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Architecture 1o1
Moments Of Space Aristotelis Triantis
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Part 2: From Place to Space Instructors: Stefano Mirti and Anne Sophie Gauvin.
ABADIR - Accademia di Belle Arti, Catania & Iversity
Dance and Space By Aristotelis Triantis
In a special and interesting program of
In Greek language the word dance interpreted as circular motion by rhythm and melody,
Biennial Sharjah 8 - 2007 and UNESCO
also identifies the measure that is assigned to a specific duration. The dance in a sense
entitled My City - Scenes and Sounds of My
defines and space occupied by the choreography sometimes not independent of the
City, from the selected final proposals as
particular characteristics of the place and the people who take part in it.
most valuable awarded the proposal of brazilian young children who live in favelas
The Pythagoreans is perhaps the first who opened the way of understanding the Space
and painted with chalks on the streets of
by means of correspondence of five polyhedra with natural elements and conceptual
their poor neighborhoods they dreams and
dimension given to them. Dominant by the dodecahedron the "Quintessence" who
desires, a disengagement through space and
identified with the "Picture of Everything " in the Timaeus the Locri in his work “About
time and appointed their own
Physio Cosmos and Souls” (Περί Φύσιος Κόσμω και Ψυχάς) calling “Familiar Shape of
psychogeography, paint with innocent and
the Sky”. “ΟΙΚΕΙΟΝ ΣΧΗΜΑ ΤΟΥ ΟΥΡΑΝΟΥ”.
sincere mood that we all had a moment like children.
The movements and vibrations of the human body outline a kind of geometry, sometimes repeated with rhythmic continuity, even those ecstatic dances of ancient
It's not wonder that the same causes and
Dionysian tradition in the course of evolution has codified to the ancient theater and
needs guide people from prehistory to the
every movement and every utterance of speech and each emotional and psychological
present day. The admiration we have for
response provided conceptual and practical space of time and place. Another example is
amazing monuments of the past comes from
that ecstatic dance of the Sufi with characteristic swirling around the dancer himself.
the same need or anxiety to define our own time into the finite space, which is why we
In modern choreography in some cases we find courage and aesthetic perception as in
remain in awe in front of monuments like
excellent trilogy Distancia 2014 by the Swiss theater group Alias https://vimeo.com/
Stonehenge, the Pyramids, Knossos etc.
companyalias. Here the dancers naked bodies compose the space, the movements correspond to sounds and expressive forms, we can find something similar back in
In a past the great philosopher Empedocles
ancient Greek poetry with the influence of music who corresponded as medium
from Akragas in one of his great thoughts
between the "Cosmic All" and the human context. In ancient Greek spirit and body are
concentrated in one sentence and maybe
integrated.
gave us one of the best examples of "Chaos”, ie the infinite, the unstructured and timeless
Excellent case of conceptual approach of the space is the Japanese theater “NO” with
space in Greek philosophy and cosmogony
the simple stage configuration. A square tent with the aging pine painted on the back
with this words.
cloth of the scene, a corridor in the left the "chasigkakari" and along the equidistant three small trees. All complemented by four columns of the roof, a wooden box that
“The nature of God is a circle of which the
can be altar, throne or to serve other various theatrical needs, and the public around the
center is everywhere and the circumference is
three sides viewing the scene, the space is in front of us.
nowhere” - Empedocles
Spiritually we are responsible how will define our place what meaning we give to it, and
Show and Obscurity existence and
how will defend it. Such as the ancient people who should be first well versed for
nothingness structuring the space in which
geographical conditions of a region before choosing as a place of habitation, to know the
we are an integral part with never-ending and
climate, sources and orientation towards the particular spiritual and religious centers.
beginning and this is our position in it.
References: Edward A. Lippman - Moral perception of music in ancient Greece. Vlassis G. Rassias - “Thyrathen” Philosophical Dictionary. UNESCO - My City – Scenes and Sounds of My City. http://portal.unesco.org/culture/en/ev.php-URL_ID=18446&URL_DO=DO_TOPIC&URL_SECTION=201.html
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“You need chaos in your soul to give birth to a dancing star.� -Nietzsche
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error 3 o 1
This Space does not exist go to the Start or make a Space ABADIR Accademia di Design e Arti visine Aristotelis Triantis, ‘Moments of Space’ Architecture1o1 Part2: From Place to Space.