U.S. Nationals Judges’ Perspective

2022 U.S. NATIONALS JUDGES’PERSPECTIVE IN-HAND/BREEDING Donnie Bullock | Brian Ferguson | Kim Morgan

MORGAN: Seventeen years ago, in Florida. e rst youth rider came in on a western horse and the curb bit fell out of its mouth on one side. A tense couple of moments but it was a great horse that stopped, and we got it xed. What could you share to encourage more people to pursue getting their judges card? FERGUSON: Judging has brought me a great deal of joy. I have made life-long friends consisting of other judges, stewards, ring masters, show managers, and secretaries. Because of judging, I have been lucky enough to travel to Europe, the Middle East and South America. I would encourage anyone to pursue getting their judge’s card. MORGAN: Whether they become a judge or choose not to, there is great education in the process. AHA has done a wonderful job with the school. As a showman, judging really helps you hone in on perfecting your area of expertise. It’s also a great opportunity to fellowship with other judges and learn their perspectives. Last but certainly not least, it’s quite an honor to determine the horses that will win the classes and represent our breed.

Q& western horse and the curb bit fell out of its mouth on one side. A tense couple

What is a seemingly small detail that you appreciate seeing in the ring? FERGUSON: A pleasant attitude from the exhibitor, as well as the horse. MORGAN: A smooth presentation that complements a great individual.

What is your biggest pet peeve(s) to see in the show ring? FERGUSON: Exhibitors who try to school when not on deck, and exhibitors not walking on a loose line with whips down. MORGAN: Show clipping that is not well blended or overdone.

What stands out to you as a great presentation? FERGUSON: A horse that is relaxed and proud, not intimidated or crouching. MORGAN: A well prepared, con dent horse beginning with an entrance exhibiting the enthusiasm of our breed.

What advice would you give trainers coaching from the rail? FERGUSON: We can all hear you. It can be very distracting. MORGAN: Dial the volume down a little, unless there is a valid safety issue.

What will get you noticed in a positive way? And in a negative way? FERGUSON: See answers above. MORGAN: Respectful handling of your horse. Negative? Over schooling.

What is a common mistake exhibitors make that you wish you could correct? FERGUSON: Being overly nervous and forgetting what they have worked on. MORGAN: Not walking straight to the judges.

What was your rst o cial judging assignment? What do you remember most about it? FERGUSON: My rst show was in 1979 at a county fair in Canada. e ring was a grassy area without a fence, and it made for an interesting situation in the performance classes. e famous Gladys Brown Edwards painting of the white Arabian horse is often thought of as the “standard” by which Arabian halter horses are judged. Is that depiction still applicable today? Is there an Arabian horse that you’ve seen in person that most exempli ed the standard of what an Arabian halter show horse should look like for you personally? If you feel the standard has changed; how do you feel the Arabian breed has evolved? MORGAN: e GBE trophy is a great standard for me. It’s a beautiful, balanced horse that is strong and athletic. I think it shows the real strengths of an Arabian horse. Of course, there are trends, but the special qualities that are the Arabian horse remain in the GBE trophy.

Of course, there have been many who have exempli ed this standard. I grew up in awe of the Gainey-bred horses. In the show ring, some years ago: Elkana, Fire Music and Wizja to name a few.

e horses today over all are much more exotic and extreme in type.

From time to time we see horses in the breeding/halter division whose presentation is more intense than others. When you see a horse who seems to crouch behind, in your opinion, does this a ect the overall presentation and does it impact the nal placement on your card? FERGUSON: e crouch changes the conformation of the horse drastically. I cannot accurately assess the back nor the hip nor the back legs when in this position. So, yes, my opinion of the horse is negatively impacted when they crouch. is position shows intimidation, and therefore, I do not experience that pleasant attitude I spoke of earlier.

Q&A MORGAN: Lots of horses get pretty pumped up from the crowd excitement and things happening in the arena, which would not be o ensive. However, and things happening in the arena, which would not be o ensive. However, if a horse is clearly intimidated by the handler, it could certainly impact the placement. It is our job to discern which it is.

How important is the walk? What are you looking for? What things are you able to see/identify at the walk that aren’t as apparent while in motion or stood up? FERGUSON: e walk is the most important factor for balance and overall conformation and quality. I want whips down and the horse on a loose line. MORGAN: e walk is very important to me. I think it is an opportunity to evaluate movement, conformation, and overall balance. It provides an observation of the true qualities of the horse apart from the presentation.

What about judging U.S. Nationals are you most looking forward to? FERGUSON: I am always impressed by the wonderful horses that are presented at the U.S. Nationals, and I assume that this year will be the same. MORGAN: It will be an absolute thrill of a lifetime. I am truly humbled to have the opportunity.

PERFORMANCE

Karen Homer Brown | Jody LaSalle | Lewis McKim | Sheri Odom | Susan Witte | Richard Wright

What is a seemingly small detail that you appreciate seeing in the ring? LASALLE: Small details are important and little things stand out. I am impressed when I see clean, properly tting tack. It shows me that the exhibiter realizes that well considered appointments do count in the speci cations. MCKIM: ere are a couple of things that I appreciate seeing in the show ring. One being that everyone, including o cials and exhibitors who enter the ring, both dress and conduct themselves in a professional manner. WITTE: Exhibitors who remain focused throughout their presentation until they leave the arena. WRIGHT: A horse, working well within its capability, in both speed and collection.

What is your biggest pet peeve(s) to see in the show ring? LASALLE: An exhibitor who does not use the show ring properly and does not allow her horse to perform at its best level. MCKIM: I don’t have any pet peeves in the show ring per se, but I do nd it a tad amusing when an exhibitor rides by and feels it necessary to make eye contact. WITTE: My biggest pet peeve is about the safety of the show o cials in the ring. We so appreciate brilliant performances and understand in the larger classes the “want to be seen.” It is di cult to judge and evaluate when a horse is on top of you. e ring stewards do an outstanding job, but we all need to stay safe. WRIGHT: Horses shown at ridiculous speeds that have no balance, cadence, or self-carriage.

How do you feel about exhibitors taking extra laps after the lineup has been called? LASALLE: “Line up” absolutely means line up! is could apply to the question above! MCKIM: In my opinion, exhibitors who take extra laps when the lineup has been called for is an example of rudeness and “grand standing” to both the o cials and the remaining exhibitors in that class. When the lineup has been called, I have completed judging the required rail work. WRIGHT: When I call for the lineup, my decisions are already made. I have no problem with someone completing their nal pass, but beyond that, it is unnecessary and inconsiderate.

What stands out to you as a great performance? What stands out to you as a great performance? LASALLE: When the exhibitor and the horse demonstrate a con dent and LASALLE: When the exhibitor and the horse demonstrate a con dent and positive attitude. An exhibitor who naturally allows her horse to enjoy its positive attitude. An exhibitor who naturally allows her horse to enjoy its speci c discipline. speci c discipline. MCKIM: When horse and rider work as a “dream team.” ey’re both in sync, MCKIM: When horse and rider work as a “dream team.” ey’re both in sync, each transition is smooth/e ortless, and the entire ride gives the overall appearance each transition is smooth/e ortless, and the entire ride gives the overall appearance of nothing less of a brilliant performance aspiring to greatness with each gait. of nothing less of a brilliant performance aspiring to greatness with each gait. WITTE: A quality horse that can e ortlessly do its job with expression, utilize WITTE: A quality horse that can e ortlessly do its job with expression, utilize the arena well, and partnered with a rider/driver that enhances the overall picture. the arena well, and partnered with a rider/driver that enhances the overall picture. WRIGHT: A completely happy horse with perfect balance and cadence. WRIGHT: A completely happy horse with perfect balance and cadence. What catches your eye in the lineup? LASALLE: First impressions are everything and once the lineup is formed, the rst thing I notice is a beautifully conditioned horse who is wearing a clean bridle and a shiny, clean bit. MCKIM: I’m looking for the quality, conformation and standing in a relaxed manner. Friendly exhibitors are also a plus. WRIGHT: A horse that has performed well but is exhausted or intimidated. What will get you noticed in a positive way? And in a negative way? LASALLE: Exhibitors are noticed in a positive way when they show true ringmanship and command of their horse. e horse has good movement from hind to foot and the rider/horse is in the proper division. is stands out! Negative features unfortunately do as well, and this is quickly seen in an unhappy and confused horse. Flat ears, and dragging its hind legs are features of this. MCKIM: Positively, I want to see the horse executing each gait as speci ed in the rulebook and showing real and actual transitions when called. Watching for the right moment to make a brilliant pass and showing the horse to its utmost ability is a de nite bonus. On the negative side of the spectrum, riders not using the entire arena and cutting in far too close to the o cials, I frown upon. WITTE: A well prepared and turned-out horse and rider would always be noticed in a positive way. An unprepared horse and rider, or one being schooled in the arena would have a negative e ect. WRIGHT: Positive: a respectful presentation demonstrating an understanding of the gaits that were called. Negative: any presentation that assumes that speed after the entrance is an acceptable substitute for quality of movement.

What catches your eye in the lineup? LASALLE: First impressions are everything and once the lineup is formed, the rst thing I notice is a beautifully conditioned horse who is wearing a clean bridle and a shiny, clean bit. MCKIM: I’m looking for the quality, conformation and standing in a relaxed manner. Friendly exhibitors are also a plus. WRIGHT: A horse that has performed well but is exhausted or intimidated.

What will get you noticed in a positive way? And in a negative way? LASALLE: Exhibitors are noticed in a positive way when they show true ringmanship and command of their horse. e horse has good movement from hind to foot and the rider/horse is in the proper division. is stands out! Negative features unfortunately do as well, and this is quickly seen in an unhappy and confused horse. Flat ears, and dragging its hind legs are features of this. MCKIM: Positively, I want to see the horse executing each gait as speci ed in the rulebook and showing real and actual transitions when called. Watching for the right moment to make a brilliant pass and showing the horse to its utmost ability is a de nite bonus. On the negative side of the spectrum, riders not using the entire arena and cutting in far too close to the o cials, I frown upon. WITTE: A well prepared and turned-out horse and rider would always be noticed in a positive way. An unprepared horse and rider, or one being schooled in the arena would have a negative e ect. WRIGHT: Positive: a respectful presentation demonstrating an understanding of the gaits that were called. Negative: any presentation that assumes that speed after the entrance is an acceptable substitute for quality of movement.

If a horse makes a mistake as a result of an event outside of the ring (ie. child hanging over If a horse makes a mistake as a result of an event outside of the ring (ie. child hanging over the rail, garbage can knocked over), do you take this into consideration? Why or why not? the rail, garbage can knocked over), do you take this into consideration? Why or why not? LASALLE: Unfortunately, crazy things happen outside the show ring. LASALLE: Unfortunately, crazy things happen outside the show ring. Sometimes I see the “issue” that causes a horse to spook or break. Certainly, I Sometimes I see the “issue” that causes a horse to spook or break. Certainly, I would take it into consideration as not the horse’s fault. However, many times in would take it into consideration as not the horse’s fault. However, many times in large classes, I do not see everything that is happening. In this case I may drop large classes, I do not see everything that is happening. In this case I may drop a horse a place or two. a horse a place or two. MCKIM: If a horse makes a mistake “within reason” due to unforeseeable MCKIM: If a horse makes a mistake “within reason” due to unforeseeable circumstances outside of the show arena, I’ll usually not penalize it. With that circumstances outside of the show arena, I’ll usually not penalize it. With that being said, each scenario comes with its own set of circumstances, so giving a being said, each scenario comes with its own set of circumstances, so giving a hard and fast answer to the question would be unfair. hard and fast answer to the question would be unfair. WITTE: Mistakes need to be assessed individually, with importance on a WITTE: Mistakes need to be assessed individually, with importance on a positive performance. As a horseman, I do forgive some mistakes if caused positive performance. As a horseman, I do forgive some mistakes if caused by an event outside the ring, or not. However, the horse should regain control by an event outside the ring, or not. However, the horse should regain control going forward to complete the class in an exemplary manner. going forward to complete the class in an exemplary manner. WRIGHT: Any non-dangerous error in a horse’s performance either inside or WRIGHT: Any non-dangerous error in a horse’s performance either inside or outside of the ring would not negatively a ect a horse’s placement, but if I don’t outside of the ring would not negatively a ect a horse’s placement, but if I don’t see or hear the interference, I cannot assume it happened. see or hear the interference, I cannot assume it happened. Do you feel attire can distract from your horse/performance? What is your perspective on being properly suited for competition? What things do you typically nd distracting? LASALLE: Properly tted attire of the rider completes the “LOOK” of a wellturned-out horse. It adds to the nish. Poor tting attire, coats too long, derbies not shaped and dirty boots, are distracting to the eye. MCKIM: Yes, I do feel that both attire and tack can sometimes distract from one’s horse/performance. Generally speaking, riders and horses are beautifully turned out. e amount of brass on show hack bridles is sometimes “over the top,” but so long as it’s all legal, it’s ne by me. WITTE: Attire can de antly enhance or distract from the overall look. Taste, quality, and tailoring will always work to your advantage. WRIGHT: Ill- tting or dirty attire detracts from a performance. And clothing for certain classes, country and hunter, for example, should be conservative according to the rules. What is a common mistake exhibitors make that you wish you could correct? LASALLE: Often noticed is that exhibitors will rush their horses into transitions. ey go right into it rather than taking the time to prepare. MCKIM: Common mistakes that exhibitors make are (a) overriding the horse, (b) not using the entire show arena, (c) riding too close to the o cials, and (d) not demonstrating transitions when called. WITTE: Riders’/drivers’ inability of rating the forward or speed of the class. Particularly in the English/Country divisions. Rating these horses so that they can stay balanced and cadenced while engaged would make for more beautiful performances. WRIGHT: e idea that running over a judge will get you noticed in any positive way.

Do you feel attire can distract from your horse/performance? What is your perspective on being properly suited for competition? What things do you typically nd distracting? LASALLE: Properly tted attire of the rider completes the “LOOK” of a wellturned-out horse. It adds to the nish. Poor tting attire, coats too long, derbies not shaped and dirty boots, are distracting to the eye. MCKIM: Yes, I do feel that both attire and tack can sometimes distract from one’s horse/performance. Generally speaking, riders and horses are beautifully turned out. e amount of brass on show hack bridles is sometimes “over the top,” but so long as it’s all legal, it’s ne by me. WITTE: Attire can de antly enhance or distract from the overall look. Taste, quality, and tailoring will always work to your advantage. WRIGHT: Ill- tting or dirty attire detracts from a performance. And clothing for certain classes, country and hunter, for example, should be conservative according to the rules.

What is a common mistake exhibitors make that you wish you could correct? LASALLE: Often noticed is that exhibitors will rush their horses into transitions. ey go right into it rather than taking the time to prepare. MCKIM: Common mistakes that exhibitors make are (a) overriding the horse, (b) not using the entire show arena, (c) riding too close to the o cials, and (d) not demonstrating transitions when called. WITTE: Riders’/drivers’ inability of rating the forward or speed of the class. Particularly in the English/Country divisions. Rating these horses so that they can stay balanced and cadenced while engaged would make for more beautiful performances. WRIGHT: e idea that running over a judge will get you noticed in any positive way.

2022 U.S. NATIONALS 2022 U.S. NATIONALS JUDGES’PERSPECTIVEJUDGES’PERSPECTIVE

In a country pleasure class, what do you de ne as excessive motion? In a country pleasure class, what do you de ne as excessive motion? LASALLE: In a country pleasure class, the speci cations are Attitude, Manners, LASALLE: In a country pleasure class, the speci cations are Attitude, Manners, Performance, Quality and Conformation. Judging from hind to front tells me Performance, Quality and Conformation. Judging from hind to front tells me the actual movement of the horse. Natural, good conformation allows the horse the actual movement of the horse. Natural, good conformation allows the horse to move properly; meaning, correct conformation determines the motion of the to move properly; meaning, correct conformation determines the motion of the horse. Many times, I see horses laboring from behind, causing an unnatural high horse. Many times, I see horses laboring from behind, causing an unnatural high excessive motion. Also, horses who land hard on their front feet, show at ears excessive motion. Also, horses who land hard on their front feet, show at ears and/or mouthing at the bit are all excessive. A beautiful, happy horse whose and/or mouthing at the bit are all excessive. A beautiful, happy horse whose conformation allows for a high trot is not excessive to me. conformation allows for a high trot is not excessive to me. MCKIM: In my mind, excessive motion in a country pleasure class is a horse MCKIM: In my mind, excessive motion in a country pleasure class is a horse that is breaking far above knee level. that is breaking far above knee level. WITTE: For me, a country English pleasure horse should be just that; a horse WITTE: For me, a country English pleasure horse should be just that; a horse that comfortably wears the bridle and uses its body to perform in an e ortless that comfortably wears the bridle and uses its body to perform in an e ortless manner—a pleasure to ride. When a horse naturally or forcefully is engaged, manner—a pleasure to ride. When a horse naturally or forcefully is engaged, and trotting above level consistently, that horse should be penalized for and trotting above level consistently, that horse should be penalized for excessive motion. excessive motion. WRIGHT: If a horse moves consistently over level and pushes the line on WRIGHT: If a horse moves consistently over level and pushes the line on brilliance and speed, I will not consider it a country horse. brilliance and speed, I will not consider it a country horse. What advice would you give trainers coaching from the rail? What advice would you give trainers coaching from the rail? LASALLE: I appreciate trainers from the rail who show kindness and caring LASALLE: I appreciate trainers from the rail who show kindness and caring toward their student and horse. toward their student and horse. MCKIM: Coaching on the rail is just ne so long as it’s subtle. MCKIM: Coaching on the rail is just ne so long as it’s subtle. WRIGHT: Any coach yelling in my direction to convince me how well the WRIGHT: Any coach yelling in my direction to convince me how well the horse is performing should reconsider their actions. horse is performing should reconsider their actions.

Chewing gum in class, tack that isn’t clean, poor grooming, distracting attire, not Chewing gum in class, tack that isn’t clean, poor grooming, distracting attire, not utilizing the entire arena... put these things in order from your biggest pet peeve to utilizing the entire arena... put these things in order from your biggest pet peeve to the least. the least. LASALLE: Dirty tack, poor grooming, distracting attire, chewing gum LASALLE: Dirty tack, poor grooming, distracting attire, chewing gum (especially in equitation, then it would be my biggest pet peeve). (especially in equitation, then it would be my biggest pet peeve). MCKIM: Not using the entire arena, poor grooming, unclean tack, distracting MCKIM: Not using the entire arena, poor grooming, unclean tack, distracting attire, chewing gum. attire, chewing gum. WRIGHT: e rst four show a complete lack of respect for the horse, the WRIGHT: e rst four show a complete lack of respect for the horse, the exhibitor, and the judge. e latter can be a lack of experience or instruction. exhibitor, and the judge. e latter can be a lack of experience or instruction.

What and when was your rst o cial judging assignment? What do you remember most about it? LASALLE: In the early 1980s I judged the East Coast Championships. It was a huge show, and it was so much fun and very memorable. MCKIM: My rst judging assignment at the U.S. Nationals I believe was in 1991. at year the show was held in Kentucky, it was extraordinarily humid, and I was wearing glasses for the rst time. It was the nals for the National Champion Filly Futurity, and the Ring Steward instructed me to place all ten

horses. I could only nd nine numbers. Back to the lineup and still only able to nd nine numbers. Checking my judges card several times and becoming more and more frustrated, my glasses began to steam up profusely, not allowing me to see anything. I approached the Ring Steward asking for assistance in nding the tenth horse. “Oh,” said the gentleman, “there are only nine horses in the class, one scratched.” I remember vividly to this day, the total frustration and complete embarrassment I felt. WITTE: My rst o cial judging assignment was at the Rancho California Horse Show in 2006. I remember that I pleasantly surprised myself in feeling right at home in center ring. WRIGHT: is was Hartmeyer Stables in Muncie, Indiana. I was both intimidated and honored as I am with every judging assignment. What could you share to encourage more people to pursue getting their judges card? LASALLE: I would encourage individuals interested in judging to attend the school, get experience by volunteering at a small local 4H show, and to know that judging is truly a valuable experience. MCKIM: In pursuing one’s judges’ card, I would say that the applicant is in for a wonderful and rewarding lifetime experience. ere will be many opportunities to travel throughout the continent and abroad, to see extraordinarily beautiful Arabian horses, and have the opportunity to meet interesting and fascinating people, and sometimes not so interesting and fascinating people along the way. WITTE: Judging has been rewarding in so many ways. It’s a neverending process of learning, evaluating and appreciating the craft of this industry. Whether it’s the breeding or performance divisions, judging allows you to be part of governing the direction of the Arabian horse. I would encourage anyone who has the passion or desire, to pursue a card. WRIGHT: Judging has made me a much more e ective horseman. What about judging U.S. Nationals are you most looking forward to? LASALLE: I am looking forward to the excitement of judging at the U.S. Nationals! I look forward to seeing the most beautiful horses, great exhibitors, and happy winners! MCKIM: To connect with others within the breed and to be a part of the challenge and excitement in naming many of the 2022 National Champions. WITTE: I am so honored and thrilled to be part of the U.S. National What and when was your rst o cial judging assignment? What do you remember Championship Show! It’s a privilege to judge the nest horses and riders in our most about it? industry. We should all be so proud of the breeders, owners, trainers, exhibitors LASALLE: In the early 1980s I judged the East Coast Championships. It was and show committee members that host and participate at this incredible a huge show, and it was so much fun and very memorable. event. Good luck to everyone! MCKIM: My rst judging assignment at the U.S. Nationals I believe was in WRIGHT: Judging the Arabian Nationals is always a study in the incredible 1991. at year the show was held in Kentucky, it was extraordinarily humid, variety and depth of the skills involved in presenting horses in multiple divisions. and I was wearing glasses for the rst time. It was the nals for the National is is a feature unique to our breed and a singular testament to the quality of Champion Filly Futurity, and the Ring Steward instructed me to place all ten work being done in the Arabian industry.

horses. I could only nd nine numbers. Back to the lineup and still only able to nd nine numbers. Checking my judges card several times and becoming more and more frustrated, my glasses began to steam up profusely, not allowing me to see anything. I approached the Ring Steward asking for assistance in nding the tenth horse. “Oh,” said the gentleman, “there are only nine horses in the class, one scratched.” I remember vividly to this day, the total frustration and complete embarrassment I felt. WITTE: My rst o cial judging assignment was at the Rancho California Horse Show in 2006. I remember that I pleasantly surprised myself in feeling right at home in center ring. WRIGHT: is was Hartmeyer Stables in Muncie, Indiana. I was both intimidated and honored as I am with every judging assignment. What could you share to encourage more people to pursue getting their judges card? LASALLE: I would encourage individuals interested in judging to attend the school, get experience by volunteering at a small local 4H show, and to know that judging is truly a valuable experience. MCKIM: In pursuing one’s judges’ card, I would say that the applicant is in for a wonderful and rewarding lifetime experience. ere will be many opportunities to travel throughout the continent and abroad, to see extraordinarily beautiful Arabian horses, and have the opportunity to meet interesting and fascinating people, and sometimes not so interesting and fascinating people along the way. WITTE: Judging has been rewarding in so many ways. It’s a neverending process of learning, evaluating and appreciating the craft of this industry. Whether it’s the breeding or performance divisions, judging allows you to be part of governing the direction of the Arabian horse. I would encourage anyone who has the passion or desire, to pursue a card. WRIGHT: Judging has made me a much more e ective horseman. What about judging U.S. Nationals are you most looking forward to? LASALLE: I am looking forward to the excitement of judging at the U.S. Nationals! I look forward to seeing the most beautiful horses, great exhibitors, and happy winners! MCKIM: To connect with others within the breed and to be a part of the challenge and excitement in naming many of the 2022 National Champions. WITTE: I am so honored and thrilled to be part of the U.S. National Championship Show! It’s a privilege to judge the nest horses and riders in our industry. We should all be so proud of the breeders, owners, trainers, exhibitors and show committee members that host and participate at this incredible event. Good luck to everyone! WRIGHT: Judging the Arabian Nationals is always a study in the incredible variety and depth of the skills involved in presenting horses in multiple divisions. is is a feature unique to our breed and a singular testament to the quality of work being done in the Arabian industry.

REINING/ RANCH HORSE/ COW & HERD WORK

Todd Bailey | Leo Fourne | Chele McGauly | Allen Mitchels | Cyndi Robbins Q

What is a common mistake exhibitors make that you wish you could correct? BAILEY: Using their horses up in the warmup pen. FOURNE: Many exhibitors are not able to feel what is happening under them, so by the time the rider realizes their horse is doing something wrong, they overreact to correct the problem and surprise the horse and actually accentuate the problem rather than x it. ROBBINS: I wish they would always show according to the rules and pattern descriptions and know, we as judges, are there cheering them on.

What do you feel is the Arabian’s best attribute to the working western division? FOURNE: eir stamina and endurance. ROBBINS: Stamina and endurance to get the job done.

How do your standards/expectations vary when judging di erent breeds in the reining division? BAILEY: My standards or expectations don’t change between breeds. I still expect exhibitors to show their horse to the best of its ability. FOURNE: e standards don’t vary. ere are three basic evaluations that are used in a speci c order. First, is the horse and rider performing the correct maneuvers in the correct order. In other words, are they “on pattern.” If not, the run is a penalty score zero. Second, is each maneuver being done in line with the maneuver description given in the rulebook. ird, has the horse and rider performed the maneuvers correctly with a higher degree of di culty to deserve a higher score. is consideration is to be evaluated on each maneuver individually. ROBBINS: My standards do not change much when judging di erent breeds in reining. I have trained Arabians, Ha ingers, Freibergers, Cobbs, Quarter Horses, Paints, and Appaloosas to compete in reining classes and they all can do the eight maneuvers within the standards of maneuver description guidelines given by NRHA. ey may have a di erent style, but we are trained not to judge style. What was the most impressive Arabian reiner or class you’ve judged? Why? FOURNE: A few years ago a horse named Rumour Haz It impressed me each time I watched him show. He was a big, strong horse who performed his maneuvers correctly with additional speed that raised the degree of di culty, and as a result, raised his score. ROBBINS: My favorite class was the reined cow horse class at Arabian Nationals, I believe in 2016. Every exhibitor and horse gave it their all. It was spectacular to judge and witness the athleticism of the horses. I could see the heart of the animal.

In your opinion, do reined cow horse, reined work maneuvers and reining maneuvers have a di erent “look”? Can a horse do both well? ROBBINS: e look is a little di erent in reined cow horse compared to regular reining classes because the horse must normally catch a cow and turn it so they may or may not stay in the ground as long as a regular reining horse.

In reined cow horse classes, what does a horse need to show you to mark up in the boxing portion of the cow work? BAILEY: To mark up in boxing, a horse has to show me it’s naturally cowy and not just being steered around. I want to see a horse and rider challenge the cow. FOURNE: In the boxing cow work, a horse needs to show that they are engaged in what they are doing and not just responding to the rider. e rider can help and guide the horse, but I would like to understand that the horse knows his job is to control the cow, not just follow the rider’s direction. ROBBINS: To mark up in the boxing portion of the cow work, the exhibitor must show that his or her horse can control the cow on the end of the arena, causing the cow to yield to the horse by turning it both directions and driving it to prepare the cow to go down the fence without exhausting the cow. e horse should use its hocks well when turning the cow and have quick follow through with its feet and shoulders to maintain complete control. e horse should be willing and light in the bridle, showing no resistance, with good eye appeal.

What di erences have you noticed in the way Arabs are shown vs. Quarter Horses? ROBBINS: ey are both basically shown the same. ey have very di erent conformation traits that make it seem di erent visually. When does a loose rein become a draped rein in Ranch Riding? FOURNE: A “loose rein” becomes a “draped” rein in ranch riding when the length of the rein adversely a ects the rider’s ability to guide the horse through the maneuvers of the pattern.

Q&A

2022 U.S. NATIONALS JUDGES’PERSPECTIVE

ROBBINS: My answer is a bit funny, but, when the reins are swinging like a jump rope, your reins might be too long. When your horse just stepped through the loop of the reins, your reins might be too long. When you just pulled with your hand above your hat and your horse could feel nothing, your reins might be too long. No really, all silliness aside, you should maintain light contact to get from one task to the other at your ranch job. So, think of e ciency in getting the ranch work done in movement and in rein length.

What qualities do you like to see in a good scribe? How important is it that you have a scribe that is experienced at a national show? ROBBINS: A good scribe should be knowledgeable with all the scoring and score sheets for each event they will scribe for. ey should know where to put maneuver scores and penalties on the score sheet as they are spewing out of the judges’ mouth, while keeping a running total for the end score after all maneuvers are complete for each run. e judge should make sure the scribe knows each class requirement by reviewing the score sheet with them if necessary. A good scribe must also have great math skills. ey will be dealing with whole numbers, fractions, addition, subtraction and sometimes OP’s, DQ’s and Penalty Score 0. Whew!! I always appreciate a good scribe and I make sure their day is enjoyable.

What is a seemingly small detail that you appreciate seeing in the ring? ROBBINS: Big exhibitor numbers pinned on the saddle pad properly without zeros in front of the actual exhibitor’s number.

What is your biggest pet peeve(s) to see in the show ring? BAILEY: A rider constantly picking on a horse’s face while showing. ROBBINS: Exhibitors losing their hats during their run. My uncle used to tell me, “If your hat falls o your head, better be in it.” is is why God created bobby pins, hairspray and duct tape.

What stands out to you as a great presentation? ROBBINS: Pattern placement during a reining run. It’s very important to know where the middle of the arena is and where the end markers are to avoid penalties that nobody wants. Planning your run ahead of time equals a great presentation. What advice would you give trainers coaching from the rail? ROBBINS: SHHHHHH!!! Coach them at home during their lessons and let them think a little more for themselves at the horse show. Well, except for the little whistle or “Whoo” for the fourth spin, LOL!

What and when was your rst o cial judging assignment? What do you remember most about it? FOURNE: I have been judging for AQHA for over 40 years and NRHA just under 40 years. ROBBINS: It was way back in 1981. I was judging the Colorado State Youth Rodeo Finals. I was the rst woman to do so, and I judged with one of my best friends, Bud Winbourn. At the time I was scared shitless of the parents. e kids were great. After it was all over, the rodeo planners said I did a great job with my rough stock judging, and then I breathed.

What could you share to encourage more people to pursue getting their judges card? FOURNE: I wouldn’t encourage anyone to pursue getting their judges card, but neither would I discourage anyone. Several associations allow people to audit a judges seminar and I would very much encourage anyone with interest to do that. If nothing else, attending a seminar would help them to understand what judges are looking for when it comes to showing a horse. ROBBINS: First of all, put in the time training and showing to become a good horseman or horsewoman. It’s the best way to learn what is expected of you. is will teach you the rules and make you realize how hard training and showing really is. I think this helps you become a more positive judge, especially with maneuver scores and understanding good movement for rail classes and horsemanship. Pay your dues and put in your time learning from another positive mentor. I tell people I am a positive judge … I am positive I’m right, LOL!

What about judging U.S. Nationals are you most looking forward to? BAILEY: I’m looking forward to judging some great runs and amazing horses at this year’s U.S. Nationals. ROBBINS: Getting to see all the ne exhibitors with their awesome horse partners! And my other comrades, all the people behind the scenes, and the judges’ room snacks.

TRAIL/SHOWMANSHIP/HORSEMANSHIP/PERFORMANCE HALTER

Je Lee | Jill Mitchell | Jim Porcher | John Power | Scott Schelyi Q

What is a seemingly small detail that you appreciate seeing in the ring? MITCHELL: Nice well turned out overall picture of a horse and rider. PORCHER: A pat on the neck or similar reward from the rider recognizing the e ort put forth by the horse. It’s a small detail, but I always notice it. POWER: Winning is in the details. Be prepared, turned out properly, aware and energetic!

What is your biggest pet peeve(s) to see in the show ring? MITCHELL: Circling the judge, not showing on the rail. PORCHER: Horses being over-shown and over-taxed. I don’t like to see western pleasure horses who are intimidated and visibly miserable at their jobs and the same for English pleasure horses; I prefer them not to be over-shod or over-ridden. Everyone loves a big-going horse, but it needs to be e ortless and not labored. Pleasure is in the title of both those classes and that includes the horse being pleasurable. For trail horses, their bodies need to be soft and supple and there can’t be visible signs of tension like tail ringing or gaping mouths. POWER: Not being prepared! You are here to do one thing… win! Lunge your horse, turn it out like you are meeting the Queen of England. Be present in the moment.

What stands out to you as a great presentation? PORCHER: I like a good moving horse who is cheerful and appears to like their job. Presence is key in a good show horse, and I admire an exhibitor who can get the most out of their horse while maintaining an “ears forward” attitude and a happy expression. POWER: A great presentation is a combination of preparation with a dose of con dence and self-esteem. It shines through. judges. I have no problem with trainers coaching their riders, but discretion is always appreciated. POWER: I wish that we could adopt the 4-H rules banning coaching from the rail. It is distracting and disruptive. And most times the coach informs the judge by their coaching what is going on with their rider.

What and when was your rst o cial judging assignment? What do you remember most about it? MITCHELL: My rst learning judge was very fun and educational with LaRae Fletcher-Powell and Joey Canda; they were very positive, welcoming and I learned a lot. My rst judging experience was in the old Whittier Lions horse show in Pomona. It was a wintery show with great quality. PORCHER: My rst o cial judging assignment was in Salamanca, Spain. I loved everything about it and it motivated me to apply for my license as soon as I returned to the States. POWER: My rst judging assignment was a show in Ontario, Canada and the young lady who picked me up from the airport ran out of gas on our way to the hotel. I had to walk a few miles to nd gas and get us on our way.

What could you share to encourage more people to pursue getting their judges card? MITCHELL: Spend time with current judges and attend the judge’s school. PORCHER: Judging gives a completely di erent perspective to showing and it is very informative. I would encourage all breeders, exhibitors and trainers to further their education by pursuing a judge’s card. It will make them better in all other aspects of the sport. POWER: If you have a passion for the Arabian horse and have a knowledge of all the divisions the Arabians show in, please come and join us in the most satisfying job in the world!

What is a common mistake exhibitors make that you wish you could correct? PORCHER: Over-showing their horses. POWER: e rider forgets they’re showing and continues to train their horse while “showing.”

What advice would you give trainers coaching from the rail? MITCHELL: Be quiet and don’t make it obvious you are coaching and who you are coaching. PORCHER: Don’t yell out mistakes so loudly everyone can hear, including the Do you prefer the pattern portion or the rail portion to be rst in western horsemanship? Why? MITCHELL: No preference. PORCHER: Most de nitely I like to run the pattern portion rst and then the rail. ere are a lot of pretty riders out there who may be less than e ective, but it takes a while to sort them out. By running the pattern rst, they do the sorting for me and I can focus on the upper end of my class, making sure I have those placings correct.

Q&A

In English trail, when a horse negotiates trot-overs do you prefer the rider post, sit, or two-point? MITCHELL: Whatever shows the horse to its best advantage. PORCHER: Whichever the rider feels the most comfortable to get an even, cadenced trot-over. I’m not necessarily watching whether the rider is posting, sitting, or in a two-point; I’m watching the horse. POWER: English trail trot overs the riders should do however they feel most con dent that they are enabling their horse to do the obstacle at its best. AND make it look good! It is a show.

What qualities does a western trail horse need to exhibit to earn +3 on lope overs? MITCHELL: e horse needs to show a degree of di culty and ease of negotiation of the obstacle, to make the di cult look e ortless. PORCHER: Cadence with an even step and a soft, supple body. ere can be no tension. To earn a +3, they are going to need that extra presence and a great attitude, going to the lope overs with con dence. POWER: +3 on a lope over is like a plus on a hunter over fences; rhythm, quality of stride and con dence of horse and rider.

What impact does attire have in a showmanship run? MITCHELL: Attire should match the type of horse being shown, an Englishtype horse should have English-type attire and western, western-type attire, or halter, halter-type attire. PORCHER: e rules say a good workmanlike appearance should be presented and my preference is just that. I nd too much bling to be unnecessary and distracting. e focus should be on the presentation of the horse with attire complementing but not over-shadowing. POWER: Showmanship has reached a new level of expectation much like trail has. It is no longer “How do we show Arabian horses,” it is the extreme inhand handling of a horse through an agility pattern. You will be scored on your ability to perform a pattern with maneuver points given or deducted by your performance, and penalty points accrued by faults during your pattern. If you’re going to show in this class, you better have done your homework!

What qualities do you like to see in a good scribe? How important is it that you have a scribe that is experienced at a national show? MITCHELL: I cannot emphasize this more strongly, a scribe is critical to the success of the judge, the class, the division and ultimately, the show. A good scribe should be quiet, e cient, and a great listener. 2022 U.S. NATIONALS JUDGES’PERSPECTIVE

PORCHER: I like a scribe who is professional and takes their job seriously. ey need to understand the scoresheets and be able to keep a running tally of the horse being judged. eir sheets need to be neat and easy to decipher. When I am judging on this level, I don’t have time to do both jobs and it isn’t fair to the exhibitor for me to not be totally focused on their go. POWER: Scribes need to know their job almost as much as the judge does. ey need to come prepared with a few pencils and a good sense of humor. When scores and penalties start to y, they need to record it accurately and on time! Penalty 1 and a penalty 2 does not add up to a 12-point penalty. is happened to me once by a scribe at a national show (the auditors and I caught it).

What do you look for in performance halter and how would you like that horse presented to you? MITCHELL: A Performance halter horse should be shown per the performance division in which it participates. Horses are to be shown in a relaxed and digni ed manner, they should have their weight squarely on all four feet and be presented in a relaxed manner. PORCHER: I was on the original committee that brought forward and developed the specs for performance halter and it is a big honor for me to judge these classes now that they have gained momentum and are growing in popularity. e most important aspect of a performance halter horse is athletic structure and form to function conformation. Horses are to be presented in a relaxed and digni ed manner. What I look for is a horse who would excel in any performance event, stay sound doing so, and be happy working because they are built to perform. POWER: Performance Halter is “Arabian Halter.” e only di erence is an emphasis on a speci c form to function is added to the rest of the specs of a regular halter class. Showing in a relaxed manner but still with the inquisitive look that an Arabian gives is ideal. Place your feet and look to the gods to see your future.

What about judging U.S. Nationals are you most looking forward to? MITCHELL: e quality of the horses and riders. PORCHER: Seeing the best horses our breed has to o er performing at their peak. POWER: Judging U.S. Nationals is the most important job you’ll ever have. Your decisions make or break careers, breeding decisions, and the livelihood of the hard-working people who work to breed, train and show these beautiful horses.