilised for greater events and during conferences. The library covers a big part of the western facade of the building. The main theater has its own seperate entrance and foyer on the north side. Two venues are located here, one smaller which can be utlisied by the community together with more established projects. The Concerthall is placed on the ground floor with clear entrances.
Workshops & Studios
Plan 0
Multi-purpose spaces Plan 1 UP
Plan 2
Offices Plan 3
Plan 4
Event / Conference Plan 5
Hotel
Library Museum/Art Theatre Facilities
Plan 6
Hotel Koncert Hall Office
Plan 03 1:800
Section A:A 1:400
Plan 7
Roof Terrace Shared Facilities
Section B:B 1:400
Interior courtyard, functioning both as a place for public gathering and a passage through the building and the site. From the courtyard your able to locate the buildings different programs.
PITCH 1 yr INTERNSHIP SWECO ARCHITECTS STUDIO: CONCEPT & DESIGN
During my internship I participated in the early stages with focus on development of design and concept. The projects had a small time frame, important to quickly be able to describe a vision and a concept for the costumer. During these stages I made drawings which where integrated in the presentation of the initial stages, showing the costumer where we wanted to take the project and possibilities of the site and program. The drawing pointed to a vision rather than a fully developed design which served as a perfect initial base for discussion with the client and further development. The first two drawings where made for a client who wanted to develop hotels on two specific sites in Stockholm. The sketches where presented in an initial pitch to the developer.
Roof sticking out from the facade sheltering the inside from rain and snow. Green sedum roof
A bench curves along the facade. A place to enjoy the sun and rest
Thin steel wires creates the facade. Letting you see inside the station adding to sense oof safety
Bicycle placed along the half circle
A half-circle marking the outline of the bicycle station
Early design and concept proposal for a new bycicle station and connecting bus stops in the small community centre of Rรถnninge, outside Stockholm. The municipality watned the bycicle station to have a central place in the city attracting more people to use the bicycle to the city sqaure and there transfer to public transport into Stockholm. The station is broken into four different volumes with an organic form. The facade is made of thin steel wires, letting you see through the building, adding a sense of safety. On the outside a bench curves along the station letting people enjoy the sun or a place for rest, looking toward the sqaure. The bicycle station is fitted with a sedum roof.
Sketch for a presentation of a concept design of the development of Ă–stra Station in Stockholm. A heavy trafficated public transport hub located next to KTH university.
Anton Lundblad 1990 / 12 / 22
lundbladanton@hotmail.com (+46)707 28 46 65