02 04 19
影展的話
Words from TIDF
活動訊息
Events
購票資訊
Ticket Info (P.24)
22
場地資訊
25
場次表
47
開幕片
48
國際競賽
54 60 66 68
Venue Info Screening Schedule Opening Film
International Competition
亞洲視野競賽
Asian Vision Competition
台灣競賽
Taiwanese Competition
特別獎項
Special Awards
世界大觀
Panorama
73
記錄 X 記憶
76
真實歡迎想像—焦點導演：艾倫．柏林納
80
綻放的運動影像：再見小川紳介
85
敬！ CHINA 獨立紀錄片焦點
92
比紀錄片還陌生
96 99 105 106
Documemory: Inter-View Director in Focus: Alan BERLINER
Retrospective: OGAWA Production - 11 Flowers of Movement Cinema
Salute! Independent Documentaries in China
Stranger than Documentary
台灣切片：在攝影機的彼端
Taiwan Spectrum: When Camera Comes in Between
時光台灣 1951-1965
Reel Taiwan 1951-1965
特別放映
Special Presentation
影片索引
Index
影展的話 Words from TIDF For the 9th Taiwan International Documentary Festival (TIDF), year 2014 proves to be an important turning point. As result of the new policy, the TIDF, a biennial in the past years will now be held annually from this year onwards. Moreover, a permanent TIDF office is set up under Taiwan Film Institute, and this provides the TIDF with a stable foundation and resource. These changes reflect a time in which we re-consider the role of the TIDF.
再見．真實 Let's Re-encounter Reality! 2014，對第九屆台灣國際紀錄片影展（TIDF）來說，是一個重要的轉折年。影展從過去 兩年一次的「紀錄片雙年展」改為每年舉辦，並在「國家電影中心」下成立常設辦公室，
One of the differences brought in is that starting from this edition, filmmakers' independent views and innovative spirit will be on the centre stage at the TIDF. Based on our core belief in documentary - "re-encounter reality" and in order to encourage the development in Asian and Chinese-language documentary, we have newly established Asian Vision Competition and Chinese Documentary Awards. We hope that the TIDF is the international film festival in Asia as well as the Asian film festival on the international stage.
有更穩固的根基和資源。這些變革，是重新思考與定位 TIDF 的契機。 自此屆起，TIDF 將強調獨立觀點與創作精神，著重於鼓勵亞洲與華語紀錄片的發展，新 增「亞洲視野競賽」與「華人紀錄片獎」，並以「再見 ‧ 真實」作為影展的核心哲學。 是亞洲的國際影展，也是國際的亞洲影展。 「再見」，意味著有充分理解過去的機會，並能與之告別，然後擁有新的眼光，再次見 到紀錄片的核心精神――「真實」，引發更多開放性的討論與想像；因而，在節目與 活動的策劃上，嘗試讓單元與單元之間產生對話，並有深入細談的交流機會，不只涵蓋 「舊」與「新」、「經典」與「前衛」，也包括「熟悉」與「陌生」：要爬梳過去，也 希望創造歷史。 2014，對台灣也絕對是重要的一年，各種政治事件、社會運動與災難意外頻傳，似乎都 隱隱暗示著，台灣正在經歷一種前所未有的震盪與過渡。作為影展，TIDF 期待世界各地 聚集而來的影片們，那些關於人與社會、環境、歷史、文化的各個切面，能成為我們觀 看世界的鏡窗，觀省自身的觸媒。 若我們從這些影片中，看見或感受到了什麼，或許，那也正反映出這一年來，我們共同 的感受與心情。
TIDF 台灣國際紀錄片影展
The term, "re-encounter", means an opportunity for us to understand the past, and to bid a proper farewell to it before developing a new vision for the future. To "reencounter" the core value of documentary - "reality" is bound to provoke more open discussion and imagination. Therefore when we were planning the programmes and events, we tried to make each category resonate and interact with one another; these films cover both the "new" and the "old"; the "classic" and the "modern"; the "familiar" and the "strange". They help us not only comb through our past but also create a new chapter in history. 2014 is undoubtedly a very challenging year for us in Taiwan. In the past months, we have had a series of social movements and political incidents as well as disasters, both man-made and natural. It seems to imply that Taiwan is currently experiencing a new shockwave and a transition. As a film festival, the TIDF expects that those social, environmental, historical and cultural aspects of life shown in the films coming from different places would become the window through which we see the world and the inspiration for us to reflect upon ourselves. If we see or feel something in these films, maybe, it simply conveys what we all felt throughout the year.
TIDF, TAIWAN International Documentary Festival
套票 售賣
時 間：09.06（六）14:00 活動開始（13:00 發放號碼牌，每人限購 3 套） 地 點：誠品敦南店 1F 大廳 一日店長：音樂人 張懸
選片 指南
活動當天現場獨家販售 TIDF 套票 （一套 10 張，限量 300 套）
限量贈送 Moshi iPouch 簡約優美保護套 （市價 500 元）
一日店長張懸將親手售票給前 100 名觀眾，並大方分享她的私房推薦影片！
套票到手後，選片指南趕緊就位，影展單位特別邀請筆鋒尖銳的紀錄片各方影評， 組成堅強師資陣容，從不同角度為你剖析各單元必看內容。 時 間：09.06（六）15:00 地 點：誠品敦南店 B2 視聽室／座位有限，排隊入場 講 者：王派彰 前紀錄片雙年展策展人 洪健倫 《放映週報》主編 塗翔文 TIDF 台灣競賽初審委員 林木材 TIDF 節目統籌 吳 凡 TIDF 活動統籌
※ 套票內容與使用辦法詳見 P.19
誠品敦南店 台北市敦化南路一段 245 號
選片指南 套票首賣
09.06
Eslite Tunnan Store No.245, Sec. 1, Dunhua S. Rd., Taipei City E
frE
一日店長：音樂人 張懸
TIdf PaCkagE salEs laUNCH x ProgrammE gUIdE
TICkET PaCkagE salEs laUNCH Time: Sat. September 6th 14:00
※Queue cards will be given out starting at 13:00.
Venue: Eslite Lobby, (1st Floor, Eslite Tunnan Store) special guest: Deserts Xuan - Exclusive TIDF Ticket Packages (10 tickets per package, 300 packages only). - Limited TIDF Package gift: Moshi iPouch (NTD$500) - Taiwanese Musician Deserts Xuan will share her own TIDF watch-list! ※ For TIDF ticket package contents and guidelines please refer to P.19
Right after the package sales launch comes the TIDF Programme Guide, we proudly invite prominent documentary critics to guide us on a tour of revealing the unexpected on this year's TIDF Programme.
TIdf ProgrammE gUIdE
EVENTS
EVENTS
※ Limited seats available.
活動訊息
活動訊息
6
Time: Sat. September 6th 15:00 Venue: Eslite Vision (B2, Eslite Tunnan Store) speakers: WANG Pai-zhang, Former Festival Director of TIDF Allen HONG, Editor of FunScreen Steven TU, Member of Selection Committee for TIDF Taiwanese Competition Wood LIN, Programme Director of TIDF Fan WU, Programmer of TIDF
7
艾倫．柏林納 ――
a master Class with alan BErlINEr
真實，歡迎想像
大師講堂 E
frE
（華山 1914 文化創意產業園區，中四館 2 樓，八德路一段 1 號）
艾倫．柏林納是今年台灣國際紀錄片影展的焦點導演，除了放映他的 九部作品，更邀請他本人來台舉辦「大師講堂」，分享他的創作歷程。 在大師講堂中，艾倫將從他 30 多年來的紀錄片創作生涯談起，帶領 我們認識聲音、影像、主題及敘事策略等各種元素的可能性。他將以 自己的影片為例，分享以「自我」作為創作題材時可能帶來的風險與 益處，並深談他為何窮畢生之力，追探關於個人、家庭、不同文化面 向的身分認同、記憶、衰老、愛、家庭關係和人類的脆弱等議題。 同時，他也將聚焦在「剪輯過程」的講解， 說明自己的作品片段，是 如何以編排、拼貼、對位的方式，結合廣大的個人性、詩意、歷史性、 檔案影像及音樂素材，創造出令人驚嘆的影音蒙太奇。 對他而言，說故事的方法，有時也和故事本身一樣迷人。 ※ 座位有限，請預約報名：www.tidf.org.tw。現場如有空位，將開放排隊入場。
Time: Sat. October 18th 13:30-16:30 Venue: The Foyer, Huashan Creative Park (Add: No. 1, Sec. 1, Bade Road) Featuring this year in the 9th TIDF is American documentary filmmaker Alan BERLINER, whose nine renowned works will be seen in this year's programme. Not only will he be around the audience for his screenings, he will also teach a master class, sharing his filmmaking journey. Alan BERLINER will take us on a guided tour through the sounds, images, themes, and storytelling strategies that have helped define his filmmaking career for more than three decades. By showing examples from his films, BERLINER will help us understand both the risks and rewards of using one's own life as a "living laboratory", and how and why he's devoted his life to exploring the personal, familial, and cultural dimensions of identity, memory, aging, love, family relationships, and the fragility of the human condition. The master class will also focus on the process of editing, using clips from his films to illustrate how he creates compellingly dynamic montages from the compilation, collage, and counterpoint of a wide variety of personal, poetic, historical, archival, and musical sources - and how he creates films in which the way a story is told can be just as interesting as the story he is telling.
EVENTS
EVENTS
※ Limited seats available, for admission please reserve your seat at www.tidf.org.tw. On the spot admissions will be available shall there be seat vacancies.
活動訊息
活動訊息
8
時間：10.18（六）13:30-16:30 地點：文化部華山小客廳
9
自由入場 Free Entry
(SAT)
Daily Talk
日日談
A1 SPOT Huashan
16:00-17:00
華山
10.11
14:00-17:00 (SUN)
The Foyer
10.12
文化部華山小客廳
論壇 2 Forum 2
你所不知道的小川紳介 與 談 人｜馬克．諾恩斯（「再見小川紳介」單元策劃人） 大津幸四郎（《活在三里塚》導演） 飯塚廣子（小川攝製組成員） 日本國寶級紀錄片大師小川紳介曾說：「要追求紀錄片中至高無上的幸福。」這理 想如何實踐？如何流動在警民對峙的火爆場合、稻禾綻放的悠緩節奏裡？又如何刻 印在鏡頭前的被攝者、撞擊性別及權力極不對等的攝製組成員？本論壇邀請研究小 川的學者及兩位小川攝製組成員，窺探小川複雜傳奇的創作歷程。
Retrospective of OGAWA Shinsuke Speakers｜Markus NORNES, Co-curator of the OGAWA Programme OTSU Koshiro, Director of The Wages of Resistance HATANAKA Hiroko, Member of Ogawa Produciton This forum brings together two colleagues - a man and a woman, a cameraman and an activist - to examine this complicated and contradictory life. From these two unique perspectives, this forum will examine the fictions and realities in OGAWA Shinsuke and Ogawa Productions.
論壇 1 Forum 1
「歷史就在眼前，請與我們一起收集每一個碎片，還原錯過的過去，找出期待的未 來。」春天的那場占領行動，紀錄片工會發起群眾募資的「太陽花學運影像紀錄計 畫」，一群紀錄片導演扛起攝影機在兵荒馬亂中穿梭，共同完成《太陽．不遠》一 片，為騷動的時代留下沉著的紀錄。本論壇將搶先放映精采片段，並邀請導演代表 們分享，接下來，就是觀眾的事了。
14:30-17:00 (MON)
論壇 3 Forum 3
CHINA 獨立紀錄片焦點 與 談 人｜張獻民（中國獨立影像展） 陳冬梅（重慶獨立影展） 王宏偉（北京獨立影像展） 易思成（雲之南紀錄影像展） 胡杰（獨立紀錄片導演） 影像革命無罪！生猛辛辣有理！本論壇邀請中國民間最具代表性的四大「地下」獨 立影展策展人，與觀眾分享中國最質樸、大膽、實驗的獨立紀錄片，以及風聲鶴唳、 唯「禁」是從的影展突圍之道，提供一個窺探及理解中國的獨特視角，原來，在舌 尖之外，你還有著許多品嚐盛世下鹹苦或甘甜、腐臭或清香等人間百態的選擇。
Indie Docs in China
Four independent festival programmers are invited to present the development and the current trend in Chinese independent documentaries.
EVENTS
Speakers｜ZHANG Xianmin, the China Independent Film Festival (Nanjing) CHEN Dongmei, Chongqing Independent Film and Video Festival WANG Hongwei, Beijing Independent Film Festival YI Sicheng, Yunnan Multi Culture Visual Festival HU Jie, Filmmaker from China
活動訊息
EVENTS
Speakers｜Kevin Hj LEE, TSAI Tsung-lung, HO Chao-ti, and FU Yu, filmmakers of The Day of Uprising: Doc Project of Taiwan Sunflower Movement The Day of Uprising is a crowd-funded documentary about the Sunflower Movement in Taiwan, produced by the Taipei Documentary Filmmakers' Union. In this forum, we invited several directors, as well as the founders of the Sunflower Movement documentary project to share their views about this one-of-a-kind idea, and reveal a short clip of the film.
10.13
The Foyer
與 談 人｜「太陽花學運影像紀錄計畫」導演 李惠仁、蔡崇隆、賀照緹、傅榆
預約報名 By Reservation
文化部華山小客廳
A1 SPOT Huashan
華山
活動訊息
10
Speaker ｜Claude LANZMANN, director of Shoah and The Last of the Unjust
預約報名 By Reservation
運動影像．影像運動
The Movement Cinema
Extended Q&A with Claude LANZMANN
E
預約報名 By Reservation
(FRI)
講 者｜《浩劫》、《浩劫：未竟審判》導演克勞德．朗茲曼
FRE
A talk a day, keeps ignorance a w a y ! F ro m m i n i - t a l k s t o forums, it tells you all you want to know - and what you don't know about documentary.
13:00-15:30
《浩劫：未竟審判》延伸座談
※ 欲參加者請於放映結束後直接排隊入場，影片資訊請見 P.74 ※ Please wait in line for admission after the screening of The Last of the Unjust if you are not at the screening in the first place. For screening info please refer to P.74
看完紀錄片後想要觸類旁通， 不用靠 Google ！由大師級陣 容帶來的精采講座，延伸出影 片議題的博大精深，讓你聽完 之後還想進戲院回味！
10.10
講座 1 Mini Talk 1
11
自由入場 Free Entry
自由入場 Free Entry
講 者｜李道明（紀錄片導演／學者）
Meet Strangers - 13 Different Ways to Make a Documentary
16:15-17:20 (SAT)
Speaker ｜ LEE Daw-ming, Documentary Scholar and Filmmaker
※ 欲參加者請於放映結束後直接排隊入場，影片資訊請見 P.95 ※ Please wait in line for admission after the screening of Meet Strangers #3 if you are not at the screening in the first place. For screening info please refer to P.95
預約報名 By Reservation
(WED)
The Foyer
16:00-17:00
記憶線索─尋找偽紀錄片
10.19
Speakers｜HO Chi-jan, Taiwanese Filmmaker Estella HUANG, Film Critic
14:00-17:00 (SUN)
講座 4 Mini Talk 4
亞洲紀錄片的今天─國際 vs. 本土 與 談 人｜林樂群（台灣公共電視國際部經理） 張獻民（China 紀錄片研究學者） 藤岡朝子（《祭之馬》國際發行） Pimpaka TOWIRA（《稻米之歌》製片）
論壇 4 Forum 4
台灣紀錄片進行式 與 談 人｜ 2014 台灣國際紀錄片影展台灣競賽導演：黃明川、柯金源、黃庭輔、 洪淳修、陳芯宜、Raye 如果，時間是一條河，紀錄片就像是一葉輕舟，時而在巨石間逆流而上，時而在細 水裡慢慢前行。六位台灣紀錄片導演，出身迥異的時代，擁抱多元的題材，開創獨 特的美學，台灣紀錄片這葉輕舟，究竟滑過多少細流，又激起多少漣漪？未來又將 航向何方？
講座 5 Mini Talk 5
影展私房話 與 談 人｜林木材（TIDF 節目統籌） Sarafina DIFELICE（加拿大 Hot Docs 影展節目經理） Carine BERNASCONI（法國真實電影節選片人） 藤岡朝子（山形影展）
A Chat with Festival Programmers
※ 場地資訊詳見 P.22 ※ 活動如以外語進行，現場均有翻譯。 ※ Limited seats available, for admission please reserve your seat at www.tidf.org.tw. On the spot admissions will be available shall there be seat vacancies. ※ For venue info please refer to P.22 ※ Chinese interpretation will be provided for talks proceeded in English or Japanese language.
EVENTS
EVENTS
Speakers｜Wood LIN, Program Director of TIDF Sarafina DIFELICE, Manager of Programming, Hot Docs Carine BERNASCONI, Member of the Selection Committee, Cinéma du reel FUJIOKA Asako, Yamagata International Documentary Film Festival
※ 預約報名：www.tidf.org.tw。現場如有空位，將開放排隊入場。
活動訊息
活動訊息
12
The Foyer
(FRI)
文化部華山小客廳
16:00-17:30
Speaker ｜ LIU Chi-wei, Specialist in Taiwanese History
Taiwanese Documentary - Current Features and Prospects
Speakers｜LIN Leh-chyun, Director of International Dept., PTS Taiwan ZHANG Xianmin, Documentary Researcher FUJIOKA Asako, Distributor of The Horses of Fukushima Pimpaka TOWIRA, Producer of The Songs of Rice
10.17
Taiwan in the U.S. Aid Period - Reel Taiwan 1951-1965
Speakers｜HUANG Ming-chuan, KE Chin-yuan, HUANG Ting-fu, HUNG Chunhsiu, and Singing CHEN, and Raye, filmmakers from the Taiwanese Competition of the 9 th TIDF Six filmmakers from the Taiwanese Competition of the 9 th TIDF are invited, to discuss the documentary industry and production in Taiwan.
Asian Documentary Today
預約報名 By Reservation
The Foyer
The Foyer
(THU)
文化部華山小客廳
16:00-17:30
講 者｜劉志偉（美援時代研究者）
預約報名 By Reservation
預約報名 By Reservation
10.16
美援時代─打開台灣農教電影史
與 談 人｜侯季然（台灣電影導演） 黃以曦（影評人）
Documemory & Mocumentary
講座 6 Mini Talk 6
※ 欲參加者請於放映結束後直接排隊入場，影片資訊請見 P.100 ※ Please wait in line for admission after the screening of Reel Taiwan #1 if you are not at the screening in the first place. For screening info please refer to P.100
文化部華山小客廳
文化部華山小客廳
10.15
講座 3 Mini Talk 3
電影教室 4F Taiwan Film Institute
10.18
遇見陌生─紀錄片關照現實的 13 種方法
國家電影中心
(TUE)
A1 SPOT Huashan
19:25-20:20
華山
10.14
講座 2 Mini Talk 2
13
咖啡 時光 10.01 典藏咖啡
ARTCO DE CAFÉ
10.02 紙街咖啡
Paper St. Coffee
10.03 Fab 咖啡 Fab Cafe
10.04 紙街咖啡
Paper St. Coffee
10.05 離線咖啡 Offline Cafe
慕哲咖啡
一個女藝術家之死 Death of a Female Artist
台北市長安東路一段 8-1 號
10.13
限R (P.56)
自由入場 FREE ENTRY
Fab 咖啡
No. 8-1, Sec. 1, Chang'an E. Rd., Taipei City ｜ (02)2542-9871
18:30 THU
流浪的狗 Stray Dog
台北市八德路一段 28 號
Fab Cafe
10.13
(P.64)
夾腳拖的家
低消入場 MINIMUM ORDER CHARGE
Flip Flop Hostel
No. 28, Sec. 1, Bade Rd., Taipei City ｜ (02)2351-0202
19:00 FRI
不能戳的秘密2：國家機器 Unveil the Truth II: State Apparatus
台北市八德路一段 1 號
黑 Black
台北市八德路一段 28 號
Flip Flop Hostel
10.15
(P.61)
典藏咖啡
低消入場 MINIMUM ORDER CHARGE
ARTCO DE CAFÉ
No. 28, Sec. 1, Bade Rd., Taipei City ｜ (02)2351-0202
19:00 SUN
山靈 Mountain Spirits
台北市八德路一段 1 號
10.17
(P.63)
慕哲咖啡
低消入場 MINIMUM ORDER CHARGE
哲學星期五
No. 1, Sec. 1, Bade Rd., Taipei City ｜ (02)3322-1321
19:00 TUE
山上的小女子舉重隊 The Weight of Life
台北市紹興北街 3 號
10.14
夾腳拖的家
低消入場 MINIMUM ORDER CHARGE
No. 1, Sec. 1, Bade Rd., Taipei City ｜ (02)3322-4749
18:00 SAT
(P.65)
自由入場 FREE ENTRY
No. 3, Shaoxing N. St., Taipei City ｜ (02)3322-1096
19:00 MON
思念家屋 CASA
台北市八德路一段 1 號
(P.50)
低消入場 MINIMUM ORDER CHARGE
No. 1, Sec. 1, Bade Rd., Taipei City ｜ (02)3322-4749
22:00 MON
親密家庭 The Close Family
台北市華陰街 103 號
(P.56)
自由入場 FREE ENTRY
No. 103, Huayin St., Taipei City ｜ (02)2558-3553
22:00 TUE
湖畔的緬甸夫人 Lady of the Lake
台北市華陰街 103 號
(P.57)
自由入場 FREE ENTRY
No. 103, Huayin St., Taipei City ｜ (02)2558-3553
19:00 WED
霧 fog
(P.51)
台北市長安東路一段 8-1 號
自由入場 FREE ENTRY
No. 8-1, Sec. 1, Chang'an E. Rd., Taipei City ｜ (02)2542-9871
19:00 FRI
星火 Spark
台北市紹興北街 3 號
(P.58)
自由入場 FREE ENTRY
No. 3, Shaoxing N. St., Taipei City ｜ (02)3322-1096
Café Philo
(P.59)
10.18 離線咖啡 Offline Cafe
13:00 SAT
-1287
台北市八德路一段 1 號
(P.49)
低消入場 MINIMUM ORDER CHARGE
No. 1, Sec. 1, Bade Rd., Taipei City ｜ (02)3322-1321
EVENTS
EVENTS
Café Philo
19:00 WED
To provide a more intimate and relaxed environment for filmmaker-audience conversation, TIDF has programmed a series of Doc Café screenings taking place in 6 unique locations for you to explore your imaginations.
活動訊息
活動訊息
14
10.07
DOC CafÉ
映後帶著滿滿的感觸，座談的時間卻總是不夠？與影人對坐，佐一杯咖啡 輕鬆暢談創作，那些無法一時半刻釐清的疑惑，在【咖啡時光】中一一得 到解答。紀錄片影展特別和 6 家特色咖啡店、旅店合作，邀請你一起來 感受不同的影像魅力與空間風格！
15
看 Fun Fun
Under the stars, feeling the autumn wind, the TIDF has arranged three exciting outdoor screenings at night for you to enjoy the national holiday!
放映時間
10.10
佔領 561 小時 The 561st Hour of Occupation (p.94) 示威嘉年華 Demonstration (p.70)
19:30 (FRI)
SCREENING INFO
10.11
刪海經 The Lost Sea (p.63)
10.12
我的狐狸電影夢 Trucker and the Fox (p.58)
19:30 (SAT)
19:30 (SUN)
放映地點
10.11
瓦靠大戲院
新光影城 22:20 SAT
失眠追追追
Doc Outdoors
公事、私事、鳥事，太多俗事糾纏，夜夜輾轉難眠？ 10.11 持票觀賞大師專題《絕對清醒》影片的觀眾，入場前將可獲得免費咖啡乙杯！
光點 咖啡時光
光點 生活
SPOT Café Lumière
SPOT Design
※ 影片介紹 P.77 光點華山電影館 SPOT Huashan
10.12
新光影城 19:30 SUN
同名召集令
鍋爐室 Boiler Room
傳 音樂展演空間 Legacy
呼朋引伴，免費入場！
古人有云：「教子一藝，不如賜子好名。」殊不知好名不可獨享，天下同名者竟多如牛毛！ 10.12 大師專題《同名電影》場次，只要找到與你身分證上名字中一字相同（不含姓）的朋友，並於官網 預約報名，即可免費入場！柯文哲和連勝文、林育賢和侯孝賢，都可攜手免費觀賞《同名電影》喔！ ※ 採網路報名，活動辦法詳見 www.tidf.org.tw。影片介紹 P.77
EVENTS
第一停車場
煙囪
Chimney
提神喝咖啡，清醒看電影！
活動訊息
The Grand Green
LOCATION
華山大草原
蓮花池
Lotus Pond
P
16
紀錄 好好玩
SPECIAL EVENTS
Doc Outdoors
瓦靠大戲院
E
FRE
Doc for Fun
秋夜晚風習習，窩在家裡似乎太 可惜。走到瓦靠（外面）的華山 大草原除了打滾、散步、遛狗外， 紀錄片影展雙十連假也夜夜安排 了精選紀錄片《佔領 561 小時》+ 《示威嘉年華》、《刪海經》、《我 的狐狸電影夢》，邀你一起來與 親人、愛人、友人共度美好時光。
17
10.10 - 10.19 新光影城
10.01 - 10.31 華山光點生活
10.09 - 10.19 新光影城
台灣紀錄片百家齊鳴！影展與台灣導演邀請觀眾，在新光影城一同體驗 15 部競賽片拍攝 時的酸甜苦辣，收藏紀錄回憶，感受紀錄片的強韌生命力。
回顧昔日時光
觀眾票選獎 猜猜看
收藏台灣溫度
AUDIENCE'S FAVORITE
瞧瞧看
DOC EXHIBITIONS
想要分享紀錄片卻總是可遇不可求，到底是看過的人不多，還是知音太少？影展期間光點 生活紀錄片專區與新光影城紀錄片自動販賣機，一網打盡近年精采傑出的紀錄片 DVD。
?
DVD 得來速
欣賞完競爭激烈的國際、亞洲視野與台灣競賽單元影片走出戲院，你也有話想說？將你對 影片的評價留下，一同決定最佳觀眾票選獎得主。投下票選單你就有機會得到影展特選的 獎品，更有機會參與 10.16 在 Legacy 舉辦的 TIDF 頒獎典禮，一起見證大獎得主誕生。
N ATIO INvIT
10.01 - 10.31
Lomography Embassy 台北大使館
還記得台灣早期的樸實生活嗎？時光台灣展覽，一覽美援時期農務趣事，體現舊時共同記 憶，回味台灣美好時光。10.06 (MON) 20:00 特別加碼邀請研究台灣美援時代專家劉志偉 座談，風趣幽默的講解將顛覆歷史總是枯燥的印象！
LomoKino 攝影機
TIDF x 合成帆布行零錢包
TIDF 頒獎典禮邀請函
TIDF x 知音文創紙膠帶
台北市敦化南路一段 187 巷 35 號 02-2773-6111
光點生活
10.01 - 10.31
TIDF x 冶綠有機棉 T 恤
TIDF x dipper 三合一環保餐具
收藏家防潮箱
EXTRA BONUS FOR TICKET HOLDERS
換換看
上述期間憑 TIDF 票根至光點生活消費，可享 95 折優惠。 ※ 每張票根僅限使用一次，請於結帳時出示。 ※ 會員及已特價之產品，恕無法再重複折扣。
預測首獎 小雪人義式冰淇淋專賣店
10.10 - 10.16
上述期間憑 TIDF 票根至小雪人華山店，可免費兌換冰淇淋一球。 ※ 兌換地點：華山 1914 文創園區中四 B 館 1F ※ 每日限量 100 球。
你自覺眼光敏銳，從不曾失手嗎？還是也曾暗暗揣測評審心境？綜觀影展競賽影片後，至 官網預測三大首獎得獎影片，快快告訴我們究竟獎落誰家！ 知評審莫若你獎：收藏家防潮箱 *3（抽獎資格：預測三組競賽首獎成功即可抽獎） 心有靈犀獎：合成帆布行零錢包 *50（抽獎資格：預測一組競賽首獎成功即可抽獎） 觀眾預測獎：TIDF x 知音文創紙膠帶 *250（抽獎資格：於臉書參加預測並分享即可抽獎） ※ 活動訊息詳見 www.tidf.org.tw。 活動訊息
活動訊息 EVENTS
EVENTS
18
19
Invitation
By Only
入場 憑邀請函
第九屆台灣國際紀錄片影展 頒獎典禮 2014 TIDF Award Ceremony
TIDF 套票
TIME ｜ VENUE
10.16
購票資訊
(THU)
傳音樂展演空間 Legacy Taipei
售 價：一套 500 元，內含一組序號及驗證碼，可兌換 10 張電影票券 銷售日期：09.06 15:00 起至 10.08 23:59 止 銷售地點：
國內外紀錄片共襄盛舉，國際亞洲台灣百家爭鳴，究竟最後獎落誰家？ From Taiwan, across Asia, and to the reaches of the world, TIDF rounds up the best of today's documentaries. Who will take home the prize?
台灣國際紀錄片影展競賽獎項
※ 套票兌換時間：09.06 15:00 起
開放兌換場次，單筆交易單一場次至多兌換四張
大台中限定套票 售 價：一套 180 元，內含一組序號及驗證碼，可兌換六張電影票券 + 一組想映電影院體驗序號卡 銷售日期： 09.06-10.08 （限量 300 套，售完為止）
一、國際競賽
銷售地點：國立台灣美術館精品店（台中市西區五權西路一段 2 號）
二、亞洲視野競賽
※ 套票兌換時間：09.06 15:00 起
開放兌換場次，單筆交易單一場次至多兌換四張
三、台灣競賽 四、特別獎項：華人紀錄片獎 作者觀點獎：由台灣紀錄片工作者組成評審團選出得獎作品 新世代觀點獎：由青少年組成評審團選出得獎作品 觀眾票選獎：由觀眾票選結果產生
單場票券 全票：每張 100 元 日場優待票：每張 50 元，限週一至週五 17:59 前開演之場次 敬老愛心票：每張 50 元，僅供 65 歲以上（含）年長者、身心障礙人士與乙名陪同者購買
Competitions and Awards of TIDF 2014
銷售時間：09.15 12:30 起
1. International Competition
會員優待票：每張 50 元，僅供國家電影中心會員及光點會員，需親洽影展單位購買
2. Asian Vision Competition
※ 影展前欲購買請先致電票務專線並至影展辦公室購買
販售
3. Taiwanese Competition 4. Special Awards: Chinese Documentary Award
持會員優待票或敬老愛心票入場時須出示相關證件，如未出示須補收差額
Author's POV Award: A jury of Taiwanese documentary filmmakers selects one winning film from the shortlist.
影展期間可於戲院現場服務台購票與兌換場次，售票時間：每日首場次開演前 30 分鐘起至末場次開演後
Next Generation Award: A jury of youths chooses the winning film from the shortlist. Audience Award: The festival audience can also express their appreciation of the documentaries by voting on the Audience Award.
20 分鐘止
團體免費預約 報名時間：09.01 起至 09.30 止
所有得獎影片將於 10.19 在台北新光影城與府中 15 加場放映，片單與場次於 10.16 晚間 22:00 公告，
得超過 40 人
並於 EVENTS
20
端點同步開賣，敬請密切注意官方網站 www.tidf.org.tw ！
All award-winning films will be screened on Sun., Oct. 19th. Screening schedule and tickets will be available for sale starting from 22:00 on Thur., Oct. 16th. For the latest news, please refer to the TIDF Website: www.tidf.org.tw
報名方式：請於 www.tidf.org.tw 下載報名表填畢後寄至 eunice@mail.ctfa.org.tw
TICKET INFO
活動訊息
報名對象：政府立案之教育機構、公益團體、社福機構及其相關組織，預約人數每場至少需 20 人，至多不
購票資訊
適用場次：週一至週五 17:59 前開演之場次，每場次至多開放 2 組團體預約 得獎影片加映 Screening of Award Winning Films
21
購買套票╱單場票操作流程 退╱換票方式 ．套票之退票須整套辦理（連同已兌換出之票券及贈品）請於 10.08（含）前至影展辦公室辦理
購票
電影票
第九屆
套票
台灣國際紀錄片影展
單場票
閱讀購票須知
．單場票之退票最晚請於該場次前一天至影展現場服務台辦理，10.08（含）前欲辦理退票請洽票務專線 ．退票一律依票面金額酌收 10% 手續費
套票：選擇張數
．換票視同退票，若需更換場次請依上述退票方式辦理
單場票：選擇日期╱場次╱張數╱票種
須於 10 分鐘內持印有條碼的白色繳費單至櫃台完成繳費取得印有
列印繳費單與持票須知
購票須知
確認明細
「序號╱驗證碼」之套票兌換券或印有「片名╱場地╱時間」之電影票
．本影展不劃位，各場次座位有限，請及早兌換或購買
．繳費單列印後，10 分鐘內有效，逾時該筆訂單失效，須重新操作
．票券為唯一入場憑證，請妥善保存票券，遺失、毀損概不補發
．套票每次限購 1 套；單場票單一場次每次限購 4 張
．為維護觀影品質，影片映演 20 分鐘後（含），不再開放觀眾入場，亦不得退換票
．操作過程中若靜止逾 2 分鐘，畫面將跳回首頁，該筆訂單失效，須再重新操作
．各場地提供之輪椅席數量有限，如有需要請預洽票務專線
．票券經售出，恕無法於 7-11
．各場次開演前 60 分鐘
售票系統進行退換，操作過程中請仔細確認各項目
停止販售該場次票券，僅可於影展現場服務台購買
．身高超過 100 公分以上兒童須購買全票入場 ．攜帶外食者，請遵守各戲院之外食規定 ．影片之權利屬版權所有者，任何攝錄影、錄音行為皆屬違法，本影展保留要求違法觀眾離場之權利 ．為了影廳內安全與維持逃生動線，請勿逗留、站立或坐在廳內走道與其他非座位處 ．如遇天災或不可抗力因素，主辦單位將依台北市人事行政局發布之命令決定是否取消或放映，並盡速於
套票兌換流程
官網公布（若照常放映恕不退換票） ．本影展保留節目更動之權利
購票
電影票
輸入序號╱驗證碼
列印繳費單與持票須知
第九屆 台灣國際紀錄片影展
選擇日期╱場次╱張數
套票兌換
閱讀購票須知
再次輸入驗證碼
確認明細
須於 10 分鐘內持印有條碼的白色繳費單至櫃台完 成繳費取得印有「片名╱場地╱時間」之電影票
．同一序號同時間僅限單機操作，不可重複登入其他機台
台灣國際紀錄片影展辦公室（台北市青島東路 7 號 2 樓之 7）
筆訂購，無法刪除或修改單一場次
票務專線：(02)2392-4243 分機 66 上班時間：週一至週五 10:00-17:00
．繳費單列印後，10 分鐘內有效，逾時該筆訂單失效，須再重新操作，套票兌換額度將於 30 分鐘後復原
TICKET INFO
TICKET INFO
22
．請於每次進入下一步驟前，仔細確認日期與場次，進入「購票明細」後，僅能新增其他場次或放棄整
購票資訊
購票資訊
．每場次單筆交易限換 4 張，每次操作至多可兌換 10 張
23
場地資訊
Venue Info
aB 光點華山電影館 SPOT Huashan
華山大草原 The Grand Green
Cd 台北新光影城 Shin Kong Cineplex
g
文化部華山小客廳 The Foyer, Huashan Creative Park
H
紙街咖啡 Paper St. Coffee
地址：台北市西寧南路 36 號 4 樓 4F, No. 36, Xining S. Road, Taipei City 電話：(02)2314-6668 TIDF 現場電話（10.10-10-19）：(02)2383-0667
場地資訊
府中 15 新北市紀錄片放映院 Fuzhong 15
國家電影中心 4F 電影教室 Screening Room of Taiwan Film Institute 地址：台北市青島東路 7 號 4 樓 4F., No. 7, Qingdao E. Road, Taipei City 電話：(02)2395-6556
地址：台北市八德路一段 1 號 No. 1, Sec. 1, Bade Rd., Taipei City 電話：(02)3322-1321
k
慕哲咖啡 Café Philo
l
典藏咖啡 ARTCO DE CAFÉ
地址：台北市八德路一段 28 號 No. 28, Sec. 1, Bade Rd., Taipei City 電話：(02)2351-0202
地址：新北市板橋區府中路 15 號 No.15, Fuzhong Road, New Taipei City 電話：(02)2965-7186 TIDF 現場電話（10.10-10-19）：(02)8969-8577
f
地址：台北市八德路一段 1 號 No. 1, Sec. 1, Bade Rd., Taipei City TIDF 現場電話（10.10-10.19）：(02)2395-6556
I
Fab 咖啡 Fab Cafe 地址：台北市八德路一段 1 號 No. 1, Sec. 1, Bade Rd., Taipei City 電話：(02)3322-4749
離線咖啡 Offline Cafe
地址：台北市紹興北街 3 號 No. 3, Shaoxing N. St., Taipei City 電話：(02)3322-1096
地址：台北市長安東路一段 8-1 號 No. 8-1, Sec. 1, Chang'an E. Rd., Taipei City 電話：(02)2542-9871
m
夾腳拖的家 Flip Flop Hostel 地址：台北市華陰街 103 號 No. 103, Huayin St., Taipei City 電話：(02)2558-3553
VENUE INFO
VENUE INFO
24
E
J
地點：光點華山電影館旁 Next to SPOT Huashan
場地資訊
W
地址：台北市八德路一段 1 號 No. 1, Sec. 1, Bade Road, Taipei City 電話：(02)2394-0622 TIDF 現場電話（10.9-10-16）：(02)2341-6843
25
10.09
Ticket INFO TIDF Ticket Package Price: NT$500 per package (contains 10 tickets) When to buy: Available from Sat. September 6th 15:00 through Wed. October 8th 23:59 Where to buy: The ticket package can be purchased via ibon How to use: Each package contains a serial number and a validation code, which can be used to book up to 10 tickets to the screenings. Each ticket package holder can book up to 4 tickets per screening via ibon starting from Sat. September 6th.
Taichung Special Ticket Package
THU
A 華山一廳
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
10
11
12
Price: NT$180 per package (contains 6 tickets) When to buy: Available from Sat. September 6th through Wed. October 8th Where to buy: The ticket package can be purchased at Museum Shop of NTMOFA (National Taiwan Museum of Fine Arts). Add: 2, Sec. 1, Wuchuan W. Rd., Taichung, Taiwan How to use: Each package contains a serial number and a validation code, which can be used to book up to 6 tickets to the screenings. Each ticket package holder can book up to 4 tickets per screening via ibon starting from Sat. September 6th.
Individual Tickets
13
14
15
General: NT$100 per admission Weekday Matinee (before 17:59): NT$50 per admission Disabled (and one company) / Senior Citizen (Age 65+): NT$50
．Individual tickets are available from Mon. September 15th 12:30 via ibon. ．Tickets are also available at the information desk of each venue during the festival. The sales start each day during the following period: 30 minutes before the first screening of the day till 20 minutes after the last screening begins. ．For disabled and senior citizen tickets, please present necessary identification with the tickets for admission.
Group Reservation for Free Entry
16
17
18
19
TIDF offers FREE daytime screenings (before 17:59) for NGO and school groups of more than 20 people by making a reservation in advance. Please make your reservation in September by filling up the reservation form (www.tidf.org.tw) and send it to eunice@mail.ctfa.org.tw For details: 02-2392-4243#66
Tickets Refund or Exchange
20
21
20:00
20:00
開幕片 Opening Film 活在三里塚
開幕片 Opening Film 活在三里塚
The Wages of Resistance
The Wages of Resistance
8th,
including all the exchanged tickets. ．Any ticket package is only refundable before Wed. October ．Refund or exchange of an individual ticket shall be made no later than one day before the screening. A handling fee of 10% per ticket will be charged.
22
★｜ 140min ｜普 G ｜ P.47
★｜ 140min ｜普 G ｜ P.47
Please Note ★ 影人出席或導讀 With filmmakers' attendance ▲ 影片拷貝非英語發音且無英文字幕 Non-English language film without English subtitles 普 G：普遍級｜護 PG：保護級｜輔 PG-12：輔導級｜限 R：限制級 G：GENERAL AUDIENCE ｜ PG：PARENTAL GUIDE ｜ R：RESTRICTED 場次及活動異動訊息，請以現場公布為準 Please refer to the announcement on website and at venues for changes of screenings or events. 影廳設有無障礙設施 Accessibility for the Disabled
SCREENING SCHEDULE
TICKET INFO
late comers. ．Ticket sales will end on ibon 1 hour before each screening but available at the reception. ．Tickets must be purchased for children taller than 100 cm. ．Food and drinks are not allowed inside the cinema of some of the venues. Please follow the rules of the venues. ．To photograph or use recording equipment is prohibited in the cinemas. ．In the event of natural disaster or force majeure, screenings may be cancelled. ．The Festival reserves all rights to change the program schedule due to unexpected occurrences. The latest updates will be announced on www.tidf.org.tw
場次表
購票資訊
26
．There is no assigned seat number on the ticket and it is on a first-come-first-served basis. ．Please hold the tickets for admissions. Tickets will not be re-issued if lost or damaged. ．Admission is not allowed 20 minutes (inclusive) after each film starts. No exchange or refund available for the
27
10.10
場次表 SCREENING SCHEDULE
FRI
A 華山一廳
SPOT-Huashan A One
B 華山二廳
SPOT-Huashan A Two
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
Shin Kong Cineplex 1
10
10:30
10
10:30 11:00
阿母作頭家
On Mother's Head
應許之地
Forest of Oppression
11
11
12
12
13
13
Shoah 1/3
10:00
★｜ 105min ｜護 PG ｜ P.81
13:30
論壇 1：運動影像．影像運動 Forum 1: The Movement Cinema
180min ｜普 G ｜ P.74
犴達罕
The Last Moose of Aoluguya
14
京生
56min ｜普 G ｜ P.81
Born in Beijing
14
14:30
14:30
浩劫 2/3 P.8
Taiwan Film Institute
13:00
青年之海－四個函授生的故事 Sea of Youth
國家電影中心
120min ｜普 G ｜ P.88
12:40
13:00
F
Madame
108min ｜普 G ｜ P.70
98min ｜護 PG ｜ P.72
98min ｜普 G ｜ P.90
Shoah 2/3
16:00
16:20
現認報告書—羽田鬥爭的紀錄 15
15
16
16
17
17
A Report from Haneda ★｜ 58min ｜護 PG ｜ P.81
吾島無家
CHAR...the No-Man's Island
星國戀
To Singapore, with Love
70min ｜普 G ｜ P.72
18:30
稻米之歌
The Songs of Rice
★｜ 75min ｜普 G ｜ P.71
10min ｜普 G ｜ P.79
Shoah 3/3
★｜ 108min ｜護 PG ｜ P.82
20
★｜ 50min ｜護 PG ｜ P.82
人間蒸發
A Man Vanishes
21
21
22
22
Swimming on the Highway
Meet Strangers #1
THE GRAND GREEN
▲｜ 75min ｜護 PG ｜ P.103
★｜ 49min ｜輔 PG-12 ｜ P.97
19:30
佔領第 561 小時
示威嘉年華
6min ｜普 G ｜ P.94
65min ｜護 PG ｜ P.70
The 561st Hour of Occupation
Demonstration
愛的骨牌效應 Domino Effect
130min ｜普 G ｜ P.75 23
23
24
24
76min ｜普 G ｜ P.69
SCREENING SCHEDULE
SCREENING SCHEDULE
W
Reel Taiwan #3
場次表
場次表
65min ｜普 G ｜ P.93
時光台灣 #3 147min ｜普 G ｜ P.89
21:50
在高速公路上游泳
遇見陌生 #1
▲｜ 103min ｜普 G ｜ P.104
20:00
三里塚．第三次強制測量阻止鬥爭 Sanrizuka – Three Day War
21:50
22:00
華 山 大草原
166min ｜普 G ｜ P.74
When the Bough Breaks
19
20:40 46min ｜普 G ｜ P.75
Reel Taiwan #4
19:50 20
Curriculum Vitae
時光台灣 #4
18:30 危巢
19
79min ｜普 G ｜ P.77
20:30
17:40
18
以遺忘為詩 First Cousin Once Removed
身家調查
日本解放戰線．三里塚之夏
一瞬之光 Everywhere at Once
浩劫 3/3
240min ｜護 PG ｜ P.89
The Battle Front for the Liberation of Japan 18
18:20
含中場休息 with break
16:50
88min ｜普 G ｜ P.72 220min ｜普 G ｜ P.74
18:10
28
Fuzhong 15
姑奶奶
Land of Promise
壓制之森
浩劫 1/3
10:00
E 府中15
29
10.11
場次表 SCREENING SCHEDULE
SAT
A 華山一廳
SPOT-Huashan A One
B 華山二廳
10:30
SPOT-Huashan A Two
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
10
行者
The Walkers
10:50
遇見陌生 #2
Meet Strangers #2
餘生—賽德克．巴萊
69min ｜普 G ｜ P.94
11
11
12
12
Pusu Qhuni
12:20
10:20 三里塚—第二堡壘的人們
★｜ 147min ｜護 PG ｜ P.53
Sanrizuka – Peasants of the Second Fortress
★｜ 218min ｜普 G ｜ P.74 ★｜ 98min ｜護 PG ｜ P.65
Extended Q&A with Claude LANZMANN
77min ｜普 G ｜ P.52
16:00 59min ｜普 G ｜ P.50
孩子的村子
Children's Village
14
15
15
16
16
17
17
17:50 18
夢想中繼站
★｜ 38min ｜普 G ｜ P.64
18
Meet Strangers #3
Nippon: Furuyashiki Village
時光台灣 #1
22:20
20
20
21
21
22
22
Timber Gang
90min ｜護 PG ｜ P86
非真實告白
The unknown Known 23
23
102min ｜普 G ｜ P.74
SCREENING SCHEDULE
24
場次表
SCREENING SCHEDULE
68min ｜護 PG ｜ P.63
含中場休息 with break
21:50
24
The Lost Sea
▲｜ 72min ｜普 G ｜ P.100
木幫 210min ｜普 G ｜ P.83
79min ｜普 G ｜ P.77
19:30
Reel Taiwan #1
19:30
74min ｜輔 PG-12 ｜ P.95
Wide Awake
場次表
30
147min ｜普 G ｜ P.89
19
絕對清醒
刪海經
When the Bough Breaks
17:20
遇見陌生 #3
★｜ 51min ｜護 PG ｜ P.62
★｜ 34min ｜普 G ｜ P.56
THE GRAND GREEN
15:00
18:30 19
公民不服從 Civil Disobedience
親密家庭 The Close Family
W
78min ｜普 G ｜ P.88
Stop-Over
20:20
流浪的狗 Stray Dog
華 山 大草原
Sanrizuka – Heta Village
100min ｜普 G ｜ P.53
20:20
49min ｜護 PG ｜ P.57
14
日本國古屋敷村
★｜ 85min ｜普 G ｜ P.90
人間母親 Magdalena
Ximaojia universe
火山好日子
123min ｜護 PG ｜ P.56
21:00
神衍像
危巢
Cochihza
17:40
The End of the Special Time We Were Allowed
13:00
★｜ 146min ｜普 G ｜ P.83
P.9
特許時間的終了
Satiated Village
13:30
Twelve Nights
17:30
吃飽的村子
三里塚．邊田部落
十二夜
《浩劫：未竟審判》延伸座談
Taiwan Film Institute
For the Lost
14:40
16:00
國家電影中心
10:30
13
13:50 給逝去的
F
143min ｜護 PG ｜ P.82 13
★｜ 154min ｜輔 PG-12 ｜ P.64
Fuzhong 15
★｜ 88min ｜普 G ｜ P.90
浩劫：未竟審判
The Last of the unjust
E 府中15
31
10.12
場次表 SCREENING SCHEDULE
SUN
A 華山一廳
SPOT-Huashan A One
10:00
B 華山二廳
SPOT-Huashan A Two
10:30
玉門
Yumen
65min ｜普 G ｜ P.59
12:00 Wuchao Gate
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
10
阿姆斯特丹小鎮指南
Amsterdam Stories uSA - Part One: EAST
我愛（080） I Love (080)
58min ｜護 PG ｜ P.97
12:20
午朝門
C 新光二廳
聽阿嬤的話 Bà nôi (grandma) 92min ｜普 G ｜ P.59
12
12
★｜ 82min ｜普 G ｜ P.84
思念家屋 13
13
54min ｜普 G ｜ P.50
★｜ 81min ｜限 R ｜ P.56
山靈
14
14
15
15
16
16
15:50
18:00
★｜ 80min ｜普 G ｜ P.50
17
18
19
19:30
晃遊身體 Body at Large
★｜ 48min ｜限 R ｜ P.61
The Sweetest Sound 60min ｜普 G ｜ P.77
20:40 湖畔的緬甸夫人 Lady of the Lake
22min ｜護 PG ｜ P.57
沉默的鬥牛 Barre's Silence
68min ｜護 PG ｜ P.55
Magino Village
時光台灣 #2
THE GRAND GREEN
19:30
我的狐狸電影夢
Trucker and the Fox 78min ｜普 G ｜ P.58
▲｜ 80min ｜護 PG ｜ P.101
黑
Black 21
22
22
23
23
24
24
60min ｜普 G ｜ P.61
21:30 含中場休息 with break
霧
fog
60min ｜普 G ｜ P.51
★｜ 222min ｜護 PG ｜ P.83
文化部 G 華山小客廳 The Foyer
14:00
論壇 2：你所不知道的小川紳介
Forum 2: Retrospective of OGAWA Shinsuke ★預約報名 For more info P.9
SCREENING SCHEDULE
SCREENING SCHEDULE
W
Reel Taiwan #2
20:00
20
21
19:00
場次表
場次表
華 山 大草原
20
88min ｜普 G ｜ P.90
Swimming on the Highway 49min ｜輔 PG-12 ｜ P.97
牧野村千年物語
同名電影 ★｜ 58min ｜普 G ｜ P.61
Satiated Village
在高速公路上游泳
18:30 19
吃飽的村子
18:00
18
unveil the Truth II: State Apparatus
19:50
315min ｜護 PG ｜ P.89
106min ｜普 G ｜ P.69
不能戳的秘密 2：國家機器
★｜ 85min ｜護 PG ｜ P.65
16:30 含中場休息 with break
The Coal Miner's Day
★｜ 100min ｜普 G ｜ P.58
32
17
礦味生活
Spark
4891
172min ｜普 G ｜ P.86
地毯上的烏托邦 Iranian
16:50
星火
San Li Dong
Ne Me Quitte Pas
★｜ 70min ｜普 G ｜ P.63
17:10
三里洞
別離開我
92min ｜普 G ｜ P.51
Mountain Spirits
13:00
106min ｜護 PG ｜ P.69
The Empire of Shame
15:20
12:00 Petition
13:00
貪欲帝國
Death of a Female Artist
Taiwan Film Institute
上訪
14:20
一個女藝術家之死
國家電影中心
★｜ 72min ｜普 G ｜ P.87
12:30 CASA
F
CHINA 獨立短片集 China Indie Short Docs
Devotion
95min ｜普 G ｜ P.49
★｜ 85min ｜普 G ｜ P.55
14:40
11
Fuzhong 15
10:00
10:20 解構小川紳介
11
E 府中15
33
10.13
MON
A 華山一廳
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
The Weight of Life
10
Face to Face
70min ｜普 G ｜ P.59
12:40
10:00
★｜ 140min ｜普 G ｜ P.47
110min ｜普 G ｜ P.62
13:00
鐵夢
A Dream of Iron
邊界移動兩百年
From Border to Border
Little Proletarian
70min ｜護 PG ｜ P.91
11
12
12
13
13
92min ｜普 G ｜ P.52
13:00
98min ｜護 PG ｜ P.49
78min ｜普 G ｜ P.58
68min ｜普 G ｜ P.64
17:10
National Diploma
14
15
15
16
16
16:00 -1287
Trucker and the Fox
Out/Marriage
Taiwan Film Institute
國考大作戰 11
14
我的狐狸電影夢
失婚記
國家電影中心
10:30
15:50
16:00
F
The Awakening of the Soul
85min ｜普 G ｜ P.52
15:20
Fuzhong 15
玻利維亞幻遊
Glowing Embers
★｜ 108min ｜普 G ｜ P.63
E 府中15
10
13:40 燃煤的餘燼
★｜ 100min ｜普 G ｜ P.55
二
Shin Kong Cineplex 1
The Wages of Resistance
正面迎擊
山上的小女子舉重隊
D 新光一廳
Shin Kong Cineplex 2
活在三里塚
10:30
10:50
C 新光二廳
17
17
18
18
★｜ 70min ｜普 G ｜ P.49
黑街守護者
Guardians of Time Lost
109min ｜普 G ｜ P.57
18:00 18:30
電光世紀的神話 Myth in the Electric Age
刪海經
親密陌生人 Intimate Stranger
18:30
★｜ 13min ｜普 G ｜ P.79
The Lost Sea
★｜ 60min ｜普 G ｜ P.78
19
19
20
20
21
21
22
22
暗影人生
Shado'man
★｜ 68min ｜護 PG ｜ P.63
20:10
20:30
湖畔的緬甸夫人 Lady of the Lake
★｜ 22min ｜護 PG ｜ P.57
沉默的鬥牛 Barre's Silence
★｜ 68min ｜護 PG ｜ P.55
21:00
玉米田殺人事件
八堂的綠色之戰
Revision
Paldang
21:20 國界蒸發
★｜ 89min ｜普 G ｜ P.58
106min ｜普 G ｜ P.75
Evaporating Borders
★｜ 73min ｜普 G ｜ P.51 23
24
24
文化部 G 華山小客廳 The Foyer
14:30
論壇 3：CHINA 獨立紀錄片焦點 Forum 3: Indie Docs in China ★預約報名 For more info P.9
SCREENING SCHEDULE
SCREENING SCHEDULE
23
場次表
場次表
34
88min ｜普 G ｜ P.53
35
10.14
場次表 SCREENING SCHEDULE
TUE
A 華山一廳
SPOT-Huashan A One
B 華山二廳
SPOT-Huashan A Two
10:30
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
10
阿姆斯特丹小鎮指南
Yumen
★｜ 65min ｜普 G ｜ P.59
浩劫 1/3
F
國家電影中心
Taiwan Film Institute
Land of Promise 11
11
12
12
★｜ 95min ｜普 G ｜ P.49
Shoah 1/3
Fuzhong 15
應許之地
Amsterdam Stories uSA - Part One: EAST
11:00
玉門
10:00
E 府中15
108min ｜普 G ｜ P.70
12:30 13:00
13:00
我的狐狸電影夢
礦味生活 13
13
玻利維亞幻遊
Trucker and the Fox
180min ｜普 G ｜ P.74
The Awakening of the Soul
★｜ 78min ｜普 G ｜ P.58
黑
Black
★｜ 80min ｜普 G ｜ P.50 14
14
15
15
★｜ 60min ｜普 G ｜ P.61
Paldang
16
16
Cochihza
17:00
CASA
★｜ 81min ｜限Ｒ｜ P.56
遇見陌生 #3
17
17
18
18
P.10
20:00
The Lost Sea
Evaporating Borders
19
19
20
20
18:00 山靈
Mountain Spirits
70min ｜普 G ｜ P.63
20:40
21:00
22
22
23
23
24
24
-1287
fog
★｜ 147min ｜護 PG ｜ P.53
★｜ 60min ｜普 G ｜ P.51
★｜ 70min ｜普 G ｜ P.49
SCREENING SCHEDULE
SCREENING SCHEDULE
21
場次表
場次表
21
霧
聽阿嬤的話 Bà nôi (grandma) ★｜ 85min ｜普 G ｜ P.55
國界蒸發
★｜ 73min ｜普 G ｜ P.51
行者
The Walkers
21:00
18:20 ★｜ 10min ｜普 G ｜ P.79 與誰何干 NobodyBusiness ★｜ 60min ｜普 G ｜ P.78
19:25
刪海經 ★｜ 54min ｜普 G ｜ P.50
17:40
城市剪報 City Edition
Meet Strangers #3 ★｜ 74min ｜輔 PG-12 ｜ P.95
15:30
★｜ 68min ｜護 PG ｜ P.63
Death of a Female Artist
18:10
Meet Strangers
Timber Gang
★｜ 59min ｜普 G ｜ P.50
一個女藝術家之死
36
15:20
火山好日子
遇見陌生 延伸座談
木幫
90min ｜護 PG ｜ P.86
思念家屋
16:00
八堂的綠色之戰
★｜ 89min ｜普 G ｜ P.58
13:00
★｜ 98min ｜護 PG ｜ P.49
14:40 15:30
The Coal Miner's Day
37
10.15
WED
A 華山一廳
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
10:30
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
餘生—賽德克·巴萊
10:30
Pusu Qhuni
Shado'man
11:00 浩劫 2/3
11
11
Shoah 2/3
12
12
F
國家電影中心
Taiwan Film Institute
失婚記
Out/Marriage
十二夜 ★｜ 88min ｜普 G ｜ P.53
Fuzhong 15
10:00
10
暗影人生
E 府中15
★｜ 68min ｜普 G ｜ P.64
Twelve Nights
98min ｜護 PG ｜ P.65
12:30 13:00
154min ｜輔 PG-12 ｜ P.64
13
13
Nippon: Furuyashiki Village
Stop-Over
鐵夢
220min ｜普 G ｜ P.74
A Dream of Iron
14
15
15
15:00 邊界移動兩百年
Wuchao Gate
★｜ 92min ｜普 G ｜ P.59
From Border to Border
16:00
16
16
含中場休息 with break
貪欲帝國
★｜ 210min ｜普 G ｜ P.83
The Empire of Shame
黑街守護者
Guardians of Time Lost
17
17
18
18
山上的小女子舉重隊 The Weight of Life
★｜ 70min ｜普 G ｜ P.59
18:00 Glowing Embers
19:00 The Family Album ★｜ 60min ｜普 G ｜ P.78
The End of the Special Time We Were Allowed
20:20
19
19
20
20
親密家庭 The Close Family
★｜ 34min ｜普 G ｜ P.56
★｜ 123min ｜護 PG ｜ P.56
85min ｜普 G ｜ P.52
Face to Face
★｜ 110min ｜普 G ｜ P.62
21:20
21
22
22
23
23
24
24
國考大作戰
National Diploma
給逝去的
For the Lost
★｜ 77min ｜普 G ｜ P.52
★｜ 92min ｜普 G ｜ P.52
文化部 G 華山小客廳 The Foyer
16:00
講座 3：記憶線索─尋找偽紀錄片
Mini Talk 3: Documemory & Mocumentary ★預約報名 For more info P.10
SCREENING SCHEDULE
SCREENING SCHEDULE
21
場次表
場次表
38
正面迎擊
20:40
人間母親 Magdalena
★｜ 49min ｜護 PG ｜ P.57
18:20
燃煤的餘燼
家庭電影
特許時間的終了
★｜ 108min ｜普 G ｜ P.63
92min ｜普 G ｜ P.51
18:00
20:00
★｜ 85min ｜護 PG ｜ P.65
午朝門
16:40
★｜ 109min ｜普 G ｜ P.57
14
★｜ 100min ｜普 G ｜ P.53
15:10 ★｜ 100min ｜普 G ｜ P.55
unveil the Truth II: State Apparatus
日本國古屋敷村
夢想中繼站 13:50
不能戳的秘密 2：國家機器
13:00
39
10.16
THU
A 華山一廳
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
10:30
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
10
壓制之森
玉米田殺人事件 Revision
Forest of Oppression
11:00
12
星火
祭之馬 The Horses of Fukushima
11min ｜普 G ｜ P.71
166min ｜普 G ｜ P.74
Spark
13
Taiwan Film Institute
公民不服從 Civil Disobedience
12:20 Sea of Youth ★｜ 56min ｜普 G ｜ P.81
★｜ 51min ｜護 PG ｜ P.62
12:30 4891
★｜ 58min ｜普 G ｜ P.61
晃遊身體 Body at Large
★｜ 74min ｜普 G ｜ P.71
48min ｜限 R ｜ P.61
14
14
15
15
14:40
14:40
浩劫：未竟審判
The Last of the unjust
15:20
現認報告書—羽田鬥爭的紀錄 A Report from Haneda
58min ｜護 PG ｜ P.81
同名電影
16:00
The Sweetest Sound ★｜ 60min ｜普 G ｜ P.77
多格威斯麵
16
15:30 築巢人
A Rolling Stone
16
16:30
Dog with Man
★｜ 53min ｜護 PG ｜ P.98
日本解放戰線．三里塚之夏 17
88min ｜普 G ｜ P.97
17
17:30 地毯上的烏托邦 218min ｜普 G ｜ P.74
Iranian
The Battle Front for the Liberation of Japan
17:30 二
18
18
108min ｜護 PG ｜ P.82
Little Proletarian
70min ｜護 PG ｜ P.91
18:40 雲的那端
Somewhere Over the Cloud
19:00
106min ｜普 G ｜ P.69
阿母作頭家
On Mother's Head
★｜ 102min ｜普 G ｜ P.98
98min ｜護 PG ｜ P.72
19
19
20:00 城市剪報 City Edition
20
20
Sanrizuka –Three Day War 50min ｜護 PG ｜ P.82
21
21
21:00
★｜ 10min ｜普 G ｜ P.79 ★｜ 60min ｜普 G ｜ P.78
CHAR...the No-Man's Island
孩子的村子
Children's Village
85min ｜普 G ｜ P.90
Point and Shoot
Ne Me Quitte Pas
22
23
23
24
24
82min ｜護 PG ｜ P.70
22:30 106min ｜護 PG ｜ P.69
示威嘉年華
Demonstration
65min ｜護 PG ｜ P.70
文化部 G 華山小客廳 The Foyer
16:00
講座 4：亞洲紀錄片的今天─國際 vs. 本土 Mini Talk 4: Asian Documentary Today ★預約報名 For more info P.10
SCREENING SCHEDULE
SCREENING SCHEDULE
22
場次表
場次表
88min ｜普 G ｜ P.72
19:30
瞄準．攝擊
別離開我
吾島無家
19:10 三里塚．第三次強制測量阻止鬥爭
與誰何干 Nobody's Business
21:20
21:40
40
國家電影中心
38min ｜普 G ｜ P.64
Domino Effect
青年之海－四個函授生的故事 13
F
流浪的狗 Stray Dog
76min ｜普 G ｜ P.69 12
牆上的灰塵 KNH
★｜ 100min ｜普 G ｜ P.58
11
12:30
13:00
10:00
10:20
105min ｜護 PG ｜ P.81
106min ｜普 G ｜ P.75
Fuzhong 15
愛的骨牌效應 11
浩劫 3/3 Shoah 3/3
E 府中15
41
10.17
A 華山一廳
FRI
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
Fuzhong 15
A Man Vanishes 11
11
12
12
13
13
10:30
10:30
三里塚—第二堡壘的人們
神衍像
Sanrizuka – Peasants of the Second Fortress
國家電影中心
Taiwan Film Institute
Ximaojia universe
78min ｜普 G ｜ P.88
★｜ 143min ｜護 PG ｜ P.82
13:00
F
10
人間蒸發
130min ｜普 G ｜ P.75
E 府中15
13:00 時光台灣 #2
非真實告白
The unknown Known 14
14
Reel Taiwan #2
14:00
▲｜ 80min ｜護 PG ｜ P.101
三里塚．邊田部落
102min ｜普 G ｜ P.74
Sanrizuka – Heta Village 15
15:00
15
時光台灣 #4
Reel Taiwan #4
15:50 16
星國戀
16
146min ｜普 G ｜ P.83
To Singapore, with Love
★｜ 70min ｜普 G ｜ P.72
17
17
17:10
Dogs with Man
Devotion
19
Dream Walking
88min ｜普 G ｜ P.97
82min ｜普 G ｜ P.84
The Family Album ★｜ 60min ｜普 G ｜ P.78
夢遊
18
18:40 家庭電影
17:20
多格威斯麵
解構小川紳介 18
▲｜ 103min ｜普 G ｜ P.104
17:00
19
19:20 牧野村千年物語
20
20
21
21
22
22
23
23
24
24
Magino Village
86min ｜普 G ｜ P.86
19:30
19:30
我愛（080）
姑奶奶
I Love (080) ★｜ 58min ｜護 PG ｜ P.97
Madame
20:50 電光世紀的神話 Myth in the Electric Age
120min ｜普 G ｜ P.88
★｜ 13min ｜普 G ｜ P.79
親密陌生人 Intimate Stranger
★｜ 60min ｜普 G ｜ P.78
含中場休息 with break
The Foyer
16:00
講座 5：影展私房話
Mini Talk 5: A Chat with Festival Programmers ★預約報名 For more info P.10
SCREENING SCHEDULE
SCREENING SCHEDULE
文化部 G 華山小客廳
場次表
場次表
42
222min ｜護 PG ｜ P.83
43
10.18
A 華山一廳
SAT
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
10:30
The Wages of Resistance
F
國家電影中心
Taiwan Film Institute
膠帶 Tape
牆上的灰塵 KNH 11
Fuzhong 15
10:00
10
活在三里塚
E 府中15
11min ｜普 G ｜ P.71
11
祭之馬 The Horses of Fukushima
★｜ 74min ｜普 G ｜ P.71
140min ｜普 G ｜ P.47
12
12
13
13
162min ｜限 R ｜ P.88
13:00 遇見陌生 #1
時光台灣 #3
13:30
Meet Strangers #1
65min ｜普 G ｜ P.93
13:00 Reel Taiwan #3
稻米之歌 14
14
▲｜ 75min ｜護 PG ｜ P.103
The Songs of Rice
75min ｜普 G ｜ P.71
15:00
15
15:00
15
時光台灣 #1
遇見陌生 #2
Meet Strangers #2
69min ｜普 G ｜ P.94
16
16
Reel Taiwan #1
16:00
▲｜ 72min ｜普 G ｜ P.100
鄧南光 8mm 電影輯（數位修復版）
DENG Nan-guang 8mm Collection 17
17:20
17
(Restored)
★｜ 56min ｜普 G ｜ P.105
絕對清醒
Wide Awake
18
16:15 17:00 CHINA 獨立短片集 China Indie Short Docs
72min ｜普 G ｜ P.87
18
18:30
★｜ 79min ｜普 G ｜ P.77
美援時代 延伸座談
19
Point and Shoot
19:20 82min ｜護 PG ｜ P.70
20:00
20
20
21
21
P.11
18:00 雲的那端
Somewhere Over the Cloud
瞄準．攝擊 19
Reel Taiwan 1951-1965
102min ｜普 G ｜ P.98
犴達罕
The Last Moose of Aoluguya
一瞬之光 Everywhere at Once
★｜ 10min ｜ 普 G ｜ P.79
以遺忘為詩 First Cousin Once Removed
20:50
★｜ 79min ｜ 普 G ｜ P.77
23
23
24
24
46min ｜普 G ｜ P.75
文化部 G 華山小客廳 The Foyer
13:30
大師講堂：艾倫．柏林納
A Master Class with Alan BERLINER ★預約報名 For more info P.7
SCREENING SCHEDULE
SCREENING SCHEDULE
22
場次表
場次表
44
Curriculum Vitae 22
98min ｜普 G ｜ P.90
身家調查
45
10.19
A 華山一廳
SUN
SPOT-Huashan A One
場次表 SCREENING SCHEDULE
B 華山二廳
SPOT-Huashan A Two
C 新光二廳
D 新光一廳
Shin Kong Cineplex 2
10:00
Shin Kong Cineplex 1
10
10
得獎影片放映
Award Winning Films
得獎結果 10.16 公佈於官網 22:00 起開放購票 Detailed schedule and ticketing info will be announced on TIDF offical site at 22:00 on October 16th.
10:00
11
12
12
13
13
Fuzhong 15
10:00
得獎影片放映
得獎影片放映
得獎結果 10.16 公佈於官網 22:00 起開放購票
得獎結果 10.16 公佈於官網 22:00 起開放購票
Detailed schedule and ticketing info will be announced on TIDF offical site at 22:00 on October 16th.
Detailed schedule and ticketing info will be announced on TIDF offical site at 22:00 on October 16th.
Award Winning Films 11
E 府中15
14
15
15
16
16
17
17
18
18
國家電影中心
Taiwan Film Institute
Award Winning Films
13:00
13:00
京生
上訪
Born in Beijing 14
F
Petition
含中場休息 with break
240min ｜護 PG ｜ P.89
18:00 得獎影片放映
Award Winning Films
20
20
21
21
22
22
23
23
24
24
得獎結果 10.16 公佈於官網 22:00 起開放購票 Detailed schedule and ticketing info will be announced on TIDF offical site at 22:00 on October 16th.
文化部 G 華山小客廳 The Foyer
14:00
論壇 4：台灣紀錄片進行式
Forum 4: Taiwan Documentary – Current Features and Prospects ★預約報名 For more info P.11
SCREENING SCHEDULE
SCREENING SCHEDULE
19
場次表
場次表
46
19
含中場休息 with break
315min ｜護 PG ｜ P.89
47
開幕片 OPENING FILM
活在三里塚 The Wages of Resistance
世界首映
代島治彥 DAISHIMA Haruhiko、大津幸四郎 OTSU Koshiro ｜日本 Japan │ 2014 │ HDCAM │ Colour │ 140min
成田機場的飛機起起降降，隨著鏡頭，導演帶我們穿越 機場旁的小徑，「空港粉碎」的牌子依舊豎立，而那幾 戶自 1966 年的抗爭運動後堅持不搬離，在這裡幾乎度 過一生的人家，緩緩道出他們的回憶與心情。 1966 年，日本政府在沒有與居民溝通的情況下，決定 要在三里塚地區興建機場。此舉引發農民們奮起反對， 並贏得了學生們與日本各地社運者的支持，就此展開數 年的激烈抗爭，罔顧民主正義的政府與不畏懼國家暴力 的人們，皆付出了沉痛的代價。 45 年過去了，當年拍攝《三里塚之夏》而被捕的攝影 師大津幸四郎，如今回到昔日戰場反思這場運動；片中 穿插了小川「三里塚系列」作品的畫面，也有許多從未 公開的第一手抗爭影像。從當下回首過去，每人對待過 去的態度和政治投入度截然不同，但「信念」在他們心 中未曾消失過。
10.09 (THU) 20:00 A B ★
10.13 (MON) 10:00 C ★
Director's Statement After forty-five years, I revisited the Sanrizuka airport land. What did I see there and what attracted my attention that prompted me to film? "In the beginning was the Word." In the beginning, everything is brought out into broad daylight to be scrutinised and dissected by words and reason; to be verbalised and hanged out to dry. On the other hand, the world of films is a world of shadows swaying endlessly. The minute you think you caught them; they slip through your fingers. The mesh of words must be too big to verbalise them. They are gone. This film recounts the forty-six years of struggles of the Sanrizuka farmers opposing the new airport and the government's powerful oppression from time to time, through the sober eyes of present day farmers. However imperfect the airport might be, it has been built and it is inevitable to conclude that the farmers lost the struggle. The farmers are still farming in the land while casting side glances at the planes taking off and landing. They continue to live there. Their lives and minds must be wavering in conflicting courses. We quietly placed our camera by their side and made a tranquil document of their monologues.
10.18 (SAT) 10:00 C
OPENING FILM
The Wages of Resistance is a feature-length documentary film that portrays an "extended span of time" of the protests against building Narita International Airport
which have continued from the 1960's to today through documenting monologues of those whose lives were twisted by the movement.
開幕片
本片是一趟時間之旅，描繪出三里塚的動人景象，安靜 卻充滿力量。究竟，改變世界是否可能？時間又留下了 什麼？
World Premiere
49
-1287 -1287
亞洲首映
伊恩．湯瑪斯．艾許 Ian Thomas ASH ｜日本 Japan ｜ 2014 ｜ DCP ｜ Colour ｜ 70min
Asian Premiere
一份歷久彌新的友情，一場歷時多年的親密對話。和子小姐得知 自己患病即將不久人世，在導演伊恩的陪伴下，她回顧過去，並 侃侃而談對愛情、婚姻、金錢、死亡威脅的看法，她的獨白有時 幽默，有時則令人心傷。生命正倒數計時，那些被惦記、在意、 釋懷、後悔、還想做的，會是什麼？ During the deeply intimate conversations, Kazuko talks about her life in ways that are at times humorous but often tragic. As she nears the end of her life, her observations on love, money, marriage and her own death have changed, and so has her relationship with the filmmaker.
2014 Raindance Film Festival 英國雨舞影展
10.13 (MON) 16:00 D ★
國際競賽
10.14 (TUE) 20:40 D ★
阿姆斯特丹小鎮指南 Amsterdam Stories uSA - Part One: EAST 勞柏．榮包特 Rob ROMBOUT、羅希爾．凡．艾克 Rogier VAN ECK ｜比利時 Belgium ｜ 2012 ｜ DCP ｜ Colour ｜ 95min
亞洲首映 Asian Premiere
令人難忘的系列公路電影，本次選映首部曲「東」。通過這趟 「不在荷蘭的阿姆斯特丹」路上遭遇、迢遙卻充滿驚喜的冒險， 描繪人們曾感陌生的美國小城。影片走訪了好萊塢明星寇克． 道格拉斯出生地，當代攝影大家沃克．伊凡斯鏡頭下的視野。 除了歷史文化的脈絡，也充滿極優美詩意的影像，以及別具意 趣的人事物。
International Competition
Amsterdam Stories USA is a road movie and mosaic portrayal of the little-known America that follows the migratory flow of the past through 16 North American towns, sites, and populated places, all of them called Amsterdam or New Amsterdam. Each little Amsterdam is a different, unique story that progressively weaves an imaginary map of provincial America.
本屆影展共有來自 117 個國家與地區，共 1,102 作品投件國際競賽。 經過三個月的初選過程，最終精選 15 部來自世界各地的優秀作品。題 材的多樣反映了導演們的觀點與對世界的關照，而形式的多元創新則 訴說著紀錄片美學的無限可能。 2012 IDFA 阿姆斯特丹國際紀錄片影展
The films submitted to the 2014 TIDF come from 117 countries and regions. We received 1,102 submissions in this category alone. After a three-month selection process, fifteen documentaries from all over the world are shortlisted in the final. The huge variety of the subject matters of the films reflects the directors' views and concern about the world. Moreover, the very different and innovative styles of narrative demonstrate the limitless potential of the documentary aesthetics.
10.12 (SUN) 10:00 C
10.14 (TUE) 10:00 C ★
玻利維亞幻遊 The Awakening of the Soul 羅莎娜．瑪太齊 Rosana MATECKI ｜委內瑞拉 Venezuela │ 2013 │ DCP │ Colour │ 98min
亞洲首映 Asian Premiere
國際競賽
2013 Warsaw Film Festival 華沙電影節
INTERNATIONAL COMPETITION
這是一則街頭小販和木匠化身劇場表演者的美麗寓言故事。兩位 熱愛藝術與自由的年輕原住民，以默劇、詩歌融合古老神話與儀 式，將拉美人民長久以來追求獨立自主的抗爭歷史，如拼布一般 生動展現於玻利維亞的遼闊高原與閣樓劇場。現實的殘酷透過藝 術得到昇華，更體現了南美特有的魔幻文化。
10.13 (MON) 13:00 D
51
It's the life of two young street clowns. Tintin and Cafú who succeed in transforming their lives thanks to art. One is a carpenter and the other a chicken seller. The film recounts a unique journey: ancestral places and surreal images, surging from passion, the magic of art. It's a film about people who save lost causes with their hearts. A vision, a struggle, resistances... 2014 International Film Festival of Viña del Mar 智利比尼亞德爾馬國際影展
10.14 (TUE) 13:00 C ★
思念家屋 CASA
亞洲首映
丹妮耶拉．德．費里切 Daniela DE FELICE ｜法國 France、義大利 Italy ｜ 2013 ｜ DCP ｜ Colour ｜ 54min
Asian Premiere
貪欲帝國 The Empire of Shame
亞洲首映
洪里烱 HONG Li-gyeong ｜南韓 South Korea ｜ 2013 ｜ HDCAM ｜ Colour ｜ 92min
Asian Premiere
父親在 1997 年過世，記憶被封存在家中角落。如今，那棟遺留下 來的家屋即將轉手，母親、導演與弟弟回家清理當時留下來的物 品，回憶與情感一縷縷勾起，就像告別儀式；在第一人稱敘事下， 穿插手繪插畫、家庭影帶、家人珍藏與談話，家的形象與意義躍 然影像之中。她說：「我想以影像捕捉離開前的這一切。」
這部關於血汗無名勞工的故事，在南韓上映後引起舉國關注。「我 彷彿活在一個異世界中，所有人穿著同樣的衣服。我還記得第一 次在生產線上，那些真實生命就像機器一樣地工作著。」從南韓 最大企業「三星」的退職女工這麼說，她們陸續得了罕見的白血 病，從此改變人生，踏上與三星長達七年的漫漫抗爭。
The house is crammed with objects of no great material value. Years after her father's death, the director, her mother and brother clear the family home, once a promise of social advancement and now a place nobody wants to live in. Can memories be shared? What's left of a life when the next generation attaches a different value to its objects?
"It was like I was in a different world. Men and women all wore the same clothes and it looked like a small country. There were a factory, dormitory, even hospital. Just being there was sort of making me feel good. I can recall the first time I was in manufacturing line. Real robots working there." It's a story about nameless people wearing white coat, hat and mask working in a clean room, exposing eyes only.
2013 Cinéma du Réel 法國真實電影節
2014 Visions du Réel 瑞士真實影展
2013 DOK Leipzig 德國萊比錫紀錄片與動畫影展
2014 Seoul Human Rights Film Festival 首爾人權影展
10.12 (SUN) 12:30 C
10.12 (SUN) 14:20 C
10.14 (TUE) 15:20 D ★
礦味生活 The Coal Miner's Day
亞洲首映
嘉耶勒．莫卡赫 Gaël MOCAËR ｜法國 France ｜ 2014 ｜ DCP ｜ Colour ｜ 80min
Asian Premiere
10.15 (WED) 16:00 C
國界蒸發 Evaporating Borders
亞洲首映
伊娃．哈迪弗維琪 Iva RADIVOJEVIC ｜賽普勒斯 Cyprus、美國 USA ｜ 2014 ｜ DCP ｜ Colour ｜ 73min
Asian Premiere
一場老派的蘇聯式表揚大會正在烏克蘭鄉間上演。接著，影片帶 我們深入漆黑礦坑，突如其來的爆炸與崩毀驚動了所有礦工，在 混亂稍稍穩定後，他們確認著彼此的生死，然後認命克服恐懼， 在下次挖礦時繼續努力，以領取微薄的工資。然而，那極度反差 的礦裡礦外生活，似乎指涉著諷刺與無奈的人生況味。
身為從小移民到賽普勒斯的南斯拉夫移民，女導演以異鄉客視角， 透過五個章節，以如風的節律旁白，理性又抒情地訴說這座地中 海小島的故事，包括屢見不鮮的偷渡客死亡、第三世界的移民文 化、納粹與極右派高漲的排外勢力……首尾相應的窗口影像，意 味攝影機不只旁觀情勢，更介入思索島國的歸屬與認同。
Ukrainian countryside. A carnival-like ceremony, soviet style, obsolete, entertaining. Then, all of a sudden, into the mine, explodes the violence of a prison world. A dive into the bowels of the earth that devours its own children, in the same time she feeds, warms them up, enlightens them all. A party, few balloons, yellow and blue colours, a break in these men's life. Do they really breathe better outside?
Evaporating Borders develops a sweeping visual essay on global restrictive attitudes toward migrating populations. Guided by the filmmaker's curious eye and personal reflections, the film dissects the experience of asylum seekers in Cyprus. Through a series of vignettes, it poetically weaves themes of migration, tolerance, identity and belonging.
2013 IDFA 阿姆斯特丹國際紀錄片影展
2014 SXSW 美國西南偏南電影節 2014 IFF Rotterdam 鹿特丹國際影展
10.12 (SUN) 16:50 C ★
10.14 (TUE) 12:30 D ★
10.13 (MON) 21:20 D ★
火山好日子 Cochihza
亞洲首映
克莉斯汀．吉拉德 Khristine GILLARD ｜尼加拉瓜 Nicaragua ｜ 2013 ｜ DCP ｜ Colour ｜ 59min
霧 fog
亞洲首映
妮可．富格勒 Nicole VÖGELE ｜德國 Germany ｜ 2014 ｜ DCP ｜ Color ｜ 60min
Asian Premiere
影片從一片白茫茫的霧開始，從雪地出發，分別透過天文學家、 音樂家、氣候觀測員及馬伕，描繪生活於自然與都市的故事。那 些神祕莫測的、等待愛情的、尋找未知的、了解宇宙運轉的大小 事，占據了角色們的心靈。這部視聽交響曲，僅透過氣象萬千的 紀實影像揭露世界之像、自然之謎，描繪身而為人的心靈。
Ometepe, the volcano island—Nicaragua. A landscape like a sleeping body. The ancients describe life in two movements: one linear movement, like a walk; and one beat, emerging from the centre. Each man adopts his own particular rhythm at birth and keeps it for all his life. Within the encounter of the volcano's community and the guardians of its memory, a story of a world unfolds.
A station in thick fog and a waiting figure is seen. An astronomer who is looking to the sky. A musician hoping to meet the right woman one day, and a stableman for whom the world has always turned a little too fast. All are driven by their quiet longing to make contact, to not feel alone, to gaze into openness. In the end we have a clear view but remain alone.
2014 Visions du Réel 瑞士真實影展
2014 DOK Fest 慕尼黑國際紀錄片影展
2014 Festival Heart of Slovenia 斯洛維尼亞之心影展
2014 Festival del film Locarno 盧卡諾影展
INTERNATIONAL COMPETITION
INTERNATIONAL COMPETITION
尼加拉瓜奧梅特佩島上的活火山，正靜靜安睡著，但仍會冒氣吐 煙，彷彿將隨時甦醒；倚山而活的村落，也發展出獨特的生活形 態與韻律。每位村民，打從出生起到終老，就實踐著他們獨一無 二的生命節奏和度日哲學。關於一座火山島嶼的各式想像，一種 自然與人的相處關係，就在綠樹曳影、雲霧繞山之中，慢慢展開。
國際競賽
國際競賽
52
Asian Premiere
10.14 (TUE) 17:40 D ★
10.11 (SAT) 16:00 C
10.12 (SUN) 21:30 C
53
10.14 (TUE) 16:00 C ★
10.14 (TUE) 21:00 C ★
給逝去的 For the Lost
亞洲首映
皮耶伊弗．馮德韋爾 Pierre-Yves VANDEWEERD ｜比利時 Belgium、法國 France ｜ 2014 ｜ DCP ｜ Colour ｜ 77min
Asian Premiere
暗影人生 Shado'man
亞洲首映
包里斯．黑瑞茲 Boris GERRETS ｜荷蘭 The Nederlands ｜ 2013 ｜ DCP ｜ Colour ｜ 88min
Asian Premiere
活著的人必須守住祕密，但同時要抵抗失憶。在人跡罕見的法國 南方高原上，只有大風暴、羊群與牧人見證這場孤寂，而山頭的 另一端，是三千多名精神病患的墓地所在，療養院的病患緩緩喚 出那些被遺忘的靈魂的名字。兩個世界、兩個故事、人類與自然、 身體與靈魂、瘋顛與理性，一趟如詩般絕美卻險惡的追探旅途。
在非洲獅子山共和國的首都自由城，有一群街頭遊子，帶著生理 和心理的缺陷，相濡以沫，在街頭討生活。日落之後，黑夜來臨， 他們展開百無禁忌的對話，訴說內心的期盼與夢想——屬於他們 的生活正要開始。在極度惡劣的生活條件下，這群社會邊緣人掙 扎求生，並尋求自己的人性與尊嚴。
The storm is a snow tempest which disorients and confuses people. Guided by the sheepbells of a flock and by the evocations of the lost, this film is a voyage through storms; those of the mountains and winter, those of bodies and souls, those which remind us that which nature has not obtained from our reason, obtaining from our madness.
Shado'man is a cinematic journey undertaken by the filmmaker together with the street boys. The camera becomes a nucleus around which their life unfolds, unlocking a space for previously unshared pains, dreams and aspirations. The film delves into the inner world of each character to reveal the dignity of humans surviving under inhumane conditions.
2014 Special Mention, Vision du Réel 瑞士真實影展評審團特別提及獎
2014 Visions du Réel 瑞士真實影展 2013 IDFA 阿姆斯特丹國際紀錄片影展
10.11 (SAT) 13:50 C
10.15 (WED) 20:40 D ★
燃煤的餘燼 Glowing Embers
10.13 (MON) 18:30 D
瑪麗．希梅內茲 Mary JIMÉNEZ、班內荻克特．里耶娜德 Bénédicte
LIÉNARD ｜比利時 Belgium、祕魯 Peru ｜ 2013 ｜ DCP ｜ Colour ｜ 85min
亞洲首映 Asian Premiere
10.15 (WED) 10:00 C ★
夢想中繼站 Stop-over
亞洲首映
凱夫．巴克提阿利 Kaveh BAKHTIARI ｜瑞士 Switzerland、法國 France ｜ 2013 ｜ DCP ｜ Colour ｜ 100min
Asian Premiere
在祕魯雨林河岸邊，住著一戶以燒煤維生的人家，一家三代皆以 手工方式與大量勞動為生活拼搏。某天，在燒煤的過程中，奶奶 不幸灼傷了自己的腳，決定要離開這裡，到他方度過餘生，家中 慣常的生活因而起了變化；而煤炭價格一日不如一日，生活壓力 日漸沉重，面對奶奶的別離與無奈現實，這個家該如何走下去？
來自伊朗的偷渡客，夢想到西方世界追夢，卻被困在希臘動彈不 得；同鄉的阿米爾有過類似遭遇，好心收留他們，一起住在公寓 中。時間過去，夢想仍遠，生活越趨困難，大夥雖情如兄弟，終 究無法撫慰異鄉無家的失落。有人考慮返鄉，有人冒險繼續追夢， 關於離散與鄉愁的生命篇章，持續上演。
On the banks of the Ucayali river, in the Peruvian rainforest, three generations of the same family struggle to survive through their handmade production of coal. After an accident that burned her feet, the grandmother leaves the family, with the hope of dying somewhere else, far away from the coal. Left alone with her juvenile son, Nancy keeps on struggling. Will she be able to hold her family together?
In Athens, Amir, an Iranian immigrant, has a modest flat which has become a place of transit for migrants who, like Amir himself, have chosen to leave their country.
2014 Helsinki Documentary Film Festival 赫爾辛基紀錄片影展
2013 Festival de Cannes 坎城影展 2013 Thessaloniki International Film Festival 希臘塞薩洛尼基國際影展
10.13 (MON) 13:40 C
10.11 (SAT) 17:50 C
10.15 (WED) 18:00 D
國考大作戰 National Diploma
迪厄多內．哈馬迪 Dieudonné HAMADI ｜剛果民主共和國
Democratic Republic of Congo、法國 France │ 2014 │ DCP │ Colour │ 92min
Asian Premiere
行者 The Walkers 陳芯宜 Singing CHEN ｜台灣 Taiwan │ 2014 │ DCP │ Colour │ 147min
2014 Scam International Award and Potemkine Award, Cinéma du Réel 法國真實電影節 Scam 國際獎與 Potemkine 發行獎
Filmed over 10 years, this epic documentary presents the story of the renowned Taiwanese choreographer, LIN Lee-chen and her "Legend Lin Dance Theatre". Extracting the essential details of LIN's daily life, the film explores the origins of her dance, contemplating the poetic and ritualistic movements she creates and delineating her lifetime pursuit of aesthetic concerns. 2014 Taipei Film Festival 台北電影節
2014 Grand Prix, Agadir International Documentary Festival 摩洛哥阿加迪爾國際紀錄片影展首獎
10.13 (MON) 10:30 D
10.15 (WED) 21:20 C ★
10.11 (SAT) 10:00 C ★
10.14 (TUE) 20:00 B ★
INTERNATIONAL COMPETITION
National Diploma follows a group of young Congolese high school students who are about to sit the exam for their National Diploma, the equivalent of the French baccalaureate, in Kisangani, Democratic Republic of Congo.
國際競賽
INTERNATIONAL COMPETITION
本片以長達 10 年紀錄「無垢舞蹈劇場」及藝術總監林麗珍的創 作生命，以及無垢於台北、香港、北京、法國、西班牙等各大藝 術節演出的珍貴畫面。透過如詩影像，展現林麗珍純粹的創作意 念、對生命的反思，與對天地的敬意。部分畫面更採用台灣少見 的 Dance Film 拍攝，以身體意象觀看台灣風景，是舞，是詩，是 生命。
一考定生死，對非洲剛果的莘莘學子來說，通過國家考試是擺脫 貧困的唯一出路。偏偏考試將近，一班學生因付不出老師的額外 酬金，被趕出教室，大家只好搬到破屋自力救濟，互當老師，甚 至是求神、祈福、作弊，為考試使出渾身解數。在笑中帶淚的過 程中，學生群像亦反映了當代社會的荒誕與現實。
國際競賽
54
亞洲首映
10.15 (WED) 13:00 C ★
55
鐵夢 A Dream of Iron
亞洲首映
朴慶根 PARK Kelvin Kyung-kun ｜南韓 South Korea、美國 USA ｜ 2014 ｜ HDCAM ｜ B&W, Colour ｜ 100min
影片從情傷分手後尋找所能信仰之神開始，這不只是導演自身的 追尋，同時也是南韓歷史痕跡的追溯。故事從現代集團的所在地 蔚山展開，一則古代鯨魚的神話，緊接著大量雄偉壯觀的勞動身 影、鋼鐵工業、巨型機械，詩意與哲思在影像中不斷交錯，穿越 了南韓半世紀的發展虛夢，以及不斷流動、遲疑、更新的信仰。
亞洲視野競賽
A Dream of Iron looks back on South Korea's history of modernisation in the 1960s, when the nation underwent drastic economic changes under President PARK Jung Hee's rule after the Korean War. Artist PARK Kelvin Kyung-kun paints a portrait of what now remains of this time. Navigating the past and present of Korean heavy industries, the film embarks on a journey in search of a god for the present.
Asian Vision Competition
共有 432 件以亞洲為題材的作品投件，遴選出 15 部影片。在「亞洲」 的紀錄片框架下，更為強調影片的作者觀點與獨立精神，還有不同文 化背景所產生的差異性與普世性。這些獨特的紀錄片樣貌，帶領我們 繼續思索「亞洲」的意義，也為紀錄片影像，召喚著另一種更為新穎 的命名。 Amongst the 432 submissions from all over Asia, fifteen films are selected to compete in this category. Under the banner of "Asian" documentary, what is emphasised is the filmmakers' viewpoints and independent spirits, the difference as well as the universality resulting from the different cultural backgrounds. These unique documentaries lead us to ponder over what "Asia" means and give documentary a brand new title.
Asian Premiere
2014 Berlinale 柏林影展 2014 MOMA Documentary Fortnight 紐約現代美術館紀錄片雙週
10.13 (MON) 12:40 A ★
10.15 (WED) 13:50 A ★
聽阿嬤的話 Bà nôi (grandma)
亞洲首映
黎科 Khoa LÊ ｜加拿大 Canada、越南 Vietnam ｜ 2013 ｜ HDCAM ｜ Colour ｜ 85min
Asian Premiere
「如果你娶西方老婆，我們會失去一切，你是我最小的孫子，也 是最後希望。」每逢過年，在加拿大長大的越南裔導演必會回到 越南，而 93 歲的奶奶則不改嘮叨。越南的當下與過去似乎輕盈地 圍繞著她的存在，只是，加拿大的生活又是怎回事？當分離成為 宿命，生命的去向究竟來自社會歷史，還是更為根本的無常？ Khoa LÊ goes to Vietnam to visit his distant relatives to celebrate the New Year. In the colourful presence of his grandmother, a portrait and self-portrait emerge with humour and deep feeling; the unforgettable character of the old lady is the anchor for the director's perceptive quest, steeped in memories, in which scenes from everyday life are layered with dreamlike images, voices and recollections. 2014 Hot Docs 加拿大 Hot Docs 國際紀錄片影展 2014 RIDM 蒙特婁國際紀錄片影展
10.12 (SUN) 12:20 B ★
10.14 (TUE) 21:00 A ★
沉默的鬥牛 Barre's Silence
梅爾達．阿瑪普爾 Mehrdad AHMADPOUR、莫法利．培伊達 Morvarid PEYDA ｜
伊朗 Iran │ 2013 │ HDCAM │ Colour │ 68min
亞洲首映 Asian Premiere
亞洲視野競賽
2013 IDFA 阿姆斯特丹國際紀錄片影展
ASIAN VISION COMPETITION
對伊朗鄉下的居民而言，鬥牛既是喚起男性氣概與歡欣驕傲的象 徵，亦是當地重要的經濟與社交活動，金錢、輸贏、榮耀、希望， 都由牛的勝負決定。比賽一場場上演著，此刻村裡卻為了一頭勇 猛鬥牛的所有權歸屬爭吵不休。男人們的狂熱喧囂背後，存在著 複雜的派系與經濟問題，面對這一切，只有牛始終沉默。
10.12 (SUN) 20:40 B
57
The inhabitants of a remote Iranian village argue about the performance of their local pride and joy, Barre the fighting bull. As the bull's owner Nader is in jail, his son-in-law Bahador is taking care of Barre. The pain is palpable when he loses to his rival from a nearby village. Once the party has come to a muted end, the villagers start to squabble. So who is actually Barre's owner? 2014 Bradford International Film Festival 英國布拉福國際紀錄片影展
10.13 (MON) 20:10 A ★
親密家庭 The Close Family
國際首映
尹多㬢 YOON Da-hee ｜南韓 South Korea ｜ 2014 ｜ DCP ｜ Colour ｜ 34min
International Premiere
黑街守護者 Guardians of Time Lost
迪雅拉．卡許瑪 Diala KACHMAR ｜黎巴嫩 Lebanon、
阿拉伯聯合大公國 United Arab Emirates │ 2013 │ DCP │ Colour │ 109min
亞洲首映 Asian Premiere
「平凡、不同、普通、差異、家庭、獨立、死亡、殘疾、告別、幸福、 悲傷……這是我沒能留有的家庭相簿，也是未能拍完的家庭電影。 家人們已經分離八年多了，我好想他們。但彼此的隔閡隨著時間 而加深，我始終沒辦法面對這一切。藉著拍片，我決定展開這一 趟探索之旅。」
歷史榮光已然消逝的貝魯特，街角已成為毒品充斥、宗教教派衝 突不斷的黑色角落。這樣的混亂樣貌，正是黎巴嫩複雜的政治與 社會現況的縮影。在這裡出沒的人們是老大，也是律法，他們護 衛著這街角，但他們也是影響社會安危的不定時炸彈。女導演帶 領紀錄片團隊，試圖理解他們，卻也捲入混亂之中。
"This is my family photo album that I didn't keep and my home video that I'd never taken. All my family members have been separated for eight years. I miss them, but it seems that years' estrangement was so deep that I wasn't able to knock on their doors. So I decided to find and see them under the cloak of making a documentary."
They are a group of marginalised young men known as the "thugs of Al Lija neighbourhood", addicted to drugs and involved in devious activities. They define the features of that chaotic neighbourhood in Beirut, and reveal a mysterious world, which carries within its folds the particular complexities of social and political realities in Lebanon.
2014 Ecrans du Réel Lebanon 黎巴嫩真實電影展 2013 Special Jury Prize, Dubai IFF 杜拜國際電影節評審團特別獎
10.11 (SAT) 21:00 A ★
10.13 (MON) 17:10 A
10.15 (WED) 20:20 B ★
10.15 (WED) 16:40 A ★
一個女藝術家之死 Death of a Female Artist
湖畔的緬甸夫人 Lady of the Lake
黃明川 HUANG Ming-chuan ｜台灣 Taiwan │ 2014 │ HDCAM │ Colour │ 81min
趙奈悟 Zaw Naing Oo ｜緬甸 Myanmar │ 2014 │ HDCAM │ Colour │ 22min
藝術家許淑真因出國駐村受到空前的刺激，改變了藝術觀與人生 觀，從自畫像到逆境植物與社群的紀錄創作，都令人驚艷讚嘆。 本片集結許淑真曾踏查的非尋常展場，以及在越南、密克羅尼西 亞、澳洲與台灣各地親自拍攝的影片，呈現她癌症仙往前，創作 的宏觀視野與絕地的生命探尋。
緬甸萌韻吉湖畔，傳統神靈信仰是此地居民的精神支柱，漁夫早 晨虔敬祈禱一日豐收，當夜晚聲樂響起，降靈儀式的高潮也成為 自然的一部分。數十年間，當權者來來去去，不變的是底層人民 的飽滿與壯麗，以及鄉村生活的綿密與質樸。 Governments – even decades-old military regimes – may come and go but, like many rural communities in Myanmar (formerly known as Burma), the lives of the villagers of Pyun Su on the banks of Moe Yun Gyi lake are pervaded by deeper traditions – above all the lively cult of the nat.
It came as a shock at the peak of her artist career that HSU Su-Chen died of cancer. She went cross-disciplinarily in a short 14 years of her creative life. From early work such as "Self-Portrait" to "PlantParadise" which collaborated with many people of different expertise lead her to the winning of Taishin Bank Arts Annual Award. This film assembles HSU's talks and images of exhibitions held across the world. 2014 CIADFF 嘉義國際藝術紀錄片影展
國際首映
International Premiere
2013 Goethe-Institut Myanmar Jade Award 緬甸歌德學院璞玉獎
2014 Taipei Film Festival 台北電影節
10.12 (SUN) 14:40 A ★
10.12 (SUN) 20:40 B
10.14 (TUE) 17:00 B ★
特許時間的終了 The End of the Special Time We Were Allowed 太田信吾 OTA Shingo ｜日本 Japan ｜ 2013 ｜ HDCAM ｜ Colour ｜ 123min
人間母親 Magdalena
Asian Premiere
2013 Yamagata IDFF 山形國際紀錄片影展
2013 Exground Filmfest 維斯巴登電影節
10.11 (SAT) 17:30 A
10.11 (SAT) 21:00 A
10.15 (WED) 20:20 B ★
ASIAN VISION COMPETITION
ASIAN VISION COMPETITION
Magdalena tells of the struggle of a traditional midwife whose only daughter is battling with leukaemia and is due to give birth.
亞洲視野競賽
菲律賓的貧困街區中，一位有著虔誠宗教信仰的母親，時常幫鄰 里間的婦女接生，並關照她們生產前後的身體狀況，只因為大家 都沒有錢上醫院去生產；然而，當她患有白血病的女兒懷孕了， 她陷入了困難的抉擇——她該幫女兒接生嗎？
This documentary tells the story Sota MASUDA, a young musician who once had a promising career but failed to develop it further. A series of frustrating events led to his suicide. He left a note and a tape that captured the event for director Shingo OTA, one of his friends. OTA uses the footage to piece together the final years of MASUADA's life and imagines what awaited him after death.
10.15 (WED) 20:00 A ★
亞洲首映
安娜．伊莎貝拉．瑪圖緹娜 Anna Isabelle MATUTINA ｜菲律賓 Philippines │ 2013 │ DCP │ Colour │ 49min
學生時期起，導演仰慕充滿音樂才華的同學增田壯太，開始以攝 影機像記錄一切。然而，踏入社會後，增田在現實中屢不得志， 結束自己的生命並留下遺願寄望此片完成。彷彿懷抱著愧疚，過 去的碎片影像在虛構與真實間重組，關於才情、承諾、情誼與青 春的回憶，都隨著生命的殞逝，成為刺入心扉的，不能承受之重。
亞洲視野競賽
58
國際首映
International Premiere
10.13 (MON) 20:10 A ★
59
八堂的綠色之戰 Paldang
國際首映
高恩進 KAUH Eun-jin ｜韓國 South Korea │ 2013 │ HDCAM │ Colour │ 89min
International Premiere
山上的小女子舉重隊 The Weight of Life 朱柏穎 CHU Po-ying、廖憶玲 Maggie LIAO ｜台灣 Taiwan ｜ 2013 ｜ HDCAM ｜ Colour ｜ 70min
當八堂水壩興建時，農民被迫失去了田地，轉而在漢江邊開始有 機耕作，並吸引許多青年加入；2008 年，李明博總統上台後強推 爭議性極高的「四河修復工程」，要將河岸線的肥沃耕地改建自 行車道和公園，引發當地農民憤起抗爭。當小農遇上國家，當有 機農業遇上觀光休憩，這場綠色戰役展露人性的掙扎與矛盾。
遠古時代，人們在高地上發現一個名為「勇氣」的巨石，村中的 孩子若能將「勇氣」舉起，便成年了。1996 年，舉重國手阿富教 練從高雄桃源部落帶著三位布農族少女下山，成立小女子舉重隊。 女孩們來自父母雙亡、單親、隔代教養的家庭，她們的成年試煉 不是舉起巨石，而是如何面對各自的人生考驗。
When Paldang Dam was built, many farmers lost their farms. Instead, they started organic farming in their land around Han River. In 2008, Korean government announced four River Plans including Paldang. The plan in Paldang organic town is to build bike lanes and a public park instead of farms. It causes serious conflicts among the farmers as they decide if they should fight against the government.
In the year of 1996, a national weightlifter coach called A-Fu, founded a female teenager weightlifting team with three Bunun girls from the "Taoyuan Tribe". They're either orphaned or raised by a single parent or grandparents. Despite their success in weightlifting, they are confronted with the harsh reality of their family situations, career development and love lives. 2013 Taipei Film Festival 台北電影節
2014 Seoul Human Rights Film Festival 首爾人權影展 2013 Grand Prize, Green Film Festival in Seoul 首爾綠色影展首獎
10.13 (MON) 21:00 B ★
10.14 (TUE) 15:30 A ★
10.13 (MON) 10:50 A
星火 Spark
國際首映
胡杰 HU Jie ｜ China ｜ 2013 ｜ HDCAM ｜ Colour ｜ 100min
International Premiere
10.15 (WED) 18:00 B ★
午朝門 Wuchao Gate
國際首映
林偉欣 LIN Weixin ｜ China ｜ 2014 ｜ HDCAM ｜ Colour ｜ 92min
International Premiere
1957 年，一批被打成右派的蘭州大學師生，被送到甘肅農村進行 勞動改造。他們在那目睹了大躍進的荒唐和大饑荒餓殍遍野的慘 烈，其中幾個人自發辦了一個地下刊物《星火》，記錄農村的浮 誇、貧困和飢餓，成為大饑荒時期留下的唯一民間思想刊物。這 些人在後來多被處以重刑，有數人在文革時被槍決。
開封龍亭的正南門古稱「午門」，亦稱「午朝門」。因歷史久遠， 午朝門廣場成了不少人心目中的神靈之地。每天都有各色人等在 廣場進行著不同於一般觀光客的活動。他們或走功（敬神修煉）、 或傾訴、或表演，帶著各自的生活背景和故事，在這裡碰撞。午 朝門是他們的精神出口和寄託所在。
Sparks of Fire is the only extant unofficial intellectual periodical from the time of the Great Famine. In the end, 43 people, including the Rightist teachers and students who were connected with the publication, the peasants and the rural cadres who sympathised with them, were arrested and given long prison terms. Among them, three key figures were executed during the Cultural Revolution.
Wuchao Gate is the south gate of Longting Palace in Kaifeng city of China. In front of the Gate is the Wuchao Gate Square, a "Holy Land" for many people. They are engaged in activities that distinguish them from visitors, some worshiping the gods, some praying, and some acting. With different backgrounds and stories, people meet and communicate here. It is where they find spiritual comfort. 2013 Top 10 Best Documentaries of the CIFF 中國獨立影像年度展十佳紀錄片單元 2013 Beijing Independent Film Festival 北京獨立影像展
10.12 (SUN) 17:10 A ★
10.12 (SUN) 12:00 A
10.16 (THU) 13:00 A ★
我的狐狸電影夢 Trucker and the Fox 阿拉許．拉胡提 Arash LAHOOTI ｜伊朗 Iran │ 2014 │ HDCAM │ Colour │ 78min
Asian Premiere
玉 門 Yumen
黃 香 HUANG Xiang、 史 杰 鵬 John Paul SNIADECKI、 徐 若 濤 XU Routao ｜ China、 美 國 USA ｜
2013 ｜ HDCAM ｜ Colour ｜ 65min
亞洲首映 Asian Premiere
一段虛構的真實，無限接近而遙不可及。在混沌中，城把人丟了， 人也把城忘了。 2012 年春節，三個導演帶著一部 16 毫米攝影機 來到被稱作「鬼城」的甘肅玉門。在這座廢墟面前，他們試圖以 外來者的方式介入玉門這座被遺棄的城市，卻直到三位當地的女 性介入後，才得以完成這部關於玉門空城、記憶和幻想的影片。
Mahmud Kiani FALAVARJANI is an Iranian film amateur specialising in films featuring trained animals. He works as a truck driver every day but devotes his entire free time to his great passion. When his beloved fox dies, the man becomes depressed and may find consolation in one thing only - finding a similar animal and training it to work on the set of Mahmud's next film. But it is not so easy to catch a fox, not to mention training it.
Yumen combines ghost stories and the "ruin tourism" to form a celluloid psycho-collage of wandering souls, seeking connection to one another and a lost collective history among the frozen remnants of the abandoned oil town of Yumen in China's northwest Gansu Province.
2014 Chicago International Film Festival 芝加哥國際影展
2013 Berlinale 柏林影展
2014 Visions du Réel 瑞士真實影展
2013 MOMA Documentary Fortnight 紐約現代美術館紀錄片雙週
ASIAN VISION COMPETITION
ASIAN VISION COMPETITION
卡車司機馬哈穆德每日辛勤工作，他的業餘愛好是拍攝動物電影， 還得過影展獎項肯定。由於心愛的狐狸寵物死去，他終日抑鬱進 了精神病院，而唯一的治癒之道是重拾過往熱情，找尋新的動物 朋友並投入新電影的拍攝。本片記錄了他的尋夢旅程，對動物的 迷戀具爭議性卻極為動人，奇妙地融合於電影與生命中。
亞洲視野競賽
亞洲視野競賽
60
亞洲首映
10.15 (WED) 15:10 B ★
10.12 (SUN) 10:00 A
61
10.12 (SUN) 19:30 W
10.13 (MON) 15:50 C
10.14 (TUE) 13:00 A ★
10.14 (TUE) 10:30 A ★
4891 4891
黃庭輔 HUANG Ting-fu ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 58min
台灣競賽
當大地昏暗之際，流浪的貓、狗、神像、遊民、流鶯，伴著寺廟 梵音共譜流浪曲。這些「遊民」有被遺棄的殘障者與病婦，有無 事可做的浪人。行人視而不見走過，警察無休止地取締，窮人則 玩著剝削窮人的彩券遊戲。當救護車聲轟鳴，眾人喃喃著「又有 人解脫了」，而無所不在的監視器，冷冷記錄這一切。
Taiwanese Competition 15 部台灣紀錄片從 189 件報名作 品中脫穎而出，從藝術到運動、 從身體到環境、從記錄到調查、從 個人到社會，豐沛的創作能量展 現了台灣近年來的社會脈動與個人 故事；台灣競賽單元的設立也意味 著，貫徹 TIDF 的使命——成為一 個最重要的台灣紀錄片平台。 Fifteen documentaries are selected from the 189 films we received in this category to go through to the final stage. From art to sports, from body to environment, from documenting to investigating, from individual to society, the vitality demonstrated in these works shows how Taiwanese society has changed in recent years and tells the stories of individuals. Through Taiwanese Competition, the TIDF expects itself to realise one of its objectives – becoming the most important documentary platform in Taiwan.
In the pre-dawn hours near a temple are the homeless people with nowhere to go and nothing to do. People pass by without seeing them, police cite and release them over and over, politicians make hay out of issues, and poor people keep exploiting other poor people by playing the lottery. Surveillance cameras are everywhere on the streets, coldly recording everything, devoid of emotion.
10.12 (SUN) 19:50 A ★
10.16 (THU) 12:30 E ★
黑 Black 柯金源 KE Chin-yuan ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 60min
土地是財富的象徵，人們相信辛勤耕作，土地就會給予甜美的回 報，但是當灌溉水不再清澈，土地給予的不是養分，稻子開始變 質，也影響所有人的健康。長期以環境為題的導演柯金源，這次 現身鏡頭前，以第一人稱帶我們看見農民的眼淚與土地之痛，一 步步向問題的源頭逼近。其實，並不是一開始就是「黑」的。 In 2013, Taiwan was flooded with news about food safety as "fake", "black" (illicit) and "toxic" are the most used words in the media reports when it came to food. However, with public attention focuses on the safety of grocery items such as milk and pudding, how much thought is being given to rice, our staple food, and the land on which it grows? 2014 Taipei Film Festival 台北電影節
10.12 (SUN) 20:00 E
10.14 (TUE) 14:40 B ★
晃遊身體 Body at Large 應政儒 YING Cheng-ru ｜台灣 Taiwan │ 2012 │ DCP │ B&W, Colour │ 48min
台灣競賽
對某些人來說，性別╱身體的界線猶如可塗抹的粉筆印記。本片 記錄台灣資深影評人李幼鸚鵡鵪鶉的「變態」身體、從易裝中獲 得解放的肌肉男李葯、狂放卻又缺乏安全感的跨性別者ＡＧ，以及 肯定自我的跨性別表演藝術家陳煜明，他們娓娓道來如何從主流 性別體制下脫逃，拓展身體的「晃遊意識」。
2013 Urban Nomad Film Fest 城市遊牧影展
TAIWANESE COMPETITION
10.12 (SUN) 19:50 A ★
63
Body at Large intends to explore the problems of prohibition, limitations and discrimination faced by people of borderline gender. Its protagonists include the veteran Taiwanese film critic Alphonse Perroquet Quail Youth-Leigh, muscular LEE Yao, transvestite AG and the transgender performance artist James CHEN. The film shows how they have managed to escape from the mainstream gender culture system. 2013 Golden Harvest Awards 第 35 屆金穗獎入圍實驗片
10.16 (THU) 12:30 E
公民不服從 Civil Disobedience
邊界移動兩百年 From Border to Border
陳育青 CHEN Yu-ching ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 51min
鍾適芳 CHUNG She-fong ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 108min
2008 年 11 月，中國特使來台，中華民國國旗消失、異議被消音、 抗爭者被架走……隨著時間流逝，這場「紅色戒嚴」逐漸被大眾 遺忘，然而仍有群人不懈地抵抗民主倒退，爭取公民不服從的權 利。本片記錄國家對公民權力的進逼，並思考「服從」教育的問題。 公民在還不夠好的社會，被迫不服從，因而傷痛。
《邊界移動兩百年》是一部關於印度華人移民的紀錄片。18 世紀 末，華人開始移入印度，歷經兩百年不同政權輪替，直到近年第 一位華人明星躍入寶萊塢，華人的地位、階級開始在種姓制度的 社會邊界移動……本片採集移民者對當地政治、經濟、種族等面 向的態度，溯源印度華人的遷徙史。
This documentary, Civil Disobedience, records the events of civil unrest following the "Red Martial Law" in 2008. It tells the story of the abuses the civilians suffered in the hands of the authorities, of how the state power has rapidly advanced to undermine the civil rights, and it investigates the problems of being educated to be "obedient."
At the end of the 18th century, Chinese started to migrate into India. Over 200 years, they experienced British colonial rule, Indian independence, the Sino-Indian War, and numerous changes of government. Very recently, a Chinese became a star in Bollywood. Only then has the social status of Chinese under India's caste system started to change... 2014 Taipei Film Festival 台北電影節
10.11 (SAT) 20:20 B ★
10.13 (MON) 13:00 B ★
10.16 (THU) 10:00 E ★
10.15 (WED) 15:00 E ★
一個女藝術家之死 Death of a Female Artist
刪海經 The Lost Sea
黃明川 HUANG Ming-chuan ｜台灣 Taiwan │ 2014 │ HDCAM │ Colour │ 81min
洪淳修 HUNG Chun-hsiu ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 68min
藝術家許淑真因出國駐村受到空前的刺激，改變了藝術觀與人生 觀，從自畫像到逆境植物與社群的紀錄創作，都令人驚艷讚嘆。 本片集結許淑真曾踏查的非尋常展場，以及在越南、密克羅尼西 亞、澳洲與台灣各地親自拍攝的影片，呈現她癌症仙往前，創作 的宏觀視野與絕地的生命探尋。
在金門，有一群人，他們的祖先因戰爭落腳於此，三百年來烽火 連天的歲月，他們仰賴家門前的海洋維持了生計。在金門，海裡 有一種活化石，當大部分棲地在人為開發下消失殆盡，牠們卻在 充滿軍事陷阱的沙灘上生生不息。和平來了，但他們和牠們的生 存危機，才正要開始……
It came as a shock at the peak of her artist career that HSU Su-Chen died of cancer. She went cross-disciplinarily in a short 14 years of her creative life. From early work such as "Self-Portrait" to "Plant-Paradise" which collaborated with many people of different expertise lead her to the winning of Taishin Bank Arts Annual Award. This film assembles HSU's talks and images of exhibitions held across the world.
In the waters around Kinmen Island, there is a curious creature which has existed for over 200 million years. People in Kinmen have made a living from the sea for over 300 years. They have survived the crossstrait conflicts between Taiwan and Mainland China. But in the era of peace, both now face a critical crisis - the misuse of the coast by commercial development.
2014 CIADFF 嘉義國際藝術紀錄片影展 2014 Taipei Film Festival 台北電影節
2014 Award for Outstanding Artistic Contribution (Editing), Taipei Film Festival 台北電影節最佳剪輯獎 2014 Green Image Award, Green Image Film Festival, Japan 日本國際環境映畫祭綠色印象獎
10.12 (SUN) 14:40 A ★
10.13 (MON) 18:30 B ★
10.14 (TUE) 15:30 E ★
正面迎擊 Face to Face
山靈 Mountain Spirits
鍾權 CHUNG Chuan ｜台灣 Taiwan │ 2013 │ DCP │ Colour │ 110min
陳芯宜 Singing CHEN、江國梁 CHIANG Kuo-liang ｜台灣 Taiwan │ 2014 │ HDCAM │ Colour │ 70min
在嘉義山中長大的裝置藝術家王文志，將山林記憶帶進作品，利 用竹、藤、原木等自然材質，藉由純手工與集體工作的勞動方式， 編織構築巨大的空間，深沉靜謐的力量，使進入的人們大為驚喜 與震撼。本片跟隨他的腳步進入深山採集、遠赴日本創作、在山 上家中生活……其人其作，如同山裡走出的靈魂。
They're ordinary men who are trying to join the dangerous and exciting sport, wrestling, to prove that they are still alive and unique in their own way, i.e. in pain. When the enemy attacks, they are not afraid at all. These men risk their lives to provide the audiences with excellent shows. Once they have gone down this path, they not only cannot turn back but have to face it on their own.
Having grown up in the mountains Chiayi, installation artist WANG Wen-chih weaves his memories of mountains and forests into his work. Using natural materials such as bamboo, rattan and wood, WANG creates his art with hands and collective labour. The huge spaces he constructs emit such deep and strong power that surprise and move countless visitors. This film follows WANG on his journey of creation.
2013 New Taipei City Film Festival 新北市電影節
2014 CIADFF 嘉義國際藝術紀錄片影展
10.13 (MON) 10:30 B
10.12 (SUN) 15:20 B ★
10.15 (WED) 18:20 E ★
10.14 (TUE) 18:00 E
TAIWANESE COMPETITION
TAIWANESE COMPETITION
摔角是最高明的絢麗表演，也是最扎實的肉身體驗。一群對摔角 運動瘋狂著迷的男孩成立了「TWT 台灣摔角聯盟」，他們在練習 場培養了肌肉、默契與友誼，偶爾也存在理念不相容的爭執。他 們將格鬥技巧轉換成擂台上的華麗重擊、驕傲地聽著觀眾熱血吶 喊。對他們而言，擁有這一刻，人生或許已經足夠。
台灣競賽
台灣競賽
64
10.11 (SAT) 19:30 W
10.14 (TUE) 17:00 B ★
65
失婚記 Out/Marriage
阮金紅 NGUYỄN Kim Hồng ｜台灣 Taiwan │ 2012 │ HDCAM │ Colour │ 68min
十二夜 Twelve Nights Raye ｜台灣 Taiwan │ 2013 │ DCP │ Colour │ 98min
本片從新移民女性的親身經驗出發，記錄四位異國姐妹在台灣所 經歷的破碎婚姻。四位主角玉蘭、金玲、阿詩、美麗，都曾懷抱 著夢想來到台灣，卻走上自願或非自願失婚的道路。失婚之後， 她們該如何選擇人生的下一步？她們的子女在父母的跨國婚姻決 裂之後，又將面臨哪些生活及教育問題？
依法律規定，收容所的動物只有 12 天等待被主人找回或領養，否 則就會安樂死。極端殘酷的環境讓牠們多半無法撐過這 12 天。影 片以動物的視角，真實記錄流浪狗在收容所的悲傷，整個拍攝到 最後卻開始了救援行動，工作人員邊拍邊找資源幫動物找新家， 希望把「領養，不棄養」的概念，傳遞到社會各個角落。
Out/Marriage is the first Taiwanese documentary filmed from the perspective of the new immigrants, mainly women from other Southeast Asian countries married to Taiwanese men. If you wish to delve into their innermost thoughts, let their life stories unfold before your eyes, beginning with the moments at which their marriages begin to dissolve.
In Taiwan, every animal sent to the animal shelter faces a 12-day euthanasia countdown if it is not reclaimed or adopted. However, instead of providing a home, the harsh environment in shelters often rushes them towards their deadline. By propagating the slogan, "Adopt, not abandon", we wish to find homes for the stray animals and to end their suffering. 2014 Hong Kong International Film Festival 香港國際電影節 2013 Taipei Golden Horse Film Festival 金馬影展
10.13 (MON) 16:00 B
10.11 (SAT) 14:40 B ★
10.15 (WED) 10:00 E ★
10.15 (WED) 10:30 D
餘生—賽德克．巴萊 Pusu Qhuni
不能戳的秘密2：國家機器 unveil the Truth II: State Apparatus
湯湘竹 TANG Hsiang-chu ｜台灣 Taiwan │ 2013 │ DCP │ Colour │ 154min
李惠仁 Kevin H.J. LEE ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 85min
80 年後，「霧社事件」的遺族回到賽德克族起源之處，巨巖 Pusu Qhuni 仍矗立。80 年足以讓嬰孩成為鬢髮霜白的老者，而原諒仇 恨，可能只需一瞬間，也可能比 80 年還長。這些被迫遷徒的抗日 餘生，失去摰親，遠離家園，壓抑悲苦，當故事的面紗終於被揭開， 人們終於得以前往幽遠高山之中，親臨 Pusu Qhuni。
2011 年七月，一部被主流媒體忽視的禽流感調查紀錄片，獲網路 百萬人次點閱，禽流感一夕引發討論。官方從否認到承認，人們 從相信到懷疑，這是一場獨立媒體人對抗歪斜官僚體制的戰役。 多年的禽流感調查，持續的拍攝記錄，能否化「危雞」為轉機？ The independent investigative documentarian, Kevin H.J. LEE, takes on the state machine to unveil the bureaucratic and academic complicity that conceals potential virus outbreaks that may jeopardise public health. LEE points his camera at the distorted bureaucratic system, advocating more media attention and public monitoring to curb abuses of power and keep the government accountable.
Eighty years ago, Seediq people living in the mountains of Taiwan organised an uprising against the Japanese colonial rulers, and the rebellion was known as the "Wushe Incident". In Pusu Qhuni, the descendants of the Wushe survivors talk about the history from their point of view and lead us to the places where the tragedies took place. 2013 Taipei Golden Horse Film Festival 金馬影展
2014 Grand Prize & Best Documentary, Taipei Film Festival 台北電影節最佳紀錄片暨百萬首獎
10.11 (SAT) 10:50 B ★
10.12 (SUN) 18:00 B ★
10.15 (WED) 10:30 A
流浪的狗 Stray Dog
行者 The Walkers
林英作 LIN Ying-tso ｜台灣 Taiwan │ 2013 │ HDCAM │ Colour │ 38min
陳芯宜 Singing CHEN ｜台灣 Taiwan │ 2014 │ DCP │ Colour │ 147min
Filmed over 10 years, this epic documentary presents the story of the renowned Taiwanese choreographer, LIN Lee-chen and her "Legend Lin Dance Theatre". Extracting the essential details of LIN's daily life, the film explores the origins of her dance, contemplating the poetic and ritualistic movements she creates and delineating her lifetime pursuit of aesthetic concerns.
2013 Taipei Film Festival 台北電影節
2014 Taipei Film Festival 台北電影節
10.11 (SAT) 20:20 B ★
10.11 (SAT) 10:00 C ★
10.16 (THU) 10:00 E
10.14 (TUE) 20:00 B ★
TAIWANESE COMPETITION
Taunted in primary school for not being able to speak Mandarin, LIN Jin-xian later became a teacher of the Taiwanese language and a scholar of regional cultural history. But the fate of a substitute teacher is that of a drifter, and his in-depth research in cultural history no longer has practical application. LIN looks back on his life and realises that he is like a stray dog, with an unknown future.
台灣競賽
TAIWANESE COMPETITION
本片以長達 10 年紀錄「無垢舞蹈劇場」及藝術總監林麗珍的創 作生命，以及無垢於台北、香港、北京、法國、西班牙等各大藝 術節演出的珍貴畫面。透過如詩影像，展現林麗珍純粹的創作意 念、對生命的反思，與對天地的敬意。部分畫面更採用台灣少見 的 Dance Film 拍攝，以身體意象觀看台灣風景，是舞，是詩，是 生命。
林錦賢小學時因為國語講不好而被欺負，長大後自學成為閩南語 教師，並研究起地方文史。然而，身為兼課教師的宿命是不斷地 漂泊寄宿，他所擅長的地方文史採集也逐漸無用武之地，那些和 老人們歡唱相褒歌的日子都走遠了。驀然回首，林錦賢才發現自 己就像流浪狗一樣，不知道未來在那裡。
台灣競賽
66
10.15 (WED) 12:30 E ★
67
新世代觀點獎 入選名單
Shortlist of Next Generation Award
特別獎項
SPECIAL AWARDS
親密家庭 The Close Family
P.63
刪海經 The Lost Sea
P.52
國考大作戰 National Diploma
P.53
暗影人生 Shado'man
P.58
我的狐狸電影夢
P.59
山上的小女子舉重隊 The Weight of Life
Trucker and the Fox
華人紀錄片獎 入選名單
作者觀點獎 入選名單
P.61 4891
P.49
-1287
P.90 孩子的村子 Children's Village
P.61
4891
P.56 一個女藝術家之死 Death of a Female Artist
P.55
鐵夢 A Dream of Iron
P.91 二 Little Proletarian
P.56
一個女藝術家之死 Death of a Female Artist
P.63 刪海經 The Lost Sea
P.56
特許時間的終了 The End of the Special Time We Were Allowed
P.95 議論芬芬 The Private Life of Fenfen
P.51
國界蒸發 Evaporating Borders
P.64 餘生—賽德克．巴萊 Pusu Qhuni
P.51
霧 fog
P.58 星火 Spark
P.52
給逝去的 For the Lost
P.65 十二夜 Twelve Nights
P.57
黑街守護者 Guardians of Time Lost
P.53 行者 The Walkers
P.57
湖畔的緬甸夫人 Lady of the Lake
P.59 午朝門 Wuchao Gate
P.65
不能戳的秘密 2：國家機器 unveil the Truth II: State Apparatus
P.59 玉門 Yumen
P.59
午朝門 Wuchao Gate
Shortlist of Chinese Documentary Award
Shortlist of Author's POV Award
特別獎項
特別獎項
SPECIAL AWARDS
SPECIAL AWARDS
68
P.56
69
別離開我 Ne Me Quitte Pas
莎繽．露柏．巴克 Sabine Lubbe BAKKER、尼爾斯．凡．柯弗登 Niels VAN KOEVORDEN ｜
比利時 Belgium、荷蘭 The Netherlands │ 2013 │ DCP │ Colour │ 106min
嚮往自由卻寂寞的退休牛仔鮑伯計劃在喜愛的生命之樹下結束一 切，失婚的馬賽爾無法逃脫自怨自艾的中年危機，失意的兩人常 靠酒精度日，分享各自的孤單與哀愁，並共同經歷尋子、車禍、 看牙醫、戒酒等生活大小事。導演以極貼近的距離，記錄下他們 互相消遣又相依陪伴的男性情誼，幽默刻劃出那既荒謬又真實的 人生。 Ne Me Quitte Pas is a tragicomic ode to failure. Set in a village on the edge of Belgium, Bob (Flemish) and Marcel (Walloon) share their solitude, sense of humour and craving for alcohol. They have agreed that suicide is the best way out if worse comes to worst. In that case, they have chosen the perfect spot to do so: under Bob's tree of life. 2014 Filmmaker Award, Hot Docs 加拿大國際紀錄片影展紀錄影人獎 2013 IDFA 阿姆斯特丹國際紀錄片影展
10.12 (SUN) 13:00 D
10.16 (THU) 21:20 B
愛的骨牌效應 Domino Effect
艾薇拉．奈維拉 Elwira NIEWIERA、皮歐特．羅索洛斯基 Piotr ROSOŁOWSKI ｜
德國 Germany、波蘭 Poland │ 2014 │ DCP │ Colour │ 76min
亞洲首映 Asian Premiere
阿布哈茲，一個不被承認的國家，一塊殘破不堪的土地，即將舉 辦國際骨牌錦標賽，這是他們獲得世界注目的重要一步。負責籌 辦的體育部長承受了沉重的壓力，其中部分困擾，來自於他的妻 子，一個為愛拋棄所有的俄羅斯歌劇紅伶，她努力地想融入這裡， 卻始終得不到認同。糾結的歷史、不確定的未來，一段困於兩難 的真愛。 In Abkhazia, a post-Soviet "frozen conflict" zone, patriotism runs deep. While Sports Minister Rafael is busy organising an international domino event to put his motherland on the world's map, his beloved Russian wife is just an unwelcome foreigner. Domino Effect is a black sea black comedy with socio-political commentary. 2014 Golden Horn, Kraków Film Festival 波蘭克拉考影展最佳國際紀錄片金角獎
世界大觀 Panorama
10.10 (FRI) 21:50 D
10.16 (THU) 10:20 D
地毯上的烏托邦 Iranian
亞洲首映
梅韓．達馬東 Mehran TAMADON ｜法國 France、瑞士 Switzerland、伊朗 Iran │ 2014 │ DCP │ Colour │ 106min
Asian Premiere
12 歲即移居法國的伊朗建築師，心中不斷回望故鄉。耗費三年， 終於說服四位伊朗政權與宗教的信奉者，來到他家族的別墅進行 一項實驗。在這幾天中，他們共同生活，讓各擁不同價值、信仰、 意識型態的人暢所欲言，交流、辯論與對話越趨激烈深入。這將 會是理想社會的萌芽，抑或只是一廂情願的幻想？
從全球影展中精挑細選，也加入南韓釜山影展發起的亞洲紀錄片連線（AND）推薦影 片，一觀來自不同地域與背景的優秀作品；無論在製作水準、議題開發、形式挑戰上， 皆拓展著紀錄片的範疇，觀電影，也觀世界。
世界大觀
An atheist, Iranian filmmaker Mehran TAMADON managed to convince four mullahs, all believers in the Islamic Republic of Iran, to come and stay with him for two days and engage in discussion. In this confined space, daily life is combined with debate, an unremitting demonstration of the problematic issue of how to live together, when each side's understanding of the world is so contrary.
2014 Grand Prix, Cinéma du Réel 法國真實電影節首獎
PANORAMA
Selected from the international film festivals as well as recommended by the Asian Network of Documentary (AND) Fund, here we see these brilliant documentaries made in various regions and backgrounds. In terms of production quality, issues and challenge to the film form, these works are pushing the boundaries of documentary. While we watch these films, we are watching the world at the same time.
10.12 (SUN) 15:50 D
71
2014 Prize Buyens-Chagall, Visions du Réel 瑞士真實影展人道精神獎
10.16 (THU) 17:30 C
示威嘉年華 Demonstration
維克特．克沙克渥斯基和 32 名學生 Victor KOSSAKOVSKY and 32 students ｜
稻米之歌 The Songs of Rice 巫魯朋．拉薩撒德 Uruphong RAKSASAD ｜泰國 Thailand │ 2014 │ DCP │ Colour │ 75min
俄羅斯 Russia、西班牙 Spain │ 2013 │ HDCAM ｜ Colour │ 65min
揚名國際的俄羅斯導演維克特．克沙克渥斯基與 32 名學生共同記 錄 2012 年西班牙的全民大罷工抗爭。當巴塞隆納街上的商店與銀 行拉下鐵門之際，劇院正上演明庫斯的芭蕾舞劇《唐吉軻德》， 本片將街頭抗爭的影像配合劇中音樂進行精準的剪接，呈現驚艷 又大膽的創意，更透過影像間的思辨，為當今失業青年的反撲留 下歷史刻痕。
本片是導演「稻米三部曲」的最後一部。記錄鄉間的傳統稻祭， 將泰國的農業傳統、宗教信仰與習俗文化，密密交織成充滿生命 力的稻米交響曲，從蓊鬱濃密的稻田、金閃華麗的稻米女神、泥 濘歡鬧的水牛競技、到歡慶豐收的舞蹈慶典與豐盛米食，詩意盎 然的影像述說了亙古永存的生命法則，迴盪出最美的田園之歌。 This is a visual record of rice culture and its influences on the people in different parts of Thailand. The lyrical structure of this documentary film reflects the melodies in the songs of rice, crafted and composed by the diverse harmonies of the people who may sing in different voices but who share the same heart. This is a final movie in the rice trilogy that began with Stories from the North and Agrarian Utopia.
In a year of mass protests around the world, Spain is the setting for two general strikes against the government's austerity plans. One takes place on 29 March, and the other on 14 November. On the days of the strike, 32 students from the Pompeu Fabra University take to the streets with their cameras in order to record events from a variety of different perspectives. 2014 MOMA Documentary Fortnight 紐約現代美術館紀錄片雙週
2014 IFF Rotterdam 鹿特丹影展
2013 IDFA 阿姆斯特丹國際紀錄片影展
10.10 (FRI) 19:30 W
10.16 (THU) 22:30 C
10.10 (FRI) 18:10 A ★
瞄準．攝擊 Point and Shoot
亞洲首映
馬歇爾．庫瑞 Marshall CURRY ｜美國 USA │ 2014 │ DCP │ Colour │ 82min
Asian Premiere
10.18 (SAT) 13:30 D
祭之馬 The Horses of Fukushima 松林要樹 MATSUBAYASHI Yoju ｜日本 Japan │ 2013 │ DCP │ Colour │ 74min
名為「鏡尋」的馬，在日本 311 海嘯中幾乎奄奄一息，之後被關 在福島 20 公里管制區的馬廄中，飽受輻射暴露，牠原是福島千年 傳統祭典的節慶之馬，終極命運是被宰殺食用；然而，諷刺的是， 拜核災輻射之賜，下體嚴重腫脹發炎的牠不得宰殺，生命只能繼 續。影片溫柔地貼近馬兒，從牠們的瞳孔中，映射出生靈的未來 命運。
如何想像一個怯懦、教養良好、患有強迫症的美國男孩麥特，在 27 歲時以一台摩托車和攝影機，壯遊北非與中東，最後竟然變成 了一個遊走中東各地，加入利比亞獨立運動的戰士？當奧斯卡名 導馬歇爾．庫瑞遇見了這個經歷特別的男子，透過麥特大量的自 拍與訪談，再現了這段傳奇，另一段火花也因此而生。 In 2006, Matt VAN DYKE, a timid 27-year-old with Obsessive Compulsive Disorder, left home in Baltimore and began a three-year, 35,000-mile motorcycle trip through Northern Africa and the Middle East. When revolution broke out in Libya, Matt joined his friend in the fight against dictator Muammar GADDAFI and filmed the war until he was captured by GADDAFI forces.
Mirror's Quest and his fellow horses of Fukushima survived in the tsunami. Having been exposed to radiation, they are shut away and neglected for months. They're kept alive because they have to play in the annual horse festival with a 1000-year-old tradition. Ironically, the exposure to radiation saves them from being turned into horse meat.
2014 Best Documentary Feature, Tribeca Film Festival 翠貝卡電影節最佳紀錄片
2013 IDFA 阿姆斯特丹國際紀錄片影展
2014 New Zealand International Film Festival 紐西蘭國際影展
2013 Best Film Award, Dubai International Film Festival 杜拜國際影展紀錄片競賽最佳影片
10.16 (THU) 21:00 D
10.16 (THU) 12:30 C ★
10.18 (SAT) 18:30 D
應許之地 Land of Promise
瑞內．羅倫夫斯 René ROELOFS、保羅．謝夫納 Paul SCHEFFER ｜荷蘭
The Netherlands │ 2013 │ DCP │ B&W, Colour │ 108min
亞洲首映 Asian Premiere
10.18 (SAT) 10:30 D ★
牆上的灰塵 KNH
像穿過蜿蜒茂密的歷史叢林，全片拼貼大量的新聞與檔案影像， 展開橫跨歐洲移民史的時代之旅，從法、英、德、瑞典、比利時 到荷蘭，1962 年的卡薩布蘭加沒有浪漫北非諜影，緊縮的移民政 策引發連鎖反應，政治喊話仍在迴響，移民社會的衝突依舊。穿 越地理與時間的經緯，漂泊異鄉人永在追尋根存的應許之地。
PANORAMA
PANORAMA
10.14 (TUE) 10:00 D
世界大觀
In the mountains in Nara, a derelict house is about to collapse. However, in there lie the memories of a family. Through a woman's monologue, we seem to capture the images of the girl, the grandma and the man who had existed in the place. The house is going to be pulled down, and who will remember the history buried underneath the rubble?
2013 IDFA 阿姆斯特丹國際紀錄片影展
10.10 (FRI) 10:00 D
International Premiere
奈良山中，行將傾塌之屋，卻安頓了一份記憶。女子如紗般的獨 語，一幕幕森寂之象相互澹映，女孩、婆婆、男子同魅影般存在， 燈火闌珊，相對無語。殘破斑駁之屋，成了埋葬過去的荒塚，終 遭拆除、抹去，最終，誰能記得？
Archive footage from newsreels, documentaries and fiction films illustrates the lasting effects immigration has had on European societies in the past 60 years. Land of Promise imparts a shared sense of loss, sympathising both with immigrants as well as the societies taking them in. Migration brings conflict, but the films looks beyond the question of guilt and lets the extraordinary images speak for themselves.
世界大觀
72
國際首映
山東壽理 Julie SANDO ｜日本 Japan ｜ 2014 ｜ DCP ｜ Colour ｜ 11min
10.16 (THU) 12:30 C
10.18 (SAT) 10:30 D
73
星國戀 To Singapore, with Love 陳彬彬 TAN Pin-pin ｜新加坡 Singapore │ 2013 │ DCP │ Colour │ 70min
1960 到 70 年代，迫於政治壓力，一群左傾的新加坡社運者、學 運領袖、共產黨員紛紛流亡海外；50 年過去了，儘管他們多已在 馬來西亞、泰國、倫敦等地安身立命，但「回家」的想望與鄉愁 卻從未歇止。新加坡紀錄片工作者陳彬彬，透過描繪這群被流放 者，以異鄉人寫家書給摯愛新加坡的心情，回顧了那個年代。 Director TAN Pin-pin searches the world for the displaced souls of Singapore: different generations of Singaporean political exiles who have not been able to come home. She finds out how they have lived their lives away and how they still view the Singapore of their dreams. As they recount their lives, we see a city that could have been. A love letter to Singapore, from the outside. 2014 Berlinale Forum 柏林影展青年導演論壇
記錄 X 記憶
Documemory: Inter-View
2013 Busan IFF 釜山國際影展
10.10 (FRI) 16:20 A
10.17 (FRI) 15:50 C ★
吾島無家 CHAR... the No-Man's Island 蘇雷．薩蘭奇 Sourav SARANGI ｜印度 India │ 2012 │ HDCAM │ Colour │ 88min
14 歲的男孩魯貝每天穿梭國境與恆河，從印度前往孟加拉偷運食 糧。他四歲時，氾濫的恆河淹沒了印度家園；多年後，一座名為 恰爾的脆弱焦島卻因此而生，魯貝與許多無家之人，拋棄了美德 與夢想，移居此地求生，成為孟、印兩國間的遊魂。大雨落下， 焦島流失，當現代扼殺神話，河的子民能否擁有未來？ Young Rubel wants to join school in India but reality forces him to smuggle rice everyday by crossing the river Ganga, the international border between India and Bangladesh. The same river eroded his home. Now he lives in Char, an island within the river, which starts eroding now. "Char may disappear someday but we won't", smiles Rubel. 2013 Berlinale 柏林影展 2012 IDFA 阿姆斯特丹國際紀錄片影展
10.10 (FRI) 16:00 C
10.16 (THU) 21:40 A
阿母作頭家 On Mother's Head 普度．古蘇馬．維賈甲 PUTU Kusuma Widjaja ｜印尼 Indonesia │ 2013 │ DCP │ Colour │ 98 min
在艱苦的農村生活中，生存是首要問題。自從丈夫失業後，諾西 媽媽必須更加努力工作，充滿粉塵的工地勞動讓她的健康每況愈 下，但她仍須一肩扛起家中重擔，以及那些豬仔的豢養。幸而， 峇里島人始終相信，在冥冥中，神必定會庇佑家族，信仰與情感 將大家緊緊相連，在看似日常的生活情節中，滿是生活的甜蜜。 世界大觀
An unvarnished depiction of how harsh country life is in Bali. This documentary does not show the white beaches from the tourist brochures, but the troubles and drudgery that usually remain hidden from outsiders. For these three central characters - besides Grandma and daughter, there is also granddaughter Ketut Fitry - life is primarily a question of survival.
PANORAMA
74
2013 IFF Rotterdam 鹿特丹影展
10.10 (FRI) 10:30 A
10.16 (THU) 19:00 B
眼見為真，口說為憑。紀錄片常常透 過口述訪問，憑藉著人們的記憶來 重建過去。然而，記憶具有可塑性、 語言敘述亦有誤差，人的言說出自主 觀印象，真實又該如何存在？本單元 以「記憶」為題，透過六部以「訪談」 為主的作品，看看記憶與記錄之間的 蒙太奇，到底可以把真實帶往何處！ We need to see with our own eyes and to hear with our own ears to be convinced. Documentaries often rely on interviews to reconstruct the past. But nevertheless, memories can be modified and spoken words can be interpreted. As people tend to describe things from their subjective point of view, in what form does the reality exist? Under the banner of "memory", six documentaries based on the interviews are selected in this category, showing us where the montage cut between memories and records would lead the reality to.
非真實告白 The unknown Known
身家調查 Curriculum Vitae
埃洛．莫里斯 Errol MORRIS ｜美國 USA │ 2013 │ DCP │ Colour │ 102min
克里斯多夫．奇士勞斯基 Krzysztof KIEŚLOWSKI ｜波蘭 Poland │ 1975 │ 35mm │ B&W │ 46min
片名的直譯是「我們知道某些事實上並不知道的事情」。此乃美 國前國防部長倫斯斐在 2002 年出兵伊拉克前，面對記者提問如何 知道伊國擁有毀滅性武器時說的矛盾辯詞。紀錄片大師莫里斯這 次應倫斯斐之邀，進行貼身訪談，在真偽、矛盾、記憶之間不斷 梳理，呈現了將美國與歷史導向戰事，那些被寫在無數紙條上的 思緒與恐懼。
奇士勞斯基的早期短片，講述一個即將被開除黨籍的共產黨員， 面對國家機器的句句詰問，甚至連感情生活也不放過的過程。如 此鉅細靡遺的審訊，能否拼湊出事實的真相？奇士勞斯基以貼近 的攝影構圖與戲劇化的配樂，呈現一場荒謬的祕密審判。 An early Krzysztof KIEŚLOWSKI's film that describes how the Party Control Committee cross-examines a Party member threatened with expulsion from the Party. The life-story of the accused is a fictional one - although the man playing the role had experienced something similar in his own life - while the Party Control Committee is real.
In The Unknown Known, Errol MORRIS offers a mesmerising portrait of Donald RUMSFELD who served as George W. BUSH's secretary of defence and as the principal architect of the Iraq War. It presents history from the inside out and shows how the ideas, the fears, and the certainties of one man, written out on paper, transformed America, changed the course of history - and led to war. 2013 Venice International Film Festival 威尼斯影展
1975 Kraków Film Festival 波蘭克拉考影展
2013 Chicago International Film Festival 芝加哥國際影展
10.11 (SAT) 21:50 D
10.17 (FRI) 13:00 C
10.10 (FRI) 20:30 A
浩劫 Shoah 克勞德．朗茲曼 Claude LANZMANN ｜法國 France │ 1985 │ DCP │ Colour │ 566min
10.18 (SAT) 20:50 D
人間蒸發 A Man Vanishes 今村昌平 IMAMURA Shohei ｜日本 Japan ｜ 1967 ｜ HDCAM ｜ B&W, Colour ｜ 130min
以 11 年的時間，走訪 14 個國家，本片多次被票選為紀錄影史中 第一名，也是探討集中營大屠殺最具代表性的影片，讓你從一個 完全局外人的角色，搭上死亡列車，逐漸有意識地成為一個正要 前往黑暗之心的死囚，藉由口述記憶與重訪空間，經驗一趟名副 其實的恐懼之旅。挑戰一部九個半小時的影片，的確需要勇氣， 但它絕對會是你畢生難忘的一次觀影經驗。（本片分三場放映）
日本大師今村昌平的經典之作。1965 年，一位推銷員神祕失蹤， 未婚妻焦急萬分，今村用攝影機展開尋人之旅。一開始探訪的是 推銷員日常接觸的底層勞動者，卻發現他與未婚妻眼中那個老實 的形象完全相反，現實的他勢利又好色。隨著調查深入，真相愈 加撲朔迷離，他究竟身在何處？哪一個才是真實的他？ In his first documentary, IMAMURA Shohei follows one case of a growing phenomenon of working Japanese men who are sent to other cities while their families are left behind disappear completely. It concerns HAYAKAWA Yoshie, whose fiancé vanishes from sight, leaving behind shadowy evidence of his past, casting darkness over HAYAKAWA's relationship with her sister, her fiancé's family, and even the investigator.
Twelve years in the making, Shoah is LANZMANN's monumental epic on the Holocaust and features interviews with survivors, bystanders and perpetrators in 14 countries. The film does not contain any historical footage but rather features interviews which seek to "reincarnate" the Jewish tragedy and also visits places where the crimes took place. Top 2 of The Greatest Documentaries of All Time, Sight & Sound 英國《視與聽》雜誌票選史上排名第二偉大的紀錄片
10.10 (FRI) 11:00 B (1/3) 10.10 (FRI) 14:30 B (2/3) 10.10 (FRI) 18:30 B (3/3) 10.14 (TUE) 11:00 B (1/3) 10.15 (WED) 11:00 B (2/3) 10.16 (THU) 11:00 B (3/3)
浩劫：未竟審判 The Last of the unjust 克勞德．朗茲曼 Claude LANZMANN ｜法國 France、奧地利 Austria │ 2013 │ DCP │ B&W, Colour │ 218min
10.16 (THU) 14:40 B
10.17 (FRI) 10:00 C
玉米田殺人事件 Revision 菲力普．謝夫納 Philip SCHEFFNER ｜德國 Germany │ 2012 │ HDCAM │ Colour │ 106min
1985 年，朗茲曼拍攝《浩劫》，訪問了世上僅存，在納粹時期擔 任猶太議會最後一任長老的穆莫史坦，他因這特殊身分，是最了解 種族滅絕方案的人，但他也協助 12 萬猶太人逃離魔掌，最後並沒 有被傳喚審判；因為猶疑，因為不堪，朗茲曼始終沒有處理這些訪 談，25 年後終有機會重新爬梳造訪，揭開撼人的歷史扉頁……
像是記憶拼圖，本片一片片地拼湊一樁命案經過。1992 年，兩名 穿過邊境的羅馬尼亞人，被兩個德國獵人槍殺。聲稱意外過失而 無罪釋放的法定判決下，隱藏著不為人知的祕密。導演以出色的 電影技巧，讓每位發言證人聆聽自己當時的證詞，然後進行修訂， 再反覆調查與檢證，竟挖掘出事件背後最深層、駭人的仇恨真相。
1975. In Rome, Claude LANZMANN filmed Benjamin MURMELSTEIN, the last President of the Jewish Council in the Theresienstad. 2012. Claude LANZMANN exhumes these interviews shot in Rome and returned to Theresienstad, a "model ghetto", chosen by Adolf EICHMANN. The Last of the Unjust provides an unprecedented insight into the genesis of the Final Solution.
A documentary turns into a cinematic Revision. Like a puzzle, the film puts together the facts around the death of two men in a field at the German Polish border in 1992. Director Philip SCHEFFNER composes an increasingly disturbing pattern of landscape and memory, witness testimonies, documents and investigations.
X
2012 Hot Docs 加拿大 Hot Docs 國際紀錄片影展
DOCUMEMORY: INTER-VIEW
DOCUMEMORY: INTER-VIEW
10.11 (SAT) 12:20 A ★
10.10 (FRI) 20:40 C
記憶
記憶
76
2013 Cannes Film Festival 坎城影展
日本電影旬報票選之日本百大電影
記錄
記錄 X
Kinema Junpo Top 100 Japanese Films of All Time
10.13 (MON) 20:30 C
77
2012 Berlinale 柏林影展
10.16 (THU) 10:30 A
以遺忘為詩 First Cousin Once Removed 艾倫．柏林納 Alan BERLINER ｜美國 USA │ 2013 │ HDCAM │ B&W, Colour │ 79min
「要記得如何能夠，不再遺忘。」看著歲月與病痛，混亂了神智， 磨損了敏銳，導演以長達五年的時間，記錄下表舅愛德溫．荷尼， 一個聰明絕頂卻也冷酷嚴苛的詩人、翻譯家、教授，在生命的遲 暮，被阿茲海默症逐漸奪走的人生智慧與記憶。影片相襯於荷尼 創作中豐沛的隱喻、睿智與深情，譜寫出一首名為遺忘的詩。 Shot over the course of five years, First Cousin Once Removed artfully documents HONIG's condition with deep compassion, portraying his life with the same raw honesty that resonates in his poetry, written amidst a lifetime steeped in tragedy, love, loss, irony and literary daring.
2012 Best Feature-Length Documentary, IDFA 阿姆斯特丹國際紀錄片影展最佳紀錄長片
10.10 (FRI) 18:20 C
真實歡迎想像
焦點導演： 艾倫．柏林納
10.18 (SAT) 20:00 C ★
絕對清醒 Wide Awake 艾倫．柏林納 Alan BERLINER ｜美國 USA │ 2006 │ HDCAM │ B&W, Colour │ 79min
一輩子都活在時差裡是什麼感覺？柏林納自己面對鏡頭，探索已 困擾他數十年的夜間失眠症。先是遍尋名醫療法以求根治，再來 追溯自己一生，挖掘潛在的心理障礙，接著更擴及到創作，思索 夜裡奔湧的靈感來源。充滿狂想、瑣碎、內省又神經質的細節， 這部片不禁讓我們思考，失眠究竟是災難或是福報？
Director in Focus: Alan BERLINER
《紐約時報》曾盛讚他的作品：「有力量、 引人入勝、反映人生的酸甜苦辣，具備創意 的電影技巧和令人驚艷的故事結構，並展現 了藝術的力量如何改變人生。」 Alan BERLINER (1956 - ) is one of the most important American independent filmmakers who won numerous awards around the world.
In terms of the subject matters in his films, they mostly come from BERLINER himself and his daily life. The issues raised in his works include family, relationship between father and son, insomnia, memory and self-recognition. He uses a large quantity of recorded images and sound and transforms them into collages and metaphors on the screen. The emphasis on editing creates a montage full of poetic images, fun and imagination. For BERLINER, the way a story is unfolded could be as enchanting as the story itself. The New York Times has described BERLINER's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan BERLINER illustrates the power of fine art to transform life."
2006 Jihlava International Documentary Film Festival 捷克伊赫拉瓦紀錄片影展
10.11 (SAT) 22:20 C（活動場 P.15） 10.18 (SAT) 17:20 C ★
同名電影 The Sweetest Sound 艾倫．柏林納 Alan BERLINER ｜美國 USA │ 2001 │ HDCAM │ B&W, Colour │ 60min
艾倫．柏林納很愛自己名字的發音，卻不能適應那麼多人和他一 樣叫艾倫．柏林納，於是他發出邀請信給全世界與他同名同姓的 人，其中 12 位應邀到紐約齊聚一堂，分享生活與名字背後的故事。 導演將自己放在世界中心，藉著行動、聲音與檔案影像的創意拼 貼，讓「唯一」開始分裂，追索姓名之於人類的深刻關係。 Alan BERLINER, the filmmaker from New York decides to rid himself of the dreaded Same Name Syndrome. His solution: invite all the Alan BERLINERs in the world over to his house for dinner. With the intimacy and humour of a personal essay, BERLINER dives headfirst inside the American name pool in search of the treasures and dangers hidden inside his own name. 2001 Berlinale 柏林影展
10.12 (SUN) 19:30 C（活動場 P.15） 10.16 (THU) 15:20 C ★
DIRECTOR IN FOCUS: ALAN BERLINER
在題材上，他總從自己身邊和日常生活出發， 探討家庭親情、父子關係、失眠、回憶、自 我認同等議題，而其作品特點在於總以大量 的檔案影像和聲音素材進行拼貼與隱喻，並 強調「剪接」所造成的蒙太奇效果，充滿詩 意、趣味與想像力。對他而言，說故事的方 法，有時也和故事本身一樣迷人。
He started making short films and installation art in the late 1970s, and finished a number of feature-length documentaries in later years. In his studio stores a huge amount of discarded film footage he collected in the early years, BERLINER sorts it into different categories and turns it into the inspiration for his work.
焦點導演：艾倫．柏林納
艾 倫． 柏 林 納（1956-） 是 美 國 最 重 要 的 獨 立電影工作者之一，在全球獲獎無數；他從 1970 年代後期開始創作短片與裝置藝術，後 期則有多部紀錄長片。在他的工作室中，有 大量早期撿拾而來的廢棄膠卷，他將這些素 材一一整理歸類，成為作品的靈感來源。
In Wide Awake, BERLINER once again uses his own life as a laboratory – this time to confront both the anguish of his sleeplessness, and the blessing of extra time that BERLINER uses both metaphor and candid first-person observations to illuminate how an obsessive mind that won't shut down at night leaves him feeling "jet lagged in his own time zone."
79
與誰何干 Nobody's Business
一瞬之光 Everywhere at Once
艾倫．柏林納 Alan BERLINER ｜美國 USA │ 1996 │ HDCAM │ B&W, Colour │ 60min
艾倫．柏林納 Alan BERLINER ｜美國 USA │ 1985 │ HDCAM │ Colour │ 10min
柏林納要拍一部關於他父親的紀錄片。父親是一個拘謹沉默、獨 善其身的人，認為自己的生平不可能讓任何人感興趣。導演仍咄 咄逼人，他想知道父親的根源、個性、愛情，以及為何離婚，父 親則質疑兒子拍電影不務正業。雙方的衝突如搏擊，帶著幽默與 感傷，當難以啟齒的家庭問題呼之欲出，失控的一切該如何收尾？ Alan BERLINER takes on his reclusive father as the reluctant subject of this poignant and graceful study of family history and memory. What emerges is a uniquely cinematic biography that finds both humour and pathos in the swirl of conflicts and affections that bind father and son.
柏林納早期的短片代表作，他將蒐藏多年影像檔案與聲音素材， 以獨特的蒙太奇格律，將人類肢體、機械運動、自然奇景、飛鳥 野獸的流竄光影合奏成一場超越想像力極限的影像交響曲，擦撞 出驚奇連連的奇想火花。 Everywhere at Once is a collage of images that in ten minutes takes us off on a brilliant journey through different orders of reality. It's an orchestra that moves the film. There is a recurrence of liquid, aerial elements, of relations between nature and culture. 1986 Grand Prize, Ann Arbor Film Festival 美國安娜堡影展首獎 1986 Honorable Mention, Bucks Fever Film Fest 美國巴克斯郡影展特別推薦獎
10.10 (FRI) 18:20 C
1997 Grand Prize, Visions du Réel 瑞士真實影展首獎
10.14 (TUE) 18:20 C ★
10.18 (SAT) 20:00 C ★
電光世紀的神話 Myth in the Electric Age
10.16 (THU) 20:00 C ★
艾倫．柏林納 Alan BERLINER ｜美國 USA │ 1981 │ HDCAM │ Colour │ 13min
科技文明是知識理性的堡壘，或是雲端的神祕幻夢？柏林納以獨 特的蒙太奇技法，拼貼洪荒奇景、文字符號、電光殘影與機械意 象，搭配傳播學大師麥克魯漢的評論與打字機聲響，以思想與感 官的華麗爆炸，帶我們進入電光世紀的神話。
親密陌生人 Intimate Stranger 艾倫．柏林納 Alan BERLINER ｜美國 USA │ 1991 │ HDCAM │ B&W, Colour │ 60min
你當然不認識約瑟夫．卡蘇托。一年有 11 個月不在家的他，連親 人都對他感到陌生。1974 年他在車禍中喪生，家屬在遺物裡找到 一堆撰寫自傳的材料。對他幾乎一無所知的外孫——導演柏林納， 透過這些素材追訪他的往日足跡，拼湊出這個最疏離的家族成員 充滿奇特熱情的一生。 Joseph CASSUTO is Alan BERLINER's maternal grandfather, a Palestinian Jew who was a cotton buyer for the Japanese in Egypt prior to World War II. Later, he abandoned his family and went off to Japan to pursue his business interest and life-long affair with Japanese culture. Seventeen years after his death, his grandson made a film of his grandfather's life story.
Creatively-mounted archive footage, letters, animation and sound effect make Myth in the Electric Age a gripping visual gala of natural phenomena, orchestrated wonderfully by maestro BERLINER and narrated by philosopher Marshall McLUHAN. 10.13 (MON) 18:00 C ★
10.17 (FRI) 20:50 C ★
城市剪報 City Edition 艾倫．柏林納 Alan BERLINER ｜美國 USA │ 1980 │ HDCAM │ B&W │ 10min
焦點導演：艾倫．柏林納
10.17 (FRI) 20:50 C ★
City Edition is a pamphlet addressed to the American mass media. Between the printing out of the New York Times in the opening sequence and Dirk BOGARDE, who disappears into a taxi after having thrown the day's edition into the bin at the end, BERLINER uses editing to restage the rumbling of the world.
家庭電影 The Family Album 艾倫．柏林納 Alan BERLINER ｜美國 USA │ 1986 │ HDCAM │ B&W │ 60min
柏林納的首部長片，大量拼貼 20 至 50 年代的 16 毫米家庭影片， 虛實穿插著柏林納訪談家人的聲音，如鑲嵌畫般勾勒出自嬰兒、 青春期、就業成家的人生歷程。影片的開展如同翻閱家庭相簿， 上演的是身旁的熟悉情節。回顧家人幽微關係、情感流動的每個 時刻，也預告了他將攝影機對向自己與家人的創作開端。 The Family Album is a one-hour experimental documentary film utilising a vast collection of rare 16mm home movies from the 1920s through the 1950s. These home movies are exciting authentic documents of the American folk history and culture, taken from the personal vantage point of the amateur photographic eye.
2006 IDFA 阿姆斯特丹國際紀錄片影展
10.14 (TUE) 18:20 C ★
10.16 (THU) 20:00 C ★
10.18 (SAT) 13:30-16:30 大師講堂：真實，歡迎想像──艾倫．柏林納
1987 Golden Gate Award, San Francisco International Film Festival 舊金山影展金門獎
A Master Class with Alan BERLINER 詳情請見 For more info P.7
10.15 (WED) 19:00 C ★
10.17 (FRI) 18:40 C ★
DIRECTOR IN FOCUS: ALAN BERLINER
DIRECTOR IN FOCUS: ALAN BERLINER
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10.13 (MON) 18:00 C ★
焦點導演：艾倫．柏林納
將剪輯視為電影創作美學關鍵的導演柏林納較早期的實驗創作。 他將大量影像與聲音素材，透過精巧的剪輯，堆砌出看似沒有故 事性，卻在仔細推敲後出現萬千妙趣的馬賽克圖像，對比著夢與 現實，展現他獨特的技巧與觀點。
1993 Distinguished Achievement Award, IDA 國際紀錄片協會傑出成就獎
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青年之海—四個函授生的故事 Sea of Youth– Four Correspondence Course Students 小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1966 │ 16mm │ B&W │ 56min
《青年之海》是小川紳介執導的第一部作品。離開岩波電影製作 所之後，小川希望找尋一條不一樣的路。他以函授教育學生的困 境為題，號召幾名社運青年製作獨立紀錄片，並由他們親身演繹 自已的抗爭。不少人更成為之後小川攝製組的核心成員。當時由 於募捐經費不足，他們只能以賣書賣血完成這部作品。 Sea of Youth was OGAWA Shinsuke's first directorial effort. After leaving Iwanami Productions, he struck an unusual path. He gathered young activists to make an independent documentary on the plight of correspondence students, featuring how they plotted their activism. Many of them later became members of Ogawa Productions. Due to the lack of funding, they sold their books and blood to complete the film.
綻放的運動影像
再見小川紳介
本次回顧單元，除兩部「非小川作品」外， 將焦點鎖定在小川攝製組早期拍攝學生運動、 三里塚系列與牧野村系列作品，議題看似不 同，但他的電影永遠都在追尋一種最具力量 的表達方式去吸引觀眾，讓觀眾能對鏡頭下 的人們感同身受；因此，當社會位置在歷史 中變化，電影的意義也會隨之改變，這是他 的作品獨特不朽的原因。 換句話說，除了議題，小川的電影其實帶有 很 強 的 實 驗 精 神， 不 管 是 跟 拍、 調 查、 實 證、 舞 蹈、 表 演、 或 強 調 參 與 式 的 拍 攝， 到 最 後 甚 至 要 成 為 真 正 的「 對 象 」， 都 是 對 紀 錄 片 浪 漫 而 前 衛 的 嘗 試， 也 是 他 所 謂 「追求紀錄片中至高無上的幸福」的來源。 （聯合策劃：馬克．諾恩斯）
OGAWA Shinsuke is one of the most important Japanese documentary filmmakers. The Taiwanese audiences are familiar with his name,
壓制之森 Forest of Oppression– A Record of the Struggle at Takasaki City university of Economics 小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1967 │ HDCAM │ B&W │ 105min
《青年之海》的團隊漸漸發展為成熟的組織，也是之後小川攝製 組的雛形自主放映組織會；歷經《青》的發行困難，自主放映會 聯繫日本各地的社運界和電影愛好者，開發出另類的放映渠道。 片中，學生們把自已封鎖在學生會館，引發的抗爭帶著震懾人心 的壓力，甚至是暴力。本片也提升了小川的知名度。
but nevertheless, in the past few decades, we never had the chance to watch his films publicly as well as systematically. In this retrospective, apart those two films made by other directors, we focus on Sanrizuka and Magino Village series in which OGAWA documented the students' movement. The subject matters in these films may be different, but OGAWA had constantly been searching for the most powerful expression to attract the audiences, making them sympathetic towards the protagonists. Therefore when society changes with time, the meaning of cinema changes with it, and this is why OGAWA's works remain so unique and timeless.
After Sea of Youth, the filmmakers turned themselves into a fullyfledged collective - Jieiso, the precursor to Ogawa Productions and created an alternative distribution system. Their next film, Forest of Oppression, turned to the students barricading themselves inside a minor university. Audiences were shocked by the vigour and violence of their protest and the film put OGAWA on the map.
10.10 (FRI) 10:30 C ★
10.16 (THU) 10:00 C
現認報告書—羽田鬥爭的紀錄 A Report from Haneda 小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1967 │ 16mm │ B&W │ 58min
經過《壓制之森》爆炸性的成功，自主放映組織會連同幾個工會 和社運電影人準備下一部電影。在一場場示威者與防暴警察的衝 突中，鏡頭下的小川仔細調查一名示威者的死因。《現認報告書》 是指日本警方日常用的現場調查報告。片名除了是對公權力的嘲 諷外，也代表製作團隊意識到警方正監控他們。
In other words, in addition to the issues raised, OGAWA's films are experimental by nature. His methods, including how he followed the protagonists, investigating, searching for evidence or the way he filmed dancing and performance or the emphasis put on participating, or even becoming the real “filmed subjects" were brave attempts with a romantic touch to innovate documentary. This is also what he called, the source of "the bliss of searching for the ultimate happiness in documentary".
After the explosive success of Forest of Oppression, Jieiso organised their next film with labour unions and political activists/filmmakers. Bristling with scenes of clashing protesters and riot police, OGAWA (who appeared onscreen) carefully investigates the death of a young protester. The original title ironically refers to the daily reports written by police as well as the police surveillance under which the collective now found itself.
(Co-curator: Markus NORNES)
10.10 (FRI) 14:30 D ★
10.16 (THU) 14:40 D
RETROSPECITVE: OGAWA PRODUCTION - 11 FLOWERS OF MOVEMENT CINEMA
小川紳介（1935-1992）是日本重要的紀錄片 導演，台灣觀眾對他的名字也絕不陌生。雖 然如此，這幾十年來，台灣一直沒有公開機 會，有系統地觀看他的作品。
10.16 (THU) 12:20 D ★
綻放的運動影像：再見小川紳介
Retrospective: OGAWA Production 11 Flowers of Movement Cinema
10.10 (FRI) 12:40 D
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日本解放戰線．三里塚之夏 The Battle Front for the Liberation of Japan – Summer in Sanrizuka
三里塚．邊田部落 Sanrizuka – Heta Village
小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1968 │ 16mm │ B&W │ 108min
小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1973 │ 16mm │ B&W │ 146min
10.10 (FRI) 16:50 D ★
《邊田部落》是一部精細雕琢時間和空間的紀錄片，也是小川兩 部經典大師名作的第一部；抗爭在片中退居為一個背景，重心轉 移到發生了少年自殺和村民被警方拘留的邊田部落。這是一部沉 靜、有耐性的電影，片中的 11 個場景多以長鏡頭完成，攝製組希 望呈現的，正是「村莊的時間」。
In 1968, OGAWA formed Ogawa Productions and moved to the construction site of Narita Airport in Sanrizuka. OGAWA chose to live in the most radical village, Heta. The farmers vehemently protested, drawing support of the social movements across Japan. They clashed with riot police sent in to protect the surveyors, who were planning the airport. It's a messy film, but its chaos communicates the passions and actions on the ground.
Heta Village is an extraordinary documentary about time and place, the first of two masterpieces by OGAWA. OGAWA pushes the protests to the far background to concentrate on the village of Heta itself as one of its youth commits suicide and others are detained by police. The film is quiet, patient, and its 11 scenes are mostly rendered in single takes. This astonishing film is their attempt to render the "time of the village".
10.11 (SAT) 13:30 D ★
10.16 (THU) 16:30 D
10.17 (FRI) 14:00 D
三里塚．第三次強制測量阻止鬥爭 Sanrizuka – Three Day War
日本國古屋敷村 Nippon: Furuyashiki Village
小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1970 │ 16mm │ B&W │ 50min
小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1982 │ 16mm │ Colour │ 210min
小川以科學影片中的實證方法，藉由觀察古屋敷村的氣候變遷， 調查了百年一遇的寒流所造成的災害，同時藉村莊的歷史發掘日 本的歷史流變：從古代的海中生物，到二戰帶來的災禍，甚至是 經濟奇蹟所帶來的無聲侵害。就像一位老人所言：「我們以為把 路修好會帶來現代化的進步，但是，這反而令年輕人更想離開。」
After Summer, Ogawa Pro attempted a more epic scale with Winter in Sanrizuka. It was roundly criticised as a failure. In the wake of this criticism, the collective became increasingly militant. They decided to make a quick and dirty report from the front, calling it a "bullet film." They shot this agit-prop film in three days, when 2,500 protestors battled 6,500 police. Even the school had been let out so children could participate in the action.
OGAWA plays with the conventions of the science documentary to investigate the damage inflicted by an unusual cold front, while penetrating deep into village history. In tiny Furuyashiki, he finds the entire history of Japan – from ancient sea creatures through the catastrophe of WWII to the quiet violence of the economic miracle. As an old man says, "We thought the paved road would bring modernity; instead, it made it easier for the young people to leave".
10.16 (THU) 19:10 D
10.11 (SAT) 17:20 D
10.15 (WED) 13:00 D ★
三里塚．第二堡壘的人們 Sanrizuka – Peasants of the Second Fortress
牧野村千年物語 Magino Village – A Tale / The Sundial Carved With A Thousand Years of Notches
小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1971 │ 16mm │ B&W │ 143min
小川紳介 OGAWA Shinsuke ｜日本 Japan │ 1986 │ 16mm │ Colour │ 222min
10.11 (SAT) 10:20 D
10.17 (FRI) 10:30 D ★
小川首部獲得世界性成功的作品。抗爭的暴力升級，農民也找到 了新策略：構築龐大的堡壘群，以及貫穿他們土地的地道。雖然 警方攻下一座又一座堡壘，小川依然跟隨著示威者前進，一邊準 備戰鬥，一邊和農民閒談，表露出小川攝製組與農民間深厚互信 的關係，以及小川對拍攝對象的尊重。
小川蹲點 13 年的另一經典名作，也是他生前的最後一部作品。揉 合實證與表演，以顯微鏡拍攝稻穀開花，村民和演員一起扮演自己 的祖先，透過牧野村世代傳承的口述物語、舞蹈與演出再現歷史， 其主題仍聚焦在農務、國家暴力、對抗、現代化與村莊的時間。這 些「永恆」主題，對現今日本農村而言，從來都不是「過去的事」。
This was OGAWA's first international success. The violence had escalated and farmers turned to a new tactic: they built large fortresses, and burrowed underground – under their ground. OGAWA followed the course of the protests, as police invade one after the other. Between the action scenes OGAWA chatted with farmers. One can sense the strong relationship the collective had nurtured with the farmers, and the deep respect with which he approached his subjects.
This film combines all the themes of their concern: farming, state violence, resistance, modernisation, and village time. It masterfully mixes the conventions of science films with Griersonian documentary sequences about ghosts and gods, along with fictional sequences featuring cameos such as the butoh founder Tatsumi HIJIKATA and Roman Porno star Junko MIYASHITA. It's a thoughtful meditation on history and the way it is never quite "past" in village Japan.
10.12 (SUN) 18:30 D ★
10.17 (FRI) 19:20 D
RETROSPECITVE: OGAWA PRODUCTION - 11 FLOWERS OF MOVEMENT CINEMA
RETROSPECITVE: OGAWA PRODUCTION - 11 FLOWERS OF MOVEMENT CINEMA
10.10 (FRI) 19:50 D ★
《三里塚之夏》完成後，小川攝製組企劃了一部史詩規模的製作 《三里塚之冬》，可惜受到一面倒的批評。但這些批評反而令攝 製組更為激進，決定到前線製作這部迅速、「骯髒」，並帶有鼓 吹性的「子彈電影」。他們在三天內拍完，記錄下 2,500 名示威 者與 6,500 名警察的大戰。
綻放的運動影像：再見小川紳介
綻放的運動影像：再見小川紳介
84
1968 年，小川決定成立小川攝製組。他們抵達三里塚的成田機場 工地，定居在抗爭最激烈的邊田部落。農民們搏命阻止測量人員 和警察進入部落，激烈的抗爭得到日本各地社運者的支持。這是 一部混亂的影片，但「亂」正顯露出農民對堅守土地的熱情、投 入與行動。
85
解構小川紳介 Devotion 芭芭拉．漢默 Barbara HAMMER ｜美國 USA、日本 Japan │ 2000 │ Batacam │ Colour │ 82min
奇怪的小川攝製組吸引了美國導演芭芭拉．漢默的注意，她希望 呈現攝製組對政治抱負的深思，和社運藝文團體的兩性互動。在 這部奇特的作品中，為表現攝製組成員的個性，小川電影的影像 不時穿插著，就像是他們的家庭影帶。漢默以女權者、外國人、 導演的身分，選擇了不與對象站在一起的方式「解構」小川紳介。 Intrigued by this strange collective, Barbara HAMMER set out to make this striking meditation on political passion and the gender dynamics in artist/activist collectives. Her wonderfully idiosyncratic documentary often uses random images from the films to stand for the collective's members, as if they were home movies. She encountered suspicion as a feminist, as a foreigner, and as a filmmaker who chose not to live and dwell with her subjects.
10.12 (SUN) 10:20 D ★
10.17 (FRI) 17:10 D
活在三里塚 The Wages of Resistance 綻放的運動影像：再見小川紳介 RETROSPECITVE: OGAWA PRODUCTION - 11 FLOWERS OF MOVEMENT CINEMA
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世界首映
代島治彥 DAISHIMA Haruhiko、大津幸四郎 OTSU Koshiro ｜日本 Japan │ 2014 │ HDCAM │ Colour │ 140min
World Premiere
四十多年前曾在三里塚被捕的攝影師大津幸四郎，如今回到昔日 戰場反思這場運動。他和另一位導演代島治彥穿越機場重訪三里 塚，遇見許多小川「三里塚系列」中的主角，每個人對待過去和 政治投入度截然不同，描繪出三里塚的感人景象。片中穿插當時 的第一手抗爭畫面，改變世界是否可能？時間又留下了什麼？ Over 40 years after being arrested in the fields of Sanrizuka, cameraman OTSU Koshiro returns to the battleground to take stock of the movement. He and co-director DAISHIMA Haruhiko encounter many of the stars of OGAWA's Sanrizuka Series, each of whom has a different relationship to the past and to political passion. It is a moving portrait of present-day Sanrizuka.
10.09 (THU) 20:00 AB ★
10.13 (MON) 10:00 C ★
10.18 (SAT) 10:00 C
10.12 (SUN) 14:00-17:00 「你所不知道的小川紳介」論壇 與談人｜馬克．諾恩斯（「再見小川紳介」單元策劃人）、大津幸四郎（《活在三里塚》導演）、飯塚廣子（小 川攝製組成員）
forum : retrospective of ogaWa shinsuke
Speakers ｜ Markus NORNES, Co-curator of the OGAWA Program OTSU Koshiro, Director of The Wages of Resistance HATANAKA Hiroko, Member of Ogawa Produciton 詳情請見 For more info P.9
敬！ CHINA 獨立紀錄片焦點 Salute! Independent Documentaries in China
近年來，China 獨立紀錄片受到官方更多關注，獨立影展更 是接連被禁，創作越趨艱難，但真實不容禁錮，影展不該被 斷電！本單元與北京獨立影像展（栗憲庭電影基金）、中國 獨立影像展、重慶獨立影展、雲之南影展合作，爬梳近 10 年來生猛精采的 China 獨立紀錄片。「敬」是諧音（禁）， 也是敬佩與致敬！ In recent years, the Chinese independent documentaries have attracted attention from the Chinese authorities. Moreover, the independent film festivals are often banned, or have the power cut off. Collaborating with Beijing Independent Film Festival (Lixianting Film Fund), CHINA Independent Film Festival, Chongqing Independent Film and Video Festival, and Yunnan Multi Cultural Visual Festival, we combed through the Chinese independent documentaries made in the past ten years and selected those in this category. This is a gesture to not only show our admiration but salute the independent filmmaking in China.
CHINA 獨立短片集 CHINESE INDIE SHORT DOCS
夢遊 Dream Walking
青春墓園 The Youth's Cemetery
黃文海 HUANG Wenhai ｜ China ｜ 2005 ｜ DigiBeta ｜ B&W ｜ 86min
張珂 ZHANG Ke ｜ China ｜ 2005 ｜ DigiBeta ｜ Colour ｜ 23min
重慶沙坪公園裡有個特殊的墓園。1967 年，文化大革命席捲全中 國，山城人自古的火爆性格，再加上重慶擁有眾多軍工業，武鬥 激烈居全國之冠。無數青年彼此廝殺，留下了痛苦與這座墓園。 38 年過去了，人們對這座墓園是記得或遺忘？
2004 年夏天，畫家王永平拍攝首部電影，由他自己和朋友出演自 己的故事。拍片過程彷彿他們過去生活的搬演：在網路上被評為 天才的詩人，現實生活中卻是個看門人；畫家陷於家庭與情人的 糾葛中，很少畫畫；劇組沒錢，拍攝時斷時續，使王永平萬分焦 慮……這些人，在炎夏中繼續著他們的夢遊之旅。 The experience of four artists. They are WANG Yongping, the painter who plans to make a film, LI Wake who does handstands whenever and wherever, in the name of behavioural art, DING Defu the painter who was active in the modern art movement of the 1980s and the web-based poet Bei Bei. The film depicts a monochrome world that traverses life and art, intersecting with China's metamorphosis.
In 1967, the Cultural Revolution devastated China. Chongqing has the most violent struggle in the country and thousands of people died. Numerous youths were persuaded to fight against each other. What the violence left was this cemetery, where about four hundred peoples were buried together with endless misery. 2007 Chongqing Independent Film and Video Festival 重慶民間映畫交流展 2005 Yunnan Multi Culture Visual Festival 雲之南紀錄影像展
怨恨 Resentment
2007 Yamagata IDFF 山形國際紀錄片影展
李文 LI Wen ｜ China ｜ 2006 ｜ DigiBeta ｜ Colour ｜ 10min
2006 Grand Prize, Cinéma du Réel 法國真實電影節首獎
罵人在生活中隨處可見，和問候一樣，只是普通的語言表達方式， 但在當代社會罵人，往往淪為「不文明」、「沒教養」。本片記 錄了武漢街頭「摩的」（摩托計程車）的鬥罵，網路聊天室的瞎罵， 和北京一些有罵人願望者的表演。
10.17 (FRI) 17:20 F
木幫 Timber Gang 于廣義 YU Guangyi ｜ China ｜ 2006 ｜ DigiBeta ｜ Colour ｜ 90min
中國黑龍江省的森林開發已超過百年，由於交通不便等原因，至 今仍採行舊有的生產方式，兩人一組，備好一冬糧草，選定吉日 進入深山，開始了冬天的伐木生活。一片片原始森林被砍掉運下 山，其中一棵生長幾百年的大樹被製成棺材，春天時，它盛殮著 老伐木工重回山上，埋在它曾生長的地方……
2007 Documentary Film Festival China 中國紀錄片交流週
紅色聖境 Red Paradise 白補旦 BAI Budan ｜ China ｜ 2007 ｜ DigiBeta ｜ Colour ｜ 7min
看紅色聖境 憶革命先烈 跟共產黨走 過幸福生活
2007 Best Director, CINDI 首爾數位影展最佳導演獎
10.11 (SAT) 19:30 E
Make your way to the red paradise. Remember the revolutionary heroes. Follow the communist party. And you will find happiness.
10.14 (TUE) 13:00 E
2007 Independent Spirit Award, DFFC 中國紀錄片交流週獨立精神獎
2010 Festival de Cine Documental Alcances 西班牙大西洋電影節
2007 Top 10 Documentaries of the Year, CIFF 中國獨立影像年度展年度十佳紀錄片
2008 Beijing Independent Film Festival 北京獨立影像展
SALUTE! INDEPENDENT DOCUMENTARIES IN CHINA
SALUTE! INDEPENDENT DOCUMENTARIES IN CHINA
三里洞 San Li Dong
獨立紀錄片焦點 CHINA
獨立紀錄片焦點 CHINA
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2008 Asian Hot Shots Berlin 德國柏林亞洲熱門電影展
敬！
敬！
Timber Gang documents the lives of a group of loggers in Heilongjiang Province, China. It records the most basic state of being and desire of human beings amidst ice and snow, and serves as a document of a disappearing mode of production as well as living in the process of civilisation's progress.
Quarrelling is just like saying "hello" or "thank you" as it happens a lot in our lives. Quarrelling used to be associated with being "uncivilised" or "lowly-born" although we so often hear people quarrel. This film reveals the quarrelling between motorbike riders, on the Internet and the angry expression used by ordinary people in Beijing.
10.12 (SUN) 13:00 F
10.12 (SUN) 10:00 E ★
89
林鑫 LIN Xin ｜ China ｜ 2007 ｜ DigiBeta ｜ B&W ｜ 172min
這是一部礦工之子拍攝關於他父輩的紀錄片。1955 年，300 多位 來自上海的熱血青年，懷著支援大西北建設的夢想來到銅川三里 洞煤礦。50 年後，當年的建設者大多不在了。本片用 15 個片段， 記錄依然生活在當地的老礦工、已故者和那個即將消逝的時代。 以礦工的群像，見證了生命的堅韌和尊嚴。
2008 China Independent Film Festival 中國獨立影像年度展 2007 Beijing Independent Film Forum Exhibition 北京獨立電影論壇
飯碗 Scrape 朱宜 ZHU Yi ｜ China ｜ 2008 ｜ DigiBeta ｜ Colour ｜ 32min
本片記錄了一名在南京市鼓樓區「無證占道經營」的水果攤攤主， 試圖討回被城管沒收的水果攤的故事。而鏡頭背後的導演，一名 帶著正義感和天真的女大學生，在追蹤事件的過程中，漸漸發現 其中錯綜複雜的「規則」。
This is a documentary made by the son of a miner, focusing on the lives of the elder generation. In 1955, more than 300 ardent youths from Shanghai came to the Sanlidong Coal Mine, aiming to realise their hopes and dreams of contributing to the Construction of the Great Northwest. Fifty years later, few of them are still alive. This film focuses on the trials and hardships of the survivors.
Shot in Gu Lou District, Najing, Scrape tells the story about how a stall-keeper took back his fruit and cart which were "temporarily distained" by the urban management officers. The case reveals the complicated relationship between the stall-keepers and the urban management officers in China.
10.18 (SAT) 17:00 E
神衍像 Ximaojia universe
上訪 Petition
毛晨雨 MAO Chenyu ｜ China ｜ 2009 ｜ DigiBeta ｜ Colour ｜ 78min
趙亮 ZHAO Liang ｜ China ｜ 2009 ｜ DigiBeta ｜ Colour ｜ 315min
作者回到自己的故鄉，以族民和書寫者的雙重身分，對 11 戶村民、 20 餘人組成的「細毛家」進行了考古學式的觀察，呈現細毛家的 歷史和神話。他也創作了幾類物件置於環境中，考察作品與當地 生活如何因互動產生意境，並傳達故鄉的宇宙觀。細毛家雖處歷 史的角落，卻藉由作者的拍攝記錄，成為歷史的要角……
上訪是 China 特有的政治表達形式。到北京的請願者抱著希望而 來，最終卻常流落到破舊的棚區，無止境地等待，並且逐漸和故 鄉的家人及朋友失去聯絡，陷入奇異又令人恐懼的境地……本片 拍攝時間長達 12 年，累積拍攝素材大約 400 小時，花費兩年才剪 輯完成。
In Yueyang, Hunan Province, the Ximao clan, a group of 20-odd individuals form what amounts to a village. The director, both as a member of the community and a filmmaker, intervenes in the archaeological archival work. Referencing the worldview passed down through the daily lives, myths, and traditions of these people, this grand experimental ethnographic documentary attempts a new interpretation.
Since 1996 ZHAO Liang has filmed the "petitioners", who come from all over China to make complaints in Beijing about abuses and injustices committed by the local authorities. Faced with the most brutal intimidation from the local authorities, the complainants who stubbornly continue despite everything find that their hopes are often in vain.
2009 Yamagata IDFF 山形國際紀錄片影展
2010 Best Documentary, HKIFF 香港國際電影節人道獎最佳紀錄片 2009 Cannes Film Festival 坎城影展
10.11 (SAT) 13:00 F
10.17 (FRI) 10:30 E
10.19 (SUN) 13:00 E
姑奶奶 Madame
京生 Born in Beijing
邱炯炯 QIU Jiongjiong ｜ China ｜ 2010 ｜ DigiBeta ｜ B&W ｜ 120min
馬莉 MA Li ｜ China ｜ 2011 ｜ DigiBeta ｜ Colour ｜ 240min
京生出生於母親老郝來京上訪的路上，從此，她陪同母親在京上 訪長達 30 多年。但她們不是個案。導演用了六年的時光，深入北 京城中的上訪村，與一群懷揣狀紙、來自天南海北的上訪人展開 心靈對話，構建出一個鮮為人知，又與全中國的生存息息相關的 真實世界。影片從上訪村的故事開始，說出所有爬行者的命運。
Wearing a long dress, a white-rose-shaped wig and a pair of high heel shoes, she sings in a bar. The stage belongs to her - the gorgeous Madame Bilan de Linphel. The tailor is talkative. He often goes to the city's gay cruising areas, and he said he was born to love men. Indeed, he had met quite a few whom he had loved so deeply. The point is – this chatty tailor is also Madame Bilan de Linphel on the stage.
This is a peculiar work, a bizarre place, a group of bigoted people and a unique vicissitudes of life. MA Li, the director, devoted six years to going deep into the petitioner village, a humble village in Beijing. With a DV, she talks heart to heart with petitioners from all over the country and creates a real world in a limited space, which is rarely known by people yet closely related to our survival.
2010 Beijing Independent Film Festival 北京獨立影像展
2012 IFF Rotterdam 鹿特丹國際影展
2010 China Independent Film Festival 中國獨立影像年度展
2012 Green Chameleon Award, CINDI 首爾數位影展綠變色龍獎
10.10 (FRI) 10:00 E
10.10 (FRI) 13:00 F
10.17 (FRI) 19:30 F
10.19 (FRI) 13:00 E
危巢 When the Bough Breaks
李凝 LI Ning ｜ China ｜ 2010 ｜ DigiBeta ｜ Colour ｜ 162min
季丹 JI Dan ｜ China ｜ 2011 ｜ DigiBeta ｜ Colour ｜ 147min
2011 IFF Rotterdam 鹿特丹國際影展
2012 MoMA Documentary Fortnight 紐約現代美術館紀錄片雙週
2011 Silver Digital Award, YunFest 雲之南紀錄影像展銀獎
2011 Yunnan Multi Culture Visual Festival 雲之南紀錄影像展
SALUTE! INDEPENDENT DOCUMENTARIES IN CHINA
SALUTE! INDEPENDENT DOCUMENTARIES IN CHINA
膠帶 Tape
獨立紀錄片焦點 CHINA
獨立紀錄片焦點 CHINA
插著白玫瑰的長髮，長裙底下是 20 公分的高跟鞋，碧浪達夫人在 酒吧裡縱情高歌，時而調侃自己的仰慕者，時而對台下女客尖酸 不屑。在這嘈雜的環境中，舞台是她的。裁縫是個健談的人，他 天生喜歡男人，最愛談論金錢與色情。他的生活擺盪在渴望與絕 望兩端。誰能想到，健談的裁縫就是台上的碧浪達夫人呢？
敬！
敬！
90
10.12 (SUN) 12:00 F
10.18 (SAT) 10:00 E
10.10 (FRI) 18:30 E
91
歷經多年，我對膠帶的研究和使用達到了痴迷的境地。我在舞台 上再現、在生活中撕扯、在思想深處膠著……無處不與它共鳴、 共生。在這個魔幻國度中，我的所作所為註定成為荒誕中的荒誕， 以及最終走向徒勞與尷尬。最終，我成為一張照片，被社會的力 量貼向求職表格，被迫運行於國家機器之上……
北京南郊大興，住著一群在垃圾坑邊長大的孩子們。當新興大樓 逐漸蔓延過來，將要吞噬他們風雨飄搖的小屋時，他們也正面臨 升學和成年的人生岔路。面對狹窄而迷茫的未來，這群危巢中的 孩子，開始了他們與宿命的抗爭。 A group of migrant children have grown up next to a rubbish dumpsite in Daxing in the southern suburbs of Beijing. As highrise buildings begin to encroach upon their shanty settlement and threaten to swallow up their makeshift hut, the children are faced with a predicament. Should they continue their studies or submit to the early onset of adulthood?
After many years, my research into the use of tape reached the point of obsession and madness. In China what I am doing is bound to be ridiculed. Through major events and my own extreme behaviour, I finally reconstructed the reality and merged it with art. But in the end, I've become yet another photo pasted on an employment form, forced to function as part of the machine.
10.11 (SAT) 15:00 F
吃飽的村子 Satiated Village
二 Little Proletarian
鄒雪平 ZOU Xueping ｜ China ｜ 2011 ｜ DigiBeta ｜ Colour ｜ 88min
沈潔 SHEN Jie ｜ China ｜ 2013 ｜ HDCAM ｜ Colour ｜ 70min
2012 Award of Excellence, BIFF 北京獨立影像展優秀紀錄片獎
14-year-old Haier has been kicked out of school. He instead spends his time stealing, fighting and terrorising the village with his motorcycle gang. His father tries to brutally beat some sense into the boy. But he does not succeed. And then Haier sets off for the big city... With Little Proletarian, SHEN Jie has created a miracle of a film: a wild, harsh but also really funny portrayal of Chinese teenage life. 2013 CPH:DOX 哥本哈根紀錄片影展
10.13 (MON) 15:20 A
10.16 (THU) 17:30 E
2013 HKIFF 香港獨立電影節
午朝門 Wuchao Gate
10.11 (SAT) 10:30 E ★
林偉欣 LIN Weixin ｜ China ｜ 2014 ｜ HDCAM ｜ Colour ｜ 92min
10.12 (SUN) 16:30 F
顧桃 GU Tao ｜ China ｜ 2013 ｜ HDCAM ｜ Colour ｜ 98min
犴達罕是大興安嶺森林裡體態最大的動物，威武、敏感、擁有尊 嚴。由於生態被破壞，偷獵者增多，犴達罕也更稀少。具有犴一 樣孤獨氣質的鄂溫克獵人維加在禁獵後失落悲傷，經常酒後用詩 和畫懷念逝去的狩獵時代。春天來了，維加和夥伴進入原始森林， 尋找犴達罕的足跡……
2013 Top 10 Best Documentaries of the CIFF 中國獨立影像年度展十佳紀錄片單元
10.12 (SUN) 12:00 A
玉 門 Yumen
黃 香 HUANG Xiang、 史 杰 鵬 John Paul SNIADECKI、 徐 若 濤 XU Routao ｜ China、 美 國 USA ｜
2013 ｜ HDCAM ｜ Colour ｜ 65min
10.18 (SAT) 19:20 E
2013 Berlinale 柏林影展
10.12 (SUN) 10:00 A
2013 MOMA Documentary Fortnight 紐約現代美術館紀錄片雙週
10.14 (TUE) 10:30 A ★
星火 Spark
國際首映
胡杰 HU Jie ｜ China ｜ 2013 ｜ HDCAM ｜ Colour ｜ 100min
10.16 (THU) 19:30 E
International Premiere
1957 年，一批蘭州大學師生被送到甘肅農村進行勞動改造。其中 幾個人辦了地下刊物《星火》成為大饑荒時期留下的唯一民間思 想刊物。這些人在後來多被處以重刑，有數人在文革時被槍決。 Sparks of Fire is the only extant unofficial intellectual periodical from the time of the Great Famine. In the end, 43 people, including the Rightist teachers and students who were connected with the publication, the peasants and the rural cadres who sympathised with them, were arrested and given long prison terms. Among them, three key figures were executed during the Cultural Revolution. 10.12 (SUN) 17:10 A ★
10.16 (THU) 13:00 A ★
SALUTE! INDEPENDENT DOCUMENTARIES IN CHINA
SALUTE! INDEPENDENT DOCUMENTARIES IN CHINA
Asian Premiere
This film is the third of the People's Memory Project. In the beginning of 2012, I began gathering statistics of deaths during the Three Year Famine. Children of ten to fifteen years old voluntarily joined me. Taking the video camera I gave them, they visited the old folks, interviewing them and gathered statistics. This project gave them the first opportunity to learn about and appreciate their village's history.
10.11 (SAT) 17:40 B ★
Asian Premiere
Yumen combines ghost stories and the "ruin tourism" to form a celluloid psycho-collage of wandering souls, seeking connection to one another and a lost collective history among the frozen remnants of the abandoned oil town of Yumen in China's northwest Gansu Province.
亞洲首映
2012 年初，冬天，拍攝《饑餓的村子》、《吃飽的村子》的導演 再度回村採訪，同時為「三年飢餓」逝者進行村中募捐，建立紀 念碑。村子裡一群 10 歲到 15 歲的孩子自願加入，端著攝影機走 近老人，詢問、統計、募捐……他們第一次在學習和了解自己村 子的歷史。這三部片構成鄒雪平的「鄒家村系列」。
亞洲首映
2012 年春節，三個導演帶著一部 16 毫米攝影機來到被稱作「鬼 城」的甘肅玉門。在這座廢墟面前，他們試圖以外來者的方式介 入玉門這座被遺棄的城市，卻直到三位當地的女性介入後，才得 以完成這部關於玉門空城、記憶和幻想的影片。
2013 Yamagata IDFF 山形國際紀錄片影展
鄒雪平 ZOU Xueping ｜ China ｜ 2012 ｜ HDCAM ｜ Colour ｜ 85min
2013 Beijing Independent Film Festival 北京獨立影像展
10.15 (WED) 15:10 B ★
獨立紀錄片焦點 CHINA
獨立紀錄片焦點 CHINA
92
Wuchao Gate is the south gate of Longting Palace in Kaifeng city of China. In front of the Gate is the Wuchao Gate Square, a "Holy Land" for many people. They are engaged in activities that distinguish them from visitors, some worshiping the gods, some praying, and some acting. With different backgrounds and stories, people meet and communicate here. It is where they find spiritual comfort.
敬！
敬！
The moose of the Daxinganling Mountains in Northeast China possess great strength and majesty though their habitat is disappearing. The Ewenki tribe is forced to abandon their homes. Weijia, an Ewenki nicknamed "Moose", is unable to hunt and can do nothing but drink and tell stories of his vanishing culture. After moving to a southern city to be with his girlfriend, he is unable to quit alcohol and return home.
孩子的村子 Children's Village
國際首映
International Premiere
開封龍亭的正南門古稱午門，亦稱午朝門。每天都有各色人等在 廣場進行著不同於一般觀光客的活動。他們帶著各自的生活背景 和故事，在這裡碰撞。午朝門是他們的精神出口和寄託所在。
犴達罕 The Last Moose of Aoluguya
10.10 (FRI) 13:30 C
Asian Premiere
主角海二 14 歲，被他就讀的學校開除了。他終日在鄉鎮上東遊西 蕩，他的父親常因此加以體罰訓斥。他曾被當地鄉鎮派出所查問 過，與曾蹲過看守所、外出混社會的人都打過交道，在這過程中， 海二獲得許多「社會傳授」，開始騷動著想出去闖蕩……
觸碰一段不被珍視的歷史，會發生怎樣的後果？導演完成了農村 老家的大饑荒紀錄片《饑餓的村子》後，邀請受訪者參與放映， 卻遭到全家反對，家人都擔心此事「會犯錯誤」，只有九歲的侄 女支持……當慘絕人寰的饑荒過去，五十年後，肚子吃飽了，日 子也好過多了，但這個村子的精神是否依然還在饑餓中？ In ZOU Xueping's first feature, The Starving Village, ZOU interviewed residents of her hometown about their experiences during a famine that killed tens of millions. In this follow-up, ZOU tries to screen the film in her village, only to meet resistance from family and neighbours fearful of official reprisal. Undeterred, ZOU uses her camera to mediate her hometown's ability to confront its tragic past, with nearmiraculous results.
亞洲首映
93
遇見陌生 #1 MEET STRANGERS #1
探訪日 The Visit
亞洲首映
馬捷．包林克 Matej BOBRIK ｜波蘭 Poland │ 2013 │ HDCAM │ Colour │ 11min
Asian Premiere
陽光灑落在波蘭鄉野間的護理之家，鳥語花香，寧靜平和。院內 的平日生活一成不變，一切依舊。終於，探訪日的星期天終於到 來，院民們好整以暇，踱步躊躇，等待著那未知的期盼……
#1
In a care home surrounded by magical forest deep in the middle of nowhere, the residents are leading their quiet and unruffled lives. Only on Sundays they break the routines since it's the visiting day, and yet they seem to spend it on waiting for the visitors that never show up. 2014 It's All True - Documentary Film Festival 巴西真實國際紀錄片影展 2013 IDFA 阿姆斯特丹國際紀錄片影展
皇后夢工廠 The Queen
比紀錄片還陌生 Stranger than Documentary
亞洲首映
曼努埃爾．阿布拉莫維奇 Manuel ABRAMOVICH ｜阿根廷 Argentina │ 2013 │ HDCAM │ Colour │ 19min
Asian Premiere
11 歲的梅咪即將成為嘉年華皇后，披上華麗服飾，戴上貴重的水 晶皇冠，接受眾人的歡呼與喝采；大人們七手八腳幫忙裝飾，鏡 頭外人聲此起彼落，而我們唯一能見的，是梅咪的臉龐與表情。 Her crown is so heavy, they have to remove weight from it since she cannot carry it and it would fall off her head. But now she doesn't want anything else to be done with it because she looks so pretty.
2014 DocumentaMadrid 馬德里國際紀錄片影展 2014 Indie Lisboa 里斯本獨立影展
本單元集合了多部難以被定義的短片，皆以獨樹一格的方 式，呈現人們身在當代的各種處境，挑戰紀錄片的原初定 義與慣有語法。「陌生」，帶有顛覆和打開邊界的意味， 是跨界的、複合的、曖昧的，也是對「再現真實」概念所 拋出的提問，意在激起更多想像。
蘇育賢 SU Yu-hsien ｜台灣 Taiwan ｜ 2013 ｜ HDCAM ｜ Colour ｜ 21min
一名自焚而亡的男子來到紙紮屋厝前，金童玉女等待接引他前往 西方樂國。他登上花山牆，魂身綴著火焰，從火焰內望出去的一 切，盡是一片燃燒的風景……精神即是魂身，在燒盡一切的火燔 中，映照著每個人對生命、國族的想望與幻見。 A man who has died from burning himself comes to a paper house, where Golden Boy and Jade Lady await to take him to the Western Paradise. He climbs up to the Hua-Shan-Qiang, and his soul goes through a fable of national identity.
東京梭影 Substanz
亞洲首映
塞巴斯提安．梅茲 Sebastian MEZ │德國 Germany │ 2014 │ HDCAM │ Colour │ 14min
Asian Premiere
This cinematic composition examines the randomness and distance of the footage shot after the catastrophe in Japan in April 2011. In order to attain a new level of perception by overlapping image and sound and therefore recreating a sensation of being lost in a foreign country under state of emergency. 2014 Visions du Réel 瑞士真實影展 2014 Second Jury Prize, DocumentaMadrid 馬德里國際紀錄片影展評審團二獎
10.10 (FRI) 22:00 A
10.18 (SAT) 13:00 C
STRANGER THAN DOCUMENTARY
2011 年梅茲在日本拍下許多震災之後的鏡頭，當時的經驗使他後 來能夠深刻描述環境災害與人類處境。三年後他重新編輯這些鏡 頭，在影像與聲音的不同層次交疊中，創造了一種新的電影感與 意象，並更貼近當時身處災難現場的感受。
比紀錄片還陌生
Here a number of short films, which cannot be easily categorised, are put together. Every one of them is unique; they show people in various situations in the contemporary world and challenge the conventional definition and format of documentary. "Strange" implies a subversive nature and breaking the boundary; it comes across different fields; it's complex and ambiguous. Moreover, it is to question the concept of "reconstructed reality" and aims to stimulate more imagination.
花山牆 Hua-Shan-Qiang
95
遇見陌生 #2 MEET STRANGERS #2
遇見陌生 #3 MEET STRANGERS #3
馬德里獨白 This is Roberto Delgado
突尼西亞你好嗎 The Wall Would Ask You: Are You OK?
哈威耶．羅拉得 Javier LOARTE ｜西班牙 Spain │ 2009 │ HDCAM │ Colour │ 9min
阿邁德．荷瑪西 Ahmed HERMASSI ｜突尼西亞 Tunisia ｜ 2012 ｜ HDCAM ｜ Colour ｜ 3min
數位時代的網路革新，讓每個滑鼠點擊都成了一次旅行。隨著男子的 喃喃絮語，觀眾的意識也隨之漫遊在馬德里街道上，凝視一張張模糊 的臉龐。指尖召喚來的風景砌成一份寂寥，透過不斷地放大……在模 糊的藍色天空中，悠悠道出那再也回不去「現場」的鄉愁。 What is an individual, if not a blot at the window, in the photo of a building? A point that, after zooming in with a Google-Earth-type programme, would become a blurred-out face like so many others? On the images of his district in northern Madrid, Roberto DELGADO - not seen on screen - talks about himself.
突尼西亞街頭，一道白牆靜靜地佇立。有一天，白牆被塗上了第 一道聲音，激起了人民藉由塗鴉表達意識與訴求的嘶吼。白牆不 再靜默，它對我們訴說著現代突尼西亞的故事。 Graffiti illustrates a page of Tunisia's history, before and during the revolution. This short film shows the evolution of a wall under an avalanche of contradictory messages after years of censorship. 2013 Winner, Euromed Audiovisual MADE in MED Short Film Contest 歐洲地中海影音短片競賽首獎、2013 Cannes Film Festival 坎城影展
小宇宙 The Claustrum
2011 Cinéma du Réel 法國真實電影節
亞洲首映
傑．羅森布萊特 Jay ROSENBLATT ｜美國 USA │ 2014 │ HDCAM ｜ B&W, Colour │ 18min
來自地球的你 The Backup Tapes from Moon and Mars
法蘭斯卡．藍布斯 Franziska LAMPRECHT
哈喬．莫德雷格 Hajoe MODEREGGER（eteam）｜美國 USA │ 2013 │ HDCAM │ Colour │ 33min
當大衛．林區遇上佛洛伊德，會是部什麼樣的電影？三名女性受 試者在被施以深度催眠的情況下，逐漸敞開心房，展現她們內心 繁複難理的各種糾結，領觀眾見證一個人的意識及其形成。
亞洲首映 Asian Premiere
賓州有一個火星鎮也有一個月亮鎮。2012 年，eteam 參訪這兩個 名字特別的地點，以紀實方法，把自己當做文化人類學家般地仔 細觀察這裡，好似它們是模擬了地球的環境，一個為了能在火星 和月球存活到最後的人類所設置的訓練基地。
Image courtesy of the Video Data Bank, www.vdb.org
In 2012 eteam visits Mars and Moon in Pennsylvania. Their approach is documentary, positioning themselves as cultural anthropologists who view the towns as if they were simulated environments on Earth, a training ground for eventual living on the planet Mars and Earth's satellite, the Moon.
Based on actual psychoanalytic case studies, The Claustrum focuses on three women who are in enclosed psychological zones that function as both refuge and jail. 2014 Visions du Réel 瑞士真實影展、2014 Sheffield Doc Festival 雪菲爾紀錄片影展
議論芬芬 The Private Life of Fenfen 戴家馨 Leslie TAI ｜美國 USA │ 2013 │ HDCAM │ Colour │ 29min
2014 Athens International Film and Video Festival 美國雅典國際錄像電影節
查房 The Questioning
迷霧聖城 Cathedrals
Ordos was planned and built for 2 million people, but it's completely deserted. Ordos isn't just a city in Inner Mongolia but a financial bubble of Babylonian proportions; a symbol for our trust in constant growth and our blind belief in the power of money. 2013 Karlovy Vary IFF 卡羅維瓦利影展、2013 Interfilm Berlin 柏林國際短片影展
我認為這是最接近的樣子 I Think This is the Closest to How the Footage Looked
2014 Jury Award Best Short Film: Non-fiction, Sundance 日舞影展非劇情短片類評審團獎、2013 Cannes Film Festival 坎城影展
STRANGER THAN DOCUMENTARY
STRANGER THAN DOCUMENTARY
台灣史上第一次，學生佔領立法院長達 585 小時。經過現場學生 的同意，錄像藝術家袁廣鳴架上攝影機、高空掃描撤場前夕的場 景。當國歌慢速播放，議場頓時變成教堂，呈現出一股冷靜、或 比媒體奇觀更奇觀的場景……
10.11 (SAT) 20:20 C
97
尤法爾．哈梅里 Yuval HAMEIRI、米侯．法寧 Michal VAKNIN ｜以色列 Israel │ 2013 │ HDCAM │ Colour │ 9min
手搖式磨豆機是老爸，油彩顏料是生病的老媽，門把是我，小天 使人偶是小妹。老媽躺在面紙盒陽台上，老爸正在拍攝她的最後 影像，一場扮家家酒式的追憶幻想這麼開始了……
In 2014, the students occupied the Taiwanese parliament for 585 hours. With the student's consent, I installed a steel wire rope and a video camera to record the scene on the eve of students' withdrawal. This vanishing ephemeral scenery transforms the chamber into a spectacle soberer or more magnificent than the media spectacle.
10.11 (SAT) 10:30 A
10.18 (SAT) 15:00 C
Asian Premiere
康巴什， 蒙古鄂爾多斯市的新城區，計劃為兩百萬人而建造。眼 見所及，高樓、巨型會堂與各種建設林立，詩意的影像與旁白， 帶我們進入一個金錢萬能的鏡中之鏡、異樣空間。
2013 DocumentaMadrid 馬德里國際紀錄片影展
袁廣鳴 YUAN Goang-ming ｜台灣 Taiwan ｜ 2014 ｜ HDCAM ｜ Colour ｜ 7min
亞洲首映
康拉德．凱斯納 Konrad KÄSTNER ｜德國 Germany │ 2013 │ HDCAM │ Colour │ 15 min
比紀錄片還陌生
比紀錄片還陌生
96
2014 CAAM Fest 舊金山亞美影展、2014 MoMA Documentary Fortnight 紐約現代美術館紀錄片雙週
2013 Cinéma du Réel 法國真實電影節
佔領第 561 小時 The 561st Hour of Occupation
Asian Premiere
In a feat of editing and reflexive intervention, Leslie TAI captures the family drama told by a young Chinese woman's video diaries, all the while reframing our own spectatorship to comment on the blurred line between public and private.
朱日坤 ZHU Rikun ｜ China │ 2013 │ HDCAM │ Colour │ 21min
On July 24, 2012, ZHU Rikun finds police officers standing outside his hotel room. ZHU is a human rights activist, and he knew he could count on a hostile reception in Jiangxi Province. Other activists have been beaten up here, arrested for no reason and even tortured. The police want to see his ID, but it proves to be more than that.
亞洲首映
導演給芬芬一台攝影機，讓她記錄自己生活的點滴，分別在餐館、 美髮沙龍、雜貨店等場所播送。在芬芬傾訴自己愛情故事的同時， 她的生活也經由公開播放，不停地被眾人議論著……
2014 IFF Rotterdam 鹿特丹國際影展
2012 年 7 月，朱日坤和朋友開車到江西新餘聲援劉萍等三位獨立 候選人。他們因為參加選舉和其他維權活動，經常受到政府和警 方打壓。夜裡 12 點，警察來到他們的旅館房間「查房」，朱日坤 則打開小攝影機，記錄接下來發生的一切。
Asian Premiere
A man recreates a lost memory with poor means; a memory of the last day with his mum. Objects come to life in a desperate struggle to reproduce one fleeting moment.
10.14 (TUE) 18:10 A ★
在高速公路上游泳 Swimming on the Highway 吳耀東 WU Yao-tung ｜台灣 Taiwan ｜ 1998 ｜ Colour ｜ DigiBeta ｜ 49min
被譽為台灣紀錄片史上不可不看的作品！ 1997 年，吳耀東在國慶 花火下的西門町，開始拍攝這部關於 Tom 和他之間「愛恨情仇」 的「紀錄片」。Tom 是他的學弟，也是片中的主角，在長達一年 的拍攝中，充斥著拍攝者與被拍攝者的鬥爭、朋友相處間誠信的 鬥爭，以及 Tom 自身生命本質的鬥爭…… A self-destructive and anxious 30-year-old man and his 26-year-old friend with a camera. It's a personal film about their relationship in the last years of a life - battling the HIV virus. The flamboyant man flirts with the camera while the filmmaker is tormented, forcing himself to go on filming. Their sincerity when facing the undefeatable facts is moving. 1999 Ogawa Shinsuke Prize, Yamagata IDFF 山形國際紀錄片影展小川紳介獎
10.10 (FRI) 21:50 B ★
10.12 (SUN) 18:00 E
我愛（080）I Love (080)
楊力州 YANG Li-chou ｜台灣 Taiwan ｜ 1999 ｜ Colour ｜ Betacam ｜ 58min
080 開頭的電話是免付費服務電話，以金融服務業運用電話行銷 最普遍。電話行銷人員多為女性，在外島服役的軍人流行打 080 電話找女孩打屁聊天，以解服役的苦悶。因為它是免費而且是虛 幻的，這種感覺就像網路上的角色扮演……這部紀錄片，獻給一 整個世代年輕人的當兵生活。
台灣切片
此單元為一台灣紀錄片的回顧性策畫，以「在攝影機的彼端」為主軸， 邀請了五部台灣經典紀錄片，探討當攝影機出現時，在拍攝關係中所 產生的變化；如果說「攝影機介入所帶來的變化」，也成為紀錄片創 作中的一項「元素」時，面對不同對象與題材，創作者們如何應對？
1999 Prix Regards Neufs Etat De Vaud, Visions du Réel 瑞士真實影展新視野單元首獎 1999 NETPAC Special Mention, Yamagata Mention IDFF 山形國際紀錄片影展評審團特別推薦獎
10.12 (SUN) 10:30 B
10.17 (FRI) 19:30 E ★
多格威斯麵 Dogs with Man 黃信堯 HUANG Hsin-yao ｜台灣 Taiwan ｜ 2002 ｜ Colour ｜ DigiBeta ｜ 88min
阿扁每天都跟著老柯在街頭流浪，牠是條流浪狗，不是中華民國 總統。老柯每天都帶著阿扁在街頭抗爭，他是唐吉軻德，不是成 龍或史特龍。九二一那天，颱風來了，結果發生了火災。電視報 導的世界和我們生活的世界，究竟誰比較真實？
This category is a retrospective of Taiwanese documentary aimed to look back at its history. Based on the theme, "When Camera Comes in Between", five Taiwanese classics are selected. We exam the changes in shooting when the camera appeared; if we regard "the changes brought upon by the appearance of the camera" as one of the elements in the creative process, when facing different protagonists and subject matters, how would the filmmakers respond to it?
Is Taiwan more than a pet to be cajoled and patted by the USA? Ahbien regularly goes for a walk on the streets with Mr. KO. But A-bien is a stray dog, not the President of ROC. Everyday, Mr. KO takes Ahbien to the streets to protest. He believes in his ideas - a kind of Don Quixote transplanted to the Far East. The world on TV and the world we live in. Which one is more real?
2002 TIDF 台灣國際紀錄片雙年展
10.16 (THU) 16:00 A
10.17 (FRI) 17:00 E
TAIWAN SPECTRUM: WHEN CAMERA COMES IN BETWEEN
Taiwan Spectrum: When Camera Comes in Between
A disturbing close portrait of a young man who, like all other men in Taiwan, must enlist in the army. Dreaming of saving enough money to enter an Australian art college after having been discharged, he is gradually crushed by the corruption, the verbal violence, and the hypocrisy that festers in the military hierarchy.
台灣切片：在攝影機的彼端
在攝影機的彼端
99
雲的那端 Somewhere over the Cloud 蕭美玲 HSIAO Mei-ling ｜台灣 Taiwan ｜ 2007 ｜ Colour ｜ DigiBeta ｜ 102min
Elodie 是個台法混血兒。法國爸爸在她出生時來台一年，爸爸回 法國之後，網路的世界 webcam，成為她們父女彼此認識的橋樑。 隨著 Elodie 成長，藏身於虛擬小螢幕的父親意涵不斷轉變，從「爸 爸」是電腦、泰迪熊代言人，到分享母親的入侵者……導演藉女 兒的視野審視空間、語言、身分、國度的界線。 A series of emails that the filmmaker wrote to her late mentor, the renowned American documentary filmmaker Robert KRAMER (19391999), are woven throughout the plot of a story as the boundaries of life, distance, language, identity and nationality are re-examined from the perspective of Elodie, her daughter.
2007 Special Mention of New Asian Currents, Yamagata IDFF 日本山形國際紀錄片影展亞洲千波萬波特別獎 2008 Special Mention, TIDF 台灣國際紀錄片雙年展評審團特別推薦
10.16 (THU) 18:40 A ★
10.18 (SAT) 18:00 F
築巢人 A Rolling Stone 沈可尚 SHEN Ko-shang ｜台灣 Taiwan ｜ 2012 ｜ Colour ｜ HDCAM ｜ 53min
一對無法溝通的父子，在單親的巢裡相依為命。兒子 30 歲，卻像 13 歲的孩子，甚至更自我、天真、無法捉摸。50 歲的父親同時扮 演許多角色，他是兒子唯一的朋友與經濟支柱，也讓兒子特殊的 創造和世界產生連結。他的父愛夾雜著多少溫情的觸動，不服輸 的意志，對未來的恐懼，和身為一個個體過度超載的付出？ 台灣切片：在攝影機的彼端
2013 Grand Prize, Taipei Film Awards 台北電影節百萬首獎
10.16 (THU) 15:30 E ★
Reel Taiwan 1951-1965 1949 年，國民政府來台，在各個層面，都讓台灣有了一次巨 大的變動；1950 年韓戰爆發，美國同時向世界伸出援手，自 1951 至 1965 年，每年借貸給台灣一億美元，推行農改與各 項民生建設，並共同成立「農業復興委員會」，展開了這段 影響台灣甚鉅的「美援年代」。 本單元挖掘出「農復會」與其他單位當時製作的許多影片，分 為四個集錦，主題聚焦在居家衛生、農業增產與畜牧精進，透 過現代眼光回首影片，明白這段時期如何影響我們的食衣住行 與生活文化，看看台灣是如何走過好氣又好笑的荒謬從前。 （聯合策劃：劉志偉）
When the KMT government arrived in Taiwan in 1949, they brought dramatic changes upon Taiwan in every aspect. As the Korean War broke out in 1950, the US government provided many developing countries with aids. From 1951 to 1965, the US government offered the KMT government an annual loan of 100 million US dollars, used to promote the agricultural reform and other policies. The two governments established the Joint Commission on Rural Reconstruction together, and what happened in this period had huge impact on Taiwanese society.
本單元免費入場 These films are free of admission.
REEL TAIWAN 1951-1965
E
frE
1951-1965
In this programme, we rediscovered a batch of propaganda films of that period and divide them into four strands, focusing on household hygiene, increasing the agricultural production and improving the animal industry. Now when we watch these films, we see what a ridiculous, sometimes outrageous and yet funny period our coutry had gone through. (Co-curator: LIU Chi-wei )
時光台灣
TAIWAN SPECTRUM: WHEN CAMERA COMES IN BETWEEN
100
Father and son who are unable to communicate with each other, and yet they're the only companion to each other. The son is physically a 30-year-old man but mentally a 13-year-old kid. The father is 50 years old, and he has to play various roles to hold up the family. What exactly is the nature of their relationship under such circumstances? Call it paternal love? What else is mixed in it?
時光台灣 1951-1965
101
時光台灣 #1 REEL TAIWAN #1
糊塗老二 A Foolish Fatty
時光台灣 #2 REEL TAIWAN #2
村里衛生 Village Hygiene
家庭改善—怎樣節省燃料 How to Improve Your Stove
農機花木蘭 Mulan with Agricultural Machinery
台灣的養豬事業 The Pig Industry in Taiwan 養豬 Raising Pigs
新時代的牽豬哥 The Modern Matchmaking for Pigs 畜牧生產在台灣 The Livestock Industry in Taiwan
E FRE
糊塗老二（如何使用農藥）A Foolish Fatty (How To use the Pesticides)
台灣的養豬事業 The Pig Industry in Taiwan
文泉 WEN Chuan ｜台灣 Taiwan ｜ 1960s ｜ DigiBeta ｜ B&W ｜ 18min
台灣省電影製片廠 Taiwan Film Studio ｜台灣 Taiwan ｜ 1960s ｜ DigiBeta ｜ B&W ｜ 5min
總是被笑虧糊塗的阿肥，為了證明自己一點都不糊塗，竟然沒穿上衣沒戴口罩就到菜園裡噴灑農藥？！後續發展 一波未平一波又起，詼諧又好笑，看 1960 年代的農民如何學習正確使用農藥的方式，看完教你不再糊塗啦！
為什麼以前的存錢筒都做成小豬撲滿呢？阿嬤說早期是農業台灣，一家的經濟來源都在豬仔身上，有了豬豬代代 相傳，才能讓我們代代相傳！
People always make fun of Fatty for his foolishness. In order to prove them wrong, he sprays the pesticides in his vegetable patch. But once again, he forgets to put on a mask to protect himself! And yet there is more to come. Here we see how the farmers in the 1960s learn to use pesticides safely and correctly.
Why are piggy banks always made in the shape of a pig? Grandma says that in the past when Taiwan was an agricultural society, our livelihood depended on pigs. So only when the pigs were flourishing could we, people, prosper too!
村里衛生 Village Hygiene 不明 Unknown ｜台灣 Taiwan ｜ 1960s ｜ DigiBeta ｜ B&W ｜ 23min
1960 年代的衛生檢查員下鄉檢查環境衛生時，除了適度的講座、給予定期清掃和收納方式的建議，事後合理的獎 賞也是一定要的。來看《村里衛生》，一起認識衛生教育推廣的歷史吧！ In the 1960s, when the hygiene inspectors went to check the environment in the countryside, in addition to giving lectures and advice on regular cleaning and storage, they had to reward the villagers. Let's watch Village Hygiene and learn about the history of public health education!
家庭改善—怎樣節省燃料 How to Improve Your Stove
新時代的牽豬哥 The Modern Matchmaking for Pigs 不明 Unknown ｜台灣 Taiwan ｜ 1966 ｜ DigiBeta ｜ B&W ｜ 22min
王火土從祖父那一代就從事牽豬哥了，在新時代的衝擊下，該如何因應變遷？全片以一位獸醫的口述貫穿，宣傳 人工授精的好處，創造新時代的「豬哥傳奇」！ WANG Huo-tu's family has been rearing boars for mating since his grandfather's time. Now facing the impact brought upon by the new technology, what should he do? Narrated by a vet, the advantages of artificial insemination is recounted in great detail, creating a legend of boars in a new age!
養豬 Raising Pigs
中國農村復興復聯合委員會 Joint Commission on Rural Reconstruction ｜台灣 Taiwan ｜ 1961 ｜ DigiBeta ｜ B&W ｜ 4min
不明 Unknown ｜台灣 Taiwan ｜ 1966 ｜ DigiBeta ｜ B&W ｜ 22min
廚房革命提升主婦整理家務的效率，那麼在阿嬤使用灶的年代，如何克服設備上的不便，達到節省燃料的環保巧 思呢？一窺 1950 年代黑白家政電影，了解小智慧大學問。
好養又不挑食的豬，突然食慾不振、精神不濟，長出奇怪的紅斑點，離奇死亡暴斃。這種令人措手不及的情況怎 麼辦？農復會專家重返事發現場，深入研究，帶你一探究竟。
農機花木蘭 Mulan with Agricultural Machinery
畜牧生產在台灣 The Livestock Industry in Taiwan
不明 Unknown ｜台灣 Taiwan ｜ 1956 ｜ DigiBeta ｜ B&W ｜ 26min
莊國均 CHUANG Kuo-chun ｜台灣 Taiwan ｜ 1953 ｜ DigiBeta ｜ B&W ｜ 29min
辣妹騎重機不厲害，駕駛重型耕耘機才有看頭。看女主角葉桂如何一肩扛起家計，代父耕地，並擊敗群雄奪得耕 耘機比賽冠軍，成為事業、愛情兩得意的成功女性表率。
為拉近與農民間的距離，全片以生活化的台語發音，搭配國樂小調，以理想化的農家生活為背景，介紹國外種豬 如何與本地母豬配種飼育的細節。
It's nothing special for a girl to ride a motorbike. It would make headlines if she can operate a cultivator. The heroine, YEH Gui, taking over from her father, becomes the breadwinner. Later she wins the cultivator competition, enjoying a successful career and happy relationship.
The film aimed to draw the farmers closer. Narrated in Taiwanese dialect and set on a farm in the romanticised rural area, it demonstrates how a boar of a foreign origin mates with a sow of a Taiwanese breed in detail.
10.11 (SAT) 18:30 F ▲
10.12 (SUN) 19:00 F ▲ 10.17 (FRI) 13:00 F ▲
10.18 (SAT) 15:00 F ▲★
REEL TAIWAN 1951-1965
REEL TAIWAN 1951-1965
Suddenly, the pigs who eat not only everything but in large quantity have lost their appetite. Moreover, they look lethargic, and red spots appear on their skin. Some even have died as a result. What should the farmers do when such emergency happens? Let the experts from the Council of Agriculture show you the solution!
1951-1965
1951-1965
The kitchen equipment revolution greatly helped the housewives with their daily chores. Nevertheless, back in the old days when our grandmas were still using the brick stoves, how could they overcome the disadvantage to save energy? A B&W promotional reel in the 1950s shows us the wisdom of the past.
時光台灣
時光台灣
102
E FRE
103
時光台灣 #3 REEL TAIWAN #3
E
FRE
家庭計劃在台灣 Family Planning in Taiwan 中國農村復興復聯合委員會 Joint Commission on Rural Reconstruction ｜台灣 Taiwan ｜ 1960s ｜ DigiBeta ｜ B&W ｜ 20min
#3
家庭計劃是台灣 1960 年代最重要的公共衛生計畫，短短 20 年改變台灣的人口結構。面對高生育率，工作人員上 街打頭陣，裝置美國發明的侵入式避孕器「樂普」，成為婦女避孕第一選擇！ Family planning is the most important public health project in Taiwan in the 1960s, and it changed the demography of Taiwan in just two decades. Facing such a high birth rate, the medical staff promoted "Lippes loop", an invasive contraceptive device from the US, so hard that it became the most popular choice for women.
家庭計劃在台灣 Family Planning in Taiwan
疾病怎樣傳染 How Disease Travels
疾病怎樣傳染 How Disease Travels
不明 Unknown ｜台灣 Taiwan ｜ 1951-1965 ｜ DigiBeta ｜ Colour ｜ 8min
一人咳嗽，全家感冒？一家感冒，全村生病？影片以西方卡通式風格活潑呈現，配上趣味的中文旁白，傳播如何 防禦疾病的傳染，保護自己及家人的健康，更讓全村都安康！ When one coughs, the whole family fall ill? When a cold spreads in a family, the whole village gets affected? This lively American animation narrated in Chinese teaches the public how disease travels and how people could protect themselves as well as their family.
傳染病的預防 Preventing the Spread of Disease 台灣省立師範大學視聽教育館 Taiwan Provincial Teachers College ｜台灣 Taiwan ｜ 1960s ｜ DigiBeta ｜ B&W ｜ 11min
病菌如何讓可憐的孩子輾轉難眠，不能跟同伴一同上學遊戲？口沫傳染跟打噴嚏當然免不了，接吻那可是絕對危 險的！外國人逐一示範，配上字正腔圓趣味旁白，看完保證記憶深刻。 We see how bacteria disturb the poor girl's sleep, and as a result, she cannot go to school and play with her friends! We see foreigners show us how disease is spread through saliva and sneezing, and kissing seems so dangerous! Moreover, you'll never forget how funny the narrator sounds in the film!
家庭改善—廚房洗槽的做法 How to Build the Kitchen Sink 中國農村復興復聯合委員會 Joint Commission on Rural Reconstruction ｜台灣 Taiwan ｜ 1961 ｜ DigiBeta ｜ B&W ｜ 8min
時代演進帶動人們生活方式的改變，流理台的誕生，省時省力又衛生，但它是什麼時候進駐廚房的？阿嬤時代的 烹飪情景你猜如何？沒看過本片別說你懂廚房設計！ Our living styles change with time. The arrival of kitchen sinks saves us a lot of time and labour, and keeps our kitchens clean. Nonetheless, do you know when it began to appear? Guess how our grandmas cooked before the invention? Don't tell me you know anything about the kitchen design before you see this film!
食物與營養 Food for Nutrition 中國農村復興復聯合委員會 Joint Commission on Rural Reconstruction ｜台灣 Taiwan ｜ 1958 ｜ DigiBeta ｜ B&W ｜ 24min
一向身體贏弱的張志文，竟然得了賽跑冠軍！他是怎麼辦到的？答案是正確的飲食！透過志文媽媽和吳太太的對 話，以及陳教授的解釋，讓你知道怎麼吃可以頭好壯壯。
食物與營養 Food for Nutrition
家庭改善—廚房洗槽的做法 How to Build the Kitchen Sink 起司的營養 Cheese for Nutrition
起司的營養 Cheese for Nutrition 不明 Unknown ｜台灣 Taiwan ｜ 1951-1965 ｜ DigiBeta ｜ B&W ｜ 4min
What makes the children who love playing rush back to their classroom? It's the charm of the delicious and nutritious cheese! This short film was made to thank New Zealand for providing more than a thousand young pupils with cheese.
10.10 (FRI) 20:00 F ▲
10.18 (SAT) 13:00 F ▲
REEL TAIWAN 1951-1965
REEL TAIWAN 1951-1965
什麼原因讓喜愛玩樂的孩童們這麼迫不及待衝回教室？原來是美味又健康的起司！這是為了感謝紐西蘭大量贊助， 並給予台灣上千名一年級生食用起司而拍攝的短片。
1951-1965
1951-1965
104
傳染病的預防 Preventing the Spread of Disease
時光台灣
時光台灣
CHANG Chih-wen who has always been a feeble child wins the race! How can he manage to do that? The answer is the good diet. Through the conversation between Chih-wen's mother and Mrs WU together with Professor CHEN's explanation, we learn to improve our health by eating well.
105
時光台灣 #4 REEL TAIWAN #4
特別放映 SPECIAL PRESENTATION
農家好 Happy Farm Life 台灣土地改革 The Agrarian Reform
大地豐收 Bumper Harvest
E
FRE
農家好 Happy Farm Life 卓世傑 CHO Shi-chieh ｜台灣 Taiwan ｜ 1952 ｜ DigiBeta ｜ B&W ｜ 30min
1950 年代的台灣農村，純純的曖昧。讓稻米長得頭好壯壯的肥料三元素――氮、磷、鉀，加上愛情作為催化劑後， 會產生什麼樣的結果？就讓年輕帥氣的農業指導員來告訴你吧！ In a Taiwanese farming village in the 1950s, love permeates the air. What will happen when the three main components in fertiliser - nitrogen, sulphur and potassium, are catalysed by love? Well, let the young dashing agricultural instructor show you the answer!
台灣土地改革 The Agrarian Reform 時光台灣
楊甦 YANG Su、陳文泉 CHEN Wen-chuan ｜台灣 Taiwan ｜ 1960s ｜ DigiBeta ｜ B&W ｜ 32min
「三七五減租」、「公地放領」、「耕者有其田」、「土地重劃」這些只出現在課本中的土地改革政策，在字正 腔圓的旁白及慷慨激昂的配樂中，帶我們回到 60 年前正經八百的老時光。
106
中國農村復興復聯合委員會 Joint Commission on Rural Reconstruction ｜台灣 Taiwan ｜ 1951 ｜ DigiBeta ｜ B&W ｜ 40min
在現代，能夠想像早期台灣農業的樣貌嗎？那是個機械化啟蒙的時代，水源的引進與肥料的製程才剛萌芽。全片 以台語旁白，邀你穿越時空，一同踏上 1950 年代台灣的大地！ Can we imagine what situations our famers faced more than half a century ago? It was a time when agricultural machinery, irrigation system and artificial fertiliser began to be introduced into farming in Taiwan. Narrated in the Taiwanese dialect, A Bumper Harvest invites us to travel back to visit the Taiwanese farmland in the 1950s. 10.10 (FRI) 17:40 F ▲
10.17 (FRI) 15:00 F ▲
世界首映 World Premiere
鄧南光 DENG Nan-guang ｜台灣 Taiwan ｜ 1935-1941 ｜ DCP ｜ B&W ｜ 56min
鄧南光是台灣早期重要的攝影家，也是最早使用動態影 像記錄台灣的人。這些被認為是家庭紀錄的影像，洋溢 著一種自然與親密感，事實上也反映了台灣當時的風土 民情，更是當時罕見以平民觀點出發的珍貴台灣影像。 本次播映是國家電影中心的「台灣電影經典數位修復 計畫」2K 數位修復版，重現了他在 1935 至 1941 年的 數部經典短片。包括拍攝家人搭船沿著淡水河嬉遊的 《漁遊》，記錄 1935 年日本統治台灣 40 週年時為了 展示統治成果，在台北等地所舉辦展覽會的《台灣博覽 會 8mm 新聞》，長子鄧世光就讀愛國婦人會台灣本部 附屬台北幼稚園的《台北幼稚園運動會》；《某一天》 拍攝日治時期的摩登男女出外踏青、划船，在草地上吸 菸、彈奏烏克麗麗的悠閒畫面；拍攝一對母子到淡水河 畔遊玩，呈現淡水河沿岸與大稻埕碼頭各種風貌的《淡 水河》，以及日本千葉縣房總半島，依靠捕捉海草和鮑 魚維生的海女為題的――《去看海女》。 70 年前的珍貴台灣影像重新出土，機會難得，切勿錯過！ 10.18 (SAT) 16:00 D ★
DENG Nan-guang was a pioneer Taiwanese photographer in the 1930s and the first one to capture the images of Taiwan on film. The clips, often regarded as "family films" feel natural and intimate, but nevertheless, they reflect the Taiwanese traditions of the time. Moreover, they are precious images shot from a civilian's point of view. The digitally restored version screened at the 2014 TIDF is part of the Taiwan Film Classics Digital Restoration and Value-Adding Project supported by Taiwan Film Institute. Shot between 1935 and 1941, these short films including The Fishing Trip which the shows DENG's family outing in a boat, Taiwan Expo News on 8mm, which documented the expo held to celebrate the 40th anniversary of the Japanese rule, Kindergarten Games, a sports day in the kindergarten where DENG's son attended, Some Day that shows young people picnicking, boating and playing music on the meadow, Tamsui River which reveals the scenic route along the river and Fisherwomen, about the women who harvested seaweed and abalone on the Japanese coast.
SPECIAL PRESENTATION
REEL TAIWAN 1951-1965
大地豐收 Bumper Harvest
DENG Nan-guang 8mm Collection 1935-1941(Restored)
特別放映
1951-1965
The terms such as "the 375 rent reduction", "leasing of government-owned land to tenants", "the sale of public land to farmers" and "land reform" which appeared only in the text books are now being passionately spoken in this film, bringing us back to the strict regime more than six decades ago.
鄧南光 1935-1941 年 8mm 電影輯（數位修復版）
107
影片索引 index（依筆劃順序排序） 49 -1287 61 4891
（依字母順序排序 Alphabetical Order）
八劃
一劃
56,62 一個女藝術家之死 79 一瞬之光 二劃
91 57 75 58 65
二 人間母親 人間蒸發 八堂的綠色之戰 十二夜
三劃
86 82 83 82 89 104 95 59 63
三里洞 三里塚．第三次強制測量阻止鬥爭 三里塚．邊田部落 三里塚．第二堡壘的人們 上訪 大地豐收 小宇宙 山上的小女子舉重隊 山靈 不能戳的秘密 2：國家機器 公民不服從 午朝門 日本國古屋敷村 日本解放戰線．三里塚之夏 木幫 火山好日子
77 104 101 64 62 75 59,91 70
以遺忘為詩 台灣土地改革 台灣的養豬事業 失婚記 正面迎擊 玉米田殺人事件 玉門 示威嘉年華
89 90 77 97 69 97 90 53,65
危巢 吃飽的村子 同名電影 在高速公路上游泳 地毯上的烏托邦 多格威斯麵 犴達罕 行者
79 90 50 87 58,91 72 94 47,84 64 49 93 95 87 103 100 103 103 78 61 74 74 56 101 103 88 103 95 94
六劃
十一劃
七劃
佔領第 561 小時 別離開我 刪海經 吾島無家 我的狐狸電影夢 我愛（080） 我認為這是最接近的樣子 村里衛生 沉默的鬥牛 身家調查
103 69 101 53 84 104 100 79
城市剪報 孩子的村子 思念家屋 怨恨 星火 星國戀 查房 活在三里塚 流浪的狗 玻利維亞幻遊 皇后夢工廠 突尼西亞你好嗎 紅色聖境 食物的營養
十二劃
家庭改善－怎樣節省燃料 家庭改善－廚房洗槽的做法 家庭計劃在台灣 家庭電影 晃遊身體 浩劫 浩劫：未竟審判 特許時間的終了 畜牧生產在台灣 疾病怎樣傳染 神衍像 起司的營養 迷霧聖城 馬德里獨白
52 51 93 81 71 51
國考大作戰 國界蒸發 探訪日 現認報告書—羽田鬥爭的紀錄 祭之馬 貪欲帝國
57 77 52 98 57 87 61
湖畔的緬甸夫人 絕對清醒 給逝去的 雲的那端 黑街守護者 飯碗 黑
傳染病的預防 愛的骨牌效應 新時代的牽豬哥 暗影人生 解構小川紳介 農家好 農機花木蘭 電光世紀的神話
A
十四劃
53 86 70 78
夢想中繼站 夢遊 瞄準．攝擊 與誰何干
B
十五劃
71 100 88 105 101 64
稻米之歌 糊塗老二（如何使用農藥） 膠帶 鄧南光 1935-1941 年 8mm 電影輯 養豬 餘生—賽德克．巴萊
十六劃
52 98 78 56
C
燃煤的餘燼 築巢人 親密陌生人 親密家庭
十七劃
81 壓制之森 70 應許之地 71 牆上的灰塵
十劃
五劃
94 69 63 72 58 97 95 100 55 75
京生 來自地球的你 姑奶奶 東京梭影 牧野村千年物語 花山牆 阿母作頭家 阿姆斯特丹小鎮指南 青年之海－四個函授生的故事 青春墓園 非真實告白
九劃
四劃
65 62 59,91 83 82 86 50
十三劃
89 94 88 93 83 93 72 49 81 87 74
十八劃
63 邊界移動兩百年 十九劃
51 霧 50 礦味生活
D
二十劃
95 議論芬芬 二十一劃
55 鐵夢 二十二劃
55 聽阿嬤的話 E
F
49 -1287 61 4891 94 561st Hour of Occupation, The 55 100 75 81 98 104 49 49 55 94 55 82
A Dream of Iron A Foolish Fatty (How To Use the Pesticides) A Man Vanishes A Report from Haneda A Rolling Stone Agrarian Reform, The Amsterdam Stories USA - Part One: EAST Awakening of the Soul, The
61 61 89 104
Bà nôi (grandma) Backup Tapes from Moon and Mars, The Barre's Silence Battle Front for the Liberation of Japan – Summer in Sanrizuka, The Black Body at Large Born in Beijing Bumper Harvest
50 95 72 103 90 79 62 95 56 50 50 75
CASA Cathedrals CHAR... the No-Man's Island Cheese for Nutrition Children's Village City Edition Civil Disobedience Claustrum, The Close Family, The Coal Miner's Day, The Cochihza Curriculum Vitae
56,62 Death of a Female Artist 70 Demonstration 105 DENG Nan-guang 8mm Collection 84 97 69 86
1935-1941 (Restored) Devotion Dogs with Man Domino Effect Dream Walking
51 56 51 79
Empire of Shame, The End of the Special Time We Were Allowed, The Evaporating Borders Everywhere at Once
62 78 103 77 51 103 52 81
Face to Face Family Album, The Family Planning in Taiwan First Cousin Once Removed fog Food for Nutrition For the Lost Forest of Oppression – A Record of the Struggle at Takasaki City University of Economics 63 From Border to Border
G
H
I
82 82 90 87 81
52 Glowing Embers 57 Guardians of Time Lost 104 71 103 100 102 93
Happy Farm Life Horses of Fukushima, The How Diseases Travel How to Improve Your Stove How to Build the Kitchen Sink Hua-Shan-Qiang
97 I Love (080) 95 I Think This is the Closest to How the
Footage Looked
K L
M
N
O
P
Q
R
S
78 Intimate Stranger 69 Iranian 71 KNH 57 70 90 74 91 101 63 88 57 83
Lady of the Lake Land of Promise Last Moose of Aoluguya, The Last of the Unjust, The Little Proletarian Livestock Industry in Taiwan, The
101 63 100 79
Lost Sea, The Madame Magdalena Magino Village- A Tale/ The Sundial Carved with a Thousand Years of Notches Modern Matchmaking for Pigs, The Mountain Spirits Mulan with Agricultural Machinery Myth in the Electric Age
52 69 101 83 78
National Diploma Ne Me Quitte Pas New Age of Pig Farmer, The Nippon: Furuyashiki Village Nobody's Business
72 On Mother's Head 64 Out/Marriage 58 89 101 70 102 95 64
Paldang Petition Pig Industry in Taiwan, The Point and Shoot Preventing the Spread of Disease Private Life of Fenfen, The Pusu Qhuni
93 Queen, The 94 Questioning, The 101 87 87 75
Raising Pigs Red Paradise Resentment Revision
86 San Li Dong 83 Sanrizuka – Heta Village
T
U
V
W
X Y
53 74 98 71 58,91 53 64 93 77 97 88 94 86 72 58 65
Sanrizuka – Peasants of the Second Fortress Sanrizuka –Three Day War Satiated Village Scrape Sea of Youth – Four Correspondence Course Students Shado'man Shoah Somewhere Over the Cloud Songs of Rice, The Spark Stop-over Stray Dog Substanz Sweetest Sound, The Swimming on the Highway Tape This is Roberto Delgado Timber Gang To Singapore, with Love Trucker and the Fox Twelve Nights
74 Unknown Known, The 65 Unveil the Truth II: State Apparatus 100 Village Hygiene 93 Visit, The 47,84 53,65 95 59 89 77 59,91
Wages of Resistance, The Walkers, The Wall Would Ask You: Are You OK?, The Weight of Life, The When the Bough Breaks Wide Awake Wuchao Gate
88 Ximaojia Universe 87 Youth's Cemetery, The 59,91 Yumen