Yanggallery

Page 1


A Journey to Chinese Contemporary Fine Arts

PASSIONATE

INNOVATIVE PROFESSIONAL UNITED

• • • • • •

Yang Gallery • Singapore

Yang Gallery • Beijing 798

Yang Gallery • Beijing Songzhuang

19 Tanglin Road, Tanglin Shopping Centre, #02-41, Singapore 247909

3rd Taoci Street, 798, No. 4 Jiuxianqiao Road, Chaoyang District, Beijing 100015

Original Art Expo Center, Songzhuang, Tongzhou District, Beijing, 101118

Tel: +86 10 5762 3020 Email: beijing@ yanggallery.info

Tel: +86 10 57623020 Email: beijing@ yanggallery.info

Tel: +65 6721 8888 Email: spore@ yanggallery.com.sg


AIVO /ITTMZa +WUXIVa 8ZWÅTM" Chinese Contemporary, Fine Art has become a global phenomenon! Welcome to Yang Gallery one of the most prestigious art galleries featuring the most collectible Chinese Contemporary Fine Art in Singapore & Beijing. Yang Gallery presents: Oil paintings, Sculptures, Watercolors, Photographs, Prints, Installations, Designer Furniture and Artistic Architectures etc. Yang Gallery’s clients: Contemporary Art Museums, Private Art Foundations, Major Organizations, Luxury Groups, Investment Banks to Private Collectors from all over the world. In the last few years we have successfully exhibited a number of influential exhibitions and various cooperations such as: Fang Lijun Investing in Chinese Contemporary Art Seminar, Cultural Exchange Conferences, Art Performances with Mercedes Benz, as well as many Charity Art Exhibition & Events in Singapore & Beijing. Our Services: Yang Gallery has the most passionate, innovative, united & professional team to provide the most collectible and investment potential wide variety of arts to collectors who are passionate about art from all over the world! It is our great pleasure to provide the most excellent services and to welcome you into the exciting world of Chinese Contemporary Fine Art! Payment Mode -Payment of purchases will be made through Telegraphic Transfer worldwide or by any credit cards or cash within the galleries. Shipping Services -We provide the most professional and excellent shipping services door-to-door worldwide!


Artists (in alphabetical order) 艺术家

排名按名字首字母

陈文令 陈庆庆 陳卓 + 黃可一 陈金庆 陈鸿志 馮峰 龚栋 何汶玦 金宇 李青 劉虹 刘力国 刘伟 罗氏兄弟 罗杰 呂岩軍 廖真武 潘德海 任哲 申占君 王懷慶 武明中 乌日根 颜志雄 于凡 于航 余慧 岳敏君 周长青 赵利民 鄒建平

Chen Wenling Chen Qingqing Chen Zhou + Huang Keyi Chen Jinqing Chen Hongzhi Feng Feng Gong Dong He Wenjue Jin Yu Li Qing Liu Hong Liu Liguo Liu Wei Luo Brothers Luo Jie Lv Yanjun Liao Zhenwu Pan Dehai Ren Zhe Shen Zhanjun Wang Huaiqing Wu Mingzhong Wu Rigen Yan Zhixiong Yu Fan Yu Hang Yu Hui Yue MinjunZhang Zhou Changqing Zhao Limin Zou Jianping


陈文令 Chen Wen Ling

Chen Wen Ling is a representative of China's contemporary artists. His art, besides presenting vividly and in concrete the complex relationship among animals living according to the law of jungle, is provocatively bringing to light crisis behind these pungent scenes, of morality, credibility and faith among men. This is indeed the nature of Chen's artistic conception. He employs fresh and vivid visual language to provide the audience a new way of seeing and understanding.

What

You

See

is

not

Necessarily

True

Bronze

190x294x98cm


陳庆庆 Chen Qingqing

(b.1953) from Beijing studied Medicine and finished her English / German Literature Studies in Beijing and Vienna. Taking a big leap from her previous forte, she started installation creations and now works as a professional artist in Beijing in 1994. Since then, her works have been exhibited globally and collected by various private collectors. Chen Qing Qing’s detailed fabric art installation works are made by natural materials; silk, hemp, dry flower, paper or pearl. Her wide choices of medium used in her creations mesmerize the viewers and often draws them to investigate her interesting use of materials.

The

Top

of

the

World Compositive

materials

190x50x50cm


Heatwave 162cmx135cmx7.5cm

Face

of

the

flower 175cmx68cmx7.5cm


Chinese

Carnival

no.

6

C-Print

Photography

120

x

180cm

陳卓 + 黃可一 Chen Zhuo + Huang Ke Yi

We deal with major visual experiences that have emerged from modern Chinese society, these experiences are concrete, realistic and unique, they can only appear in a society when the process of rapid economic development is not accompanied by a cultivation of aesthetic value. To employ photography to represent these experiences is far from being faithful to them. The best way to document such experiences is to take them as basis to depict more exciting scenes, they present more objective validity then; this is also the best approach to broad horizons of those visual experience as it provides us infinite possibilities.


Chinese

Carnival

no.

10 C-Print

Photography

120

x

63cm

陈金庆 Chen Jinqing

Born in 1983, Quanzhou, China Living in Beijing, professional artist Solo Exhibitions: 2008 “Searching” Unique Space Gallery, Beijing Group Exhibitions: Art Singapore 2009, Singapore “Jubilant october, dynamic water drop”, Tianjin Olympic Center Stadium, Tianjin Art Crossing East and West Hakaren Art Gallery, Beijing, Singapore “Dance” Grand MOMA Sculpture Exhibition, 798 Times Space, Beijing A Journey to Chinese Contemporary Prints Exhibition Yang Gallery, Beijing, Singapore


The

Little

Conductor Fiberglass

42cmx43cmx122cm

Sountry

road Stainless

Steel

33cmx23cmx100cm

2012

Serve

the

people Bronze

78cmx47cmx36cm

2011


The

Discussion

Oil

on

Acrylic

Panels

180x360cm

2011

陈鸿志 Chen Hongzhi

was born in Xianyou from Fujian Province in 1978. He graduated from Fine Arts College from Fujian Normal University, majoring in oil painting. He is now a soho artist and teacher in Xinkongjian Fine Arts Training School. His main exhibition participation and awards include: “ Three One” Art Exhibition in Fuzhou in 1998; the third Fujian Art Festival in Fuzhou in 1999; 2001 same-sex and oppositesex description—2001 Modern Art Exhibition in Fuzhou; the third Oil Painting Exhibition in Beijing in 2003; 2005 Visual Breathtaking—2005 Shanghai Youth Art Exhibition and won Excellence Awards; Shanghai International City Sculpture Biennale in 2005 and he won Dragonair Emerging Chinese Artist Awards in Shanghai in 2005.


The

Discussion

Oil

on

Acrylic

Panels

180x360cm

2011

馮 

峰 Feng Feng

"We have a history once grand but not forgotten. Time washes away the insignificant pieces and also permanently marks the milestones. A pat romance, the memories worshipped with deep passion as the colors of the past fade. The storms and lightening of history leave us their marks of divine madness and violence. Let us stand back and observe it, grasp it and sense it ˇthe magnificence, power and charm, dignity and mysteryˇ In my mind, a painting is nothing more than a painting itself. I would prefer to say that I am more of a poet. It's a touch of loneliness and helplessness. Try to hear it and feel it ˇ it is absolute beauty, but unspeakable melancholy, unstoppable, overflowing out of the ruins of the looming Beijing City, the darkness and the mist."


The

story

in

2009 Oil

on

Canvas

150x300cm

Mermaid Oil

on

Canvas

20x60cm


金 宇 Jin Yu

Jin Yu is a Chinese artist trained in Fine Art, who now works from Songzhuang art camp in Beijing, the highly esteemed hotspot of the up and coming Chinese contemporary art world. Over the past two decades, Yu has exhibited throughout Asia, with both group and solo shows in China, Japan and Korea. In 2006, he made his -]ZWXMIV LMJ]\ _Q\P \PM )Z\Q[\ <W]ZQVO -]ZWXM M`PQJQ\QWV 2QV A] PI[ JMMV I PQOPTQOP\ WN V]UMZW][ WQT XIQV\QVO [PW_[ I [SQTT \PI\ \PM IZ\Q[\ ZMÅVML L]ZQVO PQ[ ^IT]IJTM NWZUIT IZ\ \ZIQVQVO 0M Q[ IT[W XMZKMQ^ML I[ I ^MZa ZMTM^IV\ ÅO]ZM QV \PM KWV\MUXWZIZa IZ\ OMVMZI\QWV QV PQ[ VI\Q^M KW]V\Za _Q\P inclusion in shows such as Moving Toward a New Century (2006) and Brilliant – Songzhuang Decade (2005). Yu also works as an associate professor at Beijing Youth Political College.

Contact

Point-Dance Oil

on

Canva

160x190cm


龚 栋 Feng Zhengjie

Born in Fujian, China in 1977, Gong Dong graduated from the Fuzhou Art Institute, Sculpture Department. Gong Dong constantly draws inspiration from the abundance of life experiences as he feels that art will never move a viewer if it lacks real emotion. He strongly believes that art is a necessary pleasure that enhances the lives of individuals and humanity, saving it from being a barren life. He is particularly mindful of the usage of the philosophies and language of art. His sculptures have a few distinct features that make them stand out: accurate and sharp portrayals of emotion, a flair for simplicity and a meticulous attention to the smallest detail. As a contemporary sculptor – immersed in the developments of daily life and the influences of present-day schools of thought towards art – he is able to express his individual flair in his pieces whilst recognizing that these forms have to be infused with an air of modernity. He performs this infusion not with a separate, deliberate attempt to inject additional meaning to his pieces because it is required of him. Rather, they are derived from his particular intuition and experience in art, guiding him towards a natural expression that is uniquely his own.

Contact

Point-Drift Oil

on

Canva

160x190cm


Spring

Marble

40cm

x

20cm

x

100cm

Great

Leap

Forward

Bronze

120cm

x

65cm

x

55cm


Watch


 Movie¡In


 the


 Mood


 for


 Love Oil


 on


 Canvas


 


 200cmx300cm

何湜玌 0M ?MVR]M 0M [ IZ\_WZS MI[QTa I\\ZIK\[ L]M \W \PM L]IT VI\]ZM WN \PM QUIOM[" PM \ZQM[ \W ZMKWV[\Z]K\ his memory in them, from the time when he was an adolescent, but he approaches the reconstruction \PZW]OP \PM IXXZWIKP WN M`\ZIK\QVO IVL \ZIV[NWZUQVO QUIOM[ NZWU ÅTU[ \PI\ IZM NIUQTQIZ \W M^MZa Chinese of his generation. Such a peculiar character of his works, esp. the cinema drawings series, enables his audience to experience not only his personal feeling and attitude with respect to that time and society, but also shows intimately the Zeitgeist of Chinese society at its budding age of reformation, an adolescence that the generation of He shares with this nation.


Watch


 Movie¡The


 Red


 Sorghum Oil


 on


 Canvas


 


 180cmx320cm

ć?Ž é?’ Li Qing

1V ZMKMV\ aMIZ[ KZW[[ JWZLMZ XIQV\QVO Ja \PM KW[\]UM LM[QOVMZ IVL QV[\ITTI\QWV _WZS[ \PM ][M WN UI\MZQIT XZWXMZ\QM[ IVL \PM ˆ— , [XIKMˆ˜ KWVKMX\ M`XZM[[ML IVW\PMZ SQVL WN ˆ—VW\PQVOVM[[ˆ˜ M`Q[\[ \PM _WZS PI[ JMMV QV ][M NWZ \PM KZMI\QWV WN NIUQTa [SMTM\WV[ IVL *]LLPQ[\ themes, most of his works in creation stage of a morning half awake when the idea of sleep to complete. !! /ZIL]I\ML NZWU \PM @QIV )KILMUa WN .QVM )Z\[ 1997 Black clothes, Chinese clothing original design studio, Paris, France 2001 Black clothes fashion show, U.S. Embassy, China 2002 Performing art presenting of German culture in fashion 4W]^ZM NI[PQWV [PW_ 8IZQ[ .ZIVKM 2008 Rush @ 798 art district, Beijing, China 2009 Harmony Accreditation, Art District, Zhengyang, China 2010 You°Ă˜re looking at art?, Yang Gallery Beijing, China


Skull Sculpture

35x53x38cm

Deep

Thought Sculpture

35x53x38cm


劉 虹 Liu Hong

An oil painter who use females to test the bitter sweetness of life; this is what I know about Liu Hong. Female bodies painted by Liu Hong are always like quiet, emotional poems. They are pretty, calm and reserved, yet exudes a certain sadness. They seem to be singing very, very soundlessly. No matter they are set up in a background of black and white combination or in a background of emptiness, those realistic human bodies will provide you with some sort of indicative feeling...

Lip

Language-

Sensuosity Oil

on

Canva

180x150cm


伟 Liu Wei

"Mao Missiles" are one of the most instantly recognizable works by Liu Wei. These objects with a stretched distortion can be hilarious; yet at the same time contain darker historical references on China and her constant progression. His works are majorly shown in several international Museum exhibitions as well as in popular demand by private collectors and art institutions internationally!

Lip

Language

Series

Oil

on

Canva

180x150cm


Mao

Oil

on

canvas

600cm×65cm

Mao

Missiles

Fibenrglass

200cm

x

35cm

x

35cm


ĺˆ˜ĺŠ›ĺ›˝ Liu Liguo

4Q] 4QO]W [ _WZS[ Q[ \PM ZMXZM[MV\I\QWV IVL ZMÆMK\QWV WN I +PQVM[M NWZU WN MOW TW[\ _Q\PQV KWV[]UMZ [WKQM\a _PW[M XZQVKQXIT UIVQNM[\I\QWV Q[ I ][]IT KWUJQVI\QWV WN MTMUMV\[ XIZ\QK]TIZ \W UWLMZV +PQVI :MTQOQWV .WTSTWZM +WV[]UMZQ[U \PM QUIOM WN 5IW BMLWVO Whether it°Ă˜s a vase of a painting, everything is materially opulent, dripping with sensuality and abundance. In his works, popular and folkloric are consciously accentuated, saturated by faith in progress, memories of the revolution and a modern form of quasi-religion; a spirit investment inspired by developments made within society. On a formal level, Liu Liguo has sought out an avant-garde ^IZQI\QWV WV +PQVM[M \ZILQ\QWVIT IZ\[ 0Q[ ^Q[QWV \WWS [PIXM I[ MIZTa I[ \PM UQL VQVM\QM[ QV I [MZQM[ WN KMZIUQK ˆ•J]\\WKS[ˆ–# I\ Ă…Z[\ IV I\\MUX\ \W express the duality and paradox existing between the vigour of the changes taking place and the cultural vulgarity that resulted from the consumer society that was achieved. Liu Liguo has attempted to modify the form of commercial statuary s o that it might express the way in which modern culture has found form in China; to make of it an apt material for the manifestation of that modernity- both its failings and its innovative power- within which, despite everything, criticism and satire are able to maintain their essential meaning. Even more importantly, critical attention is given so that meaning is ITTW_ML \W QUUMZOM QV Q\[ QV\MOZIT \Z]\P _Q\PW]\ VMOTMK\QVO \PM NMMTQVO[ WN QLMV\QĂ…KI\QWV \PI\ _M VMKM[[IZQTa PI^M W]\ WN NMIZ WN losing the characteristics of the twentieth century Chinese "ego"

Peaches Ceramic


 


 54cm


 x


 54cm


 


 


罗氏兄弟 Luo Brothers

The three Luo Brothers, Luo Wei Dong, Luo Wei Bing and Luo Wei Guo, make works on paper, lacquer on wood panel, carved wood panels and statues out of lacquered resin. In all cases the works are riotous creations of kitsch. These works come from the side of the oriental nature that loves the bright lights and red lanterns that adorn every Chinese restaurant and city at festival time, that loves the peasant handicrafts KWV\IQVQVO UI[[M[ WN U]T\QKWTW]ZML ÆW_MZ[ \PI\ TW^M[ \PM NI\ JIJQM[ UMIV\ \W JZQVO XZW[XMZQ\a IVL []KKM[[ /Q^MV \PQ[ I[ \PMQZ [\IZ\QVO XWQV\ the three brothers have added the symbols of the new consumerism, now omnipresent in their country, as well as the symbols of the communist revolution into which they were born. In their series "The World's Most Famous Brands" most of the world's foreign consumer products have been held aloft by a Luo brothers" bouncing baby. This is undoubtedly the chaotic mix that artists like the Luo Brothers see every day. In fact, when one thinks about it, the same mix can be found in other cultures around the world. However, what is so different about the Chinese experience is the way it has happened so quickly. In the span of thirty years since the death of Mao China has gone from a drab, uniformly colourless society that went to bed by 9 pm to one that makes the MaM[ IVL MIZ[ IKPM _Q\P \PM PW]Z I[[I]T\ WN KWTW]Z[ TQOP\[ IVL VWQ[M <PM 4]W *ZW\PMZ[ IZM JW\P ZMÆMK\QVO IVL KWV\ZQJ]\QVO \W \PQ[ M`XTW[QWV WN vitality.

All

Hail

the

Great

Teachings

of

Mao Oil

on

Canvas

75

x

150cm


Welcome

Welcome!

Dragon

Sculpture

32x35x150cm

Welcome

Welcome!

Elephant! Oil

on

canvas

100×120cm


ç˝—


 � Luo Jie

Born in 1968. Graduated from Sichuan Fine Arts Institute in 1991.

4]W 2QM Ă…VL[ PQ[ W_V ZMLMUX\QWV Ja \PM TIJWZQW][ XZWKM[[ WN XIQV\QVO 4]W 2QM [ KW]Z[M WN TQNM MKPWM[ \PM \ZIOMLa WN PQ[ NI\PMZ 0Q[ WJTQOI\QWV[ towards his family prevented him from following his artistic career and the awareness of failure led him to despair and depression. It is only after his parent's death that he could resume art as a full time occupation. In his works he is preoccupied with suffering and loss. He feels imprisoned within PQU[MTN <PM Ă…[PQVO VM\[ WN PQ[ NI\PMZ PI^M JMKWUM \PM MV\IVOTML ZWXM[ QV PQ[ XIQV\QVO[ 0M Q[ WJ[M[[ML _Q\P \PM PI]V\QVO QUIOM[ WN \WZ\]ZML UMV and women, faceless, genderless, anonymous, empty creatures, composed of multiple layers of ropes with loose ends slowly falling apart. Like himself his heroes are victims of their fate.

Imprisoned


 Fleeing


  Oil


 on


 canvas


 


 180cm×210cm


 

22


ĺ‘‚岊čť? Lv Yanjun

There are a number of works about the Revolution Period in Chinese history, mostly being labeled as "political pop art"or "cynical realism". Many times these works feature characters that are either warped, numb or abnormal. However, the young girls in Lv Yanjun's paintings are amazingly beautiful. In fact, they often remind us of the beauty and youthfulness that were throttled during those mad years. Sometimes in Lv's paintings the characters are disproportional, but such disproportion embodies a sculpture-like, aesthetic feeling of solemnity and peacefulness, IVL \PQ[ Q[ I JMI]\QN]T NMMTQVO _Q\PW]\ N]Z\PMZ ZMI[WVQVO 4QSM PW_ \PM NIUW][ +PQVM[M XIQV\MZ 9Q *IQ[PQ WVKM [IQL _WVLMZ M`Q[\[ JM\_MMV TQSMVM[[ ]VTQSMVM[[ The essence of sacristy comes into full view through Lv's works; that art is not just a blinded replica of reality, but a powerful and hearty expression of the spirit in real life. Lv focuses on the facial expressions of the young women, his exquisite painting style reveals the delicacy of oriental women's porcelain-like skin texture. The pale NIKM[ ]VLMZ \PM KIX[ [PW_[ IV QVKIZVI\QWV WN \PM LMXZM[[QWV IVL KWVĂ…VMUMV\ WN \PM XI[\ 1\ Q[ ZMJMTTQW][ Q\ ZM^MIT[ LM[QZM[ IVL Q\ [\ZQSM[ IOIQV[\ W]Z ^Q[QWV His pieces have been exhibited internationally and Private Collectors from all over the world collect his works.

Imprisoned


 Soarinf


  Oil


 on


 canvas


 


 150cm×180cm


 


Nostalgia

Oil

on

canvas

180cm×200cm

Nostalgia

Oil

on

canvas

110cm×130cm


廖真武 Liao Zhenwu

1V 4QIW BPMV_]¼[ TI\M[\ _QVLW_[ [MZQM[ _M ÅVL PQ[ IZ\Q[\QK ^QM_[ PI[ \ZIV[NWZUML I[ PQ[ TQNM IVL _WZS IZM VW_ JI[ML QV []KP a large metropolis as Beijing. He becomes interested in the window models which can be seen everywhere along the streets of large cities. Walter Benjamin's description of the streets and shop windows of western cities as well as the loafers or vagrants wandering around the cities at night is, to a great extent, applicable to today's urban scenes in China. The models in the shop windows symbolize the commercial society and also represent the indifference of the consumption society. People are attached to the idolized symbolic landscapes and even abandon themselves to such attachment which is, in nature, not real at all. Liao's new paintings IZM NZMM NZWU ]VQÅML QLWTQbML [\QNN NIKM[ IVL M`XZM[[QWV 1V[\MIL PM I\\IKPM[ QUXWZ\IVKM \W ZMXZM[MV\I\QWV WN \PM QV\MZIK\Q^M ZMTI\QWV[ IUWVO I OZW]X WN UWLMT[ 5WZMW^MZ PQ[ _Ia WN ZMXZM[MV\I\QWV Q[ VW\ QVÆ]MVKML Ja \PM XTIVM \ZMI\UMV\ UM\PWL XZM^ITMV\ QV \PM K]ZZMV\ IZ\ ÅMTL The heads of the characters are even enveloped by clothes-what the artist wants to show us is the materialized world where people's real natures compromise to the materialized desires. For this purpose, the artist weakens the bodies of models, which seem to be hard as rocks, with his own loose way of representation of lump structures. In this way, his artistic way of representing the urban consumption atmosphere emerged. On one hand, he grasps the indifferent and dying pulse of the consumption society; on the other hand, he tries to change such a pulse with drawing skills. It is the contradictory way of representation of the characters in the paintings that explains why the new works of Liao Zhenwu are critical of the cultures and customs of the consumption society.

Tmes

Tag

no.9

Oil

on

Acrylic

Panels

180x180cm

2007


潘德海 Pan Dehai

7]Z M^MZaLIa TQNM Q[ KWUXZQ[ML UIQVTa WN XM\\a \PQVO[ IVL \ZQÆQVO LM\IQT[ PW_M^MZ to "fuss over" them is not without sense. To observe them carefully can bring some kind of change to ourselves, to experience this change will bring our thoughts and feelings confront vis-a-vis in the stream of our past and present as well as stimulate our potential talents, to allow us to go back to the provenance of art and the departure of life. I think it is highly interesting to express one's thoughts and feelings into a kind of unsophisticated form, more valuable than fuss over lifeless symbols or concepts.

The

Story

of

Meditation

no.6

Oil

on

Canvas

160x100cm

2011


The

Past-

At

the

Barber’s

Oil

on

canvas

170x200cm

The

Past-

Street

Oil

on

canvas

170x200cm


哲 Ren Zhe

Graduated from the Academy of Fine Arts Sculpture Department, Tsinghua University and he is a member of the China Sculpture Institute. Ren Zhe is touted as one of the most accomplished young Chinese contemporary sculptors of today, and he has recently showcased 28 bronze and [\IQVTM[[ [\MMT [K]TX\]ZM[ QV PQ[ ÅZ[\ M^MZ [WTW M`PQJQ\QWV QV ;QVOIXWZM Seemingly traditional, his ideas and concepts closely relate to contemporary culture. Drawing inspiration from Japanese anime, he infuses his M`XMZ\Q[M QV UM\IT KI[\QVO \MKPVQY]M[ \W KZMI\M \Z]Ta UIOVQÅKMV\ IVL ]VQY]M _IZZQWZ [K]TX\]ZM[ \PI\ IZM ÅTTML _Q\P [XQZQ\ IVL KPIZIK\MZ :MV BPM LWM[ not strive to create a feeling of realism; but carves and sculpts sparingly, focusing on the characteristic pose of a movement to give an aura of heroic grandeur.

Azure

Dragon Stainless

Steel

320x170x140cm


申占君 Shen Zhanju

1974 Born in Hunan , graduated from Central Academy of Fine Arts. Leaguer of Society for Environmental Graphic Design. Now lives in Beijing. Solo Exhibitions: 2008 “The Medium of Desire ” 798 Art Center China Beijing Selected Group Exhibitions & Awards 2008 Beijing 798Art Festival China Beijing

Indefectible

Spirit Stainless

Steel

85x73x30cm

Azure

Dragon Stainless

Steel

80x90x50cm


Flying

to

the

Forest Oil

on

canvas

210x160cm

Mei・Van Oil

on

canvas

210x160cm


王懡慜 Wang Huaiqing

! " *WZV QV *MQRQVO 1969 Graduated from the Central Academy of Arts and Crafts, BFA 1981 Graduated from the Central Academy of Arts and Crafts, MFA 1988 Visiting Scholar OCU, USA First Grade National Artist in Beijing Art Academy Member of the China Artist's Association Director of China Oil Painting Association ;MTMK\ML -`PQJQ\QWV[" 2005 The 2nd Beijing International Art Biennale, China National Museum Traces of Nature, co - hosted by Art Retreat, Singapore and Yan Gallery, Hong Kong (Solo) <PM VL +PQVM[M )Z\ )KILMUQM[ JQMVVITM /]IVOLWVO )Z\ 5][M]U Guangzhou (Academic Award) 2000 Shanghai Biennale, Shanghai Art Museum, Shanghai 1999 Ling and Keng Gallery, Taipei (Solo) Leal Senado Temporary Exhibitions Gallery, Macao (Solo) 1991 1st Annual Exhibition of Chinese Oil Painting, China National Museum, Beijing (Gold Medal) 1989 7th National Art Exhibition, China National Art Museum, Beijing (Bronze medal) 1987 Contemporary Oil Painting From the People°Ă˜s Republic of China, Harkness House, New York 1984 Beijing Art Exhibition (First Award) 1980 Same Generation Oil Painting Exhibition, China National Art Museum, Beijing

Two


 Figures Lithograph


 


 


 134x80cm


 


 


Snowing


  Lithograph


 


 


 134x268cm


 


 

ć­Ść˜Ž中 Wu Mingzhong

*WZV QV ! QV \PM 0MJMQ XZW^QVKM WN +PQVI 5 ) )[[WKQI\M 8ZWNM[[WZ IVL ,QZMK\WZ WN \PM 7QT 8IQV\QVO :M[MIZKP 7NĂ…KM College of Fine Arts, Capital Normal University. He was the visiting scholar of Liebin Academy of Fine Arts in Russia, and Buffalo State College in USA.


Give

Prayer

crylic

on

canvas

300x600cm

They

acrylic

on

canvas

210x290cm


ä¹Œæ—¥æ ¹ Wu Rigen

Wu Rigen was born in Inner Mongolia, China. He started out studying arts at the Luxun Academy of Fine Arts, before graduating QV !! )N\MZ \PI\ PM _WZSML I\ \PM )Z\ +WTTMOM WN 1VVMZ 5WVOWTQI =VQ^MZ[Q\a ;QVKM \PMV PM PI[ XIZ\QKQXI\ML QV ^IZQW][ M`PQJQ\QWV[ IZW]VL \PM _WZTL QVKT]LQVO" +PQVI ,MVUIZS IVL ;_MLMV In 2005 he studied at the Royal Danish Academy of Fine Arts, and since then he has been based in Europe.

The



Production



Of



Love



 Sculpture



175



X



50X



22cm










颜志雄 Yan Zhixiong

Yan is a member of the British Royal Photographic Society and the China Photographers Association. He was born in Hunan Province in 1979 and now works in Beijing. He has studied traditional Chinese and oil paintings since his childhood, and majored in art design at university. At present, he is engaged in portrait art as well as photographing for commercial advertisement and star actors. His works have already won more than 70 awards in various photograph competitions in China, Austria, Ukraine, France, Belgium, Hong Kong and Macau. He has held several solo exhibitions.

Crossroads

Sculpture

85

X

113X

50cm


Dark

Fragrance

No.6 C-Print

Photography

80x120cm

Early

Spring

No.1 C-Print

Photography

120x120cm


凡 Yu Fan

In his modern ambition to 'construct human beings' Yu Fan believes that if sculptures do not refer to actuality then they have to advance on the way of symbol-spirituality. He is, in effect, attempting to unify Chinese traditional "man of Nature" with the modern subject, namely to combine into this man the compassion NWZ ITT TQ^QVO JMQVO[ _Q\P \PM UWLMZV VW\QWV WN [IKZQÅKM <PQ[ Q[ KMZ\IQVTa VW\ UMZMTa IV I\\MUX\ \W ZMQV^QOWZI\M TIVO]IOM \W ZMQV[\I\M \PM [IUM NWZU or fashion the spirit, the reconstruction of spirit and form is of the same 'principle' (body), language is the shape of the proper principle while this shape is both subject and shape. -`\ZIK\ML NZWU \PM [XQZQ\ WN [PIXM" UIV IVL Q\[ NWZU QV A] [ [K]TX\]ZM _ZQ\\MV Ja BP] 9Q

Leans

Against

Sailor

Painted

on

Bronze 85X25X4cm

Marcel

Duchamp

With

Birds Painted

on

Bronze 153x70x70cm


航 Yu Hang

Yu Hang's photography works not only captures fantasized imagination from traditional literature, but also illusions of cosplay game in a modern girls' dormitory. By these works, Yu Hang explores how females perceive their bodies in a male-dominated social woes. She also tries to construct a cultural and mental map, examining the fact that traditional culture imprints our obsession and fantasy on the female body.

Shanghai

Girl

Painted

on

Bronze 52x67x45cm


The

Butterfly

Loves

the

Flower

No[1].3 C-Print

Photography

96x100cm

Deep

Red

Lips

No[1].3 C-Print

Photography

91x100cm


Oil



on



Canvas







65x40cm











2011

ä½™



慧 Yu Hui

<ZIVKM I[ QN I\ aW]Z Ã…VOMZ\QX[ J]\ LQ[IXXMIZQVO _Q\PW]\ I \ZIKM A] 0]Q [ _WZS[ M`XZM[[ \PM P][\TM IVL J][\TM WN \PM [W]T IVL [XQZQ\# JTWKS[ WN UM\QK]TW][ KWTWZ[ M`XZM[[QVO I ^IZQM\a WN NMMTQVO[ WN IV`QM\a []XXZM[[QWV AM\ _M KIV [MV[M ZIa[ WN PWXM \PI\ LMÃ…VM W]Z PIXXQVM[[ ]XWV IKPQM^QVO \PM NZ]Q\[ WN TQNM


岳ć•?ĺ?› Yue Minjun

Immediately humorous and sympathetic, Yue Minjun's paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Drawing connotations to the disparate images of the Laughing Buddha and the inane gap toothed grin of Alfred E. 6M_UIV A]M [ [MTN XWZ\ZIQ\[ PI^M JMMV LM[KZQJM Ja \PMWZQ[\ 4Q @QIV\QVO I[ I [MTN QZWVQK ZM[XWV[M \W \PM [XQZQ\]IT ^IK]]U IVL NWTTa WN UWLMZV LIa China." Often basing his compositions on well known European masterpieces and iconic Chinese art, Yue subverts the grandiose aura of art history through his adaptation of pop aesthetics. Using both the exaggerated expressiveness of cartooning and the stylistic rendering of graphic illustration, Yue depicts his cloned doppelgangers as contorted and grotesque, all scalded pink skin and maniacal toothy cackles.

Oil


 on


 Canvas


 


 150x120cm


 


 2011


AD3009 il

on

Canvas

400x300cm

AD3009 il

on

Canvas

400x300cm


周长� Zhou Changqing

*M[QLM[ JMQVO SVW_V I[ \PM TQNM IVL [W]T WN +PQVI [ UW[\ XZM[\QOQW][ T]`]Za TQNM[\aTM UIOIbQVM 5Z BPW] +PIVOYQVO president of L'OFFICIEL', is also an outstanding upcoming artist in the vast landscape of Chinese contemporary art. In 2010 together with ten other most outstanding contemporary Chinese artists, Zhou exhibited successfully in "The Ten Faces of Modernity," Exhibition at 798 Art District, Beijing, China.

Patchery Oil


 on


 Canvas


 


 120cm


 x


 350cm


 


Ember


 Days


 (Left) 150cm


 x


 200cm


 


 

čľľĺˆŠć°‘ Zhao Limin

1970 Bom in Liaoning province 1995 Graduated from the Art Department of Inner Mongolia Academy of Fine Arts Currently lives and works in BeiJing Selected Exhibitions 2010 Intemational Contemporary Art Exhibition, 798 Art District,BeiJing,China 2009 Chinese Contemporary Recommended Art Exhibition in Amsterdam ,the Netherlands 2008 Heart and Body, Mulpa Space ,798Art District,BeiJing ,China 2008 February in Early Spring Contemporary Art Exhibition,China 2008 The 2nd Round Oil Painting Invitational in East Region Art Center, Beijing,China 2008 Assembly under Five Rings –Chinese Contemporary Art Exhibition in the Legend,Beijing, China 2008 Survival Scene Contemporary Art Exhibition, China 2008 I Love Songzhuang –Themed Exhibition of Songzhuang Art Festival,Roundness Art Community,BeiJing,China )Z\ -`PQJQ\QWV *MQRQVO *QVO ! )Z\ ,Q[\ZQK\ *MQRQVO +PQVI 2007 Dashanzi Art Festival-Three Artists Exhibition in QianFang Gallery,Beijing,China 2007 PassBy-ThreeArtists Exhibition,Beijing,china <PM ZL ;WVObP]IVO +]T\]ZM IVL )Z\ .M[\Q^IT *MQRQVO KPQVI


Nezha

Conquers

The

Dragon

King Oil

on

Canvas

200x280cm

Baby

Emperor

No.27 Oil

on

Canvas

138cm

x

185cm


é„’ĺťşĺšł Zou Jianping

! " *WZV QV @QVP]I 0]VIV Graduated from Chinese department, Hunan Formal University Studied oil painting, Guangzhou Academy of Fine Arts Selected Exhibitions 1996 Zou Jianping Contemporary Chinese Painting Exhibition, Bangkok 1997 The 1st Round Exhibition about the Ink report of Backyard of MaWangdui, Jinan, Shandong 2000 The 2nd Round Exhibition about the Ink report of Backyard of MaWangdui, Nanjing !! +PQVM[M +WV\MUXWZIZa )Z\ -`PQJQ\QWV )[QI 8IKQĂ…K 5][M]U =;) +WV\MUXWZIZa -`PQJQ\QWV NWZ 8IQV\MZ[ 1991 Chinese Culture and Modern China, Moscow 1997 Chinese Art Exhibition (hanghai Library !! <PM \P )[QIV 1V\MZVI\QWVIT )Z\ -`PQJQ\QWV 3]ITI 4]UX]Z National Art

Changsha


 Fable


 -


 Flower


 And


 Moonlight Water


 Color


 on


 Paper 111cm


 x


 219cm


 


Changsha



Fable



-



The



Youth



Bathes Water



Color



on



Paper 156cm



x



271cm





AIVO /ITTMZa ;QVOIXWZM *MQRQVO -^MV\[


Zhou Changqing Solo Exhibition - Yang Gallery • Beijing 798

Fang Lijun Investing In Chinese Conterporary Art Seminar - Yang Gallery • Singapore

Spiendor Exhibition Grand Opening - Yang Gallery • Beijing 798

Second Annual Conference of Collectors of Chinese Contemporary Art-Beijing


Yang Gallery • Beijing 798 About the Gallery Yang Gallery • Beijing is located in Chaoyang District, Beijing 798 Art District, along the main road. The gallery itself is located in an avant-garde styled warehouse, and has an area of 500 square meters. It is 30 meters long, 18 meters wide and 9 meters high. Retaining the original architecture design of the German Bauhaus style building structure.

Welcoming You To Host Your Events Yang Gallery • Beijing is one of the most prestigious venues & is available for a variety of activities & events such as: - Contemporary Art Exhibitions - Corporate Networking Events - Art Lectures - Multi-media Screenings - Large-scale Cultural Shows - Luxury Product Launches - Media & Press Conferences - Public Relations Conferences - Fashion Shows - Collaboration Exhibitions

FOR EVENT ENQUIRIES Tel: +86 10 5762 3020 Email: beijing@ yanggallery.info www.yanggallery.com.sg



中国当代艺术走向未来的姿态举世瞩目! 杨・国际艺术中心是新加坡和北京两地最具影响力的国际画廊之一, 致力于发展最具收藏和投资价值的中国当代艺术。 杨国际艺术中心展示作品包括:油画,雕塑,水彩画,摄影,版画,装置,家具设计和具艺术性的建筑设计等。 杨・国际艺术中心的客户包括: 当代艺术馆 、 私人艺术基金 、大型机构、奢侈品集团、投资银行和来自世界各地的私人收藏家。在过 去几年中,我们成功举办和参与了一系列具有影响力的展览和合作,例如:方力钧- 中国当代艺术投资研讨会、文化艺术交流、 和梅赛 德斯- 奔驰 合作的艺术展出,以及在新加坡和北京两地承办的多项关爱和资助残疾儿童的慈善展览和活动等等。。。 我们凭借对当代艺术史的认知和丰富的市场经验, 创新精神、专业背景和领先资讯,使得杨・国际艺术中心得以领先在中国当代艺术市 场的迅速发展和成长;我们为著名艺术家与收藏家之间建立了一个高效、开放、自由的艺术共享平台,并帮助艺术家和收藏家之间获得 全新的艺术体验! 我们的服务: 杨・国际艺术中心拥有最热情,创新,团结,专业的艺术团队、最领先的交易平台和最安全快捷的全球物流支付体系,我们衷心为我们 全球客户的艺术收藏之旅提供最优质的收藏服务! 付款方式: 购买作品的付款方式主要是通过全球化的电汇业务和在画廊中使用信用卡或现金支付。 运输服务: 我们提供全球范围最专业和完善的门对门运输服务。

热 情

创 新

专 业

团 结


杨 

• 国际艺术中心 / 新加坡 新加坡东陵路19号东陵购物中心 #02-41,邮编247909 电话: +65 6721 8888 电邮:spore@yanggallery.com.sg

杨 

• 国际艺术中心 / 北京 宋庄 中国北京市通州区宋庄原创艺术博展中心06号 101118 电话:+86 10 57623020 电邮:beijing@yanggallery.info

杨 

• 国际艺术中心 / 北京 798 中国北京市朝阳区酒仙桥路4号,798艺术区陶瓷三街,100015 电话:+86 10 57623020 电邮:beijing@yanggallery.info

www.yanggallery.com.sg



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