Issue 6 • August 2018 • Facebook.com/TalkArts
IT’S ALL ABOUT
ARTS
Supporting Local Arts and Culture
From the Editor: Community Access TV What’s In It For You?
“Public, educational
and government access television is a form of non-commercial mass media where ordinary people can create content which can be viewed through cable TV systems”. (wikipedia) Who are these ordinary people? They are residents and nonprofit organizations who can create and broadcast media via a local access television organization.
There are thousands of community access
stations across the world (200-250 in Massachusetts according to Mass Access) and while each has different protocols (such as membership, resident of a specific town, etc.) and different funding sources, all are about giving the “ordinary” people access to mass media. Here in Boston, there is Boston Neighborhood Network (BNN). According to the BNN website, “BNN Media has been managed by the Boston Community Access and Programming Foundation, Inc. (BCAPF) since Boston’s first cable franchise agreement in 1983. The mission is to connect, inform and empower those who live, work and study in Boston through distinct and diverse community media programming, education and services”.
Scriptwriting-Hosting-Interviewing Techniques; Basic Audio for TV Production; Broadcast Pix Workshop, Field Production, Film Editing and more. BNN also in the past year has created a formal radio station WBCA 109.2 FM station that is for “ordinary” people.
To learn more about Massachusetts commu-
nity access TV, visit Mass Access at massaccess. org. There you can find the community access station closest to you. To find out more about BNN visit bnnmedia.org IT’S ALL ABOUT ARTS
watch on www.bnntv.org www.itsallaboutarts.com facebook.com/TalkArts Twitter - @itsallaboutarts Instagram #itsallaboutarts BEYOND THE PALETTE RADIO SHOW AND PODCAST www.wbcaradio.org facebook.com/glennspalette Podcast can be heard on www.podbean.com or ITunes ROSLINDALE ARTS ALLIANCE www.roslindalearts.org facebook.com/Roslindale-Arts-Alliance-129685993761701 ART STUDIO 99 www.artstudio99.com facebook.com/Art-Studio-99-145566388819141 Twitter @artstudio99 Instagram - janice_art_studio_99
Along with access to broadcast a program on
television, most community access stations provide wonderful training for people to learn TV production, filming, editing, etc. Boston’s BNN offers such classes as: Advanced Camera Operator; Advanced TV Script Writing; Virtual Reality; Advanced Audio Setup & Operation; Virtual Reality Demonstration; Lighting Design Embellishments; Basic TV Studio Production Workshop; TV Studio Camera-Floor Managing; It’s All About Arts Magazine August 2018
Published by It’s All About Arts Copyright 2018 - All Rights Reserved Glenn Williams - 617-543-7443 glennsmusic.williams@gmail.com Janice Williams - 617-710-3811 janice@artfulgift.com TO ADVERTISE - REQUEST OUR MEDIA KIT
Tim Casey - A Creative Odyessey by Janice Williams
“ I think it’s important for the health of your brain to keep creating until your last breath, regardless of how others feel about your creations”, so says Tim Casey. I have had the pleasure of being close to Tim Casey’s massive creative genius for many delightful years. Casey never fails to amaze me with each project he takes on (and there is always a project or multiple projects). Casey is a multi-talented - musician, singer, songwriter, producer (music and video), film buff, graphic designer (especially of album covers), model builder (his serious hobby), physics teacher, husband to an amazing artist and father to two lovely daughters. Musically in his “Kon Tiki Lounge” studio aka Lowbudget Records (since 1979 with partner Glenn Williams) in Roslindale, Casey has produced almost a hundred albums along with 36 episodes of Transmission Hour (a made for community access TV program of music and interviews that was nominated for an Emmy) and about 12 DVDs. Some of those albums have been produced using a wide variety of amazing local talent. Musicians and singers are regularly invited to come into the studio, work together and be part of albums. Casey is the conductor It’s All About Arts Magazine August 2018
extraordinaire. He is the expert around the latest recording techniques and has the patience and talent to do it right every time. He is constantly learning and sharing his knowledge. Most of Casey’s work is rock and ambient tunes. When asked who his favorite artists were, he responded: “Musically: The Beatles, David Bowie, The Stones, Dylan, and Beethoven. Beethoven’s complete String Quartets and complete Piano Sonatas. Film: Hitchcock is at the top, along with the explosion of great films from Germany in the 1920s”. Casey has always been creatively ahead of his time. He owned and operated a coffee shop in Roslindale Square in the 90’s that not only served great coffee and wholesome treats but also supported the local musicians and poets. Over the years he has scored soundtracks for silent film classics that are chillingly entertaining. His latest film venture is the creation of a giant theater screen in his backyard with surround sound. He recently screened the The Beatles “Yellow Submarine”. A summer treat in the neighborhood! While most will think about Casey for his
music venues, I am truly fascinated by his “Model Museum”. He has been building models for years and recently renovated his (continued)
Tim Casey - A Creative Odyessey by Janice Williams (continued)
small backyard shed to house what has become an impressive, and enormous collection. He has samples on his website that also include original photos of the subject matter. Here is a small sampling: 1920’s The Phantom of the Opera; The Cat and the Canary; 1930’s The Three Stooges, We Want Your Mummy; The Wizard of Oz; 1940’s Wolfman; The Body Snatcher; 1950’s Godzilla; War of the Worlds; 1960’s (who else) The Beatles; Star Trek; and my all time favorite from Casey’s “Hero” series David Bowie: Diamond Dogs. From the Lowbudget Records website: “Here at Lowbudget Records, the album is king! You can download albums here (or order physical discs). The downloads include MP3s for your iPod and 24-bit WAVs for your DAC, along with a folder full of graphics and info. Individual songs may be bought on iTunes, Amazon, etc. But
It’s All About Arts Magazine August 2018
really - buy the whole album, grab your favorite beverage, and crank the hifi - it’s time to listen again”! More at www.lowbudgetrecords.com
Creativity Leads Revitalization of Dedham, MA Members have hosted “Artist of the Month” receptions and lecture-demonstrations at the Gal lery, open to the public; Artist Challenge Group Shows are open to outside artists as well as local high school students. The Challenges are curated around a specific theme and are routine in the lower gallery of the Dedham Community Theatre; the Parish Players at the Unitarian Church present an annual play, whose title The Dedham Square Artist Guild and theme are mirrored by themed (the Guild) has had a laser-like focus group shows at the Gallery. The on promoting the arts in Dedham Dedham Farmer’s Market during since its founding in 2011 by Kerry the spring/summer/fall has also Hawkins, Marietta Apollonio and Jen provided a venue for Guild Artists Barsamian. The Guild is Dedham’s to showcase their work. first artist cooperative, owned and Guild artists have particioperated by its members. pated in Art In Bloom, sponsored The collection of work at the by Friends of Dedham Library. In Gallery & Shop at 553 High Street addition, the members routinely Blue Bunny encompasses a diverse range of art. donate artwork for Art media include painting, photography, ceramcharitable causics, jewelry, monotype, wood, glass, textile and es and non-profit much more. The Guild provides members of the auctions throughout cooperative a home for their work and the opporNorfolk County. The tunity to connect with the Dedham community. Dedham Exchange The shop is open 5 days a week, Wednesday is a wonderful through Sunday; the artists work every shift. This champion of the gives visitors the opportunity to meet an artist Guild, interested in each time they enter the gallery. the work and carry The Guild’s members include: ing the textile patMarietta Apollonio, Kevin Becker, Wendy terns of member Birchmire, Sandrine Colson, Alice Donaldson, Kathy Zola, and the Mark Dooley, Gretje Ferguson, Bill Fiolek, Claire ceramic Dedham Griffin, Kerry Hawkins, Sue Hoy, Gillian Jackson, Heart of the Square Bunny dishes of Gary Koeppel, Matt member Lisa Walker. The Endicott Estate’s anMiller, Cindy Mootz, nual concerts feature community art projects led Mona Podgurski, Dennis by members of the Guild. And locals out for an Stein, Barbara Trainer, evening of dining can view artworks in many of Anastasia Vassos, Lisa Dedham’s restaurants. Walker, Rali Weaver, The Guild has proudly sponsored a numJane Wojick, and Kathy ber of local events including the Dedham Portrait Zola. Project; the Catching Joy Project, which includes Since 2011, Guild making artful cards for people in need; and a members have engaged Utility Box Project (sponsored by Dedham Pride), with the town of Dedham which invites artists to artfully decorate unsightly on many fronts. Gary Koeppel It’s All About Arts Magazine August 2018
utility boxes into works of art. Perhaps the most beloved of art projects was a Dedham Public Art Project in 2013 that included a call to artists to decorate a 5-foot fiberglass bunny. All the bunnies were displayed in various locations around Dedham, many of them decorated by Guild members. The project culminated in an auction to sell the bunnies for the benefit of the town. 2018 will see another “public bunny project” that is sure to be just as exciting. The Town of Dedham has become a vibrant arts community with art-friendly venues besides the Dedham Square Artist Guild: Mother Brook Arts Center hosts resident artists in its studios. Open Studios at Motherbrook is an annual event that attracts thousands of visitors from Dedham and the surrounding communities. Dedham’s traditional commercial venues also provide artful experiences: the Blue Bunny, a bookstore whose café provides a restful spot for customers to enjoy reading and quiet conversation; Heart of the Square highlights jewelry craft, as well as original clothing designs. Nest is yet another small business that displays paintings of local artists on its walls, as well as artistic, handmade jewelry and crafts. The arts contribute so much to the life and economy of every community. It’s been shown that arts organizations generate significant income to their cities and towns. In addition, the arts bring people together through civic projects, and unite people in their appreciation of beauty, and their contemplation of life. Because of the blossoming of the arts community with so many artists united in Dedham, Dedham Square is becoming an art destination for residents and visitors alike. More Info: dedhamguild.com. Special thanks to Anastasia Vassos and Kerry Hawkins for this article and photos.
Wendy Birchmire
BUY ART
It’s All About Arts Magazine August 2018
Kerry Hawkins
Claire Griffin Sue Hoy
Sandrine Colson Matt Miller
Cindy Mootz Jane Wojick
SASJA LUCAS: Chance, spontaneity, intuition, and accidents
by Curt Naihersey
Sasja Lucas is originally from SungeiGerong, a city in the steamy jungle on the island of Sumatra, Indonesia. A sharp contrast in climate and environment greeted her as her family moved to the flat landscape of Holland and then to the even flatter midwest of Canada. Eventually settling in the comparatively temperate climate of upstate New York, it was there that Sasja received a BFA from the State University at Binghamton, where she studied with renowned artists Angelo Ippolito, Linda Sokolowski, Charles Eldred, Don DeMauro, Don Bell, Aubrey Schwartz, Edward Wilson and David Shapiro. Receiving a full fellowship to go to graduate school at the George Washington University, she continued her studies with William Woodward, Edward Teller, Frank Wright and Arthur Hall Smith. She moved to Boston, MA in 1980, where she has maintained her own studio in Hyde Park for over thirty five years. The many paintings, drawings and prints that have emerged have been shown and c o l l e c t e d n o t o n l y l o c a l l y, b u t internationally. Drawing on experiences that were nurtured by a very creative family (her father was an architect and her mother was a potter and a seamstress), she involved herself in other diverse artistic pursuits: murals; graphic, interior, exhibit and stage design/ production; and 2-D and 3-D fabrication for animation. A desire to share in artistic dialogues (and to remove her from the self-imposed isolation of the working studio) led her to become a founding member of the cooperative Cornwall Gallery, Jamaica Plain Arts Association and Open Studios,
and the Menino Arts Center. Teaching art and design at a variety of institutions, (Massachusetts College of Art, Newbury College, the Fuller Museum, Brookline Arts Center, Menino Arts Center, and Cornwall Studios/Gallery), further brings her into contact with students (ages two through ninety five), from whom she always seeks inspiration and sees first hand the process of discovery on which all her art is based.
End of Sail
acrylic/oil on canvas 12” x 30”
Her Artistic Statement: My work is evidence of an act of discovery which occurs through the process of creating. The process itself is the driving force, as opposed to a method that is informed by a predetermined result. Embracing ignorance, innocence, and mystery, I’m not interested in arriving at a place where my mind has been before, nor, traveling there on a familiar road. Chance, spontaneity, intuition, and accident preclude the intellectual as motivation. We recently sat down to chat about her art and upcoming projects:
1. How do you spend your days working on your art? During how many hours? I have had an art studio for over 40 years. For the last 25 years it is a space that I built attached to my home. I therefore have the luxury of being able to enter (and exit) it at any time. I do not follow a strict regimen as the rest of my working life does not allow that. I find myself drawn in at all hours of the day and many times in the middle of the night. I consider my studio to be a time warp chamber, as sometimes there is no element of linear time and the productivity that arises in these moments are incomprehensible. 2. What is the driving force behind your creativity? My method of working involves everything that I don’t know, all that I have not seen, but through the process of working, just seems to appear. I am inspired by any artist where I sense the same thing. I am drawn to explorers who are not afraid to go where they have not been before. I have stores of visual information to draw upon, through the incredible exposure of my youth to many different places, terrains, countries and cultures, though they surface through the unconscious and subconscious realms. It is the process of working that inspires me, rather than a predetermined outcome. It is the challenge to push through the boundaries of the known while simultaneously unifying a composition of seemingly disparate spaces and forms. This is done through orchestrating the application of color. Often the work results in a spatial ambiguity as planes push and advance from the picture plane which pull and recede. This is the way the art becomes alive and breathes.
3. What kind of art do you do? Intuitive or academic? Although I study and create many academic works, I don’t consider them to be the focus of my art. I, like my mentor Angelo Ippolito, a painter who knew and was influenced by the pioneer abstract expressionists, “believed that painting had to be direct. We get rid of preconceived ideas and instead let the image come out of the paint by brushing, pushing, throwing, dripping it and all the other things you can do with paint. The media becomes not a means to a finer end; instead the end is to be found in the means.” Also, the artist Paul Klee put it so eloquently: “Art does not reproduce the visible - it makes visible.”
!
4. Do you have any social message that you try to portray in your work? The social message requires the ‘reading’ of the visual message that exhibits that everything is in its place. In an essay by Irving Sandler, he offers: “In the end, what counts is the sense of rightness, …..determined intuitively, via what Kandinsky called ”inner necessity”…. but also a matter of “good taste”…Good taste is the ability to differentiate between color saturated up to a perfect pitch and color approximate only…between sentiment and sentimentality….between spontaneity and clever technique.” 5. Where do you exhibit your art ? (Previous, Current, Upcoming) Previously I have exhibited nationwide in juried shows: a.) Galleries at Kimball Jenkins Estate, Concord, NH, Salon Des Refuses, -
Director ’s Choice Award, “Twilight Saraband”
Exhibition, Juror: Scott Schnepf, Prof of Printmaking at the University of NH f.) Menino Arts Center, Hyde Park, MA, Portraits, Juried Exhibition, Juror, Sally B. Moore, Associate Professor of Art, Fitchburg State University
!
Currently 2018 at : The Art Complex, Duxbury, MA, 5th National Monotype/Monoprint Juried Exhibition, juror Judith Brodsky, New York Foundation for the Arts; Founder, Rutgers Center for Innovative Print and Paper
!
Upcoming at: a.) Taylor House, Jamaica Plain, MA, 8 Visions b.) Gallery 175, Pawtucket RI, Allusions, a three women exhibit
!
6. What kind of community involvement do you pursue with your art? Tell us about the upcoming HP150 Art Day.
Twilight Sarabande 1 Monotype silkscreen print 43” x 30”
b.) Hopkinton Center for the Arts, Hopkinton, MA, Small Wonders, Juried M e m b e r s ’ E x h i b i t i o n , j u r o r, Ly n n Peterfreund, Zea Mays Printmaker c.) Gateway Gallery at Great Bay Community College, Portsmouth, NH, A Small Exhibition of Large Works, juror Dr, Annette Cohen, Prof of Fine Arts and Digital Design at Great Bay Community College d.) Zullo Gallery, Medfield MA, Artist’s Return, Juried Show of eleven artists e.) Brickbottom Gallery, Somerville, MGNE, ONCE: A Juried Members
I am currently the Curator at the Menino Arts Center in Hyde Park. This brings me into contact with artists I have known for many years while reaching out to other artists to invite them for inclusion into the exhibits that are proposed. I also run workshops in printmaking and the “Giant Draw”, where up to 12 artists work on paper from six to twelve feet long. For over three years, I have attended a Portrait drawing class, which keeps my eye and hand trained ‘academically’, and then allows me a lot of experimentation with abstracted form founded in representation. Currently, I am involved with HP150 Arts, a committee formed by several artists, art groups and residents of Hyde Park that are concerned with bringing artistic creativity to the forefront in celebration of
Hyde Park’s 150th Anniversary. We are sponsoring an Urban Arts Festival on September 8 from 12 - 5pm @ the Martini Shell Memorial Park, 1015 Truman Parkway in Hyde Park, with stage performances of musicians, singers, dancers and spoken word. It will feature a Battle of the Arts, in which artists will compete against each other in a timed creation of artwork for cash prizes. This call is open to any artist 16 and up, with pre- registration required. Also included is a Steamroller Mega-Printing event in which artists and their teams will ink precarved relief blocks and then roll over them with an industrial steamroller to create their oversized prints, some 3 ½ 7 feet! The public of ALL ages are encouraged to participate in making art in several collaborative projects, ranging from graffiti murals, collage totem pole masks, mini-printing, 30 ft long paintings and drawings, paper mosaics, cutout cartoon characters, poetry and haiku writing, and face painting. The important message to convey is that we all are endowed with creativity and should have the opportunity to have fun at expressing it.
!
7. What have you done in your career that precipitated intense interest in your talent? My career is made up of a kaleidoscope of many things with the one unifying factor that they were all creative. Some of my artistic pursuits include: murals, graphic and interior design, design for the stage, and design/fabrication for animation and exhibits. This allowed me to cross disciplines and work firsthand with the elements of form and principles of design that permeate.
!
8. Who has influenced you? Do you have a favorite artist? I would say that one of my most impactful influences came from one of my college professors, Angelo Ippolito. He was a founder, along with Lois Dodd, Fred Mitchell and sculptor Bill King of the Tanager Gallery, the first of the Artist run cooperatives in NYC. Just as they were influenced by the Pioneers of Abstract Expressionism, (Pollack, Kooning, Kline), I too, incorporated their ideals. Other artists I strongly admire are Matisse, with his brilliance of color and expressiveness of drawing and Paul Klee with his very unique visual inventions rooted in poetry.
!
9. Do you have any advice for aspiring artists? Trust your instincts - your gut. Be true to yourself. At the same time, practice! Look at everything - copy everything. As Picasso once said - steal. Keep your mind open to empower yourself with the ability to constantly be awed by the new. Don’t learn technique to make a product learn technique to open up possibilities. Only with mastery will you be able to truly express yourself.
! !
Please go to www.sasjalucas.com where you can see many of her phenomenal paintings, drawings, prints, mixed media and murals.
!
____________________________ It’s All About Arts - August 2018
It’s All About Arts Magazine August 2018
It’s All About Arts Magazine August 2018
Beyond The Palette Art and Education Talk By Glenn Williams As a member of the educational profession, it has been my mission to provide all the students I encounter with a vessel to express themselves creatively. I think the ability to produce a line of communication through the arts is something available throughout humankind. I repeat something I believe in my classroom regularly that we are all artists; some of us, just have not been discovered yet. I say this when one of my learners feels they are having a difficult time connecting with one of their pieces or finds themselves comparing their work negatively with one of their classmates. There is a John Dewey quote that will express it more artistically, “Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuals”. I have always been an artist, musician, and composer, yet I came to education later in my life. I spent much of my adulthood working in the corporate world raising and supporting my family and the minute I changed professions to teaching, giving back to our younger citizens, became my priority. I had the incredible honor to hear former President Barak Obama say, “The future belongs to young people with an education and the imagination to create”. Combining the thought that education and the resourcefulness to develop our creative capabilities reinforced my belief that a STEM-based education (Science, Technology, Engineering, and Mathematics) can find improvement by the inclusion of the arts. STEAM is STEM with the addition of the arts into the curriculum. A central aspect of the American story is creativity and ingenuity. Art education adds an element of personal success and develops the student’s critical thinking, problem-solving and individual expression. By collaborating with academic colleagues to produce lesson plans that follow students across their common curricula, it It’s All About Arts Magazine August 2018
will enable them to connect the fields of learning and hold their interests by cross relating their progression. For many years, the recognition of the arts as a vital aspect of the overall education of our young has been present. The Massachusetts Drawing Act of 1870 made it mandatory for public schools located in cities with more than 10,000 residents to include drawing as one of the nine essential courses for students from the age of 15. This law placed the art of drawing on the same level as math and science and paved the way for educators to recognize the importance of adding this discipline. When I add a lesson that includes the evaluation and discovery of the symbolism of Don Troiani’s Parkers Revenge, April 19th, 1775, the students can directly associate their findings with their social studies class learning about the American Revolution. The discussion will follow the students from class to class and strengthen their understanding. Technology is the gateway to the future. This tool has allowed me to connect my students with learners across the globe. By participating in interactive Internet classrooms, they can compare findings, discuss creative differences, and bond with the world. Technology is shrinking our planet through instantaneous communication. If we are preparing our children to be competitive in the 21st century and beyond, it is our responsibility to provide them with the tools needed to participate on a global level. Today’s teachers need to use all the equipment we have at our disposal to produce an environment of wonderment, discovery, and accomplishment. I remember, as an elementary student, there was a teacher who instilled in me the want to create music as a form of expression. She taught me that the arts are the only truly international language. Regardless where in this world you lived, a painting of a beautiful rose is beautiful to everyone, Twist and Shout by The Beatles will make you tap your foot, and a photo of a mother with her child will raise an emotion. I wish this understanding on all my students and hope for them a want to communicate in this way. More at facebook.com/glennspalette
BEYOND THE PALETTE
with Glenn Williams ARTS EDUCATION ROCK & ROLL
Arts educator, arts promoter and singer, songwriter, Williams can be heard weekly spinning tunes and talking about arts and education. Listen on BNN Radio: WBCA 102.9 FM (Wednesdays 7-8 pm) or streamed live on wbcaradio.org and at Beyond The Palette podcast at Podbean or ITunes.com.
facebook.com/glennspalette
A LITTLE HELP
www.janicebiz.com • 617-710-3811 • janice@artfulgift.com
It’s All About Arts Magazine August 2018
It’s All About Arts Magazine August 2018
COLLAGE Red-Raven is the alter ego of artist Bob 2 Late 42”x42” Studio located in Beverly, MA.
Packert.
He explores the boundaries of fine art photography, mixed media, and video, while using collage to create a unique vision. His artwork can be found at:www.red-raven.com
John Engstrom Trippy Velasquez 7” X 11” Boston
I have been making art my whole life and have had exhibits of my work in Boston and Cambridge and on the Internet. My artistic mediums are collage, drawing and photography. In the collages, I juxtapose cultural and historical images and symbols and mix them up irreverently to create jarring effects. My role models are Surrealist artists such as Max Ernst, Hannah Hoch and Kurt Schwitters. “Trippy Velasquez”, the work I submit here, throws together Baroque art, nature photography and advertising imagery in a layered meditation on time and perception. SOCIAL MEDIA CONTACT INFO: See Facebook for “John Engstrom” visual and written posts.
Janice Williams In Process 4” x 6” Boston
I love to recycle the many magazines that come in the mail. I make them into postcard collages. I add to my Instagram page: @janice_art_studio_99 and sell in my Etsy store: etsy.com/shop/potzandbirdz
It’s All About Arts Magazine August 2018
music in Roslindale 4th Annual ROSLINDALE PORCH FEST SATURDAY SEPTEMBER 15, 2018
Sponsored by the Roslindale Arts Alliance, the 2018 Roslindale Porch Fest will be held on Saturday September 15 from 1:30-5:30 pm, with a rain date of Sunday September 16. This family-friendly event showcases local talent all over Roslindale hosted by residents eager to provide their porches, driveways, yards, and gazebos as venues for free musical performances. Roslindale Porch Fest is free to all, thanks to our generous sponsors. Last year’s event featured live music at 70 locations across Roslindale, with 110 music acts participating in styles ranging from folk to jazz to rock to reggae to classical, and a crowd estimated in the thousands. Please join us!
Sponsors Sullivan’s Pharmacy, Centre Cuts Salon and Spa, Green T, Joanne Rossman, Birch Street House and Garden, Tremont Credit Union, East Boston Savings Bank, Joey Francoeur-Krzyzek’s Hue, Harmony and Health, Village Market, Krupa Insurance, Pet Cabaret, Boston Cheese Cellar, Roslindale Hardware, Parkway Gas, Rialto Barbers, Hercules Press, Roslindale Open Studios and Sue Forti,
Thank You
roslindalearts.org Follow us on Facebook for updates to the event! Logo design By Danny, Sacred Heart School, Roslindale It’s All About Arts Magazine August 2018
It’s All About Arts Magazine August 2018
It’s All About Arts Magazine August 2018