Aperture Spring 2021 Publishing Catalogue

Spring 2021

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Cover: Amarise Carreras, el jíbare reza por amor (El jíbare prays for love), Queens, 2019.

Courtesy the artist. From Utopia (see page 5) Page 10: From I’m Looking Through You © Tim Davis (see pages 24–25) Page 44: Gregory Halpern, Untitled, 2019, from Let the Sun Beheaded Be © Gregory Halpern (see pages 38–39)

Contents About Aperture Foundation Letter from the Executive Director Aperture Magazine 2020 Aperture Magazine Upcoming and Recent Issues Aperture Magazine Previously Published New and Recently Published Books Backlist Highlights Aperture Masters of Photography Children’s Books The Photography Workshop Series Anthologies and Compilations Photobook Classics Essay Books How to Order

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About Aperture Foundation A not-for-profit multi-platform photography publisher, Aperture connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. From our base in New York, each year we produce, publish, and present a program of photography projects, locally and internationally, that includes: 4 issues of Aperture magazine 2 seasons of new photobooks 10 exhibitions on tour Publication of The PhotoBook Review Limited-edition prints Talks, workshops, and book signings Aperture Portfolio Prize Paris Photo–Aperture Foundation PhotoBook Awards Aperture Summer Open Exhibition

See aperture.org for more information 2

Welcome to Aperture 2021 The year 2020 introduced us to a new understanding of global community, and to new ways of communicating. As we move into 2021, Aperture reflects on this changing world, presenting photography and ideas we feel are vital to the progress of our society and culture.

The spring issue of Aperture magazine, published one year after New York City’s pandemic shutdown, will explore the ways New York fosters an image culture, and how it can reimagine itself after COVID-19. The summer issue of Aperture will focus on contemporary photography, artistic hubs, and cultural debates in New Delhi.

In our children’s book series, The Colors We Share by Angélica Dass is a joyful celebration of diversity as humankind’s most powerful resource. Dass’s project reveals the infinite variety of skin colors that make up the human race as an alternative to stereotypes.

The San Quentin Project is a unique blend of art, education, and activism, produced in collaboration with artist and educator Nigel Poor. Drawing from an archive of photographs made in San Quentin Prison, alongside contemporary and historical photographs, this title presents a largely unseen record of life inside one of America’s oldest and largest prisons, annotated and reimagined by men incarcerated there.

Other new books this spring include: Family Matters by Gillian Laub, which presents a riveting and humorous look at the social and political fractures within contemporary American society. Monographs by Sara Cwynar and Tim Davis explore digital culture, consumerism, and street aesthetics. Sergio Larrain’s London is a beautiful reissue of the artist’s poetic project. As a follow-up to his celebrated Photographer’s Playbook, Jason Fulford’s Photo No-Nos is a lighthearted and irreverent look at how to take—or not to take—great photographs. This spring, we also launch The Aperture Reader Series, edited by Stanley WolukauWanambwa. The Lives of Images, published in thematic volumes, gathers essential voices to broaden perspectives on photography’s role in the world.

As we continue to face unknown social, cultural, and economic challenges, Aperture extends our best wishes for health, stability, and growth to booksellers and readers around the world.

—Chris Boot, Executive Director

Spring 2021

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Aperture Magazine 2020 Native America Aperture 240: Fall 2020 “Native America,” guest edited by the artist Wendy Red Star, considers the wide-ranging work of photographers and lens-based artists who pose challenging questions about Indigenous lives, identities, and histories of colonialism. “I was thinking about young Native artists,” says Red Star, “and what would be inspirational and important for them as a road map.” That map spans a diverse array of intergenerational image-making, counting as lodestars the meditative assemblages of Kimowan Metchewais and installation works of Alan Michelson, the stylish self-portraits of Martine Gutierrez, and the speculative mythologies of Karen Miranda Rivadeneira and Guadalupe Maravilla. “Native America” looks into the historic, often fraught relationship between photography and Native representation, while also offering new perspectives by emerging artists who reimagine what it means to be a citizen in North America today.

US $24.95 / CDN $27.50 / UK £19.95 Aperture 240: Fall 2020 9 1/4 × 12 in. (23.5 × 30.5 cm) 140 pages Illustrated throughout Paperback ISBN 978-1-59711-485-1 September 2020

Utopia Aperture 241: Winter 2020 This winter, in the wake of a pandemic, global protest movements, and a dramatic presidential election in the United States, Aperture releases “Utopia,” an issue that shows that other ways of living are possible—when the collective will exists. In “Utopia,” artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, but rather a way of reshaping our future. Salamishah Tillet examines Tyler Mitchell’s portraits of Black people resting in open green space. Sara Knelman shows the freeing possibilities of the feminist collage work of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields.

From Afrofuturist aesthetics to the eco-idealism of Biosphere 2, this issue considers utopia as a mode of vision and thought that shields us from hopelessness.

US $24.95 / CDN $27.50 / UK £19.95 Aperture 241: Winter 2020 9 1/4 × 12 in. (23.5 × 30.5 cm) 140 pages Illustrated throughout Paperback ISBN 978-1-58711-486-8 December 2020

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Aperture Magazine: Upcoming Issue

New York Aperture 242: Spring 2021

Irina Rozovsky, Untitled, Prospect Park, Brooklyn, 2011, from the series In Plain Air

“Smart, scholarly and impeccably designed, this respected quarterly magazine, made in New York . . . is at the top of its game, cementing its position as a true thought-leader.”

—Guardian

US $24.95 / CDN $27.50 / UK £19.95 Aperture 242: Spring 2021 9 1/4 × 12 in. (23.5 × 30.5 cm) 136 pages Illustrated throughout Paperback ISBN 978-1-59711-503-2 March 2021

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With its vibrant street life, vast media industry, and influence on the fashion world, New York has long been considered the capital of photography. Yet today, life in the city has been altered in unthinkable ways due to the COVID-19 health crisis and the protests in support of Black lives. The theater of the street has been shuttered. Images of New York over the past months have been disquieting, often alarming.

Since 2013, Aperture has produced a series of issues that focus on the photographic cultures of singular cities like São Paulo, Tokyo, Mexico City, and Johannesburg. The events of this past year, however, have left us wanting to turn our attention closer to home, to focus on the great photographers and traditions of the medium that are grounded in New York.

Aperture’s “New York” issue, set to be released in March 2021, on the one-year anniversary of lockdown due to COVID-19, honors community and public space, highlighting the great photographers and emerging voices that define the city’s photographic culture. With never-before-seen work from the 1970s and ’80s, to brand-new photographs made in 2020, contributions include Tanisha C. Ford’s profile of Jamel Shabazz and his decades-long chronicle of Black life in the city; Vince Aletti on the history of the “New York issue” in magazine publishing; a conversation between Philip Montgomery and Kathy Ryan about covering New York’s COVID-19 crisis; Irina Rozovsky’s expansive visions of Prospect Park; Hua Hsu on the photography archives of the Museum of Chinese in America; and a special commission by Farah Al Qasimi about the streets and shops of Queens. Additional contributors include the artists and writers Hilton Als, Edwidge Danticat, Roe Ethridge, An-My Lê, Ari Marcopoulos, Ryan McGinley, Joseph O’Neill, Michael Schulman, and Jenna Wortham.

Aperture Magazine: Recent Issues

Ballads

House & Home

Spirituality

Mexico City

Orlando

Earth

Guest edited by Nan Goldin Aperture 239: Summer 2020 ISBN 978-1-59711-484-4

Aperture 236: Fall 2019 ISBN 978-1-59711-462-2

Aperture 238: Spring 2020 ISBN 978-1-59711-483-7

Guest edited by Tilda Swinton Aperture 235: Summer 2019 ISBN 978-1-59711-461-5

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Guest edited by Wolfgang Tillmans Aperture 237: Winter 2019 ISBN 978-1-59711-463-9

Aperture 234: Spring 2019 ISBN 978-1-59711-460-8

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Aperture Magazine: Previously Published “The stunning Aperture magazine edition celebrates a variety of current photographers who are reframing blackness and radically restructuring the contemporary perception of it.� —Huffington Post on Vision & Justice

Vision & Justice Aperture 223: Summer 2016 Cover option 1 52495 ISBN 978-1-59711-410-3

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Family

Aperture 233: Winter 2018 ISBN 978-1-59711-436-3

Los Angeles

Aperture 232: Fall 2018 ISBN 978-1-59711-435-6

Film & Foto Aperture 231: Summer 2018 ISBN 978-1-59711-434-9

Future Gender Aperture 229: Winter 2017 ISBN 978-1-59711-421-9

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Elements of Style Aperture 228: Fall 2017 ISBN 978-1-59711-420-2

Platform Africa Aperture 227: Summer 2017 ISBN 978-1-59711-419-6

Vision & Justice Aperture 223: Summer 2016 52495 Cover option 2 ISBN 978-1-59711-365-6

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Prison Nation Aperture 230: Spring 2018 ISBN 978-1-59711-433-2

American Destiny Aperture 226: Spring 2017 ISBN 978-1-59711-418-9

On Feminism Aperture 225: Winter 2016 ISBN 978-1-59711-367-0 52495

Sounds Aperture 224: Fall 2016 ISBN 978-1-59711-366-3 52495

Odyssey 5 22016 495 Aperture 222: Spring ISBN 978-1-59711-364-9

Performance Aperture 221: Winter 2015 ISBN 978-1-59711-324-3 52495

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The Interview Issue Aperture 220: Fall 2015 ISBN 978-1-59711-323-6

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Queer Aperture 218: Spring 2015 ISBN 978-1-59711-321-2 52495

Tokyo Aperture 219: Summer 2015 ISBN 978-1-59711-322-9 52495

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“Fashion” Aperture 216: Fall 2014 ISBN 978-1-59711-282-6

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Photography as you don’t know it Aperture 213: Winter 2013 52495 ISBN 978-1-59711-235-2

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Playtime Aperture 212: Fall 2013 52495 ISBN 978-1-59711-234-5

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Lit. Aperture 217: Winter 2014 ISBN 978-1-59711-283-3 52495

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Curiosity Aperture 211: Summer 2013 ISBN 978-1-59711-233-8 52495

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New and Recently Published Books

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Photo No-Nos: Meditations on What Not to Shoot Edited by Jason Fulford Jason Fulford (born in Atlanta, 1973) is a photographer and cofounder of the nonprofit publisher J&L Books. Fulford’s photographs have been featured in Harper’s, New York Times Magazine, Blind Spot, and Aperture magazine. He has published many books of his work, including Raising Frogs for $$$ (2006), The Mushroom Collector (2010), Hotel Oracle (2013), and Picture Summer on Kodak Film (2020), as well as coedited The Photographer’s Playbook (with Gregory Halpern, Aperture, 2014).

He is a 2014 Guggenheim Fellowship recipient.

• An insightful and irreverent look at how to take—or not to take— great photos • Highly anticipated follow-up to bestselling title The Photographer’s Playbook • An inspirational collection of musings by the world’s most talented photographers

US $24.95 / CDN $32.95 / UK £19.95 6 × 9 in. (15.2 × 22.9 cm) 304 pages 80 four-color and black-and-white images Paperback ISBN 978-1-59711-499-8 May 2021

Spring 2021

At turns humorous and absurd, heartfelt and searching, Photo No-Nos is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills.

Photographers often have unwritten lists of subjects they tell themselves not to shoot—things that are cliché, exploitative, derivative, sometimes even arbitrary. Photo No-Nos features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals on what not to photograph, along with an encyclopedic list of taboo subjects compiled from and illustrated by contributors.

Not a strict guide, but a series of meditations on “bad” pictures, Photo No-Nos covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility. At a time when societies are reckoning with what and how to communicate through media and who has the right to do so, this book is a timely and thoughtful resource on what photographers consider to be off-limits and how they have contended with their own self-imposed rules without being paralyzed by them. aperture.org/books

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The Colors We Share

By Angélica Dass Angélica Dass (born in Rio de Janeiro, 1979) is the creator of the internationally acclaimed Humanae Project, a collection of portraits that reveal the diverse beauty of human colors. The initiative has traveled to more than thirty countries across six continents—from the World Economic Forum in Davos, Switzerland, to the pages of National Geographic—to promote dialogue that challenges how we think about skin color and racial identity. Her 2016 TED Talk exceeds two million views online.

• A joyful and inspiring book for kids • Celebrates the beauty of human diversity • For every parent who wants to empower their child to rethink our understanding of race • From the influential artist and creator of the Humanae Project

US $16.95 / CDN $22.95 / UK £12.95 8  x 8  in. (21.9 x 21.9 cm) 40 pages 1,220 four-color images Hardcover ISBN US & Canada: 978-1-59711-501-8 ISBN Rest of World: 978-1-59711-509-4 May 2021

Spring 2021

Made for young readers, five to eight years old, this book features portraits that celebrate the diverse beauty of human skin.

By depicting people from all over the world against a background that matches their skin tone, Angélica Dass challenges the racially charged colors we use to describe race. What does it mean to be seen as “white,” “black,” “yellow,” “red,” or “brown”? The pictures show how people and humanity are much richer and more complex than these categories, rendering the labels we use absurd.

This book also reveals how every conceivable skin color in the world can be recreated from a mix of only three colors, which we all share. Through Dass’s words and pictures, the book celebrates diversity as humankind’s most powerful resource and inspires readers to rethink how we see each other. aperture.org/books

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The San Quentin Project

By Nigel Poor Contributions by Reginald Dwayne Betts, Mesro Coles-El, Rachel Kushner, Michael Nelson, Ruben Ramirez, and Lisa Sutcliffe Nigel Poor (born in Boston, 1963) is a San Francisco Bay Area– based visual artist and professor of photography at California State University, Sacramento. In 2017, Poor cocreated the podcast Ear Hustle with Earlonne Woods and Antwan Williams, who were both incarcerated at San Quentin State Prison at the time. Her work has been featured in Aperture magazine’s Spring 2018 issue, “Prison Nation,” and in the New York Times.

Reginald Dwayne Betts is a poet, memoirist, and teacher. Formerly incarcerated, he is now a lawyer and author of several award-winning books, including Felon: Poems (2019) and A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (2010).

Betts is currently pursuing a PhD in law at Yale University.

Mesro Coles-El is currently incarcerated at San Quentin State Prison and has worked with Nigel Poor on the San Quentin Archive Project.

Rachel Kushner is an American writer, known for her novels Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2018). She lives in Los Angeles.

Michael Nelson served over twenty years in California prisons for a crime he committed at the age of fifteen. In 2018, at the age of thirty-six, he earned his parole. He cofounded and serves as executive director for the youth offender program Kid CAT (Creating Awareness Together). He also cocreated the Acting with Compassion and Truth (ACT) program. Nelson lives in central California.

Ruben Ramirez was born in Pecos, Texas, in 1957. When he was forty-eight, he received a fifteen-to-life prison sentence. During his incarceration, he began, as he says, “a journey of higher learning and enlightenment” and worked with Nigel Poor on the San Quentin Archive Project.

Lisa Sutcliffe is the Herzfeld Curator of Photography and Media Arts at the Milwaukee Art Museum.

US $45.00 / CDN $60.00 / UK £40.00 8 ½ × 11 in. (21.5 × 28 cm) 168 pages 159 black-and-white and four-color images Hardcover ISBN 978-1-59711-492-9 May 2021

Spring 2021

• A photo archive of prison life reimagined by incarcerated men • Unique blend of art, education, and activism from an acclaimed cocreator of the Ear Hustle podcast • Insightful essay contributions from writers Rachel Kushner and Reginald Dwayne Betts The San Quentin Project collects a largely unseen visual record of daily life inside one of America’s oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration.

In 2011, Nigel Poor—artist, educator, and cocreator of the acclaimed podcast Ear Hustle—began teaching a history of photography class through the Prison University Project (now called Mount Tamalpais College) at San Quentin State Prison.

Neither books nor cameras were allowed into the facility, so an unorthodox course with a range of inventive mapping exercises ensued: students crafted “verbal photographs” of memories for which they had no visual documentation, and annotated iconic images from different artists. After the first semester, Poor says, “one student told me he could now see fascination everywhere in San Quentin.”

When Poor received access to thousands of negatives in the prison’s archive, made by corrections officers of a former era, these images of San Quentin’s everyday occurrences soon became launchpads for her students’ keen observations. From the banal to the brutal, to distinct moments of respite, the pictures in this archive gave those who were involved in the project the opportunity to share their stories and reflections on incarceration. aperture.org/books

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“The labor of online content production is done with hopes of an audience in mind; memes are created for the very purpose of virality and, by extension, appropriation. Memes move in cycles of production, appropriation, consumption, and reappropriation that render any idea of a pre-existing authentic collective being hard to pin down. . . .

The meme as poor image, as black, operates against the rich image: the full-bodied highres representation for which identity politics and visual theory taught us to strive.”

—Aria Dean, from “Poor Meme, Rich Meme”

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The Lives of Images, Vol.I: Repetition, Reproduction, and Circulation The Aperture Reader Series Edited by Stanley Wolukau-Wanambwa Stanley Wolukau-Wanambwa is a photographer, writer, and educator. His book One Wall a Web (2018) was winner of the 2018 Paris Photo–Aperture Foundation First PhotoBook Award.

Wolukau-Wanambwa has a BA in philosophy and French from Oxford University, and an MFA in photography from Virginia Commonwealth University, Richmond. He has contributed essays and interviews to catalogues and monographs by Vanessa Winship, George Georgiou, Paul Graham, and Gregory Halpern.

He is currently assistant professor and graduate program director of photography at the Rhode Island School of Design.

• First volume in The Lives of Images, part of The Aperture Reader Series, built to meet the needs of today’s students and practitioners of photography • Wolukau-Wanambwa gathers essays by the most essential voices addressing the field’s critical issues • An essential broadening of perspectives on contemporary theories of photography

US $24.95 / CDN $32.95 / UK £19.95 4 ¼ × 7 in. (10.8 x 17.8 cm) 288 pages Paperback with flaps ISBN 978-1-59711-502-5 June 2021

Spring 2021

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wide set of cultural practices.

The series tracks the many movements and “lives” of images— their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.

Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image—its modes of dispersion, reception, consumption, and aggregation—and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression in the evolving structures of modern life. The essays consider implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource. aperture.org/books

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Gillian Laub: Family Matters Photographs and text by Gillian Laub Gillian Laub (born in Chappaqua, New York, 1975) is a photographer and filmmaker based in New York. She received a BA in comparative literature from the University of Wisconsin–Madison, before studying photography at the International Center of Photography, New York.

Her works include the book Testimony (Aperture, 2007) and the book and HBO film Southern Rites (2015). Laub received a New York Foundation for the Arts fellowship in 2019.

• A book we need right now—a riveting yet humorous look at the fractures within contemporary American society • Third book by this award-winning, New York Times–published photographer and HBO documentary filmmaker

US $50.00 / CDN $65.00 / UK £40.00 9 ½ × 10 ¾ in. (24.1 × 27.3 cm) 196 pages 85 four-color images Clothbound ISBN 978-1-59711-491-2 May 2021 Limited-edition print available

Spring 2021

Gillian Laub’s photographs of her family from the past twenty years, now collected in one volume, explore the ways society’s biggest questions are revealed in our most intimate relationships.

Family Matters zeroes in on the artist’s family as an example of the way Donald Trump’s knack for sowing discord and division has impacted communities, individuals, and households across the country. As Laub explains, “I began to unpack my relationship to my relatives—which turned out to be much more indicative of my relationship to the outside world than I had ever thought, and the key to exploring questions I had about the effects of wealth, vanity, childhood, aging, fragility, political conflict, religious traditions, and mortality.” These issues became tangible in 2016, when Laub and her parents found themselves on opposing sides of the most divisive presidential election in recent US history; and further exacerbated in the lead-up to the 2020 election, in the wake of a global pandemic and protests in support of Black Lives Matter.

Family Matters reveals Laub’s willingness to confront ideas of privilege and unity, and to expose the fault lines and vulnerabilities of her relatives and herself. Ultimately, Family Matters celebrates the resiliency and power of family—including the family we choose—in the face of divisive rhetoric. In doing so, it holds up a highly personalized mirror to the social and political divides in the United States today. aperture.org/books

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Sara Cwynar: Glass Life Photographs by Sara Cwynar Essays by Sheila Heti and Legacy Russell Interview by Rose Bouthillier Sara Cwynar (born in Vancouver, 1985) graduated with a bachelor of design honors degree from York University in Toronto, and received her MFA from Yale University. She has independently published several artist books—including Kitsch Encyclopedia (2014). In January 2021, the largest installation of her work to date will open at the Remai Modern, Saskatoon, Canada.

Sheila Heti is a playwright and author of eight books of fiction and nonfiction, including Motherhood (2018) and How Should a Person Be? (2010). In 2018, she was named as part of “The New Vanguard” of fiction writers in the twenty-first century by the New York Times. She is a frequent contributor to publications such as Bookforum, London Review of Books, McSweeney’s, and the New Yorker.

Legacy Russell is a writer and associate curator of exhibitions at The Studio Museum in Harlem. Her first book, Glitch Feminism: A Manifesto, was published in 2020.

Rose Bouthillier is curator of exhibitions at Remai Modern, Saskatoon, Canada.

Exhibition Schedule: Remai Modern, Saskatoon, Canada, January 23—May 28, 2021

• The first comprehensive monograph by a celebrated, up-andcoming artist • Conceptually smart unpacking of Cwynar’s acclaimed three-film cycle • A must-have for anyone interested in visual culture and contemporary photography

US $65.00 / CDN $88.00 / UK £50.00 8 × 10 ¾ in (27.3 × 20.3 cm) 184 pages 175 four-color images Hardcover ISBN 978-1-59711-479-0 May 2021 Limited-edition print available

Spring 2021

A feminist-inflected investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018).

Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar’s work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time. Sara Cwynar: Glass Life is a must-have sourcebook for understanding the multilayered practice of this celebrated, multidisciplinary artist. aperture.org/books

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Tim Davis: I’m Looking Through You Photographs and texts by Tim Davis Tim Davis (born in Blantyre, Malawi, 1969) lives and works in Tivoli, New York. He received a BA from Bard College, where he teaches, and an MFA from Yale University. Several monographs have been published of his work, including The New Antiquity (2010) and My Life in Politics (Aperture, 2006).

He is recipient of the 2007–8 Joseph H. Hazen Rome Prize and a 2005 Leopold Godowsky Jr. Color Photography Award.

• Davis’s full arsenal of photographic talent delivered with a pop, Instagram sensibility • Brilliantly captures the glitz, veneer, and shimmering promise of Los Angeles • Stuffed with sumptuous color: street photography meets New Topographics

US $50.00 / CDN $65.00 / UK £40.00 6 ½ × 9  in. (16.5 × 23.4 cm) 256 pages 159 four-color images Hardcover ISBN 978-1-59711-498-1 June 2021 Limited-edition print available

Spring 2021

In I’m Looking Through You, famed photographer Tim Davis captures Los Angeles—the classic stand-in for the absurdity and vapidity of the American id—with the exuberant, spontaneous feel of 35 mm street photography.

Animating Davis’s wry observations and mesmerizing, colorpop geometry of the images is his decades-long, gimlet-eyed meditation on making pictures. As the photographer describes it, “I’m Looking Through You is a long poem celebrating the glamorous veneer of Los Angeles and its reach. This project claims, unapologetically, that the transactions between the world’s surfaces and the camera’s lens are among the known universe’s most glamorous and profound.”

Davis’s keenly observational images, interspersed with a selection of his writings on the medium—the joys and pitfalls of camera seeing—solidify I’m Looking Through You as an unabashed celebration of photography. aperture.org/books

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Sergio Larrain: London Photographs by Sergio Larrain Texts by Roberto Bolaño and Agnès Sire Sergio Larrain (1931–2012, born in Santiago, Chile) began taking photographs in the streets of Santiago and Valparaiso after studying at the University of California, Berkeley. After presenting a project on los abandonados (street children) to Henri Cartier-Bresson, he was invited to join Magnum Photos in 1960; around this time, he also began what would become a legendary project on Valparaiso with a text by poet Pablo Neruda. Unsure if he was suited to working for the press, Larrain retreated to the Chilean countryside, dedicating himself to yoga, meditation, and drawing until his death in 2012.

Roberto Bolaño was a Chilean novelist, short-story writer, poet, and essayist, and one of the leading South American literary figures of the twentieth century.

Agnès Sire has served as director of Fondation Henri CartierBresson in Paris since its creation in 2003, where she oversees exhibitions and publications. Previously, she worked at Galerie Alexandre Iolas, and was art director at Magnum Photos in Paris.

• A reissue of iconic early work by a legendary Magnum photographer • Includes previously unpublished photographs and visual material by Sergio Larrain • Original text, inspired by the photographs, by novelist Roberto Bolaño

US $55.00 / CDN $74.25 7 ¼ × 9  in. (18.5 × 24.5 cm) 176 pages 94 black-and-white images Clothbound ISBN 978-1-59711-500-1 January 2021 Available in US & Canada only

Spring 2021

In this new edition of London, which includes previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era.

In the winter of 1958, Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could “materialize that world of phantoms.” A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.

Sergio Larrain: London also features a text by the late Chilean writer Roberto Bolaño—written in 1999 specifically to accompany these images—as well as a new essay by Agnès Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain’s stay in London. aperture.org/books

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Eyes Open: 23 Photography Projects for Curious Kids

By Susan Meiselas Susan Meiselas (born in Baltimore, 1948) joined Magnum Photos in 1976 and is president of Magnum Foundation. She has received numerous awards, including the Robert Capa Gold Medal; Leica Award for Excellence; Hasselblad Foundation Photography Prize; Cornel Capa Infinity Award; and Harvard Arts Medal, and was a MacArthur Fellow. She received her MA in visual education from Harvard University and has published numerous books, including Nicaragua (1981; reissued by Aperture, 2008, 2016) and On the Frontline (Aperture, 2017).

• A playful and inspiring book for kids of all ages • Fun photography ideas that teach observation of and engagement with the world around us • By influential Magnum photographer and former teacher Susan Meiselas • For every parent who wants to empower their child to express themselves creatively

US $24.95 / CDN $32.95 / UK £19.95 8 ¼ × 11 ¼ in. (21 × 28.25 cm) 160 pages 121 four-color and black-and-white images Hardcover ISBN 978-1-59711-469-1 February 2021

Fall 2020

Compiled by Magnum photojournalist Susan Meiselas, Eyes Open is a sourcebook of photography ideas for kids—to engage with the world through the camera.

Twenty-three enticing projects help inspire a process of discovery and new ways of telling stories and animating ideas. Eyes Open features photographs by young people from around the globe, as well as work by professional artists that demonstrates how a simple idea can be expanded. Playful and meaningful, this book is for young would-be photographers and those interested in expressing themselves creatively. aperture.org/books

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Richard Misrach on Landscape and Meaning The Photography Workshop Series Photographs and text by Richard Misrach Introduction by Lucas Foglia and Meghann Riepenhoff Richard Misrach (born in Los Angeles, 1949) is one of the most

inf luential color photographers of his generation. His work is held in the collections of over fifty major institutions, and he is the recipient of numerous awards. His previous Aperture titles include Petrochemical America (with Kate Orff, 2012), The Mysterious Opacity of Other Beings (2015), and Border Cantos (with Guillermo Galindo, 2016).

Lucas Foglia is a photographer who has published three books,

including Human Nature (2017). His work is held in collections at the International Center of Photography, New York; San Francisco Museum of Modern Art; and Victoria and Albert Museum, London.

Meghann Riepenhoff is an artist who has exhibited widely.

Her work has appeared in Artforum, the New York Times, Foam Magazine, WIRED, and the San Francisco Chronicle. She was a 2018 Guggenheim Fellow.

“Misrach has been hailed by critics as one of America’s most distinctive and original nature photographers because, among other things, he is not afraid to document the realities of the planet.”

—Los Angeles Times US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages 83 four-color images Paperback with flaps ISBN 978-1-59711-477-6 January 2021

Fall 2020

• The wisdom of one of the most influential photographers working today, in book form • Teaches readers about using visual beauty to address social and environmental concerns • The latest title in the popular Aperture “workshop in a book” series In the sixth installment of The Photography Workshop Series, Richard Misrach—well known for his sublime and expansive landscapes that focus on the relationship between humans and their environment—offers his insight into creating photographs that are visually beautiful and speak to larger cultural and political issues.

Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Misrach shares his own creative process and discusses a wide range of issues, from the language of color photography and the play of light and atmosphere, to beauty, symbolism, and abstraction. aperture.org/books

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Ming Smith: An Aperture Monograph Photographs by Ming Smith Contributions by Emmanuel Iduma, Arthur Jafa, M. Neelika Jayawardane, Yxta Maya Murray, Hans Ulrich Obrist, Namwali Serpell, Janet Hill Talbert, and Greg Tate Ming Smith’s (born in Detroit) poetic, often experimental photographic meditations have been shown at major museums, including the Museum of Modern Art, and Schomburg Center for Research in Black Culture, New York; Brooklyn Museum; and Serpentine Galleries and Tate Modern, London.

Emmanuel Iduma is an art critic and author of A Stranger’s Pose (2018).

Arthur Jafa is an artist, cinematographer, and recipient of the 2019 Venice Biennale Golden Lion award.

M. Neelika Jayawardane is a professor and researcher. Her work has appeared in Aperture and Frieze, and she is a founding member of Africa Is a Country.

Yxta Maya Murray is professor of law at Loyola Law School, Los Angeles, and author of the forthcoming novel Art Is Everything.

Hans Ulrich Obrist is artistic director of the Serpentine Galleries in London, author of The Interview Project, and coeditor of Cahiers d’Art. Namwali Serpell is a novelist, critic, professor, and author of The Old Drift (2019).

Janet Hill Talbert is a jewelry designer, former book editor, and founder of the African American book imprint Harlem Moon.

Greg Tate is an author and musician. He has written for the New York Times, Washington Post, and Artforum, among other publications.

Copublished by Aperture and Documentary Arts

• Exquisitely designed first book by a legendary, poetic Harlem artist • Chronicles New York’s evolving culture, including photographs of Grace Jones, Sun Ra, and James Baldwin • First African American female photographer to have work acquired

by MoMA

US $65.00 / CDN $88.00 / UK £50.00 9  × 11 ⅔ in. (25 × 29.6 cm) 236 pages 110 four-color and black-and-white images Hardcover ISBN 978-1-59711-482-0 November 2020

Fall 2020

Ming Smith’s poetic and experimental images are icons of twentieth-century African American life.

One of the greatest artist-photographers working today, Smith moved to New York in the 1970s and began to make images charged with startling beauty and spiritual energy. This longawaited monograph brings together four decades of Smith’s work, celebrating her trademark lyricism, distinctively blurred silhouettes, dynamic street scenes, and deep devotion to theater, music, poetry, and dance—from the “Pittsburgh Cycle” plays of August Wilson to the Afrofuturism of Sun Ra. With never-before-seen images, and a range of illuminating essays and interviews, this tribute to Smith’s singular vision promises to be an enduring contribution to the history of American photography. aperture.org/books

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Perfect Strangers: New York City Street Photographs Photographs by Melissa O’Shaughnessy Introduction by Joel Meyerowitz Melissa O’Shaughnessy (born in Minneapolis, 1960) is a New York–based photographer. Her work is included in Colin Westerbeck and Joel Meyerowitz’s Bystander: A History of Street Photography (2017 edition) and has been featured in numerous exhibitions around the world. She is a member of UP Photographers.

Joel Meyerowitz is an award-winning photographer, whose work has appeared in over 350 exhibitions in museums and galleries around the world. He has published over thirty books, including the Aperture titles Legacy: The Preservation of Wilderness in New York City Parks (2009), Cape Light (2015), Seeing Things (2016), and Provincetown (2019).

“This present moment is a historic marker of our time. Everything will now be seen as before or after the coronavirus pandemic.

O’Shaughnessy’s work has quickly, brutally, been torn from our ongoing present and will forever serve as one of the lasting impressions of what life looked like just before the fear of the unseen microbe took away our uninhibited freedom of movement.”

—Joel Meyerowitz

• A dynamic body of work on an enduring subject, New York City • The first book from an up-and-coming female street photographer • Follows in the tradition of Helen Levitt, Alex Webb, and Vivian Maier

US $50.00 / CDN $65.00 / UK £35.00 11 ½ × 9 ¾ in. (29.2 × 25 cm) 144 pages 91 four-color images Hardcover ISBN 978-1-59711-475-2 October 2020

Fall 2020

Over the last seven years, Melissa O’Shaughnessy has photographed daily on the streets of New York.

As one of a growing number of women street photographers contributing to this dynamic genre, O’Shaughnessy enters the territory with clarity and a distinctly humanist eye, offering a refreshing addition to the tradition of street photography. Through her curious and quirky vision, we witness the play of human activity on the glittering sidewalks of the city. Woven into her cast of characters are the lonely, the soulful, and the proud. She has fallen for them all—perfect strangers. aperture.org/books

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Diana Markosian: Santa Barbara Photographs by Diana Markosian Essay by Lynda Myles Diana Markosian (born in Moscow, 1989) is a Russian American photographer of Armenian descent. Her photographs have been published in National Geographic, the New Yorker, and the New York Times. She holds an MS in journalism from Columbia University. Her work is represented by Galerie filles du calvaire in Paris.

Lynda Myles was a scriptwriter for twenty-two years on Santa Barbara, General Hospital, and One Life to Live, among other TV shows. She received two Daytime Emmys as part of the Santa Barbara Outstanding Drama Series Writing Team.

“. . . a complex and honest project: painful and beautiful at once.”

—British Journal of Photography • The debut book by a rising star working between photography and film • Highly original hybrid of personal and documentary storytelling • Accompanies an exhibition at SFMOMA in 2021

US $65.00 / CDN $88.00 / UK £50.00 8 ½ × 11 in. (21.6 × 27.9 cm) 216 pages 116 four-color images Clothbound ISBN 978-1-59711-472-1 November 2020 Limited-edition portfolio available

Fall 2020

Diana Markosian’s Santa Barbara recreates the story of her family’s journey from post–Soviet Russia to the US in the 1990s.

The project pulls together staged scenes, film stills, and family pictures in an innovative and compelling hybrid of personal and documentary storytelling. In it, the artist grapples with the reality that her mother, seeking a better life for herself and her two young children, escaped Russia and came to America. Markosian’s family settled in Santa Barbara, a city made famous in Russia when the 1980s soap opera of that name became the first American television show broadcast there.

Weaving together reenactments by actors, archival images, and stills from the original Santa Barbara TV show, Markosian reconsiders her family’s story from her mother’s perspective, relating to her for the first time as a woman, and coming to terms with the profound sacrifices she made to become an American. aperture.org/books

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Gregory Halpern: Let the Sun Beheaded Be Photographs by Gregory Halpern Essay by Clément Chéroux Conversation with Stanley Wolukau-Wanambwa Gregory Halpern (born in Buffalo, New York, 1977) received a BA in history and literature from Harvard University, and an MFA from California College of the Arts. In 2014, he was awarded a Guggenheim Fellowship. In addition to Let the Sun Beheaded Be, he has published six other books of his work, including ZZYZX (2016), Confederate Moons (2018), and Omaha Sketchbook (2019). He teaches at Rochester Institute of Technology, New York.

Clément Chéroux is the newly appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art, New York. Previously, he was senior curator in the Department of Photography at the San Francisco Museum of Modern Art, and chief curator of photography at the Musée National d’Art Moderne at the Centre Pompidou, Paris.

Stanley Wolukau-Wanambwa is a photographer, writer, and educator. His publication One Wall a Web (2018) won the 2018 Paris Photo–Aperture Foundation First PhotoBook Award.

Copublished by Aperture and Fondation d’entreprise Hermès

• A new body of work by a popular and influential photographer • A collectible design object by two award-winning bookmakers, designer Hans Gremmen and Gregory Halpern • For fans of Halpern and all followers of new directions in documentary photography

US $45.00 / CDN $60.00 / UK £35.00 8 ¼ × 11 in. (21 × 28.5 cm) 120 pages 74 four-color images Clothbound Bilingual English and French ISBN 978-1-59711-490-5 September 2020 Limited-edition print available

Fall 2020

In Let the Sun Beheaded Be, Gregory Halpern focuses on the Caribbean archipelago of Guadeloupe, an overseas region of France with a complicated and violent colonial past. The work resonates with Halpern’s characteristic attention to the ways the details of a landscape and the people who inhabit it often reveal the undercurrents of local histories and experiences. Let the Sun Beheaded Be offers a visually striking depiction of place—as it has been worked on by the forces of nature, people, and events—as well as a thoughtful engagement with the complexities of photographing in foreign lands as an interloper. A text by curator and editor Clément Chéroux grapples with Guadeloupe’s colonial past in relation to the French Revolution, Surrealism, and the Martinican poet Aimé Césaire, whose writing inspired the title of the book and much of the imagery itself. A conversation between Halpern and photographer and critic Stanley Wolukau-Wanambwa delves into Halpern’s process, personal history, and the politics of representation.

Let the Sun Beheaded Be was produced as part of Immersion, a program of the Fondation d’entreprise Hermès, in partnership with the San Francisco Museum of Modern Art and the Fondation Henri Cartier-Bresson. aperture.org/books

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The Destruction of Lower Manhattan Photographs and text by Danny Lyon Danny Lyon (born in New York, 1942), regarded as one of the most inf luential documentary photographers, is also a filmmaker and writer. His many books include The Movement (1964), The Bikeriders (1968, reissued by Aperture, 2014), Conversations with the Dead (1971), Knave of Hearts (1999), Like a Thief ’s Dream (2007), and Deep Sea Diver (2011). Lyon’s work is widely exhibited and collected, and he has been awarded Guggenheim Fellowships twice, National Endowment for the Arts grants numerous times, and a 2011 Missouri Honor Medal for Distinguished Service in Journalism.

This facsimile of The Destruction of Lower Manhattan has been produced and published in partnership with Fundación ICO. Exhibition Schedule: Museo ICO, Madrid, September 16, 2020–January 17, 2021

“ . . . decades later, The Destruction of Lower Manhattan retains its immediacy.”

—Eric Banks, New York Times

US $50.00 / CDN $65.00 / UK £40.00 9 ¼ × 10 ½ in. (23.5 × 26.7 cm) 160 pages 76 duotone and four-color images Clothbound with jacket ISBN 978-1-59711-494-3 October 2020 Limited-edition print available

Fall 2020

• A collectible classic, by a popular and important photographer • A document of 1960s New York City that continues to resonate with urgency • For art and urbanism audiences, as well as Danny Lyon’s many followers First published in 1969, The Destruction of Lower Manhattan is a singular, lasting document of nearly sixty acres of downtown New York architecture before its destruction in a wave of urban development.

After creating the series The Bikeriders and moving back to New York in 1966, Lyon settled into a downtown loft, becoming one of the few artists to document the dramatic changes taking place.

Lyon writes, “Whole blocks would disappear. An entire neighborhood. Its few last loft occupying tenants were being evicted, and no place like it would ever be built again.” Through his striking photographs and accompanying texts, Lyon paints a portrait of the people who lived there, of rooms with abandoned furniture, children’s paintings, empty stairwells. Intermingled within the architecture are portraits of individuals and the demolition workers who, despite their assigned task, emerge as the surviving heroes. Danny Lyon’s documentation of doomed facades, empty interiors, work crews, and remaining dwellers still appeals to our emotions more than fifty years later, and Aperture’s reissue retains the power of the original. aperture.org/books

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Limited-Edition Books Vik Muniz: Postcards from Nowhere Photographs by Vik Muniz Vik Muniz (born in São Paulo, 1961) is a prolific, internationally recognized artist, whose signature style appropriates and reinterprets iconic images of our time. His many publications include Reflex: A Vik Muniz Primer (Aperture, 2005) and Vik Muniz: Everything So Far, Catalogue Raisonné 1987–2015 (2015). Waste Land, a documentary about his work in the favelas and landfills around Rio, was nominated for an Academy Award in 2010.

Not so long ago, it was relatively easy to wake up overlooking Victoria Harbour in Hong Kong and go to sleep in the shadow of the Brooklyn Bridge; to travel from Venice to Istanbul in time for dinner. Vik Muniz’s series Postcards from Nowhere grapples with how, through photographs, we have come to “see” and understand distant yet iconic sites we may never actually view with our own eyes. “The images we hold in our heads are an assemblage,” notes Muniz.

“They are an amalgam of every image of those locations that we have ever seen.”

More critically, the series serves as an homage not just to the quasiobsolete artifact of the picture postcard, but to a way of life that has now been put in sharp relief. Muniz’s images—created out of collaged pieces of vintage postcards from the artist’s personal collection—materialize the experience and longing of travel, triangulating between the traveler, a distant location, and the recipient who, increasingly, remains at home.

Volume I presents thirty-two single postcards displaying each of the images in the series. Volume II presents a series of thirty-six postcards that, when assembled, can be viewed as a single, large-scale work of 30 by 40 inches.

US $250.00 / UK £200.00 Slipcase: 9 ¼ × 12  × 2  in. (23.5 × 30.8 × 5.4 cm) Individual volumes: 8 × 10 ¼ in. (20.3 × 26 cm) each Faux leatherbound two-volume album with slipcase Volume 1: 16 album sleeves featuring 32 four-color postcards Volume 2: 18 album sleeves featuring 36 four-color postcards Printed in a limited edition of 500 copies Please contact orders@aperture.org to purchase

Gregory Crewdson: An Eclipse of Moths Photographs by Gregory Crewdson Text by Jeff Tweedy Gregory Crewdson (born in Brooklyn, 1962) is a graduate of the Yale School of Art, where he is now director of graduate studies in photography. His series Beneath the Roses is the subject of the 2012 documentary Gregory Crewdson: Brief Encounters. His work has been exhibited widely, including in a survey that toured throughout Europe from 2005 to 2008. Crewdson’s awards include the Skowhegan Medal for Photography, National Endowment for the Arts Visual Artists Fellowship, and Aaron Siskind Foundation Individual Photographer’s Fellowship. His books include Twilight (2002), Beneath the Roses (2008), and Cathedral of the Pines (Aperture, 2016).

Jeff Tweedy is a musician, songwriter, and record producer. He is the singer and guitarist of the band Wilco, which has released eleven studio albums to date.

An Eclipse of Moths extends Gregory Crewdson’s obsessive exploration of the small-town, postindustrial American landscape. Each of these sixteen, never-before-published images is composed at a cinematic scale with the artist’s signature auteurial care. Downed streetlights, abandoned baby carriages, and decommissioned carnival rides set the scene for a cast of classic Crewdsonian characters—full of equal parts yearning and ennui. This collection of images is offered in a limited-edition, slipcased volume, sumptuously produced at a scale that offers an immersive experience of each of these carefully crafted scenes.

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US $250.00 / UK £200.00 19 ½ × 11 in. (49.5 × 27.9 cm) 32 pages 16 images Softcover with clothbound slipcase Printed in a limited edition of 750 copies Signed and numbered by the artist Please contact orders@aperture.org to purchase

Daniel Gordon: Houseplants Photographs by Daniel Gordon Paper engineering by Simon Arizpe Daniel Gordon (born in Boston, 1980) earned a BA from Bard College in 2004 and an MFA from the Yale School of Art in 2006. Notable group exhibitions include New Photography 2009 at the Museum of Modern Art, New York; Greater New York 2010 at MoMA PS1, New York; and Cut! Paper Play in Contemporary Photography at the J. Paul Getty Museum, Los Angeles (2018). He is the author of Still Lifes, Portraits, and Parts (2013), Flowers and Shadows (2011), and Flying Pictures (2009). He won the 2014 Foam Paul Huf Award and had a solo exhibition at Foam, Amsterdam, in 2014.

This highly collectible, limited-edition pop-up book is a work of art in itself, rendering Daniel Gordon’s sculptural forms into a new layer of materiality and animating them in a pop-up performance. The book consists of six works in pop-up form, some featuring simple plants, others unfolding more elaborate tableaux.

Inspired by his interest in the popularity of certain subjects on the internet—houseplants among them—Gordon meticulously cuts up pictures found online to create sculptural and fantastical still lifes. His mix of realistic and unnatural colors and obvious construction renders the objects slightly off. “Without seams and faults and limitations, my project would be very different,” Gordon says. “The seamlessness of the ether is boring to me, but the materialization of that ether, I think, can be very interesting.” Playfully combining digital and analog processes, perfection and imperfection, as well as high and low cultural references, his still lifes push the boundaries of photography, sculpture, painting, and the cutout.

US $150.00 / UK £120.00 9 × 11 in. (23 × 28 cm) 12 pages 6 pop-ups Casebound Produced in a limited edition of 1,000 copies Please contact orders@aperture.org to purchase Limited-edition print available

James Welling: Choreograph Photographs and conversation by James Welling Essay by Lisa Hostetler James Welling (born in Hartford, Connecticut, 1951) has held recent solo exhibitions at SMAK, Ghent, Belgium; Fotomuseum Winterthur, Switzerland; and the Hammer Museum, Los Angeles. He is a recipient of the ICP Infinity Award and DG Bank-Forder Prize in Photography. James Welling: Monograph (Aperture, 2013) is a thirty-five-year survey of his work. Welling is currently a lecturer at Princeton University.

Lisa Hostetler is curator-in-charge of the George Eastman Museum’s Department of Photography.

Choreograph extends James Welling’s iconic experiments with photography and color into the realm of dance, landscape, and architecture, yielding visually electrifying imagery.

To create Choreograph, Welling photographed dancers performing in New York, Philadelphia, Boston, and Los Angeles, ultimately combining these images with landscapes and architecture. In a multichannel hack, Welling attains “pathological color”—the purposeful misuse of imaging technologies as a way to short-circuit conventions of photographic representation. Welling notes: “To my surprise, the buildings and landscapes that I used often seem to function like theatrical stages for the dancers.

Lisa Hostetler, curator of photographs at the George Eastman Museum, contributes an essay that puts this body of work into the context of Welling’s larger output, asserting that Choreograph functions as an antidote to modernistic ideas about photography. This volume, printed in the United States with an extended ink range that captures the work’s wild array of vibrant colors, accompanies an exhibition of the same name at the George Eastman Museum, Rochester, New York, July 26, 2020–January 3, 2021.

Fall 2020

aperture.org/books

US $80.00 / UK £65.00 11 ⅝ × 9 in. (29.5 × 22.9 cm) 104 pages 75 images Hardcover Printed in the US in a limited edition of 1,000 copies Please contact orders@aperture.org to purchase

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Backlist Highlights

Spring 2021

aperture.org/books

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Aperture Masters of Photography

Berenice Abbott Introduction and commentary by Julia Van Haaften

Henri Cartier-Bresson Introduction and commentary by Clément Chéroux

Walker Evans Introduction and commentary by David Campany

Dorothea Lange Introduction and commentary by Linda Gordon

US $18.95 / CDN $26.95 / UK £12.00 8 × 8 in. (20.3 × 20.3 cm) 96 pages; 42 images Hardcover with jacket 51895 ISBN 978-1-59711-312-0

US $19.95 / CDN $27.95 / UK £12.95 8 × 8 in. (20.3 × 20.3 cm) 96 pages; 42 images 51995 Hardcover with jacket ISBN 978-1-59711-287-1

US $18.95 / CDN $26.95 / UK £12.00 8 × 8 in. (20.3 × 20.3 cm) 96 pages; 42 images Hardcover with jacket 51895 ISBN 978-1-59711-343-4

US $18.95 / CDN $26.95 / UK £12.00 8 × 8 in. (20.3 × 20.3 cm) 96 pages; 42 images Hardcover with jacket ISBN 978-1-59711-295-6 5 1available 895 Limited-edition print

9 781597 112871 9 781597 113120

9 781597 113434 9 781597 112956

Children’s Books

Paul Strand Introduction and commentary by Peter Barberie

Eyes Open: 23 Photography Projects for Curious Kids

By Susan Meiselas

Go Photo! An Activity Book for Kids Text and photographs by Alice Proujansky

Seeing Things: A Kid’s Guide to Looking at Photographs

By Joel Meyerowitz

US $18.95 / CDN $26.95 / UK £12.00 8 × 8 in. (20.3 × 20.3 cm) 96 pages; 42 images Hardcover with jacket 51895 ISBN 978-1-59711-286-4 Limited-edition print available

US $24.95 / CDN $32.95 / UK £19.95 8 ¼ × 11 ¼ in. (21 x 28.25 cm) 160 pages; 121 images Hardcover ISBN 978-1-59711-469-1

US $19.95 / CDN $27.95 / UK £14.95 8 ½ × 10 ⅝ in. (21.6 × 27 cm) 108 pages; 85 images ISBN: 978-1-59711-355-7 51995 Hardcover ISBN 978-1-59711-355-7

US $24.95 / CDN $34.95 / UK £15.95 8 ¼ × 11 ⅛ in. (21 × 28.4 cm) 80 pages; 30 images Hardcover 52495 ISBN 978-1-59711-315-1

9 781597 112864

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9 781597 113557

9 781597 113151

The Photography Workshop Series

The Colors We Share

By Angélica Dass

This Equals That

By Jason Fulford and Tamara Shopsin

US $16.95 / CDN 22.95 / UK £12.95 8  x 8  in. (21.9 x 21.9 cm) 40 pages; 1,220 images Hardcover ISBN 978-1-59711-501-8

US $19.95 / CDN $27.95 / UK £15.95 7 ¾ × 7 ¾ in. (19.7 × 19.7 cm) 80 pages; 40 images Hardcover ISBN 978-1-59711-288-8 ISBN 978-1-59711-288-8 51995 Limited-edition print available

Dawoud Bey on Photographing People and Communities Introduction by Brian Ulrich

Larry Fink on Composition and Improvisation Introduction by Lisa Kereszi

US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages; 70 images Paperback with flaps ISBN 978-1-59711-337-3

US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages; 50 images Paperback with flaps 52995 ISBN 978-1-59711-273-4 Limited-edition print available

9 781597 112888

9 781597 112734

Todd Hido on Landscapes, Interiors, and the Nude Introduction by Gregory Halpern

Mary Ellen Mark on the Portrait and the Moment Introduction by Laurie Rae Baxter

US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages; 73 images Paperback with flaps 52995 ISBN 978-1-59711-297-0

US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages; 69 images Paperback with flaps 52995 ISBN 978-1-59711-316-8

9 781597 112970

The Photography Workshop Series

Richard Misrach on Landscape and Meaning Introduction by Lucas Foglia and Meghann Riepenhoff

Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image Introduction by Teju Cole

US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages; 83 images Paperback with flaps ISBN 978-1-59711-477-6

US $29.95 / CDN $41.95 / UK £22.00 7 ½ × 10 in. (19 × 25.4 cm) 128 pages; 73 images 52995 Paperback with flaps ISBN 978-1-59711-257-4

9 781597 112574

9 781597 113168

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Anthologies and Compilations

ISBN 978-1-59711-288-8 51995

9 781597 112888

Aperture Magazine Anthology: The Minor White Years, 1952–1976 Edited and introduced

by Peter C. Bunnell

The Chinese Photobook: From the 1900s to the Present Edited by Martin Parr and WassinkLundgrenÂ

US $39.95 / CDN $55.95 / UK ÂŁ25.00 6 â…œ Ă— 9 â…œ in. (16.2 Ă— 23.8 cm) 456 pages; 150 images Clothbound with jacket 53995 ISBN 978-1-59711-196-6Â

US $80.00 / CDN $110.00 / UK ÂŁ50.00 10 Ă— 11 â…œ in. (25.5 Ă— 28.8 cm) 448 pages; 1,000 images Hardcover ISBN 978-1-59711-375-5 58000

9 781597 111966

Color Rush: American Color Photography from Stieglitz to Sherman

By Lisa Hostetler and Katherine A. Bussard US $60.00 / CDN $83.95 / UK £40.00 9 ½ × 11 ½ in. (24.1 × 29.2 cm) 244 pages; 202 images Hardcover with jacket ISBN 978-1-59711-226-0 Copublished by Aperture 5 6 0 0 0 and the Milwaukee Art Museum

US $35.00 / CDN $47.95 / UK £25.00 7 ½ × 10 in. (19 × 25.4 cm) 173 pages; 140 images Hardcover ISBN 978-1-59711-389-2 Limited-edition print available

9 781597 113755

9 781597 112260

The Dutch Photobook: A Thematic Selection from 1945 Onwards

By Frits Gierstberg and Rik Suermondt

Fashion Photography: The Story in 180 Pictures

By EugĂŠnie Shinkle

US $75.00 / CDN $104.95 / UK ÂŁ50.00 9 ½ Ă— 11 in. (24.1 Ă— 27.9 cm) 288 pages; 820 images 57500 Hardcover ISBN 978-1-59711-200-0Â

US $50.00 / CDN $67.50 9 ⅔ × 11  in. (24.5 × 29 cm) 272 pages; 185 images

Hardcover ISBN 978-1-59711-363-2Â Available in US & Canada only

Feast for the Eyes: The Story of Food in Photography

By Susan Bright US $60.00 / CDN $80.95 / UK £45.00 9 ½ × 11 ½ in. (24.1 × 29 cm) 320 pages; 250 images Hardcover with tip-on ISBN 978-1-59711-361-8 Limited-edition print available

9 781597 113892

The Latin American Photobook Edited by Horacio FernĂĄndez US $75.00 / CDN $104.95 / UK ÂŁ45.00 9 Ă— 12 in. (22.9 Ă— 30.5 cm) 256 pages; 817 images Hardcover 57500 ISBN 978-1-59711-189-8Â

9 781597 111898

9 781597 112000

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Dandy Lion: The Black Dandy and Street StyleÂ

By Shantrelle P. Lewis

9 781597 113618

Anthologies and Compilations

Looking Again: Photography at the New Orleans Museum of Art

By Russell Lord US $80.00 / CDN $105.00 / UK £60.00 9 ½ × 11 ½ in. (24.5 × 29 cm) 294 pages; 131 images Hardcover with jacket ISBN 978-1-59711-442-4 Copublished by Aperture and the New Orleans Museum of Art

The New Black Vanguard: Photography between Art and Fashion

By Antwaun Sargent

The New York Times Magazine Photographs Edited by Kathy Ryan

US $50.00 / CDN $65.00 / UK £40.00 8 ¼ × 11 in. (21 × 27.9 cm) 312 pages; 250 images Hardcover ISBN 978-1-59711-468-4 Limited-edition print available

US $75.00 / CDN $104.95 / UK £50.00 9 ½ × 11 ½ in. (24.1 × 29.2 cm) 448 pages; 500 images Hardcover with jacket 57500 ISBN 978-1-59711-146-1 Limited-edition print available

The Photographer’s Cookbook Essay by Lisa Hostetler US $29.95 / CDN $41.95 / UK £19.95 6 ⅜ × 8 ½ in. (16.2 × 21.6 cm) 160 pages; 50 images Hardcover ISBN 978-1-59711-357-1 Copublished by Aperture and the 52995 George Eastman Museum

9 781597 111461 9 781597 113571

Photo No-Nos: Meditations on What Not to Shoot Edited by Jason Fulford US $24.95 / CDN $32.95 / UK £19.95 6 × 9 in. (15.2 × 22.9 cm) 416 pages 80 images Paperback ISBN 978-1-59711-499-8

The Photographer’s Playbook: 307 Assignments and Ideas Edited by Jason Fulford and Gregory Halpern US $24.95 / CDN $34.95 / UK £19.95 6 × 9 in. (15.2 × 22.9 cm) 428 pages; 26 images Paperback 52495 ISBN 978-1-59711-247-5

PhotoWork: Forty Photographers on Process and Practice Edited and introduced by Sasha Wolf US $24.95 / CDN $32.95 / UK £19.95 6 × 9 in. (15.2 × 22.9 cm) 256 pages Paperback with flaps ISBN 978-1-59711-459-2

The Photographer in the Garden

By Jamie M. Allen and Sarah Anne McNear US $50.00 / CDN $65.00 / UK £40.00 9 ½ × 11 ½ in. (24.5 × 29 cm) 256 pages; 232 images Hardcover ISBN 978-1-59711-373-1 Limited-edition print available

Copublished by Aperture and the George Eastman Museum

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Anthologies and Compilations

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Anthologies and Compilations

Photography Is Magic

By Charlotte Cotton

Picturing America’s National Parks

By Jamie M. Allen

US $49.95 / CDN $69.95 / UK £35.00 8 × 10 ⅓ in. (20.32 × 26.29 cm) 384 pages; 311 images Paperback with flaps ISBN 978-1-59711-331-1 5 4available 995 Limited-edition print

US $35.00 / CDN $47.00 / UK £25.00 9 ⅝ × 11 ⅜ in. (24.5 × 29 cm) 128 pages; 120 images Hardcover with jacket ISBN 978-1-59711-452-3

9 781597 113311

The Radical Eye: Iconic Modernist Photography from the Sir Elton John Collection US $60.00 / CDN $83.95 8 ½ × 11 ⅜ in. (29 × 21.8 cm) 240 pages; 150 images Hardcover with jacket ISBN 978-1-59711-386-1 5 6 0 0 0only Available in US & Canada

Rochester 585/716: A Postcards from America Project Photographs by Magnum photographers US $75.00 / CDN $104.95 / UK £50.00 8 ½ × 11 in. (21.6 × 28 cm) 452 pages; 1,000 images Paperback with C-print ISBN 978-1-59711-340-3 Copublished by Aperture and Pier 24 57500 Photography

CDN 9 US 7 8 1$40.00 5 9 7 1 1/ 38 6 1 $53.95 Paperback with flaps ISBN 978-1-59711-390-8

9 781597 113403

9 781597 113908

ISBN 978-1-59711-288-8 51995

9 781597 112888

Seeing Science: How Photography Reveals the Universe

By Marvin Heiferman

Self Publish, Be Happy: A DIY Photobook Manual and Manifesto

By Bruno Ceschel

US $39.95 / CDN $55.00 / UK £30.00 8 ⅝ × 10 in. (21.1 × 25.4 cm) 224 pages; 300 images Hardcover ISBN 978-1-59711-447-9 Copublished by Aperture and the University of Maryland, Baltimore County

US $29.95 / CDN $41.95 / UK £19.95 8 ¼ × 10 ⅞ in. (21 × 27.6 cm) 512 pages; 280 illustrations ISBN: 978-1-59711-344-1 Paperback with flaps 52995 ISBN 978-1-59711-344-1

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To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes Edited by Ilisa Barbash, Molly Rogers, and Deborah Willis Foreword by Henry Louis Gates Jr. Photographic essay by Carrie Mae Weems US $60.00 / CDN $81.00 / UK £50.00 6 ½ × 9 ¼ in. (16.5 × 23.5 cm) 488 pages; 230 images Clothbound ISBN 978-1-59711-478-3 Copublished by Aperture and Peabody Museum Press

Total Records: Photography and the Art of the Album Cover Edited by Antoine de Beaupré US $29.95 / CDN $40.00 / UK $£19.95 8 ¼ × 8 ¼ in. (21 × 21 cm) 448 pages; 444 images Paperback with flaps 52995 ISBN 978-1-59711-384-7

9 781597 113847

Photobook Classics

Diane Arbus: A box of ten photographs Essay by John P. Jacob US $80.00 / CDN $105.00 / UK £60.00 11 × 14 in. (28 × 35.5 cm) 110 pages; 43 images Hardcover enclosed in a slipcase ISBN 978-1-59711-439-4 Published by Aperture in association with

the Smithsonian American Art Museum

Diane Arbus: A Chronology

By Elisabeth Sussman and Doon Arbus Biographies by Jeff L. Rosenheim

Diane Arbus: An Aperture Monograph Edited and designed by Doon Arbus and Marvin Israel

Diane Arbus: Magazine Work Photographs and text by Diane Arbus Essay by Thomas W. Southall

US $29.95 / CDN $41.95 / UK £19.95 8 × 6 ½ in. (20.3 × 16.5 cm) 192 pages 52995 Paperback with flaps ISBN 978-1-59711-179-9

US $65.00 / CDN $89.95 / UK £45.00 9 ¼ × 11 in. (23.5 × 27.9 cm) 184 pages; 80 images Hardcover with jacket 56500 ISBN 978-1-59711-174-4

US $35.00 / CDN $48.95 / UK £19.95 9 ¼ × 11 in. (23.5 × 27.9 cm) 176 pages; 140 images 53500 Paperback ISBN 978-0-89381-233-1

9 781597 111799

9 Paperback 781597 111744 with flaps

9 780893 812331

US $39.95 / CDN $55.95 / UK £25.00 53995 ISBN 978-1-59711-175-1

9 781597 111751

Untitled: Diane Arbus Edited and with an afterword by Doon Arbus

Sama Alshaibi: Sand Rushes In Edited and with an interview by Isabella Ellaheh Hughes

Taysir Batniji: Home Away from Home Photographs and text by Taysir Batniji

US $75.00 / CDN $104.95 / UK £45.00 11 × 14 in. (27.9 × 35.6 cm) 112 pages; 51 images 57500 Hardcover with jacket ISBN 978-1-59711-190-4

US $80.00 / CDN $110.95 / UK £50.00 9 ½ × 12 ½ in. (24.1 × 31.8 cm) 112 pages; 108 images and video stills Clothbound with jacket ISBN 978-1-59711-308-3 5 8available 000 Limited-edition print

US $60.00 / CDN $81.00 / UK £45.00 8 ¾ × 10 ¾ in. (22.2 × 27.3 cm) 196 pages; 180 images Flexibind ISBN 978-1-59711-446-2 Copublished by Aperture and Fondation d’entreprise Hermès

This Is Mars Edited and designed by Xavier Barral US $100.00 / CDN $140.00 / UK £65.00 11 ½ × 13 ¾ in. (30.2 × 35.4 cm) 292 pages; 150 images Hardcover with jacket 10000 ISBN 978-1-59711-258-1

9 781597 112581

9 781597 111904 9 781597 113083

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Photobook Classics

This Is Mars: Midi Edition Edited and designed by Xavier Barral

Stonework and Lime Kilns Photographs by Bernd and Hilla Becher

Olivia Bee: Kids in Love Interview by Tavi Gevinson

US $45.00 / CDN $60.95 / UK ÂŁ35.00 6 ž Ă— 9 ½ in. (17.1 Ă— 24.1 cm) 296 pages; 150 images Hardcover ISBN 978-1-59711-415-8Â

US $85.00 / CDN $120.00 / UK ÂŁ55.00 10 â…? Ă— 11 â…œ in. (27 Ă— 29 cm) 244 pages; 232 images Hardcover with jacket 58500 ISBN 978-1-59711-252-9Â

US $39.95 / CDN $55.95 / UK ÂŁ25.00 8 Ă— 10 in. (20.3 Ă— 25.4 cm)Â 136 pages; 75 images Hardcover ISBN 978-1-59711-345-8Â 53995 Limited-edition print available

The Last Testament Photographs and texts by Jonas Bendiksen US $50.00 / CDN $67.50 / UK ÂŁ40.00Â

6 ½ × 9 ½ in. (16.5 × 24 cm) 464 pages; 174 images Flexibind ISBN 978-1-59711-428-8 A GOST book published by Aperture

9 781597 112529 9 781597 113458

9 781597 114158

Werner Bischof: Backstory Edited and with text by Marco Bischof US $75.00 / CDN $104.95 / UK ÂŁ50.00 10 Ă— 11 â…ž in. (26 Ă— 31 cm) 311 pages; 390 images Hardcover 57500 ISBN 978-1-59711-352-6Â

9 781597 113526

Kwame Brathwaite: Black Is Beautiful Essays by Tanisha C. Ford and Deborah Willis US $40.00 / CDN $55.00 / UK £32.95 8 ½ × 10 ½ in. (21.6 × 27 cm) 144 pages; 91 images Hardcover with jacket ISBN 978-1-59711-443-1 Limited edition available

Jo Ann Callis: Other Rooms Essay by Francine Prose US $65.00 / CDN $89.95 / UK £40.00 9 × 11 ½ in. (22.9 × 29.2 cm) 120 pages; 71 images Hardcover with tip-on 56500 ISBN 978-1-59711-275-8 Limited-edition print available

John Chiara: California Essay by Virginia Heckert US $65.00 / CDN $87.50 / UK ÂŁ45.00 11 Ă— 12 â…ž in. (27.9 Ă— 32.7 cm) 164 pages; 95 images Clothbound ISBN 978-1-59711-423-3Â

Limited edition available Copublished by Aperture and Pier 24 Photography

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Photobook Classics

William Christenberry: Kodachromes Essay by Richard B. Woodward

Negative Publicity: Artefacts of Extraordinary Rendition

By Edmund Clark and Crofton Black

US $65.00 / CDN $89.95 / UK £45.00 9 ⅔ × 11  in. (23.9 × 29 cm) 176 pages; 115 images Hardcover with tip-on 56500 ISBN 978-1-59711-147-8 Limited-edition print available

US $80.00 / CDN $100.00 / UK £65.00 8 ½ × 11 ⅝ in. (21.6 × 29.7 cm) 288 pages plus 14 gatefolds 35 images and 83 reproductions Spiralbound hardcover ISBN 978-1-59711-351-9 Copublished by Aperture and 57500 Magnum Foundation

9 781597 111478

Lynne Cohen: Occupied Territory Essay by Britt Salvesen US $60.00 / CDN $83.95 / UK £40.00 9  × 11 ½ in. (24.4 × 29.2 cm) 144 pages; 110 images Hardcover with acetate jacket ISBN 978-1-59711-145-4 Limited-edition print available 5 6 0 0 0 and the Copublished by Aperture Stephen Daiter Gallery

Eden Photographs and texts by Sylvain Couzinet-Jacques US $80.00 / CDN $110.95 / UK £55.00 9 ¼ × 12 ¼ in. (23.5 × 31 cm) 928 pages and 16 gatefolds 1,024 images Hardcover ISBN 978-1-59711-379-3 5 8 0 0 0 and Fondation Copublished by Aperture d’entreprise Hermès

9 781597 111454 9 781597 113793 9 781597 113519

Barbara Crane: Private Views Text by Barbara Hitchcock US $39.95 / CDN $55.95 / UK £25.00 7 × 10 in. (17.8 × 25.4 cm) 112 pages; 100 images Clothbound with tip-on ISBN 978-1-59711-096-9 Limited-edition print available ISBN 978-1-59711-096-9 5 3 9 9 5and the Copublished by Aperture Stephen Daiter Gallery

9 781597 110969

Photobook Classics

Gregory Crewdson: Cathedral of the Pines Essay by Alexander Nemerov US $80.00 / CDN $110.95 / UK £50.00 15 ½ × 12 in. (39.4 × 30.5 cm) 76 pages; 31 images Clothbound 58000 ISBN 978-1-59711-350-2

Robert Cumming: The Difficulties of Nonsense Edited and with an essay by Sarah Bay Gachot US $65.00 / CDN $89.95 / UK £45.00 9 × 10 ½ in. (23 × 27 cm) 180 pages; 150 images Hardcover ISBN 978-1-59711-300-7 56500 Limited-edition print available

Louise Dahl-Wolfe Texts by Oliva María Rubio, John P. Jacob, and Celina Lunsford US $60.00 / CDN $83.95 8 ¼ × 11 ¼ in. (21 × 28.5 cm) 256 pages; 137 images Hardcover ISBN 978-1-59711-358-8 5 6 0 0 0only Available in US & Canada

9 781597 113502 9 781597 113007

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Bruce Davidson: Subway Introduction by Fred Braithwaite (Fab 5 Freddy) US $65.00 / CDN $89.95 11 ⅓ × 11  in. (29.5 × 29 cm) 144 pages; 118 images Hardcover with jacket ISBN 978-1-59711-194-2 Available in US & Canada only 56500 Limited-edition print available

Bruce Davidson: Survey Texts by Charlotte Cotton, Carlos Gollonet, Frits Gierstberg, and Francesco Zanot

Bieke Depoorter: As it may be Essay by Ruth Vandewalle US $60.00 / CDN $85.00 / UK £50.00 11 × 10  in. (28 × 26.5 cm) 62 pages plus booklet; 44 images

insert Hardcover with booklet ISBN 978-1-59711-440-0

US $65.00 / CDN $89.95 / UK £45.00 9 ½ × 11 in. (24 × 28 cm) 320 pages; 190 images Hardcover ISBN 978-1-59711-377-9 Copublished by Aperture 5 6 5 0 0and Fundación MAPFRE

9 781597 113410

9 781597 113779

US $65.00 / CDN $88.00 / UK £50.00 7 ½ × 10 in. (19 × 26 cm) 216 pages; 140 images Hardcover ISBN 978-1-59711-444-8 Copublished by Aperture and Peabody Museum Press

Doug DuBois: My Last Day at Seventeen Illustrations by Patrick Lynch US $60.00 / CDN $83.95 / UK £40.00 9 ⅜ × 11 ½ in. (24 × 29.3 cm) 156 pages; 79 images Clothbound ISBN 978-1-59711-313-7 5 6available 000 Limited-edition print

54

George Dureau, The Photographs Essay by Philip Gefter US $60.00 / CDN $83.95 / UK £40.00 10 × 12 in. (25 × 30 cm) 160 pages; 98 images Hardcover with tip-on 56000 ISBN 978-1-59711-284-0

9 781597 112840 9 781597 113137

US $45.00 / CDN $62.95 / UK £30.00 8 ⅞ × 11 in. (22.6 × 27.9 cm) 96 pages; 45 images Hardcover ISBN 978-1-59711-341-0 Limited-edition print available 5 4 5 0 0 and Salon 94 Copublished by Aperture

9 781597 111942

Chloe Dewe Mathews Caspian: The Elements Essays by Morad Montazami, Sean O’Hagan, and Arnold van Bruggen

Jimmy DeSana: Suburban Edited by Dan Nadel and Laurie Simmons

Hans Eijkelboom: Paris, New York, Shanghai Essay by Tony Godfrey US $55.00 / CDN $76.95 / UK £35.00 10 ½ × 8 ¾ in. (26.7 × 22.2 cm) 240 pages; 1,256 images 55500 Hardcover; 3 volumes ISBN 978-1-59711-044-0

9 781597 110440

Photobook Classics

Sketch of Paris Photographs by JH Engström US $65.00 / CDN $89.95 / UK £45.00 8 ½ × 11 ⅔ in. (21.6 × 29.6 cm) 314 pages; 250 images 56500 Paperback with slipcover ISBN 978-1-59711-253-6

9 781597 112536

Paz Errázuriz: Survey Texts by Juan Vicente Aliaga, Gerardo Mosquera, and Paulina Varas US $65.00 / CDN $89.95 / UK £45.00 8  × 10 in. (21.8 × 25.4 cm) 271 pages; 172 images Hardcover ISBN 978-1-59711-354-0 Copublished by Aperture and Fundación 56500 MAPFRE

Elliott Erwitt: Home Around the World Edited and with texts by Jessica S. McDonald US $65.00 / CDN $89.95 / UK £45.00 9 × 10 in. (22.9 × 25.4 cm) 312 pages; 250 images Hardcover ISBN 978-1-59711-369-4 Copublished by Aperture and the Harry Ransom Center at the University of Texas 56500 at Austin

LaToya Ruby Frazier: The Notion of Family Interview by Dawoud Bey US $50.00 / CDN $69.95 / UK £35.00 9 ½ × 10 ¾ in. (24.1 × 27.3 cm) 156 pages; 100 images and 32 video stills Paperback with flaps ISBN 978-1-59711-381-6 5 5available 000 Limited-edition print

9 781597 113816 9 781597 113540 9 781597 113694

Paul Fusco: RFK Photographs by Paul Fusco Tribute by Senator Edward M. Kennedy Essays by Vicki Goldberg, Norman Mailer, and Evan Thomas US $50.00 / CDN $69.95 / UK £40.00 11 ¾ x 9 ⅔ in. (29.8 x 24.4 cm) 224 pages; 120 images Hardcover ISBN 978-1-59711-079-2 Limited-edition print available

Phyllis Galembo: Maske Introduction by Chika Okeke-Agulu US $45.00 / CDN $62.95 / UK £30.00 9 ⅜ × 9 ½ in. (23.8 × 24.1 cm) 208 pages; 106 images Hardcover with jacket ISBN 978-1-59711-353-3 54500 Limited-edition print available

Luigi Ghirri: It’s Beautiful Here, Isn’t It . . .

Edited and with notes by Paola Ghirri Preface by William Eggleston US $60.00 / CDN $81.00 / UK £45.00 11 × 8 ½ in. (27.9 × 21.6 cm) 152 pages; 95 images and 30 illustrations Hardcover with jacket ISBN 978-1-59711-058-7 Limited-edition print available

Judy Glickman Lauder Beyond the Shadows: The Holocaust and the Danish Exception Texts by Elie Wiesel, Michael Berenbaum, and Judith S. Goldstein US $50.00 / CDN $67.50 / UK £40.00 9 ½ × 11 ¾ in. (24.1 × 30 cm) 160 pages; 85 images Clothbound with jacket ISBN 978-1-59711-449-3

9 781597 113533

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Photobook Classics

The Ballad of Sexual Dependency Photographs and text by Nan Goldin US $50.00 / CDN $69.95 / UK ÂŁ40.00 10 Ă— 9 in. (25.4 Ă— 22.9 cm) 148 pages; 126 images Hardcover with jacket 55000 ISBN 978-1-59711-208-6Â

Emmet Gowin Essays by Keith F. Davis and Carlos Gollonet

Ethan James Green: Young New York Text by Hari Nef and Michael Schulman

US $69.95 / CDN $89.95 / UK £45.00 9 ½ × 11 ž in. (24 × 30 cm) 240 pages; 180 images Hardcover ISBN 978-1-59711-261-1 Copublished by Aperture and Fundación MAPFRE5 6 9 9 5

US $45.00 / CDN $60.00 / UK ÂŁ35.00 8 Âź Ă— 10 Âź in. (21 Ă— 26 cm) 128 pages; 55 images Hardcover ISBN 978-1-59711-454-7 Limited edition available

Gail Albert Halaban: Italian Views Essay by Francine Prose US $75.00 / CDN $100.00 / UK £60.00 11 ½ × 14 in. (28.6 × 35.6 cm) 128 pages; 55 images Clothbound ISBN 978-1-59711-451-6 Limited edition available

9 781597 112086

9 781597 112611

Gail Albert Halaban: Paris Views Essay by Cathy RÊmy US $79.95 / CDN $110.95 / UK £50.00 15 × 13 in. (38.1 × 33 cm) 120 pages; 60 images Hardcover 57995 ISBN 978-1-59711-302-1 Limited-edition print available

Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs Introduction by Johanna Burton US $60.00 / CDN $80.00 / UK ÂŁ50.00 7 â…› Ă— 9 ½ in. (18 Ă— 24 cm)Â

296 pages; 155 images Clothbound ISBN 978-1-59711-412-7Â

9 781597 113021

Naoya Hatakeyama: Excavating the Future City Essay and coedited by Yasufumi Nakamori US $60.00 / CDN $85.00 / UK ÂŁ50.00 8 ž Ă— 11 ž in. (22.2 Ă— 29.6 cm) 280 pages; 160 images Flexibind ISBN 978-1-59711-432-5 Limited edition availableÂ

Copublished by Aperture and the Minneapolis Institute of Art

US $65.00 / CDN $89.95 / UK ÂŁ40.00 9 Ă— 11 in. (23 Ă— 28 cm) 224 pages; 200 images Hardcover 56500 ISBN 978-1-59711-332-8Â

9 781597 113328

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Florence Henri: Mirror of the Avant-Garde, 1927–40 Essays by Cristina Zelich and Susan KismaricÂ

Photobook Classics

Todd Hido: Intimate Distance: Twenty-Five Years of Photographs Essay by David Campany US $65.00 / CDN $89.95 / UK £45.00 9 ½ × 11 ½ in. (24.5 × 29 cm) 272 pages; 300 images Hardcover with fold-out jacket ISBN 978-1-59711-360-1 5 6available 500 Limited-edition print

The Sochi Project: An Atlas of War and Tourism in the Caucasus

By Rob Hornstra and Arnold van Bruggen US $65.00 / CDN $89.95 / UK £40.00 8 ½ × 10 ⅜ in. (21.6 × 26.4 cm) 392 pages plus 16 inserts 287 images Hardcover ISBN 978-1-59711-334-2 5 6available 500 Limited-edition print

Eikoh Hosoe: Kamaitachi With essays by Donald Keene and Shuzo Takiguchi US $60.00 / CDN $83.95 / UK £40.00 9 ½ × 12 ¾ in. (24.1 × 32.4 cm) 112 pages; 48 images Hardcover with jacket 56000 ISBN 978-1-59711-121-8 Limited-edition print available

9 781597 111218

Pieter Hugo: Kin Short story by Ben Okri US $75.00 / CDN $104.95 / UK £45.00 11 ¾ × 9 ¼ in. (29.8 × 23.5 cm) 164 pages; 80 images Clothbound ISBN 978-1-59711-301-4 5 7available 500 Limited-edition print

9 781597 113014

9 781597 113601 9 781597 113342

Ametsuchi Photographs by Rinko Kawauchi US $80.00 / CDN $110.95 / UK £50.00 9  × 12 ¼ in. (24 × 31 cm) 80 pages; 40 images Clothbound with jacket 58000 ISBN 978-1-59711-216-1

Illuminance Photographs by Rinko Kawauchi Essay by David Chandler

Halo Photographs and text by Rinko Kawauchi

US $60.00 / CDN $83.95 / UK £40.00 8 ½ × 11 in. (21.6 × 28 cm) 176 pages; 125 images Hardcover with tip-on ISBN 978-1-59711-144-7 Limited-edition print available

US $70.00 / CDN $94.50 / UK £50.00 9 × 12 ½ in. (23 × 31.5 cm) 96 pages; 48 images Hardcover with bellyband ISBN 978-1-59711-411-0

Peter Hujar: Speed of Life

By Joel Smith US $50.00 / CDN $67.95 / UK £40.00 9 ¾ × 11 ¼ in. (24.1 × 27.9 cm) 248 pages; 231 images Hardcover ISBN 978-1-59711-414-1 Copublished by Aperture and Fundación MAPFRE

9 781597 112161

9 781597 114110

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Josef Koudelka: Gypsies Essay by Will Guy US $85.00 / CDN $120.00 9 ½ × 12 ½ in. (24 × 31.75 cm) 160 pages; 109 images Hardcover with jacket 58500 ISBN 978-1-59711-177-5 Available in US & Canada only

Josef Koudelka: Gypsies Essays by Stuart Alexander and Will Guy US $30.00 / CDN $40.00 6 ⅜ × 8 in. (16.6 × 20.5 cm) 240 pages; 109 images Paperback ISBN 978-1-59711-473-8 Available in US & Canada only

9 781597 111775

Invasion 68: Prague Photographs by Josef Koudelka

Koudelka Essays by Robert Delpire and more

US $60.00 / CDN $120.00 9 × 12 in. (23 × 31.9 cm) 296 pages; 248 images Paperback ISBN 978-1-59711-068-6 56000 Available in US & Canada only

US $75.00 / CDN $104.95 11 × 11 in. (29 × 27.9 cm) 276 pages; 161 images Hardcover with jacket ISBN 978-1-59711-030-3 5 7 5 0 0only Available in US & Canada

9 781597 110686

Josef Koudelka: Wall Chronology, captions, and lexicon by Ray Dolphin and Gilad Baram

Josef Koudelka: Exiles Commentary with Josef Koudelka and Robert Delpire

Josef Koudelka: Ruins Texts by Alain Schnapp, Héloïse Conésa, and Bernard Latarjet

US $60.00 / CDN $83.95 / UK £40.00 14 ¾ × 10 ¼ in. (37.5 × 26.4 cm) 120 pages; 54 images Clothbound 56000 ISBN 978-1-59711-241-3

US $65.00 / CDN $89.95 11 ¾ × 10 ⅝ in. (29.8 × 27 cm) 180 pages; 75 images Hardcover with jacket 56500 ISBN 978-1-59711-269-7 Available in US & Canada only

US $75.00 / CDN $100.00 12  × 9 ½ in. (31.5 × 24 cm) 368 pages; 171 images Hardcover ISBN 978-1-59711-489-9 Available in US & Canada only

9 781597 112413

9 781597 110303

The Many Lives of Erik Kessels Texts by Francesco Zanot, Sandra S. Phillips, Simon Baker, and Hans Aarsman US $65.00 / CDN $87.95 / UK £50.00 5 × 8 ¼ in. (13 × 21 cm) 576 pages; 450 images Hardcover with slipcase ISBN 978-1-59711-416-5 Copublished by Aperture and CAMERA

9 781597 112697

9 781597 114165 58

Photobook Classics

Hiroji Kubota: Photographer Preface by Elliott ErwittÂ

Justine Kurland: Girl Pictures Story by Rebecca Bengal

Justine Kurland: Highway Kind Stories by Lynne Tillman

Sergio Larrain Edited and with text by Agnès SireÂ

US $75.00 / CDN $104.95 / UK ÂŁ50.00 9 Ă— 12 in. (23.75 Ă— 30.5 cm) 512 pages; 400 images Hardcover with jacket 57500 ISBN 978-1-59711-285-7Â

US $50.00 / CDN $65.00 / UK ÂŁ40.00 8 â…ž Ă— 11 in. (22.6 Ă— 28 cm) 144 pages; 76 images Hardcover ISBN 978-1-59711-474-5

US $45.00 / CDN $60.00 / UK £35.00 9 ⅛ × 11 Ÿ in. (23.1 × 28.5 cm) 160 pages; 85 images Hardcover ISBN 978-1-59711-328-1 5 5available 000 Limited-edition print

US $100.00 / CDN $140.00 8 Ÿ × 11 ½ in. (21 × 29.2 cm) 400 pages; 247 images Clothbound with tip-on ISBN 978-1-59711-259-8 10000 Available in US & Canada only

9 781597 112857 9 781597 113281

Sergio Larrain: Valparaíso Texts by Agnès Sire and Pablo Neruda US $55.00 / CDN $74.95 6 ½ × 9 Ÿ in. (16.5 × 23.5 cm) 212 pages; 120 images Hardcover ISBN 978-1-59711-413-4 Available in US & Canada only

Deana Lawson: An Aperture Monograph Texts by Zadie Smith and Arthur Jafa US $85.00 / CDN $115.00 / UK £70.00 11 � × 13 ž in.

(29.7 Ă— 35 cm)

104 pages; 40 images Clothbound ISBN 978-1-59711-422-6 Limited edition available

An-My Lê: Events Ashore Essay by Geoff Dyer US $89.95 / CDN $125.00 / UK £60.00 13 × 10 ½ in. (33 × 26.7 cm) 192 pages plus 2 gatefolds 125 images Clothbound ISBN 978-1-59711-299-4 5 8available 995 Limited-edition print

9 781597 112598

An-My LĂŞ: On Contested Terrain

By Dan Leers Texts by David Finkel and Lisa Sutcliffe Dialogue with An-My Lê and Viet Thanh Nguyen US $65.00 / CDN $88.00 / UK £55.00 9 Ÿ × 10 ½ in. (23.5 × 26.6 cm) 204 pages; 128 images Flexibind ISBN 978-1-59711-481-3 Copublished by Aperture and the Carnegie Museum of Art

9 781597 112994

9 781597 114134

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Photobook Classics

Richard Learoyd: Day for Night Texts by Martin Barnes and Nancy Gryspeerdt

Jeff Chien-Hsing Liao: New York Essays by Sean Corcoran and Justin Davidson

US $150.00 / CDN $210.00 / UK £100.00 12 × 14 ¾ in. (30 × 37 cm) 328 pages; 160 images Hardcover with acetate jacket and bellyband 15000 ISBN 978-1-59711-329-8

US $95.00 / CDN $135.00 / UK £60.00 16 ½ × 13 ⅜ in. (41.1 × 33.9 cm) 160 pages; 100 images Hardcover ISBN 978-1-59711-279-6 59500 Limited-edition print available

The Bikeriders Photographs and texts by Danny Lyon US $35.00 / CDN $48.95 / UK £25.95 6 ¼ × 9 ¼ in. (15.9 × 23.5 cm) 94 pages; 48 images Clothbound with jacket 53500 ISBN 978-1-59711-264-2

At Twelve: Portraits of Young Women Photographs and commentary by Sally Mann US $50.00 / CDN $65.00 / UK £40.00 9 ⅜ × 10 ⅞ in. (23.8 × 27.6 cm) 56 pages; 36 images Clothbound with jacket ISBN 978-1-59711-458-5

9 781597 112642

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Sally Mann: The Flesh and The Spirit

Sally Mann: Immediate Family

Sally Mann: Proud Flesh Introductory essay by C. D. Wright

US $55.00 / CDN $76.95 / UK £35.00 9 × 11 ½ in. (22.8 × 29.2 cm) 200 pages; 225 images Hardcover with jacket ISBN 978-1-59711-162-1 5 5 5 0 0and the Virginia Copublished by Aperture Museum of Fine Arts

US $50.00 / CDN $69.95 / UK £40.00 11 × 9 ½ in. (27.9 × 24.1 cm) 88 pages; 60 images 5 5 and 0 0 0 bellyband Hardcover with jacket ISBN 978-1-59711-254-3

US $80.00 / CDN $110.95 / UK £50.00 12 × 14 in. (30.5 × 35.6 cm) 64 pages; 33 images Clothbound with tip-on ISBN 978-1-59711-135-5 1 3 0 0 0 and the Copublished by Aperture Gagosian Gallery

By John Ravenal

Afterword by Reynolds Price

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Sally Mann: Still Time US $29.95 / CDN $41.95 / UK £20.00 11 ¼ × 9 ½ in. (28.6 × 24.1 cm) 80 pages; 60 images 52995 Paperback ISBN 978-0-89381-593-6

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Mary Ellen Mark Tiny: Streetwise Revisited Essays by Isabel Allende and John Irving US $50.00 / CDN $69.95 / UK £35.00 10 × 12 in. (25.4 × 30.48 cm) 176 pages; 145 images Hardcover with jacket ISBN 978-1-59711-262-8 Limited-edition print available

Twins Photographs and interviews by Mary Ellen Mark US $50.00 / CDN $69.95 / UK £35.00 10 ½ × 13 in. (26.7 × 33 cm) 96 pages; 80 images Hardcover with jacket ISBN 978-1-93178-819-9 5000 Limited-edition print5 available

Don McCullin Essay by Susan Sontag US $75.00 / CDN $104.95 11 ¼ × 12 in. (30 × 29 cm) 352 pages; 300 images Hardcover with jacket ISBN 978-1-59711-342-7 5 7 5 0 0only Available in US & Canada

Richard Misrach: Border Cantos

By Richard Misrach and Guillermo Galindo US $75.00 / CDN $104.95 / UK £50.00 13 ¼ × 10 ¾ in. (33.6 × 27.3 cm) 274 pages plus 3 gatefolds 257 images Hardcover 57500 ISBN 978-1-59711-289-5

55000

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Richard Misrach: Destroy This Memory Photographs by Richard Misrach

Richard Misrach: The Mysterious Opacity of Other Beings Photographs by Richard Misrach

Richard Misrach: Petrochemical America

By Richard Misrach and Kate Orff

Nicaragua: June 1978–July 1979 Photographs and texts by Susan Meiselas

US $65.00 / CDN $89.95 / UK £45.00 15 × 11 ½ in. (38.1 × 29.2 cm) 140 pages; 70 images 56500 Hardcover ISBN 978-1-59711-163-8

US $80.00 / CDN $110.95 / UK £50.00 17 × 12 ⅞ in. (43.2 × 32.7 cm) 88 pages; 86 images Hardcover ISBN 978-1-59711-327-4 5 8available 000 Limited-edition print

US $39.95 / CDN $55.99 / UK £25.00 11 ⅞ × 9 ¼ in. (29.9 × 23.5 cm) 240 pages; 150 images Paperback with flaps ISBN 978-1-59711-277-2 53995 Limited-edition print available

US $50.00 / CDN $69.95 / UK £35.00 10 ¾ × 8 ½ in. (27.3 × 21.6 cm) 128 pages; 75 images Hardcover with jacket AR function connects to videoclips

by Meiselas 55000 ISBN 978-1-59711-383-0

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Photobook Classics

101 Tragedies of Enrique Metinides Edited and with an introduction by Trisha Ziff US $50.00 / CDN $69.95 / UK ÂŁ35.00 8 ½ Ă— 10 â…œ in. (21.6 Ă— 26.4 cm) 184 pages; 150 images Hardcover with fold-out jacket 55000 ISBN 978-1-59711-211-6Â

Joel Meyerowitz: Cape Light Interview by Dr. Bruce K. MacDonald US $50.00 / CDN $67.00 / UK £40.00 11 ½ × 9 ž in. (26.7 × 22.9 cm) 112 pages; 40 images Hardcover with jacket ISBN 978-1-59711-339-7 5 4available 500 Limited-edition print

Joel Meyerowitz: Provincetown Photographs and texts by Joel Meyerowitz US $75.00 / CDN $100.00 / UK ÂŁ60.00 10 â…? Ă— 12 â…? in. (27 Ă— 32 cm) 160 pages; 103 images Clothbound with tip-on ISBN 978-1-59711-467-7

Lisette Model Preface by Berenice Abbott US $50.00 / CDN $69.95 / UK ÂŁ27.50 12 Ă— 15 in. (30.5 Ă— 28.1 cm) 112 pages; 54 images 55500 Hardcover with jacket ISBN 978-1-59711-049-5Â

9 781597 110495

9 781597 112116

James Mollison: Playground Foreword by Jon Ronson US $50.00 / CDN $69.95 / UK £30.00 9  × 11  in. (24 × 32 cm) 136 pages; 59 images Hardcover, Swiss-bound ISBN 978-1-59711-307-6 5 5available 000 Limited-edition print

9 781597 113076

9 781597 113397

Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness Interview and essay by RenÊe Mussai With contributions by M. Neelika Jayawardane, Deborah Willis, and more US $85.00 / CDN $110.00 / UK £65.00 10 ½ × 14 in. (26.5 × 35.5 cm) 212 pages; 100 images Hardcover

ISBN 978-1-59711-424-0 Limited edition available

62

A Wild Life: A Visual Biography of Photographer Michael Nichols

By Melissa Harris

Erwin Olaf: I Am Essays by Mattie Boom, Francis Hodgson, and W. M. Hunt Â

US $35.00 / CDN $47.95 / UK £25.00 7 ½ × 10 in. (19.1 × 25.4 cm) 384 pages; 218 images Hardcover ISBN 978-1-59711-251-2 Limited-edition print available

US $75.00 / CDN $100.00 / UK £55.00 9 × 11 ½ in. (22.9 × 29.2 cm) 400 pages; 256 images Hardcover ISBN 978-1-59711-466-0 Limited-edition print available

9 781597 112512

Photobook Classics

Tod Papageorge: American Sports, 1970 or, How We Spent the War in Vietnam Essay by Tim Davis US $50.00 / CDN $69.95 / UK £27.50 11 ¾ × 10 in. (29.8 × 25.4 cm) 128 pages; 75 images 55000 Hardcover with jacket ISBN 978-1-59711-050-1

The Martin Parr Coloring Book!

Photographs by Martin Parr Illustrations by Jane Mount US $15.95 / CDN $21.50 / UK £12.95 9 × 11 ½ in. (23 × 29.2 cm) 80 pages; 48 illustrations plus set of stickers Paperback with flaps

ISBN 978-1-59711-425-7

Life’s a Beach Photographs by Martin Parr US $25.00 / CDN $34.95 / UK £16.95 8 ¼ × 6 in. (30 × 15.25 cm) 124 pages; 100 images Hardcover ISBN 978-1-59711-213-0 52500 Limited edition available

The Non-Conformists Photographs by Martin Parr Texts by Susie Parr US $45.00 / CDN $62.95 / UK £30.00 8 × 9 ⅜ in. (20.3 × 23.8 cm) 168 pages; 120 images Hardcover with jacket ISBN 978-1-59711-245-1 5 4available 500 Limited-edition print

9 781597 112130

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Rescue Me: Dog Adoption Portraits and Stories from New York City Photographs by Richard Phibbs Texts by Richard Jonas US $15.95 / CDN $22.95 / UK £10.95 6 × 9 in. (15.7 × 23 cm) 112 pages; 73 images Hardcover 51595 ISBN 978-1-59711-338-0

Matthew Pillsbury: City Stages Essay by Mark Kingwell US $65.00 / CDN $89.95 / UK £45.00 12 ½ × 10 ½ in. (30.5 × 24.7 cm) 128 pages; 75 images Clothbound with tip-on ISBN 978-1-59711-237-6 56500 Limited-edition print available

¡Vámanos! Bernard Plossu in México Edited by Salvador Albiñana and Juan García de Oteyza US $125.00 / CDN $175.00 / UK £75.00 11 ⅜ × 12 ⅝ in. (28.9 × 32.1 cm) 336 pages; 330 images Clothbound ISBN 978-1-59711-276-5 Limited-edition print available Copublished by Aperture and Fundación 12500 Televisa

Matthew Porter: The Heights Essay by Rachel Kushner US $50.00 / CDN $65.00 / UK £40.00 10 ¾ × 12 in. (27.3 × 30.5 cm) 56 pages; 25 images Paperback with jacket ISBN 978-1-59711-457-8 Limited edition available

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Photobook Classics

Manhattan Sunday Photographs and text by Richard Renaldi US $65.00 / CDN $89.95 / UK £45.00 11 × 12 ⅞ in. (27.9 × 32.7 cm) 184 pages plus gatefold; 136 images Hardcover ISBN 978-1-59711-376-2 5 6available 500 Limited-edition print

9 781597 113762

Richard Renaldi: Touching Strangers Introduction by Teju Cole US $25.00/ CDN $35.00 / UK ÂŁ18.95 9 Ă— 11 ½ in. (22.9 Ă— 29.2 cm)Â

128 pages; 71 images Paperback with flaps ISBN 978-1-59711-430-1Â

Sebastião Salgado: Other Americas Texts by Claude Nori, Gonzalo Torrente Ballester, and Alan Riding US $50.00 / CDN $67.00 / UK £40.00 9 ½ × 12 Ÿ in. (24.1 × 31.1 cm) 127 pages; 49 images Hardcover ISBN 978-1-59711-336-6 54500

Paul Mpagi Sepuya

By Wassan Al-Khudhairi Contributions by Malik Gaines, Lucy Gallun, Ariel Goldberg, Evan Moffitt, and Grace Wales Bonner

Stephen Shore: Selected Works, 1973–1981 Image selections and texts by Wes Anderson, Hans Ulrich Obrist, Taryn Simon, Lynne Tillman, and more

US $35.00 / CDN $47.00 / UK ÂŁ30.00 8 Ă— 10 in. (20.3 Ă— 25.4 cm) 96 pages; 77 images Paperback ISBN 978-1-59711-480-6 Copublished by Aperture and the Contemporary Art Museum St. Louis

US $80.00 / CDN $108.00 / UK ÂŁ60.00 12 Ă— 15 in. (30.5 Ă— 38.1 cm) 280 pages; 145 images Clothbound ISBN 978-1-59711-388-5 Limited edition available

9 781597 113885

US $100.00 / CDN $140.00 / UK £80.00 9 ž × 13 in. (24.8 × 33 cm) 400 pages plus 8 gatefolds and booklet 350 images Hardcover with jacket ISBN 978-0-89381-525-7 Limited-edition print available

9 781597 113366

Stephen Shore: Survey Interview by David Campany US $65.00 / CDN $89.95 / UK £40.00 11 ž × 9 ½ in. (30 × 24 cm) 300 pages; 250 images Hardcover ISBN 978-1-59711-309-0 Copublished by Aperture and Fundación 56500 MAPFRE

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Workers: An Archaeology of an Industrial Age Photographs and texts by SebastiĂŁo Salgado

Uncommon Places: The Complete Works Photographs and texts by Stephen Shore Conversation with Lynne Tillman US $65.00 / CDN $89.95 12 â…ž Ă— 10 Âź in. (32.76 Ă— 25.9 cm) 208 pages; 176 images Hardcover with jacket 56500 ISBN 978-1-59711-303-8 Available in US & Canada only

9 781597 113038

Photobook Classics

Kathy Ryan: Office Romance, Photographs from Inside the New York Times Building Introduction by Renzo Piano US $29.95 / CDN $41.95 / UK ÂŁ19.95 5 â…œ Ă— 8 in. (13.7 Ă— 20.3 cm) 160 pages; 132 images Hardcover with jacket 52995 ISBN 978-1-59711-304-5Â

Paul Strand: The Garden at Orgeval Selection and essay by Joel Meyerowitz US $45.00 / CDN $62.95 / UK ÂŁ30.00 8 Ă— 10 â…œ in. (20.3 Ă— 26.4 cm) 96 pages; 45 images Clothbound ISBN 978-1-59711-124-9 54500 Limited-edition print available

Paul Strand in Mexico Text by James Krippner US $75.00 / CDN $104.95 / UK ÂŁ50.00 11 â…œ Ă— 12 â…ž in. (28.9 Ă— 32.7 cm) 356 pages; 435 images Clothbound ISBN 978-1-59711-137-9 57500 Limited-edition print available

9 781597 111379 9 781597 113045

Tir a’Mhurain: The Outer Hebrides of Scotland Photographs by Paul Strand Texts by Catherine Duncan and Basil Davidson US $40.00 / CDN $55.95 / UK £25.00 9 ½ × 11 Ÿ in. (24.13 × 28.57 cm) 128 pages; 88 images Hardcover with jacket 54000 ISBN 978-0-89381-993-4 Limited-edition print available

9 781597 111249 9 780893 819934

Alessandra Sanguinetti: Le Gendarme sur la Colline Essay by Susan Bright US $50.00 / CDN $67.50 / UK ÂŁ40.00 11 Ă— 10 Âź in. (28 Ă— 26 cm) 112 pages plus 2 gatefolds; 66 images Flexibind with velvet case ISBN 978-1-59711-426-4Â

Limited-edition print available Copublished by Aperture and Fondation d’entreprise Hermès

Fantasy Life: Baseball and the American Dream Photographs and text by Tabitha Soren Five linked short stories by Dave Eggers US $45.00 / CDN $60.95 / UK £35.00 8 ½ × 10 ž in. (21.6 × 27 cm) 136 pages; 149 images Clothbound (imitation leather) ISBN 978-1-59711-385-4

Thomas R. Schiff: The Library Book Text by Alberto Manguel US $80.00 / CDN $108.00 / UK ÂŁ60.00 11 Ă— 14 Âź in. (27.9 Ă— 36 cm) 232 pages plus 6 gatefolds; 121 images Clothbound with jacket ISBN 978-1-59711-374-8Â

9 781597 113748

Photobook Classics

Robin Schwartz: Amelia and the Animals Texts by Amelia Paul Forman and Donna Gustafson US $39.95 / CDN $55.95 / UK £25.00 8 ½ × 10 ž in. (21.6 × 27.3 cm) 144 pages; 75 images Hardcover with jacket ISBN 978-1-59711-278-9 53995 Limited-edition print available

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Photobook Classics

Hiroshi Sugimoto: Black Box Text and interview by Philip Larratt-Smith

Muse: Photographs by Mickalene Thomas Essay by Jennifer Blessing

US $65.00 / CDN $89.95 / UK ÂŁ40.00 11 Ă— 11 in. (28 Ă— 28 cm) 203 pages; 47 images Hardcover ISBN 978-1-59711-359-5 Copublished by Aperture 5 6 5 0 0and FundaciĂłn MAPFRE

US $65.00 / CDN $89.95 / UK ÂŁ40.00 10 Ă— 13 in. (25.4 Ă— 33 cm) 156 pages; 85 images Clothbound ISBN 978-1-59711-314-4 ISBN 978-0-89381-314-4 5 6available 500 Limited-edition print

9 781597 113595

Alex Webb and Rebecca Norris Webb: Brooklyn, The City Within Interview by Sean Corcoran US $50.00 / CDN $65.00 / UK ÂŁ40.00 8 Ă— 11 in. (22.4 Ă— 29 cm) 208 pages; 85 images Hardcover with jacket ISBN 978-1-59711-456-1

Hank Willis Thomas: All Things Being Equal Texts by Julia Dolan, Sara Krajewski, and Sarah Elizabeth Lewis

Shomei Tomatsu: Chewing Gum and Chocolate Edited by Leo Rubinfien and John Junkerman

US $65.00 / CDN $88.00 / UK £50.00 9 ½ × 11 ½ in. (24.1 × 29.2 cm) 268 pages; 265 images Hardcover ISBN 978-1-59711-448-6 Limited edition available Copublished by Aperture and the Portland Art Museum, Oregon

US $80.00 / CDN $110.95 / UK ÂŁ50.00 10 Ă— 12 in. (25.4 Ă— 30.5 cm) 216 pages; 125 images Clothbound 58000 ISBN 978-1-59711-250-5

9 781597 113144

Alex Webb: Istanbul, City of a Hundred Names Essay by Orhan Pamuk US $50.00 / CDN $69.95 / UK £40.00 11 ž × 10 � in. (29.8 × 24.9 cm) 136 pages; 77 images

Hardcover ISBN 978-1-59711-034-1

9 781597 112505

Alex Webb: La Calle, Photographs from Mexico Texts by Guillermo Arriaga, à lvaro Enrigue, Valeria Luiselli, and more US $60.00 / CDN $83.95 / UK £40.00 8 ½ × 10 � in. (27 × 21.5 cm) 168 pages; 86 images Hardcover ISBN 978-1-59711-371-7

Alex Webb: The Suffering of Light Essay by Geoff Dyer US $65.00 / CDN $89.95 13 Ă— 12 in. (33 Ă— 30.5 cm) 204 pages; 115 images Clothbound ISBN 978-1-59711-173-7 56500 Available in US & Canada only

56000

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Photobook Classics

Brian Ulrich: Is This Place Great or What Essay by Juliet B. Schor US $50.00 / CDN $69.95 / UK £32.50 9 ¾ × 11 ¼ in. (28.6 × 24.8 cm) 144 pages; 95 images Hardcover ISBN 978-1-59711-192-8 5 5 0 0 0 Limited-edition print available

Penelope Umbrico: Photographs US $65.00 / CDN $89.95 / UK £40.00 9 ½ × 10 ¾ in. (24.1 × 27.3 cm) 172 pages; 100 images Hardcover ISBN 978-1-59711-171-3 56500 Limited-edition print available

9 781597 111713

The Years Shall Run Like Rabbits Photographs by Hellen van Meene US $65.00 / CDN $89.95 / UK £40.00 8 ¾ × 11 in. (22.2 × 27.9 cm) 256 pages; 186 images Hardcover with jacket 56500 ISBN 978-1-59711-317-5 Limited-edition print available

9 781597 113175

Paolo Ventura: Short Stories US $65.00 / CDN $89.95 / UK £45.00 8 ⅜ × 11 ⅝ in. (21 × 29.5 cm) 160 pages; 75 images Hardcover ISBN 978-1-59711-372-4 5 6available 500 Limited-edition print

9 781597 113724

781597 111928

Paolo Ventura: Winter Stories Essay by Eugenia Parry US $85.00 / CDN $120.00 / UK £50.00 11 ½ × 14 in. (29 × 35.5 cm) 120 pages; 65 images Clothbound with jacket ISBN 978-1-59711-125-6 58500 Limited-edition print available

James Welling: Monograph Edited and introduced

by James Crump US $80.00 / CDN $110.95 / UK £50.00 9 ½ × 11 ½ in. (24.1 × 29.2 cm) 256 pages; 250 images Hardcover with jacket ISBN 978-1-59711-209-3 5 8available 000 Limited-edition print

9 781597 111256 9 781597 112093

Edward Weston: The Flame of Recognition Edited and with a foreword by Nancy Newhall US $45.00 / CDN $62.95 / UK £29.95 8 ¼ × 9 ¾ in. (20.9 × 24.76 cm) 112 pages; 64 images 54500 Hardcover with jacket ISBN 978-1-59711-310-6

David Wojnarowicz: Brushfires in the Social Landscape Texts by Vince Aletti, Cynthia Carr, Nan Goldin, Gary Schneider, Kiki Smith, and more US $39.95 / CDN $55.00 / UK £32.95 7 ¼ × 9 ¼ in. (18.3 × 23.4 cm) 240 pages; 130 images Hardcover 55500 ISBN 978-1-59711-294-9

9 781597 113106 9 781597 112949

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Essay Books

Along Some Rivers: Photographs and Conversations

By Robert Adams

Beauty in Photography: Essays in Defense of Traditional Values

By Robert Adams

US $24.95 / CDN $34.95 / UK £13.95 5 ½ × 8 ¼ in. (14 × 21 cm) 112 pages; 28 images Hardcover with jacket 52495 ISBN 978-1-59711-004-4

US $16.95 / CDN $23.95 / UK £12.95 5 ½ × 8 ¼ in. (14 × 21 cm) 112 pages; 23 images 51695 Paperback ISBN 978-0-89381-368-0

Why People Photograph Essays and reviews by Robert Adams US $16.95 / CDN $23.95 / UK £12.95 5 ½ × 8 ¼ in. (14 × 21 cm) 190 pages; 29 images 51695 Paperback ISBN 978-0-89381-603-2

Aperture Conversations: 1985 to the Present With more than seventy interviews US $35.00 / CDN $45.00 / UK £25.00 6  × 9 ½ in. (16.8 × 24.3 cm) 560 pages Flexibind

ISBN 978-1-59711-306-9

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The Pleasures of Good Photographs Essays by Gerry Badger US $29.95 / CDN $41.95 / UK £16.95 6 × 8 ½ in. (15.2 × 21.6 cm) 256 pages; 36 images Flexibind ISBN 978-1-59711-139-3 2995 Also available as an 5e-book

9 781597 111393

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John Berger: Understanding a Photograph Edited and introduced by Geoff Dyer US $24.95 / CDN $34.95 6 × 8 ½ in. (15.2 × 21.6 cm) 176 pages; 27 images Clothbound with tip-on ISBN 978-1-59711-256-7 52495 Available in US & Canada only

Henri Cartier-Bresson: Interviews and Conversations, 1951–1998 Edited and with a foreword by Clément Chéroux and Julie Jones US $19.95 / CDN $26.95 / UK £15.00 4 ¾ × 7 ¼ in. (12 × 18.4 cm) 160 pages Paperback with flaps ISBN 978-1-59711-392-2

US $19.95 / CDN $27.95 / UK £14.95 5 ⅜ × 8 ¼ in. (13.67 × 21 cm) 112 pages; 16 images Hardcover with jacket 51995 ISBN 978-0-89381-875-3

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The Mind’s Eye: Writings on Photography and Photographers

By Henri Cartier-Bresson

Essay Books

Public, Private, Secret: On Photography and the Configuration of Self

By Charlotte Cotton US $29.95 / CDN $38.99 / UK £19.95 7 × 10 in. (17.8 × 25.4 cm) 232 pages; 80 images Paperback with flaps ISBN 978-1-59711-438-7 Copublished by Aperture and the

International Center of Photography

Photography After Frank Essays by Philip Gefter US $29.95 / CDN $41.95 / UK £16.95 6 × 8 ½ in. (15.2 × 21.6 cm) 224 pages; 75 images Flexibind ISBN 978-1-59711-095-2 52995 Also available as an e-book

Light Matters: Writings on Photography Essays by Vicki Goldberg

Crisis of the Real: Writings on Photography Essays by Andy Grundberg

US $19.95 / CDN $27.95 / UK £16.95 5 ½ × 8 ½ in. (14 × 21.6 cm) 248 pages; 27 images 51995 Paperback ISBN 978-1-59711-165-2

US $19.95 / CDN $27.95 / UK £12.95 6 ½ × 9 ¼ in. (16.5 × 23.5 cm) 292 pages; 44 images Paperback 51995 ISBN 978-1-59711-140-9

9 781597 111652

9 781597 110952

9 781597 111409

Photography Changes Everything Edited by Marvin Heiferman US $39.95 / CDN $55.95 / UK £25.00 7 × 10 in. (17.8 × 25.4 cm) 264 pages; 250 images Paperback with flaps ISBN 978-1-59711-199-7 Copublished by Aperture 5 3 9 9 5and the Smithsonian Institution

Susan Meiselas: On the Frontline Edited with Mark Holborn US $35.00 / CDN $47.00 6 ¾ × 8 ½ in. (17.2 × 21.6 cm) 256 pages; 113 images Clothbound with half jacket

ISBN 978-1-59711-427-1 Available in US & Canada only Limited-edition print available

Bending the Frame: Photojournalism, Documentary, and the Citizen

By Fred Ritchin US $19.95 / CDN $27.95 / UK £12.95 8 × 8 ½ in. (15.2 × 21.6 cm) 156 pages; 40 images Paperback with flaps ISBN 978-1-59711-120-1 51995 Also available as an e-book

In Our Own Image Essays by Fred Ritchin US $16.95 / CDN $23.95 / UK £9.95 6 ½ × 9 ¼ in. (16.5 × 23.5 cm) 164 pages; 38 images Paperback 51695 ISBN 978-1-59711-164-5

9 781597 111645

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Essay Books

Between the Eyes: Essays on Photography and Politics

By David Levi Strauss Introduction by John Berger

Words Not Spent Today Buy Smaller Images Tomorrow: Essays on the Present and Future of Photography

By David Levi Strauss

The Lives of Images, Vol. I: Repetition, Reproduction, and Circulation Edited by Stanley Wolukau-Wanambwa

US $19.95 / CDN $27.95 / UK £12.95 6 ½ × 8 ¼ in. (12 × 21 cm) 208 pages; 47 images 51995 Paperback ISBN 978-1-59711-214-7

US $29.95 / CDN $41.95 / UK £18.95 6 × 8 ½ in. (15.2 × 21.6 cm) 192 pages; 35 images Flexibind 52995 ISBN 978-1-59711-271-0

US $24.95 / CDN $32.95 / UK £19.95 4 ³⁄₄ × 7 in. (12.1 x 17.8 cm) 288 pages Paperback with flaps ISBN 978-1-59711-502-5

9 781597 112147

9 781597 112710

Question Bridge: Black Males in America Edited by Deborah Willis and Natasha L. Logan Texts by Hank Willis Thomas and more US $29.95 / CDN $41.95 / UK £19.95 6 ¾ × 7 ⅞ in. (17.1 × 20 cm) 256 pages; 200 images Paperback ISBN 978-1-59711-335-9 Copublished by Aperture and the 2 9 9 5Achievement Campaign for Black5Male

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How to Order Richard Gregg Sales Director, Books rgregg@aperture.org Giada De Agostinis Publicist gdeagostinis@aperture.org Kellie McLaughlin Chief Sales and Marketing Officer kmclaughlin@aperture.org Taia Kwinter Publishing Manager tkwinter@aperture.org

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Aperture magazine is available for bookstores, galleries, and other retailers in the US and Canada from: Ingram Publisher Services +1 844.841.0255 ips@ingramcontent.com And in the rest of the world from: Thames & Hudson Ltd. T +44 20.7845.5000 sales@thameshudson.co.uk Aperture magazine is distributed on newsstands in the US and Canada by: TNG, T +1 866.466.7231, cservice@tng.com And in the rest of the world by: Central Books, centralbooks.com For individual orders of Aperture titles and to subscribe to Aperture magazine, visit aperture.org

Aperture Foundation 548 West 28th Street, 4th Floor New York, NY 10001 T +1 212.946.7154 orders@aperture.org Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.

Aperture Foundation 548 West 28th Street, 4th Floor New York, NY 10001 T +1 212.946.7154 orders@aperture.org

ISBN 9781597115087