Architecture Portfolio

PORTFOLIO

2 0 1 4 - 2 0 1 9

Academics -

1

Hand-On

Documentation

Participation

Academics

Material Exploration Paper-pulp (undulation)

2014

Building Construction Wall Sections - Mud, Brick, Timber

A n t h r o p o m e t r y Scale-1:1

2015

Design Studio Basic Design

Workshops

Workshops

Hand-On

Design Studio 2 B u i l d a t h o n ’ - 1 5 Material Space Making & Anthropometry Film-Making Clay Workshop Studio P h o t o g r a p h y Constructed Design Studio 3 Basic Geometry Restroom at Highway Bamboo

Documentation

Participation

Exploration a

A R Y A M A N

G O T H A R W A L

2

-

0

Distorted structure

E

2018

Urban Design Studio Food Market at Killedar Talavdi, Vadodara

Design Religious & Cultural Hub, Mahakal Precinct, Ujjain

Thesis

Thesis

1

9

C

A

T

I

O

N

SSC in CBSE

St. Paul’s Convent Sr. Sec. School

HSC in CBSE

St. Paul’s Convent Sr. Sec. School

Bachelor’s in Architecture

School of Architecture, Vadodara Design Academy, Vadodara

I

Related Study Programme Documentation Head, Amritsar Student Council SOA, VDA

N

F

O

14TH May, 1996 +91 9909149699

Documentation of Heritage Building M.S. University, Vadodara

agotharwal44@gmail.com 118 B, Agrasen Nagar, Mangal Colony, Nr. Saharsh Hospital, Ujjain (M.P.) - 456010

Advanced Construction Joints & Connections Building Finishes Services Advanced Construction Technologies

Design Tourist Facilitation Centre, Pachmarhi

Documentation Head, Student Council SOA, VDA

0

L

A

N

G

U

A

G

E

S

D

E

English

A Documentation University M.S. University, Vadodara

of Dome

Damage Survey Report University Dome M.S. University, Vadodara

P

T

I

T

U

Software

Study

U

Design

P h o t o g r a p h y Advanced

D

Design Development

Personal Skills

Kengo Sato’s Prof. Yatin Pandya’s memorial Constructed a Bamboo Ar. Construction o m e In-Field Studio design workshop D Panch-Mahotsav, Pavagadh Tambekarwada, Vadodara

B u i l d a t h o n ’ - 1 7 Restoration of Bamboolian Order in Built Environment 2 Bamboo Mill Owner’s Association Building, Ahmedabad Housing Studio M o d e l - M a k i n g Contextual Housing, Amritsar Amritsar Houses

2

Model Making

Interests

Urban Vadodara

Chhaya’s Constructed a Bamboolian Documentation of Dome h o p Bamboo Panch-Mahotsav, Pavagadh

2019

Building Floor & Roof RCC Structures Building Treatments Formwork

Neelkanth r k s

2016

Design Studio 5 Prof.

Gotri Lake Redevelopment, Vadodara w o

2017

Studio B u i l d a t h o n ’ - 1 6 Mass & Void Workshop Related Study Programme Deputy Documentation Head, ( C o n t e x t u a l ) Order in Built Environment Plaster of Paris(POP) Bikaner Student Council Potter’s Residence, Dabhoi Fakhri Mohalla, Vadodara Clay SOA, VDA

4

Documentation Team SOA, VDA

Building Construction Brick Bonds Arches Door, Window & Staircases

Residential

1

Photography

Analysis

Communication

History

Travel

Detailing

Visualisation

Team Work

Science Fiction

Management

Adventure Sports

C o n t e n t Space Making & Anthropometry Studio................................................................................2 Restroom at Highway............................................................................................................3 Potter’s Residence (Contextual)..............................................................................................4 Gotri Lake Redevelopment......................................................................................................5 Working Drawing (Library)....................................................................................................6 Urban Studio (Market)...........................................................................................................8 Housing In Amritsar.............................................................................................................10 Tourist Facilitation Centre, Pachmarhi..................................................................................11 Religious & Cultural Hub, Mahakal Precinct.......................................................................12 R.S.P. Bikaner........................................................................................................................16 R.S.P. Amritsar.......................................................................................................................18 Workshop (Order In Built Environment - 1, Fakhri Mohalla).............................................20 Workshop (Order In Built Environment - 2, ATMA Building)..............................................21 Photography...............................................................................................................22

Architecture is like science, it’s everywhere.

- ARYAMAN GOTHARWAL

1

Space Making & Anthropometry Studio

Restroom at H i g h w a y

The exercise was to play with mass and void using faces of two cubes and try variations to generate spaces by inserting horizontal planes and arranging the faces of cubes, following the rules of human anthropometry and coordinating with sphere of influence of the cubes’ faces.

Later, the chosen composition was to be inserted in a contour gradient 1:4 with vertical circulation applied to the composition.

The studio was focused on designing small public places with a more functional perspective.

Public Spaces like BRTS stations, unused spaces under a bridge, terraces of toll plazas, fringe properties and restroom at highways. Designing restrooms with adding more functions according to the requirements of users surveyed. The selected restroom at Ahmedabad-Vadodara Expressway was redesigned with a more qualitative approach without compromising the functions already present and adding more elements for user-friendly experiences.

Site Sections

Site Plan Model Photos

Isometric Exploration

Section DD’

Section CC’

Front Elevation

Section BB’ Section AA’

Section BB’

Section CC’

Section DD’

Side Elevation

Toilet Detail

First Floor Plan

Roof Plan

Section AA’

Ground Level

2

First Level

Second Level

Third Level

Ground Floor Plan

3

Potter’s Residence (Contextual)

Gotri Lake Redevelopment

This studio included two design exercises to understand the design solutions required for a residential building.

Roof Plan The 1st exercise was to study our own house and its activities to find the design problems and solve them by redesigning the building.

The 2nd exercise was to study the residential pattern of the communities which runs their business activities from their residences itself. The towns like Dabhoi, Khambat, Padra and suburbs of Vadodara holds wide variety of potters, kitemakers, akik-workers, shoe-makers, crib-makers.

The residences to be designed for these communities had to have provisions for their commercial activities accordingly and Ground Floor Plan maintaining the public-private relationship.

The studio was focused on studying the abandoned natural lakes of Vadodara city and reviving the environment around them by developing environment friendly public activities around the lake front in a controlled way according to the area context.

The activities involved were supposed to be recreational for the people and if the lake owns a religious value, then providing a design solution inclusive of the religious activities.

4

Activity Mapping

Section BB’

Part Plan

First Floor Plan

Second Floor Plan

Section DD’

Section BB’

Roof Plan

Section AA’

First Floor Plan

Section EE’

Ground Floor Plan

Section AA’

Site Development Plan 5

DESIGN STUDIO - VI LIBRARY AND SEMINAR HALL

Working Drawing ( L i b r a r y )

LEGEND:

DESIGN STUDIO - VI LIBRARY AND SEMINAR HALL

1

B

27060

2

5

7

8

LEGEND:

5630

9 1730

1

10 3900

MARGIN

A

REMARK:

A

4

5

6

8

9

10

CHECK 23450

A

A

REMARK:

A

545 M²

PROPOSED BUILTUP ON FIRST FLOOR

333 M² 878 M²

PARKING REQUIRED (30 % OF PERMISSIBLE F.S.I.)

1444 M²

PROPOSED PARKING

1073 M²

0.29

2150

G

H

H

MARGIN

4

5

6

8

9

10

350

350

N

2150

4980

5800

REVISION :

F

350

4800

4400

2000

300 300

500

2000

E

29650

D

1450

3750

5500

250

1500

2

3

4

5

6

7

RAIN-WATER TANK

8

9

4800

350

300 300

2000

500

2000

3750

250

3500

5500

250

4650

1500

4250

2620

500

3750

1500

3250

W1

4250

250

3500

1500

NO.

5380

W1

1500

3250

1540

W2

500

1230

1150

1280

2600

850

800

500

1180

3600

1 301

2670

7

5630

1000

5000

W4

1000

W4

1000

1000 1000

1000 1000

0 LVL

1000

W4

1000

5630

1000

5000

1000

W4

1000

1500

7

W4

2670

7

6

UP

3650 LVL

3350

1000

3650 LVL

1000

4200

1 301 11700

3600

1 301

2000

5120

5

500

6

500

550

1280

5

6

850 500

800

5

1180

3350

1000

3

4

450 LVL

500

2670

D5

8

1730

500 4250

4250

9

4250

9

1370

8

1720

500

8

1

2

3

4

5 I. C.

6

7

RAIN-WATER TANK

8

9

1000

9

3900

5000 W1

1500

3650 LVL

1500

3900

4200

3650 LVL

1500

5000 1500

1500

1500

W1

W1

2500

1380

1500

3250

1500

500

1250

500

1380 1250

1380

1000

1500

1000

3250

1000

1500

W2

W3

W2

W1

10

10

W2

W1

W1

10

CANAL

W1

CAN

2000

1150

1000

1000

2000

750

1800

6200

2000

1620

250

J

I

H

G

F

E

1500

3250

1500

4250

500

4250

D

C

N

1620

INTERNAL ROAD

3750

2400

8800

1800

6200

2000

250

B

1620

250

A

J

I

H

G

F

E

1500

3250

1500

4250

500

4250

D

C

1620

INTER

3750

250

B

REVISION :

900

A

GROUND FLOOR PLAN SCALE : 1/50

10

FIRST FLOOR PLAN SCALE : 1/50

DWG NO : AR 201 DATE : 26\05\2017 - ALL DIMENSIONS ARE IN MM.

DWG NO : AR 202 DATE : 26\05\2017

2 301

Site Development Plan 1 101

6

SITE PLAN

SCHOOL OF ARCHITECTURE VADODARA DESIGN ACADEMY

SCALE-1:100

MANHOLE

Service Plan 1 103

FLOOR PLAN 1 GROUND Ground Floor Plan 201

MANHOLE

SERVICE PLAN SCALE-1:100

900 900 900 900

D2

450 LVL

4

N

NAME : ARYAMAN GOTHARWAL ROLL NO : AR 0314

2100 2100 2100 2100

2

990

W3

500

3950 2000

1230

1930

3

2 301

SCALE-1:20

1500 2000 990 1000

D3

1000

1950

D2

- ALL DIMENSIONS ARE IN MM.

PLAN

WIDTH HEIGHT SIL

4500 1000

500

3650 LVL

NO. W1 W2 W3 W4

4700

4250

2

SR

1

1340

3050

0 LVL

3050

1380

1950

250

3400

500

650

650 1000

2000

1500

2550

1000

SCALE-1:50

NAME : ARYAMAN GOTHARWAL ROLL NO : AR 0314

NAME : ARYAMAN GOTHARWAL ROLL NO : AR 0314

SCHOOL OF ARCHITECTURE VADODARA DESIGN ACADEMY

SCHOOL OF ARCHITECTURE VADODARA DESIGN ACADEMY

1 2 3 4 5 6 7

REVISION :

SERVICE PLAN SCALE : 1/100

DWG NO : AR 103 DATE : 26\05\2017

- ALL DIMENSIONS ARE IN MM.

1 401

2100 2100 2100 2100 2100

SCHEDULE FOR

900 900 900 900

4500 1000 990 1150

500 2600

2000

5120

W4

300 300

W1

1000

K

1 2 3 4 5 6 7

I. C.

450LVL

000LVL

I. C.

1000 750 750 1200 2000

INTERNAL ROAD 2400

J

N

10

2100 2100 2100 2100

WIDTH HEIGHT TY

D1 D2 D3 D4 D5

1 TYPE REMARK WIDTH HEIGHT SILL 1500 2000 990 1000

SCHEDULE FO

SR

250

W2

4200

300 300 2900

0 LVL I

K

DWG NO : AR 101 DATE : 26\05\2017

000LVL

4630

A

600

CANAL

450LVL

J

SITE PLAN SCALE : 1/100

2300

B

1200 350 1500

1370

4200

4200

2750

450 LVL

I. C.

2150

750

1380

3030

K

1450

C

950 3950 500

550 250

W2

10 000LVL

2400

450LVL

K

REVISION :

J

4400

D

D1

H

I

INTERNAL ROAD

1 2 3 4 5 6 7

J

1

950

2750

4200

G

5430

5430

CANAL

2400

6000

1 2 3 4 5 6 7

- ALL DIMENSIONS ARE IN MM.

D2

UP

TOILET DETAIL SCALE : 1/20

DWG NO : AR 401 DATE : 26\05\2017

D2

D3

H

3030

CANAL 1 401

4980

0 LVL

750

750

4400

4400 4000

2150

H

I

350

750

1000

7250 1200

1400

2750

1000 1400 1000 1400

1750

450 LVL

450LVL

G

450LVL

2150

E

F

I. C.

REVISION :

1500

1000 1400 1000

F

D4

1370

F

G

000LVL

F

W1

3

9

I

INTERNAL ROAD

W4

350

8 E I. C.

E 1450

E

450 LVL D5

D

UP

UP

1 401

W4

4630

D

450 LVL

5320

C

2300

I. C.

450LVL

H

5180

5800

4

4650

4650 4630

PAVING

D5

350

350 1750

7

000LVL

G

SECTION

W4

B

000LVL

SCALE-1:20

350

REMARK

2100 2100 2100 2100 2100

2

4250

3750

3750

1000

1 301

D3

W3

1000

REMARK:

D2

2670

3900

450LVL

1450

F

W2

1000

1730

C

D

UP

E

6200

450 LVL

I. C.

5625

A

LANDSCAPE

C

D

2750

1000

3600

NO.

1380

1000

850

SR

1

UP

1280

UNDER-GROUND WATER TANK

2300

4000

PAVING

5330

G

2000

1230

LEGEND:

REMARK:

1500

4750

1950

WATER SUPPLY

10

B

450LVL

C

3250

4700

9

I. C.

B

LANDSCAPE

LIBRARY AND SEMINAR HALL

1000 750 750 1200 2000

W1 W2 W3 W4 2000

1000

1930

1930

2000

8

A

UNDER-GROUND WATER TANK

DESIGN STUDIO - VI

WIDTH HEIGHT TYPE

D1 D2 D3 D4 D5

5380

750

4400

7 I. C.

3050

A

B

1500

8600

6

1400

5

I. C.

REMARK:

A

5530

NO.

1000

3900

4

1400

1730

3

W4

1000

5625

2

1000

3600

1

350

850

10

D4

1400

LEGEND:

6

1400

1280

H

D2

5320

RAINWATER SUPPLY DRAINAGE

1230

I

SCHEDULE FOR DOOR

SR

250

W1

D1

5

LIBRARY AND SEMINAR HALL

LEGEND:

1950

3500

1500

4250

2500

5930

DESIGN STUDIO - VI

MAIN SOURCE

LIBRARY AND SEMINAR HALL

3050

250

750

450 LVL

4250

SETTING OUT

SCALE-1:200

4

9

J

3750

4250

3400

0 LVL

(MUNCIPALITY CONNECTION)

8

3250

REMARK:

A

4650

500

W1

1380

DESIGN STUDIO - VI

7

LEGEND:

SCHEDULE FOR WINDOW 1

3

6

1500

B

- ALL DIMENSIONS ARE IN MM.

SCHOOL OF ARCHITECTURE VADODARA DESIGN ACADEMY

5

4250

2620

NAME : ARYAMAN GOTHARWAL 2 ROLL NO : AR 0314

4

4630

3500

W1

SCHOOL OF ARCHITECTURE 1 VADODARA DESIGN ACADEMY

3

C

2300

250

C

NAME : ARYAMAN GOTHARWAL ROLL NO : AR 0314

102

5330

5180

DWG NO : AR 102 DATE : 26\05\2017

G

4250

SCALE-1:100

1 2 3 4 5 6 7

SETTING OUT PLAN SCALE : 1/200

Setting Out Plan

STRUCTURAL PLAN

H

3300

Structural Plan

2

LIBRARY AND SEMINA

LEGEND:

250

D

1

I 5530

5550

REVISION :

1 2 3 4 5 6 7

10 - ALL DIMENSIONS ARE IN MM.

1

DESIGN STUD

LIBRARY AND SEMINAR HALL

REMARK:

J

250

9

K

60

8

3500 K

65

7

N

DWG NO : AR 104 DATE : 26\05\2017

3000

5430 5430

6000

10600

STRUCTURAL PLAN SCALE : 1/100

6

DESIGN STUDIO - VI

1 301

J

000LVL

5

0 LVL

Section AA’

1 301

J

4

450 LVL

0 LVL

Section BB’

INTERNAL ROAD

450LVL

3

450 LVL

INTERNAL ROAD

I

2

2550 LVL

CANAL

450LVL

I

1 104

3450 LVL

2550 LVL

1350 LVL

H

1

4350 LVL

3450 LVL

CANAL

G

5500 LVL

1350 LVL

UP

000LVL

8100 LVL

1200

- 70000 - 46000 - 70000 - 40000

MARGIN 3000

G

H

B

6450 LVL

2000

4400

G

C

4350 LVL

80

MARGIN

000LVL 450LVL

D

5500 LVL

1350

3000

0 60 41

CHECK 34450

1450

E F

41 60 0

UP

F

450 80

1204 M²

PROPOSED BUILTUP ON GROUND FLOOR

A-B B-C C-D D-A

D

F

4000

PERMISSIBLE BUILTUP AREA ON GOUND

CONSUMED F.S.I.

4630

D

E

6200

4816 M²

(1.6)

TOTAL PROPOSED BUILUP AREA

C

2300

4000

PAVING

3010 M²

TOTAL PERMISSIBLE F.S.I.

900

450LVL

C

PLOT AREA AS PER RECORD

380 450

4650

B

LANDSCAPE

H

730

3750

AREA STATEMENT B

I

6800 LVL

3500

The studio involved a choice among Girl’s Hostel, Kindergarten School and Library + Auditorium to design and later generate the working drawing for the same.

The library is a kind of a space which requires a particular quality of environment which incites the challenge of material selection, designing a circulation and an appropriately ventilated space. Further, the working drawing of the decisions taken provides a more practical perspective towards the building.

J

8100 LVL

REVISION :

3600

8

1 2 3 4 5 6 7

850

7

1300

1280

6

1200

1230

5

3000

1950

4

6000

3

69 50

2

3690

1 3050

1 401

10

- ALL DIMENSIONS ARE IN MM.

1 FIRST FLOOR PLAN First Floor Plan 202 SCALE-1:50

NAME : ARYAMAN GOTHARWAL ROLL NO : AR 0314 SCHOOL OF ARCHITECTURE VADODARA DESIGN ACADEMY

7

NAME : ARYAMAN GOTHA ROLL NO : AR 0314

SCHOOL OF ARCHITECTU VADODARA DESIGN ACA

First Floor Plan

Urban M a

r

Studio k e t Entrance building elevation

This studio involved a full scale study of the Vadodara city and later design an urban insert derived from the urban study.

The site used to be a market which got shifted to some other place, so the study was based on finding the reasons for the same and cater those problems with design solutions and create a socially interacting market place with necessary services.

Entrance building back elevation

Market place

Ground Floor Plan

Market place

Market place

8

Used as store for seasonal groceries

9

Housing In A m r i t s a r

匀䤀吀䔀 䄀一䄀䰀夀匀䤀匀

䐀䔀䴀伀䜀刀䄀倀䠀䤀䌀 䐀䄀吀䄀㨀

䰀䄀一䐀唀匀䔀 倀䄀吀吀䔀刀一

㄀⸀ 䄀䜀䔀 䜀刀伀唀倀㨀

㔀⸀ 䌀䄀匀吀䔀 䌀䄀吀䔀䜀伀刀夀

Tourist Centre,

㤀⸀ 䴀伀䐀䔀 伀䘀 吀刀䄀嘀䔀䰀 吀伀 圀伀刀䬀倀䰀䄀䌀䔀

刀䔀䰀䤀䜀䤀伀唀匀 䈀唀䤀䰀䐀䤀一䜀 䄀䌀䌀伀䴀伀䐀䄀吀䤀伀一

Facilitation Pachmarhi

䰀䤀䈀刀䄀刀夀 ㄀ ⸀ 䤀一䌀伀䴀䔀㨀

䠀伀匀倀䤀吀䄀䰀 刀䔀匀䤀䐀䔀一吀䤀䄀䰀

䔀䐀唀䌀䄀吀䤀伀一䄀䰀

䴀䤀堀䔀䐀 唀匀䔀

䔀䄀吀䔀刀夀

After observing the lifestyle and surroundings of some parts of Amritsar, I concluded that in the inner parts of walled city where there are purely residential areas, the streets are dead, having no interactions between houses, although the houses are provided with ventilation and interactive spaces.

Also, the houses in the inner areas, I observed the spaces and volumes provided in each household are excessive as compared to the number of occupants living there and the main reason behind these excessive or dead spaces can be the migration of occupants from their original households to the sub-urban areas in search of opportunities.

The issue about excessive or dead spaces can be solved by providing the living occupants a new infrastructure that can be compact enough to fulfil the needs of the needs of the occupants and the left over areas or spaces generated by providing a compact housing can be used as the open spaces or the recreational areas that can encourage the people to live with more interaction with other households.

䌀伀䴀䴀䔀刀䌀䤀䄀䰀

圀䄀吀䔀刀 䈀伀䐀夀

伀倀䔀一

伀倀䔀一 匀倀䄀䌀䔀匀

倀唀䈀䰀䤀䌀

䈀䄀娀䄀䄀刀匀

The thesis was based on encouraging ecotourism by designing a centre in the vicinity of Pachmarhi which can promote local art, culture and tradition of Pachmarhi and the centre can generate revenue and job opportunities for the locals.

The goal was to develop the centre with sustainable methods using eco-friendly materials to reduce the carbon footprint and also meet the economic conditions of the locals so they can generate more revenue from promoting the art and culture. The centre will also provide the user a contextual experience of Pachmarhi and its picturesque.

Cluster 1

㘀⸀ 䌀䄀匀吀䔀 匀倀䔀䌀䤀䘀䤀䌀 伀䌀䌀唀倀䄀吀䤀伀一 ㈀⸀ 䐀䤀匀吀刀唀䈀唀吀䤀伀一 䈀夀 匀䔀堀㨀

䈀䄀一䬀 ☀ 䄀吀䴀匀

䜀唀刀唀 䬀䄀 䈀䄀娀䄀䄀刀Ⰰ 伀䰀䐀 䌀䤀吀夀 䄀䴀刀䤀吀匀䄀刀 ㄀㄀⸀ 吀夀倀䔀 伀䘀 䘀䄀䴀䤀䰀夀

匀吀刀䔀一䜀䠀吀匀㨀 吀栀攀 洀愀爀欀攀琀 昀漀爀 洀攀攀琀椀渀最 琀栀攀 搀愀椀氀礀 渀攀攀搀猀 ⠀瘀攀最攀琀愀戀氀攀猀Ⰰ 戀愀欀攀爀礀Ⰰ 猀眀攀攀琀猀Ⰰ 愀渀搀 琀栀攀 氀椀欀攀⤀ 椀猀 氀漀挀愀琀攀搀 椀渀 琀栀攀 椀洀洀攀搀椀愀琀攀 瘀椀挀椀渀椀琀礀 漀昀 琀栀攀 椀渀栀愀戀椀琀攀搀 愀爀攀愀猀⸀

㌀⸀ 刀䔀䰀䤀䜀䤀伀唀匀 䌀伀䴀倀伀匀䤀吀䤀伀一 㜀⸀ 伀䌀䌀唀倀䄀吀䤀伀一 匀吀刀唀䌀吀唀刀䔀

圀愀琀攀爀 猀甀瀀瀀氀礀 椀猀 洀漀搀攀爀愀琀攀 昀漀爀 䌀栀漀眀欀 倀愀猀猀椀愀渀 䄀爀攀愀⸀ 䌀栀漀眀欀 倀愀猀猀椀愀渀 栀愀猀 琀栀攀 攀砀椀猀琀攀渀挀攀 漀昀 挀漀洀洀漀渀 漀瀀攀渀 猀瀀愀挀攀猀 漀爀 挀栀漀眀欀猀⸀ 吀栀攀 漀瀀攀渀 猀瀀愀挀攀猀 栀愀瘀攀 猀漀挀椀愀氀 爀攀氀攀瘀愀渀挀攀⸀ 吀栀攀 爀攀猀椀搀攀渀琀猀 甀猀攀 琀栀攀猀攀 猀瀀愀挀攀猀 昀漀爀 猀漀挀椀漀ⴀ挀甀氀琀甀爀愀氀 愀渀搀 爀攀氀椀最椀漀甀猀 昀甀渀挀琀椀漀渀猀⸀ 吀栀攀礀 愀氀猀漀 猀攀爀瘀攀 愀猀 愀 瀀氀愀挀攀 昀漀爀 琀栀攀 挀栀椀氀搀爀攀渀 琀漀 瀀氀愀礀 愀渀搀 琀栀攀 漀氀搀 琀漀 猀椀琀 昀漀爀 爀攀挀爀攀愀琀椀漀渀⸀

Cluster 2 ㄀㈀⸀ 䔀䐀唀䌀䄀吀䤀伀一 匀吀䄀吀唀匀

吀栀攀猀攀 瀀氀愀挀攀猀 瀀爀漀瘀椀搀攀 愀瘀攀渀甀攀猀 漀昀 洀攀攀琀椀渀最 昀愀洀椀氀椀攀猀ᤠ 猀漀挀椀愀氀 愀渀搀 挀甀氀琀甀爀愀氀 渀攀攀搀猀 氀椀欀攀 氀愀渀最愀爀猀Ⰰ 洀愀爀爀椀愀最攀Ⰰ 樀愀最爀愀琀愀猀⸀

㠀⸀ 䐀䤀匀吀䄀一䌀䔀 䘀刀伀䴀 圀伀刀䬀 䄀刀䔀䄀

圀䔀䄀䬀一䔀匀匀䔀匀㨀

㐀⸀ 伀圀一䔀刀匀䠀䤀倀 匀吀䄀吀唀匀㨀

䘀愀挀椀氀椀琀椀攀猀 猀甀挀栀 愀猀 猀攀眀攀爀愀最攀Ⰰ 搀爀愀椀渀愀最攀Ⰰ 最愀爀戀愀最攀 挀漀氀氀攀挀琀椀漀渀 愀渀搀 椀琀猀 搀椀猀瀀漀猀愀氀Ⰰ 愀渀搀 伀瘀攀爀愀氀氀 挀氀攀愀渀氀椀渀攀猀猀 椀猀 椀渀 琀栀攀 搀椀猀洀愀氀 猀琀愀琀攀⸀

倀刀䤀䴀䄀刀夀 刀伀䄀䐀匀 匀䔀䌀伀一䐀䄀刀夀 刀伀䄀䐀匀

吀栀攀 搀爀愀椀渀愀最攀 猀礀猀琀攀洀 漀昀 琀栀攀 愀爀攀愀猀 椀猀 昀漀甀渀搀 琀漀 戀攀 椀渀 戀愀搀 猀栀愀瀀攀⸀

吀䔀刀吀䤀䄀刀夀 刀伀䄀䐀匀

伀瀀攀渀 猀瀀愀挀攀猀 愀爀攀 甀猀攀搀 昀漀爀 搀甀洀瀀椀渀最 琀栀攀 眀愀猀琀攀 戀礀 琀栀攀 爀攀猀椀ⴀ 搀攀渀琀猀 伀渀攀 漀昀 琀栀攀 洀愀樀漀爀 瀀爀漀戀氀攀洀猀 椀猀 琀栀攀 渀漀渀 愀瘀愀椀氀愀戀椀氀椀琀礀 漀昀 漀瀀攀渀 猀瀀愀挀攀 昀漀爀 琀栀攀 挀栀椀氀搀爀攀渀 琀漀 瀀氀愀礀⸀

刀伀䄀䐀 一䔀吀圀伀刀䬀 䐀䤀䄀䜀刀䄀䴀

Cluster 3

Cluster 4

Clusters on Site 10

Cluster 5

Cluster 6 11

Two-wheeler parking

Religious & Cultural Hub, Mahakal Precinct

Four wheeler p parking

Security

Cloak Room

Ticket Booth

Seating area

Toilet Ghats

PARKING

ACCESS POINT

LOUNGE AREA

Exhibition office

Services

Boating deck

Legend

MAHAKAL

Merchandise & Book Shops

ADMINISTRATION Waiting Lounge

Surveillance room

Ticket counter

Exhibition pavillion

Conference room

Manager office

LAKE DEVELOPMENT RUDRA SAGAR

Mythology IInformation Desk

Staff parking

This design thesis involves studying Ujjain’s religious and cultural background and educating people about its significance by showcasing different cultural and religious reforms over the course of history.

The aim was to develop the rear part of Mahakal Temple connecting to the Rudra Sagar lake by providing public plazas and recreational zones and also showcasing Ujjain’s religious and cultural background by means of different types of exhibits.

The planning focuses on the generation of public recreational spaces and in detail for the exhibition of religious and cultural background of Ujjain.

Water show

Political Landmarks

Reception

Vessel Storage

Storage g

Mythological Landmarks

Introduction

Pantry Toilet

Geographical Landmarks

Food Storage Waste collection area

Kitchen

Practices

Bhasm Aarti

CAFETERIA Seating area

Shayan Aarti

Toilet

Bhog Aarti

HISTORY

Staff room

Saya Aarti

Pushkalavatii

Mahabhog Aarti

Commercial Landmarks

Wash area

Religious Practices

MARKET FOR HAWKERS & VENDORS

Pushkar

Govardhan

Visual connection of site with the context

Kannauj

Ujjain

Bharuch

Banaras

Religious Trails

Nasik

Prathisthana

Ratn Purshottam

Sapta Sagar

FLOWER GARDEN

Green room

Toilet

Kshir

CULTURE RUDRA

Vishnu

Pavilion

Staff room

Toilets Practices (Snan)

Harsiddhi

FUNCTIONS CORE - Exhibition Space SUPPORTIVE PERIPHERAL SERVICES

CIRCULATION TRANSITION INDIRECT TRANSITION VISITORS ADMIN & STAFF

Chintaman

Remarkable Personalities

Garhkalika

GREEN SPACES

Akhadas A

KUMBH

Kal-Bhairav Mangal Nath

STORY Kumbh mela

Toilet

EXHIBITION PANEL DISPLAY DIGITAL DISPLAY MODEL DISPLAY

Historical landmarks

Importance of temples

Staff room

Ujjain being different

Maintenance room

Amrutmanthan

Control room

Arrangement of Ghats and Public Spots

Exhibition Sub-Level Galleries Galleries

Open to public activities 12

Approach to the site incorporated with public activities

Open Public Spaces

Under Ghats Pass

Bridge passing over the Rudra Sagar

Correlation of activities 13

Master Plan 14

Basement Floor Plan

Ground Floor Plan

Roof Plan

Section 15

UP

M

UP

UP

10 DA 8.0 AG 5 LA M

Users The haveli is a mixed use building and serves a family of three. The commercial part is a jewellery shop owned by the residents themselves. Mostly the owners use the ground floor only and rest of the volume is left unused including basements.

11 DA 1.6 AG 7 LA M

10

5

M

UP

4.7

䄀

Functions Mixed use building

䄀

The haveli is mostly residence from its inception. The commercial part is on ground floor, facing the street behind which is the residential part. The double heighted room on first floor was used for the meetings of administrative bodies of Bikaner, but now it is been used as a living room. The first and second floor remains mostly non-functional. As of now, when the needs increased, some little modifications have been made inside the haveli like jahajru(wash-room) have been added on the ground floor.

su re d

10

8.8

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M

UP

UP UP

10 DA 8.0 AG 5 LA M

UP

10 4.7

5

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N M ea su re d

10 MU 4.7 JR 5 M A RO

P

U

OM

Construction Originally the building is constructed with brick masonry having highly ornamented facade consisting of arched openings. The facade is crafted out of red sand stone, which is clad over the brick masonry finished with plaster. The opulently decorated facade enhances the building and sets it different from others. There are arched openings in the basement also, with thick walls having lime plaster on it. Wood is another material used in the building for doors and windows.

10 4.7

5

M

10 MU 4.7 JR 5 M A RO

UP

OM

䄀

䄀

䈀

R.S.P. Bikaner

5

ea

Construction The ground and the first floor were constructed in brick masonry and have highly ornamented wood and sandstone elements like door, windows and chajjas (overhangs). The second floor is a later addition to the building which is constructed in brick masonry with new construction techniques.

4.7

M

The commercial part is on the ground floor consisting of five shops, in which four are operational and one is vacant. The residential part is on first and second floor consisting of three rooms, one living room and a kitchen.

10

ot N

Functions Mixed use building

DN

Background S. G. Haveli, is a mixed use building owned by Mr. S. G. Mohta. The building is around 130 years old. Earlier the haveli was home to one of the administrative members of the Maharaja of Bikaner. Later the haveli was bought and maintained by the current owner.

䈀

Users The shops are rented to different tenants and the spaces serves different occupations. A family of five members owns the residential and commercial part.

䄀

䈀

Background Prem Mawa Bhandar is a residential and commercial building. The building is located on Mawa Patti which passes through Soni Singhi Chowk and is around 110 years old. The building initially was purely residential and was twice the initial size, but later it was sub-divided between two owners and one part was demolished and is newly constructed while the other part is left intact in its original position.

Location The S. G. Haveli is located at Mawa Patti, which passes through Soni Singhi Chowk and follows to Banthia Chowk. The buildings in the street were majorly housed residences. The building is in the vicinity of the Banthia Dadimata Temple. 䈀

Location Prem Mawa Bhandar is located at a cross edge of Soni Singhi Chowk. It is in the vicinity of Parshav Chand Gachh Upasara(Jain Temple). The surrounding streets consist of both commercial and residential buildings.

10 MA 4.9 LIY 0 M A

Salient Features S. G. Haveli is quite an example of the typical building tradition of Bikaner of Havelis with huge spaced volumes, stone chajjas (overhangs) and projecting jharokhas (balconies) and two celebrated central courtyard with decorated stone and wooden elements. The elevation itself portrays the humongous expanse and intricate stone carvings, which makes it an eminent example of Bikaneri Architecture. In the past, the haveli also had a mujra room with gold plated carving and elegant hand painted wall decorations. The different terraces at different levels is another interesting feature of this haveli.

10

4.9

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0

10

5.2

M

4

M

DN

UP

UP

10

UP

4.7

5

M 10 MA 4.9 LIY 0 M A

DN

UP

10 MU 4.7 JR 5 M A RO

OM

10

4.7 5

M

UP

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10 MU 4.7 JR 5 M A RO OM

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10

1.5

1

M

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U P

10 OR 1.5 RA 1 M

10 SA 1.5 AL 1

M

U P

U P

10 RA 1.5 SO 1 I M

U P

10 OR 1.5 RA 1 M 10

1.5 1

10 OF 1.5 FIC

1 E M

M

10

1.5

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DN

U P

1

10

1.5

1

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UP

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10 OR 1.5 RA 1 M 10

1.5

1

M

U P

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DN

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TOWARDS SONI SINGHI CHOWK

䈀 97 TA .3 LB M HA VR

A

97 TA .3 LB M HA VR

A

97 TA .3 LB M HA VR

A

97 TA .3 LB M HA VR

97 TA .3 LB M HA VR

A

A

97 TA .3 LB M HA VR

A

䄀

97 TA .3 LB M HA VR

A

䈀

97 TA .3 LB M HA VR

A

16

17

4. SPATIAL ORGANIZATION

Wooden Panel Door

N Clear Story Window

0

Street plan

2

N

4

Street plan Service area Courtyard Resting area

Background

Background

Kitchen

The house is located at ‘lambe wali gali’ to the south-west of the Golden temple. Construction of the house dates back to 100 years ago. The house was built for a Sikh family who were in the administration of the Britishers during that time.

The name ‘lambe ‘referred to the guards of the Britishers, who used to stay here.

Storage area LVL+- 5.00

A

A

+- LVL1.56

Horizontal Circulation

Outlet/office

A

Workshop Foyer

A

LVL+- 4.82

Vertical Circulation

Wooden Plank(Joist)

Services

Steel Beam

+- LVL1.46

7. Heirarchy of spaces Ground floor plan

Immediate Context

The house is this much km to the north-west of golden temple and this much km to the south-east of the Guru ka Mahal.

The gali holds an importance in the history of Amritsar.

Located in the dense fabric of Amritsar, the house lies in residential area surrounded by markets.

First floor plan

Immediate Context

The house is this much km to the north-west of golden temple and this much km to the south-east of the Guru ka Mahal.

The gali holds an importance in the history of Amritsar. Located in the dense fabric of Amritsar, the house lies in residential area surrounded by markets.

LVL+- 7.35

A

The house consist of four floors and a terrace. G+2 is occupied by owner whereas third floor is for rental purpose.

Foyer next to the main entrance at Ground floor, leads to the living room and the staircase. The living room is semi-public in nature while the backside of house is occupied with services. Adjoining to the space is an isolated staircase (vertical circulation). The first floor is occupied by bedroom. The second and third floor consist of master bedroom, kitchen and washroom. Above it is a terrace.

A

LVL+- 7.35

A

A

Resting area Kitchen Living area

+- LVL1.50 +- LVL 4.92

+- LVL1.35

+- LVL 4.92

0

1

4

2

0

1

2

4

The house consist of four floors and a terrace. Ground floor consist of living space which leads to the bedroom on one side and services on other. The semi-circular staircase leads to the first floor which is utilized as store room by the owners.

The second floor consist of master bedroom, kitchen and protruded balcony. The third and fourth floor is also been utilized as a store room and above it is terrace.

A

A

6. HIERARCHY OF SPACES First floor plan

Ground floor plan A

A

+- LVL7.16

A

A

Third floor plan

Main door carved out in wooden

A

Second floor plan

Third floor plan Wooden Door

Floor detail

Railing detail

8. Fenestration

A

Earlier the house was occupied by the guards of the British generals. A Sikh family now owned the house. They have been living here for more than 10 years. The family consists of 4 members which includes a couple and their two children.

Terrace floor plan

N

Gutter

+- LVL16.05

NOT MEASURED

NOT MEASURED

TERRACE FLOOR

2. Volume diagram

Elevation

Terrace floor plan

The architectural style is ……. The house has a heritage value and the façade expresses the immense character of the Amritsar. Faced of the building is out of wood which is fully operable. Upper floor of the building is controlled by full wooden windows from weather effects. Building contains one staircases which lead to upper floors. The house can accessible only from the street. It is enclosed from the other three sides.

The double-height volumes express grandeurness of the spaces within.

TERRACE FLOOR LVL+- 16.48

Opening throughout all floor plans-open to sky

Open

Semi-private

Semi-open

Private

Closed

THIRD FLOOR LVL+- 12.45

S

T

R

U

C

T

U

R

E

BUILDING

BUILDING

FORM

INTERMEDIATE FLOOR

PRIMARY

LVL+- 10.00

Construction Techniques

BEARING

SECOND FLOOR LVL+-7.35

TRANSFER

FOUNDATION

LVL+- 4.82

TRANSMISSION

Service area Courtyard Resting area Kitchen

LVL+- 1.46

Wooden detail

Outlet/office

3. Detail of staircase

Section AA

4. Detail of skylight

0

1

2

4

SPAN

FOUNDATION FOUNDATION BASE

SUPER STRUCTURE

ENCLOSURE

PARTITION

GROUND FLOOR

Storage area

SUB STRUCTURE

SUPPORT

FIRST FLOOR

Living area

PROJECTION/ OVERHANG

PROJECTION NON STRUCTURE FENESTRATION

BRICK

MASS

BRICK

STONE

BRICK

TIMBER

BRICK

STEEL

FLOOR ROOF INTERIOR WALLS

MASS

STEEL

MASS MASS

CEMENT MORTAR

CEMENT MORTAR I.P.S I.P.S / CERAMIC

DOOR/ WINDOW

PARAPET STAIRCASE CHAJJA(WEATHER SHED) PARAPET FALSE CEILING BALUSTER JALI

Staircase -wooden and brick

TIMBER

TIMBER

GLASS

VARNISH VARNISH

BRICK

CEMENT MORTAR

TIMBER STEEL

VARNISH

BRICK TIMBER

TERRACOTTA

Semi-open

Private

Closed

S

T

R

U

C

T

U

R

E

BUILDING

CEMENT MORTAR LIME PLASTER TIMBER

BUILDING

FORM

0

MATERIAL PRIMARY

BEARING

Service area Courtyard Resting area

LVL+- 1.35

TRANSFER

Kitchen Living area Storage area

TRANSMISSION

Outlet/office Workshop Foyer

FOUNDATION

SUB STRUCTURE

FOUNDATION

SECONDARY

Section AA

0

1

2

4

BASE

SUPPORT SPAN

SUPER STRUCTURE

ENCLOSURE

PARTITION

3. FLOOR DETAIL

PROJECTION/ OVERHANG Detail of I-section

PROJECTION NON STRUCTURE

VARNISH ENEMAL LIME PLASTER

STONE

MASS

BRICK

WALL COLOUMN/BEAM MASS

BRICK

STONE TIMBER

BRICK

STEEL

PLINTH FLOOR ROOF INTERIOR WALLS

1

2

4

FINISHES TERTIARY

FENESTRATION

CONNECTOR

SKELETON

MASS

BRICK

CEMENT MORTAR

CEMENT MORTAR LIME

STEEL

MASS MASS

CEMENT MORTAR

I.P.S I.P.S / CERAMIC

BRICK

JHAROKHAS BALCONY

FACADE

MASS

BRICK STONE

FOUNDATION

GROUND FLOOR

VARNISH

STEEL TERRACOTTA

STEEL

Open

Semi-private

LVL+- 7.16

The entire house is constructed out of brick masonry and the structure is a load-bearing structure. The floors are spanned by wooden beams and steel I-sections. 35-40mm thick wooden planks placed upon 18-20 mm thick wooden panels which are then supported by spanning elements (beams and I-sections). Bricks are used as a filler material and on the top of it, cement slurry as floor finish. The semi-circular staircase is combination of brick and wood.

1. STRUCTURAL DIAGRAM

TIMBER

Public

SECOND FLOOR

BRICK

JHAROKHAS TIMBER

4

LVL+- 12.02

LVL+- 4.92

CEMENT MORTAR LIME LIME

2

Construction Techniques

STONE

SKELETON

1

THIRD FLOOR

2. Volume Diagram

FIRST FLOOR

TERTIARY

STONE

WALL COLOUMN/BEAM MASS

JALIS / RAILINGS CONNECTOR

wooden tread and riser

PLINTH

MASS

SECONDARY

FINISHES

BALCONY

FACADE

wooden balustrade

railing

MATERIAL

The architectural style is ……. The house has a heritage value and the façade expresses the immense character of the Amritsar. The house is open to the street on its two adjacent sides.

The unique articulation of the main entrance and the double-height volumes express grandeurness of the spaces within. From second floor the street can be overlooked by virtue of wooden protruded balcony which has an intricate carved articulation.

0

N

Salient Features Public

Wall section

LVL+- 16.05

A

1. Structural diagram

Services

A

User Group

Workshop Foyer

Vertical Circulation

Workshop Foyer

LVL+- 16.48

A

The entire house is constructed out of brick masonry and the structure is a load-bearing structure. The floors are spanned by wooden beams and steel I-sections. 35-40mm thick wooden planks placed upon 18-20 mm thick wooden panels which are then supported by spanning elements (beams and I-sections). Bricks are used as a filler material and on the top of it, cement slurry as floor finish. The straight flight staircase is made out of wood by the virtue of intricate joinery details. The riser is nailed to the tread, supported by stringer beam on one side and another side into the wall; whereas the landing is supported on steel I-sections.

Articulated balusters are nailed on fascia. The handrails are made out of wood.

Horizontal Circulation

Outlet/office

+- LVL3.50

Typology

Elevation LVL+-12.60

Salient Features

Storage area

+- LVL 4.92

NOT MEASURED

Wall section

Earlier the house was occupied by the guards of the British generals. A Sikh family now owned the house. They have been living here for more than 10 years. The family consists of 5 members which includes a couple and their three children.

Service area Courtyard

+- LVL12.02

Gutter

LVL+-12.45

4

A

+- LVL 7.16

Facade ornamented by brick arches and wooden windows.

Intermediate floor plan

Second floor plan

A

2

LVL+- 10.00

LVL+- 7.45

Typology

A

The house is located at ‘lambe wali gali’ to the south-west of the Golden temple. Construction of the house dates back to 100 years ago. The house was built for a Sikh family who were in the administration of the Britishers during that time.

The name ‘lambe ‘referred to the guards of the Britishers, who used to stay here.

Living area +- LVL1.56

0

Wooden Panel Door

User Group

18

5. CIRCULATION

Clear Story Window

.

0

R.S.P. Amritsar

6. Circulation

5. Spatial organization

DOOR/ WINDOW

BRICK

TIMBER

TIMBER

TIMBER

TIMBER

TIMBER

GLASS

OILS VARNISH VARNISH

JALIS / RAILINGS

STEEL

PARAPET STAIRCASE

BRICK

CHAJJA(WEATHER SHED)

STEEL

VARNISH CEMENT MORTAR

BRICK

TIMBER

TIMBER

TIMBER

PARAPET FALSE CEILING BALUSTER

BRICK LATHWORK

JALI

TERRACOTTA

STEEL

VARNISH CEMENT MORTAR LIME PLASTER VARNISH ENEMAL LIME PLASTER

19

CONSTANTS

DEGREE OF ENCLOSURE

VARIABLES

INTERFACES

The transition on the ramp

The inner volumes can be changed according to the function without making much impact to the ordering principle of the building.

Fenestration system is identity to every unit and community.Window/opening facing north and south responding differently at different time to have quality of light and heat inside.

The visual connection from the facade of the building.

The overlooking spaces, which connects visually but restricts physically.

A T M A Ahmedabad Order In Built Environment

The envelope, the orientation and the structural grid of the building holds the ordering principle of the building and are unchangeable.

The sense of enclosure while entering the lower volumes from higher volumes.

The internal spaces can be changed according to the function without making much imapct to the ordering priciple of the building.

B: window projecting out to pro vide covered entrance and gain quality light.

C: adding layers and projection ie; grill patterns.

A: Opening devided into three layers -top ventilators to circulate fresh air and remove hot air.

-cross ventilation and bringing in light.

-to avoid direct sun light.

LEVELS

OPEN STRUCTURE

SPATIAL DEFINITION

One of the new headquarters out of 5 for Ahmedabad was Mill Owners’ Association when Le Corbusier was invited to India for planning Chandhigarh.

Mill Owners’ association was to be an ode to the economic prosperity and political prominence of Ahmedabad.

The building

Higher Level : The envelope and the orientation on which the building sits have the main role in governing the main priciple of the building and are unchangeable.

v Window opening devided in three layers. all works differently for the purpose considering the social and cultural philosophy of the community.

The ordering principle of the building is that the building should respond to the surrounding open spaces. The envelope, the front and the back facades and the axis on which it sits, manifest the ordering principle.

FENESTRATION SYSTEM

Order in Built Environment

A Case of Fakri Maholla, Mandavi, Vadodara Shivani, Bhargav, Aneri, Aryaman

2016

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Ashram Road, Ahmedabad, 1954, Le Corbusier

Generic Spaces Lower Level : The internal spaces and the volumes can be changed according to the function and modification in them don’t effect the ordering principle of the building.

Specific Spaces

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Photography

Architectural

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Wildlife

Thank You