3 minute read
CONTENTS
Cover: Richard Templeton Smith
10. M.O.L 38
THE SUBMERGED SUNRISE OF WONDER Ashraf Jamal Column
16. TAF23 Turbine Art Fair in its Second Decade
20. UNVEILING THE SYMPHONY OF PERFORMANCE An Expanded Artistic Tapestry
23. ON THE MINES: DAVID GOLDBLATT The Great Chronicler and Documenter of South Africa
LEARNING THROUGH ART
The Museum as Classroom
38. BESPOKE ART AT SOLO STUDIOS Intimate Art Encounters Returns to the Riebeek Valley
44. BUHLEBEZWE SIWANI’S “IYEZA” Artistic Gestures Towards Healing
50. APS IN THE FOREFRONT OF PRINTMAKING EDUCATION Growth and Opportunity Moving Ahead
56. ART IN THE HEART OF THE KAROO Prince Albert Open Studios
62. VULEKA COMPETITION TURNS 60 The Oldest Continuous Art Competition in Southern Africa
66. HERMANUS FYNARTS FESTIVAL 2023 A Fusion of Arts Festival and Winter School
74. AN ENDLESS NIGHT A Showcase For The Country’s Creative Achievements
BUSINESS ART
Fine Art Auction highlights
ARTGO
Current & Upcoming Exhibition Highlights
Artwork: Mary Sibande
Itgives me enormous pleasure to present to you the new JuneJuly copy of the Art Times. This edition starts a new trend that we wanted to start some time back of printing every two months, this decision we felt had definite advantages to it. These advantages include that our clients would have 2 months to get the best of the month before an upcoming exhibition to publish. In the social media and publishing world a month goes too quickly and two months would mean a quality breathing space. In addition to this merging the magazine into 2 months into one edition would give us more time to greatly extend our online, social media, and newsletter platforms.
In this edition of the Art Times, we are headed for a treat of great SA Art from all over the country. The Turbine Art Fair is back in full force and looks to me like a smashing event, to fly to if you are not lucky enough to live in or travel to Johannesburg.
In the Cape we have the Hermanus FynArts, Prince Albert Open Studios, and Riebeek Valley’s Solo Studios coming up. All events have done and evolved remarkably well in putting their towns on the cultural and quality of life map.
The Artist Proof Studio in Johannesburg is doing incredible things and I always enjoy going to their website to see the latest work by young and dynamic artists. In roughly the same area be sure to read Oliewenhuis’s article about Art and Education.
The GFI Gallery is hosting earlier works by David Goldblatt entitled ‘On the Mine’s curated by Karel Nel, which is a statement in itself about how South African artist’s work can go on to inspire, record and warn against to perils of inequality. ArtB Vuleka Award is the oldest award to date in South Africa and is a great way to launch a young artist’s career. The money is still largely put up by Conrad Theys, who as a youngster between him and his wife had bittermin and made his name and income from art, it is a truly inspiring story and a tribute to a kind man who makes beautiful work.
When looking through the magazine feel aware that there have been so many people in the arts that are passionate about what they do in the community as in its promotion, education, making, and selling. For the most part, art is a calling, a means of expressing who we are, our attitudes and views on life, society, and who we are now. The beautiful thing about it is that the more honest one is about one’s work, the richer and stronger it is, both to yourself and to the viewer. In this day and age of chaos, AI, and corruption, it’s good to know that there are those who strive to celebrate, heal and enquire about who we are, here and now.
Once again I would like to thank our advertisers and sponsors, artists and writers for their special contribution to this magazine, we salute you. Thanks!
CONTACT ART TIMES
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Gabriel Clark-Brown editor@arttimes.co.za
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Eugene Fisher sales@arttimes.co.za
DIGITAL MEDIA & EXHIBITION LISTINGS
Jan Croft subs@arttimes.co.za
ART DIRECTION
Brendan Body
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Rights: the Art Times magazine reserves the right to reject any material that could be found offensive by its readers. Opinions and views expressed in the sa art times do not necessarily represent the official viewpoint of the editor, staff or publisher, while inclusion of advertising features does not imply the newspaper’s endorsement of any business, product or service. Copyright of the enclosed material in this publication is reserved.
SLINDILE MTHEMBU
20-29 July 2023
The Melrose Gallery, Melrose Arch, 10 The High St, Melrose, Johannesburg, 2196
For more infomation contact craig@themelrosegallery or visit www.themelrosegallery.com