Architecture Portfolio - Ardit Tashi

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CONTENTS CURRICULUM VITAE Personal Info Education Training Professional Skills Interests and Hobbies Experience

ACADEMIC PROJECTS Student Housing at Villaggio Olimpico, Rome Residential Housing in Pigneto, Rome Other Academic Works, first semester Architectural Survey and Restoration Analysis of a small medieval Chapel

PROFESSIONAL WORK Internship Experience at Spazi Multipli- Design and Rendering of the facade extension for Sip&T Factory, Salerno, Italy. Internship Experience at Spazi Multipli- Design and Rendering of an office Building extension for Enterprise S.p.A, Rome, Italy Internship Experience at Spazi Multipli- Design and Rendering of Interior Furniture Internship Experience at Sonetica Impianti S.A.S - Design and Rendering of Two Bathrooms

FREE TIME Portrait drawings in graphite and charcoal made during the period 2012-2018

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CURRICULUM VITAE

EDUCATION 10/201203/2017

Sapienza University of Rome

10/201707/2020

Politecnico di Milano

Ardit Tashi 06/03/1994, Lushnje, Albania tashiardit@gmail.com +39 345 58 82 056 ardit.tashi3

Via Antonio Fogazzaro 1, 20135, Milano, MI

Bachelor in Science of Architecture Studios in Architectural/Urban design, History of Architecture, Preservation theories and techniques, Descriptive geometry and perspective drawing, Statics and Structural design principles.

Master in Architecture, Built Environment, Interiors Studios in Interior/Architectural/Urban/Landscape/Construction design, History and Theory of Architecture, Preservation theories and techniques, Structural design principles, BIM through ArchiCAD and Grasshopper.

WORK EXPERIENCE 11/2019Ongoing

Architect and BIM Specialist at Studio Rigoldi, Milan - Architectural Design of residential projects and apartment renovations in all design phases, from preliminary to construction. Preparation of Construction Permit drawings, Construction Drawings, Technical details drawings - BIM Specialist and coordinator using Archicad V.22-25, working in Team Work on most of the projects. Installation and configuration of BIM Cloud and Server and managment of it through time. - 3D renderings usings Twinmotion 2021-22 Main project worked on: www.buragosmartcity.it www.studiorigoldi.it

05/201910/2019

Internship at Matteo Thun & Partners, Milan - 3D modelling of furniture and multiple types of objects with Archicad and Rhinoceros - Creation of custom Archicad BIM objects and libraries through the plugin Library Part Maker (LPM) www.matteothun.com

04/201807/2018

Graphisoft ArchiCAD

01/201701/2019

- Campus Representative for Politecnico di Milano Working from home for AirDesign Ltd., a design practice based in but also in interior design and 3D rendering. Some of the projects I m am involed include Jumeirah Gate Hotel & Residences(in Dubai) fro KillaDesign, and The Address Downtown Dubai Hotels designed by Atkins, etc. www.airdesign.co.uk

2017Ongoing

09/201609/2017

Work as a Freelancer

- Working as a freelancer on the online platform www.peopleperhour. com. My services include Architectural and Interior Design, Graphic Design, 3D modelling and Rendering

Architectural Internship at Spazi Multipli, Rome, Italy 3D Modeling, CAD Designer, 3D Visualization www.multipli.it


TRAINING 04/201709/2017

Artisanal Design Workshop

06/201408/2014

Workshop - Summer Course

Research, analysis and design of furniture which is to be produced artisanally, organized by ‘Spazi Multipli’ Advanced 3d modeling with Rhinoceros, by ‘Sapienza’ University

PROFESSIONAL SKILLS SOFTWARE PROFICIENCY AutoCAD

Adobe Photoshop

Graphisot ArchiCAD

Adobe Illustrator

Rhinoceros

Adobe InDesign

Cinema4D

3ds Max

Blender

Autodesk Revit

Chief Architect

Grashopper

Artlantis Studio

Microsoft Office

Lumion 3D

Maxwell Render

LumenRT

VRay

Twinmotion

Corona Render

Unreal Engine 4

Sketchup * Easily adapt to new software

MODELS Skilfully working with passion with a range of materials as: wood-pulp board (finnboard), foam board, mountboard, forex, corrugated cardboards, wood, balsa wood, cork,acetate. Ready to try new materials! I am obsessed with details and I am very precise in cutting and gluing!

LANGUAGE Albanian

Mother tongue

Italian

Written and oral fluency

English

Written and oral fluency

Spanish

Written and oral comprehension

German

Currently learning German

DRIVING LICENCE Category B (light-duty vehicles)

INTERESTS AND HOBBIES

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Milan

2018 RETROFIT, SOCIAL HOUSING

theme

Social housing, retrofiting a building of the 1930’s

type

Group work | Ardit Tashi, Gevorg Khachatryan, Iulia Gladysheva

year

2017 - 2018

semester

8th

location

San Siro, Milan, Italy

coordinator

Prof. Gennaro Postiglione | gennaro.postiglione@polimi.it

software used

Archicad, Photoshop, Illustrator

The task was to retrofit a residential building in the heart of the San Siro neighbourhood in Milan. This social housing complex stands in between a lot of similar buildings of its time. We had to propose a new interior facade in which we realized by adding a steel extension which provides additional space for the apartments and acts as a heat exchanger filter between the exterior and the interior; this reduces the buildings energy needs and consumptions. This interior facade which faces the courtyard, is made of a glazing system of full height sliding-folding windows. To screen and filter the sunlight we used a system of full height panels which slide on the exterior of the facade, and the vertical elements can be rotated allowing maximum sunlight control for the inhabitants. The original size of the apartments was too small to allow a normal

5

family of 3-5 people to live in. So we decided to increase the size of the apartments and to keep the same number of flats we added a new volume on top of the existing building. In this new volume we have in the first level bigger apartments for more spacious families. And on the last level we have medium sized apartments but they are almost all duplex, extending under the roof. All of these apartments have also a terrace which faces the courtyard of the building. We decided not to change the existing street facade, but just to renovate it and to add an insulation layer on the exterior. The openings and the material remain the same. The new volume is a steel structure which is cladded by anodized zinc panels, with their characteristic dark gray color, giving a contrast between the existing street facade and the new volume.


6


Third Floor 0

1

5

10

0

1

5

10

GSEducationalVersion

Fifth Floor

7

GSEducationalVersion


8


| south elevation

| west elevation

9


| north elevation

| east - interior elevation

10


| north elevation | detail

11


| north elevation | detail

| south elevation | detail

12


| model | south facade | 1:50

13


| model | north facade | 1:50

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Milan

2018 HOUSING FOR THE HOMELESS

challenge

RICS 2018 | Cities For Our Future

theme

Modular housing for the homeless

type

Group work | Ardit Tashi, Jad El Hayek, Gaia Grassano, Laura Armani

year

2017 - 2018

semester

8th

location

Milan, Italy

coordinator

Prof. M. Morena, S. Mazzola | marzia.morena@polimi.it

software used

Archicad, Photoshop, Illustrator

The proposal will tackle the problem of homelessness in Milano by spreading a series of units that will be contained in modular structures all around the city. The structures will be made of local wood, they will be sustainable, temporary, easy to build and modify. The project will not only provide homeless people with a “home”, but also with chances of work, and interaction with the locals around. The social problem of homelessness is a problem invading our cities. As more people get displaced every year, they end up living in poverty belts. Our units, hosting the homeless people, are a solution to the on-going crisis. In Milan, there are 2.608 homeless people, representing 0.2% of the population, so 2 in every 1.000 people have no place to live: 587 have been individuated in streets and the other 2.021 in hosted homes. Our proposal aims to create a temporary network of modular units that will house homeless people. Since our goal is not collecting the homeless people in one “prison-like” environment, but keeping them in the roads and parks where they are used to stay; the project will be spread all over the city especially in places where homeless people are concentrated. The structures can be assembled in empty slots and parks or attached to windowless facades; this will create communication and connection between Milanese citizens and the homeless. To further strengthen this interaction,

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some experienced locals will join the homeless in order to teach them jobs that they can perform (handcrafts, etc…) to make money for living. The structure will contain a network of modular blocks that have multiple functions as dormitories (singles and doubles), services (WC/kitchen), common and co-working spaces. It will also contain exterior spaces as courtyards, green spaces and exterior walkways. The project is designed to be flexible enough for future adjustments and transformations according to needs, adding or removing units depending on the varying number of homeless people. It can even be completely disassembled or transported to new places. Moreover, architecturally, the structure will have a positive visual contribution to the neighbourhood due to the visible grid system, greenery, and materials used. All parts of the project will be prefabricated in a factory before being delivered to site; the modules are easily transportable and can be assembled and disassembled in a few days. In this way the construction process will be extremely efficient and cost-effective. The structure is connected using a Japanese design concept built out of wooden planks connected through a joint system, allowing them to stay together even without the use of additional nails or glue. The joint and the modular systems are developed from the design principle of “Chidori”, and the specific one used in our project is named “Sampo-gumi-shikuchi”.


16


17


Third Floor

First Floor

sion er lV na tio ca Edu GS

Second Floor

Fourth Floor

5th Floor Plan scale 1:200

GSEducationalVersion

18


Elevation

Section

GSEducationalVersion

19


Concept

20


PRIVATE SPACES a. single room b. double room c. family room

COMMON SPACES d. living room e. co-working f. kitchen

a.

b.

c.

d.

d.

e.

f.

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g.


INTERIOR

EXTERIOR

DOUBLE GLAZED GLASS

ALUMINUM FRAME

TIMBER COLUMN

INSULATION VAPOR BARRIER TIMBER PANEL

TIMBER COLUMN

BOLT FOR WOOD

SEISMIC ISOLATOR

UPPER PLATE

LEAD

RUBBER + STEEL LOWER PLATE BOLT FOR CONCRETE

GROUND LEVEL CONCRETE FOOTING

TIMBER BEAM

TIMBER COLUMN

STEEL RAIL

OMNITRACK WHEEL

BOLT STEEL PLATE

INSULATION VAPOR BARRIER TIMBER PANEL

INTERIOR

EXTERIOR

INSULATION TIMBER COLUMN

VAPOR BARRIER TIMBER PANEL STEEL PLATE BOLT STEEL PLATE OMNITRACK WHEEL

TIMBER BEAM

TIMBER BEAM STEEL RAIL

22


23


24


Rome

2013 RESIDENTIAL HOUSING

theme

urban housing of different scale

type

school assignment | solo project

year

2013 - 2014

semester

3rd-4th

location

Pigneto, Rome, Italy

coordinator

Prof. Arch. Phd. Leone Spita | spita.leone@uniroma1.it

software used

Archicad, Artlantis Studio, Photoshop, Illustrator

In the heart of a medieval neighborhood this residential complex is designed with the aim of solving some crucial problems of the area. The complex comprises various typologies of apartments that come as a response to the needs of a wide spectrum of people , from students to extended families. The apartments vary in size from 30 to 120 square meters, simplex and duplex. In total the complex contains two buildings for residential purposes

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each of 4 floors, and a building for services such as stores, bar and restaurant etc of 3 floors. The buildings are placed on site In contrast to the existing fabric of the area: where the continuous line of facades faces the street and separates it from the inner, private courtyards. Thus, with their orientation, the new buildings respond to the rhythm of the street by creating a public plazza, which acts as a bridge between the crowded, noisy street and the park.


26


27


| axonometric view

28


Via del Pigneto

Acqua Via di

Via G. Dalla Vedova

ante Bullic

Via G. Dalla Vedova

i Pavon Via L.

a

Via Formi

Via A. Antonini

Via Formia

a

Via Formi

Via G. Benincasa

De Rosis Via I.

Via B. Perestrello

Via di Acqua Bullicante

Via Fondi

Via della Marranella

Via G.B. Riccioli

Via Ludovico Pavoni

Via A. Dulceri

Via Canosa di Puglia

Via V. Maggiolo

Via Atripal

Via della Marranella

Via Pesc

asse

roli

da

Via Polica

stro

Acqua Bullicante

29 co

bi

a

Vi

La


Via Formia

a

Via Sezze

Via Terracina

Via Formi

Via Cori

Via Minturno

Via

Mi

nt

ur

no

co

bi

a

La

Vi

Via La

bi

co

co

bi

a

La

Vi

co

bi

a

La

Vi

gazebo

| masterplan

30


AA' W

DW

F

W W

AA'

AA'

W

AA'

| 1st floor

F

W

W

AA'

AA'

| 2nd floor

AA'

F

W

W

W

W

F

W

| 3rd floor

31

AA'

AA'


W

W

F

F

W

F

AA'

F

W

W

W

W

F

W

W

AA'

W

AA'

32


| south elevation

| section BB’

33


34


1,71 0,42

1,00

3,51

F

4,02

6,25

5,99

4,97

W

0,32 1,31 0,90

1,40

1,40

4,00

0,88

| duplex apartment, first floor plan

0,87

2,28

5,99

5,99

4,97

3,55

0,86

+18.60

+19.10

1,31 1,61

1,40

1,02

| duplex apartment, second floor plan

35

4,00

0,32

0,99

1.40

0,90

1,40

0,88


| duplex appartment, render 1

| duplex appartment, render 2

36


37


38


Latina, IT

2015 SURVEY & RESTORATION ANALYSIS

theme

architectural restoration

type

school assignment | work in group of three

year

2015-2016

semester

6th

chapel name

Chiesa della Madonna delle Benigne Grazie

location

Lenola, Latina, Italy

coordinator

Prof. Arch. Phd. Lia Barelli | lia.barelli@uniroma1.it

group

Ardit Tashi; Mauro Palombi; Leonardo Ricci

software used

AutoCAD, Photoshop, Illustrator

I am of the opinion that one essential aspect of studying the build environment is the opportunity to learn from the examples of the past and apply those lessons into our future projects. For this particular project we had the task of carefully examining a small chapel, built around 1200 a.d. The first stage of our study consisted of an extended research in order to deepen our understanding

39

of its context, typology and proportions. After, we proceeded with a more thorough analysis of the original materials, while trying to understand the reasons of decay and find solutions to prevent it. As the chapel already went through a process of conservation, part of our task was also to critically asses it and suggest changes or alternatives to the solutions already taken.


40


-1.43

-1.07

-1.61

B' -1.92

| west elevation

-0.25

| east elevation

-2.96

-0.24 -1.65 -1.67

A

-0.32

3.4

7

-0.89

SE -3.04

-3.07

| fresco on the interior

| vaulted ceiling A' -1.78

Massonry analysis

-1.90

+1.46

campione murario N.1 LOCALIZZAZIONE: campione murario rilevato presso il prospetto sud -2.72

-2.75

FUNZIONE STATICA: elevato portante

STATO DI CONSERVAZIONE: mediocre

PARAMENTO ESTERNO: pietra calcarea irregolare

PARAMENTO INTERNO: intonacato

Datazione: IX secolo localizzazione planimetrica

MATERIALE Pietra Malta

B

Tipo: calcarea compatto Colore: beige/nocciola chiaro

Pezzatura: piccola/ media Inerti: silicei e calcarei

Colore: grigiastro/ giallognolo Legante: calce idraulica

Provenienza: locale

POSA IN OPERA: irregolare, senza corsi di orizzontamento NUCLEO MURARIO: non rilevabile

Lavorazione: Strumenti: Dimensione media: bozze e scaglie picconcello b = da 10 a 30 cm h = da 8 a 25 cm Finitura: Dimensione raso sasso

Granulometria: Consistenza: piccola/media buona

MODULO: variabile -2.65

OSSERVAZIONI: l'apparecchio murario risulta privo di orizzontamenti, è realizzato con materiale disponibile in situ da maestranze locali e presenta una leggera patina del tempo di colore grigiastro

campione murario N.2 LOCALIZZAZIONE: campione murario rilevato presso il prospetto ovest FUNZIONE STATICA: elevato portante

STATO DI CONSERVAZIONE: mediocre

PARAMENTO ESTERNO: pietra calcarea irregolare

PARAMENTO INTERNO: intonacato

Datazione: XII-XIV secolo localizzazione planimetrica

MATERIALE Pietra Malta

OTA ±0.00

Tipo: calcarea compatto Colore: beige/nocciola chiaro

Pezzatura: Colore: giallognolo piccola/media Legante: calce idraulica

Provenienza: locale

Lavorazione: Strumenti: Dimensione media: bozze e scaglie picconcello b = da 10 a 30 cm h = da 8 a 25 cm Finitura: Dimensione raso sasso

Inerti: Granulometria: Consistenza: silicei e calcarei piccola/media buona

POSA IN OPERA: irregolare, senza corsi di orizzontamento

MODULO: variabile

NUCLEO MURARIO: non rilevabile

OSSERVAZIONI: l'apparecchio murario in esame risulta privo di orizzontamenti e realizzato con materiale disponibile in situ probabilmente da maestranze locali

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SE


QM ±0.00

Q

Q1 - 1.30

Q

5

-0.2

| section AA’

EZIONE A-A'

3

-1.4

B'

7

4

-1.0

-0.2

9

-0.8

7

-1.6 1

-1.6

2

-1.9

6

-2.9

5

-1.6

2

-0.3

QM ±0.00

A'

3.47

A

QM ±0.00

4

-3.0

8

-1.7

0

-1.9

7

-3.0

2

5

-2.7

-2.7

EZIONE B-B' 5

-4.5

| architectural floor plan

B

42


| metric survey

7

-1.6 1

2

-1.9

Q1

2,83

-1.6

5

-1.6

6

-2.9

0.50

0,24

0.56

1,00

1.73

9

1.71 0.57

0.80

0,29

0,60

3 1.1

0,60

0,50

0.78

0.82

1.02

1.01

0.97

0.94

0.96

1.21

0.84

1.21

0,65

2 1.3

8

8

-1.7

0.55

0

-1.9

2.14

Q1

1.6

1

9

7

1.1

1.3

0,00

8

0

3 1.2

2.6

1.6

1.0

9

1.5

3

0,20 0.63

2

4

1.5

1.2

0.95 0. 74

0.6

0.78

2,00

1,41 1.32

1,20

0,00

9

8 4.9

Q1

1,00

5

6 -2.9

0.80

0.8

1.1

9

.87

0.98 1.2 5

6

0.5

82

0.80

1.2

2.8

8

0,50

1,88

0.46

2.0

1.2

4

0.56

7

5

1.26

1.36

7

1.28

3.7

3.1

1,50

2.0

2.0

7

-3.0

Q3

4.9

8

Q1

0

8

0,0

6.2

0,00

9

3.5

Q1

2,0

0

1,5

0

2,0

0

2

-2.7

Q1 2,2

7

| ground floor

43

5

-2.7


QM

QM

4

0,00

2,8

4

-0.5

0

2,5

3.16

0

4,0

2,50

5.17

4 4.5

5.85

5

2,00

6.84

9.1

9

2,4

5

5

-0.2

7.18

4 3.70

5.62

1

3

-1.4

0

2.90

5

0,0

5.24

0,00

4.3

7

6.6

2.90

5.79

7.6

4

4.00

4.69 3.90

QM

4.6

QM

4.75

6.9

8

5.19

6.5

3,5

7

4

-1.0

5.1

-0.2

0,00

4.15

1

3.01

4.3

2,12

3

4.9

0.34

1.36

0.68

2.15

2,00

5.14

2.36 2

7.58

3.35

3

4.6

1.20

0

7.50

1,32

2,0

2.52

2

-0.3

4.5

3.50

3.47

3.11

4.0 0

3.00

3.38

2.62

3.47

5.97

5.74

1

4

1,50

2.6

1,50

7

4.57

3.9

3.29

4.4

9

2.8

9

5.4

3

1.16

3.20

2,50

2

1,50

4

1

1.2

5

-1.6

3.7

1.49

1.00

8

2.74

3.8

3.2

5.58

2.21

4

3.75

7

3.2

1.65

7

2.4

6

-2.9

2.01

7

3.01

5.0

4 1.3

1.1

2

3.08

1,74

1.4

8

1.14

QM

3.5

3.46

0

3.0 2.93 2

3.27

1.5

1,83

7

-1.6

0.93

8

0,00

0.97

2

0

2.8

0.6

4.1

3

2.5

2,83

6

1.35

1.1

9

-0.8

1,41

3.37

2.33 2.27

5

Q1

2.28

3

2.4

2.9

2

-1.9

2,48

1.16

2.22

1

-1.6

1.43

1,72

1,20

0,91

1.57

1.5

1.2

1.07

2.66

2 1.2

7 1.3

3.14 3.41

9

2.32

2.11

2,00

3

4.11

0

2.35

2

.25

1.5

2

8

1,50

5 1.4

2

3.8

4.9

2,00

3

3.42

4.9

0

3.5

0

3.83

2,0

4.1

2.1

2

0,81

3.12

3.5

-3 1.57

8

6

2.29

4.78

2.8

9

5

Q1

0,00

4.9

4.5

Q3

2.01

1

8

0

6.2

2.40

0,0

0

-1.9

,32

.07

9

Q1

8

-1.7

0.51

3.04

2,50

4

0.9

4

-3.0

3.8

0

4.0

3.32

2,8

2

6.29

5.6

9

5

4.3

4.5

6

4.6

8

5 3.1

4.16

4.16

0

5.8

5

7

6.1

1,5

4.80

4.4

4.05

0

2,50

0

2,0

2

5

-2.7

2.7

3

-2.7

3

0

5.1

2,0

5

-4.5

| first floor

QM

7

0,00

QM 2,60

2,00

QM

2,00

QM

2,2

0,00

2,00

Q1

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XIV-XVI SECOLO

XIV-XVI

| architectural survey

| north elevation

Prospetto principale del corpo originario scala = 1 : 100

o

Prospetto scala = 1

Planimetria del cor scala = 1 : 100

Planimetria del corpo originario scala = 1 : 100

nsistenza del co sull'altare. azie, era costia tetto a due pietra locale va un'apparecti scadenti.

Nel periodo compreso tra il XIV-XVI secolo la chiesa della Madonna delle Benigne Grazie non subisce interventi sostanziali ad eccezione dell'inserimento nel facciata principale del campanile; ciò appare evidente dallo studio dell'apparecchiatura muraria della parete in og| west elevation getto, difatti risulta evidente la ripresa della malta nella zona circostante il campanile stesso ed il materiale litoide presenta una dimensione maggiore ed inoltre si può apprezzare che non c'è ammorsamento tra il corpo originario e quello in ampliamento.

Nel XVII secolo la fabb - ampliamento del corp alla permanenza di u cesso indipendente d - apertura di una porta - rimozione della cope un'orditua principale - realizzazione della vo

I

stante struto. La mura-

ura medio-

rregolare e ni leggerpareti. Dallo arecchiature

45

costituita da i con mate-

esterna è

| south elevation


SECOLO

principale del corpo originario : 100

rpo originario

brica subisce importanti interventi: po originario per realizzare dei locali adibiti a sacrestia ed un prete, accessibili dall'interno, ed un magazzino, con acdall'esterno; a, in corrispondenza dell'altare, per accedere alla sacrestia; ertura antica e rifacimento dell'intero tetto, avente e secondaria in legno con sovrastante manto di tegole; olta lunettata nella sala di culto, in camera a canne.

| east elevation

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Salerno, IT

2016-19 FACADE EXTENSION FOR SIP&T S.P.A FACTORY

theme

architectural design

type

extension + new construction

year

2016 - 2019

status

in progress

client

Sip&T S.p.A

location

Baronissi, Salerno, Italy

coordinator

Arch. Antonio Pizzola ! a.pizzola@multipli.it

software used

ArchiCAD, Cinema4D, Lumion, Photoshop

The clients asked for the ripositioning af their new shed factory, by adding onto it a frontal building office and a facade wich connects the existing office building with the new one. Our challenge was to offer a quality project and in the same time respect the local constraints of the building code. We designed a modular facade system using a steel frame and extended metal sheets. Between the curtain wall facade system and the existing building there is a 1.2 m corridor which connects from the outside

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the new and the existing building. The extended metal provides shading for the buildings and at the same time it filters the right amount of light for providing comfortable working spaces in the inside. Some of the modules can be opened to maximise the view and the passing of the light in front of the windows. This also gives movement to the facade, making it always different and dinamic from the exterior.


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Rome

2016-17 OFFICE BUILDING

coordinator collaborators

architectural design new construction 2016 - 2017 in progress Enterprise S.p.A EUR, Rome, Italy arch. Antonio Pizzola arch. Maria Scalisse

software used

AutoCAD, 3Ds Max, Photoshop

theme type year status client location

The clients, owners of several office buildings, wanted to built a new office building to host their ever growing number of employees. The site is on a small hill high enough to see the city from the top. The project consists of two simple volumes intersecting each other. The bottom volume is bigger and mostly underground, and the smaller one is on

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the entrance level from the street. The two openin only in one direction, concentrating the view towards the city of Rome. The structure of the building is made out of steel and the skin of it is made of travertine cladding. The building’s inauguration is expected to be in the early 2019.


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Rome

2016-17 FURNITURE DESIGN

theme type year status client location coordinator software used

design furniture design 2016 - 2017 built Enterprise S.p.A EUR, Rome, Italy arch. Antonio Pizzola ArchiCAD, Rhinoceros, Cinema 4D, Photoshop

The clients asked us to design a series of furniture to be used in the enclosed glass volume, which we also designed, sitting on top of their terrace. The first furniture features a futuristic design, sculptured in oak wood with a white polished finish. It hosts an incorporated methanol fireplace, the tank of the methanol is also situated inside the furniture, accessible through seamless side door. The other furniture is a piano stand, made of the same oak wood and polished white surface. But this time

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the construction of it is different. It is made out of slices of wood 2 cm thick which connect between them through hidden listels on the top, middle and bottom. The furniture features a central solid core inside of which hides the connection with the floor and all the electrical wires and plugs needed for the functioning of the piano and the stereo system present in the room. These furniture have been already built and are functioning properly.


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Free time

2012-18 HAND DRAWINGS

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