AUGUST 2016 $6.00
AUSTRALIA’S MONTHLY GUIDE TO GALLERIES, NEWS AND AWARDS
Mona Hatoum Radical Ecologies Mike Parr
On the Cover
From the Editor In this issue we focus on outliers or artists excelling on the frontier of identity, technology and experimental practice. We pair Mike Parr, who sees “vulnerability as a political form”, and Anthony Bond to mark ‘Foreign Looking’ at the National Gallery of Australia. Painters Khadim Ali and Aida Tomescu share personal insights on their inclusion in ‘Refugees’ at Casula Powerhouse Arts Centre. Destiny Deacon’s work ‘Over the Fence’ titles a group show at UQ Art Museum exploring inequity in the treatment of Indigenous people and our environment through photography. As well as reporting on Melbourne’s ‘NotFair’, a showcase of unsigned and emerging artists, we reserved a page for Sydney-based artist Jason Wing. Wing works in new media drawing from street art and his Chinese and Aboriginal heritage. Chloe Mandryk and the Art Almanac team
On the Cover Mona Hatoum Amongst a suite of 65 exceptional works on view at Casula Powerhouse Arts Centre, Bukhara by Mona Hatoum confronts the conditions that make someone feel like an outsider. Born in Lebanon and now living in the UK, the artist often uses domestic materials as her medium. Here, a Persian rug appears eaten away or debossed by the Gall-Peters equal-area map favoured by UNESCO. By juxtaposing a material she was raised with, but what a Western viewer might think of as ‘typically Arab’, she points at the marginality refugees experience once they are displaced from the culture, people and atmosphere of ‘home’. Casula Powerhouse Arts Centre Until 11 September, 2016 Sydney Bukhara (red), 2007, wool and cotton, 141 x 210cm Collection of Art Gallery of New South Wales, gift of Geoff and Vicki Ainsworth, 2008 Courtesy the artist, Casula Powerhouse Arts Centre, Sydney and Art Gallery of New South Wales, Sydney
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THIRTY FIRST JULY
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FOUR SEPTEMBER
I value the freedom of multidisciplinary experimentation to develop as an artist while exposing audiences to the noncommercial spectrum of art. Jason Wing
Jason Wing None Left Turn and No Rights Turn, 2012 digital print on metal plate, diptych, 70 x 35cm each (Participating artist in NotFair, Melbourne)
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Exhibition Previews
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Refugees by Chloe Mandryk
“Creative work does not demand to be read from a presumed dividing line, a line of separation. It is the unifying force of art that brings everything together. Art is about fullness of experience and unity.” - Aida Tomescu A range of refugee experiences from oftensidelined cultures in the Australian context is on view at Casula Powerhouse Arts Centre in Western Sydney, a region where almost half of the population was born overseas cultivating a unique blend of heritage and language. Twentytwo Australian and international artists will exhibit in ‘Refugees’ including Khadim Ali, Frank Auerbach, Christian Boltanski, Yosl Bergner, Judy Cassab, Marc Chagall, Max Ernst, Lucian Freud, Mona Hatoum, Ludwig Hirschfeld Mack, 36
Guo Jian, Anish Kapoor, Inge King, Dinh Q. Le, Nalini Malani, Helmut Newton, Yoko Ono, Aida Tomescu, Danila Vassilieff, Ai Wei Wei, Ah Xian and Anne Zahalka. Bukhara by Mona Hatoum graces our cover this month. The Palestinian-British artist addresses the feeling of being on the margin, born to parents exiled from Haifa as a result of the 1948 Arab-Israeli War. She balances the homeliness of the domestic Persian rug and the zoomed out view of continents styled like the Gall-Peters equal-area map favoured by UNESCO. Together her subject and medium stress a struggle between localism and global identities. Liminality is a key issue in the show. The photo-series ‘Threshold’ by Anne Zahalka captures hallways, passages and doorways in Morocco, though her background is Austrian and Czech, exploring the sensation of being in-between worlds and questioning the visual stereotype of the Arab setting being timeworn and mysterious.
Exhibition Previews
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Radical Ecologies by Melissa Pesa
The Perth Institute of Contemporary Arts (PICA) presents ‘Radical Ecologies’, a multi-media exhibition, curated by Andrew Verano, exploring the reciprocal dynamic between the human body and natural environment. Featuring 18 Western Australian artists at the forefront of experimental artmaking, the exhibition showcases a diverse range of forms from design, performance, film, installation, sound and bio-art. Artists include Matt Aitken & Noel Nannup, Nathan Beard, Mike Bianco, Tim Burns, Andrew Christie, Pony Express, The ‘Cene, Cat Jones, Rose Megirian, Peter & Molly, Rebecca Orchard, Perdita Philips, Mei Saraswati, Stelarc, and Katie West. Verano selected these artists for their ability to address ecological dystopia and its outcomes by “exploring the subjective or cultural shifts that are needed to prioritise the environmental emergency. So the artists are not only reconsidering ways of relating to other species and the land, but are also rethinking how the body and culture operates in this context as well”. From live art encounters and immersive soundscapes, to decorative ceramics and drawings – some specifically commissioned 40
for the exhibition – these artists create intimate encounters with our ecology through therapeutic experiences, providing countercultural spaces for empathy and observation. Investigating the interspecies relationship between honeybees and humans, Mike Bianco’s work Bee Bed (prototype) swarms the topic of environmental degradation. Bianco creates a bed-like structure which contains a working beehive. The installation encourages the audience to lie down and become enveloped by the sounds and smells of the apian colony. The unique encounter allows the participant to share a moment of focus, intimacy and understanding in a hope to encourage a more cooperative and communal way forward. Focusing on consumption, Perdita Philips’ Tender Leavings contains the fragments of 850 romance novels. Buried for one year in a desert sand dune these books remained vulnerable to mould and termites. Pieces of text were reassembled as the tiny artists poetically reframed the linear narratives of the novels – fictional love was literally consumed. Easily mistaken for a landscape painting, upon closer observation the narratives become legible, paralleling the macro and microscopic ways humans see and investigate the natural world.
Exhibition Previews
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Over the fence by Melissa Pesa
On either side of a weathered fence, two dolls face each other. Whether engaged in conversation, or play, one thing is certain, their separation. This signature photograph by Destiny Deacon displays the artist’s focus on an alternative world, or microdrama. Here, and in other works, people in her life are substituted by inanimate dolls used to both invert the colonial gaze and recontextualise the Aboriginal figure. Taking its title from her artwork, ‘Over the fence’, a group exhibition presented by the University of Queensland Art Museum, features the photographs of eighteen Indigenous artists drawn from the private collection of art patron and philanthropist Patrick Corrigan AM. The 42
exhibition includes works by Vernon Ah Kee, Tony Albert, Brook Andrew, Richard Bell, Mervyn Bishop, Bindi Cole, Michael Cook, Brenda L. Croft, Nici Cumpston, Destiny Deacon, Fiona Foley, Leah King-Smith, Ricky Maynard, Tracey Moffatt, Michael Riley, Darren Siwes, Christian Thompson and James Tylor. Contemporary Indigenous art challenges the status quo, both on aesthetic and political grounds. The compositions on show address identity, representation, racism, religious influence and the exploitation of land. Breaking with traditional media the artists underscore subjectivity, contested history and cultural perceptions. The exhibition emphasises ‘neighbouring’ issues between Indigenous and non-Indigenous Australians and the longstanding disconnection and alienation, on either side of the fence.
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Lacan’s notion, that it is repetition that produces difference, means that difference has to be situated. That difference figures meaning and that this meaning is linguistic in the same way that “the unconscious is structured like a language”. I treat all of the reiterations and displacements of my mise-en-scène as a proto-linguistic crisis and it is this disruption that constitutes the counterpoint within the show (the gaps and discontinuities are an organising principle in the same way that the appearance of difference is a content).
Moving image performance documentation is the “backbone” (weakened by psychoanalytic osteoporosis) of the whole exhibition and moving image as projection and screen recurs through all the rooms and I’ve selected photographic documentation and photographic works (a clear distinction in this show), drawings, sculpture, text based works and prints to situate and think aspects of performative shock. I’ve stripped the radical plurality of my practice to its core in order to get at the politics of the personal. 45
Exhibition Briefs
Francesco Clemente Encampment
Antiques Roadshow Octopus 16
The droste-effect will be on display in Francesco Clemente’s first major exhibition in Australia titled ‘Encampment’.
The 16th in the Octopus series ‘Antiques Roadshow’, as the moniker suggests, looks back and forward at the same time putting the ephemera we use to express our identity on display.
The prolific and admired Italian artist creates a world within a world using six over-sized Bedouin-style tents with internal walls painted to recall psychedelic dream-like frescoes with the artist’s signature iconography of angels, geometric flourishes and narrative scenes that trace pleasures of the flesh and the arcane.
Today, a lot of this material is digital. Appraising the face and function of technologies and social media IRL the artists question why we like to look, what we like to look at and, liking likes.
The cavernous rainbow spaces were created in collaboration with artists in Rajasthan, India, an ongoing home of inspiration. Clemente offers an opportunity for intellectual and spiritual decadence.
The Australian and international artists selected by curator Mark Feary include Justin Balmain, Petra Cortright, Simon Denny, Heath Franco, Greatest Hits (Gavin Bell, Jarrah de Kuijer and Simon McGlinn), Ying Miao, Michael Staniak and Amalia Ulman.
Carriageworks Until 9 October, 2016
Gertrude Contemporary Until 27 August 2016
Sydney
Melbourne
Francesco Clemente in Angels’ Tent, 2013 Photograph: Neil Greentree Courtesy the artist
Amalia Ulman, Excellences & Perfections (film still), 2014 Courtesy the artist, Arcadia Missa, London and Gertrude Contemporary, Melbourne
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Exhibition Briefs
Matej Andraž Vogrincic Herba Ostrea
Lucas Ihlein and Trevor Yeung Sea Pearl White Cloud 海珠白雲
When Slovenian artist Matej Andraž Vogrinčič visited GASP! in 2015, he was captivated by the plant life. On closer investigation he discovered, growing vertically from the flatness of the ground, an oyster plant (or Herba Ostrea) – the subject of a major work that the artist will create during a residency at the venue this month.
In the second iteration of the project between 4A Centre for Contemporary Asian Art and Guanzghou’s Observation Society artists Lucas Ihlein from Sydney and Guangdong-born Trevor Yeung from Hong Kong present results of their fieldwork gathered from a spatial and social experience of Haizhu and the Pearl River Delta.
Vogrinčič has built an international reputation by creating site-specific installations in dialogue with local places, traditions, and histories through the repetition of objects. From 15,000 toy cars on a building wall in Adelaide in response to traffic and parking problems, to 2,000 plaster watering cans in the Australian outback typically devoid of rain, Vogrinčič now takes on Hobart.
It is an allegorical representation of scientific analysis where the variables are insight, poetry and collaboration rather than empirical data. The duo use their ‘quasi-scientific’ methods to reflect on systems of movement and stasis connected to water and the manipulation of nature.
Glenorchy Art and Sculpture Park (GASP!) Until March, 2017
Sydney
Tasmania Herba Ostrea (detail), 2016, oyster shells, metal armature Photograph: Benjamin Hosking Courtesy the artist
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4a Centre for Contemporary Asian Art Until 24 September, 2016 Fieldwork for Sea Pearl White Cloud at Guangzhou Huadiwan Fish and Aquarium Market Courtesy the artists and 4a Centre for Contemporary Asian Art, Sydney
Artist Opportunities Art Almanac prides itself on being a resource for artists. Each month, we present a snapshot of what opportunities are available for artists in these editorial pages. Enjoy and good luck!
ART AWARDS Royal Queensland Art Society Biennial Entries close 18 August Queensland artists are invited to enter two new art awards; the Young Artist Award, open to artists aged 17-30 years for 2D artworks in the categories of ‘Painting and Drawing’, of a subject created and ‘observed from life’. Entries close 12 August. Also, the Queensland Figurative award for paintings of the human figure. rqasbiennial.com.au Sculpture by the Sea, Cottesloe 2017 Entries close midnight 26 August Artists are invited to submit applications for the exhibition to be installed along the spectacular Cottesloe beach in Perth, WA from 3 to 19 March, 2017. Open to senior, mid-career and emerging sculptors. sculpturebythesea.com Moran Prizes 2016 Entries close 31 August Entries are invited for the 2016 Doug Moran National Portrait Prize. Artists are asked to interpret the look and personality of a chosen sitter, either unknown or well known, and the Moran Contemporary Photographic Prize invites photographers to interpret ‘Contemporary Life in Australia’. moranprizes.com.au The Graeme Hildebrand Foundation – Art Scholarship/Travel Grant Entries close 9 September A Biennial Award of $15,000. Open to residents of Victoria aged 20 to 35 years. This grant is for tuition or travel for developing artists who would
otherwise be unable to take advantage of such an opportunity. Applicants required to submit a portfolio of foundation skills in four different artworks; Still Life, Portrait, Landscape, Seascape or Cityscape, and drawing of choice, or from life, the nude human figure. graemehildebrandfoundation.com.au Hornsby Art Prize Entries close 18 September An annual art award and exhibition. The Major prize includes $10,000 and is open to artists from all over Australia with the aim to encourage artists to aspire to excellence, and to position the work of Hornsby Shire artists within the wider context of the Australian contemporary art environment. hornsby.nsw.gov.au/artprize Recycling Sculpture Entries close 7 October Major prize $3000. Arts Rutherglen, North-East Victoria invites entries for sculpture created from recycled materials. Challenging artists to create affordable sculpture art for the interior or exterior from everyday found objects. artsrutherglen.com.au Mansfield Art Glass incorporating Ceramics – MAGIC Entries close 4 November The Mansfield Art Glass Exhibition (MAGE) is now incorporating ceramics into the exhibition. Arts Council Mansfield is now accepting entries for the Klytie Pate Award for Ceramics, and the Mansfield Art Glass Exhibition. artsmansfield.com.au
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Melbourne
Arts Project Australia (map ref 3-E) 24 High Street, Northcote 3070. T (03) 9482-4484 F 9482-1852. E info@artsproject.org.au W www.artsproject.org.au H Mon-Fri 9.00 to 5.00, Sat 10.00 to 5.00. For artwork enquiries please contact the gallery. July 29 to Aug 31 Arts Project Australia Collins Place Pop-up at Shop 19, Collins Place, Melbourne (enter via Sofitel). Arts Project Australia will launch it’s first CBD pop-up gallery at Collins Place in Aug. Over 30 artists will be represented including Alan Constable, Boris Cipusev, Patrick Francis, Julian Martin and Rebecca Scibilia amongst others. Supported by NKN Gallery, Gandel Philanthropy, Delatite Wines and our 2016 donors. This event is part of FLAIR – a Melbourne art event from Aug 18 to 21 at the top end of Flinders Lane. H Mon-Sat 11.00 to 6.00. For more information visit www.flairmelbourne.com Aug 6 to Sept 3 (opening Sat Aug 6, 3-5pm) group show: second iteration – Alan Constable, Matlok Griffiths, Benjamin Lichtenstein, Julian Martin, Pia Murphy and Georgia Szmerling. A collaborative exhibition of artworks based on the Chapter House Lane curated Group Show, launched in 2015 in Melbourne. The exhibition marks the second instalment of the successful 2015-16 presentation of Group Show, building on the partnership between Arts Project Australia and Chapter House Lane. Supported by the Limb Family Foundation. Curated by Louise Klerks, Director, Chapter House Lane.
ArtSpace Realm
Australian Centre for the Moving Image (ACMI) (map ref 14-E) Federation Square, Flinders Street, Melbourne 3000. T (03) 8663-2200. W www.acmi.net. au H Daily 10.00 to 5.00. To Sept 18 SCORSESE.
Australian Galleries 35 Derby Street (map ref 11-H) 35 Derby Street, Collingwood 3066. T (03) 9417-4303 F 9419-7769. E derbyst@australiangalleries.com.au W www.australiangalleries.com.au Director: Stuart Purves AM. H Daily 10.00 to 6.00. Aug 11 to 28 Andrew Antoniou (see ad page 29). Also, At Home by Marina Strocchi.
Australian Galleries Stock Rooms (map ref 11-I) 28 Derby Street, Collingwood 3066. T (03) 9417-2422 F 9417-3433. E stockrooms@australiangalleries.com.au W www.australiangalleries.com.au Director: Stuart Purves AM. H Daily 10.00 to 6.00. Aug 11 to 28 Curated Prints, Book & Catalogue Sale.
(map ref 3-L) 175 Maroondah Highway, Ringwood 3134. T (03) 9298-4545. E gallery.attendant@maroondah.vic.gov.au W www.artsinmaroondah.com.au H Mon-Fri 9.00 to 8.00, Sat-Sun 10.00 to 5.00. Aug 8 to 28 In Touch by artist and musician Glen Walton with portraits by Edwina Atkins. Experience ArtSpace at Realm as it is transformed into a giant playable mural. Touch the lines and portraits on the walls to create a soundscape of magical sound.
Australian Print Workshop
Australian Centre for Contemporary Art (ACCA)
Australian Tapestry Workshop
(map ref 17-D) 111 Sturt Street, Southbank 3006. T (03) 9697-9999. W www.accaonline.org.au Free admission. H Tues-Fri 10.00 to 5.00, Sat-Sun 12.00 to 5.00, Mon by appt. July 30 to Sept 25 Painting. More Painting. Presented in two chapters across ACCA’s four exhibition galleries, Painting. More Painting is a big-picture focus on contemporary Australian painting, featuring the work of over 70 living Australian artists including; Abdul Abdullah, Ry David Bradley, Angela Brennan, Vivienne Binns, Stephen Bram, Mitch Cairns, Matthys Gerber, Diena Georgetti, Helen Johnson, David Jolly, Lisa Radford, Sam Songailo, Karl Wiebke and Nyapanyapa Yunupingu, to name 72
only a few. Curated by Max Delany, Annika Kristensen and Hannah Mathews. Chapter 1: July 29 to Aug 28. Chapter 2: Sept 1 to 25.
(map ref 11-H) 210 Gertrude Street, Fitzroy 3065. T (03) 9419-5466. E auspw@bigpond.com W www.australianprintworkshop.com Director: Anne Virgo OAM. Free entry. H Tues-Sat 10.00 to 5.00. Aug 27 to Oct 1 Those Imagined Cities a suite of six fine art, limited edition lithographs by Jan Senbergs and six poems by Chris Wallace-Crabbe. This portfolio of images and text imagines six major global cities which the artists will never visit.
(map ref 10-O) 262-266 Park Street, South Melbourne 3205. T (03) 9699-7885. E contact@austapestry.com.au W www.austapestry.com.au Gold coin entry to the galleries and workshop. H Tues-Fri 10.00 to 5.00. Guided tours Wed 11am and Thurs 2pm, $10 per person: bookings essential. View the weavers and dyer at work on major contemporary art commissions including Keith Tyson and John Wardle Architects and artists in residence. Galleries featuring contemporary tapestries designed by Australian artists including Sangeeta Sandrasegar, Mike Brown and Chicks on Speed. Visit website for bookings for weaving classes. Aug 30 to Oct 21, 2016 Tapestry Design Prize for Architects finalists exhibition.
Sydney
Stanley Street Gallery
TAP Art Gallery
(map ref 8-E) 1/52-54 Stanley Street, Darlinghurst 2010. T (02) 9368-1142. E mail@stanleystreetgallery.com.au W www.stanleystreetgallery.com.au Directors: Merilyn Bailey and Liza Feeney. H Wed-Sat 11.00 to 6.00. To Aug 6 A Foreigner’s Glimpse by Geoff Levitus. Seductive and revealing perspective on the Asian diaspora. Aug 10 to Sept 3 Dad Took a Picture by Harley Oliver. Harley Oliver considers what has gone and what remains with the passing of time in his latest series of paintings. Also, Conversations by Sean Axelrod. His work veers between wearable ornament and sculpture, he alludes to medals and uniforms but on closer inspection the imagery illustrates a hidden narrative, ambiguities that are open to interpretation.
(map ref 10-E) T (02) 9361-0440. E info@tapgallery.org.au W www.tapgallery.org.au H Daily 12.00 to 6.00. Please see website for information.
State Library of NSW (map ref 5-D) Macquarie Street, Sydney 2000. T (02) 9273-1414. W www.sl.nsw.gov.au Free entry. H Daily 9.00 to 5.00, Thurs 9.00 to 8.00. To Aug 21 Colour in Darkness hand-coloured images from the First World War. See ad inside back cover.
Stella Downer Fine Art (map ref 16-E) 2 Danks Street, Waterloo 2017. T 0402-018-283. E info@stelladownerfineart.com.au W www.stelladownerfineart.com.au H Tues-Sat 11.00 to 5.00. Aug 2 to 27 (opening Sat Aug 13, 3-5pm) Overview by David Fairbairn (see ad page 113). Aug 30 to Sept 24 (opening Sat Sep 3, 3-5pm) Poet in the Landscape by Ian Marr and Piers Laverty.
Tortoiseshell Gallery (map ref 7-H) 11 Roslyn Gardens, Elizabeth Bay 2011. T (02) 9331-8481. E info@tortoiseshellgallery.com W www.tortoiseshellgallery.com H Tues-Sun 10.00 to 6.00, or by appt . Aug 16 to Sept 4 (opening Sun Aug 21, 2pm) Tortoiseshell Gallery Inaugural Exhibition featuring Gabrielle Jones, Alexander Beech, Amy Wright, David Briggs, Oliver Stokes Hughes and Simon Cowell.
Trevor Victor Harvey Gallery, Mosman (map ref 6-U) 842 Military Road, Mosman 2088. T (02) 9968-2153. E mosman@tvhgallery.com W www.tvhgallery.com H Tues-Sat 11.00 to 6.00, Sun 12.00 to 5.00. Select key works from important artists.
Trevor Victor Harvey Gallery, Seaforth (map ref 6-W) 515 Sydney Road, Seaforth 2092. T (02) 9907-0595, 0408-359-199. F 9907-0657. E service@tvhgallery.com W www.tvhgallery.com H Wed-Sat 11.00 to 6.00, Sun 12.00 to 5.00. Curated monthly exhibitions, see website. Aug 19 to 28 Anima by Datsun Tran. See ad page 109.
UNSW Galleries Stills Gallery (map ref 9-H) 36 Gosbell Street, Paddington 2021. T (02) 9331-7775. E info@stillsgallery.com.au W www.stillsgallery.com.au H Wed-Sat 11.00 to 5.00. July 27 to Aug 27 subalter/N/ative dreams by Brenda L Croft. For subalter/N/ative dreams, Croft has been working closely with her family and community at Wave Hill and Victoria River regions in the Northern Territory, and dislocated Gurindji community members elsewhere. Aug 31 to Oct 1 Eden by Polixeni Papapetrou. In Eden, ten girls of different ages are festooned with flowers set against a floral backdrop. As well as reflecting their metamorphosis from child to adult, the multiplicity of layers proposes an uncanny oneness between nature and culture.
Sullivan+Strumpf (map ref 17-E) 799 Elizabeth Street, Zetland 2017. T (02) 9698-4696. E art@sullivanstrumpf.com W www.sullivanstrumpf.com Directors: Ursula Sullivan and Joanna Strumpf. H Tues-Sat 10.00 to 5.00, or by appt. To Aug 20 Broken Model by Darren Sylvester.
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(map ref 11-G) UNSW Art & Design, Oxford Street (cnr of Greens Road), Paddington 2021. T (02) 8936-0888. E unswgalleries@unsw.edu.au W www.artdesign.unsw.edu.au/unsw-galleries H Tues-Sat 10.00 to 5.00. To Aug 6 The Patient explores art and medicine, curated by Bec Dean. Aug 19 to Oct 1 John Fries Award 2016 (see ad page 33). Aug 19 to Nov 5 Troubled Waters explores climate change on natural and marine environments.
Utopia Art Sydney (map ref 16-E) 2 Danks Street, Waterloo 2017. T (02) 9699-2900. E art@utopiaartsydney.com.au W utopiaartsydney.com.au Director: Christopher Hodges. H Tues-Sat 10.00 to 5.00. Aug 6 to 27 The colour of nature a retrospective of paintings by David Aspden 1975-2001.
Online Galleries
Online Galleries
International Galleries
artcollect artcollect.info
ARNDT arndtberlin.com
T 0433-614-072. E artcollectshop@gmail.com Original contemporary artworks for sale online by the Australian artist artcollect.
Potsdamer Straße 96, 10785 Berlin T +49 3020-613870. E info@arndtberlin.com H Tues-Sat 11.00 to 6.00 or by appt.
Contemporary Art Awards contemporaryartawards.com
Gow Langsford Gallery gowlangsfordgallery.com
Visit the online gallery of Contemporary Art Awards for the 2016 Finalist Exhibition.
E info@gowlangsfordgallery.co.nz Two locations: cnr Kitchener and Wellesley streets, and 26 Lorne Street, Auckland NZ, 1010. T Kitchener Street +64 93039395, T Lorne Street +64 9303-4290.
Martin Gallagher martingallagher.com.au The ‘Pan’ series – new works for sale. Visit the online gallery of Martin Gallagher.
Ocula ocula.com
Mark Hutchins Gallery mhgallery.co.nz 216 Willis Street, Wellington, New Zealand 6011. T Mobile: (021) 722-839. E mark@mhgallery.co.nz
A portal to the world’s leading contemporary art galleries with a particular focus on galleries in or engaged with the Asia Pacific and Latin America. Ocula offers current and comprehensive online access to the artists, artworks and exhibitions presented by member galleries.
Visual Emporium – Purveyors of Exquisite Art + Fine Design visualemporium.com.au E info@visualemporium.com.au Online resource for artists + collectors. See ad page 102.
ART IN BRIEF
A weekly snapshot of the latest exhibitions, art news, awards and artist opportunities around the country.
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