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Q. Wang

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Yvan Bedard

Yvan Bedard

q-wang.com

Q. Wang developed his painting style – Freeism. It has no rules, doesn't care about the skills, is not like a traditional "Fine Art," but pursues a New View. The result is a free atmosphere and a space of imagination.

Generally speaking, before Manet, people all tried to paint alike; after Manet, people tried to paint dislike. It's a broken process. Monet broke the brush; Van Gogh broke the plane; Matisse broke the colors; Miro broke Shapes; Picasso broke the construction, and Abstraction broke the object. Q.

“Las Vegas” Acrylic on Canvas, 36”x36”

“Li Jiang” Acrylic on Paper, 14”x17”

Wang broke the bars between objective and non-objective paintings. Q. Wang's world is 4-dimensional. His painting is a combination of 2-dimension and 3-dimension or something between.

Q. Wang paints spirit by heart. Before Van Gogh, people painted what they saw and let the viewers see what they painted. Since Van Gogh, people began to paint what they thought and let the viewers think what they painted. But Q. Wang paints spirit, something you can not see and you can not think about; you can only feel it by heart. His paintings have no details but have characters.

Traditional Western Art tends to tell stories. Traditional Chinese Art is like a poem. Q. Wang's Art is musical.

“New York” Acrylic on Canvas, 30”x40”

"As the famous French film producer Jean-Luc Godard said, It's not where you take things from – it's where you take them to." "Q. Wang has taken me further into the appreciation of my surroundings, people, and love. That is what Art is all about." -- Gary Sorkin

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