Fure bound to the bow

Bound to the Bow for Orchestra and Electronics

by Ashley Fure (2016)

2 Flutes, each doubling Piccolo 2 Oboes 2 Clarinets in Bb 1 Bass Clarinet 1 Soprano Saxophone 1 Alto Saxophone 2 Bassoons 1 Contrabassoon 4 Horns 2 Trumpets 2 Trombones 1 Tuba 3 Percussionists 2 Harps 1 Piano Violin I Violin II Viola Cello Double Bass

Commissioned for the Interlochen Orchestra by the 2016 New York Philharmonic Biennial

ii

Performance Notes Score is in C while parts are transposed. Dynamics in quotation marks ( volume.

,

) indicate the intensity of a physical gesture and do not necessarily correlate to heard

Arrows indicate gradual processes of transition. Between pitches, thus, they indicate glissandi; between score expressions they indicate gradual transitions from one timbral state to the next.

Strings

1!

Triangle noteheads indicate stopped pitches of indefinite pitch in the highest region of each string. Place fingers as

high up the string as possible so that the bow is squeezed between the stopped finger and the bridge.

0)

Square noteheads are used to indicate sounds of indefinite pitch performed on open strings.

A clef indicating the region between the bridge and the tuning pegs. Bow placement should be interpreted graphically in relation to these two extremes.

A clef indicating the region between the bridge and the start of the fingerboard. Bow placement should be interpreted graphically in relation to these two extremes.

Hold the bow vertically against the string so the screw rests lightly on the string. Pizz with the left hand and slowly slide the bow up or down the string following the indicated graphic. A bent, dreamy pizzicato should emerge, like a slide guitar.

With the left hand, stop all four strings at their highest positions, so the bow is squished between the fingers and the bridge. Lightly dampen open strings with the palm of the left hand while executing indicated action.

Throw bow against the string and let it naturally bounce until it settles into a steady bow.

Harmonic Vamp: Randomly flutter harmonics (with multiple fingers) on the indicated string to produce a smear of high partials. Ricochet: Only attack points are indicated. Player should let the ricochet naturally decay.

Bariolage: While fingering the given chord, bow with light pressure back and forth across all four strings. Change bow pattern erratically but fluidly throughout.

Swish the bow vertically up and down the indicated string in fast, short movements, the expanse of which follows the indicated graphic.

Vertical tremolo between fingers: This technique is used on the cello and double bass. Near the end of the fingerboard, stop the indicated strings in two positions with the thumb on one side and the first and second fingers on the other (the thumb stops two strings; each finger stops one). Place the bow between the thumb and fingers, and perform an aggressive vertical tremolo that bounces back and forth between the fingers and the thumb. The gesture should feel like a bird flapping its wings in a box; like a frantic, stuck moving thing. Progressively slow or quicken the speed of a tremolo, following the indicated graphic. AHT: Artificial Harmonic Trill. Trill between the stopped note and the artificial harmonic created by fingering the node a fourth above. MSP: Molto Sul Pont. Bow directly at the bridge so that the resultant sound is a fragile mix of high partials, virtually devoid of the indicated fundamental. MST: Molto Sul Tasto, a good quarter of the way up the fingerboard. Harmonic Gliss (bow follows finger): Let the bow follow the finger up and down the open string while the left plays the indicated harmonic glissando.

iii

Harmonic Trill Gliss Vamp: Flutter the left hand between a harmonic and the indicated open string, glissing freely up and down the fingerboard while doing so. Fingertip tremolo on wood: Lightly flutter fingertips against the body of the instrument. Behind Bridge: Square noteheads indicate which open strings to pluck or strike. .

Winds Tongue tremolo: rapidly slide the tongue sideways across the mouthpiece.

On a 2 line staff, square note heads indicate air sounds of defined register, but undefined pitch. The two lines of the staff indicate high and low registers. Changes in register can be achieved with key depression on winds, and with embouchure changes in brass. When consonants are present they should be forcefully whispered through the instrument. Timbral Trill: Trill between two different fingers for the same pitch. Breathy, Diffuse: A pitch that’s heavily infused with air. Fingerings for saxophone multiphonics can be found in the score and are drawn from Marcus Weiss’s “The Techniques of Saxophone Playing.” Audio recordings of desired multiphonics can be found at: https://www.baerenreiter.com/materialien/weiss_netti/saxophon/seite1.html.

Brass On a 2 line staff, square note heads indicate air sounds of defined register, but undefined pitch. The two lines of the staff indicate high and low registers. Changes in register can be achieved with key depression on winds, and with embouchure changes in brass. When consonants are present they should be forcefully whispered through the instrument. Kiss: Smack lips against mouthpiece in a loud, kissing sound. .

Harp Harpists will need 5 auxiliary objects to perform this part: 2 small wooden honey dippers (see below), one soft percussion mallet, one credit card (or similarly sized thick, plastic card) and one tuning key or metal stick for stick glissandi.

In Harp 1, D5 and G5 should be tuned one quarter-tone sharp.

Both harps should be prepared with 2 small wooden honey dippers, each placed between two low strings. More information and video demonstrations of this technique can be found at http://sites.siba.fi/en/web/harpnotation/wooden-object-in-strings.

Strike honey dipper with a soft mallet.

Tremolo with mallet between two dippers.

Pull and release honey dipper so it rattles in a soft ricochet against the strings.

Stick Glissando: A slight bend downward in the tone produced by rubbing a metal stick (or tuning pin) down the string just after plucking.

Scrape card between tuning and hitch pins of harp.

Place the hand horizontally over the strings in the indicated region (roughly), and quickly slide the hand up or down, following the graphic. This should produce a sharp hiss of white noise, similar to a jet whistle on a flute. Keep the palm on the strings after the gesture, so as to damp the resonance.

iv

Fast whistle slides up and down the strings, with distance traveled by the palm on each slide following the indicated graphic.

Hold the pedal halfway between two positions so that, when plucked forcefully, the string vibrates against the metal of the tuning disc. More information and video examples of this technique can be viewed at: http://sites.siba.fi/en/web/harpnotation/manual/pedal-effects/pedal-buzz

Piano The pianist requires three auxiliary objects to perform their part: one credit card (or similarly sized thick, plastic card), one clave, and one stemless wine glass (or similarly curved glass object). The sustain pedal should be depressed with a wedge and remain down the entire piece.

Swipe and release palm of hand vertically over the lowest octave of strings, producing a soft harmonic wisp. Pluck string with fingernail.

Slap palm of hand across a cluster of strings in the indicated region. Scrape card between the tuning and hitch pins of the highest octave of the piano.

Scrape card between tuning and hitch pins in the second highest octave of the piano.

Knock clave against the metallic soundboard.

Scrape card over tuning pegs. Speed follows tremolo graphic. In the example here, the speed of the scrape progresses gradually from slow to fast.

A dreamy bent pizzicato, similar to a slide guitar. Place the glass over the string to be struck. After striking the key, slide the glass slowly along the string to produce a dreamy, bent pizzicato sound, similar to a slide guitar.

Percussion Player 1: Woodblock Sizzle Cymbal Tam Small Gong Spring Drum (7�, Remo Model Number: SP0207TL) Crotales Plectra: Knitting Needles, Bow, Beater, Superball, Brushes, Mallets Player 2: Large piece of Styrofoam Tam Small Gong Finger cymbal Ocean Drum Whip Plectra: Bow, Superball, Mallets Player 3: Bass Drum (as large as possible) Cymbal Plectra: Bow, Superball, Mallets

The Styrofoam should be bowed on it’s corner with light pressure to produce a loud hiss of high partials.

Upbows push away from the body, downbows pull towards the body. Ricochet: Only attack points are indicated. Player should let the ricochet naturally decay. v

Progressively slow or quicken the speed of a tremolo, following the indicated graphic.

Plus signs and circles indicate a closing opening of the resonant chamber of the spring drum, created by placing and releasing the palm of the hand over the open end of the cylinder.

Electronics Stereo soundfiles are triggered through Max/MSP via a midi keyboard played on stage. Speakers should be on stage as near the ensemble as possible. While primary sound is frontal, a tiny bit of reverb should be fed to speakers behind the audience if possible. A subwoofer is ideal.

Duration: circa 15’

vi

q = 68

Flute 1

÷ 44 – f 4 ÷ 4 – "

Flute 2

siu "

f Without Reed – ÷ 44 siu " "

Oboe 1

"f " – 4 ÷ 4 siu

Without Reed

Oboe 2

"f " ÷ 44 æ. ¬ "f " siu

Clarinet in B b 1

Clarinet in B b 2

Bass Clarinet

Soprano Sax

Alto Sax

Bassoon 1

Trumpet in C 1

Trumpet in C 2

Tenor Trombone 1

Tenor Trombone 2

Tuba

≈ –R –

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‰

– ≈ R –

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center

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‰.

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With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

Jéte --------> Arco IV ---------> I

Pegs

BR

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pedal should be wedged and held down throughout the entire piece

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Percussion 3

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p

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Horn in F (1 2)

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With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

Behind Bridge Col Legno Jeté --------> Tratto

Viola

Cello

Double Bass

Midi

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Fl. 2

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Ob. 1

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Ob. 2

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B b Cl. 1

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B b Cl. 2

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B. Cl.

÷

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A. Sx.

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Bsn. 1

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Bsn. 2

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C. Bn.

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Hn.

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C Tpt. 1

÷

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C Tpt. 2

÷

∑

∑

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∑

∑

T. Tbn. 1

÷

∑

∑

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∑

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T. Tbn. 2

÷

∑

∑

∑

∑

∑

Tuba

÷

∑

∑

∑

∑

∑

∑

∑

∑

∑

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Perc. 1

ã

∑

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∑

∑

Ó.

Perc. 2

ã

∑

∑

∑

∑

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Wood Block Needles

‰ Styrofoam

‰

œæ J F œ≤ J

n Bass Drum

Perc. 3

ã

∑

∑

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∑

‰

Mallets

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n

Hp. 1

Hp. 2

Pno.

Fingertip Tremolo

˙ æ

˙ æ π

edge

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æ — æ ∑

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—æ —

—æ —

— æ

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n

Vln. II

&

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B

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t

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Cello

DB

6

Md

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‰

j #œ

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p

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3

A 11 Fl. 1

÷ –

siu

f" –

"

Fl. 2

Ob. 1

÷

siu "

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– R –

Œ

‰

– ≈ R –

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– R –

Œ

≈ –R –

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f" –

siu

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si - hoh

si - hoh

si - hoh

"

Ob. 2

‰

siu

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2

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–. ÷ æ "f "

P

–. ÷ æ "f " ‰.

f" –

siu

÷

"

f" –

Hn.

f" * J "f " * J "f " * J "f " * J "f "

C Tpt. 1

C Tpt. 2

T. Tbn. 1

T. Tbn. 2

Tuba

Perc. 1

Perc. 2

÷ ÷ ÷ ÷

– ≈ R –

Œ

– ≈ R –

Œ

si - hoh

‰

Œ

‰

‰

Œ

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Œ

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≈

– toh "f "

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≈ ≈

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Card Guero P. D. Cl.

?

"

f"

Card Guero P. D. Cl.

Hp. 2

 . ÷ ≈ J "f " ÷ ÷

Pno.

÷

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Wet Guiro

"

f"

* * *

* * *

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≥–

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Dry Guero

Ó

≈



Vln. II

BR

"

≥–

F"

Cello

n

t

11

Md

?

5 4 w

≥ œ ˙.

M ˙. p

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Vertical Swish

Palm Hit Mid

÷ J

˙ æ F

5 4 w æ p

≥– –≤

∑

5 4

Palm Hit High

÷ J

Œ. ∑ ‰.

Knock on soundboard

¿ ‰ R °



¿ J

 .

–



 .

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≥–

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Jéte --------> Arco IV ---------> I

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n

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f" f"

n

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n

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n

4 œ 4

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Ó.

∑ ∑

Whistle Slide

n

5 4

∑

Whistle Slide

Vertical Swish

5 4 Œ

Ó.

n

4 œ 4æ

œ ∑

∑

n

4 4 –

æ 4 4 ≤ œ 44

Ó.

f"

"

œ

∑

"

4 4 –

n

Ó.

Œ

"

n

∑

n

4 4 –

n

Œ

n

4 4 –

n

* *

4 4 –æ

4 4 –

n

Ó.

n

4 4 –

n

Ó.

4 4 –æ

4 4 –

n

F"

4 œ 4 4 4

÷

∑

2 «

∑

4 4

∑

∑

Ó.

æ 4 4

œ

*

∑

∑

∑

∑

5 4 —æ —

—æ —

± ± æ

—. —. æ

—≤ 4 ±≥ 4

±

5 4 —æ —

—æ —

± ± æ

— æ

4 ± 4

±.

–≤ 45

 .

–≤ 5 4

≤ – –

! ≥ – –

≥–



—.

—≤ —≥ —≤ ≥— .

∏

Jéte --------> Arco IV ---------> I

≥–

 .

Increase Bow Pressure







4 4

 .

– 4 4

Jéte --------> Arco IV ---------> I

≥– –≤



Jeté --------> Tratto

–. –. Vertical Swish

n

Ó

n

4 – 4æ "f "

–æ

∑

Jéte --------> Arco IV ---------> I

Jeté --------> Tratto

–. –.

n

Ó

n

4 – 4æ "f "

–æ

¿ 45 R

With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

≤ ≥ – – – –

n

Ó.

n

4 – 4æ "f "

–æ

! œ 45 w R

Peg Guero

‰.

Œ

–

Jéte --------> Arco IV ---------> I



¬. æ "f "

Ó.

Œ

n

4 – 4æ

–æ "f "

5 4 w

Ó.

n

DB

5 4 –æ "f "

n

Jéte --------> Arco IV ---------> I

≥ B ¬¬ .. "F " ?

5 4 –æ "f "

æ± ±

Behind Bridge Jeté --------> Tratto

Vla.

¬ æ

‰.

±æ. ±.  .

5 4 –æ "f "

n

Œ.

Jéte --------> Arco IV ---------> I Pegs

¬ æ

∑ Ó.

5 4 –æ "f "

n

Ó

æ± ±

Jéte --------> Arco IV ---------> I

¬ æ

¬ æ

Œ

5 4 –æ "f "

n

Ó

œ. æ F

∑

& ——æ "F "

¬ æ

≤ œ œ œ æ p

5 4 –æ "f "

n

Ó

@ w

& yæ y "F " Vln. I

¬ æ

* Ó R

≥ œ ˙

Ó.

n

* R Ó

‰.

5 4 –æ "f "

Œ

4 – 4æ

–æ "f "

∑

n

44 – æ

–æ "f "

¬. æ "f "

Ó.

n

44 – æ "f "

–æ

n

5 4 ¾ P

¬ æ

* Ó R

‰.

≈

Ó

∑

n

4 – 4æ "f "

–æ

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 45 æ Ó. –æ – p "f " t ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¬ .. j 45 æ Ó. –æ – p "f " t ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¬ .. j 45 æ Ó. –æ – p "f "

‰.

Œ

n

Ó

Ó.

44 – æ "f "

–æ

t

‰.

≈

n

5 4 ¾ P

– æ "f "

¬ ..

"

Perc. 3

– æ "f "

¾. P

si - hoh

‰

siu

÷

p

f"

Œ

"

Hn.

t

¾. P

– R –

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 45 æ Œ –æ – "f " n – 45 æ ¬æ –æ ¬æ. "f " P P – 5 4æ ¬æ –æ ¬æ. "f " P P 5 – 4æ ¬æ –æ ¬æ. "f " P P

¬ ..

44 – æ "f "

–æ

t

–æ P

si - hoh

‰

siu

÷

j ¬ –æ æ

Ó.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 45 æ Ó. –æ – p "f " n t ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¬ .. j 45 æ Œ –æ – p "f " n ¬ ..

j ¬ –æ æ P "f "

–

"

p

–æ P

÷ æ. ¬ "f "

÷

t

–æ P

÷ ¬æ. "f "

"

C. Bn.

si - hoh

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 45 æ –æ – "f "

¬ ..

45

M

Ó.

Vertical Swish

–– n

∑

M

¬ ¬

– –

æ

∑ –

Ó.

44

– –

4 ¬ 4 ¬ "F "

5 4 ¬¬

––

4 ¬ 4 ¬ "F "

∑

4 4

&

∑

&

Jéte

5 4 ¬¬

5 4

∑

∑

∑ Ó

∑

Ó

∑

n

n

∑

∑

?

4 16 Fl. 1

Fl. 2

÷

∑

÷

Ob. 1

÷

Ob. 2

÷

B b Cl. 1

∑

∑ ∑

÷

∑

∑

∑

&

∑

∑

∑

∑ ∑

∑

∑

&

∑

∑

∑

∑

&

B. Cl.

÷

∑

∑

S. Sx.

÷

∑

A. Sx.

÷

∑

Bsn. 1

÷

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

Ó.

&

∑

∑

∑

∑

?

∑

t

∑

∑

∑

∑

∑

&

∑

Hn.

÷

∑

∑

∑

∑

?

∑

C Tpt. 1

÷

∑

∑

∑

∑

&

∑

C Tpt. 2

÷

∑

∑

∑

∑

&

∑

T. Tbn. 1

÷

∑

∑

∑

∑

?

∑

T. Tbn. 2

÷

∑

∑

∑

∑

?

∑

Tuba

÷

∑

∑

∑

∑

?

∑

Perc. 1

ã

∑

∑

∑

∑

Ó.

Perc. 2

ã

∑

∑

∑

∑

Ó

Perc. 3

ã

∑

∑

∑

∑

∑

∑

∑

∑

&

÷

∑

∑

∑

∑

?

÷

∑

∑

∑

∑

&

÷

∑

∑

∑

∑

∑

∑

∑

∑

&

÷

∑

∑

∑

∑

?

— ˙

—.

— —

y

y.

&

—≤ ≥— .

—≤ ≥— .

±

±

—.

&

∑

∑

∑

∑

Vla.

B

∑

∑

∑

∑

?

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

∑

∑

Cello

DB

16

Md

?

œ æJ ∏ ≤ œ J p

Sizzle Cymbal

‰

œ J

‰

Stick Gliss

"

∑ Ó.

"

—.

! —≤ ≥y

! ±

æ

æ

Ó

Œ

Ó

Œ

Ó.

Ÿ~~~~~ (œ ) ( #œ ) ‰ ‚ (# ‚ ) J p Ÿ~~~~~~ ( œ ) (# œ ) II ‰ ‚J ( # ‚ ) p Tutti

III

&‰

‰ ∑

œ

Ó.

f"

¤€ # œœœ ‰ # œœJ ƒ

∑

—≤ —≥

f"

#œ J

‰

Stick Gliss

Ó.

—≤ —≥ .

±

Vln. II

Œ

Ó.

Vln. I

y

‰

∑

÷

—.

∑

∑

÷

˙.

n

∑

÷

&

# œo J

‰

Hn.

Pno.

n

Breathy, Diffuse

÷

Hp. 2

#œ J

‰

Ó.

C. Bn.

Hp. 1

n

Breathy, Diffuse

∑

∑

‰

∑

&

∑

∑

Ó.

&

∑

÷

÷

∑

∑

B b Cl. 2

Bsn. 2

# œo J

Breathy, Diffuse

II

Ÿ~~~~~~ (œ ) ( œ )

#‚ ( n ‚ ) B J p (œ ) ( œ ) ‚ (# ‚ ) J p √

II

5

B 21 Fl. 1

&

wo

wo

π

wo

&

∑

Ob. 1

&

∑

∑

Ob. 2

&

∑

∑

B b Cl. 1

&

Fl. 2

w

∏

Ó

w

‰

B. Cl.

&

∑

∑

S. Sx.

&

∑

∑

A. Sx.

&

w

π

?

n

w

Ó.

∑

w

n

wo

œ J

Breathy, Diffuse

&

B b Cl. 2

œo .

Breathy, Diffuse

‰

˙o

Ó

∑

∑

∑

∑

∑

n

œ w

∏

w

wo

∑

π ∑

w

n

∑

Ó.

∑

n

∑

∑

∑

∑

∑

w

n

∑ ∑

˙

Ó n

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

Perc. 1

Perc. 2

Perc. 3

Hp. 1

Hp. 2

Pno.

t

ã œ æ ≥ ã w F

∑

Ó.

∑

Ó

∑

Crotale bow

‰

˙.

√ œ. p

∑

Œ

n

P

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

&

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

∑

wwwww

∑

w

∏

n

ã

wwwww &

∑

?

∑

∑

∑

∑

&

∑

∑

∑

∑

∑ Ó.

œ

Tam

π Bass Drum Soft Mallets

w æ

∑ Honey Gong

"

?

Ó

* F"

‰ ∑

Ó.

œ ◊ π

∑

F

Ó.

(honey gong)

œ ◊ MSP flautando

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O (œ )

Solo

Vln. I

Vln. II

Vla.

Cello

II

(trill between harmonic and open string)

P

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó & OY OY OY OY OY P n Tutti

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O OY OY OY OY Ó & Y P

n

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O l Ol Ol Ol Ol B Ó P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ OY OY OY OY ? OY Ó P

n

DB

t

21

Md

?

∑

∑

∑

∑

∑

∑

∑

∑

j *

Pizz

œ π #œ

Ó.

Ó.

n

6 26 Fl. 1

&

∑

∑

∑

∑

∑

Fl. 2

&

∑

∑

∑

∑

∑

Ob. 1

&

∑

∑

∑

∑

∑

Ob. 2

&

∑

∑

∑

∑

∑

B b Cl. 1

&

∑

∑

∑

∑

∑

B b Cl. 2

&

∑

∑

∑

∑

∑

B. Cl.

&

∑

∑

∑

∑

∑

S. Sx.

&

∑

∑

∑

∑

∑

A. Sx.

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

t

?

∑

∑

w

∑

Œ

˙.

∑

∑

n

Perc. 1

ã

∑

Perc. 2

ã

∑

Perc. 3

Hp. 1

Ó.

Pno.

Vln. I

Vln. II

Vla.

Cello

DB

& ?

?Ó &

w æ

∑ Honey Gong Tremolo with Mallets

n

‰

*

*

Œ

œ ◊

∑

‰

π

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & O l

& Ó.

Solo I

˙. æ

˙ æ ∏

Œ

w æ ∑ *

∑

Œ.

w æ

*

*

*

n

Œ.

Ó

˙ æ

F j *

∑ Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

j œ

∑

Ó

œ ◊

∑

∑

(trill between harmonic and open string) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ O l O. l l Œ P n

Œ.

Œ

Ó

j œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ O ‰ J l P

Solo

n

œ æJ ∏

æ

∑ *

Ó.

I

∑

∑

B

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

œ~~~~~~ J ∏

w

∑

π

∑

Spring Drum slow shake

‰

∑

Ó.

j œ ◊

∑

Tam

*

∑

? Ó.

26

Md

Ó

ã w æ

& Hp. 2

∑

Ó.

7

C 31 Fl. 1

√

Piccolo

Ó.

∑

&

D

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ wo ˙o

Timbral Trill

œo

P

n

Ó

∑

n

√

Timbral Trill Piccolo

Ó.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ wo

&

∑

∑

Ob. 1

&

∑

∑

∑

∑

∑

Ob. 2

&

∑

∑

∑

∑

∑

Fl. 2

&

∑

∑

B b Cl. 2

&

∑

∑

B. Cl.

&

∑

∑

S. Sx.

&

∑

A. Sx.

&

B b Cl. 1

œ J

Timbral Trill

Œ.

n

‰

œo J

∑

p

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ ˙. Œ p n Timbral Trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙. ∑ Œ n p

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

Perc. 1

Perc. 2

Perc. 3

Hp. 1

Hp. 2

Pno.

Vln. I

t

∑

∑

+ o + o + o + o ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ ã w ã w æ

j * F

Honey Gong

Œ

∏

Œ

w æ

∑ Ó

∑

+ + o + o o ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ w

∑

w æ

&

∑

Ó.

Ó ∑

ã w æ

?‰

∑

∑

∑

∑

∑

w æ

∑ *

stop resonance

˙. æ ∏

∑

*

stop resonance

√ œ

Stick Gliss

∑

"

∑ Stick Gliss

f"

◊ #œ

∑ Ó. ∑ Ó.

&

∑

∑

∑

∑

?

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?‰

π

j œ ◊

Œ

Ó.

‰

Ó

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O l &

œ J

"

f"

"

f"

∑

*

#œ

Ó. ∑

Behind Bridge

∑

n

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O. l O. l

Tutti

– p

Pizz with nail

Ó.

II

&Œ

Divisi I

n

Vln. II

&Ó B

Œ

π

n

Œ

Divisi II

I

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ O O l

l

π

n

Œ.

∑

n

Divisi I

II (

œ)

O

‚J

P

n

Vla.

BÓ

Divisi II

‰

IV

l

‚.

? Cello

?

Ó.

∑ ∑

II

#O n

DB

t

31

Md

?

∑ ∑

Divisi I

(#w ) Divisi II

O

n

Œ

O.

O P

n

Ó

l

II

( √œ )

#‚ n

P

n

O

O.

P

Œ

∑

n

O

O

Ó

∑

n

∑

∑

∑

∑

∑

∑

∑ œ

Ó.

8

E 36 Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2

C. Bn.

Hn.

Hn.

C Tpt. 1

C Tpt. 2

T. Tbn. 1

T. Tbn. 2

Tuba

&

∑

&

∑

&

∑

&

∑

&

∑

&

∑

&

∑

&

∑

&

∑

?

∑

? t

∑

∑

∑

Più Mosso q = 76 ¬.

÷

∑

∑

∑

¬.

÷

∑

∑

÷

∑

∑

÷

∑

∑

÷

∑

∑

∑

∑

÷ ÷

∑

∑

÷

∑

∑

÷

∑ ∑

∑

∑

∑

∑

∑

÷

∑

÷

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F" ¬.

"

∑

–

F"

"

÷

&

∑

∑

∑

∑

F" * ÷

?

∑

∑

∑

∑

÷

&

∑

∑

∑

∑

÷

&

∑

∑

∑

∑

÷

?

∑

∑

∑

∑

÷

?

∑

∑

∑

∑

÷

?

∑

∑

∑

∑

÷

"

f" *

"

"

‰

f" *

‰

f" *

"

‰

f" *

"

"

‰

‰

f" *

"

* J * J * J * J * J

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

* R * R * R * R * R

‰

* J

Œ

‰.

* R

‰

* J

Œ

‰.

* R

œ≤ œ

≥œ

œ.

œ≤ œ

¿ Œ R

‰.

œ.

œ œ

œ

– Œ –

‰.

– ‰ – R

– – J

– ‰. –

– ‰. – R

РΠРR

f"

*

"

–

f"

Wood Block Needles

Perc. 1

ã

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

Perc. 3

ã

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

Hp. 1

Hp. 2

Ó

˙ æ

æ w "f " ≥œ .

Styrofoam

F w æ √œ

w æ

Pno.

Ó.

f

∑

#œ

Ó.

f

∑

Clave on soundboard

÷

¿ f

‰.

œ.

œ œ

Peg Guero fast

Behind Bridge

Vln. I

&

∑

∑

∑

–. –.

Pizz with nail

∑

"

Vln. II

&

∑

∑

∑

∑

f"

Behind Bridge Pizz with nail Tutti

≈ –– "

Behind Bridge Col Legno Battuto

Vla.

B

∑

∑

∑

∑

Tutti

≥ –. –. "f "

?

∑

∑

∑

∑

≈

t

∑

∑

∑

∑ "

36

Md

?

∑

∑

∑

∑

‰.

≥

– – "f "

≥

– –

‰.

≥

r ‰. – –

(always let ricochets naturally die out; only attack points are indicated)

Behind Bridge Col Legno Battuto

DB

≥ – Œ –

(always let ricochets naturally die out; only attack points are indicated)

Behind Bridge Col Legno Battuto

Cello

f"

œ

(always let ricochets naturally die out; only attack points are indicated)

Tutti

≥œ

≥ –– ..

≥ –– Œ

œ

Ó.

f"

‰.

≥r – ‰ –

¿ R

≥j – –

≥

rŒ – – ≥ r –– ‰

≥ j ––

9 41 Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

÷

¬.

÷ ¬. ÷ ¬. ÷ ÷

Bsn. 1

¬.

Bsn. 2

÷

¬.

–

¬

¬

–

¬

÷ Ó.

‰.

C Tpt. 1

÷ Ó.

‰

÷ Ó.

T. Tbn. 2

÷ Ó.

Tuba

t

–

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

t

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

t

‰

*. ≈ J

t

¬. ¬. ¬.

*. ≈ J

¬. ¬.

*

÷ Ó.

∑

∑

P

n

n

∑

∑

∑

∑

Ó

‰

# wo

# œo .

w

π

n

w

π

∑

n

∑ ∑

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

–

¬.

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ w ∑

∑

&

n

* ¬. R

∑

Breathy, Diffuse

n

* ¬. R

* J

&

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

¬

#œ J

Timbral Trill

∑

Breathy, Diffuse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n

t

n

∑

∑

~~~~~ √ œ J

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ Œ.

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n

t

* J

n

∑

n

Œ.

∑

&

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

¬

¬

Hn.

÷ Ó.

¬

∏

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

∑

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

t

–

‰.

T. Tbn. 1

t

¬

÷ Ó.

C Tpt. 2

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

¬

–

Hn.

wo

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n

t

–

¬.

P

√

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

t

n

¬.

÷

¬

–

÷ ¬.

÷

–

–

¬.

÷

∑

&

n

¬.

÷

∑

Timbral Trill

–

¬.

∑

&

–

÷ ¬.

A. Sx.

C. Bn.

# wo

Timbral Trill

–

∑

∑

∑

∑

∑

∑ ∑

–

n

–

∑

n

∑

–

n

–

n

∑ ∑

–

n

–

∑

n

∑

– n

Perc. 1

Perc. 2

ã ˙.

Perc. 3

ã w æ

Hp. 1

Hp. 2

!

ã w œ

œ≤

Spring Drum slow shake

∑ ≥œ .

œ≤ œ

≥œ

œ.

œ≤ J

œ.

œ.

≥œ J

œ≤ œ

œ f

Ó.

Whip

∑

#œ

œ.

≥œ

œ≤ œ

œ.

≥œ

˙. Œ.

Ó.

Bass Drum

‰.

¿ Ó. R

œ J π

Œ

?

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

‰.

¿ Œ R

∑

&

#œ

∑

Clave

Ó.

÷

Ord

Peg Guero slow

w

∑

w

&Œ

‰.

œ ‰ œ R

œ œ J

≈ œœ

œ œ

∑

Vln. II

&Œ

‰.

– ‰ – R

– – J

≈ ––

– –

∑

≥ j – ‰. – "f "

B Œ.

? ≈

– – "f "

t

41

?

≥

≥

– –

‰.

Œ

∑ ∑

≥ r – ‰ – ≥ r ‰. – –

≥ j – –

≥ – ‰ –

‰. ≥ r – –

Œ ≥ ––

≈ ≥

––

3

≥ – – ≥

– –

Arco

I

‰.

– –

≥

Ó

––

∑

( #√w ) #O æ F ≥ – –

≥

r ‰. – –

≥ r – –

ƒ

–

∑

Ó ≥

fast

¿

Ó.

‰.

Ó

– – ∑

Œ. ≥ ≈ j . –. –

3

œ ÷

∑ ÷

∑

Ó.

∑ (trill between harmonic and open string) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (w )

Arco

Ó

IV

O F

n

≥

œ

¿ Ó. R

∑

O æ ≥3 – –

œ≤

œ

&

Vln. I

Md

5

∑

?

DB

≥œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +o +o +o +o +o +o œ œ œ œ œ œ. œ œ œ J

∑

Pno.

Cello

œ≤ œ

w æ

÷ Ó

Vla.

w æ

Arco

æj # # œO

æ ˙O

n

‰

≥

j – –

Œ

π ≥

3

– –

≥

– –

l

æ wO

n

∑

∑

∑

∑

∑

∑

∑

10 46 Fl. 1

Fl. 2

√ ˙

Timbral Trill

∑

&

∑

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (√) w w & n ∏

∑

√ #˙.

Timbral Trill

∑

Œ

Ó

p

n

Ó.

∑

∑

∑

÷

∑

∑

∑

∑

B b Cl. 1

&

∑

∑

∑

∑

∑

B b Cl. 2

÷

∑

∑

∑

∑

∑

B. Cl.

÷

∑

∑

∑

∑

∑

∑

∑

∑ ∑

S. Sx.

&

˙ n

Ó

A. Sx.

&

∑

∑

∑

∑

Bsn. 1

÷

∑

∑

∑

∑

Ó.

Bsn. 2

÷

∑

∑

∑

∑

Ó.

÷

∑

∑

∑

∑

Ó.

÷

∑

Œ

Œ

∑

Œ

÷

∑

Œ

Œ

∑

Œ

Œ

∑

Œ

C. Bn.

Hn.

Hn.

C Tpt. 1

C Tpt. 2

T. Tbn. 1

T. Tbn. 2

Tuba

÷

∑

÷

Œ

∑

÷

Œ

∑

÷

Œ

∑

Œ

÷

∑

Œ

ã

∑

Œ

¬.

¬. "F "

¬.

n

¬.

"

¬.

"

n

¬.

"

¬.

"

¬.

"

n

n

n

n

n

¬. F"

n

¬. F"

n

¬. F" ¬. F"

∑

Œ

Œ

∑

Œ

Œ

∑

Œ

Œ

∑

Œ

n

¬. F"

n

¬. "F "

n

Œ

n

n

–. æ

n

n

n

j –æ

–.

j –æ

–.

j –æ

–.

j –æ

–.

– π

–.

– π

–.

j –æ j –æ

–.

j –æ –æ F j –æ –æ F

–. æ

– æ

– π

j –æ

j –æ –æ F

¬ æ "F " ¬ æ "F " ¬ æ "F " ¬ æ "F " ¬ æ "F " ¬ æ "F " ¬ æ "F "

– π – π – π – π – π – π – π

Wood Block Needles

Perc. 1

˙. æ

Sizzle Cymbal

P

n

Perc. 2

ã ˙.

œ

≥œ

œ≤ J

œ.

˙

f

Bass Drum Brush Swishes

Perc. 3

! œ

ã Ó.

n

M ˙. p

Vertical Swish

÷ Œ Hp. 1

?

÷ ¿. Pno.

∑

M ˙. p

?

¿ ‰

?

F

w "

∑

Vertical Swish

÷ Œ Hp. 2

w

"

¿ J

∑ ‰.

∑

¿ ‰ R

‰.

¿ J

¿ ‰ R

¿ J

∑

∑

Œ

∑

∑

Ó.

¿ J

∑

f"

÷

w

Fingertip Tremolo on Soundboard

∑

f"

‰.

– æ

æw "f "

∑ ˙≤ .

œ f

n

! œ

– æ – æ – æ ≈

*

*

f" ≈ * * "

"

≈

f" * *

f" ≈ * * "

"

≈

f" * *

"f " ≈ * * "f " * * ≈ "f "

@ ≥œ

œ

œ≤

æ œ ≥œ

œ≤ œ

≥œ æ

w

F

n

M Œ ˙. w ∑ p "f " ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w w w "F " Vertical Swish M Œ ˙. w ∑ p "f " ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w w w "F " Vertical Swish

÷

w

Fingertip Tremolo on Soundboard

n

‰ ∑

∑

n

w ∑

æ

∑

&

∑

–. æ

n

– π

– æ

∑

j –æ –æ F

–. æ

– æ – æ

– π

–æ

P

– æ

∑

n

– π

–æ

~~~~~~~~~~~~~~

∑

–. æ

– æ

– π

n

j –æ F j –æ F

–. æ

– æ

Ó.

√˙

Ó

n

Ó.

n

Timbral Trill

n

– æ

∑

Ob. 2

p

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w

÷

Ob. 1

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w

¿ R

∑ w

∑ w

slow

¿

∑ w

Ó

‰

w

¿ J fast

MSP flautando

Vln. I

O &w P &

w n

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ( ˙ ). O.

Œ

l

∑

∑

∑

∑

∑

Ó

Divisi I

#O II

∑

Vertical Swish

Vla.

BŒ

n

Vertical Swish

Cello

?Œ

n

DB

M ¬. ¬.

¬ ¬

M ¬ .. ¬

¬ ¬

t Ó.

46

Md

? #œ

∑

Vertical Swish

M –– n

Ó.

"

"

¬¬

F"

F"

"

∑

F"

#O

p

∑

∑

Ó.

∑

∑

∑

∑

∑

∑ ∑

∑ n

Divisi II

III

‚æ

n

∑

Vertical Swish

Œ

n

∑

∑

#O

#O

n n

Vln. II

&

∑

œ

Œ

M ¬ .. ¬

Ó.

p O˙ .. æn

P

¬ ¬ Vertical Swish

M –– n

Ó.

æ O

"

¬¬

F"

"

∑

F"

11

F 52 Fl. 1

Fl. 2

&

Ob. 1

÷

Ob. 2

÷

B b Cl. 1

B b Cl. 2

B. Cl.

∑

& √w

n

Bsn. 1

Bsn. 2

C. Bn.

Hn.

Hn.

C Tpt. 1

C Tpt. 2

T. Tbn. 1

n

w

w

w æ

w æ

w

æ

æ

∑

∑

æ f w æ f

∑

Perc. 1

Perc. 2

∑

÷

∑

&

w w

"

n

wo

f"

&

n

÷

∑

÷

π

w w

∑

∑



˙ ˙

˙ ˙

∑

w w

n

w

"

w

˙

f"

∑

w w



Hp. 1

˙

w

n

π

¬.

∑

Œ

∑

∑

∑

∑

Œ

÷

∑

∑

∑

∑

Œ

÷

∑

∑

∑

∑

¬.

"

÷

∑

∑

∑

∑

¬.

"

÷

∑

∑

∑

∑

¬.

"

÷

∑

∑

∑

∑

¬.

"

÷

∑

∑

∑

∑

¬.

"

¬.

"

¬.

"

∑

∑

∑

n

"

n

"

n

"

¬. ¬. –

n

n

n

n

∑

÷

∑

∑

∑

∑

ã

∑

∑

∑

∑

Ó.

∑

Ó

ã

∑

∑

∑

ã

∑

∑

∑

÷

∑

∑

∑

n

M ˙. p

Vertical Swish

Ó.

∑

Œ

∑

∑

∑

∑

∑

&

∑

∑

∑

&

∑

∑

Divisi II

IV

Oæ

n

Vln. II

Vla.

& B

∑

∑ ∑

Cello

∑

∑

∑

n

æO

æ O

æ O

P

t

52

Md

?

∑

∑

∑

∑

∑

Vertical Swish

Œ

Vertical Swish

Œ

∑

Ó.

?

Ó

?

n

∑

∑ ∑

f" –

∑

f" œœ

Wood Block

∑

f

˙ æ

∑

P

Bass Drum superball

˙.

œ

P

n

"

∑

f"

Ó. ∑



Card Guero P. D. Cl.

f"

&

Ó.

&

∑ 

Card Guero P. D. Cl.

√œ>œ

ƒ

Clave on soundboard

¿

÷

O

P

M ¬. ¬.

#‚ æ

n

∑

n

Ó

"

"

F"

"

∑

p ∑

F" #O

Œ

¬¬

n

O æ

II

¬ .. ¬ M ––

Ó.

æ

I

Vertical Swish

Ó

Oæ

¬ ¬

M ¬ .. ¬

Ó.

IV

Ó.

∑

n

DB

¬ f"

f" –

∑

æO

n

?

Ó

n

∑

∑

III

∑ ∑

¬ f"

f" –

n

∑

?

∑

∑

Vln. I

Ó

Ó

n

Vertical Swish

∑

Divisi I

¬ f"

f" –

"

∑

ƒ

œo

∑

w

∑

?

f"

Ó

f" –

Tam

M ˙. w p ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ÷ w w w w ∑

"

f" –

‰.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ÷ w w w w

÷ ¿ Pno.

Œ

∑ Œ

?

n

∑

÷

∑

w w œ

∑

÷ Hp. 2

&

n

n

Perc. 3

n

n

∑

n

Tuba

˙

˙ æ

n

T. Tbn. 2

 œ

˙. æ

∑ ∑ ∑ ∑ ∑ ∑ & ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Timbral Trill Timbral Trill  w w w w w #w & P n F f Timbral Trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w w œ #w ˙. w w & π n F F

Breathy, Diffuse

A. Sx.

œ æ

n

Ó.

∑

S-133

S. Sx.

œ æ

Ó.

F"

#O π

n

∑

∑

12

G 58 w

Fl. 1

Fl. 2

w

&æ

w

æ F w æ F

w & æ

æ

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2

C. Bn.

Hn.

Hn.

&

With Reed

&

∑

With Reed

w

&

w

œ

&

C Tpt. 2

∑

˙o .

&

‰ b œœ J p

∑

T. Tbn. 2

Tuba

Pno.

Vln. I

Vln. II

Vla.

∑

w #œ

w

n

w w

F

w w

n

w w

bw w

w w "f "

n

Ó.

∑

With Reed

#œ

w

poco vib.

w

f

#˙

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

&

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

÷

–

¬.

"

n

÷ ¬. ÷

"

÷

n

¬.

"

¬.

"

÷

¬.

"

n

÷

¬.

"

÷ ¬.

"

n

㠌

˙. æ

f" –

˙

&

∑

&

∑

÷

∑

÷

∑

÷

∑

÷

∑

&

∑

&O æ

t

¬.

"

¬.

"

¬.

"

n

∑

f" –

n

∑

f" –

n

∑

f" –

¬.

∑

f" –

œ

f

Clave

¿

ƒ

"

w≤

∑

f" – f" – f" – f" – f" – f"

œœ

f

Ó

˙ n

Ó. ∑

∑ Ó.



f" 

"

f"

¿

∑

Ó. ∑ Ó. ∑ Ó.

58

?

poco vib.

Wawa Mute

w æ

∑

?

∑

?

P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Vertical Swish

Œ

O

O

n

¬ ¬ O

O

p

"

F"

O

O

O

O

Ó

∑

n

#O

∑

M ¬. ¬.

+

#˙

∑

Vertical Swish

Œ

n

M ¬ .. ¬

¬ ¬ ∑

"

∑

∑

∑

∑

∑

∑

∑

F"

∑

SP

Ó.

DB

t

w

π

∑

P

Card Guero P. D. Cl.

∑

œ

n

"

∑

Tam superball

w æ

∑

With Reed

n

Tam

∑

Ó.

Ó

?

n

Card Guero P. D. Cl.

∑

Ó

n

Ó.

∑

Wood Block

P

n

#O

f" –

‰.

n

∑

f

¬. Ó.

∑

œ

"

n

∑

P

¬.

n

∑

f"

"

n

n

#O

"

n

∑

∑

–

¬.

∑

F

ã Ó

#O ?

f" –

p

≤ ã w

B

∑

n

Md

w F Ó.

∑

I

Cello

f"

f"

w

∑

n

Hp. 2

w w

w w

w

∑

n

Hp. 1

"

∑

∑

n

∑

Styrofoam

Perc. 3

"

∑

?

n

Perc. 2

n

w w

w

n

w w

F

Ó

n

n

Perc. 1

#œ

∑

w w "f "

˙

w

n

∑

A-9

?

˙

Ó.

Πn

w w

&

Ó

S-133

n

T. Tbn. 1

˙.

∑

w

w

f

∑

∑

n

w

f

n

n

C Tpt. 1

w

no vib.

F

˙.

?

f

∑

n

µw

slight bend

∑ n

w æ

w

F

n

æ

w æ

poco vib.

∑

w

MSP

Ó.

#œ n

w

æ #œ

w

n

∑

w

f

∑

f

!

w ∑

13

H

64 Fl. 1

&

∑

∑

∑

∑

∑

∑

∑

Fl. 2

&

∑

∑

∑

∑

∑

∑

∑

Ob. 1

&

∑

∑

∑

∑

∑

∑

∑

Ob. 2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

&w & ?

n

w

˙

w

w



#˙ n

f

w w

?w

˙.

∑ œ œ

 #œ

Ó.

C. Bn.

?w ?Œ

n

Hn.

& # ww

P

n

Hn.

?Ó

˙ #˙ n

C Tpt. 1

& Ó.

C Tpt. 2

& Ó.

+

Wawa Mute

#œ n

+

Wawa Mute

#œ

ƒ

T. Tbn. 2

? ?

w

ww

œœ

w w

œ œ

P

#w ∑

œ

n

+

Ó.

Ó.

P

w

#œ ∑

∑

Ó.

# # ˙˙ ..

+

∑

#w n

∑

Ó.

P

∑

∑

Perc. 2

ã

∑

∑

ã w æ

w æ

n

Ó. Ó. Ó.

œ

P

n

∑ n

∑

n

+ #œ

w

œ

Ó. n

o

Ó.

n

∑

∑

∑

∑

n

∑

∑

Ó.

œ

o w P

∑ Pedal Tone: Breathy, Diffuse

Ó.

#œ ◊

w

w

P

n

Perc. 1

œ

+

o

n

+

P

n

#w

∑ ∑

w

w w

n

Ó.

œ œ

ww

P

#˙. #˙.

Œ

n

o

w w

w

Œ

n

o

∑

n

w

n

Ó.

Ó.

∑

w

P

n

œ

œ

w w

n

n

n

w F

?

#œ

Ó.

Ó.

œ

F F

w P

n

n

w

F

o

P

o

n

Tuba

Ó.

œ

w

n

T. Tbn. 1

œ

w

w

w

n

w

n

n

w

With Reed

#˙. ◊

œ

∑ bœ œ

n

w

w

f

w

∑ Ó.

n

Bsn. 2

∑

Ó.

w

n

∑

w &w

∑

w

n

∑

&

w

∑ w æ

∑ w æ

∑ w æ

Ó.

œ

n

∑

∑

w æ

w æ

w Fæ

Bass Drum

ã

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

∑

∑

Vln. I

&

∑

∑

∑

∑

∑

Vln. II

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc. 3

Hp. 1

Hp. 2

Pno.

Vla.

÷

∑

B

?ΠCello

?Πt

b˙.

F

n

æ b˙.

F

n

w

DB

t ?

w

∑

∑

œ

w

œ

w

œ

æ w

w

64

Md

∑

œ ∑

Ó.

Ó

n

!

∑

Ó.

Ó

n

Ó

Ó.

n

!

Ó.

Ó

n

#˙ n

w

n

w

#˙

w

æ #˙ n

æ #˙ n

∑

∑

∑

w

∑

P !

P ∑

∑ —≤ ±≥ R "f "

Solo

Ó.

P

P

∑

‰.

∑

w

œ

w

œ

w

œ

w

œ

!

∑

∑

Ó. n

Ó. n

Ó.

n

æ Ó. n

∑

14 71 Fl. 1

&

∑

∑

∑

∑

∑

Fl. 2

&

∑

∑

∑

∑

∑

Ob. 1

&

∑

∑

∑

∑

∑

Ob. 2

&

∑

∑

∑

∑

∑

B b Cl. 1

&

∑

∑

∑

∑

∑

B b Cl. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

S. Sx.

&

∑

∑

∑

∑

∑

A. Sx.

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

Perc. 1

ã

∑

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

∑

Perc. 3

ã w æ

B. Cl.

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

Hp. 1

Hp. 2

Pno.

?

∑

∑

w æ

∑

w æ

∑

w æ

∑

w æ

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

±.

—

—≤

±≥

— —≤ —≥

y

±.

y

Vln. I

&

Vln. II

&

∑

∑

∑

∑

∑

Vla.

B

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cello

DB

71

Md

?

15

I 76

C Flute

Fl. 1

&

∑

∑

Fl. 2

&

∑

∑

Ob. 1

∑

&

∑

B b Cl. 1

&

∑

∑

B. Cl.

w

#w

w

no vib.

∑

&

∑

∑

?

∑

∑

w æ ∑

#w

∑

&

w æ ∑

poco vib.

Ob. 2

B b Cl. 2

#w æ ∏

Breathy, Diffuse

F

F

∑ ∑ ∑

w #w "f "

S-118

Ó. Œ

w w

Ó slight lip bend

w

C Flute

3

#œ æ

Breathy, Diffuse

n

˙ æ

w ‰

œ J

Timbral Trill

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w

n

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙. w

Timbral Trill

n

∑

∑

˙. ˙.

&

∑

∑

&

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

?

∑

Perc. 1

ã

∑

Perc. 2

ã

∑

Perc. 3

Hp. 1

Hp. 2

Pno.

ã w æ

# ˙o

Ó

Breathy, Diffuse

∑

∑

∑ Ó.

wo

n

∑ ‰

Styrofoam

w æ

œ≤ J π

w≥

∑

∑

Spring Drum Slow Shake

Ó.

‰

+œ o J π

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +œ o +œ o +œ o +œ o Œ 5

∑

n

∑ # œœ # œ

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó.

&

∑

∑

&

∑

∑

÷

∑

∑

÷

∑

∑

÷

∑

∑

∑

∑

∑

÷

∑

∑

∑

∑

∑

&

y

y.

f

—.

—≤ ≥± "

∑

Œ

y

—.

n

Vln. II

&

∑

∑

Vla.

B

∑

∑

Ó.

f

Vln. I

&

∑

#œ

±

f"

∑

n

—≤ ±≥

±

π

 œ #œ n

w

∑

w

F

∏

± n

∑

∑

∑

∑

∑

∑

extremely light bow pressure

Cello

DB

?

t

76

Md

?

∑

∑

∑

∑

∑

∑

y æ

y æ

n

π

Harmonic Vamp MSP flautando I

y æ

OOO OOOO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~           

∏

#œ

Ó.

∑

∑

16 81 Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

C Tpt. 1

C Tpt. 2

T. Tbn. 1

T. Tbn. 2

Tuba

Perc. 1

Perc. 2

&

˙ æ

œ

w æ

˙

˙

˙.

w

w

w n

n

n

w & æ &

#œ

Ó.

Ó

˙ æ

˙

˙

#œ 3

n

˙

#˙

F

œ

Ó.

Ó

n

w

n

w

w œ

P

n

˙.

w

˙

˙

78 P n P n ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Timbral Trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Timbral Trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w w ˙ ˙ w #˙ ˙ 7 & 8 P P n p n ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Timbral Trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Timbral Trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w ˙. w #œ w w 7 & 8 P n n P P ? 7 ∑ ∑ ∑ ∑ ∑ 8  w w ˙. œ w w 7 w ˙. #œ w w &w 8 &

n

f"

&˙

 #˙

?

∑

∑

?

∑

&

"

w

n

p

n

w

"

˙.

f"

#œ

n

w

n

Hp. 2

Pno.

Vln. I

7 8

∑

∑

∑

∑

7 8

∑

∑

∑

∑

∑

7 8

?

∑

∑

∑

∑

∑

7 8

&

∑

∑

∑

∑

∑

7 8

&

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

7 8

?

∑

∑

∑

∑

∑

78

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +œ o +œ o +œ o +œ o Œ

∑

∑

∑

7 8

∑

Spring Drum Slow Shake

ã Ó. ã

∑

‰ ∑

+œ o J π

∑

5

∑

∑

ã

∑

∑

Ó

˙ æ

n

Hp. 1

7 8

∑

?

∑

p

∑

∑

+ #˙.

Œ

Ocean Drum

Ó

˙

w æ

7 8

∑

F

n

w

p

n

Perc. 3

78 7 8

n

w

78

7 8 78

7 8 7 8

w æ π

∑

7 8

∑

∑

7 8

∑

∑

∑

7 8

∑

∑

∑

∑

7 8

∑

∑

∑

∑

∑

7 8

÷

∑

∑

∑

∑

∑

7 8

&

∑

∑

∑

∑

∑

7 8

&

∑

∑

∑

∑

B

∑

&

∑

∑

∑

∑

&

∑

∑

∑

÷

∑

∑

÷

∑

÷

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O. l 7 8 MSP

Vln. II

Vla.

DB

?y æ

t

∑

∑

Œ

# # ˙O ..

˙O

?

y æ ∏

y æ π

y æ ∏

˙O π

y æ π

∑

∑

∑

∑

78

7 8

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~                    

81

Md

II

n

n

Cello

Œ

∑

7 8

7 8

17 86 Fl. 1

Fl. 2

J & 78 7 &8

Ob. 1

& 78

Ob. 2

& 78

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

& 78 7 &8

˙ ..

44 P

˙ ..

44

˙ ..

?7 8

∑

.. 7 ˙ & 8 # ˙ .. 7 & 8 ˙ ..

∑

Bsn. 2

?7 8

∑

C. Bn.

?7 8

Hn.

7 &8

∑

Hn.

?7 8

∑

∑

7 & 8 Ó.

T. Tbn. 1

?7 8

∑

T. Tbn. 2

?7 8

∑

Tuba

?7 8

∑

Perc. 1

7 ã 8 Œ

˙ æ

n

Perc. 2

Perc. 3

Hp. 1

Hp. 2

Pno.

Vln. I

Vln. II

Vla.

Cello

DB

7 &8

∑

÷ 78

∑

÷ 78

∑

÷ 78

∑

+

÷ 78

∑

n

7 &8

4 4

˙.

w

w

˙.

w w

w w

n

n

? 7 ± .. 8æ ∏ t7 8

Ó

‰

w w

n

‰

j bœ

n

˙.

ww

ww

ww

n

ww

ww

ww

n

Œ

o + #˙.

o

n

˙

n

n

∑

œ F

3

w w

∑

∑ ˙

w

+ π

w w

∑

w æ

∑

n

∑ ∑

n

w

w

w pæ

 æ

Bass Drum Fingertip Tremolo edge

∑

Ó.

 æ

 æ

 æ

œ æ F

center

∑

∑

∑

∑

∑

÷

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑ Ó.

œo æ

 æ

Harmonic Gliss: Bow follows fingers (moving from the brige up the fingerboard)

IV

∑

4 4

4 4

w

∑

w

w

 æ

n

∑ — — æ

II ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~     4  OO OOOOO J 4

?7 œ 8

n

w

w æ

# ww ◊

F

j #œ ‰ j µœ

∑

∑

‰

j œ

n

n

w

w

∑

f"

4 — 4æ P

‰ n

˙.

w

 æ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 O .. l 4 O l O l &8 4 P B 78 ˙O ....

n

n

4 4

∑

w

w

4 4

?

w

π

Ó

4 # # œœœ 4 # œ ƒ 4 4 #œ 4 4 "f "

"

w

w

F

4 w 4 æ P

4 4

w

π

w

4Bw 4 π straight mute 4 4 Bw π 4 4

&

w

w

4 ˙ 4 æ ∑

w

w

44 w

7 &8

w

w

straight mute

7 ã 8 ˙ .. æ

86

Md

P

o 4 w 4

ã 78 ˙ ..

w

w

4 4 b b ww π o 4 w 4

œ æJ

Tam

w

w

con sordino

7 ˙ .. &8

w

w

4 4 w bw π

n

w

w

con sordino

+ j œ

w

n

44 Bw π 4 4 Bw π 4Bw 4 π 4 ww 4 "f " 4 w 4 P 4B w 4 π 4 bw 4 4 π 4 bw π

˙ ..

?7 8

C Tpt. 2

4 4 w π

∑

Bsn. 1

C Tpt. 1

44 µw π

∑

n

∑ —æ —

OOOOO OO III

∑

∏

 æ

—æ — IV OO OOOOO

æ y

æ y

æ y

æ y

∑

 æ

 æ

 æ

 æ

 æ

 æ

∑

∑

∑

∑

o œ æ

∑ n

Ÿ~~~~~~~~~~~ — l

(trill between highest note and open string)

±æ.

∏ ∑

∑

18 91

K

Fl. 1

&

∑

∑

∑

∑

∑

Fl. 2

&

∑

∑

∑

∑

∑

Ob. 1

&

∑

∑

∑

∑

∑

∑

∑

∑

Ob. 2

&

B b Cl. 1

&

B b Cl. 2

B. Cl.

˙

Ó

˙

n

Ó n

w

&

p

w

?

p

w

S. Sx.

&

∑

A. Sx.

&

Bsn. 1

Bsn. 2 C. Bn.

Hn.

w

p

w

w

w

w

w

w

w

˙.

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

?

w

p

&

w

w

∑

∑ ∑

C Tpt. 1

&

∑

∑

C Tpt. 2

&w

T. Tbn. 2

Tuba

˙

Ó

# ˙˙

ww

n

∑

T. Tbn. 1

Œ

b ˙˙ .. n

Ó

˙ n

∑

∑ Ó

n

∑

Ó

∑ n

ww

∏

ww ∑

∑

∑

∑

∑ ∑

?

∑

∑

∑

∑

∑

?

∑

∑ Spring Drum Slow Shake

ã Ó.

ã w æ

‰

+œ o J π

b˙

w

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +œ o +œ o +œ o +œ o Œ Ó.

Spring Drum Slow Shake

‰

5

w

 æ

p

w

 æ

 æ

∑

&

 æ

∑

Hp. 1

* "f "

Ó

& ?

π

◊

œ

j *

Œ

*.

*.

∑

&

ƒ ? #œ #œ

‰

Tremolo with Mallets

œ æ F

w æ

+œ o J π

w

∏

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +œ o +œ o +œ o +œ o Œ w

Ó.

Ó

∑

o &w æ

Œ

‰

* ∑

∏

Bw

Ó

j œ

o w æ

&

∑

∑

w

∑

œo ?æ ∏ IV

DB

 æ

 æ

?

∑

 æ

 æ

 æ

IV

Bw

∑

∑

w

Bw

∑

 æ

œo æ

 æ

 æ

 æ

*.

*.

∑

 æ

 æ

Œ

∑  æ

 æ

∏

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

∑

 æ

œo æ

 æ

o œ æ

∑ o œ æ

—

∑

w

n

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j — l y y.

± ..

œ æJ F

∑

∑

∑

 æ

œ J π

center

∑

o œ æ

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ t ±. —

91

Md

 æ

˙ .. æ p

edge

∑

n

B

œ æ F

center

∑

Harmonic Gliss: Bow follows fingers (moving from the brige up the fingerboard)

∑

 æ

∑ *

∑ œ

 æ

Tam bow

n

∑

∑

 æ

‰

n

∑

Ó.

 æ

p

∑

5

edge

p

n Honey Gong

÷

Cello

# ˙˙

∑

Perc. 3

Vla.

A-66

∑

center

Vln. II

n

∑

edge

Vln. I

Œ

∑

Ó

Œ

n

∑

ã w

Pno.

n

?

Perc. 2

Hp. 2

Œ

n

ww ∏

n

Perc. 1

˙. ˙.

?

Hn.

w

o w æ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ —

y

l

∑

19 96

˙ æ

˙ .. æ

&

∑

Ó

Ob. 1

&

∑

∑

Ob. 2

&

∑

∑

B b Cl. 1

&

∑

&

∑

?

∑

Fl. 1

Fl. 2

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

œ æJ

Breathy, Diffuse

& Œ.

n

w

n

#˙

Ó Ó

w

∑

?

∑

?

Œ

b ˙˙ ..

S-136

w

n

w

n

ww

n

ww

Œ

n

˙ æ

Ó

∑

n

w

p

w

∑

∑

∑

∑

∑

∑

w

π p P "

˙ . ˙˙ ..

A-52

n

∑

f"

∑

n

w

w

w

w

n

ww

ww

n

w ww

w ww

"

f"

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ww

n

n

∑

∑

∑

C Tpt. 1

&

C Tpt. 2

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

T. Tbn. 1

T. Tbn. 2

Tuba

?

w

Perc. 1

ã

Perc. 2

ã ˙

Perc. 3

ã ˙ æ

n

& Hp. 1

P

Pno.

Vln. II

Vla.

Cello

F

* Œ.

3

Ó j œo

*

Ó Œ

&

∑

Ó

?

∑

# œo

‰.

#‚ F ∑

Ó

Œ

∑

Œ

o w æ

B æO w P

æ ˙O

? wo æ

?

œ

Œ

‰ µ œJ

Œ

3

F

œ µœ

b œo

3

Ó ∑

Œ.

œ J

Œ.

j œo

∑ Œ

∑

∑

∑

∑

∑

∑

‰ ∑

Œ

#‚ J

#‚

‚

3

Ó

µ œo J

Œ.

œo

?

∑

∑

∑

flautando

o &w æ

#‚

‚

O

#O

n

o œ æ

æ # # ˙O

Ó.

∑

n

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

∑

æ wO

∑

n

∑

∑

∑

∑

∑

∑

n

MST

w

∑

w

∑

n

∑

π œo æ n

æ wO

∑

w

96

Md

œ

∑

MSP

DB

Œ

∑

∑

Ó.

Œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O l O l & π

t

œ J

# œo Ó R

Glass Slide

œ J

∑

Ó.

∑

∑

MSP

Vln. I

∏

n

œo

Œ.

œ J

Soft Mallets

∑

œo

‰ ∑

œ.

Ó

n

(sounding 8va)

F ?

π

Ó.

Œ

∑

Ó

p

&œ o

œ

Tam

Ó

÷ *

Hp. 2

Ó

∑

n

w

∑

∑

ww

µ˙ ˙

Ó

∑

&w w P ?

?

µ˙

w æ

n

&

&

#œ æJ P

&

20

L 101 Fl. 1

Fl. 2

∑

&

∑

n

&Ó

µ ˙

&

∑

Ob. 2

&

∑

&Ó

#˙

&Ó

µ˙

?Ó

˙

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2

C. Bn.

w

n

Ob. 1

B b Cl. 1

˙. æ

#˙ æ

Ó

w

n

w

n

w

n

w &w

˙˙

w & ww

˙ ˙˙

w

p

∑

? ?

w

∑

∑

∑

∑

π p

w

w

w

w

w

P

Ó

µ ww

Ó

Ó

S-122

"

n

b˙ ˙

f"

A-9

n

∑

∑

∑

∑

∑

∑

Ó

C Tpt. 1

&

∑

C Tpt. 2

& ?

Perc. 2

㠌

Perc. 3

ã Ó.

Hp. 1

Hp. 2

Pno.

DB

w

n

∑

∑

∑

∑

∑

∑

∑

œ J

+ ˙.

Œ

‰

˙.

œ

µœ

bœ 3

?

∑

∑

&

∑

∑

?

∑

∑

Œ

≥–

BR

F"

 .

Œ. œo J

Œ

Œ

Jéte --------> Arco IV ---------> I

≥– –≤

 .

Harmonic Gliss: Bow follows fingers (moving from the brige up the fingerboard)

∏

 æ

∑

Ó.

∑

Œ

∑

œ J

π

œ

œ

Ó.

œ

Ó.

µ œo

Ó.

‰ µ œJ

Œ

œo ∑

F ◊

Jéte --------> Arco IV ---------> I

≥– –≤

œ≤

Œ.

œ J

Œ

œ

≥œ .

œ≤ J

œ

≥œ ‰

b œo ∑

∑

∑ œ

œ

w

w

∑ Œ.

Jéte --------> Arco IV ---------> I

≥– –≤

∑

∑

j œ

Œ

Œ.

Glass Slide

‚

‚ J

◊







Jéte --------> Arco IV ---------> I

≥–

BR

 æ

 æ

 æ ‰

MSP

˙æ.

F"  æ

II



 .

–≤

∑





 .

–≤

≥–

 .

Jéte --------> Arco IV ---------> I

≥– –≤

 .

Jéte --------> Arco IV ---------> I

≥– –≤

 .

Jéte --------> Arco IV ---------> I

≥– –≤

With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

 æ

 æ

o œ æ

o w æ

o w æ

OOOOOOO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~            J ∏ n ˙æ..

∑

Jéte --------> Arco IV ---------> I

∏

æj œœ ∑

Ó

n

æ ww

æ ww ∑

œ J

µ œo J

Œ.

∑

Ó.

∑

œ

 .

j œ œ

Œ.

œ œ

∑

˙.

Ó

j œo

n

∑

œ

Œ

Ó

˙

Ó.

Ó

Ó. ‰

∑  æ

p

With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

∑  æ

œ J

∑

n

w

n

w

∑

Jéte --------> Arco IV ---------> I

"

n

≥œ

Œ.

∑

O.

Œ.

∑ Œ

‰

w

p + j œ

∑

œ

œ J

µ œo J

Œ.

Ó.

Ó.

∑

?

˙

∑

n

Md

œ π

∑

&

101

∑

∑

∑

t

∑

∑

n

Cello

∑

∑

# œo

?

∑

∑

P

 æ

f"

∑

"

Vla.

w w

∑

?

œo æ &

ww

∑

˙≤ .

&

n

∑

Pegs

Vln. II

˙

∑

Styrofoam

&# O .

n

∑

Pegs

Vln. I

µ˙

∑

‰

&Œ

w w

˙

n

ã Ó.

n

"

˙

∑

Perc. 1

Ó

3

∑

Tuba

#˙

Ó

ww

n

∑

?

?

Ó

n

w

&

?

n

n

∑

T. Tbn. 2

n

∑

∑

T. Tbn. 1

µ ˙

∑

∑

Hn.

Ó n

∑

n

Hn.

w æ

Glass Slide

∑

n

?

P

µœ æ

∑



21

M

106 Fl. 1

Fl. 2

&˙ æ

&w

Ob. 1

&

Ob. 2

&

B b Cl. 1

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

&w &w ?w w &w

Ó

∑

∑

∑

n

w

p

w

n

Ó

µ ˙

∑

∑

∑

∑

∑

∑

∑

π p P

w

w

w

w

w

˙ &˙

µ˙ ˙

?

∑

?

w w

A-8

"

n

f"

n

n

µ ww

S-122

∑

n

n

"

n

w w

f"

w

n

∑

w

∑

#˙

Ó

µ˙

w w

n

w

n

˙

n

ww

∑ ∑

Ó

Ó

p

ww

w w

π p P ∑

n

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

Bsn. 1

Bsn. 2 C. Bn.

Hn.

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

?

∑

? ?

∑

∑

∑

∑

Ó.

+

Wawa Mute

Ó.

∑

œ

‰

+ j œ

n

w

n

π

Ó.

∑

œ

ã Ó.

Perc. 2

ã w

Perc. 3

ã

Hp. 1

Hp. 2

Pno.

‰

Ó.

‰

œ J

Ó.

˙.

œ

œ≤

w

∑

&Œ

µœ ∑

&

∑

? &

∑

?

∑

Jéte --------> Arco IV ---------> I

≥–

BR

"

F"

µ œo J

 .

∑ Ó.

Honey Rattle always let rattle naturally die out

F" *

"

˙

˙

Jéte --------> Arco IV ---------> I

≥– –≤

 .

≥– –≤

 .

∑

π

‰

w

#w

Jéte --------> Arco IV ---------> I

≥– –≤

◊



j œ

Œ.



Œ

j œ





œ

 .

–≤

w

œ J

Ó

≥œ

œ

Œ

∑

w

π

o

π œ Ó.

∑

Ó.

œ œ

∑ ‰

Jéte --------> Arco IV ---------> I

œ

∑

#w

∑ Ó.

Œ.

œ

∑

Ó.

˙

Œ

∑

∑

#˙

œ J

˙.

∑ w

w

‰

∑ Œ.

?

Pegs

Vln. I

œ J

w

w

n

Perc. 1

∑

Wawa Mute

j œ œ

œo F

Œ.

j # œo

∑ ∑ w

#w

∑

∑

∑

∑

∑

∑

With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

œo æ

 æ

 æ

 æ

 æ

 æ

œo æ

Harmonic Gliss: Bow follows fingers (moving from the brige up the fingerboard)



Vln. II







∑

∑

∑

n

Vla.

Cello

DB

o &w æ ?

Md

?

Ó.

∑

t æ ˙˙ ..

106

o œ æ

o w æ

Œ

n

∑

√ œo æ

‰  æ

 æ ∑

∏

 æ

III

 æ

 æ

 æ

 æ

 æ

 æ

 æ

 æ

OOOOOOO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~            J ∏ n  æ

 æ

 æ ∑

 æ

 æ

 æ

 æ ∑

 æ

&

∏

B n

Ó

n

o w æ ∑

22 111 Fl. 1

Fl. 2

˙. æ

#˙ æ

&Ó

n

&w

π

w

µœ æ

w æ Ó

n

µ˙

&

∑

∑

∑

Ob. 2

&

∑

∑

∑

B b Cl. 2

B. Cl.

S. Sx.

A. Sx.

Bsn. 1

Bsn. 2

C. Bn.

&w

w

&w

w

?w

n

w

&Ó

b˙ ˙

?

∑

n

A-9

n

? ?

#˙

Ó

µ˙

w

n

w

n

∑ w w Ó.

"

∑

∑

∑

∑ w

π

w

p

S-122

w

P "

n

w w

f"

w

p

µ ww

∑

∑

n

w

˙

Ó

n

w &w

Ó

n

n

Ó

w

n

Ob. 1

B b Cl. 1

˙ æ

˙ ˙

µ˙ ˙

A-8

ww

f"

w w "

n no vib.

œ

w

n

∑

∑

Ó.

∑

∑

Œ

w

P

no vib.

œ

˙

n

œ

w

P

w

Ó

˙

∑

∑

?

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Hn.

T. Tbn. 1

T. Tbn. 2

Tuba

? ? ?

Perc. 2

ã Ó.

Perc. 3

ã

Pno.

∑ w

œ

µœ J

& Œ. ?

≥ œ J

˙.

Œ

b œo Honey Rattle

?

"

Vln. II

Vla.

Cello

≥–

Œ ∑

‚

F"

 &æ

BÓ

? √

DB

t

?

 .

–≤

 .

œ≤

≥œ

˙.

œo

œ. π

œ J

Bass Drum

Ó

∑

Ó

Ó

∑

∑

Œ

‰

j b œo

‰

Œ

 æ

 æ

 æ

 æ

 æ

j œo

 æ

 æ

∑ ∑

∑

∑

∑

∑

∑

∑

∑

Jéte --------> Arco IV ---------> I

≥– –≤

Jéte --------> Arco IV ---------> I

 .

≥– –≤

 æ

o œ æ

w æ

b b O˙ .. æ π

Oœ æ

∑

Ó.

‰

o w æ ∑

µ œo

∑

O˙ æ n

Œ

3

Ó

œ œ

Œ

∑

Ó.

∑

œ

bœ

µœ

∑

Ó.

π

Œ

 .

Jéte --------> Arco IV ---------> I

≥– –≤









 .

–≤

∑

With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

o w æ

111

Md



≥–

Œ

œ œ

Jéte --------> Arco IV ---------> I



œ

Ó.

Ó.

Jéte --------> Arco IV ---------> I

BR

F *

∑

∑

#‚ J

≥˙

œ J

∑

∑

∑

& Œ.

œ≤

œ

‰

∑

∑

?

Ó.

∑

∑

Pegs

Vln. I

n

Œ ‰

& Hp. 2

n

∑

n

w

ã Ó

Ó

˙

Ó

˙

Perc. 1

Hp. 1

o

w

∑

n

&

Hn.

∑

œ P

∑

n

w

n

f"

≥–

Ó

BR

n

"

F"

 æ

Jéte --------> Arco IV ---------> I





 .

œ≤

≥–

 .

 æ

 æ ∑

 æ

 æ

Jéte --------> Arco IV ---------> I

≥– –≤

 .

With very light bow pressure, producing high, white noise hiss and occasional bursts of high partials

OOOOOOO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~            J ∏ n  æ

∑

Jéte --------> Arco IV ---------> I

Pegs

O˙ æ I

o œ æ

o w æ

 æ

 æ ∑

 æ

 æ

 æ

Ó

n

 æ ∑

œo æ

–≤

23

N

116 Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

B. Cl.

&

∑

∑

&w

A. Sx.

Hn.

Hn.

C Tpt. 1

C Tpt. 2

T. Tbn. 1

T. Tbn. 2

w

n

Ó

n

?w

#˙

Ó

n

w

n

&

&w

˙ æ

µ ˙ ∑

w &w

C. Bn.

p

Ó

n

µœ æ

∑

S. Sx.

Bsn. 2

n

&w

w &w

Bsn. 1

b˙. æ

µ˙

&Ó

w

n

w

˙

Ó

n

µ˙

n

ww

Ó

n

µw ∑

Ó.

∑

∑

Ó

w

P

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

#w æ µw æ

Perc. 1

?

∑

ã

∑

∑

◊

# ww

#˙

π

n

π

w w

n

# w+

n Mute Wawa

π

n Wawa Mute

#w æ

˙

n

w

#w

π

π

w

∑

∑

∑

Œ

∑

Tam superball

˙.

F

n

Perc. 2

ã

∑

∑

∑

∑

Perc. 3

ã

∑

∑

∑

∑

o

π

n

senza sordino

senza sordino

∑

∑

∑

Ó

n

Tuba

π

∑

n

∑ Ó

π

n

∑

&

?

π

n

n

∑

π

w

?

?

π

w

∑

n

π

n

∑

Bœ J

n

n

w

‰

#˙

#w

w

p

π

n

∑

π

π

n

w

p

n

w w

#w

∑

∑ Ó.

œ æ

Bass Drum

n

Hp. 1

∑

& ? &

Hp. 2

?

∑

∑

∑

∑

π

n

w

w ◊

Pno.

∑

˙

˙

∑

#˙

&

∑

∑

?

∑

∑

∑

# # O˙

Ó

˙

 &æ

 æ

Jéte --------> Arco IV ---------> I

≥–

Vla.

 .

 æ

Jéte --------> Arco IV ---------> I

≥– –≤

 æ

 æ

 æ

 æ

DB

?Ó

n

√ w t æ

116

Md

O˙ æ

?