Santa Fe Art Auction Catalog 2013 by Art Gallery Publication

Saturday, November 16, 2013 | 1:30 pm MST

LIVE AUCTION Saturday, November 16, 2013 from 1:30pm to 5:30pm MST GE RA L D P E TE RS G A L L E RY 1011 PA SE O DE P E RA LTA , S A N TA FE

AUCTION PREVIEWS Friday, November 15, 2013 from 10am–8pm MST Saturday, November 16, 2013 from 9am–1pm MST GE RA L D P E TE RS G A L L E RY 1011 PA SE O DE P E RA LTA , S A N TA FE

ONLINE AUCTION For online bidding please visit www.liveauctioneers.com

P R E S E N T ED BY G E RA L D P E TE RS G A L L E RY ©

SANTA FE ART AUCTION

Saturday, November 16, 2013 | 1:30pm MST Gerald Peters Gallery, Santa Fe, NM SANTA FE ART AUCTION

P.O. Box 2437 Santa Fe, NM 87504-2437 Tel 505 954-5858 | Fax 505 954-5785 www.santafeartauction.com

Graphic Design: Shane Mieske Printing: O’Neil Printing, AZ

Binding: Roswell Book Binding, AZ

O’Neil Printing joins the Forest Stewardship Council (FSC) in being an international organization whose mission is to promote responsible management of the world’s forest. The intent of the FSC system is to eliminate the destruction to forest ecosystems that often accompanies logging, as well as unlawful logging in undesignated forests.

Through this system, the forests from which the trees are harvested, the logging companies, the paper mills, the paper vendors and the printers all become a “link” in the “chain of custody” insuring that the rules set forth by the FSC are

strictly adhered to. Each “link” must go through the process of being certified, and will be subject to audit at any given time to insure that the “chain of custody” is not broken.

TERMS & CONDITIONS OF SALE

The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.’s (“Santa Fe Art Auction”) and its agents’ and consignors’ entire agreement with the prospective bidders, bidders and Buyers relative to the lots listed in this catalog. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalog indicates otherwise. 1. The Santa Fe Art Auction assumes no risk, liability or responsibility beyond the limited warranty contained herein. (a) Except as set forth in paragraph 1(b) below, all lots are sold “AS IS.” There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All lots shall be available for examination prior to the sale. The Santa Fe Art Auction and its agents and consignors make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalog or descriptions of lots, including, but not limited to, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any lot and no statement anywhere, whether oral or written, whether made in the catalog, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere, shall be deemed such a warranty, representation or assumption of liability. There are no representations and warranties, express or implied, as to whether the Buyer acquires any copyrights, including, but not limited to, any reproduction rights in any lot. Contents of this catalog are subject to change or supplementation before or during the sale, including the sale of any lot. (b) The authenticity of the authorship attributed to the lots as described in this catalog is guaranteed only to the limited extent as stated in this paragraph 1(b). (i) The authorship attributed to a lot includes name of the artist and any reservations therewith stated, as, for example, “attributed to,” “in the school of ” or “appears to have been signed by.” The Santa Fe Art Auction makes no warranties whatsoever, express or implied, with respect to any material in the catalog other than the authorship attributed to the lots. (ii) This guarantee is further limited as follows: The benefits of this guarantee are not assignable and shall be available only to the Buyer of record; this guarantee shall remain in force and be effective only if notice of rescission is given to the Santa Fe Art Auction within three (3) years following the date of sale, provided the lot is tendered to the Santa Fe Art Auction in Santa Fe, New Mexico, in the same condition as the lot was found at the time of sale; and that the rescission of a sale and the refund of the total purchase price paid (i.e., the successful bid price, plus the buyer’s premium and applicable tax) is exclusive and in lieu of any other remedy which might otherwise be available, and that the Santa Fe Art Auction and its consignors shall not be liable to the Buyer for any incidental, consequential, special, compensatory or punitive damages. (iii) In remitting payment hereunder, Buyer agrees and acknowledges that the absolute limit of Santa Fe Art Auction’s, its agents’ or consignors’ liability and responsibility shall not exceed the total purchase price. 2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder. 3. A buyer’s premium will be added to the successful bid price and is payable by the Buyer as part of the total purchase price. If paying by cash or check, the buyer’s premium is 20% of any successful bid price under $50,000, 15% of any successful bid price over $50,000 up to $100,000, and 12% of any successful bid price above $100,000. If paying by credit card, the buyer’s premium is 23% of any successful bid price under $50,000, 18% of any successful bid price over $50,000 up to $100,000, and 15% of any successful bid price above $100,000. 4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser’s responsibility to pay any applicable compensating use tax of another state on the total purchase price. If a buyer requests that artwork be shipped to an address in New York State, we must collect New York sales tax due to an affiliated business located in New York City under recent legislation (Part P-1 of Chapter 57 of the Laws of 2009). • Why SFFA Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business. • Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors. 5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal. 6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalog. 7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction’s sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith. 8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and if, having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance. 9. On the fall of the auctioneer’s gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein. (a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer. (b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale. 10. All lots (unless otherwise indicated by the letters “nr”) are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest. The Santa Fe Art Auction, or its agents or consignors, may also bid upon other lots listed in this catalog. 11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction. 12. These Terms and Conditions of Sale, together with the parties’ respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico’s rules concerning conflicts of laws. 13. Prospective bidders, bidders and Buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party’s own costs of arbitration and attorney’s fees. 14. The Santa Fe Art Auction may, in its discretion and at a Buyer’s request, pack and ship items as directed by the Buyer. In such event, Buyer agrees to the following conditions: (a) All such packing, handling and shipping is at the sole risk of the Buyer and the Santa Fe Art Auction shall have no liability for any loss or damage to such items, and (b) Buyer shall pay all related expenses in advance. Buyer should allow four to six weeks for shipping from the date of the auction. 15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to Buyers, catalog subscribers, absentee and phone bidders, and other registered bidders. 16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law. 17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer’s successors, assigns and representatives. 18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions. 19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale. 20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a “room” bid, the “room” bid generally will take precedence. “Room” bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction’s or on the Buyer’s end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer’s internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity.

GUIDE FOR BIDDING ABSENTEE BIDS If you are unable to attend the auction in person, and wish to place bids, you may give the Santa Fe Art Auction Bid Department instructions to bid on your behalf. Our representatives will then try to purchase the lot or lots of your choice for the lowest price possible, and never for more than the top amount you indicate. The Santa Fe Art Auction offers this service as a convenience to clients who are unable to attend the auction. However, the Santa Fe Art Auction will not be responsible for failure to execute bids, or any errors in executing bids.

PLACING ABSENTEE BIDS Absentee bids are accepted only if you have returned a signed Absentee Bid Form by mail or fax which authorizes the Santa Fe Art Auction to place bids on your behalf. The Absentee Bid Form appears in the back of this catalogue. Please complete and return to the Santa Fe Art Auction by November 15, 2013. To place bids, please use the absentee bid form provided in the back of this catalogue. Be sure the lot number and the descriptions are accurate and note the top price you are willing to pay for each lot. No bid will be placed unless you indicate a Top Limit (i.e., the amount that you would bid if you were attending the auction yourself ). Any alternative bids should be indicated by using the word “OR” between lot numbers. Then if your bid on an early lot is successful, we will not continue to bid on other lots for you. Or, if your early bids are unsuccessful, we will continue to execute bids for alternative lots until a bid is successful. Bids must be placed in the same order as the lot numbers appear in this catalogue. Please place your bids as early as possible. In the event of identical bids, the earliest bid received will take precedence.

TELEPHONE BIDS Telephone bids are accepted only if you have returned a signed Absentee Bid Form by mail or fax which authorizes the Santa Fe Art Auction to place bids on your behalf. The Absentee Bid Form appears in the back of this catalogue. Please check the telephone bid box on the form, complete, and return to the Santa Fe Art Auction by November 15, 2013. Telephone bidders are encouraged to leave back up bids in case of techincal failure.

BUYER’S PREMIUM The Top Limit you indicate on your bid form is the gavel price exclusively. Please keep in mind that a buyer’s premium, as stated in paragraph 3 of the Terms and Conditions of Sale, will be added to the successful bid price of each lot you buy and is payable by you together with the applicable sales tax which is applied to the total cost of the purchase.

SUCCESSFUL BIDS Successful absentee bidders will be notified and invoiced within a few days of the sale. Successful absentee bidders shall arrange to make payment via cash, check, credit card or wire transfer upon receipt of notification of purchase.

TO FAX A COMPLETED BID FORM, DIAL (505) 954-5785.

BIDDING INCREMENTS Bidding increments are as follows, but may vary at the sole discretion of the auctioneer: Estimate

Increment

Under $2,000

$100

$2,000 – $5,000

$250

$5,000 – $10,000

$500

$10,000 – $20,000

$1,000

$20,000 – $50,000

$2,500

$50,000 – $100,000

$5,000

OVER $100,000

$10,000

1 GENE KLOSS (1903-1996) Pueblo Firelight Dance etching on paper 11 3/4 x 16 5/8 inches signed lower right: Gene KLOSS titled lower left: Pueblo Firelight Dance PROVENANCE

Private Collection, AZ $2,000 – $3,000

2 GENE KLOSS (1903-1996) Processional – Taos, 1948 etching on paper 9 3/4 x 14 inches signed lower right: Gene KLOSS titled lower left: Processional - Taos PROVENANCE

Private Collection, NM $2,500 – $4,500 nr

3 GENE KLOSS (1903-1996) Far Across the Rio Grande, 1939 etching on paper 9 3/4 x 13 5/8 inches signed lower right: Gene Kloss N.A. titled lower left: Far across the Rio Grande PROVENANCE

Private Collection, NM $1,500 – $2,500 nr

S A N TA F E A R T A U C T I O N

4 GENE KLOSS (1903-1996) The Fledgling oil on canvas 26 1/8 x 20 1/8 inches signed lower right: Gene Kloss A.N.A inscribed verso: Gene Kloss / "The Fledgling" PROVENANCE

Private Collection, AZ $3,000 – $5,000

5 JOHN WADE HAMPTON (1918-1999) Driftin', 1970 watercolor and ink on paper 9 7/8 x 7 7/8 inches signed and dated lower left: -JW HAMPTON / (artist cipher) © / 1970 / CA PROVENANCE

Private Collection, CO $1,000 – $1,500 nr

6 JOHN WADE HAMPTON (1918-1999) The Chase, 1971 watercolor on paper 13 1/4 x 20 1/8 inches signed and dated lower left: J HAMPTON / (artist cipher) / © / 1971 / CA PROVENANCE

Private Collection, CO $3,000 – $5,000 nr

S A N TA F E A R T A U C T I O N

7 VERYL GOODNIGHT (b. 1947) Painted Horses Mare & Foal, 1985 bronze 15 1/4 x 21 x 6 1/2 inches inscribed: Veryl Goodnight / 1985 © 45/45 PROVENANCE

Private Collection, CO $2,000 – $3,000

8 OLAF WIEGHORST (1899-1988) Untitled (Portrait Composition) india ink on paper 12 x 9 7/8 inches signed lower right: O - Wieghorst PROVENANCE

Private Collection, CO $800 – $1,000 nr

9 WILLIAM STEVE SELTZER (b. 1955) Waterhole watercolor on paper 12 x 13 5/8 inches signed lower right: W.S. Seltzer PROVENANCE

Private Collection, NM $1,500 – $2,500 nr

S A N TA F E A R T A U C T I O N

10 NICK EGGENHOFER (1897-1985) Three Indians watercolor on paper 9 1/2 x 7 5/8 inches signed lower right: N. EGGENHOFER PROVENANCE

Private Collection, CO $1,000 – $2,000 nr

11 NICK EGGENHOFER (1897-1985) Bison watercolor on paper board 6 5/8 x 8 7/8 inches signed lower right: N. EGGENHOFER PROVENANCE

Private Collection, CO $800 – $1,000 nr

S A N TA F E A R T A U C T I O N

12 WILLIAM STANDING (1904-1951) All Men Want to Fly graphite on paper 9 5/8 x 17 1/2 inches signed lower right: WM Standing PROVENANCE

Private Collection, NM $1,000 – $2,000 nr

13 HARLEY BROWN (b. 1939) Fire Rock, Cheyenne graphite on paper 11 1/4 x 9 1/4 inches signed lower right: HARLEY BROWN titled lower right: "FIRE ROCK" / CHEYENNE PROVENANCE

Private Collection, CO $1,000 – $2,000 nr

14 JAMES BOREN (1921-1990) Nearing the Line Camp, 1965 oil on canvas 24 1/8 x 30 inches signed lower right: JAMES BOREN titled verso: #290 "NEARING THE LINE CAMP" PROVENANCE

Private Collection, AZ $5,000 – $7,000

S A N TA F E A R T A U C T I O N

15 NICK EGGENHOFER (1897-1985) Gun Fight ink and gouache on paper 13 3/4 x 20 inches signed lower center: EGGENHOFER PROVENANCE

Private Collection, NM $3,000 – $5,000 nr

16 NICK EGGENHOFER (1897-1985) Untitled ink and gouache on paper 12 3/4 x 19 3/4 inches signed lower left: EGGENHOFER PROVENANCE

Private Collection, NM $4,000 – $5,000

17 NICK EGGENHOFER (1897-1985) Untitled ink on board 8 1/2 x 7 3/4 inches signed lower center: EGGENHOFER PROVENANCE

Private Collection, NM $2,000 – $3,000 nr

S A N TA F E A R T A U C T I O N

18 VERYL GOODNIGHT (b. 1947) Childhood Friends, 1997 bronze 13 1/2 x 18 x 9 inches inscribed: Veryl Goodnight / 5/30 1997 © PROVENANCE

Private Collection, CO $1,500 – $2,500

19 ORELAND JOE (b. 1958) Chinle Girl, 1996 bronze 12 x 4 1/2 x 3 7/8 inches inscribed verso: OC JOE CA © '96 editioned verso: 3/30 PROVENANCE

Private Collection, CO $800 – $1,000 nr

20 CYRUS AFSARY (b. 1940) Old Man, 2011 charcoal on paper 11 1/4 x 8 1/2 inches signed lower right: CYRUS AFSARY PROVENANCE

Private Collection, IN $2,000 – $3,000 nr

S A N TA F E A R T A U C T I O N

21 VLADEN STIHA (1908-1992) Navajo Stop, 1973-1974 oil on canvas 24 x 18 inches signed and dated lower left: V. Stiha / 1973/74 PROVENANCE

Private Collection, CO $3,000 – $5,000

22 GLENNA GOODACRE (b. 1939) Pueblo Morning, 1981 bronze 21 x 16 x 3 1/2 inches inscribed lower left: G. Goodacre 12/25 PROVENANCE

Private Collection, CT $3,000 – $5,000 nr

S A N TA F E A R T A U C T I O N

23 EDWARD BOREIN (1872-1945) Overland Mail, 1922 etching and drypoint on paper 4 1/2 x 10 1/4 inches signed and dated lower right in plate: EDWARD BOREIN. / 1922 signed lower right: Edward Borein PROVENANCE

Private Collection, CO $1,500 – $2,200 nr

24 EDWARD BOREIN (1872-1945) Navajo Visitors at Oraibi (G#210) etching and drypoint on paper 7 1/2 x 13 inches PROVENANCE

Private Collection, NM $3,000 – $4,000

25 EDWARD BOREIN (1872-1945) Break Neck Trail to Walpi, No.2 (G#214) etching and drypoint on paper 12 1/2 x 8 7/8 inches PROVENANCE

Private Collection, NM $2,000 – $3,000

S A N TA F E A R T A U C T I O N

26 EDWARD BOREIN (1872-1945) Sitting Pretty, No. 1 (G#65) etching and drypoint on paper 6 1/8 x 5 1/8 inches PROVENANCE

Private Collection, NM $3,000 – $4,000

27 EDWARD BOREIN (1872-1945) Trouble watercolor on paper 6 1/4 x 4 1/2 inches signed lower right: Edward Borein PROVENANCE

Private Collection, NM $15,000 – $18,000

28 EDWARD BOREIN (1872-1945) Mounted Cowboy watercolor on paper 3 1/8 x 3 1/8 inches PROVENANCE

Private Collection, NM $3,000 – $5,000 17

S A N TA F E A R T A U C T I O N

29 CARL OSCAR BORG (1879-1947) Sunrise in the Mountains, 1941 oil on canvas 6 3/4 x 6 3/8 inches signed and dated upper right: CARL OSCAR BORG. / 41 PROVENANCE

Private Collection, WY $2,500 – $3,500

30 W. HERBERT DUNTON (1878-1936) The Mountain Mother - Black Bear and Cubs, 1931 lithograph 13 3/4 x 10 1/2 inches signed lower right in plate: Dunton / of / Taos titled lower left: The Mountain Mother / Black Bear and Cubs, No. 64 signed and dated lower right: W. Herbert Dunton, 1931. / by W. E. Dunton / "Heart of the West" Series PROVENANCE

Private Collection, NM $1,500 – $2,500 nr

31 OSCAR E. BERNINGHAUS (1874-1952) Last Hitching Rail - Taos monotype 8 3/4 x 11 3/4 inches signed lower right: O.E. BERNINGHAUS - TAOS – titled lower left: LAST Hitching Rail - TAOS PROVENANCE

Private Collection, NM $4,000 – $6,000 nr

S A N TA F E A R T A U C T I O N

32 ATTRIBUTED TO LAVERNE NELSON BLACK Big Medicine mixed media 11 1/2 x 13 3/8 inches PROVENANCE

Private Collection, NM $1,500 – $2,500 nr

33 E. MARTIN HENNINGS (1886-1956) Il Vaquero oil on canvas 18 x 15 inches signed lower right: E. Martin Hennings PROVENANCE

Private Collection, CT $10,000 – $15,000

S A N TA F E A R T A U C T I O N

34 MARJORIE REED (1915-1996) Leaving Hubbell's Trading Post on a Winter Eve oil on canvas 24 x 48 inches signed lower right: MARJORIE REEDtitled and signed verso: "LEAVING HUBBELL'S / TRADING POST ON A / WINTER EVE"- / BY / MARJORIE REEDPROVENANCE

Private Collection, WY $9,000 – $12,000

35 CHARLIE DYE (1906-1972) Wet Days Branding oil on paper laid on board 7 3/8 x 10 7/8 inches initialed lower right: C / D PROVENANCE

Private Collection, CO $8,000 – $12,000

S A N TA F E A R T A U C T I O N

36 JOHN HAUSER (1858/59-1913) In the Enemies Country, 1896 watercolor and gouache on paper 10 1/2 x 18 1/2 inches signed and dated lower left: John Hauser 96 PROVENANCE

Private Collection, CT $6,000 – $9,000

37 O.C. SELTZER (1877-1957) Moving On watercolor on paper 6 x 10 inches signed lower left: O.C. SELTZER PROVENANCE

Private Collection, CT $10,000 – $15,000 21

S A N TA F E A R T A U C T I O N

38 WILLIAM GOLLINGS (1878-1932) Wyoming Landscape, 1916 oil on canvasboard 11 3/8 x 17 3/8 inches signed and dated lower left: Gollings / 1916 PROVENANCE

Private Collection, MA $8,000 – $12,000

39 CHARLES M. RUSSELL (1864-1926) Pen Sketches By Charles M. Russell The Cowboy Artist (Great Falls, Montana: W.T. Ridgley Printing Company, nd) Set of 10 woodblock prints on paper 11 x 14 x 1/2 inches PROVENANCE

Private Collection, NM $2,000 – $3,000

S A N TA F E A R T A U C T I O N

40 AFTER CHARLES M. RUSSELL Painting the Town bronze 11 3/4 x 12 1/2 x 6 1/4 inches inscribed: C.M. Russell (artist cipher) stamped: Roman Bronze Works NY PROVENANCE

Private Collection, NM $3,000 – $5,000

41 NICK EGGENHOFER (1897-1985) Wagon Boss, 1966 oil on canvas 28 1/4 x 55 1/4 inches signed and dated lower left: N EGGENHOFER / 1966 PROVENANCE

Private Collection, NM $60,000 – $80,000

S A N TA F E A R T A U C T I O N

42 FRANK PAUL SAUERWEIN (1871-1910) Untitled oil on board 9 1/4 x 12 1/8 inches signed lower left: F.P. Sauerwein PROVENANCE

Private Collection, CA $3,000 – $7,000

43 CHARLES BERNINGHAUS (1905-1988) Ranchos Church oil on board 12 x 16 inches signed lower left: CHARLES BERNINGHAUS PROVENANCE

Private Collection, NM $3,000 – $5,000 nr

44 CHARLES BERNINGHAUS (1905-1988) Untitled oil on canvas 22 3/8 x 28 inches signed lower left: CHARLES BERNINGHAUS PROVENANCE

Private Collection, NM $2,000 – $3,000 nr

S A N TA F E A R T A U C T I O N

45 E. MARTIN HENNINGS (1886-1956) Taos Mountain Stream oil on canvas 29 1/2 x 36 inches PROVENANCE

Private Collection, NM $10,000 – $20,000 nr

46 WILLIAM R. LEIGH (1866-1955) View From the Rock Camp in Tanganyika, 1926 oil on artist board 12 x 16 inches signed lower right: W.R. Leigh PROVENANCE

Private Collection, NM $8,000 – $12,000

S A N TA F E A R T A U C T I O N

47 OSCAR E. BERNINGHAUS (1874-1952) Itinerant River Merchant oil on canvas 24 x 36 inches signed lower left: O.E. BERNINGHAUS PROVENANCE

Private Collection, PA $12,000 – $20,000 48 JOSEPH HENRY SHARP (1859-1953) Montana Landscape oil on board 3 5/8 x 5 1/2 inches signed lower right: J.H. SHARP PROVENANCE

Private Collection, CO $15,000 – $25,000

S A N TA F E A R T A U C T I O N

49 OSCAR E. BERNINGHAUS (1874-1952) Coming Down from the Mountains Into Sagebrush Country oil on board 11 5/8 x 15 5/8 inches signed lower right: O.E. BERNINGHAUS PROVENANCE

Private Collection, CO $60,000 â&#x20AC;&#x201C; $80,000

S A N TA F E A R T A U C T I O N

50 JOSEPH HENRY SHARP (1859-1953) South Pueblo Taos, New Mexico oil on board 13 1/2 x 18 1/2 inches signed lower right: J H SHARP titled and signed verso: South - Pueblo - / TAOS, N. MEX / JHSharp. PROVENANCE

Private Collection, OR $25,000 â&#x20AC;&#x201C; $35,000

S A N TA F E A R T A U C T I O N

51 FREMONT ELLIS (1897-1985) Through the Aspens, 1927 oil on canvas 28 1/4 x 36 inches dated lower left: 27 signed lower right: FREMONT F. ELLIS PROVENANCE

Private Collection, MO $40,000 â&#x20AC;&#x201C; $60,000

S A N TA F E A R T A U C T I O N

52 WILLIAM P. HENDERSON (1877-1943) Untitled, ca. 1920-1930 pastel on paper 7 3/8 x 9 1/4 inches signed lower left: Henderson PROVENANCE

Private Collection, NM $6,000 – $9,000

53 JOZEF G. BAKOS (1891-1977) Apple Blossoms, 1940 watercolor and graphite on paper 14 x 20 inches signed lower right: Bakos PROVENANCE

Private Collection, NM $4,000 – $6,000

S A N TA F E A R T A U C T I O N

54 JOHN MARIN (1870-1953) New Mexico Landscape, 1929 watercolor with traces of charcoal on paper 13 5/8 x 19 5/8 inches signed and dated lower right: Marin 29 PROVENANCE

Private Collection, NM $60,000 â&#x20AC;&#x201C; $80,000

S A N TA F E A R T A U C T I O N

55 OSCAR E. BERNINGHAUS (1874-1952) Pueblo Indians and Visitors oil on board 13 3/4 x 19 1/2 inches signed lower right: O.E. BERNINGHAUS PROVENANCE

Private Collection, CO $50,000 â&#x20AC;&#x201C; $60,000

S A N TA F E A R T A U C T I O N

56 EANGER I. COUSE (1866-1936) The Hunter oil on canvas 19 1/4 x 15 inches signed lower left: E-I-COUSE -N-APROVENANCE

Private Collection, MO $70,000 â&#x20AC;&#x201C; $90,000

S A N TA F E A R T A U C T I O N

57 EMIL ARMIN (1883-1971) Spanish House oil on canvas board 12 x 16 inches titled and signed verso: Spanish House / Emil Armin / 5642 Harper PROVENANCE

Private Collection, NM $2,000 – $4,000 nr

58 CARL VON HASSLER (1886-1969) At the Pueblo, 1936 oil on canvas 16 x 15 inches signed and dated lower left: VonHassler - 36 PROVENANCE

Private Collection, NM $4,000 – $6,000 nr

S A N TA F E A R T A U C T I O N

59 NORMA BASSETT HALL (1889-1957) October in Santa Fe woodblock print 9 7/8 x 8 inches initialed in plate lower right: NBH signed lower right: Norma Bassett Hall titled lower left: OCTOBER IN SANTA FE PROVENANCE

Private Collection, AZ $2,000 – $3,000

60 ILA MCAFEE (1897-1995) Moonlight Caprice, 1968 oil on canvas 30 x 24 1/8 inches signed and dated lower right: Ila McAfee '68 PROVENANCE

Private Collection, CA $2,000 – $3,000 nr

61 ILA MCAFEE (1897-1995) Palomino Two Year Old, 1948 oil on masonite 12 x 14 inches signed lower right: Ila McAfee titled and signed verso: "Palomino 2 yr. Old" / by / Ila McAfee / of Taos, / New Mex. inscribed verso: To Maribeth / Lang / in / 1948 / from / Ila PROVENANCE

Private Collection, NM $2,000 – $4,000 nr

S A N TA F E A R T A U C T I O N

62 SHERRY SALARI SANDER (b. 1941) Flight Line bronze 16 x 55 x 18 inches inscribed: S. SANDER © / 14 PROVENANCE

Private Collection, TX $12,000 – $15,000

63 ELI HARVEY (1860-1957) Elk, 1904 bronze 17 x 13 x 5 1/2 inches inscribed: copyright by / Eli Harvey 1904 inscribed: Eli Harvey PROVENANCE

Private Collection, GA $3,000 – $5,000

S A N TA F E A R T A U C T I O N

64 NANCY GLAZIER (b. 1947) Tapestry, 1986 oil on board 10 x 14 inches signed lower right: N. GlAZiER / © titled and dated verso: "Tapestry" Nov. 86 / 10 x 14 PROVENANCE

Private Collection, AZ $4,000 – $6,000 nr

65 NANCY GLAZIER (b. 1947) Tangerine oil on board 8 x 10 inches signed lower left: N. GlAZiER titled and inscribed verso: Title: "Tangerine" / medium: oil on board / size 8 x 10 PROVENANCE

Private Collection, AZ $3,000 – $6,000 nr

66 JILL SOUKUP (b. 1969) Brawl Bait, 2011 oil on canvas 30 x 30 inches signed lower right: Soukup signed, dated and titled verso: © Jill Soukup 2011 / Brawl Bait PROVENANCE

Private Collection, CO $4,500 – $6,500

S A N TA F E A R T A U C T I O N

Private Collection, IN $8,000 – $12,000

68 MICHAEL GODFREY (b. 1958) Day Into Evening, 2011 oil on canvas 18 x 24 inches signed lower right: MICHAEL GODFREY PROVENANCE

Private Collection, IN $3,000 – $5,000

69 SKIP WHITCOMB (b. 1946) View From the Foothills pastel on board 16 1/4 x 28 1/8 inches signed lower left: Whitcomb PROVENANCE

Private Collection, CO $5,000 – $7,000 S A N TA F E A R T A U C T I O N

Private Collection, CO $3,500 – $5,000

71 JOHN F. CARLSON (1874-1945) In May oil on linen mounted on board 8 x 10 inches signed lower left: John F. Carlson titled and signed verso: In May / John F. Carlson PROVENANCE

Private Collection, CO $4,000 – $6,000

S A N TA F E A R T A U C T I O N

Private Collection, NY $120,000 – $160,000

S A N TA F E A R T A U C T I O N

73 MATT SMITH (b. 1960) Tonto Forest Vista, 2004 oil on board 12 x 20 inches signed lower right: Matt Smith signed, dated and titled verso: Matt Smith 2004 © / OIL. 12" x 20" / "TONTO FOREST VISTA" PROVENANCE

Private Collection, CO $3,000 – $5,000

74 KARL STEGMANN The Tall Ones at Tapatio, 2004 oil on board 9 x 12 inches signed lower right: STEGMANN titled verso: "THE TALL ONES AT / TAPATIO" / ARIZONA / 9" x 12" OIL signed and dated verso: KARL STEGMANN © 2004 PROVENANCE

Private Collection, CO $500 – $700 nr

75 MATT SMITH (b. 1960) The View North From the McDowell Foothills, 2004 oil on board 10 x 15 inches signed lower left: Matt Smith signed, dated and titled verso: Matt Smith 2004 © / OIL. 1" x 15" / "THE VIEW NORTH FROM THE MCDOWELL FOOTHILLS" PROVENANCE

Private Collection, CO $2,000 – $3,000

S A N TA F E A R T A U C T I O N

76 THOMAS MORAN (1837-1926) a. Gardiner’s River Hot Springs b. The Grand Canyon of the Yellowstone c. The Great Blue Spring of the Lower Geyser Basin d. The Castle Geyser, Upper Geyser Basin chromolithograph 4 1/8 x 7 1/8 inches PROVENANCE

Private Collection, NM $4,000 – $6,000 (for the set of four) nr

S A N TA F E A R T A U C T I O N

77 BIRGER SANDZÉN (1871-1954) Abandoned Mines, Nevadaville, Colorado, 1940 oil on board 25 x 30 inches signed lower right: Birger Sandzén titled, signed and dated verso: Abandoned Mines / Nevadaville, Colo. / Birger Sandzén / Lindsborg, Kans. / 1940 PROVENANCE

Private Collection, CO $75,000 – $90,000

S A N TA F E A R T A U C T I O N

78 BIRGER SANDZÉN (1871-1954) Glimpse of Long's Peak, 1937 oil on board 22 x 28 inches signed lower left: Birger Sandzén titled, signed and dated verso: Glimpse of Long's Peak / Birger Sandzén / Lindsborg, Kans. / Estes Park, Colo. / 1937 PROVENANCE

Private Collection, CO $60,000 – $70,000

S A N TA F E A R T A U C T I O N

79 LEN CHMIEL (b. 1942) Another Encore, Vermillion Cliffs, 2007 oil on board 42 x 50 inches signed lower left: l. chmiel (artist cipher) PROVENANCE

Private Collection, CO $20,000 â&#x20AC;&#x201C; $30,000

S A N TA F E A R T A U C T I O N

80 LEN CHMIEL (b. 1942) The Pink House in Ranchitos, 1979 oil on board 24 x 34 inches PROVENANCE

Private Collection, CO $4,000 – $5,000

81 FRANCIS LIVINGSTON (b. 1953) Beyond the Cottonwoods oil on board 10 5/8 x 13 5/8 inches signed lower left: Livingston PROVENANCE

Private Collection, CO $2,500 – $3,500

82 MICK SHIMONEK Cuchara Gold oil on canvas 26 1/8 x 18 1/8 inches signed lower right: Shimonek signed and titled verso: Mick Shimonek / " CUCHARA GOLD" / (OIL) PROVENANCE

Private Collection, CO $800 – $1,000 nr 47

S A N TA F E A R T A U C T I O N

83 GORDON SNIDOW (b. 1936) Holding the Herd, 1968 oil on canvas 24 1/8 x 35 15/16 inches signed and dated lower right: Snidow / (artist cipher) / 68 / © titled, signed and dated verso: © HOLDING THE HERD / BY GORDON SNiDOW / 11/7/68 $15,000 – $25,000

84 BUCK MCCAIN (b. 1943) When Seconds Count oil on canvas 20 x 24 inches signed lower right: McCAIN titled and signed verso: WHEN SECONDS COUNT / BY BUCK McCAIN PROVENANCE

Private Collection, CA $6,000 – $8,000 S A N TA F E A R T A U C T I O N

85 FRANCIS LIVINGSTON (b. 1953) Pueblo Trail oil on board 27 x 27 inches signed lower right: Livingston PROVENANCE

Private Collection, CO $8,000 – $12,000

86 FRANCIS LIVINGSTON (b. 1953) Horse and Rider in Green oil on board 7 7/8 x 10 inches signed lower left: Livingston PROVENANCE

Private Collection, CO $1,800 – $2,000

87 ROBERT DAUGHTERS (b. 1929) Twining Aspens oil on canvas 16 x 12 inches signed lower left: R. Daughters PROVENANCE

Private Collection, AZ $3,000 – $4,000 49

S A N TA F E A R T A U C T I O N

88 GERARD C. DELANO (1890-1972) Colorado Night oil on panel 17 5/8 x 23 7/8 inches signed lower right: © Delano. titled and signed verso: Colorado Night / Painted by / Gerard Curtis Delano PROVENANCE

Private Collection, CO $75,000 – $125,000

S A N TA F E A R T A U C T I O N

89 GERARD C. DELANO (1890-1972) In New Mexico watercolor on paper 9 1/8 x 11 1/2 inches signed lower right: DELANO (artist cipher) signed and titled verso: Gerard Curtis Delano / In New Mexico PROVENANCE

Private Collection, NM $6,000 – $9,000 nr

90 GERARD C. DELANO (1890-1972) The Waterhole watercolor on paper 17 5/8 x 21 1/8 inches signed lower right: © Delano. PROVENANCE

Private Collection, CO $15,000 – $20,000

S A N TA F E A R T A U C T I O N

91 JAMES WALKER (1818-1889) Pastoral Scene, Salinas River Valley oil on canvas 20 x 40 inches signed lower left: J. Walker James Walker was born in Northamptonshire, England, on June 3, 1818. He emigrated to the United States with his family in 1823, settling in Albany, along the Hudson River. Little is known of his original training, but the artist is said to have studied painting in New York City and to have spent much of his youth there. Walker moved to California during the 1860’s or 1870’s, and opened a studio in San Francisco. During his years there, he concentrated on scenes of the culture of early California and the vaqueros and cowboys who worked its vast ranches. His meticulous and highly detailed paintings realistically and accurately depict the excitement of those early western inhabitants. PROVENANCE

Private Collection, NM $100,000 – $200,000

S A N TA F E A R T A U C T I O N

92 WILLIAM CARY (1840-1922) Small Game Hunter oil on canvas 8 x 15 inches signed indistinctly lower right PROVENANCE

Private Collection, CT $20,000 – $30,000

93 EDWARD MORAN (1829-1901) Two Men in a Boat oil on board 7 x 15 5/8 inches signed lower left: Edw. Moran PROVENANCE

Private Collection, OR $15,000 – $25,000

S A N TA F E A R T A U C T I O N

94 MARK SWANSON (b. 1958) Crossing, 1995 oil on masonite 16 x 24 inches signed lower right: MARK SWANSON / © titled and signed verso: "CROSSING" / Mark Swanson inscribed verso: ALL RIGHTS RESERVED / BY THE ARTIST © 1995 PROVENANCE

Private Collection, CO $2,000 – $3,000

95 SHEILA COTTRELL Shade on the Mexican Border oil on board 24 x 18 inches signed lower left: SHEILA COTTRELL PROVENANCE

Private Collection, CO $2,500 – $3,500

S A N TA F E A R T A U C T I O N

Private Collection, IN $2,500 – $4,500

97 GARY NIBLETT (b. 1943) Opposition oil on canvas 12 x 24 inches signed lower right: G. NIBLETT titled verso: "Opposition" PROVENANCE

Private Collection, NM $2,000 – $3,000 nr

S A N TA F E A R T A U C T I O N

98 CHARLES J. FRITZ (b. 1955) The Enchanted White Cliffs of the Missouri oil on board 9 5/8 x 11 5/8 inches signed lower right: C. FRITZ PROVENANCE

Private Collection, CO $3,000 – $5,000

99 CYRUS AFSARY (b. 1940) Goldfield oil on canvas 15 7/8 x 20 inches signed lower right: CYRUS AFSARY PROVENANCE

Private Collection, CO $12,000 – $16,000

S A N TA F E A R T A U C T I O N

100 PERRY BROWN Last Light (Near Silverthorne) oil on board 23 1/2 x 17 1/4 inches signed lower right: P Brown PROVENANCE

Private Collection, CO $2,000 – $3,000

101 CAROLE WHITMORE Mimbres Valley, 2003 oil on canvas 24 x 36 inches signed lower right: C Whitmore titled, signed and dated verso: "Mimbres Valley" / C. Whitmore / 2003 / (Southwestern NM) PROVENANCE

Private Collection, CO $2,000 – $3,000

102 WALT GONSKE (b. 1942) Untitled oil on canvas 14 x 17 7/8 inches signed lower right: gonske PROVENANCE

Private Collection, NM $1,000 – $2,000 nr 57

S A N TA F E A R T A U C T I O N

103 ROD GOEBEL (1946-1993) Taos Adobe oil on canvas 30 x 24 inches signed lower right: ROD GOEBEL titled and signed verso: © "TAOS ADOBE" 30 x 24 ROD GOEBEL NAWA PROVENANCE

Private Collection, WY $8,000 – $12,000

104 ROD GOEBEL (1946-1993) Mrs. Baca's Back Door oil on canvas 16 x 20 inches signed lower right: ROD GOEBEL titled and signed verso: "MRS. BACA'S BACK DOOR" ROD GOEBEL © NAWA PROVENANCE

Private Collection, WY $4,000 – $6,000

105 THOMAS DE DECKER (b. 1951) Near Saguaro National Park – Sunset, 2013 oil on canvas 24 x 30 inches titled, dated and signed verso: "Near Saguaro Nat. Park Sunset" 2013 / by / Thomas de Decker PROVENANCE

Private Collection, AZ $3,000 – $5,000 S A N TA F E A R T A U C T I O N

106 MIKE MALM (b. 1972) Late Winter, Early Spring, 2007 oil on canvas 30 x 24 inches signed upper left: Malm titled verso: "LATE WINTER, EARLY SPRING" signed and dated verso: MIKE MALM 2007 PROVENANCE

Private Collection, CO $4,000 – $6,000

107 ERIC MICHAELS (b. 1949) Las Cabras de Chiapas, 2011 oil on board 11 x 13 3/4 inches signed lower left: W. Eric Michaels PROVENANCE

Private Collection, IN $1,800 – $2,200

S A N TA F E A R T A U C T I O N

108 ERNEST L. BLUMENSCHEIN (1874-1960) Indians at Pueblo oil on canvas 13 1/2 x 15 1/2 inches initialed lower left: B PROVENANCE

Private Collection, CO $70,000 â&#x20AC;&#x201C; $90,000

S A N TA F E A R T A U C T I O N

109 JOSEPH H. SHARP (1859-1953) Crow Agency, Montana, 1905 oil on panel 3 x 5 3/4 inches initialed lower left: J.H.S. PROVENANCE

Private Collection, CO $80,000 â&#x20AC;&#x201C; $100,000

S A N TA F E A R T A U C T I O N

110 OSCAR E. BERNINGHAUS (1874-1952) Winter in Taos, 1925 oil on canvas 16 x 20 inches signed and dated lower right: O.E. BERNINGHAUS / TAOS. N.M-25 PROVENANCE

Private Collection, NM $120,000 – $180,000

S A N TA F E A R T A U C T I O N

111 GERALD CASSIDY (1879-1934) Old Navajo watercolor and gouache on paper 10 1/2 x 5 1/2 inches signed lower center: Gerald Cassidy PROVENANCE

Private Collection, CT $6,000 – $10,000

112 NICOLAI FECHIN (1881-1955) Small Pilgrim, 1997 bronze 20 1/2 x 5 1/2 x 7 inches stamped lower rear: N.F. 6/21 © GERALD PETERS GALLERY 1997 S PROVENANCE

Private Collection, NM $2,000 – $4,000

113 NICOLAI FECHIN (1881-1955) Large Pilgrim, 1997 bronze 26 1/2 x 9 x 7 1/2 inches stamped lower rear: N.F. 5/21 © GERALD PETERS GALLERY 1997 S PROVENANCE

Private Collection, NM $3,000 – $5,000 63

S A N TA F E A R T A U C T I O N

114

115

JAMES SWINNERTON (1875-1974) Coming Sunset, Desert Edge

JAMES SWINNERTON (1875-1974) Little Colorado

oil on board 12 x 16 inches titled and signed lower right: Coming Sun-Set Desert Edge J. Swinnerton

oil on board 12 x 16 inches signed lower left: J. Swinnerton titled lower center: Little Colorado

PROVENANCE

Private Collection, NM

$800 – $1,000

116 JAMES SWINNERTON (1875-1974) Marsh Pass in Northern Arizona, Home of the Cliff Dwellings oil on board 16 x 11 7/8 inches signed lower right: Swinnerton titled verso: Marsh Pass in Northern Ariz. Home of the Cliff Dwellings PROVENANCE

Private Collection, NM $1,000 – $2,000

117 JAMES SWINNERTON (1875-1974) Painted on the Hearst Ranch, Grand Canyon oil on board 15 x 17 1/8 inches signed lower left: J. Swinnerton PROVENANCE

Private Collection, NM $2,000 – $3,000 S A N TA F E A R T A U C T I O N

118 DAWSON DAWSON-WATSON (1864-1939) Grand Canyon oil on canvas 22 x 27 1/4 inches signed lower right: Dawson-Watson PROVENANCE

Private Collection, FL $20,000 â&#x20AC;&#x201C; $30,000

S A N TA F E A R T A U C T I O N

119 DE COST SMITH (1864-1939) Horse Stealing oil on canvas 18 x 26 inches signed lower left: DE COST SMITH / (artist cipher) DeCost Smith was born in Skaneateles, New York in 1864. Best known for his western subjects, and Native American subjects in particular, Smith studied at the McMullin School and the Art Students League in New York City, and also at the Académie Julian in Paris. An admirer of George de Forest Brush, it was his exposure to Brush’s paintings that inspired him to pursue Native American subjects primarily. Smith’s fascination with Native Americans began at a very early age, as he grew up nearby a settlement of the Onondaga tribe, a part of the Iroquois Confederacy, in New York state. As a child, Smith spent a great deal of time observing and learning about the customs and traditions of the Onondaga people and was eventually initiated as a member of the tribe. In 1884, Smith took his first trip west, to the Dakotas, specifically to paint Native Americans. Travelling with his brother, he visited many different tribes and learned several dialects along the way. This trip solidified his devotion to painting Native Americans. In 1893, Smith took a second trip west with fellow artist, Edwin Willard Deming. In addition to painting on this trip, both also wrote articles about Native Americans and western life. Together they illustrated and wrote a number of magazine articles for both Century Magazine and Outing Magazine, as well as other publications. In addition to his paintings and magazine articles, Smith also wrote two books about Native Americans, both of which were published posthumously. The first, Indian Experiences, was first published in 1939, the year Smith died, and reprinted again in 1943. Martyrs of the Oblong and Little Nine was published in 1948. Recognized throughout his career as an artist who portrayed Native Americans with dignity and respect, he in turn was welcomed and respected by the Native Americans he encountered, which allowed him close access to all aspects of their lives. During his travels Smith painted several notable tribal chiefs including Rain-In-the-Face, Tendoi, and Sitting Bull. Smith amassed an incredible collection of Native American artifacts throughout his career and upon his death, in 1939, the collection was divided between the American Museum of Natural History in New York and the Museum of the American Indian, now a part of the Smithsonian Institution in Washington DC. In addition, all of his books and papers went to the Cornell University Library. Smith’s paintings can be found in both the Museum of Natural History and the Museum of the American Indian, as well as the Buffalo Bill Historical Center and the Birmingham Museum of Art. PROVENANCE

Private Collection, NM $200,000 – $300,000

S A N TA F E A R T A U C T I O N

120 LEON GASPARD (1882-1964) Russian Village in Winter oil on canvas mounted on board 15 5/8 x 12 1/2 inches signed lower left: L Shulman Gaspard, Russia Born on March 2, 1882, in Vitebsk, a small village west of Moscow, Leon Gaspard’s artistic inclinations were nurtured from early childhood by his cultured family. His father was a retired Army officer and trader in furs and fine rugs, while his mother, an accomplished pianist, kept their home filled with music. At the age of fifteen, his father enrolled him in a local art class, where he studied alongside a young Marc Chagall. Eager for more formal instruction, Gaspard soon moved to Paris, and enrolled in the Académie Julian. In Paris, Gaspard became acquainted with the work of Modigliani, Matisse, and the sculptor Rodin, whose expressive use of line impressed him particularly. He also met and married Evelyn Adell, the daughter of a wealthy American family. After honeymooning in Russia, the couple returned to Paris where Gaspard began to show in acclaimed exhibitions such as the annual Salon and the Salon d’Automne, as well as in international shows throughout Europe. When France entered World War I in the summer of 1914, Gaspard enlisted in the French Aviation Corps, and Evelyn became a Red Cross nurse. He was seriously wounded during a plane crash, and spent two years convalescing in a French hospital, during which time Evelyn went home to America. Despite a bleak prognosis, Gaspard left France in 1916 to be with her. Upon his arrival in New York he quickly assimilated himself into the art scene, exhibiting at prestigious venues including the National Academy of Design and the Vanderbilt Gallery. That summer he and his wife traveled to Santa Fe to visit Sheldon Parsons, but quickly moved to Taos. Impressed by the Taos Pueblo, which reminded Gaspard of Mongolian architecture, he and his wife settled there permanently in 1918. PROVENANCE

Private Collection, KS $80,000 – $100,000

S A N TA F E A R T A U C T I O N

121 BERT G. PHILLIPS (1868-1956) Indian Hunter

oil on canvas 30 x 30 inches signed lower left: PHillips. A native of Hudson, New York, Bert Geer Phillips was naturally attracted to the romanticized west popularized in contemporary literature such as James Fenimore Cooper’s Leatherstocking Tales and Last of the Mohicans. After spending time at the Art Student’s League and National Academy of Design in New York, Phillips left for a European sojourn in 1884. While studying abroad in France at the popular Académie Julian, Phillips met Ernest Blumenschein and first learnt of the beautiful landscape and fantastic natives of the American West from Joseph Sharp. Thrilled by Sharp’s tales, Phillips and Blumenschein traveled to Colorado to paint and sketch the West firsthand in the summer of 1898. A broken wheel on their wagon near the village of Questa, New Mexico, sent them serendipitously to Taos for repairs, resulting in their artistic “discovery” of this picturesque yet isolated village. Although Blumenschein would not settle permanently for a few years, Phillips moved back almost immediately. As a result, both are considered the founding members of the famed Taos Society of Artists. Phillips was always captivated by the landscape of Northern New Mexico, but his most enduring bond was with the native people. He was deeply inspired by their friendship, both personally -- it was, as one author has noted, often said that he knew the Indians of Taos better than any other white man -- and artistically. Phillips’ great love of his subjects combines with a romantic, lyrical style, derived in part from his Parisian training, to capture the very spirit of Taos, his self described “homeland.” PROVENANCE

Private Collection, CO $275,000 – $400,000

S A N TA F E A R T A U C T I O N

122 KAREN VANCE (b. 1951) Untitled oil on board 43 3/4 x 39 1/2 inches signed lower right: K Vance PROVENANCE

Private Collection, CO $10,000 – $15,000

123 KARL STEGMANN Almost to Silverton, 2004 oil on board 10 x 12 inches signed lower left: STEGMANN titled verso: "ALMOST TO SILVERTON" / SAN JUANS, COLORADO dated verso: 2004 © PROVENANCE

Private Collection, CO $500 – $700

124 KARL STEGMANN San Juan Winter, 2004 oil on board 10 1/8 x 12 inches signed lower right: STEGMANN titled verso: "SAN JUAN WINTER" / SAN JUANS, COLORADO dated verso: 2004 © PROVENANCE

Private Collection, CO $500 – $700

S A N TA F E A R T A U C T I O N

Private Collection, WY $7,000 – $9,000

126 JOHN F. CARLSON (1874-1945) Silent Meadows watercolor on paper 8 x 9 7/8 inches signed lower left: John F. Carlson signed and titled verso: John F. Carlson / Silent Meadows PROVENANCE

Private Collection, CO $4,000 – $6,000

127 MATT SMITH (b. 1960) View From Vail oil on linen mounted on board 7 3/8 x 9 1/2 inches signed and titled verso: Matt Smith © / 7" x 9" "VIEW FROM VAIL" PROVENANCE

Private Collection, CO $2,500 – $4,500 73

S A N TA F E A R T A U C T I O N

128 RICHARD D. THOMAS Campfire, 2003 oil on canvas 30 x 24 inches signed lower left: RICHARD D. THOMAS titled, signed and dated verso: "CAMPFIRE" 30 x 24 © R. THOMAS '03 PROVENANCE

Private Collection, CO $8,000 – $10,000

129 MARTIN GRELLE (b. 1954) Thoroughbred, 1978 watercolor on paper 14 x 20 7/8 inches signed and dated lower right: Martin Grelle / '78 / AiCA PROVENANCE

Private Collection, KS $2,000 – $3,000

S A N TA F E A R T A U C T I O N

130 JIM NORTON (b. 1953) Fall on the Spanish Fork, 2003 oil on canvas 30 1/2 x 40 inches signed lower left: Jim C. Norton / CA PROVENANCE

Private Collection, CO $35,000 â&#x20AC;&#x201C; $50,000

S A N TA F E A R T A U C T I O N

131 R. BROWNELL MCGREW (1916-1994) Tsosie Ahzonie oil on board 24 x 20 inches signed upper left: R. Brownell McGrew PROVENANCE

Private Collection, CT $20,000 – $30,000

132 BONNIE CONRAD (b. 1947) Dolls of the Desert oil on canvas 9 7/8 x 12 inches signed lower right: AWA / © / B CONRAD titled and signed verso: Dolls of the Desert / B Conrad © OPA / AWA PROVENANCE

Private Collection, CO $800 – $1,000

Private Collection, CO $1,000 – $2,000 nr

S A N TA F E A R T A U C T I O N

134 CRAIG TENNANT (b. 1946) Rivers of Living Water oil on linen 28 x 34 inches signed lower left: Craig Tennant © PROVENANCE

Private Collection, IN $4,000 – $6,000

135 MARTIN GRELLE (b. 1954) Autumn in Canyon del Muerto, 1980 acrylic on linen 28 x 40 inches signed and dated lower right: Martin Grelle / 1980 / AiCA inscribed, signed and dated verso: Martin Grelle / 1980 PROVENANCE

Private Collection, KS $20,000 – $30,000 77

S A N TA F E A R T A U C T I O N

136 JIM NORTON (b. 1953) Looking for the Buffalo oil on canvas 22 x 30 inches signed lower left: Jim C. Norton / CA titled and signed verso: “LOOKING FOR THE BUFFALO” / Jim C. Norton CA / © 0110 1/10 PROVENANCE

Private Collection, CO $20,000 – $30,000

S A N TA F E A R T A U C T I O N

137 MARTIN GRELLE (b. 1954) Thoughts of April, 1983 acrylic on linen 20 x 30 inches signed and dated lower right: MARTIN GRELLE / 1983 / © titled verso: “THOUGHTS OF APRIL” PROVENANCE

Private Collection, TX $8,000 – $12,000

138 MARTIN GRELLE (b. 1954) Cinchin’ Up, 1978 watercolor on paper 23 7/8 x 38 1/2 inches signed and dated lower right: Martin Grelle / ‘78 / AiCA inscribed, signed and dated verso: Martin Grelle / ‘78 / AiCA PROVENANCE

Private Collection, KS $10,000 – $15,000

S A N TA F E A R T A U C T I O N

139 CHARLIE DYE (1906-1972) Villa at Zacatecas oil on board 29 1/2 x 47 1/2 inches signed lower right: Charlie / Dye / CA (artist cipher) LITERATURE Charlie Dye: One Helluva Western Painter, Paul Weaver, Illustrated page 71, Published 1981 PROVENANCE

Private Collection, CT $45,000 â&#x20AC;&#x201C; $55,000

S A N TA F E A R T A U C T I O N

140 BILL NEBEKER (b. 1942) Early Morning Mount, 1983 bronze 21 1/4 x 16 x 21 1/2 inches inscribed: 1983 / BILL / © NEBEKER CA 14/25 PROVENANCE

Private Collection, CT $4,000 – $6,000

141 BILL NEBEKER (b. 1942) Reflected Splendor, 1993 bronze 10 1/2 x 7 x 7 inches inscribed: © BILL / NEBEKER / 1993 / 6/30 CA PROVENANCE

Private Collection, CT $3,000 – $4,000

S A N TA F E A R T A U C T I O N

142 KENNETH RILEY (b. 1919) Apacheria, 1981 oil on board 20 x 24 inches signed and dated lower right: Kenneth Riley 81 © EXHIBITED

Eiteljorg Museum of American Indian and Western Art, “West of Camelot; Paintings by Kenneth Riley,” July 18 - September 12, 1993 PROVENANCE

Private Collection, CT $20,000 – $30,000

S A N TA F E A R T A U C T I O N

143 JAMES AYERS (b. 1969) Grandeur, 2005 oil on canvas 36 x 30 inches signed and dated lower right: James Ayers / 2005 titled and signed verso: "Grandeur" / James Ayers PROVENANCE

Private Collection, CO $12,000 – $15,000

144 MARTIN GRELLE (b. 1954) Autumn, 1983 oil on linen 20 x 30 inches signed and dated lower left: MARTIN GRELLE / 1983 / © titled verso: "AUTUMN" PROVENANCE

Private Collection, TX $8,000 – $12,000

S A N TA F E A R T A U C T I O N

145 CLARK HULINGS (1922-2011) Puerto Vallarta, 1976 oil on canvas 24 x 48 inches signed and dated lower left: Hulings © 1976 Hulings said about his art, “Painting what I actually see appeals to me more than reconstructing history. I like rustic bridges, buildings, markets, and dusty rural areas where fanners still use animals. My pleasure comes from seeing the beauty in the ordinary and creating beauty from what is not conventionally beautiful. Most people consider technique to be most important in a painting. For me, finding the right subject matter and recognizing when it is good comes first.” One of the nation’s most respected painters, Clark Hulings was renowned for his tranquil paintings that so beautifully captured the rustic and provincial scenes of everyday life. Open air markets, farms and rural countryside were subjects he came to know well. Hulings lived in Spain as a young child and the experience had a profound influence on his choice of subject matter throughout his career. Travels to Egypt, Mexico and Morocco also provided a plethora of subjects for his paintings that are rich with color, light and texture. Hulings studied with Sigismund Ivanowski and George Bridgmond at the Art Students League in new York. During these years, he found a steady demand for his portraiture work. After a successful career in illustration, Hulings eventually settled in Santa Fe, New Mexico. In addition to receiving the coveted Prix de West from The National Academy of western Art in Oklahoma City in 1973, Hulings also received three silver and two gold medals from subsequent NAWA competitions. In 1976 he was given a one-person show at the national cowboy Hall of Fame and was presented with the Hall’s trustees’ Gold Medal for his distinguished contribution to art in the U.S. In his first exhibition since 1999, Clark Hulings’ unprecedented 2007 eastern U.S. tour of 38 new oil paintings resulted in total sales of $2,434,080. PROVENANCE

Private Collection, CT $100,000 – $200,000

S A N TA F E A R T A U C T I O N

146 CLYDE ASPEVIG (b. 1951) Many Glacier, 2010 oil on canvas 12 x 18 inches signed and dated lower left: C. Aspevig 2010 PROVENANCE

Private Collection, CO $8,000 â&#x20AC;&#x201C; $12,000

S A N TA F E A R T A U C T I O N

147 CURT WALTERS (b. 1950) Shadow Play - Grand Canyon oil on canvas 40 x 60 inches signed lower left: CURT WALTERS PROVENANCE

Private Collection, CO $30,000 – $50,000

S A N TA F E A R T A U C T I O N

148 WILLIAM ACHEFF (b. 1947) Young Santo Domingo, 1990 oil on canvas 32 x 22 inches signed and dated lower right: © Wm. Acheff 1990 PROVENANCE

Private Collection, CT $40,000 – $60,000 S A N TA F E A R T A U C T I O N

149 MARTIN GRELLE (b. 1954) Captured Pony, 2003 oil on canvas 14 x 18 inches signed and dated lower right: MARTiN GRELLE / © ‘03 CA PROVENANCE

Private Collection, CO $20,000 – $30,000

S A N TA F E A R T A U C T I O N

150 WILLIAM MATTHEWS (b. 1949) Big Iron watercolor on paper 40 x 20 inches signed lower right: William Matthews PROVENANCE

The Artist

$16,000 â&#x20AC;&#x201C; $20,000

S A N TA F E A R T A U C T I O N

151 HOWARD POST (b. 1948) Low Crossing oil on canvas 50 x 42 inches signed lower right: H E POST (artist cipher) PROVENANCE

Private Collection, CO $20,000 â&#x20AC;&#x201C; $30,000

S A N TA F E A R T A U C T I O N

152 JOE BEELER (1931-2006) Buckaroo bronze 15 1/4 x 5 1/2 x 4 1/2 inches inscribed: JOE BEElER CA stamped: 2/40 PROVENANCE

Private Collection, CT $5,000 – $7,000

153 GEORGE HALLMARK (b. 1949) En Casa oil on canvasboard 16 x 20 inches signed lower left: © Hallmarktitled, signed and inscribed verso: "EN CASA" (AT HOME) / GEORGE HALLMARK / OIL/CANVAS / George Hallmark / © COPYRIGHT 2008 / George Hallmark PROVENANCE

Private Collection, WY $2,000 – $3,000

154 GEORGE HALLMARK (b. 1949) Remember oil on board 16 x 12 inches signed lower left: © Hallmarkinscribed and signed verso: © COPYRIGHT / George Hallmark PROVENANCE

Private Collection, WY $2,000 – $3,000 S A N TA F E A R T A U C T I O N

155 KEN FLEISCH (1943-2008) Mask, 2006 oil on canvas 30 x 20 inches signed lower left: KEN FLEISCH / (artist cipher) / © '06 signed, titled and inscribed verso: KEN FLEISCH / "MASK" / © 2006 PROVENANCE

Private Collection, WY $3,000 – $5,000

156 WILLIAM SHEPHERD (b. 1943) Yellowheaded Cow oil on panel 22 1/8 x 28 1/2 inches PROVENANCE

Private Collection, CO $10,000 – $15,000

S A N TA F E A R T A U C T I O N

157 BARBARA LATHAM (1896-1989) Fresh Snow oil on board 24 1/8 x 16 3/8 inches signed lower right: LATHAM titled verso: fresh snow PROVENANCE

Private Collection, NM $3,000 – $5,000

158 BARBARA LATHAM (1896-1989) Caught in a Dust Storm oil on board 10 1/2 x 13 1/4 inches signed lower right: LATHAM titled verso: caught in a dust storm" PROVENANCE

Private Collection, NM $4,000 – $6,000

S A N TA F E A R T A U C T I O N

159 B.J.O. NORDFELDT (1878-1955) Desert Tree, NM oil on canvas 24 x 30 inches signed lower right: Nordfeldt titled and signed verso: Desert Tree, N.M. / Nordfeldt PROVENANCE

Private Collection, CA $6,000 – $8,000

160 EMIL BISTTRAM (1895-1976) Mask, 1959 oil on canvas 35 5/8 x 29 3/8 inches signed and dated lower right: (artist cipher) / BISTTRAM 59 PROVENANCE

Private Collection, NM $5,000 – $7,000

S A N TA F E A R T A U C T I O N

161 ANNA K. SKEELE (1896-1963) Mother and Child oil on board 28 1/2 x 24 1/2 inches signed lower right: AK SKEELE PROVENANCE

Private Collection, CA $20,000 â&#x20AC;&#x201C; $30,000

S A N TA F E A R T A U C T I O N

162 ROBERT GRIBBROECK (1906-1971) Taos Indian Portrait oil on board 15 1/2 x 12 inches signed lower left: GRIBBROECK PROVENANCE

Private Collection, NM $2,000 – $4,000 nr

163 LEE F. HERSCH (1896-1953) Manuel Del Pueblo, 1947 oil on canvas 16 x 20 1/4 inches signed lower left: L.F. HERSCH titled and signed verso: "Manuel del Pueblo" / Lee F. Hersch / Taos, New Mexico / March, 1947 PROVENANCE

Private Collection, NM $4,000 – $6,000 nr

S A N TA F E A R T A U C T I O N

164 FREMONT ELLIS (1897-1985) Ghost Ranch Country, 1965 oil on canvas 25 1/4 x 30 1/4 inches signed lower right: FREMONT ELLIS dated lower left: 65 PROVENANCE

Private Collection, CO $15,000 – $20,000

165 JOSEPH A. FLECK (1892-1977) Taos, NM oil on board 14 x 17 3/4 inches signed lower right: Fleck inscribed verso: To my dear friend Mrs. Ryer / yours very Truly / Joseph A Fleck / Taos N.M. 14 Jan. 1932 PROVENANCE

Private Collection, NM $6,000 – $9,000 nr

S A N TA F E A R T A U C T I O N

166 BEN TURNER (1912-1966) Untitled oil on canvas 24 1/8 x 36 inches signed lower left: BEN TURNER PROVENANCE

Private Collection, FL $4,000 – $6,000

167 BEN TURNER (1912-1966) Untitled oil on canvas 24 x 36 inches signed lower right: Ben Turner PROVENANCE

Private Collection, NM $3,000 – $5,000 nr

168 SANDOR BERNATH (1892-1984) New Mexico Adobes watercolor on paper 12 1/4 x 16 1/2 inches signed lower left: Sandor Bernath TAOS, N.M. PROVENANCE

Private Collection, NM $2,000 – $4,000 nr

S A N TA F E A R T A U C T I O N

169 ANNA K. SKEELE (1896-1963) Taos Circle Dance watercolor on paper 11 1/4 x 13 1/2 inches signed lower right: A.K. SKEELE PROVENANCE

Private Collection, NM $2,000 – $4,000

170 FRITZ SCHOLDER (1937-2005) Pueblo Dance lithograph 22 1/2 x 30 inches signed lower right: Scholder inscribed lower left: Presentation Proof PROVENANCE

Private Collection, CA $1,000 – $2,000

171 HAROLD JOE WALDRUM (1934-2003) La Morada de Don Fernando etching on paper 16 3/4 x 16 5/8 inches editioned lower left: 10/13 signed lower right: H Waldrum PROVENANCE

Private Collection, CT $2,000 – $3,000

S A N TA F E A R T A U C T I O N

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172 WILLARD NASH (1898-1942) Guitar Player (Male) watercolor on paper 20 x 14 inches signed lower right: Nash PROVENANCE

Private Collection, NM $8,000 – $12,000

173 WILLARD NASH (1898-1942) Nude watercolor on paper 21 1/2 x 14 7/8 inches signed lower right: Nash. PROVENANCE

Private Collection, CA $8,000 – $12,000

101

S A N TA F E A R T A U C T I O N

174 ALFRED MORANG (1901-1958) Flowering Trees, 1949 oil on board 20 x 16 inches dated and signed lower right: 49 / Alfred / Morang inscribed verso: Flowering Trees / BY Alfred Morang PROVENANCE

Private Collection, NM $4,000 – $6,000

175 ALFRED MORANG (1901-1958) From Santa Fe Hills, 1947 oil on board 12 x 16 inches dated and signed lower right: 47 / ALFRED MORANG inscribed verso: From Santa Fe Hills / BY Alfred Morang / Painted on April 25 1947 PROVENANCE

Private Collection, NM $6,000 – $8,000

176 ALBERT KREHBIEL (1873-1945) Outskirts of Santa Fe, Tethered Mules oil on canvas 18 1/8 x 21 inches signed lower right: Albert H. Krehbiel PROVENANCE

Private Collection, NM $8,000 – $12,000

S A N TA F E A R T A U C T I O N

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177 CARL WOOLSEY (1902-1965) Mountain Storm, The Sandias oil on canvas 28 x 40 inches signed lower left: CARL WOOLSEY PROVENANCE

Private Collection, NM $4,000 – $8,000 nr

178 CARL WOOLSEY (1902-1965) Abiquiu Adobes oil on artist board 11 7/8 x 18 inches signed lower left: CARL WOOLSEY signed verso: Carl Woolsey PROVENANCE

Private Collection, NM $4,000 – $6,000 nr

179 WALT GONSKE (b. 1942) Mora, N.M. watercolor 21 x 29 inches titled and signed lower right: Mora, N.M. / Walt Gonske PROVENANCE

Private Collection, NM $1,000 – $2,000 nr

10 3

S A N TA F E A R T A U C T I O N

180 HOPI Gourd Shaped Jar with Face Motif ceramic 6 7/8 x 6 x 4 5/8 inches inscribed on bottom: Hopi PROVENANCE

Private Collection, CA $1,500 – $2,500 181 ZUNI Four Color Pot with Frog Motif ceramic 10 1/8 x 12 5/8 x 12 5/8 inches PROVENANCE

Private Collection, CA $8,000 – $12,000

182 ACOMA Four Color Jar ceramic 11 1/4 x 11 3/8 x 11 3/8 inches PROVENANCE

Private Collection, CA $8,000 – $12,000

183 UNKNOWN Woven Baskets fiber 2 7/8 x 6 1/4 x 6 1/8 inches 4 x 7 5/8 x 7 7/8 inches 4 5/8 x 6 5/8 x 6 1/2 inches PROVENANCE

Private Collection, CA $900 – $1,200 (for the set of three) S A N TA F E A R T A U C T I O N

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184 GRACE CARPENTER HUDSON (1865-1937) Little Mendocino oil on board 9 1/4 x 7 inches PROVENANCE

Private Collection, CT $4,000 – $6,000

185 JAMES SWINNERTON (1875-1974) Quaking Aspen in Their Yellow Mood Near Cortez, N.M. oil on linen 28 x 34 inches signed lower right: Swinnerton PROVENANCE

Private Collection, NM $6,000 – $8,000

10 5

S A N TA F E A R T A U C T I O N

186 JOHN NIETO (b. 1936) Feather Dancer, 1992 oil on canvas 39 7/8 x 30 1/8 inches signed lower right: nieto titled, signed and dated verso: "Feather Dancer" © nieto 1992 PROVENANCE

Private Collection, CO $5,000 – $7,000

187 JOHN NIETO (b. 1936) Indian Chief with Peace Pipe, 1986 oil on canvas 40 x 29 7/8 inches signed lower right: nieto titled, signed and dated verso: "INDIAN CHIEF WITH PEACE PIPE" © nieto 1986 PROVENANCE

Private Collection, CO $5,000 – $7,000

S A N TA F E A R T A U C T I O N

10 6

188 PAUL PLETKA (b. 1946) Cheyenne Teepees acrylic on mat board 31 x 39 inches signed lower right: Pletka PROVENANCE

Private Collection, NM $4,000 – $6,000 nr

189

190

BEATIEN YAZZ (b.1928) Siesta

AWA TSIREH (1895-1955) Untitled

12 3/4 x 14 1/4 inches signed lower right: B. Yazz

watercolor on paper 9 1/2 x 12 3/4 inches signed lower right: Awa Tsireh

PROVENANCE

Private Collection, NM $1,200 – $1,800 nr

107

S A N TA F E A R T A U C T I O N

PROVENANCE

Private Collection, MO $1,500 – $2,500

191 VELOY VIGIL (1931-1997) Rider on the Green Field oil on canvas 36 x 47 7/8 inches signed lower right: V Vigil PROVENANCE

Private Collection, CO $5,000 – $7,000

192 JOE ANDOE (b. 1955) Mare and Foal, 1999 oil on canvas 59 1/2 x 50 inches signed upper right: Joe Andoe PROVENANCE

Private Collection, CA $4,000 – $6,000

S A N TA F E A R T A U C T I O N

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193 ROBERT MAIONE (1932-1987) Snow Storm oil on canvas 53 x 66 inches signed lower right: Maione titled verso: "SNOW STORM" PROVENANCE

Grand Central Art Galleris, Inc, NY From the Collection of the late Malcolm S. Forbes $6,000 – $8,000

194 OLEG STAVROWSKY (b. 1927) Bull Train Into the Rockies oil on canvas 52 x 96 inches signed lower left: Oleg Stavrowsky PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $5,000 – $7,000 10 9

S A N TA F E A R T A U C T I O N

195 CARRIE FELL Tough Partner, 1998 acrylic on canvas 48 x 48 inches signed lower left: Carrie titled and dated verso: “Tough Partner” / © 1998 inscribed verso: Kip Forbes / May the spirit of / the west be always / within you. / Wonderful to meet you! / Regards, Carrie Fell 1998 PROVENANCE

Third Canyon Gallery, CO Collection of the Forbes Family, Trinchera Ranch, CO $2,000 – $3,000

196 PHYLLIS RANDELL Inner Glow, 1999 pastel on paper 26 1/4 x 34 inches titled lower left: Inner Glow signed and dated lower right: Phyllis Randell '99 PROVENANCE

Waxlander Gallery, NM Collection of the Forbes Family, Trinchera Ranch, CO $1,000 – $2,000

197 BILL SCHENCK (b. 1947) John Wayne Disguised as a Long Distance Cowgirl, 2000 oil on canvas 38 x 38 inches signed and dated lower left: SCHENCK 00 signed, dated and titled verso: SCHENCK / MAY 2000 / JOHN WAYNE DISGUISED AS A LONG DISTANCE / COWGIRL PROVENANCE

The Granger Gallery, CA Collection of the Forbes Family, Trinchera Ranch, CO $8,000 – $12,000

S A N TA F E A R T A U C T I O N

110

198 TED COWAN Arizona, 2001 oil on canvas 60 x 48 inches signed lower left: Cowan signed, dated and titled verso: Ted Cowan 2001 / Palm Springs CA. ARIZONA PROVENANCE

The Granger Gallery, WY Collection of the Forbes Family, Trinchera Ranch, CO $2,000 – $3,000

199 DAVID DEVARY Ready!?, 1999 oil and copper on canvas 58 x 46 inches signed lower right: DeVary titled, signed and dated verso: "Ready!?" / David L. De Vary '99 PROVENANCE

The Granger Gallery, CA Collection of the Forbes Family, Trinchera Ranch, CO $1,000 – $2,000

200 JAMES BAMA (b. 1926) Bitten Up - Rimrock Ranch, 1988 lithograph on paper 18 1/2 x 18 1/2 inches signed and dated lower left: Bama '88 signed and editioned lower right: Bama 1242/1250 PROVENANCE

B&R Art Gallery, CA From the Collection of the late Malcolm S. Forbes $800 – $1,000

111

S A N TA F E A R T A U C T I O N

201 JAMES BAMA (b. 1926) Ready to Ride, 1994 limited edition print 18 1/2 x 12 3/8 inches signed, dated and editioned lower right: Bama '94 / Bama 108/1000 PROVENANCE

Gate House Galleries, NY Collection of the Forbes Family, Trinchera Ranch, CO $200 – $300

202 RICHARD CASE (b. 1909) Sonny Tabor: Hero at Large oil on canvas 28 x 26 inches signed lower left: R CASE PROVENANCE

Meyer Gallery, AZ Collection of the Forbes Family, Trinchera Ranch, CO $3,500 – $5,000

203 OLEG STAVROWSKY (b. 1927) Family oil on canvas 42 x 74 inches signed lower right: Oleg Stavrowsky titled and signed verso: "FAMILY" / OLEG STAVROWSKY / © PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $3,000 – $5,000

S A N TA F E A R T A U C T I O N

112

204 OLEG STAVROWSKY (b. 1927) Iron Mountain Cowboys oil on canvas 36 x 46 inches signed lower right: Oleg Stavrowsky titled and signed verso: "IRON MOUNTAIN COWBOYS" / OLEG STAVROWSKY / © PROVENANCE

The Artist Collection of the Forbes Family, Trinchera Ranch, CO $3,000 – $5,000

205 LEAL MACK (1892-1962) Fighting Them Off oil on canvas 20 x 15 7/8 inches signed lower right: Leal Mack PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $800 – $1,000

206 BUCK TEETER It's This Way - I Think, 1965 oil on canvasboard 21 1/2 x 27 1/2 inches signed lower right: Buck TeeTer PROVENANCE

Morton Goldberg, LA Collection of the Forbes Family, Trinchera Ranch, CO $1,500 – $2,500 113

S A N TA F E A R T A U C T I O N

207 CURT WALTERS (b. 1950) Canyon in Winter oil on canvas 40 x 30 inches signed lower right: WALTERS PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $20,000 â&#x20AC;&#x201C; $25,000

S A N TA F E A R T A U C T I O N

114

Collection of the Forbes Family, Trinchera Ranch, CO Altermann Gallery, NM $25,000 – $35,000

115

S A N TA F E A R T A U C T I O N

209 LEAL MACK (1892-1962) Group of 16 Drawings pencil on paper PROVENANCE

Bent Gallery, NM Collection of the Forbes Family, Trinchera Ranch, CO $2,000 â&#x20AC;&#x201C; $3,000

S A N TA F E A R T A U C T I O N

116

210 CURT WALTERS (b. 1950) Clouds Over the Canyon, 1972 oil on canvas 30 x 40 inches signed and dated lower right: CURT WALTERS 1972 PROVENANCE

Scottsdale Art Auction, AZ Collection of the Forbes Family, Trinchera Ranch, CO $20,000 â&#x20AC;&#x201C; $25,000

117

S A N TA F E A R T A U C T I O N

211 J.E. KNAUF (b. 1948) In the Dance I, II, III oil on board I. 44 x 36 inches signed lower right: JE KNAUF II. 26 5/8 x 28 inches signed lower right: JE KNAUF III. 26 3/8 x 27 7/8 inches signed lower center: JE KNAUF PROVENANCE

The Granger Gallery, CA Collection of the Forbes Family, Trinchera Ranch, CO $4,000 – $6,000

212 J.E. KNAUF (b. 1948) Late in the Day oil on panel 28 x 43 7/8 inches signed lower right: JE KNAUF PROVENANCE

Third Canyon Gallery, CO Collection of the Forbes Family, Trinchera Ranch, CO $2,000 – $3,000 213 J.E. KNAUF (b. 1948) Fire Dance oil on panel 36 x 35 3/4 inches signed lower right: JE KNAUF PROVENANCE

Third Canyon Gallery, CO Collection of the Forbes Family, Trinchera Ranch, CO $2,000 – $3,000

214 J.E. KNAUF (b. 1948) Headin' East, ca. 2000 oil on panel 47 3/4 x 35 3/4 inches signed lower left: JE Knauf PROVENANCE

Big Horn Galleries, WY Collection of the Forbes Family, Trinchera Ranch, CO $4,000 – $6,000 S A N TA F E A R T A U C T I O N

118

215 BILL RAKOCY (b. 1924) Hueco Tanks, 1979 pastel pictographs 21 1/4 x 28 3/4 inches signed, dated and titled lower right: RAKOCY © / OCT 1979 / HORNADO BRANCH THE MOGOLLONS CHALK & W.C. / MIXED MOTIF HUECO TANKS TX 50 titled and signed verso: "HUECO TANKS PICTOGRAPHS" BILL RAKOCY (JORDINO BRANCH / MOGOLLAN INDIANS) PROVENANCE

The Artist Collection of the Forbes Family, Trinchera Ranch, CO $300 – $400

216 LOUISA MCELWAIN (1953-2013) El Pedernal, Late Afternoon oil on canvas 24 x 36 inches signed lower left: McELWAiN PROVENANCE

Contemporary Southwest Galleries, NM Collection of the Forbes Family, Trinchera Ranch, CO $2,000 – $3,000

217 TOM E. SCARBOROUGH Big Skies, 1979 oil on canvas 59 3/4 x 47 3/4 inches signed and dated lower right: T. E. Scarborough 79 / C PROVENANCE

Bartlett & Robert, CO Collection of the Forbes Family, Trinchera Ranch, CO $2,000 – $3,000

119

S A N TA F E A R T A U C T I O N

218 G.H. ROTHE (1935-2007) Marvel mezzotint on paper 15 5/8 x 35 1/8 inches editioned lower left: 33/150 titled lower center: Marvel signed lower right: G.H. Rothe PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $1,000 – $2,000

219 BILL SCHENCK (b. 1947) Clouds Escaping Confrontation Between Sky & Mesas, 1999 oil on canvas 30 x 30 inches signed and dated lower right: SCHENCK 99 signed, dated and titled verso: SCHENCK / MAR 1999 / CLOUDS ESCAPING CONFRONTATION BETWEEN / SKY & MESAS" PROVENANCE

Martin-Harris Gallery, WY Collection of the Forbes Family, Trinchera Ranch, CO $6,000 – $8,000

220 LEAL MACK (1892-1962) Calf oil on canvas mounted on board 12 x 15 3/4 inches signed lower right: Leal Mack PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $1,000 – $1,500

S A N TA F E A R T A U C T I O N

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221 CURT WALTERS (b. 1950) Shiprock, 1974 oil on canvas 23 7/8 x 48 inches signed and dated lower right: Curt Walters 74 titled verso: "SHIPROCK" PROVENANCE

Christie’s, NY, 2008 Collection of the Forbes Family, Trinchera Ranch, CO $5,000 – $8,000

222 ANDREW (ANDRZEJ) SKORUT (b. 1969) Aerial View, 1999 oil on canvas 47 x 53 inches signed lower right: SKORUT signed, titled and dated verso: ANDRZEJ SKORUT / "Aerial View" / © 1999 / #296 / 47 x 53 PROVENANCE

Third Canyon Gallery, CO Collection of the Forbes Family, Trinchera Ranch, CO $3,000 – $5,000

121

S A N TA F E A R T A U C T I O N

223 AMERICAN SCHOOL Chamisa pastel 15 5/8 x 20 7/8 inches PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $1,500 – $2,500

224 UNKNOWN Edge of the Water, 1974 print on paper 19 3/8 x 24 1/2 inches editioned lower left: 10/60 titled lower center: Edge of the Water initialed and dated lower right: (indecipherable) / '74 PROVENANCE

Collection of the Forbes Family, Trinchera Ranch, CO $200 – $300

225 FRANK O'CAIN (b. 1937) Study in Pattern, 2006 oil on canvas 23 3/4 x 23 3/4 inches PROVENANCE

The Artist Collection of the Forbes Family, Trinchera Ranch, CO $800 – $1,000

226 R. C. GORMAN (1932-2005) Seated Indian Woman, 1973 pastel and charcoal on paper 28 7/8 x 22 7/8 inches signed and dated lower right: RC Gorman 1973 PROVENANCE

Sotheby’s, NY, 1998 Collection of the Forbes Family, Trinchera Ranch, CO $1,200 – $2,000 S A N TA F E A R T A U C T I O N

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227

228

UNKNOWN Italian Processional Crucifix

MIGUEL MARTINEZ (b. 1951) Sea of Galilee, 1997

bronze and copper 35 1/2 x 22 1/2 x 5 inches

oil pastel on canvas 22 1/4 x 28 1/4 inches signed and dated lower right: M. Martinez 97

PROVENANCE

Sotheby’s, NY, 1988 Collection of the Forbes Family, Trinchera Ranch, CO $800 – $1,000

$3,000 – $5,000

229

230

JERRY IVERSON Coyote, 1993

JERRY IVERSON Mountains at Night, 1990

oil on linen on board 14 x 12 inches titled, signed and dated verso: "Coyote (green)" Iverson / 19 / 93

oil on canvas mounted on panel 14 x 14 inches titled, signed and dated verso: "Mountains at night" / Iverson 1990

PROVENANCE

12 3

PROVENANCE

Adagio Galleries, CA Collection of the Forbes Family, Trinchera Ranch, CO

PROVENANCE

The Artist Collection of the Forbes Family, Trinchera Ranch, CO

$600 – $800

S A N TA F E A R T A U C T I O N

231 TOMMY MACAIONE (1907-1992) Untitled, 1988 oil on board 10 7/8 x 13 7/8 inches signed and dated verso: By / Tom / Macaione / Sept / 21 / 1988 PROVENANCE

Private Collection, NM $2,000 – $3,000

232 TOMMY MACAIONE (1907-1992) Untitled, 1979 oil on board 12 1/8 x 20 1/8 inches signed lower center: TOM MACAIONE dated and signed lower right: 79 TOM J. MACAIONE PROVENANCE

Private Collection, NM $2,000 – $3,000

233

234

WALT GONSKE (b. 1942) Adobe

WALT GONSKE (b. 1942) Untitled

oil on board 11 1/2 x 15 1/2 inches signed lower right: gonske titled verso: Adobe

oil on board 14 x 18 signed lower right: gonske

PROVENANCE

Private Collection, NM

Private Collection, NM $800 – $1,000 nr

PROVENANCE

$800 – $1,000 nr S A N TA F E A R T A U C T I O N

124

235 RAY SWANSON (1937-2004) Off the Job, 1971 oil on board 11 x 15 inches signed lower right: Ray Swanson titled, signed and dated verso: "OFF THE JOB" / Ray Swanson 71 PROVENANCE

Private Collection, NM $1,000 – $2,000 nr

236 RAY SWANSON (1937-2004) New Snow, 1970 oil on board 18 1/8 x 23 inches signed lower right: Ray Swanson titled, signed and dated verso: NEW SNOW / Ray Swanson 70 PROVENANCE

Private Collection, NM $1,000 – $2,000 nr

237 STEPHEN HUBBELL Cowboy Portrait, 1980-1990 watercolor and gouache on paper 15 1/2 x 11 1/2 inches signed lower right: S. HUBBELL / AICA inscribed verso: To Fran with love / Steve Hubbell AICAPROVENANCE

Private Collection, KS $600 – $800 nr

12 5

S A N TA F E A R T A U C T I O N

238 HAROLD VON SCHMIDT (1893-1982) Untitled, 1928 oil on canvas 34 x 25 7/8 inches signed and dated lower right: HAROLD / VON SCHMIDT / 1928 inscribed verso: LIBERMAG / P35 / JAN 8 PROVENANCE

Private Collection, MT $3,000 – $5,000

239 HAROLD VON SCHMIDT (1893-1982) Untitled oil on canvas 29 x 30 inches PROVENANCE

Private Collection, MT $3,000 – $5,000

S A N TA F E A R T A U C T I O N

12 6

240

241

WAYNE JUSTUS (b. 1952) Untitled

oil on canvas 17 3/4 x 23 3/4 inches inscribed center right (on horse): AICA signed verso: AICA / W / JUSTUS

watercolor on paper 11 5/8 x 15 1/2 inches signed lower center: AICA / W JUSTUS

PROVENANCE

Private Collection, KS

Private Collection, KS $2,000 – $3,000 nr

PROVENANCE

$2,000 – $3,000 nr

242 ELIZABETH DAVEY LOCHRIE (1890-1981) The Tetons, 1953 oil on board 19 3/4 x 23 7/8 inches signed lower left: E. Lochrie inscribed verso: The Tetons; at String Lake, Wyoming - / Painted on Location, July - 1953 - / From Left to Right the main peaks are named – / Nez Perce - Jeewinot - Grand Teton - Cathedral PROVENANCE

Private Collection, AZ $1,500 – $2,500 nr 12 7

S A N TA F E A R T A U C T I O N

243 HOWARD TERPNING The Force of Nature Humbles All People giclée 37 x 50 inches signed and editioned lower right: Terpning / AP 41/75 PROVENANCE

Private Collection, CO $3,000 – $5,000 nr

INDEX ACHEFF, WILLIAM

BROWN, PERRY

ACOMA

CARLSON, JOHN F.

Young Santo Domingo, 148 Four Color Jar, 182

AFSARY, CYRUS

Old Man, 20 Goldfield, 99

Last Light (Near Silverthorne), 100 In May, 71 Silent Meadows, 126

CARY, WILLIAM

Small Game Hunter, 92

AMERICAN SCHOOL

CASE, RICHARD

ANDOE, JOE

CASSIDY, GERALD

ARMIN, EMIL

CHMIEL, LEN

Chamisa, 223

Mare and Foal, 192 Spanish House, 57

ASPEVIG, CLYDE

Sonny Tabor: Hero at Large, 202 Old Navajo, 111

Another Encore, Vermillion Cliffs, 79 The Pink House in Ranchitos, 80

Many Glacier, 146

CONRAD, BONNIE

Grandeur, 143

COTTRELL, SHEILA

Apple Blossoms, 53

COUSE, EANGER I.

Bitten Up - Rimrock Ranch, 200 Ready to Ride, 201

COWAN, TED

AYERS, JAMES

BAKOS, JOZEF G. BAMA, JAMES

Dolls of the Desert, 132 Shade on the Mexican Border, 95 The Hunter, 56 Arizona, 198

BEELER, JOE

DAUGHTERS, ROBERT

BERNATH, SANDOR

DAWSON-WATSON, DAWSON

BERNINGHAUS, CHARLES

DE DECKER, THOMAS

Buckeroo, 152

New Mexico Adobes, 168 Ranchos Church, 43 Untitled, 44

BERNINGHAUS, OSCAR E.

Twining Aspens, 87 Grand Canyon, 118

Near Saguaro National Park - Sunset, 105

DELANO, GERARD C.

Colorado Night, 88 In New Mexico, 89 The Waterhole , 90

Coming Down from the Mountains Into Sagebrush Country, 49 Itinerant River Merchant, 47 Last Hitching Rail - Taos, 31 Pueblo Indians and Visitors, 55 Winter in Taos, 110

DEVARY, DAVID

Mask, 160

DYE, CHARLIE

BISTTRAM, EMIL

BLACK, ATTRIBUTED TO LAVERNE NELSON

Big Medicine, 32

BLUMENSCHEIN, ERNEST L.

Indians at Pueblo, 108

BOREIN, EDWARD

Break Neck Trail to Walpi, No.2 (G#214), 25 Mounted Cowboy, 28 Navajo Visitors at Oraibi (G#210), 24 Overland Mail, 23 Sitting Pretty, No. 1 (G#65), 26 Trouble, 27

BOREN, JAMES

Nearing the Line Camp, 14

BORG, CARL OSCAR

Sunrise in the Mountains, 29

BROWN, HARLEY

Fire Rock, Cheyenne, 13

Ready!?, 199

DUNTON, W. HERBERT

The Mountain Mother- Black Bear and Cubs, 30 Villa at Zacatecas, 139 Wet Days Branding, 35

EGGENHOFER, NICK

Bison, 11 Gun Fight, 15 Three Indians, 10 Untitled, 16 Untitled, 17 Wagon Boss, 41

ELLIS, FREMONT

Ghost Ranch Country, 164 Through the Aspens, 51

FECHIN, NICOLAI

Large Pilgrim, 113 Small Pilgrim, 112

FELL, CARRIE

Tough Partner, 195

INDEX FLECK, JOSEPH A.

Taos, NM, 165

FLEISCH, KEN

HENNINGS, E. MARTIN

Il Vaquero, 33 Taos Mountain Stream, 45

Mask, 155

HERSCH, LEE F.

The Enchanted White Cliffs of the Missouri, 98

HOPI

Russian Village in Winter, 120

HUBBELL, STEPHEN

Tangerine, 65 Tapestry, 64

HUDSON, GRACE CARPENTER

FRITZ, CHARLES J. GASPARD, LEON

GLAZIER, NANCY

GODFREY, MICHAEL

Day Into Evening, 68

GOEBEL, ROD

Mrs. Baca’s Back Door, 104 Taos Adobe, 103 Warming Aspens, 125

Manuel Del Pueblo, 163 Gourd Shaped Jar with Face Motif, 180 Cowboy Portrait, 237

Little Mendocino, 184

HULINGS, CLARK

Friday Morning Market at Bonnieux, 72 Puerto Vallarta, 145

IVERSON, JERRY

Coyote, 229 Mountains at Night, 230

GOLLINGS, WILLIAM

JOE, ORELAND

GONSKE, WALT

JUSTUS, WAYNE

Wyoming Landscape, 38 Adobe, 233 Mora, N.M., 179 Untitled, 102 Untitled, 234

GOODACRE, GLENNA

Pueblo Morning, 22

GOODNIGHT, VERYL

Childhood Friends, 18 Painted Horses Mare & Foal, 7

GORMAN, R.C.

Seated Indian Woman, 226

GRELLE, MARTIN

Chinle Girl, 19 Untitled, 240 Untitled, 241

KLOSS, GENE

Far Across the Rio Grande, 3 Pueblo Firelight Dance, 1 Processional - Taos, 2 The Fledgling, 4

KNAUF, J.E.

Fire Dance, 213 Headin’ East, 214 In the Dance I,II,III, 211 Late in the Day, 212

Autumn, 144 Autumn in Canyon del Muerto, 135 Captured Pony, 149 Cinchin’ Up, 138 Thoroughbred, 129 Thoughts of April, 137

KREHBIEL, ALBERT

Taos Indian Portrait, 162

LIVINGSTON, FRANCIS

GRIBBROECK, ROBERT

HALL, NORMA BASSETT

October in Santa Fe, 59

HALLMARK, GEORGE

En Casa, 153 Remember, 154

Outskirts of Santa Fe, Tethered Mules, 176

LATHAM, BARBARA

Caught in a Dust Storm, 158 Fresh Snow, 157

LEIGH, WILLIAM R.

View From the Rock Camp in Tanganyika, 46 Beyond the Cottonwoods, 81 Horse and Rider in Green, 86 Pueblo Trail, 85

LOCHRIE, ELIZABETH DAVEY

The Tetons, 242

HAMPTON, JOHN WADE

MACAIONE, TOMMY

HARVEY, ELI

MACK, LEAL

Driftin’, 5 The Chase, 6 Elk, 63

HAUSER, JOHN

In the Enemies Country, 36

HENDERSON, WILLIAM P.

Untitled, 52

Untitled, 231 Untitled, 232

Calf, 220 Fighting Them Off, 205 Group of 16 Drawings, 209

MAIONE, ROBERT

Snow Storm, 193

INDEX MALM, MIKE

PLETKA, PAUL

MARIN, JOHN

POST, HOWARD

MARTINEZ, MIGUEL

RAKOCY, BILL

MATTHEWS, WILLIAM

RANDALL, PHYLLIS

MCAFEE, ILA

REED, MARJORIE

Late Winter, Early Spring, 106 New Mexico Landscape, 54 Sea of Galilee, 228 Big Iron, 150

Cheyenne Teepees, 188 Low Crossing, 151 Hueco Tanks, 215 Inner Glow, 196

Leaving Hubbell’s Trading Post on a Winter Eve, 34

Moonlight Caprice, 60 Palomino Two Year Old, 61

RILEY, KENNETH

When Seconds Count, 84

ROGERS, SCOTT

El Pedernal, Late Afternoon, 216

ROTHE, G.H.

Long Soldier, 208

RUSSELL, AF TER C.M.

MCCAIN, BUCK

MCELWAIN, LOUISA MCGARY, DAVE

MCGREW, R. BROWNELL

Tsosie Ahzonie, 131

MICHAELS, ERIC

Las Cabras de Chiapas, 107

MORAN, EDWARD

Two Men in a Boat, 93

MORAN, THOMAS

Set of 4 Chromolithographs, 76

MORANG, ALFRED

Flowering Trees, 174 From Santa Fe Hills, 175

MOYERS, JOHN

The Pink Blanket, 133

NASH, WILLARD

Guitar Player (Male), 172 Nude, 173

NEBEKER, BILL

Early Morning Mount, 140 Reflected Splendor, 141

NIBLETT, GARY

Opposition, 97

NIETO, JOHN

Indian Chief with Peace Pipe, 187 Feather Dancer, 186

Apacheria, 142

The Lure of Gold, 96 Marvel, 218

Painting the Town, 40

RUSSELL, CHARLES. M

Pen Sketches By Charles M. Russell The Cowboy Artist, 39

SANDER, SHERRY

Flight Line, 62

SANDZÉN, BIRGER

Abandoned Mines, Nevadaville, Colorado, 77 Glimpse of Long’s Peak, 78

SAUERWEIN, FRANK PAUL

Untitled, 42

SCARBOROUGH, T.E.

Big Skies, 217

SCHENCK, BILL

John Wayne Disguised as a Long Distance Cowgirl, 197 Clouds Escaping Confrontation Between Sky & Mesas, 219

SCHOLDER, FRITZ

Pueblo Dance, 170

SELTZER, O.C.

Moving On, 37

SELTZER, WILLIAM STEVE

Waterhole, 9

SHARP, JOSEPH HENRY

Montana Landscape, 48 South Pueblo Taos, New Mexico, 50 Crow Agency, Montana, 109

NISBET, P.A.

SHEPHERD, WILLIAM

NORDFELDT, B.J.O.

SHIMONEK, MICK

NORTON, JIM

SKEELE, ANNA K.

O’CAIN, FRANK

SKORUT, ANDREW

PHILLIPS, BERT

SMITH, DE COST

Chapala, 67

Desert Tree, NM, 159 Fall on the Spanish Fork, 130 Looking for the Buffalo, 136 Study in Pattern, 225 Indian Hunter, 121

Yellowheaded Cow, 156 Cuchara Gold, 82

Mother and Child, 161 Taos Circle Dance, 169 Aerial View, 222

Horse Stealing, 119

INDEX SMITH, MATT

Tonto Forest Vista, 73 The View North From the McDowell Foothills, 75 View From Vail, 127

SNIDOW, GORDON

VON HASSLER, CARL

At the Pueblo, 58

VON SCHMIDT, HAROLD

Untitled, 238 Untitled, 239

Holding the Herd, 83

WALDRUM, HAROLD JOE

Brawl Bait, 66

WALKER, JAMES

All Men Want to Fly, 12

WALTERS, CURT

SOUKUP, JILL

STANDING, WILLIAM STAVROWSKY, OLEG

Bull Train Into the Rockies, 194 Family, 203 Iron Mountain Cowboys, 204

STEGMANN, KARL

The Tall Ones at Tapatio, 74 Almost to Silverton, 123 San Juan Winter, 124

La Morada de Don Fernando, 171 Pastoral Scene, Salinas River Valley, 91 Shadow Play - Grand Canyon, 147 Canyon in Winter, 207 Clouds Over the Canyon, 210 Shiprock, 221

WHITCOMB, SKIP

View From the Foothills, 69

WHITMORE, CAROLE

Mimbres Valley, 101

STIHA, VLADEN

WIEGHORST, OLAF

SWANSON, MARK

WOOLSEY, CARL

Navajo Stop, 21 Crossing, 94

SWANSON, RAY

Off the Job, 235 New Snow, 236

SWINNERTON, JAMES

Coming Sunset, Desert Edge, 114 Little Colorado, 115 Marsh Pass in Northern Arizona, Home of the Cliff Dwellings, 116 Painted on the Hearst Ranch, Grand Canyon, 117 Quaking Aspen in Their Yellow Mood Near Cortez, N.M., 185

TAF T, JOHN

Spring at Pawnee Lake, 70

TEETER, BUCK

Itâ&#x20AC;&#x2122;s This Way - I Think, 206

TENNANT, CRAIG

Rivers of Living Water, 134

TERPNING, HOWARD

The Force of Nature Humbles All People, 243

THOMAS, RICHARD

Campfire, 128

TSIREH, AWA

Untitled, 190

TURNER, BEN

Untitled, 166 Untitled, 167

UNKNOWN

Woven Baskets, 183 Edge of the Water, 224 Italian Processional Crucifix, 227

VANCE, KAREN

Untitled, 122

VIGIL, VELOY

Rider on the Green Field, 191

Untitled (Portrait Composition), 8 Mountain Storm, The Sandias, 177 Abiquiu Adobes, 178

YAZZ, BEATIEN

Siesta, 189

ZUNI

Four Color Pot with Frog Motif, 181

NOTES

Saturday, November 16 th from 1:30 pm to 5:30 pm MST

Gerald Peters Gallery | 1011 Paseo de Peralta, Santa Fe, nm 87501 Presented by Gerald Peters Gallery ®

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