E D U C A T I O N 2010 - Present Expected 2012
M. Arch.
2010 - Present Expected 2013
M. Business Admin.
University of Nebraska - Lincoln
GPA 3.90
University of Nebraska - Lincoln
2006 - 2010
B. Science in Design
3.77
2002 - 2006
High School Diploma with high honors
4.00
University of Nebraska - Lincoln Minor in Business Syracuse-Dunbar-Avoca, High School Valedictorian
E X P E R I E N C E 2010 - Present
Teaching Assistant - Assisted in teaching Analysis and Composition Visual Literacy with Professor Erhard Schuetz - Facilitated student led discussions - Critically reviewed student work and offered constructive criticism
2009 - Present
SEARS Lawn and Garden Department - Learned commissioned sales and cultivated customer relationships - Directly handled customer complaints while maintaining position of store responsibility
2008 - 2010
UNL College of Architecture Shop - Supervised basic shop facilities - Trained and supervised CNC Router operations - Did basic clean-up around shop
H O N O R S 2006 - 2008
2002
Awards - Deans List - AIA Architectural Excellence Scholarship - Doug Rippeteau Scholarship - Regents Top Scholar - Eagle Scout
W O R K META-MATIC: An auto creative art machine
1-2
CONTAINER LIVING: A shippable residence
3-4
WINERY: Grafting the new to the old
4-5
MIXED USE RESIDENCE: A live work residence
6-9
WICHITA ART MUSEUM: People watching at the WAM
10-11
UNIVERSITY HOTEL: A responsive hotel for the university
12-13
SCHONEBERG LINSE: Bleeding the big box into a mixed use development
14-19
TO BE CONTINUED: A continual work in progress
20-21
C O N T A C T apost4@gmail.com 402.269.5626
1341 N 9th. Apt D14
Lincoln, NE 68508
META-MATIC. An autocreative art machine raises the question of performance in design. Rather than focus on the artistic qualities of the ďŹ nal peice of art, the process and of how it is created is intensiďŹ ed. This machine becomes an abstracted version of a traditional CMYK printer. The user loads a business card as the art medium and once the machine is turned on, all that is left to do is squeeze the different paints onto the canvas.
squeeze here
turn on here variable speed controls
CONTAINER LIVING. This project rethought the notion of compact housing through the utilization of a shipping container. All the occupants’ possessions could be stored within the 20’ container during shipping, including an automobile. The driving force behind this project was the idea of separating public spaces from private spaces. The transformed container could be deployed anywhere, with varying degrees of privacy and enclosure based on the both the site and the occupant.
8’
8’
20’
WINERY. Acting as both a functioning winery and a small gathering center, this projects main focus was on how to connect these two seperate programs. The use of two different enclosure materials helped to differentiate each program while a glass entry acted as a transparent bond between them. A strong connection to the outdoors and relationship with the nearby vineyard was crucial in the design process.
MIXED-USE RESIDENCE. 4
This urban inďŹ ll project combined a violin shop with an upper level residence. A rigorous program and challenging site made for a unique design. The project focused around the seperation of the live work environments
DN
16
open to below
DN
15
15
15
6
17
18
open to below
third floor plan
live
work
DN
10
open to below
DN
UP
13
12
9 10
live
6
open to below
11
14 second floor plan
work DN
7
4
20
open to below
19
UP
DN
8 open to below
live
work
DN first floor plan
MUSIC b-b
DN
2 UP
3
live
work
1
b-b
22 6
5
20
19
4
basement plan
RESIDENCE 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
Pool Utility Service Courtyard Guest Bedroom Bathroom Entry Garage Music Room Living Kitchen DIning Outdoor Dining Pantry Bedroom Office Master Bedroom Master Bath
SHOP 19 20 21 22
Retail Practice Room ADA Bathroom Storage
MIXED-USE RESIDENCE.
WICHITA ART MUSEUM Art is a social experience. As the Wichita Art Museum looks to the future, the museum will become a more prominent experience in the daily lives of the citizens of Wichita. Appreciation for the museum will be fueled by the prized selection of artwork as well as the social experience one has while visiting the museum. The viewing of art becomes secondary to the interaction of people within the museum and on the surrounding grounds. Driven by this notion of human interaction, this project looks to expand the role of the museum within its local surroundings. By incorporating mixed use development, street faced housing, and a public green space, the museum draws both visitors from afar and close to home. It functions adequately for those who work/live there on a daily basis, as well as those who visit it on the rare occasion.
N
16’
32’
64’
128’
UNIVERSITY HOTEL. The engagement of the guest in a dynamic building was the main driving force in this University Hotel. Each individual room could directly respond to the user through an operable wall system. This created an ever changing facade that breaks from the shear condition of the tower.
Enclosure
Framework System
Structure
SCHONEBERG LINSE The Schoneberger Linse sits as a forgotten island in the dense urban fabric of Berlin. Having been in the former Tempelhof Airport ight path, this neglected sight saw very little development over the past 100 years. By recognizing already strong inuences on the site, a proposal can be seen that creates a destination and place of departure for many. This proposal takes advantage of the existing proximity of several big box stores but recognizes that these stores currently isolate them selves from the rest of the site. By integrating several different scales of retail, mixed use, and residential development, these big box stores become an integrated peice of the urban fabric.
SCHONEBERG LINSE
VERTICAL CIRCULATION
OPEN SPACE
PARKING
PROGRAM
Environmentally Responsive Design
Multi-level Shopping
South Facing Balconies
Lower Service Road
Accessible Vegatative Roof
SCHONEBERG LINSE
TO BE CONTINUED... As is the case with my passion for design, this design portfolio is never complete. I constantly look to expand my knowledge and skill set. Seeking new ways to positively affect each and every design, I strive for constant improvement as both a designer and as a person. Any suggestion upon how I can improve myself as a person or my design work is always welcome. Adam Post
C O N T A C T apost4@gmail.com 402.269.5626
photos courtesy. Benton Cooper
1341 N 9th. Apt D14
Lincoln, NE 68508
Design / Build Lincoln Childrens Zoo Camel Exhibit