RETRO SPECT IVE architecture portfolio by syed arshad
When change is the only constant, development is a natural outcome . It is with this optimism that I can confidently say that my best work is yet to come. The making of this portfolio has been an exercise in self - appraisal and a total recall of past experiences. In this retrospective, the shades of development are evident and gratifying
contents ADAPTIVE URBAN HILLSCAPES/
AA school of architecture / M.Arch dissertation project/ 3rd term/ 2016
06
RIPARIAN URBANISM a super high-density urban patch/ 12
HYD[G]RO Morph /
AA school of architecture / M.Arch workshop project/ 1st term/ 2015
18
ACADEMIC
AA school of architecture / M.Arch studio project/ 2nd term/ 2016
MAKE DIGITAL advanced digital fabrication /
AA school of architecture / Workshop/ 2012/Class project/2016
20
AUTOPIA a hybrid facility for alternate fuel vehicles / SAP AnnaUniversity / B.Arch Thesis project/ 10th sem/ 2011
22
SANKALP corporate /
Thirdspace Architecture Studio / Internship project/ 7th sem/ office/ 2009
28
ART containers /
Mancini Enterprises / Professional project/ art gallery/ 2012
32
LANDONS house /
36
OLIVER RD. mansion /
Mancini Enterprises / Professional project/ residence/ 2013
40
GUGGENHEIM helsinki /
Triple O Studio / Competition project/ art gallery/ 2014
44
LOUVRE house/
Triple O Studio / Professional project/ residence/ 2014-15
48
RIO DE JANERO an iconic world cup structure/
Triple O Studio / Competition project/ FIFA world cup symbolic structure/ 2013
50
MISCELLANEOUS Art / Concept art work & Graphics /
REFERENCE LETTERS /
54
PROFESSIONAL
Mancini Enterprises / Professional project/ residence/ 2012-14
RESUME
Nationality: Indian Marital status: Single Age: 28 years
SYED ARSHAD
(COA,India license no.: CA/2011/53612)
41, Fitzroy square, London-W1T6AQ, UK +44 7448364216 +91 9840191621 ar.arshad@live.com
EDUCATION Master of Architecture [M.Arch], EmTech ( * Distinction) Sep 2015 - Jan 2017 AA school of architecture, London, UK Bachelor of Architecture [B.Arch] 2006 - 2011 School of Architecture & Planning, Anna University, Chennai, India
EXPERIENCE - 3.5 years Project Architect at Triple O studio, Chennai, India 1 year [Jun ‘14 - Jun ‘15] Collaborated previously with Triple O studio, Chennai on many architectural competitions Architect at Mancini Enterprises, Chennai, India 2.5 years [Nov ‘11 - Jun ’14] Internship at Thirdspace Architecture Studio ,Belgaum, India [ Jun ‘09-Oct ’09]
REFERENCES Michael Weinstock, Director, EmTech, AA school, London
mweinstock@aaschool.ac.uk +44(0)2078874000
Niels Schoenfelder, Director, Mancini Enterprise, Chennai
niels@mancini-design.com +91-44-2461 4000
Tahaer Zoyab, Principal, Triple O Studio, Chennai tahaer@tripleostudio.com +91 9445394898
ACTIVITIES Attended Intro to Robotic Fabrication workshop at AA Hooke Park, UK [2016] Attended the AA visiting school India - Hyperthreads in Bangalore [2012] Assisted Gehl Architects and Madras Office for Architects and Designers in a Public Life Survey for the pedestrianisation of T-Nagar area, Chennai [2010] Member of a research team with AARDE Foundation, Chennai and The Netherlands embassy for the study and documentation of Dutch structures in Pulicat and Sadras near Chennai, India [2010] NASA(National Association of Students of Architecure) Unit Secretary of my college [2008-2009] Rotract club member and director of my college [2006]
SKILLS 3D Modelling & Rendering SketchUp Rhino Urban Network Analysis Grasshopper Space Syntax (network analysis) Karamba (structural analysis) Panelling tools & LunchBox (panellization) Lady Bug (environmental analysis) Kuka PRC (Kuka robot toolpath interface) Octopus (Multi-objective genetic algorithm) Anemone 3DSMax VRay Revit Drafting & Graphics AutoCAD Photoshop Illustrator InDesign Digital Prototyping Experience with CNC milling, Laser cutting, 3D printing Robotic fabrication (basics within Grasshopper) Scripting with Python (basic within Rhino/Grasshopper environment) Video/Audio editing with Premiere Pro Microsoft Office Good communication skills & team ethic Languages: English, Hindi, Tamil
AWARDS/RECOGNITIONS Thesis Commendation (M.arch, AA EmTech 4th term): “Adaptive Urban Hillscapes� - a densified urban system adapted to a context of slope terrains, that can serve as a urban supply system [2017] Guggenheim Helsinki competition entry featured: Label Magazine [2014] Emirates airlines Skywards Future Artists commission for designing a graphic for their membership cards [2013] Pidilite Award for Excellence in architectural design [2011] Birla white Yuva Ratna design competition [2010] - 2nd prize Urban Art competition conducted by Anna University [2010] - 2nd prize
The Process Factor Maps Level 5
04. & 05.Forest & Farm Land
Operational Public Space
Elevation
Build-Ability Map
Level 4
Level 3 Slope angle
03. Building Occupation
Level 2 Erosion/Deposition impact
Data Set
Level 1
Ecological Flows
Slope aspect
Evaluation: - Deposition Zone - Integration Analysis
Evaluation: - Visibility Analysis - Ground Radiation
05. Road Network
Soil data Rainfall data DEM
Hydrological Analysis
01. Reservoir Network
02. Wetland Nodes
Vector flow lines Evaluation: - Water Flow Direction
Water flow Accumulation data
Integrated System Further Iteration
Soil Loss Evaluation
Based on the scenario of incessant urban expansion towards hilly terrains and rapid depletion of rural agricultural land, this dissertation addresses the possibility of proposing an optimal densified urban system adapted to a context of slope terrain and its inherent ecology; with efficient social connectivity and supply system.
ADAPTIVE URBAN HILLSCAPES
EmTech, AA school of architecture, London 3rd term Dissertation (* Distinction project) May-Sep 2016 TEAM: 4 members ROLE: Research, ecological/topographical analysis, design development logics, computational design evaluation
Deterministic Mapping -Generating a susceptibility map
High Density Settlements Elevation: 0 - 427 m
Slope angle: 0o - 46o
Factor Maps
Medium Density Settlements
Low Density Settlements
Build-ability map
Landslides risk: Low, medium, high
Level 2 Level 3 Level 4 Level 5
Farmland
Forest
B
Slope aspect: 0o, 450, 90o, 135o, 180o, 225o, 270o, 315o
Level 1
B
N
/ADAPTIVE URBAN HILLSCAPES/ 7
Hydrological network
1) Reservoirs to be close to natural drainage streams
Before water flows into the reservoirs, certain measures can be adopted to filter soil away from the reservoirs and purify rain water and urban runoff. In order to optimize the positive effects of wetlands & reservoirs, above conditions need to be satisfied:
Runoff Length m
1.0
2) The location of wetlands should be located upstream to the reservoirs
308.0
Main drainage channels
3) The location of wetlands should be located upstream to the reservoirs
Optimizing Wetland Locations - Genetic algorithm results
Point num: Distance: Elevation: Slope angle:
G200.3 331 1852 798 56
Point num: Distance: Elevation: Slope angle:
G200.8 354 1521 641 83
Point num: Distance: Elevation: Slope angle:
G200.13 265 1110 801 96
1.
Point num: Distance: Elevation: Slope angle:
G200.2 320 394 543 55
Point num: Distance: Elevation: Slope angle:
G200.7 272 1645 697 75
Point num: Distance: Elevation: Slope angle:
G200.12 276 1508 830 61
Point num: Distance: Elevation: Slope angle:
G200.1 205 1056 660 48
Point num: Distance: Elevation: Slope angle:
G200.6 170 1097 655 45
Point num: Distance: Elevation: Slope angle:
G200.11 347 917 595 71
Point num: Distance: Elevation: Slope angle:
G200.5 303 1612 752 77
Point num: Distance: Elevation: Slope angle:
G200.10 712 1187 742 65
3.
2.
Point num: Distance: Elevation: Slope angle:
G200.0 408 1643 779 89
Public spaces
Recharge public spaces (with reservoirs) Discharge public spaces (with wetlands)
Building and Vegetation Strategies
Urban Morphology - Optimisation strategy FITNESS CRITERIA 1 -- Courtyard size & position 2 -- Building location & height
(height range: L1- 20~60m; L2 -16~40m; L3 - 6 ~ 9m)
3 -- Position of culled cells (30% cull)
1. Courtyard Area
2. Building & Ground exposure
1
2
3
Level 1 Building Plots
Level 1 Building morphology
Level 2 Building Plots
Level 2 Building morphology
Level 3 Building Plots
Level 3 Building morphology
Building Coverage
kWh/m2 160< 144 128
Case studies showed how the orientation of building plots parallel to the contour lines will avoid construction complexity and bring a better adaptation for future transport networks, hence the first step for the proposed buildings is the alignment of the building plots taking the contour lines as guide. Figure above shows the relationship between settlements and slope gradient through synthesis levels 1 to 3.
Clusters of the urban fabric was generated by analysing the building surface and ground radiation ; and how this would affect the microclimate with the presence of reservoirs, wetlands and vegetation.
112 96 80 64 48 32 16 0 Tree Size: Radius =5m Height = 15 m Tree Density: 10 trees / 20 m2 Ground Radiation: 4708456 kWh/m2 1 Jan 1:00 - 31 Dec 24:00
Autumn / 1 Oct 1:00 - 31 Oct 24:00 Building Radiation: 454933.22 kWh/m2
/ADAPTIVE URBAN HILLSCAPES/ 9
Genetic Algorithm Results - Urban cluster generation
G20.1
G20.2
B
A
C
A
C
D courtyard size
G20.3
B
G20.4
B
A
C
D
D
G20.5
B
A
C
B
A
C
D
D
10558.26
10149.63
12845.32
10874.26
10333.39
building exposure on summer solstice
175513
133198
200377
170382
175315
building exposure on winter solstice
126130
98069
138883
124803
129661
ground exposure on winter solstice
672
664
629
719
702
B
G20.6
B
G207
A
C
A
C
D courtyard size
B
G20.8
A
C
D
D
B
G20.9
B
G20.10
A
C
A
C
D
D
11609.53
10725.01
10537.56
10389.64
13332.45
building exposure on summer solstice
190199
174402
171581
183671
209614
building exposure on winter solstice
138461
127484
122250
136071
149215
ground exposure on winter solstice
661
691
682
690
652
G20.11
B
A
C
D courtyard size
G20.12
B
A
G20.13
C
B
A
G20.14
C
D
D
B
A
G20.15
C
D
B
A
C
D
12825.71
9930.82
12794.80
10380.10
6965.20
building exposure on summer solstice
198178
136317
187561
166175
125297
building exposure on winter solstice
141556
99099
132219
122643
92048
ground exposure on winter solstice
668
631
706
673
669
Agent Based Network
Additional Network Level 3 Additional Network Level 2
Additional Network Level 2
Parameter: - Random agent points - Random moving vector
Fitness Criteria: - Elevation difference of highest and lowest points on curve - Access to more buildings in the patch
Integrated System
Evaluated for redundancy in landslide scenario
Underground water flow
Artificial Drainage
Water Cistern
Courtyard Building Foundation
Five layers of networks are developed with a rigorous integration logic such that a complex adaptive system can be established, one with responsive mechanisms and local interrelationships between the layers. The overall city tissue includes buildings, wetlands, functional open spaces, reservoirs and farmlands. The degree of integration is manifested by the internal hydrological mechanisms that both vegetated, water bodies and built areas contain.
Terraced Reservoir
Forest
Terraced Wetland
Buildings & Open Space
/ADAPTIVE URBAN HILLSCAPES/ 11
RIPARIAN URBANISM
Design of a new urban tissue of 1 sq.Km with redefined systems, experimenting with 3 target densities of 50,000150,000 habitants/sq.Km. An exercise in evolutionary urban design investigating it at the scale of building, block and superblock using set of associative rules and density gradients across the test patch
A SUPER HIGH DENSITY URBAN experiment
EmTech, AA school of architecture, London 2nd term Studio project Feb-Apr 2016 TEAM: 4 members ROLE: Design strategy, setting up of the computational model, Network and syntactical analysis of the urban patch, 3D visualisation.
LOCAL NETWORKS Existing Centers and Land Use
Victoria Northern quarter
Industry
Etihad complex
km
Retail core CBD
0.5
Picadilly garden China town
Left banks
Corndor Manchester
km
Southern Gateway
1.5
Castlefield
University
Existing centers & landuse
0
19
100
400
Emergent Technologies & Design Core Studio II
Existing canal Open/Green spaces Site boundary
Existing Canal Open/Green Spaces Site Boundary
Land Use
Area (m2)
Institutional Residential Recreational space Open/Green space Industrials Commercials Public Amenties Roads Tram
1,709,903.43 709,551.21 448,037.86 407,218.08 371,821.80 310,257.39 144,281.96
Total area
2,571,073.49
900
19
View of a pedestrian junction (public plaza) & linear park
The Strategy for East Manchester The design of an area of 1 sq.Km in east Manchester is an experiment in dealing with super high-density population targets. The ambition of this experiment is to develop a city tissue for Manchester which can be considered the city’s authentic Pedestrian Centre, providing the essential requirements for efficient public spaces in relation with climate comfort and connectivity within the urban patch. It is also proposed that the large pedestrian flows in this private vehicle- free
zone, can be managed by treating pedestrian paths as wide linear parks. Elevated green areas will also form part of the Green network that is necessary in such high density areas. Flood control (pluvial and fluvial) is strategised in parallel by generating a natural ecology of riparian wetlands, diversion canals, which also provides variety in public spaces.
Canal purification
Canal walks
Riparian ecosystem
Diversion canals The Context - East Manchester
Green Network
Vertical green areas
Pedestrian Centre
Branching
Flood Control
Linear parks
Wetlands
Density Gradient
Public Space
Block morphology
Pedestrian junction
Intermodal station
Public transport
Convex space
Building footprint
Green area
Tram
Tram
Bicycle
Flood Control
river Medlock
river Medlock
Existing canal Proposed DIVERSION CANAL High risk runoff Low risk runoff WETLANDS
Proposed diversion canals overlaid on surface flood map
ZONE 5 upland zone (seldom inundated) (Proposed structures)
ZONE 4 floodplain zone (flooded during storms) (Proposed structures)
ZONE 3 wet meadow zone (permanent moisture) (Proposed structures)
Proposed wetlands overlaid on fluvial flood map
ZONE 2 emergent zone (0-18” water)
ZONE 1 submergent zone (3-6’ water)
Site boundary
Wetlands section
/RIPARIAN URBANISM/ 13
Network formation - Proposed Nodes
3 Proposed Nodes
Considering the importance of Public Transport inside the patch, an Intermodal Station (Holt Town Station) is brought into the strategy connecting Bus and Tram railways. The Wetlands becomes also an important center in our patch for its potential of generating a unique ecosystem within the city. The Marina Basin is an existing landmark for the city that brings the opportunity for our patch to create a characteristic node that gathers waterway related activities. Secondary nodes as Pedestrian Junctions are based on walking radius around the main proposed Nodes
Pedestrian junctions- at walking radius intersections
300m
500m
Primary Network Public Transport networks should collect people gathered at these junctions and connect them with the desired public transport connectivity. Creating a Pedestrian Centre involves low intensities of vehicular flow inside the patch, controlled by an efficient network proposal. This is done through syntactical analysis of connectivity using Depthmap software Public transport- desired connectivity
Public transport- road network
Integration analysis of primary network options
bus routes
Secondary Network Exclusive pedestrian paths should take people to most important nodes along a shortest path; these paths will be turned into linear parks and will connect Pedestrian Junctions with the main nodes.The chosen cumulative network has relatively lesser degree of vehicular connectivity to the existing city, but well integrated pedestrian arteries within the patch. Pedestrian network- desired connectivity
Chosen primary network Avg integration value: 0.71
Chosen secondary network Avg integration value: 0.36
Pedestrian arteries - linear parks
Primary+secondary network- integration analysis Avg integration value: 0.95
low
high
Tertiary Network
Overall network - Local integration analysis
Street orientation to predominant wind direction
Tertiary networks will be fully pedestrianised streets and will be oriented towards the rivers and canals, with the idea of bringing pedestrians closer to the Green Belts along the water edge. Also the surface water runoff can be directly recharged into the waterbodies. At the same time, the orientation of
these streets are responding to wind direction in order to increase ventilation within the dense built up areas.
Density Gradients & Block Morphology
low rise
high rise
Final density gradient and clusters
Top view- 150k/km 2 density target
3-6 storey 3-8 3-12
3-6 storey 3-8 3-12 150,000 h/km2 100,000 h/km2 50,000 h/km2
5-10 storey 5-25 10-40
Generated morphology distribution map - 150k/km 2 density target
6-20 storey 10-40 15-60
5-15 storey 10-35 10-60
3-5 storey 3-7 3-9
BLOCK HEIGHT DOMAIN FOR A DENSITY TARGET All high-rise buildings have the property of generating elevated green areas as stepped terraces. Since high- rise buildings area repelled from linear parks or Wetlands, the green terraces add to the green space per habitant ratio.
View of wetland areas
/RIPARIAN URBANISM/ 15
Spatial Analysis From the Betweeness analysis (Urban Network Analysis toolbox for Rhino), there is one convergence point in the two shortest paths which turns to be actually a Wetland Node, so this could benefit the attraction of public amenities for that node in particular. Visibility analysis helps in understanding convex spaces ie. spaces with better view-sheds
Betweeness analysis- shortest & likely routes
Picadilly station to Etihad stadium
Proposed bus stops
public plaza high
Etihad stadium to proposed intermodal station
Closest green space within 300m
low
Visibility analysis- isovist properties
Genetic Algorithm - Cluster generation To achieve the optimal combination of buildings in each zone and in the overall patch, Genetic Algorithm(Octopus multi-objective optimisation) were used to meet the different criteria. maximise building exposure
CRITERIA
Maximise building surface exposure
Generated phenotypes for sample Cluster 3
Maximise ground surface exposure
maximise population
maximise ground level exposure
Population density target: 50,000 habitant/sq.km
Population density target: 100,000 habitant/sq.km
Population density target: 150,000 habitant/sq.km
/RIPARIAN URBANISM/ 17
C’
O F’
A’ x A
D’
y
O’
E’ C
h
B’
D(E/F) B
H Computational logic
y²=2 h· H - h ² y (max) =50 mm h (max) = 1/2 H
Self Actuated Canopy
closed
open
A study of a natural system (pine cone) and an abstraction of its biological concept. With appropriate material exploration the biomimetic principles are established and applied to the development of a design component. EmTech, AA school of architecture, London 1st term Biomimetics Workshop Oct-Nov 2016 TEAM: 3 members
HYD[G]RO MORPH
ROLE: Research, material experiments & analysis, component design& detailing, 3D visualisation
Pine Cone - Hygroscopy
Anisotropic bilayer materials
- Opening mechanism of scales driven by humidity.
Fibre direction
SCALE UPPER LAYER
Main shrinkage direction Fibre direction Main shrinkage direction
SCALE LOWER LAYER
Pine Cone scales: Bi-layer shrinkage
Vapor Bend direction -perpendicular to grain
Veneer Anisotropic (veneer) Polypropylene Passive & non-porous Veneer (polypropylene)
not swell swell
Controlling curvaturePieces of veneer with different grain orientation results in varying curvature
Hygroscopic behaviour was mimicked by opting for a similar bi-layer material system. Wherein the top layer would behave as the activator layer with anisotropic properties and the bottom layer would be a passive layer. Upon hydration, the anisotropic material bends opposite to direction of water and this can be manipulated to get desired forms.
Curved (Self) Folding
-autonomous folding for structural stiffness
Vapor
90˚
Positive veneer piece
45˚
+ ve Z direction Acetate film -acts as inactive connecting & hinging
45˚
45˚
Negetive veneer strips - ve Z direction
Self Folding logic
grain direction
Veneer Polypropylene
Controlling orientation+direction can result in autonomous formation of ruled surfaces from flat sheets
Digital analysis- component with curve folded ribs has less structural displacement
1’
2’
3’
4’
5’
Embedded behaviour- flat bi-layer material autonomously morphs into a double curved component upon hydration
Curved Seam Joint system CURVED SEAM OPENING SYSTEM acetate film
bending
Veneer
Veneer
bi-layer piece
grain direction
closed
open
open
Stitched plywood (ICD/ITKE)
steel tension cable magnetic release central guiding rod
open position closed position 4mm thk timber with laminated underside grain direction
To attain structural stiffness in the component, curve folding technique was used to create ribs at the edges. This material system when in contact with water/high humidity induces self-actuated folding to form a curved component. Further exploration on the shape and grain direction resulted in a self-folding, stiff, double curved component. When a pair of bi-layer panels are connected along a curved seam, the self-bending forces the panels to move apart in an opening movement. An aggregation of such units was designed as a self-actuated canopy system.
Canopy detail
/HYD(G)RO/ 19
System of application - installation
System of application - product
1.Hyperthreads
- AA Visiting school 2012
A workshop to explore the integration of form and structure though digital and analog models, computational methods of optimisation for fabrication in order to create 3D forms out of sheet material with particular emphasis on curved folding.
Aluminium prototype - crease, fold, bend
1. HYPERTHREADS - AA visitng school, Bangalore, India DATE: Nov 2012 TEAM: 4 members 2. ROBOTIC INTRO - AA Hooke Park, UK DATE: May 2016 TEAM: 4 members
MAKE DIGITAL
3. MEMBRANE PLUS - EmTech, AA London, UK DATE: Apr-Jun 2016
Class Project
2.Robotic Intro - Hooke Park 2016
An introduction to the robotic assembly process, through the design of parametrically controlled geometry and associative robotic toolpaths. A pneumatic gripping tool was the end effector ; the geometry and code was generated within Grasshopper with Kuka PRC plugin. Through this, a ‘pick and place’ assembly process was automated
Robotic toolpath for ‘pick and place’
Robotic arm in action
3.Membrane Plus
- Design Build project, AA EmTech 2016
The material system and fabrication method explores “active fabrication” in which latex and plywood composite material system’s performance arises during the process of making. Material, structure, and form are thought of in parallel and the resulting geometries follow the intrinsic behavioural logics of the material. These steps precede the development of a system that combines stretchable latex membranes with 2D patterned 4mm thick plywood, which results in complex 3D geometries. Releasing of the latex which exerts force to deform the ply according to its pattern
4mm Birch ply
CNC milled patterned ply
Stretched latex
Latex released after gluing the patterned ply over it
Deformed plywood form
/MAKE/ 21
The Design Process -to maximise project visibility
View from the IT expressway
60
M
W
HO
8S
O RO
10
site 1000mm visi com on e @6 s into 0de gF OV
S
90
3
13
m 5
14
m
60
Site frontage(145m) vs Showroom frontage (16m x8)
The IT Expressway- one of the fastest stretches of road in Chennai city and the site is predominantly viewed in a state of motion. The site is in vision for 1230 seconds from a moving vehicle. Due to the linear geometry of the site, building frontage was a challenge. At high speeds the viewing angle is more oblique than orthogonal. To elongate the perceived viewing time, the no. of frames/second needs to be
100
m
increased. Critical factors of visibility, viewing angles and speed of the moving commuter on the high-speed road, which are inversely related, were taken into account. Concept of visual perception and videography were used to enhance the project visibility of the Automall
The project was to design a facility for the automotive industry that would tackle the issue of fuel consumption and pollution at various levels. A solution needs to found in addition to effective urban planning and public transport-Enter Alternate Fuel vehicles. With an emphasis on design process, this thesis seeks to address the issue through the design of a hybrid facility that encompasses the development and promotion of such vehicles- from R&D -to- public sensitization -to- sales
AUTOPIA
A HYBRID FACILITY FOR ALTERNATE FUEL VEHICLES
SAP Anna Univ.,Chennai 10th Sem Thesis project Jan-Jun 2011
The Facade logic -to maximise project visibility
1.0 VERTICAL GRID [15x5m]x8 showrooms
2.0
3.0 MAXIMISE the available frontage
4.0 FREE THE GROUND level entrance plaza
OFFSET
6.0 SHIFT the secondary grid- create extra frontage and shading
5.0 OFFSET- to create a secondary grid for repetitive frames
Vertical Gridding The gridding process resulted in a staggered facade with a pair of facets per showroom module. Together all the faces in a particular direction form a continuous banner
Project Strategy
7.0 SHUFFLE the modules to create more porous facade
Audio visuals vehicle exhibits technical demos
- organisational model
Infotainment centre for the
AUTOMALL Showrooms Service stations exhibition & event
Hybrid Facility
a ies ke g ta lo d no an ch e te r v st se te ob la n he ca of t ic bl se pu limp g
A one-stop shop for all sales & service needs for hybrid and alternate fuel vehicles
G p ene fo ubl ra m rm ic & te in ak ed t te h e a dec ey rest pu is ca ,e rc ion n du ha i m ca se f th ake te ey a th ev n in e en tu all y
PUBLIC public to learn about the and advantages SENSITIZATION technology of alternate fule vehicles CENTRE
Dedicated R&D will help produce effecient indidenious technology, infrastructure & lead to manufacture in India, thus bringing down costs
R&D facility for specialised research
RESEARCH in alternate fuel technology. It will a nodal centre for a city wide & DEVELOPMENT be infrastructure upgrade CENTRE Research centre Testing centre
/AUTOPIA/ 23
Zoning/Massing The design synthesised into a multi-layered system of masses to enable the complex network of pedestrian and vehicular movement. The floating museum loop envelopes the plaza while allowing vehicular movement underneath. a dynamic intersection between the loop and the R&D building creates a zone where public can view the protected research space.
1.0
2.0
3.0
4.0
Aerial view - showing the solar roof design
6
6
6
7
A
8
MASTER-PLAN
1. AUTOMALL 2.MUSEUM 3.CAR DELIVERY/EVENT PLAZA 4.PUBLIC SENSITIZATION CENTER 5.R&D CENTER 6.SERVICE STATIONS
7.R&D TEST TRACK 8.R&D SPEED TRACK
View of the Delivery & Event Plaza
D
4
1 4
A 3
B 5
B
2
D /AUTOPIA/ 25
service shaft & car lift RCC monocoque construction
glazing with variable transparency
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT meeting room back office/ admin staff display area temporary discussion cubicles
SHOWROOM MODULE
insulated galvalume panels
operable skylight gutter MS roof truss gypsum board false ceiling
solar panels
solar panels individually tilted towards south insulated galvalume panels purlins
truss welded to MS plate onto RCC slab RCC slab
DETAIL SECTION ACROSS STEEL ROOF- roof design took into account the movement of vehicles inside and the need to exhale if required
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT View of the interiors
SECTION BB
SECTION DD
solar panels individually optimized steel roof tilted towards south
performative metal screen
PERFORMATIVE DESIGN
solar panels individually tilted towards south MS roof truss & column
performative metal screen gutter
MS framework
Iterations
DETAIL- METAL SCREEN
/AUTOPIA/ 27
phase 1
phase 2
phase 3
A corporate office for an IT company, on a sprawling green, hill of 4 acres. The brief was to design a dynamic workspace in the lines of the companyâ&#x20AC;&#x2122;s futuristic vision. It needed to expand in 3 phases.
SANKALP CORPORATE
FIRM: Thirdspace Architecture Studio SITE: Hubli(Karnataka, India) DATE: Jun-Oct 2009 TYPE: Office space AREA: 400 sqm. ROLE: Design development, 3D vis., approval /workng/ detail drawings TEAM: 2 members
Site photo
The Form factors - site and micro climate
The first phase initially designed for 600 sq m., later reduced due to budgetary constraints. The company wanted to lose its â&#x20AC;&#x153;aluminium composite clad imageâ&#x20AC;?, rather wanted to portray its social character through interactive spaces. The dynamic form takes off from the apex of the hill, complimenting the contoured site. capitalising on the windward side of the valley ,strong cross ventilation is exploited with a water body on the south side. Steel mesh and louvres on the southern side keep out the dust and particles from the strong southern wind. Abundant day lighting from the north and south sides as well as strong cross ventilation make this building passive energy efficient. The roof gardens and lawns collect the rainwater which is stored in the waterbody. The site context and the firms social character has synthesised into this dynamic form.
Designing on Contours With the initial site survey being completely wrong, the design worked on the contour map needed to be modified to make it fit the existing slope of the site.
access
evaporative cooling
windward side
The levels of the courtyard and conference room were lowered to give the sloping lawn a higher gradient. Only then would the lawn meet the ground level. To avoid excessive cut and fill, the gradient of the roof had to be increased from 11 deg. to 14 deg
actual highest pt.
highest pt. as per initial survey
SITE LAYOUT
/SANKALP/ 29
A
D
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6 9 3
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FLOOR PLANS
GROUND FLOOR PLAN
SECTION DD
SECTION DD- as per the initial contour map
1. Reception 2. Small meeting room 3. Workspace 4. Server room 5. Conference 6. Toilets 7. Courtyard 8. Kitchen 9. Open terrace
A
FIRST FLOOR PLAN
B
D
View from approach road
View from entrance
SECTION BB
SECTION AA
/SANKALP/ 31
[20’x8’x8’] X 19
CONFIG. 1 -to achieve maximum covered volume
CONFIG. 2
CONFIG. 3
A renowned art curator in the city acquired 19 old shipping containers and wanted to assemble an art gallery out of those on a riverfront site.
ART CONTAINERS
FIRM: Mancini Enterprise SITE: Chennai(TamilNadu, India) TYPE: Art Gallery ROLE: Project Architect
DATE: 2012 AREA: 400 sqm.
se rv ice ad ro
CONFIG. 4
h
ac ro
ad ro
p
ap
View from the river
corner glass boxes skylights bridges
staircase core
View from the garden
The Stacking Strategy - for maximum volume and light
Since a containers dimensions are limiting, a stacking configuration was needed which could provide enough functional space and volume for most types of art display. Walls are most important for typical art display, so fenestrations are limited to non-gallery spaces. Skylights and corner glass boxes are useful in bring natural light
B
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FIRST FLOOR PLAN FLOOR PLANS 1. Fore court 2. Security 3. Gallery manager 4. Pantry 5. Gallery 6. Toilets 7. Storage 8. Open Cafe 9. Sculpture garden
A
14
15
10. Viewing room 11. Lounge 12. Artists studio 13. Terrace 14. Directors office 15. Admin. office 16. Library
B
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GROUND FLOOR PLAN
SECOND FLOOR PLAN
/ART/ 33
SECTION AA
SECTION BB
Interior view from first level gallery
Interior view from pantry
Cutting Diagrams With some containers designed to lose almost all 4 of its vertical panels to incorporate doors and glazing, the contractor was given diagrams to do a mock up to check structural stability.
Interior view f`rom the entrance- option without the central amphitheater
rigid insulation water-proofing membrane marine plywood base polycarbonate sheet on MS truss additional MS edge channel container- edge beam aluminium flashing container- corrugated top panel container- lateral joists mineral wool insulation gypsum board false ceiling mineral wool insulation MS plate welded to lateral joists finished timber flooring MS railing finished WPC deck floor rigid insulation water-proofing membrane marine plywood base aluminium flashing additional MS edge channel gypsum board false ceiling mineral wool insulation MS plate welded to lateral joists additional MS channel (longitudinal) container- lateral joists AC duct aluminium supports container- corrugated side panel MS railing sprayed-on PU insulation fireline board on plywood backing finished timber flooring additional MS channel (longitudinal) container- edge beam gypsum board false ceiling mineral wool insulation MS plate welded to lateral joists
double glazing with aluminium frame RCC grade slab & grade beam
DETAIL SECTION
/ART/ 35
10 9
8 5
6
7
4
2
3
11 1
Diag 1 - Maximum buildable area at G+1
1. Foyer 2. Formal Living 3. Courtyard 4. Dining 5. Kitchen 6. Guest room 7. Prayer/Pooja room 8. Family lounge 9. Kids bedroom 10. Master suite 11. Stairs
Diag 2 - Zoning & grid dimensions as per vasthushasthra
The Story A small house can seldom afford the luxury of features like a courtyard or skylight, especially in a tight urban setting. The clientâ&#x20AC;&#x2122;s demand for special, impactful spaces were met by creating a double height space with a full height window facing the east. Privacy can be maintained with a perforated
metal screen on the outside. A sunken seating area with tall indoor palms further created a feeling of a courtyard/garden. More diffused natural light can flood in through the vaulted skylights that run the length of the house.
A high-end private residence to be used as an occasional house by a family of three. Site was in a residential quarter in the heart of the city.
LANDONS HOUSE
FIRM: Mancini Enterprise SITE: Chennai(TamilNadu, India) TYPE: Residence ROLE: Project Architect
DATE: 2012-14 AREA: 500 sqm.
critical north facade
Diag 3 - Exaggerated RCC structure
Diag 4 - Large fenestrations as per context & introducing a skylight
Diag 5 - Metal screen for privacy, security & Vaulted skylight for diffused natural light
The Facade Logic - road facing north facade
+7.95
+6.75
+3.60 +3.15
0.00
Overall proportions as well as internal divisions of openings, beam, slab heights align with the golden rectangle
Protective metal screen in closed position - sound & visual barrier
Protective metal screen can open up the facade
The Exaggerated Structure - oversized sections of beams, columns
The framing effect is used to highlight the cladding material The depth is used as - shelving in the living - cupboards in the bedrooms - ducts to run AC pipes
Foyer
Foyer - at site
Staircase- wide display treads & cantilevered treads
/LANDONS/ 37
TYPICAL DETAIL SECTION
Interior Details
View of Courtyard with full height east window
View of the kids bedroom
View of the kids bathroom
The Vaulted Skylight - a hollow concrete shell
View from family lounge - showing the vaulted skylight
DETAIL SECTION OF SKYLIGHT
/LANDONS/ 39
Combined House - on a single plot
The home for the joint family was conceptualized as a singular base slab from which two separate masses rise up containing the individual spaces for the two families. The base slab also consists of two parts that are connected with a common foyer and courtyard, which increase the permeability between the two separate households. This linking space also holds the sacred prayer area.
An invited competition to design a large residence for two brothers, who are prominent jewellers in the city, and their families. OPTION 1: A single building for the joint family with 10 bedrooms, 10 car garage etc.; but it should also function independently for each brother’s family. OPTION2: Independent buildings on separate adjoining plots, but possibly on the same concept to look like ‘twin houses’
OLIVER RD. MANSION
FIRM: Mancini Enterprise SITE: Chennai(TamilNadu, India) TYPE: Residence ROLE: Project Architect
DATE: 2013 AREA: 1525 sqm.
is ax
courtyard entrance foyer
courtyard entrance foyer
DIAG 3 - Family areas spill out onto a Common Terrace
circulation core DIAG 2 - Double height foyer & placement of cores for the separate masses
DIAG 1 - Vehicular approach & entry to basement
common terrace
common terrace
double ht. spaces
glazing DIAG 4 - The separate masses overlook the Common Terrace
1
GROUND FLOOR PLAN
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
/OLIVER RD./ 41
Two towers,One base - for a common podium
The house has an ascending order of private areas. The ground floor having the more formal common spaces.. The first level was critical as it provided the only open terrace where both families can engage. With the adjoining spaces also being of leisurely nature, this space was visualised as a vibrant podium at the very center of the building
Bedrooms
Bedrooms
Bedrooms
Bedrooms
Family Gym Office Living Kitchen Dining
Family Gym Theatre Court
Living Kitchen Dining
Basement car parking- 10 cars
Foyer- with high ceiling and skylight
SCHEMATIC SECTION
Dining- overlooking the common courtyard.
Living - with double -height ceiling and view of the circulation core
Family lounge- which spills out into the common terrace
Common Terrace
ion ivis td plo
stilt car park entrance foyer DIAG 1 - Vehicular approach, drop-off and stilt parking
garden zones circulation core DIAG 2 - Green spaces and bridge between the houses
Twin Houses
- on separate adjoining plots
Two conceptually and visually similar houses were proposed for this option. A combination of terrace gardens, vertical gardens were used as strong focal point that is visible from double height common spaces. Even a garden bridge was proposed, to connect the individual houses at the first floor level.
garden zones glazing DIAG 3 - Double height living/dining Double height gardens
glazing garden zones metal screen
The stilt parking level was wrapped with a copper mesh, with sliding gates, that would form a distinct base for the cuboidal mass of the house.
DIAG 4 - Stilt level wrapped with a metal mesh
/OLIVER RD./ 43
GUGGENHEIM HELSINKI
An open competition to design the Guggenheim art museum in Helsinki, Finland. In an effort to revitalise the South Harbour area, the proposed site on the waterfront needed to - be a landmark and a symbol for the city. The adjoining port terminal also had to function simultaneously with some logistics passing through the museum site . In collaboration w/ Triple O Studio SITE: Helsinki, Finland TYPE: Art museum (competition) ROLE: Design lead
DATE: Jul-Aug2014 AREA: 12100 sqm. TEAM: 6 members
Guggenheim museum- future projection
Guggenheim Museum Helsinki - Art modules installed into the lattice
Guggenheim Art Module - Esplanadi
Core Buildin
Museum, Art Module & the City -a new approach to art curation
The Design of the Guggenheim Helsinki was inspired by the idea of taking the museum into the city and to its people. It would be the beginning of a new democracy in the curation of art. The Architecture would be in a constant flux to bring together a diverse cross-section of the Finnish society and art enthusiasts. Every detail- the choice of material, form and system -speaks of native tradition and national symbolism. These modules are found in different pockets of the city for the local artists to work away on its surfaces. They are brought back as repositories of native art and fitted into the Lattice that envelopes the building core, creating a canvas that always has a different picture of Finnish art, culture or expression of that day and age , to behold. Guggenheim Museum Helsinki - Art modules installed into the lattice
The art m thermo t begin to to the co
Guggenheim Museum Helsinki - Progressive addition toGuggenheim the facade Art Module - Esplanadi Dynamic facade that is constantly in flux
Engaging with the public throughout the year
Core Building - Concrete Structure Guggenheim Art ModuleEngaging with the public throughout the year
BLACK-BOX BLACK-BOX BLACK-BOX PROGRAMS PROGRAMS PROGRAMS
The mus capacity through
SERVICES SERVICES SERVICES / CIRCULATION / CIRCULATION / CIRCULATION
PORT PORT FACILITY PORT FACILITY FACILITY
ALL A LLOAPR LLOPRO PR GRA G GRAM MRA SM S S
The art modules are retrofitted, used shipping containers that are clad thermo treated pine . Containers will be propped at a suitable location begin to work away on its outer surfaces. The inside is designed to func to the core gallery of the museum to engage with the community.
1.0 Access points into the site
2.0 Undisturbed pedestrian circulation within the site
3.0 Permeable ground The museum willplane begin by holding around 50 containers and it is expe
capacity of more than 250 containers by the year 2050.The containers are through the Lattice to create the dynamic aesthetic of the museum faca
Guggenheim Museum Helsinki - Progressive addition to the facade Dynamic facade that is constantly in flux
Guggenheim Art Module- Engaging with the public throughout the year
Progressive addition to the museum building A facade that is constantly in flux
Art module at a public place in helsinki
ENTRANCE PLAZA NTRANCE ENTRANCE PLAZA PLAZA
EVENT PLAZA EVENT PLAZA EVENT PLAZA
ENGAGING WITH THE CITY ENGAGING ENGAGING WITH THE WITH CITYTHE CITY
4.0 Alignment of masses & creation of public plazas
5.0 Creating reference grid on the ground plane
6.0 Extruding lattice exoskeleton from reference grid
/GUGGENHEIM/ 45
ms
GH2229041479
The Building The core of the building is composed of a vertical and horizontal mass, the alignment of which is reminiscent of the Nordic symbol- The Scandinavian cross.The galleries and the multipurpose auditorium are housed in the horizontal mass, which has been deliberately raised to an appropriate height to free the ground plane and maximise views to the sea. A spiral escalator system connects three levels of galleries and forms a light well to provide diffused lighting to the spaces within. A predominantly glass facade envelopes the offices, restaurant, and the auditorium spaces offering views of the waterscape and the historic landmarks.
Public Plaza Shop Circulation Restaurant / Cafe Services Toilets
Public Plaza
Multipurpose Zone
Public Plaza
Gallery
Shop
Ticketed
Auditorium
Shop
Classrooms
Circulation
Circulation Restaurant / Cafe Services Toilets
Restaurant / Cafe
Art Preparation
Services
Uncrating / Staging
Toilets
Offices
Multipurpose Zone
Terrace
Art Preparation
Public Plaza
Gallery
Offices
Shop
Auditorium
Basement Services - Pump Room
Circulation
Classrooms
Restaurant / Cafe
Art Preparation
Services
Uncrating / Staging
Toilets
Offices Multipurpose Zone Vertical distribution of programs Terrace
Ticketed
Multipurpose Zone Gallery
Ticketed
Auditorium Classrooms Uncrating / Staging Terrace
Heat Sub-StationBasement Electrical Services - Pump Room BIS Room Heat Sub-Station Electrical Storage - Art BIS Room Equipment Storage - Art Equipment Ground Maintenance Ground Maintenance Crates Crates Cold Storage Cold Storage Unloading Dock
View of the Loft Gallery Unloading Dock Basement Auditorium 1. Lobby Services - Pump Room 13. Classroom/Laboratory Heat Sub-Station 2. Café 14. Art prep./Conservation studio Classrooms Electrical 3. Pantry 15. Uncrating/staging BIS Room Art FEASIBILITY Preparation OF SPACES : 4. Ticket & info - Art 16. Gallery Lounge GROUND FLOOR PLAN Storage 17. Gallery Equipment Uncrating / Staging 5. Storage(ancillary) Extensive outdoor public space around the building facilitates maximum use Ground Maintenance 6. IT 13. server/Electric room 18. Kitchen 1. Lobby Classroom/Laboratory Offices during the pleasant season. While the covered, heated plaza acts as aprep. protective Crates 7. Toilets 18a. Catering 2. Café 14. Art prep./Conservation studio Storage usage of the accessible public layer during the harsh winters enablingCold continuous Terrace 8. Retail 18b. F&B office 3. Pantry 15. Shop Uncrating/staging zones year 9. Entrance plaza 19. Formal Restaurant 4. Ticket & info all through the 16. Gallery Lounge Unloading Dock Basement c space around the facilitates maximum use - The building ‘Art modules’10. installed at the plaza level is connected through bridges and Event plaza 20. Offices 5. Storage(ancillary) 17. Gallery Services Pump Room can house varying functions such astemporary non-ticketed galleries; library; n. While the6. covered, heated plaza as a protective 20a. Administrative 11. Dumb-waiter/chutes offices IT server/Electric 18.acts Kitchen Heatroom Sub-Station other expandable functions as required. 12. Flexible Performance hall 20b. Marketing & development office 7. Toilets 18a. Catering prep. Electrical ters enabling continuous usage ofaround the the accessible public taking into account -The wide open area building is designed crane 12a. Green room 20c. Curatorial/exhibit design office 8. Retail Shop BIS Room 18b. F&B office maneuvering for installing the art modules r Storage - Art 12b. Dressing room 20d. Meeting rooms 9. Entrance plaza 19. Formal Restaurant - The Equipment lattice also acts as an interesting framework, when not installed with 12c. Control 10. Event plaza 20. Offices room ed at the plaza level isGround connected through bridges and 20e. Storage/Copy room Maintenance modules, from which art installations can be supported 12d. Translation booth offices 21. Staff Lounge 11. Dumb-waiter/chutes 20a. Administrative Crates ons such astemporary non-ticketed galleries; library; -The flexible performance/conference spaces have sliding platforms for stadium 12e. Technician room& development 22. Loftoffice Gallery 12. Flexible Performance hall 20b. Marketing Storage seatingCold , which can be stacked away seamlessly under the projection room. ns as required.12a. Green 12f. Storage 23. Multipurpose Zone room 20c. Curatorial/exhibit design office - The Performance space and Multi purpose zone is visualized as open plan Unloading Dock 24. Art Storage 12b.is Dressing room use 20d. Meeting rooms und thefacilitates building designed taking account crane uilding maximum spaces which can be closedinto off through pivoting acoustic panels. 12c. Control room 20e. Storage/Copy room -Glazing in the flexible performance space or the galleries have a layer of Smart the art modules eated plaza acts a protective 12d.as Translation 21. Staff Lounge glass whichbooth can black- out the space 12e. Technician room 22. Loft Gallery s usage anCore interesting framework, when notfrom installed with can he iswhich composed ofthea ‘Loft vertical andbe ausedhorizontal ofofthethe accessible public -building The terrace opens out Gallery’ for exclusive mass, the 12f. Storage Zone events. It also has enough ‘AMultipurpose rt modules’ that serve as–ancillary spaces. installations can be lignment of which is supported reminiscent of23. the nordic symbol the Scandinavian Cross. The 24. Art Storage Gallery
Ticketed
/conference spacesbridges have stadium more centralthrough functions suchsliding as theplatforms ticketing for booth , information desk, circulation and onnected and cked away seamlessly under the projection room. MATERIAL & BUILDING SYSTEMS : uilding services are encased within the vertical mass. non-ticketed galleries; library; uilding is composed of a vertical and a horizontal mass, the e and Multi purpose zone is visualized as open plan light with the option of - Allnordic spaces have been designed to maximize natural smum reminiscent ofpivoting the symbol – the Scandinavian Cross. The use ed off through acoustic panels. gned taking into account crane controlling it through smart glass. he Galleries and the Auditorium are housed in the horizontal mass, which has been ns such as the ticketing booth , information desk, circulation andbreak. All glazing and windows have triple glazing with thermal/acoustic protective rformance space the galleriesheight have to a layer of Smart eliberately raised-or to a pine suitable maximise a visual connection with the sea Local wood for the cladding of shipping containers are thermo-treated encased within the vertical mass. ble public twork, when not installed with the space ground level. A spiral escalator system levels ofsurface, Gallery spaces and also treated with pine-tar for longevity. connects Once the art is3done on the a coat of lacquercan is given protection. s out from ‘Loft Gallery’ beasused for exclusive pported nd acts as athe light well for ainfrastructure diffused illumination ofarespaces within. A predominant -housed Services and for the mass, ‘art modules’ taken through the MS eve Auditorium are in the horizontal which has up been dges and ‘ A rt modules’ that serve as ancillary spaces. sliding platforms for stadium lass facade has been hollowprovided, sections of thewhere Lattice. the core contains offices and a multi-purpose o suitable height- Precipitation toroom. maximisethea art visual connection with the sea s;alibrary; drained under theappreciate projection pace, to views toover historicmodules parts isofalso the city. down through the Lattice. - Recycled steelconnects is to be used for the Lattice. A spiral escalator system 3 levels of Gallery spaces one is visualized as open plan well for a:panels. diffused illumination of spaces within. A predominant unt crane YSTEMS acoustic ngalleries provided, where the of core contains offices and a multi-purpose have a layer Smart views to historic parts of the alled with designed to maximize natural city. light with the option of rt glass. llery’ can be used for exclusive stadium triple glazing erhave as ancillary spaces.with thermal/acoustic break.
Public Event Plaza
LONG SECTION
SECTION ACROSS GALLERY & EVENT PLAZA
/GUGGENHEIM/ 47
SECTION
GROUND FLOOR PLAN - indicating courtyards and open spaces
A large residence for a family on a tight urban plot that made privacy a challenge. Nevertheless, protective open spaces were a part of the planning concept with operable louvres providing privacy. A 29 feet cantilevered structure suspends over the car park and this horizontality with the vertical louvres is the composition of the facade.
LOUVRE HOUSE
FIRM: Triple O Studio DATE: 2014-15 SITE: Coimbatore (TamilNadu, India) AREA: 600 sqm. TYPE: Residence ROLE: Project Architect
stringer beam
cast in-situ concrete treads 8mm rebars 5mm plaster groove polished cement plaster(blue pigment) finish 16mm rod suspended from ceiling slab welded to rebars
Suspended Stair Detail
pivot fixture - lockable at every 60 deg
40mm thk Teak louvres
Facade Louvre Detail
Site photo - 29 feet cantilevered mass
Site photo- from courtyard
view from courtyard
/LOUVRE/ 49
RIO DE JANEiRO an ICONIC world cup structure
The aim of this International ideas Competition was to design a free standing World Cup Structure in Lapa square in the heart of Rio de Janeiro during the 2014 FIFA World Cup. The structure shall have public amenities, a cafe, information center, large screen for public viewing etc. It shall essentially be a fan-zone for the duration of the football world cup.
In collaboration w/ Triple O Studio TYPE: Temporary Pavillion (Competition) DATE: Jun 2013 ROLE: Design lead TEAM: 4 members
Globall
-symbolic explorations
Exploring A truly global sport, symbolized through the FIFA logo is the starting point of the design journey. The design interprets spaces through two parallels – the globe and the football, creating a symbolic public space that is relevant to the site, to Rio, and to Brazil.
The FIFA logo - composed of the Ball & the Globe
The globe is flattened on the core geometry of the traditional football and its beautiful mesh of pentagons and hexagons are extruded, and raised to form a plaza that frames the existing visual context. The variation of levels on the ground creates the abstract vista of the world map and houses programs at two levels. The spaces below the extrusions house the administration, toilets, electrical room, food stalls and service related functions while the upper space forms a giant meandering viewing and seating platform.
World map-Tessellated with polygons
The Extruding Process -example ‘America’
Tessellated world map laid out on the site
ine ml Tra
The Borders of a land mass- closer to the screen act as a ‘repeller curve’
Lift
Maintaining physical/visual connectivity of the urban fabric extrusion in steps of 15-30cm
Simple grasshopper script extrudes the polygons in proportion to the distance from the ‘repeller curve’
Extruded polygons form Gallery seating
Placing of the ‘Globall’- strategically on Brazil on the map
/RIO/ 51
B
The core programs of the information area, souvenir shop and cafĂŠ area are visualized within the enveloping of the geometric mesh to create an iconic symbol aptly formed over Brazil emphasizing its place on the world map.
kiosks/toilets/ services
A
B
admin/toilets/ maintenance
A
gallery seating functional rooms landscaping raised canopy with solar roof- provides power for entire plaza
ZONING
Deconstructing & Reconstructing the Ball - for the core structure
Cafe, information desk, souvenir shop
The giant l.e.d screen is placed strategically to as to provide viewing pleasure to audiences at any part of the site. The screen runs perpendicular to the arches respecting the historical Acros de lapa!
Materials: Reclaimed wood from several sources such as cargo crates and pallets is used to create the entire plaza space while solar panels harness energy to support the basic electricity needs of the site.
SECTION BB
SECTION AA
Aerial view from the tram
/RIO/ 53
Digital artwork of environments taking inspiration from the speed-painting techniques of digital artists and concept works of Syd Mead, Scott Robertson et al. My art and graphic design work seamlessly flow between 3D tools and 2D tools.
misc. art
Personal work DATE: 2011-15 TOOLS: Rhino, Grasshopper, Sketchup, Photoshop, Sketchbook pro
Inception
- First prize, internal design competition. Anna University, 2011
Design of a structure inspired by a movie (in this case- ‘Inception’). The variable surfaces, perforation make a user aware, creating doubts in the mind; and such sensations are compared to the feeling of dream-state realization.
Emirates Skywards Future Artists - Commissioned via a competition, 2013
In response to the brief “Alternate perspectives”, the graphic takes Buckminister Fullers Dymaxion map as a valid alternative world map. It is abstracted by variable tessellation on a warped surface.
/MISC./ 55
/REFERENCE LETTERS./ 57
Tahaer Zoyab MSAUD., Partner/ Principal Designer Triple O Studio
Chennai 12 October 2016
LETTER OF RECOMMENDATION FOR Mr. SYED ARSHAD
To whomsoever it may concern
I am delighted to write this letter of recommendation for Mr.Syed Arshad whom I have known very well from the time he was an under-‐graduate student at Anna University, Chennai. I have had enough opportunity to appraise him while I was teaching a course in Urban Design and later collaborating with him on architectural competitions and projects. Arshad has always been a sincere student in my class scoring good grades through the semester. He has shown good communication skills and can express his opinions in a clear, concise manner. Since the inception of Triple O Studio -‐ Our multi-‐disciplinary design studio in 2010, Arshad has shown enthusiasm and endeavor to find time to collaborate with us on a wide range of projects. He has played a key role in the following projects:
1.
2.
3.
4.
5.
Istanbul-‐ ThyssenKrupp Disaster prevention and education center (International design competition)
:
ReConfigure-‐ Tata Tiscon Future flexible homes in India (International design competition)
:
Rio De Janero-‐ Symbolic world cup structure (International design competition)
:
Guggenheim Museum, Helsinki (International design competition)
:
Louvre House, Coimbatore -‐ (600sqm residence)
:
Conceptual Design, Design Development, Presentation.
Conceptual Design, Design Development, 3D visualization, Detailing
Design lead
Design lead
Project Architect
Arshad made a major contribution to our entry for the Tata Tiscon ReConfigure competition, for which we were one among the top 20 entries all over the world. His attention to detail and his knowledge of materials and structure helped us to develop an alternate building system for flexible housing. His interest in generative design was evident in our proposal for the
/REFERENCE LETTERS./ 59
Dr.K.R.SITALAKSHMI Professor Department of Architecture School of Architecture & Planning Anna University, Chennai-600 025
28.12.2014
TO WHOM IT MAY CONCERN It gives me immense pleasure to write this letter of recommendation for Mr.Syed Arshad who I have known since 2006. I taught Arshad courses in History, Interior Design and was also his faculty for the Architectural Design studios during his 3rd and 8th semester of undergraduate study. Arshad is a very talented, dedicated and hardworking person with great skill, intensity and creativity. Having reviewed his work in the design studios at the basic level and later at an advanced level, I could see a progressive development in his thought processes, skill sets and maturity. He understood design briefs well and put in constant effort to push the boundaries of the set design problem through design processes and strong research. I found his methods of arriving at a design solution to be innovative. At the same time, he was also able to take clear decisions and focus on depth. He had technical acumen in resolving architectural form with function and this was clearly evident in his neat, well thought out and meticulous drawings. His designs thus culminated into well-rounded creative architectural proposals. Arshad has also given excellent papers in the History of Architecture courses dealing with Islamic architecture (Minarets) and contemporary architecture (works of Bernard Tschumi). His academic performance has been consistently good throughout his college years. Arshadâ&#x20AC;&#x2122;s deep interest in architecture is apparent from his participation in co-curricular activities and exemplary performance in them. He was part of the research team from our institution, which I was supervising, in documenting and graphically presenting the Dutch settlements in Pulicat and Sadras (Tamil Nadu, India). He did a commendable job in the documentation of the architectural ruins as well as digitally modelling and rendering them. This was published as a book released by The Royal Netherlands Embassy and AARDE foundation, Chennai. Arshad was awarded the 2nd prize at Zonal Level in an architectural competition to design an art & craft centre conducted by Birla White making use of glass reinforced cement. He was also nominated from our institution to receive the Pidilite Award for Excellence in Architectural Design. Arshad has keen interest in the latest techniques in the design field, and is very adept in the use of digital tools. Arshadâ&#x20AC;&#x2122;s skills of oral communication are excellent and he is able to explain his viewpoints in a clear and precise manner. He has good leadership skills as well as team spirit as was evident in him taking the role as NASA (National Association of Students of Architecture) Secretary in the institution. Arshad is a sincere, talented, hardworking and dedicated person and through my interaction with him over the years, I found him to be a very creative and intelligent designer with tremendous potential. Considering all his qualities, I am confident that he would do exceedingly well in his future endeavours. I recommend him strongly for a position in your organisation. Yours sincerely
K.R.SITALAKSHMI Email: sitalakshmikr@hotmail.com, sitalakshmikr@annauniv.edu
Telephone: 914422359303
LIST OF PROJECTS 2006 2016 AA school of architecture, London M.Arch studio projects (2015-2016)
- Adaptive Urban Hillscapes, Thesis project (WIP) - Riparian Urbanism, City systems studio project - Hutong, Emergence workshop - Hyd[g]ro Morph, Pine Cone Biomimetics workshop - Hyd[g]roWall, Material systems studio project - Heat Morph, introduction studio project
SAP, Anna University, Chennai B.Arch studio projects (2006-2011)
- Autopia, a hybrid facility for alternate fuel vehicles - District administrative headquarters - Egmore museum regeneration - Cultural centre in Chennai - Energy pavillion - Campus design for a School of architecture - Hospital design - Low income housing - Montessori school design - Art boutique TRIPLE O STUDIO, Chennai
in collaboration ( Jun 2014 - Jun 2015)
- Istanbul- ThyssenKrupp Disaster prevention and education center (International design competition) - ReConfigure- Tata Tiscon Future flexible homes in India (International design competition) - Rio De Janero- Symbolic world cup structure (International design competition) - Guggenheim Helsinki art museum (International design competition) - Louvre House, residence in Coimbatore,India
MANCINI ENTERPRISES, Chennai Architect (Nov 2011 - Jun 2014)
- Landons road residence - Oliver road residence (invited competition) - Y119 Apartments - Apparao container art gallery - Apparao gallery roof top renovation - River View apartment interiors - Miot Hospitals office interiors - TVS corporate office interiors - LMW office interiors - Streetsmart urban intervention competition
THIRDSPACE ARCHITECTURE STUDIO, Belgaum Intern (Jun-Oct2009)
- Sankalp corporate office - BVB College hostel - Farmhouse
COVER PAGE IMAGE: “Sky over 9 columns” Heinz Mack’s 2014 installation in Venice. CONTENTS PAGE IMAGE: Photograph of a Physical model for a 2nd semester design project
+91 9840191621
+44 07448364216 / +91 9840191621 aar.arshad89@gmail.com r. a r s h a d 8 9 @ g m a i l . c o m