09 2016 Vol.84
LEE Yongbaek: An Unfamiliar ORLAN TechnoBody RetrospecPath - Hakgojae Gallery tive - Sungkokmuseum
Exhibition Ⓒ Lee Yongbaek
Exhibition Review
Lee Yongbaek’s works are like topics for a debate. By endlessly analyzing a matter and its sources, one may face the essence of the reality and the truth. A novice may read his work with superficial matters (social or political), and do not face the essential intentions of the artist. The works, installed in different spaces, seem to vary in material, form, and theme. But each works approach the subjects the artist has already dealt with in his previous works, with extended views. Once the subjects are comprehended, it is clear that these works share the same context.
ARTIST LEE Yongbaek TITLE An Unfamiliar Path DATE 2016. 08.19 - 09.25 SPACE Hakgojae Gallery Japanese poetic form, which is described as ‘an art of the moment.’ Lee Yongbaek’s works for this exhibition, like a ‘Haiku,’ binds the artist’s previous works and penetrates the reality. The artist questions, through his recent works in this exhibition: “Are our sensibility and mind intact, in a world where we divide the mind and the body, and arts and science?”
Kwang-yong Cho I Art Critic, President of Art & Discourse Extracted from ‘An Unfamiliar Path’
The works resemble a ‘Haiku,’ a traditional
ARTIST ORLAN TITLE TechnoBody Retrospective DATE 2016.06.17-10.02 SPACE Sungkokmuseum
Artist Statement
Born in 1947 in Saint-Etienne, France, ORLAN is one of the most provocative artists of today, always pushing the artistic boundaries, and defying the laws of nature and social norms. Internationally renowned for her performances involving cosmetic surgery, the artist grants herself unfettered freedom and pushes her creative potential by continuing to take as medium her body and her life. In 1964, at the age of seventeen, ORLAN declared that she would make her body “a forum of public debate.” Based on this postulate, ORLAN has continued to explore the issues relating to representation, sexuality, and the question of identity for the past fifty years. The exhibition ORLAN TechnoBody Retrospective unfolds the work of ORLAN from 1966 to 2016. ORLAN has dedicated her career to self-in-
© Orlan
vention using various media including the traditional, technological and medical. Working with photography, video, sculpture, painting, body, mass media, satellite broadcasting, and biotechnology, she champions hybridization through changing identities, and examines the polemics that arise in the fields of philosophy, politics, sociology, archaeology, and religion. ORLAN is recognized as a major figure of body art, more specifically “carnal art” as she defined in her 1992 manifesto. The artist uses her body as a unit of measurement, an artistic medium, a subject for experiments. About her practice, the artist says: “my work has always, right from the start, questioned the social, political and religious pressures exerted on bodies.” She continues: “working on the body and on my body means bringing together the private and the social.” ORLAN seeks to illuminate the path that leads to enlightenment, and to salvation and freedom from social prejudices.
Now Here - 공명의 진술 09 08 - 09 29 2016
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