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4 Fontana Arte Information about brand.
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Fontana Arte Information about designers.
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Information about the exhibition.
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Concept The idea of project.
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Inspiration
Design Design process of the project.
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Inspiration board.
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FontanaArte was founded in 1932 by architect Gio Ponti. Today, the Italian company manufactures lamps and furniture that unify beauty and functionality with modern technologies.
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At its foundation, the FontanaArte became popular with glass work and glass design, especially with artistically designed windows, e.g. in churches and cathedrals.
While working with glass, Gio Ponti realised the material’s potential for private sectors of interior design. Encouraged by his intuition, Ponti began designing and producing furniture, lamps and other objects. Glass as a material was the unifying element.
FontanaArte is an Italian design company that has of light and furnishings� in Italy and worldwide. Born architect, the company has always kept strong ties gradually involving leading Italian and internationa designers.
With them, t cultural proje furniture.
This design culture, mainly involving fine materials (above all glass), has seen interaction between technology and aesthetic appeal as its main focus, generating a series of timeless objects, with splendid shapes, some of which have become design classics, exhibited in leading museums around the world.
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marked the “history n of the idea of an with the design world, al architects and lighting
the company has created a true ect of architecture, lighting and
Since December 2010, FontanaArte has be international initiative of Nice S.p.A., a gro for gates, garage doors, road barriers, par an ideal partnership between two excellen which have always focused on design and
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een able to rely on the sound industrial base and the new oup that designs, produces and sells automation systems rking systems, solar screens and wireless alarm systems: nt examples of “Made in Italy� design and production, d innovation for the home.
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MARCO ACERBIS
DINO AMATO
PIETRO CHIESA
CLAESSON KOIVISTO RUNE
MAX INGRAND
STUDIO KLASS
GABI PERETTO
FEDERICO PERI
MIKA TOLVANEN
VOON WONG & BENSON SAW
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SERGIO ASTI
CARLO COLOMBO
MATTI KLENELL
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GAE AULENTI
ANDREAS
FRANCESCO LIBRIZZI
GIO PONTI
DANIELA PUPPA
PAOLO ZANI
EMMANUEL BABLED
FERREOL BABIN
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SHIGERU BA
ODO FIORAVANTI
FRONT DES
VICO MAGISTRETTI
ROBERTO M
FRANCO RAGGI
KARIM RASH
DANTE BONUCELLI
CALVI MER
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STUDIO BERETTA
GAMFRATESI
GABRIELE&OSCAR BURATTI
DENIS GUIDONE
METIS LIGHTING
PAOLA NAVONE
HID
UMBERTO RIVA
DENIS SANTACHIARA
RLINI
DAVID CHIPPERFIELD
MENGHI
STUDIO DRIFT
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LIVIO CASTIGLIONI PIERO CASTIGLI-
HARRY & CAMILA
OS & OOS
ALVARO SIZA
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PIERLUIGI CERRI
SEBASTIAN HERKNER
GIULIO LACCHETTI
PAGANI PERVERSI
PARK ASSOCIATI
BEN SWILDENS
FERRARA PALLADINO CHRIS HARDY LIGHTSCAPE
CARLO TAMBORINI
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Furniture fair held annually in Milan. It is the largest trade latest in furniture and design from countries around the w products by designers of furniture, lighting and other hom
In year 2018, the 57th edition of the Salone del Mobile Milano, there were 434,509 visitors in 6 days from 188 different countries. To compare the year 2016 and 2017, it has increased 17 % and 26%. For this reason, when we are designing the exhibition area, we have focused on the quality of time spent on clients walk.
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e fair of its kind in the world. The exhibition showcases the world. It is considered a leading venue for the display of new me furnishings.
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C Materials .Solid .Plywood
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Geometrical Shapes shape-from-shadows We begin our discussion with a qualitative description of how to shadows are created on geometrical shapes. Attached shadow regions contain points on a surface that face away from a light source. We combined the geometrical shapes with color and shadow to show each designs smooth.
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Keywords .Simplicity .Discrepancy .Geometri .Clarity
Light often describes the light source or light reflected within the composition. In realistic compositions, if there is light, there is shadow. Possible characteristics: chiaroscuro, brilliant, bright, dark, shadows, shade, diffused, dim, filtered, illuminated, clear, highlights, foggy, mystical, realistic, imaginary.
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The point of inspiration was brought to the foreground by using geometric shapes, shadow reductions and colors. At the beginning, we focused on understanding the shapes and designs of the lamps and how to present them better.
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Plan
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Front View
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Section B - B’
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Top View
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Shadows
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