Andrew Oberst_Portfolio by Andrew Oberst

WORKS

ANDREW OBERST architecture + design portfolio

ANDREW OBERST BROOKLYN. NEW YORK 2016

Hello. I am a recent graduate of Northeastern University seeking employment opportunities to enrich my knowledge and experience. This is a collection of my work. My undergraduate studies of architecture and graphic design have instilled an intuitive sense of design which have been put into practice through professional experience. I am a problem solver with a trained eye, always seeking self improvement. This allows me to approach each project as an opportunity to learn and evolve as a designer. I have an ability to think visually and strongly believe in being able to coalesce those visions through representation. Adept technical skills enable a greater ability to communicate my knowledge of architecture and design. In the future, I would like to work with a team of creatives at a multi-disciplinary design firm, but for now I am a dedicated and passionate designer, happy to learn and ready to work.

ANDREW OBERST aoberst7@gmail.com

skype

andrewoberst7

+01.585.953.7098

aoberst.com

EDUCATION Northeastern University Boston MA

05 2016

BACHELORS OF SCIENCE DEGREE IN ARCHITECTURE MINOR IN GRAPHIC DESIGN

Magna Cum Laude, 2013 Student Design Award 07 2016

08 2016

Ecole des Beaux-Arts Américaines Fontainebleau FR POST GRADUATE SESSION

09 2013

12 2013

Humboldt-Universität Berlin DE STUDY ABROAD

ARCHITECTURAL EXPERIENCE 01 2015

07 2015

ehdd. San Francisco CA ARCHITECTURE AND DESIGN INTERN

Developed construction documents and details Constructed and coordinated shared BIM model Specified materials and products from manufacturers 01 2014

07 2014

Hacin + Associates Boston MA ARCHITECTURE AND DESIGN INTERN

Constructed 3D models and visualizations Designed information graphics and marketing material Schematic design on interior residential work 06 2013

08 2013

Wolfe Architecture Honeoye Falls NY INTERN ARCHITECT

Built 3D and physical models Produced renderings and graphic designs for marketing purposes Schematic design on institutional and cultural typologies

RELATED EXPERIENCE 09 2014

05 2016

Northeastern University Boston MA ARCHITECTURE DEPARTMENT TUTOR LASER CUTTING FACILITATOR

05 2013

06 2013

Tradesmen International Rochester NY APPRENTICE CARPENTER

EXPERTISE GRAPHIC

WEB

ILLUSTRATOR PHOTOSHOP INDESIGN 3DS MAX REVIT AUTOCAD SKETCHUP RHINO GRASSHOPPER V-RAY HTML + CSS JAVASCRIPT DREAMWEAVER WORDPRESS

learning working proficient

07 14 16

01 02 03 05 06 08 11 15

PRECAST MODULARITY pg 3

YEAR AROUND the WORLD pg 55

PROTOTYPE HOUSING pg 13

the

graphic

03 URBAN DEVELOPMENT STUDY pg 23

COUNTRY GRAPHIC pg 57

COMPOST BOSTON pg 59

architecture

TRANSFORMATIVE HOTEL pg 35

URBAN CYCLE pg 63

SCHOOL for PERFORMING ARTS pg 39

ENDANGERED PROFILES pg 69

CHINATOWN BRANCH LIBRARY pg 45

WOLFE ARCHITECTURE pg 71

professional

07 ECOLE des BEAUX-ARTS pg 49

HACIN + ASSOCIATES pg 73

SEA RISE BOSTON pg 53

EHDD pg 77

graphic

architecture professional

2011

04 14

2012

2013

08 03 15

12 09 10 01

2014

NORTHEASTERN UNIVERSITY [undergrad]

2015

2016

01 PRECAST MODULARITY ROXBURY. BOSTON SPRING 2016 The catalyst of this project was the selection of a structural system, precast concrete. The design stemmed from part to whole, beginning with the innovation upon precast concrete modules. As the project evolved, it received the program and site of an academic center to house the visual arts. This project was completed in tandem with partner, Tom Minieri. Here is our manifesto. â&#x20AC;&#x153;We seek to develop a building that allows for interstitial spaces between surface and tectonics that can encourage the inhabitation of building services without restricting flexibility. The interface between structure, enclosure, and environment has spatial and performative potential which we intend to actualize on our site. The modularization of structure can be investigated to further the flexibility for growth of the building or change of use overtime. The concept of the module allows for flexibility in planning and layout as well as the ability to have the system scale in size. With these goals in mind, we hope to shift sustainable thinking from a retroactive to a proactive building block of future architectures.â&#x20AC;?

MODULE precast infill panel structural port

16â&#x20AC;&#x2122;

idt ed w

ck b

[tru

rebar dowels

partition wall abutment

grouted joint

glazing assembly

hollowcore precast panel

]

ings

pen

4â&#x20AC;&#x2122; [o

rigid foam insulation

steel truss girder

PROTOTYPING

PARTI DIAGRAM

module

aggregation

structure

span

The structure is based off an M+W-module. The composition of which is similar to a precast concrete sandwich panel for thermal insulation. The form tie holes are utilized as structural ports for lateral structures. Lateral stability and span is achieved by concrete cores and steel truss girders. 8

site

construction assembly

Site Plan

Level 1

Level 2

Level 3

South Elevation

West Elevation

Two solid bars pull apart to hold the site edges. The creation of this central accordion space is used for circulation between bars and across the site. It becomes a sieve for campus gathering, circulation, and breakout activity. The undulating facade is self-shading and infilled with precast panels, glazing, or etfe.

ETFE WITH PHOTOVOLTAICS

GREEN ROOF

CHILLED BEAM COOLING

RYDER HALL (EXISTING) RADIANT FLOOR HEATING

THICKENED FACADE

NATURAL VENTILATION

SELF-SHADING

SHARED LOADING / SERVICE ZONE

VARIABLE AIR VOLUME VENTILATION

RAINWATER HARVESTING

The undulating module creates a thickened facade to run services through vertically. The truss spans allow for horizontal distribution of hvac with accompanied chilled beams. The central atrium space exhausts air naturally through valves in the etfe roof. On the unoccupied roof, a green roof harvests rainwater

The cut away axon shows the system integration into the structure for optimal distribution and spatial efficiency. The depth of the facade creates pockets for enclosed shafts to house vertical runs. Each bay is then served by the horizontal distribution systems in the truss girders.

1' - 4"

Vegetation Growing Medium (8” minimum) Roof Membrane

Roof Drain and Gravel Insulation with Drainage Channels (2”) Underlayment Board (5/8”)

16' - 0"

15' - 10"

Tapered Insulation (4”) Root Barrier, Drainage Layer and Protection Fabric as Required (5/8”)

Precast Concrete Sandwich Panel Air Supply Duct

16' - 0"

Shaft Wall Precast Concrete Module Steel Rebar

1' - 2"

11' - 8"

4' - 0"

Finish Floor (3/4”) Radiant Floor Tiles (3/4”) Precast Hollow Core Plank (4”) Steel Truss Girder

Sitecast Foundation Wall Sitecast Floor Rigid Insulation

Concrete Footing

Each bay can be partitioned off and run services between a parti wall from the truss girder below. Radiant flooring is feed and integrated above the precast concrete panel flooring.

unit/use division

accessibility of use

+1/2 16â&#x20AC;&#x2122;

32â&#x20AC;&#x2122;

systems zoning

vertical division

hybridization/parasite

modular extension

The modular structure can be flexible for future planning, in either scaling up or down. The module dimensions are optimized to subdivide into bays or extend vertically or horizontally. The building systems respond by being zoned to distribute accordingly.

The nature of the module allows for the building mass to step down and create accessible balconies [top] The interstitial atrium is a flex space for spillout activities and circulation [bottom]

TYPOLOGY.

Linear Block

Perimeter Block

Slab Block

Clustered Low Rise

Detached Block

ROW HOUSE [BOSTON]

HAUSSMANN BLOCK

SOVIET MASS HOUSING

MEDIEVAL CITIES

SHIKUMEN [SHANGHAI]

ROW HOUSE [PARIS]

MIETSKASERNE [BERLIN]

UNITÃ&#x2030; HOUSING

EIXAMPLE [BARCELONA]

LOWER EAST SIDE NYC

HABITAT [MONTREAL]

STREET

CORRIDOR

STREET

STAIR

POINT BLOCK

STAIR

Abstraction

Aggregation

FAVELAS [RIO DE JANEIRO] TRACT [LEVITTOWN]

Circulation

GALLERY

Urban Criteria LOT COVERAGE DENSITY SOCIAL CAPACITY POROSITY FLEXIBILITY

STREET

02 PROTOTYPE HOUSING CHARLESTOWN. BOSTON FALL 2015 This studio assembled itself around the study of housing prototypes and its aggregation of units. With a particular interest in the richness and complexity of urban living and placemaking, the following intervention seeks the re-establishment of the urban neighborhood through the design of structured social spaces in mixed-use housing.

Typological Components Amalgamation

Prototyping

Infrastructural Grid vertical core insertion

Courtyard Arrangement interior social programs

Modular Plug-in Units open grid arrangement

Analytics

Complex + Permutations

lot coverage density social capacity porosity flexibility

Vertical Scaling for Density efficient split level access

Variation of Unit + Open Space for flexibility of use and growth

averaged urban criteria indicate successful typologies

utility + circulation

SOCIAL STRUCTURES The “street”

The “backyard”

The “neighborhood”

social programming grain + axis

split level modules

site permeability

ien

er exp

vem mo

archetypal mixed use

pro

gra

soc

ial

fab

ric private semi-private

engaged mixed use

open space

social corridor

gradation of social exchange

A A C

B B B

B B C

public social corridors

A A

node

voided forum voided private

This simulation of an urban street experience stimulates interaction across bands of social programs 20

The split level aggregation creates a Shifting the public axis in disentegrates backyard forum for neighbor interaction. the street edge and engages social Levels of privacy vary upon unit locale [A,B,C]. systems with mixed use program.

1 ADA 2 1 2

ADA balcony condition

corridor expansion

dual facade

double height spaces

vertical split [skip/stop]

typical condtion

SECTIONAL STUDY

1 1

1_Bottom Entry

2_Top Entry

ADA

Base Unit

PROTOTYPE ADAPTATION TO SITE

prototype bar

courtyard arrangement

L-shape arrangement

site massing

social corridor housing modules [central orientation = non-scaleable]

[linear orientation = scaleable]

site

locate living spaces towards sun

open towards views

mass around open spaces

embrace circulation

performative landscape

park promenade

recreational waters

dog park

boat launch

swim zone

harborwalk extension

commercial street scape

UNIT AGGREGATION

try

o dr

ope

n sp

+1 bdr

ace

view

s ce pa de s g aca in liv th f u so

+2 bdr

+3 bdr

unit base

infrastructure

ADA unit

studio

[18]

[19]

1 bedroom

[17]

2 bedroom

[36]

3 bedroom

[20]

A universal unit base is built upon to create the unit mix. Unit types differ upon placement to the building infrastructure. The unit flips according to access to the skip-stop corridors. 23

LVL 4

LVL 9

Level 4 [top] Level 9 [middle] Street Elevation [bottom] 24

TRANSFORMATIVE SCAPE topographic growth + land use

industrial parcels vacant under-developed parcels conditioned public parcels

03 URBAN DEVELOPMENT STUDY EAST BOSTON. BOSTON FALL 2014 This study examines East Boston’s structure and implements an urban strategy to reconnect disparate neighborhoods across infrastructural barriers and back towards its underutilized waterfront. East Boston’s transformative history provides an interesting narrative which informs the current structure of its local environment. Photographs of nearby Maverick Mills provide visual evidence of the unorthodox built conditions of the site due to its rapid growth as a transit link to Boston. Further research reveals the two driving forces behind East Boston’s metamorphosis; the topographical evolution of the site and the involvement of infrastructure in linking and shaping communities.

TECTONIC MAPPING infrastructure and zoning major roads

community parcels

railroads

industrial parcels

infrastructure defining block structure lines of transit define neighborhoods and create barriers between the grained residential parcels, the external industrial plots, and the waterfront

potential neighborhood reconstruction remnants of historical infrastructural barriers are still evident in East Bostonâ&#x20AC;&#x2122;s fabric and call for connective strands across these gaps

Meridian St Condor St

Boardman St

I-90 Logan Connector

Route 45 McClellan Highway [1A] Andrew McArdle Bridge Bennington Ave

Eastern RR / Boston + Maine RR

Grand Junction Railroad / Boston + Albany RR RR Connection

Revere Beach + Lynn RR

1930

MBTA Blue line Chelsea St Bridge

1970

barrier ENGAGING INFRASTRUCTURE link

2014

1890

1850

development

harborwalk

development

harborwalk docking

docking

site pockets site access site pockets site access

PROGRAM recreation

recreation

REGIONAL CONNECTIONS

COMMUNITY/INSTITUTIONAL

EXISTING INFRASTRUCTURAL CORRIDOR

COMMERCIAL [OFFICE]

POTENTIAL INFRASTRUCTURAL CORRIDOR

COMMERCIAL [RETAIL] RESIDENTIAL HOTEL

URBAN AMENITIES GATEWAYS

PROGRAM

COMMUNITY/INSTITUTIONAL

EXI

COMMERCIAL [OFFICE]

COMMERCIAL [RETAIL] RESIDENTIAL HOTEL

The site orientation stitches the urban amenities of East Boston previously barricaded by regional infrastructure. Proposed infrastructural corridors serves as spines for future growth and conduits of public space.

CIRCULATION BY USER VEHICULAR TRAFFIC PUBLIC PEDESTRIAN PRIVATE RESIDENT The main axis of the site orients traffic towards Chelsea Creek Landing while making junctures at public points of interest. Transversal gateways and bridges stitch the main bars to each other and the neighborhood. Vehicular traffic jogs through the site to reduce speed and provide access to parking structures.

URBAN FRAMEWORK

structuring the urban district

ECOLOGY CONSTRUCTED BERMS BIOSWALE POCKET PARKS

INFRASTRUCTURE RESIDENTIAL BRIDGING RAMPING NETWORK VEHICULAR PASSAGE

ARCHITECTURE ELEVATED BAR TOWER NODE

BASE AXONOMETRIC

URBAN TAXONOMY

an urban framework for accelerative communal growth SITE SYSTEMS

ECOLOGY

INFRASTRUCTURE

ARCHITECTURE

FRAMEWORK

VISUAL

DESCRIPTION

constructed berm

[ traverses elevational changes in pedestrian path [ shapes water flow along central spine [ collects stormwater and drains to valley basin

] ] ]

bioswale

[ drainage basin in center of site valley [ slows drainage process to Chelsea Creek [ cleans pollutants from automotive runoff

] ] ]

pocket park

[ terminates entrancesâ&#x20AC;&#x2122; axis [ allows for view corridors through site [ breaks down massing bars with open space

] ] ]

residential bridging

[ connects residential bars at elevated level [ opens to private roof decks for residents [ frames views and massings

] ] ]

ramping network

[ stitches main bars in site massing [ creates pedestrian scale transit [ ties together systems, programs, and people

] ] ]

vehicular passage

[ valley basin for traffic, people, + ecology [ provides main axis for site transit [ orients site towards existing neighborhood ties

] ] ]

elevated bar

[ protects from storm surge flooding [ elevate along site boundaries for parking access [ elevates residencies for privacy

] ] ]

tower

[ creates density on the site [ address scale of highway and public presence [ provide panoramic views

] ] ]

node

[ engages site circulation into building program [ becomes destination for site in regional context [ threshold for vehicular and pedestrian traffic

] ] ]

SITE METRICS

a breakdown of the districtâ&#x20AC;&#x2122;s programmatic criteria BASE SITE

OPEN SPACE

PROGRAM

PROGRAM COMPONENTS

COMMERCIAL

retail office parking

127,000 sf

residential hotel parking

406,000 sf

319,000 sf

RESIDENTIAL DEVELOPMENT

804,000 sf

1,229,000 sf

INSTITUTIONAL 106,000 sf

TOTAL SITE RECREATIONAL

550,000 sf

179,000 sf

ECOLOGICAL OPEN SPACE

100,000 sf

370,000 sf

PRIVATE 91,000 sf

community center museum parking

162,000 sf 30,000 sf

243,000 sf 155,000 sf 50,000 sf 35,000 sf 21,000 sf

sporting grounds parks plazas

71,000 sf

planted areas bioswale drainage infrastructure

56,000 sf

residential street residential gardens hotel gardens

45,000 sf 63,000 sf 27,000 sf 17,000 sf 46,000 sf 34,000 sf 11,000 sf

DISTRICT TRANSECT

site sections of urban block conditions

public level +25’ [top] ground floor +7’ [bottom]

experiential vignettes

04 TRANSFORMATIVE HOTEL BERLIN. GERMANY FALL 2013 Driven by the historical context of Berlin’s tourist district [Mitte], this hotel’s formal moves seek to integrate the transcendence of an atrium hotel with its locality. The result generates a fresh experience of interstitial spaces. Inspired by the grandeur of John Portman’s multi-storied interior atria hotels. I sought to reconcile the emotive interior qualities with the richness of the urban exterior. This approach was taken on the urban scale and the individual scale. The hotel rooms will stimulate an invigorating experience by placing the washrooms at the exterior. The utilization of this double layer facade provides access to fresh air and thermal insulation to the hotel typology. Ultimately creating a fresh experience for each visitor.

TRANSFORM THE HOTEL EXPERIENCE

PROCESS DIAGRAM

START STARTHERE HERE

SPLIT SPLIT

ANGLE ANGLE

ELEVATE ELEVATE

ENGAGE ENGAGE

Typical tower Typical tower block block

Split volume Split volumetoto create central create central atrium atrium

Angle and to to Angle andcutcut preserve view preserve view and allow daylight and allow daylight

Elevate tower forfor sitesite Elevate tower circulation and commercial circulation and public + service program at base program at base

Engage the Engage thecontext context through through an elevated path and an elevated path and operable facade operable facade

The massing creates a strong urban presence while preserving sightlines to the historic Tacheles landmark. The public promenade is shifted to the first level to split the siteâ&#x20AC;&#x2122;s user types, tourists and locals.

The two towers are bridged at points to allow circulation between rooms and amenity spaces. These include conference, auditorium, and at the lower levels and pool and gym at the top.

05 SCHOOL for PERFORMING ARTS SOUTH END. BOSTON SPRING 2013 Within the realm of its own urban context, the school’s site finds itself at a critical juncture between the contextual row housing of the South End and the public nature of the object buildings lining Washington St. The building’s orientation and massing embraces it’s role as node amidst the two neighborhood grains. The program demands a departure from the traditional school typology in order to serve a greater variety of users. Function is reflected in massing and material use to associate with the public nature of the school.

concept model

The building concept derives directly from programmatic desires. Four program specific bars connect a closed block and an open block. The enclosed court below serves as a natural amphitheater with site enclosure.

street elevation

The elevational strategies deployed further the concept of floating bars which engage an open volume from a closed volume. The public face of the school is a transparent curtain wall which showcases four distinctive bars, representative of each discipline. The solid auditorium block anchors the site to the adjacent parti wall.

floor 4 [top] floor 2 [bottom]

The building mass is canted towards the street to create a public square. On the interior, a semi-private enclosed space serves as an amphitheater for outdoor gathering.

06 CHINATOWN BRANCH LIBRARY CHINATOWN. BOSTON FALL 2012 This is a proposal for a new branch library on the edge of the Chinatown gate entrance. The design must accomodate an existing vent tower as a parti-wall condition as well as serve the programmatic desires of a contemporary library within the cultural context of Bostonâ&#x20AC;&#x2122;s Chinatown. The massing concept of the library is an internally driven approach in which the manipulation of a series of stacked L-shaped volumes creates a system of solids and voids throughout the interior.

The massing arrangement sets an internal circulation while framing voids in-between volumes. The alternating voids of public reading zones diffuse noise from the main active floor to the quiet reading spaces above.

The massing is then wrapped in a rain screen facade to control shading and apertures according to programmatic placement and the protection of book stacks.

07 ECOLE des BEAUX-ARTS AMĂ&#x2030;RICAINES FONTAINEBLEAU. FRANCE SUMMER 2016 This two month program explored conceptualizing architecture, urbanism, and installation within traditional media. The focused four-week studio session took place at the prestigious chateau in Fontainebleau, whilst the remaining time was spent traveling around France, visiting architectural sites, and studying in Paris. Throughout the duration of the program there amassed a wealth of daily sketches, collaborative models and installations, and architectural photography. Of which a selection is showcased here.

This project analyzed the term “flow” in urbanism. After an academic study of the components of scientific flow and visual/experiential flow, we determined the essence of flow as a natural force not necessarily measured, but possibly empirically derived. We then tested how liquid would flow through our site and iterated upon urban punctures and forms to organize and release the potential of the site’s flow. 54

In this project we were interested in the human experience of focus and how we can materialize this phenomenon. We abstracted the elements of focus into scale, articulation, and saturation. Then reconstructed these into a multi-axial model to determine how these contribute to foreshorten or extend your perception of depth and space. 55

08 SEA RISE BOSTON THE FENWAY. BOSTON SUMMER 2014 An analytic exercise in the graphic representation of data, Sea Rise Boston seeks to visualize the impending effects of global warming and climate change on a local scale. The scope of the study included the regional scale of greater Boston as well as one of itâ&#x20AC;&#x2122;s most transformative land masses [the Back Bay Fens]. A major landmark [the Museum of Fine Arts], is shown in detail to bring the risk to a human scale.

22nd

birth

day

bike ride up M to B oun t Ta rea malp ker s ra ais ce

game first Giant’s

Golden State Warriors game

alt-J + Jungle concert

Lak

eT aho

Bay

MAY

60° F

165

TH E

APR

180

150

195

13:30

135

10:30 3 hr

as n Veg anyo C Las to rand trip to G trip

+2000 ft

trip

les

nge

os A

to L

UND

MAR

trip

firs

t rid

e in

ER I NT

cts archite ehdd

IP NSH

65° F

isco

ranc an F

105

+200 ft

2 san francisco

10:15 1 hr 15 min

3 yosemite

JUL

d bik

d roa

purc hase

12:00 35 min

+10 ft

240

4 seoul 14 mi

first day of work

6 hong kong

5 chiang mai

20° F

AUG

2 015

7 hanoi 10 boston

8 bangkok

270

08:30 6 hr

10:00 5 hr 30 min

+300 ft

+550 ft

285

45° F

fligh

t ba

0 15:3

392 mi

100 mi

firs

09:40

t da

09:30 10 min

-100 ft

315

330

180

sto

345

allin onc

gc ert

DEC

NOV

ique

family

crit

trip to

stern university S northea

nal

ter

Roc hes

stud io fi

eb ack to

rid

1 mi

C LAS

14:3

SE P

9 istanbul

noi. Vietnam flight to Ha in Sa Pa mountain trek Bay party cruise in Halong caving in Phong Nha

bus to Hue ride Hai Van Pass to Hoi An

stay in Mui Ne stay in Ho Chi Minh boat trip alo ng Mekong Delta stay in Ph nom Penh . Cambod explorin ia g ruins in Angkor Wat. Siem scuba Reap diving on Koh Tao. Th ailand stay in Bangko k flight to Ista nbul

80° F

OCT

JAN

1/11 rochester

TRAVE L southeast asia

move to San Francisco 0

25 mi

bon voyage!

255

100

rade

e pa

prid

me ’s ga nd A work Oakladay of last ailand oul ai. Th to Se flight Chiang M to flight ai P de to bike ri motor ng Hong Ko flight to

S 225

FEB

Die

85° F 4 mi

12:3

to S

0 11:3

A YEAR ARO

r g Big Su trip alon tour lley wine Napa Va lley II te semi Va trip to Yo az visit to Alcatr

y Valle mite Yose to trip

nds adla He

rin Ma

and r

rst obe w e

f cla

ck to

the

Cape Cod

rk Cit

New Yo

visit to Newport

trip to y

photos taken happiness level

09 a

YEAR AROUND the WORLD PLANET EARTH SPRING 2016

This project dialogues my life of travel during the year 2015. The challenge of this project was to manipulate multiple scales of distance and time as well as presenting legible narrative and auxiliary data.

10:50

14:45

seoul

san francisco

hong kong

35 min

1 hr 15 min

65° F

85° F

A YEAR AROUND THE WORLD ANDREW OBERST

30 mil

25 mi

50 mil

14 mi

san francisco

The initial design [below] utilized Buckminster Fuller’s Dymaxion projection of the world map in order to show the entire loop around the world with tessellated vignettes. Futher experimentation resulted in using a circular projection of the northern hemisphere which coincides with a cyclical timeline.

12:00

3 seoul

12:35

10:15

11:30

5 hong kong 6 hanoi

2 san francisco

chiang mai 4

7 bangkok

boston-rochester 1/10 rochester

250

392 mi

miles

9 boston

6 hr 20° F

08:30

8 istanbul

boston

14:30

vietnam

miles

1 mil 5 hr 30 min

10 min

80° F

45° F

09:30

2015

10:00

09:40

INTERNSHIP ehdd architects

100

100 mi

1 mi

15:30

TRAVEL southeast asia

CLASS northeastern university

10 the

COUNTRY GRAPHIC CAMEROON. AFRICA SPRING 2016

This project delved into a specific country, Cameroon, to explore how to represent its metrics of data and country identity graphically. The CIA World Factbook was used as the central database for reporting findings on Cameroonâ&#x20AC;&#x2122;s economy, history, and demographics. The globe was identified as a comparative tool to cross analyze the information of Cameroon with its neighboring context. Then by using its geometry as a framework it can shape the malleable data into the formed timeline or other comparable graphics.

11 COMPOST BOSTON MOBILE SITES. BOSTON FALL 2015 Compost Boston is a social awareness + mobilization campaign geared towards the younger population of ages 20-30. Its mission is to motivate those younger generations with developing lifestyles to a conscious disposal of waste, particularly in relation to bio-degradables through composting. This campaign will attack at multiple fronts, both at the public and the individual. Guerrilla tactics will be manipulated through environmental design to mobilize the public towards policy making, specifically for the establishment of curbside composting in Boston. Ultimately this campaign seeks to encourage the ease of composting and motivate those towards a proper practice of food disposal at both a personal and citywide scale.

Public art becomes a communication medium for the grass roots movement. Transformation and growth are used as a metaphor for the process of composting and that of the social movement. Street themed installations pose conceptual questions about waste while wall based media exhibit the spirit of the street movement and the hard facts about composting and waste become visual.

A mobile application was prototyped with the intention of mapping networks for composting within a social sphere. Stencils were created as part of the campaign collateral to encourage individual participation. A collective book of the movement was also crafted with full styles guides to effectively execute the campaign. 65

12 URBAN CYCLE MOBILE APPLICATION SPRING 2016 This project focused on interaction design and the subsequent rollout of a mobile application/website and all of its components. The target application, Urban Cycle, is a dual navigation and social platform for cyclists who require a more responsive method of navigating the many complex variables of urban commuting. Urban Cycle is a mapping platform that is personalized for the user with data tracking and real time social input. The goals and tasks of the user were conceptualized into a Venn diagram to determine the tripartite layout of the user interface. These three workflows are categorized as go, explore, and track.

go. live data

explore. mapping

track.

social

statistics

go.

explore.

track.

INFORMATION ARCHITECTURE pages

concept

content linked content refreshable content

html elements

live data

explore mapping

track

social

statistics

landing screen light box + form field

light box + form field

home page section [1/3]

section [1/3]

scroll

text + profile picture

chart

scroll

chart + expansion link

button

scroll

latest rides

route page section [1/3]

map

ride

text + profile picture

scroll, buttons

chart

chart, icons

icons, hover

route options

pull out section [1/3], scroll

weather

directions

markers

chart, icons

profile

vector paths

vector paths, hover

route

section [1/3]

statistics

scroll, buttons

slider button, hover

map

section [2/3]

map thumbnail + text

thumbnail + text

point A+B

dashboard

section [2/3]

map, scrollable

chart

activity feed

ride page

section [2/3]

form field

scenic

standings

your last ride

live data feed

section [1/3]

profile

popular rides

weather

scroll

easiest

track

form field

destination

fastest

section [1/3]

explore

pull out section [1/3], scroll

description

directions

route

suggestions

profile

latest rides

map

standings

statistics

scroll

activity feed

markers

variables

scroll

variables

comments

scroll

comments turn-by-turn pull out section [1/3], scroll

section [2/3] map, scrollable

directions

map

log trip section [1/3], thumbnail

overview

section [1/3], check box

add variables

section [1/3], form field

comment

URBAN CYCLE

URBAN CYCLE GO A B weather

URBAN CYCLE

EXPLORE

TRACK

popular rides

profile

live feed

profile

stats

+71

TRACK

A B

+71

latest rides

activity feed

your last ride

fastest

easiest

scenic

activity feed

conditions

The information architecture branched functionalities and organizational threads of workflow from the original concept. The result of which is choreographed into select wireframes below.

branding concept URBAN CYCLE

identity mark

color function

URBAN CYCLE

versatility multiple tasks annotative

#FEE000

#00AB4F

#F1F1F1

#017ABF

#C91F40

#FFFFFF

character light + fun vibrant energetic

Very few bikes lanes have to ride in traffic Awesome ride type

function

rounded type logo and type share visual style

character

light + fun informal language energetic italics

FF Speak regular 0123456789 bold 0123456789 bold italic 0123456789

ui styling icons

25 min

2.7 mi

71 cal

rounded linear outlines light

imagery

rounded thumbnails light tonal backgrounds + maps default avatars as icons

interactivity inactive grey state active+hover color/dark type

current location

go!

+ add to list

Mikeâ&#x20AC;&#x2122;s Pastry

go!

added!

Hanover Street, Boston, MA

compositing grey body text, colored headers punches of color color adapts to page

THE ESPLANADE

A recreational ride along the Charles River with amazing views. Look out for ducks!

The branding concept was to interweave the identity of the bike, the social network, and the city. The style guide helps illustrated the informal, fun nature of the type, color, and UI.

The designed desktop screens use an accordion style slider to navigate between the three workflows. This was built into an interactive prototype with InVision. 70

The coded prototype uses a side-nav to flow between pages for operable coding. The site was built using html, CSS, Javascript, and Foundation frameworks. 71

13 ENDANGERED PROFILES FINE ART 2011 This project focused on extracting evocative imagery and characters to create engaging profiles of various endangered species. The mediums employed were charcoal pencil, colored pencil, oil pastel, and acrylic.

14 WOLFE ARCHITECTURE HONEOYE FALLS. NEW YORK SUMMER 2013 While at Wolfe Architecture, a series of institutional projects demanded work in 3D modeling and visualizations. Schematic design on an adaptive reuse project, the Factory [top], led to a mixed-use complex including an art gallery, restaurant space, and lofts. The Strong Museum [middle] was seeking renovation plans to its entry. Work included schematic design on canopy proposals and specifying bollards and conducting lighting tests. Batavia Downs Casino [bottom, below] was a renovation requiring modeling and visualization work.

15 HACIN + ASSOCIATES SOUTH END. BOSTON WINTER-SUMMER 2014 While at Hacin + Associates, a wide variety of work was completed from graphics, marketing, visualizations, model making, to schematic design. Focus was spent on Parcel F, a new development in Bostonâ&#x20AC;&#x2122;s Seaport. Post-construction marketing work was done for H+Aâ&#x20AC;&#x2122;s flagship project District Hall [below]. The building, as a innovation center and catalyst for the burgeoning Innovation District, showcased the spirit and architectural quality the district was to strive for.

Parcel F, colloquially known as Seaport Square, was to be bookended by two H+A projects and landscaped in collaboration with Reed Hilderbrand.. Schematic design, modeling, and visualization work was created for The Seaport Food Hall [above]. 78

Rockport Coastal Housing [top, middle] was one of two multi-unit housing projects worked on while at H+A. Visualization and marketing work was contributed for Commercial Wharf Housing [below]. 79

7/2/2015 4:10:55 PM

LEVEL 6 EL +460' - 6" HUDDLE 2102

PENDANT LIGHT FIXTURE

A9.08

GL-10

A9.08

GL-10 13 A9.08

HORIZONTAL MULLION BEYOND

LEVEL 5 EL +448' - 2"

GL-10

3' - 0" CLR.

BREAK OUT 2105

CONFERENCE 2101

A4.21

GL-10

STAIR IN FOREGROUND

HSS COLUMNS W/ WOOD VENEER SLEEVE

4' - 0" TYP. EQ

2' - 10" TYP. 3'4" AT LVL 6

WOOD VENEER BENCH SEAT W/ CUSHIONS (BOTH SIDES)

10 A9.32

FLAT PANEL DISPLAY

MARKER BOARD

PARTIAL HEIGHT 1.5" x 9.5" WOOD SLAT WALL

A9.08

A9.09

UP C3A

EQEQ

C 2' - 1"

LEVEL 4 EL +435' - 10"

1' - 4"

LIGHTING AND SHADE CONTROL LEVEL 4 EL +435' - 10" THERMOSTAT

18 A4.21

HUDDLE 2104

GLAZING 9' - 2" TYP. 11'-9" @ LEVEL 7

OPP.

A9.08

HUDDLE 2103

LINE OF WOOD CEILING

LEVEL 4+5 - DOUBLE HEIGHT GLAZED WALL (LEVEL 2+3, 6+7 SIM.)

11 A4.21

SCALE: 1/4" = 1'-0"

WALL BASE

LEVEL 4 - CONFERENCE 4101 - WEST (LEVEL 2,5 SIM.)

12 A4.21

1/4" = 1'-0"

*FOR TYPICAL NOTES, DIMENSIONS AND EQUIPMENT TAGS REFER TO 1 A4.21

LEVEL 4 EL +435' - 10" VIDEOCONFERENCE CAMERA

WALL BASE

LEVEL 4 - CONFERENCE 4101 - SOUTH (LEVEL 2,5 SIM.)

LEVEL 2 - BREAK OUT 2105

3 A4.21

SCALE: 1/4" = 1'-0"

PENDANT LIGHT FIXTURE WOOD VENEER-WRAPPED COLUMN BEYOND STAIR BEYOND

OPEN TO HALLWAY BEYOND CL PARTITION & COLUMN OPEN @ FRONT

A9.51

17 A4.21

LEVEL 2 EL +411' - 2"

LEVEL 4 - BREAK OUT 4105 - WEST (LEVEL 2,6 SIM.)

10 A4.21

SCALE: 1/4" = 1'-0"

6 A4.21

SCALE: 1/4" = 1'-0"

G6A1

LEVEL 2 - BREAK OUT 2105 - EAST SCALE: 1/4" = 1'-0"

HUDDLE 4102

HUDDLE 4103

A3J

HUDDLE 4104

A3J

G2A1

G6A1

G3A1 TYP

*FOR TYPICAL NOTES, DIMENSIONS AND EQUIPMENT TAGS REFER TO 5 A4.21

LEVEL 2 - BREAK OUT 2105 - NORTH

LEVEL 2 EL +411' - 2" 4 EQ. CAB. FACES

*FOR TYPICAL NOTES, DIMENSIONS AND EQUIPMENT TAGS REFER TO 9 A4.21

9' - 6"

LEVEL 4 EL +435' - 10" Sim WASTE, RECYCLE, COMPOST FOR GRAPHIC SIGNAGE REQUIRE REFER TO S16/G4.10

CL PARTITION & COLUMN

G2A1

G6A1 C3A

TYP.

A9.23

E5 C3A

LIGHT FIXTURE

A9.23

5'-3"

TYP.

E1-12

GLAZED PARTITION E6

EQ.

LIGHT FIXTURE

C3A BREAK OUT 4105

PARTIAL HEIGHT WOOD SLAT WALL BENCH SEATING W/ CUSHIONS (BOTH SIDES)

ALN CASEWORK

A4.21

EQ.

E8 E9

TYP

E9 CL SINK E8

GL-7

TYP.

WALL BASE

E10 11

OPEN TO HALLWAY BEYOND

1' - 2"

1' - 6"

LEVEL 4 EL +435' - 10"

3 EQ

2' - 0"

GLASS PANELS

TYP.

2 EQ GLASS PANELS

A9.11

5'-2" CLR VERIFY EQPT

2' - 0"

2' - 2" VERIFY

3' - 0" CLR 4 A9.51

16 A4.21

LEVEL 4 - PCS AT BREAK OUT 4105 WEST (LEVEL 2,6 SIM.)

9 A4.21

1/4" = 1'-0"

LEVEL 4 - BREAKOUT 4105 - NORTH (LEVEL 6 SIM.)

5 A4.21

SCALE: 1/4" = 1'-0"

18 UP

C3A

7 A7.04

G2A1

LEVEL 4 EL +435' - 10"

3 EQ CAB FACES Sim 2 3

ALN 2' - 1" 4"

LEVEL 4 - BREAK OUT 4105 - EAST (LEVEL 6 SIM.) SCALE: 1/4" = 1'-0"

LEVEL 4 - BREAKOUT 4105 (LEVEL 6 SIM.)

1 A4.21

SCALE: 1/4" = 1'-0"

UCSF Clinical Sciences Building Seismic Renovation - M2615

Stamp

Sheet Title

ENLARGED PLANS & INT. ELEVATIONS LEVELS 2, 4, 6 BREAK OUT

521 PARNASSUS AVENUE, SAN FRANCISCO, CA 94143

3. REFER TO G3.01 FOR TYP. INTERIOR SIGNAGE AND FIXTURE MOUNTING HEIGHTS. 4. REFER TO A2.4 SERIES FOR EXTENTS OF FINISHES.

500 TREAT AVENUE #201 SAN FRANCISCO, CA 94110 ARCH@EHDD.COM T 415-285-9193 F 415-285-3866

5. REFER TO AV 7 SERIES DRAWINGS FOR AV EQUIPMENT MOUNTING HEIGHTS

7 A8.25

Printing

Date

100% CD BID PACKAGE #2

06.05.2015

Printing

Date

Consultant

EHDD Job No.:

Scale:

4' PANELS TYP.

LINEAR SLOT DIFFUSER

As indicated

4' PANELS TYP.

Sheet Number

A4.21

FABRIC WRAPPED ACOUSTIC PANELING

A9.08

12029

LW/AH

Drawn By:

TYP.

5 A9.08

10 A9.04

COFFEE MAKER, PROVIDE COPPER LINE FOR WATER

TYP.

2. REFER TO A0.41 FINISH SCHEDULE & A9.51 FOR CASEWORK FINISHES.

G3A1

ALN CASEWORK W/ STAIR STRINGER

LINE OF OPENING ABOVE

1. REFER TO A0.41 EQUIPMENT SCHEDULE. VERIFY DIMENSIONS OF EQUIPMENT PRIOR TO FABRICATION OF CASEWORK.

3' - 9"

A9.51

9' - 3"

WALL BASE

SHEET NOTES

3' - 0"

STAIR 6 4S6

A4.21

E10

A9.23 LEVEL 4 EL +435' - 10" WALL BASE

A4.21

F.F.O.COL.

C:\Users\a.oberst\Documents\A-UCSF 7/2/2015 4:11:02 PM CSB-CENTRAL_aoberst7@gmail.com.rvt

B3J

REFRIGERATOR DOOR IN OPEN POSITION

5' - 11"

ALN

TYP GL-7

OPEN TO HALLWAY BEYOND

EQ.

CONFERENCE 4101

FABRIC WRAPPED ACOUSTIC PANELING

TYP.

5 A9.08

A9.08

ALN

COVE LIGHT

ALN

A9.08

ALN

ROOM SCHEDULER 4'-0"

LEVEL 1 EL +397' - 8"

ALN

4'-0"

10' - 7"

12' - 0"

DRY ERASE MARKER BOARD WALL; ALIGN SEAMS WITH ACOUSTIC PANELING ABOVE, TYP.

FLAT PANEL DISPLAY

TYP.

FLAT PANEL DISPLAY

A9.08

ALN

5" WALL BASE LEVEL 0 EL +386' - 8"

METAL BASE

FLAT PANEL DISPLAY

FEC

2' - 0" ALN

FLAT PANEL DISPLAY

TYP.

11 A9.21

METAL WALL PANEL

LIGHT SWITCH CARD READER

19 A5.01

LEVEL 1 EL +397' - 8" ALN

THERMOSTAT LIGHT SWITCH LIGHTING AND SHADE CONTROL

ALN

LEVEL 0 EL +386' - 8" MOTORIZED WOOD SHUTTERS

LEVEL 0 EL +386' - 8"

VIDEOCONFERENCE CAMERA

TYP.

A9.11

A9.08

LEVEL 0 - WEST LOBBY 0102 -WEST

14 A5.01

SCALE: 1/4" = 1'-0"

LEVEL 0 - MULTI-PURPOSE 0101 - EAST

6 A5.01

SCALE: 1/4" = 1'-0"

LEVEL 0 - MULTI-PURPOSE 0101 - SOUTH SCALE: 1/4" = 1'-0"

E10

WASTE, RECYCLE, COMPOST BINS FOR GRAPHIC SIGNAGE REQUIRE REFER TO S16/G4.10

7 A8.25

FABRIC WRAPPED ACOUSTIC PANELING

3 EQ. CABINET FACES Sim 9

LEVEL 0 EL +386' - 8"

2' - 11" CLR.

PERIMETER WINDOWS, TYP.

A9.08

A9.51

LEVEL 0 - BREAK AREA 0130 - EAST

A9.51

COVE LIGHT WIRELESS MIC ANTENNA, TYP. OF 2 LEVEL 1 EL +397' - 8"

ALN

EQ EQ

4 EQ. CABINETS

LIGHT SHELF

A8.21

ALN

TYP.

VIDEOCONFERENCE CAMERA

A9.08

SCALE: 1/4" = 1'-0"

ALN

18 A5.01

LEVEL 1 EL +397' - 8"

EQ EQ

EQ 15 A8.21

ALN

8 A9.08

2' - 9"

4' - 0"

2' - 2"

17 A5.01

3'-0"

2'-0"

CLR.

LEVEL 0 EL +386' - 8"

A9.51

LEVEL 0 EL +386' - 8" DRY ERASE MARKER BOARD WALL, TYP.

Sim

LEVEL 0 - BREAK AREA 0130 - NORTH

13 A5.01

SCALE: 1/4" = 1'-0" 10

TYP.

SPEAKER COLUMN, TYP. OF 2

PROJECTOR SCREEN

MOTORIZED WOOD SHUTTERS

5 A5.01

LEVEL 0 - MULTI-PURPOSE 0101 - NORTH SCALE: 1/4" = 1'-0"

CONCRETE FORM TIE, TYP.

12 A5.01

SCALE: 1/4" = 1'-0"

FIRE ALARM STROBE, TYP. OF 2

15 ANODIZED ALUMINUM STRIP

8' - 0" EXPOSED CONCRETE WALL 6"

OPEN TO BEYOND

TYP.

WOOD BASE

LEVEL 0 EL +386' - 8"

1 A5.01

TYP.

2 EQ. GLASS PANELS

4' PANELS TYP. CONT.

WALL BASE

LEVEL 0 EL +386' - 8"

SCALE: 1/4" = 1'-0"

SHEET NOTES

UCSF Clinical Sciences Building Seismic Renovation - M2615

1. REFER TO A0.41 EQUIPMENT SCHEDULE. VERIFY DIMENSIONS OF EQUIPMENT PRIOR TO FABRICATION OF CASEWORK. EQ

2. REFER TO A0.41 FINISH SCHEDULE & A9.51 FOR CASEWORK FINISHES.

4. REFER TO A2.4 SERIES FOR EXTENTS OF FINISHES.

LEVEL 0 - HALLWAY 0C1 - SOUTH

521 PARNASSUS AVENUE, SAN FRANCISCO, CA 94143

3. REFER TO G3.01 FOR TYP. INTERIOR SIGNAGE AND FIXTURE MOUNTING HEIGHTS.

A9.09

4' PANELS TYP

1' - 3" 1

WOOD VENEER WALL

SCALE: 1/4" = 1'-0"

EXPOSED CONCRETE COLUMNS

7 A9.08

LEVEL 0 - WEST LOBBY 0102 - SOUTH

ocuments\A-UCSF CSB-CENTRAL_aoberst7@gmail.com.rvt

DOOR IN OPEN POSITION SHOWN DASHED

LEVEL 0 - WEST LOBBY 0102 - EAST

EQ.

A9.21

LEVEL 0 EL +386' - 8" EXPOSED CONCRETE COLUMN

OPEN TO HALLWAY BEYOND

16 A5.01

4' PANELS, TYP.

EXPOSED CONCRETE WALL

2' - 8"

EQ.

5 A8.21

SCALE: 1/4" = 1'-0"

LEVEL 0 EL +386' - 8"

MOTORIZED WOOD SHUTTERS

WALL BASE

LEVEL 0 - MULTI-PURPOSE 0101 - WEST

A9.33

5 A9.11

AV CONTROL PANEL

5. REFER TO AV 7 SERIES DRAWINGS FOR AV EQUIPMENT MOUNTING HEIGHTS

500 TREAT AVENUE #201 SAN FRANCISCO, CA 94110 ARCH@EHDD.COM

Printing

Date

100% CD BID PACKAGE #2

06.05.2015

Printing

Date

Stamp

Sheet Title

LEVEL 0 INTERIOR ELEVATIONS

16 EHDD THE MISSION. SAN FRANCISCO WINTER-SUMMER 2015 My work at ehdd focused around construction oriented phasing where documentation and detail refinement played a key role. Daily coordination for BIM between trades and contractors was important in the largest project, UCSF CSB. This project included some design refinement during documentation, particularly flushing out the complex ceiling system employed at the two main design interventions. As a draftsman, I was in charge of handling all the interior elevations, RCPs, and some interior and envelope details. [UCSF renderings courtesy of ehdd]

2' - 8 9/16"

NODE 1110A + 7' - 3"

2' - 8 9/16"

6/5/2015 4:47:56 PM

NODE 1111A

NODE 1111B

+ 7' - 3"

C TYP.

8 A9.33

CANOPIES AND CEILING ARE SYMMETRICAL ON EITHER SIDE OF GRIDLINE 3

TYP.

9 A9.33

14' - 5"

LEVEL 1 RCP - NODE @ HALLWAY

15 A6.11

14' - 5"

HIGHEST POINT +11'-6"

SCALE: 1/4" = 1'-0"

20 5

A9.33

HIGH POINT +10'-4"

EXTERIOR CANOPY

LEVEL 2 EL +411' - 0" CLG-3 LOW POINT +9'-6" LOWEST POINT +9'-3"

4' - 0" TYP.

B LOW POINT +9'-3"

HIGH POINT +9'-3"

SCALE: 1/4" = 1'-0"

13' - 4"

+ 7' - 3"

DIM PT

DIM PT CONCRETE WALL AT CSB 1/16" FORMED STAINLESS STEEL GUTTER SINGLE PLY WATERPROOFING

LOW POINT +10'-0"

3/4" MARINE GRADE PLYWOOD 1/2" STEEL DECK

11 1/2"

4' - 6"

A9.33

FORMED 1/8" ALUMINUM PANEL

CLG-1

9' - 7 27/32"

3x3x1/4" ASTM 316, S.STL ANGLE SELF ADHERED FLASHING 2"

HIGH POINT +11'-0"

1 A8.26

CLG-1

EQ SD

NODE 1115 + 9' - 0"

6 A9.33

PERIMETER WOOD CEILING HIGH POINT +20'-9", TYP.

EQ + 7' - 3" C

1 A9.33

HIGH POINT +11'-0" 8 A8.25

22 A8.21

ALIGN

WOOD VENEER AT FACE SLOPED OF SOFFIT

10"

WV-1

7' - 10 1/16"

DIM PT

5 A8.25

A6.11

SLOPE

7 A8.25

1 A8.25

9' - 0"

LOW POINT +8'-10"

6/5/2015 6:37:27 PM

WOOD VENEER

5' - 7"

LEVEL 1 - MULTI-PURPOSE ROOM SOFFIT ELEVATION

14 A6.11

LOW POINT +18'-3"

HIGH POINT +11'-0" SLOPE

HALLWAY 1C2

HIGH POINT +11'-0" + 9' - 0"

ALUMINUM CEILING PANELS

LINEAR LIGHT FIXTURE AT HIGH POINT +20'-9"

LOW POINT +18'-3"

LOW POINT +9'-6"

9' - 0"

CURTAIN WALL ANCHOR

3 A8.11

CURTAIN WALL DOO

2 A8.11

CURTAIN WALL DOO

SCALE: 3" = 1'-0"

D.7

+ 7' - 3"

8' - 9"

+ 7' - 3"

25' - 7"

NODE 1105

25'-7"

STL SUPPORT

1/16" STAINLESS STEEL

+ 9' - 0" 11' - 3" 3' - 8"

3' - 7 13/16"

7' - 0" EQ

TYP.

5' - 6"

HIGH POINT +10'-2"

D.7

LOW POINT +10'-2"

A9.33

E.1

TYP. EQ

EQ TYP.

LOW POINT +18'-3"

A9.33

LOW POINT +10'-0"

EXTERIOR CANOPY

DIM PT

CLG-3

LOW POINT +9'-3" EQ

+20'-9" 7' - 2"

1/8" ALUMINUM ANGLE

EQ EQ

30' - 11"

HORIZONTAL MULLION

WOOD VENEER ALUMINUM PANEL HIGH +11'-3" CEILING, SEEPOINT INTERIORS

EQ EQ

D.7

SCHEDULED GLAZING

14' - 5"

LEVEL 1 RCP - NODES @ ADMISSIONS ENTRY

LEVEL 1 RCP - MULTI-PURPOSE

12 A6.11

SCALE: 1/4" = 1'-0"

CURTAIN WALL HEAD @ ENTRANCE 17 - ENTRANCE LEVEL 1 RCP LOBBY CEILING

1 A6.11

SCALE: 1/4" = 1'-0"

A8.11

SCALE: 3" = 1'-0"

LEGEND

1. REFER TO ELECTRICAL DRAWINGS AND SPECIFICATIONS FOR LIGHT FIXTURE DESIGNATION.

2. REFER TO A9.10 & A9.11 FOR TYPICAL CEILING DETAILS.

MOTORIZED WINDOW SHADES

3. REFER TO FINISH SCHEDULE FOR CEILING FINISH INFORMATION.

CENTER CEILING TILE GRID IN ROOM. ALIGN LIGHT FIXTURES TO EDGE OF CEILING GRID AS SHOWN.

MANUAL WINDOW SHADES

UCSF Clinical Sciences Building Seismic Renovation - M2615

2' X 2' ACOUSTIC CEILING TILE

4. USE ACT-1 AT ALL HALLWAYS, MULTI-PURPOSE ROOMS, AND CONFERENCE ROOMS, U.O.N.

NOT USED

5. USE ACT-2 AT PRIVATE OFFICES, HUDDLE, AND FOCUS ROOMS.

VERTICALLY FOLDING OPERABLE WALL

6. USE ACT-3 AT ALL OPEN OFFICES, AFFIXED TO UNDERSIDE OF SLAB ABOVE, TYP.

1-HR FIRE RATED SOFFIT

2-HR FIRE RATED SOFFIT

Stamp

521 PARNASSUS AVENUE, SAN FRANCISCO, CA 94143

GYPSUM BOARD

500 TREAT AVENUE #201 SAN FRANCISCO, CA 94110 ARCH@EHDD.COM T 415-285-9193 F 415-285-3866

WOOD VENEER CEILING

Printing

Date

100% CD BID PACKAGE #2

06.05.2015

SCHEDULED GLAZING

Date

12029

EHDD Job No.:

HORIZONTAL MULLIONS BELOW

Scale:

Sheet Number

VERTICAL MULLION

As indicated

RIGID INSULATION

12 A8.11

8 A8.11

1/8" ALUMINUM PLATE WALL PANEL CONCRETE WALL AT CSB

1 A8.11

CURTAIN WALL JAMB @ ENTRANCE

CURTAIN WALL DOOR THRE SCALE: 3" = 1'-0"

SCALE: 3" = 1'-0"

DIM PT

SCALE: 3" = 1'-0"

DRAIN PIPE

DIM PT

CURTAIN WALL JAMB @ INTERMEDIATE MULLION @ ENTRANCE

DIM PT

A6.11

AH/AS

Drawn By:

SCHEDULED GLAZING

ENLARGED REFLECTED CEILING PLANS

DIM PT

Consultant

LINES INDICATE GRAIN DIRECTION

Sheet Title

VERTICAL MULLION

1/2"

KEYNOTE

SHEET NOTES

1 1/2"

16 A6.11

*NOTE: PAINT CEILINGS AND STRUCTURE BEYOND FINISHED CEILING PT-2

DIM PT

C:\Users\a.oberst\Documents\A-UCSF CSB-CENTRAL_a.oberst.rvt

*NOTE: PAINT UNDERSIDE OF STRUCTURE BEYOND FINISHED CEILING PT-2

6/5/2015 4:38:39 PM

A8.25

SCHEDULED GLAZING

12 A6.11

TYP

3 A8.42

MULTI-PURPOSE D 1110

MULTI-PURPOSE C 1109

STAIR #4 1S4

+ 9' - 0" CLG-1

+ 9' - 0"

A9.32

LINE OF CEILING BELOW,TYP.

3" 1/2"

+ 9' - 0"

16 A6.11

+ 9' - 0"

MULTI-PURPOSE D 1118

3'-6"

+ 9' - 0"

CURTAIN WALL SILL

11 A8.11

SCALE: 3" = 1'-0"

C SD

3' - 8"

3' - 0" 2' - 0"

2' - 6"

MULTI-PURPOSE D 1113

MULTI-PURPOSE D 1114

14 A9.32

MECH. 1M2

+ 9' - 0"

MULTI-PURPOSE D M 1106

+ 9' - 0"

A9.32

EQ.

+ 9' - 0"

C SD

+ 9' - 0"

STAIR #2 1S2

COMMONS 1119

D.7

3' - 6"

CONFERENCE 1104E C

+ 9' - 0"

EQ 2'-6" EQ.

ADMISSIONS 1104

ALN ALN

P.O. 1104D

+ 10' - 4"

P.O. 1104C

+ 10' - 4"

P.O. 1104B

+ 10' - 4"

P.O. 1104A

MULTI-PURPOSE D TYP 1101

E.1

A8.42

+ 10' - 4"

JANITOR 1J1

+ 10' - 4" SKYLIGHTS

4'-2 5/8"

F C

At the main points of intervention, my role was to design and help detail the ceiling systems to coordinate with fabricators as well as maintain the original conceptual intent.

AL_a.oberst.rvt

82 21

Date

Scale:

+ 9' - 0"

2'-10"

MULTI-PURPOSE D 1102 S

Printing

Drawn By:

+ 9' - 0"

EQ.

FIRE CONTROL SD 1M1

2' - 0" EQ.

+ 9' - 0"

06.05.2015

MULTI-PURPOSE D 1103 S

ELEV. LOBBY 1C3

ELEV. #2 1E2

100% CD BID PACKAGE #2

CLG-1

MULTI-PURPOSE D 1117

FULL TILE

SMOKE CURTAIN ELEV. #1 1E1

Date

EHDD Job No.:

7 A9.32

A9.32 MEN 1T1

Printing

Consultant

MULTI-PURPOSE D 1116

LINE OF CEILING BELOW,TYP.

+ 9' - 0"

2' - 3"

MULTI-PURPOSE D 1107

EQ EQ

ENTRANCE LOBBY 1C1

+ 9' - 0"

500 TREAT AVENUE #201 SAN FRANCISCO, CA 94110 ARCH@EHDD.COM T 415-285-9193 F 415-285-3866

S S

Stamp

521 PARNASSUS AVENUE, SAN FRANCISCO, CA 94143

+ 9' - 0" EQ. EQ.

3'-6"

UCSF Clinical Sciences Building Seismic Renovation - M2615

RIGID INSULATION

1' - 0" 3'-6"

3' - 4" EQ

EQ.

+ 9' - 0"

EQ EQ

2'-6"

1' - 5"

WOMEN 1T2

HALLWAY 1C4

+ 9' - 0"

E.1

ALUMINUM PANEL

+ 9' - 0"

2' - 6" 2' - 6"

4' - 0"

+ 9' - 0"

MULTI-PURPOSE D 1108

15 A6.11

ALN

MULTI-PURPOSE D 1112

D.7

CONCRETE CURB

TYP

+ 9' - 0" S

3 A8.42

+ 9' - 0"

MULTI-PURPOSE B 1111

1 A6.11

DIM PT

C:\Users\s.vinokur\Documents\A-UCSF CSB-CENTRAL_s.vinokur.rvt

HORIZONTAL MULLION

3" = 1

Boulder Commons [top, middle] is a mixed-use development that required work in concept design and visualizations. Katherine Delmar Burke School [bottom] is an academic renovation project that visualizations and presentation material were prepared for.

>> CONTACT aoberst7@gmail.com skype. andrewoberst7 +1.585.953.7098 visit aoberst.com for downloads, links, and up-to-date information

thank you for reading.

ANDREW OBERST architecture + design portfolio