12 2016 Vol.88
Kim, Yong Ik Solo Exhibition : HyeJa Solo Show : Reflective Kukje Gallery City - UNC GALLERY
ARTIST TITLE DATE SPACE
Kim, Yong-Ik Solo Exhibition 2016.11.22 - 12.30 Kukje Gallery K2
Artist Statement Kukje Gallery is pleased to present a solo exhibition of Kim Yong-Ik as our final show of 2016. This marks the first time the widely acknowledged artist’s work is shown at Kukje and will consist of thirty new paintings made between 2015 and 2016. Kim’s artistic practice from the past four decades had been deeply impacted by the rapidly changing cultural milieu of postwar Korea. Over the course of four decades, Kim has devoted himself to what he refers to as the mark of “imperfection,” exploring this complex idea in both his own artwork and his critiques of the role of art institutions. One of the defining aspects of this inquiry and Kim’s oeuvre is his consistently independent stance amidst Korea’s dominant artistic movements, from the Modernism of the 1970s and conceptual art, Minjung art, to the rise of public art in the 1980s and 90s. The series of new paintings on view can be interpreted as a reflection of this ongoing conceptual evolution and a seminal chapter in the artist’s life-long artistic practice. Each work presented in the show has one of the following five titles: Apocalypse of
Modernism, “In the Lingering Shadow” of Lies, Thinner…and Thinner…, After 20 Years, and Utopia. Present throughout all the series are Kim’s signature polka dots, first adopted by the artist in the early 1990s in an effort to create a mark on the authoritarian, immaculate surface of Korean modernist paintings. Kim chose the dot because it is easy to draw and symbolizes perfection. In the recent paintings, this early meaning has been set aside, and the dots reflect a simpler meaning yielding a pleasing array of tones and a rhythmic cadence. If Kim’s work thus far has dealt with his concern with the “modernist subject” often accompanied by rigid self-censorship and questions confronting the ethics of art or “art that makes sense,” the new paintings spared this burden of self-questioning to convey lightness that is readily visible in the thin surface of acrylic paint and light color palette. Kim Yong-Ik’s cynical undertone persists on the other side of this “lightness.” A majority of his new works are the result of his reinterpretation and reappropriation of past works that had remained as sketches or prints. By reworking these previous ideas, the artist maintains his stance that “art today can no longer be politically or ethically correct and that artistic production inevitably results from editing rather than creating.” Despite this strident belief, Kim continues to insert his trademark humor into the works in the series, using organic elements such as plant extract coupled with tiny scribbles left on the surface to destabilize any singular interpretation or mechanistic repetition of symbolic value. This paradoxical pairing further elucidates the fact that these works, rather than an ode to lightness, are engaged in a dialogue of existential proportions, grappling with the contradictory conditions that art is facing today.
Exhibition
ARTIST HyeJa TITLE Reflective City DATE 2016. 11. 24 - 12.15 SPACE UNC GALLERY
Artist Statement Somewhere between digital and analog HyeJa often walks on the streets and takes random photos of cityscapes. The photos that are took both consciously and unconsciously are used as reference for her painting source. Her interest toward cityscapes is easily found in earlier paintings, which are full of signs such as neon lightings, business, and reconstructions and what they signify. If her earlier paintings are about to disclosing the invisible desires of city, the recent works inherent her extended theory that believes the romantic nature of human is invariable despite of digitalized reality. HyeJa goes through the photos once she collected, then extracts and reconstructs images using digital method and finally she composes her own ‘Reflective City’. Of course the composing process that she once went through was the result of digitization, but in fact the
김남표 Kim, Nampyo Solo Exhibtion
2016.11.25-12.20
속내 Inward Thoughts
pialux 피아룩스
image that she collects analogiguement is also a by-product of digitalized modern society. And here, we stand at the point, somewhere between digital and analog by looking both cities from her painting that contains analog interpretation and from reality. Reconstructed cityscapes in the painting is layers of temporal memory, and it is a result that puts all the fragments together, that stay and disappear in her mind. Her paintings are somewhat cynical because of the illusionary characteristic of city without being cohesive and continuous, but eventually, we can find her romantic and analog attitudes behind the illusionary veil. Everyone has their own romance. It can be a few measures of song or memories of bygone age but there is one thing in common, which is romance, the emotion of pounding one’s heart, and the emotion that is only inherent in human. The surroundings are eventually all man-made products, no matter how they are digitally developed and because of the romantic sense, we keep contemplating about our role as human in this society. A romance for HyeJa is paining, what is your romance?
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2016 아르코미술관 한국-대만 큐레이터 협력기획전
Managing Edito Seung hoon Lee r Editor Designer
w w w. a r t n m a p . c o m
동백꽃 밀푀유 2016 아르코미술관 한국-대만 큐레이터협력기획전
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YUN, Suknam Solo Exhibition
윤석남 개인전
빈방
Jaesam Lee
YUN, Suknam
2016. 11.05 - 2017. 01.15 Hakgojae Gallery
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Ryu In
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Lee Hyeryun Solo Exhibitions
이혜륜
Lee Hyeryun
Solo Exhibition 2016.12.01-12.07 IGONG GALLERY
Sagandong Area /
Exhibition Info Korea
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2016 2016 2016 2016
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Kim Yong-Ik 11 22 - 12 30 2016
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Lim, Soo Kyung Solo Exhibitions
임수경 꽃 그리고 거짓
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Gwanghwamun
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코리아 투모로우 2016 11.19 - 12.18 2016
Solo Exhibitions
최소희
11.29-12.05 2016
Red Territory
Shinsa, Seocho, Itaewon, Yeoksam- dong / Exhibition Info Korea
Pyeongchang-dong
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김종영 미술관
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리움미술관
올라퍼 엘리아슨 세상의 모든 가 능성 Olafur Eliasson The parliament of possibilities 2016.9.28 ~ 2017.2.26
대한민국수채화대전 12.08 - 12.14 2016 지산 이종능 도작30년전 12.08 - 12.16 2016
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Jung Ki Woong 11.10 - 12.10 2016
서울미술관
비밀의 화원展 10.18 2016 - 03.05 2017
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김향안 탄생 100주년展 10.28 2016 - 01.15 2017
에르메스의 <Wanderland (파리지 앵의 산책)>展 11.19 - 12.11 2016
n
Solo Exhibitions
정유선 정원의 철학
Philosophy of Botanic Garden 2016. 11. 30 - 2016. 12.6
09 01 - 11 20 2016 톰 탄디오의
인도네시아 현대미술 컬렉션 송은아트스페이스
2016. 10. 13 - 12. 10 참여작가 위스누 아우리(Wisnu Auri), 위모 암발라 바양 (Wimo Ambala Bayang), 두또 하르도노(Duto Hardono), 좀뻿 꾸스위다난또(Jompet Kuswidananto), 아디띠야 노발리(Aditya Novali), 에꼬 누그로호(Eko Nugroho), 알베 르트 요나단 스띠아완(Albert Yonathan Setyawan), 믈라띠 수리오다르모 (Melati Suryodarmo), 뜨로마라마(Tromarama) / 총 9팀