Student Portfolio
ARCH 473/3522 - Fall 2022 ARCH 473/3522 - DIGITAL DESIGN STUDIO AND WORKSHOP Yassmin Hussein Ahmed 900181381
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The American University in Cairo (AUC)
School of Sciences and Engineering - Department of Architecture
ARCH 473/3522 - Digital Design Studio and Workshop (Spring 2019)
Student portfolio documenting samples of work submitted along the course, including researchV, experimentation, 3D modeling, digital fabrication, parametric design and modeling, physical model realisation and analysis.
Student name: Yassmin Hussein Ahmed
Student ID: 900181381
© The American University in Cairo (AUC), May 2019
ARCH 473/3522 - Fall 2022
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Yassmin Hussein Architecture Student
My Name is yassmin Hussein , senior architectural student at the Americ- an University in cairo. Architecture was part of my focal interests, I was attracted to the major due to its complexity and intergration of art and science.I have enjoyed the course as it wasa significant part in my transformation that had a crucial impact on my imagination and creativity skills. Since childhood I was very attracted to buildings and the vibes i get based on the space around and how it affect us in many ways. And as a i grow up i found that buildings also affect the context , surrounding, and the enviroment. I many ways such as the facade design, the interior spaces lighting and colors, the landscape, the users. Even the users has a connection between them and buildings they used to visit regularly as they must leave a print on it and the building also has an impact on us as we attach to memories, childhood, dreams and goals.
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Project 01
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Material Exploration Stage I.
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Experimentaion Methedology
What is fabric forming?
Fabric formwork involves the use of membranes in a kind of cloth used as a mold for any material is being applied. It Is usually used to create a dramatic design form that could act as a structure membrane, a piece of furniture, or any design element.
What is casting forming
Casting, on the other hand, includes putting any type of substance into a specified mold, where it will solidify and eventually be removed.
Approach 1:
Primary experimentation
Steps:
- Mixing gypsum with water
- Stabiling vertical wooden sticks
- Shaping a cloth up and down -Lifting the cloth on the wooden sticks
-Removing wooden s ticks
Materials used:
- Thin wooden sticks
- white cotton cloth - Gypsum and water
Philosophy and concept of twisting in and out
Creating curves in motion resulted in variation of height Exploring the in and out of twisting with each material. Lengthening and stretching the materials to go further with shapes and curves.
The concept of rotating and lengthening created a dynamical dramatic wave shapes and through squeezing and soaking the
Approach 2:
Primary experimentation Steps: - Twisting and crunching foil paper - leaving it until it partially dries Materials - Foil Paper
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Approach 3:
Primary experimentation
Steps:
- Soaking a cloth in gypsum and water mix
- Then, shaping the cloth
- Trying to balance the cloth without sticks by balancing the weakest and strongest points of the cloth
Materials - Cotton Cloth
Approach 4: Primary experimentation
Steps:
- stretching and cutting the stockings
- inserting wooden stick inside a plasticine cube for stability
- laying the stocking on the wooden sticks tips, leaving the rest resting on the floor
Materials - stocking - wooden sticks - plasticine cubes
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Approach 1:
Secondary experimentation
Steps:
- Pouring gypsum on a cloth
- Shaping the cloth - leaving to dry
Materials
- Cotton Cloth
Approach 2: Secondary experimentation
Steps:
- Inserting wooden sticks tips between the boxe’s edges
- Layering the thin cloth above the sticks
- arranging the height of the sticks - shaping the cloth
Materials
- square box - wooden sticks - thin cotton cloth
Approach 3:
Secondary experimentation selected panel
Steps:
- Folding a thick paper on a rhythm
- Pouring gypsum on it
- leaving it to dry
-Materials
- Paper
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Parametric buildung block II.
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Panel Translation Material exploration phase conclusion & work-flow diagram
Selected panel
Transition to panel and initial conceptual development
The simplicity behind subtle materials that could goes beyond has a deep connection to the in and out philosphy of twisting and rotating in yoga movements that relies on spinal cord.
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Initial Grasshopper Trial and Script
Initial Grasshopper Script
Creating a rectangle with 2 point at the corners with respect to the distance grid in between in order then to construct points on the rectangle and then adjusting
After constructing points wihtin the rectangle cull pattern helped to create the flat with curves adjusted through points. After the yellow lines appeared i weaved the structure and loft it to pop up and create the wavy paper shape structure. At the end after adjusting the anchor points and the slits and curved. flipping the shape to create verticality in order to have a shadow underneathand that would create a more dynamic flow structure.
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Development logical conceptual inspiration for next development
Developed Panel workflow
First i began with specifying the x and y planes of my rectangule then exploding cells and adding list items in order to selects an item or multiple items from the list.
Then instering curves through the z and y planes and in order to create a dynamic curves the geomeries were moved and merged within a polyline and evaluating the curves
After adjusting the curves in order to create a flow curves wihtin a specific distance and the curve shapes were determined through the parabola in the graphmapper.
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Panel grasshopper script
At the end doubling the structure but with a clean layerings then loft to create thickness and structure and adhustingh the renders lastly.
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Parametric system/cluster III. 14
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Propagation of the single unit into a cluster of panels
Panel variations
A two different elevation and a dynamic top view
Graph mapper, very smooth curve iteration ration 0,1 through x and y axis
More curvy iteration ratio 0,1 through x and y axis
Tight perfect curves ration 0,5 through x and y axis
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Tight curves ration 0,1 through x and y axis Extremely tight curves ration 0,1 through x and y axis 17
Whole code breakdown
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Propagation of the single unit into a cluster of panels
scaling and adjusting series to achieve 2 shaped elevation structure
Achieving Horizontaility dynamical spine that goes through the panel
series of panels placed on x axis
Creating the cluster was through making a series and movement through the x axis then scaling and duplicating the series in order to create an above transparent layer that adds more volume and flow to the structure and the cluster as well.
A focal point of attraction not all rhythms and signals but most inner part and then outer parts creating an unexpedted signals waves
A rhythm of dynamical leaning and implmenting the philosphy of in and out. Inner spine reflecting the spinal cord apttitude and curves
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Cluster Panel grasshopper script
The structure panel could be a landscape seating underneath a typologytype of land, or an archietcture roof that would allow natural light and cool ventiallation for a 2-3 floor building.
Folded panels in out directing in and out attraction points creating inbetween wide and tight linear curves
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Facade Facelift
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Double skin facade
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I.
A facade consisting of two layers that is generally made of glass. Between these two layers there is a cavity generally vary between 0.2 to 2 meters and acts as insulation against extreme temperatures, winds, and sound, dust etc. improving the building’s thermal efficiency for both high and low temperatures.
Evironmental performance especially in hot and cold arid climates
In cold climates, the air buffer works as a barrier to heat loss. Sun-heated air contained in the cavity can heat spaces outside the glass, reducing the demand for indoor heating systems. hot climates, the cavity can be vented outside the building to mitigate solar gain and decrease the cooling load. Excess heat is drained through a process known as the chimney effect, where differences in air density create a circular motion that causes warmer air to escape.
25 Double skin facade
kinetic and responsove design approach
The single module is responsive to the sun, so it opens and closes depending on the angle of sunrays to avoid glare and extra heat gain In general, Kinetic façades configuration in four main elements: geometric transformation, pattern shape, skin form and façade material. The basic forms of geometric transformations are translation, rotation, scaling, and material deformation.
Precedents
Al bahar tower
Using a parametric description of the actuated facade panels’ shape, the team was able to simulate their behavior in response to solar exposure and shifting incidence angles throughout the year. A screen of this type is expected to reduce solar gain by more than 50% and reduce the building’s need for energy-intensive air conditioning.
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Double skin facade application II.
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BASIC ANALYSIS OF SITE CONDITIONS AND ENVIROMENTAL FACTORS
Egypt has a hot desert dry climate characterized by high levels of direct sunlight and sunny skies. These climatic factors necessitate specific façade treatments to minimize heat gain. wind NNW.
Proposed approach
Primary prevailing wind NNE and secondary prevailing wind NNW.
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FACADE PANEL TRIAL ITERATIONS
A single planar surface drawn in rhino Constructing point same as previous iterations Connecting with previous panel but here the façade was Not going smoothly with the panel
The façade Will start to create a smooth side from the interior and the waves Will only be implemented in the exterior
Connecting the parameters to the point And lines. The panels were Very thick looking like windows
Separating between vertical shading and making it thinner but that allows a huge amount Of light.
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Grasshopper script
Trial 3D panel
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Panel iterations
After taking into considerations the panel concept above, the iterations of the panel in terms of rotation, axis, solid vs void iterations.
To allow this curvy movement in response to sun directions and heat gain, the outer skin could be made of a subtle materials to maintain the curves.
Rotating the facade panel vertically that intergrated with it the horizontallity dynamic of the panel and the solids and voids on panel are fixed
For futher iterations: the solid and void ratio should be studied as well as the kinteic facade movement.
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III.
V.R. Experimentation
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V.R. Experimentation trial -1-
The underneath void openning was not enough to insert shadow and light inside the building.
The material was blocking the facade and the panel iterations. therefore, the users inside the building are not comfortably living and also the blockage removed the expereinece and the design iterations on panel
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V.R. Experimentation trial -2-
Material adjusted due to last VR analysis. The glass behind the panel are glass as well as the panel itself is a transclucant material
The panel mechanism needs to be adjusted as well as the structure of the panel.
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Enviromental application
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IV.
Sun Path Analysis
The sun path in summer is coming from upwards in which it allows the panel to have the itertaions of shading on the building’s interior and exterior.
sun path code
In the kinetic process the panel would shade more in summer
The sun path in winter is coming from slightly downward in which the shading of sun would be great if the kinetic movement happen as folding the panel and closing
sun path summer
sun path winter
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Wind Analysis
The wind in winter is more on the right but overall the facade is south so the wind is not really affecting the building nor the panel
Wind analysis code
The wind in summer their is minimal to no wind on panel in which will affect the iteration further on as its should be well shaded in order to create a comfortable interior.
wind rose winter wind rose summer
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Solar Radiation
Solar Radiation long panel summer
First attempt: summer jun till jul ,the floors was dim with minimal to no light inside
Second attempt: summer jun till jul ,the floors started to get in light more than the last and that was due to the folding of the panel upwards.
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Solar Radiation
Solar Radiation long panel summer
Third attempt: summer jun till jul ,the floors started to get in more light in each floors and that by changing the solid and void ratio.
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Solar Radiation
Solar Radiation long panel winter
First attempt: winter dec till jan ,the floors was with minimal light inside with no folding.
Second attempt: winter dec till jan ,the floors started to get in more light as the panel folds upwards.
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Third attempt: winter dec till jan ,the floors started to get in more light as the panel folds upwards and the solid and void ratio differs.
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Solar Radiation
Solar Radiation short panel summer
Solar Radiation short panel winter
First attempt: summer from jul to aug the floors are little dim
Second attempt: winter from dec to jan the floors are little getting in more light inside.
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Solar Radiation
Solar Radiation
Successful radiation on panel in summer
Successful radiation on panel in winter
Last attempt, summer jul till aug, the floors inside are partially lighten not really sunny as its in summer so shading is considered.
Last attempt, winter dec till jan, the floors inside are lighten enough as its in winter so the space needs little light.
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Spatial application V.
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6th floor plan
The 5th floor is extended 1.2 meters in order to have a spatical experience in between the facade and the building. like shown above
The 6th floor is recessed inside 2 meters to create a dynamic experience as the floor below is an extruded terrace 1.2 meters
5th floor plan
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steel pipes to vertical mullion to beams
steel pipe to beam connection
The in between structure that attach the panel to the building are steel pipes attach from the vertical mullion of the panel in between the interaction of each vertical unit with the beams in the building.
voids section appearence in section connected with same structure as above
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The whole breakdown code
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The whole breakdown code
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53 Fabrication VI.
First attempt of fabrication takes 2 days and 11 hrs
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Second attempt of fabrication takes 14 hrs and 27 minutes after rotating and removing supports
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Biblography
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