PRERANA DHADOTI
southern california institute of architecture
2022
2023
STATEMENT
I am an aspiring architect from India, constantly striving to portray the world through the artistic lens. My passion lies in problem-solving and creating anew. Architectural details have always captivated me. My journey began by exploring ancient and modern wonders worldwide, fueling my fascination with architecture. Being a child of nature, studying the global crisis reinforced the need for harmony between architecture and nature. My ambition is to leverage my knowledge for a future-focused approach. I aim to be an architect who enhances both structures and their surroundings, preserving the natural ecosystem through inventive modernism, ingenuity, and meticulous attention. Ultimately, my goal is to contribute to making the world a more pleasant place for future generations.
TABLE OF CONTENT
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OYLER VERTICAL - Fall 2023
Generative Morphologies- Design Studio
Details, Details
Complex MorphologiesDesign Studio
THE PERRENIAL
05 Visual Studies 1
ROCOCO
DICHROIC CLASSROOMS
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Visual Studies 2
Design Development
"LOST WORLD: THE SEARCH FOR A VANISHED CIVILIZATION"
01 Roles of Circulation CLASS - Vertical Studio SEMESTER- 3 PROFESSOR- Dwayne Oyler COLLABORATORS- Adam Josephson
Our semester commenced by focusing on the marble run's development, emphasizing key characteristics vital to our project's evolution. The primary diagonal, serving as the organizational core, and the strategic arrangement of masses around the marble run were pivotal considerations. These masses highlighted movement and concealed groups, shaping with markings, tracks, and slots. Site selection prioritized movement, the building's functionality pulls circulation from three key locations, framing it as an essential passageway rather than a traditional structure.
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Exhibition spaces, viewed as part of a journey, feature large spaces positioned vertically, with dynamic relationships along the primary circulation path. Material and detail strategies create distinct moments, highlighting the role of circulation, dynamic moments, and intensified relationships within the building proposal.
1.] Rendered plan of the marble run 2.] Perspective view of the marble run
Refining the lines to delineate the marble run and establish the massing represents the next progressive phase.
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1. Sectional Drawing 2. Rendered Section 3. West Elevation
Making of models
02 THE PERRENIAL CLASS - Generative Morphologies. SEMESTER- 2 PROFESSOR- Elena Manferdini COLLABORATORS- Riya Venkatesh
Studio provided a platform for in-depth research and investigation of a specific building typology, taking into account both the theoretical and creative aspects of the project as well as the pragmatic factors that influence decision-making. The development of a comprehensive understanding of the principles and considerations at the heart of any architectural project, as well as the opportunity to investigate and engage with disciplinary issues in depth.
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We got an opportunity to work on 444 S Flower st tower.FourForty Four South Flower, Formerly citigroup Center, is a 627 11 (191 m) 48-story skyscraper at ine center of downtown Los Angeles, California. When completed in 1981, the tower was the fifthtallest in the city. Now it is the 16th tallest tower.
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1. Diagramatic representation of the proposed rings and the purpose it will fulfill.
1. Section of bigger ring facing North 2. Site plan of exsisting 444 tower 3. Plan of The Perrenial on the site
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Section of tower facing West
03 Bifurcated Brilliance -The Ingenious Handrail Detail CLASS - Details, Details SEMESTER- 3 PROFESSOR- Dwayne Oyler COLLABORATORS- Raymund Vista
Our attention was captivated by the intricate details of the handrail structure, skillfully integrating a mix of materials-metal, wood, and brick. The metal facade not only conceals the amalgamation of wood and metal but also creates a canvas for the handrail's finer nuances to take center stage. The handrail support is ingeniously bifurcated, providing additional reinforcement specifically tailored for the wooden handrail. The deliberate spacing between the supports not only enhances structural integrity but also underscores a sense of balance, directing focus towards the joints that play a pivotal role in efficiently distributing the load of the handrail. Metal here plays a important role of holding together the angular carved walls as well as the handrail itself.
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The deliberate juxtaposition of hard metal and the warmth of wood imbues the handrail detail with a tactile quality. This thoughtful combination of materials not only ensures durability but also introduces an element of sensory engagement, making the handrail a compelling feature that seamlessly blends form and function.
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11 DICHROIC CLASSROOMS CLASS - Complex Morphologies. SEMESTER- 1 PROFESSOR- Rachel McCall. COLLABORATORS- Pratit Vyas.
High res with low res This investigation will begin by combining low resolution primitives derived from everyday household terns and trinkets with swatches and chunks of high fidelity texture and detail derived from homewares, toys, or clothing. Considering basic volumetric shapes for low resolution objects, such as donuts, ice cream cones, tennis balls, and Lego blocks. On the high resolution side, imagine wrinkled cloths, ruffled ledges, and fuzzy or ripped open toy seams.
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The high-resolution swatches will function as thick painterly brush strokes, alpha stamps of rich texture, and/or detail that can be manipulated.Contrast, distract, and obscure our everyday low-resolution primitives. The work concentrated on layering and dynamics in form, as well as multiple opacities within materials.
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Furniture made of loofah, origami bird, pine cone, and glass is a unique and imaginative combination of natural and man-made materials. The use of loofah, a fibrous plant material, adds a natural element to the furniture, while the origami bird and glass add a touch of creativity and artistry. 1. The loofah is used for the chair’s frame and structure, lending a sturdy and lightweight quality to the pieces that rest on the origami bird, which can be used as an accent piece or decorative element, adding a pop of color and whimsy to the overall design. 2. Rethinking the use of feathers to make a chair, along with a vase as a stand and loofah as seating. The feathers transform the chair from a lightweight object to a sturdy chair while still incorporating its grace as a decorative element, adding movement and tactile interest. 3. The pine cone is also used as a decorative element, possibly as an embellishment or texture element on the bottom of the table and to rest the glass above.Glass, whether used as a tabletop or incorporated into the design in other ways, adds a sleek and modern touch to the furniture. The contrast between natural and glass materials can create an eye-catching visual effect, adding depth and interest to the furniture.
This section goes over the entire site. We have incorporated our primitives into the landscape for various purposes. The entire sectional chunk has been combined with interesting internal spaces. The feather alpha bridge connects the new building to the existing morphosis school.
Front section: oblique view
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Classroom sections: Low res with High res
This section covers the entire back end of the site. We linked the new elementary school to the existing structure using interesting landscapes and divisions. The stairwell leads down to the playground. This section, in particular, cuts through the planetarium and the internal passage that connects the entire building.
Back section
ROCOCO CLASS - Visual Studies. SEMESTER- 1 PROFESSOR- William Virgil and Rachel McCall. COLLABORATORS- Pratit Vyas.
Beyond its physical appearance, the lamp shade in question appears to have a deeper meaning. It is intended to remind us of the importance of taking time for ourselves and not becoming overly focused on external goals. Throughout the day, the lamp shade emits different hues that can be associated with specific emotions or memories. Users can create a more meaningful connection with the object and use it as a reminder to reflect on their emotions and experiences by attaching personal memories to the lamp’s glow.
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The lamp shade itself is most likely aesthetically pleasing, with a shape and form that improves the overall experience of using it. It could be made of a material that allows light to diffuse in an unusual way, creating a distinct ambiance in the room.
In this case, we used the extracted geometry and design of the face to create a lampshade. We used the alphas that most closely resembled us and also had a backstory. Our concept began with capturing the contrasting nature of our own personalities and portraying them in our lampshade. The alphas provided us with beautiful geometry in contrast and a sense of intricacy in the design. That is where the Rococo got its name. as well as the face’s design.
Putting the extracts together to make the lampshade
This lamp shade appears to be more than just a decorative piece. It serves as a reminder to prioritize self-care and emotional well-being while also providing a beautiful and one-of-a-kind source of light in the home.
This project we experimented with form layering and dynamics, multiple opacities and color spills within materials, and masking, sequences, and adjacencies in postproduction software. The term “color spill” often refers to a situation in which light spills over from one area to another, causing unwanted color reflections or blending. However, it’s possible that in this context, “color spill” refers to intentionally creating a spill or overlap of colors within materials to create a particular visual effect.
Layering and dynamics in form through colourspill
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Lost World-The Search for a Vanished Civilization CLASS - Visual Studies. SEMESTER- 2 PROFESSOR- Damjan Jovanovic COLLABORATORS- Riya Venkatesh
The course abstract seminar focuses on the discovery and application of advanced representational technologies and novel techniques for drawing and modeling with UE5, Blender, and other software. The objective was to imagine and design a futuristic city street scene set in Los Angeles populated by artificial intelligence (AI). The challenges throughout the course were to delve into the artistic potential of hard surfaces, using asset manipulation and procedural modeling to achieve these objectives.
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Introducing life to the world built
Introduction to the world
In the distant future, humanity explores distant stars, discovering a seemingly lifeless planet on the fringe of known space. Initially deemed barren, soldiers investigating strange activity stumble upon thriving life. Initially presumed to be hardy plant species, the planet reveals a millennia-old, thriving ecosystem. Eager to unravel its mysteries, soldiers enlist construction workers to explore and build on the surface, unveiling remnants of a vanished advanced civilization. Amid challenges from the harsh environment and native life forms, the team persists in uncovering the truth about this lost world, exploring its secrets and contemplating their potential impact on humanity’s future.
02 SYNTHETIC FIELDS
Axonometric Diagram Roof beam grid
CLASS - Design Development SEMESTER- 3 PROFESSOR- Herwig Baumgartner, Zach Burns TEAM- Ian Fennimore, Arnar Skarphedinsson, KeFoundation Chen, Yibo Deep PilingYuan, Tristan de Anda, Parth Patel, Riya Venkatesh Roof beam grid
Throughout this program, we will delve into key issues such as technology, material utilization, systems integration, and analytical strategies encompassing force, order, and character in the realm of design. Our journey includes a thorough examination of basic and advanced construction methods, scrutiny of building codes, and the intricate design processes of Structural, Mechanical, and Environmental I Columnsystems, as well as Buildings service systems. Additionally, we will explore the dynamic development of building materials and the seamless integration of various components and systems. Beam - Girder grid
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The overarching objective of this course is to cultivate a cohesive understanding of how architects effectively communicate intricate building systems within the built environment. Furthermore, we aim to showcase your ability to meticulously document comprehensive architectural projects and emphasize the crucial aspect of environmental stewardship.
Core
Project:
Synthetic Fields Project Address:
Concrete
555 West 5th Street; Los Angeles, CA 90013
I Column Concrete Base Rebar SCI-Arc
Fall 2023
Instructors
Concrete floor deck
Herwig Baumgartner Zachary Burns
Beam - Girder grid
Consultants Structural: Matthew Melnyk
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Environmental Systems: Sophie Pennetier MEP: Jamey Lyzun
Concre Steel Truss Bracing @ Transfer & MEP Floors
Concrete Base Set Collections
Steel Truss Bracing @ Transfer & MEP Floors
#14 Rebar Ties
Tokamak Vacuum Vessel Infrastructure
Solid Concrete Transfer Base & Reactor Housing
Poloidal Field System Coil Divertor Stainless Steel Cryostat
Project Overview
Environmental Systems
Structure & Material Selections
ADA, Egress, & Fire
Chunk Details
Cost Estimation & Carbon Framed Footprint
Tapered Geometric Inflection w/ Transfer Truss
Public Volumes hung from solid base core Outrigger Truss frame around angled entires
Ke Chen Prerana Dhadoti Tristan de Anda Ian Fennimore
Arnar Skarphedinsson Parth Patel Riya Vankatesh Yibo Yuan
Solid Concrete Transfer Base & Reactor Housing
Sheet Title
Raft Foundation
Deep Fou
Structure Overview
Sheet No.
S3.00
Drawn By
IF & PP
Raft Foundation
Email Contact Number Instagram
ar.preranadhadoti@gmail.com (213)645-9800 archaievo