FOUR by Art Europe Auctions

Contemporary, Modern, Design & Photography 12 June 2016, Amsterdam

FOUR

LOT 17 Detail

LOT 181 Detail

FOUR Contemporary, Modern, Design & Photography

Auctions & Times Sunday 12 June 2016

2:30pm

Viewing days Thursday 9 June 2016 Friday 10 June 2016 Saturday 11 June 2016

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1 GEER VAN VELDE 1898-1977

Composition Signed with the initials Gouache on paper 24 by 20 cm. Provenance Kunsthandel M.L. de Boer, Amsterdam Acquired directly from the above by the present owner € 2.000-3.000 R

2 GERRIT BENNER 1897-1981

Zeilboten op een meer Signed Ink on paper 25 by 32 cm. Provenance Private collection, France Directly acquired from the above by the present owner € 600-800 R

3 BRAM VAN VELDE 1895-1981 Untitled Lithograph, printed in colours, signed in pencil, numbered 72/100 453 by 587 mm. Literature Yves Rivière, Bram van Velde. Les Lithographies II 1974-1978, Geneve 1979, p. 96, no. 319, illustrated € 300-400 R 6

4 KEITH HARING 1955-1990 The Valley Etching, 1989, signed and dated in pencil, numbered 29/80 250 by 220 mm. € 1.400-1.800

5 KEITH HARING 1955-1990 The Valley Etching, 1989, signed and dated in pencil, numbered 29/80 250 by 220 mm. € 1.400-1.800

6 ALBERT BITRAN b. 1931 Double Signed and dated 73/74; Signed, titled and dated 73 and inscribed N: 27 on the reverse Oil on canvas 73 by 116 cm. Provenance Kunsthandel M.L. de Boer, Amsterdam Acquired directly from the above by the present owner â&#x201A;Ź 4.000-6.000 R

7 ANTON HEIJBOER 1924-2006

Een nieuw leven Etching hand coloured with watercolour, 1966, signed in pencil and numbered 1/9 62 by 96 cm. Provenance Collection Hans and Marijke Locher, The Hague â&#x201A;Ź 800-1.200 R 8

8 RAIMUND GIRKE 1930-2002 Untitled White paint with and ink on paper signed with the initial; signed and inscribed 12/61 on the reverse 20 by 30 cm. Provenance Private Collection, Germany, acquired directly from the artist Private Collection, the Netherlands Literature Dietmar Elger, Raimun Girke Malerie, Ostfildern 1995, p. 47 â&#x201A;Ź 8.000-12.000 R 9

9 ANDRÉ LANSKOY 1902-1976

Composition Signed Gouache and crayon on paper 38.5 by 52.5 cm. Provenance Kunsthandel M.L. de Boer, Amsterdam, no. 18280 Acquired directly from the above by the present owner € 6.000-8.000

10 ANTON ROOSKENS 1906-1976

Figuur en Vogel Signed and dated 61 Oil on paper laid down on canvas 62 by 48 cm. Provenance Kunsthandel Simonis & Buunk, Ede Acquired directly from the above by the present owner € 10.000-12.000 R

11 GIANT MARIONETTE TORSO ‘MEMEKUN OR MAANI’ Mali, Bozo/Bamana or Yayoroba

Carved wood painted with bright colours Height: 88 cm. including soccle Provenance Private European collection, purchased in the eighties Literature Jean-Paul Colleyn (ed.) Bamana - The art of Existence in Mali, 2001, p. 91 and 93. See for a nearby identical female torso: E.A Dagain, cat. Emotions in Motion La Magie de l’Imaginaire, Theatrical Puppets and Masks from Black Africa, 1990, Montreal, Canada, no.164, p. 115 and front cover. € 500-800 These types of Giant torso’s were used in the village puppet shows in the sixties.

12 W AT E R S P I R I T M A S K ‘ E K I N E ’

Nigeria, Niger River Delta, Igbo, around 1950 or earlier

Carved wood, red and black pigment, and black metal soccle Height: 60 cm. Provenance Dutch private collection Comparable examples See for a similar mask in Catalogue of Arts of Nigeria in French private collections, 2012, no. 104, Jean-Claude Meinioux Collection; another comparable mask is in the Metropolitan Museum of Art, New York. € 800-1.400

13 A FINE ‘KIFWEBE’ DANCE MASK

Democratic Republic of Congo, Songye/Luba, around 1950 or earlier Carved softwood, white pigment with black metal soccle 37 by 22 by 13 cm. Provenance European private collection Comparable examples A comparable example is located in the Musée des Beaux-Arts de Montréal: E.A. Dagain, 1990, no 179, p 122; a group of fifty Kifwebe dancers is illustrated in François Neyt, Songye: la redoutable statuaire songye d’Afrique centrale, 2004, Brussels, p 361; another mask is in the Bareis Collection, cat. Le Grand Heritage 1992, p. 222, 274. € 3.200-3.800 This is most likely a female mask with the name ‘kifwebe bakashi’ that performs during monthly rituals, funerals, name-giving ceremonies, and is associated with the moon. The ‘Gwadu Gwa Kifwebe’ society supports the ruling elite in maintaining their economic and political power.

14 S I T T I N G R O YA L F E M A L E F I G U R E

Ivory Coast, Bondoukou region Kulango-Lohron, mid-20th century or earlier

Carved wooden statue with black glossy patina with red, blue and white accents, the face with serene expression Height: 92.5 cm. Provenance Nillson Djup, Sweden; private European collection Literature K-F Schaedler, Lexikon Afrikanische Kunst und Kultur, Munich, 1994, pp 239-240 T.Philips, Africa, The Art of a Continent, London, 1999, p 448, no 5, p 112 A smaller standing female figure is illustrated in catalogue African faces, African figures The Arman Collection, Museum for African Art, New York, 1997, no. 111 p. 62, p. 229-230 € 4.800-5.600 Kulango statuary is rare, and often presented as derived from and strongly influenced by Lobi art.

15 S H I N K I C H I TA J I R I 1923-2009

Tom & Julia West Berlin, 1978 Unique photograph Recto signed, titled, dated, numbered 1/1, signed Shinkichi Tajiri with address, framed and glazed by the artist Hand-coloured print 23.5 x 29 cm. Provenance Herman Dommisse Collection, purchased on 7-6-1988 at the sale “Rietveld at the Rietveld Academy”, Christie’s Amsterdam, lot no. 305 € 2.800-3.600

PROPERTY OF AN IMPORTANT PRIVATE DUTCH COLLECTOR

16 ANTON ROOSKENS 1906-1976

Mens en Vogel Signed and dated ‘50 Oil and gouache on paper 38 x 45 cm. Provenance Court Gallery, Copenhagen Galerie Lases, Amsterdam Anonymous Sale, Sotheby’s, Amsterdam, 25 June 2008, lot 90 Acquired from the above by the present owner Exhibition Rotterdam, Galerie Delta, Anton Rooskens, 1949 cobra 1951, 20 December - 15 January 1964, illustrated € 12.000-15.000 R

KAREL APPEL CoBrA, originating from the “Experimentele Groep”was established in 1948 by a group of enthusiastic young artists. The initiators included Asger Jorn from Denmark, Pierre Alechinsky from Belgium and Karel Appel en Constant from The Netherlands. Having suffered from the terrors of the Second World War there was an outcry for artistic freedom. In 1948 Constant wrote: ”a painting no longer is a structure of colours and lines, but a beast, a night, a cry, a person, or all of that together” (Manifesto in Reflex, 8 October). In the same year as he created The Owls- De Uilen Karel Appel painted Cry for Freedom (Vrijheidsschreeuw), which is considered to be symbolic for the whole movement. With its pure red, green, blue and yellow colours it was strongly reminiscent of Asger Jorn’s works during the final years of the war. Karel Appel’s work at that time was strongly influenced by Picasso and Miro. CoBrA became synonymous with a powerful expressionist artistic trend combining figurative and abstract tendencies. Karel Appel and his contemporaries found their inspriration in the drawings of children, the mentally ill and in primitive, unspoiled cultures. Appel and other CobrA artists sought the images of our fantasy, hidden in the subconscious. They created their images influenced by the theories of Carl Jung. In 1950, Karel Appel visited in Paris the exhibition following the “Congres International de Psychiatrie”. He bought the catalogue and illustrated it spontaneously.Animals were very important elements in Karel Appel’s work from 1948 onwards. Their seemingly simplicity makes us regard them as clichés, representing the emptiness in which the stereotype of primitivity becomes clear. In The Owls - De Uilen the treatment of the material, the touch is self-reliant and one can observe how soon the brushstrokes change into a clear pattern before our eyes. The work has set up in fast and sure strokes, in primary colours. The thick application of paint illustrates the sense of childlike naivity, a style that would come to dominate his work for the remainder of his career. In The Owls - De Uilen “… Appel presents a form of painting full of emotion, immediacy and strength, which is tied to the archetypical, the original and the human image. The rough, simplified figuration fully reflects the primitive art and children’s drawings… (F. Steininger, Karel Appel, Bratislava 2005, p.39). In the best tradition of the CoBrA characteristics the present work shows all the qualities of an animal, just like a child would draw it.

Ruud Melchers Studio, Prinsengracht 845, Amsterdam, depicting the present lot Archive A.M. Hammacher, photograph made by Robert van der Raaden, Herengracht 356, Amsterdam, with annotations by Karel Appel on the verso

PROPERTY OF AN IMPORTANT PRIVATE DUTCH COLLECTOR

17 KAREL APPEL 1921-2006

The Owls - De Uilen Signed and dated ‘48, titled on the reverse Oil on canvas 60 by 40 cm. Provenance Galérie Colette Allandy, Paris Collection Anton Rooskens, Amsterdam Collection Benjamin Bernstein, Philadelphia, U.S.A. Private Collection, Amsterdam Christie’s Amsterdam, 10 December 1992, lot no. 307, illustrated Private Collection, The Netherlands Private Collection, The Netherlands, acquired from the above by the present owner Exhibited Amstelveen, Cobra Museum voor Moderne Kunst, Cobra Cities. De kunstenaars en de metropool. The Artist and their Metropoles, 2 June - 7 October 2012 This work is registered in the Archive of the Karel Appel Foundation € 180.000-250.000 R

Verso

18 EUGĂ&#x2C6;NE BRANDS 1913-2002 Untitled Signed and dated 1983 on the reverse Gouache 55 by 48 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 1.500-2.000 R

19 ANTON ROOSKENS 1906-1976 Untitled Signed and dated 65 Gouache and ink on paper 50 by 75 cm. â&#x201A;Ź 3.000-5.000 R

20 GEER VAN VELDE 1898-1977

Composition Signed with the initials Gouache 22 by 20 cm. Provenance Private collection, Paris Acquired directly from the above by the present owner â&#x201A;Ź 3.200-3.500 R

GEER VAN VELDE

Personnage sur la terrasse

Composition

Gouache on paper 19.8 by 25.7 cm.

Signed with the initials Gouache on paper 26.8 by 20.4 cm.

1898-1977

Provenance Private collection, Europe Sold with certificate of authenticity signed by Piet Moget and dated 18-08-1996, no. 3

1898-1977

Provenance Private collection, France â&#x201A;Ź 5.500-6.500 R

â&#x201A;Ź 5.500-6.500 R 23

23 R O B PA R R Y b. 1925

Sofa bed, 1950s Metal, wood and fabric, newly upholstered. 210 by 73 by 64 cm. Executed by Gelderland Literature Hans Ibelings, Rob Parry, The Architecture Observer and Rob Parry, 2015 € 2.000-2.500

24 POUL HENNINGSEN 1894-1967

An early ‘PH 3/2’ table lamp, circa 1930 Produced by Louis Poulsen Stamped PAT. APP Patinated bronze, polished and frosted glass, with switch in the base 45.5 by 28.5 cm. Provenance Christie’s Interiors-south Kensington, Style & Spirit, 24 November 2015, Lot 59 € 1.500-2.000

25 POUL HENNINGSEN 1894-1967

Hanging Lamp, 1930 Pendant, bakelite socket cover, lamp shade holder with 2/2 yellow matt glass shade set 20 cm. by 21 cm. diam. Produced by Louis Poulsen in the 1930’s, marked PH-lamps patented, and PH-2 patented € 500-800

26 GEORGE NELSON 1908-1986

Platform bench, circa 1950 Model no. 4692 Walnut and metal 36.5 by 183.7 by 47 cm. Executed by Herman Miller Provenance Gordon Watson Gallery, London € 2.000-3.000

27 CHARLOTTE PERRIAND 1903-1999

Cansado sideboard, circa 1950 Steel base, wood structure and grips, lacquered sliding doors 72 by 158 by 45 cm. Edited by Steph Simon (1902-1982) Provenance Cité Cansado, Mauritania (Africa) € 12.000-14.000

Perriand’s work targeted on functional living spaces in the belief that better design helps in forming a better society. The name of the present sideboard derives from the city called Cansado and is a main architectural project in Mauritania of 750 housing units constructed between 1959 to 1963. This sideboard was part of the designs created for the houses of the city. Perriand collaborated with the manufacturer Steph Simon for this project.

28 CHARLOTTE PERRIAND 1903-1999

Cansado bench, circa 1958 Oak-veneered wood, oak, plastic laminated covered wood, painted metal and fabric. 23 by 260 by 70 cm. Manufactured by Steph Simon and editioned by Galerie Steph Simon, Paris € 18.000-22.000

29 MARC RIBOUD b. 1923

Untitled, China, 1960s Vintage gelatin silver print 30 by 20 cm. Verso: photographer’s stamp and a collection stamp € 1.500-2.000 R

30 HANS J. WEGNER 1914-2007

Pair of Shell Chairs, circa 1950 Model FH 1936 Beech wood and teak 70 by 71 by 60 cm. Manufactured by Fritz Hansen in Denmark â&#x201A;Ź 10.000-15.000

Hans J. Wegner is a key figure for Danish chair design with a track record of designing many chairs such as the international recognised Hans Wegner Wishbone Chair, Wegner Wing Chair, and Wegner Shell Chairs. The balance of form as much as function lies in reaching the ultimate userâ&#x20AC;&#x2122;s comfort within a sculptural work of art.

31 ANDRE BLOC 1896-1966

Bellevue Chair, circa 1950 Plywood and varnished steel 83 by 40 by 45 cm. Literature Von Vegesack, 100 Masterpieces from the Vitra Design Museum Collection, p. 118-119; Favardin, Les Decorateurs 50 des Annees, p. 282-283 € 10.000-12.000

This rare piece is most probably named after Bloc’s Bellevue house in Meudon, France. Architect André Bloc was in his work inspired by the flowing abstract forms of the sculptures by Jean Arp. All models have a S-shaped backrest and seat that are made of a single piece of material supported by a metal construction. Other designers had already been challenging themselves to make a chair out of one piece ve Rietveld with his ‘Zig-Zag’ chair combining a wooden back, seat and frame into one piece. Opposingly, as it was impossible for Bloc to make his chair from one piece, he held onto the contrasting elements leaving behind these structural difficulties.

32 HORACIO GARCIA ROSSI 1929-2012

Sensa Titelo Acrylic on canvas Signed and dated 1976 on the stretcher 50 by 50 cm. Provenance Private collection, the Netherlands â&#x201A;Ź 2.500-3.000

33 GERRIT THOMAS RIETVELD 1888-1964

Desk, designed circa 1933-35 Executed by Gerard van de Groenekan in 1970 Stained and ebonised oak, painted steel and aluminum and glass top 70 by 151.5 by 90 cm. Provenance Haver commission, 1970 Sotheby’s Amsterdam, 7 December 1988, lot 4290; From where acquired by the present owner Literature Similar examples illustrated in: P. Vöge, The Complete Rietveld Furniture, Amsterdam, 1993, p. 81, fig. 113; M. Kuper, I. Van Zijl, Gerrit Th. Rietveld, London, 1992, Utrecht, p.134, fig. 162. € 15.000-20.000 This type of desk is published in the Metz&Co catalogues from the 1930’s. However, this firm had not a monopoly on the fabrication, as a version, like the present one, is located in the Centraal Museum, Utrecht and was produced by Van de Groenekan. An accompanied copy of correspondence from 1988 documents the manufacture of the present desk.

34 FINN JUHL 1912-1989

Set of Two ‘Easy’ Chairs, circa 1950 Model FD 136 Leather and teak 77 by 80 by 75 cm. Manufactured by France & Son € 10.000-12.000

35 PETER HVIDT AND ORLA MOLGAARD-NIELSEN 1916-1986 and 1907-1993 X-Chair, circa 1960 Cane, Teak 72 by 56 by 75 cm. Executed by Fritz Hansen € 2.000-2.500

36 C H A R L O T T E VA N PA L L A N D T 1898-1997

Femie leunend op elleboog Inscribed with the artist’s monogram and stamped with the foundry mark Binder Bronsgieterij Bronze with brown patina 52 by 38 by 25.2 cm. Conceived in 1929 and casted probably in the 1970’s € 28.000-35.000 R 34

37 AT T R I B U T E D T O G I N O S A R F AT T I 1912-1985

Ceiling lamp, 1950s Metal, glass bulbs 20 cm by 149 diam. cm. Executed by Arteluce, Italia € 8.000-10.000

38 A L B E R T R E N G E R - PAT Z S C H 1897-1966

Hyacinthus, Germany, ca. 1955 Vintage gelatin silver print 38 by 28 cm. Verso: the photographer’s Wameldorf stamp, the title and an exhibition label € 5.000-7.000 R

39 JAN HENDERIKSE b. 1937

Stars and Stripes Signed, dated 1996 and numbered 2/13 Light installation in a wooden case 52 by 57 by 6 cm. Provenance Private collection, Düsseldorf € 2.000-3.000 R

40 JOSEF NEUHAUS 1923-1999 Untitled Dated 1976 and Studio Mark on the reverse White painted wood 60.2 by 60.2 by 3 cm. â&#x201A;Ź 3.000-4.000 R

41 JAN SCHOONHOVEN 1914-1994 T86-96 Signed, titled and dated 1986; signed, titled and dated 1986 on the reverse Ink on paper 50 by 32.5 cm. Provenance Private collection, Paris Acquired directly from the above by the present owner â&#x201A;Ź 3.000-4.000 R

42 JAN SCHOONHOVEN 1914-1994

Neuer Kunst in Europa Signed and inscribed Div III; signed, inscribed ontwerp voor omslag “Neuer Kunst in Europa” NKIF nr 8-2e jahrgang and dated 1985 on the reverse Ink on paper 42 by 28.5 cm. Provenance Private collection, Paris Acquired directly from the above by the present owner € 3.000-4.000 R

JAN SCHOONHOVEN

Untitled

Signed Schoonhoven and dated 1988 Lithograph 490 by 590 mm.

Signed Schoonhoven and dated 1972 Lithograph 490 by 320 mm.

€ 150-200 R

1914-1994

45 YVES KLEIN AND WERNER RUHNAU 1923-1999 and b. 1922 Monochrome blue Titled and annotated Klimatisierung des Raumes zur erinnerung an die zusammenarbeit met Yves Klein in Gelsenkirchen 1957-1960 Werner Ruhnau, numbered 89/700 Plaster with blue pigment in a perspex box 19 by 25 by 1 cm. â&#x201A;Ź 10.000-15.000 R

46 BRUCE BARNBAUM b. 1943

Rocks, Pebble Beach, USA, 1977 Vintage gelatin silver print 38 by 48.5 cm. mounted on cardboard Recto: signed and dated by the photographer in pencil under the image â&#x201A;Ź 600-800

47 HENK PEETERS 1925-2013 Untitled Signed and dated 3 sep. 1973 on the backing; numbered 24/100 affixed on the backing Sand on paper 41 by 41 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 900-1.200 R

48 C A R L O T TA C O P R O N 1901-1988

Chamberd Nautulus in concave mirror, circa 1948 Vintage gelatin silver print, 32.5 by 27 cm. Signed and titled by the photographer on the over mat Verso signed and titled by the photographer in ink â&#x201A;Ź 1.000-1.500

49 JOSEF NEUHAUS 1923-1999 Untitled White painted wood Signed and dated 1973 on the reverse 30 by 30 by 1 cm. â&#x201A;Ź 1.500-1.800 R

50 TOM MOSLEY b. 1927

Shadowbox Plexiglass, paper and wooden case Signed, titled, dated 1977, inscribed c-2/77 and numbered 5/10 on the backing 41 by 40 by 5 cm. Provenance Private collection, the Netherlands â&#x201A;Ź 500-700 R

51 HEINZ MACK b. 1931

Ohne titel Signed and dated 99 Aluminum foil laid down on carton 37 by 42 cm. â&#x201A;Ź 5.000-7.000 R

52 HERBERT ZANGS 1924-2003 Untitled Signed and dated 58 Cotton with white and black dispersion paint 117 by 114 by 10 cm. Provenance Galerie Benden & Klimczak, Viersen, where acquired by the present owner Literature Susannah Cremer-Bermbach, Herbert Zangs, Essen 1996, p. 97, no. 122, illustrated in colour Susannah Cremer-Bermbach, Herbert Zangs, Essen 1996, p. 209, no. 122 Sold with the certificate of authenticity signed by E. De Martelaere, Prof Siegfried Crmer, Dr. Erich Franz and Dr. Sussannah Cremer-Bermach, no. 95-10-006 â&#x201A;Ź 20.000-30.000 R 43

53 BERNARD COHEN b. 1933 No.8 Signed, titled, dated 1967 on the stretcher bars Acrylic on canvas 183 by 244 cm. Provenance Kasmin Ltd., London Acquired from the above by the Peter Stuyvesant Foundation, July 1967 Private Collection, UK Exhibited London, Kasmin Ltd., Bernard Cohen, July 1967, un-numbered exhibition Adelaide, Art Gallery of South Australia, Sixth Annual Festival of Arts, Recent British Painting (sponsored by the Peter Stuyvesant Trust), 1970, cat. no.70 â&#x201A;Ź 7.000-10.000 R 44

54 JAN SCHOONHOVEN 1914-1994 T 85-66 Signed and dated 1985 Ink on paper 98 by 63 cm. Provenance Private collection, Paris Acquired directly from the above by the present owner â&#x201A;Ź 30.000-35.000 R 45

55 GÜNTHER FÖRG b. 1952

Untitled Signed and dated 2004 Acrylic on board 40 by 60 cm. Provenance Galeria Carles Taché, Barcelona € 18.000-25.000 R

Daan van Golden lives and works in the Netherlands. His work has influences deriving from Pop art, Abstract Expressionism, Minimalism, and Conceptual Art, and integrates themes relevant to our daily lives. He won the prestigious Foundation for Lifetime Achievement Award for Visual Art, Design and Architecture (BKBV) in 2011 for his artistic contribution and his work can be found in major important private collections. Daan van Golden has always worked slowly, having even stopped working for almost a decade in the late sixties. His work is considered to be rare and for the most part it resides in the collection of Dutch museums. The present lot: Study A.G. by Daan van Golden is a reflection of Swiss artist Alberto Giacometti (1901-1966). The three dimensional sculpture was recreated by van Golden to a contour of Giacometti’s art, and is undeniably reflective of the sculpture Woman Standing (Leoni), 1947 (Guggenheim, New York). Executed in 2000, Study A.G. exemplifies Daan van Golden’s redefinition of form through appropriation. A constant factor in this capricious oeuvre is his use of existing images. He is fascinated by the changes and distortions displayed by an image when it is executed in another medium. Daan van Golden shows that the unique beauty and identity of an object can be shown through in-depth study. For his first silhouette painting (Study H.M.) Van Golden choose a detail from a famous Henri Matisse painting: The Parakeet and the Mermaid, 1952 (Stedelijk Museum, Amsterdam). It is no coincidence that Van Golden’s first silhouette work is inspired by Matisse; the celebrated French painter is the inventor of the gouache cut-out in pure colors. More than an act of homage, Van Golden draws the distinction between perception and apperception. Van Golden’s work, as shown in the present lot, shows extreme tension between the pattern and the background, and through its exploration he underlines the importance of emptiness to the definition of forms and calls into question the visual certainties of the spectator. Meticulously painted against a flat monochrome background the motif is reproduced accurately, the formal and and laborious technique reframes the original object, imbuing it with new meaning. Since the 1960s, he has been the subject of numerous solo shows at institutions including The Stedelijk Museum, Amsterdam; The Stedelijk Museum, Schiedam, The Netherlands; Le Consortium, Dijon; Museum Boijmans van Beuningen, Rotterdam; Gemeente Museum, The Hague, the Netherlands; Musee d’art modern et contemporain, Geneva; Musée des Arts Contemporains de la Communauté Française de Belgique, Grand Hornu; and Wiels, Brussels.

Artistâ&#x20AC;&#x2122;s studio, Schiedam, circa 2010

PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION

56 DAAN VAN GOLDEN b. 1936

Study A.G. Signed in felt tip pen on a label on the reverse; titled and dated 2005 II/ IV on a separate label affixed to the stretcher Oil on canvas 190 by 95 cm. Provenance Acquired directly from the artist by the present owner Exhibited Rotterdam, Museum Boijmans van Beuningen, Daan van Golden - Golden Years, 26 August 2006 - 5 November 2006 Den Haag, GEM, Daan van Golden - Reflecties, 1 February 2014 - 4 May 2014 â&#x201A;Ź 280.000-350.000 R

57 MAURITS CORNELIS ESCHER 1898-1972

Nachtelijk Rome: Zuil van Traianus (b.257) Woodcut, 1929, signed in pencil L. 350 by 222 cm.; S.330 by 182 mm. € 3.000-5.000 R 52

58 MAURITS CORNELIS ESCHER 1898-1972

Goriano Sicoli, Abruzzo, juli 1929 (b.125) Lithograph, 1929, on wove paper signed in pencil, with margins, numbered 25/30 L. 250 by 290 mm.; S. 280 by 230 mm. € 3.000-5.000 R

59 MAURITS CORNELIS ESCHER 1898-1972

Barbarano, Cimino, december (b.129) Lithograph, 1929, on wove paper signed in pencil, with margins, numbered 2/24 190 by 240 cm.; S. 172 by 233 mm. € 4.000-6.000 R 53

60 CLARENCE WHITE 1871 – 1925

Landscape - Winter, USA, 1908 Vintage photogravure from Camera Work nr. 23 15.3 by 18.9 cm., on the original page € 1.000-1.500

61 EVA BESNYÖ 1910-2003

Keizersgracht, Amsterdam, 1951 Vintage gelatin silver print, 21 by 18 cm. Verso: photographer’s stamp Provenance From the artist to the present owner Literature Eva Besnyö. Monographs on Dutch Photographers, Amsterdam 1999. Comp. p.136 and 140 Eva Besnyö ; Een halve Eeuw Werk, Amsterdam, 1982, compare. p.159 € 1.500-2.000 R

PROPERTY FROM THE COLLECTION OF THE LATE MRS. BEPPIE ESKES-RIETVELD, AMSTERDAM

62 EDGAR FERNHOUT 1912-1974

Fragment schrijvend meisje Signed and dated 1929 on the reverse; and signed,dated 1929, inscribed edgar fernhout fragment schrijvend meisjes-figuur by another hand Oil on canvas 9.4 by 30.4 cm. Provenance Mrs. Beppie Eskes Rietveld, Amsterdam Literature Nicolaas Jenno Brederoo, Een familie van kunstenaars; Charley Toorop en Edgar Fernhout, Enschede 1985, p. 13 Aloys van den Berk, Jozien Moerbeek and John Steen, Fernhout, Amsterdam 1990, p. 114 â&#x201A;Ź 15.000-18.000 R

Antoon van Welie (1866-1956) is a Dutch Symbolist painter, well known for his portrait works. He was born and raised in a Catholic family in Afferden, a small town in the province of Limburg, in the south of The Netherlands. Van Welie was educated at the Royal Academy of Fine Art in Antwerp, Belgium, from 1886-1887. The same year, he entered a competition held by the Dutch King Willem III. The prize was a not inconsiderable amount of 2.000 francs and a scholarship. Having won the prize, he was able to make the Grand Tour, and travel through Italy, France and Germany, like all great painters of his time In 1895 Van Welie was appointed as a teacher at the ‘Koninklijke School voor Nuttige en Beeldende Kunsten’ in ‘s- Hertogenbosch, The Netherlands, and mythical stories, legends and fairytales became the main subjects of his work. This is exemplified by the current lot- Ophelia (1898-1899) – as well as Van Welie’s interpretation of the timeless love story of Tristan and Isolde (1901-1919) and Paolo and Francesca (1896-99). They represent their naturalist interest and taboo topics but in a covered up manner. The stylistic elements Symbolists use are not allegories, but are intended to awaken particular states of the mind. Though the Symbolist movement began in France, Symbolism was an international avant-garde movement that spread across Europe and North America during the last two decades of the nineteenth century. Symbolist artists, among of them was Van Welie, were especially inspired by Pre-Raphaelites, such as; Dante Gabriel Rossetti, William Morris, Edward Burne – Jones and John William Waterhouse. The present lot [insert lot number] is a depiction of a scene from Shakespeare’s Hamlet (Act IV, Scene VII) in which Ophelia - driven out of her mind when her father is murdered by her lover Hamlet - drowns herself. The story of Ophelia inspired a number of fin de siècle artists; Sir John Everett Millais (1829-1896) and John William Waterhouse (1894-1917) who preceded Van Welie. “When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide; And, mermaid-like, awhile they bore her up: Which time she chanted snatches of old tunes; As one incapable of her own distress, Or like a creature native and indued Unto that element: but long it could not be Till that her garments, heavy with their drink, Pull’d the poor wretch from her melodious lay To muddy death" - William Shakespeare, Hamlet

63 ANTOON VAN WELIE 1866-1956 Ophelia Signed and dated 1898-99 lower left Watercolour, pastel and pencil on paper 35 by 45 cm. Provenance Sale, Amsterdam, Sotheby’s, 23 April 2001, lot 139, where acquired by the present owner Exhibited Rotterdam, Kunstzalen Unger & Van Mens, Tentoonstelling van Portretten en andere Werken door Antoon van Welie, 25 May - 22 June 1919, no. 27 The Hague, Kunstzaal Kleykamp, Tentoonstelling van Werken van Antoon van Welie, 18 December 1937 - 9 September 1938, no. 10 The Hague, Louis Couperus Museum, Antoon van Welie (1866-1956). Portrettist en Symbolist, 19 June - 16 November 2003 The Hague, Museum Mesdag, Dubbel tentoonstelling Antoon van Welie, 21 June - 7 September 2003 Nijmegen, Museum het Valkenhof, Antoon van Welie; de laatste decadente schilder 1866-1956, 13 April - 12 August 2007 Literature C. Mauclair, Antoon van Welie. Un peintre Hollandais, Paris 1924, plate 76 Exhibition catalogue, Louis Couperus Museum, Antoon van Welie (1866-1956). Portrettist en Symbolist, 2003, p. 14 illustrated K. van Lieverloo and P. Roelofs, Antoon van Welie. De laatste decadente schilder (1866-1956), Zwolle 2007, p. 227 illustrated in colour ESTIMATE ON REQUEST 56

64 VICENZO PINTO 1870-1939

Mask, mid-20th century Signed Pinto. V. Vietri on reverse Glazed earthenware 22.3 by 19.6 cm. € 1.200-1.500 The family company of the Pinto’s is established in the beginning of the 19th century and exported the famous Vietri tiles from 1920 onwards. Many important designers were occupational in the workshop such as Rossi (founder of the Salerno School for Ceramics), Rivetti, Carrano and architect Giò Ponti. Rosaura and Carlo Pinto are the workshop’s current directors who hold onto the authentic techniques and designs.

65 C H A I R ‘ B Ä R C E M A’

Ethiopia, Walga, Jima or Galla, mid-20th century or earlier Carved from a single piece of wood, with red-brown patina 81 cm. by 45 diam. cm. Provenance Private European collection Literature Cat. Tom Phillips (Ed), Africa-The Art of a Continent, 1995, pp 128-129 Cat. Sandro Bocola (Publ.) Afrikanische Sitze, 1994, p 166, no. 142 Cat. Sotheby’s New York, May 25 1999, no. 156 € 1.200-1.800

66 TIM SHAW AND KEITH BROCKLEHURST b. 1959 and b. 1946 ‘Pineapple Thesis’, 1988 Unique piece Signed, dated and numbered Tim Shaw 1988 - 1/1, with crown and R.C.A. The Pineapple is made out of two pieces with small attached pineapples, the stand shaped as a jumping frog, diving predatory bird and a flying butterfly. Pâte de verre, enamel, bronze mount, plastic and stand made out of corten steel Pineapple: 58 by 30 cm. Stand: 64 by 59 cm. Total height: 120 cm. Provenance Herman Dommisse Collection since 1989, with Jeanette Heyhurst Fine Glass, London Exhibited Glas van de Rietveld, Nationaal Glasmuseum Leerdam, 1996-1997 € 3.600-4.200

67 D I S P L AY D O L L

South Africa, Ndebele, Natal, around 1980 Dressed as a young girl wearing a coloured blanket, aprons and rings Wood with straw, wool, coloured glass beads and metal Height: 54 cm. Provenance Private European collection Literature Elisabeth L. Cameron, Isn’t she a doll? Play and ritual in African sculpture, UCLA Fowler Museum of Cultural History, Los Angeles, 1996, p. 110 and p. 116 for a photograph of miss Zuma’s home in Kwalatha where she has dolls and beadwork for sale, comparable with the offered one Frank Jolles, African Dolls - The Dulger-Collection, Stuttgart, 2010, p. 51, the two main doll-makers Hluphekile MaMchunu Zuma and Japha MaButhelezí Mhlongo pictured in 1989, the catalogue entirely dedicated to African Zulu dolls from the second half of the 20th century € 400-600

68 NECKLACE

West-Africa, Senegal, 19th/20th century and earlier Composed of old glass beads, shell, stone, metal and other materials Length: 46 cm. Provenance Herman Dommisse Collection € 300-500 59

69 BRUCE DAVIDSON b. 1933

Marilyn Monroe and Arthur Miller, USA, 1960 Vintage gelatin silver print,19.5 by 29.5 cm Verso: Photographer’s copyright stamp and a collection stamp Some light handling marks but overall in very good condition € 2.500-3.500

70 KEES VAN DONGEN 1877-1968

Meisje met geloken ogen Lithograph printed in colours, signed and numbered 86/250 49 by 35 cm. Provenance Private collection, Paris Literature J. Juffermans / J. Juffermans Jr., Kees van Dongen: Het complete grafische werk, Utrecht 2010, p. 40, JL 16, illustrated € 12.000-15.000 R

71 EVA BESNYÖ 1910-2003

Rotterdam after the bombardment, Netherlands, May 1940 Gelatin silver print, 27.5 by 23.5 cm, printed in the 1940s The only early print of this image known to exist Provenance Willem Diepraam, Amsterdam Literature Eva Besnyö, Een halve eeuw werk, Amsterdam, 1982, p.95 € 1.500-2.000 R

72 HENRI CARTIER-BRESSON 1908-2004

Marilyn Monroe during the shooting of ‘The Misfits’ by John Huston, USA, 1960 Vintage gelatin silver print, 25 by 17 cm. Verso: the photographer’s stamp, a press stamp and a collector’s stamp € 4.000-6.000 R

73 KEES VAN DONGEN 1877-1968

Monte Carlo Signed and titled Pen on paper 27.5 by 36.2 cm. Executed circa 1900 Provenance Dolly van Dongen, France Private Collection, France Acquired from the above by the present owner circa 1995 Literature Included in the forthcoming Van Dongen Catalogue RasionnĂŠ being prepared by J. Chalom des Cordes under the sponsorship of the Wildenstein Institute Sold with the certificate of authenticity by Jacques Chalom des Cordes, Wildenstein Institute, No. 99111669872166, Paris, dated November 16, 1999 â&#x201A;Ź 10.000-15.000 R

74 JACQUES HENRI LARTIGUE 1894-1986

Zizou in his tire boat, Chateau Rouzat, France, 1911 Signed by the photographer on the over mat and under the image Nr. 6 from an edition of 50 prints Gelatin silver print, 1972 from the Witkin- Berley portfolio, mounted on cardboard â&#x201A;Ź 800-1.200 R 64

75 R O B E R T C A PA 1913-1954

Tai’erzhuang, Xuzhou Front (Destruction during the Sino-Japanese war), China, 1938 The photographer’s Pix agency copyright stamp on the verso Vintage gelatin silver print 20 by 24 cm. € 2.500-3.500 R

76 MAURICE LOWEY AND PIERRE HENRI PUISEUX 1833-1907 and 1855-1928

Photographie Lunaire, Agrippa – Mer des Vapeurs – Apennins, France, 1903 Heliogravure 56.5 by 46.5 cm. (79 by 60 cm.) Plate XLVII from the Atlas Lunaire, Brussels 1896–1910 Recto: titles and descriptions in print € 1.000-1.500 R 65

77 LEO GESTEL 1881-1941

Spaansche Zigeunerin - Spanish Gipsy Woman Signed and titled Chalk, pastel and watercolor on paper 68 by 53 cm. Provenance Private collection, the Netherlands Acquired directly from the above by the present owner € 3.500-5.000

78 KEES VAN DONGEN 1877-1968 La Prière Watercolour, gouache, Chinese ink and crayon on paper 35.6 by 25 cm. Provenance Christie’s, New York, 6 novembre 1991, lot 142 Sotheby’s, New York, 25 mars 2010, lot 84 Acquired from the above by the present owner This work will be included in the forthcoming Van Dongen Catalogue critique being prepared by Jacque Chalom des Cordes under the sponsorship of the Wildenstein Institute Sold with the certificate of authenticity by Jacques Chalom des Cordes, Wildenstein Institute, No. 0809291071216, Paris, dated 30 September, 2008 € 30.000-50.000 R

79 YVES BROWN 1897-1981

Paardenrace, Duindigt Signed Oil on board 32 by 43 cm. Provenance Private collection, the Netherlands Acquired directly from the above by the present owner € 2.500-3.000 R

80 JAN SLUIJTERS 1881-1957

Liggende baby Signed Watercolor and pencil on paper 20 by 29.5 cm. Provenance Private collection, the Netherlands Acquired directly from the above by the present owner € 1.000-1.500 R

81 EUGENE ROBERT POUGHÉON 1886-1955

Femme avec foulart vert Signed Oil on canvas 55 by 46 cm. Provenance Private collection, Paris Acquired directly from the above by the present owner € 2.000-3.000 R

82 TOON KELDER 1894-1973

Two female nudes, ca. 1930 Signed Kelder, lower left Oil on canvas 31.6 by 45.7 cm. â&#x201A;Ź 7.000-9.000 R 69

83 H E N D R I K J A N W O LT E R 1873-1952

Koopmansbeurs, Rotterdam Signed Oil on plywood 32 by 43 cm. Â Provenance Private collection, the Netherlands Acquired directly from the above by the present owner â&#x201A;Ź 6.000-8.000 R

84 ALEXANDER MAX KOESTER 1864-1932

Sieben Enten im Schilfwasser Signed Oil on canvas 50 by 73 cm. â&#x201A;Ź 12.000-15.000

85 JAMES CRAIG ANNAN 1864-1946

Sterling Castle, Scotland, 1907 Vintage photogravure from Camera Work nr. 19 on the original page 15 by 21.7 cm. â&#x201A;Ź 1.000-1.500 R

86 AART KLEIN 1909-2001

Oesterpunt, Ierseke, 1961 Titled, dated and signed by the photographer with his name stamp on the verso Vintage exhibition silver print 59.5 by 50 cm. Some handling marks; still a beautiful object Literature Aart Klein, Reflex, 1986, p.4 â&#x201A;Ź 1.000-1.500 R

87 SAMUEL BOURNE 1834-1912

India, 1862–1865 Vintage albumen print, 23.5 by 28.5 cm., mounted on the original album page (33.5 by 28.5 cm.) € 800-1.200

88 AT T R I B U T E D T O H E R B E R T P O N T I N G 1870-1935

Untitled, England, ca. 1910 Gelatin silver print, 40 by 50 cm. € 1.000-1.500

89 ADRIAAN BOER 1875-1940

Dutch polder view, 1906 Vintage carbon print, mounted on cardboard, 47 by 58.5 cm. Recto: signed in the image lower right in pencil Adriaan Boer was an important pastoralist photographer and a central figure in the Dutch photography world during the first decades of the 20th century € 2.000-3.000

90 AT T R I B U T E D T O W A LT E R K N O L L 1876-1971

Pair of cubic lounge chairs, 1960s Plated nickel, newly upholstered in a cream/gold Ploeg fabric and new foam 74 by 76.5 by 76.5 cm. € 3.000-3.500

91 RICHARD TEPE 1864-1952

Gladiolus Johanna and Iris Aurea, probably 1920’s A pair of vintage, brown toned gelatin silver prints, 16.2 by 11 and 16.2 by 11.7 cm respectively Verso: both signed and titled in pencil € 1.500-2.000 R

92 WILLI GUHL 1915-2004

Two garden chairs, 1954 Eternit or fibre cement 53 by 85,5 by 55 cm. Executed by Eternit, Niederuren â&#x201A;Ź 4.000-5.000

93 LEO GESTEL 1881-1941

Belgische Vluchtelingen Signed lower right, titled and dated 1914 lower left; inscribed on the verso nr. 37 in den avond Charcoal on paper 45.5 by 62 cm. Provenance Collection Dr. A.H Haentjens until 1939 Private collection, the Netherlands Exhibited Amsterdam, Stedelijk Museum, De vlucht uit België, avond” illustratieve tekeningen door Leo Gestel als “In den avond”, February 19 1916 - May 3 1916, nr. 37 Leiden, Museum de Lakenhal, Utopia 1900 - 1940. Visies op een nieuwe wereld, 22 September 2013 - 5 Januari 2014 Amersfoort, Museum Flehite, Belgen op de vlucht. Gastvrij Amersfoort 1914-1918, October 4 2014 - January 4 2015 Literature M. Savrij & Zn, Souvenir hunnen hooggeachten afnemers aangeboden door M. Savrij & Zoon, vernisfabrikanten te Haarlem, ter gelegenheid van het vijf en zeventig-jarig bestaan hunner firma, 1841-1916, Haarlem 1916; Catalogue exhibition Museum de Lakenhal, UTOPIA 1900 - 1940. Visies op een nieuwe wereld, Leiden 2013, p. 65, illustrated in colour € 10.000-15.000 76

94 LEO GESTEL 1881-1941

Het uitgaan van de Opera, Parijs Signed Watercolour on paper 32 by 50 cm. Provenance Kunsthandel Ivo Bouwman, The Hague Private collection, the Netherlands Acquired from the above by the present owner â&#x201A;Ź 45.000-55.000

The ellipse shape is inspired by the shape of the dashboard of a Bugatti type 50 automobile. Lemmens designed and made only twenty Bugatti vases, executed in varied types and colours of Japanese lacquer, all based on feet made out of precious materials. Lemmens was focused on the lacquer technique from the eighties onwards establishing a high qualitative oeuvre. His trademark is the Japanese lacquer technique combined with a European style, partly influenced by the Art Deco.

JEAN LEMMENS b. 1945

MAX INGRAND FOR F O N T A N A A R T E , I T A LY

‘Ettore Bugatti Vase, No 1’, 1985 Unique piece

Mirror, circa 1960 Model 1699

Signed and dated Jean Lemmens 1985, engraved on foot and with the artist’s seal in red lacquer on the bottom Japanese red and gilt lacquer on brass, brass feet above two ivory feet with ebony 40 by 21 cm. Provenance Herman Dommisse Collection, with Gallery Marzee, Nijmegen, 1989 Literature Astrid Fobelets, Jean Lemmens –Zilversmid en Lakkunstenaar, Brussel, 2004, p. 44-46, illustrated p. 48, no. 50 € 6.000-9.000 R 78

Glass and brass 70 by 60.5 cm. € 3.500-4.500

97 KHO LIANG IE 1927-1975

Lounge Chairs, 1968 Model 703 Plated steel, nickel-plated steel, vinyl skai leather upholstery 76 by 62 by 77 cm. Manufactured by Stabin, the Netherlands € 1.500-2.000 Stabin was a Dutch steel construction company that manufactured interiors for busses and trains in the 1960’s. A newly acquired machine that could fuse plastic seams into vinyl for upholstery in public transportation inspired Kho Liang Ie to design these chairs.

98 MICHELE DE LUCCHI b.1951

Armchair ‘First’, 1983 Designed for Memphis in 1983, executed in 1983 for the Herman Dommisse Collection, Amsterdam. This chair comes from the set of six, all unsigned, of which one was acquired by the Stedelijk Museum, Amsterdam. Silver lacquered steel and painted wood 80 by 69 by 50 cm. Exhibited In the first Memphis exhibition in the Netherlands, ‘t Kruithuis, ‘s-Hertogenbosch (the current Museum voor Moderne Kunst), 20 April-27 May 1984, illustrated in the catalogue Memphis-Design’, 1984, p. 8 Literature Andrea Branzi, The Hot House-Italian New Wave Design, foreword by Arate Isozakí, London, 1984, XVIII New Design, p. 142-150, no. 386 € 500-700 Karl Lagerfeld sold his large Memphis collection, including ten early ‘First’ armchairs, in 1991 in Monaco. He wrote in the catalogue: ‘Memphis tried to breathe fresh air into the word ‘design…What I like about all the Memphis stuff is the humour of it…Memphis is a part of the history of the applied arts now. A new generation is discovering it and I hope they will love it as much as I did and still do.’

99 HEINZ HAJEK-HALKE 1898-1983

Windrosen, 1953 Gelatin silver print, printed ca. 1960 55 by 42.5 cm. (60 by 50 cm.) Recto: signed and titled by the photographer under the image in ink Verso: titled and editioned by the photographer Fassg. 1, Auflg. 10. With the name stamp of the photographer. Literature Phantasie und Traum: Das lichtgraphische Spätwerk von Heinz Hajek-Halke. Munich, 2008, ill. p.19 € 3.000-4.000 R

100 CEES BRAAKMAN 1917-1995

Sewing box, 1950s Produced by Pastoe Birchwood lacquered in red, grey, black and yellow 65 by 37 by 26 cm. € 600-800 R Braakman was head of the Pastoe design team from 1945 to 1978, and was dedicated to the production of the first modern furniture line developing a consistent collection of furniture that is both functional and decorative.

101 LUIGI BAROLI b. 1951

Room divider, 1990s Cardboard, aluminum, metal 170 cm by 440 cm. Executed by Baleri Italia € 800-1.000

102 FA B I A A N VA N S E V E R E N b. 1957

Daybed, 1996, no. 9/10 Acrylic heavy duty industrial wheels, Woven thick black saddle leather, tubular metal 76 by 198 by 57 cm. Provenance This example was directly bought from the designer at the Kortrijk Biennale in 2000 by the previous owner Executed by the Van Severen workshop in Belgium in 2000 € 1.500-2.000

103 EVA BESNYÖ

Dutch-Hungarian 1910-2003 Broek in Waterland, Netherlands, 1944 Gelatin silver print, 26 by 22 cm., printed later Verso: Photographer’s copyright label Literature Eva Besnyö, Een halve eeuw werk, Amsterdam, 1982, p.102. € 900-1.200 R

104 ELLIOT ERWITT b. 1928

Group on a bench, Paris, 1951 Gelatin silver print 54.3 by 35.5 cm. (60 by 50 cm.), printed before 1982 Recto: signed by the photographer under the image in ink One slight handling mark € 1.000-1.500

105 ELLIOT ERWITT b. 1928

Bratsk, Siberia, 1967 Gelatin silver print, 37 by 55.4 cm (50 by 60 cm.), printed before 1982 Recto: signed by the photographer under the image in ink Literature Elliott Erwitt, Snaps, New York/London 2001, p.54-55 â&#x201A;Ź 2.000-3.000

106 ED VAN DER ELSKEN 1925-1990 Untitled Signed and dated Amsterdam 1983 on the verso Gelatin silver print, 25.5 by 20 cm. â&#x201A;Ź 1.500-2.000 R

107 JAN SLUIJTERS 1881-1957

Portrait Trudy Körner, painted circa 1911 Signed Oil on canvas 41 by 33 cm. Provenance Collection Jacques Goudstikker, Amsterdam, inv./cat.nr 976 Sale, Paul Brandt Amsterdam 24 May 1960 - 25 May 1960, lot nr. 162 met vermelding ‘Ancienne collection Galerie Goudstikker no 6173’ Private collection Jacob Kuijper, Amsterdam Private collection, the Netherlands Exhibited Laren, Singer Museum, Jan Sluijters, 16 December 1966 - 12 February 1967, nr. 71 with title: Portret Trudy Korner Utrecht, Galerie Quintessens, 5 July 1988 - 6 September 1988, nr.2 Maastricht, TEFAF 2009, 2009-03, stand Studio 2000 Amsterdam, Peter Pappot Kunsthandel, Jan Sluijters, 2 March 2011 - 3 May 2011, no. 19 Literature H.J. Kraaij, Moderne kunst in Brabant: een keur van meesters, p. 171, illustrated in colour RKD Archive, The Hague, Mrs. E. Kuijper-Sluijters 15.10.96: “One of the ‘Fauves’. Trudi Körner was a friend of Greet van Cooten. € 80.000-100.000 R

108 T S U G U H A R U F O U J I TA 1886-1968

Sans titre / Chien Signed and dated 1932 Watercolour on paper 29 by 20.5 cm. Provenance Private collection, Paris Acquired from the above by the present owner Sold with the certificate of authenticity issued and signed by Petrides and dated 5 December 1983, no. 17.281 â&#x201A;Ź 30.000-40.000 86

LOT 191 Detail 87

109 MARCO ZANUSO 1916-2001

Silver Op-Art Lady Chair, 1951 Plated Chrome, Brass, Fabric, Foam, Metal, Rubber, Wood 83 by 78 by 81 cm. The present chair is fully restored. The design was awarded with a gold medal at the 1951 ‘IX Triennale’ international design exhibition in Milan. The ‘Lady’ armchair was one of the first to contain foam rubber as upholstery creating comfortable furniture by means of the soft curves and lightness of the material. Literature De Guttry and Maino, Il Mobile Italiano Degli Anni ‘40 e ‘50, p. 282; Gramigna, Repertorio 1950-1980, p. 65; Albrecht Bangert, Italienischer mobeldesign, klassiker 1945-1985, p. 94; Penny Sparke, Italian Design 1870 to the present, p. 110. Executed by Arflex, Italy € 3.000-4.000

110 EDWARD STEICHEN 1879-1973

The Judgement of Paris, Landscape arrangement, 1903 Vintage halftone print, from Camera Work number 2, on the original page, 15 by 12 cm. Beautifully signed in pencil by the photographer under the image € 2.000-3.000

111 YNGVE ECKSTROM (Swedish, 1913-1988) ‘Accent’ Sofa, 1959 With new Kvadrat Tonica upholstery Sycamore, teak, upholstery, solid, metal hardware 75 by 216 by 75 cm. Manufactured by Swedese, distributed by Pastoe € 3.000-4.000

112 DOM HANS VAN DER LAAN 1904-1991

Bench, 1967 Galvanised metal base, stained pine 73 by 172 by 44 cm. € 8.000-10.000 R Dom Hans van der Laan, son of an architect, started his study architecture at the Technical University in Delft (1923-1926) but he quitted the program before completion and instead became a monk at the St. Paul’s Abbey in Oosterhout in the Netherlands. After the WW2, many building has been destroyed and Van der Laan’s took up a course in church design. Later on he became one of the leading figures of the School of Bossch, an architectural movement based on numerical relationships. He designed the Abbey Church of St. Benedictusberg, Vaals in the Netherlands in 1960 together with these benches and some other small monastery objects. Besides he designed on request some other pieces in very low numbers stating the rarity of his pieces and designs.

113 ANDRE VILLERS b. 1930

Untitled Signed and indistinctly inscribed; signed, inscribed and dated Mars 1953 on the reverse Gelatin Silver Print 40.25 by 30 cm. € 1.500-1.800 R

114 ANDRE VILLERS b. 1930

Untitled Signed and indistinctly inscribed; signed, inscribed and dated Janvier 07 on the reverse Gelatin Silver Print 39 by 29 cm. € 1.500-1.800 R

115 JAN DE JONG 1917-2001

Chair, 1960 1/2 Beech wood with grey/blue lacquer 76.5 by 72 by 80 cm. Designed and executed in 1960 € 4.000-6.000 R Very rare modernist easy chair designed and produced by Dutch Architect Jan de Jong (1917-2001) in 1960. This chair is one of only 2 that were made by Jan de Jong in 1960. This chair was probably made for his own home/use. He undertook a course in churches architecture that was given by Hans Dom van der Laan (see bench lot 111). Jan de Jong was an architect who applied the Bossche school to buildings and furniture. A comparison between De Bossche school with ‘De Stijl’ from Gerrit Rietveld is easy to make based on this chair.

116 IN THE STYLE OF MARCO ZANUSO 1916-2001

Italian 1950s senior lounge chair Solid brass legs, rubber, wood, wool, newly upholstered by De Ploeg fabric with new interior 98 by 65 by 73 cm. € 1.500-2.000

117 TON A.C. ALBERTS 1927-1999

Zodiac Floor Lamp, circa 1970 Steel, rosewood and glass 60 cm. by 50 diam. cm. Executed by Raak € 2.000-2.500

118 BERNARD AUBERTIN 1934-2015

Dessin de feu Signed, titled, dated 1972 and inscribed on the reverse Burned matches and scorch marks on cardboard 65 by 50 cm. Provenance Galerie Benden & Klimczak, Viersen Galerie Parade, Amsterdam, where acquired by the present owner € 5.000-7.000 R

119

120

FERNAND LÉGER

JAN EISENLOEFFEL

1881-1955

1876-1956

Fleur sur fond orange et jaune Lithograph printed in colour, 1954, signed in pencil, numbered 5/200, from the album 10 Serigraphes 1954/55 310 by 380 mm. € 1.000-1.500

Hanging lamp ‘Nieuwe Kunst’, ca. 1907 Copper 117 cm. by 50.5 diam. cm. € 3.000-4.000 R

121 RICHARD MEITNER b. 1949

Small cylinder with stopper, 1979 Unique piece Signed and dated R. Meitner ’79 Black and white glass Height: 10.5 cm. Provenance Studio 40, The Hague; Herman Dommisse Collection, Amsterdam, 1980 Literature Cat. New Glass-A Worldwide Survey, Pilkington Group, organised by the Corning Museum of Glass, New York, USA, 1979, p. 152, no. 145, for nearby identical cylinders, 1978. € 300-500 R

122 HANS VAN DER WEIJDEN b. 1956

Archaistic candlestick, 1987 Unique piece Signed, dated and numbered Hans van der Weyden Sept. 1987 1/1 Brass, horn and crystal Height: 60 cm. Provenance Herman Dommisse Collection with Gallery Marzee, Nijmegen, 1988 € 500-800 R

123 RICHARD HUTTEN b. 1967 Coatrack ‘Dombo’, 2007 No. 3/8 Signed Dombo Stainless steel and injection moulded PPC 179 cm. by 87 diam. cm. € 1.500-2.000 R

124 LIZ LOWE b. 1956

Inca School Jar, 1985 Unique piece Signed and dated Liz Lowe 613 Inca School Jar Etched and enamelled glass Height: 16.5 cm. Provenance Herman Dommisse Collection with Adam Aaronson-Coleridge of Piccadilly, London, 1986 Literature Dan Klein and Margaret Bishop, 1986, Decorative Art 1880-1980, British Contemporary Glass, p. 250; See cat. Coburg 1985, p. 225 for a comparable example; A nearby identical vase from the ‘Inca Series’, 1987, is located in the Victoria and Albert Museum, London € 800-1.400 R 95

125 RICHARD SERRA b. 1938

Path and Edges Etching and ink, 2007, signed, dated and numbered 24/60 on the reverse 59.7 by 74.9 cm. Provenance Galerie Lelong, Paris € 3.500-4.000

127 BRAM VAN VELDE 1895-1981

126 BRAM VAN VELDE 1895-1981 Untitled Lithograph printed in colours, signed and numbered 65/100 Provenance Private collection, the Netherlands € 400-600 R 96

1973 Nocturne Lithograph, printed in colours, signed in pencil, numbered 46/300 500 by 650 mm. Literature Yves Riviere, Bram van Velde. Les Lithographies 1923-1973, Geneve 1973, p. 127, no. 109, illustrated € 300-400 R

128 RAIMUND GIRKE 1930-2002 Untitled White paint and ink on paper signed with the initial; signed and inscribed 13/61 on the reverse 23 by 32 cm. Provenance Private Collection, Germany, acquired directly from the artist Private Collection, the Netherlands Literature Dietmar Elger, Raimun Girke Malerie, Ostfildern 1995, p. 47 â&#x201A;Ź 8.000-12.000 R

129 FINN JUHL 1912-1989

Desk, 1960s Teak 71.5 by 175 by 94 cm. The Finn Juhl desk is part of the Diplomat series from the 1960s € 1.500-2.000

Finn Juhl is internationally celebrated as the father of the modern Danish furniture design. Juhl’s pioneering work in furniture design began in the 1930s. With the background of an architect, he invented modern furniture in response to the new trends in architecture emphasizing on form as much as on function. This was in contrast with the traditional styles with heavy ornaments and plush. His signature was the lightness of the seemingly floating back and seat, in juxtaposition with the hard wood of the frame. He was awarded with five Gold medals at the Milan Triennial.

130 FINN JUHL 1912-1989

Armchair, 1963 Model 209 Leather and teak 82 by 69 by 66 cm. With applied disc manufacturer’s label and impressed marks to underside Manufactured by France and Son (Denmark) Literature Hansen et al., Finn Juhl: Memorial Exhibition, p. 146 € 900-1.250

131 BERNARD AUBERTIN 1934-2015

Dessin de feu Signed, dated 1975 and titled on the reverse Burned matches and scorch marks on cardboard 60 by 54 cm. Provenance Galerie Beaubourg, Paris in 1975 â&#x201A;Ź 3.000-4.000 R

PROPERTY FROM AN IMPORTANT PRIVATE DUTCH COLLECTION

132 SERGE CHARCHOUNE 1888-1975

Composition I Signed and dated ‘43-44 Oil on cardboard 14.75 by 23.25 cm. Provenance The Redfern Gallery, London Major E.O. Kay, Great Britain Galerie Roche, Bremen Sale, Amsterdam, Christie’s, 15th May 2012, lot 148, illustrated Acquired from the aboveby the present owner € 5.000-7.000

100

133 BRAM BOGART 1921-2012

Vaques d’Ocre Signed and dated aug ‘54 on the stretcher; titled on the reverse Oil and sand on canvas 26 by 45 cm. Provenance Collection of Mr. and Mrs. Poelstra - Nanninga, Vlaardingen Anonymous Sale, Arts & Antiques Group, June 4 2012, lot 129 Acquired from the above by the present owner € 10.000-15.000 R

101

134 JERRY KEIZER b. 1938

Untitled Signed with the initials and dated 61; signed and dated â&#x20AC;&#x2DC;61 on the reverse; signed and dated 1961 on the stretcher Oil and sand on hessian 127 by 100 cm. Provenance Acquired directly from the artist by present owner â&#x201A;Ź 2.000-3.000 R

102

135

136

AT E L I E R S Y R É

WIM DE HAAN

Eagle, 1968

Composition

Earthenware with bronze glaze 35.5 by 17 by 9 cm.

Signed and dated 57 Oil and sand on hessian 70 by 100 cm.

Heinz Siery (b. 1927) and Ingrid Siery-Illgner (b. 1940)

Literature Horst, Makus and Marx Alexandra, Heinz & Ingrid Siery; KeramikBronzen-Raumgestaltung, Ein Leben mit der Kunst/Ceramics-BronzesInterior, A Life with Art, Arnoldische Art Publishers Decoration, 2013, a bronze example is illustrated at p. 141. € 1.700-2.000

1913-1967

Provenance Kunsthandel Borzo, Amsterdam Acquired directly from the above by the present owner € 3.000-5.000 R

Heinz Siery is active in the German ceramics industry for over 40 years. At the firm Carstens Tönnieshof he got to know his wife who was an employee of the firm and they formed a successful ceramics artist couple. They live together in a gigantic building of five connecting farms that is filled with their bronzes and ceramics. A bronze example of present piece is part of their collection and is situated in their garden. Few ceramic works of the atelier have been sold, just recently the works has been offered on the market probably because of the high age of mister Siery.

103

Vicky Ambery-Smith has earned an international reputation for her unique style of jewellery based on her interpretations of architecture -ancient and modern- a theme that has developed over 25 years. Her commissions are in great numbers and varied, including pieces for the Globe Theatre, Chase Manhattan Bank, Temple Bar, Emily’s List Awards and Robinson College, Cambridge. Work in the collections of the Victoria and Albert Museum, London; The Royal Scottish Museum, Edinburgh; Houston University, Texas, USA.

137 V I C K I A M B E R Y- S M I T H b. 1951

Architectural brooch ‘Basilica’, 1987 Unique piece Signed with her maker’s mark VAS and London hallmarks Silver, yellow and red gold with black enamel 4.5 by 4.8 cm. 26 grams Provenance Herman Domisse Collection, with Contemporary Applied Arts Centre, London, 1987 € 800-1.200 R

138 V I C K I A M B E R Y- S M I T H b. 1951

Architectural ring ‘Tuscan Village’, 1987 Unique piece Signed with her maker’s mark VAS and London hallmarks Silver, yellow and red gold 3.5 by 1.9 cm. 23 grams Provenance Herman Dommisse Collection, with contemporary Applied Arts Centre, London, 1987 Literature Amanda Mansell, Adorn-New Jewellery, London, 2008, pp. 209, 240. € 700-1.000 R

139 MURANO Glass fish, 1950s Hand blown glass Length: 60 cm. € 2.000-3.000 R

104

140 K AT J A P R I N S b. 1970

Large pearl necklace ‘XL’ No. 1/3, 1997 Hammered silver, silk, pearls, polyuretane in the original accompanied cardboard box, signed, dated and numbered; Katja Prins, 1997, 1/3 Length: circa 64 cm. Provenance Herman Dommisse Collection, purchased directly from the artist at her exhibition at the Rietveld Academy Amsterdam, summer 1997 € 600-900 R

141 AMANDA DEADMAN b. 1963

Two objects, 1987 Unique pieces To be used as solifleur vases Matted and coloured massive pâte de verre 21 by 32 by 9.5 cm. and 20 by 32 by 9 cm. Provenance Herman Dommisse Collection with Adam AaronsonColeridge of Piccadilly, London, 1987 € 400-700 R

105

142 RICHARD PRICE b. 1960

The Vikingship, 1987/1988 Coloured and patinated pâte de verre, made by a plaster mould 29 by 71 by 27 cm. Provenance Herman Dommisse Collection since 1988, purchased directly from the artist Exhibited Glas van de Rietveld, Nationaal Galsmuseum, Leerdam, 1997. Literature Neues Glass, Oktober/Dezember 1988, no.4, p 298, comparable ship illustrated; another ship is situted in the collection of the Nationaal Glasmuseum Leerdam € 3.200-3.800 R Only a few of these very elaborated large ships are made by Price between 1986 en 1989. The work was awarded with the first price of the ‘Europaisches Kunsthandwerk ‘88’ competition in which 16 artists participated

143 RICHARD PRICE b. 1960

Funny Vase, 1990 Unique piece Signed and dated Richard Price 1990 Coloured glass and gold powder Height: 40 cm. Provenance Herman Dommisse Collection since 1990 Exhibited Glas van de Rietveld, Nationaal Glasmuseum, Leerdam, 1997 Literature This piece is illustrated in Flair Magazine, 7 January 1997, p. 74. € 500-800 R The Funny Vase is a comical response to the Simira vases executed by Venini in Murano, 1988

106

144 K AT J A P R I N S (Dutch b. 1970)

Large Necklace ‘XL’ No. 1/5, 1997 Hammered silver, silk, polyurethane in the original accompanied cardboard box, signed, dated and numbered: Katja Prins, 1997, 1/5 Length: circa 65 cm. Provenance Herman Dommisse collection, purchased directly from the artist at her exhibition at the Rietveld Academy Amsterdam, summer 1997 € 600-900 R Works of Katja Prins are situated in the Stedelijk Museum s’ Hertogenbosch, Mint Museum, Charlotte, USA; Schmuck Museum, Pforzheim, BRD; Museum of Modern Art, Arnhem; Amber Centre, Gdansk, Poland; Studio GR20, Padua, Italy

145 MARIJKE POUILLON b. 1966

Ring ‘Spring’, 1991 Unique piece Silver gilt, inserted with agate, ruby and palm wood 4 by 3.8 cm. 16 grams € 400-700 R

107

146 VÁCLAV JIRÁSEK b. 1965

Jana, 2002 Vintage gelatin silver print, 51 by 41 cm. (57.5 by 47 cm.) Verso: signed and editioned 3/11 in pencil € 1.500-2.000 R

147 ERNST HAAS 1921-1986

New England, 1973, printed in 1982 Dye transfer print, 33 by 49.5 cm, mounted on the original board (48 by 62 cm.) One of an edition of 300 Recto: signed by the photographer under the image in pencil Verso: the label of The Creation portfolio, published in 1982 Literature Ernst Haas, The Creation, New York, 1971, p.4 and cover € 1.500-2.000

108

148 GERALD VAN DER KAAP b. 1959

Modern sleep ( I ) – Radical Freestyle , 1989-90 Cybachrome print on a wooden frame Nr. 2 from an edition of 3 Verso: Gallery Torch label with text Cybachrome – II de luxe print Titled editioned and signed by the photographer Provenance From Gallery Torch to the present owner € 1.500-2.500 R

149 JOEL-PETER WITKIN b. 1939

New Mexico, 1990 Vintage gelatin silver print, 72 by 65 cm. (85 by 78 cm.) Verso: signed and editioned 9/15 in pencil € 5.000-7.000

109

150 LIU YE b. 1964

For Mondrian Screenprint printed in colours, 2000, signed in Chinese and Pinyin, titled and numbered 27/62; printed and stamped by A&Y Studio 564 by 725 mm. € 5.000-7.000

151 BRUNO NINABER VAN EYBEN b. 1950

Light armature, 1977 Metal with grey powdered coating, plastic and fluorescent tube 7.5 by 117 by 4 cm. € 600-1.000

110

152 JIRI EVENHUIS b. 1973

Lounge chair, 2000 Model no.1 Plastic and wood 56.8 by 58 by 60 cm. Provenance Acquired at the Graduation exhibition of Rietveld Academy, Amsterdam in 2000 by the current owner € 1.200-1.800

153 THEO RUTH b. 1915

Easy chair, 1955 Model 122 Cast metal, foam, plywood, upholstery 86.5 by 55 by 78.5 cm. Manufactured by Artifort € 2.500-3.500 A rare easy chair model 122 by Dutch designer Theo Ruth for Artifort with the original Ploeg fabric with bright yellow and black contrast colors and fantasy design.

111

154 LOUIS CANE b. 1943

Armature de Ménine, 1986 No. 2/8 Signed and numbered 2/8 on the base; incised 2/8 Painted bronze 80 by 46 by 45 cm. Provenance Galerie Beaubourg, Paris-Vence De Rijk Fine Art, The Hague, 1999 € 10.000-15.000 R

155 RICHARD HUTTEN b. 1967

Prototype Cloud chair, 2008 Aluminum 9 by 13 by 10 cm. € 500-700 R

112

156 C H R I S TA P b. 1973

Koning Leeuw Inscribed Chris Tap Gilt Bronze 50 by 65 by 20 cm. Executed in 2014, this work is from an edition of 10 € 3.000-5.000 R

157 TEJO REMY AND RENÉ VEENHUIZEN (Dutch b. 1960 and Dutch b. 1968) Tennisball Bench, 2002 Spring steel, tennis balls 47 by 150 by 140 cm. € 5.000-6.000 R

The Tennis Ball Sofa was produced for the digital art depot of Museum Boijmans van Beuningen in Rotterdam. Tejo Remy & Rene Veenhuizen were inspired by how a museum collection grows, mirroring their design to a microorganism of tennis balls that are combined into a giant public sofa. In 2008 all the existing museum benches were removed. Besides the museum examples, five benches in total were produced and the present piece is one them.

113

158 MARTHA BOTO 1925-2004

Déplacement optique Kinetic object Metal and electrical system 48 by 38 by 22 cm. Executed in 1968. Edition Denise Renée Paris € 2.000-3.000 R

159 GUIDO GAMBONE 1909-1969

Small bottle, 1950s Signed at the bottom Gambone Italy Glazed earthenware Height: 21.1 cm. Literature Eduardo Alamaro and Fabio Donato, Guido Gambone Ceramics: Dipinti e Ceramiche 1930-1969, Provincia di Salerno, 1991

160

€ 1800-2.100 R

Vase, mid-20th century

M A R C E L L O FA N T O N I 1915-2011

Signed Fantoni Italy Glazed earthenware Height: 22 cm. € 800-1.100 R

114

161 ALLISON BAXTER Unknown

Container with lid, 1987 Unique piece Signed and dated Allison Baxter 1987 Spun nylon Height: 18 cm. Provenance Herman Dommisse Collection with Paul Derrez Galerie RA, Amsterdam, 1987 € 400-700 R

162

163

BRUNO GAMBONE

Set of 3 bottles, c.a. 1980s

Set of 5 bottles, c.a. 1980s

Signed at the bottom Gambone Italy Glazed earthenware Height: smallest 31 cm., tallest 52 cm.

Signed at the bottom Gambone Italy Glazed earthenware Height: smallest 20 cm., tallest 30 cm.

€ 2.500-2.900 R

€ 1.500-1.900 R

b. 1936

b 1936

115

164 COLE MORGAN b. 1950 Aliens Signed and dated 88 on the reverse Oil on canvas 95 by 120 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 2.000-4.000

116

165 JEROEN HENNEMAN b. 1942

Untitled Signed and dated ‘94 on the stretcher Oil on canvas 135 by 110 cm. Provenance Acquired directly from the artist by the present owner € 2.500-3.500 R 117

166 B A R A N K Y N I A G O S TA 1936-1998

The farmguard has killed an antelope with a gun. Now he is using a spear to kill the crocodile, 1992 Signed Acryl on canvas 90 by 75 cm. Provenance Herman Dommisse Collection Exhibited Harare, National Gallery, 1992 Literature Ben Joosten, Lexicon Sculptors from Zimbabwe, p. 14-15 for Mariga, p. 188-190 for Gosta, with his bibliography and a list of exhibitors and collections â&#x201A;Ź 2.800-3.600 118

167 MARCEL PINAS b. 1971

Tembe Anga Kibiman I Signed and dated 20/4/nov on the stretcher Acrylic and waxed crayon on canvas 90 by 150 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 2.000-3.000

168 H E L M A PA N T U S b. 1957

Nude with snowman Signed with the initials and dated 1997 Coloured chalk on paper 40 by 29.5 cm. Provenance Herman Domissee Collection with Galerie Metis, Amsterdam, 1998 â&#x201A;Ź 450-750 R 119

169 BLADE b. 1959

Universal Colors of Life Signed; signed, titled, dated 6-09 and annotated indistinctly on the reverse Spraycan and markers on canvas 300 by 128 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 8.000-12.000

170 BLADE b. 1959

NY subway map Signed; dated 2015 on the reverse Spraycan and markers on paper subway map 92 by 60.5 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 1.200-1.500 120

171 BLADE b. 1959

NY subway map Signed; dated 2015 on the reverse Spraycan and markers on paper subway map 80 by 58 cm. Provenance Acquired directly from the artist by the present owner € 1.200-1.500

172 BLADE b. 1959

Untitled Markers and acrylic on paper 29 by 41.5 cm. Provenance Acquired directly from the artist by the present owner € 500-700

173 BLADE b. 1959

Untitled Signed and dated 7.09 Markers and acrylic on paper 31 by 41 cm. Provenance Acquired directly from the artist by the present owner € 500-700

121

174 GRAHAM DEAN b. 1951

Yellow One Second Watercolour on Indian paper Dated 2008 148 by 114 cm. Provenance Private collection, the Netherlands, acquired directly from the artist â&#x201A;Ź 12.000-15.000 R

175 L I TA C A B E L L U T b. 1961

Sans titre Signed and dated 1998 on the reverse Mixed media on canvas 50 by 40 cm. Provenance Acquired directly from the artist by the present owner â&#x201A;Ź 1.500-2.000 R

122

176 EMO VERKERK b. 1955

Danilo Kis Signed, and dated 2005 on the overlap Oil and charcoal on canvas 61 by 63 cm. â&#x201A;Ź 4.000-6.000 R

123

177 VINCENT MENTZEL b. 1945

Untitled Gelatine Silver Print Mick Jagger 20 by 25.5cm (5) Mick Jagger with Keith Richards 25.5 by 16.5 cm. (1) With handling marks â&#x201A;Ź 1.200-1.500 R 124

178 CORNEILLE 1922-2010 Cat Fish 2/3 Incised with the artist’s signature Bronze, 2002 170 by 80 cm. Conceived in 2002 and executed in 2003, this work is numbered 2 from an edition of 3 € 80.000-120.000 R 125

179 M A R I N A A B R A M O V I C A N D U L AY b. 1946 and b. 1947 Three Houses Signed, titled, dated 1980-1983 and numbered 5/15 C Type print, each 30 by 30 cm. (2) C Type print, each 40 by 30 cm. (1) Literature Ulay & Marina Abramovic. Modus vivendi 1980-1985, exhibition catalogue Van Abbemuseum Eindhoven 1985, p. 66-68, illustrated in colour K. Stiles, K. Biesenbach and C. Iles, Marina Abramovic, London 2008, p. 27, the third photograph illustrated in colour This lot is sold with the certificate of ownership signed by both artists and dated September 18, 2001 â&#x201A;Ź 25.000-35.000 R

126

180 ROY VILLEVOYE b. 1960

Rack, 1993 Signed and dated 1993 on the rack Aluminum, iron thread, human hair, polaroids, oil on linen, 2 t-shirts, fly, fly on string 150 by 248 cm. Provenance Collection Ritsaert ten Cate, Amsterdam Acquired directly from the above by the present owner Literature The present example is illustrated in Sven LĂźtticken a.o. , Roy Villevoye, Detours, Rotterdam 2008, ill. p.18 Exhibited Rotterdam, Museum Boijmans van Beuningen, Roy Villevoye Detours, 30 June-20 August 2008 â&#x201A;Ź 4.000-6.000 R 127

Rineke Dijkstra acquired international fame thanks to her impressive portrait series. In the early 1990s she began with work on the magisterial series of Beach Portraits, austere, frontal shots of young people on the beaches in the United States, The Netherlands, Belgium, Poland, Gabon and the Ukraine (the former Soviet Union). In this series Dijkstra concentrated on the moment that a pose just begins to form, or is just being abandoned. Hesitancy and uncertainty are visible in the bearing and glance and refer to the existential lonliness of adolescents. The surroundings, limited only through the framing, the somewhat low camera angle and the use of a fill-in sharpen the often strongly culturally defined details and reinforce the monumental character of the images. Photographs from this series are included in many national and international museum collections, as the Museum of Modern Art in New York. The major travelling exhibition ‘Rineke Dijkstra’ was to be seen in Paris, the new photography museum in the Jeu de Paume Winterthur, Fotomuseum (March 11 - May 22, 2005), La Caixa in Barcelona (June 4 - August 21, 2005), at the Stedelijk Museum, Amsterdam until February 6, 2006 and more recently, in 2012, a retrospective at the Museum of Modern Art in San Francisico and at the Solomon R. Guggenheim Museum in New York.

PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION

181 RINEKE DIJKSTRA b. 1959

Coney Island, New York, 1993 Please note this photograph is unique, printed before the editions of six and fifteen C-print, mounted on aliminium, framed, signed, titled, dated juni 1993 in pencil on the backing Provenance

Stichting Beeldende Kunst, Amsterdam Sale, Amsterdam, Sotheby’s, 21 March 2006, Lot 232, illustrated, where acquired by the present owner Literature H. Visser, Portraits Rineke Dijkstra, Amsterdam 2004, pp. 20, 21, illustrated J. Medvedow, Portraits Rineke Dijkstra, Boston 2011, p. 41, illustrated D. Smith, Rineke Dijkstra The Photographers’ Gallery, London 1997, illustrated U. Eskildsen, Rineke Dijkstra Menschenschilder, Essen 1998, pp. 12, 13 illustrated € 35.000-40.000 R

128

129

182 PETER LIK b. 1959

Tahoe Jetty Ilfochrome photograph in wooden artists frame; signed and numbered 81/950 50 by 150 cm. Sold with the certificate of authenticity, signed and dated 3/3/2003 â&#x201A;Ź 5.000-7.000 130

183 ESKO MÄNNIKKÖ b. 1959 Per? Signed, titled and numbered 9/20 on the backing C-print 71 by 60 cm. Provenance Galeria Estrany de la Mota, Barcelona € 1.500-2.500 R 131

184 ROBERT HAÜSSER b. 1924

Toter Vogel, Germany, 1980 Vintage gelatin silver print 42 by 57.5 cm. Recto: signed and dated in pen under the image Literature Robert Haüsser, Aus dem photgraphischen Werk. 1940-2000, Heidelberg, 2000, p.116 € 1.500-2.000 R

185 VINCENT MENTZEL b. 1945

Stedelijk Museum Amsterdam in 1993 Signed VM on the verso Silver Gelatin Print Paper: 24 by 30 cm. Image: 19 by 27 cm. € 600-800 R

132

186 VINCENT MENTZEL b. 1945

Queen Beatrix poses at Palace Drakensteyn for the Dutch Stamp Signed VM and inscribed AP on the verso 57 by 42.5 cm. Literature Vincent Mentzel, dâ&#x20AC;&#x2122;jonge Hond, Zwolle 2011, illustrated on the cover â&#x201A;Ź 1.000-1.500 R 133

187 RACHID BEN ALI b. 1978

Sans titre Signed and dated 2005 on the reverse Oil on canvas 90 by 70 cm. Provenance Galerie Tanya Rumpff, Haarlem Acquired directly from the above by the present owner â&#x201A;Ź 2.000-3.000 134

188

189

E R I C V A N S T R A AT E N

H E I D E K AT H I B A R AT H

Groomer, 2012 Edition of 3

Little Girl with Puma

b. 1969

3D print / polyester 27 by 28 by 17 cm. â&#x201A;Ź 1.500-2.000 R

b. 1966

Signed and dated 2005 on the reverse Oil on canvas 300 by 120 cm. Provenance Galerie Cokkie Snoei, Amsterdam Sale 12 June 2016 Acquired directly from the above by the present owner â&#x201A;Ź 2.000-3.000 R 135

190 BRUNO BISANG b. 1952

Carlotta et Nâ&#x20AC;&#x2122;gone, Paris 1995 Signed Black and White Gelatin Silver Print with selenium archival bath 120 by 95 cm. Sold with the certificate of authenticity signed and dated 2014 Provenance Rademakers Gallery, Amsterdam Literature Bruno Bisang, Exposure, Kempen 2004, no. 115 â&#x201A;Ź 7.000-9.000 R 136

191 TJEBBE BEEKMAN b. 1972

Between these great brick walls / elsworth M. Toohey’s room Signed titled and dated 2011 Oil on canvas laid down on pasteboard 255 by 295 cm. Provenance Diana Stigter, Art Rotterdam 2011 € 35.000-55.000 R

137

138

192 JURGEN BEY b. 1965

St. Petersburg chair, 2003 Edition of 100 (Unique piece) Antique chair, PVC foam, fiberglass polyester, silk-screen print 60 by 60 by 120 cm. Designed and executed in 2003 € 3.000-4.000 R

Photo by Micha de Ridder

This chair was designed for the Café Dutch Room in St. Petersburg. An antique chair is covered with layers of fiberglass strengthened polyester, the outermost layer silk-screened with a flowery pattern, bringing a new lease of life to old-fashioned chairs. Credits: Droog for Premsela Foundation / Cafe Dutch room at Baltic House Theatre, St. Petersburg

193 C H U N G - TA N G H O b. 1972

Push and store cabinet, 2006 Edition of 12 (Unique piece) Antique chair, PVC foam, glass-fiber polyester, silk-screen print 101 by 47 by 86.5 cm. Designed and executed in 2006 € 3.500-4.000 R

Chung-Tang Ho created a cabinet that changes shape during use, a solid volume that opens up when objects are stored within it. The cabinet is in fact a sculpture in the round you and your objects can participate in.

139

The Shunga candleholder recalls a time before electricity when candleholders were placed on bedside tables. Inspired by Japanese erotic drawings, Lachaert & d’Hanis shaped this poetic silver candleholder after a beautiful Shunga picture of a couple making love.

A container for sugar cubes or an ironic reference to Marcel Duchamp’s ‘Why Not Sneeze Rose Sélavy?’ Duchamp raised consumer items to pieces of art. Lachaert and d’Hanis respond by bringing the piece back for use. Made of pure silver.

Photo’s by Gerard van Hees

194

195

SOFIE LACHAERT AND LUC D’HANIS

Shunga candleholder, 2007 Edition of 30

Sugar cage, 2006 Edition of 20

Silver 19 by 19 by 29 cm.

Silver 10 by 10 by 14 cm.

Designed and executed in 2007

Designed and executed in 2006

€ 2.000-3.000 R

€ 1.800-2.500 R

b. 1958 and b. 1953

140

b. 1958 and b. 1953

The wish to shake off existing rules determines this free-standing kitchen. The kitchen functions free of any infrastructure by employing ecological technology aimed at independence. For instance, water recycling, making compost and local energy. The fridge, for example, is cooled by a block of ice in one of the drawers. Without electricity this refrigerator works in the same way as a traditional ice house: the cupboard is cooled by a large block of ice which, as it melts, keeps its contents fresh. The kitchen is a furniture unit which, actually, can stand anywhere.

Photo by Droog

196 T O N M AT T O N / S C H I E 2 . 0 b. 1964

Fridge on ice, 2001 Part of Free range kitchen Wood, ceramics and other materials 150 by 180 by 60 cm. Designed and executed in 2001 â&#x201A;Ź 1.200-1.500 R

141

197 T. H . R O B S J O H N - G I B B I N G S 1905-1976

Dining table, 1950s including two panels Mahogany 73.7 by 172.72 by 101.6 cm. 274.3 cm. long fully extended Executed by Widdicomb, USA € 7.000-9.000

198 CARLIER MAKIGAWA b. 1952

Dreams and memories in the sky contained in the manmade structures of reality, 1986 Unique piece Signed and dated Carlier Makigawa, 1986 Gilded metal, painted papiermaché and balsawood, gold foil 26 by 13 by 13 cm. Provenance Herman Dommisse Collection with Paul Derrez- Galerie RA, Amsterdam, 1986 Exhibited Galerie RA, Tenth Anniversary Exhibition, Amsterdam, October 1986, illustrated in the catalogue, included in the sale Literature Illustrated in Crafts, no. 85, March/April 1987, p. 27 € 600-900

142

199 KEITH BROCKLEHURST b. 1946

Noise Cup, 1985 Unique piece Signed and dated Pâte de verre and glass 14 by 17 cm. Provenance Herman Dommisse Collection with Adam AaronsonColeridge of Piccadilly, London, 1986 Collection The Corning Museum of Glass, New York, USA Victoria and Albert Museum, London Nationaal Glasmuseum, Leerdam Literature Neues Glas, no. 4, 1984 Cat. Coburg, 1985, p. 206-207 € 800-1.200

200 AXEL VERVOORDT Salon table One-off design by Axel Vervoordt, bought from Axel Vervoordt in 2006 Top in 17th Century walnut and contemporary legs in oak 59 cm by 197, 5 by 29 cm € 9.000-12.000

143

201 ROLAND DE MUL b. 1974

Sublight lamp Designed in 2015 and released in 2016 Steel Length: 210 cm. € 1.500-1.800

202 CHIEL KUIJL b. 1971

Floating Divan Burned, 2015 Burned European wood and robe 200 by 110 cm.

This object is made by the means of an ancient method from Japan called Shou Sugi Ban. This very intensive and timeconsuming technique burns away the soft parts of the wood, revealing the beautiful and muscular forms of the branches. The extra layer of lacquer is not added so that the inner structures of the wood are revealed. Additionally, in a non-toxic way, the wood is well protected against weather, rot and insects.

€ 1.300-1.500

203 WIM VERZANTVOORT b. 1959

Burning Ego Designed 2015 and released 2016 Burned oak wood and dimmable LED light Length: 250 cm. € 1.300-1.500

144

204

205

C AT I E N E W E L L

Exhale, 2016

Lamp hanging small

Lamp medium

Single blown glass in metal frame, lamp 25 by 25 by 20 cm.

€ 850-950

€ 700-900

b. 1979

206 C AT I E N E W E L L b. 1979

Exhale, 2016 Lamp small Single blown glass in metal frame with lamp 20 by 20 by 18cm. € 600-800

145

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146

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147

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Resale royalty applies where the price realized (Hammer and Premium) is 3.000 Euro or more.

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BUYERS PREMIUM & VAT A buyer’s premium of 24,2% is applicable to all lots in this sale. The buyer’s premium is including VAT (currently 21%). Lots are normally

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standard rate (21%) on the hammer price as well as being an element in the buyer’s premium. Lots which are marked with a double VAT symbol (VV) indicate that the lot has been imported from outside the European

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BIDDING INCREMENTS Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding interval.

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€ 100 - 200

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€ 200 - 300

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€ 300 - 500

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€ 500 - 1,000

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€ 3,000 - 5,000

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€ 20,000 - 30,000

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€ 30,000 - 50,000

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€ 50,000 - 100,000

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€ 100,000

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You will receive confirmation of your bid(s) by email or fax prior to the sale. Bid online for this sale at arteuropeauctions.com

INDEX Abramovic, Marina, 179 Abramovic, Ulay, 179 Alberts, Ton A.C., 117 Ambery-Smith, Vicki, 137, 138 Annan, James Craig, 85 Appel, Karel, 17 Aubertin, Bernard, 118, 131 Barath, Heide Kathi, 189 Barnbaum, Bruce 46 Baroli, Luigi, 101 Baxter, Alisson, 161 Beekman, Tjebbe, 191 Ben Ali, Rachid, 187 Benner, Gerrit, 2 Besnyö, Eva, 61, 71, 103 Bey, Jurgen, 192 Bisang, Bruno, 190 Bitran, Albert, 6 Blade, 169, 170, 171, 172, 173 Bloc, Andre, 31 Boer, Adriaan, 89 Bogart, Bram, 133 Boto, Martha, 158 Bourne, Samuel, 87 Braakman, Cees, 100 Brands, Eugène, 18 Brocklehurst, Keith, 66, 199 Brown, Yves, 79 Cabellut, Lita, 175 Cane, Louis, 154 Capa, Robert, 75 Cartier-Bresson, Henri, 72 Charchoune, Serge, 132 Cohen, Bernard, 53 Copron, Carlotta, 48 Corneille, 178 D’Hanis, Luc, 194, 195 Davidson, Bruce, 69 Deadman, Amanda, 141 Dean, Graham, 174 Dijkstra, Rineke, 181 Dongen, Kees van, 70, 73, 78 Eckstrom, Yngve, 111 Eisenloffel, Jan, 120 Elsken, Ed van der, 106 Erwitt, Elliot, 104, 105 Escher, Maurits Cornelis, 57, 58, 59 Evenhuis, Jiri, 152 Fantoni, Marcello, 160 Fernhout, Edgar, 62 Förg, Günter, 55 Foujita, Tsuguharu, 108 Gambone, Bruno, 162, 163 Gambone, Guido, 159 Garcia Rossi, Horacio, 32 Gestel, Leo, 77, 93, 94 Girke, Raimund, 8, 128 Golden, Daan van, 56 Gosta, Barankynia, 166 Guhl, Willi, 92 Haan, Wim de, 136 Haas, Ernst, 147 Hajek-Halke, Heinz, 99 Haring, Keith, 4, 5 Haüsser, Robert, 184 Heijboer, Anton, 7

Henderikse, Jan, 39 Henneman, Jeroen, 165 Henningsen, Poul, 24, 25 Ho, Chung-Tang, 193 Hutten, Richard, 123, 155 Hvidt, Peter, 35 Ie, Kho Liang, 97 Ingrand, Max, 96

Schoonhoven, Jan, 41, 42, 43, 44, 54 Serra, Richard, 125 Severen, Fabiaan van, 102 Shaw, Tim, 66 Siery, Heinz, 135 Siery-Illgner, Ingrid, 135 Sluijters, Jan, 80, 107 Straaten, Eric van, 188 Steichen, Edward, 110

Jirásek, Václav, 146 Jong, Jan de, 115 Juhl, Finn, 34, 129, 130

Tajiri, Shinkichi, 15 Tap, Chris, 156 Tepe, Richard, 91

Kaap, Gerald van der, 148 Keizer, Jerry, 134 Kelder, Toon, 82 Klein, Aart, 86 Klein, Yves, 45 Knoll, Walter, 90 Koester, Alexander Max, 84 Kuijl, Chiel, 202

Veenhuizen, René, 157 Velde, Bram van, 3, 126, 127 Velde, Geer van, 1, 20, 21, 22 Verkerk, Emo, 176 Vervoordt, Axel, 200 Verzantvoort, Wim, 203 Villers, Andre, 113, 114 Villevoye, Roy, 180

Laan, Dom Hans van der, 112 Sofie, Lachaert, 194, 195 Lanskoy, André, 9 Lartigue, Jacques Henri, 74 Léger, Fernand, 119 Lemmens, Jean, 95 Lik, Peter, 182 Lowe, Liz, 124 Lowey, Maurice, 76 Lucchi, Michele de, 98

Wegner, Hans J., 30 Weijden, Hans van der, 122 Welie, Anton van, 63 White, Clarence, 60 Witkin, Joel-Peter, 149 Wolter, Hendrik Jan, 83

Mack, Heinz, 51 Makigawa, Carlier, 198 Männikkö, Esko, 183 Matton, Ton, 196 Meitner, Richard, 121 Mentzel, Vincent, 177, 185, 186 Molgaard-Nielsen, Orla, 35 Morgan, Cole, 164 Mosley, Tom, 50 Mul, Roland de, 201 Murano, 139

Ye, Liu, 150 Zangs, Herbert, 52 Zanuso, Marco, 108

Nelson, George, 26 Neuhaus, Josef, 40, 49 Newell, Catie, 204, 205, 206 Ninaber van Eyben, Bruno, 151 Pallandt, Charlotte van, 36 Pantus, Helma, 168 Parry, Rob, 23 Peeters, Henk, 47 Perriand, Charlotte, 27, 28 Pinas, Marcel, 167 Pinto, Vicenzo, 64 Ponting, Herbert, 88 Poughéon, Eugene Robert, 81 Pouillon, Marijke, 145 Price, Richard, 142, 143 Prins, Katja, 140, 144 Puiseux, Pierre Henri, 76 Remy, Tejo, 157 Renger-Patzsch, Albert, 38 Riboud, Marc, 29 Rietveld, Gerrit Thomas, 33 Robsjohn-Gibbings, T.H., 197 Rooskens, Anton, 10, 16, 19 Ruhnau, Werner, 45 Ruth, Theo, 153

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LOT 55 Detail