1 minute read
FIGURES IN DECAY WITH MYSTICAL, OTHERWORLDLY OVERTONES
from Artpaper London #01
by Artpaper
CO-MA centres a desire to experiment at the forefront of his art practice. Replacing his paintbrush for sticks of charcoal and “using cheap makeup brushes” in 2019, he began creating strikingly vivid portraits, which mesh desolate bodies and figures in decay with mystical, otherworldly overtones. His work has no frills but contrasts living in the world of black and white.
“Charcoal gives me freedom to have a full range of control to play with values, textures and intricate details. I’m drawn to the medium because it feels natural, especially when dealing with skin textures,” CO-MA explains.
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The Self taught artist spends his days in his art studio, where he works on monochromatic pieces as well as objects which include bespoke, upcycled lamps and bespoke furniture.
CO-MA is a “collector of nice things” which are broken down into their primary parts and find themselves in the new objects that he builds. From which he exhibited a collection of lamps and benches at his last solo show at Lily Agius Gallery last November.
“I had 10 boxes of things I’ve collected throughout the year: parts from cars, fridges, washing machines, an antique hose, doors and windows that are 300 years old,” the artist explained. The result are pieces that are at once functional, intriguing and otherworldly.
CO-MA likes to challenge himself; he also repels anything normal or doing what’s expected of him, “I find it easier to shock than to please” the artist concludes.
CO-MA will be taking part in the group exhibition titled HoverStill at the Malta Society of Arts from the 6th of July. For more information on CO-MA view his website www.coma-artist.com and follow Lily Agius Gallery on Instagram and Facebook.