Santa Fe Art Auction: Signature Summer Sale 2022 by Art Gallery Publication

SIGNATURE SUMMER SALE

Featuring the Collection of Georgia and Charles Loloma Live Auction: June 24 – 25, 2022

Live Auction Friday and Saturday, June 24 – 25, 2022 932 Railfan Road, Santa Fe, NM 87505 Session I | Fine Art (Lots 1 – 94) Friday June 24, 1:00 PM MDT Session II | Loloma Katsina Collection (Lots 95 – 199) Saturday June 25, 10:00 AM MDT Session III | Loloma: The Artist (Lots 200 – 327) Saturday June 25, 1:00 PM MDT Session IV | Loloma: The Collectors (Lots 328 – 408) Saturday June 25, 3:30 PM MDT Reception + Lectures Thursday, June 23 from 5:00 – 7:00 PM Friday, June 24 from 5:00 – 7:00 PM General Previews June 20 – June 25, 2022 10 AM– 5 PM MST and by appointment Online Bidding santafeartauction.com invaluable.com bidsquare.com liveauctioneers.com

Telephone and Absentee bidding arrangements must be made no later than: Session I: 5 PM MDT on Friday June 24 Session II – IV: 5 PM MDT on Saturday June 25 Telephone bidders are encouraged to leave absentee bids in the case of technical difficulties. Please direct all inquiries to 505.954.5858 Register online at santafeartauction.com

SESSION I

Session I | Fine Art (Lots 1-94) Friday, June 24 1:00 PM MDT

1 FORD RUTHLING (1933 – 2015) Cats Love Birds #26, 1983 monotype from hand embossed painted tin 29 ¼ x 41 ½ in. (74.30 x 105.41 cm.) titled lower left: Cats Love Birds #26. signed and dated lower right: Ford Ruthling ‘83. Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $600 – $800

SANTA FE ART AUCTION

2 FORD RUTHLING (1933 – 2015) Der Mond #24 monotype from hand embossed painted tin 41 ¼ x 29 ½ in. (104.78 x 74.93 cm.) titled lower left: “Der Mond” #24. signed lower right: Ford Ruthling ‘83. Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $800 – $1,200

SANTA FE ART AUCTION

3 FORREST MOSES (1934 – 2021) Mixed Flowers with Iris

4 FORREST MOSES (1934 – 2021) Lilies

monotype 26 x 22 in. (66.04 x 55.88 cm.) signed lower right: moses

monotype 14 ¾ x 12 ⅝ in. (37.47 x 32.07 cm.) signed lower right: moses

Provenance: The Collection of Joseph Hoffman and John Day

All proceeds from this sale of this artwork will benefit the Santa Fe Opera.

$600 – $900

5 FORREST MOSES (1934 – 2021) Iris

6 FORREST MOSES (1934 – 2021) Iris, ca. 1980

monotype 25.82 x 22 ¼ in. (65.60 x 56.52 cm.) signed lower right: moses

monotype 17 ⅝ x 8 ¾ in. (44.77 x 22.23 cm.) signed lower center: moses

Provenance: The Collection of Joseph Hoffman and John Day

All proceeds from this sale of this artwork will benefit the Santa Fe Opera.

$600 – $900

SANTA FE ART AUCTION

7 FORREST MOSES (1934 – 2021) Landscape, ca. 1991 monotype 41 ¼ x 29 ¼ in. (104.78 x 74.30 cm.) signed lower right: moses Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $800 – $1,200

8 FORREST MOSES (1934 – 2021) Landscape, ca. 1991 monotype 41 ½ x 29 ¼ in. (105.41 x 74.30 cm.) signed lower right: moses Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $800 – $1,200

SANTA FE ART AUCTION

9 FREMONT ELLIS (1897 – 1985) Church at San Miguel, July 6th, 1975 watercolor and graphite on paper 8 ⅝ x 5 ½ in. (21.91 x 13.97 cm.) Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $2,000 – $4,000

10 ADOLF DEHN (1898 – 1965) South Park, Colorado watercolor on paper 19 ½ x 28 in. (49.53 x 71.12 cm.) signed lower left: Adolf Dehn Provenance: Carlin Gallery, Forth Worth, Texas Private Collection, Texas $1,500 – $2,500

SANTA FE ART AUCTION

11 JOZEF BAKOS (1891 – 1977) Untitled (New Mexico Landscape) oil on paper 6 x 7 ½ in. (15.24 x 19.05 cm.) signed lower right: BAKOS Provenance: Private Collection, New Mexico $1,000 – $2,000

12 ILA MCAFEE (1897 – 1995) The Road to Ranchos oil on canvas board 9 x 12 in. (22.86 x 30.48 cm.) signed lower left: Ila McAfee inscribed verso: The Road to Ranchos / by Ila McAfee / of Taos - New Mex. Provenance: Private Collection, Arizona $1,000 – $2,000

13 EARL STROH (1924 – 2005) Untitled (Orchard), 1950 oil on panel 16 x 20 in. (40.64 x 50.80 cm.) signed and dated lower left: E. STROH / ‘50 Provenance: Private Collection, Arizona $3,000 – $5,000

SANTA FE ART AUCTION

14 ELEANOR COLBURN (1866 – 1939) Untitled (Native Woman Profile) oil on panel 10 x 8 in. (25.40 x 20.32 cm.) signed lower left: Eleanor Colburn Provenance: Private Collection, Arizona $2,000 – $4,000

15 GENE KLOSS (1903 – 1996) Untitled (In the Crowd) conte crayon on paper 13 ⅜ x 16 ⅜ in. (33.97 x 41.59 cm.) signed lower left: Gene Kloss Provenance: Private Collection, Kansas $1,000 – $2,000

SANTA FE ART AUCTION

16 JANET LIPPINCOTT (1918 – 2007) Untitled (Abstraction) watercolor and ink on paper 18 ¾ x 23 ¾ in. (47.63 x 60.33 cm.) signed lower right: Lippincott Provenance: Private Collection, New Mexico $2,000 – $3,000

17 ALFRED MORANG (1901 – 1958) Untitled (Abstraction), 1946 watercolor on paper 8 x 10 in. (20.32 x 25.40 cm.) signed and dated lower right: Alfred Morang 46 Provenance: Private Collection, Arizona $1,000 – $2,000

18 WILLIAM LUMPKINS (1909 – 2000) Guitar with Fruit, 1957 watercolor on paper 21 x 28 ¼ in. (53.34 x 71.76 cm.) signed and dated lower right: LUMPKINS 57 Provenance: Private Collection, Texas $2,000 – $4,000

SANTA FE ART AUCTION

19 FORD RUTHLING (1933 – 2015) Dough Bowl with Katsinas, 1974 oil on canvas 30 x 24 in. (76.20 x 60.96 cm.) signed and dated lower right: Ford Ruthling / 74 Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $2,000 – $4,000

20 EDWARD (RUSTY) D. WALKER (b. 1946) Sunshine Deer Dance oil on canvas 72 x 95 ½ in. (182.88 x 242.57 cm.) signed lower left: Edward D Walker Provenance: The Alexander Caplan Collection $2,000 – $4,000

SANTA FE ART AUCTION

21 PABLITA VELARDE [TSE TSAN] (Santa Clara, 1918 – 2006) Deer Dancer, ca. 1960s ground earth pigments on board 11 ½ x 10 in. (29.21 x 25.40 cm.) signed lower right: Pabilta Velarde Provenance: Private Collection, New Mexico $1,200 – $1,800

22 HELEN HARDIN [TSA-SAH-WEE-EH] (Hopi, 1943–1984) Untitled, 1978 acrylic on board 15 x 7 ⅝ in. (38.10 x 19.37 cm.) signed and dated lower right: Tsa-Sah-Wee-Eh [artist’s cipher] / © 1978 Provenance: Private Collection, Kansas $2,000 – $4,000 SANTA FE ART AUCTION

23 OLIVE RUSH (1873 – 1966) Two Deer and Tree watercolor on paper 6 ⅜ x 9 ⅜ in. (16.19 x 23.81 cm.) signed lower right: Olive Rush inscribed verso: 2 Deer + Tree / Olive Rush / 630 Canyon Rd / Santa Fe / N.M. Provenance: Private Collection, Texas $1,500 – $2,500

24 JAUNE QUICK-TO-SEE-SMITH (Salish, French–Cree, Shoshone, b. 1940) Wasatch Winter, 2002 lithograph, edition 56 of 75 28 1/2 x 21 in. (72.39 x 53.34 cm.) signed lower right titled and dated lower center: Wasatch Winter, 2002 editioned lower left: 56/75 Provenance: Private Collection, California $1,500 – $2,500 14

SANTA FE ART AUCTION

25 HELEN HARDIN [TSA-SAH-WEE-EH] (Hopi, 1943–1984) Untitled (Deer), ca. 1974 mixed media on board 10 ⅝ x 13 ⅝ in. (26.99 x 34.61 cm.) signed lower right: Tsa-Sah-Wee-Eh [artist’s cipher] inscribed verso: To Margarete and Fred / Merry Christmas 1974 / Love / Snom Helen (Tsa-sah-wee-eh [artist’s cipher]) Provenance: Private Collection, Kansas $3,000 – $5,000

SANTA FE ART AUCTION

26 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Another Deco Indian, 1978 color lithograph, edition 118 of 150 30 ⅛ x 22 ¼ in. (76.52 x 56.52 cm.) signed lower center: Fritz Scholder editioned lower right: 118.150 Provenance: Private Collection, California $3,000 – $5,000

SANTA FE ART AUCTION

27 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Indian with Cat, 1973 color lithograph, edition 9 of 100 28 ⅜ x 18 ⅝ in. (72.07 x 47.31 cm.) signed lower right: Scholder editioned lower left: 9.100 Provenance: Private Collection, California $2,000 – $4,000

28 MILLAND LOMAKEMA [DAWAKEMA] (Hopi, b. 1941) Longhair Katsina, 1978 gouache on board 26 ½ x 19 ½ in. (67.31 x 49.53 cm.) signed and dated lower left: [artist’s cipher] Dawakema 78 inscribed verso: Longhair Katsina / 6-16-78 Provenance: Hopi Silvercraft Cooperative Guild, Second Mesa, Arizona, 1986 Private Collection, New Mexico $2,000 – $4,000

SANTA FE ART AUCTION

29 GUSTAVE BAUMANN (German–American, 1881 – 1971) Church - Ranchos de Taos, 1919 color woodcut, edition 106 of 125 9 ⅜ x 11 ¼ in. (23.81 x 28.58 cm.) signed lower right: Gustave [hand-in-heart chop] Baumann editioned lower right: II 106.125 48 titled lower left: Church - Ranchos De Taos Provenance: The artist Private Collection, Colorado Literature: Baumann Inventory No. 33, Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 60. $10,000 – $15,000

30 GUSTAVE BAUMANN (German–American, 1881 – 1971) Taos Placita, 1947 color woodcut, edition 18 of 125 9 ½ x 11 in. (24.13 x 27.94 cm.) titled lower left: TAOS PLACITA signed and editioned lower right: Gustave Baumann [heart in hand symbol] 18 / 125 / 47 Provenance: Private Collection, Colorado Literature: Baumann Inventory No. 132, Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 170. $10,000 – $15,000

SANTA FE ART AUCTION

31 GUSTAVE BAUMANN (German–American, 1881 – 1971) Mountain Gold, 1926 color woodcut, edition 25 of 100 9 ½ x 11 ¼ in. (24.13 x 28.58 cm.) signed lower right: Gustave [hand-in-heart chop] Baumann editioned lower center: No 25 of 100 titled lower left: Mountain Gold Provenance: Private Collection, Colorado Literature: Baumann Inventory No. 56, Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 107. $10,000 – $15,000

32 GUSTAVE BAUMANN (German–American, 1881 – 1971) Aspen Red River, 1925 color woodcut, edition 32 of 100 10 ½ x 12 in. (26.67 x 30.48 cm.) signed lower right: Gustave [hand-in-heart chop] Baumann editioned lower center: No 32 of 100 titled lower left: Aspen Red River Provenance: The artist Private Collection, Colorado Literature: Baumann Inventory No. 38, Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 104. $10,000 – $15,000

SANTA FE ART AUCTION

33 GUSTAVE BAUMANN (German–American, 1881 – 1971) Punch Hunting Chipmunks, 1926

34 GUSTAVE BAUMANN (German–American, 1881 – 1971) Bound for Taos, 1930

color woodcut, edition 4 of 100 10 ½ x 12 in. (26.67 x 30.48 cm.) signed lower right: Gustave [hand-in-heart chop] Baumann editioned lower center: 4 of 100 titled lower left: Punch Hunting Chipmunks

color woodcut, edition 57 of 125 9 ½ x 11 ⅛ in. (24.13 x 28.26 cm.) signed lower right: Gustave [hand-in-heart chop] Baumann titled lower left: BOUND FOR TAOS editioned lower right: II 57 125

Provenance: Private Collection, New Mexico

Literature: Baumann Inventory No. 81, Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 113.

Literature: Baumann Inventory No. 100, Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 134.

$10,000 – $15,000

$8,000 – $12,000

35 GUSTAVE BAUMANN (German–American, 1881 – 1971) The Ridge Road, 1918 color woodcut, edition 51 of 100 10 ⅞ x 9 ⅞ in. (27.62 x 25.08 cm.) signed lower right: Gustave [hand-in-heart chop] Baumann editioned lower center: No 51/100 titled lower left: The Ridge Road Provenance: Private Collection, New Mexico Literature: Gala Chamberlain, Nancy E. Green, and Thomas Leech, In a Modern Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonnè, Rizzoli Electa, 2019, No. 30. $6,000 – $9,000

SANTA FE ART AUCTION

36 SUSAN HERTEL (1930 – 1993) Horses in the Garden oil on canvas 45 x 62 in. (114.30 x 157.48 cm.) signed lower right: Susan Hertel Provenance: Windsor Betts Art Brokerage House, Santa Fe, New Mexico Private Collection, New Mexico $25,000 – $35,000

37 SUSAN HERTEL (1930 – 1992) Study for ‘Horses with Light Shining Through Door,’ 1991 oil and gouache on cardboard 4 ½ x 16 ⅞ in. (11.43 x 42.86 cm.) Provenance: Private Collection, Florida $1,500 – $2,500 SANTA FE ART AUCTION

38 BARBARA LATHAM (1896 – 1989) Meeting on the Road oil on panel 24 x 18 in. (60.96 x 45.72 cm.) signed lower right: LATHAM inscribed verso: “Meeting on the Road” $250.00 Latham Provenance: Gallery A, Taos, New Mexico Private Collection, New Mexico $10,000 – $15,000

39 ALYCE FRANK (b. 1932) The Hondo River at the Penasco oil on canvas 36 x 30 in. (91.44 x 76.20 cm.) signed lower left: Alyce Frank inscribed verso: #851 / “The Hondo River at the Penasco” / Alyce Frank Provenance: Private Collection, Kansas $5,000 – $7,000

SANTA FE ART AUCTION

40 BILLY SCHENCK (b. 1947) Leaving the Mancos Valley, 1986 oil on canvas 38 ⅝ x 52 ⅜ in. (98.11 x 133.03 cm.) inscribed verso: SCHENCK . SEPT 86 / LEAVING THE MANCOS / VALLEY Provenance: Private Collection, New Mexico $15,000 – $25,000

41 TONY ABEYTA (Dinè [Navajo], b. 1965) Untitled (New Mexxico Landscape) oil on canvas 36 x 42 in. (91.44 x 106.68 cm.) signed lower right: Tony Abeyta Provenance: Private Collection, Arizona $15,000 – $25,000

SANTA FE ART AUCTION

42 T.C. CANNON (Kiowa, 1946 – 1978) Untitled #19, ca. 1978 charcoal/lampblack on paper 47 x 31 in. (119.38 x 78.74 cm.) Provenance: Private Collection, Florida Exhibited: T.C. Cannon Memorial Exhibition, 3/1/1981-4/30/1981, Buffalo Bill Historical Center, Cody, Wyoming. $10,000 – $15,000

43 JOHN NIETO (1936 – 2018) Reclining Indian Maiden, 1988 acrylic and vinyl on canvas 60 x 72 in. (152.40 x 182.88 cm.) signed lower right: Nieto Provenance: Private Collection, Connecticut $20,000 – $30,000

SANTA FE ART AUCTION

44 JOHN NIETO (1936 – 2018) Pueblo Gratitude, 1988 acrylic and vinyl on canvas 60 x 72 in. (152.40 x 182.88 cm.) signed lower right: Nieto Provenance: Private Collection, Connecticut $15,000 – $20,000

45 CHARLES COLLINS (20th/21st Century) and R.C. GORMAN (Diné [Navajo],, 1931 – 2005) Untitled (Mother + Child) glass etching, edition 6 of 24 37 1/2 x 33 3/4 in. (95.25 x 85.73 cm.) etched lower left: Charles Collins Studio etched lower right: R.C. Gorman © editioned lower center: 6/24 Provenance: Private Collection, New Mexico $8,000 – $12,000

SANTA FE ART AUCTION

46 DINÉ [NAVAJO], Germantown Eydazzler, ca. 1885 commercial wool, aniline dyes 51 x 93 in. (129.54 x 236.22 cm.) Provenance: The Goldman Collection, New Mexico Private Collection, New Mexico $14,000 – $18,000

Moki is an antiquated Navajo term for the Pueblo Indians, but it became a popular term and, in the nineteenth century, Pueblo Indians were referred to throughout the southwest as the Moki Indians. In regard to southwestern textiles, Moki refers to banded background textiles that are most often brown and indigo blue striped. According to Joe Ben Wheat in his book, Blanket Weaving in the Southwest, “Moki was a design introduced by the Spaniards probably by the 1630s. It can result only after you get indigo and the different natural colors of wool. The pattern consists of alternating blue and black, or brown, stripes, usually separated by white (bands). It was a standard Spanish pattern. Some of the Pueblos began to take it over—Rio Grande, Pueblos, Zunis, Lagunas, and Acoma.”

47 DINÉ [NAVAJO], Moki Serape, ca. 1865-1875

48 DINÉ [NAVAJO], Classic Moki Serape, ca. 1865-1875

Native handspun wool, natural brown with blue and green Indigo dyes; red raveled bayeta, undetermined dye 49 x 75 ½ in. (124.46 x 191.77 cm.)

Native handspun wool, natural white, brown, and blue and green Indigo dyes; red raveled bayeta, natural and synthetic dyes 55 ½ x 75 in. (140.97 x 190.50 cm.)

Provenance: Private Collection, New Mexico

$25,000 – $35,000

$20,000 – $30,000

SANTA FE ART AUCTION

49 DINÉ [NAVAJO], Germantown Textile, ca. 1900 commercial wool, aniline dyes weaving 74 1/2 x 55 in. (189.23 x 139.70 cm.) pendleton 78 x 63 in. (198.12 x 160.02 cm.) This lot is accompanied by a contemporary Pendleton blanket (Los Ojos) replicating the original design. $10,000 – $15,000

50 DINÉ [NAVAJO], Two Panel Classic Bayetta Dress, ca. 1866-1875 Handspun natural brown and indigo dyed blue handspun Native wool with red raveled Cochineal dyed bayetta each panel: 32 x 51 in. (81.28 x 129.54 cm.) $20,000 – $30,000

SANTA FE ART AUCTION

The Transcendental Painting Group (TPG) was founded on the principles of creating and promoting a pure abstract painting style imbued with spiritual intent. The group was formed in Taos, New Mexico in 1938 and in their original manifesto they stated the group was: “…composed of artists who are concerned with the development and presentation of various types of non-representational painting; painting that finds its source in the creative imagination and does not depend upon the objective approach.” Further, they stated that their purpose was "to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design, to imaginative realms that are idealistic and spiritual." Emil Bisttram was a co-founder of the group which also included Raymond Jonson , Agnes Pelton, Lawren Harris, Florence Miller Pierce, Horace Pierce, Robert Gribbroek, William Lumpkins, Dane Rudhyar, Stuart Walker, and Ed Garman. Man the Unknown was painted by Bisttram in 1961 and is an iconic example of his belief that the supreme experience comes at the moment of transcendence, which for an artist, occurs at the time of the original creation. 51 EMIL BISTTRAM (1895 – 1976) Man the Unknown, 1961 oil on canvas 48 x 32 in. (121.92 x 81.28 cm.) signed and dated lower right: [artist’s cipher] / BISTTRAM / 61 Provenance: Bisttram Studio Galleries, Taos, New Mexico The Collection of Walt Wiggins Private Collection, Missouri Literature: Walt Wiggins, The Transcendental Art of Emil Bisttram, Pintores Press, 1988, front cover, p. 71. $100,000 – $200,000

SANTA FE ART AUCTION

52 EMIL BISTTRAM (1895 – 1976) The Treasure, 1950 oil on canvas 36 x 48 in. (91.44 x 121.92 cm.) signed and dated lower right: BISTTRAM / 50 Provenance: Collection of Mr. and Mrs. Neal Elliott, Albuquerque, New Mexico Private Collection, Missouri Literature: Walt Wiggins, The Transcendental Art of Emil Bisttram, Pintores Press, 1988, p. 59. $50,000 – $75,000

53 EMIL BISTTRAM (1895 – 1976) Doorway to the Ethereal Worlds, 1959 oil on canvas 32 x 36 in. (81.28 x 91.44 cm.) signed and dated lower right: [artist’s cipher] / BISTTRAM 59 Provenance: Fenn Galleries, Santa Fe, New Mexico Private Collection, Missouri Literature: Walt Wiggins, The Transcendental Art of Emil Bisttram, Pintores Press, 1988, p. 67. $30,000 – $50,000

54 RAYMOND JONSON (1891 – 1982) Tempera No. 2, 1956 tempera airbrush on board 22 ⅛ x 30 ⅛ in. (56.20 x 76.52 cm.) inscribed verso: TEMPERA NO.2-1956 / RAYMOND JONSON Provenance: Private Collection, Arizona $6,000 – $9,000

SANTA FE ART AUCTION

55 BEATRICE MANDELMAN (1912 – 1998) New York No. 63.5, ca. 1995 acrylic on canvas 40 x 60 in. (101.60 x 152.40 cm.) signed lower right: Mandelman Provenance: The Artist The Estate of Beatrice Mandelman 203 Fine Art, Taos, New Mexico $9,000 – $12,000

56 BEATRICE MANDELMAN (1912 – 1998) Sun Series #16, ca. 1970

57 BEATRICE MANDELMAN (1912 – 1998) Untitled (Abstraction)

acrylic on canvas 40 ⅛ x 36 in. (101.92 x 91.44 cm.) signed upper right: Mandelman

collage on board 15 ¾ x 19 ⅞ in. (40.01 x 50.48 cm.)

Provenance: The Artist The Estate of Beatrice Mandelman 203 Fine Art, Taos, New Mexico $7,000 – $10,000

SANTA FE ART AUCTION

Provenance: Private Collection, New Mexico $3,000 – $5,000

58 JANET LIPPINCOTT (1918 – 2007) Untitled (Still Life)

59 LOUIS RIBAK (1902 – 1979) Night On White Mountain, 1954

mixed media on board 16 ½ x 23 ⅝ in. (41.91 x 60.01 cm.) signed lower left: Lippincott

oil on panel 30 x 48 in. (76.20 x 121.92 cm.) signed lower right: RIBAK

Provenance: Private Collection, New Mexico

Provenance: Private Collection, Missouri

$6,500 – $8,500

$3,000 – $5,000

60 R. C. ELLIS (1923 – 1979) Calabria, 1960

61 R. C. ELLIS (1923 – 1979) El Grao #2, 1974

oil on canvas 15 ½ x 39 ½ in. (39.37 x 100.33 cm.) signed and dated lower right: R.C. Ellis 1960

mixed media on linen 20 x 10 in. (50.80 x 25.40 cm.) signed and dated lower center: R. C. Ellis 1974

Provenance: New Directions Gallery, Taos, New Mexico Private Collection, Colorado

$600 – $800

SANTA FE ART AUCTION

62 DAVID BARBERO (1938 – 1999) Road to Nowhere, 1992

63 DAN NAMINGHA (Hopi-Tewa, b. 1950) September Cloud, 2018

oil on canvas board 9 x 12 in. (22.86 x 30.48 cm.) initialed lower left: DB inscribed verso: David Barbero OIL 92 / ‘Road to Nowhere’

acrylic on canvas 20 x 24 in. (50.80 x 60.96 cm.) signed lower right: Namingha inscribed verso: “September Cloud” / Dan Namingha © ‘18

Provenance: Private Collection, Texas

$2,000 – $4,000

64 JOEL GREENE (b. 1953) Road Up The Hill, 1991

65 JOHN SKOLLE (1903 – 1988) Coast of Sonora

oil on panel 13 x 16 ⅛ in. (33.02 x 40.96 cm.) signed and dated lower left: JOEL GREENE 91

acrylic on board 15 x 21 in. (38.10 x 53.34 cm.) signed lower right: John Skolle

Provenance: Private Collection, Canada

Provenance: Private Collection, New Mexico

$2,500 – $3,500

$1,500 – $2,500

SANTA FE ART AUCTION

66 MIKE LARSEN (Chickasaw, b. 1945) Calling the Dawn, 2001

67 MIKE LARSEN (Chickasaw, b. 1945) Woman’s Heart

acrylic on canvas 36 x 48 in. (91.44 x 121.92 cm.) signed and dated lower right: LARSEN / © 01

acrylic on canvas 29 x 23 in. (73.66 x 58.42 cm.) signed lower left: Larsen

Provenance: Private Collection, New York

$3,000 – $5,000

$2,000 – $4,000

68 JOHN FINCHER (b. 1941) Mojave Doll #2, 1980 mixed media oil on paper 28 x 21 in. (71.12 x 53.34 cm.) titled, signed, and dated lower right: Mojave Doll #2 John Fincher 1980 Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $1,000 – $2,000

SANTA FE ART AUCTION

69 LUIS JIMENEZ (1940 – 2006) Honkytonk, 1981 color lithograph with glitter, Artist’s Proof edition 5 of 10 35 x 50 in. (88.90 x 127 cm.) editioned lower center: AP 5/10 initialed lower right: LJ Provenance: The artist Candy Store Gallery, Folsom, California Private Collection, Illinois $3,000 – $5,000

70 KIM WIGGINS (b. 1960) Mona, 2006 oil on board 12 x 9 in. (30.48 x 22.86 cm.) signed lower left: Kim Wiggins inscribed verso: “MONA” / oil, 12 x 9 / 2006 / Kim Douglas Wiggins / SANTA FE, NM Provenance: Private Collection, New Mexico $3,000 – $5,000 34

SANTA FE ART AUCTION

71 JIM VOGEL (b. 1964) Long Gone, 2010 oil on canvas in 1919 Model T Door Frame 24 x 20 in. (60.96 x 50.80 cm.) signed and dated lower left: Jim Vogel ‘10 Provenance: Private Collection, Arizona $8,000 – $12,000

72 JOHN FINCHER (b. 1941) Western Man, 1982 mixed media on canvas 48 ¼ x 36 ¼ in. (122.56 x 92.08 cm.) signed and dated upper right: Fincher 82 Provenance: The Collection of Joseph Hoffman and John Day All proceeds from this sale of this artwork will benefit the Santa Fe Opera. $3,000 – $5,000

SANTA FE ART AUCTION

73 JIM WAID (American, b. 1942) Wind Chime, 2006 acrylic on canvas 72 x 84 in. (182.88 x 213.36 cm.) signed lower right: J. Waid inscribed verso: “WIND CHIME” / J. Waid / 2006 Provenance: Private Collection, Arizona $7,000 – $9,000

SANTA FE ART AUCTION

74 CARL REDIN (1892 – 1944) Cottonwoods, ca. 1930 oil on canvas 14 ¼ x 16 ⅛ in. (36.20 x 40.96 cm.) Provenance: Private Collection, Denver, CO Private Collection, Taos, NM $5,000 – $7,000

75 HELLA BROESKE SHATTUCK (1906 – 1994) Looking South from the Pink House at the Mabel Dodge Luhan Estate, 1963 oil on canvas board 21 ⅞ x 27 ⅞ in. (55.56 x 70.80 cm.) signed lower left: Hellä inscribed verso: Looking South from the Pink House / at the Mabel Dodge Luhan Estate / Taos, New Mexico -1963 / Hellä Broeske Shattuck Provenance: Owings Gallery, Santa Fe, New Mexico Private Collection, Colorado $2,000 – $3,000

76 EANGER IRVING COUSE (1866 – 1936) Landscape at Taos, ca. 1903 oil on canvas 7 x 9 in. (17.78 x 22.86 cm.) signed lower left: COUSE Accompanying this lot is a letter from Virginia Couse Leavitt to Larry Castle confirming the date and location of the artwork. Provenance: Private Collection, Texas $2,000 – $4,000

SANTA FE ART AUCTION

77 KENNETH MILLER ADAMS (1897 – 1966) Still life, 1964 oil on board 20 x 16 in. (50.80 x 40.64 cm.) signed and dated lower right: Kenneth M. Adams - ‘64 Provenance: Private Collection, Texas $4,000 – $6,000

Lot 78 WITHDRAWN

SANTA FE ART AUCTION

Lot 79 WITHDRAWN

80 EDWARD S. CURTIS (1868 – 1952) The Vanishing Race, 1904 orotone on glass (goldtone) 11 x 14 in. (27.94 x 35.56 cm.) signed in negative lower right: Curtis Provenance: Private Collection, Florida Publication History: The North American Indian (1907-1930), Portfolio 1, Plate 1 Native Nations, Bulfinch Press publisher, 1993, Page 123. Sacred Legacy: Edward S. Curtis and the North American Indian, Simon & Schuster publisher, 2000, Page 188. Edward S. Curtis: The Great Warriors, Bulfinch Press publisher, 2004, Page 7. The North American Indian Republication Custom Edition, Christopher Cardozo Fine Art, 2014, Portfolio Volume 1, Plate 1. Edward S. Curtis One Hundred Masterworks, Delmonico Books/Prestel Publishing, 2015, Page 91, 166. The North American Indian Republication Reference Edition, Christopher Cardozo Fine Art, 2017, Portfolio Volume 1, Plate 1. $7,000 – $9,000 SANTA FE ART AUCTION

81 JAMES EARLE FRASER (1876 – 1953) End of the Trail, 1915, cast 1967

82 JAMES EARLE FRASER (1876 – 1953) End of the Trail, 1915, cast 1967

bronze 34 1/4 x 31 1/2 x 11 in. (87 x 80.01 x 27.94 cm.) inscribed at base: J E Fraser © SU 24

bronze 13 3/4 x 12 1/4 x 4 in. (34.93 x 31.12 x 10.16 cm.) inscribed at base: Fraser Syracuse University #14 Modern Art Foundry

$10,000 – $15,000

$1,200 – $1,800

The original plasters for these sculptures were bequeathed to Syracuse University by the estate of Laura Gardin Fraser, the widow of James Earle Fraser. Her Estate authorized limited castings to be made from these original plasters. James Earle Fraser worked as an assistant to Augustus Saint-Gaudens on the Sherman Monument (1892 - 1903), for the Grand Army Plaza in New York. His sculptural entries in major early twentieth century expositions, such as the 1904 Louisiana Purchase Exposition in St. Louis, the 1915 Panama-Pacific Exposition in San Francisco, and the 1939 New York World’s Fair, earned him medals, as well as public and critical acclaim. The design of the Indian head and buffalo nickel for the United States Treasury in 1912, the figure of Theodore Roosevelt on horseback for the entry to the American Museum of Natural History, and numerous other public sculptures, including the Department of the Treasury, the Commerce Building, the National Archives, and the Supreme Court, in Washington D.C., are among the sculptor’s most notable public commissions. The sculptor was also one of the organizers of and contributors to the famous, avant-garde International Exhibition of Modern Art, known as the Armory Show, of 1913. 83 JAMES EARLE FRASER (1876 – 1953) White Eagle, modeled 1919, cast 1967 bronze 14 ½ x 9 x 11 in. (36.83 x 22.86 x 27.94 cm.) inscribed near base: #5 J.E. FRASER / © S. U. inscribed at base: Modern Art Fdry N.Y. Comparative Literature: Dean Krakel, End of the Trail: The Odyssey of a Statue, University of Oklahoma Press, Norman, Oklahoma, 1973. Martin H. Bush, James Earle Fraser: American Sculptor, Kennedy Galleries, Inc., New York, 1969. Alfred T. Colette and Donald M. Lantzy (exhibition catalogue essay), James Earle Fraser: The American Heritage in Sculpture, The Thomas Gilcrease Institute of American History and Art, January 12-April 21, 1985. $3,000 – $5,000

SANTA FE ART AUCTION

84 DEWITT CLINTON BOUTELLE (1820 – 1884) Hunter in Moonlight Landscape oil on canvas 32 x 48 in. (81.28 x 121.92 cm.) Provenance: Alexander Gallery, New York Private Collection, New Mexico $6,000 – $9,000

85 CHARLES WARREN EATON (1857 – 1937) Autumn Woods oil on canvas 11 ¾ x 8 ⅞ in. (29.85 x 22.54 cm.) signed lower left: C. Warren Eaton Provenance: Private Collection, New Mexico $2,000 – $4,000

SANTA FE ART AUCTION

86 ALFRED MORANG (1901 – 1958) Cafe Scene, 1954 watercolor, pen and ink on board 10 x 8 in. (25.40 x 20.32 cm.) signed and dated lower left: Alfred Morang 54 Provenance: Private Collection, New Mexico $3,000 – $5,000

87 GEORGES ROUAULT (French, 1871 – 1958) La Parade, 1926 color aquatint, edition 270 11 3/4 x 10 1/2 in. (29.85 x 26.67 cm.) Provenance: Jack Rutberg Fine Arts, California Private Collection, New Mexico Exhibited: “Contrasting Expressions” Jack Rutberg Fine Arts, April 5 – May 31, 1997 $1,500 – $2,500

SANTA FE ART AUCTION

88 LOUIS RIBAK (1902 – 1979) Social Realism: Riot! oil on canvas 8 ⅝ x 13 ¼ in. (21.91 x 33.66 cm.) signed lower left: L. Ribak Provenance: Private Collection, Arizona $1,200 – $1,800

89 LOUIS RIBAK (1902 – 1979) Untitled (New England Harbor) oil on canvas 10 ⅝ x 17 ⅞ in. (26.99 x 45.40 cm.) signed lower left: LOUIS RIBAK Provenance: Private Collection, Arizona $800 – $1,200 SANTA FE ART AUCTION

90 JOHN GEORGE SPENCER CHURCHILL (1909 – 1992) Study of Winston Churchill Painting in His Study at Chartwell, 1948 oil on canvas 18 x 23 ¾ in. (45.72 x 60.33 cm.) signed, inscribed and dated lower left: J. S. Churchill - / Chartwell 1948. inscribed verso: W.S.C. / Chartwell 48 John George Spencer-Churchill (1909 –1992) was an English painter, sculptor, and stockbroker who was the nephew of Sir Winston Churchill. He sketched during the Spanish Civil War for Illustrated London News, and painted for Lady Churchill, his Uncle Winston’s wife, at Chartwell on many projects, doing murals and friezes that exist today. Winston Churchill purchased Chartwell, in Kent, in 1922, and it remained the family home for the rest of his life. He constructed a studio at Chartwell in the 1930s, laying the bricks himself. The house and its gardens became a frequent source of inspiration for his paintings. This intimate portrait by Spencer-Churchill of his Uncle at his most favored pastime in this setting recalls the tranquility the former Prime Minister sought and found in his art, and has remained in private family hands since first painted in 1948. Winston famously declared, “When I get to heaven I mean to spend a considerable portion of my first million years in painting, and so get to the bottom of the subject...” Provenance: The artist By descent in the family to present owner $3,500 – $5,500

SANTA FE ART AUCTION

91 BOB KUHN (1920 – 2007) Untitled (Moose Rubbing Antlers)

92 BOB KUHN (1920 – 2007) Untitled (Moose in a Stream)

conte crayon on paper 13 x 12 ½ in. (33.02 x 31.75 cm.) inscribed and initialed lower margin: DEAR HUGH HERE’S THAT SKETCH BK

conte crayon on paper 11 ½ x 14 ¼ in. (29.21 x 36.20 cm.) signed middle right: Kuhn

Provenance: Private Collection, New York $3,000 – $5,000

93 BOB KUHN (1920 – 2007) Untitled (Elk Bugling)

94 BOB KUHN (1920 – 2007) Scratch It (Bear)

conte crayon on paper 8 ½ x 10 ¾ in. (21.59 x 27.31 cm.) signed lower right: Kuhn

conte crayon on paper 8 ½ x 11 in. (21.59 x 27.94 cm.) inscribed and initialed lower left: FOR HUGH / SCRATCH IT / BK

Provenance: Private Collection, New York

$2,000 – $4,000

$2,500 – $3,500

SANTA FE ART AUCTION

SESSION II

Charles Loloma was an artist of astonishing creative energy, who found fame as a jeweler, ceramist, painter, and poet. His bold, innovative designs departed dramatically from Hopi cultural beliefs yet he was intensely traditional and served as a religious leader in his native community of Hotevilla. He was a renowned instructor and teacher, whose most notable pupils include Eveli Sabatie, Sherian Hohongva, and Verma Nequatewa. He was also a passionate collector whose brilliant eye extended to the work of his peers as well as his talented students. Starting in the 1970s Charles began buying Manfred’s dolls, and Georgia continued the tradition leading to the remarkable collection presented here. Charles’ fascination with and admiration for Susunkewa’s work is evident in the drawings he made of the katsinam, also presented here for the first time alongside the dolls.

References: Loloma: Beauty Is His Name. Struever et al. - Wheelwright Museum of the American Indian – 2005 Susunkewa Hopi Katsina Carvings from the Don Redlich Collection. Barry Walsh – Winona State University, (n.d.)

Session II Loloma Katsina Collection (Lots 95-199) Saturday, June 25 10:00 AM MDT

KATSINA CARVINGS BY MANFRED SUSUNKEWA FROM THE GEORGIA AND CHARLES LOLOMA COLLECTION BY BARRY WALSH This auction from the Santa Fe Art Auction features a remarkable collection of 87 Hopi katsina dolls by master carver, Manfred Susunkewa. They come with impressive provenance: the Georgia and Charles Loloma collection. Manfred has been one of the most influential artists in the history of Hopi katsina art. He has long been acknowledged as the initiator of the return to “traditional style katsina carving,” which he began in the 1970s. Manfred was born in 1940. Into his mother’s Spider and Bear Strap Clan and his father’s Sand Clan. In 1961 Manfred won a prestigious Rockefeller scholarship to attend the “Southwest Indian Art Project” at the University of Arizona. He did so well in this program that he was invited to participate for three consecutive summers (1961-1963). His experiences at the U. of Arizona led to his involvement at the soon-to-be launched Institute of American Indian Arts (IAIA) in Santa Fe. He was invited to participate in its development (as a student) by innovative artists, Charles Loloma and Lloyd Kiva New. Manfred had known Charles since childhood because Charles was married to his aunt, Otellie. He noted that as a child he and Charles would plant corn together on the reservation and Manfred would assist Charles in making pottery. While Manfred was clearly gifted as a painter, jeweler, and textile artist, eventually he found his real mission in returning to paint and wood. He is the originator of the “old style” or “traditional katsina movement.” He told me that he started making dolls in his minimalist, provocative way “as a protest.” He said he “wasn’t the first to make katsinam in this way, but the style had disappeared.” He explained that what he began in the 1970s “was a revision.” He said the real katsina carvings were “being forgotten.” Referring to the elaborate action and ultra-realistic style dolls that were all the rage with collectors by the 1970s, Manfred said the dolls “were becoming too pretty.” He said his “revision or return was designed to recapture the spirit of the carvings in relation to the Spirit Beings.” He elaborated, “I took some things from the past and made them contemporary.” This sale features broadly representative examples of Manfred’s work and reflects his prodigious output. There are many katsinam that have become signature representations of Manfred’s art. These include: a Matyaw or Handprint (Lot 170), an Ewtoto or Katsina Father (Lot 118), an exceptional Angwusnasomtaqa or Crow Mother (Lot 145), a male Kóonin or Supai (Lot 102), two Sösööpas or Crickets (Lots 125, 126), and an eerie and utterly distinctive Maasaw or Death Spirit (Lot 133). The highlights of this exceptional group are several large and creative masterpieces by Manfred. These include: a 17 ¾” Aholi or Katsina Lieutenant (Lot 95), a 17” Yöngö or Prickly Pear Cactus (Lot 140), a 15” Wuyaktaywa or Broadface (Lot 108), a 22 ¾” Hemis or Home Dance katsina (largest in the auction, Lot 128), and perhaps the two most striking and innovative figures, a 19 ¾” Palhikwmana or Water Drinking Maiden (Lot 123), and a 17 ¼” Sa’lako done in a 19th Century style (Lot 139). This auction truly offers a thorough selection of Manfred’s exceptional katsina oeuvre. Manfred’s artistic and spiritual decision to carve in the old style has made him successful in the art world. Over the past 40 years he has received much recognition for his work. His katsina carvings have become highly collectible art objects. His work is in the permanent collection of the Heard Museum, Museum of Northern Arizona, Haffenreffer Museum, Arizona State Museum, Denver Art Museum, etc. He has won many prizes at diverse Indian markets, especially in Santa Fe. Perhaps his greatest honor is that he was designated an “Arizona Living Treasure” in 2002.

SANTA FE ART AUCTION

95 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Aholi (Chiefs Lieutenant) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, yarn, leather 17 ¾ x 4 ¼ x 2 ⅞ in. (45.09 x 10.80 x 7.30 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

96 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Kokopelli Mana (Female Racer) Katsina and Drawing Katsina: carved cottonwood, natural pigments 10 ¼ x 5 x 4 ¼ in. (26.04 x 12.70 x 10.80 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on buff cardstock 16 x 11 ¼ in. (40.64 x 28.58 cm.)

97 CHARLES LOLOMA (Hopi, 1921 – 1991) Kokopelli Mana (Female Racer) Katsina colored pencil on paper 14 ¾ x 11 ⅛ in. (37.47 x 28.26 cm.) Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

98 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Kokopelli (Humped-back Flute Player) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, corn husks 14 x 4 ½ x 4 ¾ in. (35.56 x 11.43 x 12.07 cm.) signed underside: M SUSUN Drawing: colored pencil on paper 15 x 11 in. (38.10 x 27.94 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

SANTA FE ART AUCTION

99 MANFRED SUSUNKEWA (Hopi, b. 1940) Kokopelli (Humped-back Flute Player) Katsina carved cottonwood, natural pigments, feathers, cornhusk 13 x 5 x 4 ½ in. (33.02 x 12.70 x 11.43 cm.) signed underside: SUSUNK Provenance: The Georgia and Charles Loloma Collection $300 – $500

100 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Talavay (Morning Singer) Katsina and Drawing

101 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Avatshoya (Speckled Corn) Katsina and Drawing

Katsina: carved cottonwood, natural pigments, feathers, corn husks 13 ¼ x 9 x 3 ½ in. (33.66 x 22.86 x 8.89 cm.) signed underside: M SUSUNKEWA [spider cipher]

Katsina: carved cottonwood, natural pigments, feathers, pine bough, corn husks 15 x 6 ½ x 7 ¾ in. (38.10 x 16.51 x 19.69 cm.) signed underside: M SUSUNKEWA

Drawing: colored pencil on paper 15 ⅛ x 11 ⅛ in. (38.42 x 28.26 cm.) signed lower right: loloma

Drawing: colored pencil on paper 14 ½ x 9 ½ in. (36.83 x 24.13 cm.) signed lower right: loloma

Provenance: The Georgia and Charles Loloma Collection

$1,500 – $2,500

102 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Kóonin (Supai) Katsina and Drawing

103 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Honan (Badger) Katsina and Drawing

Katsina: carved cottonwood, natural pigments, feathers 15 x 6 ¾ x 3 in. (38.10 x 17.15 x 7.62 cm.) signed underside: M SUSUNKEWA [spider cipher]

Katsina: carved cottonwood, natural pigments, feathers 14 x 7 ¼ x 4 ½ in. (35.56 x 18.42 x 11.43 cm.) signed underside: M SUSUNKEWA

Drawing: colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) signed lower right: loloma

Drawing: colored pencil on paper 14 ⅞ x 11 ¼ in. (37.78 x 28.58 cm.)

Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800 SANTA FE ART AUCTION

104 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Hooli (Dragonfly) Katsina and Drawing Katsina: carved cottonwood, natural pigment, feathers 14 ¼ x 9 ½ x 4 in. (36.20 x 24.13 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 x 11 ⅛ in. (38.10 x 28.26 cm.) Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

105 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Ewiro (Warrior) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 14 ¾ x 8 x 5 ½ in. (37.47 x 20.32 x 13.97 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ¼ x 11 ⅛ in. (38.74 x 28.26 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

106 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Tsaveyo (Ogre) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 14 ½ x 9 ¾ x 6 ½ in. (36.83 x 24.77 x 16.51 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

107 CHARLES LOLOMA (Hopi, 1921 – 1991) Tsaveyo (Ogre) Katsina colored pencil on paper 11 ¼ x 7 ⅝ in. (28.58 x 19.37 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

SANTA FE ART AUCTION

108 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Wuuyaqqötö (Broad-Faced) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 15 x 11 ½ x 4 ½ in. (38.10 x 29.21 x 11.43 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on paper 15 ⅛ x 11 ⅛ in. (38.42 x 28.26 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

109 CHARLES LOLOMA (Hopi, 1921 – 1991) Wuuyaqqötö (Broad-Faced) Katsina colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

SANTA FE ART AUCTION

110 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Hilili Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 12 x 7 ½ x 2 ¾ in. (30.48 x 19.05 x 6.99 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

111 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Sai-astasana (Zuni Rain Priest) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 12 ½ x 7 x 2 ¾ in. (31.75 x 17.78 x 6.99 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

112 CHARLES LOLOMA (Hopi, 1921 – 1991) Sai-astasana (Zuni Rain Priest) Katsina colored pencil on paper 15 ¾ x 10 ⅞ in. (40.01 x 27.62 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000 SANTA FE ART AUCTION

113 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Tasaf (Navajo) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, yarn 13 ½ x 6 ½ x 4 in. (34.29 x 16.51 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 x 11 ⅛ in. (38.10 x 28.26 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

114 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Sivutootovi (Sootfly) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 13 x 6 ½ x 3 in. (33.02 x 16.51 x 7.62 cm.) Drawing: colored pencil on paper 14 ⅞ x 11 ⅛ in. (37.78 x 28.26 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

115 MANFRED SUSUNKEWA (Hopi, b. 1940) Sivutootovi (Sootfly) Katsina carved cottonwood, natural pigments, feathers 12 x 4 ¾ x 2 ½ in. (30.48 x 12.07 x 6.35 cm.) signed underside: M SUSUNKEWA Provenance: The Georgia and Charles Loloma Collection $200 – $400

SANTA FE ART AUCTION

116 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Honan (Badger) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 16 x 7 ½ x 4 in. (40.64 x 19.05 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ¼ x 11 ¼ in. (38.74 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

117 MANFRED SUSUNKEWA (Hopi, b. 1940) Honan (Badger) Katsina carved cottonwood, natural pigments, feathers 15 ⅛ x 8 ¼ x 4 in. (38.42 x 20.96 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher] Provenance: The Georgia and Charles Loloma Collection $400 – $600

118 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Ewtoto (Chief) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 12 x 4 x 3 in. (30.48 x 10.16 x 7.62 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 14 ⅛ x 12 in. (35.88 x 30.48 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

119 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Tsiwap (Sand) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 14 x 5 x 4 in. (35.56 x 12.70 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

120 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Koo’àà Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 12 ½ x 7 ½ x 3 in. (31.75 x 19.05 x 7.62 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 x 11 ⅛ in. (38.10 x 28.26 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

121 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Wuwuyomo (Awakening) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 16 x 12 ⅝ x 5 in. (40.64 x 32.07 x 12.70 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 18 x 13 in. (45.27 x 33.02 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

SANTA FE ART AUCTION

122 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991 Manang..y (Lizard) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 13 x 8 x 4 in. (33.02 x 20.32 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 14 ⅞ x 11 ¼ in. (37.78 x 28.58 cm.) Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

123 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Palhikwmana (Butterfly Maiden) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, abalone shell 19 ¾ x 15 ¼ x 4 ¼ in. (50.17 x 38.74 x 10.80 cm.) signed underside: M SUSUNKEWA Georgia 84 Drawing: colored pencil on paper 22 ½ x 15 in. (57.15 x 38.10 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,800 – $2,400

124 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Nuvak’china (Snow) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 14 x 6 ¼ x 5 in. (35.56 x 15.88 x 12.70 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on board 18 x 13 in. (45.72 x 33.02 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

SANTA FE ART AUCTION

125 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Susöpa (Cricket) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 14 ½ x 5 x 5 in. (36.83 x 12.70 x 12.70 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

126 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Susöpa (Cricket) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 18 x 4 ¾ x 3 ⅝ in. (45.72 x 12.07 x 9.21 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on paper 22 ¼ x 15 in. (56.52 x 38.10 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,500 – $3,500

SANTA FE ART AUCTION

127 CHARLES LOLOMA (Hopi, 1921 – 1991) Susöpa (Cricket) Katsina colored pencil on paper 22 ¼ x 15 in. (56.52 x 38.10 cm.) Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

SANTA FE ART AUCTION

128 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Hemis (Jemez) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, brown straw, plant fibers 22 ¾ x 7 x 5 ¾ in. (57.79 x 17.78 x 14.61 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) Provenance: The Georgia and Charles Loloma Collection $1,800 – $2,400

129 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Wupamo (Long-Billed) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 15 x 11 ¼ x 4 ½ in. (38.10 x 28.58 x 11.43 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

130 CHARLES LOLOMA (Hopi, 1921 – 1991) Wupamo (Long-Billed) Katsina colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

SANTA FE ART AUCTION

131 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Salako Taqa Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 16 x 3 ⅛ x 8 in. (40.64 x 7.94 x 20.32 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

132 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Tsa’Kwayna Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, horse hair 11 ¼ x 3 ¼ x 3 ¼ in. (28.58 x 8.26 x 8.26 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

133 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Maasaw Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers, sticks, fiber, string 16 x 3 ½ x 4 in. (40.64 x 8.89 x 10.16 cm.) Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

134 CHARLES LOLOMA (Hopi, 1921 – 1991) Maasaw Katsina colored pencil on buff cardstock 16 x 14 in. (40.64 x 35.56 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

135 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Ngayataqa (Swaying Man) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 14 x 9 x 3 ¼ in. (35.56 x 22.86 x 8.26 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ¼ x 11 ¼ in. (38.74 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

136 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Toson Koyemsi (Sweet Corn Mudhead) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 16 x 5 x 3 ½ in. (40.64 x 12.70 x 8.89 cm.) signed underside: M SUSUNKEWA [spider cipher] Drawing: colored pencil on paper 15 ⅛ x 11 ¼ in. (38.42 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

137 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Hakto (Zuni Spirit of the Forest) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 9 7/8 x 6 1/2 x 3 in. (25.08 x 16.51 x 7.62 cm.) Drawing: colored pencil on paper 15 x 11 ¼ in. (38.10 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

138 MANFRED SUSUNKEWA (Hopi, b. 1940) + CHARLES LOLOMA (Hopi, 1921 – 1991) Palhikwmana (Butterfly Maiden) Katsina and Drawing Katsina: carved cottonwood, natural pigments, feathers 19 ½ x 8 x 2 ¼ in. (49.53 x 20.32 x 5.72 cm.) signed underside: M SUSUNKEWA Drawing: colored pencil on board 14 x 10 ⅝ in. (35.56 x 26.99 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

139 MANFRED SUSUNKEWA (Hopi, b. 1940) Palhikwmana (Butterfly Maiden) Katsina carved cottonwood, natural pigments 17 ¼ x 9 ⅝ x 2 in. (43.82 x 24.45 x 5.08 cm.) Provenance: The Georgia and Charles Loloma Collection $1,800 – $2,800

SANTA FE ART AUCTION

140 MANFRED SUSUNKEWA (Hopi, b. 1940) Yungya (Prickly Pear Cactus) Katsina carved cottonwood, natural pigments, horse hair, corn husks 17 x 8 ¾ x 2 ¾ in. (43.18 x 22.23 x 6.99 cm.) signed underside: M SUSUNKEWA [spider cipher] Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

141 MANFRED SUSUNKEWA (Hopi, b. 1940) Salak Taka Katsina carved cottonwood, natural pigments, feathers 21 ½ x 13 ¾ x 2 ⅞ in. (54.61 x 34.93 x 7.30 cm.) signed underside: M SUSUNKEWA [spider cipher] Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

SANTA FE ART AUCTION

142 MANFRED SUSUNKEWA (Hopi, b. 1940) Paalölöqangw (Water Serpent) Katsina carved cottonwood, natural pigments, feathers 19 ¾ x 12 ¼ x 4 ½ in. (50.17 x 31.12 x 11.43 cm.) signed underside: M SUSUNKEWA [spider cipher] Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

143 MANFRED SUSUNKEWA (Hopi, b. 1940) Sootukwnangw Taka (Star Man) Katsina carved cottonwood, natural pigments, corn husks 19 ¾ x 5 ⅛ x 4 ½ in. (50.17 x 13.02 x 11.43 cm.) signed underside: M SUSUNKEWA [spider cipher] Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

SANTA FE ART AUCTION

144 MANFRED SUSUNKEWA (Hopi, b. 1940) Muy’ingwa (Germination) Katsina

145 MANFRED SUSUNKEWA (Hopi, b. 1940) Angwusnasomtaq (Crow Mother) Katsina

carved cottonwood, natural pigments, corn husks 16 ¼ x 5 ¼ x 4 in. (41.28 x 13.34 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 14 x 9 ½ x 4 ¼ in. (35.56 x 24.13 x 10.80 cm.)

Provenance: The Georgia and Charles Loloma Collection $500 – $700

146 MANFRED SUSUNKEWA (Hopi, b. 1940) Hewto (Warrior) Katsina

147 MANFRED SUSUNKEWA (Hopi, b. 1940) Hoo’e (Clown) Katsina

carved cottonwood, natural pigments, feathers, horse hair 18 x 6 ½ x 4 in. (45.72 x 16.51 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 18 ¾ x 3 ½ x 4 ⅜ in. (47.63 x 8.89 x 11.11 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$500 – $700

SANTA FE ART AUCTION

148 MANFRED SUSUNKEWA (Hopi, b. 1940) Pöökhonghoya (Warrior Twin) Katsina

149 MANFRED SUSUNKEWA (Hopi, b. 1940) Qööqöqlö Katsina

carved cottonwood, natural pigments, feathers, corn husks 15 ¼ x 4 ½ x 2 ½ in. (38.74 x 11.43 x 6.35 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 14 ¾ x 3 x 3 ¼ in. (37.47 x 7.62 x 8.26 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$500 – $700

$400 – $600

150 MANFRED SUSUNKEWA (Hopi, b. 1940) Lalayhoya (Herder Boy) Katsina

151 MANFRED SUSUNKEWA (Hopi, b. 1940) Qalari (Runner) Katsina

carved cottonwood, natural pigments, feathers 16 x 9 x 5 in. (40.64 x 22.86 x 12.70 cm.) signed underside: M SUSUNKEWA

carved cottonwood, natural pigments, feathers 16 x 6 ½ x 2 ¼ in. (40.64 x 16.51 x 5.72 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

SANTA FE ART AUCTION

152 MANFRED SUSUNKEWA (Hopi, b. 1940) Sakwa Hon (Blue Bear) Katsina

153 MANFRED SUSUNKEWA (Hopi, b. 1940) Mongwa (Owl) Katsina

carved cottonwood, natural pigments, feathers, corn husks 13 ¼ x 6 x 3 ½ in. (33.66 x 15.24 x 8.89 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 15 x 8 ⅜ x 3 ⅞ in. (38.10 x 21.27 x 9.84 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

$400 – $600

154 MANFRED SUSUNKEWA (Hopi, b. 1940) Kornantsi (Comanche Mana) Katsina

155 MANFRED SUSUNKEWA (Hopi, b. 1940) Putskòok (Rabbit Stick) Katsina

carved cottonwood, natural pigments, feathers, horse hair 17 ¾ x 3 x 2 ¾ in. (45.09 x 7.62 x 6.99 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 16 ¾ x 4 ½ x 2 ½ in. (42.55 x 11.43 x 6.35 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

SANTA FE ART AUCTION

156 MANFRED SUSUNKEWA (Hopi, b. 1940) Koyemsi (Mudhead) Katsina

157 MANFRED SUSUNKEWA (Hopi, b. 1940) Sikyataiyo (Yellow Fox) Katsina

carved cottonwood, natural pigments, feathers 15 ½ x 5 x 4 ¾ in. (39.37 x 12.70 x 12.07 cm.) signed underside: M SUSUNKEWA

carved cottonwood, natural pigments, corn husks 15 x 7 x 5 in. (38.10 x 17.78 x 12.70 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

158 MANFRED SUSUNKEWA (Hopi, b. 1940) Muy’ingwa (Germination) Katsina

159 MANFRED SUSUNKEWA (Hopi, b. 1940) Sikyataiyo (Yellow Fox) Katsina

carved cottonwood, natural pigments, feathers 17 ¾ x 7 ½ x 5 ¾ in. (45.09 x 19.05 x 14.61 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments 14 ½ x 3 ½ x 3 ¼ in. (36.83 x 8.89 x 8.26 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

SANTA FE ART AUCTION

160 MANFRED SUSUNKEWA (Hopi, b. 1940) Qötsa Hon (White Bear) Katsina

161 MANFRED SUSUNKEWA (Hopi, b. 1940) Kwikwilyaka (Mocking) Katsina

carved cottonwood, natural pigments, feathers, corn husks 14 ½ x 5 ¾ x 4 ½ in. (36.83 x 14.61 x 11.43 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, cedar bark 14 ⅞ x 8 ½ x 5 ¼ in. (37.78 x 21.59 x 13.34 cm.) signed underside: MSU

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

162 MANFRED SUSUNKEWA (Hopi, b. 1940) Avatshoya (Spotted Corn) Katsina

163 MANFRED SUSUNKEWA (Hopi, b. 1940) Hopsow (Roadrunner) Katsina

carved cottonwood, natural pigments, feathers 13 x 10 ¾ x 12 in. (33.02 x 27.31 x 30.48 cm.) signed underside: M SUSUNK

carved cottonwood, natural pigments, feathers, corn husks 15 ¾ x 5 ¾ x 4 in. (40.01 x 14.61 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

SANTA FE ART AUCTION

164 MANFRED SUSUNKEWA (Hopi, b. 1940) Nakyatsop (Silent or Salako Warrior) Katsina

165 MANFRED SUSUNKEWA (Hopi, b. 1940) Sikya Hehey’a (Yellow Harvester) Katsina

carved cottonwood, natural pigments, feathers 14 ¼ x 6 ½ x 4 ½ in. (36.20 x 16.51 x 11.43 cm.) signed underside: M SUSUNKU

carved cottonwood, natural pigments, feathers, corn husks 10 x 4 x 2 in. (25.40 x 10.16 x 5.08 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

166 MANFRED SUSUNKEWA (Hopi, b. 1940) Koyala (Koshare) Katsina

167 MANFRED SUSUNKEWA (Hopi, b. 1940) Koyala (Koshare) Katsina

carved cottonwood, natural pigments, corn husks 16 x 4 ¼ x 3 in. (40.64 x 10.80 x 7.62 cm.) signed underside: M SUSUNKEWA

carved cottonwood, natural pigments, corn husks 16 ½ x 4 ½ x 3 in. (41.91 x 11.43 x 7.62 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

SANTA FE ART AUCTION

168 MANFRED SUSUNKEWA (Hopi, b. 1940) Hoo’e (Clown) Katsina

169 MANFRED SUSUNKEWA (Hopi, b. 1940) Toson Koyemsi (Sweet Corn Mudhead) Katsina

carved cottonwood, natural pigments, feathers 15 ½ x 3 ¼ x 4 in. (39.37 x 8.26 x 10.16 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 11 ¾ x 4 ¾ x 3 in. (29.85 x 12.07 x 7.62 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

170 MANFRED SUSUNKEWA (Hopi, b. 1940) Sikya Matyaw (Yellow-Hand) Katsina

171 MANFRED SUSUNKEWA (Hopi, b. 1940) Sio Hon (Zuni Bear) Katsina

carved cottonwood, natural pigments, feathers, corn husks 13 ½ x 3 ¾ x 3 in. (34.29 x 9.53 x 7.62 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers, corn husks 15 ½ x 8 x 3 ½ in. (39.37 x 20.32 x 8.89 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

SANTA FE ART AUCTION

172 MANFRED SUSUNKEWA (Hopi, b. 1940) Kornantsi (Comanche Mana) Katsina carved cottonwood, natural pigments, feathers, horse hair 11 ¾ x 4 ½ x 5 in. (29.85 x 11.43 x 12.70 cm.) signed underside: M SUSUNKEWA [spider cipher]

173 MANFRED SUSUNKEWA (Hopi, b. 1940) Tohòo (Mountain Lion) Katsina

Provenance: The Georgia and Charles Loloma Collection

carved cottonwood, natural pigments, feathers 15 x 4 x 3 ¾ in. (38.10 x 10.16 x 9.53 cm.) signed underside: M SUSUNKEWA

$300 – $500

Provenance: The Georgia and Charles Loloma Collection $200 – $400

174 MANFRED SUSUNKEWA (Hopi, b. 1940) Mastop Katsina carved cottonwood, natural pigments, feathers, cornhusk 13 x 3 x 2 ¼ in. (33.02 x 7.62 x 5.72 cm.) signed underside: M SUSUNKEWA [spider cipher] Provenance: The Georgia and Charles Loloma Collection $200 – $400

175 MANFRED SUSUNKEWA (Hopi, b. 1940) Tsili (Chili) Katsina carved cottonwood, natural pigments, feathers, corn husks 11 x 4 ¼ x 2 ¼ in. (27.94 x 10.80 x 5.72 cm.) signed underside: M SUSUNKEWA Provenance: The Georgia and Charles Loloma Collection $200 – $400 176 MANFRED SUSUNKEWA (Hopi, b. 1940) Tsuku Katsina carved cottonwood, natural pigments, yarn 10 x 3 x 2 ½ in. (25.40 x 7.62 x 6.35 cm.) signed underside: M SUSUNKEWA Provenance: The Georgia and Charles Loloma Collection $200 – $400

SANTA FE ART AUCTION

177 MANFRED SUSUNKEWA (Hopi, b. 1940) Tasaf Mana (Navajo Girl) Katsina

178 MANFRED SUSUNKEWA (Hopi, b. 1940) Hooli (Dragonfly) Katsina

carved cottonwood, natural pigments, feathers 12 x 3 x 3 ⅜ in. (30.48 x 7.62 x 8.57 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 13 x 10 ½ x 3 ½ in. (33.02 x 26.67 x 8.89 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

179 MANFRED SUSUNKEWA (Hopi, b. 1940) Koona (Chipmunk) Katsina

180 MANFRED SUSUNKEWA (Hopi, b. 1940) Hahay’i Wùuhti (Grandmother of the Katsinas) Katsina

carved cottonwood, natural pigments, feathers 13 ½ x 4 ¼ x 5 in. (34.29 x 10.80 x 12.70 cm.) signed underside: M SUSUNKE

carved cottonwood, natural pigments, feathers 12 ½ x 5 x 1 ½ in. (31.75 x 12.70 x 3.81 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

181 MANFRED SUSUNKEWA (Hopi, b. 1940) Tsili (Chili) Katsina

182 MANFRED SUSUNKEWA (Hopi, b. 1940) Sakwa Matya (Blue Hand) Katsina

carved cottonwood, natural pigments, feathers, corn husks 12 x 3 ¾ x 2 in. (30.48 x 9.53 x 5.08 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers 10 ½ x 4 x 2 ¾ in. (26.67 x 10.16 x 6.99 cm.) signed underside: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

SANTA FE ART AUCTION

183 MANFRED SUSUNKEWA (Hopi, b. 1940) Avatshoya (Spotted Corn) Katsina

184 MANFRED SUSUNKEWA (Hopi, b. 1940) Nangöysohut (Chasing Star) Katsina

carved cottonwood, natural pigments, feathers 11 ½ x 4 ½ x 2 ¼ in. (29.21 x 11.43 x 5.72 cm.) signed underside: M SUSUNK

carved cottonwood, natural pigments, feathers 13 x 3 ¼ x 2 ¼ in. (33.02 x 8.26 x 5.72 cm.) signed below figures head: M SUSUNKEWA

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

185 MANFRED SUSUNKEWA (Hopi, b. 1940) Owangaroro (Rock Eater) Katsina

186 MANFRED SUSUNKEWA (Hopi, b. 1940) Tsowilawu (Terrific Power) Katsina

carved cottonwood, natural pigments 10 ¾ x 3 ½ x 2 in. (27.31 x 8.89 x 5.08 cm.) signed top: M SUSUNKEWA

carved cottonwood, natural pigments, feathers, corn husks 13 x 4 ¾ x 2 ¾ in. (33.02 x 12.07 x 6.99 cm.) signed underside: M SUSUNKEWA [spider cipher]

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

187 MANFRED SUSUNKEWA (Hopi, b. 1940) Aya (Rattle) Katsina

188 CLARK TENAKHONGVA (Hopi, b. 1956) Wakas (Cow) Katsina

carved cottonwood, natural pigments 14 ⅜ x 2 ¾ x 2 ½ in. (36.51 x 6.99 x 6.35 cm.) signed underside: M SUSUNKEWA [spider cipher]

carved cottonwood, natural pigments, feathers, yarn 15 ½ x 8 ⅜ x 3 ¼ in. (39.37 x 21.27 x 8.26 cm.) signed underside: CWT [rabbit tracks cipher]

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

$400 – $600

SANTA FE ART AUCTION

189 CLARK TENAKHONGVA (Hopi, b. 1956) Palhikwmana (Butterfly Maiden) Katsina carved cottonwood, natural pigments, feathers 20 ½ x 15 ¼ x 3 in. (52.07 x 38.74 x 7.62 cm.) initialed underside: C.W.T. [rabbit tracks cipher] “Beautiful example of Clark Tenakhongvaís work. An especially large Palhikwmana or Water Drinking Maiden or sometimes referred to as Butterfly Maiden.” — Barry Walsh Provenance: The Georgia and Charles Loloma Collection $650 – $950

SANTA FE ART AUCTION

190 CLARK TENAKHONGVA (Hopi, b. 1956) Manang.y (Lizard) Katsina

191 CLARK TENAKHONGVA (Hopi, b. 1956) Patzro (Chestnut-Colored Longspur) Katsina

carved cottonwood, natural pigment, feathers 15 ½ x 6 ¼ x 4 ¼ in. (39.37 x 15.88 x 10.80 cm.) initialed under foot: CWT [rabbit tracks cipher]

carved cottonwood, natural pigments, feathers 16 ¾ x 15 ½ x 3 ¾ in. (42.55 x 39.37 x 9.53 cm.) inscribed underside: C.W.T. [rabbit tracks cipher]

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

192 EDWARD SEECHOMA (Hopi, 20h century) Sio Hemis Katsina

193 A. GUSTINE MOYA (Hopi) Hilili Katsina, 2003

carved cottonwood, natural pigments, feathers, 16 ½ x 6 ¼ x 3 ¼ in. (41.91 x 15.88 x 8.26 cm.) signed underside: Ed Seechoma

carved cottonwood, natural pigments, feathers, fur, yarn 14 x 9 ¾ x 3 ½ in. (35.56 x 24.77 x 8.89 cm.) inscribed underside: A Gustine Moya II 2003 Hilili

Provenance: The Georgia and Charles Loloma Collection

$350 – $550

$300 – $500

194 ORLAN HONYUMPTEWA (20th Century) Hoo’e (Clown) Katsina

195 RANDY BROKESHOULDER (Hopi, b. 1983) Ye’ivitsha (Navajo) Katsina

carved cottonwood, natural pigments, feathers, shells 13 x 7 ¾ x 4 in. (33.02 x 19.69 x 10.16 cm.) initialed under foot: HQ [bear paw Q]

carved cottonwood, natural pigments, horse hair, leather 10 ¾ x 2 ½ x 3 in. (27.31 x 6.35 x 7.62 cm.)

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

SANTA FE ART AUCTION

196 CHARLES LOLOMA (Hopi, 1921 – 1991) Sikya Qööqöqlö (Story Teller) Katsina, 1981 carved cottonwood, natural pigments, feathers, fur 9 x 3 x 2 ¾ in. (22.86 x 7.62 x 6.99 cm.) inscribed underside: Georgia from Charles Night Dance Jan. 1981 Provenance: The Georgia and Charles Loloma Collection $200 – $400

197 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Hopi Katsina) Drawing + Card ink on paper Drawing: 7 x 10 ⅛ in. (17.78 x 25.72 cm.) Card: 7 x 5 in. (17.78 x 12.70 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $300 – $500

SANTA FE ART AUCTION

198 CHARLES LOLOMA (Hopi, 1921 – 1991) Hopi Man, ca. 1975 jet, wood 1 x 4 1/8 x 3 1/4 in. (2.54 x 10.48 x 8.26 cm.) with base: 4 1/4 x 8 1/4 x 5 1/4 in. (10.80 x 20.96 x 13.34 cm.) Provenance: The Georgia and Charles Loloma Collection Illustrated: Struever, Martha Hopkins, Loloma: Beauty Is His Name, Wheelwright Museum of the American Indian, Santa Fe, NM, 2005, pg. 116, fig. 130. $2,000 – $4,000

SANTA FE ART AUCTION

199 HOPI Wupamo Katsina, 19th Century carved cottonwood, natural pigments 8 x 3 ½ x 3 in. (20.32 x 8.89 x 7.62 cm.) Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

SANTA FE ART AUCTION

SESSION III

Session III Loloma: The Artist (Lots 200-327) Saturday, June 25 1:00 PM MDT

Hailing from Hotevilla on the Hopi Reservation Third Mesa, Charles Loloma was born in 1921, the oldest of five children. His mother, Rachel was badger clan and that influenced his jewelry making later in his career. Both of Charles’ parents were accomplished artists—his father Rex was known for his weaving and Rachel made baskets in an ancient style associated with their Third Mesa home. Such was Loloma’s early talent that he was only seventeen when legendary Hopi artist Fred Kabootie asked him to work as an assistant on a set of murals based on the Awatovi site on the Hopi Reservation for the Museum of Modern Art in New York City. Loloma served in the US Army from 1942 to 1945, and through the GI Bill went on to Alfred University in New York to study ceramics. A fellowship from the Whitney Foundation allowed him to continue research in ceramics on the Hopi Reservation from 1949-1951. In 1954, Loloma and his first wife, Otellie Pasiyave opened a ceramics shop in Scottsdale, becoming the first tenants of the Kiva Craft Center founded by Lloyd Kiva New. While Loloma first met New at the Phoenix Indian School in 1938, this friendship would last for the duration of Loloma’s life. In 1962 when New became the Director of the newly formed Institute of American Indian Arts in Santa Fe, he invited Charles to become one of the school’s first instructors, appointing him Director of the Plastic Arts Department. It was in the mid-1950s when Charles would first turn his creative talents to jewelry, and this would gradually take over all his art output. In his introduction to the exhibition, Loloma: A Retrospective View held at The Heard Museum in 1978-79, Edward Jacobson wrote of the artist, “His experiments with form, material and color literally revolutionized the public concept of Indian jewelry. He was unfettered by a strictly traditional approach and developed a unique concept of design that combines elements of his Hopi background with a less tangible, contemporary sense of aesthetics.” A key moment in Loloma’s career came in 1963 when he traveled to Paris and was introduced to the European Fashion scene. His jewelry was worn in numerous fashion shows and private exhibitions and Loloma used the trip to conceptualize some new and innovative designs for his jewelry. It was in Paris at this time that Charles first exhibited his famous, single long earring. By 1966, Charles was able to work full-time on his jewelry—all from a new home and studio near his beloved Hotevilla. He had a variety of solo exhibitions for his jewelry throughout the 1960s and 70s, notably at Tom Bahti’s shop in Tucson. By the late 1970s, Loloma was one of the most popular and influential Native artists on the market, exhibiting throughout the United States and broadly traveling the world. At one show in Denver, in 1979, he met Georgia Voisard. Voisard had a master’s degree in secondary art education and was studying southwestern Native American jewelry through a doctoral program at the University of Northern Colorado in Greeley. According to Loloma, Beauty is his Name, the catalogue for the 2005 Exhibition at the Wheelwright Museum, “Charles soon insisted that Georgia moved to Hotevilla to become his partner and manager. In January 1980 she abandoned her studies and teaching career and gave up a new home to join him; several years later they were married. With Georgia’s encouragement, Charles began investing in a broad range of the finest materials available, selecting the highest quality turquoise, large pieces of the best coral, and minerals from Russia, South Africa, and the Middle East. Loloma’s designs of the 1980s represent some of his boldest and most elaborate compositions, involving bigger stones and exhibiting strong sculptural qualities.” Following an accident late in 1986 however, Loloma’s health had steadily deteriorated, and in 1988 the Loloma studio closed. Jewelry of the Southwest: Pueblo Tradition and Innovation, in part a celebration of the jewelry of Charles Loloma and Charles Lovato, was presented at the Wheelwright Museum from May to September 1991. It was an exhibit that Charles was destined not to see, for he died in Phoenix on June 9, a few weeks after the show opened. In an undated, handwritten note that Georgia kept among his things, Charles wrote, “It has just been lately, that the American people are beginning to be aware about an aesthetic facet of Indian life. My feeling is that for me this direction has a more secure impact on my life. It is so rewarding to express what I really know best, which is the depth of the Hopi Way. It certainly expresses the desire of happiness, that it provides strength, and the security of the life of our being on Earth.”

References: Loloma, A Retrospective View: prepared in coordination with an exhibition by the Heard Museum, November 11, 1978-January 12, 1979, Younger and Loloma - Heard Museum – 1978 Loloma: Beauty Is His Name. Struever et al. - Wheelwright Museum of the American Indian - 2005

SANTA FE ART AUCTION

200 CHARLES LOLOMA (Hopi, 1921 – 1991) Ancestral Pueblo Pottery Shard with Turquoise and Stone Inlay, ca. 1970s pottery shard, turquoise, wood, coral, abalone shell 4 1/2 x 3 1/2 in. (11.43 x 8.89 cm.) Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 95. $600 – $900

SANTA FE ART AUCTION

201 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract Landscape)

202 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract Landscape)

pen and ink on paper 6 x 4 in. (15.24 x 10.16 cm.) signed lower right: loloma

Provenance: The Georgia and Charles Loloma Collection

$1,000 – $2,000

$800 – $1,200

SANTA FE ART AUCTION

203 CHARLES LOLOMA (Hopi, 1921 – 1991) Single Loloma Cloud color lithograph with gold leaf, edition 22 of 25 7 x 6 in. (17.78 x 15.24 cm.) editioned and titled lower left: 22/25 SINGLE loloma CLOUD signed lower right: Charles Loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

204 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Katsina), ca. 1965 wood, turquoise, shell 3 ½ x 2 ¾ x ½ in. (8.89 x 6.99 x 1.27 cm.) with base: 7 x 3 ¼ x 2 in. (17.78 x 8.26 x 5.08 cm.) Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 126. $1,000 – $1,500

205 CHARLES LOLOMA (Hopi, 1921 – 1991) Carved Wood Sculpture, ca. 1970 wood, turquoise, silver 5 3/4 x 1 7/8 x 1 5/8 in. (14.61 x 4.76 x 4.13 cm.) signed near base: loloma Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 127. $1,500 – $2,500

SANTA FE ART AUCTION

206 CHARLES LOLOMA (Hopi, 1921 – 1991) Paho (Prayer Stick) bronze, turquoise beads, leather, wood 14 x 3 ½ x 3 ½ in. (35.56 x 8.89 x 8.89 cm.) Abstracted in bronze, Loloma kept this personal Paho, (Hopi prayer-feather stick) always in his studio. A form of prayer offering, the Paho is used in all religious ceremonies and prayers, as it represents the prayer itself. Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

SANTA FE ART AUCTION

207 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Silver and Gold Pendant, ca. 1975 cast silver, 18 karat gold 2 x ¾ x ½ in. (5.08 x 1.91 x 1.27 cm.) marked underside: loloma 18k overall weight: 1 oz, 30 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 120. $3,000 – $3,500

208 CHARLES LOLOMA (Hopi, 1921 – 1991) Paring Knife and Spoon Knife: bisbee turquoise, silver, wood, steel 7 ¼ x ⅝ x ⅞ in. (18.42 x 1.59 x 2.22 cm.) marked on side: loloma overall weight: 1.1 oz, 32 grams Spoon: silver alloy, turquoise 1 1/4 x 3 3/8 x 1 in. (3.18 x 8.57 x 2.54 cm.) marked verso: loloma overall weight: 0.9 oz, 24 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 150. $800 – $1,200

SANTA FE ART AUCTION

209 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Pueblo) pen and ink on ppaer 7 x 11 ¼ in. (17.78 x 28.58 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

210 CHARLES LOLOMA (Hopi, 1921 – 1991) Set of Five Stoneware Plates fired clay, glazes largest: 1 ¾ x 12 ½ in. (4.45 x 31.75 cm.) smallest approximately: 1 ¾ x 10 ¾ in. (4.45 x 27.31 cm.) each inscribed underside: Loloma. Set includes four dinner plates and one larger serving plate. Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

SANTA FE ART AUCTION

211 CHARLES LOLOMA (Hopi, 1921 – 1991) Stoneware Bowl fired clay 3 ⅜ x 8 ¼ in. (8.57 x 20.96 cm.) inscribed underside: Loloma Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

212 CHARLES LOLOMA (Hopi, 1921 – 1991) Stoneware Bowl fired clay, glazes 4 ½ x 8 ¼ in. (11.43 x 20.96 cm.) inscribed underside: Loloma Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

SANTA FE ART AUCTION

213 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Blue Abstract) colored pencil on paper 9 x 12 ¼ in. (22.86 x 31.12 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $4,000 – $6,000

214 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver, Gold and Stone Inlay Letter Opener silver, gold, lapis, turquoise, stainless steel 8 ¼ x ¾ x ⅜ in. (20.96 x 1.91 x 0.95 cm.) overall weight: 2.8 oz, 80 grams Provenance: The Georgia and Charles Loloma Collection $3,000 – $4,000

SANTA FE ART AUCTION

215 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Stone Inlay Lidded Vessel silver, gold, wood, turquoise, onyx, spiny coral, lapis lazuli, malachite with lid: 5 x 2 ⅞ x 1 ½ in. (12.70 x 7.30 x 3.81 cm.) marked underside: loloma overall weight: 6.6 oz, 188 grams Provenance: The Georgia and Charles Loloma Collection $6,000 – $9,000

216 CHARLES LOLOMA (Hopi, 1921 – 1991) Group of Silver/inlay items, Two Bud Vases and Cocktail Stirrer, ca. 1980 Cocktail Stirrer: silver, coral, lapis, gold and turquoise overall weight: 0.9 oz, 28 grams 2 x ½ x ⅜ in. (30.48 x 1.27 x 0.95 cm.) Bud Vase: silver, gold, turquoise, spiny coral, lapis lazuli, sugilite 6 x 1 ⅛ x ¾ in. (15.24 x 2.86 x 1.91 cm.) marked underside: loloma overall weight: 2.8 oz, 80 grams Bud Vase: silver 5 ¼ x 4 x 4 in. (13.34 x 10.16 x 10.16 cm.) inscribed underside: Loloma overall weight: 5.7 oz, 162 grams

Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 146. $6,000 – $10,000

SANTA FE ART AUCTION

217 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract) ink on paper 12 x 8 in. (30.48 x 20.32 cm.) signed lower center: loloma Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

218 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Stone Inlay Corn Maiden Pendant

219 CHARLES LOLOMA (Hopi, 1921 – 1991) Corn Maiden Stone Inlay Pendant

silver, gold, ironwood, ebony, coral, lapis, turquoise, bone 2 ⅞ x 1 ⅛ x ¼ in. (7.30 x 2.86 x 0.64 cm.) marked verso: loloma overall weight: 0.6 oz, 18 grams

silver, ironwood, coral, turquoise, lapis 3 x ¾ x ⅜ in. (7.62 x 1.91 x 0.95 cm.) marked verso: loloma overall weight: 0.6 oz, 18 grams

Provenance: The Georgia and Charles Loloma Colleciton

Provenance: The Georgia and Charles Loloma Collection

$2,000 – $3,000

$1,500 – $2,000

SANTA FE ART AUCTION

220 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract) pen and ink on paper 10 x 6 in. (25.40 x 15.24 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

221 SHERIAN HONHONGVA (Hopi, 20th/21st Century) Silver, Gold, Coral and Stone Inlay Pendant tufa cast silver, gold, momo coral, coral, lone mountain turquoise, lapis lazuli 2 ½ x ⅞ x 7/16 in. (6.35 x 2.22 x 1.11 cm.) marked verso: [butterfly cipher] overall weight: 0.5 oz, 16 grams Loloma’s niece worked with him for at least 16 years. Her older sister, Verma, also worked with Loloma, and the two worked under the name, Sonwai, before working independently starting in 1993. Provenance: The Georgia and Charles Loloma Collection $1,000 – $1,500

222 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract) colored pencil on paper 9 ⅛ x 12 ¼ in. (23.18 x 31.12 cm.) signed lower left: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

SANTA FE ART AUCTION

223 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract) pen and ink on paper 10 x 6 in. (25.40 x 15.24 cm.) signed lower center: loloma Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

224 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Stone Inlay Snake Pin, ca. 1985 gold, turquoise 2 ⅞ x ⅞ x ⅜ in. (7.30 x 2.22 x 1.91 cm.) marked verso: loloma overall weight: 0.4 oz, 10 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 179. $3,000 – $4,000 SANTA FE ART AUCTION

225 CHARLES LOLOMA (Hopi, 1921 – 1991) Ironwood and Stone Inlay Pendant

226 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Turquoise and Ironwood Pendant

silver, gold, ironwood, turquoise, stone 3 ⅛ x ⅞ x ⅜ in. (7.94 x 2.22 x 0.95 cm.) overall weight: 0.5 oz, 16 grams

gold, turquoise, ironwood 5 ⅜ x 1 x ⅝ in. (13.65 x 2.54 x 1.59 cm.) overall weight: 0.4 oz, 12 grams

Provenance: The Georgia and Charles Loloma Collection

$3,000 – $4,000

$1,500 – $1,800

227 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract) ink on paper 12 x 8 in. (30.48 x 20.32 cm.) signed lower center: loloma Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

100

SANTA FE ART AUCTION

228 CHARLES LOLOMA (Hopi, 1921 – 1991) Small Corn Maiden Inlay Pendent

229 CHARLES LOLOMA (Hopi, 1921 – 1991) Group of Three Gold and Stone Inlay Earrings

silver, gold, coral, lapis lazuli, turquoise, ironwood 1 ⅝ x ⅜ x ⅛ in. (4.13 x 0.95 x 0.32 cm.) marked: loloma overall weight: 0.1 oz, 4 grams

14 karat gold, lapis, coral, turquoise, sugilite largest: 2 x ⅜ in. (5.08 x 0.95 cm.) smallest: ⅜ x ⅜ in. (0.95 x 0.95 cm.) each marked: loloma overall weight 0.4 oz, 10 grams

Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

230 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Abstract) colored pencil on paper 10 ¾ x 14 ½ in. (27.31 x 36.83 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

101

231 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Lapis and Stone Inlay Corn Maiden Necklace, ca. 1985 gold, lapis, turquoise, coral pendant: 3 x ¾ x ¼ in. (7.62 x 1.91 x 0.64 cm.) hanging Length: 13 ⅜ in. (33.97 cm.) pendant marked: loloma overall weight: 1.2 oz, 34 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 178. $6,000 – $9,000

232 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Turquoise Lizard, ca. 1975 turquoise, coral, silver 1/2 x 5 1/4 x 3 in. (1.27 x 13.34 x 7.62 cm.) marked: loloma overall weight: 2.0 oz, 56 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 117. $6,000 – $9,000

233 CHARLES LOLOMA (Hopi, 1921 – 1991) Untitled (Lizard) pen and ink on paper 5 ¾ x 10 ⅛ in. (14.61 x 25.72 cm.) signed lower right: loloma Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

102

SANTA FE ART AUCTION

234 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Leather Ketoh, ca. 1960 silver, leather 4 x 2 1/2 in. (10.16 x 6.35 cm.) approximate wrist size: 6 3/4 in. One of Charles’ personal bowguards Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 58. $5,000 – $7,000

235 CHARLES LOLOMA (Hopi, 1921 – 1991) Set of Eight Gold and Lapis Buttons 18 karat gold and lapis all inscribed: 18k loloma small button size: 1/2 x 1/8 in. (1.4 x .35 cm.) large button size: 7/8 x 1/8 in. (2.11 x .32 cm.) overall weight for all eight: 1.1 oz, 32 grams Provenance: The Georgia and Charles Loloma Collection $3,000 – $4,000

236 CHARLES LOLOMA (Hopi, 1921 – 1991) Charles Loloma’s Money Clip gold, bisbee turquoise 3 x 3/8 in. (7.62 x 0.95 cm.) marked verso: loloma overall weight: 0.4 oz, 12 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 136. $1,200 – $1,800

SANTA FE ART AUCTION

103

237 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Stone Inlay Ring/Pendant silver, ebony wood, turquoise, lapis, coral 1 ⅞ x ⅝ x ¾ in. (4.76 x 1.59 x 1.91 cm.) marked underside: loloma approximate ring size: 5 ½ overall weight: 0.6 oz, 18 grams Provenance: The Georgia and Charles Loloma Collection $3,000 – $4,000

238 CHARLES LOLOMA (Hopi, 1921 – 1991) Lost Wax Cast Gold and Turquoise Ring gold, turquoise 1 ¼ x ¾ x 1 in. (3.18 x 1.91 x 2.54 cm.) overall weight: 0.7 oz, 20 grams approximate ring size: 5 ½ Provenance: The Georgia and Charles Loloma Collection $3,000 – $4,000

104

SANTA FE ART AUCTION

239 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Gold and Turquoise Inlay Pendant gold, lone mountain turquoise, turquoise, coral, lapis 2 ¼ x 1 x ¼ in. (5.72 x 2.54 x 0.64 cm.) overall weight: 0.8 oz, 22 grams Provenance: The Georgia and Charles Loloma Colleciton $6,000 – $8,000

240 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Turquoise Pendant 18 karat gold, turquoise 1 ⅜ x 1 x ¼ in. (3.49 x 2.54 x 0.64 cm.) marked verso: 18K / loloma overall weight: 0.3 oz, 8 grams Provenance: The Georgia and Charles Loloma Collection $4,000 – $6,000

241 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Turquoise and Coral Ring 14 karat gold, turquoise, coral 1 x ¾ x 1 ⅛ in. (2.54 x 1.91 x 2.86 cm.) marked inside: 14K loloma / Made in USA overall weight: 0.4 oz, 12 grams approximate ring size: 5 Provenance: The Georgia and Charles Loloma Collection $6,000 – $7,500

SANTA FE ART AUCTION

105

242 CHARLES LOLOMA (Hopi, 1921 – 1991) Inlaid Mosaic Cuff Bracelet, ca. 1980 – 1985 14 karat gold, turquoise, coral, and lapis 2 x 2 ⅞ x 1 ¼ in. (5.08 x 7.30 x 3.18 cm.) marked inside: loloma 14k approximate wrist size: 6 ⅜ in. wrist opening: 1 1/16 in. overall weight: 3 oz, 86 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 151. $20,000 – $30,000

106

SANTA FE ART AUCTION

243 CHARLES LOLOMA (Hopi, 1921 – 1991) Ironwood Cuff Bracelet silver, gold, turquoise, ironwood, lapis, coral, bone 3 x 3 ¾ x ¾ in. (7.62 x 9.53 x 1.91 cm.) marked inside: loloma wrist opening: 1 in. approximate wrist size: 6 ⅜ in. overall weight: 2.8 oz, 80 grams Georgia Loloma said that this was the first piece of jewelry by Charles that she ever purchased. According to Georgia, this cuff is a perfect example of what Charles called the ‘hurt line’: a curvature so perfectly formed that it literally hurts to observe it. Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 106. $25,000 – $35,000

SANTA FE ART AUCTION

107

244 CHARLES LOLOMA (Hopi, 1921 – 1991) Katsina Cuff Bracelet, ca. 1981 silver, lapis, turquoise, wood, gold 2 x 2 ⅞ x 1 ½ in. (5.08 x 7.30 x 3.81 cm.) marked inside: loloma approximate wrist size: 6 ¼ in. wrist opening: 1 1/16 in. overall weight: 3.5 oz, 100 grams This is one of the first bracelets he made in this style. Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 148. $18,000 – $25,000

245 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Stone Inlay Cuff Bracelet 18 karat gold, coral, lapis and turquoise 2 ¼ x 2 ⅞ x ½ in. (5.72 x 7.30 x 1.27 cm.) marked inside: 18K loloma approximate wrist size: 6 ¼ in. wrist opening: 1 ⅛ in. overall weight: 2.1 oz, 60 grams Provenance: The Georgia and Charles Loloma Collection $16,000 – $20,000

108

SANTA FE ART AUCTION

246 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Stone Inlay Ring 18 karat gold, lone mountain turquoise, lapis, coral ½ x 1 x 1 in. (1.27 x 2.54 x 2.54 cm.) marked inside: 18K loloma / 18K / Made in U.S.A. approximate ring size: 5 ¾ overall weight: 0.5 oz, 16 grams Provenance: The Georgia and Charles Loloma Collection $12,000 – $15,000

247 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Double Turquoise Ring, ca. 1980 gold, lone mountain turquoise 1 x 1 ¼ x 1 ⅛ in. (2.54 x 3.18 x 2.86 cm.) approximate ring size: 7 ¼ overall weight: 1.0 oz, 28 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 170. $10,000 – $12,000

248 CHARLES LOLOMA (Hopi, 1921 – 1991) Georgia’s Diamond Ring gold, turquoise, diamond, lapis, coral marked inside: loloma inscribed: Made in (indistinct) ring length: 1 ¼ in. ring size: 6 3/4 / 7 approximate diamond size: 1.80 karat diamond clarity: H SI1 overall weight: 0.9 oz, 26 grams Provenance: The Georgia and Charles Loloma Collection $15,000 – $20,000

SANTA FE ART AUCTION

109

249 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Stone Inlay and Emerald Ring

250 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Gold and Opal Ring

251 CHARLES LOLOMA (Hopi, 1921 – 1991) Hidden Inlay Gold Ring, ca. 1975

gold, coral, lapis, turquoise, emerald ¼ x 1 7/16 x 1 in. (0.64 x 3.71 x 2.54 cm.) marked inside: loloma approximate ring size: 8 overall weight: 0.4 oz, 12 grams

18 karat gold, opal ¾ x ⅞ x 1 ⅛ in. (1.91 x 2.22 x 2.86 cm.) marked inside: loloma 18k approximate ring size: 6 ¾ opal: 9.1 mm x 7.6 mm x 5.1 mm

gold, coral, lapis, turquoise ring width: 3/8 in. (0.95 cm.) approximate ring size: 6 overall weight: 0.3 oz, 8 grams

Provenance: The Georgia and Charles Loloma Collection

$6,000 – $8,000

$4,000 – $6,000

252 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Gold Ring

253 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Silver, Turquoise and Gold Cuff Bracelet, ca. 1975

18 karat gold approximate ring size: 8 1/4 marked inside: 18K loloma overall weight: 0.4 oz, 10 grams

silver, lone mountain turquoise, gold 1 5/8 x 2 3/4 x 2 in. (4.13 x 6.99 x 5.08 cm.) marked inside: Loloma STUDIO © 14K approximate wrist size: 6 1/2 in. wrist opening: 1 1/8 in. overall weight: 2.5 oz, 70 grams

Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

Provenance: The Georgia and Charles Loloma Collection $8,000 – $12,000

110

SANTA FE ART AUCTION

254 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Lapis and Turquoise Pendant, ca. 1985

255 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Turquoise and Lapis Drop Earring and Stud, ca. 1980

14 karat gold, lapis, tuquoise 2 x 1 x ⅜ in. (5.08 x 2.54 x 0.95 cm.) marked on bale: loloma 14K overall weight: 0.6 oz, 16 grams

gold, bisbee turquoise, lone mountain turquoise, lapis lazuli, wood larger earring: 4 3/8 x 1/2 in. (11.11 x 1.27 cm.) smaller earring: 3/8 x 1/4 in. (0.95 x 0.64 cm.) marked verso: loloma overall weight: 0.3 oz, 8 grams

256 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Turquoise Earrings

257 CHARLES LOLOMA (Hopi, 1921 – 1991) Mosaic Pattern Pendant with Wood and Turquoise

gold, lone mountain turquoise each: ⅝ x ½ x ¼ in. (1.59 x 1.27 x 0.64 cm.) each marked: loloma overall weight: 0.3 oz, 8 grams

silver, ironwood, turquoise, coral 2 ¼ x ⅞ x ⅜ in. (5.72 x 2.22 x 0.95 cm.) marked on side: loloma

Provenance: The Georgia and Charles Loloma Collection $2,800 – $3,800

Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000 SANTA FE ART AUCTION

111

258 CHARLES LOLOMA (Hopi, 1921 – 1991) Inlay Pendant, ca. 1985 jade, turquoise, coral, lapis, gold 3 ⅞ x 1 x ½ in. (9.84 x 2.54 x 1.27 cm.) marked: loloma overall weight: 0.9 oz, 28 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 157. $10,000 – $12,000

259 CHARLES LOLOMA (Hopi, 1921 – 1991) Two-sided Pendant, ca. 1985 turquoise, wood, bone, gold, jade 3 ⅜ x 1 x ½ in. (8.57 x 2.54 x 1.27 cm.) marked on bale: loloma overall weight: 1.3 oz, 38 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 157. $8,000 – $10,000

112

SANTA FE ART AUCTION

260 CHARLES LOLOMA (Hopi, 1921 – 1991) 7 Strand Heishi Turquoise Beaded Necklace with Gold Cones

261 CHARLES LOLOMA (Hopi, 1921 – 1991) 15 Strand Coral Necklace

turquoise, beads, 14 karat gold overall length: 31 ¼ in. (79.38 cm.) hanging length: 14 in. (35.56 cm.) marked on cone: loloma 14k overall weight: 9.8 oz, 278 grams

coral, silver overall length 30 ½ in. (77.47 cm.) hanging length: 15 in. (38.10 cm.) marked on cone: loloma overall weight: 8.1 oz, 230 grams

Provenance: The Georgia and Charles Loloma Collection

$3,000 – $4,000

$3,000 – $5,000

263 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Coral Earrings 262 CHARLES LOLOMA (Hopi, 1921 – 1991) Katsina Pendant representing Chakwaina, ca. 1970 carved fossilized ivory, gold, turquoise 2 7/8 x 1 1/4 x 3/4 in. (7.30 x 3.18 x 1.91 cm.) marked on bale: loloma overall weight: 0.6 oz, 18 grams Provenance: The Georgia and Charles Loloma Collection

coral, gold each: ½ x ½ x ¼ in. (1.27 x 1.27 x 0.64 cm.) each marked: loloma overall weight: 0.3oz, 8 grams Provenance: The Georgia and Charles Loloma Collection $2,500 – $3,000

Comparative Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum Of The American Indian, 2005, p.83. $2,000 – $3,000 SANTA FE ART AUCTION

113

264 CHARLES LOLOMA (Hopi, 1921 – 1991) Two-sided Pendant, ca. 1985 gold, coral, turquoise 3 1/2 x 7/8 in. (8.89 x 2.22 cm.) overall weight: 0.6 oz, 16 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 165. $3,000 – $4,000

265 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Stacked Silver and Gold Earrings silver, gold 3 1/8 x 1/2 in. (7.94 x 1.27 cm.) marked on silver: loloma overall weight: 0.8 oz, 22 grams Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

266 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Gold and Carnelian Pendant gold, carved carnelian 4 x 1/2 in. (10.16 x 1.27 cm.) overall weight: 0.4 oz, 10 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 133. $1,500 – $2,000

114

SANTA FE ART AUCTION

267 CHARLES LOLOMA (Hopi, 1921 – 1991) Jade Pendant Necklace jade, gold, leather jade size: 1 ¾ x 2 ½ in. (4.45 x 6.35 cm.) marked on bale: loloma hanging length: 14 ½ in. overall weight: 1.1 oz, 32 grams Provenance: The Georgia and Charles Loloma Collection $2,500 – $3,500

268 CHARLES LOLOMA (Hopi, 1921 – 1991) Jade Pendant Necklace jade, gold, leather jade size: 2 x 1 ⅝ in. (5.08 x 4.13 cm.) hanging length: 16 in. overall weight: 1.3 oz, 36 grams Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

SANTA FE ART AUCTION

115

269 EVELI SABATIE (Moroccan, American, b. 1940) Sun and Moon Silver and Catlinite Bead Necklace, ca. 1988 silver, catlinite overall length 23 in. (58.42 cm.) hanging length: 9 in. (22.86 cm.) marked on clasp: EvEII overall weight: 6.5 oz, 184 grams Provenance: The Georgia and Charles Loloma Collection Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 196 Exhibited at the Wheelright 7-8 years ago. $8,000 – $12,000

270 EVELI SABATIE (Moroccan, American, b. 1940) Scarab Ring turquoise, lapis lazuli, silver 1 ¼ x 1 ½ x 1 ⅛ in. (3.18 x 3.81 x 2.86 cm.) marked: Eveli approximate right size: 7 overall weight: 0.8 oz, 22 grams Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

Eveli Sabatie was one of Loloma’s most famous apprentices. She lived and worked in Hopi with Charles between 1968 – 1972. Born and raised in Algeria, she moved to San Francisco in 1968, from where she was invited to visit Kykotsmovi. She later wrote, “At the very instant I touched the Hopi soil and got a glimpse into its ceremonial life my searching stopped: this was the authenticity of the human heart which I had been looking for. I longed for that way of life.” She soon met Charles there who offered to teach her how to make jewelry. She credited him: “My teacher Loloma had the talent and skills to unlock my creativity and help me deliver all the treasures I had amassed in this already long journey. In his presence and in the midst of Hopi songs and dances, a door was swung open through which thousands of pieces were about to gush out.”

116

SANTA FE ART AUCTION

271 CHARLES LOLOMA (Hopi, 1921 – 1991) Beaded Coral, Lapis and Gold Necklace coral, lapis, sugilite, gold length: 21 ½ in. (54.61 cm.) marked on cone: loloma overall weight: 2.1 oz, 60 grams Provenance: The Georgia and Charles Loloma Collection $8,000 – $10,000

272 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Gold Earrings gold largest: 2 ⅞ x ⅜ in. (7.30 x 0.95 cm.) smallest: 7/16 x 7/16 in. (1.17 x 1.17 cm.) smaller marked verso: loloma larger marked verso: loloma STUDIO overall weight: 0.2 oz, 6 grams Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

273 CHARLES LOLOMA (Hopi, 1921 – 1991) Group of Three Gold and Turquoise Earrings gold, turquoise each: ½ x 7/16 x 3/16 in. (1.27 x 1.11 x 0.48 cm.) two marked: loloma 14K overall weight: 0.2 oz, 6 grams Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

SANTA FE ART AUCTION

117

274 CHARLES LOLOMA (Hopi, 1921 – 1991) + PIERRE TOURAINE Set of 3, Gold Badger Paw Necklace, Bracelet and Earrings 14 karat gold all marked: loloma / loloma STUDIO © / 14K / TOURAINE © Necklace: length: 17 ¾ in. (45.09 cm.) width: 1 x 17 ¾ in. (2.54 x 45.09 cm.) overall weight: 3.5 oz, 100 grams Bracelet: length: 8 in. (20.32 cm) width: ¾ x 8 in. (1.905 x 20.32 cm.) overall weight: 1.4 oz, 40 grams Earrings: 1 in (2.54 cm) width: ¾ x 1 in (1.905 x 2.54 cm.) overall weight: 0.5 oz, 14 grams Provenance: The Georgia and Charles Loloma Collection $6,000 – $9,000

275 CHARLES LOLOMA (Hopi, 1921 – 1991) + PIERRE TOURAINE Gold Badger Paw Ring and Diamond Pendant 14 karat gold 1 ⅞ x 1 ⅜ x 1 in. (4.76 x 3.49 x 2.54 cm.) marked verso: TOURAINE © / 14K Ring: 1 ⅞ x 1 ⅜ x 1 in (4.76 x 3.49 x 2.54 cm.) overall weight: 1.2 oz, 36 grams approximate ring size: 9 Pendant: 1 ⅛ x ¾ in. (2.86 x 1.91 cm.) overall weight: 0.14 oz, 4 grams diamond: 2.4 mm x 1.5 mm Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

This design was originally created by Charles Loloma in 1979 in collaboration with the internationally renowned French jeweler Pierre Touraine, who moved to Phoenix in 1960 and with whom Loloma studied in the late 1970s.

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SANTA FE ART AUCTION

276 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Turquoise Earrings gold, turquoise each: ½ x ⅜ x ¼ in. (1.27 x 0.95 x 0.64 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

277 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Turquoise Stud Earrings 18 karat gold, lone mountain turquoise each approximately: 7/16 x 7/16 in. (1.11 x 1.11 cm.) each marked: loloma square marked verso: 18K and 8K (sic) round marked verso: 14K overall weight: 0.4 oz, 10 grams Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

278 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Turquoise Oval Earrings gold, turquoise each: 5/16 x 5/16 x ¼ in. (0.79 x 0.79 x 0.64 cm.) each marked: loloma overall weight: 0.1 oz, 2 grams Provenance: The Georgia and Charles Loloma Collection $300 – $600

SANTA FE ART AUCTION

119

279 CHARLES LOLOMA (Hopi, 1921 – 1991) + PIERRE TOURAINE Silver Badger Paw Necklace, Bracelet and Earrings sterling silver Necklace: ¾ x 21 ½ in. (1.91 x 54.61 cm.) 21 cast paws marked: 925 © overall weight: 3.03 oz, 86 grams Bracelet: ¾ x 7 ¼ in. (1.91 x 18.42 cm.) 7 cast paws marked: Loloma Studio © overall weight: 1.20 oz, 34 grams Earrings: ¾ x ⅞ in. (1.91 x 2.22 cm.) 2 cast paws marked: Loloma Studio © overall weight: 0.28 oz, 8 grams This design was originally created by Charles Loloma in 1979 in collaboration with the internationally renowned French jeweler Pierre Touraine, who moved to Phoenix in 1960 and with whom Loloma studied in the late 1970s. Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

280 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Turquoise Inlay Ring silver, gold, turquoise ¼ x 1 in. (0.64 x 2.54 cm.) marked: loloma approximate ring size: 6 ¾ overall weight: 0.2 oz, 6 grams Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

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SANTA FE ART AUCTION

281 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Stone Inlay Ring silver, gold, bone, coral, wood, shell ⅜ x ⅞ in. (0.95 x 2.22 cm.) marked inside: loloma approximate ring size: 7 overall weight: 0.3 oz, 6 grams Provenance: The Georgia and Charles Loloma Collection $1,800 – $2,400

282 CHARLES LOLOMA (Hopi, 1921 – 1991) Engraved Silver Band Ring silver 7/16 x ⅞ in. (1.17 x 2.22 cm.) ring size: 7 marked on band: loloma overall weight: 0.3 oz, 8 grams Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

283 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver Point Earrings silver each: 2 ¼ x ½ in. (5.72 x 1.27 cm.) each marked verso: loloma overall weight: 0.4 oz, 12 grams Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

SANTA FE ART AUCTION

121

284 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver and Gold Earrings silver, gold largest: 2 ¼ x ⅜ in. (5.72 x 0.95 cm.) smallest: ⅜ x ⅜ in. (0.95 x 0.95 cm.) each marked: loloma overall weight: 0.1 oz, 4 grams Provenance: The Georgia and Charles Loloma Collection Comparative Literature: Martha Hopkins Struever, Loloma: Beauty Is His Name, Santa Fe, Wheelwright Museum of the American Indian, 2005, p. 144. $800 – $1,200

285 CHARLES LOLOMA (Hopi, 1921 – 1991) Two Pairs of Square Earrings gold largest: ½ x 7/16 in. (1.27 x 1.11 cm.) smallest: ⅜ x ⅜ in. (0.95 x 0.95 cm.) each marked: loloma overall weight: 0.1 oz, 4 grams Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

286 CHARLES LOLOMA (Hopi, 1921 – 1991) Group of Five Gold Stud Earrings gold each approximately: ⅜ x ⅜ in. (0.95 x 0.95 cm.) badger paw: 15/16 x ¾ in. (2.38 x 1.91 cm.) marked: loloma one marked: loloma / STUDIO © overall weight: 0.35 oz, 10 grams Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

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SANTA FE ART AUCTION

287 CHARLES LOLOMA (Hopi, 1921 – 1991) + PIERRE TOURAINE Loloma Signature Diamond and Gold Necklace

288 CHARLES LOLOMA (Hopi, 1921 – 1991) + PIERRE TOURAINE Gold and Diamond Signature Pin

gold, diamond size of pendant: ½ x 1 ½ in. approximate size of diamond: .10 karat overall length: 18 ¼ in. overall weight: 0.2 oz, 6 grams

gold, diamond 1 ½ x ⅝ in. (3.81 x 1.59 cm.) marked verso: TOURAINE © approximate size of diamond: .10 carat

Provenance: The Georgia and Charles Loloma Collection $400 – $600

Provenance: The Georgia and Charles Loloma Collection $300 – $400

289 CHARLES LOLOMA (Hopi, 1921 – 1991) Tufa Cast Gold Earrings

290 CHARLES LOLOMA (Hopi, 1921 – 1991) Inlay Pendant on Chain

gold each: ⅞ x ⅝ in. (2.22 x 1.71 cm.) each marked: loloma overall weight: 0.3 oz, 8 grams

14 karat gold, 18 karat gold, turquoise, coral pendant: ¾ x ⅜ x ¼ in. (1.91 x 0.95 x 0.64 cm.) marked: loloma 18k chain marked: 14K hanging length: 9 in. overall weight: 0.1 oz, 4 grams

Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500 SANTA FE ART AUCTION

123

291 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Turquoise Stud Earrings

292 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold, Lavulite and Turquoise Earrings

gold, turquoise, and lone mountain turquoise largest: 3/8 x 3/8 x 3/16 in. (0.95 x 0.95 x 0.48 cm.), smallest: 5/16 x 5/16 x 1/8 in. (0.79 x 0.79 x 0.32 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

gold, lavulite, turquoise each: 7/16 x 7/16 x 1/4 in. (1.11 x 1.11 x 0.32 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection $600 – $900

293 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Coral, Lapis, Turquoise and Shell Earrings

294 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Lapis Earrings

gold, coral, lapis, pink coral, turquoise each: ½ x ½ x ¼ in. (1.27 x 1.27 x 0.64 cm.) each marked: loloma overall weight: o.2 oz, 6 grams

gold, lapis each: ½ x ½ x ¼ in. (1.27 x 1.27 x 0.64 cm.) approximately 8 grams

Provenance: The Georgia and Charles Loloma Collection $600 – $900

295 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Stone Inlay Earrings gold, lapis, turquoise, coral, pink coral each: ⅜ x ⅜ x ¼ in. (0.95 x 0.95 x 0.64 cm.) each marked: loloma 14K overall weight: 0.3 oz, 8 grams Provenance: The Georgia and Charles Loloma Collection $600 – $800

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SANTA FE ART AUCTION

296 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Coral Inlay Pendant 14 karat gold, coral, lapis, turquoise ⅞ x ½ x ¼ in. (2.22 x 1.27 x 0.64 cm.) marked: loloma 14k overall weight: 0.2 oz, 6 grams Provenance: The Georgia and Charles Loloma Collection $600 – $900

297 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Stone Inlay Earrings

298 CHARLES LOLOMA (Hopi, 1921 – 1991) Group of Three Gold and Stone Inlay Stud Earrings

gold, sugilite, coral, turquoise each: 7/16 x 7/16 x ¼ in. (1.11 x 1.11 x 0.64 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

silver, gold, coral, turquoise, lapis each: 7/16 x 7/16 x ¼ in. (1.11 x 1.11 x .64 cm.) each marked: loloma overall weight: 0.3 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection

$600 – $900

$400 – $600

299 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold Inlay Pendant

300 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Stone Inlay Stud Earrings

14 karat gold, sleeping beauty turquoise, wood, coral, jade, amethyst 1 x ½ x ¼ in. (2.54 x 1.27 x 0.64 cm.) marked: loloma 14k overall weight: 0.2 oz, 6 grams

gold, turquoise, coral each: 7/16 x 7/16 x ¼ in. (1.11 x 1.11 x 0.64 cm.) each marked: loloma overall weight: 0.3 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection $600 – $900

Provenance: The Georgia and Charles Loloma Collection $600 – $900 SANTA FE ART AUCTION

125

301 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold and Stone Inlay Pendant

302 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Gold and Sugilite Stud Earrings

14 karat gold, coral, sugilite, turquoise, lapis ¾ x 7/16 x ¼ in. (1.91 x 1.17 x 0.64 cm.) marked: 14K / loloma overall weight: 0.1 oz, 4 grams

14 karat gold, sugilite each: 7/16 x 7/16 x ¼ in. (1.11 x 1.11 0.64 cm.) each marked: loloma overall weight: 0.1 oz, 4 grams

Provenance: The Georgia and Charles Loloma Collection

Provenance: The Georgia and Charles Loloma Colleciton

$400 – $600

$600 – $800

Lot 303 WITHDRAWN

304 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Wood and Coral Inlay Pendant 14 karat gold, fossilized mastodon, coral ⅞ x 7/16 x ¼ in. (1.91 x 1.17 x 0.64 cm.) marked verso: 14K / loloma overall weight: 0.1 oz, 4 grams Provenance: The Georgia and Charles Loloma Collection $400 – $600

126

SANTA FE ART AUCTION

305 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Gold Earrings

306 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Gold Stud Earrings

gold each: 7/16 x 7/16 in. (1.11 x 1.11 cm.) each marked: loloma overall weight: 0.1 oz, 3 grams

gold each: ⅜ x ⅜ in. (0.95 x 0.95 cm.) each marked: loloma overall weight: 0.1 oz, 3 grams

Provenance: The Georgia and Charles Loloma Collection

$300 – $500

$200 – $400

307 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Gold Stud Earrings

308 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver and Inlay Stud Earrings

gold each: ⅜ x ⅜ in. (0.95 x 0.95 cm.) each marked: loloma overall weight: 0.07 oz, 2 grams

silver, bone, ironwood, coral each: ½ x ½ x ¼ in. (1.27 x 1.27 x 0.64 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

$500 – $700

309 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver and Stone Inlay Stud Earrings silver, gold, wood, bone each: 7/16 x 7/16 x 3/16 in. (1.11 x 1.11 x 0.47 cm.) each marked: loloma overall weight: 0.1 oz, 3 grams Provenance: The Georgia and Charles Loloma Collection $300 – $600

SANTA FE ART AUCTION

127

310 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver Inlay Pendant

311 CHARLES LOLOMA (Hopi, 1921 – 1991) Stone and Wood Inlay Earrings

silver, lapis, coral, turquoise, gold ⅞ x ½ x ¼ in. (2.22 x 1.27 x 0.64 cm.) marked: loloma overall weight: 0.2 oz, 5 grams

silver, coral, turquoise, wood, bone each: 7/16 x 7/16 x ⅛ in. (1.11 x 1.11 x 0.32 cm.) each marked: loloma overall weight: 0.1 oz, 2 grams

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

$300 – $600

312 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver and Stone Inlay Stud Earrings

313 CHARLES LOLOMA (Hopi, 1921 – 1991) Coral, Lapis and Gold Inlay Earrings

silver, gold, lapis, coral, turquoise each: 7/16 x 7/16 in. (1.11 x 1.11 cm.) each marked: loloma overall weight: 0.1 oz, 4 grams

silver, gold, lapis, coral each: ⅜ x ⅜ x ¼ in. (0.95 x 0.95 x 0.64 cm.) marked: loloma overall weight: 0.2 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection

$400 – $600

$500 – $700

128

SANTA FE ART AUCTION

314 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver and Stone Inlay Stud Earrings

315 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver and Stone Inlay Pendant

silver, lapis, coral each: 7/16 x 7/16 in. (1.11 x 1.11 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

silver, gold, coral, charoite, lapis ⅞ x 7/16 x ¼ in. (1.91 x 1.17 x 0.64 cm.) marked: loloma overall weight: 0.1 oz, 4 grams

Provenance: The Georgia and Charles Loloma Collection

$500 – $700

$300 – $500

316 CHARLES LOLOMA (Hopi, 1921 – 1991) Group of Four Assorted Stud Earrings

317 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Silver and Stone Inlay Earrings

silver, gold, charoite largest: 7/16 x 7/16 x ¼ in. (1.17 x 1.17 x 0.64 cm.) smallest: ¼ x ¼ in. (0.64 x 0.64 cm.) three marked: loloma badger paw earring not made by Loloma, marked: [bommerang/rabbit stick cipher]

silver, lapis, gold, ironwood, bone each: 1/2 x 7/16 x 1/4 in. (1.27 x 1.11 x 0.64 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection

Provenance: The Georgia and Charles Loloma Collection $500 – $700

$200 – $300

SANTA FE ART AUCTION

129

318 CHARLES LOLOMA (Hopi, 1921 – 1991) Silver Pendant on Leather Cord silver pendant: 3 in. (7.62 cm.) hanging length: 14 1/4 in. (36.20 cm.) marked: Loloma overall weight: 0.3 oz, 8 grams Provenance: The Georgia and Charles Loloma Collection $600 – $900

319 CHARLES LOLOMA (Hopi, 1921 – 1991) + PIERRE TOURAINE Loloma Signature Pendant silver, turquoise 2 ⅛ x ⅞ in. (5.72 x 2.22 cm.) marked verso: TOURAINE / © overall weight: 0.7 oz, 16 grams Provenance: The Georgia and Charles Loloma Collection $300 – $500

320 CHARLES LOLOMA (Hopi, 1921 – 1991) Gold, Ironwood, Turquoise and Coral Pendant gold, ironwood, coral, turquoise 2 ½ x ⅛ x ¼ in. (6.35 x 0.32 x 0.64 cm.) overall weight: 0.18 oz, 5 grams Provenance: The Georgia and Charles Loloma Collection $800 – $1,000

130

SANTA FE ART AUCTION

321 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Silver Earrings

322 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Silver Earrings

323 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Silver Earrings

silver each: ⅜ x ⅝ in. (0.95 x 1.59 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

silver each: ½ x ½ in. (1.27 x 1.27 cm.) each marked: loloma overall weight: 0.2 oz, 6 grams

Provenance: The Georgia and Charles Loloma Collection

$200 – $300

324 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Silver Stud Earrings

325 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Silver Stud Earrings

326 CHARLES LOLOMA (Hopi, 1921 – 1991) Pair of Tufa Cast Silver Stud Earrings

silver each: ⅜ x ⅜ in. (0.95 x 0.95 cm.) each marked: loloma overall weight: 0.04 oz, 1 gram

silver each: 7/16 x ⅜ in. (1.17 x 0.95 cm.) each marked: loloma overall weight: 0.04 oz, 1 gram

silver each: ¼ x ¼ in. (0.64 x 0.64 cm.) each marked: loloma overall weight: 0.04 oz, 1 gram

Provenance: The Georgia and Charles Loloma Collection

$150 – $250

$100 – $200

327 CHARLES LOLOMA (Hopi, 1921 – 1991) Small Bowl fired clay 1 x 4 x 3 1/4 in. (2.54 x 10.16 x 8.26 cm.) inscribed underside: Loloma Provenance: The Georgia and Charles Loloma Collection $300 – $500 SANTA FE ART AUCTION

131

SESSION IV

Session IV Loloma: The Collectors (Lots 328-408) Saturday, June 25 3:30 PM MDT

At the time of Charles Loloma’s memorial, N. Scott Momaday wrote, “Charles Loloma was a Hopi man. The Sacred landscape of his life and death is the ancient world of Hopi; his life was of its life, his spirit of its spirit. From that world he came, and to it he returned. From his first breath to his last, he was true to it. He was a definition of the word, Native. And yet, as much as any man of his time, he was a citizen of the world. In his art he achieved universal expression. The vision that informed his work is, and will remain, beyond our understanding… By any name, it is inspiration raised to the highest level; it has its being in terms of wonder and delight and the deepest reverence for the essentially beautiful. Beyond other men, Charles Loloma perceived beauty in the earth, in the water, and in the sky. And with great precision and boundless imagination, he reflected it truly in the nearly perfect things that came from his hands…..” Over the course of their lifetime, Charles and Georgia together amassed a collection of more than 1500 objects, ranging from fine works by his long-time respected peers and students alike, including Fritz Scholder, Lloyd Kiva New, Kevin Red Star, David Bradley, Shonto Begay, and Allan Houser, to early works by Roxanne Swentzell and Rose Simpson, Diego Romero, Virgil Ortiz and Anita Fields, as well as examples of many of the great, historic Native potters, weavers, and of course jewelers, both contemporary and classic. His inimitable eye for color, design, and modernity was enthralled by the European scene he first encountered in the early 1960s, and he went on to travel the world, frequenting Asia in particular. Notable in their home were exquisite examples of ‘finds’ along these travels including tonal sculptures by Harry Bertoia, turned wood bowls by Edward Moulthrop, which held places adjacent to fanciful folk art, baskets, wood carvings, retablos and santos – including a remarkable group made entirely of found computer circuit boards. Their capacity for discovery and aesthetic pleasure never dimmed. This final session of the sale features a select few of the highlights from their collection. Upcoming Santa Fe Art Auction sales in July (New Mexico Now: Spanish Colonial to Spanish Market), August (American Indian Arts), and September (Contemporary Art, Design + Photography), 2022 as well as March, 2023 (Prints + Works on Paper) will all feature further selections from Charles’ and Georgia’s life journey through beauty.

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SANTA FE ART AUCTION

328 AARON BROKESHOULDER (Choctaw/Shawnee/Kewa [Santo Domingo], 20th Century) Miniature Silver Seed Pot silver height 1 x diameter 1 ¾ in. (2.54 x 4.45 cm.) marked underside: Brokeshoulder overall weight: 1.9 oz, 52 grams Provenance: The Georgia and Charles Loloma Collection $300 – $500

329 NORBERT PESHLAKAI (Diné [Navajo], b. 1953) Miniature Silver Seed Pot with Butterflies silver height 2 ⅜ x diameter 2 ½ in. (6.03 x 6.35 cm.) marked underside: [artist’s hallmark] overall weight: 4.4 oz, 126 grams Provenance: The Georgia and Charles Loloma Collection $500 – $750

330 NORBERT PESHLAKAI (Diné [Navajo], b. 1953) Miniature Silver Seed Pot silver height 1 ½ x diameter 2 in. (3.81 x 5.08 cm.) marked underside: [artist’s hallmark] overall weight: 2.4 oz, 70 grams Provenance: The Georgia and Charles Loloma Collection $350 – $500

SANTA FE ART AUCTION

135

331 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Enamel Skull Bolo Tie

332 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Tarot, 1987

steel and enamel bolo: 2 ⅜ x 1 ⅝ in. (6.03 x 4.13 cm.) hanging length: 18 ¼ in. (46.36 cm.) marked verso: Scholder / ARTWEAR CONCEPT / LOS ANGELES overall weight: 1.9 oz, 52 grams

letterpress on handmade paper, edition 33 of 50 each: 4 ¾ x 2 ½ in. (12.07 x 6.35 cm.) signed on info card: Fritz / Scholder / 33.50

Provenance: The Georgia and Charles Loloma Collection $300 – $500

Created in collaboration with Dan Bayer, the set features five of the artist’s favorite tarot cards - featuring: Le Pendu (The Hanged Man), La Mort (Death), LíAmoureux (The Lovers), Le Fol (The Fool), and Le Diable (The Devil) Provenance: The Georgia and Charles Loloma Collection $600 – $900

333 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Indian with Tomahawk, 1975

334 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Dark Shaman

color lithograph, edition 22 of 75 30 x 22 ¼ in. (76.20 x 56.52 cm.) signed lower right: Scholder editioned lower left: 22 . 75

etching with hand coloring, edition 11 of 20 24 x 17 ½ in. (60.96 x 44.45 cm.) signed lower right: Scholder editioned lower left: 11 . 20

Provenance: The Georgia and Charles Loloma Collection

Provenance: The Artist The Georgia and Charles Loloma Collection

$1,500 – $2,500 136

SANTA FE ART AUCTION

$1,000 – $2,000

335 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Indian on Horse, 1987 cyanotype cliche-verre, Artist’s Proof 22 ¼ x 30 in. (56.52 x 76.20 cm.) signed lower left: Scholder editioned lower center: AP Published and printed by Shahrokh Rezvani at the Rezvani Workshop and Studio, Scottsdale, Arizona Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

336 FRITZ SCHOLDER (Luiseño, 1937 – 2005) Another Sphinx, 1985 bronze, edition 3 of 12 4 ⅞ x 11 x 4 ½ in. (12.38 x 27.94 x 11.43 cm.) inscribed near base: Scholder 3/12 [foundry mark] Given as a birthday present to Charles Loloma by Fritz Scholder in 1986, a hand-written note from Scholder accompanies this lot. Provenance: The Artist The Georgia and Charles Loloma Collection $2,500 – $3,500 SANTA FE ART AUCTION

137

337 ALLAN HOUSER (Chiricahua Apache, 1914 – 1994) Untitled (Face Fragment) carved alabaster 13 ½ x 11 ¼ x 6 in. (34.29 x 28.58 x 15.24 cm.) inscribed near base: ALLAN HOUSER Provenance: The Artist The Georgia and Charles Loloma Collection $8,000 – $12,000

338 ALLAN HOUSER (Chiricahua Apache, 1914 – 1994) Apache Mask, 1976 bronze, edition 14 of 15 14 ⅞ x 5 ¼ x 7 ½ in. (37.78 x 13.34 x 19.05 cm.) height with base: 16 ⅝ in. (42.23 cm.) inscribed along base: ALLAN HOUSER inscribed inside along base: 14 . 15 / © 1976 Provenance: The Georgia and Charles Loloma Collection $6,000 – $9,000

138

SANTA FE ART AUCTION

339 ALLAN HOUSER (Chiricahua Apache, 1914 – 1994) Sparrow Hawk, 1975 bronze, edition 11 of 24 5 x 12 x 2 ½ in. (12.70 x 30.48 x 6.35 cm.) height with base: 9 in. (22.86 cm.) inscribed at base: Allan Houser 11/24 © Provenance: The Georgia and Charles Loloma Collection $4,000 – $6,000

340 DAN NAMINGHA (Hopi–Tewa, b. 1950) Untitled (Abstract), 1985 oil on paper 28 ½ x 21 in. (72.39 x 53.34 cm.) signed and dated lower right: Namingha / 1985 Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

139

341 DAVID BRADLEY (Chippewa, b. 1954) The Santa Fe Trail Revisited, 1987 acrylic on canvas 30 ⅛ x 36 ⅛ in. (76.52 x 91.76 x cm.) signed and dated lower left: DAVID BRADLEY ©87 Provenance: The Georgia and Charles Loloma Collection $10,000 – $15,000

342 DAVID BRADLEY (Chippewa, b. 1954) Kicking Bear, 1991 oil on canvas 12 ⅛ x 9 ¼ in. (30.80 x 23.50 cm.) initialed and dated lower right: DB 91 inscribed verso upper stretcher bar: Kicking Bear Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

140

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343 HARRY FONSECA (Nisenan/Maidu, 1946 – 2006) Pow Wow Club, 1980 acrylic, glitter, and reflective paper on canvas 48 x 36 in. (121.92 x 91.44 cm.) signed lower right: [artist’s cipher] Fonseca inscribed verso upper stretcher bar: “POW WOW CLUB” © Fonseca 1980 Provenance: The Georgia and Charles Loloma Collection $10,000 – $15,000

344 HARRY FONSECA (Nisenan/Maidu, 1946 – 2006) Coyote Koshare #6, 1982 acrylic and glitter on canvas 40 x 30 in. (101.60 x 76.20 cm.) signed lower left: Fonseca inscribed verso: COYOTE / KOSHARE #6 / © Fonseca 1982 Provenance: The Georgia and Charles Loloma Collection $8,000 – $12,000

SANTA FE ART AUCTION

141

345 SHONTO BEGAY (Diné [Navajo], b. 1954) Days of Hard Lines II, 2005 acrylic on canvas 24 x 30 in. (60.96 x 76.20 cm.) signed and dated lower right: S Begay 05 inscribed verso upper stretcher bar: Days of Hard lines II 7/05 Provenance: The Georgia and Charles Loloma Collection $8,000 – $12,000

346 SHONTO BEGAY (Diné [Navajo], b. 1954) Untitled (Too Much Light), 2007 acrylic on canvas 12 x 24 in. (30.48 x 60.96 cm.) signed and dated lower right: S Begay 07 Provenance: The Georgia and Charles Loloma Collection $6,000 – $9,000

347 MATEO ROMERO (Cochiti, b. 1966) Untitled (New Mexico Landscape) acrylic on canvas 10 x 14 in. (25.40 x 35.56 cm.) signed upper left: R inscribed verso: To Georgia / with love / R Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

142

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349 RAMONA SAKIESTEWA (Hopi, b. 1948) Tsankawi, ca. 1989 348 RAMONA SAKIESTEWA (Hopi, b. 1948) Dragonfly Textile, ca. 1988 Swedish yarn, analine dyes 37 x 47 in. (93.98 x 119.38 cm.) Provenance: The Georgia and Charles Loloma Collection $6,000 – $9,000

wool, natural grey, hand-dyed Peruvian silver cochineal and indigo dyes 40 ¾ x 29 in. (103.51 x 73.66 cm.) Provenance: The Georgia and Charles Loloma Collection Literature: Suzanne Baizerman, Ramona Sakiestewa, Patterned Dreams: Textiles of the Southwest; The Wheelwright Museum of the American Indian, McLeod Printing, 1988, front and back cover. Exhibited: Ramona Sakiestewa, Patterned Dreams: Textiles of the Southwest, Wheelwright Museum of the American Indian, Summer 1989, Santa Fe, New Mexico. $2,000 – $4,000

350 UNKNOWN Two ‘Loloma’ Textiles

351 FLORENCE RIGGS (Diné [Navajo], b. 1962) Navajo Dance Pictorial Textile

handwoven yarn

handspun wool, dyes 27 x 36 in. (68.58 x 91.44 cm.) initialed lower left: FR

Loloma’ Textile 8 ⅝ x 12 ⅜ in. (21.91 x 31.43 cm.) Dinè [Navajo] ‘Loloma’ Two Grey Hills Textile, ca. 1980 30 ½ x 33 ½ in. (77.47 x 85.09 cm.) Provenance: The Georgia and Charles Loloma Collection

Provenance: The Georgia and Charles Loloma Collection $400 – $800

$1,000 – $2,000 SANTA FE ART AUCTION

143

352 ROXANNE SWENTZELL (Santa Clara, b. 1962) Untitled (Pueblo Dancer Series) fired clay, glazes, pigments 22 ½ x 11 x 16 in. (57.15 x 27.94 x 40.64 cm.) inscribed underside: ROX Provenance: The Artist The Georgia and Charles Loloma Collection $8,000 – $12,000

353 ROXANNE SWENTZELL (Santa Clara, b. 1962) Making Myself fired clay, pigments 11 ¼ x 8 ⅛ x 14 ¾ in. (28.58 x 20.64 x 37.47 cm.) inscribed near base: ROX Provenance: The Georgia and Charles Loloma Collection $6,000 – $9,000

144

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354 ROXANNE SWENTZELL (Santa Clara, b. 1962) Untitled (Sleeping Woman) fired clay, pigments 9 ½ x 14 ⅝ x 31 in. (24.13 x 37.15 x 78.74 cm.) inscribed on figures back: ROX Provenance: The Georgia and Charles Loloma Collection $7,000 – $10,000

355 ROXANNE SWENTZELL (Santa Clara, b. 1962) Untitled (Rose Sleeping) bronze 2 x 7 ⅞ x 3 ¾ in. (5.08 x 20 x 9.53 cm.) inscribed underside: Rox Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

SANTA FE ART AUCTION

145

356 ROXANNE SWENTZELL (Santa Clara, b. 1962) Untitled (Smiling Face)

357 ROXANNE SWENTZELL (Santa Clara, b. 1962) Untitled (Quiet Time)

fired clay, glazes, pigments 6 ⅞ x 5 ¼ x 2 ½ in. (17.46 x 13.34 x 6.35 cm.) inscribed verso: ROX

fired clay, glazes 6 ⅝ x 4 ½ x 2 ⅝ in. (16.83 x 11.43 x 6.67 cm.) inscribed verso: Rox

Provenance: The Georgia and Charles Loloma Collection

$2,000 – $3,000

358 ROXANNE SWENTZELL (Santa Clara, b. 1962) Steps Around Face

359 ROXANNE SWENTZELL (Santa Clara, b. 1962) Untitled (Rose Resting)

fired clay, glazes, pigments 3 ¼ x 2 ⅛ x 1 ½ in. (8.26 x 5.40 x 3.81 cm.) inscribed verso: MASK ORNAMENT / ROXANNE “STEPS AROUND FACE” ROX

fired clay, glazes, pigments 3 ⅛ x 3 ¾ x 2 ⅝ in. (7.94 x 9.53 x 6.67 cm.) inscribed verso: Rox

Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

146

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Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

360 ROSE SIMPSON (Santa Clara, b. 1983) The Acoma Boy Mask, 2002 fired clay, glazes, pigments 4 ½ x 3 ¼ x 1 ½ in. (11.43 x 8.26 x 3.81 cm.) inscribed verso: “The Acoma Boy” / Rose ‘02 Provenance: The Georgia and Charles Loloma Collection $2,000 – $3,000

361 ROSE SIMPSON (Santa Clara, b. 1983) Untitled (Mask) fired clay, glazes, pigments 2 ⅝ x 2 ¼ x 1 ⅝ in. (6.67 x 5.72 x 4.13 cm.) inscribed verso: ROSE Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

362 ROSE SIMPSON (Santa Clara, b. 1983) Untitled (Mask), 2000 fired clay, glazes, pigments 4 x 3 ⅛ x 2 in. (10.16 x 7.94 x 5.08 cm.) inscribed verso: ROSE ‘00 Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500

SANTA FE ART AUCTION

147

363 ROSE SIMPSON (Santa Clara, b. 1983) Untitled (Mask), 2007

364 ROSE SIMPSON (Santa Clara, b. 1989) Untitled (Mask), 1999

fired clay 4 ¼ x 3 x 2 ¼ in. (10.80 x 7.62 x 5.72 cm.) inscribed verso: RBS ‘07

fired clay, glazes, pigments 4 ⅝ x 4 x 2 in. (11.75 x 10.16 x 5.08 cm.) inscribed verso: 99 ROSE

Provenance: The Georgia and Charles Loloma Collection

$1,000 – $2,000

365 ROSE SIMPSON (Santa Clara, b. 1983) Untitled (Mask)

366 ROSE SIMPSON (b. 1983) Things I love, 2001

fired clay, glazes, pigments 3 x 2 ¾ x 1 ½ in. (7.62 x 6.99 x 3.81 cm.) inscribed verso: ROSE

fired clay, glazes, pigments 3 ¾ x 3 ⅛ x 1 ⅞ in. (9.53 x 7.94 x 4.76 cm.) inscribed verso: ROSE 2001

Provenance: The Georgia and Charles Loloma Collection

$1,000 – $2,000

148

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367 ROXANNE SWENTZELL (Santa Clara, b. 1962) Rox’s World complete etching suite, edition 1 of 75 The Garded etching, edition 1 of 75 signed lower right: Roxanne Swentzell titled lower center: “THE GARDED” editioned lower left: 1/75 ROX’S WORLD 5 ¾ x 7 ⅞ in. (14.61 x 20 cm.)

The Canyon etching, edition 1 of 75 signed lower right: Roxanne Swentzell titled lower center: “THE CANYON” editioned lower left: 1/75 ROX’S WORLD 5 ¾ x 7 ¾ in. (14.61 x 19.69 cm.)

The House etching, edition 1 of 75 signed lower right: Roxanne Swentzell titled lower center: “THE HOUSE” editioned lower left: 1/75 ROX’S WORLD 5 ¾ x 7 ¾ in. (14.61 x 19.69 cm.)

The Studio etching, edition 1 of 75 signed lower right: Roxanne Swentzell titled lower center: “THE STUDIO” editioned lower left: 1/75 ROX’S WORLD 5 ¾ x 7 ¾ in. (14.61 x 19.69 cm.)

Feast etching, edition 1 of 75 signed lower right: Roxanne Swentzell titled lower center: “FEAST” editioned lower left: 1/75 ROX’S WORLD 5 ¾ x 7 ¾ in. (14.61 x 19.69 cm.)

Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

The Fields etching, edition 1 of 75 signed lower right: Roxanne Swentzell titled lower center: “THE FIELDS” editioned lower left: 1/75 ROX’S WORLD 5 ¾ x 7 ¾ in. (14.61 x 19.69 cm.)

SANTA FE ART AUCTION

149

368 SUSAN HERTEL (1930 – 1993) Red Quilt acrylic on paper 3 ½ x 5 in. (8.89 x 12.70 cm.) signed upper right: Susan Hertel Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

369 SUSAN HERTEL (1930 – 1993) Horses, Ladder and Adobe gouache and graphite on board 6 x 8.40 in. (15.24 x 21.34 cm.) signed lower right: S Hertel Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

150

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370 MAMIE DESCHILLIE (Diné [Navajo],, 1920 – 2010) Untitled (Horses, Birds and Corn) gouache on cardboard 12 ⅝ x 18 in. (32.07 x 45.72 cm.) signed lower center: Mamaò Desehillie Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

371 JOHN HOOVER (Aleut, 1919 – 2011) Wood Duck Spirit, 1997 carved wood, pigments open: 21 ¾ x 25 ¼ x 1 in. (55.25 x 64.14 x 2.54 cm.) closed: 21 ¾ x 13 x 1 ½ in. (55.25 x 33.02 x 3.81 cm.) inscribed verso: “WOOD DUCK / SPIRIT” / John Hoover / 97 Provenance: The Georgia and Charles Loloma Collection $1,500 – $2,500 SANTA FE ART AUCTION

151

372 DIEGO ROMERO (Cochiti, b. 1964) Perfect Balance fired clay, pigments 4 x 9 ⅛ in. (10.16 x 23.18 cm.) inscribed along edge: CHONGO MADE AND PAINTED ME “PERFECT BALANCE” Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

373 DIEGO ROMERO (Cochiti, b. 1964) Afternoon with an Ancient etching and aquatint, edition 2 of 70 7 ¼ x 9 ¾ in. (18.42 x 24.77 cm.) signed lower right: DIEGO ROMERO titled lower center: “AFTERNOON WITH AN ANCIENT” editioned lower left: 2/70 Provenance: The Georgia and Charles Loloma Collection $500 – $700

374 DIEGO ROMERO (Cochiti, b. 1964) Corn Maiden etching and aquatint, edition 4 of 70 12 x 15 in. (30.48 x 38.10 cm.) signed lower right: DIEGO ROMERO titled lower center: “CORN MAIDEN” editioned lower left: 4/70 Provenance: The Georgia and Charles Loloma Collection $500 – $700

152

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375 VIRGIL ORTIZ (Cochiti, b. 1969) Untitled (Figure) fired clay, glazes 15 ¾ x 13 ¼ x 5 ¼ in. (40.01 x 33.66 x 13.34 cm.) signed underside: vDGv Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

SANTA FE ART AUCTION

153

376 ANITA FIELDS (Osage, b. 1951) Untitled (Woman with Knapsack) fired clay, pigments, glazes 19 x 5 ¾ x 5 in. (48.26 x 14.61 x 12.70 cm.) inscribed under foot: Anita Fields Provenance: The Georgia and Charles Loloma Collection $600 – $900

377 ANITA FIELDS (Osage, b. 1951) Dress with Figure, 2002 fired clay, glazes, pigments 16 x 8 ½ x 5 in. (40.64 x 21.59 x 12.70 cm.) inscribed near base: Anita Fields 02 Provenance: The Georgia and Charles Loloma Collection $600 – $900

154

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378 ANITA FIELDS (Osage, b. 1951) Untitled (Standing Up) fired clay, glazes, mixed media 12 ½ x 5 ½ x 5 ¼ in. (31.75 x 13.97 x 13.34 cm.) Provenance: The Georgia and Charles Loloma Collection $500 – $700

379 ANITA FIELDS (Osage, b. 1951) Untitled (Figure with Gold Earrings) fired clay, glazes, pigments, mixed media 10 ¼ x 2 ½ x 1 ½ in. (26.04 x 6.35 x 3.81 cm.) Provenance: The Georgia and Charles Loloma Collection $300 – $500

380 ANITA FIELDS (Osage, b. 1951) Untitled (Figure) fired clay, glazes, pigment 10 ¼ x 2 ¾ x 1 ½ in. (26.04 x 6.99 x 3.81 cm.) Provenance: The Georgia and Charles Loloma Collection $300 – $500

SANTA FE ART AUCTION

155

381 ANITA FIELDS (Osage, b. 1951) Untitled (Large Ceramic Plate), 2008

382 ANITA FIELDS (Osage, b. 1951) Untitled (Purse), 2000

fired clay, glaze, pigments 3 ¼ x 17 ½ x 17 ¼ in. (8.26 x 44.45 x 43.82 cm.) inscribed verso: Anita Fields / 08

fired clay, glazes, pigments, metal chain 8 x 7 ¾ x 3 ¼ in. (20.32 x 19.69 x 8.26 cm.) inscribed underside: Anita Fields 2000

Provenance: The Georgia and Charles Loloma Collection

$500 – $700

$300 – $500

383 ANITA FIELDS (Osage, b. 1951) Ceramic Landscape

384 JODY FOLWELL (Santa Clara, b. 1942) Pottery Vessel

fired clay, glazes, pigments 8 x 5 ½ x 1 ½ in. (20.32 x 13.97 x 3.81 cm.) inscribed verso: Anita Fields

fired clay height 6 ¾ x diameter 6 in. (17.15 x 15.24 cm.) inscribed on underside: Jody to Fran & Steve

Provenance: The Georgia and Charles Loloma Collection

$200 – $400

$500 – $1,000

156

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385 HELEN CORDERO (Cochiti, 1915 – 1994) Large Storyteller with Five Children fired clay, glazes, pigments 13 ¾ x 11 x 7 in. (34.93 x 27.94 x 17.78 cm.) inscribed underside: HELEN CORDERO / COCHITI. N MEX. Provenance: The Georgia and Charles Loloma Collection $10,000 – $15,000

SANTA FE ART AUCTION

157

386 HELEN CORDERO (Cochiti, 1915 – 1994) Storyteller (Baby on Back) fired clay, glazes, pigment 9 ¼ x 4 ½ x 9 ¼ in. (23.50 x 11.43 x 23.50 cm.) inscribed underside: Helen Cordero / Cochiti, NMex Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

387 MARIA MARTINEZ (San Ildefonso, 1887 – 1980) Blackware Seed Pot fired clay, glaze height 6 x diameter 7 in. (15.24 x 17.78 cm.) inscribed underside: Maria / Poveka / 865 Provenance: The Georgia and Charles Loloma Collection $8,000 – $12,000

158

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388 DEXTRA QUOTSKUYVA NAMPEYO (Hopi, b. 1928) Tanware Pot with Kiva Steps fired clay, glazes, pigment 5 ¼ x 7 in. (13.34 x 17.78 cm.) inscribed underside: Dextra [corn cipher] Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

389 DEXTRA QUOTSKUYVA NAMPEYO (Hopi, b. 1928) Polychrome Seed Pot fired clay, glazes, pigment 2 ⅞ x 4 in. (7.30 x 10.16 cm.) inscribed underside: Dextra / [corn cipher] Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

390 ALFRED H. QÖYAWAYMA (Hopi, b. 1938) Large Pot with Corn Design, 1986 fired clay, glaze 6 ⅛ x 16 in. (15.56 x 40.64 cm.) inscribed underside: Qöyawayma / [fish cipher] 86Provenance: The Georgia and Charles Loloma Collection $3,000 – $5,000

SANTA FE ART AUCTION

159

391 GRACE MEDICINE FLOWER (Santa Clara, b. 1938) Miniature Pot sgraffito redware 3 1/4 x 3 in. (8.26 x 7.62 cm.) inscribed underside: Grace / Medicine / Flower / 83875 / [flower cipher] Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

392 GRACE MEDICINE FLOWER (Santa Clara, b.1938) Miniature Pot sgraffito blackware 2 3/4 x 3 in. (6.99 x 7.62 cm.) inscribed underside: Grace / Medicine / Flower Provenance: The Georgia and Charles Loloma Collection $1,000 – $1,500

393 LINDA CAIN (Santa Clara, b. 1949) + AUTUMN BORTS-MEDLOCK (Santa Clara, b. 1967) Carved Redware Seed Pot, 2003 fired clay 5 3/4 x 4 1/2 in. (14.61 x 11.43 cm.) inscribed underside: Linda Cain + / Autumn Borts / Ka’Po Owingeh / 2003 / 4/V Provenance: The Georgia and Charles Loloma Collection $800 – $1,200

160

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394 AUTUMN BORTS-MEDLOCK (Santa Clara, b. 1967) Red and Tan Carved Vase, 2005 fired clay 3 ⅛ x 4 in. (7.94 x 10.16 cm.) inscribed underside: Autumn Borts / Santa Clara Pueblo / 2005 Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

395 JODY NARANJO (Santa Clara, b. 1969) Brownware Jar with Sgraffito Design, 2005 fired clay, pigment 7 x 4 ¼ in. (17.78 x 10.80 cm.) inscribed underside: Jody Naranjo 2005 Provenance: The Georgia and Charles Loloma Collection $1,200 – $1,800

396 ZUNI Large Dough Bowl, ca. 1890 fired clay, pigments 6 x 14 ½ in. (15.24 x 36.83 cm.) Provenance: The Georgia and Charles Loloma Collection $1,500 – $3,000

SANTA FE ART AUCTION

161

397 EDWARD MOULTHROP (1916 – 2003) Monumental Black Walnut Bowl black walnut 11 ⅛ x 13 ¾ in. (28.26 x 34.93 cm.) inscribed underside: [M] MOULTHROP / BLACK WALNUT Provenance: The Georgia and Charles Loloma Collection $4,000 – $6,000

A gifted polymath, Edward Moulthrop was both successful modernist architect as well as a pioneer in the craft of modern American wood turning. He had a sensual feel for his materials and a "sixth sense" for the beauty hidden in ordinary chunks of wood. In 1976 he gave up architecture to devote himself to wood turning. Moulthrop made many of his own tools, and developed polishes and preservatives to enhance the wood. His bowls can be found at the Metropolitan Museum of Art and the Museum of Modern Art in NYC, as well as in museums across the country and around the world.

398 EDWARD MOULTHROP (1916 – 2003) Large Georgia Pine Bowl Georgia pine 8 x 13 in. (20.32 x 33.02 cm.) inscribed underside: [M] / MOULTHROP / GEORGIA PINE Provenance: The Georgia and Charles Loloma Collection $2,000 – $4,000

162

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399 HARRY BERTOIA (1915 – 1978) Reed Tonal Sculpture

400 HARRY BERTOIA (1915 – 1978) Tonal Sculpture, Single Row Cattail

beryllium copper 22 x 4 in. (55.88 x 10.16 cm.)

beryllium copper 17 x 10 in. (43.18 x 25.40 cm.)

Provenance: The Georgia and Charles Loloma Collection

$25,000 – $35,000

$20,000 – $30,000

In 1960, Harry Bertoia began the exploration of tonal sculptures. Many metals were used for the rods, the most common being beryllium copper known for its wide range of color variations and rich tones. Some rods are capped with cylinders or drops of metal, resembling cattails, which, by their weight, accentuate the swaying of the tonal rods creating deep resonant tones. Harry and his brother Oreste both loved music and spent endless hours experimenting and finding new sounds to incorporate into Sonambient, the auditory and visual environment created by the tonals.

401 HARRY BERTOIA (1915 – 1978) Cattail Tonal Sculpture beryllium copper 18 x 5 in. (45.72 x 12.70 cm.) Provenance: The Georgia and Charles Loloma Collection $20,000 – $30,000

SANTA FE ART AUCTION

163

402 JACK WELPOTT (1923 – 2007) Charles Loloma, at Home, 1984 silver gelatin print 8 x 9 ¾ in. (20.32 x 24.77 cm.) titled lower left: Charles Loloma signed and dated lower right: © Jack Welpott / 1984 Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

164

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403 JACK WELPOTT (1923 – 2007) Charles Loloma, 1984

404 TRYNTJE VAN NESS SEYMOUR (20th/21st Century) Charles Loloma at Work

silver gelatin print 9 ¾ x 8 in. (24.77 x 20.32 cm.) titled lower left: Charles Loloma signed and dated lower right: © Jack Welpott / 1984

Provenance: The Georgia and Charles Loloma Collection $1,000 – $2,000

Provenance: The Georgia and Charles Loloma Collection $200 – $400

405 NAOMI REDDERT (20th Century) Charles Loloma, 1982 silver gelatin print 4 ⅛ x 5 ⅝ in. (10.48 x 14.29 cm.) initialed and dated on mount: NR ‘82 inscribed verso: PHOTOGRAPHY BY NAOMI REDDERT / NR ‘82 Provenance: The Georgia and Charles Loloma Collection $200 – $300

SANTA FE ART AUCTION

165

406 MARC GAEDE (b. 1946) Charles Loloma, 1977 silver gelatin print 9 x 7 ¼ in. (22.86 x 18.42 cm.) signed lower right: Marc Gaede Provenance: The Georgia and Charles Loloma Collection $200 – $400

407 UNKNOWN (20th Century) Charles Loloma color photograph 11 3/4 x 7 3/4 in. (29.85 x 19.69 cm.) inscribed on verso: RB Provenance: The Georgia and Charles Loloma Collection $200 – $400

166

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408 JERRY JACKA (1934 - 2017) Loloma with his 928, 1986 color photograph 7 5/8 x 7 5/8 in. (19.37 x 19.37 cm.) inscribed on verso: IA 220 Provenance: The Georgia and Charles Loloma Collection $200 – $400

SANTA FE ART AUCTION

167

INDEX BY ARTIST + LOT Abeyta, Tony (Dinè [Navajo], b. 1965) 41 Adams, Kenneth Miller (1897 - 1966) 77 American School 79 Bakos, Jozef (1891 - 1977) 11 Barbero, David (1938 - 1999) 62 Baumann, Gustave (German-American, 1881 - 1971) 29, 30, 31, 32, 33, 34, 35 Begay, Shonto (Dinè [Navajo], b. 1954) 345, 346 Bertoia, Harry (1915 - 1978) 399, 400, 401 Bisttram, Emil (1895 - 1976) 51, 52, 53 Borts-Medlock, Autumn (Santa Clara, b. 1967) 394 Borts-Medlock, Autumn (Santa Clara, b. 1967) + Cain, Linda (Santa Clara, b. 1949) 393 Boutelle, Dewitt Clinton (1820 - 1884) 84 Bradley, David (Chippewa, b. 1954) 341, 342 Brokeshoulder, Aaron (Choctaw/Shawnee/Kewa [Santo Domingo], 20th Century) 328 Brokeshoulder, Randy (Hopi, b. 1983) 195 Cannon, T.C. (Kiowa, 1946 - 1978) 42 Churchill, John George Spencer (1909 - 1992) 90 Colburn, Eleanor (1866 - 1939) 14 Collins + Gorman, (20th/21st Century) 45 Cordero, Helen (Cochiti, 1915 - 1994) 385, 386 Couse, Eanger Irving (1866 - 1936) 76 Curtis, Edward S. (1868 - 1952) 80 Dehn, Adolf (1898 - 1965) 10 Deschillie, Mamie (Dinè [Navajo] 1920 - 2010) 370 Dinè [Navajo] 46, 47, 48, 49, 50 Eaton, Charles Warren (1857 - 1937) 85 Ellis, Fremont (1897 - 1985) 9 Ellis, R. C. (1923 - 1979) 60, 61

168

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INDEX BY ARTIST + LOT Fields, Anita (Osage/Muscogee, b. 1951) 376, 377, 378, 379, 380, 381, 382, 383 Fincher, John (b. 1941) 68, 72 Flower, Grace Medicine (Santa Clara, b. 1938) 391, 392 Folwell, Jody (b. 1942) 385 Fonseca, Harry (Nisenan/Maidu, 1946 - 2006) 343, 344 Frank, Alyce (b. 1932) 39 Fraser, James Earle (1876 - 1953) 81, 82, 83 Gaede, Marc (b. 1946) 406 Greene, Joel (b. 1953) 64 Hardin [Tsa-Sah-Wee-Eh], Helen (Hopi, 1943-1984) 22, 25 Hertel, Susan (1930 - 1992) 36, 37, 368, 369 Honhongva [Sonwai], Sherian (Hopi, b. 1960) 221 Honyumptewa, Orlan (20th century) 194 Hoover, John (1919 - 2011) 371 Hopi 199 Houser, Allan (Chiricahua Apache, 1914 - 1994) 337, 338, 339 Jimenez, Luis (1940 - 2006) 69 Jonson, Raymond (1891 - 1982) 54 Kloss, Gene (1903 - 1996) 15 Kuhn, Bob (1920 - 2007) 91, 92, 93, 94 Larsen, Mike (Chickasaw, b. 1945) 66, 67 Latham, Barbara (1896 - 1989) 38 Lippincott, Janet (1918 - 2007) 16, 58 Loloma, Charles (Hopi, 1921 - 1991) 97, 107, 109, 112, 127, 130, 134, 196, 197, 198, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 271, 272, 273, 276, 277, 278, 280, 281, 282, 283, 284, 285, 286, 289, 290, 291, 292, 293, 294, 295, 296, 297, 298, 299, 300, 301, 302, 303, 304, 305, 306, 307, 308, 309, 310, 311, 312, 313, 314, 315, 316, 317, 318, 320, 321, 322, 323, 324, 325, 326, 327 Loloma, Charles + Pierre Touraine 274, 275, 279, 287, 288, 319

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INDEX BY ARTIST + LOT Lomakema [Dawakema], Milland (Hopi, b. 1941) 28 Lumpkins, William (1909 - 2000) 18 Mandelman, Beatrice (1912 - 1998) 55, 56, 57 Martinez, Maria (San Ildefonso, 1887 - 1980) 387 McAfee, Ila (1897 - 1995) 12 Morang, Alfred (1901 - 1958) 17, 86 Moses, Forrest (1934 - 2021) 3, 4, 5, 6, 7, 8 Moulthrop, Edward (1916 - 2003) 397, 398 Moya, A. Gustine (Hopi) 193 Moyers, Terri Kelly (b. 1953) 78 Namingha, Dan (Hopi-Tewa, b. 1950) 63, 340 Nampeyo, Dextra Quotskuyva (Hopi, b. 1928) 388, 389 Naranjo, Jody (Santa Clara, b. 1969) 395 Nieto, John (1936 - 2018) 43, 44 Ortiz, Virgil (b. 1969) 376 Peshlakai, Norbert (DinÈ [Navajo], b. 1953) 329, 330 Qöyawayma, Alfred H. (Hopi, b. 1938) 390 Quick-To-See-Smith, Jaune (Salish, French-Cree, Shoshone, b. 1940) 24 Reddert, Naomi (20th Century) 405 Redin, Carl (1892 - 1944) 74 Ribak, Louis (1902 - 1979) 59, 88, 89 Riggs, Florence (DinÈ [Navajo] b. 1962) 351 Romero, Diego (Cochiti, b. 1964) 372, 373, 374 Romero, Mateo (Cochiti, b. 1966) 347 Rouault, George (French, 1871 - 1958) 87 Rush, Olive (1873 - 1966) 23 Ruthling, Ford (1933 - 2015) 1, 2, 19 Sabatie, Eveli (Moroccan-American, b. 1940) 269, 270

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INDEX BY ARTIST + LOT Sakiestewa, Ramona (Hopi, b. 1948) 349, 350 Schenck, Billy (b. 1947) 40 Scholder, Fritz (Luiseño, 1937 - 2005) 26, 27, 332, 333, 334, 335, 336, 337 Seechoma, Edward (Hopi, 20th century) 192 Shattuck, Hella Broeske (1906 - 1994) 75 Simpson, Rose (Santa Clara, b. 1983) 360, 361, 362, 363, 364, 365, 366 Skolle, John (1903 - 1988) 65 Stroh, Earl (1924 - 2005) 13 Susunkewa, Manfred (Hopi, b. 1940) 99, 115, 117, 124, 126, 132, 136, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188 Susunkewa, Manfred (Hopi, b. 1940) + Loloma, Charles (Hopi, 1921-1991) 95, 96, 98, 100, 101, 102, 103, 104, 105, 106, 108, 110, 111, 113, 114, 116, 118, 119, 120, 121, 122, 123, 124, 125, 128, 129, 131, 133, 135, 137, 138 Swentzell, Roxanne (Santa Clara, b. 1962) 352, 353, 354, 355, 356, 357, 358, 359, 367 Tenakhongva, Clark (Hopi, b. 1956) 152, 189, 190, 191 Unknown 350, 407, 408 Van Ness Seymour, Tryntje (20th/21st Century) 404 Velarde [Tse Tsan], Pablita (Santa Clara, 1918 - 2006) 21 Vogel, Jim (b. 1964) 71 Waid, Jim (American, b. 1942) 73 Walker, Edward Rusty (b. 1946) 20 Welpott, Jack (1923 - 2007) 402, 403 Wiggins, Kim (b. 1960) 70 Zuni 396

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TERMS & CONDITIONS OF SALE The following Terms and Conditions of Sale are the Santa Fe Art Auction Limited Co.’s (“Santa Fe Art Auction”) and its agents’ and consignors’ entire agreement with the prospective bidders, bidders and buyers relative to the lots listed in this catalogue. The lots will be offered by the Santa Fe Art Auction as agent for the consignors, unless the catalogue indicates otherwise. 1. The Santa Fe Art Auction operates as an agent of the seller only. It is not responsible in the event any buyer or seller at the auction fails to live up to their respective agreements, including failure of the seller to deliver any property to buyers. The Santa Fe Art Auction assumes no risk, liability, or responsibility beyond the limited warranty contained herein. (a) All property is sold “AS IS.” There are no representations or warranties that extend beyond these Terms and Conditions of Sale. All works shall be available for examination prior to the sale. The Santa Fe Art Auction, and its agents and consignors, make no representations or warranties as to merchantability, fitness for a particular purpose, correctness of the catalogue or description, including, but not limited to, the authenticity, the physical condition, size, quality, rarity, importance, medium, provenance, dates, exhibitions, literary or historical relevance of any property, and, no statement anywhere, whether oral or written, whether made in the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, or elsewhere shall be deemed such a warranty, representation or assumption of liability. Nor are there any representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including, but not limited to, any reproduction rights in any property. Contents of this catalogue are subject to change or supplementation before or during the sale, including the sale of any lot. 2. Prospective bidders should inspect the lots before bidding to determine condition, size and whether or not the lot has been repaired or restored and to investigate all other matters relating to the lot that is of material importance to the prospective bidder. 3. A buyer’s premium will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. If paying by cash or check, the purchase price will be the sum of the final bid price plus a buyer’s premium of 22% of the final bid price of each lot up to and including $1,000,000 and 12% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. The buyer’s premium is calculated separately for each lot. If paying by credit card, the purchase price will be the sum of the final bid price plus a buyer’s premium of 25% of the final bid price for each lot up to and including $1,000,000, and 15% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. Successful Online bidders with LiveAuctioneers.com or Bidsquare.com will be subject to a 25% buyer’s premium of the final bid price of each lot up to and including $1,000,000 and 15% of the excess of the final bid price above $1,000,000, plus any applicable sales tax, shipping and handling charges. 4. Unless exempted by law, the Buyer will be required to pay all applicable state and local sales, gross receipts, and compensation tax. Proof of exemption in the form of a current Non-Taxable Transaction Certificate must be provided at registration. In the event of deliveries outside the state, it is the Purchaser’s responsibility to pay any applicable compensating use tax of another state on the total purchase price. • Why Santa Fe Art Auction Collects Sales Tax: New Mexico requires a seller of goods to register with the New Mexico Department of Taxation and Revenue and collect and remit sales tax if the seller maintains a presence within the state. More specifically, tax laws require an auction house, like Santa Fe Art Auction, with a presence in New Mexico, to register as a sales tax collector, and remit sales tax collected to the state. Unless exempted, New Mexico sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New Mexico, regardless of the state or country in which the purchaser resides or does business. • Since the 2018 South Dakota v. Wayfair, Inc. ruling, most US states have implemented legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold, known as an economic nexus. Each state sets its own threshold or nexus. Like all other remote sellers, Santa Fe Art Auction is now required to collect Sales/Use Tax from buyers in any state when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are shipped. As of June 1, 2022, SFAA has met the nexus in the following states: Arizona, California, Colorado, Florida, Illinois, Massachusetts, Missouri, New York, Oklahoma, Pennsylvania, Texas, Utah, Washington, Wyoming. However, any purchases made in person and/or picked up in person, are subject to applicable New Mexico sales tax instead. • Certain Exemptions: New Mexico allows for specified exemptions to its sales tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Santa Fe Art Auction is not required to collect sales tax from such re-seller. As sales tax laws vary from state to state, Santa Fe Art Auction recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice from their local tax advisors. 5. The Santa Fe Art Auction reserves the right to withdraw any lot before or during the sale and shall have no liability whatsoever for such withdrawal. 6. Except as may be announced by the auctioneer, all bids are per lot, as numbered in the catalogue. 7. The Santa Fe Art Auction reserves the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the Buyer, subject to reserves. In the event of any dispute between bidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion to determine the successful bidder, cancel the sale, or reoffer and resell the lot in dispute. If any dispute arises after the sale, the Santa Fe Art Auction’s sale record shall be final and conclusive. The Santa Fe Art Auction, in its discretion, may execute orders or absentee bids as a convenience to clients who are not present at the auction; however, the Santa Fe Art Auction is not responsible for any errors or omissions in connection therewith. 8. If the auctioneer, in his or her discretion, determines that any bid is below the reserve of the lot, he or she may reject the same and withdraw the lot from sale, and, if having acknowledged an opening or other bid, the auctioneer decides that any advance thereafter is insufficient, he or she may reject the advance. 9. On the fall of the auctioneer’s gavel, the highest bidder acknowledged by the auctioneer assumes full risk and responsibility for the offered lot, subject to all of the Terms and Conditions of Sale set forth herein, and is immediately obligated to pay the full purchase price. All sales are final and there shall be no exchanges or returns. Payment shall be made by cash, check or wire transfer. As set forth in paragraph 3, above, for an additional percentage Santa Fe Art Auction will also accept credit cards as a form of payment. (Visa and MasterCard only).

In addition to other remedies available to Santa Fe Art Auction by law, we reserve the right to impose, from the date of sale, a late charge of 1.5% per month (18% per annum) of the total purchase price, if payment is not made in accordance with the conditions set forth herein. (a) All lots must be removed by the Buyer at his or her expense not later than ten (10) business days following the sale, and, if it is not so removed, (i) a handling charge of 1% of the total purchase price per month, or a portion thereof from the tenth day after the sale (until its removal) will be payable to us by the Buyer, with a minimum of 5% of the total purchase price due for any lot not so removed within 60 days after the sale, and (ii) Santa Fe Art Auction may send the purchased lot to a public warehouse for the account of and at the risk and expense of the Buyer. (b) If any applicable conditions herein are not complied with by the Buyer, the Buyer will be in default, and in addition to any and all other remedies available to the Santa Fe Art Auction and its agents and consignors by law, including, without limitation, the right to hold the Buyer liable for the total purchase price, together with all fees, charges and expenses set forth in these Terms and Conditions of Sale, the Santa Fe Art Auction, at its sole option, may (i) cancel the sale of that, or any other lot or lots sold to the defaulting Buyer, or (ii) resell the purchased lot or lots, whether at auction or by private sale, or (iii) effect any combination thereof. The Buyer will be liable for any deficiency, any and all costs, handling charges, late charges, expenses and commissions of both sales, legal fees and expenses, collection fees and incidental damages. The Santa Fe Art Auction and its agents and consignors shall have all of the rights accorded to a secured party under the New Mexico Uniform Commercial Code. The Buyer of each lot agrees that each lot is unique and that Santa Fe Art Auction, in its sole discretion, shall not be required to sell or otherwise seek to mitigate damages should such Buyer fail to pay the total purchase price. Payment will not be deemed to have been made in full until the Santa Fe Art Auction shall have collected good funds. The Santa Fe Art Auction reserves the right to hold all purchases pending collection of the total purchase price, together with all additional fees, charges and expenses incurred pursuant to these Terms and Conditions of Sale. 10. All lots (unless otherwise indicated by the letters “nr”) are subject to a reserve, which is the confidential minimum price acceptable to the consignor. The Santa Fe Art Auction, or its agents or consignors, may implement such reserve by opening the bidding or they or either of them may bid up to the amount of the reserve by placing successive or consecutive bids for a lot or may bid in response to other bidders. In instances where the Santa Fe Art Auction has an interest in the lot, it may bid up to the reserve to protect such interest. 11. Santa Fe Art Auction is the owner of images of each lot offered for sale and may use such images for its own archival purposes, as well as for advertising and publicity in connection with this or future sales by the Santa Fe Art Auction. 12. These Terms and Conditions of Sale, together with the parties’ respective rights and obligations hereunder, shall be governed and construed and enforced in accordance with the laws of the State of New Mexico, without regard to New Mexico’s rules concerning conflicts of laws. 13. Prospective bidders, bidders and Buyers agree that, in the event of any controversy or claim arising out of or relating to a sale of any lot, the party asserting such controversy or claim shall provide written notice thereof to the other party; that any such controversy or claim not settled within fourteen (14) days of delivery of notice by the other party, including, without limitation, any controversy or claim arising from, or relating to, the sale of any lot or any of these Terms and Conditions of Sale, including the terms of this paragraph, the sole and exclusive means for resolving the dispute shall be by binding arbitration in Santa Fe, New Mexico. Said arbitration shall be confidential and shall be pursuant to the New Mexico Uniform Arbitration Act, shall be conducted before a single arbitrator, and shall otherwise be guided by the then extant New Mexico Rules of Arbitration. This Agreement is deemed made in Santa Fe, New Mexico, and is subject to the internal substantive law of the State of New Mexico without regard to conflicts of laws. The award of the arbitrator shall be final, and may be entered into any court having jurisdiction thereof. Each party shall bear that party’s own costs of arbitration and attorney’s fees. 14. The Santa Fe Art Auction is pleased to present to art purchasers shipping options which are explained in the shipping form enclosed in this catalogue. If you misplace this form, call or send an email and another form will be provided. 15. Results are posted on the Santa Fe Art Auction web site and, upon request, may be sent to Buyers, catalogue subscribers, absentee and phone bidders, and other registered bidders. 16. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law. 17. These Terms and Conditions are not assignable by any buyer without the prior written consent of the Santa Fe Art Auction. However, these Terms and Conditions are binding on the buyer’s successors, assigns and representatives. 18. No act, omission or delay by the Santa Fe Art Auction shall be deemed a waiver of its rights and remedies under these Terms and Conditions. 19. The Santa Fe Art Auction shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. The Santa Fe Art Auction shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of Santa Fe Art Auction during the sale. 20. Santa Fe Art Auction shall use reasonable efforts to execute online bids in order for online buyers to participate in the auction. Online bidding is provided as an alternative bidding service and should not be considered a replacement for bidding in the room. Santa Fe Art Auction encourages its buyers to weigh the advantages and limitations of live online bidding when deciding whether to bid in the room or online. Santa Fe Art Auction shall not be liable for any errors or omissions made in connection with online bids or the online bidding process. Although Santa Fe Art Auction will do everything in its power to assure all online bids are recognized, Santa Fe Art Auction has no way of guaranteeing that the internet and the online bidding process will be free from technical malfunctions. In the event of a tie between an online bid and a “room” bid, the “room” bid generally will take precedence. “Room” bids include those bids taken from the live auction room(s), telephones, absentee bidders, or bids made by the auctioneer to protect the reserve. Santa Fe Art Auction will not be responsible for errors or failures to execute bids placed on the internet, including, without limitation, errors or failures caused by (i) a loss of connection on Santa Fe Art Auction’s or on the Buyer’s end, (ii) a breakdown or problems with the online bidding software, and/or (iii) a breakdown or problems with a Buyer’s internet connection, computer or system. Santa Fe Art Auction does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity. SANTA FE ART AUCTION

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GUIDE FOR BIDDING ABSENTEE BIDS If you are unable to attend the auction in person, and wish to place bids, you may give the Santa Fe Art Auction Bid Department instructions to bid on your behalf. Our representatives will then try to purchase the lot or lots of your choice for the lowest price possible, and never for more than the top amount you indicate. The Santa Fe Art Auction offers this service as a convenience to clients who are unable to attend the auction. However, the Santa Fe Art Auction will not be responsible for failure to execute bids, or any errors in executing bids. PLACING ABSENTEE BIDS Absentee bids are accepted only if you have returned a signed Absentee Bid Form by mail or fax which authorizes the Santa Fe Art Auction to place bids on your behalf. The Absentee Bid Form appears in the back of this catalogue. Please complete and return to the Santa Fe Art Auction by June 23, 2022, 5 PM MST for Session One and June 24, 2022, 5 PM MST for Session Two, Three and Four. To place bids, please use the Absentee Bid Form provided in the back of this catalogue. Be sure the lot number and the descriptions are accurate and note the top price you are willing to pay for each lot. Any alternative bids should be indicated by using the word “OR” between lot numbers. Then if your bid on an early lot is successful, we will not continue to bid on other lots for you. Or, if your early bids are unsuccessful, we will continue to execute bids for alternative lots until a bid is successful. Bids must be placed in the same order as the lot numbers appear in this catalogue. Please place your bids as early as possible. In the event of identical bids, the earliest bid received will take precedence. TELEPHONE BIDS Telephone bids are accepted only if you have returned a signed telephone bid form which authorizes the Santa Fe Art Auction to place bids on your behalf Please check the telephone bid box on the form, complete, and return to the Santa Fe Art Auction by June 23, 2022, 5 PM MST for Session One and June 24, 2022, 5 PM MST for Session Two, Three and Four. Telephone bidders are encouraged to leave back up bids in case of technical difficulties. A Top Limit bid need not be specified. BUYER’S PREMIUM The top limit you indicate on your bid form is the hammer price exclusively. Please keep in mind that a buyer’s premium, as stated in paragraph 3 of the terms and conditions of sale, will be added to the successful bid price of each lot you buy and is payable by you together with the applicable sales tax which is applied to the total cost of the purchase. SUCCESSFUL BIDS Successful absentee bidders will be notified and invoiced within a few days of the sale. Successful absentee bidders shall arrange to make payment via cash, check, credit card or wire transfer upon receipt of notification of purchase. BIDDING INCREMENTS Bidding increments are as follows, but may vary at the sole discretion of the auctioneer: Estimate Increment Under $2,000 $100 $2,000 – $5,000 $250 $5,000 – $10,000 $500 $10,000 – $20,000 $1,000 $20,000 – $50,000 $2,500 $50,000 – $100,000 $5,000 OVER $100,000 $10,000

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Front Cover Lot 244: Charles Loloma (Hopi, 1921 – 1991) Katsina Cuff Bracelet, ca. 1981 Estimate: $18,000 – $25,000 Lot 245: Charles Loloma (Hopi, 1921 – 1991) Gold and Stone Inlay Cuff Bracelet Estimate: $16,000 – $20,000 Back Cover Lot 51: Emil Bisttram (1895 – 1976) Man the Unknown, 1961 Estimate: $100,000 – $200,000

Santa Fe Art Auction is indebted to the assistance and expertise of Joseph deBella, Mark Bahti, Jed & Samantha Foutz (Shiprock Santa Fe), Robert Gallegos, and Barry Walsh (Buffalo Barry), in cataloguing much of the Loloma Collection. Photography: Molly Wagoner, Kristin Schillaci, Kevin Doria Graphic Design: Shane Mieske Printing: O’Neil Printing, Arizona © 2022 Santa Fe Art Auction, LLC

UPCOMING AUCTIONS New Mexico Now: Spanish Colonial to Spanish Market July 22–23, 2022 American Indian & Tribal: Classic to Contemporary August 12–13, 2022 IAIA Making History Scholarship Event August 17, 2022 Contemporary Art, Design + Photography September 23–24, 2022 Signature Annual Live Sale November 4–5, 2022

Fine Consignments Always Welcome

932 Railfan Road, Santa Fe, New Mexico 87505 505.954.5858 info@santafeartauction.com @santafeartauction.com santafeartauction.com