ANDREW SALTER
ARCHITECTURE & DESIGN PORTFOLIO 2014
Professional & Academic Works
ANDREW SALTER
ARCHITECTURE & DESIGN PORTFOLIO 2014 Associate AIA 291 East 8th Street Brooklyn, NY 11218 347.526.9023 salter.andrew@gmail.com
Š 2014 Andrew Salter All work by Andrew Salter Book design by Andrew Salter
WORKS PROFESSIONAL 06 Root3d House 14 New Riker’s Island Facility 16 Montgomery County Proposal 18 1391 Madison Avenue STUDIOS 22 Fort Adams Intervention 34 Navy Yard Craneway 44 Arnold Museum Annex 54 Pile Exhibition Space 62 Blossom Community Garden EXHIBITED ARTWORKS 74 Rhode Island School of Design 76 Beta Spaces 78 New York State Museum
PROFESSIONAL
ROOT3D HOUSE
R3BUILD COMPETITION The Urban Green Building Council New York, NY 2014
Breezy Point, New York was at the epicenter of rebuilding efforts in the wake of Hurricane Sandy in 2012. The neighborhood was badly damaged, and many homes were destroyed due to outdated construction methods and inadequate design consideration for coastal homes. The Urban Green Council of New York chose an empty lot of a former house destroyed during Sandy for what they called the “R3build Competition”. R3Build stands for Resiliency, Energy, Environment, and Economy when designing for a coastal community. The competition tasked participants with “designing a single-family home to withstand extreme weather events for areas most susceptible to increased storm intensity, frequency, and sea level rise.” In addition, teams needed to consider modular construction, fall within a budget of $150,000 for total building costs, respect existing neighborhood aesthetics, and strive for the highest LEED standards possible.
PROFESSIONAL
narrow plot, strict guidelines
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With a maximum of roughly fifteen feet allowed for the width of the Rooted House, our team was presented with a challenge from the very beginning. Immediately, design revolved around several key factors: allowing for the highest natural light potential with the lowest heat gain, choosing the greenest and most energy efficient materials (within the given budget), and protecting the house from flood waters and hurricane winds. Eventually, we were able to achieve a LEED for Homes Gold Rating and fall well within our monetary restrictions for construction.
PROFESSIONAL
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Opposite Breezy Point flood plain map and site plan showing the plot’s proximity to the coast as well as neighboring homes. Left, Below Sketches show the evolution of the “tube concept” for the house. With the only potential for substantial natural light at the north and south ends of the structure, the tube helped to not only create those openings, but develop a protective skin against hurricane force winds and sea level rise.
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PROFESSIONAL
R3BUILD R3BUILD // // ROOT3D ROOT3D HOUSE HOUSE
PL
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Fiber Cement Siding CertainTeed weatherboard Fiber Cement Siding fiber cement siding is extremely durable, CertainTeed weatherboard fiber low maintenance, termite proof, cement sidingand is extremely durable, fire-resistant rot-resistant. It low maintenance, termite consists of sand, cement withproof, high fire-resistant and and rot-resistant. fly ash content, wood pulp.It consists of sand, cement high The product contains 30% with recycled fly ash and content, woodstyles pulp. content comesand in many Thescaleable product contains 30% recycled for adaptability within the content and comes in manycontext. styles neighborhood’s aesthetic for scaleable adaptability within the Featured on east and west facades. neighborhood’s aesthetic context. Featured on east and west facades.
Solar PV Panels The 3 kW Photovoltaic array Solar PVSolar Panels is connected to a special inverter, The 3 kW Solar the panels have Photovoltaic the ability to array feed is connected a special inverter, into the utilitytogrid, but can also the panels have the ability feed supply energy directly to thetohome into the utility grid, but can in the event of a utility outage. also supply energy directly to the home in the event of a utility outage.
Shou Sugi Ban ShouSiding Sugi
Galvanized Steel Piers
Employing Ban Sidinga Japanese method of charring wood, Employing Japanese Shou Sugi Banasiding is less method of tocharring wood, susceptible fire and helps Shou Sugi Ban siding is less keep away insects and rot. susceptible fire and and south helps Featured on to north keep away insects and rot. facades. Featured on north and south facades.
Galvanized Steel sits Piers The ROOT3D home atop a series of galvanized steel piers that The an ROOT3D home of sitslightness atop a give appearance seriesalso of galvanized piers rotthat while offering steel a sound, give an appearance of lightness free structural foundation that can while alsothe offering rotwithstand impacta ofsound, incoming free structural foundation that can floodwaters. withstand the impact of incoming floodwaters. Radiant Flooring Radiant Flooring Supplies heat directly to floor panels with the capacity to tie into a solar Supplies heat directly floor panels thermal system at thetodiscretion of withhomeowner. the capacityThe to tie into aissolar the system able thermal system at the discretion of to run throughout power outages theithomeowner. The is able as is gas-fired. It system offers higher to run throughout power outages efficiency than baseboard and as it ishot gas-fired. It offers higher forced air heating systems. efficiency than baseboard and forced hot air heating systems.
Skylight
Green Roof
Skylight Skylight to introduce more light into the center of house that Skylight to introduce more light might otherwise lack natural into the of house that light due center to the close spacing might otherwise natural between houses onlack the block. light due to the close spacing between houses on the block.
G F G F
SE
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Green Roofgreen roof is planted The extensive with succulents and provides an The extensive roof is planted additional layergreen of insulation to help with succulents and provides an maintain the thermal conditions additional layer of insulation inside of the ROOT3D home. to help maintain the thermal conditions inside of the ROOT3D home.
HEAV SERV ROOT
HEAV SERV
ROOT Con
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Structural Insulated Panels (SIPS) Structural Insulated Two plywood sheets encapsulate Panels (SIPS)
closed cell foam insulation allowTwoa plywood sheets encapsulate ing single step for framing, inclosed cell insulation allowsulation andfoam sheathing during the ing a single step for framing, construction process as well inas sulation and sheathing during the improved thermal performance. construction process as well as improved thermal performance.
Chamfered Corners Chamfered Corners The chamfered corner design that is employed
on the south side of the home mitigates high The chamfered corner that is employed winds to protect the design ROOT3D home during on the south side of theThe home mitigates high extreme weather events. resulting overhang winds toshading protectfrom thethe ROOT3D during provides high andhome hot summer extreme weather The resulting sun but still allowsevents. the lower winter sun tooverhang infiltrate and reduces the heating load colder months. provides shading from theduring high and hot summer sun but still allows the lower winter sun to infiltrate and reduces the heating load during colder months.
Rainwater Catchment Basin Rainwater Catchment The rainwater collected in Basin
the catchment basin is recycled and The rainwater collected the used for irrigation of the ingreen catchment basinlevel is recycled and roof and ground landscaping. used for water irrigation of theinto green Additional is pumped the roof and ground level landscaping. home to flush toilets. Additional water is pumped into the home to flush toilets.
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PLANS : 1/16” = 1’ - 0” AA
t Siding
atherboard fiber extremely durable, e, termite proof, d rot-resistant. It cement with high and wood pulp. ains 30% recycled es in many styles ptability within the aesthetic context. and west facades.
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teel Piers
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BB
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ome sits atop a ed steel piers that nce of lightness ng a sound, rotundation that can mpact of incoming
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ctly to floor panels to tie into a solar at the discretion of The system is able ut power outages d. It offers higher baseboard and ating systems.
Ground Floor
First Floor
Second Floor
SECTIONS : 3/32” = 1’ - 0”
LEGEND
ABLE TO ADAPT TO SERVICE VARIOUS BUILDING WIDTHS AND FOOTPRINTS
GATH ER
WAT ER
& SO
LAR
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LIVING ROOM
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KITCHEN
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DINING ROOM
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BATHROOM
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MECHANICAL ROOM a
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a
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SERVICE
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HIGH EFFICIENCY STACKED W/D
b
SUNNY ISLAND EMERGENCY INVERTER
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SOLAR PHOTOVOLTAIC RESERVE BATTERY
D
HOT WATER HEATER
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AIR HANDLER/CONDENSER
cc
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HEAVY & PROTECTED SERVICE WALL OR ‘TRUNK’ ROOTED TO THE SITE
Concept Diagram
Section BB
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BIKE STORAGE
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OUTDOOR STORAGE
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RAINWATER CATCHMENT TANK
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OUTDOOR SHOWER
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BEDROOM
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CONVERTIBLE BEDROOM/STUDY
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DECK/GREEN ROOF
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LEED V4 for HOMES GOLD RATING Above Beach side rendering showing galvanized support columns, Shou Sugi Ban siding, and Eastern Red Cedar planting.
LOCATION AND TRANSPORTATION
SUSTAINABLE SITES
ENERGY AND ATMOSPHERE
WATER EFFICIENCY
MATERIALS AND RESOURCES
INNOVATION
INDOOR ENVIRONMENTAL QUALITY
REGIONAL PRIORITY
Achieved: 10 pts
Achieved: 25.5 pts
Opposite Top Interior View with bamboo flooring and minimal wood staircase. Opposite Bottom Street side showing elevated walkway, chamfered protective facade, and window extrusions for southern light. Right Section with lower floor for water storage, bike storage, and structural support, first floor for primary living spaces, and top floor for bedrooms/ safe rooms, green roof, and other mechanical/ solar equipment.
Achieved: 6 pts
Achieved: 12 pts
Achieved: 6 pts
Achieved: 6 pts
Achieved: 1 pts
Achieved: 4 pts
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PROFESSIONAL
NEW RIKER’S ISLAND FACILITY RICCI GREENE ASSOCIATES Ricci Greene Associates partnered with 1100 Architect in a joint venture project to design a new 1,500 bed facility at Riker’s Island in New York City. While 1100 is tasked with designing the facade, core, and shell elements, Ricci Greene is overseeing the entire interior development of the building. The recreation yard and general population areas highlight attempts at bringing more light and sense of calm into these spaces. I headed efforts of a new marketing proposal for the Riker’s Island project. We explored different public sections of the building, gaining new understanding of the true space, materiality and light through renderings.
Above Aerial rendering during schematic phase by 1100 Architect. Right A rendering of the General Population area at the New Riker’s Island Facility. Calming color schemes, high ceilings, and undulating fenestration patterns make this proposed interior space no ordinary correctional facility.
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PROFESSIONAL
MONTGOMERY COUNTY PROPOSAL RICCI GREENE ASSOCIATES Grimm and Parker Architects and Ricci Greene Associates were selected for the preliminary design of a criminal justice complex in Montgomery County, Maryland. I pushed initial development of the “hooded” entrance area as well as created renderings exploring the materiality of the facade. The proposal was well received by the community board and is currently in active development.
PROFESSIONAL
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Opposite Street view showing the entrance area with the “hooded� facade, also highlighting a contrast in materiality between the steel panels and wood slats.
Above Aerial view reveals the proximity of the facility to the adjacent residential area, as well as the Bioswale parking area near the front entrance.
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PROFESSIONAL
1391 MADISON AVENUE ARC, P.C. This highly detailed, historic building on Madison Avenue required facade repair. After documenting the site, I drafted plan and elevation drawings to facilitate restoration efforts.
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STUDIOS
FORT ADAMS INTERVENTION FINAL THESIS PROJECT Degree Project Spring 2013 Critic: Pari Riahi
Fort Adams, a massive and largely abandoned structure in Newport, Rhode Island, proved a fitting site for a thesis investigation involving a synthesis of degeneration in buildings. The grounds host a number of large events every year, yet the fort itself remains off-limits. This presented an opportunity to activate the structure as a space for public use. This project explored the interdependence of the fort’s decay and the architectural intervention, allowing one to experience the building’s atrophy while exploiting its structure to create new program.
integration of space
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The Newport Jazz Festival utilizes the parade grounds of Fort Adams for its annual events. Save for a small museum, the majority of the massive complex is restricted, undergoing severe deterioration over the past 50 years. The key to this intervention allows accessible and inaccessible spaces to coexist, activating yet respecting the state of the dilapidated fort.
STUDIOS
Line Two The procession is shifted into the parade ground space,
Line One The existing abandoned procession of crumbling groin vaults remains separated from the public realm.
yet the fort structure is still not
Line Three The line of movement has been
connected.
manipulated to incorporate the space of the building into the parade grounds, as well as penetrating the fort to the North Grounds.
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STUDIOS
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interpolation
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Documenting the fort through photographs, prints, and drawings emerged as a strong tool for visualizing the ruins. The print and drawing above analyze a plaster and lathe wall in one of the buildings. Subsequent wood models emulate the construction of the wall, reversing its material deterioration. This interpolative process created a logic for making,
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FINED: FORT ADAMS
STUDIOS
Left This model uses the same concept of reverse interpolation as previous studies, applying it to a more spatial form. 40
Below An iteration which directly implants the tubular model and modified line of procession to the fort, in an initial attempt to put abstract ideas into practice. This iteration directly applies the tubular model to the fort, in an initial attempt to put abstract ideas into practice. (Basswood, cardboard, binder’s board, 2013)
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C I R C U L AT I O N & S T R U C T U R E 30
STUDIOS
STRUCTURAL ELEMENTS FOR [ STRUCTURAL ELEMENTS FOR WALKWAY AND STAIRS ]
WALKWAY AND STAIRS
[ + CONCRETE NODES CONCRETE NODES &] RAMPS
WOOD[ FLOORING, PARTITION + WOOD FLOORING | PARTITION WALLS GLASS RAILING ]
WALLS, GLASS RAILING
The tectonic qualities of the final model (below) translate to a more conceptual interpretation of decay. Forms which can evolve to reveal program theoretically support damaged areas while bracing themselves to the fort’s masonry construction .
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STUDIOS
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ROOF LEVEL ROOF LEVEL
5 FINAL PROJECT WORK
PARADE GROUNDS LEVEL PARADE GROUNDS LEVEL
This final model weaves visitors through the fort, while adhering to the new procession, which fuses the building and the parade grounds as one public entity. Concrete nodes open up and change shape based on their interaction with the building.. (Chipboard, modeling paste, cardboard, museum board, basswood, plexiglass & steel mesh, 2013)
Above Plans of the intervention. Opposite Renderings showing the GROUND LEVEL LOWER LEVEL
structural systems and circulation.
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STUDIOS
Opposite page: Rendering of the supported walkway, 2013. Below: Detailed section showing the fort structure, walkway, and concrete node cafe, 2013.
Top Left Detail model showing how the walkway is suspended above the existing floor.
Bottom Left Section through the fort and concrete addition, highlighting structural bracing.
Right Rendering of the vaulted corridor walkway, leading visitors to the rooftop nodes.
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High above the parade grounds of Fort Adams, a concrete node is envisioned as a cafe leading to an event viewing space, directly interacting with the adjacent ruin. This space allows the fort to be reanimated with purpose, without destroying the integrity of its atrophy.
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STUDIOS
STUDIOS
NAVY YARD CRANEWAY ADVANCED STUDIO
Scales of Operation in the Waterfront: The Brooklyn Navy Yard Fall 2012 Critic: Enrique Martinez
This project focused on reprogramming defunct areas of the Brooklyn Navy Yard. Abandoned shipbuilding cranes serve as foundational elements for a Cross-Brooklyn walkway, opening the Yard to the public sphere and creating greater connectivity between neighborhoods. The “Craneway� culminates in a museum which allows for cultural gathering, while outposts provide a unique vantage point from which to view the city.
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STUDIOS
Perimeter Typologies
The Brooklyn Navy Yard encompasses 300 acres of land in northern Brooklyn. Its rich history of innovation and production was mostly kept hidden from public view. Now, however, since the Brooklyn Development Corporation owns the site, it is being transformed constantly by new tenants and creative ideas.
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exisiting conditions
a fascination with cranes
STUDIOS
Shipbuilding cranes, largely deserted, populate the waterfront of the Brooklyn Navy Yard. A curiosity arose from the concept of accessing the inaccessible— restarting life which once existed inside the empty cabins. Sketches and model studies examined different ways to inhabit and reuse the cranes and supporting structures.
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making connections
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The project quickly developed around a means to gain access, utilizing the cranes’ towering heights and substantial lifting capacities. The piers serve as a stair core as well as foundational elements for a connective urban tissue. The establishment of a walkway joins disparate cranes—bridging the gap between surrounding neighborhoods in Brooklyn.
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STUDIOS
CRANE BOOM SUPPORT FOR PERFORATED CANTILEVER PIER & HOUSING WALKWAY ACCESS INTERSTITIAL SPACE MUSEUM AREA Closely stationed crane trusses presented an opportunity to create a hub of activity, allowing for the walkway to slowly make its way to the ground. The crane’s cantilever and its perforations through the truss structure are echoed in the new design—one supported by the cranes, yet appears to fade as it extends over the walkway.
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STUDIOS
STUDIOS
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Opposite Top Renderings showing the museum interior, walkway, and ground level conditions near the piers.
Left Final 1/8� model of the Craneway and its Museum. Above Roof plan and first floor plan of the museum.
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STUDIOS
ARNOLD MUSEUM ANNEX ADVANCED STUDIO
RISD Museum Textiles Annex Spring 2011 Critics: Heinrich Hermann & Neil Logan
useum Annex
This Interior Architecture studio investigated the adaptive reuse of an extension to the RISD Museum’s textiles collection. The project’s site, The George C. Arnold Building of Providence, sits inactive and disconnected from the city. Occupying only 12 feet of depth on a 150 foot long lot, this oddly thin structure presented a challenging problem for integrating a fully navigable annex.
ing a City
STUDIOS
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STUDIOS
The site lot and building display years of neglect, leaving large swaths of space unused and an historic structure to deteriorate.
form exploration
STUDIOS
A series of models strategize solutions for an addition to the existing structure. The designs implement aspects of conceptual weaving, sending visitors on spiraling trajectories through the museum and its various gallery spaces. Exhibition rooms establish shifts in openings for light, as well as tectonics for the building’s form. In addition, the central interior’s open air layout provides unobstructed views of the annex’s other levels as well as the Arnold building itself.
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STUDIOS
N STREET ELEVATION & SECTION
Shifting geometries help to form the skin of the museum. These tectonics provide gradual openings for light and an urban gesture of outward growth. The plate-like skin motions to the street, shifting the Arnold Building’s center of gravity.
PERMANENT COLLECTION LOBBY / AUDITORIUM / SHOPS HANGING GALLERY
programmatic breakdown
TEMPORARY COLLECTION
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STUDIOS
LOADING AREA
CAFE
BOOKSTORE
THE GEORGE C. ARNOLD AUDITORIUM
COAT CHECK GIFT SHOP
OFFICE
The final sectional model below shows the elevation changes as the museum is re-injected into the Arnold building. The subtractive measures taken to create the entrance of the once defunct first floor are shown in detail above.
STUDIOS
PERMANENT COLLECTION PERMANENT COLLECTION
STORAGE STORAGE
TEMPORARY EXHIBITIONS TEMPORARY EXHIBITIONS
HANGING TEXTILES GALLERY HANGING TEXTILES GALLERY
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STUDIOS
STUDIOS
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Opposite Top Elevation drawing of the Arnold Museum entrance.
Opposite Bottom Exterior rendering showing facade conditions and relationship to street.
Below Interior rendering of gallery room, with overhead opening for lighting.
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STUDIOS
PILE EXHIBITION SPACE DESIGN-BUILD TRAVEL STUDIO Ecuador | Design-Build Bamboo Wintersession 2012 Critic: Olga Mesa
This studio traveled to Pile, a small community on the western coast of Ecuador, known for its traditional Panama Hat weaving. RISD collaborated with the Universidad Technologica Equinoccial to design and build an exhibition structure. Local materials, such as bamboo and Baja Toquilla leaves, were strongly emphasized in design considerations and construction methods to showcase Pile’s traditional craft.
STUDIOS
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STUDIOS
weaving as architecture
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Students researched local materials and conducted interviews with Pile’s artisans. These preliminary exercises provided students with invaluable and specialized building techniques. The group then divided into competitive teams to start design iterations, in which models and drawings applied conceptual stitching to shift movement and structure. My group’s approach to the final presentation model (opposite top) implemented a choreography of structural elements, guiding visitors through a narrow, yet open space.
Pil Ha fo
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le is a small community in Ecuador which is known for weaving the “Panama at”. With bamboo as the main element of construction, preliminary designs ocused conceptually on weaving through tectonics and space planning.
for weaving the “Panama ction, preliminary designs and space planning.
STUDIOS
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STUDIOS
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final design and construction
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As a Pile committee chose a winner from the competition, the team wasted no time making revised designs for the project. I was charged with making the final structural model of the building (above), which served as a tool for understanding the complex bamboo connections. The group of thirty students built the exhibition space in a few short weeks with the help of local builders.
STUDIOS
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A final design was chosen by community leaders which ut Azied finalshifting design panels was chosen by community leaders which utli and bamboo grain which would guide zied shifting panels and bamboo grain which would guide a visitor through the space. visitor through the space.
A final design was chosen by community leaders which utlizied shifting panels and bamboo grain which would guide a visitor through the space.
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STUDIOS
STUDIOS
With the project complete, the residents of Pile as well visitors from across the country can now engage and inhabit a landmark devoted to a recondite, yet fascinating culture.
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STUDIOS
BLOSSOM COMMUNITY GARDEN DESIGN-BUILD STUDIO Architectural Design Spring 2011 Critic: Enrique Martinez
This semester long design-build studio presented an opportunity for s to engage in large scale group work. Initially, individual exercises engendered creative thinking. Eventually, broader efforts dominated design as well as construction, making cooperative decisions paramount. The Chinese Christian Church of Rhode Island in Pawtucket provided RISD with the work site. A community garden, water catchment system, and gathering pavilion were set to replace an existing parking lot and small planting area. After six weeks, student construction teams delivered a project supported by community leaders. “Blossom� received high praise from the Pawtucket and RISD communities.
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individual iterations
rehtegot thguorb erew margorp eht fo s dengised ylluferac saw etis eritne ehT .stpec .degreme tcejorp depolev Initial design concepts arose through model making, meant to simulate actual construction methods using dimensional and structural lumber. This model (below) and further developed sketches depict a shed for both seating and water catchment. Varied spacing of the structural members creates a gradient pattern and affects interior lighting conditions.
STUDIOS
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The aggregation of more complex shed components developed the community garden and pavilion area. The design strategy employed a double roof system; one provided shade and water catchment, the other acted as a trellis for upward growing plants. Other elements included doubled columns for sandwiching joists and movable benches providing access to adjacent garden beds.
the design employed a double roof system; one to provide r catchment, and the other as a trellis for upward growing ments included doubled columns for sandwiching joists, and ere movable to create access to the adjacent garden beds.
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STUDIOS
group design proposal
STUDIOS
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The final collaborative phase of the project yielded a simple and practical design, fusing many of the students’ concepts while serving the needs of the community. Renderings, models, and drawings helped visualize the endeavour before construction.
build
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STUDIOS
It took seventy students six weeks to fully construct the two pavilions and raised garden beds. The process involved removing existing material, pouring foundations, building the structural framework, moving rocks, and planting trees.
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STUDIOS
While subsequent years have not eroded the project, it has altered its character. The garden enables local residents to expand their recreational activities with a sense of ownership. Blossom now acts as a staging site for ongoing workshops with RISD’s Architectural Design classes.
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EXHIBITED ARTWORKS
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EXHIBITED ARTWORKS
EXHIBITED ARTWORKS
RHODE ISLAND SCHOOL OF DESIGN GRADUATE THESIS EXHIBITION 2013 Portrait of Degeneration 18” x 24” Oil on Canvas 2013 As an initial study of abandoned spaces, this painting expresses a loss of materiality and inhabitation. My thesis proposal investigates how degeneration can present generative opportunities in architecture— creating a dialogue between time, memory, and the present.
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EXHIBITED ARTWORKS
BETA SPACES
MAKE YOURSELF AT HOME Lone Meal 30” x 40” Oil on Canvas 2010 This piece examines the relationship between the human body and the built environment, continuing a thread of undergraduate thesis investigations. Light and color form an atmosphere resembling a fragment in time.
EXHIBITED ARTWORKS
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EXHIBITED ARTWORKS
EXHIBITED ARTWORKS
NEW YORK STATE MUSEUM BEST OF SUNY EXHIBITION 2007 Onlooker 40” x 48” Oil on Canvas 2007 “Onlooker” is part of a series on environmental portraiture for thesis work at SUNY Purchase College. The boundaries between planes and colors of the body and background collapse to form a dialogue between objects and light.
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ARCHITECTURE & DESIGN PORTFOLIO 2014 Thank you.
Associate AIA | 291 East 8th Street | Brooklyn, NY 11218 | 347.526.9023 | salter.andrew@gmail.com